The Electric Grandmother is a made for TV movie that was based on a short story by Ray Bradbury that itself was based on a Twilight Zone episode that Bradbury wrote. The film was originally aired on NBC, but most people saw it when it was distributed to classrooms. No idea why this was considered educational, but I don’t think anyone cared. The Electric Grandmother (1982) Director: Noel Black Writer: Ray Bradbury Starring: Maureen Stapleton, Edward Herrmann, and Paul Benedict Plot: A trio of children and their father, get a very special robot grandmother to assist them.
Encanto is a beloved tale of an enchanted family with supernatural power, but it’s not a new one; it actually mirrors a story originally written 76 years ago by late horror author Ray Bradbury. Both are timeless tales about what it means to be human in an extraordinary family and the drama they face when confronted with collapse. Although Bradbury claimed he was unable to predict the future, he somehow reflected it in ways even the Madrigals couldn’t foresee.
In 1946 Ray Bradbury first chronicled the story of the Elliott family, a clan of gothic creatures who adopted a human boy named Timothy, who they found strange. Inspired by Bradbury’s real-life experiences, he wrote a 50-year collection of short stories compiled into a single narrative titled From the Dust Returned. Although not as recognized as gothic icons such as The Addams Family, many considered it a beautifully macabre novel and found the Elliott family resonated with them….
..During the signing, I handed my book to Ray Bradbury but decided to crouch like a baseball catcher so I could whisper a word to him at eye level. As he scribbled his name in the book and closed it, I leaned in and opened my heart, “Mr. Bradbury. Many years ago I discovered you in a small library in Brooklyn, New York. Your books made such a difference in my life…thank you for that.” His eyes began to water and I suppose mine did as well. A spontaneous gesture from this playful man of “gentle humanity” followed as he pulled me toward him and kissed me on the cheek.
I’m a lucky man. Some might prefer being kissed by Bo Derek. Not me….
(6) DRINK UP. For a short time, Mary Robinette Kowal is offering a limited edition Bradbury Base mug for all new and existing subscribers at $25 or above to her Patreon.
(7) CENTER FOR RAY BRADBURY STUDIES. There was a changing of the guard last year.
Former Director Dr. Jonathan R. Eller retired on February 1, 2021 and Dr. Jason Aukerman stepped into the role. During his career at IUPUI, Dr. Eller co-founded the Bradbury Center with the late Dr. William Touponce, became a Chancellor’s Professor of English, and touched countless lives through his work as a teacher and scholar. Without Dr. Eller, there would be no Bradbury Center, and even though he is now retired, Dr. Eller and Debi Eller maintain a close relationship with Center staff, serving as volunteers, consultants, and friends. We thank the Ellers for their passionate leadership and continued support!
Maurice Broaddus is the resident Afrofuturist at the Kheprw Institute and librarian at the Oaks Academy Middle School. His work has appeared in places like Lightspeed Magazine, Black Panther: Tales from Wakanda, Asimov’s, Magazine of F&SF, and Uncanny Magazine, with some of his stories having been collected in The Voices of Martyrs. He’s also an editor at Apex Magazine!
Mention Ray Bradbury, I’ve found, and faces light up. Strangers reach out to you on Twitter with testimonials. A voice changes on the phone, as if you just mentioned a childhood best friend. This is something beyond fondness and beyond admiration. The name conjures up poignant wonder; the name exhilarates the imagination. No one seems to be just “familiar with his work.” You’ve either never read him, or you love him.
One place to read his best work (his stories are as innumerably luminous as stars) is in Library of America’s new omnibus, which contains The Martian Chronicles, Fahrenheit 451, Dandelion Wine, and Something Wicked This Way Comes…
…The exhibit features a full case on Bradbury’s most famous novel, “Fahrenheit 451,” a couple of cases exploring the author’s lifelong fascination with the planet Mars and a representative range of the collection’s other holdings. Taken together, they provide an intriguing window on 20th-century book and periodical publishing, particularly in the genres of fantasy and science fiction.
But what’s on display is just a hint of the many treasures tucked into Hardin’s vast collection, which also chronicles a decades-long correspondence and friendship Hardin enjoyed with the famous writer.
Bradbury devotees who take the time to dive into the holdings will discover every edition of classics like “Fahrenheit 451,” “The Martian Chronicles” and “Dandelion Wine”plus vividly illustrated mid-century pulps like “Amazing Stories” and “Weird Tales,” mainstream magazines or “slicks” like “Mademoiselle,” “McCall’s” and “Good Housekeeping,” plus small-run fanzines predating the author’s international fame and acclaim.
In other words, it’s about as complete as complete gets — the collection even includes one of Bradbury’s bicycles — and it’s all the result of Hardin’s tireless literary sleuthing, which stretches back more than four decades….
(1) SLF ILLUSTRATION OF THE YEAR. Michelle Feng is the winner of the Speculative Literature Foundation’s search for their 2022 Illustration of the Year.
Hoping to translate theory into policy and practice, Michelle’s experience revolves around working directly with traditionally underserved individuals and communities of color to bridge the gap between lived experiences and policy that fails to reflect the complexities of society on a universal scale. Through her dedication to public service, where she traveled around the country working in dedicated pursuit of localized projects with focuses on urban development, environmental conservation, disaster relief, and food insecurity in rural areas. Michelle has also spent time in Human Resources at the Department of Defense and has experience in social work at a small non-profit, which subsequently trained her in crisis de-escalation, conflict mediation, and trauma-informed care.
Feng commented that she found inspiration for her illustration through wanting to combine visual elements from traditional village living structures with futuristic elements of a modern city. Feng used a mix of mediums and textures to build a piece with collage-like elements that illustrated a layered approach to world-building: “imbuing realities that are grounded in something familiar, but still continue to live outside of our surface-level understanding of the world, define speculative fiction to me. As a first generation Chinese-American daughter of immigrants, I grew up hearing stories of my mother’s experience traveling to the rural village her mother grew up in, who always emphasized the importance of balancing education, literacy, and imagination as the key to upward mobility.”
The person climbing the wall of books on the left hand side of the image was inspired by her grandfather, a professor of contemplative literature who taught her mother that art is the highest form of expression. Her hope is that those who see the piece can connect to both of its real & imagined worlds while exploring intersections between the built and natural environment.
You can find more of her work on instagram: @michellef.arts
(2) SQUEECORE. Raquel S. Benedict’s Rite Gud podcast offer “A Guide to Squeecore”, their term for sff’s current favorite flavor.
In 1936, anthropologist Ralph Linton said, “The last thing a fish would ever notice would be water.” It’s difficult to see the medium that encompasses everything around you, especially when you’ve never known anything else. Well, if fish were contemporary sci-fi/fantasy readers, the last thing they would notice is squeecore. What is squeecore? You’re soaking in it! Squeecore is the dominant literary movement in contemporary SFF, a movement so ubiquitous it’s nearly invisible. But in this episode, we are taking notice of how speculative fiction got watered down.
…Again, I think that idea (if not the name) that there are common aesthetic elements in notable science fiction (ie what gets critical attention and award nominations) makes some sense. Historically, in the Hugo Awards, I think what we see is overlapping time periods of popularity of some authors, publishers and outlets (5 to 10 year periods, with some figures having much longer spans of relevance). Pick any snapshot of time though, you are likely to find works that reflect elements that are going out of fashion, works that are currently most fashionable and works that reflect newer fashions. That is reflected in the kind of names (some coined contemporaneously and some retrospectively) given to works from particular times. The podcast picks up on that element and the need for a name for the current state of affairs….
(4) ENCOURAGING INTENTIONALITY. Maurice Broaddus urges conventions to move beyond checking the “diversity box” and work on building community. Thread starts here.
…. Readers of the novel will remember its unique structure: nonlinear and multi-perspective, arcing across time, space, and characters to tell its poignant story about survival and the human spirit. We sense some of that looping structure in the television show, particularly in Episode One’s flash-forward glimpses of Chicago (for the purposes of this adaptation, HBOMax has transplanted the story from Toronto to Chicago). In these shots, we glimpse an unrecognizable world: today’s driveway becomes an overgrown wilderness, years after the pandemic. Today’s theater, where Arthur performs King Lear to a packed audience, is later overrun by feral hogs. The visual style hints at a narrative omniscience….
(6) DAVE WOLVERTON (1952-2022). Dave Wolverton, aka Dave Farland, died the day after sustaining a head injury due to a fall, his son Spencer announced this morning:
Again this Dave’s son Spencer.
Dave has officially passed. He held on till all his children could say goodbye, then faded swiftly without pain. Thank you for all the kind words, messages, and memories.
After reading the countless messages and reflecting on my own experience, it is safe to say that my dad had a special way of seeing the potential in people. He will surely be missed.
Words can’t express the emotions of losing a loved one.
…Dave was part of my writing career from the very beginning. In fact, he’s the person whom you could say started it. He was the coordinator of the Writers of the Future contest in 1992. I submitted a story which he liked well enough to include in the finalists from whom the judges chose the winners, and I won first place in the winter quarter of that year. Winning that award is what kicked off my writing career. I stayed in touch with Dave after the contest and he was a help to me in many ways, from giving me excellent editing advice to connecting me with the person who became (and still is) my literary agent.
Some years later, Dave and I were two of the five founders of the Superstars Writing Seminar. (The other three were Kevin Anderson, Rebecca Moesta and Brandon Sanderson.) As a result of that association, we met every year at the four-day event, which is held in Colorado Springs in February. I was expecting to see him next month and looking forward to it.
David Doering’s appreciation about him will appear shortly on File 770.
(7) RICK COOK (1944-2022). Rick Cook, author of the Wizardry series (starting with Wizard’s Bane in 1989), died January 13. He wrote a total of nine sff novels, and much short fiction. His short story “Symphony for Skyfall,” co-written with Peter L. Manly, was shortlisted for the Theodore Sturgeon Memorial Award in 1995. His fact article “The Long Stern Case: A Speculative Exercise” won the Analog Readers Poll in 1987 (and between 1995-1998, three more short stories co-authored with Manly placed second or third in the poll.)
He was a co-founder of the Society for Creative Anachronism’s Kingdom of Atenveldt, which encompasses the state of Arizona. In the SCA he was known as Sir Richard Ironsteed. Recalling the early days of the Kingdom of Atenveldt, Cook wrote:
We made it up as we went along. In 1968 I went to Worldcon in San Francisco. The SCA appeared there for the first time. It was then I was introduced to the SCA. I picked up the Known World Handbook and brought it back to the Valley of the Sun. I couldn’t build up much interest, but shared the information with Mike Reynolds. In 1969, he suggested we start a branch. We were the first group that wasn’t started by people who had lived in the Kingdom of the West.
I was part of building the initial group, martial activities, including the administrative duties of marshalling. As first king of Atenveldt, I enjoyed making up the fun as we went along. Those things of great tradition from the early days were really just having a good time. I was also the first herald of Atenveldt, long before we were a kingdom. I tried my hand at many things from helping make our first (infamous) trebuchet to making jewelry.
Heather Jeffcott shared warm memories of him on Facebook:
…He used words like swordplay. Strong and persuasive, nimble and light when needed, then *SMACK*! There came the pun that would lighten the tenor of the conversation. He could be blunt without being rude. (Which is not to say he couldn’t descend into crudity, it just wasn’t his first choice. He was selective in how and when to apply such words for he had plenty of others in his arsenal.) He had a talent for telling you a truth and making it seem like a tall tale. And if he told you a Tall Tale, it took on the manner of a LEGEND….
(8) MEDIA BIRTHDAY.
1977 — [Item by Cat Eldridge.] Forty-five years ago, the first version of Fantasy Island aired its first episode this evening on ABC. The series starred Ricardo Montalbán who was previously known for his Chrysler Cordoba commercials, with their tagline of “Fine Corinthian Leather”, as Mr. Roarke, the Host, and Hervé Villechaize as his dwarf assistant, Tattoo. It was created by Gene Levitt who had very little previous genre experience.
The critics were unanimous in their utter loathing of it. Newsday was typical of the comments about: “Given the premise, the [pilot] movie could have been fun, but it’s not. It drips with Meaning, but there is none. Actually, it’s quite dumb.”
It was obviously critic-proof as it had an amazing run lasting seven seasons of one hundred fifty-two episodes, plus two films called Fantasy Island and Return to Fantasy Island.
A one-season revival of the series with Malcolm McDowell and Mädchen Amick in the two roles aired fourteen years later while a re-imagined horror film version was released two years ago. I’ve seen neither of those versions. I do remember the original series and remember rather liking it.
Chrysler Cordoba commercial (proof nothing vanishes on the net) here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 14, 1924 — Guy Williams. Most remembered as Professor John Robinson on Lost in Space though some of you may remember him as Don Diego de la Vega and his masked alter ego Zorro in the earlier Zorro series. (Is it genre? You decide. I think it is.) He filmed two European genre films, Il tiranno di Siracusa (Damon and Pythias) and Captain Sinbad as well. (Died 1989.)
Born January 14, 1943 — Beverly Zuk. Ardent fan of Trek: TOS who wrote three Trek fanfics, two of them on specific characters: The Honorable Sacrifice (McCoy) and The Third Verdict (Scotty). Let’s just say that based on her artwork that I found I’d not say these are anything less than R rated in places. She was a founding member of the Trek Mafia though I’m not sure what that was, but I’m betting one of y’all can tell me. (Died 2009.)
Born January 14, 1948 — Carl Weathers, 74. Most likely best remembered among genre fans as Al Dillon in Predator, but he has some other genre creds as well. He was a MP officer in Close Encounters of the Third Kind, General Skyler in Alien Siege, Dr. Artimus Snodgrass in the very silly The Sasquatch Gang comedy and he voiced Combat Carl in Toy Story 4. And no, I’m not forgetting he’s currently playing Greef Karga on The Mandalorian series. I still think his best role ever was Adam Beaudreaux on Street Justice but that’s very, very not genre.
Born January 14, 1949 — Lawrence Kasdan, 73. Director, screenwriter, and producer. He’s best known early on as co-writer of The Empire Strikes Back, Raiders of the Lost Ark and Return of the Jedi. He also wrote The Art of Return of the Jedi with George Lucas which is quite superb. He’s also one of the writers lately of Star Wars: The Force Awakens and Solo: A Star Wars Story.
Born January 14, 1957 — Suzanne Danielle, 65. A Whovian as she showed up as Agella in “The Destiny if The Daleks “ a Fourth Doctor story. She was on the Hammer House of Horror series in the Carpathian Eagle” episode, and she’s also in Roald Dahl’s Tales of the Unexpected multiple times in different roles. To my knowledge, her only other SFF appearance was on the Eighties Flash Gordon film.
Born January 14, 1962 — Jemma Redgrave, 60. Her first genre role was as Violette Charbonneau in the “A Time to Die” episode of Tales of the Unexpected which was also her first acting role. Later genre roles are scant but include a memorable turn as Kate Lethbridge-Stewart, daughter of Brigadier Lethbridge-Stewart on Doctor Who. Not at all surprisingly,she has also appeared as Stewart as the lead in myriad UNIT adventures for Big Finish Productions.
Born January 14, 1967 — Emily Watson, 55. Her first genre appearance is in Equilibrium as Mary O’Brien before voicing Victoria Everglot in Tim Burton’s Corpse Bride. Next is she’s Anne MacMorrow in the Celtic fantasy The Water Horse: Legend of the Deep. She apparently also was in a Nineties radio production of The Wolves of Willoughby Chase but I’ve no information on it.
Born January 14, 1990 — Grant Gustin, 32. The actor, known as Barry Allen aka the Flash in the Arrowverse. I’ve got him as a boyfriend on an episode on A Haunting, one of those ghost hunter shows early in his career. Later on, well, the Arrowverse has kept him rather busy.
(10) COMICS SECTION.
Frank and Ernest meet some genetic engineers whose experiments result in terrible puns.
(11) SPRING HAS SPRUNG AT SF2 CONCATENATION. SF² Concatenation has just posted its seasonal edition of news, articles, conreps, genre film analysis, and over 40 standalone book reviews. Vol. 32 (1) contains:
(12) FOUNDRY EVENT. Flights of Foundry, a virtual convention for speculative creators and their fans, will be held online from April 8-10. Programming is now being organized, and registrations taken, at the link.
The world’s biggest multi-disciplinary, round the clock, international virtual convention is returning for its third year, and it’s going to be even better than ever. With stellar guests of honor such as L. D. Lewis and Jana Bianchi, an intensive workshops series, and activities to fill the whole weekend, there’s something for everyone and more than you’ll make it to. Donation-based registration means everyone can attend, and you’ll have a rare opportunity to meet people you’ll never see on the regular con circuit. Join us to learn about craft and business from creatives in your field and those you’ll collaborate with over the course of your career. Talk about your favorite works with people who love them, and love to dissect them, too!
(13) A JAR FULL OF MONEY. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna notes that now that Winnie-the-Pooh is in the public domain, artists and writers will have a field day as long as they don’t make the bear wear a shirt (Disney owns that shirt!), don’t mention Tigger (not introduced until the still-under-copyright The House At Pooh Corner) and they should probably put a disclaimer in saying Disney has nothing to do with their work. “’Winnie-the-Pooh’ just entered the public domain. Here’s what that means for fans.”
He notes that Ryan Reynolds has used Winnie the Pooh’s public domain status to promote his cellphone company.
Mike Zeck’s artwork for page 25 from Marvel Comics’ “Secret Wars No. 8” brings the first appearance of Spidey’s black suit. The symbiote suit would eventually lead to the emergence of the character Venom.
The record bidding, which started at $330,000 and soared past $3 million, came on the first day of Heritage Auctions’ four-day comic event in Dallas.
(15) THE HORTHMAH. [Item by Hampus Eckerman.] I saw that a new movie has been released, but the title is a bit weird. It mixes existing nordic runes with some that are made up from our ordinary latin alphabet. The closest I come when translating it is “The Horthmah”, but perhaps it is more than two alphabets in there. Is there any filers that are better at runes than me and can help out here? Anyway, I have no idea of what a Horthmah is, but I guess I’ll have to see the movie to find out.
(16) TRAILER TIME. Dance along to the opening credits of James Gunn’s Peacemaker, starring John Cena. Peacemaker is now streaming on HBO Max.
Are you a Star Trek fan? Do you like funny cats? Then this episode is right up your alley. William Shatner, Leonard Nimoy and DeForest Kelley, move over! Fur Trek is coming at warp speed. Capt. James T. Purrk of the UFS Kittyprise responds to a distress call from the planet Tribbiani, home of the adorable indigenous creatures known as Tribbles. Ambassador Barker suspects the warlike Klingoffs plan to steal his cargo of the life-saving grain, quadrokittycale, so he enlists Purrk’s help. Will the innocent Tribbles get caught up in a war between the Furderation and the Klingoff empire? Get ready to travel at warp speed on Jan. 1st to find out.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Hampus Eckerman, Bruce D. Arthurs, Chris Barkley, Daniel Dern, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The winning story will be purchased and published in Analog, and the author receives one year of monthly mentorship sessions. The finalists receive one mentorship session with Analog editors including a critique of their submission and a chance to ask questions about the field.
The members of the judging panel for 2021 were Steven Barnes, Nisi Shawl, Kim-Mei Kirtland, Trevor Quachri, and Emily Hockaday.
(3) CITY TECH SF SYMPOSIUM. Gillian Polack, who spoke at yesterday’s Symposium, presents an expanded version of her paper, “The Problem of Susan Australia, or, The Tyranny of Distance” in this video.
I’m hearing grousing about the latest Nebula Awards Showcase, edited by the distinguished Catherynne M. Valente.
This is the 55th volume in the long-running series, and the second to be published directly by SFWA, the Science Fiction Writers of America. As is customary, it contains the complete Nebula award-winning stories, as selected by that august body, as well as a tasty selection of the other nominees, as selected at the whim of the editor.
Well — not exactly. And that seems to be the crux of the problem. For the first time I can remember, the Nebula Awards Showcase contains only one of the winners from last year, A. T. Greenblatt’s short story “Give the Family My Love,” originally published in Clarkesworld. All the others — including the winners in novelette, novella, and novel category — are represented only by brief excerpts….
(5) AFROFUTURISM. At the SFWA Blog, Maurice Broaddus says adults “notoriously underestimate middle school students” and talks about “writing stories more through the lens of Black joy rather than Black trauma” in “Black Joy and Afrofuturism for Young Readers”.
…One way to define Afrofuturism is that it centers joy and hope. Black joy is the tenacity and audacity of Black culture. It exists outside and indifferent to the gaze of dominant culture. It recalls that Black people had life, history, and culture before, during, and outside of the dominant culture’s racial caste system. It basks in the beauty of what it means to be a people and a culture.
It is Black art that centers ourselves, who we are, who we could be, enjoying that totality without guilt….
The Association of American Publishers filed suit December 9 to stop a new library e-book law in Maryland from taking effect on January 1, claiming that the law, which would require publishers who offer to license e-books to consumers in the state to also offer to license the works to libraries on “reasonable” terms, is unconstitutional and runs afoul of federal copyright law…
…“Maryland does not have the constitutional authority to create a shadow copyright act or to manipulate the value of intellectual property interests,” commented Maria A. Pallante, President and CEO of the Association of American Publishers and former head of the United States Copyright Office. “It is unambiguous that the U.S. Copyright Act governs the disposition of literary works in commerce—and for that matter, all creative works of authorship. We take this encroachment very seriously, as the threat that it is to a viable, independent publishing industry in the United States and to a borderless copyright economy.”
The complaint, filed in federal court in Maryland, argues that the Maryland law is preempted by the United States Copyright Act, unconstitutionally interferes with interstate commerce, and violates the Constitution’s Due Process clause by mandating vague and unspecified licensing requirements….
…The hype was already real by the time promotion for The Lord of the Rings: Fellowship of the Ring ramped up. In April 2000, the internet-exclusive trailer for Fellowship was downloaded from Apple Trailers 1.7 million times in its first 24 hours, breaking a record set by Star Wars: Episode I — The Phantom Menace. (Compare that, though, to the present-day record: Spider-Man: No Way Home’s first trailer, released in August and viewed 355.5 million times in the first 24 hours.) But by May 2001, the time had come to reassemble the fellowship … for many, many, many step-and-repeat red carpet opportunities.
Photographic evidence of the high-stakes press gauntlet for Fellowship suggests that Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Astin, Billy Boyd, Dominic Monaghan, Sean Bean, Orlando Bloom, John Rhys-Davies, and Liv Tyler (bringing some much-needed femininity to the red carpet bro-out) had a decent time flying around the world to preach the blockbuster word…
This episode’s guest, Bob Budiansky, is a old Marvel Bullpen pal… When I was working at mid-’70s Marvel Comics and decided I no longer wanted to edit their line of British reprint books, I got yet another SUNY Buffalo student and newspaper coworker, Jay Boyar, to take my place, and then when he moved on, he recommended Bob. And that serendipity is how his 20-year career at Marvel Comics was born.
Bob’s led a multifaceted comics career as a writer, artist, and editor. He’s written (among other things) The Avengers and all 33 issues of Sleepwalker, a character he co-created, plus most of Marvel’s run of The Transformers, for which he came up with the names of most of the original Transformers, including Megatron. In fact, his contributions to that franchise were so great that in 2010 he was inducted into the Transformers Hall of Fame.
…We discussed the vast differences between the hoops we each had to jump through to get hired back then, why the Skrulls were responsible for him liking DC better than Marvel as an early comics fan, the serendipitous day he attended a wedding and learned the origin of the Golden Age Green Lantern from its creator, why he stopped reading comics in high school … and how Conan the Barbarian got him started again, which Marvel Bullpen staffer saw his art portfolio and suggested he consider a different career, what it was like to witness the creation of Captain Britain, how got his first regular gig drawing covers for Ghost Rider, his five-year relationship developing 250 Transformers characters for Hasbro, and much more.
… After three days of wandering, the hungry children came upon a gingerbread house mortared with frosting. Hansel rushed over to take a bite.
“Stop, Hansel! You can’t just eat a stranger’s house! It could contain animal products!”…
(10) TWO-PART HARMONY. Now on Fanac.org’s YouTube channel: Wrong Turns on the Wallaby Track: Australian SF Fandom 1936-60, Leigh Edmonds, Perry Middlemiss in 2 parts.
In this delightful Fan History Zoom (Dec 2021), historian Leigh Edmonds provides both context and details of Australian Science Fiction Fandom in the early days. Beginning with an introduction to Australian history of the period by Perry Middlemiss, the session entertainingly describes the important fans, and clubs from the beginnings in Sydney with a Science Fiction League branch, to the Futurian Society of Sydney and the Thursday night group. Leigh provides both entertaining and instructive insights, from the parallels to US fannish history, to the Australian group whose “main form of entertainment was feuding”, and the impact on science fiction readers of the Australian wartime embargo on the import of unnecessary items. He discusses the uniquely Australian barriers to becoming a professional writer in the field, the banning of Weird Tales on moral grounds and more….
Leigh Edmonds is an Australian historian, and honorary research fellow at the Collaborative Research Centre in Australian History (CRCAH) at Federation University in Ballarat, Australia. He is also a very long term science fiction fan. Perry Middlemiss is a fanwriter and editor as well as a former Worldcon chair.
Note: To begin Leigh had technical difficulties for the first 10 minutes so his portion begins after an excellent, but slightly long, introduction by Perry Middlemiss.
(11) CHRIS ACHILLEOS (1947-2021). Artist Chris Achilleos died December 6. His work has appeared in Heavy Metal, on book covers including series based on Conan the Barbarian, Doctor Who and Star Trek, as well as collections of his own work. Collections of his art include Amazona, Sirens, and Beauty and the Beast. Since 1990 he has mostly worked in designing fantasy trading cards as well as selling prints and original works of art.
(12) MEDIA BIRTHDAY.
2003 — [Item by Cat Eldridge.] Eighteen years ago, Big Fish premiered. It was directed by Tim Burton from the screenplay by John August which he did off of Daniel Wallace‘s Big Fish: A Novel of Mythic Proportions. The cast is, if I must say so myself, amazing: Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange, Helena Bonham, Carter Alison Lohman, Robert Guillaume, Marion Cotillard, Steve Buscemi and Danny DeVito. Did critics like it? Generally quite so. ReelThoughts said of it, “Big Fish is a clever, smart fantasy that targets the child inside every adult without insulting the intelligence of either.” The box office was modest at best, making just under one hundred twenty-five million against seventy million in production costs not counting marketing. Audience reviewers at Rotten Tomatoes currently give it a most excellent rating of ninety percent.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 10, 1815 — Ada Lovelace. Lovelace was the only legitimate child of poet Lord Byron and his wife Lady Byron. She was an English mathematician and writer, principally known for her work on Charles Babbage’s proposed mechanical general-purpose computer, the Analytical Engine. Genre usage includes Gibson and Sterling’s The Difference Engine, Stirling’s The Peshawar Lancers and Crowley’s Lord Byron’s Novel: The Evening Land. (Died 1852.)
Born December 10, 1903 — Mary Norton. Author of The Borrowers which won the 1952 Carnegie Medal from the UK’s Chartered Institute of Library and Information Professionals recognizing the novel as the year’s outstanding children’s book by a British author. She would continue to write these novels for three decades. Hallmark turned one into a film in the early Seventies. Her novels The Magic Bed Knob; or, How to Become a Witch in Ten Easy Lessons which was nominated for a Retro Hugo at Dublin 2019, and Bonfires and Broomsticks would be adapted into the Disney film Bedknobs and Broomsticks in the same period. (Died 1992.)
Born December 10, 1927 — Anthony Coburn. Australian writer and producer who spent most of his career living and working in the U.K. He was closely involved in the earliest days of Who to the extent that it’s believed it was his idea for the Doctor’s travelling companion, Susan, to be The Doctor’s granddaughter. He wrote four scripts for the show, of which OnlyAn Unearthly Child was used. His never produced “The Masters of Luxor” Who script was released by Big Finish Productions as adapted by Nigel Robinson. Titan Books has previously released it as a novel. (Died 1977.)
Born December 10, 1928 — John Colicos. You’ll remember him as being the first Klingon ever seen on Trek, Commander Kor in the “Errand of Mercy” episode. (He’d reprise that role as the 140-year-old Kor in three episodes of Deep Space Nine.) He’ll next show up as Count Baltar in the original Battlestar Galactica continuity throughout the series and film. He’ll even show up as the governor of Umakran in the Starlost episode “The Goddess Calabra”. He also played three roles on the original Mission: Impossible. (Died 2000.)
Born December 10, 1946 — Douglas Kenney. He co-founded National Lampoon in 1970 along with Henry Beard and Robert Hoffman. With Beard alone in 1969, he wrote Bored of the Rings. Kenney died after falling from a 35-foot cliff called the Hanapepe Lookout in Hawaii. It was ruled accidental. Chris Miller, co-writer of Animal House with him and Harold Ramis, paid homage to him by naming the main character in Multiplicity Doug Kinney, a variation on his name. (Died 1980.)
Born December 10, 1953 — Janny Wurts, 68. Illustrator and writer. She’s won three Chesley Awards, plus a HOMer Award for her Servant of the Empire novel. I strongly recommend the Empire trilogy that she co-authored with Raymond E. Feist, and her excellent That Way Lies Camelot collection was nominated for a BFA.
Born December 10, 1960 — Kenneth Branagh, 61. Branagh’s better genre work includes his roles as Victor Frankenstein in Mary Shelley’s Frankenstein and Gilderoy Lockhart in Harry Potter and the Chamber of Secrets. As a Director, I’m only seeing Mary Shelley’s Frankenstein and Thor — anyone know of anything else genre related? Is Hercule Poirot genre adjacent? I think so.
Born December 10, 1984 — Helen Oyeyemi, 37. I like it when a birthday results in my adding to my audiobook listening list. She’s resident in Prague now and her take on European folktales that surround her there is particularly sharp in Mr. Fox, which was nominated for an Otherwise Award, off that well known tale. And White is for Witching has all the makings of a damn fine haunted house story. Now one should not overlook her Icarus Girl, her first novel, which is fascinating. I’ve not encountered Gingerbread, her latest novel.
(14) COMICS SECTION.
Yes, science fiction and crime fiction can be combined: The Far Side.
(15) WHAT IF? SPINOFF. Captain Carter, recently featured in Marvel Studios’ What If, will report for duty in her very own comic series this March. Jamie McKelvie will write the series and design the character’s brand-new look. McKelvie will be joined by rising star artist Marika Cresta, known for her recent work on Star Wars: Doctor Aphra.
The five-issue limited series introduces Captain Carter in an adventure that will find Peggy Carter as a woman out of time, facing the reappearance of an old foe in modern day and deciding what she stands for as the wielder of the shield.
A reality where Agent Peggy Carter took the Super-Soldier Serum instead of Steve Rogers is turned upside down when the World War II hero is pulled from the ice where she was lost in action decades before. Peggy struggles to find her footing in a modern world that’s gotten a lot more complicated – cities are louder, technology is smarter and enemies wear friendly faces. Everyone with an agenda wants Captain Carter on their side, but what does Peggy want? And will she have time to figure it out when mysterious forces are already gunning for her?
(16) VOLUNTEER FOR DISCON III. Here is another reason to become a virtual volunteer for next week’s Worldcon.
…The first lesson of his books is obvious: climate is the story. Compared with the magnitude of the crisis, this year’s United Nations climate summit, Cop26, was a poorly planned pool party where half the guests were sweating in jeans, having forgotten their swimming suits. If you’re reading this, you probably know what climate science portends – and that nothing discussed in Glasgow was within rocket range of adequate. What Ministryand other Robinson books do is make us slow down the apocalyptic highlight reel, letting the story play in human time for years, decades, centuries. The screen doesn’t fade to black; instead we watch people keep dying, and coping, and struggling to shape a future – often gloriously.
I spoke to Robinson recently for an episode of the podcast The Dig. He told me that he wants leftists to set aside their differences, and put a “time stamp on [their] political view” that recognizes how urgent things are. Looking back from 2050 leaves little room for abstract idealism. Progressives need to form “a united front,” he told me. “It’s an all-hands-on-deck situation; species are going extinct and biomes are dying. The catastrophes are here and now, so we need to make political coalitions.”…
… Robinson’s elegant solution, as rendered in Ministry, iscarbon quantitative easing. The idea is that central banks invent a new currency; to earn the carbon coins, institutions must show that they’re sucking excess carbon down from the sky….
(18) JEOPARDY! Andrew Porter witnessed tonight’s Jeopardy! contestants overlooking the author of Frankenstein.
Final Jeopardy: 19th Century British Authors.
Answer: She called herself “the daughter of two persons of distinguished literary celebrity” in an introduction to one of her novels.
Wrong questions: Who is George Elliot? and Who is Emily Bronte?
Correct question: Who is Mary Shelley?
(19) ENTERPRISING ARTIST. [Item by Ben Bird Person.] Artist Alain Gruetter did this piece based on Star Trek: Enterprise (2001-2005) featuring the Xindi-Aquatics and Xindi-Insectoids from their third season (2003-2004).
…The Federal Aviation Administration will […] award Commercial Space Astronaut Wings to […] eight people who flew on Blue Origin’s New Shepherd spacecraft, three who flew on Virgin Galactic’s SpaceShipTwo, and to the four members of the SpaceX crew who spent three days in space in September, CNN has learned.
But the space tourism industry shouldn’t get used to this generous allocation of wings from the federal government. In a twist, the FAA has decided to end the entire Commercial Space Astronaut Wings program on January 1. After that, the FAA will simply list the names of everyone who flies above the 50-mile threshold, the US-recognized boundary of space, on a website….
Much to Peter Parker’s confusion, Otto Octavius appears on an overpass bridge and demands to know what has happened to his machine. When Peter doesn’t have any answers, Doctor Octopus begins throwing cars, endangering the lives of the civilians nearby.
(22) SECOND SERVING OF HEDGEHOG. Could Jim Carrey’s mustache here be the phoniest of all time?
(23) HALO THE SERIES. This first-look trailer for Halo was shown during The Game Awards last night. Halo the series will be streaming in 2022 on Paramount+.
Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kayinsky, Ben Bird Person, Lise Andreasen, Jennifer Hawthorne, Chris Barkley, Jeffrey Smith, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna), part of “The Hugo Pixel Scroll Winners” series.]
(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)
(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to “Spend Memorial Day weekend at the Concourse Hotel”.
As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021
… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….
(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.
… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.
When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.
Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….
…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)
It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.
As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.
This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.
All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.
… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.
Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…
…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”
I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.
The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safe. WSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….
… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….
… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….
… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.
In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.
The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”
The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the newpublisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.
…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.
But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…
(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New Suns, Everfair, Stories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.
From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.
… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.
(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.
The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.
The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.
Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.
(9) MEMORY LANE.
On a day in 1986 Star Trek IV: The Voyage Home premiered. It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 10, 1936 – David Hardy, age 85. Astronomical and SF artist. European Vice President of the Int’l Ass’n of Astronomical Artists. Artbooks e.g. Visions of Space; Hardyware; 50 Years in Space: what we thought then, what we know now. Two hundred fifty covers, a hundred interiors. Here is the Jun 74 Amazing. Here is King David’s Spaceship. Here is Understanding Space and Time (note that the piano is a Bösendorfer). Here is the Apr 2010 Analog. [JH]
Born April 10, 1940 — Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better? He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE)
Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016). Four hundred twenty covers, two hundred interiors. Three Hugos. Twelve BSFA (British SF Ass’n) Awards. Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here. Artbooks e.g. Lightship; Transluminal; The Art of Jim Burns. Each in The Durdane Trilogy used a segment of this, e.g. The Asutra. Here is Interzone 11. Here is the Jul 94 Asimov’s. Here is The Wanderer. Here is Dozois’ 34th Year’s Best Science Fiction. Here is Dark Angels Rising. [JH]
Born April 10, 1951 – Ross Pavlac. Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon. Fan Guest of Honor at Torque 2. Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apaMyriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called. Chaired Windycon XXIV from his deathbed. See these appreciations. (Died 1997) [JH]
Born April 10, 1953 — David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”. And yes, he has won other Hugos, too numerous to recount here. (CE)
Born April 10, 1955 — Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
Born April 10, 1957 — John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing. I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE)
Born April 10, 1959 – Ruth Lichtwardt, age 62. Hugo Adm’r for Anticipation the 67th Worldcon. Chaired MidAmeriCon II the 74th; her reflections as Chair here. Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference. Co-chaired ConQuest 49. Drinks Guinness. [JH]
Born April 10, 1975 – Merrie Haskell, age 46. Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313. Interviewed in Lightspeed. Schneider Book Award. “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome…. I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?” [JH]
Born April 10, 1978 — Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum Thief, The Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating. (CE)
Born April 10, 1984 – Rachel Carter, age 37. Three novels for us. Nonfiction in e.g. The New Republic. Teaches fiction-writing, also a freelance editor. [JH]
Born April 10, 1992 — Daisy Ridley, 29. Obviously she played the role of Rey in The Force Awakens, The Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)
…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.
However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.
We may be approaching that point.
One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….
(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.
2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama. Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us. ALSO!!!! It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit. Really excited about this one.
Hamit says: “This was a very positive experience for me. Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show. Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far. Each is an hour long and they usually do two part, one hour each, in depth discussions. I was on as a topic expert on SIGINT.”
One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.
And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.
Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…
A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].
NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.
They docked at the station after a two-orbit journey that lasted just over three hours.
It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.
By today’s standards, Pongdoesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…
The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)
In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)
(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.
[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]
[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]
TL;DR: Here’s what I thought of the 2020 Novellas. What did you think?
I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story Synopsis had some appeal for me). I ended up reading:
31 of the novellas published in 2015,
35 of the novellas published in 2016,
50 of the novellas published in 2017,
38 of the novellas published in 2018,
57 of the 2019 novellas,
and this year I was waiting for access to a few novellas from my library, so I was reading others, and thus my final total crept up to 59!
I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.
It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.
Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.
Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and I do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.
Novellas are listed in two sections below. The first section, those with cover art, are the ones I have read, and they include mini-reviews by me. These are in approximate order from most-favorite to least-favorite (but bear in mind that after around the first dozen listed, there was not a large degree of difference in preference among most of the remainder, with the exception of a handful at the bottom). The second section is those novellas I haven’t read, in alphabetical order by title.
I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Some short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included, and in a couple of cases, novelettes which were long enough to be in the Hugo Novella tolerance were also included.
Please feel free to post comments about 2020 novellas which you’ve read, as well. And if I’ve missed your File 770 comment about a novella, or an excerpt for a novella, please point me to it!
If you see something that looks like gibberish, it is text that has been ROT-13’ed to avoid spoilers. (Please be sure to rot-13 any spoilers.)
Jason Sizemore, Editor-in-Chief of Apex Magazine has anticipated the official relaunch on January 5th with a promotional mini-issue that was part of their Kickstarter stretch goals. It contains original fiction by Maurice Broaddus and Beth Dawkins.
Maurice Broaddus is the Genre winner of the 2020 Eugene and Marilyn Glick Indiana Authors Awards, which recognize works with Indiana connections in eight categories published in the previous two years (2018 and 2019).
GENREPimp My Airship, by Maurice Broaddus. Indianapolis is recast as a steampunk, sci-fi landscape in Broaddus’ work where themes of power, racism and mass incarceration of people of color are explored. The fast-paced adventure through an alternative Indy follows an unlikely trio of Black compatriots into a battle for control of the nation and the soul of their people. Born in London, England, Broaddus has lived most of his life in Indianapolis. Describing himself an “accidental teacher” (at the Oaks Academy Middle School in Indianapolis), an “accidental librarian” (the school library manager as part of the Indianapolis Public Library Shared System) and a purposeful community organizer (resident Afrofuturist at the Kheprw Institute), Broaddus has seen his work appear in a variety of publications, including Lightspeed Magazine, Weird Tales, Asimov’s and Uncanny Magazine. He is the author, collaborator and editor of numerous novels and novellas, including the urban fantasy trilogy The Knights of Breton Court, the middlegrade detective novel series The Usual Suspects, Buffalo Soldier, Bleed with Me and Devil’s Marionette. AMC Networks recently announced plans to adapt his novel Sorcerers for broadcast.
Book award winners receive a $5,000 prize, a physical award featuring Indiana limestone and the opportunity to make a $500 gift to an Indiana public library of their choice. The Literary Champion receives $2,500.
…Next up are these Vampire Milk Chocolate Kisses that might look like your classic Hershey’s Kisses (with adorable bat foil) but when you bite in, they’re stuffed with a strawberry creme filling fit for a vampire. You get the strawberry flavor before you even bite in, which I loved. They taste like a chocolate-covered strawberry but, like, way easier to eat.
…In addition to new candies, you’ll also find some old faves on shelves this fall like Reese’s Pumpkins, mini Pumpkin Pie Kit Kats, Hershey’s Glow-In-The-Dark minis, and milk chocolate Monster Kisses with adorable themed foils. All of these will start rolling out in stores as the holiday gets closer which gives you plenty of time to coordinate a Halloween costume around your favorite candy.
…We regret to announce that after consultation with our convention hotel, the Westin Lombard Yorktown Center in Lombard, Illinois, we have determined that it is not possible to hold our convention this year due to COVID-19. The next Windy City Pulp and Paper Convention is scheduled for April 16-18, 2021 at the same location.
…The 2020 show would have been our 20th, and we had plans to make it our best yet. We’ll take this extra time to work on making what will now be our 20th show (albeit in 2021) even better!
The FanX® staff, much like the attendees, looks forward to all our events all year long. We never fathomed we would be in such a state of uncertainty for this year’s event because of a global pandemic. With the recent rise of Utah’s COVID-19 cases, the possibility of having the event this September and meeting again with our FanX family is looking bleak. Unless we see a significant reduction in the number of new COVID-19 cases in the next couple of weeks, we do not feel it is in the best interest of the community and the attendees for us to continue with the plan to have the event this year. Keeping the safety of everyone at the event is always our top priority.
…In the case that we are able to have FanX® in September 2020, we are preparing to have plenty of safety features in effect and are working with health professionals to take as many safety precautions as possible. We are still preparing details of what this might look like for attendees, and we will continue to monitor COVID-19 best practices at that time for events.
(4) ON WITH THE SHOW. “‘Batwoman’ Casts Javicia Leslie as New Series Lead” – Variety has the details. Leslie, who was on God Friended Me for two seasons, will replace Ruby Rose on “Batwoman” but showrunner Caroline Dries says that Rose’s character, Kate Kane, will not be killed off on the show.
“Batwoman” has found its new series lead, with Javicia Leslie set to step into the cape and cowl for the show’s upcoming second season on The CW.
“I am extremely proud to be the first Black actress to play the iconic role of Batwoman on television, and as a bisexual woman, I am honored to join this groundbreaking show which has been such a trailblazer for the LGBTQ+ community,” Leslie said.
Leslie will portray a new character on the show named Ryan Wilder. She is described as likable, messy, a little goofy and untamed. She’s also nothing like Kate Kane (previously played by Ruby Rose), the woman who wore the Batsuit before her….
… Bogi’s writing is a positive challenge that asks people to reconsider the scope of works that they engage with. “Positive” in the sense that it is driven by creative output and the advocacy for creators of speculative fiction rather than the sense of simply being ‘feel-good’ or avoiding pointing out the ingrained prejudices and issues within the wider SF&F community.
(7) GAIMAN PANEL LIVESTREAM. The 2020 Auckland Writers Festival went virtual and is running a Winter Series of livestreamed panels. On Sunday, July 12, Episode 11 will feature:
English master storyteller Neil Gaiman with his latest, ‘The Ocean at the End of the Lane’, author and curator Kolokesa Uaf? M?hina-Tuai discussing ‘Crafting Aotearoa’ and Canadian writer and artist Leanne Shapton with ‘Guestbook: Ghost Stories’.
(8) BRADBURY’S PSEUDONYMS. First Fandom Experience fills readers in about “The Making Of ‘The Earliest Bradbury’”, their recently published volume of his earliest writing as a science fiction fan.
… However, developing a comprehensive list of Bradbury’s fanzine contributions required intensive effort by the FFE team and others.
Fortunately, there was a clear starting point: the first and most numerous of Bradbury’s fanzine appearances are found in the club organ of the Los Angeles Science Fiction League (LASFL), Imagination! This title ran for thirteen issues from October 1937 — the same month that Bradbury joined the group — to October 1938. The FFE archive includes a full set of these rare issues, and we read them exhaustively to find anything written by or referring to Bradbury.
This seemingly straightforward task soon revealed a key challenge: Bradbury and other members of the LASFL frequently published under a variety of pseudonyms. We puzzled over a number of articles that might have been penned by Bradbury, but sported whimsical bylines like “D. Lerium Tremaine” and “Kno Knuth Ing.” (A previous blog post discusses our early attempts to sort this out.)…
Today, Dame Hilary Mary Mantel, author of the Booker Prize-winning novels Wolf Hall and Bring Up the Bodies, and the likely future Booker Prize-winning novel The Mirror and the Light, turns 68.
But you probably knew that. What you might not have known was that Mantel was the film critic for the UK’s The Spectator for four years, between 1987 and 1991, during which time she reviewed many films, including Overboard (“God bless us all. And send us better films next week.”), The Accused (“Economy is commendable, but a woman in all her complexity cannot be represented by a pair of outsize shoulder-pads.”), and Fatal Attraction (“A quite unremarkable film in most ways, with its B-movie conceits, cliché-strewn screenplay and derivative effects.”).
She also reviewed RoboCop—and rather enjoyed it:
“F—— me!” cry the criminals, as RoboCop blasts them into the hereafter. Rapists, robbers, terrorists are minced before our eyes. Villains are blown apart, defenestrated, melted down into pools of toxic waste. “You have the right to an attorney,” the courteous robot voice reminds them, as he tosses them through plate glass. The pace is frenetic. The noise level is amazing. You absolutely cannot lose interest; every moment something explodes….
(10) MEDIA ANNIVERSARY.
Forty-three years ago in the Bananas literary zine which was edited by Emma Tennant and published by Blond & Briggs, Angela Carter’s “The Company of Wolves“ was first printed. (A novelette by J.G. Ballard, “The Dead Time”, and a short story by John Sladek, “After Flaubert” comprised the rest of the zine.) Three years later, it was included in Carter’s The Bloody Chamber and Other Stories collection. It would win a BSFA Award for Best Media as it would become a film of that name written by Angela Carter and Neil Jordan which starred Sarah Patterson, Angela Lansbury, Stephen Rea and David Warner. It is quite often produced as a theatre piece in the U.K. (CE)
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 8, 1906 — Walter Sande. He’s best remembered for being on Red Planet Mars, The War of the Worlds and Invaders from Mars, but he also showed up playing a heavy in such serials as The Green Hornets Strikes Again! and Sky Raiders, the latter being at least genre adjacent. He’s had a recurring role as Col. Crockett on The Wild, Wild West, and one-offs on Voyage to the Bottom of The Sea, The Man from U.N.C.L.E., Lost in Space and Bewitched. (Died 1971.) (CE)
Born July 8, 1925 – Lou Feck. Forty covers, a few interiors. Here is Rogue in Space. Here is Cinnabar. Here is On Wings of Song. (Died 1981) [JH]
Born July 8, 1930 – George Young. Program Book and publicity for Detention (17th Worldcon). His head was under the first propeller beanie, made (i.e. the beanie) by Ray Nelson, inspiring on another evolutionary track Beanie Boy of Beanie and Cecil; here’s RN telling the story to Darrell Schweitzer. See photos of and by GY via the FANAC.org index. [JH]
Born July 8, 1934 – Merv Binns. Co-founded Melbourne SF Group, founded Melbourne Fantasy Film Group; ran first Australian SF bookshop Space Age Books; Guest of Honour [note spelling] at 9th Australian nat’l SF convention (“natcon”), 13th, 44th; at 2nd New Zealand natcon; chaired Cinecon, SF film convention. Big Heart (our highest service award). Ditmar, Chandler, Infinity, McNamara Awards. Fanzines Australian SF News, Out of the Bin. (Died 2020) [JH]
Born July 8, 1944 — Jeffrey Tambor, 76. I first encountered him on Max Headroom as Murray, Edison’s editor. Later on, and yes, I sat through that film, he’s Mayor Augustus Maywho in How The Grinch Stole Christmas. Finally, I’ll note he was in both of the only true Hellboy films playing Tom Manning, director of the Bureau of Paranormal Research and Defense. (CE)
Born July 8, 1944 — Glen Cook, 76. With the exception of the new novel which I need to read, I’ve read his entire excellent Black Company series. I’ve also mostly liked his far lighter Garrett P.I. series which it seems unfortunately he’s abandoned. And I should read the Instrumentalities of the Night as I’ve heard good things about it. (CE)
Born July 8, 1945 – D. West. First-rate fanartist. See here (cover for Chunga), here (Inca), here (Banana Wings); a hundred fifty interiors in his consummately sour style. Here’s Randy Byers’ tribute (some harsh language, some fanzine slang). (Died 2015) [JH]
Born July 8, 1953 – Mark Blackman, 67. Chaired Lunacon 38. Illustrated (with Greg Costikyan) the New York Conspiracy’s Hymnal. I met him in TAPS (the Terrean Amateur Press Ass’n), later in person. Reports from New York, like this; can often be found in WOOF. [JH]
Born July 8, 1954 — Ellen Klages, 66. Her novelette “Basement Magic” won a Nebula Award for Best Novelette. I strongly recommend Portable Childhoods, a collection of her short fiction, which published by Tachyon Publications, my boutique favorite publisher of fantasy. Passing Strange, her 1940 set San Francisco novel which won a BSFA Award and a World Fantasy Award is also really great. (CE)
Born July 8, 1970 — Ekaterina Sedia, 50. Her Heart of Iron novel is simply awesome. I’d also recommend The Secret History of Moscow as well. It’s worth noting that both iBooks and Kindle list several collections by her, Willful Impropriety: 13 Tales of Society, Scandal, and Romance and Wilfill Impropriety that ISFDB doesn’t list. They’re quite superb it turns out as is Paper Cities: An Anthology of Urban Fantasy anthology she edited which won a World Fantasy Award. (CE)
Born July 8, 1978 — George Mann, 42. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favourite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work. (CE)
Born July 8, 1978 – Erin Morgenstern, 42.New York Times Best-Seller The Night Circus won Alex and Locus Awards; 127 editions in 21 languages. The Starless Sea came next. Does Nat’l Novel Writing Month which indeed produced Circus; “I’m grateful to Chris Baty for coming up with such an outlandish idea and also he has very good taste in wine.” Otherwise she drinks Sidecars without sugar. [JH]
(12) COMICS SECTION.
You know what a bear does in the woods. Heathcliff shows what an alien does in the woods.
(13) SLAP HAPPY. [Item by Dann.] I came across this one and thought it might be of interest. Sasha Wood’s Casually Comics channel on YouTube offers a frequently fun and detailed look into various comics. This episode from last year covers the ubiquitous meme where Batman slaps Robin. Sasha does an entertaining dive into the alternative universe that was the World’s Finest series.
I have found Sasha’s approach to be well balanced, informative, and fun. A little signal boost in her direction would be a good thingTM.
(14) FLYING BY. Cat Rambo will be teaching “Principles for Pantsers” online on Saturday, August 1, 1-3 PM Pacific time. Registration and scholarship info at the link.
Some people outline. Others don’t. There’s plenty of advice on how to do the former, but those who practice the latter sometimes feel that they’re floundering, and no one’s providing any principles. Working with my own process as well as that of students, clients, and mentees, I’ve come up with twelve principles that you can apply, post-pantsing, in order to start moving from chaos to order.
Join Cat Rambo for a workshop in which they teach you how to pants successfully.
Merriam-Webster raised the hackles of stodgy grammarians last week when it affirmed the lexical veracity of “irregardless.”
The word’s definition, when reading it, would seem to be: without without regard.
“Irregardless is included in our dictionary because it has been in widespread and near-constant use since 1795,” the dictionary’s staff wrote in a “Words of the Week” roundup on Friday. “We do not make the English language, we merely record it.”
(16) WHY WAIT? Robert Zubrin says that an Artemis flight around the moon is possible this year: ““Artemis 8” using Dragon” in The Space Review.
A mission equivalent to Apollo 8—call it “Artemis 8”—could be done, potentially as soon as this year, using Dragon, Falcon Heavy, and Falcon 9.
The basic plan is to launch a crew to low Earth orbit in Dragon using a Falcon 9. Then launch a Falcon Heavy, and rendezvous in LEO with its upper stage, which will still contain plenty of propellant. The Falcon Heavy upper stage is then used to send the Dragon on Trans Lunar Injection (TLI), and potentially Lunar Orbit Capture (LOC) and Trans Earth Injection (TEI) as well.
Russia’s secret police on Tuesday arrested a respected former reporter who worked in recent months as an adviser to the head of the country’s space agency, accusing him of treason for passing secrets to a NATO country.
Life News, a tabloid news site with close ties to the security apparatus, posted a video of the former reporter, Ivan I. Safronov, being bundled off a leafy Moscow street into a gray van by plainclothes officers of the Federal Security Service, or F.S.B., the domestic arm of what was known in Soviet times as the K.G.B.
The F.S.B. said that Mr. Safronov was suspected of working for the intelligence service of an unspecified NATO country, passing on “classified information about military-technical cooperation, defense and the security of the Russian Federation.”
What information that could be, however, was unclear. Mr. Safronov only started working at the space agency, Roscosmos, in May. Before that, he worked for more than a decade as a well-regarded journalist for Kommersant and then Vedomosti, both privately owned business newspapers with no obvious access to state secrets.
New evidence has been found for epic prehistoric voyages between the Americas and eastern Polynesia.
DNA analysis suggests there was mixing between Native Americans and Polynesians around AD 1200.
The extent of potential contacts between the regions has been a hotly contested area for decades.
In 1947, Norwegian explorer Thor Heyerdahl made a journey by raft from South America to Polynesia to demonstrate the voyage was possible.
Until now, proponents of Native American and Polynesian interaction reasoned that some common cultural elements, such as a similar word used for a common crop, hinted that the two populations had mingled before Europeans settled in South America.
Opponents pointed to studies with differing conclusions and the fact that the two groups were separated by thousands of kilometres of open ocean.
Alexander Ioannidis from Stanford University in California and his international colleagues analysed genetic data from more than 800 living indigenous inhabitants of coastal South America and French Polynesia.
… Penguin Random House hasn’t revealed a plot for the novel, but presumably, it’ll pick up the adventures of Wade, Aech, and Art3mis now that they’re in charge of the OASIS, and will come with plenty of nerd references.
However, Liptak was no fan of Ernest Cline’s most recent book, Armada, as he reminded his Reading List audience by reposting his review titled “Ernie Cline’s Armada Fucking Sucks”.
(21) VIDEO OF THE DAY.[Item by Martin Morse Wooster.] “Truly, Madly, Cheaply! British B-Movies” on YouTube is a very entertaining 2008 BBC documentary presented by Matthew Sweet about the B movies produced in Britain from the 1930s to the 1970s. These films were in all sorts of genres, and ones in the 1930s gave Merle Oberon and Sir John Mills some of their first parts, but sf and fantasy films are discussed, including Devil Girl From Mars, Trog, and Konga. Also discussed is the 1973 film Psychomania (also known as The Death Wheelers), a zombie biker movie so bad that star Nicky Henson, interviewed by Sweet, said, “I can’t believe I’m talking to you about this film nearly 40 years later.” (Psychomania was also the final film of George Sanders.)
[Thanks to Doug Ellis, Martin Morse Wooster, Andrew Porter, Olav Rokne, Chip Hitchcock, Mike Kennedy, Michael Toman, JJ, Chip Hitchcock, David Doering, Cat Eldridge, Dann, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
The Horror Writers Association‘s StokerCon 2021 will be held May 20-23, 2021 at the Curtis Hotel in Denver CO. The convention’s guests of honor were revealed at the end of last night’s Bram Stoker Awards ceremony.
Maurice Broaddus: Maurice’s body of work goes back over twenty years, with multiple short story publications, several novellas, two anthologies, and five novels, including his Knights of Breton Court series. His anthology, Dark Faith, co-edited with Jerry Gordon, was a finalist for the 2010 Bram Stoker Award. He worked for twenty years as an environmental toxicologist and was formerly the executive director of Cities of Refuge Ministries. Maurice currently teaches middle school and has a middle school detective novel series, The Usual Suspects. His website is http://mauricebroaddus.com/.
Joe R. Lansdalehas won ten Bram Stoker Awards, a British Fantasy Award, the Spur Award for Best Historical Western, and an Edgar Award. He has received the Raymond Chandler Lifetime Achievement Award, as well as the Lifetime Achievement Award from the Horror Writers Association. His works include novels, short stories, screenplays, and television scripts. His novella, Bubba Ho Tep, was made into a movie and became a cult classic, while his Hap and Leonard novels became a successful television series. His website is http://www.joerlansdale.com/.
Seanan McGuire is a Hugo, Nebula, and Locus award-winning writer, who also received the John W Campbell Award for Best New Writer by the 2010 World Science Fiction Convention. A prolific writer, she has published novels under her name as well as under her pseudonym, Mira Grant. The latter includes the political thriller/zombie series Newsflesh. In 2013, Seanan received a record five Hugo Award nominations, two under her Grant pseudonym and three under her own name. Her website is http://www.seananmcguire.com/.
Silvia Moreno-Garcia is a the author of the novels Mexican Gothic, Gods of Jade and Shadow, Certain Dark Things, Untamed Shore, and a bunch of other books. She has also edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu’s Daughters). She is a columnist for the Washington Post. Her website is https://www.silviamoreno-garcia.com/blog/.
Lisa Morton is a screenwriter, author of non-fiction books, and award-winning prose writer whose work was described by the American Library Association’s Readers’ Advisory Guide to Horror as “consistently dark, unsettling, and frightening”. She is the author of four novels and 150 short stories, a six-time winner of the Bram Stoker Award®, past President of the Horror Writers Association, and a world-class Halloween expert. Her website is https://lisamorton.com/zine/.
Steve Rasnic Tem: A Colorado native, Steve is, according to fellow guest of honor Joe Lansdale, “a school of writing unto himself.” Steve is a past winner of the World Fantasy, British Fantasy, and Bram Stoker Awards (incl. 2014’s Blood Kin for novel). His short fiction work is legendary, with over 450 short stories published in a 40+ year career. You’ll find some of his best in Figures Unseen: Selected Stories. His latest is The Night Doctor and Other Tales. His website is http://stevetem.com/.
The Carl Brandon Society is reinstituting
the Carl Brandon Brandon Parallax and Kindred Awards. These two literary
awards are given annually to outstanding works of speculative fiction. Nominations
are now open.
The Carl Brandon Parallax Award goes to the best speculative fiction created by a person of color in the preceding calendar year.
The Carl Brandon Kindred Award goes to the work of speculative that best explores and expands our understanding of race in the preceding calendar year; its creator may be of any racial or ethnic background.
Each award includes an award plaque, a check for US$1000, and the opportunity to participate in the award ceremony.
The first Carl Brandon Parallax and Kindred Awards were presented 2006 for Walter Mosley’s novel 47 and Susan Vaught’s novel Stormwitch, respectively. The Awards continued through 2011; for a complete history, please visit the Society website.
Founded in 1999, the Carl Brandon Society is a nonprofit organization dedicated to increasing racial and ethnic diversity in the production of and audience for speculative fiction. We administer the Octavia E. Butler Memorial Scholarship Fund and operate a list serve supporting the growing presence of People of Color in the imaginative genres.
The Carl Brandon Society Steering
Committee members are K. Tempest Bradford, Maurice Broaddus, Candra K.
Gill, Jaymee Goh, Victor J. Raymond, Kate Schaefer, and Nisi Shawl.