Pixel Scroll 2/26/19 Two Pixels Were Approaching, And The File Began To Scroll

(1) KELLEY OBIT. An acknowledged leader of Doctor Who fandom in the U.S., Jennifer Adams Kelley, died today. LA’s Gallifrey One con committee paid tribute on Facebook:

All of us at Gallifrey One today are mourning the loss of our dear friend, and our long-time Masquerade director, Jennifer Adams Kelley, who passed away early this morning at home after a short but fierce battle with cancer.

Jennifer was a titan of American Doctor Who fandom, both locally in the Chicago area and across the country: as former program director & stage manager of our sister events Visions and ChicagoTARDIS; her decades-long involvement in Chicago area Doctor Who fandom, including her participation in the local fan group The Federation since the 1980s (where they created many well-known fan videos such as “Doctor Who and Holy Grail” and “S-A-V-E-W-H-O”); co-author of ATB Publishing’s landmark tome “Red White and Who: The Story of Doctor Who in America”; staff member of the Outpost Gallifrey and Gallifrey Base fan forums (the latter of which she co-founded); and countless contributions to fan communities and publications across America. She was also very active in costuming fandom, participating in and running masquerades and convention events nationwide. She was unable to join us to run our Masquerade this year due to her illness, leading to a last-minute group effort she actively contributed to, to make certain the show would go on.

Our entire fan community has been enriched by Jennifer, and her loss is devastating to so many of us who have called her friend for so long. We will be dedicating next year’s Gallifrey One convention to her memory. Our thoughts and sympathies are with her husband Philip, her daughter Valerie, and their family today.

(2) AMAZONIAN CRITIQUES. Authors continue raising issues about Amazon’s business practices and those who abuse its revenue model.

  • Courtney Milan. Thread starts here.
  • Courtney Milan again. Thread starts here.
  • Tessa Dare. Some interesting data from her, and from the additions and corrections in responding tweets. Thread starts here.

(3) BOMBS AWAY. The Verge, in “Rotten Tomatoes tackles review-bombing by eliminating pre-release comments”, tells about site changes being made in response to the negative campaign against Captain Marvel.

The film-rating aggregation site Rotten Tomatoes has announced it will no longer allow users to comment on or register early anticipation for movies, following a series of coordinated attempts to sabotage the ratings on a few select upcoming films.

The Rotten Tomatoes blog details those changes:  

Starting this week, Rotten Tomatoes will launch the first of several phases of updates that will refresh and modernize our Audience Rating System. We’re doing it to more accurately and authentically represent the voice of fans, while protecting our data and public forums from bad actors.

As of February 25, we will no longer show the ‘Want to See’ percentage score for a movie during its pre-release period. Why you might ask?  We’ve found that the ‘Want to See’ percentage score is often times confused with the ‘Audience Score’ percentage number. (The ‘Audience Score’ percentage, for those who haven’t been following, is the percentage of all users who have rated the movie or TV show positively – that is, given it a star rating of 3.5 or higher – and is only shown once the movie or TV show is released.)

… What else are we doing? We are disabling the comment function prior to a movie’s release date. Unfortunately, we have seen an uptick in non-constructive input, sometimes bordering on trolling, which we believe is a disservice to our general readership. We have decided that turning off this feature for now is the best course of action. Don’t worry though, fans will still get to have their say: Once a movie is released, audiences can leave a user rating and comments as they always have.

(4) SAYING NO. Emma Thompson quit a movie she wanted to do with a director she loves to work with – the LA Times has the reasons: “Emma Thompson’s letter to Skydance: Why I can’t work for John Lasseter”. Skydance had hired Lasseter just months after he left Pixar and parent company Disney in the face of multiple allegations of inappropriate behavior.

In mid-February, it was reported that the two-time Oscar winner had pulled out of Skydance’s highly touted animation feature “Luck,” citing her concerns about Lasseter’s hiring. According to her representatives, from the moment the hire was announced, Thompson began conversations about extricating herself from the project; she officially withdrew Jan. 20.

In a letter she sent to Skydance management three days later, she acknowledged the complications caused by a star withdrawing from a project, including the effect her decision would have on the director, the rest of the cast and the crew. But in the end, she wrote, the questions raised by the Lasseter hire made it impossible for her to remain in the film.

The full text of the letter is at the linked article. It ends:

I am well aware that centuries of entitlement to women’s bodies whether they like it or not is not going to change overnight. Or in a year. But I am also aware that if people who have spoken out — like me — do not take this sort of a stand then things are very unlikely to change at anything like the pace required to protect my daughter’s generation.

(5) MELON. Hong Kong’s Melon Sci-Fi event, to be held March 23, describes itself as —

An international gathering of leading science fiction writers, acclaimed scientists, media industry experts and fans to discuss what’s next in science fiction, entrepreneurship and the most compelling trends facing our future.

The program boasts a stellar list of talents from East and West, including Jo Walton, Bao Shu, Jeanette Ng, Aliette de Bodard, Rebecca Kuang, Tade Thompson, Regina Wang, Lisa (SL) Huang, and many others.

(6) NOT FAR AT ALL. C.E. Murphy, who lives in Ireland, gives a kindly warning in “A note about Irish distances”

This is especially for people coming to Dublin 2019:

If an Irish person (or website, for that matter) tells you something is a 10 minute walk, they are almost certainly lying to you.

It’s a well-intentioned lie. They reckon anybody can walk for ten minutes, I think, so if they say it’s ten minutes, well, that sounds grand and not a bother and you can manage that. But if it is actually a ten minute walk, that is a matter of sheer coincidence and should not be used as a measuring stick for other times you’re told something is a ten minute walk.

Usually a ten minute walk is really about 20 minutes. Sometimes it’s 85.

Everything in Dublin is, according to rental ads, no more than a 15 minute walk from city centre or St Stephen’s Green. Everything in Ireland is no more than a comfortable 10 minute walk from a train station.

Honestly, we’d been here for years, trying to figure this and other similar phenomenon out, when it finally dawned on us that broadly speaking, the Irish people, who love a good story, would rather lie to you than disappoint you….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 26, 1918 Theodore Sturgeon. Damn, I hadn’t realised that he’d only written six novels! More Than Human is brilliant and I assumed that he’d written a lot more long for fiction but it was short form where excelled with more than two hundred stories. I did read over the years a number of his reviews — he was quite good at it.  (Died 1985.)
  • Born February 26, 1945 Marta Kristen, 74. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and Alfred Hitchcock Presents. Oh, and she’s still damn sexy. 
  • Born February 26, 1948 Sharyn McCrumb, 71. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements.  If you like mysteries, highly recommended.  Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print which is interesting as I know she took them out of print for awhile.
  • Born February 26, 1957 John Jude Palencar, 62. Illustrator whose artwork graces over a hundred covers. In my personal collection, he’s on the covers of de lint’s The Onion Girl and Forests of the Heart, Priest’s Four & Twenty Blackbirds and le Guin’s Tehanu: The Last Book of Earthsea.
  • Born February 26, 1963 Chase Masterson, 56. Fans are fond of saying that spent five years portraying the Bajoran Dabo entertainer Leeta on Deep Space Nine which means she was in the background of Quark’s bar a lot. Her post-DS9 genre career is pretty much non-existent save one-off appearances on Sliders, the current incarnation of The Flash and Star Trek: Of Gods and Men, a very unofficial Tim Russ project. She has done some voice work for Big Finish Productions as of late. 
  • Born February 26, 1965 Liz Williams, 54. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic Chinese city Singapore Three, its favorite paranormal police officer Chen and his squabbles with Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read.
  • Born February 26, 1977 James Wan, 42. He’s known originally for directing the Saw horror film franchise, but more recently for Aquaman. He’s been picked to develop the Swamp Thing series on the DC Universe streaming service. He also rebooted the MacGyver franchise. 

(8) COMICS SECTION.

  • Free Range thinks it will cost plenty to commute in outer space.
  • AI loosely defined, in Brewster Rockit.
  • Arriving aliens famously make this request. Over the Hedge offers a good example of when the right answer is “No.”
  • Please, Monty, do not use the eggplant emoji to ask for baba ghanoush.

(9) TODAY’S THING TO WORRY ABOUT. BBC asks “Is Japan losing its umami?” (gallery and video; not viewable on small screens.)

Soy sauce is one of the most important ingredients in Japanese cooking, but chances are you’ve never tasted the real thing.

Yasuo Yamamoto has a secret – or more precisely, 68 of them. On a recent morning on the Japanese island of Shodoshima, the fifth-generation soy sauce brewer slid open the door to his family’s wooden storehouse to reveal 68 massive cedar barrels caked in a fungus-filled crust. As he climbed up a creaky staircase into his dark, cobwebbed loft, every inch of the planked walkway, beams and ceiling was covered in centuries’ worth of black bacteria, causing the thick brown goo inside the barrels to bubble. The entire building was alive.

“This is what gives our soy sauce its unique taste,” Yamamoto said, pointing to a 150-year-old wooden barrel. “Today, less than 1% of soy sauce in Japan is still made this way.”

Until 70 years ago, all Japanese soy sauce was made this way, and it tasted completely different to what the world knows today. But despite a government ordinance to modernise production after World War Two, a few traditional brewers continue to make soy sauce the old-fashioned way, and Yamamoto is the most important of them all. Not only has he made it his mission to show the world how real soy sauce is supposed to taste, but he’s leading a nationwide effort to preserve the secret ingredient in a 750-year-old recipe before it disappears.

(10) IF YOU CAN MAKE IT THERE. Joseph Hurtgen reviews Famous Men Who Never Lived by K Chess” at Rapid Transmission.

Reminiscent of Philip K. Dick’s metafictional The Grasshopper Lies Heavy within The Man in the High Castle, Chess’s Vikram holds his copy of Pyronauts dear. It is the one item of cultural significance that grounds him to his former identity. What are pyronauts? They are those that set fire to things, that destroy the archive. So, then, it is ironic that the item Vikram holds dear is a story about those that destroy artifacts. The immigrants from a different New York City experience a complete cultural dislocation. The entire archive, the background to their lives, is gone as if incinerated in a fire. Though their New York City appears the same as the new one they find at the other side of the trans-dimensional gate, in the new city, they have no history, and with no history, no future.

(11) ARE YOU THAT AUDIENCE? Adri Joy says this flawed book is still a good choice for the right audience: “Microreview [Book]: Do You Dream of Terra-Two? by Temi Oh” at Nerds of a Feather.

By opening the action around the Terra-Two mission, and the tiny complement of students who get onto it from the academic pressure cooker of Dalton academy, Oh sets up an interesting moment to start the story. By this point, all of the characters have spent years in each others’ company to some extent, and while some clearly know each other better than others – there’s a notable divide between Jesse and the crew who were originally selected – we are still reading about relationships that have a great deal of baggage behind them, and the whole that’s handled quite well. At the same time, setting the action at the start of the crew’s 23-year journey makes the distance to the planet insurmountable. I suspect it’s no accident that the title frames Terra-two as a “dream”: a planet that will somehow provide all the answers to an overcrowded, dying earth, packed with natural beauty and already habitable for humans, somehow becoming more and more unreal with every detail we learn that conforms to the way things are on Earth. The fact that this mission seems so dreamlike, and the protagonists feel so underequipped, may be frustrating for readers seeking a more Seveneves-esque tale of human ingenuity in the face of interstellar adversity, but that’s sort of the point: there’s a subtle but increasingly clear message that we are supposed to question the design and realism of this mission, even while the teenagers themselves are fixated on their own destinies and, more practically, surviving long enough to arrive with them.

(12) BRANCHING OUT. This time around Vicky Who Reads connects young readers to works aimed at adults: “If You Liked… #13: Adult Science-Fiction & Fantasy by Women!”

…I picked this specific subset because oftentimes, these books are miscategorized as YA, for numerous reasons. A lot of it is definitely misogyny in both the YA and adult SFF communities, believing that women writing SFF are YA because in these people’s minds, YA is also “lesser” and “less intense” (Which is not true. YA is very valid, and includes a different writing style.)

So anyways, I wanted to both boost some adult fiction work (that have crossover appeal, but are still not YA) by women, and also to maybe provide suggestions for readers who want to transition from YA SFF to adult, but don’t know where to start!

The first comparison is:

If you liked The Wrath and The Dawn, you’ll love Uprooted!

Uprooted honestly feels very 1001 Nights to me–women needing to be handed over to an overlord of sorts as payment, and then something interesting happens!

(13) MOONWALKERS. There’s a day left to bid on a “Rare Apollo Reunion Poster Signed by 18 Apollo Astronauts, Including 8 Moonwalkers” at the Nate D. Sanders Auctions site.

Apollo astronauts signed poster, from their 6 July 1986 reunion in Washington, DC. Poster of three children gazing upward at the moon is commemorated by the autographs of 18 Apollo astronauts including 8 moonwalkers: Charles Conrad, Ron Evans, Stu Roosa, Dick Gordon, Charlie Duke, Michael Collins, Walt Cunningham, Jim Lovell, Buzz Aldrin, Don Eisele, Bill Anders, Alan Bean, Jim Irwin, Al Worden, Rusty Schweickart, Alan Shepard, Gene Cernan and Jack Schmitt.

(14) OGH WISHES HE LOOKED THIS GOOD. The Chibify site is fun, and I can hardly complain that the results aren’t too close to reality when they are as flattering as this.

(15) VIDEO OF THE DAY. Xylophone by Jennifer Levonian on Vimeo explains what happens when a pregnant woman steals a goat from a petting zoo.

[Thanks to JJ, rcade, John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Errolwi, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 1/10/19 We Built this City on Pixel Scroll

(1) A VALID GRIEVANCE. A message from Marko Kloos — “This post brought to you by the Superhero Writers Union.”

I love writing for Wild Cards. It’s an amazingly detailed world that has been expanded by thirty-plus writers over thirty years, and it’s a ton of fun to be a part of that. I mean, I get to make up my own super-powered characters and then let them loose in a playground that has been constantly expanded and improved for three decades. And the Wild Cards consortium is just stacked with super-nice and super-talented people.

That said, there’s one thing that annoys me about being a Wild Cards writer, and that’s entitled Game of Thrones fans.

Every time GRRM posts something on social media about Wild Cards, it takes about five seconds before someone responds with a dismissive one-liner that totally shits on whatever it is he’s trying to promote or announce. And it’s always a variation of the same boring, unoriginal garbage. Finish Winds of Winter. Nobody cares about Wild Cards. WHERE’S THE BOOK, GEORGE? NOT BUYING ANYTHING FROM YOU UNTIL YOU FINISH WINDS OF WINTER. Etcetera, etcetera. Yawn.

GRRM is the editor of Wild Cards (along with Melinda Snodgrass). He edits the books, he doesn’t write them…

(2) CON OR BUST SEEKS NEW DIRECTORS. Kate Nepveu, who started Con or Bust ten years ago, is stepping down from its board, and thus they are seeking up to four new director: “Help shape Con or Bust’s future: join the Board of Directors!”

What does being on the Board involve?

That’s up to the new Board members to decide. In the past, I handled all the day-to-day business, and the rest of the Board reviewed and approved requests for assistance quarterly, and provided advice, suggestions, and approvals regarding policy changes as-needed. The day-to-day business consisted of: the auction, yearly; administering requests for monetary assistance, quarterly; balancing the books, monthly; and general question-answering and email-fielding, weekly-ish.

However, that state of affairs was the result of (1) Con or Bust’s origin as a single-person project and (2) my control-freak tendencies. Since I’m stepping down, the new Board will determine what works best for its members.

Board members are elected for a term of three years.

(3) EXPLAINING THE POPULARITY OF HORROR. An article in the January 4 Financial TImes by Tom Faber contends horror films have become more popular because women are given more roles to play than “victims, sex objects, and she-devils.”

In 2018, however, women in horror were scientist-explorers, dancers, witches, avengers, webcam girls, and mothers both fiercely protective and provocatively ambivalent toward their children.  Meanwhile male characters in the Halloween reboot, (Lucas) Guadagnino’s Suspira and Hereditary were passive and useless.  In one of Suspira’s memorable scenes, witches hypnotise two policemen, laugh at them, and laugh at their genitals.  Could there be a more pointed example of the genre’s gender shift?

As female roles change, the horror audience only grows.  Last year’s Halloween broke the (admittedly specialised) box office record for a film with a female lead over the age of 55.  FrightFest reports more women attending every year.  And more women are getting behind the camera. The Babadook, Raw, and Revenge all offer a thoughtful female perspective  on the genre tropes, exploring motherhood, awakening sexuality and the aftermath of sexual violence without skimping on the gore. This could be a lasting change in the world of horror, even if the genre does end up creeping back into the shadows.

(4) LASSETER BACK IN INDUSTRY. Variety published the explanatory memo: “Skydance CEO Addresses John Lasseter Hire in Memo to Staff: ‘We Have Not Entered Into This Lightly’”

On Wednesday, Skydance announced that it hired Pixar veteran John Lasseter to head its animation division. The decision is bound to come under scrutiny, given the fact that Lasseter was ousted from Pixar in the midst of a sexual harassment scandal. In a memo to staff, CEO David Ellison attempted to explain the decision, and noted that Skydance employed a third-party counsel to investigate the allegations. Read the full memo below.

(5) STAR WARS BLOWS UP PRICES AT DISNEYLAND. At Fatherly, Ryan Britt says “Blame ‘Star Wars’ For Huge Price Increase of Disneyland Parks Tickets”. Disney has increased ticket prices by 25 percent to a minimum of $100/day to pay for Star Wars Galaxy’s Edge where you can ride the Millennium Falcon and have a drink at the Mos Eisley cantina. The post includes a Disney video called “Fly Through Star Wars Galaxy’s Edge.”

Sadly, there aren’t a lot of hacks to get around this, and the reason for the increase almost certainly has to do with the new Star Wars attraction. Touted as an immersive experience, Galaxy’s Edge will allow visitors to ride the Millennium Falcon and drink real alcohol at a simulacrum of the famous Mos Eisley cantina first glimpsed in the 1977 Star Wars movie, A New Hope. For those of us who remember StarTours from the ’80s and ’90s, this is supposed to be way better than that, though clearly, way more expensive.

(6) GOLDEN AGE SFF ART. Alec Nevala-Lee tells “How Astounding Saw the Future” with an accompanying gallery at the New York Times.

Science fiction has become so central to our culture that it can be easy to take it for granted, but its modern form arose at a specific historical moment. During the genre’s golden age, which is conventionally dated from 1939 to 1950, its ideas were refined by a relative handful of authors, editors and artists — and its most immediate impact came through its illustrations. Out of the pulps emerged an entire visual language that relied on striking painted covers to attract newsstand buyers, and while it took years for the stories inside to live up to readers’ dreams, the pictures were often unforgettable from the beginning.

This evolution is clearly visible in the magazine best known as Astounding Science Fiction, the most influential title in the history of the field, and in its sister publication, Unknown, which played much the same role for fantasy. Most of the art was produced by commercial freelancers in New York who collaborated closely with editors. The interior drawings tended to strictly follow the text, but cover artists could let their imaginations run wild. Thanks in large part to their work, science fiction in the midcentury achieved its enduring sense of wonder, and its images from this period may turn out to be the genre’s most lasting contribution to our collective vision of the future.

(7) TODAY IN HISTORY.

  • January 10, 1927 — Fritz Lang’s Metropolis had its world premiere in his native Germany.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 10, 1904Ray Bolger. The Scarecrow In The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and Vector In “Greetings from Earth” on the seventies version of Battlestar Galactica. (Died 1987.)
  • Born January 10, 1937 Elizabeth Anne Hull, 82. She has served as the President of the Science Fiction Research Association and editor of its newsletter. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She is also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”.
  • Born January 10, 1942 Walter Hill, 77. Film director, screenwriter producer of such genre fare as the Alien franchise, Streets of Fire (it’s genre, it’s it?), several espies odes of the Tales from the Crypt series, Tales from the CryptDemon KnightPerversions of Science, an episode of Deadwood and Prometheus. 
  • Born January 10, 1944 William Sanderson, 75. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood
  • Born January 10, 1944Jeffrey Catherine Jones. She was an artist providing more than a hundred and fifty covers for many different types of genre books through mid seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the  Conan Saga for Marvel Comics in the late Eighties. (Died 2011.)
  • Born January 10, 1947 George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review.  I don’t think I’ve ever encountered any of his other works — was he on presses that would’ve been in general bookstores that carried SF (Died 2002.)

(9) BUDRYS. Yesterday, Rich Horton posted “Birthday Review: Early Short Stories (and one obscure novel) by Algis Budrys”. He says, “I always think Algis Budrys needs to be better remembered, so on what would have been his 88th birthday, I put together a set of reviews of some of his 1950s stories.”

Algis Budrys was just a couple of months older than my father, and he’d have turned 88 today. He was one of my favorite SF writers. His best work, in my opinion, came mostly in the 1960s — the remarkable novel Rogue Moon, the underappreciated novel The Amsirs and the Iron Thorn, and such stories as “For Love”, “Wall of Crystal Eye of Night”, “Be Merry”, and a non-SF story, “The Master of the Hounds”. He also did excellent later work: “The Silent Eyes of Time”, “A Scraping at the Bones”, and the novels Michaelmas and Hard Landing. Late in his life he edited the interesting small press magaine tomorrow (which became one of the first magazines to transition online), before an unfortunate final act working for Writers of the Future.

(10) DC COLLECTIBLES. “Important Toy News: DC’s Hot Properties Village is the best fictional real estate”SYFY News has the story.

…Up for pre-order starting this week, Enesco’s Hot Properties Village follows in line with the well-known Department 56 “Village” brand. Instead of Swiss chalets and winter-themed Americana, Enesco is turning its attention to the major landmarks of the DC Universe. The company has already been putting out Christmas ornaments featuring some DC characters, but this new direction for the license opens up all kinds of possibilities, beginning with Wayne Manor, the Daily Planet, and the Batcave.

All three ceramic replicas include light-up elements, a key feature for display purposes. The scales are a little off between the various buildings, but that helps to keep all the various entries shelf-sized. Still, the Superman flying around the Daily Planet is comically oversized compared to the building, and the same could be said for the Bruce and Alfred that accompany Wayne Manor. At least the Batmobile looks like it could actually fit through the Batcave entrance. Sadly, the ’66 Batman and Robin to go with that cave entrance are sold separately….

(11) NONBREAKING NEWS. John Scalzi takes stock of his detractors in “And Now, the Dickhead Report”.

… Beyond that, it does seem that most of the dickheads who used to rail about me have either moved on or sunk themselves into obscurity or both. The fellow most enthusiastic about being a jackass in my direction over the years has recently fixated on someone else, which is nice for me and apparently harmless enough for the fellow he’s fixed himself upon. The object of his affections doesn’t seem to be suffering any real negative effect from the jackass’ constant need to attach himself, lamprey-like, to someone else’s career in the hope of gobbling up leftover crumbs. He’ll occasionally still snark in my direction, and mutter something to his sockpuppets about my blog visits, which, fine. But I don’t think his heart’s much into it anymore. He’s found a new crush, and I wish him joy.

Outside that dude, there’s a small group of indie writers (and their fans) who have used me as a fetish object in their never-ending war against the SJW-ing of science fiction, but that’s mostly just, like, six dudes reminding each other they’re in the “I Hate Scalzi” club over and over. Again, it’s not done me any harm, so let them have their whine circle if it makes them happy. But they seem to do it less now, as far as I can see. Among the former Sad Puppies, a couple of them will still hitch the strawman version of me to their chariot and drag it around the walls of their compound, to desultory cheers. But honestly, that was soooo long ago now. In the here and now, most of them are busy trying to build (or rebuild, as the case may be) their careers, and that’s probably a better use of their time. Good luck to them….

(12) DEEP BEEP. “Mysterious radio signals from deep space detected” according to the BBC.

Astronomers have revealed details of mysterious signals emanating from a distant galaxy, picked up by a telescope in Canada.

The precise nature and origin of the blasts of radio waves is unknown.

Among the 13 fast radio bursts, known as FRBs, was a very unusual repeating signal, coming from the same source about 1.5 billion light years away.

Such an event has only been reported once before, by a different telescope.

“Knowing that there is another suggests that there could be more out there,” said Ingrid Stairs, an astrophysicist from the University of British Columbia (UBC).

“And with more repeaters and more sources available for study, we may be able to understand these cosmic puzzles – where they’re from and what causes them.”

(13) THE NEXT BIG BUSINESS. The Verge tells how “Fixing broken satellites in space could save companies big money”.

When your satellite breaks in space, as DigitalGlobe’s did on Monday, there isn’t an easy way to repair it. Technology that’s currently on the horizon may change that, however, allowing satellite providers to staunch their financial losses and get more out of their investments.

For DigitalGlobe, the loss was brutal: an Earth-imaging satellite called WorldView-4, which had clients that include Google Maps. A critical instrument needed to stabilize the spacecraft has stopped working properly. Now, the satellite can’t take decent pictures of Earth for DigitalGlobe’s customers, and there seems to be no way to fix the damage. 

WorldView-4 generated $85 million in revenue for Maxar, DigitalGlobe’s parent company, in fiscal year 2018, and the spacecraft is insured for $183 million. (Maxar says it intends to seek all of that money.) But if a servicing company offered a way to repair the satellite in orbit, for tens of millions of dollars, Maxar wouldn’t be facing as big of a financial hole. WorldView-4 just needs a new working gyroscope to get things up and running again.

(14) WINTERPROOF. Wired assures readers that “Snow can’t stop the Edward Scissorhands of Flying Cars”.

Plattsburgh, New York, is a tough place to be outside in early January. The small city sits on the western shore of Lake Champlain, 20 miles south of the Canadian border. I’ve just arrived with Kyle Clark and a few of his colleagues, after a quick flight in a 40-year-old Cessna from Burlington, Vermont, on the other side of the lake. It’s snowing, and as we shuffle across the mostly abandoned former Air Force base toward a secluded hangar, I ask Clark if the weather might ice today’s flight plans.

He looks at me and laughs, opening the hangar door. “Not a chance.”

…Clark will have none of such worries. He bounds into the cavernous building that once housed B-52 bombers and introduces me to the Ava XC. The gleaming white contraption, with stilt-like landing gear and eight propellers jutting out in every direction, looks like what Tony Stark would build if he had an Edward Scissorhands phase.

(15) STAND UP FOR READING. In Illinois there’s a school using giant book murals to encourage reading.

For many students, this week saw the end of the Christmas break and a return to school.

However, one school in Illinois, US, has taken a novel and eye-catching approach to motivating its students in the new year.

Students of Mundelein High returned to find six floor-to-ceiling book covers lining the corridor of the school’s English department.

The vinyl prints, which wrap around sections of wall like the jackets of giant books, flank the doorways of three of the school’s English classrooms.

The school explained in a post on Facebook that a “routine hallway has been transformed into a giant motivational tableau to encourage reading”.

Lockers done over as Harry Potter book covers.

(16) ALLEGED VAMPIRES. Fox’s The Passage kicks off Season 1 on Monday — Preview: There’s No Such Thing As Vampires.

[Thanks to Andrew Porter, Carl Slaughter, ULTRAGOTHA, Karl-Johan Norén, Olav Rokne, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Cat Eldridge, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]