Tag Archives: Marvel

Pixel Scroll 4/16/23 Feral Pixels Hide In Abandoned Scrolls From Filers Hunting Them

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(1) MARK HAMILL ZOOMS WITH UKRANIAN DEFENDERS. Mark Hamill answered Ukranians’ questions about the Star Wars saga.

(2) A NICHE IN THE ECOLOGY. WIRED tells “How Bookshop.org Survives—and Thrives—in Amazon’s World”.

“DO YOU REMEMBER what kind of beer it was?”

Andy Hunter pauses for so long before answering my question, it’s awkward. He’s racking his brain. I’ve asked him to tell me about the night he came up with the idea that led to his improbably successful bookselling startup, Bookshop.org. As a former magazine editor, he wants to get the details right….

…THE PROBLEM FOR independent bookstores is that many of them don’t have the bandwidth to run their own online stores. Their inventories and shipping capabilities are limited by their non-Amazonian budgets. Plus, sometimes they don’t want to participate in ecommerce; the romance of stuffed shelves and reading nooks and thoughtfully selected staff picks are central to their existence. Removing those experiences seems antithetical—even though it might be necessary—to the bottom line.

Bookshop offers another option. Say you’re a small bookstore owner. It takes only a few minutes to set up a digital storefront on Bookshop’s website, list what books you want to sell, and, if you want, curate collections of titles to reflect your store’s worldview. You don’t have to actually stock any of the books yourself; Bookshop partners with the wholesaler Ingram to fulfill orders, so you’re off the hook for inventory and shipping. You get a 30 percent cut of the cover price on any book sold through your storefront. (If you’re a blogger, writer, influencer, or other bookish type, you can join Bookshop as an individual, even if you don’t own a brick-and-mortar bookstore, and take home a 10 percent cut on whatever you sell.)…

(3) MARTIAN ILLUSTRATIONS. Open Culture shares “Horrifying 1906 Illustrations of H.G. Wells’ War of the Worlds” from the public domain.

H.G. Wells’ War of the Worlds has terrified and fascinated readers and writers for decades since its 1898 publication and has inspired numerous adaptations. The most notorious use of Wells’ book was by Orson Welles, whom the author called “my little namesake,” and whose 1938 War of the Worlds Halloween radio play caused public alarm (though not actually a national panic). After the occurrence, reports Phil Klass, the actor remarked, “I’m extremely surprised to learn that a story, which has become familiar to children through the medium of comic strips and many succeeding and adventure stories, should have had such an immediate and profound effect upon radio listeners.”

… what contemporary circumstances eight years later, we might wonder, fueled the imagination of Henrique Alvim Corrêa, whose 1906 illustrations of the novel you can see here? Wells himself approved of these incredible drawings, praising them before their publication and saying, “Alvim Corrêa did more for my work with his brush than I with my pen.”…

(4) EVERYONE WILL HAVE ONE OF THESE. CBR.com remembers how “Marvel Screwed Up the Final Marvel Value Stamp”.

…In the early 1970s, a momentous change occurred at Marvel Comics, which had been sold off to a conglomerate in the late 1960s. After selling the company, Martin Goodman remained as the publisher until retiring in 1971. Stan Lee then took over as Publisher, with Roy Thomas moving up to become the Editor-in-Chief. As the Publisher, Lee devoted his time less to the day-to-day management of the comic books themselves and instead to new ideas to help make Marvel more money. One of those ideas was the Marvel Value Stamp, a reward system designed to get fans to collect as many Marvel comics as possible to collect all of the possible stamps.

Abrams has a new book out called Marvel Value Stamps: A Visual History, which includes Roy Thomas discussing the history of the Marvel Value Stamp (as far as he was privy to, of course), and in the discussion, he revealed an interesting secret about how the final stamp in the set didn’t work out the way that Marvel intended it to, as instead of only being available in a single Marvel comic, it ended up in three! It wasn’t even the rarest stamp in the collection!…

(5) WHITEHEAD Q&A. [Item by Steven French.] Colton Whitehead says he dug LeGuin’s Earthsea series in this Guardian interview: “Colson Whitehead: ‘When I read Invisible Man I thought maybe there’s room for a Black weirdo like me’”.

My favourite book growing up
I loved pop culture encyclopedias, with their entries and mini-essays about movies and shows that might one day pop up on broadcast TV. The Twilight Zone Companion by Marc Scott Zicree was one, and Michael Weldon’s The Psychotronic Encyclopedia of Film was another, that last one offering tantalising summaries of movies like The Flesh Eaters and Satan’s Sadists.

(6) MIKE FOSTER (1947-2023). Scholar and educator Mike Foster died April 12 “after twelve difficult days in ICU” his wife Jo announced on Facebook. He is survived by his wife, Jo, two daughters, two grandchildren, and his sister. The family obituary is here.

Mike Foster

Foster had a 34-year career at Illinois Central College, teaching English, journalism, and literature, retiring in 2005.

[At ICC] he created a Literature of Fantasy and Imagination course and, in response to student requests, created a J.R.R. Tolkien, Special Studies course. He was instrumental in founding ICC’s Honors Program. In 2004, he taught a term at Christ Church University College in Canterbury, England. Mike received ICC’s Gallion Award for Excellence in Teaching in 1978-79.

Interest in the writings of J.R.R. Tolkien, C.S. Lewis, G.K. Chesterton, and J.M. Barrie gave him the opportunity for lifelong scholarly accomplishments and friendships. Since 1995 he was the North American Representative to the Tolkien Society. He also was active in the Mythopoeic Society and the American Chesterton Society. He delivered conference papers all over the United States and England.  Mike appeared on television in the United States and Canada, including ABC’s “World News Tonight” preceding the release of the first “Lord of the Rings” movie.

Mike and Jo were regulars at Mythcons for years, overlapping my active period in the Society. This excerpt from my 2007 conreport gives a taste of what Mike brought to every event.

…Mike Foster read his very well-written paper on the late George Sayer, Lewis friend and biographer (Jack), and Foster’s friend as well. Foster summarized Sayer’s interpretations of key relationships and events in Lewis’s life, showing how they developed by adding Sayers’s later comments on some points….

…Mythcon’s Saturday night festivities opened with “Lord of the Ringos, the Tolkien musical that the Beatles would have written” (had they not ended up doing The Yellow Submarine) performed by guitarists Lynn Maudlin and Mike Foster, with back-up singers Anne Osborn and Jessica Burke. They recast “Help!” as Gandalf’s plea for assistance in ridding Middle-Earth of the Ring, worked through several more Beatle parodies, and ended triumphantly with a version of “Twist and Shout” that implored Frodo to “twist off that Ring!”…

(7) MEMORY LANE.

1953 – [Compiled by Cat Eldridge.]

Seventy years ago,  Wilmar Shiras’ Children of the Atom was published by Gnome Press with cover art by Frank Kelly Freas. SFBC declared it one of “The Most Significant SF & Fantasy Books of the Last 50 Years, 1953–2002.” 

The book, like the novel last Scroll,  A E Van Vogt’s The Voyage of The Space Beagle, is a fix-up of existing material, in this case of three earlier stories, the most remembered of which is the “In Hiding” novella first published in Astounding Science Fiction, November 1948, which would later appear on several Best SF lists. 

That novella became the basis of the first chapters of her novel with two sequels in the same magazine, “Opening Doors” and “New Foundations” becoming in slightly modified form the rest of this novel.

It is, with doubt, a most extraordinary novel. I asked the Suck Fairy what she thought of it and she actually got a tear in her eye. 

So without spoiler just in case someone has not read this novel yet, here’s the Beginning of Wilmar Shiras’ Children of the Atom…

In Hiding Peter Welles, psychiatrist, eyed the boy thoughtfully. Why had Timothy Paul’s teacher sent him for examination?

“I don’t know, myself, that there’s really anything wrong with Tim,” Miss Page had told Dr. Welles. “He seems perfectly normal. He’s rather quiet as a rule, doesn’t volunteer answers in class or anything of that sort. He gets along well enough with other boys and seems reasonably popular, although he has no special friends. His grades are satisfactory—he gets B faithfully in all his work. But when you’ve been teaching as long as I have, Peter, you get a feeling about certain ones. There is a tension about him—a look in his eyes sometimes—and he is very absent-minded.”

 “What would your guess be?” Welles had asked. Sometimes these hunches were very valuable. Miss Page had taught school for thirty-odd years; she had been Peter’s teacher in the past, and he thought highly of her opinion.”

“What would your guess be?” Welles had asked. Sometimes these hunches were very valuable. Miss Page had taught school for thirty-odd years; she had been Peter’s teacher in the past, and he thought highly of her opinion.

“I ought not to say,” she answered. “There’s nothing to go on—yet. But he might be starting something, and if it could be headed off—”

“Physicians are often called before the symptoms are sufficiently marked for the doctor to be able to see them,” said Welles. “A patient, or the mother of a child, or any practiced observer, can often see that something is going to be wrong. But it’s hard for the doctor in such cases. Tell me what you think I should look for.”

“You won’t pay too much attention to me? It’s just what occurred to me, Peter; I know I’m not a trained psychiatrist. But it could be delusions of grandeur. Or it could be a withdrawing from the society of others. I always have to speak to him twice to get his attention in class—and he has no real chums.” 

Welles had agreed to see what he could find, and promised not to be too much influenced by what Miss Page herself called “an old woman’s notions.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 16, 1917 — William “Billy” Benedict. Singled out for Birthday Honors as he was Whitey Murphy in Adventures of Captain Marvel. Yes, that Captain Marvel.  Back in 1942, it was a 12-chapter black-and-white movie serial from Republic Pictures based off the Fawcett Comics strip. (Died 1999.)
  • Born April 16, 1913 — Lester Tremayne. Between 1953 and 1962, he appeared in these in these genre films: The War of the Worlds, Forbidden Planet, The Monolith Monsters, The Angry Red Planet and Kong vs. Godzilla. He’d later appear in Voyage to the Bottom of the Sea, My Favorite Martian, My Living Doll (yes, it’s SF) and Shazam! (Died 2003.)
  • Born April 16, 1918 — Spike Milligan. Writer and principal star of The Goon Show which lampooned a number of genre works such as H. Rider Haggard’s She, Orwell’s Nineteen Eighty-Four, James Hilton’s Lost Horizon and Quatermass and the Pit. You can find these scripts in The Goon Show Scripts and More Goon Show Scripts. (Died 2002.)
  • Born April 16, 1921 — Peter  Ustinov. He had a number of genre appearances such as being in Blackbeard’s Ghost as Captain Blackbeard, in the animated Robin Hood voicing both Prince John and King Richard, as simply The Old Man In Logan’s Run, Truck Driver In The Great Muppet Caper, and in Alice in Wonderland as The Walrus. And let’s finally note that In half a dozen films, he played Agatha Christie’s Hercule Poirot, first in Death on the Nile and then in Evil Under the Sun, Thirteen at Dinner (which I do not recognize), Dead Man’s Folly, Murder in Three Acts (nor this one either) and finally in  Appointment with Death. (Died 2004.)
  • Born April 16, 1922 — Kingsley  Amis. So have you read The Green Man? I’m still not convinced that anything actually happened, or that everything including the hauntings were in anything but Maurice Allington’s alcohol stewed brain. I’m not seeing that he did much else for genre work but he did write Colonel Sun: a James Bond Adventure under thepseudonym of Robert Markham and his New Maps of Hell: A Survey of Science Fiction published in the late Fifties, he shares his views on the genre and makes some predictions as there’ll never be a SF series on the boob tube. (Died 1995.)
  • Born April 16, 1922 — John Christopher. Author of The Tripods, an alien invasion series which was adapted into both a radio and television series. He wrote a lot of genre fiction including the Fireball series in which Rome never fell, and The Death of Grass which I mention because it was one of the many YA post-apocalyptic novels that he wrote in the Fifties and Sixties that sold extremely well in the U.K. (Died 2012.)
  • Born April 16, 1962 — Kathryn Cramer, 61. Writer, editor, and literary critic. She co-founded The New York Review of Science Fiction in 1988 with David G. Hartwell and others, and was its co-editor until 1991 and again since 1996. She edited with her husband David G. Hartwell Year’s Best Fantasy, the first nine volumes, and Year’s Best SF seven through thirteen with as well. 
  • Born April 16, 1963 — Scott Nicolay, 60. Navajo writer whose “Do You Like to Look At Monsters?“ was honored with the World Fantasy Award for Best Short Story. It’s found in his Ana Kai Tangata: Tales of the Outer the Other the Damned and the Doomed collection. He hosts The Outer Dark, a weekly podcast about weird fiction.

(9) COMICS SECTION.

  • Broom Hilda has a “friend” who just invented a time machine and wants her to try it out.

(10) FUTURE PRESENT WAR. ScienceAlert’s Mike Ryder says, “Science Fiction Is Influencing How We Conduct War And We Might Not Like The Results”. The second of his four examples is —

2. Drones

Drone operations play an increasingly important role in modern warfare, with the US and its allies making use of Predator and Reaper drones to patrol the skies and kill terror suspects from afar. More recently, we have seen examples of naval drones being used in the war in Ukraine.

But, of course, science fiction has long predicted this type of warfare and if anything, it is simply a logical continuation of the computerization of daily life.

In Orson Scott Card’s novel Ender’s Game (1985), the child protagonist Ender Wiggin is taken into Battle School where he takes part in a series of elaborate military exercises using computers to simulate a war against a distant alien foe. Only after destroying the alien home world does Ender then discover that he wasn’t playing a game at all, but rather commanding real-world forces fighting in outer space.

In a recent article, I argue that Ender’s Game both pre-empts and engages with many of the key debates that we are having in this area today. This includes the way targets are selected and the moral and ethical questions around remote killing. As drones become more common in daily civilian life, these issues will only become more pressing.

(11) SJW CREDENTIALS AT SEA. “The forgotten history of cats in the navy” at National Geographic.

… Though cats are known for their aversion to water, they acclimated quite well to life on the sea. Unlike the “limeys” of the Royal Navy, who famously had to drink citrus juice to prevent scurvy, cats make their own vitamin C and can survive on a diet consisting of fish and mammals without needing to eat fruits and vegetables. And when rodents were in short supply, cats had different methods for catching fish for themselves. The easiest prey were the ones that simply washed up on the deck. Some cats overcame their dislike of water to become skilled divers that could snatch fish from the ocean. The cats that never got comfortable with swimming still managed to hunt by deftly knocking down fish leaping over the ship’s bow. Because cats got most of the moisture they needed from eating the fish, they did not require a lot of potable water like human sailors. In addition, cats have an excellent internal filtration system that allows them to drink a bit of sea water if necessary….

(12) NOT AT ALL CREEPY, RIGHT? [Item by Mike Kennedy.] It’s a bird! It’s a plane! It’s, um, both? “A team of US scientists is turning dead birds into drones to study flight techniques that may help the aviation industry” at Business Insider.

A research team in New Mexico is converting taxidermic birds into drones in order to study flight patterns, Reuters reported. 

Mostafa Hassanalian, a mechanical engineering professor leading the project at the New Mexico Institute of Mining and Technology in Socorro, said the team started looking into deceased birds after mechanical bird drones weren’t yielding good results. 

“We came up with this idea that we can use … dead birds and make them (into) a drone,” Hassanalian, who has extensively studied drones, told Reuters.

“Everything is there,” he added. “We do reverse engineering.”…

…. “If we learn how these birds manage energy between themselves, we can apply (that) into the future aviation industry to save more energy and save more fuel,” Hassanalian said.

The bird drone prototype can only fly for a maximum of 20 minutes, Hassanalian told Reuters, so scientists will work to develop a drone that can spend more time in the air and perform tests among live birds….

(13) YOWCH. LiveScience says “Octopuses torture and eat themselves after mating. Science finally knows why”.

…When she transitioned into graduate school in science, she kept that interest, and was struck by the dramatic deaths of octopus mothers after they laid their eggs. No one knows the purpose of the behavior. Theories include the idea that the dramatic death displays draw predators away from eggs, or that the mother’s body releases nutrients into the water that nurture the eggs. Most likely, Wang said, the die-off protects the babies from the older generation. Octopuses are cannibals, she said, and if older octopuses stuck around, they might end up eating all of each other’s young. …

(14) VIDEO OF THE DAY. Yahoo! introduces a Saturday Night Live segment about a disappointed figure left out of the box office hit in “’SNL’: Funky Kong Explains Why ‘Super Mario Bros’ Movie Snubbed Him: ‘Funky Kong Is Too Real’”.

So the big news in Hollywood the last couple of week is that the “Super Mario Bros.” movie is a gigantic hit. However, during the “Weekend Update” segment of this week’s episode of NBC’s “SNL,” one particularly iconic Mario adjacent character dropped in to explain why he’s barely in the film.

That would be Funky Kong, Donkey Kong’s cousin and really good pal who first appeared in 1994’s Donkey Kong country. And since it was played by reigning “SNL” MVP Kenan Thompson, the sketch was an absolute delight…

[Thanks to Mike Kennedy, SF Concatenation’s Jonathan Cowie, Susan de Guardiola, Steven French, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/30/23 Yes! We Have No Pixels, We Have No Pixels Today

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(1) NEW FUTURE TENSE FICTION PODCAST. The first episode of the Future Tense Fiction podcast series dropped this week. Produced by Slate, it’s hosted by science journalist Maddie Stone, and each episode features a voice actor reading one of the Future Tense stories, followed by a conversation with the author about how their own experiences with technology informed their writing and vision. The first episode features Sturgeon Award–winning story “When Robot and Crow saved East St. Louis,” by Annalee Newitz. The podcast is free and is available through any podcast service that people use (including but not limited to Apple Podcasts, Spotify, Stitcher, and Radio Public).

(2) THE BIG EUROVISION READ. Catherynne M. Valente ecstatically told Facebook followers:

Decibel Jones and the Absolute Zeroes have finally made it to the blue carpet. WHAT.

I could not possibly be more excited to announce that Space Opera, the literary lovechild of @Eurovision & a drunk thesaurus, is officially part of the #BigEurovisionRead and #Eurofestival, sponsored by @bbcarts and @thereadingagency this year!

From a throwaway joke on Twitter to really being part of actual #Eurovision? Oh. My. God.

It truly isn’t possible to express how thrilling it is for an utterly cringe #Eurovision dork like me to be anywhere near the actual event, let alone a small official part of it. I am so honored, so grateful, and I hope Dess and the gang find a whole new galaxy of friends.

Space Opera has been such a ride, and the sequel is out this fall! Thank you so much to all the librarians that chose this book and everyone who has jumped on Mr. Jones’ Wild Ride over the last five years.

Life is beautiful and life is stupid. Truly.

(3) STARFLEET ACADEMY. “’Star Trek: Starfleet Academy’ Series Ordered at Paramount+” and Variety has details.

 “Admission is now open to Starfleet Academy! Explore the galaxy! Captain your destiny! For the first time in over a century, our campus will be re-opened to admit individuals a minimum of 16 Earth years (or species equivalent) who dream of exceeding their physical, mental and spiritual limits, who value friendship, camaraderie, honor and devotion to a cause greater than themselves,” Kurtzman and Landau said. “The coursework will be rigorous, the instructors among the brightest lights in their respective fields, and those accepted will live and study side-by-side with the most diverse population of students ever admitted. Today we encourage all who share our dreams, goals and values to join a new generation of visionary cadets as they take their first steps toward creating a bright future for us all. Apply today! Ex Astris, Scientia!”

The official logline for the series states that it “will introduce us to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.”

… Production on “Star Trek: Starfleet Academy” will begin in 2024….

(4) GOODNIGHT MOON. Here’s a strange exercise: “Every Page of Goodnight Moon, Ranked” at McSweeney’s Internet Tendency. This page is ranked next to last – and the commentary is one reason I’m not sure this article succeeds at being funny.

21. And goodnight mouse (Page 16)
Separated from the toy house on page 3, we see this mouse for what it really is: a thinly constructed, two-dimensional character. What had once seemed whimsical now appears in stark reality: a mouse running around a child’s bedroom, the treatment of which should neither be celebrated nor encouraged.

(5) MIKE MIGNOLA’S VISION. On exhibit at the Society of Illustrators through July 8 is “Picturing Pinocchio: Mignola Makes a Marionette”.

Deep in the midst of pandemic lockdowns, a plan was hatched: a new illuminated edition of Carlo Collodi’s Pinocchio, engineered to unDisnify one of the strangest, most startling pieces of fiction ever to be beloved by generations of children worldwide.

The seed was planted by cartoonist and author Mike Mignola (Hellboy), who had been pondering his own take on the puppet for decades. With the world closed up due to COVID, he teamed up with idiosyncratic publisher Beehive Books and holed up in his studio to create a portfolio of over fifty original illustrations re-envisioning Collodi’s tale. When author Lemony Snicket (A Series of Unfortunate Events) got wind of the project, he couldn’t resist joining, offering elaborate hand-typed annotations of his own maddening encounter with this singular text.

Pinocchio, though one of the most popular literary works of all time, is somewhat paradoxically ill-remembered. Collodi originally published the story as serialized installments in a children’s magazine. The original series ended with Pinocchio hung from a tree, dead by the hands of assassins, and was continued only because of an outcry from readers who couldn’t stand to see such a beloved character reach such a dismal end.  This is the true nature of Collodi’s tale — who better than Mike Mignola to illustrate the unremitting darkness and strange whimsy that characterized this bizarre children’s classic?

This exhibition will feature his full portfolio of yet-to-be-published Pinocchio illustrations, including drawings, paintings, process work and other ephemera of Mignola’s pandemic Pinocchio project. The Land of Toys, the City of Catchfools, the Blue Fairy, Fire Eater, the feline Assassins – as seen through the eyes of a modern master of illustration and storytelling.

(6) SMALL WONDERS KICKSTARTER FUNDS. Stephen Granade reports that the “Small Wonders Magazine: Year One” Kickstarter has funded! As a result, he says, all of their Issue 0 stories and poems, including Beth Cato’s “She Seeks a Home” and Premee Mohamed’s “From the Journal of Sawyer L. Gibbs, Hero, Aged 13 1/2”  are available on the Small Wonders website. They will be opening for story and poem submissions on April 1, no joke.

(7) JOE GIELLA (1928-2023). Comics artist Joe Giella died March 21 at the age of 94 reports Heritage Auctions.

Joe Giella is best known for his work at DC in the 1950s and 60s as an inker. But his career spanned 60 years! He studied art at three different schools before his first gig at age 17 in 1946 where he did “Captain Codfish” for Hillman. After some free-lance at Fawcett, former classmate Mike Sekowsky helped him land a job at Timely as an inker. He met Frank Giacoia there and went with Frank when he took a job at DC in 1949. Over the next two decades, at one time or another, Joe inked nearly every feature that Julius Schwartz edited. 

By 1970, Joe had started working with the syndicates and drew or inked Batman, Flash Gordon, the Phantom, while still doing occasional work for DC. In 1991, he took over the Mary Worth strip, where he continued to work until his retirement in 2016. Joe passed away at age 94 on March 21, 2023.

(8) MEMORY LANE.

1972 – [Compiled by Cat Eldridge.]

Clifford Simak’s A Choice of Gods was published fifty-one years ago by G.P. Putnam & Sons with a simultaneous edition done by SFBC. The superb cover art was by Michael Hinge. 

Sixty years ago at Torcon II, it would be nominated for Best Novel though Isaac Asimov’s The Gods Themselves would take home the Hugo that year.

Without being explicit, I will say that I think it shares some similarity in themes to City. 

I think A Choice of Gods has one of the finest Beginnings that I’ve ever had the pleasure to read, so without further commentary on my part, here it is…

Aug. 1, 2185: So we begin again. Actually, we began again fifty years ago, but did not know it then. There was hope, for a time, that there were more people left and that we could pick up where we had left off. We thought, somehow, that we could hang onto what we had, once the shock was over and we could think more clearly and plan more cleverly. By the end of the first year we should have known that it was impossible; by the end of five we should have been willing to admit it, but we weren’t. At first we refused to face the fact and once we had to face it we became stubborn with a senseless sort of faith. The old way of life could not be revived; there were too few of us and none with special knowledge and the old technology was gone beyond all restoration. The technology had been too complex and too specialized and too regimented to be picked up and carried on without a large work force equipped with appropriate skills and knowledge that were necessary not only to operate the technology itself, but to produce the energy that went into it. We are now no more than scavengers feeding on the carcass of the past and some day we’ll be down to the bare bones of it and will be finally on our own. But over the years we have been recovering or rediscovering, whichever it may be, some of the older and more basic technology geared to a simpler way of life and these basic rudimentary skills should keep us from sinking into utter savagery.

There is no one who knows what really happened, which does not, of course, deter some of us from formulating theories that might explain it all. The trouble is that all the theories boil down to simple guesses, in which all kinds of metaphysical misconceptions play a part. There are no facts other than two very simple facts and the first of these is that fifty years ago last month the greater fraction of the human race either went somewhere or was taken somewhere. Out of more than eight billion of us, which was certainly far too many of us, there are now, at most, a few hundred left. In this house in which I sit to write these words, there are sixty-seven humans, and only that many because on the night it happened we had invited some young guests to help us celebrate the coming of age of our twin grandsons, John and Jason Whitney. Of the Leech Lake Indians there may be as many as three hundred, although we now see little of them, for they have taken up again, quite happily and to their great advantage, or so it would seem to me, their old tribal wanderings. At times rumors reach us of other little pockets of humanity still surviving (the rumors chiefly brought by some loose-footed robot), but when we’ve gone to hunt for them, they are never there, nor is there anything to indicate they ever had been there. This, of course, proves nothing. It stands to reason that elsewhere on the Earth there must be others left, although we have no idea where. We hunt for them no longer, even when the rumors come, for it seems to us that we no longer have any need of them. In the intervening years we have become content, settling down into the routine of a bucolic life.

The robots still are with us and we have no idea how many there may be. All the robots that were ever in existence must still remain. They did not go or were not taken as was the human race. Over the years a number of them have come to settle in with us, doing all the work and chores necessary for our comfortable existence, becoming, in all truth, a part of our community. Some of them at times may leave and go elsewhere for a while and there are occasions when new ones float in and stay, either for good or for varying periods. It might seem to someone unacquainted with the situation that in the robots we had the labor force we needed to keep at least a small sector of the more vital parts of the old technology alive. It is possible the robots could have been taught the necessary skills, but the rub here is that we had no one who was equipped to teach them. Even if we’d had, I have some well-founded doubt that it would have worked. The robots are not technologically minded. They were not built to be. They were built to bolster human vanity and pride, to meet a strange longing that seems to be built into the human ego—the need to have other humans (or a reasonable facsimile of other humans) to minister to our wants and needs, human slaves to be dominated, human beings over which a man or woman (or a child) can assert authority, thus building up a false feeling of superiority. They were built to serve as cooks, gardeners, butlers, maids, footmen (I have never got quite straight in mind what a footman is)—servants of all kinds. They were the flunkeys and the inferior companions, the yea-sayers, the slaves. In a manner of speaking, in their services to us, I suppose they still are slaves. Although I doubt the robots think of it as slavery; their values, while supplied by human agency, are not entirely human values. They serve us most willingly; thankful of a chance to serve, they press their services upon us, apparently glad to find new masters to replace the old. This is the situation as it applies to us; with the Indians it is different. The robots do not feel at ease with the Indians and the Indians, in turn, regard them with an emotion that borders upon loathing. They are a part of the white man’s culture and are readily acceptable to us upon the basis of our onetime preoccupation with machines. To the Indians they are unclean, something that is repulsively foul and alien. They will have no part of them. Any robot stumbling into an Indian camp is summarily hustled off. A few of the robots serve us. There must be many thousands more. Those that are not with us we have fallen into the habit of calling wild robots, although I doubt they, in any sense, are wild. Often, from our windows or while sitting on the patio, or while out walking, we see bands of wild robots hurrying along as if they had an urgent destination or were involved in some great purpose. We have never been able to determine where the destination or what might be the purpose. There are certain stories of them that we hear at times, but nothing more than stories and with no evidence, and not worth repeating here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 30, 1904 — Herbert van Thal. Editor of the Pan Book of Horror Stories series, twenty-four volumes that appeared from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
  • Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads similarly to Heinlein. (Died 1993.)
  • Born March 30, 1930 — John Astin, 93. He is best known for playing Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode.  Years later I remember that episode and him in it. 
  • Born March 30, 1934 — Dennis Etchison. As an editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
  • Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing‘ which was published in the MagiCon Program. (Died 2010.)
  • Born March 30, 1950 — Robbie Coltrane. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. (Died 2022.)
  • Born March 30, 1965 — Maurice LaMarche, 58. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.

(10) COMICS SECTION.

  • Sheldon shows that the Vanishing Cabinet from Harry Potter may have had other uses of interest to Valdemort.
  • Sheldon, again, depicts Pippin explaining so clearly and simply why it’s time for another meal that even a future King should be able to understand.
  • Order of the Stick has a magic trap that makes it a bit difficult to determine when the trap has been tripped. 

(11) CAT CHAT. Did we do this before? Well, if so, let’s do it again. CatGPT. It seems to be a one-joke idea, so I won’t excerpt the answer I received to my question “What makes a good social justice credential?”

(12) MASSACRE IN THE EXECUTIVE SUITE. With great power comes sudden unemployment.“Marvel Entertainment Chairman Ike Perlmutter Out at Disney” reports Yahoo! and so are some other top Marvel brass.

Isaac “Ike” Perlmutter, chairman of Marvel Entertainment, has been laid off at Disney. Marvel Entertainment will be folded into the larger Disney business units, a Disney spokesperson confirmed.

The move comes as Disney looks to eliminate 7,000 jobs in multiple rounds of layoffs that kicked off this week, in what CEO Bob Iger calls part of a “strategic realignment.”

Rob Grosser, a longtime third-party Marvel security consultant who is also considered to be Perlmutter’s fixer, is also out, according to two insiders with knowledge of the situation. In addition, Disney has terminated the employment of Rob Steffens, who served as co-president of Marvel Entertainment, and John Turitzin, who held the position of chief counsel for the same division….

(13) KICKED OUT THE DOOR TO THE REAL WORLD. Another casualty of cutbacks is Disney’s metaverse division. TechCrunch has the story: “Disney cuts metaverse division as part of broader restructuring”.

…The metaverse division is headed by Mike White, who was promoted to the role from SVP of consumer experiences and platforms in February 2022 and charged with getting Disney deeper into the web3 space. The unit aimed to find ways to tell more interactive stories in immersive formats using Disney’s extensive library of intellectual property, according to WSJ. Aside from the Disney we all know and love, that extensive library includes Pixar, Marvel and all of the Star Wars movies and shows.

All 50 or so members of the team have lost their jobs, sources told WSJ. White will remain at the company, but it’s not clear in what capacity….

(14) WJW INTERVIEW. A 90-minute video interview with Walter Jon Williams has been posted on Tubi by the program “About the Authors TV”. The Q&A is conducted by author and biographer Jake Brown.

Williams posted the link along with a self-deprecating comment: “I’ve viewed only a few minutes of the interview, enough to be amused by the way Zoom’s filters kept making parts of my anatomy appear and disappear. If you’re looking for inadvertent hilarity, or possibly an epileptic seizure, this is the place for you!”

(15) RAISING THE BAR. “Man proposes to girlfriend using a personal version of ‘Everything Everywhere’ in viral TikTok” at NBC News. The TikTok video can be viewed at the link.

A wedding proposal in a movie theater went viral on TikTok for a creator’s rendition of A24’s “Everything Everywhere All at Once,” and viewers say they’re in awe of the effort.

“I rented out a theater room, did some photoshop, brought her inside, edited a fake video with trailers in the beginning,” TikTok user Daniel Le, who goes by @danyo_le, wrote.

The TikTok, which garnered over 2 million views and included a film Le named “Anniething Anniewhere All at Once” after his girlfriend, showed clips from the acclaimed film and parody versions edited in by Le…. 

(16) JEOPARDY! Andrew Porter did not touch that dial while contestant flailed on tonight’s episode of Jeopardy!

Category: Quoth the title

Answer: Philip Pullman quoted Milton, “Unless the Almighty Maker them ordain” these “to create more worlds”

Wrong questions: “What are men?” and “What are children of men?”

Correct question: “What is ‘His Dark Materials’?”

Answer: The title of this “Hainting” Noel Coward comedy comes from Shelley’s “To a Skylark”

No one could ask, “Shelley wrote, ‘Hail to thee, “Blithe Spirit’.”

(17) OCTOTHORPE. The eightieth episode of the Octothorpe podcast, “Four Constituent Blobs”, is now up!

John Coxon is jetlagged, Alison Scott is working, and Liz Batty is under pressure. We get excited about the upcoming Eastercon, barely even mention Chengdu at all, talk a bit about science fiction, and round it all out with Gaming Corner, sponsored by Mark Plummer. Art by the fabulous Sue Mason.

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Dann, Joey Eschrich, Stephen Granade, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman, for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Six Favorite LGBTQIA+ Marvel heroes On This Year’s Marvel Pride Variant Covers

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Fans have have had their first look at this year’s Marvel’s Voices Pride #1 one-shot and now, it’s time to debut some of this year’s extraordinary Marvel Pride Variant Covers.

These covers by Lucas Werneck and David Talaskifeature a diverse lineup of LGBTQIA+ heroes from all corners of the Marvel Universe including icons, rising stars, fan-favorites, and recent breakout characters. This collection will bring Pride Month to your local comic shop on select titles all throughout June.

Here are the characters who will be spotlighted this year and the comics where you can find their stories: 

  • Rachel Summers, aka Askani, the daughter of Jean Grey and Scott Summers from an alternate future, longtime Phoenix host, and overall mutant powerhouse, is currently fighting alongside Captain Britain in the pages of Betsy Braddock: Captain Britain!
  • Aaron Fischer, aka the Captain America of the Railways, debuted in 2021’s United States of Captain America as a protector of fellow runaways, and after recent appearances in Captain America: Sentinel of Liberty will star in his own upcoming Marvel Unlimited Infinity Comic!
  • Black Cat, Marvel’s greatest thief and one of Spider-Man’s fiercest allies, fans can catch Felicia Hardy clawing her way through villains and committing legendary heists in her latest series, Mary Jane & Black Cat, and in the pages of Amazing Spider-Man!
  • Fang, aka Daken, son of Wolverine, former X-Men villain, and one of mutantkind’s deadliest warriors, has served Krakoa bravely in team books like X-Factor and Marauders and this summer, he’ll star in a yet to be announced FALL OF X title!
  • Escapade, the breakout mutant hero from last year’s Marvel’s Voices: Pride, is currently learning how to use her one-of-a-kind powers and proving herself amongst the brightest heroes of the X-Men’s next generation in the limited series New Mutants: Lethal Legion!
  • Web-Weaver, the most fabulous hero in the Spider-Verse, slayed the runway and super villains alike in last year’s Edge of Spider-Verse and after recent appearances in Spider-Man, will headline his next solo adventure in next month’s Marvel’s Voices: Spider-Verse!

Following the jump, check out four of this year’s Marvel Pride Variant Covers now and stay tuned for the rest to be revealed at a later date. To check out some of this year’s Star Wars Pride Variant Covers visit StarWars.com. For more information, visit Marvel.com.

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Pixel Scroll 3/16/23 Who Knows What Lurks In The Heart Of A Pixel? Only The Scroll Knows

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(1) HELL(P) WANTED. Brian Keene is bringing back “Jobs In Hell”, the 2001 Bram Stoker Award for Non-Fiction-winning monthly industry newsletter for writers, artists, editors, and other professionals specializing in horror and other speculative and weird fiction genres.  Paid subscriptions are being taken at the link.

Jobs In Hell will cost $5 per month to subscribe to. You can sign up for it here. The first issue will go out later this month.

To begin, it will run on a monthly schedule, rather than the weekly schedule of the old Jobs In Hell. I will revisit that schedule regularly, however, and I’m almost certain that at some point we’ll increase frequency.

If you are looking for submissions for your magazine, website, publishing company, etc. please email the details to [email protected]. Your email should contain the following information: Name of publication, name of editor overseeing submissions, guidelines as to what you are looking for, details on how to submit, deadline (if any), and payment (if any).

(2) ONLINE SFF COURSE IN NOVEMBER. Aliette de Bodard and Alastair Reynolds will be teaching an online course in writing SF & Fantasy at the end of the year: ”Teaching SF and F with Aliette” at Approaching Pavonis Mons by Balloon.

This course, “Sci-Fi & Fantasy”, offered through the Canolfan Ysgrifennu Tŷ Newydd Writing Centre, will be held over four online sessions on the following dates: Tuesday 14 November, Tuesday 21 November, Tuesday 28 November & Tuesday 12 December 2023 from 7.00 – 8.30 pm. Register here.

Over four online sessions, Aliette and Alastair will address the peculiar challenges and opportunities open to anyone wishing to write science fiction, fantasy or their related sub-genres. Drawing on their own experiences across a range of literary styles and formats, from short stories to novels and extended series, they’ll cover the mechanics of crafting a story, from planning and plotting, to the use of voice and viewpoint, setting and mood. They’ll address the unique challenges of worldbuilding within the literatures of the fantastic, from the use of language to evoke a time and a place to the invention of social systems and far-future technologies, and how to make those creations seem real to the reader. They’ll talk about the different stages of writing; from initial drafts to polishing, how to prepare work for submission and how to make the most of the literary marketplace, from traditional venues to the online world and self-publishing. They’ll bring invaluable experience in problem-solving: how to come up with ideas, how to work around creative blocks, how to make a good story better – and, always, how to find fun and fulfilment in your craft, wherever it takes you. The future is wide open!

(3) ZELAZNY AND MORE. Today at Galactic Journey Cora Buhlert reviews the 1968 Hugo winner Lord of Light by Roger Zelazny and the 1968 heist novel Easy Go by John Lange a.k.a. Michael Crichton amongst other reviews. According to Cora, the largely forgotten heist novel got a better review than the Hugo winner: “[March 16, 1968] In Distant Lands (March Galactoscope)”.

Buddha is a Spaceman: Lord of Light by Roger Zelazny

Roger Zelazny, of Polish origin himself, is one of the most exciting young authors in our genre and has already won two Nebulas and one Hugo Award, which is remarkable, considering he has only been writing professionally for not quite six years.

My own response to Zelazny’s works has been mixed. I enjoyed some of them very much (the Dilvish the Damned stories from Fantastic or last year’s novella “Damnation Alley” from Galaxy) and could not connect to others at all (the highly lauded “A Rose for Ecclesiastes”). So I opened Zelazny’s latest novel Lord of Light with trepidation, for what would I find within, the Zelazny who wrote the Dilvish the Damned stories or the one who wrote “A Rose for Ecclesiastes”?

The answer is “a little bit of both” and “neither”….

(4) OCTOTHORPE. In episode 79 of Octothorpe, “You Get To Be A Little Cat” —

John Coxon wants new gloves, Alison Scott is foreshadowing, and Liz Batty scrolls past spiders. We discuss a plethora of awards – Hugo Awards, Nebula Awards, BSFA Awards – while also chatting about hot dog finger gloves and Adrian “Spiders” Tchaikovsky. Listen here! 

(5) ONE OF OUR CAPTAINS IS MISSING. [Item by Dann.] Chris Gore of Film Threat magazine recently pointed out that the new Paramount graphic being used to promote all of Star Trek has omitted one of the key characters in Star Trek history; the original and one-and-only James Tiberius Kirk (ignore that inconvenient headstone).

The TrekNews Twitter feed was one of the first to note the omission.

William Shatner noted that he didn’t find it surprising.

Various users responded with reimagined graphics that place a greater emphasis on Captain Kirk.

(6) MEMORY LANE.

2001 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll isn’t the start of this series. That would be Revelation Space, published a year prior to Alastair Reynolds’ Chasm City, which came out on Gollancz twenty-two years ago. 

Reynolds uniquely wrote Chasm City as a stand-alone novel so you needn’t be familiar with any of the five Revelation Space Universe that precede it, including the two (and soon to be three) most fascinating Prefect Dreyfus Emergencies. (There’s a seventh novel, Inhibitor Phase, which came out several years back.)

Chasm City appeals to me because to it is the rare SF novel set within a larger universe that, as I said, is intended to allow the reader who hasn’t encountered this series to be introduced to it.

It won the British Science Fiction Association Award.

It’s got great characters, an awesome setting and multiple stories that weave into each other most satisfactorily. It is certainly one of the best SF novels that I’ve ever read. 

I’m sure I spotted one character here who shows up in the Prefect Dreyfus Emergencies series which I think was a very impressive piece of writing by him some years on.

And now its Beginning…

Dear Newcomer, 

Welcome to the Epsilon Eridani system. 

Despite all that has happened, we hope your stay here will be a pleasant one. For your information we have compiled this document to explain some of the key events in our recent history. It is intended that this information will ease your transition into a culture which may be markedly different from the one you were expecting to find when you embarked at your point of origin. It is important that you realise that others have come before you. Their experiences have helped us shape this document in a manner designed to minimise the shock of cultural adjustment. We have found that attempts to gloss over or understate the truth of what happened—of what continues to happen—are ultimately harmful; that the best approach—based on a statistical study of cases such as yours—is to present the facts in as open and honest manner as possible. 

We are fully aware that your initial response is likely disbelief, quickly followed by anger and then a state of protracted denial. 

It is important to grasp that these are normal reactions.

It is equally important to grasp—even at this early stage—that there will come a time when you will adjust to and accept the truth. It might be days from now; it might even be weeks or months, but in all but a minority of cases it will happen. You might even look back upon this time and wish that you could have willed yourself to make the transition to acceptance quicker than you did. You will know that it is only when that process is accomplished that anything resembling happiness becomes possible. 

Let us therefore begin the process of adjustment. 

Due to the fundamental lightspeed limit for communication within the sphere of colonised space, news from other solar systems is inevitably out of date; often by decades or more. Your perceptions of our system’s main world, Yellowstone, are almost certainly based on outdated information. 

It is certainly the case that for more than two centuries—until, in fact, the very recent past—Yellowstone was in thrall to what most contemporary observers chose to term the Belle Epoque. It was an unprecedented social and technological golden age; our ideological template seen by all to be an almost perfect system of governance.

Numerous successful ventures were launched from Yellowstone, including daughter colonies in other solar systems, as well as ambitious scientific expeditions to the edge of human space. Visionary social experiments were conducted within Yellowstone and its Glitter Band, including the controversial but pioneering work of Calvin Sylveste and his disciples. Great artists, philosophers and scientists flourished in Yellowstone’s atmosphere of hothouse innovation. Techniques of neural augmentation were pursued fearlessly. Other human cultures chose to treat the Conjoiners with suspicion, but we Demarchists—unafraid of the positive aspects of mind enhancement methods—established lines of rapport with the Conjoiners which enabled us to exploit their technologies to the full. Their starship drives allowed us to settle many more systems than cultures subscribing to inferior social models. 

In truth, it was a glorious time. It was also the likely state of affairs which you were expecting upon your arrival. 

This is unfortunately not the case. 

Seven years ago something happened to our system. The exact transmission vector remains unclear even now, but it is almost certain that the plague arrived aboard a ship, perhaps in dormant form and unknown to the crew who carried it. It might even have arrived years earlier. It seems unlikely now that the truth will ever be known; too much has been destroyed or forgotten. Vast swathes of our digitally stored planetary history were erased or corrupted by the plague. In many cases only human memory remains intact… and human memory is not without its fallibilities. 

The Melding Plague attacked our society at the core.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 16, 1883 — Sonia Greene. Pulp writer and amateur press publisher who underwrote several fanzines in the early twentieth century. She was a president of the United Amateur Press Association. And she was married to H.P. Lovecraft, though often living apart, until eventually they agreed to divorce. (Died 1972.)
  • Born March 16, 1900 — Cyril Hume. He was an amazingly prolific screenplay writer with twenty-nine credits from 1924 to 1966 including The Wife of the Centaur (a lost film which has but has but a few scraps left), Tarzan Escapes, Tarzan the Ape Man, The Invisible Boy and Forbidden Planet. (Died 1966.)
  • Born March 16, 1929 — Ehren M. Ehly. This was the alias of Egyptian-American author Moreen Le Fleming Ehly. Her first novel, Obelisk, was followed shortly by Totem. Her primary influence was H. Rider Haggard, telling an interviewer that Haggard’s novel She impressed her at an early age. If you like horror written in a decided pulp style, I think you’ll appreciate. (Died 2012.)
  • Born March 16, 1929 — A. K. Ramanujan. I’m going to recommend his Folktales from India, Oral Tales from Twenty Indian Languages as essential reading if you’re interested in the rich tradition of the Indian subcontinent. Two of his stories show up in genre anthologies, “The Magician and His Disciple” in Jack Zipes’ The Sorcerer’s Apprentice: An Anthology of Magical Tales and “Sukhu and Dukhu“ in Heidi Stemple and Jane Yolen’s Mirror, Mirror. (Died 1993.)
  • Born March 16, 1951 — P. C. Hodgell, 72. Her best known work is the God Stalker Chronicles series with Deathless Gods being the current novel. She dabbled in the Holmesian metaverse with “A Ballad of the White Plague”, first published in The Confidential Casebook of Sherlock Holmes as edited by Marvin Kaye. All of the God Stalker Chronicles series are available from the usual suspects
  • Born March 16, 1952 — Alice Hoffman, 71 . Best known for Practical Magic which was made into a rather good film. I’d also recommend The Story Sisters, a Gateway story, The Ice Queen, an intense riff off of that myth, and Aquamarine, a fascinating retelling of the mermaid legend. The Rules of Magic was nominated for Mythopoeic Fantasy Award for Adult Literature Award. 
  • Born March 16, 1966 — David Liss, 57. Writer of Spider-Man: Hostile Takeover, novelization of Marvel’s Spider-Man whichis a 2018 action-adventure game. Comics writer, Black Panther: The Man Without Fear and Sherlock Holmes: Moriarty Lives series. Not at all genre but his trilogy of novels starting with A Conspiracy of Paper and featuring Benjamin Weaver, a retired bare-knuckle boxer, now a thief-taker, a cross between a PI and bounty hunter, are highly recommended by me. 

(8) SPIDER-REX. Marvel brings us “The All-New Spider-Killer Curses the Spider-Verse in Josemaria Casanovas’ ‘Edge of Spider-Verse’ #1 Variant Cover”.

On May 3, the hit comic book series EDGE OF SPIDER-VERSE returns for another wild trip through the Spider-Verse, complete with revolutionary new Spider-heroes and further adventures for the series’ biggest breakout stars, all brought to you from an all-star lineup of talent!

 …EDGE OF SPIDER-VERSE #1 will also feature the roaring return of SPIDER-REX and the daring debut of VENOMSAURUS in a story by writer Karla Pacheco and Pere Pérez. 

(9) SCIENTIST FICTION. Several sff books are part of Martin MacInnes’ list of “Top 10 visionary books about scientists: searching for an answer” in the Guardian.

Science, as much as art, is an act of imagination, the pursuit of something new. While novels about scientists often play with this likeness, there are also scientists who write with the ambition and empathy of novelists. Scientists in literature appear in all sorts of guises: as megalomaniacs, heroes, obsessives. It is this last figure – the obsessive – the character who will not stop – that interests me most….

First on the list is Jeff VanderMeer’s Annihlation.

The four women who enter Area X are named only by their profession: biologist; anthropologist; psychologist; surveyor. It is the biologist who is closest to VanderMeer’s heart, clear in the gorgeous accounts of the living world they walk through and in the novel’s concern with ecstatic dissolution and eroded borders, an awful commonality linking all things. The novel is suffused in beauty and grief, as the biologist goes on, determined to find out what it all means.

(10) WATNEYCRETE. [Item by Mike Kennedy.]They tried urine. They tried blood. But it turned out that potato starch worked better.

The University of Manchester has come up with a extraterrestrial concrete mix that uses Mars (or Moon) dust, potato starch, and a pinch of salt (magnesium chloride). Plus, the “StarCrete” is said to have at least twice the compressive strength of standard concrete. “Engineers Built a New Kind of Concrete 2x Stronger Than the Real Thing” at Popular Mechanics.

The University of Manchester’s new “StarCrete” is twice as strong as traditional concrete, making it a potential solution as a building material for Mars. Add in some extraterrestrial dust and potato starch, and you have a potentially revolutionary new material.

In an article published in the journal Open Engineering, the research team showed that potato starch can act as a binder when mixed with simulated Mars dust to produce a concrete-like material reaching a compressive strength of 72 megapascals (MPa), over twice as strong as the 32 MPa seen in ordinary concrete. Of course, mix in moon dust instead and you can get StarCrete to 91 MPa.

This strength makes it a possible solution, according to the researchers, for a building solution on Mars as astronauts mix Martian soil with potato starch—and a pinch of salt, no joke—to give extra-terrestrial-suited concrete.

Earlier recipes from the team didn’t use potato starch, instead offering blood and urine as a binding agent to reach 40 MPa. Not every astronaut would be excited about continually draining their blood to build in space, though….

(11) DRESSED FOR SUCCESS. “Spacesuit for return to the Moon unveiled” at BBC News.

A new generation of spacesuit for humanity’s return trip to the Moon has been unveiled by Nasa.

The novel design comes with specialist features to support astronauts as they conduct scientific experiments on the lunar surface.

The prototype is said to be a better fit for female space travellers.

Nasa hopes to have the updated suit ready for the Artemis III mission to the Moon in 2025….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Steven French, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Dann, John Coxon, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Get Your First Look At Women Of Marvel #1

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The annual comic that spotlights women creators and characters returns on March 22 with the exciting Marvel Comics debut of six all-star talents.

The giant-sized anthology will continue the tradition of uplifting the characters and creators you know and love – and the ones you’re about to! Showcasing a range of diverse stories by seasoned veterans and up-and-coming talent, Women of Marvel #1 will be a one-stop preview of the incredible women creators set to take Marvel Comics by storm. The one-shot will mark the exciting Marvel Comics debut of talents such as Melissa Flores, Victoria Ying, Carola Borelli, Giulia Gualazzi, and the Gibbs Sisters, Shawnee Gibbs & Shawnelle Gibbs.

Here are the adventures that readers can look forward to:

  • Rebecca Roanhorse, award-winning novelist and writer behind the recent Phoenix Song: Echo series, breaks the fourth wall with She-Hulk to provide one-of-a-kind commentary in a brilliant opening story with rising star artist Carola Borelli.
  • Mighty Morphin Power Rangers scribe Melissa Flores and artist Stacey Lee (Silk) send best friend duo America Chavez and Kate Bishop on a pulse-punching rescue mission to save one of their own! 
  • Critically acclaimed author and illustrator Victoria Ying (City of Secrets) and artist Jodi Nishijima (Spider-Gwen: Gwenverse) spin a wild web for Silk as a night out with Black Cat turns deadly as the two face off against the illusion mastermind, Mysterio!
  • The award-winning writing and producing team The Gibbs Sisters, Shawnee Gibbs & Shawnelle Gibbs join newcomer artist Giulia Gualazzi for a story about Photon and Ms. Marvel battling an old enemy in the Big Easy!
  • Plus an introduction by writer Charlie Jane Anders, creator interviews, essays, and more! 

Following the jump check out the covers and interior artwork. Then head over to Marvel.com to hear from the creators themselves! Celebrate Women’s History Month Marvel Comics-style when Women of Marvel #1 hits stands on March 22.

[Based on a press release.] 

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Groot Teams Up With Heroes from All Corners of the Marvel Universe in New Stormbreakers Variant Covers

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WE ARE GROOT! In April, Groot will not only play a surprising role in a new run of Guardians Of The Galaxy, but the sentient tree alien will also star in a brand-new solo series that chronicles the quest that made him the iconic hero he is. To celebrate Groot’s big year, Marvel’s Stormbreakers Class of 2023 have depicted him in new variant covers! See Groot in all his various shapes and sizes lend a helping branch to the X-Men, Avengers, and more in these stunning pieces that will adorn Marvel titles throughout April.

For more information, visit Marvel.com. See the variant covers following the jump.

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Get Your First Look At Avengers #1 Covers And Interior Art

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Just in time for the title’s 60th anniversary, a new run of Avengers will launch on May 17 by superstar creators, writer Jed MacKay and Marvel’s Stormbreaker artist C.F. Villa. Today, check out an all-new Hidden Gem Variant Cover by legendary artist Paul Smith and get your first glimpse at interior artwork from the debut issue! The breathtaking pages showcase Captain Marvel, Thor, Iron Man, Black Panther, Captain America, Scarlet Witch, and Vision assembling against classic Avengers foe Terminus, the first of many epic challenges that await the team in the title’s opening issues.

 In MacKay and Villa’s Avengers saga, the team will embrace a new divine purpose after they’re gifted with knowledge of The Tribulation Events, a series of grand-scale disasters that will spark upheaval throughout the known universe. Fans got their first glimpse at MacKay’s overarching Avengers plan in last month’s year-ending one-shot, Timeless, where readers followed Kang in his hunt for the unobtainable “Missing Moment.” Now, a dangerous game is afoot and the prize is greater than anything imaginable… Will the Avengers be able to triumph in the face of the Tribulation Events and learn the connection behind these earth-shattering threats and Kang’s quest? Or will they be reduced to mere pawns in an extraordinary scheme beyond their comprehension?

Check out the covers and interior art following the jump. Stay tuned for more Avengers #1 news in the coming months, including the reveal of variant covers by Marco Checchetto, Skottie Young, and Mark Brooks! For more information, visit Marvel.com.

[Based on a press release.] 

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Explore New Corners of Wakanda in Marvel’s Voices: Wakanda Forever #1

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The next edition of Marvel’s Voices acclaimed anthology series, Marvel’s Voices: Wakanda Forever, a special Black History Month one-shot, hits stands on February 15. Marvel’s Voices: Wakanda Forever #1 will feature five all-new stories spotlighting the iconic heroes of Wakanda as they are brought to life by an incredible lineup of Black creators, including fresh talent making their exciting Marvel Comics debuts. Today, fans can get a sneak peek at the stories that await and check out all four Marvel’s Voices: Wakanda Forever #1 variant covers.

Here are the tales of myth, adventure, strife, and more that readers can look forward to, each one expanding the inimitable world of Wakanda in fascinating new ways! 

  • T’Challa’s grandfather, Azzuri, learns a lesson as a teenager that will have a dramatic impact on Wakanda’s present in a moving story by writer Adam Serwer (Wakanda) and Marvel Studios storyboard artist Todd Harris!
  • It’s the debut of the LAST Black Panther in the far future of Wakanda in a revelatory tale written and drawn by Juni Ba (Black Panther, Image Comics’ Monkey Meat)
  • T’Challa must grapple with a crisis of faith and goes through surprising lengths to get through it in a thrilling tale by writer Karama Horne, author of the recent Black Panther: Protectors of Wakanda book, and artist Alitha E. Martinez, known for her work on Black Panther and Miles Morales: Spider-Man
  • Learn what length Shuri will go to in order to protect Wakanda from a devastating attack from a dangerous new foe in an action-packed story by Murewa Ayodele and Dotun Akanda, the team behind the recently announced I Am Iron Man limited series
  • A new Dora Milaje trainee must accomplish one last thing to earn her place: defeat Okoye in combat! Witness this breathtaking battle in this story by Eisner Award-winning writer Sheena Howard and artist Marcus Williams (Tuskegee Heirs)
  • Plus all-new essays, interviews, and bonus material about all things Wakanda! 

Hear from some of the creators and join Marvel Comics’ Black History Month celebration at Marvel.com.

 MARVEL’S VOICES – WAKANDA FOREVER #1

Written by JUNI BA, MUREWA AYODELE, ADAM SERWE, SHEENA HOWARD & KARAMA HORNE!; Art by JUNI BA, DOTUN AKANDE, TODD HARRIS, MARCUS WILLIAMS & ALITHA E. MARTINEZ!

COVER BY KEN LASHLEY

VARIANT COVER BY EJIWA “EDGE” EBENEBE

VARIANT COVER BY KAREN S. DARBOE  

VARIANT COVER BY AFUA RICHARDSON

INTERIOR ART

Marvel’s Free Comic Book Day Titles Kick Off The Biggest Stories Of 2023

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For this year’s Free Comic Book Day, coming to your local comic shop on May 6, Marvel Comics will have something for every fan, offering four separate titles packed with exciting entry points into the Marvel Comics mythos. In addition to lead-in stories to the biggest comic book sagas of 2023 including Fall of X and Jonathan Hickman and Valerio Schiti’s upcoming epic, 2023’s Free Comic Book Day titles will also spotlight creators and characters from different cultures, communities, and identities and provide the perfect first comic for new readers.

FREE COMIC BOOK DAY 2023: AVENGERS/X-MEN #1 features a pair of all-new stories that set the stage for the next evolution in mutant adventures, Fall of X. First, X-Men masterminds Gerry Duggan and Joshua Cassara give fans a peek at the drama to come at this year’s Hellfire Gala and reveal the surprising fate of Captain Krakoa. Then, superstar artist Javier Garrón joins Duggan for a story that features the rise of Stark Sentinels and lays the groundwork for an uncanny new team book launching later this year. Plus meet Jonathan Hickman and Valerio Schiti at the crossroads of science and magic with a sneak peek at their upcoming mystery project!

FREE COMIC BOOK DAY 2023: SPIDER-MAN/VENOM #1 will web-sling readers into the exciting developments currently taking place in the world of Amazing Spider-Man and Venom! First, see Zeb Wells and Patrick Gleason unleash the full fury of Peter Parker’s new spidey suit and reveal the exciting plans for one of Spider-Man’s fiercest foes. Then witness a symbiote experiment gone horribly wrong and the creation of a terrifying new enemy for Venom in a story by writer Al Ewing and new Venom artist CAFU. Plus a surprising preview of new Marvel saga just on the horizon by two of Marvel’s top creators.

FREE COMIC BOOK DAY 2023: MARVEL’S VOICES #1 invites readers to the groundbreaking and critically acclaimed Marvel’s Voices series, which spotlights creators and characters across Marvel’s diverse and ever-evolving universe. The book will include a range of stories from previous Marvel’s Voices issues that star Ms. Marvel, Luke Cage, Wave, and more! Plus a brand-new Ironheart adventure by writer John Jennings and Paris Alleyne that debuts her deadly new nemesis, KHEM.

And last but certainly not least, FREE COMIC BOOK DAY 2023: SPIDEY & HIS AMAZING FRIENDS #1 is back! Swing into adventure with Spidey, Ghost-Spider, and Miles as they face off against Green Goblin, Doc Ock and more in this spectacular special. Filled with easy-to-read comic stories based on the hit Disney Junior show, this book is perfect for the youngest readers aged 5-7. Young fans will even be able to test their wall-crawling skills with thrilling interactive activity pages! Kids will love this not-to-be-missed comic: the perfect primer for the newest generation of Spider-Fans.

Check with your local comic shop regarding availability and don’t miss the chance to pick up these extraordinary one-shots when they arrive in May. For more information, visit Marvel.com.

[Based on a press release.]

Pixel Scroll 1/9/23 Pixeling The Night Away

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(1) CHENGDU WORLDCON WSFS MEMBERSHIPS. The Chengdu Worldcon website has posted this description of its process for dealing with non-Chinese credit cards: “About Credit Card”.

Currently, you can purchase WSFS membership and admissions by transfer fees directly to our collaborator.

1.Please note the Order Number on the the transfer form.

2.Please upload a screenshot of the transfer receipt by clicking any of the “Receipt” buttons. We will check it and confirm your Order.

“WSFS membership” is the newly ratified terminology for memberships that come with Hugo voting rights and qualify the holder to buy a site selection voting membership.

The deadline to acquire a WSFS membership in Chengdu is 22 days away (based on WSFS 3.7.1) if you want to nominate for the Hugos.

(2) CAPTAIN FUTURE’S FUTURE. Allen Steele says he’s returning to Captain Future in 2023, beginning with these two items:

…The first is a new web site dedicated to my Captain Stories novels as well as Edmond Hamilton’s original. Here’s the link:

Home

It’s still a work in progress and there’s not much there right now, but if you’ll toggle the tab marked History, you’ll find a brand-new essay, “The Original Captain Future”, about the genesis and history of the Hamilton series. Other items to be added soon will be an illustrated Captain Future bibliography featuring scans of the 40’s pulp covers, a short bio of series creator Edmond Hamilton, and — wait for it — an upcoming podcast featuring yours truly reading the Captain Future books I wrote as a series of regular installments.

The other major CF project I’m planning will be writing a new Captain Future novella. This will be a standalone story, told in one installment and unrelated to the previous stories. I’m not going to say much about it (I haven’t even settled on the title) but I’ll drop a hint: it has to do with a NASA Apollo mission of the 70’s that was tentatively planned but never flown….

(3) WELLES REMEMBERED. Steve Vertlieb invites you to read his article “Xanadu: A Castle in the Clouds: The Life of Orson Welles at The Thunderchild.

Celebrating the genius of this extraordinary artist with my published look at the turbulent life and career of Orson Welles, the fabulous, visionary film maker whose personal demons sadly overshadowed his staggering talent, and finally, tragically destroyed him.

Yet, in spite of his personal failings or, perhaps, because of them, Welles rose to become one of the most remarkable film makers of his, or any other generation.

From his groundbreaking first feature length motion picture “Citizen Kane,” regarded by many still as the greatest single film in motion picture history, to “Touch Of Evil,” his remarkable “Cinema Noir” tale of a squandered life and legacy corrupted by bribery and temptation, Welles remains one of the most extraordinary directors in the history of film.

His is a story of unwitting sabotaged achievement and haunting, incomparable genius.

Here, then, is “Xanadu: A Castle In Clouds … The Life of Orson Welles.”

(4) SCALZI SCOFFS. John Scalzi explains something about SFWA.

(5) FANGS FOR THE MEMORIES. [Item by Daniel Dern.] CNN’s Chris Wallace interviews Hugh Jackman on signing up for another round of Wolverine  (this time with Deadpool).

Some interesting stuff; mostly, I’m amused by this being a medium-long CNN segment.

(6) GENRE LOVE. The “Art Directors Guild Awards 2023 Nominations” in Variety cover film and TV in 14 categories. This isn’t one File 770 devotes standalone posts to, however, the award does boast a separate Fantasy Feature Film category. The nominees are —

FANTASY FEATURE FILM

“Avatar: The Way of Water” (Production Designers: Dylan Cole, Ben Procter)
“The Batman” (Production Designer: James Chinlund)
“Black Panther: Wakanda Forever” (Production Designer: Hannah Beachler)
“Everything Everywhere All at Once” (Production Designer: Jason Kisvarday)
“Nope” (Production Designer: Ruth De Jong)

Winners will be named at the ADG Awards ceremony on February 18.

(7) FREE READ. The Library of America’s “Story of the Week” is “A Scarab in the City of Time” by Marta Randall.

“I wasn’t going to be the one stuck at home baking cookies,” Marta Randall tells readers on her website. “I was going to be the one balancing on the raft in the lashing seas, gripping the mast with one hand while the other held on to the cookies somebody else had baked.”

Fifty years ago, in 1973, Randall published her first story in New Worlds Quarterly 5, a paperback series edited during the 1970s by British science fiction writer Michael Moorcock. (Despite its name, the “quarterly” came out only once or twice a year.) That summer, she attended a science fiction convention in San Francisco and met Robert Silverberg, whose novel A Time of Changes had recently won the Nebula Award. The two authors had a friendly argument about short stories; as Silverberg remembered it, she “preferred the sort of stories with an identifiable beginning, middle, and end,” and he responded that he did as well—but he didn’t “necessarily require that they happen in that order.” He wrote, “As is usual in such debates, neither of us held as extreme a position as it might have seemed to the other.” Six months later, Randall shared with him, “with some trepidation,” her second piece of fiction; “I read it on the spot and rather to her surprise accepted it then and there.” The story, “A Scarab in the City of Time,” was published the following year in the fifth issue of New Dimensions, an annual publication that Silverberg edited between 1971 and 1981….

(8) MORE ON PARTINGTON. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation has published its Charles Partington tribute, an expanded and more illustrated version of the File 770 tribute last month. Charles was a lifelong SF aficionado, an SF fan, conrunner, fanzine editor, publisher, prozine editor and an all round, good egg.

Charles Partington

(9) MEMORY LANE.

1980 — [Compiled by Cat Eldridge.]

So let’s talk about tea. Tea has described by Arthur Dent in Douglas Adams’ The Restaurant at the End of the Universe. I’ve had tea served to me on a tea plantation high in the mountains of Sri Lanka by some of the Hindu population there that has been harvesting tea by hand for centuries now, so I can sympathize with Arthur when the machine doesn’t understand tea. The English, wherever they are, love tea.

Then he decided he’d be damned if he’d give up.

“No,” he said, “look, it’s very, very simple … all I want … is a cup of tea. You are going to make one for me. Keep quiet and listen.”

And he sat. He told the Nutri-Matic about India, he told it about China, he told it about Ceylon. He told it about broad leaves drying in the sun. He told it about silver teapots. He told it about summer afternoons on the lawn. He told it about putting in the milk before the tea so it wouldn’t get scalded. He even told it (briefly) about the history of the East India Company.

“So that’s it, is it?” said the Nutri-Matic when he had finished.

“Yes,” said Arthur, “that is what I want.”

“You want the taste of dried leaves boiled in water?”

“Er, yes. With milk.”

“Squirted out of a cow?”

“Well, in a manner of speaking I suppose …”

“I’m going to need some help with this one,” said the machine tersely. All the cheerful burbling had dropped out of its voice and it now meant business.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 9, 1890 — Karel Čapek . Author of the 1936 novel War with the Newts and 1920 play R.U.R. (Rossum’s Universal Robots), which introduced the word robot. R.U.R.was a dystopian work about a really bad day at a factory populated with sentient androids. ISFDB shows two additional works by him, Krakatit: An Atomic Fantasy and The Absolute at Large which I’ve not heard of. (Died 1938.)
  • Born January 9, 1931 — Algis Budrys. I think I remember reading his Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for Galaxy, Magazine of Fantasy and Science Fiction, and even in Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies. (Died 2008.)
  • Born January 9, 1950 — David Johansen, 73. He’s the wisecracking Ghost of Christmas Past in the oh-so-perfect Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack. I think the brief Ghost of Christmas Past riff in the aforementioned Scrooged is enough to earn him as Birthday Honors here.
  • Born January 9, 1955 — J.K. Simmons, 68. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League.
  • Born January 9, 1956 — Imelda Staunton, 67. Voice of the Snow Queen in The Snow Queen’s Revenge, A Nurse in Shakespeare in Love, Polly in A Midsummer Night’s Dream, Dolores Jane Umbridge In Harry Potter and the Order of the Phoenix (which I thought was a so-so film at best) and in Harry Potter and the Deathly Hallows as well and Knotgrass In Maleficent and the sequel. 
  • Born January 9, 1957 — Greg Ketter, 66. A Minneapolis SF bookstore owner, Dreamhaven to be precise in its new incarnation, a huckster, and con-running fan as well. He is a member of MN-Stf. He’s been involved in myriad regionals and Worldcons. He‘s chaired Minicons and World Fantasy Conventions alike.
  • Born January 9, 1976 — Jenna Felice. Tor Books Editor. She suffered what the doctors are called a massive allergic reaction compounded by asthma. She died having never emerged from her coma. There’s a memorial page for her here. (Died 2001.)

(11) MERGER MANIA. Put ‘em together and what do you get? “Marvel Comics Celebrates 100 Years of Disney with Variant Covers Starring Mickey Mouse, Minnie Mouse, and More”.

…The variant program in honor of Disney100 will celebrate Marvel’s past, present, and future through the classic “What If” lens with a fantastic reimagining of Marvel’s most classic comic book covers. While the initial trio of these first-of-its-kind art pieces paid homage to the foundational stories of the Marvel Universe, the next set will celebrate some of Marvel’s more modern game changing stories! See Disney’s iconic characters immersed in pivotal moments of the Marvel mythos including the earth-shattering 90s event Infinity Gauntlet, the debut of the lineup of Earth’s Mightiest Heroes that would define the 2000s in New Avengers #1, and the transformative journey Tony Stark went on in the pages of Invincible Iron Man.

With 12 covers in total, fans can look forward to a new Disney100 variant cover (also available in Black and White versions) hitting stands each month of 2023 at local comic book shops. The variant covers will be found on select upcoming issues of Amazing Spider-Man starting with AMAZING SPIDER-MAN #17 on January 11….

(12) HERE’S WHAT THEY THOUGHT OF NEXT. The Guardian tells about “Chameleon cars, urine scanners and other standouts from CES 2023”.

From colour-changing cars, dual-screen laptops and satellite emergency texts to AI-ovens and a urine-scanning smart toilet upgrade, the annual CES tech show in Las Vegas had more concepts of the future on show than ever before….

Asus glasses-free 3D display

Asus’s Vivobook Pro laptop with a 3D screen hopes to succeed where 3D TVs failed – as no glasses required. Using an eye-tracking camera system and a lenticular lens built into the 16in OLED screen, the laptop can accurately display a different image for each eye giving the impression of 3D, including objects that jump out of the screen. It will play 3D movies and games but is most impressive with creative software, for which Asus has developed plugins to take advantage of the screen.

The laptop is expected be available later this year and joins rival devices from Acer and Sony in trying to make glass-free 3D computer screens a reality….

(13) BIRDS DON’T DO IT, BEES DO IT. CNN is there when “USDA approves first-ever vaccine for honeybees”. So how do you administer that anyway? Is this another take on Digby’s lyric, “Like you need teeny tiny branding irons for ants”?

The United States Department of Agriculture has approved the first-ever vaccine for honeybees to prevent American foulbrood disease, a fatal bacterial disease that can destroy honeybee colonies, officials say.

The USDA told CNN that it issued a conditional vaccine license to Diamond Animal Health, the collaborating manufacturer for Dalan Animal Health, on December 29. The agency said that it was its “first licensure of a honeybee product.”…

(14) PAUSE AND EFFECTS. “Francis Ford Coppola’s ‘Megalopolis’ in Peril As Crew Exits” – The Hollywood Reporter tells why.

Francis Ford Coppola’s latest movie, the sci-fi-tinged Megalopolis, has descended into chaos, according to multiple sources. The movie, currently halfway through shooting in Atlanta, has in the last week lost key creative talent including its production designer and supervising art director. That’s on top of losing the entire visual effects team in the first part of December.  

To many insiders, the production is giving severe Apocalypse Now redux vibes, and it’s one on which the iconoclastic 83-year-old director is breaking a cardinal Hollywood rule: Never spend your own money.

…Sources say Coppola, who has never made an effects-heavy movie, fired almost his entire visual effects team Dec. 9, with the rest of that department soon following. Mark Russell, a veteran whose credits include In the Heights and The Wolf of Wall Street, was leading the team as visual effects supervisor. (Coppola famously fired his visual effects department on Dracula 30 years ago.)…

(15) VIDEO OF THE DAY. Eleanor Morton plays both authors as C.S. Lewis tells J.R.R. Tolkien about his new book.

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Daniel Dern, Olav Rokne, Peer, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]