Pixel Scroll 10/31/21 I Tell Everyone to Pixel But Everybody Else Scrolls And Dies. O The Embarrassment!

The title may be longer than today’s Scroll!

(1) MERRILL’S TRICK. The Paris Review reaches deep in its bag for this 1982 interview with James Merrill:  “The Art of Poetry No. 31”.

INTERVIEWER

The Ouija board, now. I gather you use a homemade one, but that doesn’t exactly help me to imagine it or its workings. An overturned teacup is your pointer?

 MERRILL

Yes. The commercial boards come with a funny see-through planchette on legs. I find them too cramped. Besides, it’s so easy to make your own—just write out the alphabet, and the numbers, and your yes and no (punctuation marks too, if you’re going all out) on a big sheet of cardboard. Or use brown paper—it travels better. On our Grand Tour, whenever we felt lonely in the hotel room, David and I could just unfold our instant company. He puts his right hand lightly on the cup, I put my left, leaving the right free to transcribe, and away we go. We get, oh, five hundred to six hundred words an hour. Better than gasoline.

(2) VANDERMEER’S TREAT. Jeff VanderMeer celebrates the holiday with “A Short List Of Mistakes Starting With ‘Owl’: A Halloween Story”.

1.

He had a lesson plan for the semester, but I had given him a novel featuring owls that I thought particularly fine and that, as his superior, I had made a strong case for to the exclusion of all else….

(3) VERSE FOR TODAY. A Halloween Poetry link courtesy of the Paris Review: “History”.

(4) KEEP UP WITH YOUR HUGO READING. The Hugos There podcast discusses the 2021 Best Novelette finalists with Cora Buhlert, Sarah Elkins, Olav Rokne of the Hugo Book Club Blog, Juan Sanmiguel and Ivor Watkins. The audio is here. The video is here –

(5) JUST BECAUSE IT’S JUNE. Tawana Watson considers “The Poetic Power of Nostalgia” at SPECPO, the official blog of the Science Fiction and Fantasy Poetry Association.

…A poet I have found that inspired nostalgia and the subsequent emotional reaction within myself is David C. Kopaska-Merkel with his poem “June Lockhart’s Recurring Nightmare” appearing in Asimov’s Science Fiction Magazine. The first thing that grabbed my attention was the name within the poem, June Lockhart. June Lockhart is an actress that appeared in many television shows that I watched while growing up. Seeing just the name, June Lockhart, brought me back to Saturday morning, sitting on the floor in front of the television with my brother, eating Count Chocula cereal watching Lost in Space, one of June Lockhart’s popular television shows. On the title alone, I wanted to dive into the poem to see what the poet, Kopaska-Merkel, was writing about. The second thing that grabbed my attention was the vivid visuals of the scenery within the poem….

(6) ZOOMING WITH BLACKFORD. SPECPO also presents “An Interview with Jenny Blackford”, 2021 Rhysling Award winner, conducted by Lauren Frosto.

LRF: Can you tell me a little about the poem that won the Rhysling for the Long Form Category, “Eleven Exhibits in a Better Natural History Museum, London.” 

JB: It came about because of my husband. My other muse, Felix [Jenny’s cat], is not sufficient as a muse, though he is my “mews”. A couple of years back, my husband Russell and I were in London on our way to the World Science Fiction Convention in Dublin, and our activity for the day was visiting the Natural History Museum, London, which is a wonder of the world. Because it was a public holiday, we were standing in the sun in a line that just snaked around and around going nowhere for hours and we started talking about what we were going to see when we finally got inside. My husband said something like, well there might be an emerald the size of a whale, and it went from there. Since he threw up some possibilities and I elaborated, he gets 10% of my sales for this. You’ve got to reward your muse.

(7) MEDIA BIRTHDAY.

2000 – Twenty-one years ago, Gen¹³ premiered. If you’re scratching your head for not remembering this film, relax as it wasn’t one of the major films that year. It was based on the Gen¹³ series that was published by WildStorm Productions, a subsidiary of DC Comics. WildStorm Productions was founded by Jim Lee, currently the Publisher and Chief Creative Officer of DC Comics. 

It was directed by Kevin Altieri, and produced by Jim Lee, Karen Kolus and John Nee. The screenplay by Kevin Altieri and Karen Kolus from a story by Jim Lee, Brandon Choi and J. Scott Campbell, the latter better known for his own Danger Girl series. The Gen¹³ series was by the trio who wrote the story.

Voice cast was Alicia Witt, John de Lancie, E.G. Daily, Flea, Cloris Leachman, Lauren Lane and Mark Hamill. 

It apparently is not available in the United States because The Mouse considers it an advertisement for DC Comics and won’t release it here. It is available in Europe. That being said, audience reviewers at Rotten Tomatoes currently give it a rather excellent eighty four percent rating.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 31, 1923 Arthur W. Saha. A member of the Futurians and First Fandom who was an editor at Wollheim’s DAW Books, including editing the annual World’s Best SF from 1972 to 1990 and Year’s Best Fantasy Stories from 1975 to 1988. And he’s credited with coming up with the term “Trekkie” in 1967. (Died 1999.)
  • Born October 31, 1936 Michael Landon. Tony Rivers inI Was a Teenage Werewolf. (That film made two million on an eighty thousand dollar budget. Nice.) That and lead as Jonathan Smith in Highway to Heaven are, I think, his only genre roles. (Died 1991.)
  • Born October 31, 1946 Stephen Rea, 75. Actor who’s had a long genre history starting with the horror films of Cry of the BansheeThe Company of Wolves (from the Angela Carter short story)and The Doctor and the Devils. He’d later show up Interview with the VampireThe MusketeerFeardotComV for VendettaUnderworld: AwakeningWerewolf: The Beast Among Us and Ruby Strangelove Young Witch. He has the role of Alexander Pope in the most excellent Counterpart series.
  • Born October 31, 1958 Ian Briggs, 63. He wrote two Seventh Doctor stories, “Dragonfire” and “The Curse of Fenric”, the former of which of which introduced Ace as the Doctor’s Companion. (The latter is one on my frequent rewatch list.) He novelized both for Target Books. He would write a Seventh Doctor story, “The Celestial Harmony Engine” for the Short Trips: Defining Patterns anthology. 
  • Born October 31, 1959 Neal Stephenson, 62. Some years back, Longfellow Books had a genre book group. One of the staff who was a member of that group (as was I) took extreme dislike to The Diamond Age: Or, A Young Lady’s Illustrated Primer. I don’t remember now why but it made me re-read that and Snow Crash. My favorite novel by him by far is The Rise and Fall of D.O.D.O. which he did with Nicole Galland and I’ve got the sequel, The Master of Revels, done with her as well, on the to-be-listened-to list. 
  • Born October 31, 1961 Peter Jackson, 60. I’m going to confess that I watched and liked the first of the Lord of The Rings film but got no further than that. I was never fond of The Two Towers as a novel so it wasn’t something I wanted to see as a film, and I like The Hobbit just fine as a novel thank you much. Now the Adventures of Tintin is quite excellent indeed. The Fellowship of The Ring won the Hugo for Best Dramatic Presentation at  ConJosé, The Two Towers likewise at Torcon 3 and, no surprise, The Return of The King did so at Noreascon 4.
  • Born October 31, 1979 Erica Cerra, 42. Best known as Deputy Jo Lupo on Eureka, certainly one of the best SF series ever done. She had a brief recurring role as Maya in Battlestar Galactica, plus the artificial intelligence A.L.I.E. and her creator Becca in The 100. Her most recent genre role was a recurring one as Duma on Supernatural. She also showed up in Blade: Trinity as the goth Vixen Wannabe, and in Percy Jackson & the Olympians: The Lightning Thief in the plum role of Hera.
  • Born October 31, 1993 Letitia Wright, 28. She co-starred in Black Panther playing Shuri, King T’Challa’s sister and princess of Wakanda.  (Yes, she is in both Avengers films.) Before that, she was Anahson in “Face the Raven”, a Twelfth Doctor story, and was in the Black Mirror’s “Black Museum” episode. She has a recurring role as Renie in Humans, a Channel 4 SF series. It is based off Äkta människor (Real Humans), a Swedish series. 

(9) COMICS SECTION.

  • Tom the Dancing Bug visits Counter-Earth.
  • The Far Side has a horrifying sight at baggage claim.
  • Six Chix has a mildly amusing mashup.
  • Blondie finds lots of familiar faces at the door on Halloween.
  • Grant Snider’s Incidental Comics features “Spooky Stories.”

(10) PRESENT AT THE CREATION. Pioneering women horror artists receive their due in the Saturday Evening Post’s “The Women Who Built the Horror Genre”.

…[Margaret] Brundage is just one of a number of women creators who helped develop the horror genre. June Tarpé Mills was another pioneer, but she had to drop her first name when signing her work in order to create a masculine sounding pen name. Best known for creating the early female action hero Miss Fury (who some argue is the first female superhero), she also created “The Purple Zombie,” one of the earliest ongoing horror characters in comics. Mills’s horror resume also includes “The Vampire” and “The Ivy Menace,” two horror tales that appeared during the late 1930s, well before horror comics gained widespread popularity. “The Vampire” even included a twist ending—an uncommon device for comics at the time, but which became a staple of EC horror comics by the 1950s and in cinema decades later….

(11) THE MEANING OF IT ALL. [Item by Joel Zakem.] The Scroll has run a few pieces on Zukerberg’s Meta, so you might be interested that in Hebrew, Meta can apparently be translated as “she is dead.” The Forward elaborates in “Meta means ‘is dead’ in Hebrew. Discuss.”

…On Thursday, Mark Zuckerberg unveiled the new name for Facebook to mark its transition to what he calls “the metaverse.” The name, which is, perhaps unsurprisingly, Meta, doesn’t translate well. Unless that’s the point.

While the word, now applied to such narratively self-aware works as “Adaptation” and “Deadpool,” derives from the Greek prefix meaning “after” or beyond,” and indicates something that transcends the word it latches onto (think metaphysics), in Hebrew the word “Meta” is the feminine form of “is dead.” Don’t just take my word for it!…

(12) THE FIRST THING WE SHOULD SAY. [Item by JeffWarner.] When Scotty shouted “There Be Whales” this became genre: “Are We on the Verge of Chatting with Whales?” in Hakai Magazine. (“Dolphins as practice for First Contact” is my go-to panel topic.) We should probably apologize…

“I don’t know much about whales. I have never seen a whale in my life,” says Michael Bronstein. The Israeli computer scientist, teaching at Imperial College London, England, might not seem the ideal candidate for a project involving the communication of sperm whales. But his skills as an expert in machine learning could be key to an ambitious endeavor that officially started in March 2020: an interdisciplinary group of scientists wants to use artificial intelligence (AI) to decode the language of these marine mammals. If Project CETI (for Cetacean Translation Initiative) succeeds, it would be the first time that we actually understand what animals are chatting about—and maybe we could even have a conversation with them….

(13) WHAT MUSIC THEY MAKE. In the Washington Post, Alexandra Petri has suggestions for your Halloween music playlist. “The 50 best Halloween songs for your party playlist”. There’s a reason this is on the bottom of her list:

50. “The Wobblin’ Goblin,” by Rosemary Clooney: I am only sorry that by virtue of mentioning this song for this list, I may have made people aware of this song who previously weren’t. Your life may be going well; it may be going poorly; one thing I will guarantee is that hearing “The Wobblin’ Goblin” will make it worse. I hesitate to throw around phrases like “a crime against all reason and civilization,” but this song has no redeeming characteristics whatsoever yet still immediately gets stuck in your head. The universe it sets up makes no sense, one in which goblins are riding around on broomsticks but also responsive to air-traffic control, and buying an airplane is a logical solution to having a broken broom. Why wouldn’t the goblin just buy another broom that wasn’t broken? Was this sponsored by Big Air Travel?

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Joel Zakem, JeffWarner, Cora Buhlert, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 3/1/19 Rotating PixelScrolls And The Possibility Of Global File Violation

Editor’s note: Although I have been at this computer all day it’s included writing other posts, so a lot of good links will need to be carried over til tomorrow!

(1) AGAIN PLEASE. According to The Hollywood Reporter, a sequel to the Emily Blunt-Tom Cruise movie Edge of Tomorrow is happening. Original director Doug Liman and both stars are returning for the second movie:

Edge of Tomorrow was based on the Hiroshi Sakurazaka manga All You Need Is Kill, and somewhat controversially, was rebranded as its tagline Live. Die. Repeat. on home entertainment. The film was not considered a runaway hit commercially, making $370 million globally on a $178 budget, but it was a success with critics and has grown in popularity over the years on home entertainment. Liman, Cruise and Blunt continue to get asked about sequel possibilities in interviews, and have all spoken publicly about their interest in returning.

(2) VOTE FOR BOTH. Catherynne Valente tweeted extensively about the indie/trad worlds today. Not in a thread, here are some of the things she said —

(3) DIALOGUE. Yudhanjaya Wijeratne and Annie Bellet exchanged tweets today. (Unfortunately, in cases like this WordPress reproduces pairs of tweets, leading to unintended repetition of the message replied to.)

(The “he” in the last tweet is Jonathan Brazee.)

(4) RACISM? Mary Anne Mohanraj raised the question of whether the recent Nebula Awards controversy includes an element of racism in a public Facebook post:

Please imagine that you are a newer writer from Sri Lanka, a brown man from a small island country with a *tiny* publishing industry, a man who has recently been notified that you’ve received a Nebula nomination. You are, of course, over the moon with excitement. You are perhaps scrambling to figure out if there’s any way you can afford the exorbitant cost of a ticket to get to the Nebulas from Sri Lanka (keeping in mind exchange rates as well, which makes said ticket cost ten times as it much as it would for an American traveling to Sri Lanka). It’s going to be hard, but still, overall, you’re so very happy. It is wonderful news, that the largely American-dominated SF/F publishing scene might actually be open to someone like you.

Then some random white lady (random as far as you know, because you aren’t actually up on the minutiae and history of a particular award in another country halfway across the world) starts yelling on Twitter about the nominations, and specifically, about the fact that you and a few other people got nominated…

…Some people in the field have been sharply critical of one of the nominated authors being what they see as condescending in his response to Bellet. Maybe he was, maybe he wasn’t. But he definitely wasn’t swearing back at her — he was, in my opinion, incredibly restrained, considering the flood of vituperative abuse Bellet was hurling at him, at the other nominees, and at the people who nominated them.

Now look. Bellet went through a very rough time, and it’s perhaps understandable that she might come out swinging, and swearing. I’m not going to condemn her for that, necessarily, though I think she misread the situation to some extent. Marko Kloos went through a similarly rough decision then, and he deserves slack on this too.

But EVERYBODY else? They could take the time to read and research a little before leaping in on her side against someone they knew nothing about. Is this what we are in the field? A mob that will leap to the defense of one of our own, regardless of the rightness of her cause?

I don’t actually think Bellet meant to be racist — she didn’t single out the Sri Lankan writer. But it is easy to see how it looked that way to people on the other side of the planet.

There are a host of Sri Lankan writers now wondering if THIS is what science fiction publishing is in America. There are already some of them convinced that this was a racist attack against a brown-skinned writer. They are wondering if the field really is as racist as it seems.

Many of them believe this is emblematic of a field and an industry that WE ALL KNOW still has incredibly large disparities in who gets to get published. No matter how loudly we shout #weneeddiversebooks and talk about supporting #ownvoices. I have spent several HOURS in the last few days talking them down, and I cannot blame them for leaping to that conclusion when they are met with such violent language, and such immediate closing of ranks.

N.K. Jemisin made this comment in responset:

Mary Anne, I have a lot of sympathy for the Sri Lankan writer (not sure why we’re not mentioning his name, but I’ll adhere to your convention here). That said, in the scenario you’re asking me to imagine, I would not have rolled in the way he did. Upon seeing an established writer showing every sign of being really pissed off about some past incident — she mentions the Puppies, etc. — I would be diplomatic and at least try to figure out why she’s so upset before immediately leaping to the conclusion that it’s specifically about me. This guy wasn’t diplomatic. He was condescending and there’s no maybe about it. (Among other things, he called her a petulant child for being angry, which feels to me like a one-two combo of tone policing and chauvanism, because I don’t often hear men getting called children just for dropping f-bombs.) I think it’s a misread of the situation to say that Bellet was yelling *at him,* at least initially. It seemed clear enough to me that she was angry with whoever had created and pushed the slate. She never said anything different.

Now granted, I might be more sympathetic to her because my first reaction to finding out about the whole thing was a lot of swearing on Twitter, too! But after reading your post, I’m left trying to figure out what you’re advocating, here, as a better way to have handled it. Are you asking for people still smarting from a recent past incident to not express anger about a fresh trigger? That feels like a lot to ask. For people angry about group wrongdoing to not single out the writers of color? She didn’t, as you note; things only got ugly after he got snitty with her, to start. For people angry about group wrongdoing to consider how it feels to be a newbie caught up in the mess? There’s no one who would understand that better than Bellet and Kloos, and I read their initial anger as anger *on behalf of* the newbies, not *at* them.

I am 100% supportive of more writers of color coming into this field! More writers from other countries, esp SE Asia! All in. But this guy jumped into what was essentially an ongoing conversation about the past few years’ worth of stuff, and reacted as if it was about him, personally. That’s not a misread on Bellet and Kloos’ parts.

Personally, I think this whole business is the result of a culture clash: anything-goes indie writers versus a (indie and tradpub) community that at least *thinks* of itself as merit-focused. The anything-goes writers really should’ve done some field research before they jumped in and tried to plant a flag on merit-focused ground; this mess is the result. I think this writer’s interaction with Bellet is a microcosmic example of the overall problem.

(5) TODAY IN HISTORY

  • March 1, 1856 — Charles Dodgson chooses his pseudonym-Lewis Carroll.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 1, 1938 Michael Kurland, 81. His The Unicorn Girl was the middle volume of the Greenwich Village trilogy by three different authors, the other two being Chester Anderson and T.A. Waters. Kurland has also written genre novels including Ten Little Wizards and A Study in Sorcery, set in the world of Garrett’s Lord Darcy. His other genre novels are Ten Years to Doomsday (written with Chester Anderson), Tomorrow Knight, Pluribus and Perchance.
  • Born March 1, 1941 Martin Greenberg. Founder of Gnome Press who’s not to be confused with Martin H Greenberg. Not on Asimov’s list of favorite people despite being the first publisher of the Foundation series. Not paying authors is a bad idea. (Died 2011.)
  • Born March 1, 1950 David Pringle, 69. Pringle served as the editor of Foundation  during the Eighties which In turned spawned Interzone durning that time. The Glasgow Worldcon committee gave Pringle a Special Award for his work on Interzone.  With Malcolm Edwards and Ian Watson, he also edited Foundation: The Review of Science Fiction from the late late Seventies through the mid Eighties. Besides his various guides to the genre such as The Ultimate Encyclopedia of Fantasy, I see early on that he did a lot of work on J.G. Ballard such as Earth Is the Alien Planet: J. G. Ballard’s Four-Dimensional Nightmare  and J. G. Ballard: A Primary and Secondary Bibliography. I also note that he’s not published anything listed on ISFDB in the field of late. Any idea why?  
  • Born March 1, 1952 Steven Barnes,67. Co-writer with Niven of the Dream Park series. I read the first two when they came out thirty years ago, not bad at all. Their Heorot series isn’t bad either. I’ve not read him on his own so cannot say how he is as a solo writer. I see he’s git a spot of series writing having done work for The Outer Limits, Andromeda and Stargate SG-1
  • Born March 1, 1956 Tim Daly, 63. He voiced Superman and his alter ego Clark Kent in Superman: The Animated Series, plus Superman: Brainiac Attacks, Superman/Batman: Public Enemies, Superman / Batman: Apocalypse and Justice League: Doom. He has appeared in Dr. Jekyll and Ms. HydeAfter DarknessMade in Heaven and Alfred Hitchcock Presents.

(7) WHAT SHAKESPEARE READ. Fascinating research — “Plagiarism Software Unveils a New Source for 11 of Shakespeare’s Plays” in the New York Times.

“If it proves to be what they say it is, it is a once-in-a-generation — or several generations — find,” said Michael Witmore, director of the Folger Shakespeare Library in Washington.

The findings were made by Dennis McCarthy and June Schlueter, who describe them in a book to be published next week by the academic press D. S. Brewer and the British Library. The authors are not suggesting that Shakespeare plagiarized but rather that he read and was inspired by a manuscript titled “A Brief Discourse of Rebellion and Rebels,” written in the late 1500s by George North, a minor figure in the court of Queen Elizabeth, who served as an ambassador to Sweden.

(8) PICKING A RESPONSE. Hillary Monahan discusses a now-commonplace social media dilemma. Thread starts here.

(9) ANOTHER THING LARRY CORREIA IS SENSITIVE TO. Larry Correia read that Kosoko Jackson pulled his book and issued an apology for having offended people (see details in the Reason.com article linked by yesterday’s Scroll). Jackson’s work as a sensitivity reader seems to have inspired Corriea’s Monster Hunter Nation response — “’Sensitivity Readers’ Are Bullshit, and You Are A Sucker If You Believe Them” [Internet Archive link]. Of course, Correia thinks the very idea of sensitivity is bullshit, and you’d be mistaken if you thought this was supposed to be a defense of Jackson.

…Note, these Sensitivity Readers are always the typical progressive buzzword vultures, looking for racist/sexist/homophobic microaggressions, because it’s pretty obvious to anyone who has ever read a book from mainstream publishing that they don’t give a shit about offending any other group… Or even getting their basic facts right about anybody who isn’t Team Blue.

Seriously, I specifically set MHI in Alabama because of how sick and tired I was of how southerners are always portrayed as ignorant redneck hicks in most fiction. And I’m a westerner (though I lived there long enough Alabamans adopted me). Where are the “Sensitivity Readers” for combat vets? Where are the “Sensitivity Readers” for Christians? Or gun-nuts? (holy shit, these people are bad at writing action scenes, so they really could use that one)

(10) THE HECK YOU SAY. Mashable has some thoughts about the new “red band” (mature audiences only) trailer for the Hellboy reboot (“‘Hellboy’ unleashes apocalyptic trailer with monsters and blood aplenty”). Check out their opinion at that link, or skip right to the trailer on YouTube. In either case, get ready to rock out to some Deep Purple… OK, a Deep Purple cover band. The movie is set for a 12 April release.

(11) WHERE TO GET YOUR CLICKS. Juan Sanmiguel asked:

It means that after reading my latest post a Filer hasn’t completely given up hope that somebody will come along and write something interesting!

(12) HE SHRIEKED. Andrew Porter tuned into tonight’s Jeopardy! and witnessed this:

Answer: This Edith Hull bestseller about forbidden love in the desert became a 1921 film starring Rudolph Valentino.

Wrong question: “What is ‘The Thief of Baghdad’?”

[Thanks to JJ, Carl Slaughter, Andrew Porter, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Mary Anne Mohanraj, Rob Thornton, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/23/17 Whenever We File Out, The Pixels Always Shout, ‘There Scrolls John Jacob Jingleheimer Schmidt!’

(1) TALKIN’ ABOUT MY REGENERATION. The Doctor Who Christmas Special 2017 trailer is online.

(2) A PREVIOUS GENERATION. Meanwhile, at Comic-Con, Harrison Ford still doesn’t know whether he was a replicant: “Blade Runner 2049: Harrison Ford responds to Deckard replicant mystery”.

Moderator Chris Hardwicke couldn’t help but ask Ford if Blade Runner 2049 would address the lingering questions about Deckard’s identity – human or replicant?

After a long pause, the star responded: “It doesn’t matter what I think.”

So that clears that up then.

(3) ACTUAL COMICS NEWS FROM COMIC-CON. NPR observes “Yes, Some Comics Are For Kids — And They’re Big Business”.

Before I left for San Diego Comic-Con this week, I checked in with Lucy Strother, a fourth grade teacher in Philadelphia whose students just love comics. “We have like a comics and graphic novels bin in the library and it’s perpetually empty because the kids are so obsessed with comics and graphic novels,” she says.

Strother says graphic novels are an important way to get kids used to reading longer chapter books with more mature ideas. And for her students, there’s one author who reigns supreme. “The queen of my classroom is Raina Telgemeier.”

“My name does mean queen,” Telgemeier laughs. She’s here at Comic-Con to talk comics and meet young readers; her latest graphic novel, Ghosts, is a gentle, lovely story for middle grade readers, about a girl coming to terms with her little sister’s serious illness.

(4) OPEN FOR CLICKS. The Westercon 72 (and aspiring 2019 NASFiC bid) website has gone live. The con will be in Layton, UT.

(5) OUT OF THE SHADOWS. Clarke Awards administrator Tom Hunter sent out the links himself:

Adrian Tchaikovsky has also been busy reviewing all six books on this year’s shortlist, splitting his reviews into three equal parts.

  • Part one: Faith In The Future covers A Closed and Common Orbit by Becky Chambers and Central Station by Lavie Tidhar.

I want to wave a flag for Chambers’ aliens?—?while there is a definite Trek-like philanthropic principle going on, the species are all well defined, and then the individuals are separately defined so that you don’t get the common problem of “all of X species are like this”, and furthermore “X species are basically humans with this hang up and a narrowed emotional range”. Like Planet, Orbit makes a virtue of telling the stories of ordinary people in a multispecies galactic community, with plenty of digressions and diversions that only add to the verisimilitude of the world and the characters.

  • Part two: The Evil That Men Do discusses The Underground Railroad by Colson Whitehead and After Atlas by Emma Newman.

Where this book crosses from the historical into Clarkes territory is the railroad of the title. Now I have a confession here, because my knowledge of this period is limited and my first introduction to the phrase ‘underground railroad’ was in Babylon 5, which utterly baffled me because I thought they were talking about a literal one. And in Whitehead’s book, there is. Instead of the loose network of sympathisers and rescuers, white and black, there is a genuine railroad under the ground smuggling slaves from place to place, constantly in danger of being discovered by the slavers. In this way, Whitehead gives us the southern US as a series of “stations” (3) where different scenarios play out between black and white, slave and free.

Tricia Sullivan is a SF author of considerable repute, with Occupy Me her fourth visit to the Clarkes shortlist (having, I believe, won it in 1999 with Dreaming in Smoke). This is a book about time, space, energy and angels, and it’s going to be relatively difficult to talk about because finding out what is actually going on is one of the chief pleasures of the book. The plot effectively starts in the middle and then unfolds towards the beginning and the end simultaneously, and that is entirely appropriate for the sort of physics that is flying around in the plot. Flying, in fact, is a major theme.

(6) SURVIVING CHILDHOOD. Here are “9 dangerous toys that prove kids were just tougher before 1990”. John King Tarpinian says he had these —

Clackers

Clackers had a lot of fun nicknames: knockers, click-clacks, bangers, knocker bockers or knicker knackers. But by any name, these 1970s toys were dangerous as heck, especially if you got the original acrylic glass clackers that some kids were either strong enough or intent enough to shatter. It was enough to get the attention of the Society for Prevention of Blindness, who issued their own warning, before a 1973 Consumer Product Safety Commission arrived to deliver the country to the coddling culture that condemned toys like clackers (which are available today in safer wooden, plastic or metal varities) and birthed a generation of nervous parents today.

 

(7) CARLSON OBIT. SF Site News reports the death of Jeff Carlson:

Author Jeff Carlson (b.1969) died on July 17. Carlson published the short story “Exit” in 1994? and his next story, “Pressure,” appeared in 2001. His first novel, The Plague Year appeared in 2007 and opened a trilogy, including The Plague War and The Plague Zone….

(8) TODAY IN HISTORY

  • July 23, 1999 — Disney’s Tarzan became the first all-digital film
  • July 23, 1995 The Outer Limits reboot aired “I, Robot” with Leonard Nimoy

(9) WHETHER TO RATIFY. This year’s Hugo administrator Nicholas Whyte, writing as a private individual, gives his take on several rules changes pending at this year’s business meeting: “The 2017 WSFS Business Meeting: Deterring Slates”.

Three Stage Voting

I was one of a number of people last year who put our names to another proposal, Three Stage Voting, which is on the agenda as amendment C.4. This would introduce an extra voting stage. After nominations are made, and the top fifteen candidates identified, Hugo voters (members of that year’s Worldcon) would vote on whether or not to accept the top fifteen as acceptable finalists. Voters would choose “Reject”; “Accept; or “Abstain”. Those rejected by at least 60% of the combined total of “Accept” and “Reject” votes, if and only if the number of “Reject” votes is at least the higher of 600 or 20% of the number of eligible voters, would be barred from the final ballot, which would have the top five (or six) vote-getters from the nominations tally minus any that were rejected by the new process. This was passed by the 2016 Business Meeting and must now be ratified by the 2017 Business meeting to come into effect for next year.

I signed this last year, but I no longer support it, for the following reasons….

Whyte gives four reasons. When it comes to 3SV, Whyte and Dr. Mauser (quoted yesterday) have some common ground.

(10) PUMP UP THE VOLUME,  A different kind of Apple Music — “Sing Different: Steve Jobs’ Life Becomes An Opera”. Chip Hitchcock says, “It’s in an appropriately tech location; you can see the lights of Los Alamos from the theater site.”

Even Campbell was initially skeptical of the idea, which came from 40-year-old composer Mason Bates. Bates was convinced that in Jobs’ “complicated and messy” life, he’d found the right subject for his very first opera.

“He had a daughter he didn’t acknowledge for many years; he had cancer — you can’t control that,” Bates says. “He was, while a very charismatic figure, quite a hard-driving boss. And his collisions with the fact that he wanted to make everything sleek and controllable — yet life is not controllable — is a fascinating topic for an opera.”

The (R)evolution Of Steve Jobs shifts back and forth in time over the course of 18 scenes. Its fragmented, non-linear narrative was a deliberate choice by Campbell and Bates, who wanted to reflect Jobs’ personality and psyche. “Steve Jobs did have a mind that just jumped from idea to idea to idea — it was very quick,” Campbell says.

(11) WONDER WOMAN. Marcus Errico of Yahoo! Movies, reporting from Comic-Con, in “WONDER WOMAN II Offiicially Confirmed at Comic-Con, Script ‘In The Works Right Now”, writes DC “to the surprise of no one’ officially green-lit Wonder Woman II, but they’re still working on the script and Patty Jenkins is not yet attached to the project.

Every mention of the film, star Gal Gadot, or images of the Amazonian princess in action during Warners’ Saturday presentation in Hall H was an applause line. And when the simple Wonder Woman II graphic appeared at the end of a sizzle reel, the crowd went wild.

Gadot entered the Hall arm in arm with her Justice League co-star Ben Affleck, joining cast mates Jason MomoaEzra Miller, and Ray Fisher onstage to show off a new trailer for the Nov. 17 release.

(12) AND YOU THINK YOUR CON HAS TECH PROBLEMS. Pokemon Go event overloads: “Refunds as Pokemon fest beset by glitches”.

As many as 20,000 attendees at a Pokemon Go festival in Chicago are being offered refunds after technical glitches meant fans were mostly unable to catch anything – let alone “them all”.

Disappointed fans will also be offered $100 in the form of the app’s in-game currency, Pokecoins.

The event on Saturday had been touted as a chance for fans to come together and catch some of the rarest monsters on the hugely successful app.

But fans booed and chanted “fix our game!” and “we can’t play!” as executives from Niantic, the game’s creator, attempted to explain the problems.

At one point a bottle was thrown at a presenter on stage – it missed.

(13) FLORIDA MAN. The Orlando Sentinel reports a hometown fan (and File 770 reader) is headed for Helsinki.

Juan Sanmiguel’s affinity for intergalactic storytelling has taken him around the globe.

Next month he’ll check off a new country as he’s off to Finland for the annual Worldcon and Hugo Awards — which are known as the most prestigious for the science-fiction genre. The awards are scheduled for Aug. 11 in Helsinki.

For the past 25 years, he’s made the annual trek to the convention in countries such as Australia, Scotland, Canada and England.

“I haven’t missed one since [1992],” said Sanmiguel, who has attended the convention a total of 27 times. “It’s still prestigious … the biggest one so far was the one in London three years ago.”

Also president of the Orlando Area Science Fiction Society, Sanmiguel briefed members of the club Sunday on this year’s nominees, which include mainstream filmed works such as “Stranger Things,” “Deadpool,” “Ghostbusters” and two episodes of the acclaimed “Game of Thrones” series.

[Thanks to Chip Hitchcock, John King Tarpinian, Cat Eldridge, Nicholas Whyte, JJ, and Tom Hunter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Barrett.]