Tag Archives: JustWatch

Pixel Scroll 4/6/24 On (Eclipse) Monday, Smart Electronic Sheep Won’t Look Up

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(1) MOOGS, WOULD YOU BUY IT FOR A QUARTER? “Nobody Wants to Buy The Future: Why Science Fiction Literature is Vanishing” — according to Simon MacNeil at Typebar Magazine.

A recent Washington Post article indicated that only 12% of the reading public were interested in reading science fiction.  A perusal of bestseller lists for science fiction shows an even more alarming truth: the science fiction books that do sell are a shrinkingly small number of reprints, classics and novels that had been adapted into movies. 

The December 2023 bestseller list on Publisher’s Weekly contained only two novels published originally in 2023: Pestilence by Laura Thalassa (an odd addition to the Science Fiction list as it is marketed as fantasy / romance) and Starter Villain by John Scalzi. The bestselling SF novel in that time period, Project Hail Mary by Andy Weir, sold almost 17,000 copies. This puts it far below the bottom of the top 10 overall fiction bestseller list where Sarah J. Maas’ romantasy novel A Court of Mist and Fury sits at 19,097 copies sold. 

Science fiction is not selling…

… But there’s something else at play here that has reduced the public’s general taste for science fiction. 

We got to one of the futures Science Fiction proposed, and it sucked.

An oft-cited Tweet from The Onion’s Alex Blechman summarizes it perfectly: 

“Sci-Fi Author: In my book I invented the Torment Nexus as a cautionary tale.
“Tech Company: At long last, we created the Torment Nexus from the classic sci-fi novel Don’t Create The Torment Nexus.”

We are living in the world John Brunner predicted in Stand on Zanzibar and The Sheep Look Up—one of corporate dominance, political instability and environmental collapse. We are, all of us, in the Torment Nexus. So why would we want to read what future horrors Silicon Valley merchants of human misery are trying to produce next….

(2) DID HE EVER RETURN? NO, HE NEVER RETURNED. “’Quantum Leap’ Canceled at NBC After Season 2” notes The Hollywood Reporter.

The network has canceled the reboot of the 1989 series after a two-season run, sources tell The Hollywood Reporter.

The series starring Raymond Lee wrapped its sophomore season in February and ranked as one of the broadcast network’s lowest-rated scripted originals.

Quantum Leap, which was produced in-house at Universal Television, earned a speedy season two renewal as NBC kept production going in a bid to have scripted originals during the writers and actors strikes….

(3) MIRRORSHADES. “NASA says you shouldn’t use your phone to photograph the solar eclipse” warns XDA.

Everyone knows you shouldn’t stare at the sun during an eclipse. However, as it turns out, your phone’s “eyes” aren’t a suitable substitute. NASA has posted that, if you intend to look at the eclipse, pointing your phone at it in hopes to capture it on camera will likely fry its internal circuits, but don’t fret; there is a solution if you want to snap a photo to remember the occasion by…

…If you want to take a snap of the eclipse, there’s still a solution. NASA recommends using the same trick that protects your own eyeballs from the solar rays; with a pair of eclipse glasses. And the same rules apply for your phone as they do for your eyes; use the glasses to protect the device when it’s looking at the sun, and don’t keep pointing at it for too long. If you abide by the rules, you’ll be able to remember the eclipse with a nice photo instead of a hefty phone repair bill.

(4) THREEQUEL. You heard it here last. Entertainment Weekly reports “Denis Villeneuve’s third ‘Dune’ movie is officially happening”.

Sometimes, dreams do come true. That’s as true for Paul Atreides as it is for Denis Villeneuve, who now gets to make his third Dune movie. Legendary confirmed on Thursday that they are currently developing a third movie in the sci-fi franchise based on Frank Herbert’s original novels and are also in talks with Villeneuve to adapt Annie Jacobsen’s nonfiction book Nuclear War: A Scenario after that.

Villeneuve first told EW in 2021 that his goal all along was to make three Dune movies. Dune: Part Two completed the adaptation of Frank Herbert’s original 1965 sci-fi novel, but Herbert wrote five sequels before his death in 1986 (his son Brian Herbert and Kevin J. Anderson have since added to the franchise with many additional books). The first of Herbert’s sequels, 1969’s Dune Messiah, is what Villeneuve wants to adapt for his third movie in this series.

“I always envisioned three movies,” Villeneuve told EW then. “It’s not that I want to do a franchise, but this is Dune, and Dune is a huge story. In order to honor it, I think you would need at least three movies. That would be the dream. To follow Paul Atreides and his full arc would be nice.”…

(5) FAMILIARIZE YOURSELF WITH GLASGOW. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation has advance posted ahead of its next seasonal edition an article on Glasgow: “Glasgow as a venue for the Worldcon”.

Welcome to Glasgow the largest city in Scotland, a place often referred to as “the second city of the Empire”, meaning the second city of the British Empire because of its shipbuilding prowess on the banks of the River Clyde, and its industrial base.   But other cities in the United Kingdom also lay claim to the title, so better not say “I’ve just been to the Worldcon in the second city of the Empire” if heading down south.

(6) GLANCING TOWARD THE FUTURE. If you want to be in, respond to the Glasgow 2024 Academic Programme Call For Papers by April 30.

Glasgow 2024’s Academic Programme will bring together a diverse set of scholars from the humanities, social sciences, and adjacent disciplines to launch an exploration of SF/F/H’s concern for our futures. Through a combination of panels of three (3) 15-minute presentations each and hour-long roundtable discussions with scholars, we’ll discuss themes of futurity as they manifest in genre fiction and media past and present, as well as speculate on the genre’s own potential futures and capacity for shaping the future, encompassing film, literature, comics, games, new media, and art and/or the fan communities that celebrate them.

(7) DETECTING FAKE LITERARY AGENCIES. Patrick Carter enhances your scam detection skills in a thread that starts here. Here are some examples:

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 6, 1937 — Billy Dee Williams, 87. Rather obviously, Billy Dee Williams’ best-known role is as — and no I did know this was his full name — Landonis Balthazar “Lando” Calrissian III. He was introduced in The Empire Strikes Back as a longtime friend of Han Solo and the administrator of the floating Cloud City on the gas planet Bespin. 

Billy Dee Williams

(So have I mentioned, I’ve only watched the original trilogy, and this is my favorite film of that trilogy? If anyone cares to convince me I’ve missed something by not watching the later films, go ahead.) 

He is Lando in the original trilogy, as well in as the sequel, The Rise of Skywalker, thirty-six years later. The Star Wars thinks this might be the longest interval between first playing a character and later playing the same character, being a thirty-six year gap.

He returned to the role within the continuity in the animated Star Wars Rebels series, voicing the role in “Idiot’s Array” and “The Siege of Lothal” episodes. 

Now this is where it gets silly, really silly. The most times he’s been involved with the character is in the Lego ‘verse. Between 2024 with The Lego Movie to Billy Dee Williams returned to the role in the Star Wars: Summer Vacation in 2022, he has voiced Lando in eight Lego films, mostly made as television specials.

Going from hero to villain, he was Harvey Dent in Batman, and yes in The Lego Batman Movie. Really they made it. I’d like to say I remember him here but than they would admitting this film made an impression on me which it decidedly didn’t. None of the Batman Films did in the Eightes.

He’s in Mission Impossible as Hank Benton, an enforcer for a monster, in “The Miracle” episode; he’s Ferguson in  Epoch: Evolution, the sequel to Epoch, a what looks like quite silly, and I’m using this term deliberately, sci-film, and finally he voiced himself on Scooby-Doo and Guess Who?,  the thirteenth television series in the Scooby-Doo franchise. 

(9) COMICS SECTION.

  • Tom Gauld has two for us.

(10) TAXONOMY SEASON. Richard Ngo has put together a grid about types of conflict in a certain species of sff story. It’s followed by several posts with commentary. Thread starts here. (Ngo credits Grant Snider’s 2014 Incidental Comics “Conflict in Literature” as the inspiration.)

(11) JEOPARDY! [Item by David Goldfarb.] The April 5 episode of Jeopardy! was the first game of the tournament finals. In the Jeopardy round:

Alliterative Lit, $200:
Chapters in this book include “The Departure of Boromir” & “Shelob’s Lair”
Andrew He buzzed in but dried up. Victoria Groce responded with, “What is The Two Towers?”

The Double Jeopardy round had a category “Horror Music”. The contestants started at the bottom and worked their way up:

$2000
“Putting Out the Fire with Gasoline” is from the theme song to this beastly film starring Nastassja Kinski
Victoria tried, “What is Species?” but this was wrong. Amy Schneider tried “La Femme Nikita” but seemed to know that wasn’t right. Andrew didn’t try it. The answer was Cat People.

$1600
In a song by the goth rock band Bauhaus, this horror movie legend is “dead, undead, undead, undead”
Victoria got this: “Who is Bela Lugosi?”

$1200
A man sees a ghostly version of himself in Schubert’s Lied (song) with this German title
Amy seemed uncertain with “What is Doppelgänger?” but it was correct.

$800
“What ever happened to my Transylvania Twist?” is a lyric from this novelty horror song
Amy was more sure of this one: “What’s the Monster Mash?”

$400
Ray Parker Jr. wrote & performed the theme song to “Ghostbusters” that went to no. 1 on the charts & asked this musical question
Amy said, “What is ‘Who they gonna call?’” but this was not accepted. Andrew He got the right phrasing: “What is ‘Who you gonna call?’”

(12) CALL ME. “How ‘Bambi’ & Horatio Hornblower Helped Launch William Shatner & Captain Kirk: The Film That Lit My Fuse” – the headline of Deadline’s mini-review of You Can Call Me Bill is really the best part. You can skip the rest.

(13) WHEN MAY THE FOURTH IS WITH YOU. We reported Disney+’s upcoming Star Wars: Tales of the Empire series yesterday. Here’s the trailer. Arrives May 4.

(14) DIRECT FROM 1997. Hear the author’s musical selections on BBC Radio 4’s “Desert Island Discs, Iain Banks.

This week’s castaway is an author. In his book The Wasp Factory, the teenage protagonist tortures insects, experiments with bombs and kills a brother and a cousin. But, says Iain Banks, that was “just a phase he was going through”. He tells Sue Lawley how, as a writer, he has not developed the filters that most adults do and so views the world with childlike eyes, describing what he sees. And this world, he feels, is very often a violent and terrifying one.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Mohammed’s Radio by Warren Zevon
Book: The Complete Monty Python Television Scripts by Monty Python
Luxury: Front Seat Of A Porsche

(15) FIRST QUARTER. JustWatch has released their latest data report on market shares in the US for the first quarter of 2024. The report is based on the JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen. 

  • SVOD market shares in Q1 2024: Global streaming giant: Prime Video took the lead in the US streaming market with shares more than the combined size of Disney-owned companies: Hulu and Disney+. Meanwhile, Netflix maintains its stronghold with more than 2x the shares than that of Apple TV+.
  • Market share development in 2024: Leading streaming growth into 2024 are Apple TV+, Netflix, and Paramount+, each adding +1% to their shares. On the other hand, Hulu, Disney+, and Max struggled to keep up, individually suffering through a -1% decline since January.

(16) CHIP OFF THE VERY OLD BLOCK. Live Science is there when “NASA engineers discover why Voyager 1 is sending a stream of gibberish from outside our solar system”.

…In March, NASA engineers sent a command prompt, or “poke,” to the craft to get a readout from its flight data subsystem (FDS) — which packages Voyager 1’s science and engineering data before beaming it back to Earth. 

After decoding the spacecraft’s response, the engineers have found the source of the problem: The FDS’s memory has been corrupted.

“The team suspects that a single chip responsible for storing part of the affected portion of the FDS memory isn’t working,” NASA said in a blog post Wednesday (March 13). “Engineers can’t determine with certainty what caused the issue. Two possibilities are that the chip could have been hit by an energetic particle from space or that it simply may have worn out after 46 years.”…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, David Goldfarb, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/21/24 Mr. Sandworm, Bring Me A Dream

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(1) MASTER OF SF. Vernor Vinge died March 20. One of the many callbacks to this distinguished sf author’s genre contributions comes from the Hugo Book Club Blog: “A Tribute To Vernor Vinge”.

…“Singularity is the point at which our old models will have to be discarded, where a new reality will reign,” Vinge wrote. “This is a world whose outlines will become clearer, approaching modern humanity, until this new reality obscures surrounding reality, becoming commonplace.”

One of these forays into singularitarianism helped launch an entire subgenre of science fiction. First appearing in a Dell paperback alongside George R.R. Martin’s Nightflyers, the story True Names offered a blueprint for cyberpunk that would influence and inspire everything from blockbuster movies to role playing games and television series….

(2) CIXIN LIU ON PRODUCTIVITY ISSUES. [Via Zionius on Weibo] On Wednesday, Singapore newspaper The Straits Times published an article tying in with the release of the Netflix adaptation of The Three-Body Problem.  The piece includes a few quotes from Liu himself, where he talks about his activity in recent years, and his sympathy with one of his peers, George R.R. Martin.

While he yearns to see Martin place the long-delayed sixth book, The Winds Of Winter, in the hands of publishers, Liu, 60, also sympathises with his 75-year-old peer’s plight – Liu himself has been through a long fallow period.

“The Winds Of Winter has been delayed for 10 years. As a writer who also writes fantasy literature, I completely understand this, because I have not been able to publish a new work for more than 10 years,” Liu tells The Straits Times in an e-mail interview…

Other than Of Ants And Dinosaurs (2010), a work that imagines a war between the two species of the title, Liu has not produced a new novel since.

“Martin has at least published other works during that time, and I had done almost nothing,” he says. 

(3) A LIFELINE TO SANITY. The Guardian calls it, “’A fascinating insight into pandemic psychology’: how Animal Crossing gave us an escape”.

“Today is the first day of your new life on this pristine, lovely island. So, congratulations!” says Tom Nook, the benevolent tanuki landlord, a few minutes into Animal Crossing: New Horizons. (Nook is often besmirched online, but you can’t argue that he’s extremely welcoming.) Many players read this comforting message at a destabilising and frightening time in the real world: Animal Crossing: New Horizons came out on Nintendo Switch on 20 March 2020, a few days before the UK entered its first Covid lockdown.

This was fortuitous timing. When we were all stuck at home, the game let us plant our native fruits, tend to our flowers and see what the town shop had on offer, repaying our extensive loans (interest-free, thankfully) to Tom Nook as a way of escaping the chaos and daily death tolls. We opened the gates to our islands and welcomed friends and strangers into our pristine little worlds. As real life crumbled, we started anew with bespectacled cats, sheep in clown’s coats and rhinos who looked like cakes.

The game’s sudden popularity caused Nintendo Switch sales to skyrocket among pandemic-induced shortages. New Horizons had sold 44.79 million units by December 2023 – nearly three-and-a-half times more than any other game in the Animal Crossing series, which has been running since 2001. It’s the second best-selling Switch game to date, behind Mario Kart 8 Deluxe….

(4) BOT AND PAID FOR. Annie Bot has already been called “A sharp take on a sex robot that becomes human” in a paywalled New Scientist review:

I opened the novel with low hopes, because the idea of a robot learning to be human, then chafing at its bonds, seemed a bit old hat. How wrong I was. Right from the first page, the book is coruscating, unexpected and subtle….

Now Glamour has interviewed author Sierra Green in a Q&A titled “Annie Bot Is a Chillingly Prescient Novel That Asks What Happens When a Sex Robot Realizes Her Worth”.

…The character of Doug felt so real to me (a man who would rather have a sex slave robot than a real human companion), which is scary, to say the least. What does his character represent to you, and why do you think it is important to demonstrate these types of men in the media?

This is a complicated subject. I think it’s important to try to understand what in our society encourages a man to feel like he ought to be in control, even when he’s not. No one likes to feel helpless, but men can feel doubly conflicted when they are denigrated because society has taught them that they deserve respect. Suddenly they have to reassess the entire system. When we see a character like Doug who is lonely and wants to be in control, we understand why he’s reaching out for a connection. We’re not surprised that men turn to the internet for pornography, and Annie is just a step beyond that. What matters to me is that Doug learns from his situation. He experiences deep shame, isolation, and rage, but he’s also willing to reflect on how to become a better man, a better human. Almost despite himself, he takes risks that lead him where he needs to go.

Do you think if Stellas really existed, a lot of men would buy them?

Yes. Women would buy them too, or the male Handy models. People will buy a new toy whether it’s good for them or not….

(5) MONSTER MASHER. Radio Times says “Doctor Who needs Steven Moffat – despite what he might say”.

…Every showrunner has brought something incredible to Doctor Who, from Russell T Davies’s famously skillful writing to Chris Chibnall’s bold new directions, but there’s something that Moffat brings to the show that no other writer does.

He remains unmatched as Doctor Who’s monster maker. By his own admission, his creations are simple and actually a little formulaic, usually riffing on a childhood fear to create a chilling physical embodiment of our nightmares. But it doesn’t get old – because he does it so well.

Moffat’s first episodes, a season 1 two-parter, introduced the Empty Child. Arming his creation with a haunting catchphrase (“Are you my mummy?”) and a gruesome physicality (I’ve never forgotten that transformation scene), he immediately ensured his first Doctor Who monster would be one for the ages. But it was far from his most iconic.

In season 3, Moffat penned what is widely described as one of Doctor Who’s best ever episodes, Blink, creating an all-time classic monster, the Weeping Angels….

(6) A TILT TOWARD NORTH AMERICA. “Doctor Who’s schedule change is inevitable – but still heartbreaking” opines Radio Times.

With the decision being made to debut new Doctor Who episodes at midnight on BBC iPlayer, many Whovians have expressed their disappointment. They argue that the choice was made for US-based audiences, and it undeniably was.

When the first two episodes are released on BBC iPlayer at midnight on Saturday 11th May, they will also be available on Disney Plus at 7pm ET on Friday 10th May, before BBC One airs them again later in the day on Saturday.

This means that while viewers on the US East Coast can enjoy the premiere episode in the late evening, UK fans will have to stay up into the late hours of the night to watch, diminishing the event nature and experience of watching the series…

(7) NEW HORROR. Gabino Iglesias reviewed Premee Mohamed’s The Butcher Of The Forest, C.J. Cooke’s A Haunting In The Arctic, Tim Lebbon’s Among The Living, and Amanda Jayatissa’s Island Witch in “Demons, Haunted Forests and Arctic Nightmares in 4 New Horror Novels” for the New York Times in February.

(8) SPUR AWARDS. The Western Writers of America have presented the 2024 Spur Awards. Complete winners list at the link – there do not appear to be any genre works among them. Not even Thomas Goodman’s Best First Novel The Last Man: A Novel of the 1927 Santa Claus Bank Robbery has much to do with jolly old elves.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 21, 1946 – Timothy Dalton, 78. Timothy Dalton made his film debut sixty-eight years ago as Philip II of France in The Lion in Winter. I remember him distinctly in that role. Of course, I’ve watched that film enough times that I think I’ve memorized much of the script. 

He would do two Bond films, The Living Daylights and Licence to Kill. He made a decent Bond, but then I think the only true Bond was Connery. 

Timothy Dalton in 1987.

Now doing a dive into his genre roles, he was Prince Barin in Flash Gordon, and had a major role as film star Neville Sinclair, one of baddies in The Rocketeer. An absolutely amazing film which is why it got a nomination for a Hugo at MagiCon. 

And he was Lord President Rassilon in “The End of Time”, the last Tenth Doctor story. He made a rather impressive Time Lord indeed. 

I’ll finish up with his role as the Chief on the DC Universe/Max Doom Patrol series which just wrapped up. It was a great role for him, and a most excellent series indeed. 

(10) COMICS SECTION.

(11) TRAINING FOR WAR. James Bacon reviews an issue of Battling Britons, “The Fanzine of Vintage British War Comics”, for Downthetubes.net: “In Review: Battling Britons 6 – Planes, Trains and Giant Vampire Bats!”.

The Book: The latest issue of a fanzine dedicated to British war comics, offering articles, reviews and features on comics such as Commando, still published, and vintage comics such as Battle Picture Weekly, War Picture Library, including items on strips such as “Black Max”, “Dredger”, “Maddock’s Marauders”, “Kommando King” and more…

…Editor and publisher Justin Marriott often writes about subjects that are close to my heart, and this issue he looks at Commando comics that feature trains. He starts this with a fabulous laugh out loud list of the ten things he has learned from reading comics which featured trains. It’s a light hearted and humorous approach, and then lists some 30 Commando stories, and discusses them briefly….

(12) NOT JUST LOOKING AT THE PICTURES. And Downthetubes.net founder John Freeman suggests, “Comics: The Answer to The UK’s Literacy Crisis?”

We’re used to Spider-Man saving the world from the Green Goblin and a multiverse of masked miscreants. But new research by Comic Art Europe, and a separate research project by the National Literacy Trust, suggests that he could have the super-powers to do something even more valuable – something our government has signally failed to do: turn us into a nation of readers again

That’s the view, at least, of Lakes International Comic Art Festival chair Peter Kessler MBE, in an article for the latest issue of Books for Keeps magazine.

“A unique project has been unfolding in a primary school in North Manchester,” he notes, discussing the Comics and Literacy Project the Festival worked on as a partner of Comic Art Europe, launched in 2021, supported by The Phoenix comic, its full, interim report here on the Festival web site.“Abraham Moss is a typical, hard-working community school in an underprivileged area. Most of its students are from ethnic minority backgrounds, and it has a higher-than-average number in receipt of the Pupil Premium subsidy given to disadvantaged students. The school has spent two academic years participating in a Europe-wide research project entitled Comics and Literacy. The aim of the project: to analyse and quantify the impact of exposure to comics on young people.

“The results are jaw-dropping….”

(13) FANAC ZOOM NOW ONLINE. You can view the two-part FANAC History Zoom: “The Women Fen Don’t See” with Claire Brialey, Kate Heffner and Leah Zeldes Smith on YouTube.

Part 1 – 

Description: Women did not magically appear in fandom with the advent of Star Trek, but have been part of science fiction fandom since the earliest days. They’re faneds, and convention chairs, writers and artists, club fans and costumers. Sometimes, they’re all of the above. Our impressive panelists (see bios on the bottom) Claire Brialey, Kate Heffner and Leah Zeldes Smith talk about why early female fans have received less credit than they deserved, or been overlooked entirely, and describe the contributions of a number of them…In this recording (Mar 2024, part 1 of 2), our panelists talk about how this research began, and why women that were cranking the mimeos, writing fanzine articles and going to conventions were not even regarded as fans. Early fan historians didn’t correct this impression, reflecting the attitudes of society and ignoring women’s contributions to fandom, especially married women. In this recording, you’ll learn about what fans did say about women in the community, “the radical hoax of Lee Hoffman”, and Miss Science Fiction 1949 (and the Fake Geek Girl response that ensued).

Women discussed in this part 1 include Jean Bogart, Pam Bulmer, Daphne Buckmaster, Marion Eadie, Helen Finn, Nancy Kemp, Trudy Kuslan, Lois Miles, Frances Swisher, and Jane Tucker. There’s a lot of information, a little hero worship and a dive into those hard-to-research women whose fanac was not primarily in fanzines. The discussion continues in Part 2. For more fan history, go to https://fanac.org and https://fancyclopedia.org. If you enjoyed this video, please subscribe to our channel.

Bios: 

Claire Brialey – Claire encountered fandom in her early teens, in the mid-’80s, after having read SF for five or six years. She’s a fanzine fan and co-editor of Banana Wings, as well as having won the 2011 Best Fan Writer Hugo. She’s a former President of ANZAPA and a conrunner (up to and including the Worldcon level). She’s worked on clubs, fan funds, and awards administration. She is one of the Guests of Honor of the 2024 Worldcon in Glasgow. And she still enjoys reading and watching SF. 

Kate Heffner – Kate Heffner (she/they) is a PhD researcher at the University of Kent England in the Department of History and an adjunct faculty member in the School of Library and Information Science at the University of Iowa. She is completing her dissertation entitled ‘A Fanzine of Her Own: Femme Fans in the Post-War Era.’ She is the recipient of the 2022 Peter Nicholls prize for best essay and a former judge for the Arthur C Clarke Award. For the last several years, she has also been adding to Fancyclopedia.org. 

Leah Zeldes Smith – A retired journalist, Leah has been an actifan for more than 50 years, since she was a young teenager. She is a fanzine fan, and her zine STET was nominated for the Best Fanzine Hugo 3 times (1993, 1994, 2001). She’s a DUFF winner (93). She’s been involved with APAs, clubs and convention running. Leah’s involvement in documenting fanhistory dates back several decades. She has been a mainstay of Fancyclopedia, and has made thousands of updates to the site. Recently she’s pulled together a list of Fandom Firsts.

Part 2: 

Description: Women did not magically appear in fandom with the advent of Star Trek, but have been part of science fiction fandom since the earliest days. They’re faneds, and convention chairs, writers and artists, club fans and costumers. Sometimes, they’re all of the above. In this part 2 of the session (Mar 2024), our panelists Claire Brialey, Kate Heffner and Leah Zeldes Smith continue to talk about why early female fans have received less credit than they deserved, or been overlooked entirely, and describe the contributions of a number of them.

Women discussed here include Ina Shorrock, Bobbie Gray, and Ethel Lindsay. There’s more about Femizine, the impact that early female fans can have on younger generations today, and whether women fans today will experience the same sorts of erasure. At about 32 minutes in, Q&A from the audience begins, with the difficulty of researching women fans, especially those that change their names multiple times, and anecdotes of Nan Gerding, Lynette Mills, Fuzzy Pink Niven, and Noreen Shaw. Maggie Thompson contributes a wonderful anecdote about her mother SF author Betsy Curtis and Tony Boucher. The recording concludes with a welcome discussion of how women have been treated in fandom in recent years.

(14) OSCARS A RISING TIDE FOR THESE ACTORS. JustWatch asked: (1) Which movies featuring Oscar-winners Emma Stone and Cillian Murphy are the most popular with audiences? (2) Are their 2024 Oscar-winning pictures at the top?

Key Insights

Poor Things is topping our popularity ranking, with an overall popularity of 48.6% among global audiences. The Favourite, her other Oscar winning performance, is no surprise in second place. Followed by La La Land, which was also a top contender during the 2016 Oscars. Surprisingly, Cruella ranked lower on the list, even though it was a big budget Disney project. 

Oppenheimer blew away Cillian Murphy’s other movies, garnering more than 60% of global popularity. Inception, another Christopher Nolan project, took second place. Dunkirk, A Quiet Place, and The Dark Knight also ranked in our top 1010. 

We created this report by using our JustWatch Streaming Charts, which are calculated by user activity, including clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

(15) DON’T BOTHER ME, I’M BUSY. The form letter Robert A. Heinlein devised to answer his mail is making the rounds again. In the Seventies when I heard this existed I wrote him a fan letter in hopes of receiving a copy in reply, and I did — though it was a later variation than this one. (Click for larger image.)

(16) VIDEO OF THE DAY. Arriving in theaters on September 9: “’Beetlejuice Beetlejuice’ Trailer: ‘The Juice Is Loose’ In Sequel Teaser”. Let Deadline lead the way.

… The logline: Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid (Ortega), discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Ersatz Culture, Zionius, James Bacon, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/8/24 The Pixels Are All Tucked In Their Scrolls For The Night

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(1) THERE WILL BE NO 2023 HUGO LONGLIST ANTHOLOGY. David Steffen says, “With all of the complications of this year’s nomination list, Diabolical Plots has decided not to produce a new volume of the Long List Anthology this year.”

Instead, Hal Y. Zhang, with assistance from Chelle Parker and David Steffen, have produced a set of reading recommendations, “The 2023 Hugo Award Nomination List (With Links!)”.

We do still want to help boost readership for the amazing authors involved, however, so in lieu of the anthology, we have done our best to compile the most comprehensive list of links to the works from this year’s Short Story and Novelette categories that we could.

(2) MORE MURDERBOT ACTORS. “’Murderbot’ Casts Sabrina Wu, Tattiawna Jones, Akshay Khanna & Tamara Podemski” – Deadline has the story.

The Apple TV+ series Murderbot is rounding out its leading cast with Sabrina Wu (Joy Ride), Tattiawna Jones (Orphan Black: Echoes), Akshay Khanna (Polite Society) and Tamara Podemski (Outer Range). The quad will star opposite Alexander Skarsgård, who also executive produces.

Based on Martha Wells’ bestselling Hugo- and Nebula Award-winning book series The Murderbot Diaries, the 10-episode series Murderbot centers on a self-hacking security android who is horrified by human emotion yet drawn to its vulnerable “clients.” Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe….

(3) SANDERSON SETS BACKERKIT RECORD. Publishers Weekly is there as “Brandon Sanderson Raises $16 Million, Breaking Records Again”.

Brandon Sanderson, the bestselling author known for his epic fantasy novels, has already raised more than $16 million on crowdfunding platform BackerKit since launching it earlier this week.

The campaign is to fund a leatherbound edition of Words of Radiance, the second book in Sanderson’s fantasy series, The Stormlight Archive. The leatherbound edition will feature premium materials and illustrations, as well as a new “secret project,” Sanderson has teased. Add-ons include an audiobook, which Sanderson says will also be available on Audible, suggesting he has come to an agreement with the audiobook giant . (Sanderson had been in negotiation with the company for better terms for authors).

Sanderson’s BackerKit campaign, which has 55,000 backers and runs through March 30, is the most successful fundraising effort on the platform thus far. This follows Sanderson’s previous record-breaking Kickstarter campaign in March 2022, which raised $41.7 million from 185,341 backers, setting a new record for the most funded Kickstarter in the platform’s history. That campaign supported the release of four books.

(4) CHANGE AT KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel have updated the readers for their March 13 event. Christopher Rowe has suffered a death in the family. Therefore, Richard Butner will take his place, joining Moses Ose Utomi.

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to nosh pastrami with Glenn Hauman in Episode 220 of the Eating the Fantastic podcast.

When I realized Glenn Hauman, with whom I’ve been crossing paths for decades on the con circuit, was going to be a guest at Farpoint, I thought it was about time I captured some of his wit and wisdom for you. Here’s just a small taste of what Glenn’s been up to over the years —

Glenn Hauman.

He’s an electronic publishing pioneer who founded BiblioBytes in 1993, which resulted in him being dubbed a “young Turk of publishing” in The New York Observer. He was an editorial consultant to Simon & Schuster Interactive for many years, during which time he contributed to many Star Trek CD-ROMs, such as the Star Trek Encyclopedia, the Star Trek: The Next Generation Companion, and the Star Trek: Deep Space Nine Companion, plus additional projects for many other properties. He’s published fiction in the Star Trek, X-Men, and Farscape franchises.

The particular piece of fiction which has probably brought him the most fame is Star Trek: Starfleet Corps of Engineers: Creative Couplings, co-authored with Aaron Rosenberg, which featured the first Klingon/Jewish wedding ceremony, and ended up getting him mass media coverage from outlets such as NPR and the Jewish weekly newspaper The Forward. In 2011, Glen teamed up with Peter David, previous guest of the podcast Michael Jan Friedman, Robert Greenberger, and Aaron Rosenberg to launch an electronic publishing endeavor called Crazy 8 Press. He’s also a columnist over at ComicMix.

We discussed how he shook things up during the earliest days of electronic publishing, the embarrassing high school newspaper writings of Ted Chiang, the way the assembly-line nature of comics keeps many creatives from seeing the big picture, why he’s nobody’s first choice for anything but everybody’s second choice for everything, his pre-teen encounters with another pre-teen fan who became a Marvel Comics Executive Editor, the philosophical question he asked actor Michael O’Hare just before Babylon 5 began to air, the lunch that led to his first published short story being about the X-Men, what visiting Don Heck’s house at age 12 taught him about artists and taking an art class from John Buscema at age 13 taught him about himself, the plot of the Warren Worthington novel he never got a chance to write, the free speech lawsuit which had him going head to head with the Dr. Seuss estate, plus much more.

(6) GIBSON READING. Space Cowboy Books will host an “Online Reading and Interview with Adrian M. Gibson” on Tuesday, March 12, 2024 at 6:00 p.m. Register for free with Eventbrite at the link.

BLADE RUNNER, TRUE DETECTIVE and HANNIBAL meld with the weird worlds of JEFF VANDERMEER in Adrian M. Gibson’s fungalpunk noir debut novel.

TWO YEARS AFTER a devastating defeat in the decade-long Spore War, the island nation of Hōppon and its capital city of Neo Kinoko are occupied by invading Coprinian forces. Its Fungal citizens are in dire straits, wracked by food shortages, poverty and an influx of war refugees. Even worse, the corrupt occupiers exploit their power, pushing the native populace toward the brink of civil unrest.

As a winter storm looms over the metropolis, NKPD Detective Henrietta Hofmann begrudgingly partners up with mushroom-headed patrol officer Koji Nameko to investigate the mysterious murders of Fungal and half-breed children. Their investigation drags them deep into the seedy underbelly of a war-torn city, one brimming with colonizers, criminal gangs, racial division and moral decay.

In order to solve the case and unravel the truth, Hofmann must challenge her past and embrace Fungal ways. What she and Nameko uncover in the midst of this frigid wasteland will chill them to the core, but will they make it through the storm alive?

(7) THOMAS SADLER (1946-2023). Alexiad editor Joseph T. Major shared recently-learned news of the death last year of Thomas Sadler, longtime editor of the fanzine The Reluctant Famulus.

Thomas “Tom” David Sadler, age 76, of Owenton, KY, passed away on Wednesday, February 1, 2023, at his home. Tom was born on March 3, 1946, in Piedmont, AL, the son of Thomas and Elizabeth (Tanner) Sadler. On October 8, 1966, he married Ruth Underhill, and she survives. He had been employed with the City of Adrian before moving to Kentucky. Tom was a published author, and enjoyed reading, writing, and gardening.

Sadler is survived by his wife, Ruth, their children, and grandchildren.

(8) AKIRA TORIYAMA (1955-2024). Dragon Ball creator Akira Toriyama died March 1. The New York Times tribute says a statement by his manga and design production company, Bird Studio, and Capsule Corporation Tokyo, attributed his death to acute subdural hematoma, when blood collects between the skull and brain. It did not specify where he died.

The Dragon Ball comic series debuted in 1984. It follows a boy named Son Goku in his quest to collect magical dragon balls to defend Earth against alien humanoids called Saiyans.

 … Mr. Toriyama’s absurd concepts and sense of caricature “sparked a real joyful hysteria” in Japan, Matthieu Pinon and Laurent Lefebvre wrote in their 2023 book, “A History of Modern Manga.”

In 1982, Mr. Toriyama married a former manga artist who published under the pen name Nachi Mikami, Mainichi Shimbun reported. Besides his wife, he is survived by his children, according to the local news media.

When “Dragon Ball” was first published in 1984, it was an immediate hit, becoming one of the best-selling manga series of all time. The adventure story sold more than 260 million copies worldwide, according to the studio that produced the anime adaptation, Toei Animation.

The manga was serialized in the Japanese magazine Weekly Shonen Jump until 1995. In the year after the series ended, the magazine lost about one million of its six million readers, according to “A History of Modern Manga.” The story lived on through anime, such as “Dragon Ball Z,” and video games, including the “Dragon Quest” series for which Mr. Toriyama designed the characters….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 8, 1921 — Alan Hale Jr. (Died 1990.) Let’s talk about Alan Hale Jr. — son of Alan Hale Sr. who played Little John in the Robin Hood a century ago with Douglas Fairbanks and Wallace Beery, reprised the role in The Adventures of Robin Hood with Errol Flynn and Basil Rathbone, then played him once more in The Rogues of Sherwood Forest. We agreed that Robin Hood is genre, didn’t we? 

Alan Hale Jr.

Now we come to Alan Hale Jr.’s Captain Jonas Grumby as he was referred to only in the Gilligan’s Island pilot, better known as The Skipper, which we’ve also agreed is genre. He’s owner and captain of the S.S. Minnow which ends up in the genre based lost island setting with its passengers and sole crew member.

Counting the pilot, it ran for ninety-nine episodes over three seasons sixty years ago. There would later be three television sequels in the late Seventies and early Eighties in color. I don’t remember any of them, do any of you remember them? 

There are two Filmation-produced animated sequel series which I’ve mercifully never seen. They were The New Adventures of Gilligan and Gilligan’s Planet, both short lived. Yes, he voiced his character.

Other genre appearances included Fantasy Island, My Favorite Martin, The Wild Wild West and ALF for television series, whereas films were The Giant Spider Invasion,  The Fifth Musketeer, and well, and I didn’t see anything else but if I missed anything I’m sure I’ll hear about it. 

(10) RINGO AWARDS 2024 NOMINATIONS NOW OPEN. The Mike Wieringo Comic Book Industry Awards return for their sixth year on Saturday, September 21, 2024 as part of The Baltimore Comic-Con. Access the Ringo Awards 2024 Nominations ballot at the link.

Unlike other professional industry awards, the Ringo Awards include fan participation in the nomination process along with an esteemed jury of comics professionals. 

More than 20 categories will be celebrated with top honors being given at the awards ceremony in September.

Fan and pro-jury voting are tallied independently, and the combined nomination ballot is compiled by the Ringo Awards Committee. The top two fan choices become nominees, and the jury’s selections fill the remaining three slots for five total nominees per category. Ties may result in more than five nominees in a single category. Nominees will be listed on the ballot alphabetically. Nomination ballot voting is open to the public (fans and pros) between March 8, 2024 and May 23, 2024.

New in 2024, we have changed two categories based on juror, publisher, and voter submissions: The “Best Inker” category has been combined with the “Best Artist or Penciller” category to form a combined “Best Artist or Penciller/Inker Team” category. This update reflects the changing way comics are being created, with more artists working digitally and going directly to inks. When a nominated Penciller/Inker Team wins the final ballot, both individuals will receive separate awards.

Final Ballot Voting

After processing by the Ringo Awards Committee and Jury, the Final Ballots are targeted to be available to comic creative professionals for voting on July 24, 2024 and will be due by August 21, 2024 for final tallying. Presentation of the winners will occur at the Baltimore Comic-Con on the evening of Saturday, September 21, 2024.

(11) STRANGER IN NEW YORK. “’Stranger Things’ Play: Broadway Opening Eyed With New York Casting” – Variety has the story.

“Stranger Things: The First Shadow,” the prequel play to the popular Netflix series, looks to be headed to the Great White Way after debuting in London.

Broadway World was the first to report that equity casting notices were posted on Thursday seeking New York City-based actors and stage managers for the show with a 2025 start date. There is no venue specified yet for the show. Oscar-nominated filmmaker Stephen Daldry is listed as the director of the New York City production.

“Stranger Things: The First Shadow” was written by Kate Trefry, from an original story by the Duffer Brothers, Jack Thorne and Trefry. The play debuted at the Phoenix Theatre on the West End on Nov. 17, 2023 in previews, with an official opening date of Dec. 14, 2023. Daldry also directed the West End version….

(12) MOST-WATCHED OSCAR WINNING FILMS. JustWatch has published a new report covering the most popular Best Picture winners. JustWatch wanted to see if tastes have shifted to more modern titles, or if the classics have had a lasting impact on audiences. They ranked all of the Best Picture winners since the first Oscars ceremony in 1929. 

Key Insights: Modern titles like “Everything Everywhere all at Once” and “Parasite” ranked highest in our study. Meanwhile, classic titles like “Titanic” and “Forrest Gump” managed to break into the top 10. The genres of the top 10 varied between thrillers, dramas, and even one romance.  

We created this report by comparing the Best Picture Oscars winners from 1929-2023. JustWatch Streaming Charts are calculated by user activity, including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

(13) SUCCESSFUL NETFLIX SFF LAUNCHES? JustWatch has also assessed how well three of Netflix’ anime live action remakes did right out of the gate.

Netflix has seen a lot of success with this format, and as their latest production, Avatar: The Last Airbender, is probably their most anticipated release to date, we wanted to see how it stacked up against previous attempts. 

Developments relevant to this report include Netflix’s release of Avatar: The Last Airbender and One Piece’s second season announcement in September 2023.

Key Insights:

  • Death Note topped the charts in almost 3x more countries than One Piece, and 10x more than Avatar: The Last Airbender 
  • Avatar has an above average rating, but by far the least ‘successful’ launch
  • One Piece had a lower popularity score, but the highest rating out of all three titles

(14) FLOOD WARNING US. [Item by SF Concatenation’s Jonathan Cowie.] My reportage of the coastal flood risk to US homes yesterday was a bit dry as I jumped straight to the research paper. This is what comes of speed scanning the electronic version of the journal.  When I got home and saw the paper edition, I found its cover story was that very research and it came with a far more readable descriptor…

The cover shows homes under threat from rising sea levels in Summer Haven, Florida. In this week’s issue, Leonard Ohenhen and colleagues suggest that a considerable amount of land in 32 US coastal cities could be at risk of flooding by 2050. Combining models of changes in land elevation with projected rises in sea levels, the researchers estimated the flooding risk in the cites, including Boston, New Orleans and San Francisco. They note that a combination of coastal subsidence and rising sea levels could put an additional 1,006–1,389 km2 of land at risk of flooding by 2050, which could affect up to 171,000 properties. As a result, they call for improvements to flood defences and subsidence control to bolster current coastal protection.

The original research is here.

(15) TWO, COUNT ‘EM, TWO! [Item by SF Concatenation’s Jonathan Cowie.] “TWO Earth-like planets found in the HABITABLE ZONE (just 6% bigger than Earth!)”. This news has been covered elsewhere, but Dr Becky (Smethurst)   — the Oxford U. based astrophysicist — is rather good. Her YouTube channel has just shy of three-quarter of a million subscribers and — thanks to YouTube income has just moved house…

The holy grail of exoplanets research is to find an Earth-like planet in the habitable zone around its star (where it’s not too hot and not too cold for life to exist) and then study its atmosphere with the James Webb Space Telescope (JWST) to determine if life is present there. But to do that, we have to find these planets first. This is where the TESS mission comes in; this month a research paper was published claiming to have found TWO possible Earth-like planets in the habitable zone. The hope is that we can use JWST to study at least one of them.

(16) VIDEO OF THE DAY. From the Late Show, “Is ‘Dune’ A Perfect Movie? Neil deGrasse Tyson And Stephen Colbert Agree To Disagree”. The Hollywood Reporter tells some of the things they disagree about in “Neil deGrasse Tyson, Stephen Colbert on Dune 2 Sandworms Accuracy”. Because Neil is like your fannish friend who knows why the movie you love is impossible!

…Tyson explained that the film takes place in the sand dunes on the planet of Arrakis. The dunes are home to massive, very hungry sandworms that will appear wherever a thumper — a device that sends repeated vibrations through the sand — is placed.

“Somebody didn’t do the research on that,” he stated. When Colbert asked if that’s because that’s not how sandworms — which are fictional creatures — actually behave, Tyson said, “I’m saying you can’t thump sand.”

He noted that if someone hits sand repeatedly, it’s not audible because it’s sand. “You can’t hear it, but a sandworm can. They hear things differently than we do, Neil Tyson,” Colbert retorted, jokingly. “If you wanted to insulate yourself acoustically from your surroundings, fill the volume with sand,” the astrophysicist responded. “No one will hear you. I’ve got to let it go because there’s no movie without it.”…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Robin Anne Reid, Ryan H., Joseph T. Major, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/9/24 Our Pixels Now Are Ended, These Our Filers As I Forescrolled You, Were All Fifths

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(1) SUBSTACK MANAGEMENT CLAIMS THERE WILL BE ACTION. Casey Newton has told readers of his Substack newsletter Platformer that “Substack says it will remove Nazi publications from the platform”. Apparently that really isn’t so broad an outcome as it sounds — as Robin Anne Reid says in the “fixed that for you” title of her own piece, “Substack will remove [some] Nazi publications”.

Newton’s Platformer post says:

…The company will not change the text of its content policy, it says, and its new policy interpretation will not include proactively removing content related to neo-Nazis and far-right extremism. But Substack will continue to remove any material that includes “credible threats of physical harm,” it said.

In a statement, Substack’s co-founders told Platformer:

“If and when we become aware of other content that violates our guidelines, we will take appropriate action. 

“Relatedly, we’ve heard your feedback about Substack’s content moderation approach, and we understand your concerns and those of some other writers on the platform. We sincerely regret how this controversy has affected writers on Substack. 

“We appreciate the input from everyone. Writers are the backbone of Substack and we take this feedback very seriously. We are actively working on more reporting tools that can be used to flag content that potentially violates our guidelines, and we will continue working on tools for user moderation so Substack users can set and refine the terms of their own experience on the platform.”

Substack’s statement comes after weeks of controversy related to the company’s mostly laissez-faire approach to content moderation.…

McKenzie also wrote that “we don’t like Nazis either” and said Substack wished “no-one held those views.” But “we don’t think that censorship (including through demonetizing publications) makes the problem go away,” he wrote. “In fact, it makes it worse. We believe that supporting individual rights and civil liberties while subjecting ideas to open discourse is the best way to strip bad ideas of their power.”

The statement seemed to be at odds with Substack’s published content guidelines, which state that “Substack cannot be used to publish content or fund initiatives that incite violence based on protected classes.”

In its aftermath, several publications left the platform. Others, including Platformer, said they would leave if the company did not remove pro-Nazi publications.

Meanwhile, more than 100 other Substack writers, including prominent names like Bari Weiss and Richard Dawkins, signed a post from writer Elle Griffin calling on Substack to continue with its mostly hands-off approach to platform-level moderation….

(2) 3 BODY PROBLEM. Netflix dropped the 3 Body Problem official trailer today. The series begins streaming on March 21.

From multiple Emmy Award-winning creators David Benioff and D.B. Weiss (Game of Thrones), and Emmy-nominated Alexander Woo (The Terror: Infamy, True Blood) comes 3 Body Problem, a thrilling story that redefines sci-fi drama with its layered mysteries and genre-bending high stakes. Based on the acclaimed, international bestselling book trilogy, The Three-Body Problem. A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes five former colleagues reunite to confront the greatest threat in humanity’s history.

(3) A CAREER REIGNITED. Vincent DiFate shared the distilled wisdom gained from years as a working artist with Facebook readers:

I’ll second what Bill and David [Passalaqua] had to say about life as a working illustrator, but for me this is, I believe, my 57th year at it. I lost my love for making art almost from the moment my freelance career began–long hours creating art and solving the visual problems for sometimes truly unreadable and non-visual novels (mercifully few of them, though), dealing with editors and art directors with no feel for the SF genre or any visual acumen to speak of; and then there was always the letdown of seeing the personally unsatisfying results of my efforts. But after years of feeling unfulfilled I entered Murray Tinkelman’s graduate program at Syracuse University. I’d been teaching in. the program along such luminaries of the field as Chris Payne, Dave Pasalaqua and, of course, Murray himself, who was my best friend, and I saw how transformative the program could be.

On my first day in Dave Pasalaqua’s drawing class Dave came up to me and he said, Vin, you’ve got the best eye of anyone I’ve ever taught, but you’ve forgotten one thing–you’ve forgotten that making art is supposed to be fun. It was like being struck by lightning. In that moment, with that revelation, it brought me back to the memories of the days when I was a kid and couldn’t wait to get home to pick up the brush and start making art again. Dave’s sage remark was spoken to me some 25 years ago.

The down side is that I’ll never be as good an artist as I’d like to be, but now I look at every commission as a new opportunity to try and meet that goal. And I’ve learned to forgive myself for not being perfect.

(4) TOR.COM WILL REBRAND. “Tor.com To Become Reactor, Debut New Site, On January 23rd” the online magazine has announced. And Reactor’s redesigned website will be at this URL: www.reactormag.com on January 23.

Since its founding in 2008, Tor.com has become a leader in coverage of science fiction and fantasy books and popular culture, with over 3 million visits per month. As an online magazine, Tor.com has won countless awards and has been the Locus Award winner for Best Magazine for 7 years running. In addition to its coverage of all things SFF, the site is also home to an award-winning short fiction program, which has published works by Seanan McGuire, E. Lily Yu, N.K. Jemisin, and scores of first-time authors, and which have gone on to win several Hugo Awards, Nebula Awards, and World Fantasy Awards.

The site has been publisher agnostic since its founding, and the new name will reflect its independence from Tor Publishing Group. The short fiction program will continue under the Reactor name, and in addition to the daily commentary on science fiction, fantasy, and related subjects that readers have come to expect, the site will also now cover all aspects of genre, including horror, romance and and more, from a wide range of writers from all corners of the genre world, creating a true pop culture destination.…

(5) BABY YODA, BIGGER THAN EVER. Grogu is getting a movie: “’The Mandalorian & Grogu’ Star Wars Movie Coming From Jon Favreau” reports Variety.

Baby Yoda is headed to the big screen.

Jon Favreau is directing a new “Star Wars” movie, titled “The Mandalorian & Grogu.” It will go into production later this year.

Favreau created the Disney+ series “The Mandalorian,” which follows a helmet-wearing bounty hunter (played by Pedro Pascal) who starts the show on the run to protect a young, adorable alien named Grogu, better known by fans as Baby Yoda. It is unclear where the upcoming film will fit into the timeline of the live-action series, which has aired three seasons and is currently in development on the fourth….

(6) TRACY TORMÉ (1959-2024). TV and film writer Tracy Tormé, son of singer Mel Tormé, died January 4 at the age of 64. The Hollywood Reporter notes he co-created the 1990s series Sliders and was hand-picked by Gene Roddenberry to serve as the head writer on Star Trek: The Next Generation.

…Tormé also was a writer on Saturday Night Live during its eighth season (1982-83); wrote and produced with Travis Walton the fantasy drama film Fire in the Sky (1993), starring D.B. Sweeney and Robert Patrick; and was a consultant on the acclaimed Robert Zemeckis sci-fi drama Contact (1997)….

On the first two seasons (1987-89) of Star Trek: The Next Generation, Tormé wrote the episode “The Big Goodbye,” which went on to receive a Peabody Award — the only episode of any Star Trek series to win one of those — and was instrumental in the use of the Holodeck as the show’s centerpiece. He also served as an executive story editor and creative consultant before departing.

Sliders, which starred Jerry O’Connell, John Rhys-Davies and Cleavant Derricks, revolved around a group of characters who travel (or “slide”) between different Earths in parallel universes. The series, which Tormé created with Robert K. Weiss, ran for five seasons from 1995-2000 on Fox and the Sci-Fi Channel. (He left amid creative differences with network executives during the third season.)…

Tormé also was a writer for the rebooted The Outer Limits in 1998-2002; a writer and producer on the 1992 CBS sci-fi miniseries Intruders, the 2002-04 Showtime sci-fi series Odyssey 5 and the mythological 2003-05 HBO series Carnivàle; and a producer on the 2020 documentary The Phenomenon.

Plus, he wrote the screenplay for Spellbinder (1988), starring Tim Daly and Kelly Preston….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 9, 1931 — Algis Budrys. (Died 2008.) I usually can’t remember the cover art for a novel I read some fifty years ago but I remember that for Rogue Moon (1960) by Algis Budrys. It was the Equinox / Avon edition of 1974 with the cover illustration by William Maughan I picked up on some newsstand in those days when newsstands still existed and they had SF novels to purchase along with comics and zines such as Amazing and If.  I’ll get nostalgic later…

It was the first work I read by him. It was quite good. I see it was nominated for a Hugo at Seacon, the year A Canticle for Leibowitz won.  It was by no means his first publication as that goes to “The High Purpose” which been printed in Astounding in 1952, the year he started as editor and manager for such publishers as Gnome Press and Galaxy Science Fiction. 

Between 1965 and 1961, he had two short stories, a novelette and two novels nominated for Hugos. None would win.

I’ve read three of his novels in total, the others being Some Will Not Die and Who? Both of them were well worth my reading time as well. I caution that I’ve not re-read any of these in thirty years so I don’t how well the Suck Fairy would react to them now. 

He was extremely prolific with his writing of short stories, penning well over a hundred. I’ve read enough of them to say he had a deft hand at this story length. So after the early Sixties, he wrote far less fiction and worked in publishing, editing, and advertising to make a much better living.  He edited morrow Speculative Fiction magazine from 1993 to 2000. It was nominated for a Hugo at ConAdian and the next year at Intersection. Alas he did not win.

He’s best known I think for his F&SF book columns that ran for almost forty years starting in 1975. I know that I looked forward to them immensely. They’re collected in Benchmarks Continued, Benchmarks Revisited and Benchmarks Concluded. There’s also Benchmarks: Galaxy Bookshelf which collects his columns there. 

And let’s not overlook A Budrys Miscellany: Occasional Writing 1954-2000 which collects some of his fanzine writings.

Algis Budrys. Photo by and (c) Andrew Porter.

(8) HAUL DOWN THE FLAG. This ship is headed for mothballs says Variety: “’Our Flag Means Death’ Canceled After Two Seasons at Max”.

“Our Flag Means Death” has been canceled at Max.

The pirate comedy aired two seasons at the streamer. The series originally debuted in March 2022, with the second season launching in October 2023….

…The series is said to be very loosely based on the real adventures of 18th century pirate Stede Bonnet, played by Darby. The Season 2 logline reads, “After trading the seemingly charmed life of a gentleman for one of a swashbuckling buccaneer, Stede became captain of the pirate ship Revenge. Struggling to earn the respect of his potentially mutinous crew, Stede’s fortunes changed after a fateful run-in with the infamous Captain Blackbeard (Taika Waititi). To their surprise, the wildly different Stede and Blackbeard found more than friendship on the high seas…they found love. Now, they have to survive it.”

(9) INTERPRETING ANCIENT SCULPTURE. Yes. Absolutely.

(10) ASTRA TV AWARDS. Variety brings us another slate of awards: “’The Boys,’ ‘Succession’ Land Most Honors at Astra TV Awards”. The winners of genre interest follow:

BROADCAST / NETWORK AWARDS

Best Actor in a Broadcast Network or Cable Drama Series: Pedro Pascal – The Last of Us (HBO)

Best Actor in a Broadcast Network or Cable Comedy Series: Utkarsh Ambudkar – Ghosts (CBS)

Best Supporting Actress in Broadcast Network or Cable Comedy Series: Danielle Pinnock – Ghosts (CBS)

Best Guest Actor in a Drama Series: Nick Offerman – The Last of Us (HBO)

Best Broadcast Network or Cable Animated Series or Television Movie: South Park (Comedy Central)

Best Casting in a Comedy Series: Ghosts (CBS)

STREAMING PROGRAM AWARDS

Best Supporting Actress in a Streaming Comedy Series (Tie): Ayo Edebiri – The Bear (FX on Hulu) and Christina Ricci – Wednesday (Netflix)

Best Streaming Movie: Weird: The Al Yankovic Story (Roku)

Best Writing in a Streaming Limited Series or TV Movie: Weird: The Al Yankovic Story – Al Yankovic & Eric Appel (Roku)

Best Streaming Drama Series: The Boys (Prime Video)

Best Actor in a Streaming Drama Series: Antony Starr – The Boys (Prime Video)

Best Supporting Actor in a Streaming Drama Series: Jensen Ackles – The Boys (Prime Video)

Best Directing in a Streaming Drama Series: The Boys – Nelson Cragg, Herogasm (Prime Video)

Best Writing in a Streaming Drama Series: Star Trek: Picard – Terry Matalas, The Last Generation (Paramount+)

Best Streaming Animated Series or TV Movie: Attack on Titan (Crunchyroll)

Best Fantasy or Science Fiction Costumes: Wednesday (Netflix)

Best Stunts: The Boys (Prime Video)

Best Casting in a Drama Series: The Boys (Prime Video)

Best Casting in a Limited Series or TV Movie: Weird: The Al Yankovic Story (Roku)

(11) COME ON DOWN. [Item by Mike Kennedy.] Seeking more tourism, Lexington KY has done the equivalent of erecting a huge See Rock City sign on the highway. The highway to the TRAPPIST-1 star system, that is. “Scientists Have Formally Invited Aliens to Visit Kentucky” in Gizmodo.

The city of Lexington, Kentucky, appears so tired of being overlooked by humankind that it has sent a formal invitation to the next-best thing: alien life that may or may not exist in a nearby star system.

It’s a tourism stunt, but the message is very real. The invitation, beamed out last fall via infrared laser toward the TRAPPIST-1 star system, is a project by the Lexington tourism bureau (yeah, we’re sending ads to aliens now). According to VisitLEX, they worked with engineers, linguists, and the FAA to make it happen. The target star is 40 light-years from Earth, which means any extraterrestrials that are eager to visit the self-proclaimed Horse Capital of the World will know they are invited in 2063.

…We don’t know that any life, much less intelligent life, actually exists in the TRAPPIST-1 system. Last year, data from the Webb Space Telescope revealed that TRAPPIST-1b, one of the exoplanets orbiting TRAPPIST 1, has no atmosphere. Because life as we know it needs an atmosphere to survive, that all but confirmed there is no potential for life on TRAPPIST-1b. Webb followed up that discovery with the finding that there is also no atmosphere—or at most, a thin one—on planet TRAPPIST-1c. Luckily for the VisitLEX team, the TRAPPIST system has five other exoplanets that could theoretically host civilizations capable of interpreting their invitation….

(12) ON YOUR SCREENS. JustWatch has shared its December 2023 rankings for film and TV streaming. (Click for larger image.)

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 1/5/24 Scroll, Muse, of the Pixels of the Filers

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(1) FREE ON EARTH. Brian Keene has posted the program schedule for “Christopher Golden’s House of Last Resort Weekend (hosted by Brian Keene)” a FREE horror convention, taking place January 18 – 21, 2024 at the Sheraton Portsmouth Harborside Hotel, 250 Market St., in Portsmouth, NH 03801.

Admission is FREE with weekend hotel room reservation.  Click here to register for this FREE one-time event. Click here to reserve your hotel room.

The “House of Last Resort Weekend Schedule” is at Brian Keene’s blog. Apparently, if you’re going, you really really should not miss Opening Ceremonies.

7:00pm (Prescott) – Opening Ceremonies: Christopher Golden and host Brian Keene welcome you to this one of a kind, once in a lifetime special event. We’ll go over the rules, the purpose of the weekend, the schedule, and much more. Attendance is strongly encouraged, and to show you that we mean this, we’ll give away free door prizes to random individuals.

(2) APPLY FOR THE BOSE GRANT. The Speculative Literature Foundation is taking applications for the A.C. Bose Grant for South Asian Speculative Literature through January 31.

The A.C. Bose Grant annually provides $1,000 to South Asian or Desi diaspora writers developing speculative fiction. Work that is accessible to older children and teens will be given preference in the jury process. 

This grant, as with all SLF grants, is intended to help writers working with speculative literature. Speculative literature spans the breadth of fantastic writing, encompassing literature ranging from hard science fiction to epic fantasy, including ghost stories, horror, folk and fairy tales, slipstream, magical realism, and more. Any piece of literature containing a fabulist or speculative element would fall under our aegis.

This grant is awarded on the basis of merit. If awarded the grant, the recipient agrees to provide a brief excerpt from their work and an autobiographical statement describing themselves and their writing (500-1,000 words) for our files and for public dissemination on our website and mailing list.

The application form is at the SLF website.

(3) MATCH GAME. Nick Johnson thought of a great way to spice up his annual recommendation list: “Reading (and Publication!) Round-Up for 2023” at Medium.

I’m choosing to do my year-end wrap-up a little differently this time. Whereas before I separated out novels and short stories to highlight the best of both, for 2023 I present instead a curated, tandem list — a prix fixe menu, if you will. I’ve listed each book in the order I read it, complete with brief description and a rating (out of 5 ★s).

Each novel is paired with a short story. Why? Because short stories don’t get enough love! Think of them as palate cleansers, digestifs to follow the main course. Some of these pairings are based on similarities between concepts or characters. Sometimes they approach similar themes from divergent angles. Whatever the reason may be, if you choose to read them, I hope they take you on rewarding journeys to emotional places you don’t expect.

Here’s one example.

A Wizard’s Guide to Defensive Baking, by T. Kingfisher (★★★★)

T. Kingfisher’s solid young-adult fantasy novel follows Mona, a baker’s apprentice skilled in crafting magical golems out of baked goods, whose life is turned upside down when she finds a dead body on the floor of her bakery. Hijinks, both harrowing and heartwarming, ensue.

Pairing: “There’s Magic in Bread” | Effie Seiberg | Fantasy MagazineSeiberg’s story about magical bread is more grounded to this plane, though sneaks in some grain-based golems for good measure.

(4) WHAT SHE’S READING. Maud Woolf features in the “Books & Authors” section of “Shelf Awareness for Friday, January 5, 2024”.

Reading with… Maud Woolf

Maud Woolf is a speculative-fiction writer with a particular focus on horror and science fiction who lives in Glasgow, Scotland. Her work has appeared in a variety of online magazines. She’s worked a number of jobs, including waitressing, comic book selling, sign-holding, and as a tour guide at a German dollhouse museum. She is the author of Thirteen Ways to Kill Lulabelle Rock (Angry Robot, January 9, 2024), a feminist satire on celebrity and the multiple roles into which women are forced to squeeze their lives.

On your nightstand now: 

I have a bad habit of dipping in and out of multiple books at the same time. At the moment, I’m obsessed with solarpunk, so I’m reading A Psalm for the Wild-Builtby Becky Chambers and Glass and Gardens, an anthology of solarpunk stories edited by Sarena Ulibarri. Those have both just been abandoned in favour of The Forever Warby Joe Haldeman, a science-fiction classic influenced by the author’s own experiences in the Vietnam War. I usually avoid military sci-fi, but it’s completely consumed me.

(5) FRED CHAPPELL (1936-2024.) North Carolina writer and teacher Fred Chappell died January 4 at the age of 87. The Greensboro News and Record has a tribute here: “Fred Chappell, acclaimed author and poet, has died”.

His first novel, Dagon (1968) was honored as the Best Foreign Book of the Year by the Académie Française. He won two World Fantasy Awards for short fiction, “The Somewhere Doors” (1992) and “The Lodger” (1994). His short story “The Silent Woman” was also shortlisted for the Otherwise Award in 1997.

He was a past Poet Laureate of the state of North Carolina, and PBS North Carolina aired a documentary about him in 2022, “Fred Chappell: I Am One of You Forever”.

(6) JOHN F. O’CONNELL (1969–2024.) [Item by Cat Eldridge.] Author John O’Connell died January 1. His “Legerdemain” got him nominations for the Shirley Jackson and World Fantasy Awards. Two of his stories, “Legerdemain” and “The Swag from Doc Hawthorne’s” were published in F&SF. His only Award was an Imaginaire for his Dans les limbes, the French translation of The Resurrectionist novel. All three of his noirish linked novels, Box Nine, Skin Palace and Word Made Flesh are set in the fictional New England city of Quinsigamond, loosely based on his own resident city of Worcester, Massachusetts.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 5, 1966 — Tananarive Due, 57. This Scroll I’m very pleased to be looking at Tananarive Due, an author whose work is definitely more focused towards the noir side of our genre. 

She’s a native Floridian, born of civil rights activist Patricia Stephens Due and civil rights lawyer John D. Due, her mother named her after the French name for Antananarivo, the capital of Madagascar.  She’s married to Steve Barnes, and they live now in LA where their two children also live. 

Tananarive Due

Her first work was The Between, published twenty-eight years ago. It was nominated for a Bram Stroker Award. Like much of her work, it straddles the thin line between the mundane and horror quite chillingly. 

Shortly after that, she started the dark fantasy and a bit soap operish African Immortals series which ran over almost fifteen years and four novels. An Ethiopian family traded something away well over four centuries ago in a ritual that granted them true immortality. And one of them wants to invoke that ritual now… 

Eight years later, she’d write The Good House, one of the scariest haunted house stories I have ever encountered. Trigger warning: it deals with a suicide and the horror of it is very real here. 

Joplin’s Ghost followed shortly thereafter. Yes this is centered around the ragtime musican Scott Joplin and his haunting of a young female hip hop artist. It’s less of a horror novel than her works and more of a dark fantasy. Very well done.

Ghost Summer: Stories a decade on collected eighteen of her over thirty excellent short stories including the title story. Most of the rest, though not all, are in The Wishing Pool and Other Stories. The “Ghost Summer” story won a Carl Brandon Kindred Award and I love the story about who Carl Brandon is! The collection garnered a BFA. 

Her latest novel just out, The Reformatory: A Novel, is set in a Jim Crow Florida reformatory where the full horrors of the injustices of racism known no bounds of death. Really, really scary. 

Her quite well-crafted website can be found over here. She offers online courses including ones on Afrofuturism.

(8) COMICS SECTION.

  • Crankshaft surprises a friend by dropping an sff reference.

(9) KNOW YOUR VERBIAGE. Janet Rudolph has posted a chart of “Commonly Misused Words” at Mystery Fanfare. And in a comment Hal Glatzer has added this example:

Gauntlet = a heavy glove Gantlet = a double row of men with swords or pikes

You challenge someone to a duel by “throwing down the gauntlet.”
You put someone in danger by making them “walk (or run) the gantlet.”

(10) YEOH SHOW CANCELLED. American Born Chinese had a lot going for it – based on a Gene Luen Yang book, a cast including Michelle Yeoh and Ke Huy Quan – but it won’t be back for a second season says Variety: “’American Born Chinese’ Canceled After One Season at Disney+”.

“American Born Chinese” has been canceled after one season at Disney+, Variety has learned.

According to an individual with knowledge of the decision, Disney was high on the creative of the series, but its viewership did not justify greenlighting a second season. The producers plan to shop the series to other outlets.

“American Born Chinese” debuted on Disney+ on May. The Disney Branded Television series was based on the graphic novel of the same name by Gene Luen Yang. The official logline states that the show “chronicles the trials and tribulations of a regular American teenager whose life is forever changed when he befriends the son of a mythological god.”

(11) WHO’S WATCHING WHAT? JustWatch sent along its 2023 Market Shares data and graphics.

SVOD market shares in Q4 2023
In the final quarter of the year, Disney’s streaming services, Disney+ and Hulu, combined gathered more shares than current market leader Prime Video. Meanwhile, Netflix is approaching Prime Video with just a 1% difference between the two players.

Market share development in 2023
Over the year, the streaming battle in the US displayed interesting changes with Paramount+ leading with the highest increase since January, adding a total of +2%. Global streamer: Apple TV+ also displays strong improvement with a +1% increase.

(12) I’VE LOOKED AT CLOUDS FROM BOTH SIDES NOW. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Science journal we have “Magellanic cloud may be two galaxies, not one”.

The Small Magellanic Cloud (SMC), a hazy blob in the night sky easily visible to people in the Southern Hemisphere, has long been considered a lone dwarf galaxy close to the Milky Way. But a study posted online this month, and accepted by The Astrophysical Journal, suggests the familiar site is not a single body, but two, with one behind the other as viewed from Earth.

By tracking the movements of clouds of gas within the SMC and the young stars recently formed within them, astronomer Claire Murray of the Space Telescope Science Institute and her colleagues have found evidence of two stellar nurseries thousands of light-years apart. If confirmed, the reassessment will likely amplify calls from an increasing number of astronomers to change the SMC’s name and that of its neighbour, the Large Magellanic Cloud (LMC).

Sixteenth century Portuguese explorer Ferdinand Magellan, after whom the galaxies are named, was not an astronomer, did not discover them, and is recorded as having murdered and enslaved Indigenous people during his first-ever circumnavigation of the globe. As a result, astronomer Mia de los Reyes of Amherst College called for renaming the SMC and LMC in an opinion piece for Physics magazine in September. The idea has since “gotten a lot of informal support,” she says.

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] In “Three Sci-Fi Books Nobody Reads Anymore”,  Book Pilled looks at three lost SF treasures.  Gerard Klein The Overlords of War (English translation by the transmazing John Brunner), James Blish’s Vor, and Avram Davidson’s What Strange Stars and Skies.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Joel Zakem, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/8/23 The File Next Time

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(1) BEEP-BEEP. Deadline says the Wile E. Coyote movie might yet escape the tax accounting black hole that the head of Warner Bros. shoved it into. “’Coyote vs. Acme’: Paramount Circling, Amazon Possible Contender For Movie”.

It’s not just Netflix that made a bid for Warner Bros.’ scrapped Coyote vs. Acme. Paramount, Apple and Amazon have seen the movie as well. Of those, Paramount has made a bid, and the plus there is a potential theatrical release. The Melrose lot could use it on the 2024 release calendar. Debt-laden exhibitors would want it, too.

Meanwhile, Amazon is mulling, I’m told, with no formal bid made. First, it takes longer over there to conduct business and get decisions through the proper channels. I also hear that marketing execs are trying to get their heads around the picture (seriously — there’s a lot of action scenes in the movie and hysterical jokes that easily could be used in trailers. I’ve seen the movie. Look out for the Porky Pig pant-less joke)….

(2) DIAGRAM PRIZE.“Danger Sound Klaxon! picks up the Diagram Prize gong” as the “Oddest Book Title of the Year” announced The Bookseller today.

Sound the trumpets, folks, ring the bells and most importantly crank up that old-fashioned noisemaker that goes “a-rooo-gha” for Danger Sound Klaxon! The Horn That Changed History has blown away the competition to win the 45th The Bookseller Diagram Prize for Oddest Book Title of the Year.

The book, in which author Matthew F Jordan charts the “meteoric rise and eventual fall” of the klaxon automobile horn, never fell out of the love with Diagramistas: it garnered 53% of the ballot, the greatest share since the award went to a public vote in 2000, and joins Is Superman Circumcised? (2022), The Joy of Waterboiling (2018) and Cooking with Poo (2011) as the only winners to ever grab a full majority of votes.

There is something of a wholesomeness to this year’s winner as voters have turned away from the slightly naughty and/or scatological tone of recent winners such as the aforementioned Is Superman Circumcised?, plus 2020’s A Dog Pissing at the Edge of a Path: Animal Metaphors in Eastern Indonesian Society and 2019’s The Dirt Hole and its Variations. And there were certainly those kinds of options to choose from on the 2023 shortlist, but Dry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze was a distant second, while early bookies’ favourite I Fart in Your General Direction: Flatulence in Popular Culture barely caused a stink with voters….

(3) GOODREADS REVIEW BOMBING ANALYSIS. Anne Marble provided a friends link to her Medium post “The Latest Goodreads Review Bombing Scandal” about the controversy at the top of yesterday’s Scroll.

…Every bit of information appalled me. Not only was [Cait] Corrain (“allegedly”) hurting other debut authors — she was also accused of downvoting a book from the same publishing imprint as her upcoming book. And books by authors who were with the same literary agency.

Perhaps the worst revelation of all? Corrain was in chat groups with some of the affected authors. Those authors had to be wondering what they’d shared with her in private. Talk about betrayal!

One of the targeted authors, Black author Bethany Baptiste, kept getting harassed on social media over her posts on this scandal. Why are people targeting her and not Cait Corrain?…

(4) STICK TO THE FACTS. Xiran Jay Zhao today posted a trio of videos with their own roundup about the Corrain news story, which counters some of the claims made about this debacle by some articles. 

(5) WHEELS WITHIN WHEELS.. “A Cultural Critique of the Tesla Cybertruck” at Road and Track. This vehicle sounds tailor-made to drive through the World of Null-A

…In the four years since the initial announcement of the Cybertruck and its release, Musk has doubled down on these comments. He has called the Cybertruck “what Bladerunner would have driven” and “the finest in apocalypse technology”. Press videos released by Tesla show entire MP5 magazines emptied into the doors to drive home the body’s bulletproof nature. Musk’s emphasis that the Cybertruck is an “armored personnel carrier from the future” is likely driven by his belief that “the apocalypse could come along at any moment.”

While Musk is, to say the least, well-known for outlandish statements, he does seem to genuinely believe society is on the precipice of a collapse. Over the past decade during his Tesla-fueled rise to prominence, he’s repeatedly expressed concerns that killer robots will threaten humanity in the near future and called artificial intelligence “our biggest existential threat.” His more recent embrace of right-wing rhetoric seems to have only deepened this belief; during a recent trip to the U.S.-Mexico border, he stated that undocumented immigrants will cause “a collapse in social services,” and he believes that falling birthrates—caused, in his view, by birth control and abortion—are a “much bigger risk to civilization than global warming.”…

(6) AND THE WATER BUFFALO YOU RODE IN ON. Sergey Lukyanenko, now on a make-up trip after skipping the Chengdu Worldcon where he was a GoH, posted this photo taken in Beijing.

Sergey Lukyanenko in Beijing.

His appearances are being covered in Chinese social media. Ersatz Culture collected the following daily links. Click through and you should be able to request a computer translation. However, the dates in the translations are not always accurate – such as those with photos of an event dated four days from now.

= 2023-12-01 (Friday) =

* https://weibo.com/6045346855/Nv6xbjqOM
* https://weibo.com/5127624884/Nv7Omw5DD

= 2023-12-02 (Saturday) =

* https://weibo.com/6045346855/NvhKUtInN

= 2023-12-03 (Sunday) =

* https://weibo.com/6045346855/NvrI7Dnll

= 2023-12-04 (Monday) =

* https://weibo.com/6045346855/NvCkMjFwz
* https://weibo.com/6045346855/NvABLdeRJ
* https://weibo.com/1649394251/NvxWndiGJ

= 2023-12-05 (Tuesday) =

* https://weibo.com/6045346855/NvHA2uP5o
  (Refers to a Shanghai event on the 10th)
* https://weibo.com/6386527089/NvGGb164f
  (Refers to an event on the 8th with Baoshu)
* https://weibo.com/1951071703/NvH0h4fbB
  (About the previous day’s event at Sichuan University)

= 2023-12-06 =

Nothing?

= 2023-12-07 (Thursday) =

* https://weibo.com/6045346855/Nw4F6wIcf
* https://weibo.com/1649394251/Nw4uXBANo
* https://weibo.com/1649394251/Nw3FpvNju
* https://weibo.com/1649394251/Nw3yjyJBt
* https://weibo.com/1649394251/Nw3qOAcTA
* https://weibo.com/1649394251/Nw3e6lHHa
* https://weibo.com/1649394251/Nw2Ql1lpX

= 2023-12-08 (Friday) =

(With Baoshu in Beijing)

* https://weibo.com/6045346855/Nwe0rbH4j
* https://weibo.com/1649394251/Nwd6toSk3
* https://weibo.com/1649394251/NwcWUbR9Z
* https://weibo.com/1649394251/NwcJFbue1
* https://weibo.com/1649394251/NwblZhMfn

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 8, 1950 – Rick Baker, 73. He won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. It is one of my favorite horror films bar none. 

Rick Baker

The sequel, An American Werewolf in Paris, which until now I didn’t know existed, was not well received by either critics or fans. Audience reviewers at Rotten Tomatoes give it a seven, let me repeat that, a seven percent rating. 

So what else is he known for? Oh, I’m not listing everything but let’s look at some of his more extraordinary work.

One of his early gigs in the industry was on The Exorcist where he was an uncredited special effects assistant. That happened to him some early in his career as he’s uncredited as a special makeup effects artist on It’s Alive and uncredited as makeup effects on King Kong. More intriguing, he’s uncredited on The Empire Strikes Back even though he was credited on Star Wars. Interesting. 

I think his work on The Incredible Shrinking Woman where he is creator and designer of Sidney, the super-intelligent gorilla, as well as doing the makeup effects and being an actor in it is among his best ever. 

Starman. Oh one of my all-time films. He created and did the Starman transformation. May we give him a round of applause for that that feat?

Oh Beauty and The Beast. It was Baker who designed the stellar makeup that was Vincent. He was responsible for Perlman getting hired based on his previous experiences in prosthetics feeling he’d be a good fit for the role and fought hard for his casting.

I see he was special effects supervisor on the second Gremins films but not the first. 

Which that brings us to Men in Black, certainly we agree a career highly for him where he listed as special makeup effects and alien makeup effects. Cool indeed. 

I’ll finish with his work on Hellboy,  which I need not tell you I’ve watched so many times that I’m memorised it. And no, I’m not going to watch the new Hellboy film. 

(8) COMICS SECTION.

  • Hi and Lois is very educational, just not about the assigned lesson.

(9) HEIRS AND MARVEL AGREE. “Marvel Settles Fight Over Spider-Man, Doctor Strange Rights” – The Hollywood Reporter says the battle is finished.

It looks like Marvel won’t be bringing its battle over the rights to Spider-Man and Doctor Strange into the new year. Attorneys for the company and the estate of Steve Ditko on Wednesday notified the court that they’ve reached an amicable settlement and expect a stipulation of dismissal with prejudice to be filed in the coming weeks.

This all started back in 2021, when Marvel filed a series of lawsuits in response to copyright termination notices from Larry Lieber and the estates of Gene Colan, Steve Ditko, Don Heck and Don Rico. A very long list of characters were at issue, including Iron Man, Captain America, Black Widow, Hulk and Thor. In June, all but one of the matters settled….

(10) TIMEY WIMEY PRESENTS. The Mary Sue has a list of “The Best ‘Doctor Who’ Gifts for Your Favorite Whovian”. Here’s what I need – and don’t forget to fill it with homebaked chocolate chip cookies!

TARDIS cookie jar

(11) AS WITNESSED FROM AUSTRALIA. Bruce Gillespie’s SF Commentary 114 is a free download in both portrait and landscape edition at eFanzines.

Covers by Dennis Callegari. Features Denis Callegari and Jim Burns on the possibilities of AI art; wakes for people much missed (Valma Brown, Lee Harding, and Jenny Bryce); and memories of Helena Binns, who left us recently, including her fannish autobiography. Rich Horton remembers Cordwainer Smith’s first story; C. June Wolf conducts the final interview with Michael G. Coney; and Kim Huett describes the unique problems of SF readers in Australia during World War II. Book reviews are by regular Colin Steele; and Anna Creer joins SFC with her Crime File.

If you missed out on No. 113, it also is at eFanzines.

(12) GENE-EDITING ANSWER FOR SICKLE CELL. “FDA approves first genetic treatments for sickle cell disease : Shots” – NPR has the story.

…In a landmark decision, the Food and Drug Administration Friday approved the first gene-editing treatment to alleviate human illness.

The FDA approved two gene therapies for anyone 12 and older suffering from the most severe form of sickle cell disease, a brutal blood disorder that has long been neglected by medical research.

The decisions are being hailed as milestones for treating sickle cell and for the rapidly advancing field of gene therapy, which is stirring excitement for treatment of many diseases….

… For the CRISPR treatment, which was developed by Vertex Pharmaceuticals and CRISPR Therapeutics, both in Boston, doctors remove cells from each patient’s bone marrow, edit a gene with CRISPR and then infuse billions of the modified cells back into patients.

The edited cells produce a form of hemoglobin known as fetal hemoglobin, restoring normal function of red blood cells. While not a cure for the disease, the hope is the therapy, brand name Casgevy, is designed to be a one-time treatment that will alleviate symptoms for a lifetime.

In data presented to the FDA, the treatment resolved the severe pain crises for at least 18 months for 29 of the subjects — 96.7%. The treatment has produced similar results for patients suffering from a related condition known as beta thalassemia.…

(13) THE TOP 10 MOVIES & TV SHOWS IN 2023. JustWatch finds this year’s movie streaming charts are dominated by titles available on Netflix and Disney+. Netflix secured rank #1 (The Super Mario Bros. Movie) and #2 (Spider-Man: Across the Spider-Verse) while Disney has the most original titles in the Top 10, including The Little Mermaid, Avatar: The Way of Water and Guardians of the Galaxy Vol. 3.

Interestingly, the three major streaming services (Netflix, Prime Video, Disney+) are not represented in the top 3 TV shows. Instead, this year’s podium belongs to MAX (The Last of Us), Peacock (Yellowstone) and AppleTV+ (Ted Lasso). [Based on a press release.]

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Anne Marble, Ersatz Culture, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]

Pixel Scroll 11/3/23 Scrolled Things Are aFiled At The Pixel K

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(1) GAHAN WILSON TV. Episode One of Gahan Wilson’s Tales of Horror TV series debuted on Halloween at GahanWilson.net where it is streaming exclusively.  They will be premiering one or two new episodes each month for the next two years. Episode One is “Phyllis” starring Bourke Floyd and Rachel Alig.

CHATGPT LOVES MY BOOK. [Item by Francis Hamit.]

STARMEN, A blended genre story merging Apache myths, witchcraft, science fiction, fantasy, history, detective, espionage, politics, and romance in a captivating narrative.

Had a conversation with ChatGPT that resulted in that promotional blurb.:  Now I know a bit about AI from covering it during my trade magazine journalism career and my experiments with Artspace.ai.  Any conversation with ChatGPT trains it to serve your needs but the “captivating narrative” bit at the end threw me for a bit.  It seems almost human, doesn’t it, as if it has read the book.

So was that just a lucky accident or could the ChatGPT program have done this? Could it have reached into my computer and read my novel and then compared it to the thousands of other novels and their reviews that have been uploaded to its massive database?  And now makes a value judgement like that?

It could do so in a nanosecond. There is an excerpt on Amazing Stories and other reviews of my other work online and several other books of mine in the Cloud at AWS..  

Will ChatGPT become a literary arbiter because it will always know more than humans do.  (And whose fault is that?  We trained it.)  I suspect that a ChatGPT review may become a default item for book promotion. I’m certainly going to use this just to see if it has any influence.

Two things; ChatGPT is also trained to be very polite so negative reviews are unlikely and a new book is now expected to get dozens of reviews from a variety of  sources; publications, book bloggers, Book Tok influencers, etc. So it will not displace any human reviewer but be just another data point.

(3) MIKE ALLEN Q&A. West Virginia Public Broadcasting interviews writer, editor and publisher Mike Allen about “Sci-fi, Horror And Ghosts In Western Virginia”.

… Adams: I’m curious as to what you see when you look at Appalachia. What’s it look like from your perspective in the sci-fi/fantasy/horror world?

Allen: So here’s an interesting thing for me: Roanoke is unique. Some of it, I think, actually goes back to Nelson Bond having been based here, who was extremely active in the 1930s and ‘40s and ‘50s in the magazine scene that existed at that time. Writers like Sharyn McCrumb were making Roanoke, or at least the Roanoke region, their home base. Roanoke has this very robust culture for celebrating its writers, regardless of what they write. Those of us who are based here like myself, like Rod Belcher, who writes under the name R.S. Belcher, or Amanda McGee, who’s an up-and-coming writer whose work is definitely Appalachian and has a bit of witchery involved, we’ve experienced the benefit of that.

There’s no way for me to kind of sweepingly talk about everybody with an Appalachian connection. But there are some I do want to mention. Nathan Ballingrud, who lives in Asheville, is a horror writer who’s had some really high profile things happen lately. His first short story collection, “North American Lake Monsters,” was adapted into the Hulu series, “Monsterland.” The title story in that book, he considers to be an Appalachian story. I mentioned Rod Belcher whose novels have events in West Virginia and the Carolinas. Manly Wade Wellman might be the classic Golden Age writer who’s most associated with the Appalachians. He has a series of stories about John the Balladeer, or Silver John, who is a gentleman who has a guitar strung with silver strings. He wanders through this magical realist version of the Appalachian Mountains and has encounters that are very much based on Appalachian folklore….

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.] Today’s updates are briefer than planned, as I’ve been working on some other stuff, which might make it into tomorrow’s update.

Photos and video from the Iain M. Banks panel

This Weibo post has some photos from, and a brief write-up of, the Iain M. Banks panel.  (A translated edition of Look to Windward has just been released in China.)

The same person also posted a subtitled video of a 7-minute clip from a Sky documentary, which seems like it was maybe shown during the panel.

YouTube report from the con

I’ve only briefly skimmed this subtitled 19-minute video about the con, so I don’t know how worth watching it is.  The source seems to be a reporter who normally covers Silicon Valley and the tech industry, so there’s a fair bit of stuff about the “businessy” panels as well as things more likely to be of interest to Filers.  There’s a bit of footage from the panel/presentation Nnedi Okorafor was on.

Group photos from the con

It’s not clear to me if the person who posted this image gallery to Xiaohongshu was a volunteer or some other member of the con team, but some of the faces seen in the photos will be recognizable to Filers.

From the Three-Body Problem event
Chengdu Science Fiction Association Annual Meeting

(5) SFWA RESPONDS TO GOVERNMENT CALL FOR COMMENTS ON AI. SFWA has posted the text of a letter the organization sent to the US Copyright Office about artificial intelligence – “SFWA Comments on AI to US Copyright Office” at the SFWA Blog.

On October 30, the SFWA Board and the SFWA Legal Affairs Committee sent the following letter to the US Copyright Office in response to their August 2023 Notice of Inquiry regarding copyright law and policy issues in artificial intelligence, which is part of their AI Initiative….

Quoting from the letter:

… it is with much regret that we cannot yet speak in favor of using AI technology in the business of creating art.

The current crop of artificial intelligence systems owes a great debt to the work of creative human beings. Vast amounts of copyrighted creative work, collected and processed without regard to the moral and legal rights of its creators, have been copied into and used by these systems that appear to produce new creative work. These systems would not exist without the work of creative people, and certainly would not be capable of some of their more startling successes. However, the researchers who have developed them have not paid due attention to this debt. Everyone else involved in the creation of these systems has been compensated for their contributions—the manufacturers of the hardware on which it runs, the utility companies that generate their electrical power, the owners of their data centers and offices, and of course the researchers themselves. Even where free and open source software is used, it is used according to the licenses under which the software is distributed as a reflection of the legal rights of the programmers. Creative workers alone are expected to provide the fruits of their labor for free, without even the courtesy of being asked for permission. Our rights are treated as a mere externality.

Perhaps, then, creative workers uniquely benefit from the existence of these artificial intelligence systems? Unfortunately, to date the opposite has been the case: SFWA has thus far seen mainly harm to the business of writing and publishing science fiction and fantasy as a result of the release of AI systems.

For example, short fiction in our genres has long been recognized as a wellspring of the ideas that drive our work as well as inspiring works in film, games, and television. Writers in our genres rely on a thriving and accessible landscape, which includes online and paper magazines. Part of the success of these publications depends on an open submission process, in which writers may submit their stories without a prior business relationship. This has frequently served as a critical opportunity for new and marginalized authors to have their voices heard.

Over the last year, these venues, particularly the ones that pay higher rates for stories, have been inundated with AI-written stories. The editors uniformly report that these submissions are poorly conceived and written, far from being publishable, but the sheer volume materially interferes with the running of these magazines. Once submission systems are flooded with such content, it takes longer to read and reject a submission than it took someone to have an AI produce it in the first place. Every submitted work must be opened and considered to verify that the writers for whom the system was originally designed are not missed or forgotten….

(6) JOANNA RUSS. LitHub provides readers with “Everything You Need to Know About Groundbreaking Queer Feminist Science Fiction Writer Joanna Russ”.

…Eventually Russ would find a way to channel that disjunction into a remarkable body of literature, including the revolutionary novel The Female Man (1975).

That novel and a selection of other novels and stories by Russ have now been collected and reissued by the Library of America. Not long ago, I sat down with the volume’s editor, Nicole Rudick, to talk about Russ’s life, work, and her reputation as one of the fiercest critics ever to write about science fiction.

… JM: Let’s talk about Russ’s development as a writer. She grew up in New York, went to Cornell. She studied with Nabokov, correct?

NR: True, though I think it’s a little overstated. She studied with him in her last year at Cornell and dedicated “Picnic on Paradise” to him and to S.J. Perelman, but I think she came to feel a little silly about that. She named them both as stylistic influences, and she and Nabokov certainly share a metafictional approach, but she talked a lot more throughout her life about George Bernard Shaw.

She grew up loving science, and was a top 10 finalist in the Westinghouse Science Talent Search in 1953. She graduated high school early, and then went to Cornell and switched over to literature. She said that she came out to herself as a lesbian privately when she was a kid and went right back in because she had no models. She didn’t feel that it was real, that it could be done. And that continued at Cornell, where things were pretty traditional in terms of gender roles. And then she went to Yale and studied playwriting but found that she was not very good at it. When she returned to New York, she worked odd jobs, did some theater work, and made some adaptations for radio at WBAI. She was also writing stories and publishing them in little journals and SF magazines.

In the late 60s, she started writing stories about Alyx. She said it was the hardest thing she ever did in her life, to conceive of a tough, independent female protagonist and get it on the page. Feminism was not widespread in the United States at that moment and Russ wasn’t involved in consciousness-raising groups or anything like that, so it was a solitary time to be writing these sorts of things. But they did well. Picnic in Paradise, her novella about Alyx, won a Nebula Award. And then in ‘67, she was back at Cornell, as a teacher, and in ‘69, there was a colloquium on women in the United States organized by the university in the intercession period—Betty Friedan and Kate Millett and a bunch of other panelists talking about sexuality, race, and why women see each other the way that they do. They approached these issues as social problems, not individual problems. Russ was there, and her description of it is so funny—“Marriages broke up; people screamed at each other who had been friends for years…. The skies flew open.” A wave of feminism washed over Cornell, and she sat down and wrote “When it Changed” in the weeks afterwards. Six months later, she saw a novel in the story and wrote The Female Man. But she couldn’t find a publisher. She wanted it published by a trade press and they all rejected it. The excuses were like, “There’s more feminism than science fiction”—that from Viking Press. A lot of women editors were baffled by it and turned it down. It finally got bought by Frederik Pohl [at Bantam Books] in 1975….

(7) CUTTING EDGE. The UK’s Crime Writers Association is expanding their Dagger Awards with two new categories: “Dagger awards adds categories for ‘cosy crime’ and psychological thrillers” in the Guardian.

The growing popularity of two crime fiction subgenres has prompted the creation of two new categories in the annual Crime Writers’ Association awards, including one for “cosy crime” – the subgenre of comforting mysteries that originated with Agatha Christie and is now most associated with Richard Osman.

The Daggers, as the CWA awards are known, recognise authors across 11 categories including historical crime, translated crime and lifetime contribution to crime writing. Next year, the two new awards will be the Twisted Dagger, for psychological thrillers, and the Whodunnit Dagger, for cosy crime….

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to binge BBQ with the legendary Mike Gold in Episode 211 of the Eating the Fantastic podcast.

Mike Gold

I’m extremely pleased I was able to convince the legendary Mike Gold to head out for dinner the night before the con began.

Gold entered the comic industry as DC’s first public relations manager. But as I was astounded to discover, he did some PR earlier than that — as the media coordinator for the defense at the Chicago Conspiracy trial, acting as the intermediary between the press and the likes of Abbie Hoffman and Jerry Rubin, when he was only a teen.

After DC, in 1983, he launched First Comics, where he edited Howard Chaykin’s American Flagg, Mike Baron and Steve Rude’s Nexus, Jim Starlin’s Dreadstar, Mike Grell’s Jon Sable Freelance, and many other classic series. Then after his move back to DC in 1986, he edited such titles as Legends, The Shadow, The Question, Action Comics Weekly, Green Arrow: The Longbow Hunters, Blackhawk, and others.

In 2006, he co-founded ComicMix, and in 2011, he received the first Humanitarian Award from the Hero Initiative. And — since he’s five years older than I am — meaning I would have read Fantastic Four #1 at age six, and Mike at eleven, five years counting for a lot back then — I enjoyed digging into our differing perspectives about the early days of comics.

We discussed the way his hiring at DC Comics was all Neal Adams’ fault, how the guerrilla marketing he learned from Abbie Hoffman helped him quadruple direct market sales, the Steve Ditko Creeper cover which sent a not-so-secret message to publisher Carmine Infantino, why editor Murray Boltinoff compared Marvel Comics to the Beatles (and not in a good way), which staffer was “the most disgusting human being I’d ever met in my life,” how First Comics was born, his secret weapon for getting creators to deliver their work on time, our differing contemporaneous exposure to Fantastic Four #1 (and how his related to Merrick Garland), the way an off-hand comment led to a classic John Byrne comic, how the comic book field is like a donut shop, and much more.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1929 — Neal Barrett, Jr. Heavily nominated for many awards including a number of Hugos but he never won. He was Toastmaster at LoneStarCon 2.  He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual digital suspects. (Died 2014.)
  • Born November 3, 1933 — Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1942 — Martin Cruz Smith, 81. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf. 
  • Born November 3, 1952 — Eileen Wilks, 71. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well!
  • Born November 3, 1953 — Kate Capshaw, 70. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1963 — Brian Henson, 60.  Can we all agree that The Happytime Murders should never have been done?  Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
  • Born November 3, 1977 — David Edison, 46. His Waking Engine series, beginning with the rather excellent Waking Engine novel, an urban fantasy set in the afterlife, would’ve been great. His only other novel, Sandymancer, merges fantasy and hard SF. 

(10) IN THE SAME SPIRIT. “We Almost Got a Superhero Movie from The Exorcist Director William Friedkin” says Literary Hub.

In 1975, four years after the release of The French Connection, William Friedkin revealed to a reporter the inspiration for the film’s celebrated car chase scene.

It was the cover of a comic book: a man runs terrified on elevated tracks, just a few steps ahead of a train. He is handsome and athletic. Save for a domino mask, he is dressed like a classic Hollywood detective, in a blue suit and loose tie; he bears no resemblance to Gene Hackman’s slovenly everyman “Popeye” Doyle. The cover was from The Spirit, a comic that ran as a seven-page newspaper insert throughout the 40s and early 50s. The series, created by Will Eisner, was admired for its black humor, innovative compositions, shocking violence, and its setting in a precisely realized urbanscape. “Look at the dramatic use of montage, of light and sound,” Friedkin told the reporter. “See the dynamic framing that Eisner employs, and the deep, vibrant colors.”

Friedkin may not have been telling the truth. The comic he showed the reporter was a reprint that had been published after the release of The French Connection. The stories were three decades old, but the covers were new. Still, it was good publicity for the project he was then planning, a feature-length pilot for an NBC series that would feature the Spirit, aka Denny Colt, a detective who has risen from the dead, lives in a cemetery, and fights crime with his wits, his fists, and a willingness to withstand pain that borders on masochism….

(11) ITALIAN POLITICAL BRANDING USING LOTR. Jamie Mackay asks “How did The Lord of the Rings become a secret weapon in Italy’s culture wars?” in a Guardian opinion piece.

As a longtime fan of JRR Tolkien, I’ve long felt put out by Giorgia Meloni’s bizarre obsession with The Lord of the Rings. Over the years, Italy’s ultra-conservative prime minister has quoted passages in interviews, shared photos of herself reading the novel and even posed with a statue of the wizard Gandalf as part of a campaign. In her autobiography-slash-manifesto, she dedicates several pages to her “favourite book”, which she refers to at one point as being a “sacred” text. When I read the news this week that Italy’s culture ministry is spending €250,000 to organise a Tolkien show at Rome’s National Gallery of Modern and Contemporary Art, and that Meloni will attend the opening, I couldn’t help wondering: why? What is this government trying to achieve by stamping its mark so aggressively on one of the world’s most loved fantasy sagas?

My Italian friends don’t get the fuss. This is everyday politics, they say, a simple branding exercise to soften Meloni’s image. Perhaps. But there’s a deeper, and frankly stranger, side to this story. When The Lord of the Rings first hit Italian shelves in the 1970s, the academic Elémire Zolla wrote a short introduction in which he interpreted the book as an allegory about “pure” ethnic groups defending themselves against contamination from foreign invaders. Fascist sympathisers in the Movimento Sociale Italiano (MSI) quickly jumped on the provocation. Inspired by Zolla’s words, they saw in Tolkien’s world a space where they could explore their ideology in socially acceptable terms, free from the taboos of the past. Meloni, an MSI youth wing member, developed her political consciousness in that environment. As a teenager she even attended a “Hobbit Camp”, a summer retreat organised by the MSI in which participants dressed up in cosplay outfits, sang along to folk ballads and discussed how Tolkienian mythologies could help the post-fascist right find credibility in a new era….

(12) STREAMING TOP 10. JustWatch has released the top 10 streaming movies and TV shows for October 2023.

(13) VIDEO OF THE DAY. “Marvel Studios’ Echo” official trailer dropped today. The series begins streaming January 10 on @DisneyPlus and @Hulu.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Francis Hamit, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian  for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/2/23 Three Files, Three Scrolls, Three Thousand Pixels

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23

(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Part two of Huawen’s con report

The first part of this con report was covered in yesterday’s Scroll; here are some extracts from the second part, as usual via Google Translate with manual cleanup edits.

(Warning: the original post is very meme heavy towards the end; I’ve skipped them in these extracts.)

4. Remote location, but very high standards

Many people have mentioned it before, and I have to say it again, the venue is indeed very, very remote!  [As mentioned in yesterday’s report, I believe that Huawen lives in a different district of Chengdu, although he mentions elsewhere in the report of not understanding Sichuan dialect, which makes me think he wasn’t originally a local?] …

However, being in a remote area with few people also has the advantage of being convenient for closed management…

The organizing committee actually had the ability to persuade the traffic control department to work overtime to help, and it must have been very hard work to control such a large area for such a long time.

5. The publicity and display work is in place

I can see the promotion of this convention in various forms almost anywhere in Chengdu…

Once, when we were having dinner a few kilometers away from the venue, the proprietor of the establishment asked curiously, was there any conference going on there? We quickly responded, yes, yes, a science fiction convention, the World Science Fiction Convention. She asked what a science fiction conference was, and we explained it for a long time. We had never explained it in this way before, and I don’t know if she understood it.

Then she asked a question that sent shivers down our spines – “Can you take me in to sell packed lunches?” …

6. I’m sorry about the ticketing problem

[There were] more than 20 million citizens who were eager to practice their English for the Chengdu World University Games without thinking about food or drink. The overwhelming publicity also directly ignited the enthusiasm for science fiction among Chengdu citizens.

Soon everyone would see it!

In August, before the large-scale publicity machine was launched, nearly 3,000 people bought offline tickets in just two days. At that time, the organizing committee estimated that the final number of participants would be around 8,000.

In the end, no one expected that the tickets would no longer be available as of September 21st!!! …

The originally unlimited tickets were all bought up by Chengdu citizens!  It was only September, and there was still a full month before the conference! …

However, I realized something was amiss – oops!  I haven’t bought a ticket for myself yet!

7. The regrettable and heart-wrenching drawing of lots for the three major ceremonies

However, now there was a problem that was not expected before; that is, the ticket purchase and admission channels were not unified.  [These groups were]

(1) During the 2021 site selection voting period, there were about 2,000 people who spent 640 yuan [around $87 USD] to support Chengdu’s site-selection bid.
(2) Those who bought a membership on the official website in August 2023.
(3) Those who bought 5-day tickets on Damai.com in September 2023.
(4) One-day tickets purchased on Damai.com in October 2023.
(5) Guests from home and abroad.
(6) Con staff from who have to go to the venue to work.
(7) Venue security personnel.
(8) Concerned about and inspected the leaders and accompanying personnel at all levels of the conference.  [I put this through a couple of different machine translators, and couldn’t get anything readable; I assume he means VIPs, other bigwigs, and their entourages] …

Then, not all guests have special privileges. It has been observed that a considerable number of guests do not have access right “1”, to the Hugo Hall. Maybe this was a secret, but I heard that some of the finalists had almost no right to enter to receive their award.  

In the end, access to the ceremonies was mainly distributed among three groups: 1, 2, and 3.

Even if there were 3,500 passes for each ceremony, that might not be enough to distribute among such a huge groups of people, perhaps close to 10,000…

This was a valuable learning experience for me.

If hosting a future event, you must have a venue space that is large enough to accommodate everyone to be able to sit and watch.  And be sure to leave enough redundancy.

A post on an unknown site/app about the Tianfu airport that many attendees would have arrived at. Rough translation: Tianfu airport is really amazing / From there you can travel to any city in the country in two hours / This also applies if you’re going to Chengdu.
A map posted by the con (on WeChat?) showing the roads closed off around the con
Digital road sign states ‘2023 Chengdu World Science Fiction Convention
Public transit signage. As an aside, I recall reading Chengdu locals on the HelloTalk language exchange app complaining about the weather on the first day of the con.
A successful purchase with a surprising ticket number
An unsuccessful application for the ceremony lottery

Taiyo Fujii’s report on his “Decolonize the Future” panel

His personal site has this write-up of a panel he moderated, which I think is a translation from the Japanese article.  An excerpt, with minor edits for style and grammar:

After introducing the panel’s participants, I retold the time of how we Japanese encountered Chinese SF.  Through the efforts of Mr. Kenji Iwagami, in the late 1970s the Japanese SFF community became aware of modern Chinese SFF.  Mr. Iwagami translated and published many volumes over the decades for our community, but we did not pay much attention.  Only in 2015 and 2016, when The Three Body Problem and Invisible Planets were translated by Ken Liu into English, and then won Anglophone awards, did we turn our gaze to our neighbouring country.  We discovered Chinese SFF by the road paved by the Anglophones.  Of course, Ken is not a colonizer, and neither is the Worldcon community.  But our attention and marketing had been colonized by English-language SFF.

Audience member Phong Quan also posted a thread on Twitter about the panel.  

Fujii also posted a four-part Mastodon thread about another panel he was on, about the “Localization Paths of Science Fiction in Non-English-Speaking Countries”.

Online Chengdu Worldcon site down – but not in China?

SF Light Year posted on Weibo about the online component of the con.  This prompted me to have a look at the online site to see what was up there now, but I just got an error page.  Given that that site still seems to be accessible in China, I asked people on Twitter and Mastodon to do similar checks, but it seems that everyone outside China got the same error as me.   Just as a sanity check I verified that URL matches the one posted on the con’s site on October 17th.

Based on a screenshot I was sent, there are 20 “replay” videos available; I suspect most of them are the “businessy” things that were available as livestreams, and so probably of minimal interest to most fans, but I would imagine the three ceremonies are amongst those 20.

SF Light Year’s post also links to a URL that has details of the contract/bid for the online part of the con.  Unfortunately that also seems to be a webpage that foreign visitors aren’t allowed to access, but there is a screengrab of it in the Weibo post, indicating that the winning bid to build the online component was 1.85 million yuan, around a quarter of a million US dollars.  (It’s unclear if this covered just the 3D environment with avatars, and/or the video streaming bandwidth and servers.)  Given that the contract was awarded to China Telecom, who were one of the two top-tier sponsors of the con, the value of the contract might simply be a case of one part of that business moving money to another part. making it slightly meaningless.

Hopefully this is just a temporary glitch, and by highlighting the problem publicly, it might get fixed shortly…

(2) CHANGE IN SFWA BOARD. SFWA has a new Director-at-Large following the resignation of Jordan Kurella, who left his position for health reasons.

SFWA President Jeffe Kennedy, with the approval of the Board, has appointed Anthony Eichenlaub to serve out the remainder of Kurella’s term, which expires on June 30, 2024.

Eichenlaub ran for the Board last spring and received the most votes of the unelected candidates. As a SFWA volunteer he has worked at the Nebula Conference and as a member of the Independent Authors Committee. He led the effort to create the Indie Pub 101 resource site and assisted with the Heritage Author Republication (HARP) pilot program.

(3) SFWA NEBULA READING LIST. SFWA’s public-facing “Nebula Reading List” is filling up with 2023 recommendations in all the Nebula categories. Fans may find it an interesting source of things to read, too.

(4) MICHAEL BISHOP HEALTH UPDATE. Michael Bishop’s daughter Stephanie made an appeal yesterday on Facebook:

Hi all–I am writing on behalf of my dad, so this post won’t be nearly as eloquent as usual. As many of you know, Daddy is in hospice care now, mostly at home. His wound will not heal, and the pain is great. Between the pain and the medication, he isn’t able to communicate on Facebook and not terribly well on the phone either. However, his birthday is coming up–on the 12th–and I know he would love to hear from anyone who might want to wish him well. He does so love his friends and his fans, and we can tell he loathes not being able to write and be in touch the way he once could. Please send cards to P.O. Box 646, Pine Mountain, GA 31822. Gratefully yours, Stephanie

Here is Andrew Porter’s photo of David Hartwell, and Jeri and Michael Bishop at an ABA convention, decades ago:

David Hartwell, Jeri and Michael Bishop. Photo by and (c) Andrew Porter

(5) OKORAFOR Q&A. “Nnedi Okorafor, a pioneer of Africanfuturism, doesn’t want her work put in a box” – an Andscape interview.

… Do you have any thoughts on the creative process, maybe advice for aspiring creatives?

I guess one thing that I haven’t really said much about involves fear around the emergence of artificial intelligence and how it may affect creatives. My advice: Don’t stress about it. Keep being human and keep using your humanity to create. And do the work. Don’t be afraid of the work. There are no shortcuts. That’s part of the beauty of creating – that there are no shortcuts.

Enjoy those difficulties. Don’t be afraid of telling your stories. There’s always going to be someone who wants to hear it. And tell it your way. Don’t follow trends. 

When it comes to process: For me, I’m highly disciplined. I come from an athletic background, and that’s really where the way that I work comes from. It’s relentless, and I like work. The discomfort is part of the process. That’s the standpoint that I come from. There isn’t one way to tell a story. I don’t write linearly. I write nonlinearly. I don’t outline. I just sit down and start writing.

There are all sorts of ways. Learn your way of creating. If you’re new to this, give yourself time. When you’re new to this, the only way to find your voice is by experimenting and having the confidence to experiment…

(6) CREATURE FEATURES. “’People were hooked’: A wild show that kept the Bay Area up all night” – SFGate remembers.

Late one night in January 1971, a 9-year-old August Ragone sat in the dark living room of his childhood home on Alabama Street in the Mission District, transfixed by the man on the tiny black-and-white television screen glowing in front of him. 

He had an unassuming presence. Wearing a plain business suit and thick glasses, he puffed at an oversized cigar as he leaned back in a yellow rocking chair, a wry grin on his face. Next to him was a small table adorned by a human skull with a candle jutting out of it. A window shrouded in cobwebs loomed over his head. On the wall behind him was a sign with an unforgettable mantra: “Watch Horror Films, Keep America Strong!”

His name was Bob Wilkins, and he was about to present the Bay Area premiere of “Creature Features” on KTVU’s Channel 2 with a screening of “The Horror of Party Beach,” a wonky ’60s monster movie with a reputation so poor Stephen King once called it “an abysmal little wet fart of a film.”

Ragone, who begged his mother to sit through the film with him, was riveted. There was something about Wilkins’ unexpectedly calming, Bob Ross-like persona, the spooky atmosphere of the set, and the funky theme music that was unlike anything he had experienced before. Even more bewildering was what the host said in a droll monotone during his introduction: “Don’t stay up late, it’s not worth it.”

For the next 14 years, the Bay Area would do exactly the opposite….

(7) STREAMER PASSWORD SHARING. Disney+ is cracking down on password sharing starting today. A study with JustWatch users about how much they are using shared accounts shows that Disney+ is the most shared streaming service among JustWatch users in the US – almost twice as much as Prime Video.

(8) BB&B. Brooklyn Books & Booze on November 21, 2023 will feature readings by Marielena Gomez, C.S.E. Cooney, Stephanie Feldman and Sarena Straus.

The free event begins at 7:00 p.m. Eastern at Barrow’s Intense Tasting Room at 86th 34th Street, Brooklyn, NY. For more information, go to BrooklynBooksBooze.com.

(9) KEN MATTINGLY (1936-2023) Former NASA astronaut Rear Adm. (ret.) Thomas K. (TK) Mattingly II (known to the public as Ken) died October 31. NASA Administrator Bill Golden paid tribute:

…“Beginning his career with the U.S. Navy, TK received his wings in 1960 and flew various aircraft across multiple assignments. Once he joined the Air Force Aerospace Research Pilot School as a student, NASA chose him to be part of the astronaut class in 1966. Before flying in space, he aided the Apollo Program working as the astronaut support crew and took leadership in the development of the Apollo spacesuit and backpack.

“His unparalleled skill as a pilot aided us when he took on the role of command module pilot for Apollo 16 and spacecraft commander for space shuttle missions STS-4 and STS 51-C. The commitment to innovation and resilience toward opposition made TK an excellent figure to embody our mission and our nation’s admiration.

“Perhaps his most dramatic role at NASA was after exposure to rubella just before the launch of Apollo 13. He stayed behind and provided key real-time decisions to successfully bring home the wounded spacecraft and the crew of Apollo 13 – NASA astronauts James Lovell, Jack Swigert, and Fred Haise….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 2, 1927 — Steve Ditko. Illustrator who began his career working in the studio of Joe Simon and Jack Kirby during which he began his long association with Charlton Comics and which led to his creating the Captain Atom character. Did I mention DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of Spider-Man and Doctor Strange. For Charlton and also DC itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove.  He been inducted into the Jack Kirby Hall of Fame and into the Will Eisner Award Hall of Fame. (Died 2018.)
  • Born November 2, 1941 — Ed Gorman. He’d be here if only for writing the script for the Batman: I, Werewolf series in which Batman meets a werewolf. Very cool. More straight SFF is his Star Precinct trilogy with Kevin Randle which is quite excellent, and I’m fond of his short fiction which fortunately is available at the usual suspects. (Died 2016.)
  • Born November 2, 1942 — Carol Resnick, 81. Wife of that Resnick who credited her according to several sources with being a co-writer on many of his novels. He also credited her as being a co-author on two movie scripts that they’ve sold, based on his novels Santiago and The Widowmaker. And she’s responsible for the costumes in which she and Mike appeared in five Worldcon masquerades in the Seventies, winning awards four times.
  • Born November 2, 1949 — Lois McMaster Bujold, 74. First let’s note she’s won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo. Quite impressive that. Bujold’s works largely comprise three separate book series: the Vorkosigan Saga, the Chalion series, and the Sharing Knife series. Early on she joined the Central Ohio Science Fiction Society, and co-published with Lillian Stewart Carl StarDate, a Trek fanzine in which a story of hers appeared under the byline Lois McMaster.
  • Born November 2, 1955 — Nisi Shawl, 68. An African-American writer, editor, and journalist. They write and teach about, and I quote from their site, “how fantastic fiction might reflect real-world diversity of gender, sexual orientation, race, colonialism, physical ability, age, and other sociocultural factors”. Their short stories have appeared in Asimov’s Science Fiction, the Infinite Matrix and Strange Horizons. Their “Filter House” story won an Otherwise Award and was nominated for a World Fantasy Award; they got a Solstice Award (a SFWA award for distinguished contributions to the sff community); their New Suns: Original Speculative Fiction by People of Color won a World Fantasy Award, a British Fantasy Award, and an Ignyte Award for incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. Cool award indeed. 

(11) MAJOR CONTRIBUTIONS. “The Major and His Legacy – The Major, A Real Life Hero” is a website devoted to a pioneer publisher of comic books.

The annals of comic book history are studded with legendary names, but one of the most pivotal, yet often overlooked, is that of Major Malcolm Wheeler-Nicholson. As one of the founding figures of DC Comics, “the Major” was one of the pioneers of the American comic book industry, laying the groundwork for an empire of imagination. Today, his legacy continues to flourish and evolve in the hands of his granddaughter, Nicky Wheeler-Nicholson..,.

…Before the Major came along, comic books that existed, with a few exceptions, were reprints of the comic strips from the daily newspapers. This changed in 1934 when the Major began publishing Fun Comics and New Fun Comics, featuring original artwork and stories. What could possibly motivate someone to launch such an untested venture at the height of the Great Depression, when a staggering 25 percent of the American populace was out of work, and to do so in a new and unfamiliar medium? It was an enormous risk….

(12) STRIKES + ECONOMIZING = KRYPTONITE. Deadline reports that “’Superman & Lois’ To End With Upcoming Season 4 At CW”.

The end is in sight for Superman & Lois. The CW series, starring Tyler Hoechlin and Elizabeth Tulloch as the title characters, will conclude with its upcoming 10-episode fourth season, marking the end of the DC series’ era at The CW. The final season is slated to air on The CW in 2024….

It has been tough going for Superman & Lois, combined with the strikes and budget cuts that came with the series’ Season 4 renewal. As we previously reported, those cuts impacted the writers room, which underwent downsizing for the upcoming season, going from eight writers down to five.

Superman & Lois, along with All American: Homecoming were renewed in June after producing studio Warner Bros. Television agreed to deliver the new seasons at a significantly lower license fee to make them feasible for the network under its new lower-cost original programming model. For the shows to still make financial sense for the studio, their budgets were slashed, leading to cast reductions, with not all of the series regulars asked to come back full-time….

(13) THEY ALSO SERVE. The Guardian’s Catherine Bray assesses a sff comedy in “The Bystanders review – British parallel-universe comedy of invisible guardian angels”.

Peter (Scott Haran) is a former child chess prodigy who these days excels at nothing much in particular, except perhaps his ability to blend into the background. A birthday card at his office is handed to him to sign – for his own birthday. None of his colleagues know who he is, and the card is crammed with polite, anodyne messages. But he discovers that there’s one arena in which his anonymity might be a boon rather than a liability: he is recruited into the world of Bystanding, a parallel universe filled with invisible guardian types whose job is to imperceptibly guide or nudge their charges into making better life choices. They are all, in their own ways, as unremarkable as Peter, hence their selection for bystander duty.

There’s a scrappy energy to this British sci-fi comedy that offsets its micro-budget limitations. The premise is part of a cinematic family tree of quirky, metaphysical science fiction that includes the likes of Cold Souls, The Adjustment Bureau and Another Earth. There’s also a strong strand of UK comedy in the DNA, recalling material like Red Dwarf and The Hitchhiker’s Guide to the Galaxy in its desire to juxtapose the mundane, trivial annoyances of life with a more expansive sense of the universe. There’s something neat too about the film’s focus on life’s quiet losers, in an era when the loudest “main character energy” personalities seem predestined for rewards in the attention economy. It almost feels like a throwback to the loose mumblecore movement of the early 2000s….

(14) OSIRIS-REX. [Item by Steven French.] Maybe they should try banging on the lid with a knife – works for me when I can’t open a new jar of marmalade!

“NASA can’t open its OSIRIS-REx asteroid capsule yet, but its outside holds more than enough samples” says Space.com.

… According to a NASA blog post, the curation team that’s been processing the samples says it has removed and collected 70.3 grams (2.48 ounces) of Bennu material from the capsule so far — and it hasn’t even actually been opened yet. Those 70.3 grams come from just the area on the outside (and part of the inside) of the sample collector’s head.

“The sample processed so far includes the rocks and dust found on the outside of the sampler head, as well as a portion of the bulk sample from inside the head, which was accessed through the head’s mylar flap,” the post states. “Additional material remaining inside the sampler head, called the Touch-and-Go Sample Acquisition Mechanism, or TAGSAM, is set for removal later, adding to the mass total.”…

(15) SGT. PEPPER’S HI-TECH BAND. “The Beatles ‘Now and Then’: Listen to their last new song” – AP News issues an invitation.

The final Beatles recording is here.

Titled “Now and Then,” the almost impossible-to-believe track is four minutes and eight seconds of the first and only original Beatles recording of the 21st century. There’s a countdown, then acoustic guitar strumming and piano bleed into the unmistakable vocal tone of John Lennon in the song’s introduction: “I know it’s true / It’s all because of you / And if I make it through / It’s all because of you.”

More than four decades since Lennon’s murder and two since George Harrison’s death, the very last Beatles song has been released as a double A-side single with “Love Me Do,” the band’s 1962 debut single.

There is a short “making of” film about the work done over the years to produce this recording: “The Beatles – Now And Then – The Last Beatles Song”.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Steven French, Janice Morningstar, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 10/20/23 A Pixel Like That, You Don’t Scroll All At Once

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(1) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]

What is the Tianwen Program/Award?

Right now, this is a bit of an enigma.  I stumbled across a link to this Chinese-language news article at the bottom of the article covered in the next item.  Here are some extracts via Google Translate (my emphases, I haven’t attempted to correct likely mistranslations):

Under the premise of the vigorous development of Chinese science fiction, in order to discover science fiction talents, support science fiction works, and promote the integrated development of the science fiction industry, the “Tianwen Project” jointly launched by the Chinese Writers Association and the World Science Fiction Conference Organizing Committee was officially “debuted” at the summit .

The plan includes a science fiction award “Tianwen Award” and N actions to promote the integrated development of China and even the global science fiction industry. The “Tianwen Award” is oriented to encourage emerging and young writers and has permanently settled in Chengdu. It has become a useful supplement to the “Hugo Award” of the World Science Fiction Conference. While awarding the award, it also holds various activities such as IP roadshows, theme exhibitions, and salon promotions. . At the same time, it will be displayed on the platform of the World Science Fiction Conference and hold exchange activities to promote the in-depth integration of Chinese science fiction into world science fiction.

“We very much appreciate Chengdu’s plan to establish the ‘Tianwen Prize’. It is not only for China, but also for the world.” In the view of Dave McCarty, a member of the Hugo Award selection committee, the “Tianwen Prize” will become China’s An important channel for science fiction to integrate into world science fiction, it has become a platform to promote in-depth exchanges between Chinese fantasy fans and world fantasy fans.

Given the highlighted bits, and with quotes from the current Hugo Administrator, and on a stage with “WSFS” at the bottom, it was hard to shake the impression that this award/project is in some way WSFS affiliated?  On re-reading, I suspect that’s actually a red herring, likely caused by a reporter not fully understanding all the different entities and relationships and/or machine mistranslation.  I presume “World Science Fiction Conference Organizing Committee” is a reference to the fact that three (I think) of the eight people on the stage for this announcement are on the Chengdu 2023 concom; four if you count Cixin Liu who was listed as part of the original bid team.

I tried searching on a few Chinese sites for 天问计划 (Tianwen Program) and 天问奖 (Tianwen Award), but found only one relevant result, a Weibo post.  The text appears to be much the same as the above linked article, but it does have a short, slightly strange, clip from the announcement.

My guess is that this is actually a domestic Chinese award, possibly with some extra stuff to help promote the finalists or winners internationally, perhaps similar to the Galaxy Awards 1 anthology that came out last year.

Media coverage of the “First Industry Development Promotion Conference”

Red Star News has an article on one of the handful of programme items deemed worthy of streaming to virtual attendees. The following extract via Google Translate (no manual cleanup edits):

Judging from the investment amount, the “Chinese Story·Science Fiction Situation Drama Incubation Base Project” with an investment amount of 2 billion will use the “program + park + base + academy” model to aggregate high-quality resources from the science fiction industry chain to create a first-class domestic science fiction sitcom Incubation platform.

From the perspective of project level, the Trisolaran Universe Global Headquarters project with a total investment of 1 billion yuan is committed to building a top Chinese science fiction brand with international influence. It will focus on developing Three-Body games, film and television drama content products, brand derivatives and other businesses, presenting A more three-dimensional three-body world.

(Note: 1 billion yuan is approximately 137 million USD.)

Huawei sponsoring the “Science Fiction vs Science Fact” panel?

Although they aren’t one of the previously announced corporate partners of the con, judging by this tweet it would appear that Huawei are sponsoring the “Science Fiction vs Science Fact” panel/event on Saturday.  This is another item that is being streamed.  Nnedi Okorafor is listed as one of the speakers.

Galaxy Award winners announced

These were announced on Thursday evening; winners include Hugo Short Story finalist “On the Razor’s Edge” by Jiang Bo.  The “Ghost of Tsushima” art book that was in the leaked list of Hugo finalists was also a winner in the Related Work category.  Weibo links: (1), (2), (3), (4)

Links to official (?) photo galleries

Earlier today, Adaoli/SF Light Year messaged me this photo of QR codes for what I presume are official photo galleries.  I think the first one has been previously linked in a Facebook post from the official con account, but I’d not seen any other mention of them online.

As yet, I’ve not been able to get my phone to recognize the QR codes for the 21st and 22nd; if anyone else can extract the links, please post in the comments.  I’ll try to get a better photo of that poster tomorrow, in the hope that I can get a readable image.  The links for the first three days are:

  • Wednesday 18th: here
  • Thursday 19th: here
  • Friday 20th: here

The galleries are arranged by the room the photos were taken in.  As far as I can tell, the UI and room names are only in Chinese, but the translation functionality built into Chrome does a decent enough job.

Photo galleries posted by publishers, writers and fans to Weibo

Eight Light Minutes Culture had several Weibo post showing some of the panels (1), (2), (3), (4)  as did Future Affairs Administration.  The latter also posted a gallery of an area documenting Worldcon history.

Translator Tian Tian posted photos of her meeting people and being on panels.  (As an aside, I notice from her CSFDB page that she co-wrote an essay which Google Translate renders as “The 2019 Hugo Awards are here. Will the United States continue to use science fiction to resist reality?”, which I am now dying to read.)

There were quite a lot of user comments on this post about James Bryant making his way alone to his 15th Worldcon at the age of 81.

Xie Yunning has written for SF World magazine, and also has a few gallery posts on his Weibo page.

2023 Chengdu Worldcon
“In Chengdu Meet the Future” slogan

Wandering Earth team video

I’m not sure exactly what the team behind the Wandering Earth film (including director and star) are doing here, but they seemed to enjoy themselves doing it.

Queue for Cixin Liu signing

Short video on Weibo; Twitter video; Weibo photo gallery posted by Adaoli/SF Light Year.

English language videos from China Daily

China Daily posted a minute-long video to Twitter, with a couple of English native-speaker presenters, one of whom was the interviewer in the Chris M. Barkley video featured in yesterday’s Scroll.  As a guide to the quality of journalism on display, the presenter refers to the con venue as “the Space Museum”, although whoever did the Chinese subtitles evidently knows what it’s really called.  Still, it could have been worse.

Those presenters also appeared in a short comedic (?) video, and briefly in another China Daily video posted a couple of days ago.  Dave McCarty and Liza Groen-Trombi can be seen in the latter video at 0:25 chatting at what I assume is the Locus table.

(2) UGANDA BID TABLE. Micheal Kabunga, Kampcon 2028 bid chair/coordinator, sent this photo of the Kampcon booth at the Chengdu Worldcon — booth B40.

(3) MEDICAL UPDATE. Tony C. Smith of Starship Sofa told subscribers today that his surgeon has declared him cancer free.

That is a great feeling.

If folks don’t know… I had bladder cancer, only picked up by the fact I was going to the toilet more often through the night. Huge thanks to my wife Melanie for pushing me to go get it checked out. So, I’m minus a bladder, prostrate and glands and now have a bag attached to my side for the rest of my life but it’s a small price to pay.

This means SSS is rebooting her engines on Tuesday 24th November. Hope you can join me, as we travel into deep space looking for amazing SF stories.

(4) GOING VIRAL. Editors Brian Keene and Christopher Golden have announced The End Of The World As We Know It: Tales Of Stephen King’s The Stand — an original short story anthology based on the highly influential and seminal work of apocalyptic fiction and good versus evil; featuring an introduction from Stephen King himself and new fiction from a world ravaged by the virus “Captain Trips” and the minds of Josh Malerman, Paul Tremblay, Richard Chizmar, S. A. Cosby, Tananarive Due, Alma Katsu, Caroline Kepnes, Michael Koryta, Scott Ian, Joe R. Lansdale, Maurice Broaddus and Wayne Brady, Bryan Smith, Somer Canon, Hailey Piper, Jonathan Janz and many others. Thanks to Stephen King for entrusting these two constant readers with this task.

Brian Keene added this update on Facebook:

F.A.Q for THE STAND Anthology:

1. Yes, this is 100% authorized by the Big Man himself.

2. No, we are not open to submissions. Anything sent will be deleted unread.

3. No, we don’t have an official release date yet, nor info on various editions.

4. No, we can’t release the final full line-up yet.

5. Yes, *that* Wayne Brady with Maurice Broaddus.

(5) IT’S A TRAP! Sarah Rees Brennan has discovered something about NaNoWriMo.

(6) TODAY’S DAY

October 20, 1955 — J. R. R. Tolkien’s The Return of the King, the final volume of The Lord of the Rings trilogy, was published sixty eight years ago today by Allen & Unwin with Tolkien’s artwork on the cover. 

In The Letters Of J.R. R. Tolkien as edited by Humphrey Carpenter, he says he felt the chosen title revealed too much of the story, and that he would have instead preferred The War of the Ring as the title for the volume. 

The entire series was nominated for a Hugo at Tricorn in Cleveland, though the Foundation series would be the winner that year.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 20, 1905 — Frederic Dannay. One half with Manfred Bennington Lee of the writing team who created Ellery Queen.  ISFDB lists two Ellery Queen novels as being genre, And on the Eight Day and The Scrolls of Lysis, plus a single short story, “A Study in Terror”. The Roman Hat Mystery, the first Ellery Queen mystery is free to all Audible members. Yes, I’m going to listen to it next. (Died 1982.)
  • Born October 20, 1916 — Anton Diffring. A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
  • Born October 20, 1913 — Barney Phillips. Though he’s best remembered as Sgt. Ed Jacobs on the Dragnet series and yes, I remember him well from it, he did do some genre work of which his most notable being was one on The Twilight Zone, in which he played a Venusian hiding out on Earth as Haley, the short-order cook in “Will the Real Martian Please Stand Up?” episode. Remember you can see it on Paramount+. I just did and he’s amazing. I’m not forgetting his other three appearances there, the first being in “The Purple Testament” as Captain E. L. Gunther, next in “A Thing about Machines” as television repairman which is also a brilliant role for him, followed by the Venusian role, and in “Miniature” as Diemel. Quite a feat that many appearances!  He also appeared on The Invaders, Shazzan, Three Musketeers where he was voice of Porthos for all 18 episodes of the animated series, Get Smart! And The Funky Phantom, the latter being a clone of Scooby-Doo! that was set in the American Revolution. Really, I’m not kidding. (Died 1982.)
  • Born October 20, 1934 — Michael Dunn. He’s best remembered for his recurring role on the Wild Wild West as Dr. Miguelito Loveless attempting to defeat our heroes over and over, but he has had other appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea’s “The Wax Men” episode. He was even in the Get Smart! pilot as Mr. Big. (Died 1973.)
  • Born October 20, 1937 — Emma Tennant. To the manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia says “Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.” I’ve not read her, so do tell me about her please if you’ve read her!  (Died 2017.)
  • Born October 20, 1946 — Thomas Wylde, 77. He’s here because he’s got two stories in the Alien Speedway franchise, Roger Zelazny’s Alien Speedway #2: Pitfall and Roger Zelazny’s Alien Speedway #3: The Web. I’ve never heard of these. Anyone read them?  He’s also got two stories in L. Sprague de Camp’s Doctor Bones series as well. 
  • Born October 20, 1955 — Magdalena Tulli, 68. Polish writer of many, many novels, a few of which are fantastic tales. Some were translated into English and are available from the usual suspects. The one work by her that I wish to single out is Tryby, published in translation as Moving Parts, as it is a metafiction in which the novel in question takes over from its author.
  • Born October 20, 1966 — Diana Rowland, 57. New Orleans writer with a fascinating job history that includes cop, a crime scene investigator, and a morgue assistant. She’s best known for her Kara Gillian series and White Trash Zombie series. Her only award is a Phoenix Award, a lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom, given by DeepSouthCon. 

(8) COMICS SECTION.

(9) EARTHLY CHILD BLOCKS UNEARTHLY CHILD. “First Doctor Who Story Excluded from BBC iPlayer in Legal Dispute” – Gizmodo has the story.

Nearly 60 years to the day that Doctor Who began airing, next month, the BBC will launch an unprecedented collection of over 800 episodes from the show’s distant and not-so-distant past on its streaming platform, iPlayer—the first of its kind from the corporation. But it turns out that the very first story that kicked all those adventures off in the first place won’t be a part of it.

Known by the title of its first episode, “An Unearthly Child,” the four-part serial was written by Anthony Coburn, at the time a staff writer for the BBC, who would go on to write three more stories for Doctor Who that never made it to air….

Decades later, Coburn’s son, Stef Coburn, has repeatedly pushed back against the BBC over what he perceives as a mistreatment of his father—especially over the conceptual ideas behind, and eventual name of, the Doctor’s time-travel machine, the TARDIS. Coburn first attempted to legally challenge the BBC’s ownership of the TARDIS in 2013, timed to the 50th anniversary of Doctor Who—alleging that the corporation lost the rights to use ideas leveraged in Coburn’s script for “An Unearthly Child” when he died in 1977, despite the corporation having held various copyrights and trademarks on the ship and its police box design for decades prior.

Now, a decade later, Coburn has taken to social media to confirm that he has rejected attempts by the BBC to license “An Unearthly Child” for streaming on its platforms, claiming that the corporation refused a proposed deal to license the story….

(10) THE MAYOR’S ON THE LINE. “Eric Adams Uses A.I. to Robocall New Yorkers in Languages He Doesn’t Speak” reports the New York Times.

The calls to New Yorkers have a familiar ring to them. They all sound like Mayor Eric Adams — only in Spanish. Or Yiddish. Or Mandarin.

Has the mayor been taking language lessons?

The answer is no, and the truth is slightly more expensive and, in the eyes of privacy experts, far more worrisome.

The mayor is using artificial intelligence to reach New Yorkers through robocalls in a number of languages. The calls encourage people to apply for jobs in city government or to attend community events like concerts.

Privacy advocates still criticized the robocalls, arguing that it was “deeply Orwellian” to try to trick New Yorkers into thinking that Mr. Adams speaks languages that he does not. The group has previously criticized the mayor’s embrace of facial recognition technology and his dispatch of a police robot to patrol the Times Square subway station.

“Yes, we need announcements in all of New Yorkers’ native languages, but the deep fakes are just a creepy vanity project,” said Albert Fox Cahn, executive director of the Surveillance Technology Oversight Project….

(11) TO HELL AND BACK. 100 Places to See After You Die: A Travel Guide to the Afterlife by Jeopardy! host and champion Ken Jennings is a thing.

Ever wonder which circles of Dante’s Inferno have the nicest accommodations? Where’s the best place to grab a bite to eat in the ancient Egyptian underworld? How does one dress like a local in the heavenly palace of Hinduism’s Lord Vishnu, or avoid the flesh-eating river serpents in the Klingon afterlife? What hidden treasures can be found off the beaten path in Hades, Valhalla, or TV’s The Good Place? Find answers to all those questions and more about the world(s) to come in this eternally entertaining book from Ken Jennings.

Written in the style of iconic bestselling travel guides, Jennings wryly outlines journeys through the afterlife, as dreamed up over 5,000 years of human history by our greatest prophets, poets, mystics, artists, and TV showrunners. This comprehensive index of 100 different afterlife destinations was meticulously researched from sources ranging from the Epic of Gilgamesh to modern-day pop songs, video games, and Simpsons episodes. Get ready for whatever post-mortal destiny awaits you, whether it’s an astral plane, a Hieronymus Bosch hellscape, or the baseball diamond from Field of Dreams.

Fascinating, funny, and irreverent, this “gung-ho travel guide to Heaven, Hell, and beyond” (The New Yorker) will help you create your very own bucket list—for after you’ve kicked the bucket.

(12) WAS IT JUSTIFIED? JustWatch’s Owen Harris asks, “Are you as astonished by the Netflix price increase as I am?” 

We all just got to know the news about the subscription price change. What we don’t know, however, is how their catalog justified such an increase. 

That’s why I thought you might want to see our data, which will show you the top 5 streaming services by catalog size over time and quality. It shows that Netflix’s price rise is not justified.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, Daniel Dern, Nickpheas, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 10/5/23 The Fan-Kzin Scrolls

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(1) NICOLA GRIFFITH Q&A. “’Hild’ sequel author Nicola Griffith talks about ‘Menewood’” in the Christian Science Monitor.

When did you first learn about the real Hild?

I love old abbeys, old castles, all that kind of thing. But I had never been to [the ruins of Whitby] Abbey until I was in my early 20s. I crossed the threshold of the abbey, and it was like stepping into Narnia. The world just changed. You know when some people talk about the skin of the Earth being thin in some places, this sense of immanence? It was like that for me. 

I read in a tourist pamphlet about St. Hilda of Whitby, who founded the abbey, and I wanted to learn more, but there were no books about her. 

My question was, why is this woman, from a time when we’re told that women had no power, no influence, no significance whatsoever, still remembered 1,400 years later? Nobody could tell me. I was on fire to find out; I thought what we knew of history must be wrong. This could not have happened if what we think of as history is actually true. So I basically started this enormous controlled experiment. I rebuilt the seventh century. I mean, I researched before I even wrote a word.

I’d been researching that book [“Hild”] for 20 years. I’d been reading everything you could possibly think of, all the medieval plants, everybody’s lists of grave goods. I followed all the archeology magazines and blogs and journals, and I read about the weather. I researched the flora, fauna, jewelry, making textiles. And then the day before my birthday, I thought, I cannot start another year without having done this book. So I sat down and said, I’m going to write one paragraph. And so I did. And there was Hild. And she was 3 years old and sitting under a tree. And I thought, that’s how I’m going to do it. She’s going to learn the world along with the reader.

(2) LE GUIN VIDEOS PART FOUR. The Journey That Matters is a series of six short videos from Arwen Curry, the director and producer of Worlds of Ursula K. Le Guin, a Hugo Award-nominated 2018 feature documentary about the iconic author.

In the fourth of the series, Khadija Abdalla Bajaber introduces “There I Am on the Page,” in which Ursula and other writers—including Nisi Shawl and adrienne maree brown—reflect on Ursula’s decision to make many of her characters people of color. Watch  “Ursula K. Le Guin on Writing Characters of Color” at Literary Hub.

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present David D. Levine and Robert Levy on Wednesday, October 11 at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

DAVID D. LEVINE

David D. Levine is the author of Andre Norton Nebula Award winning novel Arabella of Mars, sequels Arabella and the Battle of Venus and Arabella the Traitor of Mars, and over fifty SF and fantasy stories, some collected in the award-winning Space Magic. His story “Tk’Tk’Tk” won the Hugo, and he has been shortlisted for awards including the Hugo, Nebula, Campbell, and Sturgeon. His latest novel is The Kuiper Belt Job.

ROBERT LEVY

Robert Levy’s novel The Glittering World was nominated for the Shirley Jackson Award and the Lambda Literary Award. Shorter work has appeared in The Magazine of Fantasy & Science Fiction, Nightmare, Black Static, and The Best Horror of the Year. He teaches at the Stonecoast MFA Program, and his collection No One Dies from Love: Dark Tales of Loss and Longing is out now from Word Horde.

(4) NOBEL PRIZE FOR LITERATURE. Jon Fosse has won the 2023 Nobel Prize for Literature “for his innovative plays and prose which give voice to the unsayable.”

(5) LAURIE HALSE ANDERSON DONATES $100K TO PEN AMERICA’S FIGHT AGAINST BOOK BANS. The 2023 Astrid Lindgren Memorial Award laureate, American writer Laurie Halse Anderson, is donating $100,000 of her prize money to PEN America’s fight against book bans.

…Many of Laurie Halse Anderson’s books are frequently found on lists of banned books: books that, in some states or districts in the United States, are not allowed to be read in schools or bought by public libraries because of their subject matter or plot. Earlier this year, Anderson received the Astrid Lindgren Memorial Award, the world’s largest award for children’s and YA literature. The prestigious award comes with a cash prize of SEK 5 million ($452,000).

“Public libraries and schools have a duty to offer a broad range of books to the communities that they serve. People who find a book that they don’t like don’t have to read it. They do not have the right to dictate what books other people, or other people’s children, can read. I am proud to support PEN America and their fight against book banners and others bent on destroying our freedom to read. Remember: censorship is the child of fear and the father of ignorance”, says Laurie Halse Anderson….

(6) THEY WENT APE. Matthew Hays recalls how “50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with Battle for the Planet of the Apes” at Literary Hub.

When Planet of the Apes opened in cinemas in 1968, its box-office success was surprising even to the filmmakers themselves. After all, the film featured an astronaut survivor named Taylor (played by Oscar winner Charlton Heston) facing off against a planet of actors wearing elaborate ape makeup.

The possibility that the film would seem a giant joke to audiences had already crossed the minds of the suits at 20th Century Fox. The studio had set up an audience screening before they greenlit the project. Producer Arthur Jacobs was commissioned to film a 15-minute short film that would include some actors in ape makeup; if one person in the audience laughed, there would be no movie. No one laughed, and a legendary science fiction film was born.

To kids (I first saw the film at age six), Planet of the Apes seemed a basic movie about an astronaut landing on a planet run by a different species. But when the film arrived, many adults got the film’s multilayered jokes and running commentary: screenwriters Rod Serling and Michael Wilson (adapting Pierre Boulle’s novel) packed every imaginable bit of baggage that would fit into their carefully crafted Trojan horse. As New Yorker critic Pauline Kael immediately intuited, Planet of the Apes was a hate letter to America, full of commentary about slavery, manifest destiny, religious fundamentalism, creationism versus evolution, colorism and racism generally. The extensive medical experimentation done on the humans by apes is a clear reference to the Tuskegee Experiments. That some thought the apes were meant to represent Black Americans was a fundamental misreading of the film; the ape society is clearly a parody of American society, with all of its contradictions (especially the purported separation of church and state).

(7) WRITING POEMS, AND WAITING TO BE ARRESTED. [Item by SF Concatenation’s Jonathan Cowie.] With Chengdu Worldcon in mind, it is worth checking out today’s BBC World Service programme on the life of a Uyghur artist (poet, film and documentary maker) in China.

The programme is very Orwellian.

Tahir Izgil is one of the most highly respected living Uyghur poets. Tahir was born near Kashgar, in Xinjiang province, and from an early age he was immersed in the poetry of his culture. When the Chinese state clamped down on the Uyghur community, he lived under constant threat of arrest, and says he couldn’t even perform his poems. So he decided to try and escape his homeland…

You can listen to it here: “Writing poems, and waiting to be arrested”.

(8) 24TH FANTASIC SHORT STORY CONTEST. [Item by Ahrvid Engholm, contest administrator.] Results are in for the “24th Fantastic Short Story Contest” or “Fantastiknovelltävlingen”, probably the oldest running writing contest in Sweden, organized by writing E-mail list SKRIVA. (The term “fantastik” is here often used for sf, fantasy and horror, the “fantastic” genres.)

1st prize: “Der Berliner Underwellen”, by Kristian Schultz

2nd prize: “Cladosporium¨, by Isak Laestander

3rd prize: “The Cleaning Day”, by Kristian Schulz

There also were five “honorable mentions”.

A total of ca €200 is handed out in prize money plus a diploma and a secret prize… The Google English translation version of the result announcement

The winner 2023 Kristin Schultz also grabbed 3rd place, and despite having a German sounding title — it’s set in Berlin — the short story was in Swedish. An edited summary of the jury’s comments, authors P Lindestrand, K Bjällersted-Mickos and N Krog:

“…well-balanced description of a relationship in disintegration…Very eerie environments and Lovecraftian abominations that dwell in dark cellars…exciting and evocative story about…an underground tunnel populated by a hungry monster. The ending is dramatic, well written and classic…Wonderfully well-written and well-thought-out story about a Mathias and Klara who go on group sightseeing in the Berlin underground…Soon total chaos breaks out. The short story is well structured…A pleasure to read.”

Next contest starts in spring 2024. It will be the 25th and a silver jubilee!

(9) FAN HISTORY ZOOM: EVOLUTION OF FAN ART. The Fan History Project has another great FANAC Fan History Zoom session coming up coordinated by webmaster Edie Stern.

  • Evolution of Fan Art with legendary fan artists Grant Canfield, Tim Kirk, Jim Shull and Dan Steffan.

Sunday, October 15, 2023. Time: 4 pm EDT, 1 pm PDT, 9 pm BST (UK) and 7 am (Oct. 16, Melbourne, AU)

To attend, please send a note to [email protected]

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 5, 1945 — Judith Kerman, 78. Can we call her a polymath? She’s a translator, publisher, academic, anthologist and poet.  All of her poetry, collected in Uncommonplaces: Poems of the Fantastic, is well worth your time. She did two non-fiction works of which I’m recommending one, “Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Phillip K. Dick’s Do Androids Dream of Electric Sheep”, as I’ve a Jones for that literature.
  • Born October 5, 1949 — Peter Ackroyd, 74. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein.  I thought Hawksmoor had been turned into a film but it has not. But he has a credit for The Limehouse Golem which is his film work. 
  • Born October 5, 1952 — Clive Barker, 71. Horror writer, series include the Hellraiser and the Book of Art, which is not to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art.  There has been a multitude of comic books, both by him and by others based on his ideas.  My personal fave work by him is the Weaveworld novel.
  • Born October 5, 1959 — Rich Horton, 64. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year, merged into The Year’s Best Science Fiction & Fantasy in 2010. He wrote a review column for Locus for twenty years, signing off this past February. His Strange at Ecbatan blog includes reviews, criticism, and a well-received series that proposes Hugo finalists to fill in the old years when only winners were announced, or even before the award was created.
  • Born October 5, 1971 — Paul Weimer, 52. Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 40 years and exploring the world of roleplaying games for more than 35 years. A three-time Hugo finalist for Best Fan Writer (2020-2022), he is a prolific reviewer for Nerds of a Feather and contributes elsewhere, including Tor.com, The Skiffy and Fanty Show, A Green Man Review, and here at File 770. He also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcasts. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.
  •  Born October 5, 1974 — Colin Meloy, 49. He’s best known as the frontman of the The Decemberists, a band that makes use of folklore quite a bit,  but he has also written the neat and charmingly weird children’s  fantasy Wildwood chronicles which is illustrated by his wife, Carson Ellis.

(11) COMICS SECTION.

(12) GET READY FOR LIFE DAY. Marvel comics will publish four Life Day variant covers in November – in time for the Wookiee celebration of Life Day on November 17.  

Each November, the galaxy far, far away celebrates family, joy, and harmony on Life Day, and this year, Marvel Comics will commemorate this longstanding Wookiee tradition by reflecting these values in all-new variant covers!

 Gracing the covers of STAR Wars, Star Wars: Darth Vader, Star Wars: Doctor Aphra, and Star Wars: Bounty Hunters, the four new Life Day Variant Covers come from artists Mike Del Mundo and Rod Reis and feature characters from throughout various eras of Star Wars storytelling, including nods to the original Star Wars Holiday Special. Fans can enjoy heartwarming moments like young Anakin Skywalker sharing a meal with his mother Shmi, Han Solo and Chewie decorating, Chef Gormaanda whipping up a delicious feast, and Doctor Aphra and Krrsantan reuniting for the season!

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to relive Capclaves past and present during Eating the Fantastic’s lightning-round Capclave Donut Carnival.

I love Eating the Fantastic’s lightning-round donut episodes, for which I park myself in a heavily trafficked area of a con with a dozen donuts and chat with anybody who’s up for trading five minutes of talk for a freebie. It’s a fun contrast to my usual well-researched one-on-one conversations, in that it’s completely spontaneous, since I never know the identities of my guests until their eyes alight on my donuts and they choose themselves.

In 2016, listeners were able to eavesdrop on the Readercon Donut Spectacular, then in 2017 the Balticon Donut Extravaganza, in 2018 the Nebula Awards Donut Jamboree, and in 2019 — before the pandemic forced me to take a break from such things — the StokerCon Donut Spooktacular.

Because Capclave — which ended the day before yesterday as this episode goes live — not only has a patio, but this year, unlike last, had weather warm enough for us to gather there, I was able to bring back that tradition. On Saturday afternoon, I sat down out on the patio with two boxes of donuts from Donut King in Kensington, Maryland, and waited for potential guests to materialize.

So join us during the lightning-round Capclave Donut Carnival, where you’ll hear R. Z. Held and me bond over rejection, David Hacker explain his love of listening to writers read, Michael Dirda recall why Orson Scott Card once kneeled before him on an elevator, James Morrow share his fascination with Charles Darwin, how Katy Lewis found her husband through Dungeons and Dragons, Michael Walsh’s favorite moment as a con chair (which involved Howard Waldrop, Gardner Dozois, and George R. R. Martin), Bill Lawhorn clarify the creation of the bronze dodo, Sarah Pinsker reveal how and why her first science fiction convention was Capclave, Adeena Mignogna explain why space is cool but space travel gets really hot, Mike Zipzer’s memories of Terry Pratchett’s surprise visit, Sarah Mitchell’s arranging of a secret con wedding, Sunny Moraine opine on how the world’s response to COVID-19 changes our ideas of what would happen in a real-world zombie apocalypse, John Pomeranz chat about how the infamous Disclave Great Flood thrust him into being a hotel liaison — and much more!

(14) WOOF 2023. [Item by Rich Lynch.] WOOF(the Worldcon Order Of Faneditors) will have a collation at the upcoming Worldcon in Chengdu.  This year’s Official Editor (OE) is Don Eastlake. 

WOOF is an amateur press association (apa) that has been a feature of Worldcons since 1976 thanks to its originator, the late Bruce Pelz.  For those who will be attending this year’s Worldcon, there will be a WOOF collection box at the Worldcon for printed fanzines.  Alternatively, you can email your WOOFzine as a PDF to <[email protected]>. Your contribution must be received by October 22, Chengdu time. After the deadline passes, the OE will collate all fanzines received into a single PDF document and this assembled mailing will then be made available for download and viewing at efanzines.com, where several previous mailings of WOOF are now archived.  (It’s not yet known if there will be any printed copies.)

(15) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

Procedure for Chengdu bid supporters to be able to enter the lottery — https://weibo.com/5726230680/NmqACu8fo

Following on from recent items, File 770 commenter Adaoli has documented the process that (Chinese?) supporters of the Chengdu site selection bid have to go through, in order to enter the lottery to attend any of the main ceremonies.  (I don’t think this particular quirk was mentioned in those earlier updates, because I didn’t — and still don’t — fully grok all the details.)  In my understanding, anyone who had Chengdu membership through supporting that bid — as opposed to buying a new membership or ticket — doesn’t have the purchase number that is necessary to fill in the lottery application, and so they have to go through this process.  Amongst other things, this involves calling a telephone helpline.

Some initial Weibo comments about the apparent lack of foreign/Western guests

Via Google Translate.  Poster’s identities have been removed, as have the names of authors, which has involved some minor editing for readability.  There are multiple comments from certain posters, so I wouldn’t claim that this is a representative sample of Chinese fandom by any means.

  • Guest of honor Lukyanenko did not appear (understandably). The willingness of foreign science fiction people to participate in the conference is indeed too low (visible to the naked eye).  (I suspect that last bit would be more accurately translated as “invisible to the naked eye”.)
  • Many authors who have been inactive for many years have been brought up to make up the number. Foreign guests invited many cartoonists and artists who are not well-known in China. There were only four well-known foreign writers. Yes, this is really embarrassing.
  • There is no publicity outside. When I helped distribute flyers at the Japan Science Fiction Convention in August, many people who sold doujinshi didn’t know it was held in Chengdu.  (FWIW, this poster has Korean hangul characters in their username, and Weibo indicates they posted that comment from a Japanese IP address.)
  • [In] 1991, there were 45 foreign guests at the WSF conference in Chengdu.
  • Let’s not talk about European and American writers. I didn’t see the writers from neighboring Japan, [Names of 8 Japanese writers omitted.]  It feels not much different from domestic science fiction conventions.
  • I checked that there were probably more than 120 foreign guests attending the event in Yokohama 2007. There were approximately 1,210 foreign participants at that conference (the total number of participants was 2,788) 

At time of submitting this item, I’ve not seen any general reaction to the schedule – although as the announcement on Weibo went out at 22:52 local time, I’m hoping there’ll be more commentary tomorrow.

Video posted showing the interior of the con site — https://weibo.com/6088652407/4952842881735936

Chengdu-based KanDu News posted this 2:42″ video to Weibo, which is the best look yet at the interior of the con venue.  The opening captions indicate it was filmed yesterday (October 3rd), and there’s clearly a lot of interior construction work still underway.

From 0:30 to 0:55 shows the “Hugo Hall”, which is 4000 square meters. The guy talking indicates there’s something special about the video wall; it looks to be translucent and/or visible from both sides?  The area shown between 0:55 – 01:10 is (I think) the area for the press and media, and is 1000 square meters.  

 The structure shown between 1:35 and 2:20 seems like it’s a reproduction of something from the Wandering Earth 2 film, although I haven’t seen that, so I’m unclear what exactly it is. 

That organization also posted a video yesterday composed of night drone shots of the exterior — https://weibo.com/6088652407/NmaFNiigG.

Tibet Airlines magazine interview — https://weibo.com/6045346855/NlSyioyiG

Via the Weibo account of Chengdu SF publisher 8 Light Minutes, (what I assume is) the October issue of the in-flight magazine of Tibet Airlines has a 6-page interview with Best Editor (Short Form) finalist Yang Feng, with various photos relating to the history of Chinese SF and the upcoming Worldcon

(16) WE APOLOGISE FOR ANY INCONVENIENCE. [Item by SF Concatenation’s Jonathan Cowie.] A time-loop, Groundhog Day-type audio play on BBC Radio 4, “We Apologise for Any Inconvenience.”

The being-trapped-in-a-repeating-time-loop trope has an early exemplar film in Groundhog Day (1993) but that was decidedly fantasy.

The SF version was 12:01 (1993) in which the loop was caused by technology. However, the trope’s provenance does not begin there: there was the earlier, Oscar short-listed, short film, 12:01 (1990) which in turn was based on the short story ’12:01 P.M.’ (1973) by Dick Lupoff (who sadly died in 2020).

Alas, challenging Hollywood as to potential plagiarism is arguably hard: it has deep pockets. But you can’t keep a good trope treatment down, and the idea of being stuck in a recurring time loop has been used in a fairly recent Star Trek series as well as an episode of Stargate as well as elsewhere.

And now the BBC has just gotten in on the act with a play on Radio 4 this week: We Apologise for Any Inconvenience, only this time, the principal protagonists are not those actually stuck in the loop themselves but others who happen to encounter the hapless looper that day… 

Sebastian Baczkiewicz’s drama takes us to an anonymous northern station at the heart of the rail network on the day everything grinds to a halt. Hundreds of lives go into limbo but one person claims to have been stuck there longer than anyone else. Will his groundhog day ever end? 

You can listen to it here.

(17) TOP STREAMING. JustWatch lists the top 10 most streamed movies and TV shows for the month of September.

(18) OVER 20K YEARS OLD. A U.S. Geological Survey “Study confirms age of oldest fossil human footprints in North America”.

In September 2021, U.S. Geological Survey researchers and an international team of scientists announced that ancient human footprints discovered in White Sands National Park were between 21,000 and 23,000 years old. This discovery pushed the known date of human presence in North America back by thousands of years and implied that early inhabitants and megafauna co-existed for several millennia before the terminal Pleistocene extinction event. In a follow-up study, published today in Science, researchers used two new independent approaches to date the footprints, both of which resulted in the same age range as the original estimate. 

The 2021 results began a global conversation that sparked public imagination and incited dissenting commentary throughout the scientific community as to the accuracy of the ages. 

“The immediate reaction in some circles of the archeological community was that the accuracy of our dating was insufficient to make the extraordinary claim that humans were present in North America during the Last Glacial Maximum. But our targeted methodology in this current research really paid off,” said Jeff Pigati, USGS research geologist and co-lead author of a newly published study that confirms the age of the White Sands footprints….

In addition to the pollen samples, the team used a different type of dating called optically stimulated luminescence, which dates the last time quartz grains were exposed to sunlight. Using this method, they found that quartz samples collected within the footprint-bearing layers had a minimum age of ~21,500 years, providing further support to the radiocarbon results…

(19) VIDEO OF THE DAY. Ryan George is there when “The Eggplant Emoji Finds Out” what everybody uses it for.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Scott Edelman, Joe Siclari, Rich Lynch, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]