(1) SOMTOW’S FILM WINS AWARD. This past weekend Somtow Sucharitkul and an orchestra flew in to do a concert at the Oldenburg International Film Festival — the biggest indie fest in Europe, “Sundance of Europe.” The music selected for the occasion, he says, “included all sorts of great music appropriate to our field including the 1922 score from Nosferatu and the ‘classic’ overture to Piranha II.”
The festival audience also witnessed the premiere of The Maestro, a film made with director Paul Spurrier, with Somtow’s score and onscreen performance. (See File 770’s post about the making of The Maestro.)
In the video below you can watch the entire concert of film music at the Oldenburg Festival — followed by Somtow’s surprise at receiving the Spirit of Cinema Award 2021 for The Maestro.
(2) NO EMMYS FOR SFF SHOWS. The Primetime Emmy Awards aired last night but I don’t have a post up about them because “Sci-fi and fantasy shows completely shut out of Primetime Emmys”, as explained at Winter Is Coming.
… And while series like WandaVision and The Mandalorian cleaned up at the Creative Arts Emmys, which awards more technical categories like production design and costuming, they came up empty at the Primetime Emmys, which rightly or wrongly are considered to be more prestigious….
(3) NEW LEM TRANSLATION. Stanislaw Lem’s 1964 story, published in English for the first time, tells the tale of a scientist in an insane asylum theorizing that the sun is alive. “The Truth, by Stanislaw Lem”, translated by Antonia Lloyd-Jones, is part of a new collection and a free read at The MIT Press Reader.
Here I sit writing in a locked room, where the door has no handle and the windows can’t be opened. They’re made of unbreakable glass. I tried. Not out of a wish to escape or out of rabid fury, I just wanted to be sure. I’m writing at a walnut table. I have plenty of paper. I’m allowed to write. Except no one will ever read it. But I’m writing anyway. I don’t want to be alone, and I can’t read. Everything they give me to read is a lie, the letters start to jump before my eyes and I lose patience. None of what’s in them has been of the least concern to me ever since I realized how things really are….
(4) MARCIA LUCAS’ OPINION ABOUT SW SEQUELS. From Marcia Lucas’ foreword in a new biography about Howard Kazanjian.
IGN continues, in “Marcia Lucas Was ‘Furious’ Over Star Wars Sequel Trilogy: ‘They Don’t Get It’”.
…And perhaps to set the record straight, Lucas also directs her wrath at her ex-husband’s prequel trilogy, revealing her disappointment in Episode I literally brought her to tears in 1999.
“I remember going out to the parking lot, sitting in my car and crying,” Lucas writes. “I cried. I cried because I didn’t think it was very good. And I thought [George] had such a rich vein to mine, a rich palette to tell stories with… There were things I didn’t like about the casting, and things I didn’t like about the story, and things I didn’t like — it was a lot of eye candy. CG.”…
(5) DUNE, ON THE BIG AND BIGGER SCREEN. “’Dune’ Earns $36.8M in Overseas Debut” — The Hollywood Reporter has a breakdown.
The highly anticipated Legendary/Warner Bros. movie opened overseas to $36.8 million across 24 markets and 7,819 screens. Russia led international tickets sales with $7.6 million, followed by France ($7.5 million), Germany ($4.9 million) and Italy ($2.6 million).
Dune‘s giant-format ticket sales were a particular stand-out, with the movie earning $3.6 million in Imax ticket sales from 142 screens, making its per-screen Imax average an astounding $25,000. The Imax ticket sales made up 10 percent of the movie’s total international take. The movie was shot for large-format viewing, with the Imax version featuring an exclusive expanded aspect ratio….
(6) IN CASE YOU WANT TO KNOW. Deadline has a vast calendar of when shows will begin airing: “Fall TV Premiere Dates 2021: New and Returning Series”.
Deadline’s comprehensive annual list of fall premiere dates for new series and new seasons of returning series. It covers more than 450 broadcast, cable and streaming shows bowing from September 1 through December 31
(7) SOUNDS OF SILENCE. I’m gradually working my way through SF Signal’s blogroll. It was compiled years ago and many of the authors have in the interim changed to another platform or dropped blogging for other alternatives. Justine Larbalastier explains why she moved on from Twitter in “Why I Left Twitter, or, the Last Day of 2019”, and left blogging in “The Importance of Masks”, posted in July 2020.
…I haven’t been blogging because I missed the community that used to be here. When this was a regular blog there was a wonderful conversation in response to almost every post. I’m finding blogging here to silence soul sucking.
I miss the community of the old days but I accept those days are gone. The conversations now unfold on social media.
I have found an engaged community on Instagram ready and willing to discuss the intersections of fashion and politics during this pandemic and there are no trolls. I’m loving it. So I post my mini essays there. I will continue to post longer essays here and will soon be updating this site with my fashion research.
I don’t foresee returning to Twitter anytime soon. It was too depressing. I miss those of you I no longer interact with, but my mental health is so much better since I left. So . . .
(8) RUNNING FOR PRESIDENT IN 1840. Barbara Hambly, who is still at it, recently migrated her blogging activity to Barbarahambly.blogspot.com as she notes in “Experimental Post #2”.
And here we are, at my new blog. The website is yet to come, and for the first couple of weeks I’ll be buried in a deadline: Benjamin January # 19, Death and Hard Cider, which takes place against the background of the 1840 Presidential election. I thought about calling it, “Tippecanoe and Murder, Too,” but realized that a lot of people won’t understand the reference to the campaign of William Henry Harrison. That was the first “modern” style Presidential campaign, with songs, rallies, women’s auxiliary organizations (even though women couldn’t vote – the guys found them convenient for providing refreshments at the rallies, and Harrison’s opponents railed against those hussies for handing out leaflets and reading newspapers and having opinions about the politics of their betters)….
(9) MEDIA BIRTHDAY.
- 1979 – Forty-two years ago on this evening, Buck Rogers in the 25th Century first aired on NBC. It was developed by Glen Larson who created Battlestar Galactica and Leslie Stevens who created Outer Limits. It is of course based on characters created by Philip Francis Nowlan. The only cast that counts was Gil Gerard as Captain William “Buck” Rogers and Erin Gray as Colonel Wilma Deering. Oh, and Mel Blanc in the first season voicing Twiki. It lasted but two seasons of thirty-seven episodes. Buster Crabbe who played Buck Rogers in the original thirties Buck Rogers film serial would play Brigadier Gordon in an episode here. It’s worth noting that the series re-used most of the props, star fighters, stages, some of the effects film and even costumes from Battlestar Galactica.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born September 20, 1935 — Keith Roberts. Author of Pavane, an amazing novel. I’ve also read his collection of ghost stories, Winterwood and Other Hauntings, with an introduction by Robert Holdstock. Interestingly he has four BSFA Awards including ones for the artwork for the cover of his own first edition of Kaeti & Company. (Died 2000.)
- Born September 20, 1940 — Jonathan Hardy. He was the voice of Dominar Rygel XVI, called simply Rygel, once the royal ruler of the Hynerian Empire, on Farscape. He was also Police Commissioner Labatouche in Mad Max, and he had a one-off in the Mission: Impossible series that was produced in his native Australia in the “Submarine” episode as Etienne Reynard. (Died 2012.)
- Born September 20, 1950 — James Blaylock, 71. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives whichcollects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading. I see the usual suspects don’t have much by him but they do have two Langdon St. Ives tales, Homunclus and Beneath London.
- Born September 20, 1951 — JoAnna Cameron, 70. I’ve previously mentioned in passing Shazam!, a Seventies children’s series done by Filmation. Well she was the lead on Isis, another Filmation children’s series done at the same time. Her only genre appearance was a brief one in the Amazing Spider-Man series. Anyone here seen it? I don’t remember seeing it.
- Born September 20, 1955 — David Haig, 66. He played Pangol in “The Leisure Hive” a Fourth Doctor story. He also showed up on Blake’s 7 in “Rumours of Death” as Forres, and was Colonel Bonnet inThe Adventures of Young Indiana Jones: Tales of Innocence. He’s also General Vandenberg in the film remake of A for Andromeda. Finally I should I should he’s The Player in Rosencrantz and Guildenstern Are Dead done at The Old Vic a few years back.
- Born September 20, 1974 — Owen Sheers, 47. His first novel, Resistance, tells the story of the inhabitants of a valley near Abergavenny in Wales in the Forties shortly after the failure of Operation Overlord and a successful German takeover of Britain. It’s been made into a film. He also wrote the “White Ravens”, a contemporary take off the myth of Branwen Daughter of Llyr, found in the New Stories from the Mabinogion series.
- Born September 20, 1986 — Aldis Hodge, 35. He played Alec Hardison on the Leverage series which just got a reboot. Ok, I know it’s not precisely genre but if there’s a spiritual descendant of Mission: Impossible, this series is it. Both the cast and their use of technology in that series are keeping with the MI spirit. He’s also had one-offs on Charmed, Buffy the Vampire Slayer, Supernatural, The Walking Dead, Star Trek: Discovery’s Short Takes and Bones (which given that it crossed over with Sleepy Hollow…)
(11) COMICS SECTION.
- In order to make room for a hyperspace bypass… No, wrong story. Saturday Morning Breakfast Cereal.
- Tom Gauld published a book; he knows about feedback.
(12) FROM THE NEIGHBORHOOD. “Whistle, Gotham City’s latest superhero, is Jewish. It’s a full-circle moment for the comics industry” reports the Jewish Telegraphic Agency.
It turns out that Batman’s hometown of Gotham City has a historically Jewish neighborhood, complete with a synagogue. And for this year’s High Holidays, at least one masked superhero will be worshipping there.
Her name is Whistle, a.k.a. Willow Zimmerman, and she’s a Jewish superhero — DC Comics’ first to be explicitly created as Jewish in 44 years. She’s an activist-turned-masked-crusader who draws inspiration from Jewish teachings; she develops the ability to talk to dogs; and she’s making her debut this month in “Whistle: A New Gotham City Superhero,” a graphic novel geared to young adults.
“There’s a long and fascinating history of Jewish creators in comics,” the book’s author and character creator, E. Lockhart, told the Jewish Telegraphic Agency. “Superman, Batman and Spider-Man were all invented by Jewish men, and scholars have interpreted them through a variety of lenses that take that into account. But while there have certainly been Jewish superheroes before, Whistle is the first Jewish hero to originate as Jewish from DC Comics since 1977.”
Lockhart was referring to Seraph, a superhero from Israel who helped Superman in “Super Friends #7? before immediately falling out of the public eye.
(13) TWENTY ACROSS. Catherynne M. Valente celebrated on Facebook her appearance as a clue in a Washington Post crossword puzzle.
(14) NEIGHBORHOOD READY TO BEAM UP. Janice L. Newman tells Galactic Journey readers about their new (in 1966) television-watching tradition: “[September 20, 1966] In the hands of an adolescent (Star Trek’s ‘Charlie X’)”.
….It’s official, we now have a “Star Trek” night at our house each week, when we gather our friends and watch the latest episode. Though we’ve only watched two episodes so far, the show is off to an interesting start! This week we saw “Charlie X”, which had thematic similarities to both of the pilots we saw at Tricon….
(Tricon was “this year’s” Worldcon in Cleveland.)
(15) LIKE THE TUNGUSKA EVENT? It’s a theory. “A giant space rock demolished an ancient Middle Eastern city and everyone in it – possibly inspiring the Biblical story of Sodom” reports Yahoo!
…Experiments with laboratory furnaces showed that the bubbled pottery and mudbricks at Tall el-Hammam liquefied at temperatures above 2,700 F (1,500 C). That’s hot enough to melt an automobile within minutes.
The destruction layer also contains tiny balls of melted material smaller than airborne dust particles. Called spherules, they are made of vaporized iron and sand that melted at about 2,900 F (1,590 C).
In addition, the surfaces of the pottery and meltglass are speckled with tiny melted metallic grains, including iridium with a melting point of 4,435 F (2,466 C), platinum that melts at 3,215 F (1,768 C) and zirconium silicate at 2,800 F (1,540 C).
Together, all this evidence shows that temperatures in the city rose higher than those of volcanoes, warfare and normal city fires. The only natural process left is a cosmic impact….
(16) JEOPARDY! Andrew Porter was tuned in to tonight’s episode of Jeopardy! where contestants had trouble connecting this chemistry lesson with a famous film.
Final Jeopardy: 1980s Movies
Answer: The dip used to kill characters in this 1988 film consisted of Acetone, Benzene & Turpentine, ingredients in paint thinner.
Wrong questions: What is “Dune?” and “What is Raiders of the Lost Ark?”
Right question: What is, “Who Framed Roger Rabbit?”
(17) MOVIE HISTORY UP FOR BIDDING. Heritage Auction’s “Monsters & Friends: Featuring The Kevin Burns Collection” event November 5-7 will include many prime items, including these two:
First, Producer Stanley Bergerman’s Personal Copy of the Universal Pictures Script for Frankenstein (1931). A vintage studio bound and bradded, 99-page screenplay for the Classic Horror movie, Frankenstein. Stanley Bergerman was Universal Studios head, Carl Laemmle’s, son-in-law and a Producer. The oversized script is filled with the content that became one of the greatest monster movies of all time. Second, The Wizard of Oz Metro Goldwyn Mayer Clapperboard (1938). A large vintage wooden clapperboard with metal-hinged clapstick, hand lettered in white on the black painted front face, “Metro Goldwyn Mayer, Wizard Of Oz, Director – Victor Fleming, Camera – Harold Rosson,” and dated, at the bottom of the board, “11-6-1938.”
[Thanks to JJ, Michael Toman, John King Tarpinian, Lise Andreasen, Will R., Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Randall M.]