Tag Archives: Julius Schwartz

Pixel Scroll 7/4/24 Trigger Scrollfile – Pixelman

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(1) JULY 4, 1939: Julius Schwartz ditched the last day of the first World Science Fiction Convention and went with Mort Weisinger and Otto Binder to see a ballgame at Yankee Stadium. Here’s what happened next: “On This Day In History 7/4”.

Three AWOL Worldcon members were in Yankee Stadium when this picture was taken.

(2) ORAL HISTORY OF XENA. The Guardian talks to the people who made the show: “’I was attacked by a bloody rabbit’: how we made Xena: Warrior Princess”.

… Steven L Sears, writer and co-executive producer: …People called Xena a sword and sorcery show, even though our universe had swords but no magic. There were mythological creatures and entities with powers, but those powers had restrictions. Most of the gods echoed the pettiness of mankind, with all their egos and desires.

Back then, the studio was very hesitant about suggesting Xena and Gabrielle were in a romantic relationship. They even objected to a moment in the title sequence where Xena is seen walking seductively towards the warlord Draco, because he was shot from the back and had long hair, so could be mistaken for a woman. But as time went on, they decided to look the other way and just let us get on with it. Somebody once asked me if Xena and Gabrielle ever had sex. I said: “It’s none of my damn business. They do social and domestic duties together, they have fought for each other and died for each other. If you’re defining the relationship just on sex, you’re really missing the whole point.”…

(3) IN AND OUT OF DISGUISE. “Superman, Frodo and Star Wars: the stunning life of Kiran Shah – the world’s smallest stuntman” in the Guardian.

It was 1976 when Kiran Shah saw the advert that would change his life. “It was a sci-fi film looking for a little guy,” he says. Shah turned up at Elstree Studios in Hertfordshire and was introduced to a nervous young man named George Lucas. “He said: ‘Can you get in that dustbin thing?’ I was a bit too tall for it but I got in, they put the lid on, and he said: ‘Can you look left, look right?’” Shah didn’t realise he was auditioning for the role of R2-D2 in Star Wars. He didn’t get the job – it went to Kenny Baker – but Lucas’s casting director liked Shah, and got him an agent, which set him on the path of an almost 50-year career as “the world’s shortest stuntman”…

There are very few blockbusters Shah has not been in. You might not recognise him – he is often doubling for another character or he’s disguised under prosthetics as a mythical creature. But he has played more Star Wars characters than he can count, doubled for every hobbit in The Lord of the Rings movies, did Christopher Reeve’s stunts in the Superman movies, and played every single child in Titanic (which is even more impressive given that he can’t swim)….

(4) THREE-BODY EFFECTS. “Imagine Engine Shares ‘3 Body Problem’ VFX Breakdown Reel” at Animation World Network.

Image Engine shared a VFX breakdown reel and case study for its work contributing 137 shots to Netflix’s sci-fi drama, 3 Body Problem. The studio’s attention to detail, from replicating the vastness of the Neutrino Observatory to breathing life into a photoreal chimpanzee animation, resulted in a world of remarkable visuals.

Beginning with the first episode, the studio’s craft is on display, when scientist Dr. Vera Ye enters the Cherenkov tank, walks out onto a platform, and jumps into a shallow pool of water below.

Compositing supervisor Matt Yeoman explained, “Vera’s plate element of her walking along a suspended walkway needed to be integrated into the Neutrino Observatory, which was a full CG environment render. The main objective of this shot was to create a sense of scale for her very unique and mysterious surroundings.”…

(5) OCTOTHORPE. In Episode 113 of Octothorpe, “I Realised Too Late What I Had Done” John Coxon, Alison Scott, and Liz Batty discuss a variety of things, “including but not limited to: the country of Sweden; haggises; the processing of peaches; listener statistics; the way that Los Angeles is gearing up for the Olympics; and Scrabble. We also discuss something called a ‘Worldcon’, in a first for us.” An uncorrected transcript is available here.

Three stick figures run from Godzilla, who is depicted in the style of Godzilla Minus One. The words “Octothorpe 113” used to be at the top of the art, but Godzilla has knocked off the letters “O C T O”, is holding “H”, and is trying to eat “T”.

(6) DOCTOR WHO WILL TREAD THE BOARDS. Collider says watch the London stage in September: “Paul McGann’s ‘Doctor Who’ Is Making a Comeback — But Not the Way You’re Expecting”

Doctor Who is making its way to the stage for the first time in over 20 years. Last performed live in 1989, the Doctor will be appearing in front of a live audience in celebration of 25 years of audio adventures by Big Finish Productions. The live show will see Paul McGann’s Eighth Doctor in a new live-recorded audio drama, titled “The Stuff of Legend,” written by Robert Valentine and directed by Barnaby Edwards. McGann will star alongside India Fisher as his companion Charley Pollard, who’s been around since the beginning of Big Finish’s Doctor Who dramas, in this exciting new venture for the Whoniverse. McGann and Fisher will be joined on stage by Alex Macqueen as the Master — who featured in the Eighth Doctor Adventures series Dark Eyes — and Nicholas Briggs as the voice of the Daleks.

The drama will be performed live to audiences for one night only, at London’s Cadogan Hall on Saturday, September 14, 2024, with a studio version of the same story releasing on the same day. Although this is not the first time that Doctor Who has been performed to a live audience, it is the very first time that one of the show’s audio plays will be performed on stage. The announcement comes just weeks after the end of Season 1 of Doctor Who’s Disney revamp, which saw Ncuti Gatwa’s Doctor and Millie Gibson’s companion Ruby Sunday face off against classic Who villain Sutekh (Gabriel Woolf)….

(7) THE TARDIS RETURNS THE FAVOR. And Playbill lists “Thespians Turned Whovians: All the Broadway Stars in Disney’s Regeneration of Doctor Who”. Spoilers at the link.

Whovians and theatre fans, did you spot some familiar faces in this season of Doctor Who? The 14th season of Doctor Who has just concluded on Disney+, and a few Broadway stars made guest appearances. The BBC staple, which has been running for over 60 years, has always had a rich relationship with the stage. 

Many stars and guest stars of Doctor Who have connections to the theatre, including The First Doctor, William Hartnel, who was a prolific Shakespearean actor before ever stepping into the TARDIS. The 10th (and 14th) Doctor (played by David Tennant, who has been in countless theatrical productions) once landed his TARDIS inside The Globe to fight off witches with Shakespeare himself. That episode was filmed at Shakespeare’s Globe in London—where the current 15th Doctor, played by Ncuti Gatwa, starred as Demetrius in A Midsummer Night’s Dream in 2016….

(8) COMPREHENDING PKD. David Agranoff has written a highly interesting review of “Postcards from a Dying World: Philip K. Dick: Essays of the Here and Now David Sandner (Editor), Series Editors: Donald E. Palumbo, C.W. Sullivan III”. Here’s his comment about one of the articles.

…Umberto Rossi’s ‘From Soft Totalitarianism to TV: Philip Kindred Dick and The Tube,’ was of course an enlightening read. I am aware that David Gill believes Rossi’s writing on PKD to be some of, if not the most important analysis of the work. I admit I am late to get to his work, but this is an excellent piece.  I also had the weird experience of reading Rossi writing about the bible hypertext in The Divine Invasion while a woman on the plane (I was taking to the PKD fest) was reading the bible on her phone….

(9) ROBERT TOWNE (1935-2024). Best known for his Oscar-winning Chinatown screenplay, Robert Towne died July 1 at the age of 89. There’s some genre work among the credits listed in Deadline’s tribute.

…Towne also earned BAFTA, Golden Globe and WGA awards for Chinatown, the L.A.-set 1974 thriller starring Jack Nicholson and Faye Dunaway. It was one of three Writers Guild Awards he won during his career, along with Shampoo and the drama series Mad Men, on which he was a consulting producer during the final seventh season. He also was nominated for The Last Detail (1973) and Greystoke: The Legend of Tarzan, Lord of the Apes (1985). He was honored with the guild’s Laurel Award for Screenwriting Achievement in 1997.

Born on November 23, 1934, Towne got his start with his screenplay for 1960’s Last Woman on Earth before writing for … early-’60s TV series The Outer Limits, [and] The Man from U.N.C.L.E. He went on to work with Roger Corman on films including The Tomb of Ligeia (1964)… 

During the 1970s, Towne also did script-doctor work on Beatty’s directorial debut Heaven Can Wait.

Towne … wrote the screenplay for the 1984 Tarzan tale Greystoke, starring Christopher Lambert, with an eye to direct. But the poor financial showing of Personal Best led Warner Bros to hand the helming reins to Hugh Hudson, who was hot off Best Picture Oscar winner Chariots of Fire.

Towne was angered by the move and had his name taken off the Greystoke screenplay — opting instead to credit the script to P.H. Vazak, his sheepdog. It went on to score an Adapted Screenplay Oscar nom for Vazak, making him the only canine ever to be so honored. It also was the first Academy Award nom for any Tarzan film….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

July 4, 1996 — Independence Day film. We’re celebrating Independence Day tonight. Now not that one, but the film of that name which premiered twenty-eight years ago this coming weekend, but I thought it should be written up on this day. (Indeed, sites think it premiered today with more than a few individuals remember seeing it today.) 

So let’s talk about Independence Day. It came out twenty-eight years ago. Now it’s a franchise as Independence Day Resurgence would come twenty years later. Well, a franchise unlikely to see a third film, as Independence Day Resurgence was financial failure unlike Independence Day which, well, I’ll note later.

It was directed by Roland Emmerich, written by Emmerich and Dean Devlin. Now if you think that you know Emmerich and Devlin, that’s not at all surprising as both had a major success in a genre film as Emmerich directed Stargate and Devlin co-wrote that script with Emmerich. 

Ok, any Filer who has not seen should, well, skip to the rest of of the Scroll as I cannot avoid spoilers. I really can’t. SPOILERS. INCREDIBLY LARGE SPOILERS HERE.

Emmerich wanted to write an alien invasion on a massive scale rather than on the personal scale of the Fifties films, wreaking destruction those didn’t, and having the aliens hidden until they get revealed late in the film. 

Each ship is fifteen miles across! And he had those ships destroy entire cities, be it New York or London, though the destruction of the White House is one of my favorite scenes in the film. President Thomas J. Whitmore, the former fighter pilot and Gulf War veteran, as played Bill Pullman, is one of the best secondary characters here.

The primary cast is Will Smith as Captain Steven Hiller, a Marine F/A-18 pilot: Jeff Goldblum as David Levinson, an all-around technological expert; and Judd Hirsch as Julius Levinson, David Levinson’s father (the character was based on one of Dean Devlin’s uncles). All are stellar in their roles. Same applies to the many other characters such as Randy Quaid as Russell Casse, an, alcoholic former fighter pilot and Vietnam War veteran insists that he was abducted by the aliens, and Brent Spiner as Dr. Brackish Okun, the scientist in charge of research at Area 51.

Now let’s talk about creating the look at the film. I can’t possible cover everything that made this film look fantastic, and one might assume that since shows like Babylon 5 were made intensively using CGI that most of this film was likewise. There over five thousand special effects shots required to make this film but and over ninety-five percent were practical in nature. That’s a lot of models, a massive number, many of which are now in collectors hands. And they fetched very nice prices. 

So they built an actual White House, as Vogel Engel, effects supervisor, said in an interview, “Our pyrotechnician, the late Joe Viskocil, and our miniature supervisor Mike Joyce did a fantastic job in preparing a 15-feet wide and 5-feet high miniature of the building — basically a plaster shell attached to a metal body, with individual floors and a lot of furniture and other details on the inside.”  And then they blew it up in the desert outside Vegas with the press looking on with only one chance to get it right. And they absolutely did.

A outstanding script, a fantastic cast and special effects that are still considered cutting edge according to be among the best ever done. 

Next let’s talk what the critics thought. They mostly really liked it and Duane Bryge of the Hollywood Reporter is typical: “20th Century Fox’s Independence Day is a blast — a sci-fi disaster film about an alien force that attacks Earth on Fourth of July weekend. A generic juggernaut, as well as a story of appealing human dimension, Independence Day should set off box-office fireworks worldwide.”

So, want to know about well it did? Well, it didn’t cost that much to make back then, just seventy-five million. Oh, that was a good investment considering that it would go in to gross eight hundred and seventeen million. One knows that it went well over a billion with a secondary run, cassette and DVD sales, television and streaming fees. 

The sequel made as I note above half as much and Emmerich blamed that largely on the absence of Will Smith who declined to take part. Emmerich stated in an interview with Collider magazine that his originally intended script in which Steven Hiller was alive during the film was “much better” and that Smith’s absence from the film forced him to use an alternative script.

(11) COMICS SECTION.

  • Close to Home shows zombies who love a party.
  • F Minus has a strange idea about faithfulness.
  • The Argyle Sweater knows what happened to a premature invention.
  • Tom Gauld would hate to interrupt:

(12) HOW MANY HOLES DOES IT TAKE TO FILL THE ALBERT HALL. “Researchers Make Breakthrough in Study of Mysterious 2000-Year-Old Computer Found in Shipwreck” – Futurism has an update about the Antikythera mechanism.

Well over a century after its discovery, researchers at the University of Glasgow say they’ve used statistical modeling techniques, originally designed to analyze gravitational waves — ripples in spacetime caused by major celestial events such as two black holes merging — to suggest that the Antikythera mechanism was likely used to track the Greek lunar year.

In short, it’s a fascinating collision between modern-day science and the mysteries of an ancient artifact.

In a 2021 paper, researchers found that previously discovered and regularly spaced holes in a “calendar ring” were marked to describe the “motions of the sun, Moon, and all five planets known in antiquity and how they were displayed at the front as an ancient Greek cosmos.”

Now, in a new study published in the Oficial Journal of the British Horological Institute, University of Glasgow gravitational wave researcher Graham Woan and research associate Joseph Bayley suggest that the ring was likely perforated with 354 holes, which happens to be the number of days in a lunar year.

The researchers ruled out the possibility of it measuring a solar year.

“A ring of 360 holes is strongly disfavoured, and one of 365 holes is not plausible, given our model assumptions,” their paper reads….

(13) CLIFF NOTES. A commenter on the Daytonian in Manhattan’s post“The Cliff Dwelling – 240-243 Riverside Drive” tells us: “L. Ron Hubbard lived here 1939–40, writing — with a radically customized, continuous-feed typewriter beneath a low-glare blue lightbulb — several of his most celebrated stories before moving to Washington, DC.”

…According to The New York Times columnist Christopher Gray…, [the building’s designer Herman Lee] Meader “was intensely interested in Mayan and Aztec architecture and made regular expeditions to Chichén Itzá in the Yucatán and other sites.”  Meader’s fascination with South America melded with Palmer’s terra cotta interests to create a unique design.  Completed in 1914, the Cliff Dwelling was 12 stories tall and faced in orange brick.  Meader lavished his Arts & Crafts style structure with Western motifs like cattle skulls, spears, and mountain lions, and Aztec- or Mayan-inspired designs….

(14) SO, YOU WRITE SF. DO YOU GET WRITERS BLOCK? [Item by SF Concatenation’s Jonathan Cowie.] “Twelve Scientist-Endorsed Tips To Get Over Writer’s Block” in Nature gives tips to scientists facing writing block. Some of these may be transferable to fiction writers (?)….

  • Know thy enemy
  • Create routines
  • Clarify the message
  • Plan first
  • Eliminate the blank page
  • Visualise
  • Write out of order
  • Give yourself extra time
  • Embrace collaboration
  • Take the pressure off
  • It might get easier, but don’t expect it to get easy
  • Know you are not alone

(15) LOOKING FOR SOMEWHERE TO PARK. For those of you who feel your place needs more clutter, we recommend the “Optimus Prime Human-Size Statue” from the Spec Fiction Shop. Only $18,549!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Michael J. Walsh, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 8/31/22 A Lapozás Tele Van Pixelekkel

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(1) A CRITIQUE OF NEAL STEPHENSON. In The New Atlantis: “The Supergenius at the End of the World”.

… And yet for all of sci-fi’s close attentiveness to arcane scientific ideas — say, the equivalence principle or the physics of traversable wormholes — the portrayals we see of how political actors might face such crises are rarely realistic. What we typically find instead are political arrangements in which knowledgeable technocrats are already comfortably ensconced in positions of authority, or narratives that leave politics offstage altogether.

In this sense, the renowned science fiction writer Neal Stephenson’s oeuvre may serve as a stand-in for the genre. For while his work draws heavily upon the tradition of political philosophy, and his plots make frequent dramatic use of catastrophic scenarios, he seems unable to present a serious account of politics as a venue for decision-making of the most consequential sort. And though he is attentive to the social and political tensions modern science often generates, particularly in democratic societies, his protagonists usually end up circumventing politics when faced with the kinds of disasters that set his plots in motion.

This is altogether a great loss. The genre of science fiction as we think of it today originally arose as part of a cultural response to the rise of scientific and technical mastery. But before it was ever a genre, it was part of a broader tradition of speculative philosophical and political thought. That today’s sci-fi — and a writer of Neal Stephenson’s caliber in particular — is unserious about crisis politics is a shame….

(2) CENSORS LOSE ROUND ONE. [Item by Martin Morse Wooster.] In the Washington Post, Hannah Natanson says District Court Judge Pamela Baskervill (spelled that way) dismissed a lawsuit by two Virginia legislators that the graphic novel Gender Queer and the fantasy novel A Court Of Mist And Fury are obscene and can be banned from Barnes and Noble, but the legislators could sill appeal to the Virginia Supreme Court. “Virginia judge dismisses lawsuit challenging sale of two ‘obscene’ books”.

A Virginia judge on Tuesday dismissed a lawsuit brought by two Republicans that sought to limit how bookstores and public school libraries could distribute two books to minors, closing — at least temporarily — an unusual commercial strategy in what conservatives say is a campaign to protect students from age-inappropriate literature….

(3) ANDY DUNCAN ADVICE. Long-time Clarion West instructor Andy Duncan recorded six videos for their Flash Fiction Workshop as part of the 2022 Write-a-thon, and they’re now available to watch on the Clarion West YouTube channel. Dig into the first video here.

(4) CLARION WEST SCHOLARSHIP WINNERS. The 2022 Octavia E. Butler and Worldbuilder Scholars were profiled by Clarion West.

Two Octavia E. Butler Memorial Scholarships donated by the Carl Brandon Society went to Clarion West students. Naomi Day and Wen-yi Lee. Naomi was initially selected as a Butler Scholar in 2020, and Wen-yi was selected this year upon her acceptance.

Since 2007, the Carl Brandon Society has donated this scholarship in Octavia’s name to writers of color attending Clarion and Clarion West. Octavia attended the Clarion Writers Workshop in Pennsylvania in 1970 and taught at the Clarions for many years; this scholarship offers BIPOC writers a similar opportunity to emerge into the speculative fiction scene.

Naomi Day is a queer Black American writer who spends their time thinking about liminal experiences, mothers, and broken and found families. Her work has appeared in Black Warrior Review and The Seventh Wave, and she is an MFA candidate at The New School.

Wen-yi Lee is from Singapore and likes writing about girls with bite, feral nature, and ghosts. Her fiction has appeared in Uncanny and Strange Horizons, among others, and her non-fiction can be found on Tordotcom. She is currently working on a Singaporean historical fantasy.

George R. R. Martin awarded two Worldbuilder Scholarships this year. Tania Fordwalker, of Tasmania, was selected to receive a Worldbuilder Scholarship in 2020, and Yvette Lisa Ndlovu, of Zimbabwe, was selected this year upon her acceptance.

The Worldbuilder is a full scholarship funded by George R. R. Martin and anonymously judged by Martin’s team. The scholarship is awarded to a student with strong worldbuilding skills. Martin says: “Every great story requires interesting characters, an engrossing plot, evocative prose, an important theme… but epic fantasy also requires a memorable setting. A ‘secondary universe,’ as J.R.R. Tolkien termed it, a world both like and unlike our own, with its own rich history and geography and customs, its own beauties and terrors.”

Tania Fordwalker is an Australian living between chilly Tasmania and tropical Queensland with her spouse and cloud-shaped dog. She travels whenever she can, and writes because she’s incapable of holding down a real job. Her work has appeared in Lightspeed, Beneath Ceaseless Skies, PodCastle and more. Her first novel — the story of an escapee from a post-apocalyptic cult — is currently out on submission. She is very short and, in the way of all small things, will absolutely fight you. Find Tania at Fordwalker.com or on Twitter at @TaniaWalker. 

Yvette Lisa Ndlovu is the Zimbabwean author of Drinking from Graveyard Wells (University Press of Kentucky, March 2023). She earned her BA at Cornell University and is an MFA candidate at UMass Amherst. Her work has been supported by fellowships from Tin House, Bread Loaf Writers Workshop, and the New York State Summer Writers Institute. She is the co-founder of the Voodoonauts Summer Fellowship for Black writers. 

(5) RON LOGAN OBIT. Disney Legend Ron Logan, who as EVP and executive producer for Walt Disney Entertainment transformed live entertainment in its parks and helped bring Beauty and the Beast to Broadway, died August 30 at the age of 84.

… In his last role at Disney, Logan was EVP, executive producer, for Walt Disney Entertainment. He was responsible for creating, casting and producing all live entertainment products for the Walt Disney Company, including its resorts, The Disney Institute, Disney Business Productions, Disney Cruise Line, Disney Entertainment Productions and Walt Disney Entertainment Worldwide. He also was EVP of the Walt Disney Special Events Group, and EVP of Disney Special Programs Inc. He produced all live entertainment shows for the Disney Parks worldwide, as well as five Super Bowl halftime shows.

(6) MEMORY LANE.  

1965 – [By Cat Eldridge.] Susan Cooper’s The Dark Is Rising sequence.

Fire on the mountain shall find the harp of gold

Played to wake the Sleepers, oldest of the old;

Power from the green witch, lost beneath the sea;

All shall find the light at last, silver on the tree.

I suspect that most of you know something about this series, and further more that a lot of you have read this splendid undertaking. These five novels were intended for older children and young adults, published from 1965 to 1977, were written by the British author Susan Cooper, born May 1935.

Over Sea, Under Stone, the first was meant to be a solo novel but four followed. The series takes its name from the second novel The Dark is Rising. The final three were Green Witch, The Grey King and Silver on the Tree.

Cooper’s summation of the series is: “When young Will Stanton discovers he has come of age as the lastborn of the Old Ones, the immortal keepers of the force of the Light, he is swept up in the age-old struggle between the powers of Light and Dark. The battles against the last dreadful rising of the Dark are waged across time in the most ancient myth-haunted places of England and Wales. Will, his ageless master Merriman, and their allies and adversaries—human and mythic alike—seek the objects of power that will tip the uncertain balance of good and evil that exists throughout the world and within the mind of man.” 

Cooper did a most splendid crafting of stitching together of Arthurian mythology, Celtic mythology, English folklore and Norse mythology. And I can say that they quite wonderful books indeed!

The American Library Association’s Margaret A. Edwards Award, which recognizes one writer and a particular body of work for significant and lasting contribution to YA literature, went to the full series. Solo books have been have honored as well — The Grey King picked up a Newbery Medal and Tir na n-Og while Silver on The Tree garnered a Tir na n-Og.

An adaptation was done, not at all successfully I’d say was a kind way to put it. Cooper didn’t like the film and has made that clear in interviews. It was called The Seeker: The Dark Is Rising and critics and the box office alike were hostile to it. 

I swear there was a series made as well but I can’t find anything about it. I’ve got a Radio Times story from 2016 “Sky is developing a drama based on The Dark is Rising fantasy books” but nothing after that. 

The audiobooks are read by Alex Jennings who does a most excellent job. He’s a British actor of the stage and screen who has worked mainly with the National Theatre and Royal Shakespeare Company. For his work with the London stage, he received three Olivier Awards given for My Fair Lady, Peer Gynt and Too Clever by Half. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. (Died 1984.)
  • Born August 31, 1949 — Richard Gere, 73. Lancelot in First Knight starring Sean Connery as King Arthur. And was Joe Klein in The Mothman Prophecies. That’s it. First Knight for me is more than enough to get Birthday Honours!  And there’s Chicago which though not genre is absolutely stellar. 
  • Born August 31, 1958 — Julie Brown, 64. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s also been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in TV’s Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink. 
  • Born August 31, 1969 — Jonathan LaPaglia, 53. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in a really bad film called Gryphon which aired on the Sci-fi channel, that’s his entire genre history.
  • Born August 31, 1971 — Chris Tucker, 51. The way-over-the-top Ruby Rhod in Luc Besson’s The Fifth Element, a film I really, really like. His only other genre credit is as a MC in the Hall in The Meteor Man.
  • Born August 31, 1982 — G. Willow Wilson, 40. A true genius. There’s her amazing work on the WorldCon 75 Hugo Award winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list. Oh, and the Cairo graphic novel with its duplicitous djinn is quite excellent as well. I’ve not yet read her Wonder Women story but will soon. She also got a nomination at Discon III for Invisible Kingdom, vol 2: Edge of Everything. Am I missing anything I should be reading? 
  • Born August 31, 1992 — Holly Earl, 30. She’s been in a number of British genre shows, playing Kela in Beowulf: Return to the Shieldlands, Agnes in Humans, and yes, Doctor Who in the “The Doctor, the Widow and the Wardrobe”, an Eleventh Doctor story in she was Lily Arwell.

(8) COMICS SECTION.

  • Eek! has a shocking aquatic “morning after” moment.

(9) A SECRET IDENTITY THAT WAS EVEN SECRET FROM ITS OWNER. “Did DC Once Produce a Superman Issue Hidden From the Editor of the Comic?” CBR.com says, of course, the answer is yes.

…Schwartz recalled the incident in his auto-biography:

“So comes the day [of his 70th birthday], and all of a sudden publisher Jenette Kahn’s administrative assistant Carol Fein comes in and says we’re having a special meeting in the conference room. I probably fretted as I walked down the hall wondering what the latest crisis was—and walked into the conference room to discover champagne on ice and Jenette handing me the first copy of SUPERMAN #411, and I see that I am depicted on the cover.”

The original art for the cover was then signed by LOTS of people, and Schwartz kept having people sign it over the years…

(10) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listed to this podcast Leonard and Jessie Maltin did with animator Andreas Deja, who saw The Jungle Book when he was 10 or 11 in West Germany and decided he wanted to be an animator.  He wrote to Disney asking what he had to do and they told him in a form letter to study anatomy and learn to draw animals in real life.  He did this, went to Disney, and worked his way up to being a master animator in charge of a particular character.  He stayed at Disney for 30 years and is now a Disney Legend, but left around 2010 when Disney decided to switch to CGI.  Since then, Deja lectures on animation history with the aid of Disney’s unusually extensive archives and has worked on his own animated film, the 25-minute Mouschka which will feature 80 percent hand-drawn animation by him.  This is a pretty deep dive into Disney animation but this is a subject Maltin knows very well so I thought it informative. “Maltin on Movies: Andreas Deja”.

(11) THE RADIANT AFTERGLOW. “The Atomic Café: The Cult Classic Documentary Made Entirely Out of Nuclear Weapons Propaganda from the Cold War (1982)” – discussed at Open Culture.

…It came out in 1982, when the public’s assumptions of American military benevolence — and its patience with the country’s seemingly permanent arms race against the Soviet Union — were running low. These decades-old clips of strenuously pious politicians, drawling bomber pilots, rambling Babbitts, and civil defense-ready nuclear (in both senses) families could hardly have met with more intense cynicism.

“I was an exact contemporary of those kids in this old documentary footage,” writes Roger Ebert in his review The Atomic Café. “Life magazine ran blueprints for fallout shelters, and Estes Kefauver barnstormed the nation with warnings about strontium 90 in the milk supply.” In one scene “girls in home ec classes display their canned goods designed for nuclear survival, and it is clear from their faces that they have no clue of how they would survive nuclear war, and little hope of doing so.” The film as a whole evokes a time when the United States “spent a good deal of its resources on addressing the possibility of nuclear war, however uselessly.” We no longer hear much about that possibility, perhaps because it has genuinely diminished, or perhaps because — as viewers of The Atomic Café will suspect even today — the propagandists are busy convincing us of something else entirely.,,,

https://www.youtube.com/watch?v=i9xQTJ-kbUk

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Anthony.]

Pixel Scroll 11/11/21 It’s Just A Noisy Scroll, With A Nightly Gnole, And All Those Pixels

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(1) BEGIN AT THE FRONT.  Alex Shvartsman is including File 770 in today’s cover reveal of The Middling Affliction, his humorous urban fantasy novel forthcoming form Caezik SF&F on April 12, 2022. Art is by Tulio Brito.

What would you do if you lost everything that mattered to you, as well as all means to protect yourself and others, but still had to save the day? Conrad Brent is about to find out.

Conrad Brent protects the people of Brooklyn from monsters and magical threats. The snarky, wisecracking guardian also has a dangerous secret: he’s one in a million – literally.

(2) WHEN YOUR STORY’S FINISHED, WHAT NEXT? [Item by Melanie Stormm.] John Wiswell recently wrote a thread on how a Nebula winner submits short fiction. Thought it might be helpful to someone.  Thread starts here. An excerpt from his advice:

(3) LOOKING AT THE SUBJECT FROM ALL SIDES. Brenton Dickieson has launched his “Blogging the Hugos 2021” novel review series at A Pilgrim in Narnia. His introductory post tells why he’s writing it, and gives the schedule.

…The 2021 Hugo Awards ceremonies will be on Dec 18th at DisCon III in Washington, DC. Ahead of the event, Signum University is hosting a panel discussion of the nominees. My job will be to represent Susanna Clarke’s Piranesi, not so much in a battle of books but a winsome argument about great storytelling. Last year, I was delighted to represent Alix E. Harrow’s The Ten Thousand Doors of January, a novel that did not win but was also nominated for the Nebula Award, the World Fantasy Award, the Mythopoeic Award, and the Locus Award in the category of Best First Novel. It’s a beautiful, evocative book, and I very much enjoyed last year’s Signum Roundtable.

Thus, in looking forward to December’s conversation, I am blogging through the Hugo novels, offering a review or thoughtful essay each week leading up to the convention. I hope you can join in as we read and talk about the leading speculative fiction of the past year! This week, we’ll look at Mary Robinette Kowal’s Lady Astronaut Universe, followed by Martha Wells’ Network Effect next week….

Dickieson’s first review is up: “Mary Robinette Kowal’s The Relentless Moon and the Lady Astronaut Universe (Blogging the Hugos 2021)”.

…Not lost in world-building details, the structures of catastrophe and the struggles for liberation in the Lady Astronaut Universe are the context for stories of personal growth, trial, and triumph. The Calculating Stars and The Fated Sky (2018) are from Elma York’s viewpoint, a friendly and self-conscious intellectual working as an IAC (human) computer with an unusually adept and intuitive mathematical sense. Elma finds herself in a battle to be heard as the mathematician who predicted the first global winter and subsequent global warming, as well as a skilled pilot vying to be the first woman in the space program. Her real battle, however, is with a general anxiety disorder that is triggered by stress and tragedy and an intense fear of the media or interpersonal conflict. With a winsome sense of relational connection and a rugged commitment to the possible, Elma finds a way to become “the first Lady Astronaut” (insert an earnest and upbeat 1950s TV commentator voice here).

In The Relentless Moon (2020)—the first nominee in my Blogging the Hugos 2021 series—Elma York is on her way to Mars…

(4) GORILLA MARKETING. [Item by John L. Coker III.] From a 1997 interview, here’s Julie’s take on the popularity of gorillas in DC comic books in the early-1950s, a topic mentioned in the November 9 Scroll (item #14).

Julius Schwartz: One day someone came into the office and said, “What has happened?  Strange Adventures went sky-high.”  I said, “Well, you know how it works.  It must have been the cover,” because covers sold the magazines in those days.  You went into a mom and pop store, where you saw hundreds of comics.  You looked them over and picked out something that was interesting.  I said, “Let’s look at the cover.” And on the cover, roughly, was this.  It took place in a zoo, and there’s a cage, and inside the cage is a gorilla.  And outside is an audience looking up at him, including a pretty girl whose name was Helen, as I vaguely recall.  The gorilla had a little blackboard in his hand, and with a piece of chalk had written the following message: “Dear Helen, Please Help me.  I’m the victim of a horrible scientific experiment.”  You laugh, but it made you want to find out what it’s all about, so obviously you bought the magazine. 

One way to find out is to try it again, so we tried another gorilla story, the secret being that the gorilla was not a gorilla, so to speak, but acting and reacting like a human.  And it worked again.

We knew we had something, so I did a series of stories with gorillas on them, until finally all the other editors wanted to do one.  Wonder Woman had one, Batman, they all had gorilla covers, until the editorial director said, “That does it.  From now on, only one gorilla cover a month.”  And then when that caught fire, they said, “We’re doing so well on this Strange Adventures, let’s put out another science fiction magazine.”  I said, “Impossible.  There are so many science fiction magazines being published that there are no titles left.  I can’t even think of another title.”  I’m sorry I never thought of Strange Gorilla Stories. 

[Interview with John L. Coker III, 1997.]

(5) SPEAKING OF GORILLA ART. [Item by Steve Vertlieb.] “King Kong” … Willis H. O’Brien … Ray Harryhausen: Exploring The Cultural Influence And Legacy Of A “Monstrous” Motion Picture Classic!

I had an opportunity quite recently to sit down once more with Host, Actor, Comedian, and Writer Ron MacCloskey for his Emmy Award Winning Public Television Series, “Classic Movies with Ron MacCloskey.”

Ron is the writer and producer of the new feature length documentary motion picture, “Boris Karloff: The Man Behind The Monster,” now playing in theaters all across the globe.

For this Halloween themed episode of the popular program, however, we explored the cultural significance, history, and legacy of the most famous “Monster” of them all … King Kong … and his nearly ninety year influence on gorilla films of all shapes and sizes, as well as his career defining impact on the lives and reign of Stop Motion Animation legends, Willis H. O’Brien and Ray Harryhausen.

Our spirited conversation both precedes and follows the film segment. Simply click on the projector, or the blue link, in order to screen the program. ” Classic Movies: “The Gorilla”

(6) ON THE WEB. The Marvel’s Avengers – Spider-Man game character reveal trailer dropped today.

Watch the Marvel’s Avengers Spider-Man reveal trailer. Spider-Man swings into Marvel’s Avengers on November 30th, 2021. Get a first look at the Marvels Avengers PlayStation exclusive character joining the team in this cinematic Marvels Avengers Spider Man trailer!

(7) SELKIES SPOTLIGHTED. [Item by Bruce D. Arthurs.] CrimeReads had an interesting piece listing a number of novels about selkies. I was kind of surprised that I only recognized one of the books listed. “The Story of the Selkie: Eight Novels Based in Powerful Folklore” by Melanie Golding.

… I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. I’ve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales….

(8) WFC GALLERY. Ellen Datlow has posted her World Fantasy Con photos on Flickr: WFC 2021 Montreal, Canada.

(9) AIRING OUT THE PROBLEM. Adam Rogers in WIRED has an interview with Neal Stephenson about Termination Shock and how didactic writers should be when composing near-future climate sf. “Neal Stephenson on Building and Fixing Worlds”.

… Stephenson stressed that achieving net-zero carbon emissions isn’t enough and that there’s no more important idea than developing technologies that can quickly suck carbon out of the atmosphere. “We need carbon capture on an enormous scale,” he said. “We have to do that. That’s the big solution that we really need to implement.”

“It truly is a solution,” he continued. “It would get rid of the underlying problem and kind of undo the mistake that we made by putting all that CO2 into the atmosphere in the first place.”…

(10) SOMETHING YOU CAN RELATE TO. James Davis Nicoll leads readers to stories that test whether blood is thicker than…money: “Five SFF Stories Where Interplanetary Trading Is a Family Affair” at Tor.com.

Nothing spells plot like an independent trader plying the spacetime lanes in search of profit, in a world very much skewed against the little guy. Nothing, that is, unless one adds family! Now in addition to scrabbling after profit, one has extra motivation: failure isn’t merely an individual catastrophe. Bad judgement, terrible luck, or the machinations of a vast inhuman corporation could drag one’s whole family down into poverty…or worse….

(11) MEDIA BIRTHDAY.

1951 — Seventy years ago, Flight to Mars as produced by Monogram Pictures premiered. It was produced by Walter Mirisch and directed by Lesley Selander. It starred Marguerite Chapman and Cameron Mitchell. The screenplay was by Arthur Strawn and it would be his only SF work. Critics who really didn’t like it compared it to the previously released Destination Moon and Rocketship XM with the comparison not being at all great as one critic noted: “Destination Moon was scientifically accurate, and Rocketship XM had a gripping dramatic script. This copycat production has neither.” This movie reused the ship interior from the Rocketship XM production, and the suits from the Destination Moon shoot. Audience reviewers at Rotten Tomatoes currently give it a twenty-two percent rating. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 11, 1916 — Donald Franson. Author of A Key to the Terminology of Science-Fiction Fandom and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964. With Howard DeVore wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970. When I stumble across an author and their works like this, I’m reminded how deep the genre is. (Died 2002.)
  • Born November 11, 1917 — Mack Reynolds. I assume you know he was the first writer to write an original novel based off the Trek series? Mission to Horatius came in 1968. I’m fond of his very first novel, The Case of The Little Green Men. He was a Hugo finalist at Chicon III (1962) for his “Status Quo” short story. Worked as an organizer for the Socialist Labor Party, then later was the most prolific short fiction writer in Campbell’s Analog – go figure. (Died 1983.)
  • Born November 11, 1922 — Kurt Vonnegut Jr. The Sirens of Titan which was nominated for a Hugo at Pittcon was his first SF novel, followed by Cat’s Cradle — which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. It was nominated for a Hugo at Pacificon II. Next up was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death, which is one weird book and an even stranger film. The book was nominated for Hugo Award at Heicon (1970) but lost to Ursula K. Le Guin’s The Left Hand of Darkness. However, the movie Slaughterhouse Five won a Hugo at Torcon II (1973 — over a field that also included Between Time and Timbuktu, a TV adaptation of other Vonngeut material.)  While I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
  • Born November 11, 1925 — Jonathan Winters. Yes, he did do quite a few genre performances including an early one as James Howard “Fats” Brown in “A Game of Pool”, a 1961 episode of The Twilight Zone. He next shows up as Albert Paradine II in More Wild, Wild West. He had a recurring role in Mork & Mindy as a character named Mearth. You’ll find him in The Shadow film, The Adventures of Rocky and Bullwinkle, The Flintstones, both of The Smurfs films and quite a bit more. He of course was a guest on The Muppets Show. Who wasn’t? (Died 2013.)
  • Born November 11, 1935 — Larry Anthony. Actor who made two appearances on the original Trek in  “The Man Trap” (uncredited) and “Dagger of the Mind”. He also appeared on The Wild Wild West, The Man from U.N.C.L.E. and had five appearences on Batman playing two different characters. He made two appearances on Get Smart! And his final genre role was on Mission Impossible. (Died 2005.)
  • Born November 11, 1947 — Victoria Schochet, 74. Wife of Eric Van Lustbader. She co-edited with John Silbersack and Mellisa Singer the most excellent The Berkley Showcase: New Writings in Science Fiction and Fantasy that came out in the Eighties. SFE says she has worked editorially at Analog though not what she did there. 
  • Born November 11, 1960 — Stanley Tucci, 61. Actor, Director, and Producer with a lengthy resume of character roles in genre films including The Core (Yay! The Core!), Prelude to a Kiss, A Midsummer Night’s Dream, Muppets Most Wanted, Beauty and the Beast, The Lovely Bones, Captain America: The First Avenger, Jack the Giant Slayer, Percy Jackson: Sea of Monsters, and The Hunger Games films, as well as numerous voice roles including Leonardo da Vinci in Mr. Peabody & Sherman. 
  • Born November 11, 1962 — Demi Moore, 59. Ghost, of course, for getting her Birthday Honors. And yes, I did see it. Sniff. But she got her genre creds with her second film Parasite which is good as she didn’t do much after that of a genre nature. She has a recurring role as Linda in the Brave New World series that aired on Peacock for just one series before being cancelled. 

(13) COMICS SECTION.

  • Bizarro earns its name with a superhero joke that could have been inspired by the quality of copyediting I do here…

(14) WHO’S WHO? Radio Times keeps the pot roiling with more ideas about Jodie Whittaker’s replacement: “Lydia West says Russell T Davies’ Doctor Who will have a modern twist”.

…The rising star has had roles in Russell T Davies’ Years and Years and It’s a Sin, and with Davies set to take over from Doctor Who showrunner Chris Chibnall next year, many have wondered whether he might bring West – or her It’s a Sin co-star Olly Alexander – along for the ride.

West herself addressed the rumours during an exclusive chat with RadioTimes.com.

“I mean, the fact I’ve been named as one of the favourites is quite special,” she said. “So I mean, it would be an honour to be the Doctor. I’m glad people think I could do it. So yeah.”

(15) KEEP GUESSING. Radio Times is also fueling speculation about the course of Season 13 now in progress. Could it be mining a never-produced script? “Doctor Who: Flux might be adapting lost story Lungbarrow”.

It’s official – no Doctor Who theory is too outlandish any more. After series 12’s finale essentially canonised the Morbius Doctors and added Jo Martin’s Time Lord to the roster of regenerations, we’d say any and all bets are off for deep-cut fan ideas about the series as it continues.

Which is why we’re not dismissing out of hand the latest theory about Doctor Who: Flux, and specifically the idea that the series might be drawing from a story that never actually made it to TV – Lungbarrow, written by Marc Platt for Sylvester McCoy’s Doctor but left on the shelf until Platt adapted it into a book some years later.

… That story would have delved into the ancestry and backstory of the Doctor, centred around his/her ancestral home of Lungbarrow – and now some fans think they might have seen that abandoned family seat in new series 13 episode War of the Sontarans, specifically within a black-and-white vision scene where Jodie Whittaker’s Doctor gazed up at a ruined, floating house before the main action of the story kicked off….

(16) DOGGING IT. Raquel S. Benedict’s Rite Gud podcast revisits “Puppy Play: The Saga of the Sad Puppies”.

In this episode, we re-examine the saga of the notorious Sad Puppies. What happened? What ripple effects did it have on the sci-fi/fantasy community? Did we learn anything from this? Should we learn anything from this? And is there more to the story than the official narrative?

Kurt Schiller joins us to talk about angry mobs, squeecore writing, and the musical stylings of forgotten 90s techno group Psykosonik.

(17) OCTOTHORPE. Episode 44 of Octothorpe is up. What are John Coxon, Alison Scott and Liz Batty saying this time? Listen here.

We discuss burning melons and the latest news from Reclamation 2022 before discussing what an Eastercon might look like if it were held at a campsite. To round it off, we talk a lot about Dune. With sound effects.

(18) ASIMOV NEVER THOUGHT OF THIS. [Item by SF Concatenation’s Jonathan Cowie.] The cover story of this week’s Nature concerns soft robots.  Soft robots have garnered interest thanks to their ability to carry out complex tasks such as crawling and swimming.  But making soft actuators remains difficult.  This week’s Nature sees researchers’ new bubble-based method based on elastic polymers (plastics/rubbers) .

Inspired by living organisms, soft robots are developed from intrinsically compliant materials, enabling continuous motions that mimic animal and vegetal movement. In soft robots, the canonical hinges and bolts are replaced by elastomers assembled into actuators programmed to change shape following the application of stimuli, for example pneumatic inflation…

Research paper: “Bubble casting soft robotics”.

(19) FOR TEN YEARS WE’VE BEEN ON OUR OWN. And one for your home team… “US astronomy’s 10-year plan is super-ambitious” – “Its ‘decadal survey’ pitches big new space observatories, funding for large telescopes and a reckoning over social issues plaguing the field.”

A long-anticipated road map for the next ten years of US astronomy is here — and it’s nothing if not ambitious.

It recommends that NASA coordinate, build and launch three flagship space observatories capable of detecting light over a broad range of wavelengths. It suggests that the US National Science Foundation (NSF) fund two enormous ground-based telescopes in Chile and possibly Hawaii, to try to catch up with an advanced European telescope that’s under construction. And for the first time, it issues recommendations for how federal agencies should fight systemic racism, sexism and other structural issues that drive people out of astronomy, weakening the quality of the science….

(20) THEY CAN FLING IT FASTER THAN YOU CAN CATCH IT. [Item by Daniel Dern.] An interesting idea, and of course, nothing could possibly go wrong – “Company Wants to Launch Satellites With Huge Centrifugal Slingshot” (Gizmodo) — like, say, supercriminal seizes control of the aim controls, or there’s a sinkhole, and suddenly it’s aimed at Cleveland or whatever…

…Alternatives to launching rockets haven’t exactly been runaway successes, however. In the 1960s, the United States Department of Defense and Canada’s Department of National Defence formed a joint partnership called Project HARP (High Altitude Research Project) to essentially develop giant Earth-based guns that could blast objects into space. HARP successfully fired a projectile 180 KM into the atmosphere using a 16-inch cannon built at the U.S. Army Research Laboratory’ Yuma Proving Ground, but by the late ‘60s both governments had withdrawn funding for the research project, and it was officially shut down before it came to fruition.

SpinLaunch is taking a somewhat similar approach to Project HARP, but the kinetic space launch system it’s been developing since 2015 does away with explosive materials altogether. In its place is an electric-powered centrifuge that spins objects inside a vacuum chamber at speeds of up to 5,000 MPH before they’re released through a launch tube that is roughly as tall as the Statue of Liberty….

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Back4Blood,” Fandom Games says this slaughter-fest “still fuflills the need to kill a million zombies” and “feels like riding a bicycle after a mild concussion.”

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, John L. Coker III, Melanie Stormm, John Coxon, R.S. Benedict, Alex Shvartsman, SF Concatenation’s Jonathan Cowie, Daniel Dern, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Julius Schwartz Would Be 100 Today

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Landscape Photos of Julius Schwartz CROPJulius Schwartz, co-editor of one of the earliest fanzines, Ray Bradbury’s first literary agent, and editor of Superman comics for 25 years, was born a century ago today.

In 1932, Allen Glasser, Mort Weisinger, Forrest J Ackerman and Julius Schwartz produced Time Traveller, one of the first science fiction fanzines.

Schwartz was active in the Fantasy Amateur Press Association and provided this autobiography for its 1939 Yearbook:

Born June 19, 1915. I began reading science-fiction in 1929 and since that time have collected most of the science-fiction that has appeared from 1900 to the present time. In association with Mort Weisinger I started the first national fan magazine, The Time Traveler, in 1932. Later I became editor of Fantasy Magazine. In the last year I’ve revived my gossip column, “The Science Fiction Eye,” in Scientifiction  and The Science-Fiction Collector. Science Fiction League member #34. Literary agent, specializing in science-fiction, by profession.

Schwartz and Mort Weisinger had started the first sf literary agency, Solar Sales Service in 1934. Brian M. Thomsen co-wrote Schwartz’s autobiography Man of Two Worlds: My Life in Science Fiction and Comics, and when Schwartz passed away in 2004, Thomsen and Harlan Ellison penned a detailed reminiscence about their friend, including the impact he had on the field as an agent:

Their first sale was of Edmond Hamilton’s “Master of the Genes” to Wonder Stories. They got 10% of the magnificent fee. The sale was for $35, do the math.

In 1935 Julie actually met H.P. Lovecraft, the great recluse, and somehow convinced him to let Solar Sales market one of his stories. An astounding $350 sale to Astounding Stories, the only time the supernatural scrivener managed to get into the top-paying market. By the time Weisinger left the agency for editorial jobs, Julie was representing the absolute caviar of that pool of imaginative writers: Henry Kuttner, the magnificent Stanley Weinbaum, Leigh Brackett, Manly Wade Wellman, Eric Frank Russell, Otto Binder, and even Robert Heinlein for one story. 1938: Julie snags Robert Bloch, eventually selling 75 stories, including the memorable, many-times-reprinted “Yours Truly, Jack the Ripper.” 1940: a kid named Alfred Bester comes to Julie, is mentored by him, and Julie makes his first sf sale, “Life for Sale,” to Amazing Stories. 1939: Julie meets a kid named Ray Bradbury, takes him on, sells “The Pendulum” to Super Science Stories, and it appears on the newsstands on Bradbury’s 21st birthday.

He attended the first World Science Fiction Convention in New York over July 4 weekend of 1939. Schwartz, Weisinger and Otto Binder would ditch the last day of the con to see a ballgame at Yankee Stadium – thereby getting to hear Lou Gehrig announce his retirement and listen to those famous lines echo throughout the park:

For the past two weeks you have been reading about a bad break I got. Yet today I consider myself the luckiest man on the face of the earth.

juliusIn the next phase of Julius Schwartz’ career he wrote and edited for DC comics from 1944 till 1989 when he retired as Editor Emeritus.

His memory continues to be honored by the Julie Award, given annually at Dragon*Con.

Portrait Images Julius Schwartz CROP

[Thanks to John Coker III for suggesting the story and sending along the photo pages.]

Awards at DragonCon Banquet

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Two honorees were in the spotlight at DragonCon’s awards banquet on August 31.

Julie Award
Terry Gilliam

The award, named for Julius Schwartz, is “bestowed for universal achievement spanning multiple genres.” The recipient is selected each year by a panel of industry professionals. The first one was given in 1998 to Ray Bradbury.

Hank Reinhardt Award
Ron Zukowski

Founded in 1990 as the Georgia Fandom Award, the Reinhardt is given to a Georgia fan who has contributed to the genre. The award was renamed in honor of Hank Reinhardt following his death in 2007. Ron Zukowski co-chaired ConFederation, the 1986 Worldcon held in Atlanta.

On This Day In History 7/4

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Three AWOL Worldcon members were in Yankee Stadium when this picture was taken.

Three AWOL Worldcon members were in Yankee Stadium when this picture was taken.

July 4, 1939: Julius Schwartz ditched the last day of the first World Science Fiction Convention and went with Mort Weisinger and Otto Binder to see a ballgame at Yankee Stadium.

He still got to see fan history being made. Baseball fan history.

A very special thing happened that afternoon: Lou Gehrig announced his retirement from the game of baseball. There wasn’t a dry eye in the house. It’s something I will never forget.

Gehrig’s famous lines echoed throughout the park:

For the past two weeks you have been reading about a bad break I got. Yet today I consider myself the luckiest man on the face of the earth.

(And if you’re any kind of baseball fan you should not miss the video of all 30 Major League first basemen doing Gehrig’s lines, something Fox Sports produced to mark the 75th anniversary of his speech.)

Brian M. Thomsen Passes Away (1959-2008)

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Brian M. Thomsen (b. April 13, 1959), well-known for co-writing Julius Schwartz’s autobiography Man of Two Worlds: My Life in Science Fiction and Comics, died suddenly on September 21. Author, anthologist, a consulting editor for Tor, Thomsen was a popular figure in the sf field.

Harlan Ellison has a short, grief-stricken notice on his website. (Coincidentally, Ellison and Thomsen co-wrote this obituary about Julie Schwartz following his death in 2004.)

See more information at http://www.sfwa.org/news/2008/bthomsen.htm.