Westercon 68 Masquerade Results

By John Hertz:  The Westercon LXVIII Masquerade was held on Saturday, July 4, 2015, at the Town & Country Hotel, San Diego, California.

Masquerade Director

  • Sandy Manning

Master of Ceremonies

  • Tadao Tomomatsu

Judges

  • Joni Brill Dashoff
  • Lisa Deutsch Harrigan
  • John Hertz

Workmanship Judge

  • Janet Wilson Anderson (Guest of Honor at Costume-Con XXXIII, May 2015)

Novice Class

Best in Class

“Sailor Pluto” (Re-Creation), Alexandra Nash

also Complimentary Membership in Costume-Con XXXVI

Journeyman Class

Best Presentation

“Kitty”, Rebecca & Bruce Rowan

also Honorable Mention workmanship award for Creative Use of Household Materials

Master Class

Most Authentic

“Iron Man vs. Doctor Doom”, Dorothy O’Hare

also workmanship award for Most Compulsively Completist Blending of Cross-Genre Elements

Best Presentation

“The Last Hairbender”, Arabella & Tom Benson, Bridget Landry, Kate Morgenstern, Yuly Springer

also workmanship award for Best Combination of Materials, Design, and Color in the Service of a Hair-Raisingly Sick Pun

Also, a special workmanship award for Most Impressively Innovative Leather Design, Construction, and Detail, to Astral Chrysalis Designs (not in competition)

Note. Careful readers will infer from “Iron Man vs. Doctor Doom” (Master) not entering as a Re-Creation, and its workmanship award, but in the interests of clarity I report both characters were in 16th Century clothing, Iron Man in a ruff, Victoria (note spelling) Von Doom in full skirts wielding a two-handed sword.

LA Opera Costume Shop Sale 3/28

CostumeSale15_e-blast COMPCosplayers and masquerade competitors are noted for making their own costumes, however, the LA Opera’s Costume Shop sale on March 28 is a rare opportunity for anyone who loves exotic apparel.

Over 1,000 costumes on 90 clothing racks will be wheeled out to the parking lot and put on sale alongside tables of one-of-a-kind items such as handcrafted hats, uniquely designed shoes, numerous masks, theatrical jewelry, period wigs, gladiatorial armor and even slave cuffs! Also for sale will be bolts of unusual fabrics and faux fur, as well as buttons, belts, floral hair pins, bustles and panniers.

Costumes available for sale will include items from Aida, The Barber of Seville, The Birds, The Broken Jug, Cinderella, The Grand Duchess, Lucia di Lammermoor, Orfeo ed Euridice, The Queen of Spades, Salome, The Turk in Italy, The Turn of the Screw and Vanessa, among others.

While many items will be priced to clear, a “Diva Rack” of costumes worn by major names like Plácido Domingo, Kiri Te Kanawa and others will be reserved for high rollers prepared to spend from $1,000 to $5,000.

[Thanks to James Bacon for the link.]

Comic-Con Masquerade Winners

2014 Comic-Con masquerade medal.

2014 Comic-Con masquerade medal.

The top awards given for 2014 San Diego Comic-Con masquerade went to —

Best in Show

  • Giant Monsters All Out Attack, Worn By:  Lisa Truong, Lynleigh Sato, Wendy Colon, Cindy Purchase; Designed and Made By: Lisa Truong, Lynleigh Sato, Wendy Colon, Cindy Purchase

Judges’ Choice

  • Twelve, Worn By:  The Time Lords; Designed and Made By: The Time Lords

I mention  “Twelve Doctors” because Jean Martin of Science Fiction/San Francisco was part of the group. However, none of the members of this entry are named in the post on SDCC’s Toucan blog – I wouldn’t know if Jean hadn’t announced it on Facebook.

That’s why I’m not copying the rest of the masquerade awards here — unfortunately, the full names of most entrants often aren’t given so File 770 readers would have no way of telling if they know any of them.

Detcon1 Masquerade Results

Provided by John Hertz:

Masquerade Results
Detcon, the 11th NASFiC
Renaissance Center Marriott Hotel, Detroit, Michigan
July 19, 2014

Masquerade Director: Sandy Manning
Master of Ceremonies: Tom Smith

Judges: Lisa Deutsch Harrigan, John Hertz, Chris O’Halloran
Workmanship Judge: Cathryn Schaff-Stump

Best in Show
also a Workmanship Award
“A Glamorous Evening of Galactic Domination” (Original, Novice)
Jennifer Skwarski

Master Class

Best in Class
also a Workmanship Award
“Conflict in the Court of Jewels” (Original)
Sally Fink, Pierre & Sandy Pettinger

An Officer and a Gentlewoman
“Kara ‘Starbuck’ Thrace” (Re-creation)
Suzette Marriott

Most Deceptively Charming
“Gaius Baltar”(Re-creation)
Suzette Marriott, Scott Thom

Journeyman Class

Best Motown Entry
“Angels Take Motown”(Re-creation)
Sharon & Hall Bass, Janine & John Wardale

Novice Class

Best in Class
“And All She Saw Was Snow”(Re-creation)
Liz Decolvenaere, Isaac Shaff

Most Stealthy
“Meera”(Re-creation)
Llz Decolvenaere, Jen Greco

Young Fan Class

Best Re-Creation, Animé
“No Face”
Lisa & Alida Shears

Best Re-Creation, Film
“Russell and Mr.Frederickson on the Hunt”
Grant & Doug Johnson

LoneStarCon 3 Masquerade Winners

Jill Eastlake has issued a “corrected final winners list” from the LoneStarCon 3 Masquerade. She notes, “It’s amazing to me that although we tried really, really hard to get this right multiple times, we still blew it slightly. Please post this corrected list anywhere and everywhere.”

Master of Ceremonies: Paul Cornell. Masquerade Director: Jill Eastlake. Stage Manager: Kathy Thornton. Workmanship Judges: John Hertz, Michele Weinstein. Presentation Judges: John O’Halloran, Pierre Pettinger, Sandy Pettinger. 29 Entries: 5 Young Fan, 14 Novice, 6 Journeyman, 4 Master. (There were one Not-in-Competition and two scratches before the start of the show.)

Workmanship Awards

Young Fan Division

Best Leatherwork: “Lady Lattitude and Wingnut,” Steward Facile (their Dad)

Best Sewing and Applique: “Kirby Picachu,” Candace Pohler

Novice Division

Construction of Fur Suit Heads: “Project F-Zero-X,” Jay Brandt

Most Ingenious Use of Mundane Substance and Best Entry Made on Site: “AirProof,” Don Clary

Additions and Alterations: “Emmaleen and her Flying Machine,” Sharon Bass, Barb Galler-Smith

Best Use of Found Objects: “Her Majesty Jadis, Empress of Charm and Queen of Narnia,” S. Kay Nash

Journeyman Division

Arrangement of Transformation: “A Crack in Time and Space,” Sabine Furlong

Best Engineering: “Stinza Nickerson, Half-Horse,” Wendy Snyder

Best in Class, Journeyman Workmanship: “Beren and Luthien,” Lorretta Morgan

Master Division

Hand Painting: “Tardis in Vortex,” Steward Facile

Best in Class, Master Division: “Saucer Country,” Kevin Roche, Andrew Trembley, Julie Zetterberg, Greg Sardo, Jerry Majors Patterson, Ken Patterson, Chuck Serface, Nova Mellow as “Daisy”

Presentation Awards

Young Fan Division

Most Royal: “Medieval Princesses,” Emma Jackson, Hope Jackson

Best Story: “Ni No Kuni,” Niki Hyatt, Micah Joel Hyatt, Tori Hyatt, Malachi Hyatt

Best Recreation: “Kirby Picachu,” Candace Pohler

Most Beautiful: “Lady Lattitude.” Robyn Facile

Best in Class: “Wingnut,” Lillian Facile

Novice Division

Honorable Mention for Presentation: “Emmaleen and her Flying Machine,” Sharon Bass, Barb Galler-Smith

Honorable Mention for Chaos: “Randomly Generated Character,” Tamisan

Dr. Moreau Award: “Project F-Zero-X,” Jay Brandt, Victoria Brandt

Deep in the Heart of Texas & Great Balloons of Fire: “AirProof,” Don Clary, James Cossaboon

Best in Class: “Daenerys Targaryen,” Andrea Morrison

Journeyman Division

Best Transformation: “A Crack in Time and Space,” Sabine Furlong

Most Beautiful: “The Dragon Lady,” April Korbel

Best in Class, Journeyman Division: “Beren and Luthien,” Tim Morgan, Lorretta Morgan

Master Division

Most Humorous: “Public Service Announcement,” Rebecca Hewett, Kevin Hewett, Serge Mailloux, Janice Gelb

Close Encounters of the Texas Kind and Best in Class, Master Division: “Saucer Country,” Kevin Roche, Andrew Trembley, Julie Zetterberg, Greg Sardo, Jerry Majors Patterson, Ken Patterson, Chuck Serface, Nova Mellow as “Daisy”

Out of Class Awards

Judge’s Choice: “Stinza Nickerson, Half-Horse,” Wendy Snyder

Best of Show: “Otilia,” Aurora Celeste

Marty Gear (1939 – 2013)

Marty Gear at 2009 Arisia. Photo by Daniel P. Noé.

Marty Gear at 2009 Arisia. Photo by Daniel P. Noé.

Legendary costuming fan Marty Gear, whose fanac spanned six decades, died in his sleep on July 18 at the age of 74.

Marty and his wife, Bobby (who predeceased him in 2005), won many awards in masquerade competitions. He founded The Greater Columbia Fantasy Costumers’ Guild, a forerunner of the International Costumers’ Guild, was the ICG’s first Executive Director, and was honored with the ICG’s Lifetime Achievement Award in 1991.

One of Marty’s earliest fannish experiences, when he was 14, was traveling from Columbus, Ohio to Philadelphia for the 1953 Worldcon. Marty was unprepared for what he found there, felt overwhelmed and said he would have gone back to his hotel room to hide but for “a tall, white-haired man [who] came over and began to talk to me about what I liked to read. I had just bought a copy of Skylark of Valeron in the dealers’ room… and began enthusing about this ‘new’ writer that I had just discovered, E.E. Smith, Ph.D.” He soon discovered it was Smith himself he was telling this to, and Doc and his wife took Marty in tow, introducing him to other authors and artists. “For the remainder of the weekend, whenever either of them saw me alone they made a point of checking to see if I was enjoying myself, and of somehow including me in whatever was going on.”

Despite this friendly encounter with one of the field’s most loved writers, Marty did not attend another SF con until 1977 when Page Cuddy and David Hartwell “conned” him into going to a Balticon in order to meet Philip Jose Farmer.

After that Marty rapidly developed into a fannish leader. He ran programming for Balticon 13 in 1979 and became a regular fixture as the con’s masquerade director beginning in 1981. He chaired CostumeCon 3 (1985) and Balticon 21 (1987).

He held major committee posts on 4 Worldcons. Michael J. Walsh, chair of the 1983 Baltimore Worldcon where Marty ran the masquerade, likes to tell the story – “In 1981 when I called him from Denvention to let him know we had won: ‘Marty, bad news!’ [He answered] ‘We won?’”

Marty was famous for presiding over masquerades in costume as Count Dracula. And he was infamous for filling time with terrible vampire jokes such as —

What do you get when you cross a snowman with a vampire?

Frostbite!

One of his most challenging moments came while directing the 1998 Worldcon (Bucconeer) masquerade — at the start he stumbled against a table of awards and took a four-foot fall off the stage. Quite the trouper, Marty got right back up and did his job without visible problems. He even looked in pretty good shape the morning after at the masquerade critique where he had nothing to say about his mishap except an apology for detracting from the costumers. He did use a cane for awhile afterwards, though.

Marty was a fiery advocate for his beloved event. Even at a Worldcon he refused to concede first place to the Hugo Ceremony, protesting during the Bucconeer masquerade post-mortem, “To the Worldcon committee the Masquerade is not the most important event…. It’s just the best-attended, and has the most people involved, but to the committee it’s a secondary event.”

When he was feeling more mellow he’d deliver the message humorously, saying things like, “Costuming is the second oldest tradition in sci-fi fandom. The first is drinking beer.”

Marty remained an active member of the Baltimore Science Fiction Society, and at the time of his death was parliamentarian of the BSFS Board of Directors, coordinator of the Jack L. Chalker Young Writers’ Contest, and liaison to the school for the BSFS Books for Kids program.

Over the years he was a guest of honor at Unicon 87, Disclave 34, Sci-Con 8, Genericon 2, Arisia 9, and Balticon 30.

Professionally, Marty managed his own company Martin Gear Consulting Ltd.

Other than dressing as a vampire, Marty said one of his favorite costumes was “Cohen the Barbarian” a prize-winner at the 2004 Worldcon as “Best DiscWorld Entry.” His Cohen wore a fur diaper, a very long white beard and an eyepatch — and not much else. In one hand he carried a sword and in the other a walking cane.

To the end Marty continually mentored costumers and passed on his enthusiasm for the costuming arts. He told an interviewer, “I probably won’t stop costuming until I am dead, and maybe not even then.”

***

See Marty in his Dracula garb start the 2008 Balticon masquerade with a horrible joke.

In this interview at Anime USA 2012 Marty explained how he judges anime and reproduction costumes in terms that would be at home on Project Runway — “Clothes have to fit.”

15 Costumers You Should Know

The International Costumers Guild is posting a series of short video tributes to the pioneers and superstars of convention masquerades

The trailer “15 Costumers You Should Know” credits Forry Ackerman as the “Father of Convention Costuming” – he wore a “futuristicostume” made by Myrtle Douglas at the first Worldcon in 1939. The series will revisit the historic work of fans Kathy Sanders, Bruce & Dana MacDermott, Karen Schaubelt Turner Dick, Animal X, Jacqueline Ward, Janet Wilson Anderson, Deborah K. Jones, Pierre & Sandy Pettinger, Barb Schofield, Adrian Butterfield and Ricky Dick.

See more at the IGC Archives.

Scott Shaw! Deuce of Deuces

Scott Shaw!’s costume for the 1972 Worldcon – The Turd — was made with 3 jars of peanut butter, a pair of Leggs pantyhose, cornstarch and some cornhusks. It brought him lasting infamy and inspired one of Rotsler’s Rules for Masquerades. And after decades of sharing the story with convention audiences Shaw has now told it to the camera.

I was one of the first fans to see Shaw in costume that day and many times considered sharing my eyewitness account here. But there’s really no second line to a story that begins, “I was there when The Turd came out.” Put another way, I was standing in front of the elevator doors when Shaw arrived and stalked off to the ballroom, leaving chunky drips in his wake.

Comics artist Scott Shaw! was 21 and his story about a monster from the underground sewers called The Turd had been published not long before he arrived at the Los Angeles Worldcon of 1972. He’d been to a Worldcon masquerade before. This time he felt an overwhelming desire to see what people who worked all year on their costumes would think about an entry someone had made in the last five minutes.

They didn’t think kindly of it, was the answer. Shaw laughs as he retells the grim details in his video. Thanks to him, Rotsler’s Rules for Masquerades [PDF file] admonishes fans —  

7. Parts of your costume should not be edible or smell. Parts of your costume should not fall off accidentally, brush off against other contestants, or be left lying around on the stage.

Afterwards Shaw took an epic shower. He worried about what the maid would think, but that’s nothing next to other embellishments that end his story. As Shaw tells it, a few weeks after L.A.Con the hotel plumbing exploded, having been clogged with massive amounts of peanut butter. The hotel came back to the convention committee and charged them thousands of dollars for the repairs.

That last part never happened.

For one thing, the con only cleared a couple of thousand dollars altogether and they didn’t spend any of it replumbing the International Hotel. The peanut butter reportedly did clog the bathtub in Shaw’s room, but that’s all.  

Still, you have to appreciate the symmetry that Shaw ends his story with a bunch of BS.

[Thanks to Michael J. Walsh, Martin Morse Wooster, Andrew Porter, David Klaus, Steven H Silver and all the ships at sea for this story, and to Craig Miller for a memory download.]

2012 Comic-Con Masquerade

Jean Martin features the achievements of Bay Area costumers at the Comic-Con masquerade in her article for the Examiner. And there’s a great photo of Best in Show (and Lucasfilm prize) winner “Project Runway: All Star Wars,” in which all the usual characters’ costumes are rendered more fashionable. (“Use the glue gun, Luke!”) For example, Cordelia Willis in her C-3PO costume looks like she just stepped out of a Busby Berkeley musical.