Pixel Scroll 10/16/22 I Can Scroll Clearly Now The Pixel’s Come, I Can See All Comments Now In This Thread, Gone Are The Strange Trolls That Spoiled My View, It’s Going To Be Bright, Bright, Bright Pixelly Scroll

(1) WISCON HANGS IN THE BALANCE. WisCon not only is trying to recruit people for leadership, their blog says the fate of their 2023 event depends on whether the positons are filled by November 30. “Co-Chair and Online Con Leads needed to have in-person, online events in 2023”.

…Last week Stephanie [Sarac] announced she would be stepping down as co-chair for WisCon 46 in 2023. Please join us in thanking Stephanie for all the hard work she did on the post-con survey, Guest of Honor nominations, and department outreach/coordination as co-chair. We’re really grateful for her willingness to jump into things after having only attended WisCon one time!

…In the interest of transparency, we want to let you all know that if the open Co-Chair position isn’t filled by end of November, the in-person con will be cancelled.  It is possible we may still do an Online-only con in that scenario, but that depends on a number of other variables.  If we’re able to fill the Co-Chair position but aren’t able to recruit Online Con Department lead(s), the con will be in-person only (we won’t be able to have online or hybrid programming). In either scenario of in-person and/or online con not being able to happen, we will use that time to build up departments, train up leads and chairs, fundraise, and put ourselves in the best possible position for a full event the following year.

(2) THE NEXT FANAC.ORG ZOOM. Fanac.org will host an interview with Maggie Thompson titled “Before, During and After the Origins of Comics Fandom,” with interviewer Dr. Chris Couch on Sunday October 30 at 2:00 p.m. Eastern.  To attend the Zoom session, send a request to Edie Stern, the FANAC webmaster at [email protected].

A list of past sessions, which are all available on FANAC’s Fan History YouTube channel, go to https://fanac.org/zoom.html.

(3) SIMPLE ANSWER. Dorothy Grant has sound answers to the question “What do you have to read in order to write in a genre?” at Mad Genius Club. Similar to what Larry Niven says, that a writer must read widely in order to “stock the shelves” of the imagination.

This question was posed elsewhere, and responses were quick to make fun of mandatory reading, and of “Reading The Classics”. I, on the other hand, propose a different answer.

There is no have to. Do I look like your abuela? But here is what you should do, in order to improve:

Read widely. Read deeply. Read the critically-acclaimed successes. Read the high-selling works the critics declaimed as Trash or Merely Pulp….

(4) EYES LOCKED ON. Joachim Boaz considers TV in “Future Media Short Story Review: Ray Bradbury’s ‘Almost the End of the World’ (1957)” at Science Fiction and Other Suspect Ruminations.

…Ray Bradbury conjures a strange new world without television….

.. Ray Bradbury’s “Almost the End of the World” first appeared in The Reporter (December 26, 1957). It later appeared in his short story collection The Day It Rained Forever (1959). If you have an Internet Archive account, you can read it online here.

In multiple earlier reviews in this series, I’ve laid out television’s transformative and speedy infiltration of the American consciousness and daily activities over the course of the 1950s. Multiple Bradbury stories critique this new world. The lovely and crystalline “The Pedestrian” (1951) imagined a future night city in which its denizens are transfixed by their TV scenes. The city, observed by the solitary one-time writer Leonard Mead, is as silent as “a wintry, windless Arizona country” (90). “Almost the End of the World” (1957) ruminates on the effects on American society if a cosmic event severs the viewer from the succor of the screen….

(5) BILL AT 91. “William Shatner talks growing older, living life without regrets” in a Yahoo! interview about his new memoir, Boldly Go.

You write in your book about when you first told your parents that you wanted to be an actor. Did they live long enough to see your success?

[When I told them], they looked at me like, “Who are you? Where did you come from? What’s acting again? Isn’t that what a minstrel does?” [Laughs] I think my father must have thought, because he came from Europe to Montreal when he was about 9 or 10 … that his son wanted to be on a horse and wagon roaming across the country.

My father was around when Star Trek began [in 1966]. He died in 1968. I don’t how much of a success I was then, but I was making a living. My mother lived until a few years ago, so she saw that success. The success part wasn’t as [important to them] as long as I could make a living. And that varied as time went on, and as more and more children arrived. The definition of what a living was increased.

(6) CHAN DAVIS APPRECIATION.  [Item by Martin Morse Wooster.] Alan Wald, H. Chandler Davis Collegate Professor at the University of Michigan, remembers the sf writer Chan Davis, who died last month at 96. “H. Chandler Davis Was a Lifelong Radical and a Moral Touchstone for the Left” at Jacobin.

Chandler Davis (born Horace Chandler Davis and called “Chan” by his friends) was an internationally esteemed mathematician, a minor science fiction writer of note, and among the most celebrated political prisoners in the United States during the years of the high Cold War.

Dismissed from the University of Michigan (U-M) in 1954 for refusing to cooperate with the House Un-American Activities Committee (HUAC) on First Amendment grounds, he served six months in Danbury Federal Correctional Institution in Connecticut, then faced an academic blacklist that drove him to pursue a career in Canada.

The death of this endlessly resilient, lifelong radical at the age of ninety-six on September 24 in Toronto seems like the passing of an emissary from a world of the socialist Left that no longer exists. Despite errors of political judgment, which Chan was the first to acknowledge, he was for many of us a moral touchstone in our own decades of political upheaval and unpredictability….

(7) MEMORY LANE.

1959 [By Cat Eldridge.] The Twilight Zone’s “Mr. Denton On Doomsday” (1959)

Portrait of a town drunk named Al Denton. This is a man who’s begun his dying early—a long, agonizing route through a maze of bottles. Al Denton, who would probably give an arm or a leg or a part of his soul to have another chance, to be able to rise up and shake the dirt from his body and the bad dreams that infest his consciousness. In the parlance of the times, this is a peddler, a rather fanciful-looking little man in a black frock coat. And this is the third principal character of our story. Its function: perhaps to give Mr. Al Denton his second chance. — Opening narration

Rod Serling was, if I must say so, bloody brilliant. And “Mr. Denton On Doomsday”, just the third episode of this series, shows this. (If you’ve not seen it of late, the series it is airing on Paramount +.) A Western, it’s also really look at how a man, two in fact can be redeemed.

SPOILERS LIKE WHISKEY IN A FICTIONAL WESTERN BAR FLOW NOW, SO GO AWAY!

Denton, our lead here played  by Dan Duryea, was once known as the quickest draw in town, but riddled with increasing guilt over the dead in his gun fights, one just a teenager, he became drunk and the derision of everyone in this Western town.

(There’s an animated Jonah Hex where this very storyline comes up. It’s called DC Showcase: Jonah Hex and Jonah, when the way-too-young male draws on him, hits with his rifle and knocks him quite unconscious. Right now, I think the only place you can see that is HBO Max.) 

A stranger offers him redemption. But he knows gunslingers come from miles around to seek him out and, inevitably, kill him. Or so he fervently hopes. The stranger named Fate (HA!) offers him and another gunfighter each a bottle of the potion. 

They fight, do not kill each other, but wound their shooting hand, thus ending their days as gunslingers. 

Fate tips his hat to Denton and rides quietly out of town.

DRINK UP, I’M DONE WITH SPOILERS. REALLY, I AM.

Martin Landau who played Dan Hotaling (the younger gunslinger) here would return to play Major Ivan Kuchenko in “The Jeopardy Room” which I’ve already essayed. He would also appear in two more Twilight Zone episodes, “The Beacon” and “One Life, Furnished in Early Poverty”. 

The harmonica music you hear in the background is an old Russian folksong known as “Stenka Razin”.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 16, 1924 David Armstrong. He appeared in two Trek episodes, “A Taste of Armageddon” as a guard to the Eminiar, uncredited of course, and as Kartan in “Operation – Annihilate!” and, though having a name, also uncredited according to Memory Alpha. He also had an amazing twenty-two appearances on The Man from U.N.C.L.E. where he was only credited when he showed as Thrushman, which must have been some sort of inside joke. Genre roles were common for him — I SpyGet Smart!The InvadersThe Girl from U.N.C.L.E. and Kolchak were all where he showed up. (Died 2016.)
  • Born October 16, 1925 Dame Angela Brigid Lansbury. She first shows up in a genre work as Sibyl Vane in The Picture of Dorian Gray. A few years later, she’s Queen Anne of France in The Three Musketeers. Somewhat later, she’s Miss Eglantine Price in Bedknobs and Broomsticks. She voices Mommy Fortuna in The Last Unicorn, and is Granny in A Company of Wolves which won the BSFA Award for Best Film and is based off Angela Carter’s A Company of Wolves. And yes, she’s in Mary Poppins Returns as The Balloon Lady. (Died 2022.)
  • Born October 16, 1926 Joe Sinnott. He worked primarily as an inker. He is best remembered for his work on the Fantastic Four from the Sixties to into the Eighties, with it being first over the pencils of Jack Kirby. He worked, mostly as a freelancer, some sixty years at Marvel, where he had long runs on The AvengersThe Defenders and Thor. And yes, he deserved many an Award  — the Alley Award, the  Inkpot Award, the Will Eisner Hall of Fame, the Inkwell Awards Hall of Fame and finally the Retro Inkwell Awards Favorite Inker. (Died 2020.)
  • Born October 16, 1947 Guy Siner, 75. Apparently he’s one of only 32 actors to appear in both the Star Trek and Doctor Who franchises. He appeared in the “Genesis of the Daleks”, a Fourth Doctor story, and on Enterprise in the “Silent Enemy” episode. Interestingly he shows up on Babylon 5 as well in “Rumors, Bargains and Lies”.  And that might place him in very select acting company indeed.
  • Born October 16, 1958 Tim Robbins, 64. I think his finest role was as Nuke LaLoosh in Bull Durham, but his first genre role was Phil Blumburtt in Howard the Duck. He played Erik in Erik the Viking, and is in The Shawshank Redemption as Andy Dufresne. He’s Woodrow “Woody” Blake in Mission to Mars. He was Harlan Ogilvy in War of the Worlds followed by being Senator Robert Hammond in Green Lantern
  • Born October 16, 1965 Joseph Mallozzi, 57. He is most noted for his work on the Stargate series. He joined the Stargate production team at the start of Stargate SG-1’s fourth season in 2000. He was a writer and executive producer for all three Stargate series. He also co-created the Dark Matter comic book series with Paul Mullie that became a Syfy series. 
  • Born October 16, 1973 Eva Röse, 49. Most likely best known for her role as the android Niska in Season 1 of the Swedish Real Humans upon which AMC’s Humans was based. She also was one of the voice cast for the animated Creepschool series, and was Jasmie on The Befallen, a supernatural series that lasted one season there. 

(9) COMICS SECTION.

Tom Gauld blends literary analysis with psychoanalysis.

(10) THE GHOSTS OF COMICS PAST. “When DC Seriously Tried to Prove Bob Kane Wasn’t Actually Drawing Batman” – a “Comic Legend” history piece by Brian Cronin.

COMIC LEGEND:

Mort Weisinger tried to prove that Bob Kane wasn’t actually drawing his Batman comics when Kane added Lew Sayre Schwartz as his ghost in 1948

STATUS:

True

A while back, I wrote about the peculiar situation when it came to Bob Kane’s ghosts on the Batman comic books heading into the 1960s. The majority of the artwork being done for Batman comic books throughout the 1950s and 1960s was by “Bob Kane,” but obviously, for that much artwork to be produced, no one believed that Bob Kane was doing it all himself. As it turned out, by the mid-1950s, Kane wasn’t doing it at ALL, with Sheldon Moldoff doing ALL of the work that was credited to Kane…

(11) AN EARLY FILER. [Noted by John Hertz.]

Plutarch grappled with … the import of the word E’i inscribed on the Temple of Apollo at Delphi. In Greek it can mean “Five”; it can mean “If”: but above all it means “Thou Art”.

M.A. Screech, intr. to Montaigne’s Apology for Raymond Sebond p. xxix (1993)

(12) GETTING WHAT THEY DESERVE? Molly Odintz reviews books by Silvia Moreno-Garcia and Stephen Graham Jones at CrimeReads: “These Books Prove We’re Living In a Golden Age of Horror”.

…There are several converging factors for the rise in horror. First, we can’t underestimate the impact of Jordan Peele or the film Midsommar on the trends of social horror and folk horror, respectively. We apparently now wish to not only watch what we want to read, but read what we want to watch. Second, horror fiction, like crime fiction, is a vastly more diverse landscape than just a few years ago, and a genre that I’d previously stereotyped as full of fear of the other (sorry, Stephen King!) is now distinguished by sympathy for the other. Third, we’ve all gotten far more interested in haunted houses since we became forced to spend every waking hour in them. And fourth, people have simply gotten worse, and it is correspondingly more satisfying to watch them die (hence the return of the slasher)….

(13) ALSO ON CRIMEREADS. Michael Gonzales looks at the 1968 sf film Wild In The Streets. “Rock & Roll Apocalypse: ‘Wild in the Streets’”.

…It was during one of my Saturday night movie marathons that I first saw the politically charged sci-fi satire Wild in the Streets (1968), a flick about a bugged-out alternative America guided by an insane pop star named Max Frost, his band mates The Troops and the millions of fans. Twenty-two-year-old Max despised anyone over 30, and throughout the film worked hard to get rid of mature adults who were “stiff with age.” Played with crazed charisma by method actor Christopher Jones, a southern mumbler who critics compared to James Dean, Max Frost began his mission by partnering with a youngish (thirty-seven years old) congressman who helped him by getting the voting age lowered to fourteen…. 

(14) EYE OPENER. This must be my Mercedes Lackey moment, because our printing “Bulgaria” when it should have been “Croatia” is something I would have thought was more like an easily fixed mistake. Evidently it’s much worse.

(15) LIZARDS IN THE WILD. Check out the rather funny cosplay encounter at “EV Grieve: Saturday’s parting shot”.

A tail of two cities today near Union Square … photo by Derek Berg

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George discovers that it’s really hard for people in 2022 to explain to the world in 1996 what the metaverse is like. “Time Traveler Discovers The Metaverse – THE FUTURE IS DUMB”.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Michael “Orange Mike” Lowrey, John Hertz, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]