Tag Archives: Madeleine E. Robins

Pixel Scroll 11/5/19 The Void Pixel’s Tale

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(1) 2019 WORLD FANTASY AWARDS PHOTO. Lee Whiteside took this picture of the winners and accepters at Sunday’s World Fantasy Awards ceremony.

Left to right: Kathleen Jennings (accepting for Best Novella winner Kij Johnson), Emma Törzs (Best Short Fiction co-winner as well as accepting for co-winner Mel Kassel), C. L. Polk (Best Novel), Tobias S. Buckell (Best Collection with Paolo Bacigalupi), Reiko Murakami (accepting for Best Artist winner Rovina Cai), Irene Gallo (Best Anthology) and Rajan Khanna (accepting for Scott H. Andrews, Special Award – Nonprofessional)

(2) WATCHMEN PODCAST. ScienceFiction.com alerts listeners when “HBO Launches ‘The Official Watchmen Podcast’”.

The Official Watchmen Podcast launches after the third episode of the series airs on November 3rd. Over three episodes, host Craig Mazin (HBO and Sky’s Chernobyl) discusses Watchmen with its Executive Producer and Writer, Damon Lindelof. Join Mazin and Lindelof as they divulge narrative choices, explore the show’s connection with the groundbreaking graphic novel, and how it reflects our modern times. Make sure to watch episodes one through three of Watchmen before listening. The Official Watchmen Podcast is produced by HBO in conjunction with Pineapple Street Studios.

(3) MAKE ROOM. If Marie Kondo didn’t get you started decluttering, maybe this post by Wil Wheaton will do it: “The Purge”. This excerpt is followed by a moving account of the emotional work he went through in the process.

…As I was cleaning up my emotional baggage, working on strategies to protect myself from my abusers, and practicing mindfulness daily, I realized that I had a ton of STUFF just sitting around my house, cluttering up my physical living space the way my emotional trauma and pain was cluttering up my emotional space. So I made a call, and hired a professional organizer to come to my house, go through all my bullshit with me, and help me get rid of all the things I didn’t need any more.

This process was, in many ways, a metaphor.

We spent several days going through my closets, my game room, my storage spaces in my attic and shed, and eventually ended up with FIVE TRUCKLOADS of stuff I didn’t need. Most of it was clothes and books and things that we donated to shelters, which was really easy to unload. I acquire T-shirts so much, I regularly go through my wardrobe and unload half of what I have, so it’s easy to get rid of stuff without any emotional attachments.

But there were some things that were more difficult to get rid of, things that represented opportunities I once had but didn’t pursue, things that represented ideas that I was really into for a minute, but didn’t see through to completion, things that seemed like a good idea at the time but didn’t really fit into my life, etc….

(4) AO3 TO THE RESCUE. Yahoo! will be closing downYahoo! Groups – at least as people are used to it — for good on December 14, by which point all uploaded content will be lost: “Yahoo is shuttering Yahoo Groups. Fandom will never be the same”.

The death of Yahoo Groups is a particular blow to text-based fan communities, which thrived on the platform in the 2000s. Yahoo message boards and email lists were crucial to the early days of fandom, both as a publishing platform and as a semi-private meeting place in the days before social media sites like Tumblr, Twitter, and Reddit. Yahoo Groups were particularly integral to Harry Potter and English-language anime fandoms, overlapping with the rise of Livejournal in the early 2000s. These fannish mailing lists were home to reams of fanfiction and in-depth commentary on pop culture, and spawned lifelong friendships (and, OK, the occasional deathly feud) within their communities.

AO3 has offered sanctuary to fanworks that are at risk because of the Yahoo Groups shutdown:

We have two processes in place — one to move fanworks from Yahoo Groups onto the Archive Of Our Own, and one to download and preserve messages and other content from Yahoo Groups in file systems so moderators and Yahoo Groups users have more than nine weeks to figure out how to preserve and possibly share that content.

Open Doors can only import fanworks archived in Yahoo Groups onto the Archive of Our Own with the consent of the moderator(s). If you are a moderator and would like to import fanworks from your Yahoo Group(s) to AO3, you are welcome to contact Open Doors via our contact form.

…If you’re a moderator who’d like to potentially import your group to the AO3, contact Open Doors and we’ll talk to you about options. For more updates on what’s happening, see announcements or check back on this page.

If you’d like to directly help rescue teams and you want to save only fandom groups, you can use this form to nominate fandom groups OR you can go directly to the public spreadsheet to find nominated groups that still need downloading. (General downloading instructions are here.) If you want to help save fandom groups and many other non-fandom groups, see Archive Team’s chrome extension. Both are worthy efforts and both face a hard deadline of Dec 14.

(5) CONZEALAND MINORS POLICY. Here are some features of CoNZealand’s “Minors Onsite Policy” for the 2020 Wordcon,

A minor is anyone under the age of 18. In New Zealand, the law requires that no minor under the age of 14 be left unattended. …

Overall Policy 

All Kid-in-tow and Child memberships must be tied to an adult membership. All minors under 16 should have a sticker on the back of their badge detailing up to two adults (over 18) who are responsible for them.  

Due to the nature of licensing and regulation in regards to child care in New Zealand, it will not be possible for us to provide child care at CoNZealand. Please refer to the links to nanny and babysitting services at the end of this document.

Memberships

There are three types of memberships for minors at CoNZealand:

  1. Kid-in-tow (no charge)—born in or after 2015 (generally 5 and under)
  2. Child ($105)—born in or after 2005 (generally 5-15)
  3. Young Adult ($250)—born in or after 2000 (generally 15-20)

These age groups do not exactly align with the differing expectations for supervision of minors. New Zealand law requires that no child under the age of 14 be left unattended. 

(6) ABOUT THE CAMPBELL AWARD. If you didn’t read it in August on Boing Boing, Locus Online has reposted Cory Doctorow’s opinion piece, “Jeannette Ng Was Right: John W. Campbell Was a Fascist”.

At the Hugo Awards ceremony at this summer’s Dublin Worldcon, Jeannette Ng was presented with the John W. Campbell Award for Best New Writer. Ng gave an outstanding and brave acceptance speech in which she called Campbell – the award’s namesake and one of the field’s most influential editors – a “fascist” and expressed solidarity with the Hong Kong pro-democracy protesters.

I am a past recipient of the John W. Campbell Award for Best New Writer (2000) as well as a recipient of the John W. Campbell Memorial Award (2009). I believe I’m the only person to have won both of the Campbells, which, I think, gives me unique license to comment on Ng’s remarks, which have been met with a mixed reception from the field.

I think she was right – and seemly – to make her re­marks….

(7) SOMETHING IN COMMON. BBC explains an award and poses a question: “Staunch Book Prize: Should writers ditch female victims?”

From the escapades of an intern-turned-spy in Turkey’s capital to the tale of a priest in 15th Century Somerset, there might not be an obvious connection between the novels shortlisted for this year’s Staunch Book Prize.

But they have one thing in common: none of them involve physical or sexual violence towards women.

The prize, which is in its second year, recognises thrillers in which “no woman is beaten, stalked, sexually exploited, raped or murdered”.

But while some commend it for challenging stereotypes, others accuse it of ignoring social realities.

Speaking to the BBC, shortlisted authors and other writers share their views on why female characters are so often the victims of violence – and whether that needs to change.

(8) GENTLEMEN, BE OBLITERATED. The Space Review’s article “Nuking the site from orbit: when the Air Force wanted a base on the Moon” mentions Heinlein’s 1940s vision of a moon base with atomic weaponry.

…The concept of the Moon as a strategic base apparently dates at least back to 1948 and an article by Robert S. Richardson titled “Rocket Blitz From the Moon” in the mass-market Collier’s magazine. The article was beautifully illustrated by famed space artist Chesley Bonestell. In one Bonestell painting a bullet-shaped rocket (illogically equipped with large aerodynamic fins) is blasting off from a lunar crater. Another rocket stands prepped in the background and a lunar base is tucked into the side of a mountain. In the next illustration—probably Bonestell’s most dramatic painting ever—Manhattan has been blasted with at least three atomic bombs.

Richardson’s article focused primarily on the physics of the Moon: the low gravity, the lack of air, the trajectory and velocity calculations for firing rockets at the Earth. Rather than advocate that the United States should build a lunar rocket base, Richardson warned that another country could undertake a secret project to develop a lunar base and achieve strategic surprise against the United States. He did not clearly explain why the Moon would be a good place for basing missiles other than its presumed safety from Earth observation, and he noted that it would take at least a day for a rocket to reach Earth with its warhead. Considering that there were other means of basing long-range strategic weapons that did not involve the massive cost of a space program and a lunar base, Richardson’s idea was fanciful at best. But Collier’s was a large circulation magazine, not a science fiction pulp, and this short article certainly reached a big audience and probably fired some imaginations.

Richardson was not the only person writing about the possibilities of using space as a platform for attacking Earth. Robert Heinlein co-wrote a non-fiction article in August 1947, also for Collier’s, called “Flight into the Future.” Heinlein and his co-author, US Navy Captain Caleb Laning, suggested basing atomic weapons in orbit, and Heinlein later used this idea in his book Space Cadet. The 1950 movie Destination Moon, which Heinlein co-wrote, also echoed a similar theme (see “Heinlein’s ghost (part 1)”, The Space Review, April 9, 2007). One of the characters in the movie explains why a lunar base is necessary: “There is absolutely no way to stop an attack from outer space. The first country that can use the Moon for the launching of missiles will control the Earth. That, gentlemen, is the most important military fact of this century.”…

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 5, 1938 — Jim Steranko, 81. His breakthough series  was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
  • Born November 5, 1942 — Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red,  and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” co-written with Leslie Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
  • Born November 5, 1944 — Carol Anne Douglas, 75. Although she has two inarguably genre series In the  Delilah Street, Paranormal Investigator and the Sword and Circlet novels, I’m here to pitch to you her Social Justice Warrior credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series.  Each novel is told in part from the point of view of Midnight Louie, the cat himself in a style some say is like that of a Damon Runyon character.
  • Born November 5, 1949 — Armin Shimerman, 70. Quark on Deep Space Nine. And Principal Snyder on Buffy the Vampire Slayer who if I remember correctly came to a very bad end.  He had the recurring role of Pascal on Beauty and the Beast. He also played Professor George Edward Challenger in the later Nineties Lost World film.
  • Born November 5, 1960 — ?Tilda Swinton, 59. Her take as Rosetta/Ruby/Marinne/Olive in Teknolust might be the most weird genre role she’s done but I like her take as The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe as her best role to date. Mind you her Gabriel in Constantine was frelling strange…
  • Born November 5, 1961 — Sam Rockwell, 58. First in our area of interest as the Head Thug in Teenage Mutant Ninja Turtles. I’ve got him next being Francis Flute in A Midsummer Night’s Dream, not a role I knew. Ahhh, Guy Fleegman on Galaxy Quest. And lastly, he was Zaphod Beeblebroxin The Hitchhiker’s Guide to the Galaxy. 
  • Born November 5, 1964 — Famke Janssen, 55. Her first genre role was Xenia Onatopp in the Bond film GoldenEye and her longest running genre role was as Jean Grey / Phoenix (Dark Phoenix) in the X-Men film series. Counting horror which I do, she’s got a number of genre appearance including Lord of Illusions, The Wolverine, House on Haunted Hill, Deep Rising and Star Trek: The Next Generation, 
  • Born November 5, 1970 — Tamzin Outhwaite, 49. She was Detective Inspector Rebecca Flint on Paradox, a SF police series that ran for just five episodes and received really harsh reviews. Her only other SF role was as the Captain in an Eleventh Doctor story, “Nightmare in Silver” which was scripted by Neil Gaiman. 

(10) BE FREE! ABC news reports “Chicago book returns surge 240% after city eliminates fines”.

“Just by word of mouth and also on the library’s social media pages like Facebook, we saw a lot of patrons say, ‘Oh my God. This is so great. I’m gonna bring back my books. I’ve been hesitant to come back to the library because I owe these fines,'” Telli said.

Chicago became the nation’s first major city to forgo overdue fines, which went into effect Oct. 1 and erased all outstanding fees. Mayor Lori Lightfoot framed the policy change as her latest attempt to remove barriers that deter youth and low-income patrons.

Lightfoot is also making an effort to open libraries on Sundays. The mayor’s 2020 budget includes an $18 million property tax increase to honor her promise to establish Sunday hours at Chicago’s 81 libraries. Currently, the Harold Washington central library and three regional libraries are open 1 p.m. to 5 p.m. on Sundays.

(11) NEVER? WELL, HARDLY EVER. Even Book View Café’s  Madeleine E. Robins will sometimes “RTFM*”.

I am, by nature, a dive-in-and-figure-it-out sort of technology user. This may come from my early days as a computer user, when my then room-mate and sometime business partner dropped a box on my desk and said “we’re doing a user’s manual for X Corp. Can you learn this” — this being PageMaker, the forerunner of InDesign, a page layout program–“by next week? I should have copy for you then.”

Reader, I did not rise up and slay him; I learned the program, eventually well enough that I taught classes in it. I still use those skills:  one of the things I do at my day job is to use InDesign to produce the posters, ads, and other marketing materials that the museum I work at needs for promotion….

(* Read the Fucking Manual.)

(12) PERFECTLY CLEAR. Will this New York Times opinion piece make it all better? Next question! “Martin Scorsese: I Said Marvel Movies Aren’t Cinema. Let Me Explain.”

…In the past 20 years, as we all know, the movie business has changed on all fronts. But the most ominous change has happened stealthily and under cover of night: the gradual but steady elimination of risk. Many films today are perfect products manufactured for immediate consumption. Many of them are well made by teams of talented individuals. All the same, they lack something essential to cinema: the unifying vision of an individual artist. Because, of course, the individual artist is the riskiest factor of all.

I’m certainly not implying that movies should be a subsidized art form, or that they ever were. When the Hollywood studio system was still alive and well, the tension between the artists and the people who ran the business was constant and intense, but it was a productive tension that gave us some of the greatest films ever made — in the words of Bob Dylan, the best of them were “heroic and visionary.”

Today, that tension is gone, and there are some in the business with absolute indifference to the very question of art and an attitude toward the history of cinema that is both dismissive and proprietary — a lethal combination. The situation, sadly, is that we now have two separate fields: There’s worldwide audiovisual entertainment, and there’s cinema. They still overlap from time to time, but that’s becoming increasingly rare. And I fear that the financial dominance of one is being used to marginalize and even belittle the existence of the other….

(13) ELRIC MEETS DUNGEON SYNTH. A Moorcock-obsessed United Kingdom musician who goes by the name Elric is working in the “dungeon synth” genre (an eerie combination of goth, classical, and folk tunes played on 80s synths). The releases are on Bandcamp and are named “Antihero”, “Stormbringer”, and “Elric of Melnibone”. They are all “name your price.” As Bandcamp said about one of the releases:

It’s safe to say that fantasy literature and role-playing games (the tabletop and the video variety) loom large in the world of Dungeon Synth, and Elric expertly combines both of them. Inspired by the chiptune soundtracks of games like Chrono Trigger and Secret of Mana as well as (obviously) the fantasy novels of Michael Moorcock, Elric’s music is the perfect soundtrack to crawling through (16-bit) alcoves, searching for abandoned potions and treasure while trying to avoid the hungry ghouls hidden in the shadows.”

(14) DO ME A SOLID. “Searching For Solid Ice As Scientists Freeze In To Study A Warming Arctic” – BBC delivers lots of meaty detail and pictures.

High up in the Arctic Ocean close to the North Pole, a solitary ship floats in darkness, moored to an expansive piece of ice.

If all goes according to plan the ship will remain with that ice for an entire year, so that scientists on board can study the Arctic system and how it’s responding to climate change.

It’s a project called the Multidisciplinary drifting Observatory for the Study of Arctic Climate (MOSAiC). But finding a piece of ice thick and stable enough to host the mission’s science and logistics is not easy, and there may be challenges for the ice and the scientists in the months ahead.

…The MOSAiC expedition – about a decade in the planning – is an international collaboration involving hundreds of scientists and almost 20 countries. Their goal is to better understand the changing Arctic and improve how it’s represented in climate models.

“We need this information because the Arctic is changing so rapidly, and it’s a place that we have not observed very well in the past,” says Matthew Shupe, an atmospheric scientist with the University of Colorado and the National Oceanic and Atmospheric Administration and a co-coordinator for MOSAiC.

The last time scientists looked at the Arctic Ocean system so comprehensively was more than 20 years ago. But the Arctic has been warming at twice the rate of the rest of the world, and the picture there has changed dramatically.

That’s why these researchers want a year out in the ice: to get an updated look at how the physics, the chemistry, and the biology of this area work during all four seasons.

(15) BIG HOOCH. NPR finds “Climate Change Is Disrupting Centuries-Old Methods Of Winemaking In France”.

In France, climate change is already impacting one of the country’s most emblematic industries — winemaking. French vintners say heat, drought and erratic weather is altering the landscape and their centuries-old way of working.

Brothers Remi and Gregoire Couppé are fourth generation winemakers who craft a top vintage, grand cru St Emilion. In the last few years they’ve been confronted with some new challenges. Forty-four-year-old Remi Couppé says there’s no denying the weather is getting hotter and drier.

“Because of the grapes. They show us the change,” he says. “Especially in alcohol. The alcohol level has been getting higher in the last five years.” These days, the alcohol content by volume can reach 15%, he says; when he was a boy, “it was maximum 12 [% ABV]. It’s causing me some problems when I start the vinification process, because I have to use new yeast to avoid too much alcohol. It’s really new for me.”

The higher alcohol levels come from increased sugar in the grapes due to more sun and heat. What’s also new are some of the plants sprouting up between the vines. Couppé picks a flowery-looking weed, holding it up to the blazing sun. “This plant is from the south of Europe and I never saw it here in my life before four years ago.”

Couppé says you have to be careful when using the mechanized harvester now, because such plants can get mixed in and ad a taste to the grapes.

The brothers say in the past three years they’ve completely stopped a process called “stripping,” where most of the vine leaves are removed just before the harvest. Now they need the leaves’ shade to keep the grapes from burning on the vine. Couppé points to a shriveled, sun-exposed cluster of grapes next to the dark, plump ones still shaded by the leaves.

(16) OUTSIDE OPINION. BBC tells how “Voyagers shed light on Solar System’s structure”.

Data sent back by the two Voyager spacecraft have shed new light on the structure of the Solar System.

Forty-two years after they were launched, the spacecraft are still going strong and exploring the outer reaches of our cosmic neighbourhood.

By analysing data sent back by the probes, scientists have worked out the shape of the vast magnetic bubble that surrounds the Sun.

The two spacecraft are now more than 10 billion miles from Earth.

Researchers detail their findings in six separate studies published in the journal Nature Astronomy.

“We had no good quantitative idea how big this bubble is that the Sun creates around itself with its solar wind – ionised plasma that’s speeding away from the Sun radially in all directions,” said Ed Stone, the longstanding project scientist for the missions.

[Thanks to Daniel Dern, Lee Whiteside, Cat Eldridge, JJ, Chip Hitchcock, Rob Thornton, Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/12/17 There Are As Yet Insufficient Pixels For A Meaningful Scroll

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(1) ABRAMS BACK AT THE HELM. The Wrap’s Beatrice Verhoeven and Umberto Gonzalez, in “J.J. Abrams To Replace Colin Trevorrow on STAR WARS:  EPISODE IX”, say that Disney says that Abrams has been signed to direct this Star Wars film after Trevorrow, who has been attached to Episode IX since 2015, was given the boot.

 “With ‘The Force Awakens,’ J.J. delivered everything we could have possibly hoped for, and I am so excited that he is coming back to close out this trilogy,” said Lucasfilm President Kathleen Kennedy in a statement.

Abrams directed and produced “Star Wars: The Force Awakens” in 2015. He is also serving as an executive producer on the upcoming film “The Last Jedi,” out this December, which Rian Johnson is directing. Abrams will co-write “Episode IX” with Chris Terrio.

(2) A VOYAGE OF DISCOVERY. Time-lapse photography unexpectedly reveals that starships are built from wood.

(3) TOOTLE, PLUNK AND BOOM. And it’s time that the new series theme embarked on a shakedown cruise.

When it comes to Star Trek, a dynamic main title theme is key. In this behind-the-scenes video for Star Trek: Discovery, composer Jeff Russo leads a 60-piece orchestra in recording the new series theme.

 

(4) THANKS FROM THE CENTER. The Center for Bradbury Studies hit its fundraising goal.

(5) VINTAGE TUBE. Echo Ishii has a new installment in her series of reviews of antique TV shows: “SF Obscure: The Tripods”

The Tripods TV series is a 1984-1985 YA SF series based on a series of books The Tripods by John Christopher. It ran for two seasons on the BBC. There are many changes from the books to the tv series though the basic concept remains the same.

The show begins in the future 2089. We see a pre-industrial version of England. Horse drawn carriages, family farms, etc. A young man in a suit is being congratulated by his friends and family for his “capping “ceremony. He takes off his hat to reveal his shaven head. Out of the sky comes a giant metal tripod, that lands in the lake and pulls the young man up inside.

(6) BELIEVERS IN THE MISANDRY CONSPIRACY. At the Emperor’s Notepad a blogger who writes books as Xavier Lastra is convinced he has come up with a more profound explanation for the anti-male bias claims Jon Del Arroz has been selling online this week: “‘Lit Bait’ and preferences/discrimination in genre literature”.

Because the artistic preferences of SF&F editors go way beyond a possible gender bias (which I’m sure exists in some places.) You could be a woman of color with an African-Asian name and a card-carrying member of the Communist Party that if you write a certain type of story, it will be ignored. If it gives off just a whiff of testosterone or sounds like an action-packed adventure yarn with a preference for honest and unironic drama and fun, without any pretense of being “mature,” it won’t be accepted. After all, they have an artistic image to maintain. They can’t just publish any pulpy trash!

And here’s where the feminine aspect comes into play. Obviously, women write all sort of stories, but there is a specific female subset that seems to be especially apt at writing the sort of sentimental Literary Bait, dripping with status anxiety and cheap progressive performances, that routinely gets awarded. It happens at all levels, from school contests to international literary awards. Call it “discrimination” or simply “preferences,” but it’s there.

(7) CAN YOU SAY, “ECOLOGICAL DISASTER”? I KNEW YOU COULD. The more I hear about these hippo books, the more intriguing they become. The Barnes & Noble Sci-Fic & Fantasy Blog’s Martin Cahill gives Sarah Gailey’s latest two tusks up: “The Hippo Mayhem Continues in Taste of Marrow”.

Earlier this year, Sarah Gailey treated us to a book that made the phrase “alternate history western hippo caper” part of the vernacular. River of Teeth is a fun, nuanced tale of an alternate 19th century United States in which hippopotami were introduced into the environment to make up for a livestock shortage and soon overran their boundaries (something that really almost happened, save for a fateful vote in Congress).  It’s a novella chock full of what we love in a debut: memorable prose, a lush setting, precise worldbuilding, and a cast of diverse characters trying their best to pull off a caper, even with the odds against them.

If River of Teeth asked why and how this hippo-hunting posse formed up, sequel Taste of Marrow asks a different question: why do they stay together? Especially with the caper is in shambles, a key member of the crew dead, and another presumed dead at the hands of a pregnant assassin?

Several weeks after River of Teeth, the feral hippos once penned into the Mississippi have been let loose, and Archie and Houndstooth are fleeing to parts left un-feraled.

(8) WEIN REMEMBRANCE. NPR’s Glen Weldon paid tribute to the late Lein Wein on Morning Edition: “Comic Book Legend Len Wein Dies At 69”.

GLEN WELDON, BYLINE: Len Wein wrote and edited the adventures of many well-known superheroes over the course of his career – your Batmans, your Hulks. But he created Wolverine with artists John Romita Sr. and Herb Trimpe. Hugh Jackman played him on screen for years. With his extendible, razor-sharp, adamantium claws, he isn’t much of a talker.

(SOUNDBITE OF SCREAMING)

WELDON: He’s more of a grunter, and slasher and stabber.

(SOUNDBITE OF SLASHING)

WELDON: Wolverine was an innovative superhero in several ways. He was hotheaded. He was hyperviolent. He was Canadian. Most importantly, he was an antihero, one of an emerging breed of characters who strained against the good-guy-versus-bad-guy formula of old-school comics. As Wein explained in the 2016 PBS documentary, you couldn’t pin the guy down.

(9) TODAY’S DAY

Video Games Day

History of Video Games Day

The history of Video Games Day is really the history of the video game, and that history goes back much farther than most people imagine. The first game ever created is often thought to be Bertie the Brain, an artificial intelligence designed to play Tic-Tac-Toe. Considering that Bertie was a 4 meter high machine built on vacuum tube technology, you can imagine it didn’t get out much, in fact, it was disassembled after the Canadian National Exhibition it was revealed at, and never rebuilt. A year later a computer was built called Nimrod, Nimrod was a computer built and displayed at the Festival of Britain in 1951 and designed to play a game called Nim.

(10) TODAY IN HISTORY

  • September 12, 1958 – The Blob premiered.
  • September 12, 1993 — Lois & Clark: The New Adventures of Superman premiered on the small screen.

(11) TODAY’S BIRTHDAY POET

  • Born September 12, 1942 – Marge Simon, Grand Master of the Science Fiction & Fantasy Poetry Association.

(12) HURRICANE HARVEY FALLOUT. The 100 Year Starship Symposium that was scheduled for this weekend in Santa Monica has been postponed til next year.

While we were busily and excitedly preparing for the debut of the NEXUS 2017 event in Santa Monica this month, Hurricane Harvey hit Houston, the administrative, programming and operational headquarters of 100 Year Starship (100YSS).

As you know from all the news reporting, Hurricane Harvey effectively stopped Houston business, transportation, commerce and private activities at homes for five days or more.  All aspects of the work on NEXUS was severely disrupted.  And though the skies are clear in Houston now, the problems of catching up in the face of clean-up and remediation of this natural disaster — currently called the most severe in U.S. history – continue.  We tried diligently, but it has been impossible to overcome Harvey’s impact.

The NEXUS event team huddled and decided to postpone NEXUS so that it will be the type of wildly transformational, engaging and magical event planned.

Space. Radical. Vital. Down to Earth.

We are working to reschedule NEXUS for the first quarter of 2018 and should have new dates shortly.

However, one of the weekend’s scheduled events will still take place —

The 25 Strong! Celebration under the Space Shuttle Endeavour at the Oschin Pavilion of the California Science Center will take place in Los Angeles on Friday, September 15 as originally scheduled since most of the planning and logistics activities were handled there.  If you had planned to attend, are local or have safe travel plans, then please join us.

Patrick S. Tomlinson will be hosting 25 Strong.

(13) LAWS WERE BROKEN. In “Still A Harsh Mistress – Andy Weir: Artemis” at Spekulatív Zóna, Bence Pintér reviews the new novel by the author of The Martian.

Nevertheless, Jazz needs money. Very, very much. And that’s the point when one of her old clients, a Norwegian billionaire businessman comes up with a plan. It is complicated, but it’s a piece of cake for a woman as talented as Jazz. The job pays a lot of money. It is also illegal as hell. And as it turns out, it can really affect the future of Artemis. By the way: why everyone is suddenly crazy about the failing aluminium industry?

The start is a bit bumpy, but after we learn more about Jazz and her ways, the novel shifts to full throttle. The elements are almost the same as in The Martian: a lot of fun in the narration by the badass protagonist and loads of Moon-science instead of Mars-science. Also with some sparkling dialogues and one-liners, the Brazilian mafia, and a collection of misfit friends of Jazz. Jazz is doing a lot of illegal stuff, so forget about the heroism of Mark Watney. And also say goodbye to space potatoes: all you got in exchange is algae-based food called Gunk, which is awful by all accounts.

(14) 19TH-CENTURY RESISTANCE LEADER. GF Willmetts of SFCrowsnest has some iconoclastic things to say about “The Forgotten Genius Of Oliver Heaviside by Basil Mahon (book review)”.

Much of the formulas and his science, especially his legacy, are in the footnotes at the back of the book. It would have made more sense to have incorporated much of this into the main contents of the book. If readers couldn’t understand it, they can easily skip it but placing in notes brings it to secondary importance. I think even Heaviside would agree his maths is more important than his life.

(15) NOTE FROM THE DEAN. Crooked Timber’s John Holbo helps you visualize what happens when “Robert Heinlein writes letters to editors and librarians”.

Enough Lovecraft! Robert Heinlein! I’m reading Innocent Experiments:Childhood and the Culture of Popular Science in the United States, by Rebecca Onion. Chapter 4, “Space Cadets and Rocket Boys: Policing the Masculinity of Scientific Enthusiasms” has quite a bit of good stuff on Heinlein – well it would have to, wouldn’t it? If you’ve read some Heinlein you kind of know what Heinlein is like. But there’s good stuff here about his exchanges with editors. The guy was one serious SJW, insisting on his minority quotas. Of course, he always manages to make it weird in his cosmopolitan-but-All-American, messianic-rationalist-masculinist libertarian-disciplinarian anti-authoritarian-but-in-an-authoritarian-way way.

(16) GUARDIANS OF THE GALAXY GAINS RECRUIT. Marvel says you can expect to see a familiar face in an unfamiliar space when the comic’s next issue appears.

The Guardians have been tasked with some wacky and big adventures while doing the Grandmaster’s bidding, which includes stealing from The Collector – and Star-Lord even accidently destroyed one of his favorite mix-tapes. Now, as they prepare for their Legacy arc THE INFINITY QUEST, they’ll have to team up with the group that has been on their tails – the Nova Corps – as well as one ex-Avenger if they want to keep the universe safe.

“We’re excited to have an Avenger joining the ranks of the Guardians…or is it the Nova Corps? Or both? Oh, you’ll see,” teased editor Jordan D. White. “Just know, he beat out some stiff competition, as you can tell by that cover of issue #12!”

Who exactly is this Avenger? One of the five Marvel superstars on this cover should give you a hint…

(17) HWA ANTHOLOGY. The Horror Writers Association’s Haunted Nights will be released October 3:

Sixteen never-before-published chilling tales that explore every aspect of our darkest holiday, Halloween, co-edited by Ellen Datlow, one of the most successful and respected genre editors, and Lisa Morton, a leading authority on Halloween.

In addition to stories about scheming jack-o’-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick or treating in the future, Haunted Nights also offers terrifying and mind-bending explorations of related holidays like All Souls’ Day, Dia de los Muertos, and Devil’s Night.

  • “With Graveyard Weeds and Wolfbane Seeds” by Seanan McGuire
  • “Dirtmouth” by Stephen Graham Jones”
  • “A Small Taste of the Old Countr” by Jonathan Maberry
  • “Wick’s End” by Joanna Parypinski
  • “The Seventeen Year Itch” by Garth Nix
  • “A Flicker of Light on Devil’s Night” by Kate Jonez
  • “Witch-Hazel” by Jeffrey Ford
  • “Nos Galen Gaeaf” by Kelley Armstrong
  • “We’re Never Inviting Amber Again” by S. P. Miskowski
  • “Sisters” by Brian Evenson
  • “All Through the Night” by Elise Forier Edie
  • “A Kingdom of Sugar Skulls and Marigolds” by Eric J. Guignard
  • “The Turn” by Paul Kane
  • “Jack” by Pat Cadigan
  • “Lost in the Dark” by John Langan
  • “The First Lunar Halloween” by John R. Little

(18) NOPE. Madeleine E. Robins explains “No, I Won’t Put You in My Book” at Book View Café.

I have a lot of friends who tuckerize, or even kill off people who have hurt them in their fiction. Sometimes they auction off  naming for a character for charity. Sometimes a friend just works his/her way into a story. I found myself a member of the NYPD a few years ago, which was kind of interesting. I have nothing against having real-world names or real-world people showing up in fiction; I sometimes find it distracting, if it’s a real-world name or person I personally know, but that’s not enough reason to demand a practice be stopped. I don’t kill off my enemies (wait, I have enemies?) or exes in my work, but again–that’s me.

(19) CAT HERDERS. SJW symbols survive Irma: “Hurricane Irma: Rare animals survive devastating storm”.

As Hurricane Irma cut a devastating path through the Florida Keys islands, a colony of six-toed cats appears to have survived without a scratch.

The furry felines, descended from a pet owned by Ernest Hemingway, ignored orders to evacuate as the winds swept through the writer’s historic house.

Endangered deer native to the islands also appear to have survived the storm.

Florida Keys and western parts of the state bore the brunt of Irma in the US, with winds of up to 120mph (192km/h).

“Save the cats. Get all the cats in the car and take off!” the late Mr Hemingway’s granddaughter, Mariel, urged in a video posted on Friday.

Staff responsible for maintaining the Hemingway Home Museum in Key West, Florida, chose to ride out the storm over the weekend in the property with 54 of their feline friends.

(20) SJW CREDENTIALS – ALL ABOARD! Unfortunately I can’t get my computer to pick up an excerpt from “What It’s Like to Ride Japan’s Cat Café Train” at Atlas Obscura. You’ll love the photos.

(21) ALWAYS NEWS TO SOMEONE. To make up for it, I will run another SJW Credential story I missed when it came out in 2016: Seanan McGuire and the TSA.

(22) SCARES MORE THAN CROWS. “Giant Star Wars AT-AT model built in front garden” – video at the link.

A man has built a giant Star Wars model in his front garden.

The 20ft (6m) replica AT-AT – a combat vehicle in the Star Wars films – was built by Ian Mockett, 54, at his home in Harpole, Northamptonshire.

It took him and his friends a month to make it out of wood for the village’s annual scarecrow festival.

(23) VIDEO OF THE DAY. Burn Out. JJ has anointed this a “strong contender for the DP Short Form Hugo.”

Stella, a space mechanician, has broken down and ended on a desert planet. While she is in despair, a little girl appears out of nowhere. Following the child into a tunnel, in the depths of the planet, she discovers a big cave full of objects that belonged to her, reminding her the dreams she has left behind.

 

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Alan Baumler, Cat Eldridge, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 6/20/17 Hugos And Dragons And Campbells Oh My!

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(1) HAN SOLO DIRECTORS AXED. The untitled Star Wars Han Solo spinoff started principal photography on February 20 at London’s Pinewood Studios, but progress has come to an ass-grinding stop with the departure of directors Phil Lord and Christopher Miller, who cited “creative differences” for the split.

Variety’s article puts it a bit differently — “’Star Wars’ Han Solo Spinoff: Lord & Miller Fired After Clashing With Kathleen Kennedy”.

Phil Lord and Chris Miller’s reputation for writing irreverent, poppy films such as “21 Jump Street” and “The Lego Movie” helped the white-hot writing and directing duo land one of the most coveted gigs in Hollywood — a chance to call the shots on a “Star Wars” film.

But their chance to put their stamp on a galaxy far, far away collapsed on Tuesday with the stunning announcement that the pair would be departing the still untitled Han Solo spin-off movie in the midst of production. Their exit comes after months of conflict with producer Kathleen Kennedy, others from her LucasFilm team, and co-writer and executive producer Lawrence Kasdan, and the two directors hired to infuse the “Star Wars” universe with a tongue-in-cheek sensibility.

Miller and Lord were stunned to find that they were not being granted freedom to run the production in the manner that they were accustomed to. They balked at Kennedy’s tight control on the set.

(2) SAY IT OUT LOUD. Madeleine E. Robins has some advice about dialect in “’Ow’s that, Guv’nor?: The Art of Reading to an Audience”.

So maybe, even if you hear the words you’ve written with a perfect what-ever-it-is accent, you’ll want to think carefully before giving voice to their accents. This is a time when enlisting the assistance of a friend can be useful. Read aloud to them and ask them to tell tell you if it works. If your listener says you’re more [Dick Van Dyke’s Bert the chimney sweep] than Sir Ben Kingsley, rethink.

But my dialogue is written in dialect! Okay, but you don’t have to read inflections that are not in the page. If you’ve got a character saying “I don’t know ‘ow!” you can soften the presumed “Oi” in I; if you aren’t good at the vowels, don’t hit ’em hard. And remember, it’s more important that your listeners follow the sense and meaning of the words than that they get a full theatrical performance.

(3) RED PLANET INTERIOR DECORATORS. Jeremy White in WIRED (“IKEA designers are living in a Mars simulator to get inspiration for future collections. Really”) says that IKEA sent an in-house design team to spend seven days at the Mars Desert Research Station in Utah, who then decided how to make a Mars mission “more homey” and then use that knowledge to aid in IKEA’s product development.

At its annual Democratic Design Day event in Älmhult, Sweden, IKEA has revealed its latest collaborations and products, with a focus on millennials and space travel. Yes, space travel.

To this end, IKEA has done something rather drastic. It’s banished a delegation of its in-house design team to live in a simulated Mars habitat at the Mars Desert Research Station in Utah, America, to learn what it’s like to live in the inhospitable and cramped environs of off-world settlements.

When the company learned that Nasa and students from Sweden’s Lund University School of Industrial Design were working on what would be needed for a three-year space mission to Mars, IKEA requested to join the project.

The home furnishings giant wants to tap in to what scientists and engineers learn from spaceflight to Mars, and apply these discoveries to products and methods for everyday life at home. Marcus Engman, head of design at IKEA, said the company wants to find out what could make space travel “homey” and to identify the boundaries and restraints needed to work in that environment, and then port that knowledge into IKEA’s own product development and “use space knowledge for a better everyday life on Earth”.

(4) TENTACLE TIME. Camestros Felapton reviews a science fictional-themed brew, complete with photos of its exotic label, in “Tuesday Beer: Galactopus @LittleBangBrew”.

…I know my readers would WANT me to drink a beer called “Galactopus”, which features a planet devouring octopus on the label.

The sacrifices I make for you all.

The label has some very clever copy. I wonder how many beer labels a person has to author to qualify for SFWA?

(5) RHETORICAL QUESTION. Having seen the Wonder Woman movie Daniel Dern wants to know, “Why no kangas on Paradise Island?”

(6) HOWARD. The duck’s cameos in Guardians of the Galaxy give his leading lady a new excuse to brag: “Lea Thompson Talks ‘Howard the Duck,’ Claims Her Crown as First Queen of Marvel”.

Lea Thompson couldn’t give a quack about what you think of Howard the Duck, the puntastic 1986 Marvel Comics-based action-comedy that ran afowl of movie critics and has lived in film infamy ever since. The George Lucas-produced movie has a fan base out there, and that’s good enough for her.

“People love that movie!” Thompson said of “HTD,” as she likes to call it, during a Facebook Live interview with Yahoo Movies (watch the full interview below). “They’re releasing it again in Blu-ray or something… They don’t just do that because they’re nice.” (The film was made available on Blu-ray for the first time last May.) “It’s a hilariously bizarre movie,” Thompson continued. “The only thing that I can say that I don’t like about it is that I thought it was a little long.”

The film, which featured the Back to the Future breakout as a Cleveland singer who helps the anthropomorphic duck acclimate to life on Earth, runs 110 minutes, which is still well short of the average runtime of today’s Marvel movies, including the two Guardians of the Galaxy films that have briefly resuscitated Mr. HTD

(7) FIVE STARS. Marion Deeds and Kat Hooper each take a cut at Daryl Gregory’s Spoonbenders at Fantastic Literature. Here’s Marion’s first paragraph:

Spoonbenders (2017) by Daryl Gregory, is multi-generational family saga. It’s a coming-of-age story. It’s a psychic adventure story and a weird conspiracy tale for lovers of shadowy CIA projects like MKULTRA. It’s a gangster story. There’s a heist. There is a long con, and a madcap comedy along the lines of classic Marx Brothers routines. There are a couple of romances, a direct-distribution scheme, a medallion, a cow and a puppy. If we’re talking genre, I don’t know what Spoonbenders is. I know I loved it. I know it was fun and made me laugh, I know it was scary at times and I know I closed the book feeling happy and sad. And I know it’s a five-star book.

(8) COMIC SECTION. John King Tarpinian notes an amusing sf reference today in Bliss.

(9) SAD PUPPIES PROGRESS REPORT. Sarah A. Hoyt returned to tell Mad Genius Club readers what happened to Sad Puppies 5 in “About Those Lost Puppies”. After a lengthy recap of her version of history, she reaches the tentative present:

…Our intention was always to just create a page, in which those who register can post reading recommendations, not just of recent years, but of anything that struck their fancy.  There will be a place where you can say when the book was published and if it’s eligible for an award — and not just a science fiction award — and a link to the award page for people to follow, if so minded.  Yeah, we’ll include the Hugo, but probably with a note saying the award is in the process of self-destructing.

Thing is, I meant to have this up before nominations for the Dragon Award opened.  But on top of the comedy of errors above, our website provider either crashed or was hacked, so while trying to survive auto-immune and meeting more deliveries than UPS, I’ve been trying to get it up and running again.  (My author site is down also.)

So, that’s where we are.  We’ll put it up sometime in the next couple of months, and then Amanda and I will run it, and then Amanda will take over  Or Amanda, Kate and I will continue shepherding it.

When we said this before and pointed out that PARTICULARLY indie books need some place to mention them, we were linked to/lectured by someone one the rabid side, because apparently they already have a site, so we don’t need one of our own.

Tips hat to the right.  Thank you kindly.  But you guys are aware your aesthetics and goals aren’t ours, right?

You just turned Marxist aesthetics on their head, and are judging books by being anti-Marxist and how much they don’t support the neo Marxist idea of justice.  That’s cool and all.  To each his own.  And since, so far, your crazy isn’t being taught in schools, it’s slightly less annoying than the Marxist crazy.

It is still annoying, though, because you’re still judging literary value by whether it fits your (at least as crazy-cakes’ as the Marxists) narrative and your precepts….

(10) I ATE THE WHOLE THING. It’s been reliably reported that Whole Foods was not long for existence if Bezos or the like hadn’t bought them. “Amazon Eats Up Whole Foods as the New Masters of the Universe Plunder America” japes The Daily Beast’s Joel Kotkin.

Unlike our old moguls, the new Masters don’t promise greater prosperity but a world where most people are to be satiated by a state-provided basic income and occasional ‘gig’ work.

 

(11) PLAY BALL The Washington Post’s Scott Allen, in a piece called “Nationals will hide ‘dragon eggs’ ahead of ‘Game of Thrones’ Night”,  says the Washington Nationals have hidden 10 “dragon eggs” in the D.C. area, and if you find one fabulous prizes can be yours at the Nationals’ Game of Thrones night.

Nationals Park will look and feel a bit more like Westeros, the fictional continent from the popular HBO series based on George R.R. Martin’s novels, when the Nationals host the Reds on “Game of Thrones” Night on Friday.

Ahead of the event, the Nationals will hide 10 prize-filled “dragon eggs” in D.C., Maryland and Virginia. A Westeros-themed map posted on the team’s social channels and in The Washington Post Express on Tuesday morning will guide fans to the eggs, which contain a Nationals and “Game of Thrones” co-branded T-shirt, two tickets to Friday’s game and a fast-pass to pose for a photo on the 800-pound Iron Throne that will be located in the Right Field Plaza.

…The Racing Presidents will wear different-colored cloaks with faux fur designed by Ingrid Crepeau, the same woman behind the elaborate costumes that the Racing Presidents have worn on “Star Wars Day” since 2015. Teddy and George showed off their costumes at AwesomeCon in D.C. over the weekend. Screech will be dressed as his favorite “Game of Thrones” character, the three-eyed Raven.

 

(12) SEUSS MUSEUM. The Washington Post’s Andrea Sachs asks, “Will the Dr. Seuss museum be one of the places you’ll go?” Her article reports on the Amazing World of Dr. Seuss museum in Springfield, Massachusetts, where museumgoers can make small books or “a Lorax mustache on a wooden stick, look at his art, and see the rooms where he wrote and drew his books, including hats given him from fans of The 500 Hats of Bartholomew Cubbins.

The ground floor brings to life several of his 40-plus children’s books. The front door opens up to “And to Think That I Saw It on Mulberry Street,” the first children’s book Seuss published. A statue of a police officer patrols a zany parade painted on the wall. Around the bend, step into McGrew’s Zoo, a riot of animals, most not found in the wild. A diagram shows some of the pretend creatures from “If I Ran the Zoo.” There is a preep, a proo, a nerkle and a nerd. Yes, a nerd — a word Seuss made up. Continue onward to make the acquaintance of Thing One and Thing Two, the Cat in the Hat, the Lorax and the tower of turtles from — burp — “Yertle the Turtle.”

Here’s the direct link to “The Amazing World of Dr. Seuss Museum”.

The Amazing World of Dr. Seuss is a permanent, bilingual museum designed to introduce children and their families to the stories of Ted Geisel, promote joy in reading, and nurture specific literacy skills. The 3,200-square-foot first floor exhibition will provide opportunities to explore new sounds and vocabulary, play rhyming games, invent stories, and engage in activities that encourage teamwork and creative thinking.

The second floor will be filled with personal memorabilia belonging to Ted Geisel, including original oil paintings, a collection of zany hats and bowties, the original Geisel Grove sign which used to hang in Forest Park, and furniture from Ted’s sitting room and studio, including his drawing board, breakfast table, sofa, and armchair.

(13) NAZI RELICS. Matt Novak of Gizmodo covers the “Huge Collection of Nazi Artifacts Discovered Inside Secret Room in Argentina”.

Federal police in Argentina recently discovered a time capsule of evil, hidden inside a house near Buenos Aires. Roughly 75 Nazi artifacts, including everything from a large knife to Nazi medical devices to a photo negative of Adolph Hitler, were uncovered in a secret room. Police are investigating when and how the items entered the South American country….

One reason that authorities in Buenos Aires has some degree of certainty that they are originals is that some items from the collection are pictured in photographs with Nazi leaders. For example, one item in the collection is a magnifying glass. The same magnifying glass is seen in a photo negative from the collection showing Hitler himself. Investigators showed the photo to the Associated Press on the condition that the photo not be published.

“This is a way to commercialize them, showing that they were used by the horror, by the Fuhrer. There are photos of him with the objects,” said Bullrich.

 [Thanks to JJ, Daniel Dern, Cat Eldridge, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 6/6/17 Scrolltime For Pixels

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(1) RABID DRAGONS. Vox Day has posted his picks for “Dragon Awards 2017”. Castalia House and John C. Wright are well represented, along with other things he likes. But poor Declan Finn — he’s not on the list.

(2) BOOZY BARBARIANS. Fritz Hahn, in a Washington Post piece called “A ‘Game of Thrones’ pop-up bar where you can drink Dothraquiris on the Iron Throne”, reviews the Game of Thrones Pop-Up Bar, which will be open throughout the summer and where you can drink The North Remembers from a horn as well as all the Ommegang Game of Thrones beers. But don’t take any broadswords there or the bouncers will confiscate them!

After pop-up bars dedicated to Christmas, “Stranger Things,” cherry blossoms and Super Mario, the Drink Company team is turning the former Mockingbird Hill, Southern Efficiency and Eat the Rich spaces into five settings evoking George R.R. Martin’s novels. (Doors open June 21, just a few weeks before Season 7 premieres on HBO.) Immersive rooms include the House of Black and White (where you’ll find a Wall of Faces made of molds of employees and friends of the bar) and the Red Keep, where you can pose for a photo as House Bolton’s flayed man. There will be dragons and house banners, of course, though the real centerpiece will most likely be a full-size replica of the Iron Throne, which co-founder Derek Brown says “is going to be totally ridiculous.”

(3) OCTAVIA BUTLER SET TO MUSIC. A theatrical concert based on Octavia E. Butler’s Parable of the Sower is coming to Chapel Hill, NC in November.

Singer-songwriter-guitarist Toshi Reagon is a celebration of all that’s progressive and uplifting in American music. Written by Toshi in collaboration with her mother — iconic singer, scholar and activist Bernice Johnson Reagon — this powerful theatrical concert brings together 200 years of African American song traditions to give life to Octavia E. Butler’s acclaimed science fiction novel, with revealing insights on gender, race and the future of human civilization.

 

(4) SPECIAL NASFIC OBSERVATORY TRIP. NorthAmeriCon ‘17 members have a chance to join guest of honor Brother Guy Consolmagno, the “Pope’s Astronomer,” on a special tour of the Arecibo Observatory. Find out how at the link.

There are 25 spaces available for the VIP tour, which includes the visitor’s center as well as a 30-minute behind-the-scenes tour in small groups. Since we anticipate that demand for the VIP tour may exceed supply, we are creating a lottery to allocate these spaces. An additional 25 spaces will be available on the bus for the Visitor’s Center only.

The lottery will close at 10 pm ET on Monday, June 12. So as long as you request a spot by then you have an equal opportunity to be picked.

Also, the convention room rate for the Sheraton Puerto Rico Hotel and Casino ends on June 12. Reserve your rooms at the this link.

(5) WHETHER OR NOT YOU WISH. “This is really a neat piece, about the universe where a fantasy princess became a warrior general,” notes JJ, quite rightly. Princess Buttercup Became the Warrior General Who Trained Wonder Woman, All Dreams Are Now Viable by Tor.com’s Emily Asher-Perrin.

Spoilers ahead for the Wonder Woman film.

Those who know the secrets of William Goldman’s The Princess Bride know that he started writing the story for his daughters, one who wanted a story about a bride and the other who wanted a story about a princess. He merged those concepts and wound up with a tale that didn’t focus overmuch on his princess bride, instead bound up in the adventures of a farmboy-turned-pirate, a master swordsman in need of revenge, a giant with a heart of gold, and a war-hungry Prince looking for an excuse to start a terrible conflict. It was turned into a delightful movie directed by Rob Reiner in 1987.

The princess bride in question was played by a twenty-year-old Robin Wright….

(6) HENRY HIGGINS ASKS. In “Why Can’t Wonder Woman Be Wonder Woman?” on National Review Online, editor Rich Lowry says that conservatives will find much to like in the new Wonder Woman movie. He also addresses the mighty controversy about whether the film is feminist because Gal Gadot has no armpit hair in the movie…

(7) FANTASTIC FICTION AT KGB READING SERIES. On June 21, hosts Ellen Datlow and Matthew Kressel present Catherynne M. Valente & Sunny Moraine. The event begins 7 p.m. at the KGB Bar.

Catherynne M. Valente

Catherynne M. Valente is the New York Times bestselling author of over 30 books of fiction and poetry, including Palimpsest, the Orphan’s Tales series, Deathless, Radiance, The Refrigerator Monologues, and the crowdfunded phenomenon The Girl Who Circumnavigated Fairyland in a Ship of Own Making (and the four books that followed it). She is the winner of the Andre Norton, Tiptree, Prix Imaginales, Eugie Foster Memorial, Mythopoeic, Rhysling, Lambda, Locus, Romantic Times and Hugo awards. She has been a finalist for the Nebula and World Fantasy Awards. She lives on an island off the coast of Maine with her partner, two dogs, three cats, six chickens, and a small army of tulips.

Sunny Moraine

Sunny Moraine’s short fiction has appeared in Clarkesworld, Tor.com, Nightmare, Lightspeed, and multiple Year’s Best anthologies, among other places. They are also responsible for the Root Code and Casting the Bones trilogies and their debut short fiction collection Singing With All My Skin and Bone is available from Undertow Publications. In addition to time spent authoring, Sunny is a doctoral candidate in sociology and a sometime college instructor. They unfortunately live just outside Washington, DC, in a creepy house with two cats and a very long-suffering husband.

KGB Bar, 85 East 4th Street, New York (just off 2nd Ave, upstairs.). Remember to donate to their Kickstarter. Readings are always free.

(8) THE FIELD OF MARS. Esquire explains “Why Wonder Woman Has the Most Powerful Opening Scene In Comic Movie History”.

The opening scene in Wonder Woman is a stunning statement: On the enchanted island, the Amazonian women prepare for the day the god of war Ares finds them and tries to wipe them out. To prepare for the god of war is to prepare for war. The camera swoops through the training ground, capturing the Amazonian warriors as they practice wrestling, hand-to-hand combat, archery, and horsemanship. They clash, fists to skin, on a lofted pedestal. They flip from their horses in slow motion, and they smash each other to the ground, all gleaming armor and sinewy muscle as they whirl through the air, braids whipping and breastplates glinting.

It’s a purely physical display of beauty and strength. In a brief minute of film, these women redefine what it means to be a fighter, setting the tone for the rest of the movie: This is going to be two hours of a woman who was raised by women charging straight into the bloody fray of war. You just don’t ever see this bodily type of combat training with women in a movie, and it is enough to make you giddy with anticipation of whatever graceful punishment the Amazonian women will dish out against a real enemy.

(9) BLUE MAN GROUP. I guess they are not playing around. “21st Century Fox’s FoxNext Acquires Mobile Game Studio Group Developing ‘Avatar’ Title” — Variety has the story.

FoxNext, the recently formed gaming, virtual reality and theme parks division of 21st Century Fox, is sinking its teeth into the $40 billion mobile games market.

FoxNext has acquired mobile-game developer Aftershock, the entity spun off from Kabam after South Korean gaming company NetMarble acquired Kabam’s Vancouver studio and other assets last December in a deal reportedly worth up to $800 million.

Aftershock — which has studios in L.A. and San Francisco — currently has three titles in development. The only one that’s been publicly announced is a massively multiplayer mobile strategy game for James Cameron’s “Avatar” franchise, in partnership with Lightstorm Entertainment and 20th Century Fox.

(10) WHEN HE’S WRONG. ComicMix’s John Ostrander has a bone to pick with Bill Maher. (And it’s not the one I expected.)

Maher is very attack orientated and each week he winds up his hour with a rant on a given topic., Usually, I find him really funny and incisive but Maher does have his blind spots. He is anti-religion — Islam in particular. He thinks the majority of American voters to be morons and says so, which I find to be a broad generalization, counter-productive and not true.

His past two shows featured rants that gored a pair of my oxen. One was on space exploration, such as terraforming and colonizing Mars, and the other was a screed against super-hero movies.

Maher argued (ranted) that we should not be exploring space or even think of colonizing Mars so long as we have so many problems here at home. Neal DeGrasse Tyson rebutted Bill the following week when he pointed out that any technology that could terraform Mars could also terraform the Earth and restore what has been ravaged. I would add that a lot of our technological advances are a result of space exploration. That computer you carry in your pocket? That’s a result of the need to reduce the size of computers while making them faster and stronger to be of use to astronauts in space. Sorry, Bill, you didn’t think this through.

Then on his most recent show, Maher was quite disdainful about superhero movies in general.

He said there were too many superhero shows on TV and too many superhero movies at the cineplex and blamed the genre for the rise of Donald Trump. He said they “promote the mindset that we are not masters of our own destiny and the best we can do is sit back and wait for Star-Lord and a f*cking raccoon to sweep in and save our sorry asses. Forget hard work, government institutions, diplomacy, investments — we just need a hero to rise, so we put out the Bat Signal for one man who can step in and solve all of our problems.”

(11) BEESE OBIT. Conrunner Bob Beese suffered an aortic aneurysm and passed away on Friday, June 2. He is survived by his wife Pat “PJ” Beese. Both were past Marcon guests of honor.

Bob Beese worked on Chicon IV (1982) and other Chicago cons.

(12) TODAY IN HISTORY

  • June 6, 1933 — The first drive-in movie theater of the United States opened in New Jersey.
  • June 6, 1949 — George Orwell’s novel of a dystopian future, Nineteen Eighty-four, is published. I may have to run this again in two days — many sources, including the Wikipedia, say it was published on June 8. The correct date has probably been lost down the Memory Hole.

(13) NEW MIDDLE GRADE FICTION PRIZE. Joan Aiken’s estate and the A.M. Heath Literary Agency have announced the creation of the Joan Aiken Future Classics Prize.

A.M. Heath and Lizza Aiken, Joan’s daughter, are launching a competition to find a standout new voice in middle grade children’s fiction.

Joan Aiken was the prizewinning writer of over a hundred books for young readers and adults and is recognized as one of the classic authors of the twentieth century. Her best-known series was ‘The Wolves Chronicles’, of which the first book The Wolves of Willoughby Chase was awarded the Lewis Carroll prize. On its publication TIME magazine called it: ‘One genuine small masterpiece.’€¯ Both that and Black Hearts in Battersea have been made into films. Joan’s books are internationally acclaimed and she received the Edgar Allan Poe Award in the United States as well as the Guardian Award for Fiction in the UK for The Whispering Mountain. Joan Aiken was decorated with an MBE for her services to children’s books.

The Prize will be judged by Julia Churchill, children’s book agent at A.M. Heath, and Lizza Aiken, daughter of Joan Aiken and curator of her Estate. The winner will receive £1,000 and a full set of ‘The Wolves Chronicles’.

A shortlist of five will be announced on August 28, and the winner will be announced on September 14. [Via Locus Online and SF Site News. See guys, giving a hat tip doesn’t hurt at all!]

(14) SMALL BALTICON REPORT. Investigative fan journalist Martin Morse Wooster gives File 770 readers the benefit of his latest discovery:

I learned from the Balticon fan lounge that there was Mythbusters slash fiction. No one knew, though, whether in these stories Jamie and Adam did it before, after, or during the explosions (because as we all know, the four best words in Mythbusters are “Fire in the hole!”

I’ll probably have to forfeit one of my Hugos for reporting that.

(15) STRIKING AGAIN AND AGAIN. Mark Kaedrin takes a stylistic cue from his subject — “Hugo Awards: Too Like the Lightning”.

You will criticize me, reader, for writing this review of Ada Palmer’s Too Like the Lightning in the style that the book itself notes is six hundred years removed from the events it describes (though only two hundred years removed for myself). But it is the style of the Enlightenment and this book tells the story of a world shaped by those ideals.

I must apologize, reader, for I am about to commit the sin of a plot summary, but I beg you to give me your trust for just a few paragraphs longer. There are two main threads to this novel. One concerns a young boy named Bridger who has the ability to make inanimate objects come to life. Being young and having a few wise adult supervisors, he practices these miracles mostly on toys. Such is the way they try to understand his powers while hiding from the authorities, who would surely attempt to exploit the young child ruthlessly.

(16) INNATE OR OUTATE. Shelf Awareness interviews John Kessel about “Sex (and Pianos) on the Moon.”

John Kessel is the author of the novels Good News from Outer Space and Corrupting Dr. Nice and the story collections Meeting in Infinity, The Pure Product and The Baum Plan for Financial Independence and Other Stories. His fiction has received the Nebula Award, the Theodore Sturgeon Memorial Award and the James Tiptree Jr. Award for fiction dealing with gender issues. He teaches American literature and fiction writing at North Carolina State University. He lives in Raleigh with his wife, the novelist Therese Anne Fowler. Kessel’s new novel, The Moon and the Other (reviewed below), recently published by Saga Press, is set on the moon in the 22nd century and tells two love stories, in two politically opposed lunar colonies–the patriarchal Persepolis and the matriarchal Society of Cousins.

What was the genesis of The Moon and the Other?

When my daughter was little, I’d take her to daycare and watch her on the playground with other kids. There was a difference in the way that the girls and the boys played. The boys would run around, often doing solitary things. The girls would sit in a sandbox doing things together. So I began to wonder: To what degree is gendered behavior innate, and to what degree is it learned? I read up about primate behavior, including chimpanzees and bonobos, both related to human beings, but with different cultures. That started me wondering whether there are other ways society could be organized. I didn’t see myself as advocating anything, but I did consider how the world might be organized differently.

(17) THE SHARKES CONTINUING DELIBERATIONS. The Shadow Clarke Jury keeps its reviews coming.

Of the six novels on my personal shortlist, Emma Geen’s The Many Selves of Katherine North is the one that disappointed me most when I came to read it. I originally picked it partly because there was a slight buzz about it online, and I am always curious about novels that provoke online chatter. I chose it too because I’d gained an impression, mostly erroneous as it turned out, that the main character would spend a considerable amount of her time as a fox (and indeed, the novel’s cover art rather implies that this will be the main thrust of the novel), and I’m oddly fascinated by the human preoccupation with vulpine transformations (also, I happen to like foxes a good deal). When I initially wrote about my choices, I invoked David Garnett’s odd little novel of transformation, Lady Into Fox, but having read Many Selves and reread Lady Into Fox, I can see now that I was wrong, except perhaps for one thing, which I’ll come to in due course. Instead, as I read on I found myself thinking more about T.H. White’s The Sword in the Stone. Again, I’ll come back to that shortly.

Even before it was published, The Underground Railroad enjoyed a spectacular amount of pre-buzz. I came to it with a certain amount of apprehension — could any book possibly survive the weight of so much hype? — but expecting to admire it nonetheless. Colson Whitehead is a writer with a notable track record in literary innovation — he gave the zombie novel the full Franzen, after all — and has always been a better-than-solid craftsman. Yet in spite of judging it a perfectly decent book — it’s a thoroughly professional, smoothly executed, highly readable novel on an important subject — I found myself distinctly underwhelmed. Where The Underground Railroad is concerned and in spite of wishing I liked it better than I do, I remain in a condition of some bemusement: I simply cannot see what all the fuss is about.

It is hard to think of a work that does a better job of articulating the artistic tensions at work within contemporary literary science fiction than Yoon Ha Lee’s Ninefox Gambit. Set in the same universe as many of the shorter works that Lee has produced since first entering the field in 1999, his first novel speaks to what science fiction must become whilst paying excessive lip-service to what some would have it remain.

Some thoughts. If anyone has ever read my blog they will, I hope, see that most of the implicit criticism is aimed at myself, though obviously some of what follows touches on various discussions on the Shadow Clarke board.

Subjective taste and critical practise depend on so many factors, thus any reading will privilege certain aspects — close reading, theoretical base, genre knowledge, life experiences, political orientation. Once you remind yourself of that basic idea, it becomes almost impossible to defend the rhetoric and moralism that goes into a special pleading for this book or that. I like a bit of rhetoric and I like a bit of hyperbole — it’s fun. BUT my head would not have exploded if The Power had won this year now would it? It will be hard to stop but I probably should. Moreover, I CAN understand why Priest, Mieville, MacInnes, Kavenna or ANY novel didn’t make it on to the shortlist. The idea that there is some objective truth or taste out there that says differently now seems to me entirely bogus. Even amongst those with a depth and breadth of knowledge about the SF megatext there is no agreement or consensus about the books this year or any year.

There is legitimate concern that by labeling The Underground Railroad as science fiction, readers might dismiss the horrors presented in this geographically and chronologically distorted history, thus relegating it all to whimsical fiction. Yet the SFnal device is there for a reason, and Whitehead’s manipulations of time and space are critical to that purpose: as unnerving as The Handmaid’s Tale, as destabilizing as The Man in the High Castle, as cognitively demonstrative as Viriconium, and as psychologically resonant as The Dark Tower€”all works that utilize alt universe devices to bring sociopolitical and literary concerns into powerful, stark relief. Whitehead’s use of this device is complex and brilliant, although I was unable to grasp just how complex and brilliant it is until this project, which has forced me into the tedious and meaningless position of having to argue for its place in science fiction.

But here we are.

(18) PERN RECOVERED. Book Riot reports: “Anne McCaffrey’s Dragonriders of Pern Trilogy Gets New Covers”.

Del Rey Books is celebrating its 40th anniversary as a publisher of quality science fiction and fantasy novels. Among those titles are the three books that make up Anne McCaffrey’s original Dragonriders of Pern trilogy and the more than 20 novels that have come since. And now, they’re getting a new look.

After August 1, readers will be able to purchase the trilogy, Dragonflight, Dragonquest, and The White Dragon, with shiny new covers.

Images of the covers appear at the post.

(19) SUNSTROKED. The BBC knows about “A planet ‘hotter than most stars'”.

Scientists have found a hellish world where the “surface” of the planet is over 4,000C – almost as hot as our Sun.

In part, that’s because KELT-9b’s host star is itself very hot, but also because this alien world resides so close to the furnace.

KELT-9b takes just two days to complete one orbit of the star.

Being so close means the planet cannot exist for very long – the gases in its atmosphere are being blasted with radiation and lost to space.

Researchers say it may look a little like a comet as it circles the star from pole to pole – another strange aspect of this discovery.

(20) STORYTELLING. It’s great to listen to authors reading — if they’re any good at it. Book View Cafe’s Madeleine E. Robins advises how to do it well in “Modulation: The Art of Reading to an Audience”.

You’re telling a story. When you’re among friends telling the anecdote about that time in Marrakesh with the nun, the waffles, and the chicken, do you tell it in a monotone? Not so much. Reading in a monotone does not give your material dignity–it flattens it. So read as if you’re talking to your friends. On the other hand, unless you’re a really gifted actor, you don’t have to act it out. No, really.

And dialogue? Speak it as you hear it in your head, as if your characters were saying it. Use the emphases you hear them using. Pause when they do. (Maybe I’m overselling this, but when I write I hear the dialogue, so that’s how I read it. Your mileage may vary.)

(21) THE PHOTON OF YOUTH. Golden Oldies on Vimeo starts at a Fifties sock hop, then explains the horrible things that happen when the music stops!

[Thanks to JJ, Cat Eldridge, Lurkertype, Andrew Porter, Alan Maurer, Mark-kitteh, Ellen Datlow, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall, who may not have realized what he was doing at the time.]

Pixel Scroll 11/8/16 When We Scrolled The Pixels On Board, We Thought They Were Cute

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(1) FAR FROM THE MADDING POLLING PLACE. In the market for non-election news? Cat Rambo has you covered at her blog.

As part of recent updates at SFWA we recently revamped the Nebula Recommended Reading list to show up in alphabetical order. It’s a stopgap measure until the website gets re-designed, and to my mind has some of the same problems as presenting by order of number of recommendations. In musing that over, I mentioned to webmaster Jeremy Tolbert that I looked forward to the new school of aardvarkpunk we were inspiring. A half hour later this story appeared in my head.

I thought, however, it would be useful perhaps for people grappling with novels to see what the last bits of work involve. I’ve been incorporating edits from the hardcopy manuscript but still have lots and lots of comments in the e-copy to address. In the process of adding those, I was able to look at the manuscript from a high-enough level that I could sort out all the chronology (oh dear GODDESS please let that statement be true, because that’s been the biggest pain in the rear so far) and make sure that everything made sense, that storylines were resolved, and that all the hidden plotlines got bubbled up in a meaningful way.

(2) SEE THESE SPOTS. Suzanne Johnson shares her knowledge of “Five Magical Spots in New Orleans” at Tor.com.

New Orleans is a place of myth and mysticism. It’s a city of rich, bon temps rouler party culture with a dark undercurrent of cynicism and violence. It’s the most haunted city in America (or so the tourism bureau would have you believe) and one of the most haunting cities for those who fall under its spell.

I am one of those people.

So I had a lot to consider in choosing my five most magical spots in my adopted hometown…

The most supposedly haunted? I’d need to include Lafitte’s Blacksmith Shop, a legitimate business behind which my favorite pirate hid some of his illegitimate activities. Or the Hotel Monteleone (where the undead Jean Lafitte lives in my Sentinels of New Orleans series). Or just about any building in the French Quarter.

I could also go for the most infamous spots—scenes of horrific violence and mayhem. Or perhaps romantically magical spots like the streetcars rumbling down St. Charles Avenue or the trill of jazz along the riverfront. Maybe I could go with the scariest spots—surely led by the rusting ruins and clowns of Six Flags still abandoned a decade after Hurricane Katrina.

— And those are all things that didn’t make her list of five, which she discusses following that introduction.

(3) WHEN IN ROME. Matt Mitrovich covers a time travel novel at Amazing Stories – “Book Review: The Emperor’s Men: Arrival by Dirk van den Boom”.

Arrival was an enjoyable read… but it has issues. On one hand, I though Dirk did a good job on the historical details with both the 1914-era Germans and the 4th century Romans. I liked how he spent time discussing how people dressed, how they prepared their food and even how they went to the bathroom (which is something most books leave out, but hey, there is history behind the toilet even if you don’t want to think about it). Additionally, while Arrival falls squarely into the time travelling ship trope, I still thought Dirk did a good job by using the trope in a setting that not many alternate historians go to (in fact Uchronia lists Dirk’s series as the only alternate history that diverges in 378).

(4) THE TIES THAT BIND. Madeleine E.  Robins tells Book View Café readers how she is going to take her mind off the election in  Respect the Process.

I am, in my day job, employed by the American Bookbinders Museum, a small museum focused on the shift from hand- to mechanical bookbinding as part of the greater Industrial Revolution. It’s fascinating, if you like books, or history, or art, or craft, or the history of women or unions or… As we’re a newish museum, we’re always looking to find ways to reach people who would be a natural audience for us. And as part of our outreach, I’m going to be spending weekends at Dickens Fair, an annual recreation of Dickens’s London on Christmas Eve. I’ll be sewing book signatures (the part of bookbinding that wasn’t mechanized until the mid-1870s) and attempting to interest passers-by in the subject, the craft, and, well… the museum.

(5) TODAY’S BIRTHDAY BOYS

  • Born November 8, 1836 — Games producer Milton Bradley
  • Born November 8, 1847 – Bram Stoker, of Dracula fame.

(6) TREKKING BY THE BOOK. Scott Dutton is at work on Star Fleet Technical Manual 2.0 and has posted online all the pages he’s completed to date.

In 1975, Franz Joseph’s Technical Manual was the perfect companion to his Enterprise blueprints. While there are more accurate sources now, these were two of the best items to have during the time after The Original Series went off the air and before the movies began.

I’ve been working on an updated edition off and on for the past year-and-a-half or so. I’ll continue to work on it as time permits, and I wanted to share the work in progress as a way to get the word out there about it. It’d be nice to see this as an official licenced product in ebook or printed form, or both.

star-trek-technical-manual-5

(7) THE WEED OF CRIME. “Warning for all travelers to Worldcon 75,” says Hampus Eckerman – “373 police reports in Finland were connected to Moomin Mugs (Translation.) Seems like they are the entrance to heavy drugs. Be careful!”

moomin-mug

(8) LONG LIST UPDATE. David Steffen still plans on a mid-December release for Long List Anthology Volume 2, provided he gets all the following done:

I’ve finished drafting up a manuscript for the entire anthology, with all of the stories formatted, with a foreword and acknowledgments, copyright page, previous publications page, table of contents etc.  This is one of the more time-consuming components of putting together the book, since the individual story manuscripts may be in widely varying formats (none of which actually match what is needed for any version of the book).  So there’s a lot of fiddly little details trying to pound out the dents in the formatting, make sure the table of contents is in the same order as the stories in the book, make sure the biographies are attached to the correct stories, and so on.  This manuscript has been handed off to Polgarus Studio for producing the final version of the interior layouts for both print and ebook formats.

I’m working with Pat Steiner to work on final details of the cover layout.  A bit of a chicken-and-egg there, because I need to give an ebook cover to Polgarus for them to make the ebook, but I need the print layout from them for Pat to produce the full print cover (because the print cover image includes the binding, and the binding depends on how many pages the book is).  So there is some back and forth there to get those important details sorted out, but I love the work Pat does, he makes the covers very sharp and readable.

Skyboat Media is hard at work producing the audiobook now.

Next I’ll be working on inputting all the information into Amazon, Kobo, and other book/ebook sources for the book so that hopefully when I get the formatted files back the listings will be ready to just plug in the manuscript files.

(9) EIGHT MILES HIGH. At Galactic Journey, The Traveler reviews a prozine while jetting to the Orient — “[November 8, 1961] Points East (Air Travel and the December 1961 Galaxy)”.

I have to tell you, things are so much faster these days.  The jet engine has cut flight times in half, taking much of the tedium out of travel.  Oh, sure, I always had plenty to do in the air, between writing and reading and planning my next adventures, but for my poor fellow travelers, there was little to do but drink, smoke, and write letters.  For hours and hours.

These days, the Journey is my primary occupation.  I can do it from anywhere, and I often do, bringing my family along with me.  As we speak, I am writing out this article with the roar of the Japan Airlines DC-8’s jets massaging my ears, music from pneumatic headphone cords joining the mix.  It’s a smooth ride, too.  It would be idyllic, if not for the purple clouds of tobacco smoke filling the cabin.  But again, I suffer this annoyance for half the time as before.  I’ll abide.

… Speaking of reports, I’ve just finished up this month’s Galaxy Science Fiction.  I almost didn’t recognize this December issue as it lacks the usual fanciful depiction of St. Nick.  Instead, it features an illustration from Poul Anderson’s new novel, The Day After Doomsday, whose first part takes up a third of the double-sized magazine.  As usual, I won’t cover the serial until it’s done, but Anderson has been reliable of late, and I’ve high hopes.

[Thanks to John King Tarpinian, JJ, and Hampus Eckerman for some of these stories. Title credit goes to File 770 contributing editor of the day lurkertype.]

Pixel Scroll 3/29/16 Police My Tears, the Scrollman Said

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(1) SIAM SINFONIETTA. Somtow Sucharitkul conducts at Carnegie Hall tonight! On Facebook, he posted a picture of his dressing room.

Somtow at Carnegie Hall

(2) SOCIETY PAGES. The Planetary Society has released the second installment of The Planetary Post with actor and Society board member Robert Picardo, their newsletter featuring the most notable space happenings.

For this issue, we took a trip to the set of the scientist-produced musical called “Boldly Go!” to celebrate the 50th anniversary of Star Trek.

 

(3) HOP ON POP. “William Shatner sued for $170 million by man claiming to be his long-lost son”

William Shatner is being sued for $170 million by a radio host who claims to be the “Star Trek” legend’s long-lost son.

Peter Sloan has boldly gone and filed legal paperwork in Florida demanding Shatner submit to a DNA test and cease claiming he isn’t his father.

Sloan, 59, claims his birth mother, late Canadian actress Kathy McNeil, had a brief affair with Captain Kirk in Toronto. She gave him up for adoption at 5 days old.

But Shatner, 85, denies Sloan is his son, and claims the local radio host is trying to unfairly live long and prosper from the connection.

(4) MEMORY NUMBER ONE. Madeleine E. Robins makes a riveting anecdote out of her earliest memory, in “My Mother Went Out for Lemons” at Book View Café.

As a small child my family lived in the top two floors (or more properly, the top floor and an attic) of a brownstone on 11th Street in New York City. Four years after this story we moved to another brownstone, also on 11th Street, where we lived in the bottom two floors.  But that’s neither here nor there in terms of this memory.

My brother would have been about six months old–I know this because it was spring (and both my brother and I were December babies, but it wasn’t swelteringly hot the way that summer in New York City so often is). I would have been about two and a half. And my mother was making dinner and realized that she needed a lemon. Rather than waking the baby and packing us both into the stroller and going down to the corner to fetch a lemon, Mom made a different call: she sat me down on the couch, told me not to move, and went out to buy a lemon….

(5) ONE RULE TO BIND THEM ALL. Jeffe Kennedy warns against violating the One Rule, in “Romance Tropes for SFF Writers” at the SFWA Blog.

The romance in the book does not end happily. It does not end with even the promise of happiness. The heroine and the hero part ways with every indication that this will be a permanent separation.

Now, there is nothing wrong with this ending for a science fiction novel. However, for a book marketed as SFR, it’s a huge violation of reader trust. It’s an ending that makes romance readers throw the book against the wall. It’s a profound betrayal that destroys their trust in an author.

An argument that gets introduced in a lot of these conversations – always from non-romance readers – is that the HEA/HFN is not mandatory. That it’s okay for a story to end tragically. Romeo and Juliet gets trotted out. And sure, that’s true! But Romeo and Juliet is one of Shakespeare’s tragedies! Sure, there’s a romance in it. You can even say the romance is the core of the story, but that doesn’t make it a romance. Why not?

Because it ends tragically, not happily.

(6) TRUST. R. S. Belcher says “Trust Your Editor” in a post at Magical Words.

Like I said, I was pissed. I had been doing this job of writing and getting paid for it for a long time, years. I paid bills, mine and my family’s bills, on my words, and I thought, after busting my hump on this piece that it was one of the best journalism pieces I had written.

The first chicken McNugget of “wisdom” I’ll throw out here, is whatever you write, if you expect to get paid for it, expect to deal with criticism…from all corners. You have to learn how to deal with that anger or it will eat you up like acid, or worse, it will influence how you write. It will affect how fearless you get in your writing, what you do, how you say it, and what you decide to not say. If you can’t handle that, pack it in, take up alpaca herding or something, ’cause you will be a bitter, miserable, and poor writer (in more ways than one).

So, I took a few days, because my deadline allowed me to, and did nothing in regards to the article. I did not email this editor and tell him exactly what I thought of his revisions, and where he could stuff them. I did not quit in a funk, or bad-mouth the guy and his publication in social media. In other words, I didn’t shoot my career in the face with a bazooka. I raged in private, I calmed the hell down, and I got back to work.

I did every single thing this editor had wanted me to do; when all was said and done, when all the ego, and emotional sturm und drang was over, it was a better piece, a better creation of my writing, my words. My editor was right, and he was damn good at his job. The moral of this story is trust your editor.

Now, I’m not saying trust every editor, I’m saying trust your editor.

(7) TWO DADS. The View from the Cheap Seats by Neil Gaiman, on sale May 31. The Fireman by Joe Hill, on sale May 17. John King Tarpinian says, “Joe Hill gave Ray Bradbury credit for the title. Both books are dedicated to the authors’ newborn babies.”

Fireman and gaiman

(8) PATTY DUKE OBIT. Patty Duke passed away March 29 at the age of 69. Sean Astin paid tribute to his mother online:

Shortly after the news was made public that his famous mother Patty Duke had passed, Sean Astin took to social media to post a heartwarming tribute — and announce that he’s launching a mental health initiative in her honor.

“I love you mom,” he wrote alongside a photo of his mother holding him as a baby. The message also included the statement that the family released to announce the passing.

Along with image, Sean posted the words, “Her work endures,” along with a link to the Patty Duke Mental Health Project.

“My mother’s life touched tens of millions of people. Her ground breaking portrayal of iconic American legend Helen Keller, launched a career that would span six decades,” Sean wrote of the crowd-funded project. “First on broadway and then on the silver screen, Patty Duke’s characterization of the extraordinary development of the blind/deaf child brought global attention to the plight of people living with those challenges.

“The nature of this kind of illuminating and compassionate work become the sacred mission of her life,” he continued. “She became a voice for the voiceless, a reassuring presence for the scared, the intimidated and the lost. She was a healer of many souls and a champion for so many in need.”

(9) TODAY IN HISTORY.

revenge of the creature

  • March 29, 1955 – Revenge of the Creature was seen for the first time.  Clint Eastwood, uncredited, makes his first screen appearance in this movie as the goofy white coated lab assistant.
  • March 29, 2004 – Shaun of the Dead premieres in London.

(10) TODAY’S BIRTHDAY GIRL.

  • March 29, 1968 – Lucy Lawless of Xena fame.

(11) A LENS MAN LOOKS AT NARNIA. Vishwas R. Gaitonde has some thoughts about the worldwide popularity of Lewis’ Narnia stories. “With No Inkling of the Contents: Viewing Narnia Through a Hindu Lens” at The Mantle.

Recognizing Hindu Philosophy in Narnia

I began to wonder: what would Narnia be like if it were viewed through a Hindu lens? Perhaps part of the worldwide popularity of the Narnian saga lies in people from other cultures discovering a resonance of their own spiritual beliefs—meanings that Lewis never consciously intended. But then, works of imagination are open to interpretation. As I contemplated the Christian themes in Lewis’ work, I began to wonder: what would Narnia be like if it were viewed through a Hindu lens? Could a reader find such themes throughout Narnia?

…In viewing Narnia through a Hindu lens, I have largely drawn from the Hindu school of philosophy called Advaita Vedanta, which is arguably the most popular contemporary concept of Hinduism.

Atman, Brahman, and Maya: Hindus believe that the human soul (Atman) intuitively knows that existence within a physical body is not its true nature—that it is part of the Godhead, the Universal Spirit (Brahman). But in its body prison, the soul has forgotten its real identity. This ignorance (avidya) forms the human quandary and its accompanying sorrows….

Mythology awakens within us the desire for our true selfIn The Silver Chair, Prince Rilian has similarly forgotten who he is for years whilst bewitched by the Lady of the Green Kirtle. When liberated, Rilian regains full knowledge that he is the heir to the Narnian throne. He declares, “For now that I am myself, I can remember that enchanted life, though while I was enchanted, I could not remember my true self.” Similarly, in The Horse and His Boy, Shasta is clueless about his true identity, but he knows that he isn’t who he and others think he is (a slave or serf). His intuition sets him on a quest that ultimately reveals he is the lost heir of Archenland. In The Voyage of the Dawn Treader, Lord Rhoop is trapped on Dark Island where subconscious dreams come to life, where one is a prisoner of his or her own mind. In The Silver Chair, Jill Pole sees boulders and is fooled into thinking they may have given rise to the old wives’ tales of giants—until the boulders turn out to be actual giants. In The Last Battle, Puzzle the Donkey cloaked in a lion’s skin deceives others into thinking he is Aslan. And in Prince Caspian, Caspian longs for the old Narnia, just as the soul instinctively knows that there is a better place and a better experience (viz., Brahman, Spirit) than its current surroundings. Mythology awakens within us the desire for our true self—so just as Caspian clings to his myths, Hindus hang on to theirs.

(12) JOHN JOSEPH ADAMS. Here’s how John Joseph Adams said it, in “NEWS: Hugo Award Nomination Deadline is March 31”:

If you like a thing, and you think it’s deserving of a Hugo Award, nominate it! If you’re not familiar with a thing, but you saw it on a suggested nominations list or something of the sort, either read/watch it, and then nominate it because you like it, or don’t nominate it because you didn’t like it. Point being, please don’t nominate stuff just because it’s on somebody’s list somewhere; only nominate things you personally think are deserving.

(13) DOGGED EFFORT. At Chaos Horizon, Brandon Kempner continues “Estimating the 2016 Hugo Nominations, Part 2”.

A pretty simple model and not terribly informative so far. What you’ll glean from this is that the Rabid Puppies are likely to deliver a large block of votes to the works on their list. When we combine this chart with the estimated chart from the Typical vote and the Sad Puppy vote, that’s when we’ll be in business.

The core question is whether or not this block will be larger than other voting groups. In more lightly voted categories like Best Related Work or categories where the vote is more dispersed like Best Short Story, 400 votes is likely enough to sweep all or most of the ballot. Think about Best Related Work: the highest non-Puppy pick last year managed only around 100 votes. The top non-Puppy short story only managed 76 votes last year. Even if you triple those this year, you’re still well under 400 votes. In a more popular category like Best Novel or Best Dramatic Work, I expect the impact to be substantial but not sweeping. Perhaps 3 out of 5? 2 out of 5?

(14) WHAT A WAG. The Good Dog News can be found in this Maximumble cartoon.

(15) SHOPPING ONLINE IN THE STONE AGE. Martin Morse Wooster advises, “The YouTube video ‘Internet Shopping–Database—1984’ is another installment of the 1984 ITV series Database, in which the manager of the Nottingham Building Society reveals ‘If we give away one of these’ (keyboards) ‘We won’t have to build any more branches!’

“The excitement of shopping and looking up your bank statements on your TV is palpable!”

[Thanks to Martin Morse Wooster, John King Tarpinian, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 12/8 When Blogs Collide

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(1) ROBOTS FLASH. At the Barnes & Noble blog they’re “Introducing the 12 Days of Robot Christmas” — 12 Days of Flash Fiction from Angry Robot Authors (plus eBook discounts). Posted so far —

Still to come — Adam Rakunas (12/9), Marianne de Pierres (12/10), Peter McLean (12/11) , Carrie Patel (12/14), Ferrett Steinmetz (12/15), Peter Tieryas (12/16), Rod Duncan (12/17), and Matthew De Abaitua (12/18)

Matt Hill’s installment “The New Tradition” begins with a strong hook –

Every Christmas Eve since the biological attack, they let me visit Nan to see what was left of her.

(2) LANSDALE. Joe R. Lansdale will be honored with the 2015 Raymond Chandler Award at Courmayeur during the Noir in Festival to be held December 8-13.

With over forty novels and hundreds of stories to his credit, Lansdale is perhaps the most prolific and brilliant writer working in the noir genre today. With models such as Edgar Rice Burroughs, Mark Twain and Jack London, but also the science fiction of Ray Bradbury and Fredric Brown, as well as comic strips, B movies and “pulp” fiction, Lansdale´s novels are a blend of his jaded sense of humor, unbridled imagination and an unsparing description of reality in its most ruthless, violent and absurd incarnations. His books include The Drive-In and The Drive-In 2, Mucho Mojo, Two-Bear Mambo, Bad Chili, Rumble Tumble, Edge of Dark Water, Devil Red, The Bottoms (winner of an Edgar Award in 2001), Bubba Ho-Tep, and Hap & Leonard.

At Courmayeur, Lansdale will be presenting his latest novel, Honky Tonk Samurai (published in Italian by Einaudi): a new investigative romp featuring the popular characters Hap Collins and Leonard Pine.

The Raymond Chandler Award is a lifetime achievement award. Past winners include sf/f/h writer J.G. Ballard (1995), and Michael Connelly, Scott Turow and John le Carré,

(3) COMPANION ISSUES. James Whitbrook tells how he deals with post-traumatic television series stress in his confessional “The Exact Moment When Doctor Who Taught Me to Never Trust Television Again” at io9.

And being an idiot teen, it was shocking enough to basically make myself vow to never be hurt by television again. Oh, teen James. TV drama basically exists to hurt us on an emotional level, you silly fool. But it kickstarted a habit I still have to this day—if I’m invested in a television series, be it Doctor Who or anything else, I keep up with all the behind the scenes info I can. I go as far as to hunt out spoilers, just to see what’s happening or if people are leaving a show, so I can prepare myself. If I’m binge-watching a show and find myself liking a certain character, I absent-mindedly Google them on my phone to find out if they inevitably die or leave the series before it ends. It infuriates my friends and family, but it’s a force of habit for myself now.

(4) Alamo Drafthouse will host a movie-watching endurance contest in Austin — Star Wars : The Marathon Awakens.

Starting promptly at 4 AM, December 17th, the seven pre-selected fans will take their seats at Alamo’s South Lamar venue to view the first six STAR WARS films in sequential order. Following the close of the initial marathon they will then participate in an endless, round-the-clock screening of STAR WARS: THE FORCE AWAKENS until one final fan is left to claim their mantle of inter-galactic super fan supremacy….

For a chance to be chosen as one of the seven lucky participants in STAR WARS: THE MARATHON AWAKENS, fans need to show the Alamo Drafthouse their Jedi devotion on Instagram, Twitter and Facebook using the #AlamoJedi hashtag. Tattoos, toy collections, cosplay, Hoth haiku — whatever he or she feels shows their ultimate dedication to STAR WARS should be posted to sway the votes of the Alamo’s Jedi Council.

Rules are a requirement for every budding Jedi and STAR WARS: THE MARATHON AWAKENS is no exception. Participants will be given breaks between movies to stretch their legs and channel their inner Force. Sleeping, illegal drugs and talking & texting during the movies (of course) will result in disqualification and a swift trip to the Sarlacc Pit. However, for those strong enough to persevere, intergalactic immortality awaits.

(5) EDELMAN REVISITS 1974. Scott Edelman’s first Worldcon was Discon II in 1974. He has posted scans of the event schedule.

So which of these programming items did I choose to attend?

Well, there was no way I was going to miss Isaac Asimov and Harlan Ellison hurling insults at each other across a crowded ballroom, or the screening of a rough cut of A Boy and His Dog, or Roger Zelazny’s Guest of Honor speech, or the Hugo banquet and ceremony. Or endless wandering through the dealers room, where I picked up several items I still own to this day.

Sadly, of many panels I remember little. A women in science fiction panel featuring Susan Wood, Katherine Kurtz, and Chelsea Quinn Yarbro? A panel on the problems facing today’s (well, 1974’s) science fiction magazines, with Jim Baen, Ben Bova, Ed Ferman, and Ted White? How I wish there was audio or video of those for us to relive those presentations today!

(6) TRAILER FORECAST. ScreenRant has learned the Star Trek Beyond trailer will premiere with Star Wars 7.

THR is reporting that Star Trek Beyond‘s first trailer will be attached to The Force Awakens in theaters – though, of course, it’s far from the only 2016 tentpole that is expected to hitch a ride aboard the Star Wars train. Indeed, both the recently-unveiled Captain America: Civil War teaser trailer and Batman v Superman: Dawn of Justice‘s third theatrical preview are both likely candidates to be shown before The Force Awakens. Furthermore, it’s been reported in the past that the first X-Men: Apocalypse trailer will make its debut on the big screen with co-writer/director J.J. Abrams’ Star Wars feature, as might also be true for another 20th Century Fox project – Roland Emmerich’s alien invasion sequel, Independence Day: Resurgence.

(7) SCULL ANALYZES TOLKIEN BIOS. Christina Scull assays the field in “Tolkien Biographies Continued, Part One” on Too Many Books and Never Enough.

Christina writes: In the Reader’s Guide volume of our J.R.R. Tolkien Companion and Guide Wayne and I devoted nearly seven pages to a review of biographies of Tolkien which had appeared to date (2006). Carpenter’s of course was, and remains, the standard life, and the source upon which most subsequent biographers of Tolkien have relied to a great extent. The major exceptions, in terms of new research, are John Garth in Tolkien and the Great War and ourselves in the Companion and Guide, but a few others have made notable contributions to the literature. Diana Pavlac Glyer in The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community (2007) has a worthwhile discussion of the importance of the Inklings to Tolkien. Andrew H. Morton has produced two studies (the first in association with John Hayes) centred on Tolkien’s Aunt Jane Neave: Tolkien’s Gedling 1914: The Birth of a Legend (2008) and Tolkien’s Bag End: Threshold to Adventure (2009). Phil Mathison has filled in some details about Tolkien’s life during the First World War in Tolkien in East Yorkshire 1917–1918 (2012). And Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process: Language and Life by Arne Zettersten (2011, previously published in Swedish in 2008) recalls his meetings and conversations with Tolkien in the latter’s final years (although Zettersten refers to correspondence, no quotations are given) and usefully discusses Tolkien’s academic work on the ‘AB language’.

(8) A ROAD NOT TAKEN. The actor’s daughter told the Guardian that “Toshiro Mifune turned down Obi-Wan Kenobi and Darth Vader Roles” when George Lucas was casting the original Star Wars movie.

The star of Rashomon and Seven Samurai was approached by George Lucas to appear in his 1977 sci-fi adventure, but the two couldn’t strike a deal, according to the Hollywood Reporter.

“I heard from my father that he was offered the role of Obi-Wan Kenobi, but he was concerned about how the film would look and that it would cheapen the image of samurai, on which George Lucas had based a lot of the character and fighting style,” said Mika.

The plot of Star Wars was loosely based on The Hidden Fortress, a 1958 film that Mifune starred in for director and frequent collaborator Akira Kurosawa.

“At the time, sci-fi movies still looked quite cheap as the effects were not advanced and he had a lot of samurai pride,” Mika said. “So then, there was talk about him taking the Darth Vader role as his face would be covered, but in the end he turned that down too.”

Other actors who turned down roles in the film include Al Pacino, Jack Nicholson, Burt Reynolds, Robert De Niro and James Caan.

(9) BRACKETT SMACK. Christopher M. Chupik volunteers his previously unsuspected ability to identify deserving feminist icons in “To Tower Against The Sky”.

Despite being an inspiration to such writers as Ray Bradbury, Michael Moorcock and E. C. Tubb, Brackett seems to have fallen into a curious limbo. Feminists like to invoke her name in lists of female SF authors, but there seems to be a curious reluctance to speak of the woman or her work. A female writer who held her own in a male-dominated field long before the women’s liberation movement would seem to be the kind of role model modern feminists would want to celebrate, right?

Wrong. Nowadays, she’s mostly known for having written the first draft of The Empire Strikes Back, very little of which made it to the screen. And this is often portrayed as the crowning achievement of her career….

And here, I suspect, we come to the real reason the feminists have marginalized Brackett: she was a conservative.

I had to dig a bit to confirm this. I had a suspicion based on her work that her opinions were not quite in tune with modern leftist orthodoxy. Brackett, along with her husband Edmond Hamilton, were signatories to the pro-Vietnam War petition that appeared in the June 1968 issue of Galaxy. Combine that with her disinterest in feminism, and it becomes very clear why Brackett has been allowed to drift towards obscurity

(10) THEY TOLD DISNEY NO THANKS. The Hollywood Reporter says “Plans for Unfinished Disney Park in St. Louis Up for Auction”  — by Profiles in History, on Thursday.

In the 1960s, Disney drew up plans for an indoor theme park in downtown St. Louis before giving up in a dispute over money and turning attention to Florida.

Imagine packing up the kids and heading for that dream vacation to a Disney theme park … in St. Louis.

It almost happened a half-century ago when Disney drew up plans for an indoor theme park in downtown St. Louis before giving up in a dispute over money and turning its attention to Florida. St. Louis’ loss was the Orlando area’s gain: Walt Disney World became one of the world’s top tourist attractions.

St. Louis can only lament what might have been….

On Thursday, one of the few remnants of the park goes on the auction block — 13 pages of 1963 blueprints spelling out plans for “Walt Disney’s Riverfront Square” in St. Louis. The Calabasas, Calif.-based company Profiles in History is offering up the blueprints as part of its “Animation and Disneyana” auction

(11) CANDIDATES FOR MST3K. Now that Mystery Science Theater 3000 has successfully crowdfunded a string of new episodes, the crew will have to pick some bad flicks to abuse. CNET’s Danny Gallagher helpfully names “7 movie turkeys the new MST3K needs to tackle”.

Any movie buff knows there are still plenty of bad movies out there that deserve to get the MST3K treatment. Here are seven of those stinkers.

  1. “Yor, the Hunter from the Future”

…The people who made this dud don’t seem sure what genre they want it to be. “Yor” starts as a prehistoric adventure movie, but it morphs into science fiction when UFOs and technological warfare are shoved into the plot. They should have called this one, “Yor, the Warrior from…Squirrel!”

(12) A POLITICAL COMMENT. Apparently having a nose isn’t enough to recommend him — J.K. Rowling tweeted Tuesday that Donald Trump is worse than Lord Voldemort.

Rowling’s tweet came after Trump called for preventing all Muslims from entering the United States.

(13) FOUNDING A CON. Lou J. Berger and Quincy J. Allen’s We Are ALL Science Fiction theme will be embodied by a convention bearing the same name, to be held November 4-6, 2016 in Ocean Shores, WA.

Put on by an all-fan, all-volunteer, non-profit group made up of fans with decades of experience in con running and attending (from all over the globe), our first annual convention will feature award-winning authors Mike Resnick, Nancy Kress, Elizabeth Ann Scarborough, Jody Lynn Nye, and many others, including Hugo nominee Jennifer Brozek, Anna Korra’ti, Raven Oak, with other guests such as Scott Hungerford (Games), Marvel comic artist (and fine artist) Jeffrey Veregge, Musical guest Dara Korra’ti of Crime & the Forces of Evil, Tor editor Beth Meacham, and actor Drew Hobson (Voice of Marcus, State of Decay).  We hope to be an international fan destination as we add more speakers and guests in the coming months!

An Indiegogo appeal to pay the expenses has raised $25 of its $9,000 goal in the first 23 hours.

(14) THE FOUNDERS’ CODE. The We Are ALL Science Fiction Code of Conduct announced by Lou J. Berger and Quincy J. Allen is:

#WeAreALLSF is open to all comers, no exceptions, no exclusions, and in this place we treat everyone with respect, even if we disagree with them.

There is one rule: If you don’t have something nice to say, then say it someplace else. Lou and I will be rather draconian in removing those who can’t follow such a simple rule.

That is our one code of conduct.

(15) THE PAST THROUGH PHOTOSHOP. artworkofarmies’ collection “Images may not be historically accurate” improves WWII-era photos by adding science fictional references.

View post on imgur.com

(16) RETRO MOVES FORWARD. Von Dimpleheimer, our correspondent from 1940, has made progress with his due diligence for Volume 5 of Retro-Hugo eligible stories.

I went back and double and triple checked all the previous stories and the ones that would be in Volume Five and I found another mistake. In 1950, Nelson Bond made a fix-up novel of the Lancelot Biggs stories and did renew the copyright of that book in 1977. I removed “Lancelot Biggs Cooks a Pirate” from Volume One and uploaded the new version. I actually knew about the book and remember checking for a renewal, but just missed it somehow.

I cut the Lancelot Biggs stories from Volume Five and I am sure the remaining stories are public domain, but I’ll quintuple check them before I send you the links later this week.

On the plus side, all this checking led me to the fact that “Russell Storm” was actually Robert Moore Williams and I now have two more of his stories for future volumes.

(16) FAVORITE 2015 FANTASY. Stephanie Bugis’ list of “Favorite Fantasy Novels from 2015” leads off with a book by Aliette de Bodard.

 

  1. The House of Shattered Wings, by Aliette de Bodard. Rich, immersive, gorgeous dark fantasy with fallen angels and Vietnamese Immortals, set in a magically post-apocalyptic version of twentieth-century Paris. I read the whole thing on my overnight plane ride back from America to the UK this summer and was so absorbed, I didn’t even mind the lost sleep! You can read my full Goodreads review here.

(17) STOCK THE SHELVES. Melissa Gilbert’s post “Read Like a Writer” at Magical Words takes inspiration from several Stephen King quotes.

I am going to start with the first quotation: “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

I cannot express how much truth there is to these statements. Writing is hard work, contrary to the romanticized ideal of a guy with a beret sitting in a Parisian coffee shop daydreaming about the next bestseller. Being a writer is sitting at the keyboard and pushing keys in rapid succession trying to convey into words the sometimes jumbled picture that is floating around in your brain. It’s living off Snickers bars for a while because you have a deadline and no time to cook actual food. It’s reading in the bathroom instead of Facebooking because you need to finish that next chapter. It’s lugging a book or forty with you in your suitcase when you go on vacation so that you don’t run out of things to read. It’s typing with your thumbs on your smartphone while waiting for the elevator or while commuting on the train so you can get your thousand words in that day. It’s talking to people when you get stuck. It’s staring at the blank page in abject fear that no ideas will come. Writing isn’t easy. Okay, maybe it is. Let me rephrase. GOOD writing isn’t easy. But some things (like reading) can help to make it pleasurable.

(18) ONE’S THE LIMIT. Madeleine E. Robins advocates limiting a character’s advantages over others in “A Rule of One” at Book View Café.

I have this theory. Or maybe it’s just an idea. It’s about the advantages you give your characters. And how many advantages you can give them without distracting from the story or making them unbearable.

Advantages? Beauty is one, and very common; but there’s also intelligence, skill, charm, grace, wit, fortune, discernment, athletic ability, good birth, kind parents, a person who encourages them to follow their dreams, etc. All of these things are wonderful. But most people don’t get to have them all. And if you write a character who does get them all, it’s sort of cheating.

This is particularly important in writing historical fiction, or fantasy set in an historically inspired context (it works for SF too, but to keep things simple I’m limiting my scope). It is easy, and tempting, to create a character who is ahead of her/his time: “You fools, feudalism is doomed! Let us storm the castle and demand the birth of democracy!” A reader may want to sympathize with a character who partakes of our sensibilities more than he does of those of his time, but some writers leave out any clue as to where that vision came from.

(19) RED MARS. According to io9, a live-action adaptation of Kim Stanley Robinson’s Red Mars is coming to Spike TV.

J. Michael Straczinski and Game of Throne’s Vince Gerardis are executive producing, and believe it or not, Spike TV has ordered it “straight-to-series” without a pilot.

(20) SELDES OBIT. Editor and literary agent Timothy Seldes died December 5 reports Newsday. He was 88.

Raised in New York City and a graduate of the University of California, Los Angeles, Seldes grew up around words, ideas and the performing arts. He was the brother of Tony-winning actress Marian Seldes, son of the drama critic and author Gilbert Seldes and nephew of the pioneering press critic George Seldes. He spent much of his editing career at the Doubleday house, where he rose to managing editor and authors included [Richard] Wright and Isaac Asimov.

(21) TWITTER. Your tweetage may vary. Ann Leckie’s certainly does, as she explains in “Me and Twitter”.

Now, I do look at my mentions, and not infrequently reply to those in some way. I do enjoy doing that. But every now and then, someone will turn up in my mentions in some way that’s very clearly designed to get my attention in a particular way–the tweeter wants me to notice their book, or asks explicitly that I follow them back (and they’re not someone I already know). I’m going to be honest, this irritates me. No offense, right? They’re obviously using Twitter as a promotional tool, where I’m using it to hang with people. This is mostly fine with me, in the abstract, I’ve got no problem with publicity or promotion. In the concrete and specific, I’d suggest that approaching promotion on Twitter as largely a question of amassing a lot of followers who you can then tweet to about your book is, perhaps, not as effective as you imagine it might be. I’ll also suggest that, if you want to engage the interest of someone with a lot of twitter followers, whose retweets or conversations with you might bring you the visibility you’re after, you might want to do your research about who that person is and why they have those followers, and not try to engage them with generic questions, let alone passive-aggressive tweets meant to guilt or provoke that person into replying or following back. But, you know, it’s your call, your life, your Twitter feed. And I’m totally okay with using the block and mute buttons whenever it seems convenient. (That would be the way the “react badly” mentioned in the tweets above usually manifests itself.)

(22) DRAWING TO A PAIR OF VONNEGUTS. Ginger Strand’s biography The Brothers Vonnegut is receiving mixed reviews, though all the critics say it’s interesting.

Katy Waldman on Slate finds some of connections discovered by the author “immensely satisfying.”

The Brothers Vonnegut, with its perfect-storm-of-concepts subtitle “Science and Fiction in the House of Magic,” focuses on Bernard and Kurt Vonnegut during the late ’40s and ’50s, when both were involved in the glittering ascent of General Electric during the postwar prosperity boom. Bernard, an MIT graduate and model elder son, researches at the company’s prestigious science lab. Kurt, having survived the Western Front (where he saw the firebombing of Dresden firsthand), takes a job as a PR flack, issuing zingy press releases about GE’s latest innovations.

Ben Jackson at the Guardian concludes:

[Kurt] didn’t hold out much hope for us: in Fates Worse than Death he wrote: “My guess is that … we really will blow up everything by and by”. No doubt Strand is right to locate the origin of many of his concerns in his time at GE, and there is certainly a lot to be said for her interesting book, but Kurt Vonnegut had more on his mind than the weather.

Jeff Milo at Paste Magazine is the most enthusiastic:

The benefits of The Brothers Vonnegut are threefold, starting with Strand’s insights into the professional and domestic lives of these two brothers, both equally strong-willed in their works despite their fields being worlds apart. Strand also draws attention to the vital support these brothers received from their wives, Lois Bowler with Bernard and Jane Marie Cox (Kurt’s first wife). More than that, though, these women are able to substantially enter into the narrative’s insightful spotlight, rather than being merely supportive backdrops for the brothers.

(23) RAMPAGE ON RECORD. Jim Mowatt’s run to Save the Rhino made the Cambridge News.

Mowatt in Cambridge News

(24) PLUTO ON CAMERA. NASA has released a video composed of the sharpest views of Pluto obtained by its New Horizons spacecraft during its flyby in July.

[Thanks to Von Dimpleheimer, Alan Baumler, David K.M. Klaus, JJ, Andrew Porter, Hampus Eckerman, Cat Eldridge, Rob Thornton, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]