(1) WON’T BE THE FIRST TIME. The organizers anticipate some accepters will make some political statements from the stage of the National Book Awards ceremony on November 15: “Israel-Hamas War Sows Disruption at the National Book Awards” in the New York Times.
As the cultural fallout from the war in the Middle East continues, several finalists for the National Book Award plan to call for a cease-fire in Gaza during the ceremony on Wednesday. Two sponsors have decided not to attend the ceremony after learning authors were planning a political statement.
“I don’t want to look back on this time,” said Aaliyah Bilal, a finalist in the fiction category and one of the authors planing to speak out, “and say that I was silent while people were suffering.”
Rumors that authors would take a stand regarding the Israel-Gaza conflict during the ceremony were flying in the days leading up to the event, but it was unclear what the statement would include, leaving several sponsors concerned.
One of the sponsors that withdrew after learning that some authors were planning a political statement was Zibby Media. Zibby Owens, the company’s founder, wrote in an essay published on Substack that her company had withdrawn because she was afraid the remarks at the ceremony would take a stance against Israel, noting that “we simply can’t be a part of anything that promotes discrimination, in this case of Israel and the Jewish people.”
Another sponsor, Book of the Month, has also decided not to attend. In a statement, the organization said it continued to support the event.
On Tuesday, the National Book Foundation sent a message to all the sponsors and those who purchased tickets, alerting them to the likelihood that winners were planning to issue political statements from the podium. The letter said that one group had decided to withdraw its sponsorship altogether….
Toronto police say three people are facing charges after a surprise protest which hijacked a gala for the Scotiabank Giller Prize – one of the biggest nights in Canadian literature.
The glitzy awards ceremony was held at the Four Seasons Hotel in Yorkville Monday night.
Just as the prize was being announced, a protester posing as a photographer interrupted the ceremony – which was being broadcast live on CBC – with antiwar slogans.
A video of the incident posted to social media shows a woman yelling at the room while several others held up signs accusing Scotiabank of “genocide” for investment in an arm’s company that deals with Israel.
Publishers Lunch reports a Scotiabank asset investment fund holds a five percent stake (worth roughly $500 million) in Elbit Systems, the “largest non-government-owned defense company in Israel.”
(3) NANOWRIMO CONCERN. This report about the NaNoWriMo Youth Forums says the Board of Directors had to step in because of allegations against a moderator. The following is an excerpt from a thread which begins here.
So, back in May I was part of a group of 100+ users who uncovered this.
It was freaking *bad*. Like, trauma territory. First thing we did is file a FBI report.
We then reported it to #NaNoWriMo. “hey you need to investigate this since this person is a mod & these are minors”
— Arumi Velociraptor | sudo -426 int (@Arumi_kai) November 7, 2023
Not only that – the fetish site mysteriously locked down & started purging data.
Presumably, someone tipped them off about our report. So, even if NaNo *wanted* to investigate – it was too late.
The site was likely being scrubbed.
— Arumi Velociraptor | sudo -426 int (@Arumi_kai) November 7, 2023
Finally, this October, we were like "OKAY WTF". The NaNo forums had a thread for user concerns, & we asked about it there.
We finally got responses.
"We didn't see an issue with them being on the site. If we did, we would have acted".
Investigation: failed.
— Arumi Velociraptor | sudo -426 int (@Arumi_kai) November 7, 2023
And this tweet links to a 5-minute Rebecca Thorne Tik-Tok video commentary on the situation where she says “Now is the time to change your password, your email, and check your kids if they’ve been on these forums”.
So children were being groomed on the NaNoWriMo Youth forum. Good job guys. https://t.co/5fmRLE52uQ
(4) 2024 GRAMMY BALLOT INCLUDES SFF NOTABLES. The “2024 GRAMMY Nominations” were released on November 10, with nearly one hundred categories. William Shatner stands alone in his category, but the next four are almost entirely filled by musical works of genre interest.
68. Best Audio Book, Narration, and Storytelling Recording
Boldly Go: Reflections On A Life Of Awe And Wonder William Shatner
69. Best Compilation Soundtrack For Visual Media
Award to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).
AURORA (Daisy Jones & The Six)
Barbie The Album (Various Artists)
Black Panther: Wakanda Forever – Music From And Inspired By (Various Artists)
Guardians of the Galaxy, Vol. 3: Awesome Mix, Vol. 3 (Various Artists)
Weird: The Al Yankovic Story Weird Al Yankovic
70. Best Score Soundtrack For Visual Media (Includes Film And Television)
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, or other visual media.
Barbie Mark Ronson & Andrew Wyatt, composers
Black Panther: Wakanda Forever Ludwig Göransson, composer
The Fabelmans John Williams, composer
Indiana Jones And The Dial Of Destiny John Williams, composer
Oppenheimer Ludwig Göransson, composer
71. Best Score Soundtrack for Video Games and Other Interactive Media
Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.
Call Of Duty®: Modern Warfare II Sarah Schachner, composer
God Of War Ragnarök Bear McCreary, composer
Hogwarts Legacy Peter Murray, J Scott Rakozy & Chuck E. Myers “Sea”, composers
Star Wars Jedi: Survivor Stephen Barton & Gordy Haab, composers
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)
Barbie World [From “Barbie The Album”] Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
Dance The Night [From “Barbie The Album”] Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
I’m Just Ken [From “Barbie The Album”] Mark Ronson & Andrew Wyatt, songwriters (Ryan Gosling)
Lift Me Up [From “Black Panther: Wakanda Forever – Music From And Inspired By”] Ryan Coogler, Ludwig Göransson, Robyn Fenty & Temilade Openiyi, songwriters (Rihanna)
What Was I Made For? [From “Barbie The Album”] Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
(5) LEARNEDLEAGUE. [Item by David Goldfarb.] The last day of the current LearnedLeague off-season featured a fun quiz on invented religions in a wide range of SF and fantasy. I got 9/12. You can find the questions here: “Fictional Theology”.
(6) SACRIFICIAL RAMMING SPEED. While you may have missed the latest NCIS television spinoff (I certainly did), Camestros Felapton confesses “I watched NCIS Sydney”.
…The choice of city is obvious from the opening shots which take in the Harbour Bridge and the Opera House before taking us to the naval base near Woolloomooloo. You really can’t go wrong with filming Sydney Harbour, it is genuinely photogenic and really does have visiting naval vessels in it. Apparently, the real NCIS does have an Australian sub-office but it is in Perth, which is a lovely city but lacks the kind of recognisable landmarks that invading aliens or kaiju like to destroy….
(7) IT TURNS OUT MOUNT DOOM IS FREEWAY CLOSE TO POMPEII. In Italy, where the right wing is trying to appropriate Tolkienesque icons and themes, Politico takes readers “Inside Giorgia Meloni’s Hobbit fantasy world”.
Introducing soon-to-be Prime Minister Giorgia Meloni at her final election campaign rally last year, the compère lifted a line from a battle speech in J.R.R. Tolkien’s Lord of The Rings: “The day of defeat will come, but not today.”
Meloni has made it no secret that the fantasy epic is her favorite literary work. As a young activist she dressed up as a hobbit; after she became a minister, she posed next to a statue of Gandalf for a magazine photoshoot….
…The Ministry of Culture is funding an exhibition in Rome marking 50 years since the author’s death at a cost of €250,000, according to an official, who said the ministry hopes to recoup the funds from ticket sales. Meloni herself will open the show on November 15 at the National Gallery of Modern and Contemporary Art before it moves to other Italian cities.
Culture Minister Gennaro Sangiuliano announced the show to the youth wing of Meloni’s party in July as “a gift.”
On Wednesday, presenting the exhibition, Sangiuliano said the show was “not by accident but deliberate and desired.” In response to a question by POLITICO, he insisted that Meloni had not requested the show but “only found out later.”
In the 1970s the far right would organize “Hobbit camp” festivals; Meloni has recalled that her friends were nicknamed Frodo, Gandalf and Hobbit, after central characters from the books.
She has quoted liberally from Tolkien throughout her career, from one of her first political speeches as a youth leader in 2002, to her autobiography in 2022. In 2015 she called on followers to combat that “sly enemy that Tolkien called the rings of power,” referring to the global financial elite….
(8) A BIG IMPROVEMENT. Christopher Nieman’s cover for The New Yorker shows robots are here to help us. (Click on item to see all panels.)
Born November 14, 1907 — Astrid Lindgren. Creator of the Pippi Longstocking series and, at least in the States, lesser known Emil i Lönneberga, Karlsson-on-the-Roof, and the Six Bullerby Children series as well. In January 2017, she was calculated to be the world’s eighteenth most-translated author, and the fourth-most translated children’s writer after Enid Blyton, H. C. Andersen and the Brothers Grimm. There have been at least forty video adaptations of her works over the decades mostly in Swedish but Ronja, the Robber’s Daughter was an animated series in Japan recently. (Died 2002.)
Born November 14, 1951 — Beth Meacham, 72. In 1984, she became an editor for Tor Books, where she rose to the position of editor-in-chief. After her 1989 move to the west coast, she continued working for Tor as an executive editor until her retirement. She does have one novel, co-written with Tappan King, entitled Nightshade Book One: Terror, Inc. and a handful of short fiction. A Reader’s Guide to Fantasy that she co-wrote wrote with Michael Franklin and Baird Searles was nominated for a Hugo at L.A. Con II. She has been nominated for six Hugos as Best Professional Editor or Best Editor Long Form.
Born November 14, 1963 — Cat Rambo, 60. All around great person. Past President of SFWA. She was editor of Fantasy Magazine for four years which earned her a 2012 nomination in the World Fantasy Special Award: Non-Professional category. Her novelette Carpe Glitter won a 2020 Nebula, and her short story “Five Ways to Fall in Love on Planet Porcelain” was a 2013 Nebula Award finalist. Her impressive fantasy Tabat Quartet quartet begins withBeasts of Tabat, Hearts of Tabat, and Exiles of Tabat, and will soon be completed by Gods of Tabat. She also writes amazing short fiction as well. The Rambo Academy for Wayward Writers is her long-standing school for writers that provides her excellent assistance in learning proper writing skills through live and on demand classes about a range of topics. You can get details here. Her latest, Devil’s, was a stellar listen and an outstanding sequel to You Sexy Thing.
Born November 14, 1969 — Daniel Abraham, 54. Co-author with Ty Franck of The Expanse series which won a Hugo at CoNZealand. Under the pseudonym M. L. N. Hanover, he is the author of the Black Sun’s Daughter urban fantasy series. Abraham collaborated with George R. R. Martin and Gardner Dozois to write the Hunter’s Run. Abraham also has adapted several of Martin’s works into comic books and graphic novels, such as A Game of Thrones: The Graphic Novel, and has contributed to Wild Cards anthologies. By himself, he picked up a Hugo nomination at Denvention 3 for his “The Cambist and Lord Iron: A Fairy Tale of Economics” novelette.
(11) ARMOR MUSEUM EXHIBIT IN HUNTSVILLE. [Item by Marc Criley.] Armor frequently plays a key supporting role in high fantasy and historical fiction set in a certain era.
Far from the ungainly exoskeleton we often imagine today, the suit of armor was made to be sleek and stylish—painstakingly engineered, elegantly designed, and treasured as the expression of its owner’s taste, sophistication, and prowess.
Wolfgang Stäntler, Swept-Hilt Sword for the Munich Town Guard, about 1600,
Given its wholesome location, nestled up against the Aokigahara “suicide forest” and the Aum Shinrikyo cult headquarters in Japan, it’s impossible to imagine why this Jonathan Swift tribute park didn’t catch on. It’s the kind of thing you could threaten your kids with: “Be good, or we’ll go and see the vast, nightmarish statue of a man in a book you’ve never read.” Did they serve Modest Proposal burgers? It’s been demolished now; probably best for the planet’s collective psychological wellbeing.
… In reality, it all has to do with planetary alignment. Saturn’s rings are so thin that they seemingly vanish when viewed edge-on. And as Earth and Saturn travel around the sun on their respective orbital paths, our planet reaches this particular vantage point like clockwork, roughly every 13 to 16 years.
As Saturn completes its orbit over approximately 29.4 Earth years, it leans at an angle of 26.7 degrees. This means that our view of Saturn toggles between the upper side of its rings when it’s tilted toward us and the lower side when it’s tilted away. We get the special, ringless view of the planet when Earth transitions between each of these perspectives and passes through Saturn’s “ring plane,” essentially, any area of space that’s in line with the edge of its rings.
From that angle, “they reflect very little light and are very difficult to see, making them essentially invisible,” Vahe Peroomian, a physicist and astronomer at the University of Southern California, tells CBS News’ Caitlin O’Kane…
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, Marc Criley, Nicholas Whyte, Steven French, Lise Andreasen, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy, for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
(1) WORLDS OF IF REVIVAL. The title that won three straight Hugos in the Sixties under the editorship of Frederik Pohl, Worlds of If, then folded in 1974, is making a comeback here.
The classic science fiction magazine Worlds of IF will live again starting February 2024. The magazine will be relaunched with Justin Sloane of Starship Sloane as editor-in-chief and publisher, Jean-Paul L. Garnier of Space Cowboy Books filling the role of deputy-editor-in-chief, and Dr. Daniel Pomarède as science editor. The inaugural issue will be available both in print and free download PDF, with works from multiple generations of SFF authors, artists, and poets. Leading up to the release, the website will feature teasers including interviews with notable SFF authors and fans, audio adaptations of classic tales from the original IF, and articles about SFF and beyond. In the tradition of IF, the editors plan on experimenting with new forms and styles of SF, showcasing new authors, interacting with fandom, and bringing fun and weird science fiction to readers.
Visit Starship Sloane Publishing’s homesite for a free webzine reissue of the April 1955 Worlds of IF, featuring novelettes by James E. Gunn and Fox B. Holden, with a short story by Philip K. Dick. Learn more and find bonus content here.
(2) TOLKIEN STUDIES NEWS. David Bratman of Tolkien Studies today announced his co-editor, Verlyn Flieger, is ending her run with the journal. Her place will be taken by Yvette Kisor, Professor of Literature at Ramapo College of New Jersey.
After 22 years as co-Editor of Tolkien Studies, Verlyn Flieger will be retiring to take up the position of Editor Emerita. One of the co-founders of the journal, Verlyn has co-edited 20 volumes of the journal. Highlights include editing previously unknown material by Tolkien, some of his scholarly works that had become very difficult to access, and many of the most insightful and original articles published on Tolkien in the past two decades. It is impossible to list even a fraction of the contributions Verlyn has made to every single aspect of the journal’s operations, so we are reduced to saying the obvious: without Verlyn, there would be no Tolkien Studies. We will miss her terribly (though we expect to be drawing upon her wisdom on a regular basis). Volume 20, to be published later this year, will be the last issue she will have co-edited.
Tolkien Studies is delighted to announce that, beginning with Volume 21, Yvette Kisor, Professor of Literature at Ramapo College of New Jersey, will be taking up the position of co-Editor. The co-editor of Tolkien and Alterity, Yvette is well known to the international community of Tolkien scholars both for her publications on Tolkien, including “‘The Lay of Aotrou and Itroun’: Sexuality, Imagery, and Desire in Tolkien’s Works,” in Tolkien Studies 18 (2021), and her work organizing the influential “Tolkien at Kalamazoo” sessions at the International Congresses on Medieval Studies at Western Michigan University. A medievalist by training, Prof. Kisor has also published extensively on Old and Middle English literature. We are extremely pleased that she will be joining the journal’s editorial team.
(4) ANDREW CARNEGIE MEDALS LONGLISTS. The Longlist for 2024 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction is now available on the awards’ website.
Forty-five books (21 fiction, 24 nonfiction) have been selected for the longlist for the 2024 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction. The list is now available on the awards’ website. The six-title shortlist—three each for the fiction and nonfiction medals—will be chosen from longlist titles and announced on November 14, 2023. The two medal winners will be announced by 2024 selection committee chair Aryssa Damron at the Reference and User Services Association’s (RUSA) Book and Media Awards livestreaming event, held during LibLearnX in Baltimore on Saturday, January 20, at 9:45 a.m. Eastern. A celebratory event, including presentations by the winners and a featured speaker, will take place in June 2024 at the American Library Association’s (ALA) Annual Conference in San Diego.
The fiction longlist contains the following works of genre interest. Several are novels, while others are story collections in which one or more of the stories have a genre component.
Qian, Cleo. Let’s Go Let’s Go Let’s Go (Tin House)
(5) ASKING FOR FLASH FICTION NEBULA. A letter being circulated for signatures calls for SFWA to create a Nebula Award for Flash Fiction. The letter says in part:
… Flash fiction, short-short fiction, drabbles, dribbles, and other forms of very short prose stories have long had a place in genre fiction. Over the years, there have been many respected genre publications devoted exclusively to flash, while other publications recognize it as a distinct category. Despite this, works of flash rarely appear on the SFWA Nebula final ballot, and even fewer works of this length have won.
We do not think this is because SFWA members do not appreciate or enjoy flash fiction or other forms of very short fiction. Rather, it is likely because the strategies and techniques of flash often differ from those used in short stories, which makes it difficult to compare them to these longer works. In particular, flash as a form encourages experimentation, and pieces of flash fiction are more likely to include unusual narrative structures and points of view, to blend elements of poetry and prose, or to otherwise approach storytelling differently than longer works of fiction.
Indeed, in early 2022 the SFWA membership recognized the value of flash fiction and its presence in the genre community by passing two rules changes to the membership qualification criteria that removed the minimum word count for joining as an associate or full member….
(6) SIDEWISE AWARD PRESENTATION. [Item by Steven H Silver.] The Sidewise Awards will be presented this Friday, October 27 at 12:30 CDT (UTC-5) at the World Fantasy Con in Kansas City, Missouri.
The presentation will be made by judges Eileen Gunn and Steven H Silver in the Chicago A Room.
Finalists who will not be in attendance can appoint a designated acceptor or e-mail an acceptance speech to Steven H Silver at [email protected].
A perennial question for the worldbuilding writer: How much do you need to do before you actually start drafting?
The answer varies by writer, of course. Some of us compile chonky world bibles before setting down a word; some of us start with the plot and fill the world in as we go. For me it’s usually somewhere in the middle. The dolls and the dollhouse tend to come at least a bit at the same time.
The answer can also vary by project. Some may need more scaffolding before you can set to work. That may be dictated by how near or far your speculative world is from the “real world,” or by how much research you need to do.
When it comes to Nano, though, it can help to target your worldbuilding to the sort of story you think you’re working on. Me, I gravitate towards political plots, so I can’t really get started until I know a lot of details about what sort of government a world has, how it functions, and what factions are at play. If you’re doing a tightly-focused fantasy of manners, however, that might be something you can handwave….
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 23, 1880 — Una O’Connor. Actress who appeared in the 1930s The Invisible Man as Jenny Hall. She had a bit part in Bride of Frankenstein, and a supporting role in the genre The Adventures of Robin Hood. Though not even genre adjacent, she was Mrs. Peters in the film adaptation of the quite excellent Graham Greene’s Stamboul. Great novel, I’ll need to see if I can find this film. She’s in The Canterville Ghost, and shows up twice in TV’s Tales of Tomorrow anthology series. (Died 1959.)
Born October 23, 1918 — James Daly. He was Mr. Flint in Trek‘s most excellent “Requiem for Methuselah” episode. He also showed up on The Twilight Zone, Mission:Impossible and The Invaders. He was Honorious in The Planet of The Apes, and Dr. Redding in The Resurrection of Zachary Wheeler.
Born October 23, 1935 — Bruce Mars, 87. He was on Trek three times, one uncredited, with his best remembered being in the most excellent Shore Leave episode as Finnegan, the man Kirk fights with. He also had one-offs in The Time Tunnel, Voyage to the Bottom of The Sea, and Mission: Impossible. He is now Brother Paramananda with the Self-Realization Fellowship in Los Angeles which he joined shortly after ending his acting career in 1969.
Born October 23, 1942 — Michael Crichton. An impressive number of Hugos, both winners and nominations. The Andromeda Strain nominated at L.A. Con, Westworld at Discon II and the Jurassic Park film would win a Hugo at ConAndian. I’m very fond of the original Westworld film, not at all enamored of anything that has followed. Same holds for The Andromeda Strain film which I think is a perfect adaptation of his novel unlike the latter series that trashes the novel. (Died 2008.)
Born October 23, 1948 — Brian Catling. Author of The Vorrh trilogy whose first novel, The Vorrh, has an introduction by Alan Moore. Writing was just one facet of his work life as he was a sculptor, poet, novelist, film maker and performance. And artist. Impressively he held Professor of Fine Art at the [John] Ruskin School of Drawing and Fine Art in Oxford and was a fellow of Linacre College. Yeah that John Ruskin. (Died 2022.)
Born October 23, 1953 — Ira Steven Behr, 70. Best remembered for his work on the Trek franchise, particularly Star Trek: Deep Space Nine which is still my favorite Trek though Strange Worlds has its charms, on which he served as showrunner and executive producer. As writer and or producer, he has been in involved in Beyond Reality, Dark Angel, The Twilight Zone, The 4400, Alphas, and Outlander.
Born October 23, 1969 — Trudy Canavan, 54. Australian writer who’s won two Ditmars for her Thief’s Magic and A Room for Improvement novels and two Aurealis Awards as well, one for her “Whispers of the Mist Children” short story, and one for The Magician’s Apprentice novel. It’s worth noting that she’s picked up two Ditmar nominations for her artwork as well.
(9) COMICS SECTION.
Shoecontains a horrible, horrible, genre-adjacent pun. Did I mention it’s horrible?
Tom Gauld’s pick is probably number one in its own obscure Amazon category.
(10) MYTHING ANSWERS. The Scots Magazine invites you to take the “Scottish Myths And Folklore Quiz”. Flying absolutely blind I scored 7 out of 10. All those fantasy book blurbs I’ve read must have helped.
Do you know the name of the Loch Ness Monster’s cousin, who is said to live in Loch Morar? Or which season, Beira, who washes her clothes in the Corryvreckan whirlpool, represents?
There’s so much more to learn about Scotland’s strange and mystical past….
Please join us on Wednesday, October 25th at 7:30PM as we kick off the 2023-24 season of our Evening @ The Barn series with a very special Halloween edition!
In this exclusive multimedia event, the career of Jack Pierce, legendary makeup department head at Universal Pictures from 1928-1947, will be explored in depth. Unquestionably, Pierce was responsible for many of cinema’s most memorable screen characters, including The Frankenstein Monster, The Mummy, The Bride of Frankenstein, The Wolf Man, and The Phantom of the Opera, during that seminal period in horror films. Videos, photos, and unique, rarely seen elements will be critical aspects of this two-hour presentation hosted by author and historian Scott Essman. Additionally, special guests and surprises are in store for attendees!
Free parking is available in Hollywood Bowl Lot “D” which is directly adjacent to the museum.
The Hollywood Heritage Museum is a must-visit for cinema enthusiasts. It is located in the oldest surviving motion picture studio in Hollywood. Here, you can learn about the history of the studio and how it played a crucial role in the birth of Paramount Pictures Corporation in 1916. The first feature length film was produced here in 1912 by Jesse L. Lasky and Cecil B. DeMille. This 1901 barn turned studio was designated California State Historic Landmark No. 554 in 1956.
Last fall, Neil DeGrasse Tyson made the claim that E.T., the lovable cosmic visitor, “was a sentient plant” during a guest appearance on The Late Show with Stephen Colbert. When asked how he came by this strange piece of information, DeGrasse Tyson simply replied: “Steven Spielberg told me in my office.” He didn’t elaborate any further than that, but we now know he wasn’t just blowing smoke.
The legendary director confirms the titular alien of his 1982 coming-of-age classic (now streaming on Peacock) is “more like a plant or a vegetable” in the pages of Laurent Bouzereau’s new book — Spielberg: The First Ten Years.
Bouzereau is, perhaps, one of the few people alive who could actually pull off something like this. After all, he’s spent decades cultivating a close professional relationship with the celebrated storyteller while serving as director on the numerous behind-the-scenes documentaries found on the home release editions of Spielberg’s own movies.
Hitting stands tomorrow, Tuesday, October 24, from Insight Editions, Spielberg: The First Ten Years features exhaustive and must-read interviews centered around the productions of Duel, The Sugarland Express, Jaws, Close Encounters of the Third Kind, 1941, Raiders of the Lost Ark, and, of course, E.T. the Extra-Terrestrial….
What other references did you study?
I wanted E.T. to give the impression of a thousand-year old wizened life form. Carlo took directions the same way an actor would — but it’s of course really the actor who creates the performance, and in that sense, it’s really Carlo Rambaldi who created E.T. I also remember saying to Carlo that E.T. should kind of waddle when he walks like Chaplin with his cane, that he should look like Bambi on ice. When E.T. starts to walk on Earth, he is ungainly, and he is insecure. Several times in the movie, we showed how awkward E.T. is and how funny he is when he falls over…
(13) WHAT CATS THINK. This book trailed for The Adventures of Trim series is pretty cute – probably because several cats are interviewed on camera.
Three guys listen to Bad Bunny’s idea for a script.
[Thanks to Mike Kennedy, Andrew Porter, Ersatz Culture, Lynne M. Thomas, Daniel Dern, John-Paul L. Garnier, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
(1) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]
What is the Tianwen Program/Award?
Right now, this is a bit of an enigma. I stumbled across a link to this Chinese-language news article at the bottom of the article covered in the next item. Here are some extracts via Google Translate (my emphases, I haven’t attempted to correct likely mistranslations):
Under the premise of the vigorous development of Chinese science fiction, in order to discover science fiction talents, support science fiction works, and promote the integrated development of the science fiction industry, the “Tianwen Project” jointly launched by the Chinese Writers Association and the World Science Fiction Conference Organizing Committee was officially “debuted” at the summit .
The plan includes a science fiction award “Tianwen Award” and N actions to promote the integrated development of China and even the global science fiction industry. The “Tianwen Award” is oriented to encourage emerging and young writers and has permanently settled in Chengdu. It has become a useful supplement to the “Hugo Award” of the World Science Fiction Conference. While awarding the award, it also holds various activities such as IP roadshows, theme exhibitions, and salon promotions. . At the same time, it will be displayed on the platform of the World Science Fiction Conference and hold exchange activities to promote the in-depth integration of Chinese science fiction into world science fiction.
“We very much appreciate Chengdu’s plan to establish the ‘Tianwen Prize’. It is not only for China, but also for the world.” In the view of Dave McCarty, a member of the Hugo Award selection committee, the “Tianwen Prize” will become China’s An important channel for science fiction to integrate into world science fiction, it has become a platform to promote in-depth exchanges between Chinese fantasy fans and world fantasy fans.
Given the highlighted bits, and with quotes from the current Hugo Administrator, and on a stage with “WSFS” at the bottom, it was hard to shake the impression that this award/project is in some way WSFS affiliated? On re-reading, I suspect that’s actually a red herring, likely caused by a reporter not fully understanding all the different entities and relationships and/or machine mistranslation. I presume “World Science Fiction Conference Organizing Committee” is a reference to the fact that three (I think) of the eight people on the stage for this announcement are on the Chengdu 2023 concom; four if you count Cixin Liu who was listed as part of the original bid team.
I tried searching on a few Chinese sites for 天问计划 (Tianwen Program) and 天问奖 (Tianwen Award), but found only one relevant result, a Weibo post. The text appears to be much the same as the above linked article, but it does have a short, slightly strange, clip from the announcement.
My guess is that this is actually a domestic Chinese award, possibly with some extra stuff to help promote the finalists or winners internationally, perhaps similar to the Galaxy Awards 1 anthology that came out last year.
Media coverage of the “First Industry Development Promotion Conference”
Red Star News has an article on one of the handful of programme items deemed worthy of streaming to virtual attendees. The following extract via Google Translate (no manual cleanup edits):
Judging from the investment amount, the “Chinese Story·Science Fiction Situation Drama Incubation Base Project” with an investment amount of 2 billion will use the “program + park + base + academy” model to aggregate high-quality resources from the science fiction industry chain to create a first-class domestic science fiction sitcom Incubation platform.
From the perspective of project level, the Trisolaran Universe Global Headquarters project with a total investment of 1 billion yuan is committed to building a top Chinese science fiction brand with international influence. It will focus on developing Three-Body games, film and television drama content products, brand derivatives and other businesses, presenting A more three-dimensional three-body world.
(Note: 1 billion yuan is approximately 137 million USD.)
Huawei sponsoring the “Science Fiction vs Science Fact” panel?
Although they aren’t one of the previously announced corporate partners of the con, judging by this tweet it would appear that Huawei are sponsoring the “Science Fiction vs Science Fact” panel/event on Saturday. This is another item that is being streamed. Nnedi Okorafor is listed as one of the speakers.
Galaxy Award winners announced
These were announced on Thursday evening; winners include Hugo Short Story finalist “On the Razor’s Edge” by Jiang Bo. The “Ghost of Tsushima” art book that was in the leaked list of Hugo finalists was also a winner in the Related Work category. Weibo links: (1), (2), (3), (4)
Links to official (?) photo galleries
Earlier today, Adaoli/SF Light Year messaged me this photo of QR codes for what I presume are official photo galleries. I think the first one has been previously linked in a Facebook post from the official con account, but I’d not seen any other mention of them online.
As yet, I’ve not been able to get my phone to recognize the QR codes for the 21st and 22nd; if anyone else can extract the links, please post in the comments. I’ll try to get a better photo of that poster tomorrow, in the hope that I can get a readable image. The links for the first three days are:
The galleries are arranged by the room the photos were taken in. As far as I can tell, the UI and room names are only in Chinese, but the translation functionality built into Chrome does a decent enough job.
Photo galleries posted by publishers, writers and fans to Weibo
Translator Tian Tian posted photos of her meeting people and being on panels. (As an aside, I notice from her CSFDB page that she co-wrote an essay which Google Translate renders as “The 2019 Hugo Awards are here. Will the United States continue to use science fiction to resist reality?”, which I am now dying to read.)
China Daily posted a minute-long video to Twitter, with a couple of English native-speaker presenters, one of whom was the interviewer in the Chris M. Barkley video featured in yesterday’s Scroll. As a guide to the quality of journalism on display, the presenter refers to the con venue as “the Space Museum”, although whoever did the Chinese subtitles evidently knows what it’s really called. Still, it could have been worse.
(2) UGANDA BID TABLE. Micheal Kabunga, Kampcon 2028 bid chair/coordinator, sent this photo of the Kampcon booth at the Chengdu Worldcon — booth B40.
(3) MEDICAL UPDATE. Tony C. Smith of Starship Sofa told subscribers today that his surgeon has declared him cancer free.
That is a great feeling.
If folks don’t know… I had bladder cancer, only picked up by the fact I was going to the toilet more often through the night. Huge thanks to my wife Melanie for pushing me to go get it checked out. So, I’m minus a bladder, prostrate and glands and now have a bag attached to my side for the rest of my life but it’s a small price to pay.
This means SSS is rebooting her engines on Tuesday 24th November. Hope you can join me, as we travel into deep space looking for amazing SF stories.
(4) GOING VIRAL. Editors Brian Keene and Christopher Golden have announced The End Of The World As We Know It: Tales Of Stephen King’s The Stand — an original short story anthology based on the highly influential and seminal work of apocalyptic fiction and good versus evil; featuring an introduction from Stephen King himself and new fiction from a world ravaged by the virus “Captain Trips” and the minds of Josh Malerman, Paul Tremblay, Richard Chizmar, S. A. Cosby, Tananarive Due, Alma Katsu, Caroline Kepnes, Michael Koryta, Scott Ian, Joe R. Lansdale, Maurice Broaddus and Wayne Brady, Bryan Smith, Somer Canon, Hailey Piper, Jonathan Janz and many others. Thanks to Stephen King for entrusting these two constant readers with this task.
October 20, 1955 — J. R. R. Tolkien’s The Return of the King, the final volume of The Lord of the Rings trilogy, was published sixty eight years ago today by Allen & Unwin with Tolkien’s artwork on the cover.
In The Letters Of J.R. R. Tolkien as edited by Humphrey Carpenter, he says he felt the chosen title revealed too much of the story, and that he would have instead preferred The War of the Ring as the title for the volume.
The entire series was nominated for a Hugo at Tricorn in Cleveland, though the Foundation series would be the winner that year.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 20, 1905 — Frederic Dannay. One half with Manfred Bennington Lee of the writing team who created Ellery Queen. ISFDB lists two Ellery Queen novels as being genre, And on the Eight Day and The Scrolls of Lysis, plus a single short story, “A Study in Terror”. The Roman Hat Mystery, the first Ellery Queen mystery is free to all Audible members. Yes, I’m going to listen to it next. (Died 1982.)
Born October 20, 1916 — Anton Diffring. A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
Born October 20, 1913 — Barney Phillips. Though he’s best remembered as Sgt. Ed Jacobs on the Dragnet series and yes, I remember him well from it, he did do some genre work of which his most notable being was one on The Twilight Zone, in which he played a Venusian hiding out on Earth as Haley, the short-order cook in “Will the Real Martian Please Stand Up?” episode. Remember you can see it on Paramount+. I just did and he’s amazing. I’m not forgetting his other three appearances there, the first being in “The Purple Testament” as Captain E. L. Gunther, next in “A Thing about Machines” as television repairman which is also a brilliant role for him, followed by the Venusian role, and in “Miniature” as Diemel. Quite a feat that many appearances! He also appeared on The Invaders, Shazzan, Three Musketeers where he was voice of Porthos for all 18 episodes of the animated series, Get Smart! And The Funky Phantom, the latter being a clone of Scooby-Doo! that was set in the American Revolution. Really, I’m not kidding. (Died 1982.)
Born October 20, 1934 — Michael Dunn. He’s best remembered for his recurring role on the Wild Wild West as Dr. Miguelito Loveless attempting to defeat our heroes over and over, but he has had other appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea’s “The Wax Men” episode. He was even in the Get Smart! pilot as Mr. Big. (Died 1973.)
Born October 20, 1937 — Emma Tennant. To the manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia says “Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.” I’ve not read her, so do tell me about her please if you’ve read her! (Died 2017.)
Born October 20, 1946 — Thomas Wylde, 77. He’s here because he’s got two stories in the Alien Speedway franchise, Roger Zelazny’s Alien Speedway #2: Pitfall and Roger Zelazny’s Alien Speedway #3: The Web. I’ve never heard of these. Anyone read them? He’s also got two stories in L. Sprague de Camp’s Doctor Bones series as well.
Born October 20, 1955 — Magdalena Tulli, 68. Polish writer of many, many novels, a few of which are fantastic tales. Some were translated into English and are available from the usual suspects. The one work by her that I wish to single out is Tryby, published in translation as Moving Parts, as it is a metafiction in which the novel in question takes over from its author.
Born October 20, 1966 — Diana Rowland, 57. New Orleans writer with a fascinating job history that includes cop, a crime scene investigator, and a morgue assistant. She’s best known for her Kara Gillian series and White Trash Zombie series. Her only award is a Phoenix Award, a lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom, given by DeepSouthCon.
(8) COMICS SECTION.
The Far Side depicts a luggage mixup of the future.
Nearly 60 years to the day that Doctor Who began airing, next month, the BBC will launch an unprecedented collection of over 800 episodes from the show’s distant and not-so-distant past on its streaming platform, iPlayer—the first of its kind from the corporation. But it turns out that the very first story that kicked all those adventures off in the first place won’t be a part of it.
Known by the title of its first episode, “An Unearthly Child,” the four-part serial was written by Anthony Coburn, at the time a staff writer for the BBC, who would go on to write three more stories for Doctor Who that never made it to air….
Decades later, Coburn’s son, Stef Coburn, has repeatedly pushed back against the BBC over what he perceives as a mistreatment of his father—especially over the conceptual ideas behind, and eventual name of, the Doctor’s time-travel machine, the TARDIS. Coburn first attempted to legally challenge the BBC’s ownership of the TARDIS in 2013, timed to the 50th anniversary of Doctor Who—alleging that the corporation lost the rights to use ideas leveraged in Coburn’s script for “An Unearthly Child” when he died in 1977, despite the corporation having held various copyrights and trademarks on the ship and its police box design for decades prior.
Now, a decade later, Coburn has taken to social media to confirm that he has rejected attempts by the BBC to license “An Unearthly Child” for streaming on its platforms, claiming that the corporation refused a proposed deal to license the story….
The calls to New Yorkers have a familiar ring to them. They all sound like Mayor Eric Adams — only in Spanish. Or Yiddish. Or Mandarin.
Has the mayor been taking language lessons?
The answer is no, and the truth is slightly more expensive and, in the eyes of privacy experts, far more worrisome.
The mayor is using artificial intelligence to reach New Yorkers through robocalls in a number of languages. The calls encourage people to apply for jobs in city government or to attend community events like concerts.
Privacy advocates still criticized the robocalls, arguing that it was “deeply Orwellian” to try to trick New Yorkers into thinking that Mr. Adams speaks languages that he does not. The group has previously criticized the mayor’s embrace of facial recognition technology and his dispatch of a police robot to patrol the Times Square subway station.
“Yes, we need announcements in all of New Yorkers’ native languages, but the deep fakes are just a creepy vanity project,” said Albert Fox Cahn, executive director of the Surveillance Technology Oversight Project….
Ever wonder which circles of Dante’s Inferno have the nicest accommodations? Where’s the best place to grab a bite to eat in the ancient Egyptian underworld? How does one dress like a local in the heavenly palace of Hinduism’s Lord Vishnu, or avoid the flesh-eating river serpents in the Klingon afterlife? What hidden treasures can be found off the beaten path in Hades, Valhalla, or TV’s The Good Place? Find answers to all those questions and more about the world(s) to come in this eternally entertaining book from Ken Jennings.
Written in the style of iconic bestselling travel guides, Jennings wryly outlines journeys through the afterlife, as dreamed up over 5,000 years of human history by our greatest prophets, poets, mystics, artists, and TV showrunners. This comprehensive index of 100 different afterlife destinations was meticulously researched from sources ranging from the Epic of Gilgamesh to modern-day pop songs, video games, and Simpsons episodes. Get ready for whatever post-mortal destiny awaits you, whether it’s an astral plane, a Hieronymus Bosch hellscape, or the baseball diamond from Field of Dreams.
Fascinating, funny, and irreverent, this “gung-ho travel guide to Heaven, Hell, and beyond” (The New Yorker) will help you create your very own bucket list—for after you’ve kicked the bucket.
(12) WAS IT JUSTIFIED? JustWatch’s Owen Harris asks, “Are you as astonished by the Netflix price increase as I am?”
We all just got to know the news about the subscription price change. What we don’t know, however, is how their catalog justified such an increase.
That’s why I thought you might want to see our data, which will show you the top 5 streaming services by catalog size over time and quality. It shows that Netflix’s price rise is not justified.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, Daniel Dern, Nickpheas, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
Lester del Rey wore 1950s-style horn-rimmed glasses, an unruly billy-goat beard, and his silver hair brushed back above a big forehead. He liberally dispensed cards that said: Lester del Rey, Expert. He sometimes said his full name was Ramón Felipe San Juan Mario Silvio Enrico Smith Heathcourt-Brace Sierra y Alvarez-del Rey y de los Verdes. He was in fact born Leonard Knapp, son of Wright Knapp, in 1915 in rural southeastern Minnesota, subject to the Minnesotan fever—Jay Gatz, Prince Rogers Nelson, Robert Zimmerman—for reinventing oneself. In 1977, del Rey, then in his 60s, turned his proclivity for fabulism to profit: He invented fantasy fiction as we know it….
(2) PAYING OUR RESPECTS. Condolences to Cora Buhlert whose father passed away today.
My Dad died today in hospital. I was the one who found him, when I came to visit him this afternoon and he wasn't moving or reacting. Here's a photo of my Dad last Christmas. I could never get him to look into the camera. Addy Buhlert (1938 – 2023). pic.twitter.com/WAvjUe4sQY
(3) JUMP ON THE BANNED WAGON. “Banned Books Week: PRH’s ‘Banned Wagon’ Hits the Road” – Publishing Perspectives has the story. Banned Books Week is October 1-7. The tour schedule is at the link. The dozen showcased books include two genre works, The Handmaid’s Tale and Too Bright to See.
The arrival of this year’s Banned Books Week—led by one of the most comprehensive coalitions of free-expression organizations in the business–is themed Let Freedom Read. Engaged in the effort are the American Library Association, Amnesty International USA, the Authors Guild, the Comic Book Legal Defense Fund, the National Book Foundation, PEN America, and the Center for the Book at the Library of Congress, among others.
The goal is to take the debate right into the American South during Banned Books Week. Putting wheels on its “Read Banned Books” message, the vehicle not only will showcase a selection of 12 of the publisher’s frequently challenged books but will also distribute free copies of those books to attendees in each of the cities in which the tour makes a stop….
These are the 12 books published by Penguin Random House and being loaded into the Banned Wagon as it rolls through the American South during Banned Books Week.
(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Chengdu Worldcon makes Chinese-language-only announcement about attending registration and participation rules
This has been published on the official Chinese-language site, WeChat and Weibo, but as of 19:00 BST, I haven’t seen any equivalent English language statement. As such this item is very dependent on machine translation, and could contain misunderstandings. However, the text has been run through Google Translate, DeepL and Vivaldi Lingvanex, with similar results output each time.
2023 Chengdu World Science Fiction Convention Membership Registration and Drawing Participation Rules for Three Major Ceremonies Released
Release time: 2023-10-01 12:42
Dear fantasy fans:
Thank you for your attention to the 2023 Chengdu World Science Fiction Conference. From now on, the WeChat applet for membership certificate registration (“Exhibition Hall Appointment”) is officially launched. Members who purchase offline conference passes need to register through the mini program [DeepL translates this as “app”] to obtain the QR code for the replacement certificate. The membership certificate [DeepL translates this as “membership ID”] exchanged with this code on site will be your only voucher [DeepL translates this as “credentials”] for entering the venue during the conference. Please log in and register in time.
In accordance with the convention [DeepL translates this as “usual practice”] of the World Science Fiction Convention, the opening ceremony, Hugo Award Ceremony and Closing Ceremony will have a maximum number of on-site spectators. This conference will confirm the offline participation pass members who will participate in the opening ceremony, Hugo Award ceremony and closing ceremony through online lottery in advance.
There’s a QR code which I presume links to the aforementioned WeChat applet, followed by details of the various rules and regulations; the bits that I thought noteworthy are:
From now until 24:00 on October 9, members with offline participation passes can register for certification by searching the “Exhibition Hall Appointment” WeChat applet.
The lottery will be sorted according to the information about the intended viewing activities filled in by each member, and will be notarized and implemented by the Shudu Notary Office in Chengdu, Sichuan Province. Each winning member can only participate in one grand ceremony. The winning results will be sent to the winning members via SMS in a timely manner.
Starting from 15:00 on October 13, you can check the lottery results through the official website of the 2023 Chengdu World Science Fiction Conference and the “Exhibition Hall Appointment” WeChat applet.
The results of this lottery will not affect participation in other activities such as on-site theme salons and theme exhibitions. The relevant schedule of the theme salon and theme exhibition will be announced soon, so stay tuned.
The right to interpret these rules belongs to the 2023 Chengdu World Science Fiction Convention Organizing Committee
Assuming that my interpretation of this is correct, in that it’s necessary to install the WeChat app on your phone to be able to even get into the con venue, it should be pointed out that concerns have been raised about the security and privacy aspects of that app: https://foundation.mozilla.org/en/privacynotincluded/wechat/ (2001)
I’d previously installed this app on an old unused Android phone (using a test Google account,) and I suspect that many foreign users will struggle to register a WeChat account, as it requires an existing user to verify you via a QR code:
1. Contact a WeChat user who meets the following conditions. (They do not have to be your WeChat friend.)
a. Signed up for WeChat over 1 month ago if they are an international user or over 6
months ago if they are a Chinese Mainland user
b. Hasn’t completed “Help Friend Register” for other users in the past month
c. Hasn’t been blocked in the past month
d. Has activated WeChat Pay if they are a Chinese Mainland user
2. Ask them to scan the following QR code using WeChat.
It has since been pointed out to me that the previously announced “100th Light-second Plan” covers some of this (maybe)? That indicated that if attendees email the provided address, they will gain access to a “reservation channel” for the opening and Hugo ceremonies.
This doesn’t directly address the implication in today’s announcement that you need WeChat to enter the con venue – and I note that it only talks about the opening and Hugo ceremonies, not the closing ceremony – but maybe this hints that this has already been thought about? On the other hand, I must confess I’m more than a bit uncomfortable at the idea that foreigners get privileged access to some of the main events, but locals have to take their chances in a lottery.
For reference, here are a couple of screenshots I was sent of what the WeChat app registration looks like.
Allegorical readings of The Lord of the Rings vexed Tolkien. In the Foreword to the second edition of the books, he wrote of his distaste for allegory altogether: “I much prefer history, true or feigned.” The environmentalism that’s evident throughout his chronicles of Middle-earth, from the rebellion of Fangorn Forest to the Scouring of the Shire to the destruction of the Two Trees of Valinor? That was all based in history and autobiography, from a childhood in which “the country in which I lived was being shabbily destroyed before I was ten,” only made mythic.
Before I was ten, the third in a series of international scientific reports on our warming Earth was published, and the Kyoto Protocol set targets for countries to reduce their greenhouse gas emissions. Prior to those developments, Svante Arrhenius had connected the burning of coal to rising carbon dioxide levels and hotter climates; John Tyndall had identified the gases responsible for the greenhouse effect; and Eunice Foote had realized that carbon dioxide gas could trap heat from the sun. In fact, Arrhenius did his work long before I was born, near the beginning of Tolkien’s own lifetime; Tyndall and Foote, before Tolkien was born.
When it comes to what is true and what has been feigned, the historicity of climate change is an established fact, and the willful denial of its reality is a toxic fiction. Climate change was already occurring during the years when Tolkien lived and wrote. Though he may not have been aware of a growing knowledge of global warming, I think his work is directly applicable to all of us who face the current onslaught of frightening headlines about climate disasters and think, like Frodo, “I wish it need not have happened in my time.” Tolkien, if not a professed environmentalist, was certainly a pastoralist, a lover of trees and countryside and an opposer of polluting industrialization. Ents, Eagles, Beornings, and other forms of nature personified fill his work, as do plot points and revelations that hinge on the destruction of one or more trees (or Trees). His letters put it even more plainly: “The savage sound of an electric saw is never silent wherever trees are still found growing.” Climate change is industrial deforestation writ large. For me, there’s no author who gives the natural world its due the way Tolkien does.
With Amazon’s The Rings of Power series driving a new pop-cultural wave of interest in Middle-earth at the same time global temperatures are shattering records and driving extreme weather events around the world, I’ve found myself longing for Tolkien or a Tolkien-like voice of the twentieth-first century: Someone pouring out words about the living world, writing that emerges from unabashed, earnest love for nature. The mounting threat of climate change has me returning to my childhood favorites to seek wisdom for these long defeats in this Century of Disasters, to look for a light forward in dark times for the planet and its inhabitants….
The Employees: A Workplace Novel of the 22nd Century by Olga Ravn, translated by Martin Aitken
“Ravn’s novel is set on the Six-Thousand Ship, which is orbiting a faraway planet New Discovery, where the crew has discovered a number of strange objects. The book is structured around a series of recorded statements, of varied degrees of redaction and fullness, made by the ship’s human and humanoid crew to some kind of committee about the effects of these objects upon themselves. The objects have the effect of defamiliarising the workplace for the crew, making them see it anew, making them realise their lives might have meaning beyond work. Over the course of the book, their resentment against their employers grows and grows.”
Several others are genre by virtue of being ghost stories of one kind or another.
I voted No Award for this year’s Hugo Award for Best Series. I think the category is a bad idea in principle which is now showing its limitations in practice. My objections are as follows:
The Hugos ought to celebrate the best activity of the previous year, and only the previous year. For some of the other categories (Semiprozine, Fanzine, Fancast), earlier work is taken into account to determine eligibility, but the award is clearly for achievements of the previous calendar year. Best Series is inevitably an award for a multi-year set of activities.
It is impossible for the diligent reader to read all of the work nominated for Best Series in a given year. By giving the award we are deliberately engineering a situation where voters cast their votes based on imperfect knowledge of the finalists.
We are now seeing repeat nominations for series that have been unsuccessful finalists before. I feel sympathy for authors who must feel that they are waiting for their turn, but that’s not the way an awards system should run…
More analysis, and how he ranked the finalists, at the link.
…Directed by Macon Blair, this new Toxic Avenger stars Game of Thrones fan favorite Peter Dinklage as Winston, a widower struggling to raise a stepson played by Jacob Tremblay. When his job, run by an evil corporate ass played by Kevin Bacon, won’t pay for health insurance, Winston fights back and ends up in a vat of toxic waste. Now, you don’t see really any of that in this first teaser (note that it’s very much NSFW!), but take that story and put it in this world, and you begin to get the idea of what this movie is….
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 1, 1914 — Donald Wollheim, 1914 – 1990. Created DAW Books. NolaCon II (1988) guest of honor. Founding member of the Futurians, Wollheim organized what was later deemed the first American science fiction convention, when a group from New York met with a group from Philadelphia on October 22, 1936 in Philadelphia. As an editor, he published Le Guin’s first two novels as an Ace Double. And would someone please explain to me how he published an unauthorized paperback edition of The Lord of the Rings? (Died 1990.)
Born October 1, 1930 — Richard Harris. One of the Dumbledores in the Potter film franchise. He also played King Arthur in Camelot, Richard the Lion Hearted in Robin and Marian, Gulliver in Gulliver’s Travels, James Parker in Tarzan, the Ape Man and he voiced Opal in Kaena: The Prophecy. His acting in Tarzan, the Ape Man him a nominee for the Golden Raspberry Award for Worst Actor. Anyone seen that film? And why it got him that nomination? I saw the film a long time ago but don’t it clearly enough to say why this is so. (Died 2002.)
Born October 1, 1935 — Dame Julie Andrews, DBE, 88. Mary Poppins! I could stop there but I won’t. (Hee.) She had a scene cut in which was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncredited in a Panther film, this time as chairwoman in Trail of the Pink Panther. She voices Queen Lillian in Sherk 2, Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman.
Born October 1, 1943 — Sharon Jarvis, 80. Did I ever tell you that aliases give me a mild headache? Well, they do. She did a splendid trilogy of somewhat erotic planetary adventures called These Lawless Worlds that Ellen Kozak co-wrote. She wrote two more series, charitably called pulp, one as Johanna Hailey and another as Kathleen Buckley. Now more interestingly to me, she was an editor in the early day, Seventies and Eighties. I’m going to quote at length from her website: “Sharon Jarvis has worked in the print media for more than twenty-five years for newspaper, magazine and in publishing companies. She has built a reputation for her market-wise expertise in the cutthroat world of publishing. Ms. Jarvis has been a sought-after editor from her days at Ballantine where she helped promote the billion-dollar science fiction boom. At Doubleday she was the acquisitions editor and worked with some of the biggest names in science fiction, including Isaac Asimov, Marion Zimmer Bradley and Harlan Ellison. At Playboy Press, Ms. Jarvis developed, instituted and promoted the science fiction line which helped sustain the publisher through many a setback in other general lines.”
Born October 1, 1944 — Rick Katze, 79. A Boston fan and member of NESFA and MCFI. He’s chaired three Boskones, and worked many Worldcons. Quoting Fancyclopedia 3: “A lawyer professionally, he was counsel to the Connie Bailout Committee and negotiated the purchase of Connie’s [1983 Worldcon’s] unpaid non-fannish debt at about sixty cents on the dollar.” He’s an active editor for the NESFA Press, including the six-volume Best of Poul Anderson series.
Born October 1, 1948 — Michael Ashley, 75. Way, way too prolific to cover in any detail so I’ll single out a few of his endeavors. The first, his magnificent The History of the Science Fiction Magazine, 1926 – 1965; the second being the companion series, The Time Machines: The Story of the Science-Fiction Pulp Magazines from the Beginning to 1990. This not to slight anything else he has done such as The Gernsback Days: A Study in the Evolution of Modern Science Fiction from 1911 to 1936.
Born October 1, 1964 — John Ridley, 59. Author of Those Who Walk in Darkness and What Fire Cannot Burn novels. Both excellent though high on the violence cringe scale. Writer on the Static Shock and Justice League series. Writer, The Authority: human on the inside graphic novel. And apparently the writer for Team Knight Rider, a female version of Knight Rider that would last one season in the Nineties.
Born October 1, 1989 — Brie Larson, 34. Captain Marvel in the Marvel film universe. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” of Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. She’s in The Marvels, scheduled out next month.
(12) SCIFI IN HOUSE OF GAMES. [Item by Steven French.] During the week BBC2 runs a nightly half-hour quiz show called House of Games in which each round features a different kind of puzzle and not even the host (Richard Osman, now perhaps even more well known as a crime writer) knows what kind is coming up next.
Watching a repeat from last year I noticed that one round featured science fiction movies whose titles were given in code; e.g.:
1 4 1 19 20 18 1
which one of the contestants got pretty quickly even though she’d never seen or even heard of the film!
… It is 10am. Banks asks everyone present to imagine they are on the threshold of geopolitical catastrophe, somewhere a little beyond, though not that far beyond, our current perilous state. He fleshes out a scenario. Prolonged and humbling conflict in Ukraine as well as Finland’s recent accession to Nato has tested Russian pride to breaking point. Worsening matters, Nato has decided to press its advantage in the region by staging a military exercise on the Finnish-Russian border. China, Iran and India have made it plain: they’re not impressed by Nato. The Swedes are jangly, too. Spy planes, satellites and troop carriers are in play. A few wrong moves and all this posturing and provocation could ignite into something far worse. It is up to the players assembled in Bush House to try to war-game us back from the brink.
Now Banks moves among the crowd, handing out jobs like sweets. During this phase of a game, a real-life general might get a tap on the shoulder and tumble to become a low-level functionary for the first time in decades. A career shit-eater might get to feed somebody else the shit. (Maybe the general.) Anyone – a data specialist, a science nerd, an archive-dwelling academic – might find themselves near-omnipotent for the day. With a pointed finger, Banks elevates four random people to play as Russian high command. In a corner of one of the conference rooms, put aside for their exclusive use, the four newly minted Russians are told they can organise themselves and their decision-making however they want. “If you want to be equals here, that’s fine,” says one of Banks’s PhD students. “Or if you want to appoint a dictator, that’s fine, too.”…
When he’s not rocking out on stage as a founding member of Queen, Brian May enjoys a healthy scientific interest in outer space.
But it’s no mere hobby for the 76-year-old guitar legend to gaze upon the stars or research the nature of the universe. May, an accomplished scientist who has a doctorate in astrophysics, recently helped NASA return its first ever asteroid sample to Earth.
The sample consisting of rocks and dust was obtained from the asteroid Bennu and arrived Sunday back in Earth’s orbit. May was an integral part of the mission, creating stereoscopic images that allowed the mission’s leader and team to find a safe landing spot on the asteroid, which has the potential to crash into Earth sometime in the future…
Try to imagine Saturn without its signature rings. Now picture two large icy moons shifting closer together little by little until — boom. Chaos. What was solid is now fluid. Diamantine shards scatter into the darkness. Many icy fragments tumble close to Saturn, remain there and dance around the gas giant in unison, ultimately forging the heavyweight body’s exquisite discs.
This spectacular scene comes from an attempt to answer one of the greatest mysteries of the solar system: Where did Saturn’s rings come from, and when did they form?
A study, published this week in The Astrophysical Journal, leans into the notion that they are not billions of years old, but were crafted in the recent astronomic past—perhaps by the collision of two modestlysized frost-flecked moons only a few hundred million years ago.
“I’m sure it would have been great to see if the dinosaurs had had a good enough telescope,” said Jacob Kegerreis, a research scientist at NASA’s Ames Research Center in Mountain View, Calif., and one of the study’s authors….
… NASA is now plotting a return. This time around, the stay will be long-term. To make it happen, NASA is going to build houses on the moon — ones that can be used not just by astronauts but ordinary civilians as well. They believe that by 2040, Americans will have their first subdivision in space. Living on Mars isn’t far behind. Some in the scientific community say NASA’s timeline is overly ambitious, particularly before a proven success with a new lunar landing. But seven NASA scientists interviewed for this article all said that a 2040 goal for lunar structures is attainable if the agency can continue to hit their benchmarks.
The U.S. space agency will blast a 3-D printer up to the moon and then build structures, layer by additive layer, out of a specialized lunar concrete created from the rock chips, mineral fragments and dust that sits on the top layer of the moon’s cratered surface and billows in poisonous clouds whenever disturbed — a moonshot of a plan made possible through new technology and partnerships with universities and private companies….
(17) VIDEO OF THE DAY. [Item by Danny Sichel.] Math counts as science. So this 14-minute animation by Alan Becker — which begins by providing simple visualizations of basic arithmetical concepts and quickly devolves into an all-out battle with lasers and giant mechs — is science fiction. “Animation vs. Math”.
[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Bill, Steven French, Danny Sichel, Jeff Smith, Andrew, (Not Werdna), Brown Robin, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
The Journey That Matters, a series of six short films about Ursula K. Le Guin’s life and work that will be serialized on Literary Hub, based on outtakes from the feature documentary you all helped me to create. Spending time with Ursula meant having access to her warm, wise perceptions about all kinds of questions in literature and life. With these little films, I hope to share some more of that abundance.
It starts today with “What it Was Like,” in which Ursula reads her powerful essay about the illegal abortion she had as a senior at Radcliffe in 1950, which she credits with allowing her to pursue her career as a writer and to build her family. It’s a chilling reminder of what we’ve lost since Roe fell — and how women’s success and happiness is predicated on our bodily autonomy….
As young women growing up under the protection of Roe, we never really talked with our mother about her abortion. Elisabeth [Le Guin] learned that it had occurred when she went through several abortions of her own in the 1980s; but what we know about the story of Ursula’s necessarily different experience comes to us through her written words, as it does to you. “The Princess” was her keynote address to NARAL Pro-Choice America in 1982 when Roe was not even a decade old, and this piece, “What It Was Like,” was a talk for Oregon’s NARAL chapter in 2004. These stories are public statements, performances of Ursula’s own life material as a means to inspire and transform. The second of them, which you are about to hear, is also a rather extraordinary public love letter to her own family.
This is a hard essay to read or listen to, and it’s meant to be. Clearly, it was hard to write; watching Ursula in her 80s read her own words aloud, more than a decade after she wrote them, the emotion is palpable—and that shy little shrug at the end, that letting go. For us, it’s hard to watch. It’s a hard thing to think about your mother having an abortion, and an illegal one at that—to do so takes you to an exquisitely painful, vulnerable place, imagining what she went through: the shame, the grief, the sense of loss she must have experienced, the lingering, corrosive doubt. A hard thought exercise, but necessary to fully honor the fact that she could later choose to carry you to term, bring you into the world, into her world, to love and mother you the way she wanted to mother….
(2) NEW SFWA PROGRAM SEEKS INTERNS. The Science Fiction and Fantasy Writers Association (SFWA) received a grant from the National Endowment of the Arts (NEA) to support a new program they’re launching: Publishing Taught Me. This program will be shepherded by Nisi Shawl, an accomplished and multiple award-winning author, editor, instructor, and Kate Wilhelm Solstice Award recipient. It will take place over the coming year. And the press release adds that “Publishing Taught Me Launches with an Intern Search”.
…Publishing Taught Me will produce an online essay series, to be collated into an anthology, and a symposium aimed at promoting diversity, equity, and inclusion in the science fiction, fantasy, and horror genres. This will be done by inviting publishing professionals of color to describe their journeys and to provide advice and motivation to writers entering the field via their essays and participation in a Publishing Taught Me symposium. These goals will be accomplished with the support of two paid interns, who will serve as assistant editors for the essay series, symposium, and resultant anthology.
As managing editor for the project, Shawl will oversee the operational aspects of putting together an online essay series and anthology, and will work with SFWA staff to coordinate and execute their publication and the associated events. They will also provide mentorship to the two assistant editor interns, who should be early in their professional publishing careers.
We are now recruiting for the assistant editor internship positions for this program. Interested individuals must be at least at 18 years of age, and should have at least three months previous editing experience, preferably within the science fiction, fantasy, and horror genres, and a firsthand knowledge of the challenges facing people of color in the current publishing environment. Familiarity with Google Docs, Zoom, WordPress, and Canva is a plus.
Responsibilities include soliciting and editing project essays, overseeing contributor agreement completion, assisting with arranging the essays within the final publication, helping to establish and supporting project participant communication protocols, and preparing marketing materials for the project. The term “editing” includes developmental editing, line editing, and copyediting.
The editorial assistants’ work on the project begins November 1, 2023 and will be completed in November 2024. Hours worked will vary from week to week, but the anticipated time commitment will be up to 50 hours per month per person. A flat $2,000 stipend will be provided to each intern for their participation in the program.
If you are interested in applying, please complete the application hereby September 30, 2023. We encourage you to share this opportunity with anyone who qualifies and would benefit from learning about the science fiction, fantasy, and horror publishing industry as they fill this important role.
…This program will deliver invaluable insight into our industry that will benefit current and future genre storytellers, and we’re excited to bring it into existence. For questions about Publishing Taught Me, please contact [email protected].
(3) STURGEON SYMPOSIUM NEXT WEEK. Katie Conrad, Interim Director of the Gunn Center for the Study of Science Fiction shared the schedule for the Second Annual Sturgeon Symposium being held at the University of Kansas from September 20-22. Full details at the link.
The Symposium theme this year, “Fantastic Worlds, Fraught Futures,” was inspired by this year’s KU Common Book, Octavia Butler’s Parable of the Sower. The festivities start Tuesday night (9/19) with a co-sponsored Feminist Futures Forum, and continue through Friday (9/20-9/22) with a three-day academic conference open to all and events including a zine workshop (Wednesday afternoon), an open-to-all young adult creative writing workshop with YA author L.L. McKinney (Thursday afternoon), the reception and presentation of the annual Sturgeon Award with a reading by author Samantha Mills (Thursday evening), a closing reception in the gallery with the KU Common Work of Art (Friday afternoon), and a free showing of the movie The Host (Friday evening).
(4) WHAT LIES IN STORE FOR SIMON & SCHUSTER? The Atlantic warns about the potential consequences of KKR’s purchase of Simon & Schuster in “Private Equity Comes for Book Publishing”.
Earlier this year, the Department of Justice blocked Penguin Random House, owned by the German media giant Bertelsmann, from acquiring Simon & Schuster. The big five publishers—HarperCollins, Penguin Random House, Hachette, Macmillan, and Simon & Schuster—already control about 80 percent of the book market. The literary class was relieved.
Less than a year later, the private-equity firm Kohlberg Kravis Roberts announced that it would buy Simon & Schuster. Because the firm doesn’t already own a competing publisher, the deal is unlikely to trigger another antitrust probe. But KKR, infamous as Wall Street’s “barbarians at the gate” since the 1980s, may leave Simon & Schuster employees and authors yearning for a third choice beyond a multinational conglomerate or a powerful financial firm.
“It may be a stay of execution, but we should all be worried about how things will look at Simon & Schuster in five years,” says Ellen Adler, the publisher at the New Press, a nonprofit focused on public-interest books….
…In their recent book about private equity, These Are the Plunderers, Gretchen Morgenson and Joshua Rosner recount maddening stories about KKR: how it bankrupted Toys “R” Us; gouged residents of Bayonne, New Jersey, for water and sewage; and, very recently, ran a vital provider of emergency services into the ground. If KKR’s latest deal follows a similar trajectory, Morgenson and Rosner might have a harder time documenting it. Their publisher is Simon & Schuster….
(5) DAYTON LITERARY PEACE PRIZE 2023. Noah Hawley’s Anthem is a work of genre interest among the six fiction finalists for the 2023 Dayton Literary Peace Prize. Given for both fiction and nonfiction, the prize honors writers whose work uses the power of literature to foster peace, social justice, and global understanding. Each winner receives a $10,000 cash prize.
2023 Dayton Literary Peace Prize Finalists
Anthem by Noah Hawley (Grand Central Publishing)
Something grave is happening to teenagers across America. Recovering from his sister’s tragic passing, Simon breaks out of a treatment facility to join a man called “The Prophet” on a quest as urgent as it is enigmatic. Their journey becomes a rescue mission when they set off to save a woman being held captive by a man who goes by “The Wizard” in this freewheeling adventure that finds unquenchable light in the dark corners of society.
Didn’t Nobody Give a Shit What Happened to Carlotta by James Hannaham (Little, Brown and Company)
A trans woman, Carlotta Mercedes, reenters life on the outside after more than twenty years in a men’s prison. Set over the course of a whirlwind Fourth of July weekend, Didn’t Nobody Give a Shit What Happened to Carlotta follows her struggles to reconcile with the son she left behind, to reunite with a family reluctant to accept her true identity, and to avoid anything that might send her back to lockup.
Horse by Geraldine Brooks (Viking)
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
Mecca by Susan Straight (Farrar, Straus and Giroux)
From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing the intertwined lives of native Californians fighting for life and land. The author crafts an unforgettable American epic, examining race, history, family, and destiny. With sensitivity, furor, and a cinematic scope that captures California in all its injustice, history, and glory, she tells a story of the American West through the eyes of the people who built it—and continue to sustain it.
The Immortal King Rao by Vauhini Vara (W. W. Norton & Company)
In an Indian village in the 1950s, a precocious child is born into a family of Dalit coconut farmers. King Rao will grow up to be the world’s most accomplished tech CEO and lead a global corporate government. King’s daughter, Athena, must reckon with his legacy—literally, for he has given her access to his memories. The Immortal King Rao obliterates the boundaries between literary and speculative fiction, the historical and the dystopian, to confront our age of technological capitalism.
The Light Pirate by Lily Brooks-Dalton (Grand Central Publishing)
As devastating weather patterns wreak gradual havoc on Florida’s infrastructure, a powerful hurricane approaches a small town on the southeastern coast. Wanda, named for the terrible storm she was born into, grows up in a landscape abandoned by civilization. Moving from childhood to adulthood, Wanda loses family, gains community, and ultimately, seeks adventure, love, and purpose in a place remade by nature.
The World Uyghur Congress will host an online panel discussion featuring several award-winning and bestselling authors on Tuesday, October 17th, 2023. The date, one day before the opening of the Worldcon science fiction convention in Chengdu, China, was selected deliberately in order to draw attention to ongoing human rights abuses against the Uyghurs in East Turkistan. The United States, along with 11 parliaments and senates around the world and the independent Uyghur Tribunal have officially recognized the abuses as a genocide and a crime against humanity.
This marks the first year that Worldcon, the largest science fiction convention and the bestower of the prestigious Hugo Awards, will be hosted in China. The decision to hold the event in China has prompted concern from a wide range of science fiction fans, journalists, and authors, many of whom have called for a boycott. Making matters worse, the organization has invited Liu Cixin and Sergei Lukyanenko to attend as “guests of honor.” Both writers have been outspoken in favor of genocidal policies, with Liu saying that the genocidal policies are a justifiable form of “economic development” and Lukyanenko calling for Ukrainian children to be drowned.
“The Chinese government wants to use Worldcon as a sort of Potemkin Village in order to showcase how futuristic and technologically advanced the country has become,” said Andrew Gillsmith, author of the bestselling novel Our Lady of the Artilects and organizer of the #WritersSupportUyghurs campaign. “Meanwhile, they are interning people in concentration camps, forcibly separating children from their families, conscripting Uyghurs into slave labour schemes, and implementing the most comprehensive and technologically sophisticated surveillance regime in history. Science fiction writers and fans have a longstanding tradition of standing for human rights. This is in the spirit of that tradition.”
The event in October will broadcast live worldwide and is expected to last 90 minutes….
“We are grateful for this support from the science fiction and literary communities,” said Dolkun Isa, President of the World Uyghur Congress. “Our goal is not to disrupt Worldcon but to ensure that coverage of the event includes the facts about an ongoing genocide being perpetrated by the host country.”…
Alan Moore, the comic book visionary best known for writing such revered works as “Watchmen,” “V for Vendetta” and “Batman: The Killing Joke,” revealed to The Telegraph that he is longer accepting royalty checks from DC Comics for films and television series based on his works. He’s asked the company to instead reroute these checks to Black Lives Matter.
The Telegraph asked Moore if reports were true about him taking all of the money he makes from film and TV series and dividing it among the writers and other creatives, to which the writer answered: “I no longer wish it to even be shared with them. I don’t really feel, with the recent films, that they have stood by what I assumed were their original principles. So I asked for DC Comics to send all of the money from any future TV series or films to Black Lives Matter.”…
A Kickstarter campaign has been launched to raise funds for a dedicated documentary focusing specifically on the design and development of the iconic Eagle transport spacecraft from the epic 70s sci-fi TV show “Space: 1999.” The documentary feature is called “The Eagle Has Landed” and will showcase never-before-seen archival footage. It’s set to be released in time for the 50th Anniversary of “Space: 1999” in 2025.
“‘Space: 1999’ appeared on TV a few short years after the world watched Neil Armstrong take the first steps on the moon. The show’s unforgettable Eagle inspired a generation to envision a future in space and is still doing so decades later. The question we explore is why?” said writer, director Jeffrey Morris and founder FutureDude Entertainment, the production company behind the project….
…The Eagle Has Landed explores a passionate and ongoing nostalgia for a future that never happened. This intriguing feature-length documentary follows Jeffrey Morris—a Minnesota-based filmmaker and lifelong science-fiction aficionado—as he examines the fascinating connections between art, science, culture, and the iconic Eagle spacecraft. …
(9) MEMORY LANE.
1964 — [Written by Cat Eldridge from a choice by Mike Glyer.]
So let’s talk about the publishing of Keith Laumer’s A Plague of Demons which is our Beginning this time as it’s fascinating. Especially when it got entangled with Baen Books later on.
It first was published in If in the November and December 1964 issues as The Hounds of Hells. This is not the later version known as A Plague of Demons but a shorter version.
It got its first book publication as a paperback from Berkley Medallion the next year. The cover illustration is by Richard Powers.
Penguin, Paperback Library and then Warner Paperback Library (yes Warner bought Paperback Library), then Warner Books (such for Paperback Library) and finally Pocket Books before we get to Baen Books.
And there’s Baen Books. They did three paperback editions of it and then printed it as part of A Plague of Demons and Other Stories which collected a lot of his shorter fiction, mostly novelettes. It was then offered up as part of the Baen Free Library. ISFDB says it was included as part of The 1634: The Baltic War Disk and The 1635: The Eastern Front CD-ROMs.
Now let’s not overlook as you see in a few moments that A Plague of Demons is a most amazing novel. I’ve only included the first paragraph but it’s all you need as it’s most excellent.
So here is it. Do enjoy it.
It was ten minutes past high noon when I paid off my helicab, ducked under the air blast from the caged high-speed rotors as they whined back to speed, and looked around at the sun-scalded, dust-white, mob-noisy bazaar of the trucial camp-city of Tamboula, Republic of Free Algeria. Merchants’ stalls were a slash of garish fabrics, the pastels of heaped fruit, the glitter of oriental gold thread and beadwork, the glint of polished Japanese lenses and finely-machined Swiss chromalloy, the subtle gleam of hand-rubbed wood, the brittle complexity of Hong Kong plastic – islands in the tide of humanity that elbowed, sauntered, bargained with shrill voices and waving hands, or stood idly in patches of black shadow under rigged awnings all across the wide square. I made my way through the press, shouted at by hucksters, solicited by whining beggars and tattooed drabs, jostled by UN Security Police escorting officials of a dozen nations.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 13, 1931 — Elizabeth Marshall Thomas, 92. An American author. Anthropologist, author of both fiction and non-fiction books on animal behavior, Paleolithic life, and the !Kung Bushmen of the Kalahari Desert. She was written three works of fiction two genre, Reindeer Moon and The Animal Wife and one, Certain Poor Shepherds: A Christmas Tale, a Christmas story, a folk tale and therefore at least genre adjacent.
Born September 13, 1933 — Warren Murphy. Ok, I’ll admit that I’m most likely stretching the definition of genre just a bit by including him as he’s best known for writing along with Richard Sapir the pulp Destroyer series that ran to some seventy novels and was (making it possibly genre) the basis of Remo Williams: The Adventure Begins. He did a number of other series that were more definitely genre. (Died 2015.)
Born September 13, 1947 — Mike Grell, 76. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth. It would be adapted by Matt Wayne for Justice League Unlimited’s “Chaos at the Earth’s Core”.
Born September 13, 1960 — Bob Eggleton, 63. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork, Primal Darkness: The Gothic & Horror Art of Bob Eggleton which he put together in 2010 and was published by Cartouche Press.
Born September 13, 1961 — Tom Holt, 62. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, deeply into Wagner, you’ll love Expecting Someone Taller; if not, skip it. His only two Awards are a pair of World Fantasy Awards, both for novellas, “A Small Price to Pay for Birdsong” and “Let’s Maps to Others”. And yes, I know that he also publishes under the K. J. Parker name as well but I won’t go into the works he publishes here.
Born September 13, 1974 — Fiona Avery, 49. Comic book and genre series scriptwriter. While being a reference editor on the final season of Babylon 5, she wrote “The Well of Forever” and “Patterns of the Soul” as well as two that were not produced, “Value Judgements” and “Tried and True”. After work on the Crusade series ended, she turned to comic book writing, working for Marvel and Top Cow with three spin-offs of J. Michael Straczynski’s Rising Stars being another place where her scripts were used. She created the Marvel character Anya Sofia Corazon later named Spider-girl. She did work on Tomb Raider, Spider-Man, X-Men and Witchblade as well.
(12) CHENGDU WORLDCON NEWS. A three-part news release primarily devoted to a name for the Chengdu Worldcon mascot and its slogan – “Meet The Future! Slogan and Mascot’s Name for 2023 Chengdu Worldcon Announced” – included this segment publicizing some of the guests and programs, from which Sergey Lukianenko’s name is conspicuously absent.
…This year, the Committee has invited famous sci-fi activists such as Ben Yalow and Dave McCarty, as well as sci-fi litterateurs such as Robert Sawyer and Liu Cixin to bring a sci-fi literature feast to sci-fi fans. Meanwhile, Richard Taylor, the founder of Weta Workshop founder, who has won five Oscars for Best Visual Effects, and prominent figures in the Chinese sci-fi industry such as directors Guo Fan and Yang Lei, will attend the convention. They will engage in in-depth discussions on topics related to the fusion and development of science and technology innovation, culture, cultural tourism, and cultural creativity.
According to Liang Xiaolan, the full-time chairman of the 2023 Chengdu Worldcon and the vice president of the Chengdu Science Fiction Association, the convention will hold about 260 themed salons and parties, which are divided into eight categories: Science Fiction and Literature, Science Fiction and Art, Science Fiction and Film and TV, Science Fiction and Games (Animation), Science Fiction and Academics, Science Fiction and Technology, Science Fiction and Future, and Science Fiction and Industry. “For example, in the Science Fiction and literature section, there will be salons like Liu Cixin’s ‘A Sci-fi Reunion After 10 Years’, and Robert Sawyer’s ‘The Past, Present, and Future of Science Fiction’; In the Science Fiction and Technology section, we will discuss ‘How Far Are We From Space Travel?’ In the Science Fiction and Film and TV section, there will be a ’Sci-fi Film Special Effects Summit’; In the Science Fiction and Art section, there will be a ‘Three-Body Themed Concert’; In the Science Fiction and Games section, we will release the International Sci-fi Gaming Ranking,” Liang said….
There are scenes in both Three Rocks and The Buildings are Barking that converge for me. Toward the end of the Diane book, there’s a haunting scene where she appears to you on a sort of “ghost ferry,” and she’s beckoning to you, in a dream sequence, to come join her. It’s very powerful, very sad, very beautifully rendered, and it’s heartbreaking. And toward the end of Three Rocks you have Ernie—toward the end of his life—snoozing on his chair, and Nancy, in another dream sequence, is in some ways doing the same thing to Ernie. Calling on him to follow her.
So that’s me recognizing that parallel– or, under the reality that we’re all experiencing together, there is another reality. It’s just there. It’s there to find. Or create. In that dream sequence in Three Rocks, the conceit is that Nancy is doing this. I’m not doing this. Ernie is not. Nancy is doing this. So, I am saying something that I have said throughout the book, which is that Nancy is a powerful figure. She both represents and controls the world she is in. And Ernie’s world as well. Some people thought she was a child that Ernie and Abbie never had. That’s a little sentimentalized, but possible. And before that dream sequence, I’ve used Nancy in these transitional sections throughout the book where Nancy is taking you from the previous chapter, in effect, to the next chapter. Once again, it’s Nancy, physically, the drawing. Yes, I’m writing it, but it’s Nancy [who is doing it].
In the dream sequence, she’s just pure Nancy. To me, because there’s no writing going on until the very end. It came out of a conversation I had with [Nancy collector and producer/writer for The Simpsons] Tom Gammill, and I’ve also heard the same thing from Mark [Newgarden]. That Ernie would always say that he’s looking for “the perfect gag.” There’s always a more perfect gag that he can’t quite find. The most perfect gag ever. [Laughs] Which I think is a little bit… romanticizing. Either people who heard Ernie say it, or they themselves, romanticized it. It seems a little bit like false humility. In other words, “I’m not all that funny, I’m still looking for the perfect gag. If I ever find it, I’ll let you know.” It’s like a way of deflecting, that he’s a great cartoonist or a funny guy….
…To trace the roots of Star Trek’s replicator, it is necessary to understand that it is essentially a repurposed form of the transporter—the teleportation or matter transmission device that “beams” the crew between starship and planet surface. According to legend, the transporter was invented only because the original series lacked the budget to film special, effect-heavy scenes of planetary landing shuttles, but Star Trek did not invent the concept of matter transmission. Its first appearance in science fiction dates back at least as far as 1877, in Edward Page Mitchell’s story “The Man Without a Body,” which prefigures George Langelaan’s much better-known 1957 story “The Fly,” by having a scientist experience a teleportation mishap when his batteries die while he is only partway through a transmission, so that only his head rematerializes.
The replicator uses the same basic principle as the transporter, in which the atomic structure of a physical object is scanned and the information is used to reconstruct the object at the “receiving” end through energy-matter conversion. In practice, all transporters are replicators and matter “transmission” is a misnomer, because matter itself is not transmitted, only information. Every time Captain Kirk steps out of the transporter having “beamed up” from a planet’s surface, it is, in fact, a copy of him—the original has been disintegrated during the initial phase of the operation.
This was precisely the mechanism of teleportation explored in one of the earliest stories on this theme. In Guillaume Apollinaire’s 1910 story “Remote Projection,” an inventor finds that his teleporter is actually a replicator and ends up with 841 identical copies of himself scattered around the world. This idea anticipated the well-known Teletransporter philosophy thought experiment by British philosopher Derek Parfit, which explored questions of continuity of identity. If a transporter is actually a replicator, is the Captain Kirk that steps off the transporter pad the same as the one that was “beamed up” from the planet? If the planet-side Kirk is not disintegrated in the process, and survives the process, which of the two Kirks is the “real” one? Star Trek TNG explored this precise scenario as an ongoing story line, after an episode (“Second Chances,” 1993) featuring a transporter malfunction that results in two copies of the character Will Riker—one who materializes on board his ship and the other who is stranded on a planet. The planet-side copy eventually chooses to be known as Tom Riker….
…However, the formula for creating monumental battle scenes saw a paradigm shift as we moved into the digital age. It was no longer just about recruiting an army of extras and meticulously planning every combat move. Instead, the magic started happening in the digital realm, thanks to pioneering technology developed by New Zealand-based Weta Digital.
Enter Peter Jackson’s acclaimed Lord of the Rings trilogy, released from 2001 to 2003. With the assistance of Weta Digital’s specialised crowd-simulation software, the movies shattered all previous records by featuring battles with an unprecedented 200,000 characters. The program, sensibly named Massive, fused digital animation with early artificial intelligence to govern individual character interactions, creating a spectacle of unparalleled scale and complexity.
What sets Massive apart is its innovative use of AI, allowing each digitally-created soldier to act and react in ways that mimic real-life human behaviour – not just this, but to do it ‘independently’. By allowing the program to govern the movements, animators were spared from tailoring the movements of each of the 200,000 figures. This leap in technology generated battle scenes that were vast in scale and eerily realistic. The technology altered the very foundations of what directors considered possible, raising the bar for epic cinema to an entirely new level….
While the James Webb Space Telescope observed the atmosphere of an alien world 120 light-years away, it picked up hints of a substance only made by living things — at least, that is, on Earth.
This molecule, known as dimethyl sulfide, is primarily produced by phytoplankton, microscopic plant-like organisms in salty seas as well as freshwater.
The detection by Webb, a powerful infrared telescope in space run by NASA and the European and Canadian space agencies, is part of a new investigation into K2-18 b, an exoplanet almost nine times Earth’s mass in the constellation Leo. The study also found an abundance of carbon-bearing molecules, such as methane and carbon dioxide. This discovery bolsters previous work suggesting the distant world has a hydrogen-rich atmosphere hanging over an ocean.
Such planets believed to exist in the universe are called Hycean, combining the words “hydrogen” and “ocean.”
“This (dimethyl sulfide) molecule is unique to life on Earth: There is no other way this molecule is produced on Earth,” said astronomer Nikku Madhusudhan in a University of Cambridge video. “So it has been predicted to be a very good biosignature in exoplanets and habitable exoplanets, including Hycean worlds.”…
(17) VIDEO OF THE DAY. The new miniseries of Star Trek: Very Short Treks continues with “Holiday Party” about a “blooper reel” that’s mostly not actually funny, which is the point.
It’s a First Contact Day celebration and Spock is in charge of the entertainment.
[Thanks to Mike Kennedy, Andrew Porter, Daniel Dern, JJ, Lise Andreasen, Mark Roth-Whitroth, Andrew Gillsmith, Ersatz Culture, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]
(1) LISTEN UP, BUCKAROOS. Dan Berger has served for the last nineteen years as the editor-in-chief of World Watch One, the Buckaroo Banzai fan newsletter/zine. Dan sent the link to their latest issue with a note, “I’m not sure you absolutely need to be a Buckaroo fan to find something fun in this issue, but it doesn’t hurt either.” The theme of World Watch One August 2023 is “Afrocentric”.
(2) UKRAINE BENEFIT ANTHOLOGY. [Item by Marc Criley.] Over 30 writers contributed stories to To Ukraine, With Love, a “benefit anthology of Science Fiction, Fantasy, Myths, Legends, Fairy Tales, and Eldritch Stories, Poems, and Art.” Just released and available via all the usual bookseller outlets.
100% of profits from all forms — print, epub, and audiobook — will be donated to charities for Ukraine.
The anthology was spearheaded and edited by Fran Eisemann, the editor of Cosmic Roots & Eldritch Shores magazine.
Cosmic Roots & Eldritch Shores presents To Ukraine, With Love benefit anthology, with 100% of the profits to be donated to causes for Ukraine, including World Central Kitchen and similar charities which will earmark 100% of a contribution to a specified cause.
All the science fiction, fantasy, myths, legends, fairy tales, and eldritch stories and poems, and the artwork, have been donated. Contributors include Geoffrey Landis, David Brin, Terri Windling, Andrew Burt, George Guthridge, and Oghenechovwe Donald Ekpeki. Artists include Scott Gustafson, Stephanie Law, and Howard David Johnson.
Not only is there more and more work being done on what I call the “Tolkien phenomenon” (meaning, not only his legendarium, including the posthumous publications Christopher Tolkien gave us, but also the multiple adaptations and the fandoms all around the world), but more and more the people doing the scholarship are making their work more freely available online. And while I will always cheerlead for open-access scholarly journals like Mythlore and The Journal of Tolkien Research, I also want to recommend scholars who make work available on their blogs/newsletters/etc.!
The three recommendations below also show the wide range of topics in Tolkien studies!…
I asked ChatGPT to write a college admission essay in the voice of a squirrel. The total result is a bit too long to post, here are some excerpts: —
“As a squirrel, I have learned to adapt to different environments and challenges. I have lived in various habitats, from urban parks to rural forests, and have encountered many predators, such as hawks, cats, and humans. I have developed a keen sense of awareness, agility, and resilience that help me survive and thrive in any situation.”
“In addition, I have shown a remarkable leadership and community involvement. I have led many groups of squirrels in various activities, such as organizing food storage, defending our territory, and planning migrations. I have also collaborated with other animals, such as birds, rabbits, and dogs, to promote peace and harmony in our ecosystem. I have volunteered to help humans in need, such as feeding the homeless, cleaning the parks, and planting trees.
“I am confident that I can bring a unique and valuable perspective to your campus. I am eager to learn from your distinguished faculty and diverse student body. I am also excited to contribute to your academic excellence and social impact. I hope you will give me the opportunity to fulfill my dream of becoming a college-educated squirrel. Thank you for your consideration.
“Sincerely, Squirrel”
(5) EVEN IF IT’S YOUR JAM. Catherynne M. Valente learned something.
Almost-5-year-old is reading a book about space out loud to me.
I interrupt to share a cool space fact because that, you know, entirely my space…jam.
“MAMA! MAMA BE QUIET! MAMA YOU HAVE TO BE QUIET YOU’RE ANNOYING THE STORY!!!”
(6) FRANNE LEE (1941-2023). Costume and set designer Franne Lee, who created iconic outfits for several Saturday Night Live sketches, died August 27. The New York Times obituary recalled:
Franne Lee, a costume and set designer who while doing Tony Award-winning work on Broadway in the 1970s also made killer-bee suits and cone-shaped headwear for early “Saturday Night Live” sketches, helping to create some of that era’s most memorable comic moments, died on Sunday in Atlantis, Fla. She was 81.
The original “S.N.L.” cast quickly made its mark with outlandish sketches, and Ms. Lee was integral to the look of those now famous bits — dressing John Belushi and Dan Aykroyd in black when they became the Blues Brothers, turning cut-up long johns into the yellow-striped Killer Bee costumes, and more.
It was costume designing on the cheap. Ms. Lee’s father, a tool-and-die maker, came up with the bouncy springs that were the Killer Bees’ antennae, which she finished off by sticking Ping-Pong balls on the ends. John Storyk, who first met Ms. Lee in 1968 when both worked at the short-lived Manhattan club Cerebrum, recalled in a phone interview dropping by the Lees’ apartment and seeing on her work table the beginnings of the cones that became the defining feature of the Coneheads, the extraterrestrials who were a recurring presence on the show in the late 1970s and later got their own feature film….
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 2, 1899 — Martin Miller. One of his mod remembered roles was as Kublai Khan in Doctor Who‘s first season. Later genre performances the first Pink Panther film, a bevy of ITC Entertainment such as Danger Man, The Avengers, Department S and The Prisoner. He was in Children of the Damned and The Gamma People to name but two of his genre films. (Died 1978.)
Born September 2, 1925 — Meinhardt Raabe. The actor best known as the Munchkin coroner in The Wizard of Oz. He certified the death of the Wicked Witch of the East. (Died 2000.)
As coroner, I must aver I thoroughly examined her And she’s not only merely dead She’s really, most sincerely dead!
Born September 2, 1944 — Roland Green. His most prominent works are his military SF series —Starcruiser Shenandoah, the Peace Company, and Voyage to Eneh, but he also did a lot of Conan novels, and co-authored two Janissaries novels with Pournelle. (Died 2021.)
Born September 2, 1946 — Walter Simonson, 77. Comic artist and writer who’s best known I think for his run on Thor during the Eighties in which he created the character Beta Ray Bill. An odd character that one is if ever there was one. He’s worked for DC and Marvel, and a number of independent companies as well. He did this cover for Michael Moorcock’s Count Brass. And he did the interior artwork as well.
Born September 2, 1950 — Mel Odom, 73. Not that Mel Odom. This is another Mel Odom. His illustrations have graced many a cover of the works of Guy Gavriel Kay including A Song for Arbonne, the Fionavar Tapestry trilogy, The Lions of Al-Rassan and Tigana. I’ll single out the cover of the Penguin Books edition of Tigana as as Ireally l ike his work here.
Born September 2, 1951 — Mark Harmon, 72. Much better known for his work on NCIS and yes, I’m a fan, though not of the last five years of the series. He’s done some genre work down the decades. An early role was as Gacel Sayah in Tuareg: Il guerriero del deserto, a Spanish-Italian pulp film. He was Jack Black in Magic in the Water, and voiced Clark Kent/Superman on Justice League: Crisis on Two Earths. He was in the Wally Schirra in the genre adjacent From the Earth to the Moon miniseries, and shows as Bob Markham in the “Tarzan and The Outbreak” episode of The Legend of Tarzan.
Born September 2, 1964 — Keanu Reeves, 59. Obviously in The Matrix films which so far I’ve avoided watching. So should I go forth now and watch them? Now I have seen the first two Bill & Ted’s films and like then quite a bit, but not the third. Should I? Finally I’ll confess that I have seen Johnny Mnemonic. So i must ask what were they thinking? Really?
(9) THOUGHT-TO-VOICE. [Item by SF Concatenation’s Jonathan Cowie.] Who needs Alfred (working class) Bester? In Nature: “Brain-reading devices allow paralysed people to talk using their thoughts”. “Two studies report considerable improvements in technologies designed to help people with facial paralysis to communicate.”
Brain-reading implants enhanced using artificial intelligence (AI) have enabled two people with paralysis to communicate with unprecedented accuracy and speed.
In separate studies, both published on 23 August in Nature1,2, two teams of researchers describe brain–computer interfaces (BCIs) that translate neural signals into text or words spoken by a synthetic voice. The BCIs can decode speech at 62 words per minute and 78 words per minute, respectively. Natural conversation happens at around 160 words per minute, but the new technologies are both faster than any previous attempts.
“It is now possible to imagine a future where we can restore fluid conversation to someone with paralysis, enabling them to freely say whatever they want to say with an accuracy high enough to be understood reliably,” said Francis Willett, a neuroscientist at Stanford University in California who co-authored one of the papers1, in a press conference on 22 August.
These devices “could be products in the very near future”, says Christian Herff, a computational neuroscientist at Maastricht University, the Netherlands.
A comet recently discovered by Japanese amateur astronomer Hideo Nishimura is garnering attention from NASA and skywatchers alike.
Using a standard digital camera, Nishimura detected the celestial body on August 11 during a series of 30-second exposures, according to NASA. Though currently not visible to the naked eye, this status may soon change. NASA has noted the comet’s steady increase in brightness since its discovery. Furthermore, astronomers have now charted the comet’s future trajectory through the inner solar system.
“As the comet dives toward the Sun, it will surely continue to intensify and possibly become a naked-eye object in early September,” stated NASA. However, there’s a caveat for potential observers: the comet’s proximity to the Sun will mean it is best visible during the times of sunset or sunrise when the Sun’s glare is least obtrusive….
(11) GUARDING AGAINST ANOTHER PANDEMIC. I can’t help hearing the voice of Bill Murray when I read this headline. “Cats With Bird Flu? The Threat Grows.” The New York Times’ Zeynep Tufekci has the story.
The global H5N1 avian flu outbreak, already devastating wild birds and poultry, keeps spreading to mammals, bringing it one step closer to a potential human outbreak.
Of course, since the coronavirus pandemic taught us the importance of responding early and aggressively to outbreaks …
Sorry, I’m joking. We don’t seem to have learned much from the Covid outbreak, and it’s not funny.
Not enough has been done about an out-of-control H5N1 outbreak at fur farms in Finland or a mystery outbreak among domestic cats in Poland.
Finland, one of Europe’s biggest fur producers, is battling outbreaks among its captive minks, foxes and raccoon dogs — species that scientists warn have been identified as more likely to evolve a variant that can infect people, leading to a human outbreak.
Even the Finnish Food Authority, in its announcement of animals being culled, noted that minks are susceptible to both human and avian influenza. If one animal is infected by both, the viruses can mix genes and give rise to an avian flu that can infect humans. Fur farms in Finland, however, aren’t being closed. Instead the Finnish Wildlife Agency allowed fur breeders to kill wild birds near their farms in large numbers. The Agency told me the killings were authorized “to prevent contacts between infected birds and animals at fur farms,” but scientists point out this is the wrong approach and likely futile — and more fur farms in Finland have since announced further outbreaks.
Meanwhile, officials said a sizable outbreak of H5N1 among pet cats in Poland this summer killed at least 29 animals, though cat owners have compiled lists with as many as 89 sick animals. The outbreak has many unusual features that make it especially concerning, and yet there still hasn’t been an explanation of how exactly it happened or a vigorous investigation….
(12) VIDEO OF THE DAY. Time to revisit this “Constellation WorldCon Baltimore” video first posted to YouTube 13 years ago. It’s amazing that I recognize most of these people.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Michael J. Walsh, Marc Criley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
Well, then, who would you like to see at the head of Ukraine?
S. Lukyanenko:
This is a very difficult question, because, firstly, I would not want to see anyone there. As well as Ukraine itself. Because Ukraine, it was originally formed and is being formed as anti-Russia. That is, as long as Ukraine exists, it will act, unfortunately, as anti-Russia. It needs to be completely reformatted, it needs to completely change itself, including both the name and the territories, in order to create some kind of state that they want to create not as such an antagonist of Russia, an adversary and hater, but as a state that wants to represent something and live its own life. This will be a completely different state.
…M. Bachenina:
Many now say that Russia cannot lose, we have the gene of winners. Do you agree with that? And if so, what is the manifestation of this gene?
S. Lukyanenko:
I don’t know if we have a special gene for winners, but I know that we didn’t worry about that, and we will naturally win, it’s indisputable. I would just like this to happen without any unnecessary victims, not only ours, but also those deceived Russian people who now live on the territory of Ukraine. As a matter of fact, we are, of course, one people, just part of the people has been reformatted. It’s, you know, like Tolkien, at one time he described that orcs are the same elves, only who have been poisoned, changed and distorted.
I understand that here we probably have a conviction on both sides that the beautiful elves are us, and there, on the other side, the nefarious orcs. But we know that we are not orcs….
(2) WRONG. THANKS FOR PLAYING. Robin A. Reid devotes her latest Writing From Ithilien newsletter to those “Misquoting Tolkien”.
At some point before Covid (2019 maybe?), I attended a Tolkien Society event and heard a great presentation by Marcel Aubron-Bülles based on a project that he calls “Things J.R.R. Tolkien has never said, done, written or had anything to do with (TThnsdwohatdw)” where he debunks, through research, internet quotes that are not by Tolkien, or are corrupted versions of what Tolkien wrote (I might charitably call some of those paraphrases but they are attributed as direct quotes to Tolkien), or are quotes from Jackson’s films (though they also might be incorrectly quoted). It was fascinating and turns out to that wrong/fake quotes on the internet are legion.
I’m quite sure there will eventually be quotes from Rings of Power attributed to Tolkien!
I am happy in this post to be able to add another example to Marcel’s list (I have skimmed the fifteen blog entries and do not see it!)….
Read the post to find out which one she has in mind.
(3) HUGO RECEPTION MUSICAL CHAIRS. The Hugo Book Club Blog takes its turn at explaining the “The Numbers Game” – the fluctuating ceiling on how many team members get listed as Hugo finalists.
…Over the past decade, there has been a regularly recurring argument about the maximum number of individual contributors that can be listed for each group finalist on the Hugo ballot. This is more common with fan categories like fanzine, fancast, and semiprozine — in recent years some of the contributors lists for an individual publication have extended to several dozen names.
On one side of the argument are those who express logistical concerns about the size of the ballot. On the other side are those who want to ensure that everyone who contributed to the success of a work or publication are given nomination-level credit for their work….
Is this issue something that should be addressed in a new Worldcon rule?
…Those advocating for a more restrictive set of rules point out that the pre-Hugo reception already has capacity issues and logistical constraints. They also suggest that if everyone gets called a “Hugo finalist,” then the status becomes devalued. In addition, the distribution of perks to Hugo finalists, such as the rocketship pins, etc., increase costs on Worldcons.
Both of these positions have merit, and neither should be dismissed out of hand. But the debate should take place in the appropriate forum. The WSFS membership on whose behalf these awards are presented deserve a say in this matter, and the way to do this is to allow both sides to make their case at a business meeting….
…The jointly proposed agreement includes a declaration that cements the key finding from Judge John G. Koeltl’s March 24 summary judgment decision: that the IA’s unauthorized scanning and lending of the 127 in-suit copyrighted books under a novel protocol known as “controlled digital lending” constitutes copyright infringement, including in the IA’s controversial “National Emergency Library” (under which the IA temporarily allowed for simultaneous access to its collections of scans in the the early days of the pandemic, when schools and libraries were shuttered).
Most importantly, the proposed agreement includes a permanent injunction that would, among its provisions, bar the IA’s lending of unauthorized scans of in-copyright, commercially available books, as well as bar the IA from “profiting from” or “inducing” any other party’s “infringing reproduction, public distribution, public display and/or public performance” of books “in any digital or electronic form” once notified by the copyright holder. Under the agreement, the injunction will not be stayed while the case is on appeal—essentially meaning that once Koeltl signs off, the IA will have to take stop making unauthorized scans of copyrighted works available to be borrowed within two weeks of notification.
The parties left one final dispute for Koeltl to clean up, however: what books will be “covered” by the proposed injunction?
In a letter to the court, IA attorneys argue that “Covered Books” should be limited to books that are both “commercially available” and available in digital format. “This case involved only works that the Publishers make available as e-books and so the scope of any injunction should be limited accordingly,” IA attorneys argue. “Because the parties did not have the opportunity in this case to litigate the degree to which the unavailability of digital library licensing would affect the fair use analysis, it is inappropriate for an injunction in this case, by its breadth, to effectively prejudge the outcome of that question.”
Lawyers for the plaintiff publishers counter that the injunction should cover all unauthorized scans of commercially available books, whether the copyright holder has licensed a digital edition or not. “The law is clear that the right to decide whether or not to publish a book in electronic format belongs to its authors and publishers, not IA,” the publishers’ letter argues….
(5) MAGICAL HISTORICAL FICTION. [Item by SF Concatenation’s Jonathan Cowie.] This week’s B Beeb Ceeb Radio 4 programme Open Book takes a deep dive into magical historical fiction and includes an interview with Ann Patchett.
Octavia Bright talks to Ann Patchett about her captivating new novel. Tom Lake is the story of a young actor Lara under the spell of a future Hollywood star, but it is also about how she retells that story in later life to her adult daughters, and the power of storytelling itself.
Two masters of historical fiction, Laura Shepherd-Robinson and S. J. Parris (aka Stephanie Merritt) discuss the allure of magic and mysticism in their latest books set either side of the Enlightenment.
Plus Nana Kwame Adjei-Brenyah recalls the enchanting tale behind the book he’d never lend.
…Even a casual student of science fiction and comic-book history knows all about meteorites. They’re either the source of superheroic powers – or agents of destruction to people with fantastic abilities. (See: Kryptonite.)
Farmer chose the former concept and, in an unmatched bit of revisionist literary history, decided to use the Wold Newton meteorite to form an interconnected world for some of imaginative literature’s most fantastic characters. Not Superman, of course, because his off-planet origin is well known. But very nearly everyone else was included, as Farmer and his successors in tending the Wold Newton Universe would have it….
For Wells the most basic level of uncertainty arose from the fear that the human race might not sustain its current rate of development. In his 1895 story “The Time Machine” he imagined his time traveler projected through eras of future progress: “I saw great and splendid architecture rising about me, more massive than any buildings of our time, and yet, as it seemed, built of glimmer and mist.”2 But the time traveler ends up in a world brought down by social division and degeneration. The brutal Morlocks are the descendants of the industrial workers, while the childlike Eloi are the remnants of the leisured upper classes. This prediction was based on his zoologist friend E. Ray Lankester’s extension of the Darwinian theory. Lankester argued that because evolution works by adapting populations to their environment, progress is not inevitable and any species that adapts itself to a less active and hence less challenging way of life will degenerate.3 Here was the model for a more complex vision of progress in which any advance would depend on the circumstances of the time and could not be predicted on the basis of previous trends….
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.)
Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. The latter won the fanzine Hugo at Nippon 2007 (with Geri Sullivan and Randy Byers) after her death. She wrote four novels and a handful of short fiction, none of which are in-print. (Died 2007.)
Born August 14, 1940 — Alexei Panshin. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis. Let’s not overlook that he was the Hugo Award winning Best Fan Writer at NYCon 3. (Died 2022.)
Born August 14, 1950 — Gary Larson, 73. Setting aside a long and delightful career in creating the weird for us, ISFDB lists a SF link that deserve noting. In the March 1991 Warp as published by the Montreal Science Fiction and Fantasy Association, he had a cartoon “The crew of the Starship Enterprise encounters the floating head of Zsa Zsa Gabor”.
Born August 14, 1956 — Joan Slonczewski, 67. Their novel A Door into Ocean won the John W. Campbell Memorial Award. They won a second John W. Campbell Memorial Award for their Highest Frontier novel. They were nominated for an Otherwise Award for The Children Star novel.
Born August 14, 1965 — Brannon Braga, 58. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes of the Trek various series than anyone else has with one hundred and nine to date. He was responsible for the Next Generation series finale “All Good Things…” which won him a Hugo Award at Intersection for excellence in SF writing, along with Ronald D. Moore. He’s one of the producers of The Orville.
Sara Felix, Hugo award-winning artist and Glasgow 2024 designer, has launched six brand-new fabric designs on Spoonflower, now available for purchase.
Whether it’s a yard of fabric or a throw pillow, tea towels or a blanket, you can celebrate Glasgow 2024 with your choice of festive wares!
A word from Sara: “I created these fabrics because while I love the tartan, I wanted a few more options to play with. So I took the Armadillo we use on the bottom of some of our webpages and publication pages and made these. Of course, we had to have the logo on there as well!”
….In addition to rotating, Earth orbits the sun. That orbit is an ellipse, which causes our planet to occasionally move more quickly or slowly depending on its distance from the sun. But on average, Earth’s orbital speed is about 19 miles per second (30 km per second).
That’s about 600 million miles (1 billion km) every year. So over a lifetime, each of us travels roughly 50 billion miles (80 billion km) — which, again, dwarfs the distance we travel due solely to the rotation of our planet….
(11) MULTITALENTED JOYNER’S NEW BOOK. Jackiem Joyner, author of Zarya Episode II Sochi Unleashed, also is a contemporary saxophonist and music producer with a pair of number one hit songs and five top 10 Billboard under his belt.
In the second novel of his Zarya series, the fate of Cydnus, a highly advanced desert world, hangs in the balance. With oxygen levels beginning to deplete, this politically divided planet stands on the brink of an existential crisis.
In the heart of the advanced city of New Cebrenia City, Zarya, along with her father, Aaron, and friends Kizzy and Marco, must navigate a complex web of political strife. With Vice Chairman Eros’s dark plots threatening their progress, the security of their only political ally, the chairman, is under threat. Their most powerful asset is Sochi, Zarya’s advanced AI Airboard. Yet, Sochi’s newfound ability to control other machines presents both significant opportunities and risks.
Meanwhile, Aaron embarks on a perilous journey into the cosmos, driven by desperation to resurrect a long-abandoned project that might be Cydnus’s last hope. His mission, shadowed by his past, is a race against time, with the future of Cydnus at stake.
Zarya Episode II: Sochi Unleashed delves into the intricate relationship between sentient beings and technology, bravery amidst uncertainty, and the struggle for survival. As Zarya, her allies, and Sochi traverse this journey, the tale evolves into a saga filled with challenges and triumphs. Welcome to Cydnus, a world teetering on the brink of an uncertain future, in this captivating narrative.
(12) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s latest from Moid is a very brief (Hondo Cit) look at Japanese SF shot on location in a Japanese garden in Poole (Dorset, England, Brit Cit): “The History Of Japanese Science Fiction”.
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
…In 1960, SAG and WGA struck to force management to adapt to the new technology of television. Without that strike and the agreement it birthed, residual use payments would not exist.
My parents stole nearly all of my salary from my entire childhood. My Star Trek residuals were all I had, and they kept me afloat for two decades while I rebuilt my life. I have healthcare and a pension because of my union. The AMPTP billionaires want to take all that security away so they can give CEOs even more grotesque wealth at the expense of the people who make our industry run.
To give some sense of what is at stake: There are actors who star in massively successful, profitable, critically acclaimed shows that are all on streaming services. You see them all the time. They are famous, A-list celebrities. Nearly all of those actors don’t earn enough to qualify for health insurance, because the studios forced them to accept a buyout for all their residuals (decade of reuse, at the least) that is less than I earned for one week on TNG. And I was the lowest paid cast member in 1988. They want to do this while studio profits and CEO compensation are at historic highs…
(3) CADWELL TURNBULL STORY. Sunday Morning Transport posted their last free story of July, “A Tech Mage Comes to Visit” by Cadwell Turnbull about a “stunning new world, and the characters who have strange powers over the machines there.” Editors Julian Yap and Fran Wilde encourage fans to read it and subscribe.
The following is a short story by renowned sci-fi author Alastair Reynolds, commissioned by Auki Labs. It is the third short story published on our Medium about the future of Augmented Reality….
Alastair Reynolds’ “End User” is a chilling reminder, if one could call a vision of the future that, of why it is important for us as a society to reject surveillance capitalism and think critically about how AR will be delivered to us. We should never allow corporations to see through our eyes….
Illustrator Chet Phillips has reimagined six iconic fictional sci-fi vehicles in as front covers in the vintage style of Modern Mechanix magazine. The magazine is known for its wildly cool and exaggerated illustrations, and was popular in the early to mid part of the 20th Century….
Iconic Sci-Fi Vehicles Reimagined in the Cool Vintage Art Style of Modern Mechanix Magazine
(6) AUREALIS AWARDS TAKING ENTRIES. The 2023 Aurealis Awards are open for entry from now until December 14.
The Aurealis Awards, Australia’s premier awards for speculative fiction, are for works created by an Australian citizen or permanent resident, and published for the first time between 1 January 2023 and 31 December 2023.
We strongly encourage publishers and authors to enter all works published already this year by September 30, 2023, then subsequent publications as they are released; our judges appreciate having time to consider each entry carefully.
A federal judge in Arkansas temporarily blocked a state law that would have made it a crime for librarians and booksellers to give minors materials deemed “harmful” to them — a move celebrated by free-speech advocates, who had decried the law as a violation of individual liberties.
Act 372 would have taken effect Tuesday. U.S. District Judge Timothy L. Brooks issued a preliminary injunction Saturday, siding with bookstores, libraries and patrons in the state thatargued in a lawsuit filed last month that parts of the law were unconstitutional.
Section 1 would have made it a criminal offense to knowingly provide a minor with any material deemed “harmful” — a term defined by state law as containing nudity or sexual content, appealing to a “prurient interest in sex,” lacking “serious literary, scientific, medical, artistic, or political value for minors” or deemed “inappropriate for minors” under current community standards.
Plaintiffs also challenged Section 5, which would have allowed anyone “affected by” material in a particular county or municipal library to challenge the “appropriateness” of the material.
The plaintiffs argued that the law would force librarians and booksellers to make an impossible choice: Remove books that some might deem offensive to young readers from their shelves; create secure, adult-only spaces for those books; ban minors from their facilities altogether; or expose themselves to criminal charges or fines.
In his injunction, Brooks said the law “would permit, if not encourage, library committees and local governmental bodies to make censorship decisions based on content or viewpoint,” in violation of the right to free speech under the First Amendment. He agreed with the plaintiffs that the state’s definition of “harmful” materials was overly vague….
(8) SHELLEY BELSKY (1955-2023). Shelley Adrienne Mimi Belsky, a New York City fan, died July 25 at the age of 68.
The Baltimore Science Fiction Society’s tribute says: “Shelley was a transwoman known for her knowledge and love of science fiction literature and hearty laugh in east coast con suites in the late ’70s to ’80s before she married and moved to Canada. After a decade she returned to the US and resided in the Milwaukee area. She often attended Balticon….. May her memory be a blessing.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 30, 1911 — Reginald Bretnor. Author of many genre short stories involving Ferdinand Feghoot, a comical figure indeed. It looks like all of these are available in digital form on iBooks and Kindle. He was a consummate SJW. He translated Les Chats, the first known book about cats which was written by Augustin Paradis de Moncrif in 1727. He also wrote myriad articles about cats, was a companion to cats, and considered himself to have a psychic connection to cats. Of course, most of us do. (Died 1992.)
Born July 30, 1947 — Arnold Schwarzenegger, 76. Terminator franchise, of course, as well as Running Man, Conan the Barbarian and Conan the Destroyer, Tales from the Crypt and True Lies.
Born July 30, 1948 — Carel Struycken, 75. I remember him best as the gong-ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film though I’ve seen it twice. And he’s in Ewoks: The Battle for Endor which I’ve never seen.
Born July 30, 1947 — John E. Stith, 76. Winner of two HOMer Awards, given by the Science Fiction and Fantasy Literature Forum on CompuServe, for Redshift Rendezvous and Naught for Hire. The former would be nominated for a Nebula as well. The HOMer Awards ended in about 2000.
Born July 30, 1961 — Laurence Fishburne, 63. Morpheus inThe Matrix films. My favorite role by him was Dr. Raymond Langston on CSI. (Not genre, though the forensic science there is SF.) His voice work as Thrax in Osmosis Jones on the other hand is outstanding as is his role as Bill Foster in Ant-Man.
Born July 30, 1966 — Jess Nevins, 57. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. He’s also written the Fable Encyclopedia which is a most excellent look at Willingham series. I didn’t know he also wrote fiction ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident.
Born July 30, 1975 — Cherie Priest, 48. Her Southern gothic Eden Moore series is kickass good and Clockwork Universe series is a refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read the Cheshire Red Reports novels so have no idea how good they are. Anyone read these? She won an Endeavour Award for her Dreadnought novel.
… The first thing that one asks is that the adventure should be various and exciting; in this respect Mr. Tolkien’s invention is unflagging, and, on the primitive level of wanting to know what happens next, The Fellowship of the Ring is at least as good as The Thirty-Nine Steps….
He refers to John Buchan’s 1915 “shocker”, beloved by readers of popular fiction a century ago. Their experience can’t really be recovered by reading the book now (or even several decades ago when I looked it up due to its reputation.) However, Auden’s comparison was a ringing endorsement in 1954.
…Rod Serling and his crew didn’t have anyone on staff that could handle that, so they ended up recruiting for an unlikely source: Walt Disney Animation.
As the story goes (at least according to 1992’s “The Twilight Zone Companion” written by Marc Scott Zicree), “Twilight Zone” makeup effects artist, William Tuttle was hard up for ways to pull off the effect in a way that would please Serling, who was determined that the gag only works if the audience can recognize Robertson in the dummy at the end. It still had to look like a real ventriloquist’s dummy, but have enough of the actor’s features so nobody walked away from the episode confused…
The rest of the story is at the link.
(14) BERLITZKRIEG. Very clever.
Paul Atreides doth go to a Frensshe bakerye to picke up breade. Upon arrival at the Frensshe bakerye, Paul Atreides doth fynde that the bakeres have lefte a box for hym. "What ys yn the box?" Paul Atreides asketh. The Frensshe bakeres responde: "Pain."
I love the Milky Way, this crazy, giant whirlpool of stars that’s our home. And I remember being blown away learning that the cloudy line in the sky was something we’re actually inside, something that really confused me at first. So this video is really my attempt to bring a little more appreciation and clarity to our oasis in the Universe. Making it has really helped me get to grips with some of the scale of things and I might well do another shorter video showing the size and location of some other things in the Milky Way on the ‘US’ scale. I also tried to address that existential dread that can creep in when getting to grips with the scale of things like this. To paraphrase Douglas Adams, our galaxy makes a long walk down to the chemist’s look like peanuts so I’ve tried to temper that with a quick reminder of the scale of the really small stuff. I do personally like to remind myself that I’m actually huge when the cosmos gets a little too big for its boots and starts melting my brain.
[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Lise Andreasen, Rich Lynch, Daniel Dern, Jennifer Hawthorne, Tom Boswell, Alexander Case, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day brnkn117.]
(1) LAST DAY TO NOMINATE FOR DRAGON AWARDS. Nominations are being taken for the 2023 Dragon Awards until July 19.
Need more information about what to put on your ballot? Red Panda Fraction has assembled a Dragon Awards 2023 Eligible Works spreadsheet in the format of Renay’s Hugo Awards Spreadsheet.
Bear in mind that voters are allowed to make only one nomination per category. However, that is somewhat offset by the Dragon Awards having six book categories. (But there are no short fiction categories). [Via Camestros Felapton.]
(2) SLOW BOAT. Aimee Ogden’s name is on the cover of F&SF but for the benefit of other writers she is calling them out about her story submission experience. Thread starts here. Here are some excerpts.
But.
"A Half-Remembered World" was actually my second acceptance there, in June of 2022. In March 2022, I also had a short story accepted.
By April of 2023, more than a year later, I hadn't received a contract for either story yet.
— Aimee Ogden (Updates Only) (@Aimee_Ogden) July 18, 2023
I ended up pulling the short story out of the acceptance queue at the end of April. Because I didn't know how long it would be until the story came out and how good a sample of my writing it would be by then; and because 13 months is too long to go without a contract, imo.
— Aimee Ogden (Updates Only) (@Aimee_Ogden) July 18, 2023
and also: -I don't know how likely I am to submit to F&SF again soon. -Newer writers who don't have the ins to hear about these things in backchannels also deserve to know about the contract delays/edit turnarounds/etc.
— Aimee Ogden (Updates Only) (@Aimee_Ogden) July 18, 2023
Author and publisher welfare has been a hot topic in the books industry of late. Publishing houses, trade unions and industry bodies have scrambled for solutions following a survey by the Bookseller in which debut authors reported overwhelmingly negative publication experiences: more than half of respondents said the process adversely affected their mental health. Now, a series of measures are being rolled out across the industry in response to these concerns.
This month, Anna Frame, communications director at the independent publisher Canongate, has confirmed the launch of two initiatives: an authors’ handbook in partnership with the Society of Authors (SoA) and a resource pack for publishers, in conjunction with English Pen. Canongate has also announced that it will publish fewer books so that it can dedicate more time to authors.
These measures follow news that the Orion publishing group will establish an academy for debut novelists with the aim of “demystifying the process and ensuring expectations are clear”. Meanwhile, the Publishers Publicity Circle (PPC) is launching free media training and crisis communications sessions for publishers….
(4) MAYBE WE DIDN’T MISS MUCH. What if Winnipeg was running the 2023 Worldcon instead of Chengdu? Well, they’re running the NASFiC this week and here’s the email Robert J. Sawyer’s wrote to Pemmi-Con’s head of programming which he posted on Facebook today.
The NASFiC in Winnipeg begins tomorrow. Still no schedule on the website, no informationa about any signings, readings, or kaffeeklatsches, and no updated emails from programming about the time-zone screw-up on the personal panel lists they sent out.
Having to ferret out on my own what times they’ve actually got me scheduled, I’ve just sent this email to programming. Note for future cons: sending out all your programming emails from an email address that says “[email protected]” does NOT make communication easy…
And Sawyer continues from there, trying to get his schedule sorted.
The schedule’s not easy to find – you can’t go directly to it from the Pemmi-Con home page menu – but it looks like there is a schedule online: Schedule | Pemmi-Con.
(5) OP-ED. [Uncredited Item by Guest Author.] It is true that there are many sides to a story, and it is also true that western countries had been and some still do, have oppressive policies toward indigenous and other minority groups, and perhaps it is a stretch to call the camps in Xinjiang as concentration camps where the images of death camps and gas chambers immediately came to mind. However, it is indisputable that such camps exist, and simply calling them re-education camps lessens their intended purposes.
The fact is that the Chinese government is systematically erasing minority views and even languages. We don’t even have to look at Tibet or Xinjiang, but even in Han populated provinces such as Guangdong and the Hong Kong city, teaching and using the Cantonese language is being discouraged, and this is a Han Chinese dialect.
Political oppression is also real. Just a month ago, the Hong Kong government charged 8 democratic leaders for seditious activities:
They promise they will bring these people to “justice” regardless where they live and to the end of time.
At DisCon 3, during the last session before the Site Selection vote, the Chinese committee said “You can say whatever you want at the convention (without being prosecuted)”. How far will that truly go? What if a fan wears a “Democracy for Hong Kong” T-shirt? Note that I carefully said “Democracy” and not “Independence”. Will they be escorted to the airport immediately, or worse outcome, if they are a Chinese citizen?
(6) B5 ON BLU-RAY. J. Michael Straczynski told Facebook readers today that to celebrate B5’s 30th Anniversary, Babylon 5: The Complete Series will be released on Blu-Ray December 5, 2023. Pre-orders can be placed starting today.
…To address some of the obvious questions: I wasn’t directly involved with the release, so I don’t know much more than you do or what’s in the release/at the retail sites but I can add what little I do know: the release includes The Gathering (but not the movies or Crusade) because TG was our pilot (technically the first) episode, so it’s a legit part of the series which fits the title mandate; the other movies were separate, and Crusade is a completely different series, so it doesn’t belong in this box set.
This is essentially the same as the very nice 4:3 remaster done for HBO-Max, which matches the original broadcast, but putting it onto Blu-Ray increases the bitrate so it should look even better than it did there. WB wanted to include the commentaries but with everything else involved with this, it apparently wasn’t feasible (that’s the extent of what I was told, so I’ve no idea what that entails)….
…What matters most in all this is that after years of asking for a Blu-Ray release, which will make this show look more beautiful than it ever has before. Fans can now own the full series in pristine form on physical media without being held hostage by the whims of streamers. I’m very excited by this release, as it further assures the legacy of Babylon 5. Onward!
All ITSme Society illustration agencies will include a new clause in their client contracts protecting the rights of illustrators to their original illustrations from reproduction or other use for purposes of training and artificial intelligence models. The initiative was led by Kate Kendrick, global manager of Astound US Inc. Other participating agencies include Advocate Art, Artistique Int, Illo, and the Yeon Agency.
“We want to get ahead of the curve before there is a halt within the world of publishing—we support our actors and writers on strike, and we’d like to get ahead and not have it come to that for illustrators,” the agencies said in a statement. The clause, they continued, “states that the illustrator must give prior consent to permit the client/publisher to use technologies that are capable of generating works in the same style or genre as their work. Our aim is to get ahead of these advancing technologies and to protect the artists and their artwork against the use of AI/ML models.”
LH: Which non-literary piece of culture—film, tv show, painting, song—could you not imagine your life without?
CT: i would say my number one most important piece of art that i always return to, and thing that is probably most influential on my writing and my existence as a buckaroo, is probably STOP MAKING SENSE the talking heads live film, and also album that comes with it. that is probably chucks number one artistic touchstone even over any book.
first as an autistic buckaroo, that movie and the subtext around it is what made me proud to be autistic like david byrne. being on the spectrum was never a bad diagnosis for me it was ALWAYS just about the coolest thing someone could be because talking heads were the coolest band in the dang world. so watching that was a real big moment for me to think “wow, what a special tradition of artist i am walking in the steps of”
but even outside of that, i think the way the show is setup is just beautiful, and the songs they picked and the way those songs are presented. to me what is says is “there is so much more to art than the medium itself, there is all the other things around it.” art does not exist in a vacuum, so it is always funny to me when buds try to seperate it from the context of the time and place. bud the context is ALSO part of the artwork, and i think you can really see that in the way those songs are presented….
(9) BOX OFFICE IMPROBABLE. [Item by Mike Kennedy.] Despite a much better reception from the critics, the latest Mission Impossible movie has opened with figures extremely similar to the latest Indiana Jones flick. Both somewhat <looks over glasses> disappointing. Perhaps audience reception will echo the critics and MI7 will have more legs than IJ5. “’Mission Impossible 7’ Falls Short of Box Office Expectations” in Variety.
“Mission: Impossible – Dead Reckoning Part One” topped domestic box office charts while falling short of initial expectations. Tom Cruise’s latest blockbuster collected $56.2 million between Friday and Sunday, a lackluster start for a movie that cost nearly $300 million before marketing.
Heading into the weekend, Paramount and Skydance’s action-adventure was hoping to establish a new franchise record with $60 million or more. Instead, ticket sales landed behind 2018’s “Mission: Impossible – Fallout” ($61 million) and 2000’s “Mission: Impossible II” ($57.8 million), which remain as the top openings in the 27-year-old series.
(10) MEMORY LANE.
2017 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Fran Wilde has written five novels with latest being The Ship of Stolen Words. Updraft, her first novel, won an Andre Norton Award, most excellent to do, also the Compton Crook Award, the Baltimore SF Society’s Best First Novel Award. Riverland also won the Andre Norton Award.
Did I also mention that she’s simply amazing at penning shorter works? I will do so now. She’s written around fifty stories, four poems and a considerable number of essays such as “A Recipe for Summoning Aliette de Bodard”. So our Beginning comes from one of these works, “Clearly Lettered in a Mostly Steady Hand” which appeared first in Uncanny.
Don’t look in my eyes, don’t plead curiosity, you won’t get anywhere with that. Try it and you’ll see your reflection in my sea-green gaze: your shadow sprinting through the heavy glass doors. You’ll smell a whiff of brine, perhaps something more volatile. You’ll be caught and held, while your likeness departs. You don’t want that.
No one wants to be pinned between an entrance and an exit, unless you’re part of the show.
Here’s what you do instead: drop your dime on the rose carpet, just there. Don’t pick it up. The carpet’s sticky. Don’t ask why. Stare at my lips, my hands clasped over my velvet skirts, what rests below that, and wait.
If you’re worthy, I’ll say the word. Your dime gets you a look and a souvenir. Your hands are beautiful, did you know that?
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 18, 1913 — Red Skelton. Comedian of the first order. The Red Skelton Hour ran for three hundred and thirty-eight episodes. I remember Freddie the Freeloader. He’s here because ISFDB says he wrote A Red Skelton in Your Closet which is also called Red Skelton’s Favorite Ghost Stories. He also has cameos in Around the World in Eighty Days and Those Magnificent Men in their Flying Machines, both of which I consider at least genre adjacent. (Died 1997.)
Born July 18, 1943 — Charles Waugh, 80. Anthologist and author, whose anthology work up to 2013 numbered over two hundred titles (!), mostly done with Martin H. Greenberg but a handful done with other co-editors as Greenberg died in 2011. Name a subject and there’s likely an anthology on that subject that he had a hand in.
Born July 18, 1956 — Deborah Christian, 67. She’s an author and game designer who has designed and edited role-playing game materials for Dungeons & Dragons such as Tales of the Outer Planes, Bestiary of Dragons and Giants, Dragon Dawn, and Kara-Tur: The Eastern Realms. She also writes fiction under the name Deborah Teramis Christian with genre novel such as The Truthsayer’s Apprentice and her latest, Splintegrate.
Born July 18, 1967 — Paul Cornell, 56. Author of the Shadow Police series which is quite excellent as well as writing a lot of television scripts for Doctor Who including the stellar Tenth Doctor two part story “Human Nature“ and “The Family of Blood” with one of the best endings ever, Primieval and Robin Hood. He was part of the regular panel of the SF Squeecast podcast which won multiple Hugo Awards for best fancast.
Born July 18, 1967 — Vin Diesel, 56. His first genre role was as the delightful voice of The Iron Giant. He next shows playing Riddick in Pitch Black, the first in The Chronicles of Riddick franchise. He’s Hugo Cornelius Toorop in Babylon A.D. and he’s the fascinating if enigmatic voice of Groot in Guardians of the Galaxy and other MCU films.
Born July 18, 1980 — Kristen Bell, 43. Veronica Mars. Genre, well not really, but a lot of y’all watched it. She also voiced Jade Wilson in Teen Titans Go! To the Movies which I highly recommend as it’s highly meta. Really it is.
Born July 18, 1982 — Priyanka Chopra, 41. Alex Parrish in Quantico, she became the first South Asian to headline an American network drama series. Is it genre? Maybe, maybe not, though it could fit very nicely into a Strossian Dark State. Some of her work in her native India such as The Legend of Drona and Love Story 2050 is genre as is Krrish 3, an Indian SF film she was in. She’s got a key role in the Matrix Resurrections film. No, I’m not saying what it is as some of you possibly haven’t seen it.
… Montserrat is a reclusive sound editor who’s caring for her sister, who has cancer. She has three loves: horror movies, her white Volkswagen and her childhood friend Tristán Abascal, a tall, handsome, washed-up actor. Montserrat is abrasive and nerdy; Tristán, “more Cantinflas than James Bond,” is smooth, but also a goof. When he reaches out to reconnect, it means he’s between relationships; this time he also needs to borrow her car.
The plot is set into motion only after a long conversation between the two friends and Abel Urueta, Tristán’s neighbor and a once-famous Mexican horror film director. Over whiskey, he talks about a production he never completed, “Beyond the Yellow Door,” which was co-written by Wilhelm Ewers, a Nazi occultist who believed that silver nitrate film was “a perfect medium for sealing spells.” But when Ewers died before “Beyond the Yellow Door” wrapped, his magic went haywire, destroying the highly flammable nitrate prints of the film, and inflicting a curse on the cast and crew.
Urueta, who has one last canister stashed in his freezer, has an idea: If Montserrat and Tristán help him finish the project, perhaps the curse could be lifted….
Re “Dan Hendrycks wants to save us from an AI catastrophe. He’s not sure he’ll succeed.” (Ideas, July 9): The potential for catastrophic results from advanced technology is not a new idea. The science fiction writer Isaac Asimov identified and addressed the risk in a 1942 short story, through his Three Laws of Robotics: 1) A robot may not injure a human being or, through inaction, allow a human being to come to harm. 2) A robot must obey the orders given it by human beings except where such orders would conflict with the First Law. 3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. Though it may have taken us 80 years to reach the point where this risk is on the near-term horizon, Asimov was nothing if not prescient. Much like climate change, we may be rapidly approaching a point with artificial intelligence where reverse is no longer an option.
When we talk about classic economic texts, you might think of something like Adam Smith’s “The Wealth of Nations.” But how about the Foundation series by Isaac Asimov?
One of the big ideas at the heart of this science fiction saga is that math can predict and shape the future. We hear from two economists who tell us how the ideas in Foundation helped set them on their career path.
The Tolkien Reader was first published in 1966 by Ballantine Books in the US; in response to the greatly expanding popularity of The Lord of the Rings, driven by the paperback editions from Ballantine (and the pirated edition from Ace.) This was an attempt to bring a varied sampling of his work to readers hungry for more. I read it myself in the early ’70s, after I read The Hobbit and The Lord of the Rings. As an introduction it reprints a piece Peter Beagle did for Holiday (perhaps at the instigation of Alfred Bester?) called “Tolkien’s Magic Ring”, which primarily discusses the Middle-Earth books.
It’s a good and varied collection throughout, and really does the job of showing a different side to Tolkien (though not THAT different!) from that seen in The Lord of the Rings. I’ll be looking at each of the sections separately, and slightly out of order, in that I think the best part by far is Tree and Leaf, which comes second in the book….
2. The Library of Ashurbanipal – A King’s Passion Project
Much older than the library of Alexandria, Ashurbanipal was founded in Nineveh, Assyria in the 7th century BC. It was one of the earliest, and most remarkable libraries, in the ancient world and was named after its founder, King Ashurbanipal.
Built as part of the royal palace, this ancient library held an extensive collection of clay tablets written in the cuneiform script, the most widespread form of writing in the ancient Middle East. After the library’s destruction, it’s estimated around 30,000 of these tablets were salvaged, giving us an idea of just how significant this repository of knowledge was.
King Ashurbanipal built the library to highlight his empire’s vast intellectual prowess. He was a leader who valued intellectualism and was renowned for his patronage of learning. The collection held texts from all the civilizations the Assyrians had interacted with, making it a melting pot of knowledge from ancient Mesopotamia, Sumer, Babylon, and beyond. Not just a storehouse of ancient knowledge, the library was a center for early scholarship and attracted scribes, scholars, and translators who studied and translated texts from different languages.
Sadly, the library’s heyday was short-lived. It’s believed the library fell alongside Nineveh itself in 612 BC when it was raided by the Medes, Babylonians, and Scythians. The library’s ruins were discovered by Austen Henry Layard in 1849. Thankfully, the fires that were meant to destroy the tablets actually preserved them and now the majority of the library’s knowledge resides in the British Museum.
(18) SCORN AND DEFIANCE; SLIGHT REGARD, CONTEMPT. Matt Berry and Peter Capaldi really let it rip in this episode of Letters Live.
Possibly one of our favourite letter exchanges ever, and at London’s Freemasons’ Hall back in 2016 Matt Berry and Peter Capaldi joined us to give an incredible, hilarious reading. In 1675, the Sultan of the Ottoman Empire instructed his army to attack a fortress belonging to the Zaporozhian Cossacks. They were quickly and heavily defeated. Rather than surrender, the Sultan then wrote to the Cossacks and demanded that they submit to him. This fiery exchange was the result.
(19) ISAAC ARTHUR. [Item by SF Concatenation’s Jonathan Cowie.] Isaac Arthur has had his ‘Sci-fi Sunday’ which this time looks at “Robots & Warfare”. Given the recent developments in AI this is timely. Isaac not only has a degree in physics, he also served with the US Army…
Robots play an ever greater role in every aspect of our lives, including the battlefield, but what will their role be in the wars of the future?
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Daniel Dern, Michael A. Burstein, Alec Nevala-Lee, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) BUMMER, MAN. Camestros Felapton studies a claim about sff readers in “The downbeat end”.
…So the dire warnings of what might happen if “cosy horror” got a foothold in the horror community was that horror would be assimilated by the evil forces who had already eaten science fiction. That spawned a new discussion which is best summed up by a tweet from a very notable sf&f editor:
@EllenDatlow “It’s sad (to me) that sf devolved to a state that readers can’t take unhappy/downbeat endings. While Fiction Editor at OMNI Magazine, I was known for publishing downbeat sf and most readers had no problem with it-because the stories were great.“
A major issue with these kinds of current-state-of-the-genre is they can become so nebulous. With the cozy horror arguments people ranged from film, tv, children’s media, classics, short fiction, long fiction and so on. However, I think it is fair to look at Datlow’s comment in terms of short fiction….
Camestros puts it to the test based on his opinions about the endings of recent Hugo-winning short stories.
(2) FANZINE SCHOLARSHIP. in “’Doc’ Weir Revisited”, Douglas A. Anderson corrects a scholarly statement he once made about the question of what was the first booklet published about Tolkien?
His original choice by ‘Doc’ Weir has proven to be only a manuscript. So now the real first is…?
Anderson wields such magical fanzine fan names as Bruce Pelz and Ted Johnstone in his search.
(3) WOMEN SHOW PINBALL WIZARDRY. “Belles & Chimes, a pinball league ‘run by women, for women,’ makes some noise in a pastime where women were once consigned largely to the display cases” says the New York Times in “Not Your Father’s Pinball Arcade. But Maybe Your Mother’s.”
When Rachel Karlic and her sister, Rebecca Hinsdale, were students at Western Michigan University, they sometimes played pinball with their friend Kate Porter in a 24-hour video rental store near campus. The store was called Video Hits Plus, with the Plus maybe referring to the basement attractions, which, in addition to the pinball machines, included an air hockey table and a pornographic video section.
After graduating, the three women went their separate ways, eventually reuniting in Chicago in 2011. This was around the time that pinball machines, after nearly dying out in the early 2000s from competition with home gaming consoles, started becoming more popular again.
It helped that new machines were more complex, with modern electronics and mechanical features like the motorized skyscraper on the 2021 Godzilla machine. The numbers of avid players grew, as did the number of competitions and tournaments. Many of these events were sanctioned by the International Flipper Pinball Association, which ranks players globally.
In Chicago, one of the hubs of pinball’s resurgence was a onetime record store in the Logan Square neighborhood. The back of the store housed a selection of pinball machines, and if you bought something, you could play the machines for free. In 2014, James Zespy, the owner of the store, transformed it into a pinball and arcade bar called Logan Arcade.
That’s where, in 2017, Ms. Karlic, Ms. Hinsdale, Ms. Porter and their friend Tavi Veraldi started the Chicago chapter of the Belles & Chimes. Founded in 2013 in Oakland, Calif., Belles & Chimes bills itself as “an international network of inclusive women’s pinball leagues run by women, for women.” The Chicago chapter has about 50 members and hosts two seasons of league play every year….
(4) PROBLEM SOLVED, UHH… [Item by Bill.] AI’s that train on copyrighted works seem to be a concern of many Filers.
In a surprising move, Japan’s government recently reaffirmed that it will not enforce copyrights on data used in AI training. The policy allows AI to use any data “regardless of whether it is for non-profit or commercial purposes, whether it is an act other than reproduction, or whether it is content obtained from illegal sites or otherwise.” Keiko Nagaoka, Japanese Minister of Education, Culture, Sports, Science, and Technology, confirmed the bold stance to local meeting, saying that Japan’s laws won’t protect copyrighted materials used in AI datasets.
English language coverage of the situation is sparse. It seems the Japanese government believes copyright worries, particularly those linked to anime and other visual media, have held back the nation’s progress in AI technology. In response, Japan is going all-in, opting for a no-copyright approach to remain competitive.
This news is part of Japan’s ambitious plan to become a leader in AI technology. Rapidus, a local tech firm known for its advanced 2nm chip technology, is stepping into the spotlight as a serious contender in the world of AI chips. With Taiwan’s political situation looking unstable, Japanese chip manufacturing could be a safer bet. Japan is also stepping up to help shape the global rules for AI systems within the G-7….
There’s a moment in “Stan Lee,” David Gelb’s lively and illuminating documentary about the visionary of Marvel Comics, that’s momentous enough to give you a tingle. The year is 1961, and Lee, approaching 40, is burnt out on comics. It’s a form he has never taken all that seriously, even though he’s been working at it since 1939, when he started, at 17, as a gofer for Timely Comics. (Within two years he’d become the company’s editor, art director, and chief writer.) The comics he creates get so little respect that he tries to hide his profession when asked about it at cocktail parties.
In 1961, though, Lee receives a directive from Martin Goodman, the publisher of the company that’s about to be renamed Marvel. He is ordered to devise a team of superheroes that can compete with DC’s Justice League (who have become the fulcrum of the so-called Silver Age of Comics). Lee, weary of superheroes, is ready to quit the business. But his wife, the English-born beauty Joan Lee, suggests that he create the kind of characters he has always been talking about — a more realistic brand of comic-book figure, one that ordinary people could relate to.
With nothing to lose, he comes up with the Fantastic Four as a new breed of superhero: characters with a dash of angst and a host of ordinary problems — they bicker and nurse their anger and anxiety, they worry about things like paying the rent, and in the case of The Thing they have some serious self-esteem issues….
(6) CORMAC MCCARTHY (1933-2023). Cormac McCarthy died June 13 at the age of 89 reports NPR. While SFE argues for a couple of his earlier works having traits of horror, his one acknowledged sff novel is The Road, set in postapocalyptic America, and winner of the Pulitzer Prize. It also won Spain’s Premio Ignotus (2008), McCarthy’s only major sff award.
(7) MEMORY LANE.
1966 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Our Beginning this time is that of Samuel R. Delany’s Babel-17. Yes, it won a Nebula (along with Flowers for Algernon)and was nominated for a Hugo at NyCon 3 which was the year that The Moon is a Harsh Mistress won.
Delany intended to have Babel-17 originally published as a single volume with the “Empire Star” novella, but this did not happen until a reprint twelve years ago. That didn’t happen when it was published first by Ace Books fifty-seven years ago.
If you’re so inclined, Jo Walton did a rather good review of it over at Tor here.
And for our Beginning…
…Here is the hub of ambiguity. Electric spectra splash across the street. Equivocation knots the shadowed features of boys who are not boys; a quirk of darkness shrivels a full mouth to senility or pares it to a razor-edge, pours acid across an amber cheek, fingers a crotch, or smashes in the pelvic arch and wells a dark clot oozing on a chest dispelled with motion or a flare of light that swells the lips and dribbles them with blood. They say the hustlers paint their lips with blood. They say the same crowd surges up the street and surges down again, like driftwood borne tidewise ashore and sucked away with backwash, only to slap into the sand again, only to be jerked out and spun away. Driftwood; the narrow hips, the liquid eyes, the wideflung shoulders and the rough-cast hands, the gray-faced jackals kneeling to their prey. The colors disappear at break of day when stragglers toward the west riverdocks meet young sailors ambling shipward on the street… —from Prism and Lens
IT’S A PORT CITY.
Here fumes rust the sky, the General thought. Industrial gases flushed the evening with oranges, salmons, purples with too much red. West, ascending and descending transports, shuttling cargoes to stellarcenters and satellites, lacerated the clouds. It’s a rotten poor city too, thought the General, turning the corner by the garbage-strewn curb.
Since the Invasion six ruinous embargoes for months apiece had strangled this city whose lifeline must pulse with interstellar commerce to survive. Sequestered, how could this city exist? Six times in twenty years he’d asked himself that. Answer? It couldn’t.
Panics, riots, burnings, twice cannibalism—
The General looked from the silhouetted loading-towers that jutted behind the rickety monorail to the grimy buildings. The streets were smaller here, cluttered with Transport workers, loaders, a few stellarmen in green uniforms, and the horde of pale, proper men and women who managed the intricate sprawl of customs operations. They are quiet now, intent on home or work, the General thought. Yet all these people have lived for two decades under the Invasion. They’ve starved during the embargoes, broken windows, looted, run screaming before firehoses, torn flesh from a corpse’s arm with decalcified teeth.
Who is this animal man? He asked himself the abstract question to blur the lines of memory. It was easier, being a general, to ask about the “animal man” than about the woman who had sat in the middle of the sidewalk during the last embargo holding her skeletal baby by one leg, or the three scrawny teenage girls who had attacked him on the street with razors (—she had hissed through brown teeth, the bar of metal glistening toward his chest, “Come here, Beefsteak! Come get me, Lunch meat…” He had used karate—) or the blind man who had walked up the avenue, screaming.
Pale and proper men and women now, who spoke softly, who always hesitated before they let an expression fix their faces, with pale, proper, patriotic ideas: work for victory over the Invaders; Alona Star and Kip Rhyak were great in “Stellar Holliday” but Ronald Quar was the best serious actor around. They listened to Hi Lite’s music (or did they listen, wondered the General, during those slow dances where no one touched). A position in Customs was a good secure job.
Working directly in Transport was probably more exciting and fun to watch in the movies; but really, such strange people—
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 13, 1943 — Malcolm McDowell, 80. My favorite role for him was Mr. Roarke on the rebooted Fantasy Island. Of course, his most infamous role was Alex in A Clockwork Orange. Scary film, that. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series. Remember the Will Smith starred Wild Wild West film? Here is the same premise with Jonah Hex instead.
Born June 13, 1945 — Whitley Strieber, 78. I’ve decidedly mixed feelings about him. He’s written two rather good horror novels, The Wolfen which made a fantastic horror film and The Hunger. But I’m convinced that his book Communion about his encounter with aliens is an absolute crock.
Born June 13, 1949 — Simon Callow, 74. English actor, musician, writer, and theatre director. So what’s he doing here? Well, he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the latter. How are they? He was The Duke of Sandringham in the first season of Outlander.
Born June 13, 1953 — Tim Allen, 70. Jason Nesmith in the beloved Galaxy Quest, winning a much deserved Hugo Award for Best Dramatic Presentation. (What was running against it that year?) He actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in that film franchise.
Born June 13, 1963 — Audrey Niffenegger, 60. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film as only the characters in the novels are hers. Good for her. Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performed at the Royal Opera House.
Born June 13, 1968 — Marcel Theroux, 55. Author of The Confessions of Mycroft Holmes: A Paper Chase, and his Strange Bodies novel won a John W. Campbell Memorial Award. His Far North is a sf novel set in the Siberian taiga. Yes, that’s a novel I want to read.
Born June 13, 1969 — Cayetana Guillén Cuervo, 54. She’s got the role of Irene Larra in El Ministerio del Tiempo (The Ministry of Time), a Spanish SF series which sounds fascinating but which I’ve not seen. Anyone here seen it? Not fond of captioning, but I’d put up with it to see this.
Born June 13, 1981 — Chris Evans, 42. Captain America in the Marvel film franchise. He had an earlier role as the Human Torch in the non-MCU Fantastic Four and Fantastic Four: Rise of the Silver Surfer. I think this makes him the only performer to play two major characters in either the DC or Marvel Universes.
…”Carmella Creeper is the long-lost cousin of Franken Berry as well as a zombie DJ with an edgy sound who is always the life of the party,” General Mills explains. “Complete with a fierce attitude and looks to match, Carmella is ready to shake things up at the Monsters’ haunted mansion with her limited-edition cereal featuring caramel-apple-flavored pieces with colored Monster marshmallows.”
That wasn’t the only scary cereal-related announcement of the week. General Mills added that all six Monsters will come together in a single box later this year with the debut of Monster Mash Remix cereal. Carmella Creeper will be joining Boo Berry, Count Chocula, Franken Berry, Fruit Brute, and Yummy Mummy in a limited-time marshmallow-filled cereal combo. (Yes, this is similar to the previous Monster Mash cereal that was released for the Monsters’ 50th anniversary in 2021 — but this time, Carmella has been invited to the Monster Party.)…
It's official—a new face is joining the Monster Cereals for the first time in 36 years.
Carmella Creeper is getting her own caramel apple cereal, and she's also joining a reworked version of Monster Mash Cereal, which brings the whole gang together in one box! pic.twitter.com/unQLh7PdHw
— Cerealously ???????? (@cerealouslynet) June 7, 2023
…The giant rhinoceros roamed Eurasia sometime between 20 million and 35 million years ago. The extinct behemoth stretched over 26 feet long and weighed almost as much as five elephants. Now, paleontologists have unearthed partial remains of a new species of giant rhino in China, according to a study published last week in the journal Communications Biology….
The prehistoric beast stood nearly 16 feet tall on four bony legs similar to giraffes and weighed between 11 to 20 metric tons, which is equivalent to about three to five African elephants, Science Alert reports. Based on the size of the skull, the rhino had a long thick neck, a deeper nasal cavity, and a short trunk similar to that of a modern-day tapir, reports the BBC. The vertebrae fossils suggest the new species had a more flexible neck than other species of giant rhinoceroses, the researchers explain in a statement.
Deng suggests that the rhino’s thin legs were great for running, and its head could reach the highest leaves from the treetops, Gizmodo reports….
…Several types of astronomy would benefit. The most obvious is radio astronomy, which can be conducted from the side of the Moon that always faces away from Earth – the far side.
The lunar far side is permanently shielded from the radio signals generated by humans on Earth. During the lunar night, it is also protected from the Sun. These characteristics make it probably the most “radio-quiet” location in the whole solar system as no other planet or moon has a side that permanently faces away from the Earth. It is therefore ideally suited for radio astronomy.
Radio waves are a form of electromagnetic energy – as are, for example, infrared, ultraviolet and visible-light waves. They are defined by having different wavelengths in the electromagnetic spectrum.
Radio waves with wavelengths longer than about 15m are blocked by Earth’s ionoshere. But radio waves at these wavelengths reach the Moon’s surface unimpeded. For astronomy, this is the last unexplored region of the electromagnetic spectrum, and it is best studied from the lunar far side.
Observations of the cosmos at these wavelengths come under the umbrella of “low frequency radio astronomy”. These wavelengths are uniquely able to probe the structure of the early universe, especially the cosmic “dark ages” – an era before the first galaxies formed.
At that time, most of the matter in the universe, excluding the mysterious dark matter, was in the form of neutral hydrogen atoms. These emit and absorb radiation with a characteristic wavelength of 21cm. Radio astronomers have been using this property to study hydrogen clouds in our own galaxy – the Milky Way – since the 1950s.
Because the universe is constantly expanding, the 21cm signal generated by hydrogen in the early universe has been shifted to much longer wavelengths. As a result, hydrogen from the cosmic “dark ages” will appear to us with wavelengths greater than 10m. The lunar far side may be the only place where we can study this….
Chengdu, despite being a geographical lowland in China, undoubtedly stands as the highland of Chinese science fiction. Countless Chinese science fiction writers have found their inspiration here. From a unique coffee shop, an area full of local lifestyle, to the largest natural history museum in Southwest China, the ubiquitous sci-fi scenes are like a string of keys to the door of the marvelous universe, attracting countless sci-fi fans. As a science fiction writer who has settled in Chengdu for many years, how does Wanxiang Fengnian draw inspiration here and perfectly combine reality and sci-fi creation?
This June, TCM is getting campy. In this episode of Film 101, we examine what the term “camp” means by looking at four sci-fi camp classics airing on TCM this month: Plan 9 From Outer Space (1959), Queen of Outer Space (1958), Barbarella (1968), and The Apple (1980).
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Bill, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
