Tag Archives: Michael Capobianco

Pixel Scroll 6/20/23 We Don’t Need No Pixelation, We Just Want Some Scroll Control

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(1) SETI CONNECTION TO MISSING SUBMERSIBLE. An international effort has been launched to find a submersible with five people on board that went missing Sunday on a trip to view the wreckage of the Titanic. According to CNN, a prominent Pakistani father and son are on board the missing sub, which turns out to be of genre interest.

…While the names of those on board have not been released by the authorities, British businessman Hamish Harding, Pakistani billionaire Shahzada Dawood and his son Sulaiman Dawood, and French diver Paul-Henri Nargeolet have been confirmed to be on board the craft.

The fifth person on board is Stockton Rush, the CEO and founder of the company leading the voyage, Ocean Gate, according to a source with knowledge of the mission plan. Ocean Gate did not respond to CNN’s request for comment…

Shahzada Dawood is on the Board of Trustees of the SETI Institute, an organization whose scientists “are looking for proof – not merely of life elsewhere – but of intelligent beings in other star systems.”

(2) SFWA SILENT AUCTION INCLUDES JAMES E. GUNN COLLECTION. SFWA’s 3rd Silent Auction, which opened yesterday, includes an “Exclusive James E. Gunn collection”.

July 12, 2023, marks the start of James E. Gunn’s centenary. He died December 23, 2020 – one week after finishing his final story, which sold his final day.

Jim was a Damon Knight Memorial Grand Master, SF Hall of Fame inductee, first (with Jack Williamson) to offer SF courses in academia, former President of SFWA and SFRA, and “Science Fiction’s Dad” to the generations of authors, editors, and educators he mentored. Jim’s devotion to “Saving the world through science fiction” inspired us to reach higher, grow deeper, and become ever-more humane. His tireless dedication to what SF does was the essence of his magic, and why so many called him Dad. Our world is richer because of him.

For auction is a collection of Jim’s works, unread NOS.

Hardcovers of Transcendental, Transformation, and Transgalactic – his only trilogy, and his final books; two Easton Press leather editions: Gift from the Stars (signed first edition), and Kampus; his Hugo-winning illustrated SF history, Alternate Worlds (new, updated edition); volumes 1-4 of his essential anthologies-as-history, The Road to Science Fiction, with teaching guide; hardcovers collections Human Voices and Some Dreams Are Nightmares; new trade paper and early paperback of Jim’s classic collab with Jack Williamson, Star Bridge; hardcover and early paperback of The Dreamers; new trade paper of his best-selling The Listeners, which inspired Carl Sagan to write Contact and others to form SETI; plus a 1983 business card for his (first of its kind) Center for the Study of SF, SFWA Grand Masters trading card, and Transcendental bookmark.

Donated by the Ad Astra Institute for Science Fiction and the Speculative Imagination, spiritual successor of Jim’s original Center, run by his protégés Chris McKitterick and Kij Johnson.

(3) TRIVIA CONNECTIONS. [Item by Nickpheas.] Given the regular notes of Jeopardy! questions, here’s one from the long running BBC radio 4 show Round Britain Quiz.

Q8 (from Nigel Choyce)  Which of these is the leader and how many are missing: A cosmetic company that might come calling; a Victorian actress who travelled in the Tardis; a school of Buddhism emphasising the value of meditation; the Baker Street detective aided by a Tinker?

The question can be heard at about 22.30 through the episode.

(4) READ BAEN MEMORIAL AWARD STORY. Brad Zeiger’s 2023 Jim Baen Memorial Short Story Award winning story “The Insomniac” is now available as a free read on the Baen Books website.

(5) “I KNOW.” NO, YOU DON’T. Phil Nichols and Colin Kuskie devote episode 30 of the Science Fiction 101 podcast to “The Secrets George Lucas Kept From Leigh Brackett”.

Phil and Colin dig into “Star Wars Sequel”, the unfilmed 1978 script by science fiction legend Leigh Brackett which became Star Wars: The Empire Strikes Back. We look at what made it into the finished film and what got junked, and consider whether Star Wars creator George Lucas was keeping his screenwriter in the dark!

If you’ve never read Brackett’s script, you can find two versions of it online. There’s a PDF scan of the original typescript, which shows all of her hand-corrections and notes – fascinating for its details, if you can make them out. Or there’s this transcript, which is a lot easier to read but loses some of the fun.

For a fascinating, in-depth discussion of how “Star Wars Sequel” developed into The Empire Strikes Back, sit back and watch this interview with screenwriter Larry Kasdan, who wrote the final draft of the film’s script.

(6) FATHOMING COPYRIGHT WHERE AI IS INVOLVED. Michael Capobianco has a post about “Copyright, Contracts, and AI-Generated Material” at Writer Beware.

On March 16, 2023, the United States Copyright Office issued a publication: Copyright Registration Guidance: Works Containing Material Generated by Artificial Intelligence. The full text can be found here.

The Copyright Office’s Guidance does not have the force of law and will change as the situation evolves, especially as legal precedents are created under US law, but, as of the time of this post, it is effectively the policy in force in the United States.

The main takeaway from the Guidance can be summarized thus: the only parts of a work that are copyrightable are the human-contributed ones, and the work is not copyrightable if an AI technology determines the expressive elements of the work and the creativity is not the product of human authorship. In cases where there are both AI-generated and human-authored elements, copyright will only protect the human-authored aspects of the work, which are “independent of ” and do “not affect” the copyright status of the AI-generated material…..

(7) U.F.O.S SOUND LIKE A N.I.C.E. IDEA. Ross Douthat tells New York Times readers that “This C.S. Lewis Novel Helps Explain the Weirdness of 2023”.

Recently I reread C.S. Lewis’s 1945 novel, “That Hideous Strength,” the last book in his Space Trilogy, and since I wrote about aliens last weekend it seems like a good week to talk a little bit about the novel’s contemporary relevance….

…The story introduces a near-future Britain falling under the sway of a scientistic technocracy, the National Institute of Coordinated Experiments (N.I.C.E.), which looks like the World State from Huxley’s “Brave New World” in embryo. But as one of the characters is drawn closer to N.I.C.E.’s inner ring, he discovers that the most powerful technocrats are supernaturalists, endeavoring to raise the dead, to contact dark supernatural entities and even to revive a slumbering Merlin to aid them in their plans.

I’ll say no more about the plot mechanics except to observe that they boldly operate in the risky zone between the sublime and the ridiculous. But just from that sketch I’ll draw out a couple of points about the book’s interest for our own times.

First, the idea that technological ambition and occult magic can have a closer-than-expected relationship feels quite relevant to the strange era we’ve entered recently — where Silicon Valley rationalists are turning “postrationalist,” where hallucinogen-mediated spiritual experiences are being touted as self-care for the cognoscenti, where U.F.O. sightings and alien encounters are back on the cultural menu, where people talk about innovations in A.I. the way they might talk about a golem or a djinn.

The idea that deep in the core of, say, some important digital-age enterprise there might be a group of people trying to commune with the spirit world doesn’t seem particularly fanciful at this point. (For a small example of what I mean, just read this 2021 account of life inside one of the stranger tech-associated research institutes.) Although like some of the characters in “That Hideous Strength,” these spiritualists would probably be telling themselves that they’re just doing high-level science, maybe puncturing an alternate dimension or unlocking the hidden potential of the human mind.

Then, too, the book’s totalitarian dystopia is interesting for being incomplete, contested and plagued by inner rivalries and contradictions. Unlike in “Brave New World” and “1984,” we don’t see a one-party regime holding absolute sway; in Lewis’s story, we see a still-disguised tyranny taking shape but still falling prey to various all-too-human problems, blunders and failures that contrast with the smooth dominance of Orwell’s O’Brien or Huxley’s Mustapha Mond….

The novel’s emphasis on the limitations of any attempted secret government, finally, connects specifically to our peculiar U.F.O. discourse, where we suddenly have a government whistle-blower claiming knowledge of a 90-year conspiracy and, apparently, a chorus of anonymous sources encouraging belief.

I wrote a Twitter thread after my column, explaining why even independent of the likelihood of alien visitors or interdimensional encounters, I find it hard to imagine the kind of long conspiracy depicted by the whistle-blower: The secrets involved would be too big not to tempt would-be heroes of disclosure, the breadth of infrastructure would be too hard to hide, the political complexity and turmoil of the world would create too many opportunities for revelations (because you would need China, Russia and other powers to be in on it as well) and so on.

If there were an alien cover-up, though, I would imagine it would look more like the secrets held by N.I.C.E. in “That Hideous Strength.” …

(8) TAX-EXEMPT AT LAST. The Science Fiction Poetry Association informed members today that they have received the official confirmation from the IRS of SFPA’s 501(c)(3) status, which secures the organization’s federal tax exempt standing.

(9) RUSHDIE’S LATEST HONOR. Winner of “The 2023 German Book Trade’s Peace Prize: Salman Rushdie” reports Publishing Perspectives.

The board of the Peace Prize of the German Book Trade has announced today (June 19) that Salman Rushdie is the winner of this year’s honor, “for his indomitable spirit, for his affirmation of life, and for enriching our world with his love of storytelling.”

…As is this award’s tradition, the honor will be conferred in a ceremony on the closing day of Frankfurter Buchmesse (October 18 to 22), at the Paulskirche, a program to be broadcast live on German public television (SDF) at 11 a.m. The award carries a purse of €25,000 (US$27,302).

(10) MICHAEL A. BANKS (1951-2023). Writer and editor Michael A. Banks (Alan Gould), a longtime member of the Cincinnati Fantasy Group, died June 19 of cancer. He was 72.

In the SF field, he is perhaps best known for nonfiction works about the genre (including Understanding Science Fiction, 1980) and his collaborations with Mack Reynolds. His first published story was “Lost and Found” (1978) with George Wagner. Banks wrote several novels to his credit, including The Odysseus Solution, with Dean R. Lambe. He also worked as an acquisitions editor for publishers, including Baen Books and Harlequin. He wrote dozens of nonfiction books.

(11) MEMORY LANE.

2016 – [Written by Cat Eldridge from a choice by Mike Glyer.]

So the Beginning this Scroll is from Claudia Casper’s The Mercy Journals. 

She’s a Canadian writer who’s  best known for The Reconstruction, about a woman who constructs a life-sized model of the hominid Lucy for a museum. 

And now for our Beginning…

On October 15, 2072, two Moleskine journals were found wrapped in shredded plastic inside a yellow dry box in a clearing on the east coast of Vancouver Island near Desolation Sound. They were watermarked, mildewed, and ragged but legible, though the script was wildly erratic. Human remains of an adult male were unearthed nearby along with a shovel and a 9mm pistol. Also found with the human remains were those of a cougar. The journals are reproduced in their entirety here, with only minor copy-editing changes for ease of reading.

March 9, 2047 | My name is Allen Levy Quincy. Age 58. Born May 6, 1989. Resident of Canton Number 3, formerly Seattle, Administrative Department of Cascadia. This document, which may replace any will and testament I have made in the past, is the only intentional act of memory I have committed since the year 2029. I do not write because I am ill or because I leave much behind. I own a hot plate, three goldfish, my mobile, my Callebaut light, my Beretta M9, the furniture in this apartment, and a small library of eleven books.

March 10 | I sit at my kitchenette island in this quasi-medieval, wired-by-ration, post nation-state world, my Beretta on my left, bottle of R & R whiskey on my right, speaking to the transcription program on my mobile. 

I was sober for so long. Eighteen years. I was sober through what seems to have been the worst of the die-off. Three and a half to four billion people, dead of starvation, thirst, illness, and war, all because of a change in the weather. The military called it a “threat multiplier.

You break it, you own it—the old shopkeeper’s rule. We broke our planet, so now we owned it, but the manual was only half written and way too complicated for anyone to understand. The winds, the floods, the droughts, the fires, the rising oceans, food shortages, new viruses, tanking economies, shrinking resources, wars, genocide—each problem spawned a hundred new ones. We finally managed to get an international agreement with stringent carbon emissions rules and a coordinated plan to implement carbon capture technologies, but right from the beginning the technologies either weren’t effective enough or caused new problems, each of which led to a network of others. Within a year, the signatories to the agreement, already under intense economic and political pressure, were disputing who was following the rules, who wasn’t, and who had the ultimate authority to determine non-compliance and enforcement.

Despite disagreements, the international body made headway controlling the big things—coal generators, fossil fuel extraction, airplane emissions, reforestation, ocean acidification—but the small things got away from them—plankton, bacteria, viruses, soil nutrients, minute bio-chemical processes in the food chain. Banks and insurance companies failed almost daily, countries went bankrupt, treaties and trade agreements broke down, refugees flooded borders, war and genocide increased. Violent conflict broke out inside borders, yet most military forces refused to kill civilians. Nation-states collapsed almost as fast as species became extinct. Eventually the international agreement on climate change collapsed completely, and the superpowers retreated behind their borders and bunkered down. The situation was way past ten fingers, eleven holes; it was the chaos that ensues after people miss three meals and realize there’s no promise of a meal in the future.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 20, 1947 — Candy Clark, 76. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-D, Stephen King’s Cat’s Eye and The Blob in the role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon which makes absolutely no sense, does it? 
  • Born June 20, 1951 — Tress MacNeille, 72. Voice artist extraordinaire. Favorite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain. 
  • Born June 20, 1952 — John Goodman, 71. Some may know him as the TV husband of a certain obnoxious comedienne but I’ve never watched that show. So I picture him as Fred Flintstone in The Flintstones, a role perfect for him. Mind you he’s had a lot of genre roles: voicing James P. “Sulley” Sullivan in the Monsters franchise, a cop in the diner in C.H.U.D., and he’ll even be the voice of Spike in the Tom and Jerry due out two years hence. And he’s in Argo, which is a thriller, but one in which the development of a fake sf movie is crucial.
  • Born June 20, 1956 — Ed Lynskey, 67. Mainly a mystery writer with five series comprising forty novels underway but he has written one genre novel, The Quetzal Motel, a handful of genre short fiction (uncollected) that appeared in Full Unit Hookup, Aoife’s Kiss, Maelstrom, and Three-Lobed Burning Eyed (fascinating titles, eh?) and somewhat more genre poetry.
  • Born June 20, 1967 — Nicole Kidman, 56. Batman Forever was her first foray into the genre but she has done a number of genre films down the years: Practical Magic, The Stepford Wives, Bewitched (I liked it), The Invasion (never heard of it), The Golden Compass (not nearly as good as the novel was), Paddington, and as Queen Atlanna in the rather good Aquaman. 
  • Born June 20, 1968 — Robert Rodriguez, 55. I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll. 

(13) COMICS SECTION.

  • Bizarro has a (bizarre, of course) police lineup.

(14) STAN LEE WILL RING THE BELL. An animated Stan Lee will ring the opening bell of the NYSE on June 26. The event will stream live on Kartoon Channel. “Genius Brands Moves to NYSE, Renames as Kartoon Studios” at Animation World Network.

Genius Brands International, Inc. announced a name change to Kartoon Studios and plans to transfer its listing from the Nasdaq Capital Market (Nasdaq) to the NYSE American exchange (NYSE American). Under its new name, the company expects to start trading on the NYSE American exchange when markets open on Monday, June 26, 2023. That day the company’s common stock will begin trading under a new trading symbol, “TOON,” and a new CUSIP number, 37229T 509. It will continue to trade on Nasdaq under its current trading symbol, “GNUS” until the close of market on Friday, June 23, 2023.

An animated Stan Lee will ring the opening bell of the NYSE on June 26, an indication of the company’s plans to expand on its Stan Lee IP under its new moniker. The event will stream live on Kartoon Channel!

The company controls the post-Marvel IP of Stan Lee, which was initially brought to market with a 20-year license to Marvel and the Walt Disney Company, and brand initiative commemorating Stan’s 100th anniversary at San Diego Comic-Con in July 2023….

(15) THE PICTURES MOVE, THE CAR DOESN’T. Smithsonian Magazine brings us “The History of the Drive-In Movie Theater”.

On June 6, 2008 the flag flying over the U.S. Capitol commemorated the 75th birthday of a distinctive slice of Americana: the drive-in movie theater.

It was on that day in 1933 that Richard Hollingshead opened the first theater for the auto-bound in Camden, N.J. People paid 25 cents per car as well as per person to see the British comedy Wives Beware under the stars.

…He first conceived the drive-in as the answer to a problem. “His mother was—how shall I say it?—rather large for indoor theater seats,” said Jim Kopp of the United Drive-in Theatre Owners Association. “So he stuck her in a car and put a 1928 projector on the hood of the car, and tied two sheets to trees in his yard.”…

(16) UKRAINE/STAR WARS AGAIN. [Item by Susan de Guardiola.] Continuing the Star Wars spotting in the war: check out the chest patch General Valerii Zaluzhnyi, the Ukrainian Commander-in-Chief, is sporting here:

Tolkien and Star Wars, over and over in this war.

(17) NO AIR THERE. [Item by SF Concatenation’s Jonathan Cowie.] It may be that the red dwarf star has blown away the closely orbiting planet’s atmosphere. See open access pre-print Zieba, S. et al (2023)  “No thick carbon dioxide atmosphere on the rocky exoplanet TRAPPIST-1 c”, Nature.

Observations from the James Webb Space Telescope suggest that a second world in a seven-planet system lacks an atmosphere.

For the second time, the James Webb Space Telescope (JWST) has looked for and failed to find a thick atmosphere on an exoplanet in on one of the most exciting planetary systems known. Astronomers report1 today that there is probably no tantalising atmosphere on the planet TRAPPIST-1 c, just as they reported months ago for its neighbour TRAPPIST-1 b.

SF2 Concatenation previously reported on the innermost planet not having an atmosphere.

(18) VIDEO OF THE DAY. “Not strictly TV as it was never broadcast but here’s Jon Pertwee as Doctor Who in a corporate film circa 1981. There’s a surprising … err … twist at the end.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Jason Sanford, Nickpheas, Susan de Guardiola, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 3/4/23 This Pixel Will Self-Destruct In Five Minutes Unless Scrolled

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(1) COULD IT BE — THE FORCE? Google “The Mandalorian.” Then look in the bottom right corner and click. (Via Steve Lee.)

(2) SF IN SF. Rebecca Gomez Farrell will be reading with Mia Tsai at the SF in SF reading series on March 25 at 6:30 p.m. Pacific. The series takes place at the American Bookbinders Museum, 355 Clementina Alley, San Francisco, All proceeds from the $10 entry fee and cash bar go to the Museum. No one will be turned away for lack of funds.

(3) EKPEKI GOH STATUS. The international Association for the Fantastic in the Arts issued an ICFA 44 Guest of Honor Update to address the change in circumstances now that their GoH Oghenechovwe Donald Ekpeki can’t be present in person:

The International Association for the Fantastic in the Arts is honored and proud to announce that Oghenechovwe Donald Ekpeki will be Guest of Honor in absentia for the ICFA 44, whose theme is Afrofuturism. His recorded presentations and live-streamed commentary will be available for exclusive viewing by those in attendance at conference events.

(4) NOW IS THE SEASON FOR SPAM. Victoria Strauss sends out a warning in “Spam Alert: 4 Seasons Book Awards” at Writer Beware.

…Spamming via contact form is way more labor intensive than just regular spam, so you’ve got to respect the commitment–though I have to say a bit more time could have been invested in proofreading. Also, is it 4 Seasons Book Awards, as in the solicitation, or Four Seasons Book Awards, as in the little medallions in the typo-ridden image at the top of this post? It’s a bit confusing, brand identity-wise….

(5) CLARION ONLINE CLASSES. Clarion West Online Spring 2023 classes include:

Occupational burnout is a phenomenon which has been only formally studied for the last 50 years, though occupational stress has existed for…longer. Though it is a commonly used term, what is burnout actually? How does it manifest, and what contributes to it? Also, how does being an independent author contribute?

Structure is so much more than a formula to be followed. It’s a set of reader expectations that are emergent from the genre, culture, and the story itself, and understanding those structures not only helps you write but it also helps ensure a satisfying reading experience.

In this workshop, we’ll venture beyond the three-act structure, discussing other established plot structures before moving on to the structures inherent in scenes and character arcs. Then we’ll explore how structure is emergent from story and learn how to identify the points in a story that set trajectories and reader expectations. Finally, we’ll put that analysis to good use with exercises to identify a scene’s structure, pick out missing structural elements, and determine how to end a troublesome scene.

Students will explore how structure works on a plot, scene, and character level, in various structures, and how to identify the moments that define a story, scene, or character arc’s structure.

(6) SFF IN TRIVIA. [Item by David Goldfarb.] Jeopardy! has a Page-a-Day calendar, featuring questions taken from the show. March 2 and 3 this year were from the category “It Takes a Villain”, from the episode airing on October 11, 2019.

March 2: $400 level (easiest tier): He says the movie line “You don’t know the power of the dark side.”

March 3: $1600 level (fourth tier): He’s the non-human villain in “2001: A Space Odyssey”

Meanwhile, LearnedLeague’s match for Friday the 3rd had one question directly about SFF, and one with an association.

Question 3 for the day: The Gunslinger, The Drawing of the Three, and The Waste Lands are the first three novels in what 4300+ page epic fantasy series?

This is Stephen King’s The Dark Tower. 48% of LLamas got this right, with the most common wrong answer being Dune (6% of answers).

Question 4 was this: The keys on older typesetting machines were arranged in columns, which were sorted by the frequency with which their constituent letters were used. The second column was s h r d l u (consisting of the 7th through the 12th most frequently used letters); what six letters comprised the first column and often appeared with “shrdlu” in print due to operator error? (Note, the six letters must be in exact order.)

Answer: ETAOIN. This had only an 8% get rate! But I got it because I remembered a story by Fredric Brown about a sentient Linotype machine titled. “ETAOIN SHRDLU”. 

(7) JOHN D. TEEHAN (1967-2023).  Founder of the Merry Blacksmith Press, John D. Teehan, publisher of numerous science fiction, fantasy, graphic and prose novels, died February 23. From the SFWA Blog tribute —

Michael Capobianco, co-chair of the Estates-Legacy Committee and past SFWA president, remarks, “For a decade and a half, John was a major asset to SFWA. In charge of all typesetting, layout, art, and printing of the SFWA Bulletin, his professionalism helped make the Bulletin a great-looking glossy magazine.”

(8) MEMORY LANE.

1954 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll is Fredric Brown’s Martians, Go Home, which is what I’d call a classic of the genre. (You of course are free to disagree with my claim if you so wish.) 

It was first published in Astounding Science Fiction in September 1954 and then by E. P. Dutton in 1955. It’s still in-print from Bantam, and it’s included in the NESFA published Martians and Madness: The Complete SF Novels of Fredric Brown. 

Ok, what are my thoughts on it? It’s a really, really fun novel that is light-hearted and plays nicely off the long standing trope of little green men. I know it would later be made into a film starting Randy Quaid but I’ve neither seen it nor have any desire to so since I like the novel. 

Now here’s your Beginning full of little green men. Well it should be if it isn’t. 

Prologue 

If the peoples of Earth were not prepared for the coming of the Martians, it was their own fault. Events of the preceding century in general and of the preceding few decades in particular should have prepared them. 

One might say that preparation, in a very general sort of way, had been going on much longer than that, for ever since men had known that Earth was not the center of the Universe but only one of a number of planets circling about the same sun, men had speculated as to whether the other planets might not be, like Earth, inhabited. However, such speculation, for lack of evidence pro or con, remained on a purely philosophical plane, like speculation as to how many angels could dance on the point of a pin and whether Adam had a tnavel. So let’s say that preparation really started with Schiaparelli and Lowell, especially Lowell. 

Schiaparelli was the Italian astronomer who discovered the canali on Mars, but he never claimed that they were artificial constructions. His word canali meant channels. 

It was the American astronomer Lowell who changed the translation. It was Lowell who, after studying and drawing them, set afire first his own imagination and then the imagination of the public by claiming they were canals, definitely artificial. Proof positive that Mars was inhabited. 

True, few other astronomers went along with Lowell; some denied the very existence of the markings or claimed they were only optical illusions, some explained them as natural markings, not canals at all. 

But by and large the public, which always tends to accentuate the positive, eliminated the negative and sided with Lowell. Latching onto the affirmative, they demanded and got millions of words of speculation, popular-science and Sunday-supplement style, about the Martians.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 4, 1905 — Frank Utpatel. Artist who did some interior illustrations for Weird Tales, he’s remembered for his Arkham House book covers that began with Lovecraft’s The Shadow over Innsmouth novel in 1936. He would do covers for Ashton, Howard, Derleth, and Lovecraft. One of my favorite covers by him is for Derleth’s The Casebook of Solar Pons but then I like all of his Solar Pons covers and their obviously Holmesian riff. (Died 1980.)
  • Born March 4, 1914 — Ward Kimball. He was part of Walt Disney’s original team of animators, known as the Nine Old Men. Keep in mind that he did not create characters but animated them, which he did to great ability — Jiminy Cricket, the Mad Hatter, Mickey Mouse, and Tweedledee and Tweedledum. He eventually became an animation director at Disney starting with Fantasia, and he worked on Mary Poppins. (Died 2002.)
  • Born March 4, 1923 — Patrick Moore. He held the record as the presenter of the world’s longest-running television series with the same original presenter, BBC’s The Sky at Night.  He was a genre writer with six such novels to his name, one co-written, and a lot of related non-fiction, one that garnered him a Hugo nomination at Interaction, Futures: 50 Years in Space: The Challenge of the Stars, that was co-written with David A. Hardy. (Died 2012.)
  • Born March 4, 1965 — Paul W. S. Anderson, 58. If there be modern pulp films, he’s the director of them. He’s responsible for the Resident Evil franchise plus Event Horizon, Alien V. Predator, Pandorum and even Monster Hunter. 
  • Born March 4, 1966 — Paul Malmont, 57. Author of the comic strips, The Chinatown Death Cloud Peril and Jack London in Paradise which blends pulp tropes and SF elements including using as protagonists Heinlein and Asimov. He wrote the first four issues of DC Comics’ Doc Savage series with artist Howard Porter.
  • Born March 4, 1973 — Len Wiseman, 50. Producer or Director of the Underworld franchise. Director of the Total Recall remake. Also involved in Stargate, Independence Day, Men in Black and Godzilla in the Property Department end of things. He is the Sleepy Hollow series creator and producer for much of it, wrote the pilot as well. (Is it worth watching? I’ve not seen any of it.) Producer for much of the Lucifer series as well and is the producer for the entire series of the rebooted Swamp Thing. Also produced The Gifted. 

(10) FORTHCOMING SFF ON THE BRITISH STAGE. Two live sff stage productions will open in England later this year.

The Lord of the Rings musical will be revived in an “epic and intimate immersive” production this summer. 

The show, which was first seen in Toronto in 2006 ahead of a West End premiere the subsequent year, is based on the classic trilogy by J R R Tolkien about a group of Hobbits who attempt to destroy a piece of malevolent jewelry.  The series of novels was adapted into three record-breaking films in the early 21st century. 

The stage show has book and lyrics by Shaun McKenna and Matthew Warchus and music by A R Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä and Tony Award winner and Grammy-nominated Christopher Nightingale (Matilda the Musical). 

In an original production, designed by Simon Kenny, at the Watermill Theatre in Newbury, audiences will follow the story across the venue’s auditorium and garden spaces. The revival will feature an ensemble cast and large-scale puppets, with full company and creative team to be revealed…. 

A stage adaptation of seminal series Stranger Things will officially open in the West End this autumn.

Previously teased by the series’ producer Netflix last year, the new stage production is to be directed by Stephen Daldry (Billy Elliot, The Inheritance) with co-direction by Justin Martin (Prima Facie)….

“You will meet endearing new characters, as well as very familiar ones, on a journey into the past that sets the groundwork for the future of Stranger Things. We’re dying to tell you more about the story but won’t – it’s more fun to discover it for yourself. Can’t wait to see you nerds in London!”

(11) OOPS. [Item by Mike Kennedy.] A new “temporary museum —the Misalignment Museum—has opened in San Francisco. It’s essentially a work of dystoptic science fiction itself, set in a future where AI started to wipe out humanity, but then thought better of it before completing the job. (Especially the bottom floor.) “Welcome to the Museum of the Future AI Apocalypse” in WIRED.

… “It’s weird, because it’s such a terrifying topic, but it makes me happy people are interested,” Kim says from a coffee shop across the street. As we talk, we watch passersby peer into the gallery space—fittingly located eight blocks from the offices of OpenAI—that has a prominent “Sorry for killing most of humanity” sign along one wall.

The project started five months ago, shortly before ChatGPT sparked expectation in the tech industry and beyond that we are on the cusp of a wave of AI disruption and somehow closer to the nebulous concept of artificial general intelligence, or AGI. There’s no consensus about the definition of AGI, but the museum calls it the ability to understand or learn any intellectual task that a human can….

[Thanks to Andrew Porter, SF Concatenation’s Jonathan Cowie, Michael Toman, David Goldfarb, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/21/19 The Pixelyon Fifth Project Was The Last Best Hope For Scrolls. It Filed

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(1) STICK A FORK IN IT. The second official trailer for Toy Story 4 dropped today. Features Keanu Reeves, who adds Canadian content to the movie as stuntman Duke Caboom. The film comes to U.S. theaters on June 21.

Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that’s Andy or Bonnie. But when Bonnie adds a reluctant new toy called “Forky” to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy.

(2) ARF SAYS SANDY. The Dick Tracy strip seems to be starting an arc involving Annie and Daddy Warbucks. Daniel Dern says, “I’ve been following sundry daily strips via GoComics but it appears to have started a week ago here.”

(3) SFWA’S AGENT. Michael Capobianco penned “An Appreciation of Eleanor Wood” for the SFWA Blog.

SFWA thanks Eleanor Wood and Spectrum Literary Agency for more than twenty years of service to the organization….

I still vividly remember how much Eleanor helped when SFWA’s auditor found a serious discrepancy in how Pocket Books was paying royalties for Star Trek books exported to the UK and Australia – they weren’t paying anything, contrary to the language in their boilerplate contract. SFWA complained to Pocket but was met with repeated demurrals; it was only when Eleanor took over that they capitulated, not only paying a fair compensation to all the authors affected, but getting the contract changed to more fairly pay authors in the future….

(4) THE SPIDER SYNDROME. Maurice Broaddus delivers today’s “The Big Idea” at Whatever.

The Usual Suspects is a bit of a departure for me. It’s a middle school detective novel (think “Elmore Leonard for kids” or, as it was pitched, “Encyclopedia Brown meets The Wire”), because I work a lot with children who want to read what I write and, frankly, most of my stuff isn’t “age inappropriate.” In fact, I originally wrote the book to both entertain my oldest son and chronicle some of my children’s antics (it’s the only thing of mine he’s read and he still refers to himself as my original editor). The premise of the story is The Big Idea: when something goes wrong in the school, they round up The Usual Suspects….

(5) AI AT BARBICAN. This is from a review by Simon Ings behind the Financial Times paywall of the “AI:  More Than Human” exhibit now showing at London’s Barbican Centre through August 26.

AI is part of the Barbican’s ‘Life Rewired’ season of films, workshops, concerts, and talks.  What is emerging from the project is less that we must learn how machines think and create, and more that we must stop carelessly running down our own abilities.  Human values and practices persist well beyond the moment we learn to automate them.  Music has been produced algorithmically since Bach’s, and Mozart wrote generative algorithms to power street organs.  Chess computers do nothing but encourage the playing of chess.

The first tented spaces in the Barbican’s gallery do a good job of exploring and to some degree disarming our anxieties about being taken over by thinking machines.  We are shown how the west, under the shadow of Rabbi Loew’s 16th century Golem, adopted a strictly instrumentalist view of human intelligence.  The US science fiction writer Isaac Asimov can be heard channeling the Abrahamic tradition when he insists that ‘A robot may not injure a human being or, through inaction, allow a human being to come to harm.’

(6) INSIDE THE SUIT. Patch O’Furr continues a deep dive into furry fandom with “How furries resist a commercialized fandom (Part 2)”.

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other….

(7) GHOST OF COLAS PAST. This is hilarious. Food & Wine reports “‘New Coke’ Is Coming Back This Summer, Thanks to ‘Stranger Things'” – a product I definitely feel no nostalgia for, at all.

Season three of the spooky Netflix series takes place in 1985, the year of the soft drink brand’s most infamous product launch.

What Crystal Pepsi was to the 1990s, New Coke was to the ’80s. With the cola wars in full swing, the competition to out-do one another meant multi-million dollar, celebrity-filled ad campaigns and some less-than-successful product innovations. In 1985, the Coca-Cola Company made an ill-fated attempt to improve its core product by changing the formula up….

Starting at 5 p.m ET on Thursday, May 23, 12-ounce cans of New Coke will be available as a gift with purchase at CokeStore.com/1985, which will also feature limited-edition, numbered Stranger Things-themed glass bottles of Coca-Cola and Coke Zero Sugar.

(8) CELEBRITY CREDENTIALS. Ten cats from SFF movies made Business Insider’s list — “RANKED: 15 of the best movie cats of all time”.

15. Jonesy in “Alien” (1979) and “Aliens” (1986) is a survivor.

In the space thriller “Alien,” Jonesy the orange tabby cat is a source of comfort for protagonist Ellen Ripley (Sigourney Weaver) as her spaceship and crewmates are viciously attacked by an elusive alien creature called a Xenomorph.

Toward the end of the film, Jonesy and Ripley remain as the lone survivors on the spaceship, which means Jonesy is one tough cat.

Jonesy also made a reappearance in the sequel “Aliens” after he and Ripley traveled in hypersleep for 57 years, officially making him the oldest fictional cat on this list.

(9) ALIEN SPOTTED. A UFO will beam up this rare creature any moment now.

(10) TODAY IN HISTORY.

Another big day in genre movie history.

  • May 21, 1971 — Escape from the Planet of the Apes premiered in theaters
  • May 21, 1980 —Star Wars: Episode V – The Empire Strikes Back hit theaters.
  • May 21, 1981 – Mad Max 2: The Road Warrior debuted in theaters.
  • May 21, 2009 — Terminator Salvation opened theatrically.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1889 — Arthur Hohl. He’s Mr. Montgomery, the man who helps Richard Arlen and Leila Hyams to make their final escape in Island of Lost Souls, the 1932 adaptation of H.G. Wells’ The Island of Dr. Moreau which is considered the first such filming. (Died 1964.)
  • Born May 21, 1903 — Manly Wade Wellman. I remember reading the John the Balladeer collectionKarl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! Read the Complete John Thunstone a few years back — strongly recommended. What else by him should I read? (Died 1986.)
  • Born May 21, 1917 — Raymond Burr. Speaking of lawyers, we have the Birthday of the man who played Perry Mason.  It looks the 1949 film Black Magic with him playing Dumas, Jr. was his first genre performance. Bride of the Gorilla was his next with Lou Chaney Jr. co-starring and Curt Siodmak directing. He goes on to be Grand Vizier Boreg al Buzzar in The Magic Carpet before being Vargo in Tarzan and the She-Devil. And finally he’s in a Godzilla film, Godzilla, King of the Monsters! To be precise, as Steve Martin. And unfortunately he played the same role in Godzilla 1985 which earned him a Golden Raspberry Award. (Died 1993.)
  • Born May 21, 1945 — Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of tie-in novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.)
  • Born May 21, 1974 — Fairuza Balk, 43. She made her film debut as Dorothy Gale in Return to Oz. She later Aissa in The Island of Dr. Moreau, and Mildred Hubble in The Worst Witch.

(12) KNITTING UP THE STEEL WOOL. Cora Buhlert does an exhaustive review of GoT’s conclusion: “And the Iron Throne Goes to…”. The executive summary is —

…So in short, Game of Thrones got a better ending than at least I expected. It’s maybe not the ending most fans wanted or expected, but it is an ending and a surprisingly satisfying one.

(13) GAME OF GROANS. Daniel Dern asks, “Given GoT’s dragon-strafing episode, combined with family tree revelations, is/was Jon Snow referring to Daenerys as ‘Aunt Misbehaving’?”

(14) CONFESSIONS OF A DRAGON RIDER. Sarah Larson, in “Daenerys Tells All!” in The New Yorker, has an extensive interview with Emilia Clarke, including how whoever had the Starbucks cup on the set wasn’t a member of the cast (they don’t drink Starbucks) and telling children named Daenarys, “Work it, girls!”

“I see this vision, this angel, this incredible woman float towards me,” Clarke recalled the other day. “I can’t quite control myself. And Beyoncé says to me, ‘Oh, my goodness, it’s so wonderful to meet you. I think you’re brilliant.’ I just couldn’t handle it! I was on the verge of tears. I could see myself reflected in her eyes. I could see her go, ‘Oh, no. I misjudged this. This girl is crazy and I’m not going to have a real conversation with another celebrity. I’m having a conversation with a crazed fan who’s looking at me like a rabbit in the headlights.’ Which is exactly what I was. I said, ‘I’ve seen you live in concert and I think you’re amazing and wonderful! Wonderful!’ And all I wanted to scream was ‘Please, please still like me even though my character turns into a mass-killing dictator! Please still think that I’m representing women in a really fabulous way.’ ”

(15) FROM GRRM HIMSELF. George R.R. Martin shared a few of his feelings about “An Ending” at Not A Blog. Here are a couple of the less spoilery lines —

..Book or show, which will be the “real” ending?   It’s a silly question.   How many children did Scarlett O’Hara have?

How about this?  I’ll write it.   You read it.  Then everyone can make up their own mind, and argue about it on the internet.

(16) GOOD TO THE LAST BOOK. Bustle knows the way to work this dilemma for some clicks: “The New ‘Game Of Thrones’ Book May Not Be Finished, But These 15 Fantasy Series Definitely Are”.

If you’re a fan frustrated by the incompletion of one of the fantasy series listed above, or you’re waiting on the return of a different series entirely, this list will help you choose your next reading project. All of the fantasy series on the list below have been completed, which means you won’t have to wait to read the next book — unless you want to.

(17) TRIVIAL TRIVIA. You would be hard pressed to find a household that doesn’t have a microwave. But do you know how the beloved appliance came to be? In 1945, a Raytheon engineer was walking around a radar test room with a chocolate bar in his pocket. The bar began to melt when he got too close to a magnetron tube. His curiosity was peaked and he began experimenting with other things like kernels of corn and eggs. Soon after, Raytheon employees began sampling “microwaved” food and thus began the evolution of what we now know as the microwave. (Source: Business Insider)

Jon King Tarpinian includes a postscript: “A family friend worked at Raytheon, in Chatsworth/Canoga Park.  Her family had one before they were offered commercially.  Everybody raved about a grey steak.”

(18) BEYOND BAKING SODA. More than a science-fair project: “To Safely Study Volcanoes, Scientists Bring The Blast To Them” (includes video.)

Volcanoes have been crucial to life on earth. Oozing lava helped form the earth’s land masses. Gasses from volcanoes helped create our atmosphere. But despite the growing field of volcanology, there’s still a lot we don’t understand about volcanic eruptions.

That’s partly because volcanoes aren’t easy to study. Getting the right equipment into remote locations under unpredictable circumstances can be difficult. More importantly, studying active volcanos can be dangerous.

Which is why a group of 40 scientists and engineers from all over the world came together to simulate volcanic eruptions. We tagged along with them as they conducted their experiments at the University at Buffalo’s Geohazards Field Station, a former ballistics test site for military weapons in upstate New York.

The scientists simulated volcanic eruptions by detonating underground explosives. They wanted to study what happened during rapid fire eruptions in a safe and controlled environment. Although big eruptions are often what make the news, small rapid-fire volcanic eruptions are far more common.

(19) SPAM FROM THE CAN. BBC introduces us to “The pun-loving computer programs that write adverts”.

Machines are now writing advertising copy as well as basic news reports, but are their efforts any good and can they be taught to be more inventive?

“Have a suite stay” read an ad for a hotel offering all-suite rooms. A neat – if obvious – pun you might think.

But what made this ad noteworthy was that it was created by an automated copywriting programme developed by Dentsu Aegis Network, the marketing giant.

The firm launched its natural language generation algorithm last year to increase output after changes were made to Google’s advertising system, explains Audrey Kuah, the firm’s managing director.

The programme creates 20 to 25 full ads a second in English and is “trained” by feeding it thousands of the kind of ads it is meant to produce, she says.

(20) ARCHIE MCPHEE. What does this have to do with sff? If you know, leave your answer in comments.

(21) VIDEO OF THE DAY. In Perspective on Vimeo, Fernando Livschitz dreams of really odd forms of transportation.

[Thanks to Daniel Dern, John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Wright Quits SFWA, Torgersen To Follow

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John C. Wright has publicly resigned from SFWA. Wright has a dozen published novels, one a past Nebula nominee (2006). His work has been discussed in flattering terms by John Clute in the Science Fiction Encyclopedia and is frequently praised on Vox Day’s blog.

Wright’s announcement begins, “It is with no regret whatsoever that I rescind and renounce my membership in SFWA. I wish nothing more to do with the organization and no more contact with it.”

His reasons for leaving included the following complaints:

Instead of enhancing the prestige of the genre, the leadership seems bent on holding us up to the jeers of all fair-minded men by behaving as gossips, whiners, and petty totalitarians, and by supporting a political agenda irrelevant to science fiction.

Instead of men who treat each other with professionalism and respect, I find a mob of perpetually outraged gray-haired juveniles.

Instead of receiving aid to my writing career, I find organized attempts to harass my readers and hurt my sales figures.

Instead of finding an organization for the mutual support of Science Fiction writers, I find an organization for the support of Political Correctness.

Instead of friends, I find ideologues bent on jihad against all who do not meekly conform to their Orwellian and hellish philosophy.

Wright’s resignation prompted Brad R. Torgersen, a Hugo nominee in 2012 and a double-nominee in 2014 with an assist from Larry Coreia’s “Sad Puppies” campaign, to declare that he will be leaving SFWA too:

I’ve seen a mentor slandered, attacked, and thrown out of the Bulletin, and I’ve seen my editor straw-manned and maligned by one of SFWA’s darlings and former top officers. This is supposedly “my” professional organization, but in four years “my” organization has done just about all it could to make it clear to me that my participation in “my” organization was neither desired, nor necessary.

So, I won’t be sending them a check this year. I will instead focus my time on growing my career and entertaining my readers.

Former SFWA President Michael Capobianco answered Wright’s post with a bizarre comment absolving SFWA and blaming fandom for his complaints —

I just want to note that the recent Hugo-related kerfluffles have nothing to do with SFWA. SFWA does not have anything to do with WSFS or Worldcon, aside from hosting a SFWA Suite at the Worldcon. There’s a tendency to conflate SFWA with the SF community and/or SF fandom, and it’s unfortunate, in my opinion.

Wright immediately answered that the Hugo controversy had nothing to do with the timing of his resignation. And Capobianco should know the “recent Hugo-related kerfluffles [sic]” are a reaction to something done by a pro writer — Larry Correia – who orchestrated a bloc vote to get himself and his slate on the Hugo ballot.

SFWA Creates Estates Page

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The SFWA Estates Page has been added to the professional organization’s website. It’s the place for editors and publishers who want to reprint material by a deceased writer and need help seeking permissions.

Bud Webster, SFWA Estates Liaison, credits the new page to the “significantly hard work” of Michael Capobianco.

 [Thanks to Andrew Porter for the story.]