Pixel Scroll 10/1/23 Only You Can Scroll Fankind

(1) SELLING FANTASY. [Item by Andrew (Not Werdna).] “Lester del Rey invented the fantasy genre in book publishing” alleges Slate’s Dan Sinykin.

Lester del Rey wore 1950s-style horn-rimmed glasses, an unruly billy-goat beard, and his silver hair brushed back above a big forehead. He liberally dispensed cards that said: Lester del Rey, Expert. He sometimes said his full name was Ramón Felipe San Juan Mario Silvio Enrico Smith Heathcourt-Brace Sierra y Alvarez-del Rey y de los Verdes. He was in fact born Leonard Knapp, son of Wright Knapp, in 1915 in rural southeastern Minnesota, subject to the Minnesotan fever—Jay Gatz, Prince Rogers Nelson, Robert Zimmerman—for reinventing oneself. In 1977, del Rey, then in his 60s, turned his proclivity for fabulism to profit: He invented fantasy fiction as we know it….

(2) PAYING OUR RESPECTS. Condolences to Cora Buhlert whose father passed away today.

(3) JUMP ON THE BANNED WAGON. “Banned Books Week: PRH’s ‘Banned Wagon’ Hits the Road”Publishing Perspectives has the story. Banned Books Week is October 1-7. The tour schedule is at the link. The dozen showcased books include two genre works, The Handmaid’s Tale and Too Bright to See

The arrival of this year’s Banned Books Week—led by one of the most comprehensive coalitions of free-expression organizations in the business–is themed Let Freedom Read. Engaged in the effort are the American Library Association, Amnesty International USA, the Authors Guild, the Comic Book Legal Defense Fund, the National Book Foundation, PEN America, and the Center for the Book at the Library of Congress, among others.

Hearing the call, Penguin Random House–the world’s largest and most internationally positioned of trade publishers– is gassing up something new: its “Banned Wagon: A Vehicle for Change.”

The goal is to take the debate right into the American South during Banned Books Week. Putting wheels on its “Read Banned Books” message, the vehicle not only will showcase a selection of 12 of the publisher’s frequently challenged books but will also distribute free copies of those books to attendees in each of the cities in which the tour makes a stop….

These are the 12 books published by Penguin Random House and being loaded into the Banned Wagon as it rolls through the American South during Banned Books Week.

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Chengdu Worldcon makes Chinese-language-only announcement about attending registration and participation rules

This has been published on the official Chinese-language site, WeChat and Weibo, but as of 19:00 BST, I haven’t seen any equivalent English language statement.  As such this item is very dependent on machine translation, and could contain misunderstandings.  However, the text has been run through Google Translate, DeepL and Vivaldi Lingvanex, with similar results output each time.

This is the Google Translate version of the main text of the page on the official site: https://www.chengduworldcon.com/Xnews/275.html

2023 Chengdu World Science Fiction Convention Membership Registration and Drawing Participation Rules for Three Major Ceremonies Released

Release time: 2023-10-01 12:42

Dear fantasy fans:

Thank you for your attention to the 2023 Chengdu World Science Fiction Conference. From now on, the WeChat applet for membership certificate registration (“Exhibition Hall Appointment”) is officially launched. Members who purchase offline conference passes need to register through the mini program [DeepL translates this as “app”] to obtain the QR code for the replacement certificate. The membership certificate [DeepL translates this as “membership ID”] exchanged with this code on site will be your only voucher [DeepL translates this as “credentials”] for entering the venue during the conference. Please log in and register in time.

In accordance with the convention [DeepL translates this as “usual practice”] of the World Science Fiction Convention, the opening ceremony, Hugo Award Ceremony and Closing Ceremony will have a maximum number of on-site spectators. This conference will confirm the offline participation pass members who will participate in the opening ceremony, Hugo Award ceremony and closing ceremony through online lottery in advance.

There’s a QR code which I presume links to the aforementioned WeChat applet, followed by details of the various rules and regulations; the bits that I thought noteworthy are:

  • From now until 24:00 on October 9, members with offline participation passes can register for certification by searching the “Exhibition Hall Appointment” WeChat applet.
  • The lottery will be sorted according to the information about the intended viewing activities filled in by each member, and will be notarized and implemented by the Shudu Notary Office in Chengdu, Sichuan Province. Each winning member can only participate in one grand ceremony. The winning results will be sent to the winning members via SMS in a timely manner.
  • Starting from 15:00 on October 13, you can check the lottery results through the official website of the 2023 Chengdu World Science Fiction Conference and the “Exhibition Hall Appointment” WeChat applet.
  • The results of this lottery will not affect participation in other activities such as on-site theme salons and theme exhibitions. The relevant schedule of the theme salon and theme exhibition will be announced soon, so stay tuned.
  • The right to interpret these rules belongs to the 2023 Chengdu World Science Fiction Convention Organizing Committee

The QQ link is: https://mp.weixin.qq.com/s/EFcTsNCg0pyt2qbTxVPzJg. The Weibo link is: https://weibo.com/7634468344/NlPaCz8yw (which has received 52 comments as I write this up)

Assuming that my interpretation of this is correct, in that it’s necessary to install the WeChat app on your phone to be able to even get into the con venue, it should be pointed out that concerns have been raised about the security and privacy aspects of that app: https://foundation.mozilla.org/en/privacynotincluded/wechat/ (2001)

I’d previously installed this app on an old unused Android phone (using a test Google account,) and I suspect that many foreign users will struggle to register a WeChat account, as it requires an existing user to verify you via a QR code:

  1. Contact a WeChat user who meets the following conditions.  (They do not have to be your
  WeChat friend.)

    a. Signed up for WeChat over 1 month ago if they are an international user or over 6

       months ago if they are a Chinese Mainland user

    b. Hasn’t completed “Help Friend Register” for other users in the past month

    c. Hasn’t been blocked in the past month

    d. Has activated WeChat Pay if they are a Chinese Mainland user

  2. Ask them to scan the following QR code using WeChat.

It has since been pointed out to me that the previously announced “100th Light-second Plan” covers some of this (maybe)?  That indicated that if attendees email the provided address, they will gain access to a “reservation channel” for the opening and Hugo ceremonies.

This doesn’t directly address the implication in today’s announcement that you need WeChat to enter the con venue – and I note that it only talks about the opening and Hugo ceremonies, not the closing ceremony – but maybe this hints that this has already been thought about?  On the other hand, I must confess I’m more than a bit uncomfortable at the idea that foreigners get privileged access to some of the main events, but locals have to take their chances in a lottery.

For reference, here are a couple of screenshots I was sent of what the WeChat app registration looks like.

(5) WHO SPEAKS FOR THE TREES? Alyssa Hall considers “’The Long Defeat’: Reading Tolkien in the Time of Climate Change” at Tor.com.

Allegorical readings of The Lord of the Rings vexed Tolkien. In the Foreword to the second edition of the books, he wrote of his distaste for allegory altogether: “I much prefer history, true or feigned.” The environmentalism that’s evident throughout his chronicles of Middle-earth, from the rebellion of Fangorn Forest to the Scouring of the Shire to the destruction of the Two Trees of Valinor? That was all based in history and autobiography, from a childhood in which “the country in which I lived was being shabbily destroyed before I was ten,” only made mythic.

Before I was ten, the third in a series of international scientific reports on our warming Earth was published, and the Kyoto Protocol set targets for countries to reduce their greenhouse gas emissions. Prior to those developments, Svante Arrhenius had connected the burning of coal to rising carbon dioxide levels and hotter climates; John Tyndall had identified the gases responsible for the greenhouse effect; and Eunice Foote had realized that carbon dioxide gas could trap heat from the sun. In fact, Arrhenius did his work long before I was born, near the beginning of Tolkien’s own lifetime; Tyndall and Foote, before Tolkien was born.

When it comes to what is true and what has been feigned, the historicity of climate change is an established fact, and the willful denial of its reality is a toxic fiction. Climate change was already occurring during the years when Tolkien lived and wrote. Though he may not have been aware of a growing knowledge of global warming, I think his work is directly applicable to all of us who face the current onslaught of frightening headlines about climate disasters and think, like Frodo, “I wish it need not have happened in my time.” Tolkien, if not a professed environmentalist, was certainly a pastoralist, a lover of trees and countryside and an opposer of polluting industrialization. Ents, Eagles, Beornings, and other forms of nature personified fill his work, as do plot points and revelations that hinge on the destruction of one or more trees (or Trees). His letters put it even more plainly: “The savage sound of an electric saw is never silent wherever trees are still found growing.” Climate change is industrial deforestation writ large. For me, there’s no author who gives the natural world its due the way Tolkien does.

With Amazon’s The Rings of Power series driving a new pop-cultural wave of interest in Middle-earth at the same time global temperatures are shattering records and driving extreme weather events around the world, I’ve found myself longing for Tolkien or a Tolkien-like voice of the twentieth-first century: Someone pouring out words about the living world, writing that emerges from unabashed, earnest love for nature. The mounting threat of climate change has me returning to my childhood favorites to seek wisdom for these long defeats in this Century of Disasters, to look for a light forward in dark times for the planet and its inhabitants….

(6) RECORD SETTING RESENTMENT. The Guardian lists the “Top 10 grudge holders in fiction”. No. 4 in the list is —

The Employees: A Workplace Novel of the 22nd Century by Olga Ravn, translated by Martin Aitken 

“Ravn’s novel is set on the Six-Thousand Ship, which is orbiting a faraway planet New Discovery, where the crew has discovered a number of strange objects. The book is structured around a series of recorded statements, of varied degrees of redaction and fullness, made by the ship’s human and humanoid crew to some kind of committee about the effects of these objects upon themselves. The objects have the effect of defamiliarising the workplace for the crew, making them see it anew, making them realise their lives might have meaning beyond work. Over the course of the book, their resentment against their employers grows and grows.”

Several others are genre by virtue of being ghost stories of one kind or another.

(7) SERIES KILLER. Hugo voting closed yesterday. Nicholas Whyte has something he’d like to say: “2023 Hugos: Best Series – why I voted No Award” at From the Heart of Europe.

I voted No Award for this year’s Hugo Award for Best Series. I think the category is a bad idea in principle which is now showing its limitations in practice. My objections are as follows:

  1. The Hugos ought to celebrate the best activity of the previous year, and only the previous year. For some of the other categories (Semiprozine, Fanzine, Fancast), earlier work is taken into account to determine eligibility, but the award is clearly for achievements of the previous calendar year. Best Series is inevitably an award for a multi-year set of activities.
  2. It is impossible for the diligent reader to read all of the work nominated for Best Series in a given year. By giving the award we are deliberately engineering a situation where voters cast their votes based on imperfect knowledge of the finalists.
  3. We are now seeing repeat nominations for series that have been unsuccessful finalists before. I feel sympathy for authors who must feel that they are waiting for their turn, but that’s not the way an awards system should run…

More analysis, and how he ranked the finalists, at the link.

(8) FREE READ. Sunday Morning Transport encourages subscriptions with this story by John Chu, “Halfway Between Albany and West Point”.

October kicks off with John Chu’s thrilling vision of academia and his spectacularly embattled graduate student. 

(9) TANKS FOR THE MEMORIES. “Toxic Avenger Remake Trailer: First Look at Peter Dinklage Film”Gizmodo provides a gloss and a warning.

…Directed by Macon Blair, this new Toxic Avenger stars Game of Thrones fan favorite Peter Dinklage as Winston, a widower struggling to raise a stepson played by Jacob Tremblay. When his job, run by an evil corporate ass played by Kevin Bacon, won’t pay for health insurance, Winston fights back and ends up in a vat of toxic waste. Now, you don’t see really any of that in this first teaser (note that it’s very much NSFW!), but take that story and put it in this world, and you begin to get the idea of what this movie is….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 1, 1914 Donald Wollheim, 1914 – 1990. Created DAW Books. NolaCon II (1988) guest of honor. Founding member of the Futurians, Wollheim organized what was later deemed the first American science fiction convention, when a group from New York met with a group from Philadelphia on October 22, 1936 in Philadelphia. As an editor, he published Le Guin’s first two novels as an Ace Double. And would someone please explain to me how he published an unauthorized paperback edition of The Lord of the Rings? (Died 1990.)
  • Born October 1, 1930 Richard Harris. One of the Dumbledores in the Potter film franchise. He also played King Arthur in Camelot, Richard the Lion Hearted in Robin and Marian, Gulliver in Gulliver’s Travels, James Parker in Tarzan, the Ape Man and he voiced Opal in Kaena: The Prophecy. His acting in Tarzan, the Ape Man him a nominee for the Golden Raspberry Award for Worst Actor. Anyone seen that film? And why it got him that nomination? I saw the film a long time ago but don’t it clearly enough to say why this is so. (Died 2002.)
  • Born October 1, 1935 Dame Julie Andrews, DBE, 88. Mary Poppins! I could stop there but I won’t. (Hee.) She had a scene cut in which was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncredited in a Panther film, this time as chairwoman in Trail of the Pink Panther. She voices Queen Lillian in Sherk 2Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman.
  • Born October 1, 1943 Sharon Jarvis, 80. Did I ever tell you that aliases give me a mild headache? Well, they do. She did a splendid trilogy of somewhat erotic planetary adventures called These Lawless Worlds that Ellen Kozak co-wrote. She wrote two more series, charitably called pulp, one as Johanna Hailey and another as Kathleen Buckley. Now more interestingly to me, she was an editor in the early day, Seventies and Eighties. I’m going to quote at length from her website: “Sharon Jarvis has worked in the print media for more than twenty-five years for newspaper, magazine and in publishing companies. She has built a reputation for her market-wise expertise in the cutthroat world of publishing. Ms. Jarvis has been a sought-after editor from her days at Ballantine where she helped promote the billion-dollar science fiction boom. At Doubleday she was the acquisitions editor and worked with some of the biggest names in science fiction, including Isaac Asimov, Marion Zimmer Bradley and Harlan Ellison. At Playboy Press, Ms. Jarvis developed, instituted and promoted the science fiction line which helped sustain the publisher through many a setback in other general lines.”
  • Born October 1, 1944 Rick Katze, 79. A Boston fan and member of NESFA and MCFI. He’s chaired three Boskones, and worked many Worldcons. Quoting Fancyclopedia 3: “A lawyer professionally, he was counsel to the Connie Bailout Committee  and negotiated the purchase of Connie’s [1983 Worldcon’s] unpaid non-fannish debt at about sixty cents on the dollar.” He’s an active editor for the NESFA Press, including the six-volume Best of Poul Anderson series.
  • Born October 1, 1948 Michael Ashley, 75. Way, way too prolific to cover in any detail so I’ll single out a few of his endeavors. The first, his magnificent The History of the Science Fiction Magazine, 1926 – 1965; the second being the companion series, The Time Machines: The Story of the Science-Fiction Pulp Magazines from the Beginning to 1990. This not to slight anything else he has done such as The Gernsback Days: A Study in the Evolution of Modern Science Fiction from 1911 to 1936.
  • Born October 1, 1964 John Ridley, 59. Author of Those Who Walk in Darkness and What Fire Cannot Burn novelsBoth excellent though high on the violence cringe scale. Writer on the Static Shock and Justice League series. Writer, The Authority: human on the inside graphic novel. And apparently the writer for Team Knight Rider, a female version of Knight Rider that would last one season in the Nineties. 
  • Born October 1, 1989 Brie Larson, 34. Captain Marvel in the Marvel film universe. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” of Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. She’s in The Marvels, scheduled out next month.

(11) COMICS SECTION.

  • Tom Gauld has a sneak peek at a celebrity bio.

(12) SCIFI IN HOUSE OF GAMES. [Item by Steven French.] During the week BBC2 runs a nightly half-hour quiz show called House of Games in which each round features a different kind of puzzle and not even the host (Richard Osman, now perhaps even more well known as a crime writer) knows what kind is coming up next.

Watching a repeat from last year I noticed that one round featured science fiction movies whose titles were given in code; e.g.:

1 4  1 19 20 18 1

which one of the contestants got pretty quickly even though she’d never seen or even heard of the film!

(13) MORE THAN A SNOWBALL FIGHT. “What would happen if Russia invaded Finland? I went to a giant war game in London to find out” — the Guardian’s Tom Lamont brings back the story.

… It is 10am. Banks asks everyone present to imagine they are on the threshold of geopolitical catastrophe, somewhere a little beyond, though not that far beyond, our current perilous state. He fleshes out a scenario. Prolonged and humbling conflict in Ukraine as well as Finland’s recent accession to Nato has tested Russian pride to breaking point. Worsening matters, Nato has decided to press its advantage in the region by staging a military exercise on the Finnish-Russian border. China, Iran and India have made it plain: they’re not impressed by Nato. The Swedes are jangly, too. Spy planes, satellites and troop carriers are in play. A few wrong moves and all this posturing and provocation could ignite into something far worse. It is up to the players assembled in Bush House to try to war-game us back from the brink.

Now Banks moves among the crowd, handing out jobs like sweets. During this phase of a game, a real-life general might get a tap on the shoulder and tumble to become a low-level functionary for the first time in decades. A career shit-eater might get to feed somebody else the shit. (Maybe the general.) Anyone – a data specialist, a science nerd, an archive-dwelling academic – might find themselves near-omnipotent for the day. With a pointed finger, Banks elevates four random people to play as Russian high command. In a corner of one of the conference rooms, put aside for their exclusive use, the four newly minted Russians are told they can organise themselves and their decision-making however they want. “If you want to be equals here, that’s fine,” says one of Banks’s PhD students. “Or if you want to appoint a dictator, that’s fine, too.”…

(14) A DIFFERENT CHORD. “Queen guitarist Brian May helps NASA return asteroid sample to Earth” at USA Today.

When he’s not rocking out on stage as a founding member of Queen, Brian May enjoys a healthy scientific interest in outer space.

But it’s no mere hobby for the 76-year-old guitar legend to gaze upon the stars or research the nature of the universe. May, an accomplished scientist who has a doctorate in astrophysics, recently helped NASA return its first ever asteroid sample to Earth.

The sample consisting of rocks and dust was obtained from the asteroid Bennu and arrived Sunday back in Earth’s orbit. May was an integral part of the mission, creating stereoscopic images that allowed the mission’s leader and team to find a safe landing spot on the asteroid, which has the potential to crash into Earth sometime in the future…

(15) WHEN THINGS GO BUMP IN THE NIGHT. The New York Times discusses a hypothesis: “Saturn’s Rings May Have Formed in a Surprisingly Recent Crash of 2 Moons”.  

Try to imagine Saturn without its signature rings. Now picture two large icy moons shifting closer together little by little until — boom. Chaos. What was solid is now fluid. Diamantine shards scatter into the darkness. Many icy fragments tumble close to Saturn, remain there and dance around the gas giant in unison, ultimately forging the heavyweight body’s exquisite discs.

This spectacular scene comes from an attempt to answer one of the greatest mysteries of the solar system: Where did Saturn’s rings come from, and when did they form?

A study, published this week in The Astrophysical Journal, leans into the notion that they are not billions of years old, but were crafted in the recent astronomic past—perhaps by the collision of two modestly sized frost-flecked moons only a few hundred million years ago.

“I’m sure it would have been great to see if the dinosaurs had had a good enough telescope,” said Jacob Kegerreis, a research scientist at NASA’s Ames Research Center in Mountain View, Calif., and one of the study’s authors….

(16) DREAM HOMES. The New York Times speculates “Maybe in Your Lifetime, People Will Live on the Moon and Then Mars”. “Through partnerships and 3-D printing, NASA is plotting how to build houses on the moon by 2040.”

 … NASA is now plotting a return. This time around, the stay will be long-term. To make it happen, NASA is going to build houses on the moon — ones that can be used not just by astronauts but ordinary civilians as well. They believe that by 2040, Americans will have their first subdivision in space. Living on Mars isn’t far behind. Some in the scientific community say NASA’s timeline is overly ambitious, particularly before a proven success with a new lunar landing. But seven NASA scientists interviewed for this article all said that a 2040 goal for lunar structures is attainable if the agency can continue to hit their benchmarks.

The U.S. space agency will blast a 3-D printer up to the moon and then build structures, layer by additive layer, out of a specialized lunar concrete created from the rock chips, mineral fragments and dust that sits on the top layer of the moon’s cratered surface and billows in poisonous clouds whenever disturbed — a moonshot of a plan made possible through new technology and partnerships with universities and private companies….

(17) VIDEO OF THE DAY. [Item by Danny Sichel.] Math counts as science. So this 14-minute animation by Alan Becker — which begins by providing simple visualizations of basic arithmetical concepts and quickly devolves into an all-out battle with lasers and giant mechs — is science fiction. “Animation vs. Math”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Bill, Steven French, Danny Sichel, Jeff Smith, Andrew, (Not Werdna), Brown Robin, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 9/29/23 Only You Can Prevent Pixel Scrolls

(1) WHEN GRAVITY DOESN’T FAIL. “NASA Wants Ideas for How to Destroy the International Space Station”. Really. SYFY Wire explains why.

…At present, Roscosmos has committed to continued use and maintenance of the station through 2028 while the other four agencies will remain through 2030. After that, unless there’s another extension, everyone will come home, and the station’s life will end. Of course, we can’t just leave the largest spacecraft we’ve ever built unattended and uncontrolled. Instead, all five agencies share responsibility for bringing the ISS down in a controlled and safe way. No easy task.

Previous plans relied on Russian Progress vehicles to reduce the station’s orbit and push it into the atmosphere. Now, NASA is looking for a bespoke craft to do the job more efficiently. To that end, NASA has released their final Request for Proposals (RFP) for a novel deorbit vehicle to aid in the destruction of the International Space Station.

Interested parties must submit proposals by November 17. A virtual pre-proposal conference is planned for October 3 at 12:00 p.m. Central.

If you’ve ever wanted to destroy an orbiting science laboratory, this is probably your best chance. Who knows when we’ll have another station that needs vaporizing.

(2) WOLE TALABI INTERVIEW. “A Conversation With Wole Talabi” at the Hugo Book Club Blog.

… Talabi’s novelette A Dream of Electric Mothers was published in Africa Risen (edited by Sheree Renée Thomas, Oghenechovwe Donald Ekpeki, and Zelda Knight), which was one of the first anthologies published by a North American publisher focusing on science fiction and fantasy from African authors. He says the public response to the novelette — which explores identity, memory, and culture through artificial intelligence in an alternate history setting — has been gratifying.

“Some people have messaged me to ask if it’s a far-future science fiction story, and I enjoy telling them that it isn’t. It’s an alternate history story,” Talabi says. “I don’t make that obvious because the story uses the traditional Yoruba calendar, not the Gregorian calendar. It actually takes place in an alternate 2021 in a timeline where essentially European colonization of Africa never happened and they formed an intellectual partnership instead … that’s why it seems like a far-future story. Because we’ve made more progress by not fighting.”,,,

(3) WARNING. Ansible® 435, the October issue released today, warns fans:

Ripoff Alert. The US dealer Fifth Generation Books is selling Rob Hansen’s TAFF-benefit paperback Bixelstrasse: The SF Fan Community of 1940s Los Angeles on the Walmart website for $43.50 (allegedly discounted from the wholly made-up figure of $50.50), presumably filling orders by buying copies at $22.50 from the official Ansible Editions/Lulu sales page (linked from ae.ansible.uk/?t=bixel). They reproduce the AE blurb in full, including the assurance IN CAPITAL LETTERS that all proceeds will go to TAFF, but somehow one has one’s doubts. [RH]

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Some Worldcon guests/speakers announced https://mp.weixin.qq.com/s/trpOJYSgoWertsvyoPE5JQ

Yesterday (28th) a couple of panels were announced, I think by a children’s book publisher.  Most of the names weren’t known to me, but ones that were are academic and author Wu Yan, and Hugo Best Novelette winner Hao Jingfang.

Ground level views of the con venue http://xhslink.com/kK7e1u

A few photos seemingly taken by a member of the public in the area around the venue were posted to the Xiaohongshu social network earlier today.  I think these give a better idea of what it looks like in-person, compared to a lot of the images that have appeared before now.

Reminder that you need to press Submit on your Hugo votes https://mastodon.social/@[email protected]/111149676161220869

This was something I didn’t realize when I did my votes yesterday, and looking at the reposts, I suspect I’m not the only one.

Translated video about Chengdu publisher 8 Light Minutes Culture https://www.bilibili.com/video/BV1aT411n7NS/

This 6:45 video from the Chengdu_Plus channel on the Bilibili video site dates from April, and doesn’t directly reference the con or Hugo Awards.  However, Best Editor (Short Form) finalist Yang Feng is interviewed, along with a bit about her Best Related Work finalist.  The issue of Galaxy’s Edge magazine that features Best Novelette finalist The Space-Time Painter is also shown. Usefully, it has English subtitles and narration.

Note: Sergei Lukyanenko and his work are discussed at the 4 minute mark.

(5) SPACE COWBOY BOOKS CO-HOSTS BANNED BOOKS EVENT. A “Banned Books Reading with Desert Split Open”, co-hosted by Space Cowboy Books of Joshua Tree, CA is an in-person event that will take place October 1 from 5-7 p.m. Pacific.

The Desert Split Open and Space Cowboy Books will again celebrate Banned Books Week. Let’s meet at the Sun Alley stage, behind the bookstore (61871 29 Palms Hwy, Joshua Tree, CA). We will read from books that have been challenged or banned. What some attempt to silence, we will amplify. All are welcome at this free community event.

The sudden increase in book challenges motivated us to hold last year’s Banned Books Week event. This year, the situation is worse:

“The ALA’s Office for Intellectual Freedom documented 1,269 demands to censor library books and resources in 2022, the highest number of attempted book bans since ALA began compiling data more than 20 years ago. … Censors targeted a record 2,571 unique titles in 2022, a 38% increase from 2021. Of those titles, the vast majority were written by or about members of the LGBTQIA+ community or by and about Black people, Indigenous people, and people of color.” (ala.org)

This is not just an issue for “Red” states – in fact, in 2022, California saw 32 attempts to restrict access to 87 different titles. The most challenged title in CA was a tie between Gender Queer: A Memoir and Beyond Magenta.

Now, more than ever, we must speak up – not just against censorship but in favor of diverse voices and stories.

Here’s a list of the most challenged books of 2022

Register for free here.

(6) DON’T TAKE THE MASK OFF THE OLD LONG RANGER. “Oscar Meyer again renames its mobile back to Wienermobile” reports Yahoo! [The typo above is intentional.]

Slotted in between items on a recent Associated Press news round-up that mentioned the impeachment inquiry into President Biden and the looming government shutdown was the report that the Oscar Meyer brand was again changing the name of its famous…vehicle.

The Wienermobile was renamed the Frankmobile only four months ago. But the meat-maker, apparently caving to pressure from the Hotdoggers—those who drive the thing and were upset by the change—has reverted the name back to Wienermobile.

Roll out the bun puns. Like, “I guess Frankmobile didn’t cut the mustard.”

…Today, Oscar Mayer maintains six of the 23-foot-long motorized sausages across the US. The custom-made fiberglass dog sits atop a lightly toasted fiberglass bun on a converted Chevrolet chassis with a 300-horsepower Vortec V8. It was designed by the General Body Company of Chicago….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 29, 1934 Stuart M. Kaminsky. Though best remembered as a very prolific mystery writer for which I single out the Toby Peters series about a private detective in 1940s Hollywood and the Inspector Porfiry Petrovich Rostnikov series about a Moscow police inspector, he does have genre works. He did two Kolchak the Night Stalker graphic novels, plus wrote the scripts for two Batman stories, “The Batman Memos” and “The Man Who Laughs”. As an editor, he’s responsible for the On a Raven’s Wing: New Tales in Honor of Edgar Allan Poe anthology. (Died 2009.)
  • Born September 29, 1947 Scott Baker, 76. His first novel, l’Idiot-roi (Symbiote’s Crown), won the French Prix Apollo Award. In addition, he won the World Fantasy Award for his “Still Life with Scorpion” short story. All three of his short story collections and his one anthology are French only, though all of his novels are in English.
  • Born September 29, 1952 Lou Stathis. During the last four years of his life, he was an editor for Vertigo. He had a fascinating work history including collaborating with cartoonist Matt Howarth by co-writing the first few issues of Those Annoying Post Bros. (Kindle has them available.) He was also a columnist and editor for Heavy Metal and a columnist for Ted White’s Fantastic magazine during the late Seventies through early Eighties. His fanwriting included the “Urban Blitz” column for OGH’s Scientifriction (the first installment appearing in 1977, Issue 9, page 29). (Died 1997.)
  • Born September 29, 1954 Shariann Lewitt, 69. First, let me commend her for writing one of the better Trek novels in Cybersong set in the Voyager verse. Bravo, Shariann! Most of her fiction, be it Memento Mori or Rebel Sutra is definitely downbeat and usually dystopian in nature. Well written but not light reading by any means.
  • Born September 29, 1961 Nicholas Briggs, 62. A Whovian among Whovians who started out writing Who fanfic. First off he’s the voice of the Daleks and the Cybermen in the new series of shows. Well not just them as he also voices the Judoon, the Ice Warriors, the Nestene Consciousness, the Jagrafess and the Zygons.  Second he’s the Executive Producer of Big Finish Productions, the audio drama company that has produced more Doctor WhoTorchwood and other related works that you’d think possible. Third he did act twice in the Whoverse. Once on Torchwood as Rick Yates on “Children of Earth: Day Four” and The Sarah Jane Adventures as Captain Tybo in “Prisoner of the Judoon” episode. Fourth he’s appeared as himself in The Five(ish) Doctors Reboot
  • Born September 29, 1968 Stephen Deas, 55. British writer. He is most known for his fantasy franchise, the Memory of Flames which is set in a fantasy world inhabited by dragons. Yes, more dragons! Though dragon free free, I highly recommended his Thief-Taker’s Apprentice series as well. Good fantasy doesn’t always need dragons, does it?

(8) BEHIND THE SCENES. “Doctor Who Is Restoring Tradition Canceled 12 Years Ago with David Tennant’s 60th Anniversary Episodes”.

…The excitement doesn’t just stop at the return of Tennant. A cherished post-show tradition is making a grand comeback after a long hiatus of 12 years. As whispers and wonders swirl around, an official post from BBC Three’s Instagram has put all speculation to rest. Yes, the behind-the-scenes specials are back! Giving fans an intimate look into the creation and the intricate details, the series, aptly named Doctor Who: Unleashed, is all set to satiate the curiosity of aficionados and novices alike….

(9) BOOK REVIEW. From the New York Times: Empire Of The Sum: The Rise and Reign of the Pocket Calculator, by Keith Houston”. Daniel Dern notes, “I don’t necessarily feel the need/urge to read the book, but I love the title (which called to mind JG Ballard’s book Empire of the Sun, and while that book is not itself sf, Ballard of course wrote lots of sf, in case one wants a modicum of sfnality for items beyond simple, ‘an amusing pun.’).”

(10) PRODIGAL INSIGHTS. “Star Trek: Prodigy Featurette Clip Shows How Stories Go From Script to Screen (Exclusive)” at Comicbook.com.

Star Trek: Prodigy‘s final Season 1 comes to Blu-ray and DVD tomorrow, and ComicBook.com has an exclusive look at one of the home media set’s bonus features. Star Trek: Prodigy: Season 1 – Episodes 11-20 is available to pre-order now on Blu-ray and DVD from Amazon and features more than 45 minutes of features diving into Star Trek: Prodigy‘s creation and place within the Star Trek franchise. The “Creating New Wolrds” clip sees series creators Kevin Hageman and Dan Hageman discussing how consistently impressed they are with the Star Trek: Prodigy art team’s ability to go beyond their expectations, with director Ben Hibon chiming in toward the end. You can watch the clip above….

(11) A LOT OF DOLLAR SIGNS. “Mars Sample Return got a new price tag. It’s big” reports the journal Science. “Independent review finds mission could cost as much as $11 billion and pushes NASA to delay or rethink program”.

NASA’s audacious Mars Sample Return (MSR) mission has serious technical flaws and “unrealistic” assumptions about its budget and timetable, an independent review found in a report released yesterday. Originally estimated to cost some $4 billion, the reviewers found that NASA’s share of the mission could end up costing between $8 billion to $11 billion, and that launch could happen no sooner than 2030, 2 years later than now planned.

joint project between NASA and the European Space Agency (ESA), MSR would gather rocks collected by the Perseverance rover, which has been drilling samples since it landed on Mars in 2020. MSR would then rocket the samples off the planet and ferry them to Earth, where scientists would study them for signs of past life and planetary evolution. The top priority of planetary science for several decades, it remains a worthy goal and one still worth pursuing, especially in light of similar sample return plans for Mars planned by China for later this decade, according to the review report, which was commissioned by NASA.

(12) MEASURING DELAYS CAUSED BY STRIKES. After 5 months, the writers’ strike has come to an end. On that note, JustWatch summarized how it influenced the number of delays of movies and TV shows of original productions of various streaming services.

Global streaming giant: Netflix is the most affected by the writer’s strike with 3x more production delays than Apple TV+. Other major US streaming services: Max, Prime Video and Disney+ all suffer, collectively taking up 27% of the total content disruption for streaming platforms in the country.

(13) VIDEO OF THE DAY. The Wrap explains the “Argylle Trailer: Henry Cavill and Dua Lipa Are Spies in Meta Comedy”.

The first trailer for “Kingsman” and “X-Men: First Class” filmmaker Matthew Vaughn new spy film “Argylle” has arrived, and it’s hardly what anyone expected. The trailer begins as a standard spy thriller with Henry Cavill and Dua Lipa getting into some sexy spy shenanigans, but then the story pulls back to reveal they’re characters in a book written by a spy novel author played by Bryce Dallas Howard.

The problem? What she thinks is fiction is actually happening, and now real-life spies are after her for outing their dealings…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dan Bloch, Bill, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/16/23 Hush Little Pixel, Mama’s Going To Buy You A Scroll

(1) DOCTOROW ON FABLES TABLE-FLIP. Cory Doctorow’s Pluralistic post “Bill Willingham puts his graphic novel series ‘Fables’ into the public domain (15 Sept 2023)” assesses many IP rights issues triggered by Willingham’s announcement.

…It’s been 21 years since Bill Willingham launched Fables, his 110-issue, wide-ranging, delightful and brilliantly crafted author-owned comic series that imagines that the folkloric figures of the world’s fairytales are real people, who live in a secret society whose internal struggles and intersections with the mundane world are the source of endless drama.

Fables is a DC Comics title; DC is division of the massive entertainment conglomerate Warners, which is, in turn, part of the Warner/Discovery empire, a rapacious corporate behemoth whose screenwriters have been on strike for 137 days (and counting). DC is part of a comics duopoly; its rival, Marvel, is a division of the Disney/Fox juggernaut, whose writers are also on strike.

The DC that Willingham bargained with at the turn of the century isn’t the DC that he bargains with now. Back then, DC was still subject to a modicum of discipline from competition; its corporate owner’s shareholders had not yet acquired today’s appetite for meteoric returns on investment of the sort that can only be achieved through wage-theft and price-gouging….

…Rather than fight Warner, Willingham has embarked on what JWZ calls an act of “absolute table-flip badassery” – he has announced that Fables will hereafter be in the public domain, available for anyone to adapt commercially, in works that compete with whatever DC might be offering.

Now, this is huge, and it’s also shrewd. It’s the kind of thing that will bring lots of attention on Warner’s fraudulent dealings with its creative workforce, at a moment where the company is losing a public relations battle to the workers picketing in front of its gates. It constitutes a poison pill that is eminently satisfying to contemplate. It’s delicious.

But it’s also muddy. Willingham has since clarified that his public domain dedication means that the public can’t reproduce the existing comics. That’s not surprising; while Willingham doesn’t say so, it’s vanishingly unlikely that he owns the copyrights to the artwork created by other artists (Willingham is also a talented illustrator, but collaborated with a who’s-who of comics greats for Fables). He may or may not have control over trademarks, from the Fables wordmark to any trademark interests in the character designs. He certainly doesn’t have control over the trademarked logos for Warner and DC that adorn the books….

It is also interesting to read that Bill Willingham, praised today by Cory Doctorow for striking a blow against corporate IP abuse, attended BasedCon last weekend.   

(2) FANTASY REQUIRES A GOOD MAP. [Item by Bruce D. Arthurs.] Interesting piece at Mapping As Process about a 1917 map of Fairyland by artist Bernard Sleigh, with references to many stories in folklore and fable. There’s a link to a high-resolution image that can be zoomed in on: “An Anciente Mappe of Fairyland”.

…In December 1917, the British artist and wood engraver Bernard Sleigh (1872–1954) published a six-foot long, panoramic map of Fairyland in three sheets. Its style was that of the Arts and Crafts movement, an aesthetic championed by William Morris (1834–1896) in the second half of the nineteenth century, in reaction to the apparent destruction of individual skills and traditional designs by mass industrialization. Arts and Crafts generated intricately detailed designs and a retrogressive appeal to folk aesthetics. Sleigh, trained by one of Morris’s followers, cultivated a stylized mediaevalism in both the design and the subject matter of his drawings, prints, murals, and stained glass (Cooper 1997)….

(3) VOCAL COMPLAINT. Behind a paywall at Fortune: “Actor Stephen Fry says his voice was stolen from the Harry Potter audiobooks and replicated by AI—and warns this is just the beginning”. Wealth of Geeks has this report about what is in the article: “Actor Stephen Fry Claims AI Replicated His Voice from ‘Harry Potter’ Audiobooks”.

…Actor Stephen Fry claims that producers used AI to replicate his voice from the Harry Potter audiobooks without his permission. AI has become a central point of contention of both the WGA and SAG-AFTRA strikes.

As reported by Fortune, Fry told an audience at a London festival, “I’m a proud member of [SAG-AFTRA], as you know we’ve been on strike for three months now. And one of the burning issues is AI.”

At the festival, Fry played a clip of AI mimicking his voice as the narrator of a historical documentary. “I said not one word of that—it was a machine. Yes, it shocked me,” he said. “They used my reading of the seven volumes of the Harry Potter books, and from that dataset an AI of my voice was created and it made that new narration. What you heard was not the result of a mash-up, this is from a flexible artificial voice, where the words are modulated to fit the meaning of each sentence.”…

(4) DON’T BE A SUCKER. Victoria Strauss gives Writer Beware readers the “Anatomy of a Fake Film Company Scam: The Greendot Films / Better Bound House”.

…Here’s how it works. A film company–with a website and everything–calls or emails out of the blue with a tempting offer: your book has the potential to be made into a movie/TV series! And they want to represent you to studios/pitch you to producers/take you to a major conference where scores of film people will be present! Just one requirement: you need a screenplay/a pitch deck/a storyboard/some other product. Don’t have those things? No problem–they know a reputable and expert company that can create them for you…for a fee.

It’s a classic bait-and-switch setup. The “film company” is a front for the service provider, which in turn is owned by a parent company overseas. And that initial service that was pitched to you as absolutely essential? It’s just the start. By paying, you’ve marked yourself as fair game for escalating sales pressure and fraudulent offers involving large upfront payments. And the sales reps who staff the scams–who earn a commission on every dollar you spend–will take every opening you give them, and won’t stop unless you stop them.

This post takes a look at a real-life example, thanks to an author who has given me permission to share their experience.

Dramatis Personae

The fake film company: The Greendot Films. Its website includes a slideshow of movies Greendot is hoping you’ll assume they were responsible for creating, along with a fake history claiming that they’re a successor to two defunct production companies. The Greendot name itself has been “borrowed” from yet another defunct film company, Green Dot Films….

(5) BARRIERS TO FANDOM. Pocket reposts a 2021 Teen Vogue article which asks, “Who Actually Gets to ‘Escape’ Into Fandom?” and discusses antiracism resources.

… Escapism isn’t actually possible for everyone because of the nature of both fandom and the world around us. The best-worst example of the limits of fandom escapism? Racism.

Racism is global, and it infiltrates everything that we do; it’s close to inescapable offline, and it’s just as common online. Fandom is no exception.

In 2019, Dr. Rukmini Pande did an interview with Henry Jenkins about her book Squee From The Margins: Fandom and Race. “I found that while it is certainly possible for fans of color to ‘pass’ within online fan spaces, their modes of escapism are mostly contingent – I can enjoy a source or fan text until it gets racist,” Pande said in the interview. “Other fans articulated the importance of finding networks of fellow non-white fans so that they could curate their experiences to be safer. In all cases, fandom certainly isn’t a space where these fans can escape from race/racism even if it is not something that is engaged with publicly or vocally.”

It makes sense that people would resort to fandom escapism following natural disasters, or to have something to do other than overthink their local government’s COVID-19 response. But what about the times we’ve seen people talk about fandom being their “safe space” from them dealing with or seeing viral video recordings of Black people being killed, as we saw in the summer of 2020? What about people in the U.S. delving into fandom so they don’t have to think about American politics?

No matter the fandom, fans of color can’t reliably escape into fandom, because people don’t stop being racist just because they like the same things that people of color do. There’s always a racist person in fandom. There are always racist fanworks. There are always racist creators. There’s always racism in the source material that people will defend in your mentions for days….

(6) NM-AZ STATE BOOK AWARD SHORTLIST. The finalists for the 2023 New Mexico-Arizona Book Awards include these science fiction books:

  • 3VE by Jason DeGrey
  • Mountain Knight by Avery Christy
  • Planet Quest by Kate Harrington
  • The Yewberry Way by Jack Gist

(7) NO, THERE IS ANOTHER. “C.I.A. Discloses Identity of Second Spy Involved in ‘Argo’ Operation” reports the New York Times.

In the midst of the 1979 Iran hostage crisis, the C.I.A. began what came to be noted as one of the spy agency’s most successful publicly known operations: the rescue of six American diplomats who had escaped the overrun U.S. Embassy — using a fake movie as the cover story.

“Argo,” the real-life 2012 movie about the C.I.A.’s fake movie, portrayed a single C.I.A. officer, Tony Mendez, played by Ben Affleck, sneaking into Tehran to rescue the American diplomats in a daring operation.

But in reality, the agency sent two officers into Tehran. For the first time on Thursday, the C.I.A. is releasing the identity of that second officer, Ed Johnson, in the season finale of its new podcast, “The Langley Files.”

Mr. Johnson, a linguist, accompanied Mr. Mendez, a master of disguise and forgery, on the flight to Tehran to cajole the diplomats into adopting the cover story, that they were Canadians who were part of a crew scouting locations for a science fiction movie called “Argo.” The two then helped the diplomats with forged documents and escorted them through Iranian airport security to fly them home.

Although Mr. Johnson’s name was classified, the C.I.A. had acknowledged a second officer had been involved. Mr. Mendez, who died in 2019, wrote about being accompanied by a second officer in his first book, but used a pseudonym, Julio. A painting that depicts a scene from the operation and hangs in the C.I.A.’s Langley, Va., headquarters, shows a second officer sitting across from Mr. Mendez in Tehran as they forge stamps in Canadian passports. But the second officer’s identity is obscured, his back turned to the viewer.

The agency began publicly talking about its role in rescuing the diplomats 26 years ago. On the agency’s 50th anniversary, in 1997, the C.I.A. declassified the operation, and allowed Mr. Mendez to tell his story, hoping to balance accounts of some of the agency’s ill-fated operations around the world with one that was a clear success.

But until recently, Mr. Johnson preferred that his identity remain secret….

 (8) CINEMATIC HISTORY MADE HERE. “George Lucas’ former Marin Industrial Light and Magic studio closing, some employees vow to save it” reports ABC7 San Francisco.

In the North Bay, it’s the end of an era of movie-making magic.

The original soundstage and production facility in San Rafael for Industrial Light and Magic, founded by George Lucas, is going away. Lucas moved his campus to the Presidio in San Francisco almost 20 years ago.

The facility’s new owners are retiring, but one employee would like to save the studio’s history and legacy.

It may be a surprise to know hundreds of other films were created inside the nondescript building on Kerner Blvd. in San Rafael.

Now home to 32TEN Studios, this is the former campus of Lucas’ Industrial Light and Magic.

“Right after the success of ‘Star Wars,’ George Lucas wanted to remove himself from the Hollywood system, so he moved the ILM shop from Van Nuys up here,” said House.

House is a longtime model shop supervisor, and says many props and models from movies are still there. That includes the Millennium Falcon, an anchor from “Pirates of the Caribbean,” even a model of Chewbacca’s head.

Lucas relocated his campus to the Presidio in 2005 and he took the original door with him, which is now on display….

(9) BACK IN PORT. Having finished a series detailing her experiences aboard Disney’s Star Wars-themed Starcruiser, Cass Morris analyzes why it works in “The Stars Have Come Alive” at Scribendi.

As promised, this post is my attempt to analyze, for myself and for other interested parties, how the Starcruiser creates such an exceptional experience, and why it works so very well as it does.

I feel quite confident in the base assertion that it does, and has, because I’ve seen it in action on people who aren’t as deeply invested in the IP as I am. I’ve watched videos of influencers who are only surface-level conversant with Star Wars be moved to tears by Yoda’s holocron. I’ve seen parents who thought they were only their for their kids get wrapped up in the experience. I’ve seen people who arrived in civilian clothes buy garments on the ship or in Batuu so they could feel more a part of things.

And I’ve seen people who were already Star Wars fans go absolutely feral. In a good way! But the response that this experience has from people who fully give themselves over to it is astonishing.

So. It works. The Starcruiser is a phenomenal example of what immersive experiences can be. Now: Let’s unpack how and why…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1898 Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.)
  • Born September 15, 1932 Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the ever so delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 15, 1952 Lisa Tuttle, 71. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include CatwitchThe Silver Bough and her Ghosts and Other Lovers collection. Her latest novel is The Curious Affair of the Witch at Wayside Cross.
  • Born September 15, 1954 Howard Weinstein, 69. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic video affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.” 
  • Born September 15, 1955 Amanda Hemingway, 68. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are. Oh and she invented this wonderful as noted on her Twitter site: “Schroedinger’s Cake: you don’t know it it’s been eaten until you open the tin.”
  • Born September 15, 1960 Kurt Busiek, 63. Writer whose work includes The Marvels limited series, ThuderboltsSuperman, his own outstanding Astro City series, and a very long run on The Avengers. He also worked at Dark Horse where he did Conan #1–28 and Young Indiana Jones Chronicles #1–8. 
  • Born September 15, 1960 Mike Mignola, 63. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) COMICS SECTION.

  • Reality Check shows the results of a mixed message in Gotham.
  • Bliss explains the source of this superhero’s bliss.

(12) FEAST YOUR EYES. The Bristol Board has a wild gallery of “Basil Wolverton artwork for ‘Weird-Ass Tales of The Future’”, splash panels from Basil Wolverton’s science-fiction tales.  

(13) LOOKS WEIRD. Gizmodo delivers a “Weird Tales 100 Years of Weird Illustrated Anthology First Look”. There’s a slideshow of art at the link.

Weird Tales—which delivers exactly the kind of freaky, spooky stories you’d expect—marks its 100th anniversary this year, and is celebrating with the release of illustrated anthology Weird Tales: 100 Years of Weird. It’ll include entries from authors like Ray Bradbury and H.P. Lovecraft, as well as contemporary writers….

(14) ALL ABOARD. GameRant calls these the “Best Sci-Fi Board Games Of All Time”.

…This shared love of science fiction has led to a plethora of sci-fi-themed board games that use the themes and aesthetic of sci-fi to create immersive, unique experiences on the tabletop. The following examples provide a broad and varied selection of games, both old and new, that use science fiction as their theme to great effect.

Ranked in first place:

1. Twilight Imperium

This sci-fi space opera from Fantasy Flight Games was originally produced back in 1997. Now in its fourth edition, Twilight Imperium is grand strategy on an epic scale, tasking players with controlling the burgeoning empires of various alien races.

Each race in Twilight Imperium encourages a different playstyle, making for a broad and replayable experience. The game is mainly focused on building and positioning fleets, as well as engaging in diplomacy with fellow players. Twilight Imperium is a huge game, and not necessarily accessible, not only because it takes roughly six hours to play depending on the player count, but because it requires a heavy amount of strategizing. However, Twilight Imperium is a dramatic and immersive experience that fans of sci-fi space operas are sure to love.

(15) BUDGET BREAKER? Science explains why “Mars Sample Return risks consuming NASA science”. “Forthcoming cost estimate for budget-busting mission could lead to strict caps from Congress.”

…The cost of the mission may become altogether too mighty, however. The most recent official figure now puts it at some $6 billion, up from some $4 billion, and a leaked report suggests that, in one scenario, it could exceed $8 billion. Cost overruns for MSR and a few other large missions have already forced NASA to squeeze or delay other science missions, and calls to rethink—or even kill—Mars Sample Return  have grown. When an independent review of the project delivers a fresh cost estimate later this month, advocates are praying it stays well below $10 billion, which has emerged as a sort of red line for the mission. “It’s fair to say that the future of Mars Sample Return lives and dies with the recommendations of that panel,” says Casey Dreier, chief of space policy at the Planetary Society….

(16) WE’LL GO AT NIGHT. PBS Space-Time wonders “What NEW SCIENCE Would We Discover with a Moon Telescope?”

In order to see the faint light from objects in deepest space, astronomers go to the darkest places on the planet. In order to listen to their quite radio signals, they head as far from any radio-noisy humans as possible. But there’s nowhere on the earth, or even orbiting the Earth, that’s far enough to hear to the faint radio hum from the time before stars. In fact, we may need to build a giant radio telescope in the quietest place in the solar system—the far side of the Moon.

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at YouTube’s Media Death Cult, has a new 10-minute video filmed appropriately, in sand dunes, on “How DUNE Became The Biggest Science Fiction Book In The Universe”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Bruce D. Arthurs, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 7/27/23 Take Back The Links, Take Back The Scrolls

(1) WORLDCON VENUE CONSTRUCTION REPORT. A Weibo user posted a video showing progress at the Chengdu Science and Technology Museum and Science Fiction Museum construction site. Here is a screencap from the video.

(2) WHEN FACEBOOK IS OUT OF TUNE. Somtow Sucharitkul shared his good-natured response to an annoying example of Facebook moderation.

(3) FIGHTING BACK. “Booksellers Move to the Front Lines of the Fight Against Book Bans in Texas” reports the New York Times.

With a book-rating law set to take effect in September, a group of booksellers, along with publishers and authors, filed suit to argue that it is unconstitutional.

A group of booksellers, publishers and authors filed a lawsuit on Tuesday to stop a new law in Texas that would require stores to rate books based on sexual content, arguing the measure would violate their First Amendment rights and be all but impossible to implement.

The law, set to take effect in September, would force booksellers to evaluate and rate each title they sell to schools, as well as books they sold in the past. If they fail to comply, stores would be barred from doing business with schools….

…Charley Rejsek, the chief executive of BookPeople in Austin, said that complying with the law would be impossible. BookPeople — which takes its name from Ray Bradbury’s novel “Fahrenheit 451,” in which a group of people try to preserve books in a world where they are burned — was founded in 1970, Rejsek said. The store does not have records of titles sold over the last half century, much less a way to know which of them are still in circulation — but under the law, BookPeople would be responsible for rating those books.

“I don’t see a clear path forward for complying with the law as written,” she said. “I don’t know how I can rate them if I don’t have any records.”

Going forward, she said, BookPeople would have to read and rate many thousands of titles requested by school districts. Some might be in languages her staff cannot read, she said.

“I want to work with schools,” she said. “But I just literally can’t find a way to comply.”

(4) BLERDCON. Listen as NPR’s “Here and Now” shares how “Blerdcon celebrates Black nerd fandom throughout the year.

While summer may be the season for fan conventions, Blerdcon is unique in catering expressly to Black nerds (or blerds).

Founder and CEO Hilton George explains the rise of Black nerdom and the events he puts on to celebrate it throughout the year.

(5) FAMED MYSTERY BOOKSTORE OWNER. The Bookshop Podcast’s Mandy Jackson-Beverly interviews Otto Penzler of The Mysterious Bookshop.

In this episode, I chat with Otto Penzler, owner of The Mysterious Bookshop about publishing, the genre of mystery and crime fiction, female mystery writers, and collecting first editions.

Opened in 1979 by Otto Penzler, The Mysterious Bookshop is the oldest mystery specialist book store in America. Previously located in midtown, the bookshop now calls Tribeca its home.

The bookshop stocks the finest selection of new mystery hardcovers, paperbacks and periodicals and also features a superb collection of signed Modern First Editions, Rare/Collectible hardcovers and Sherlockiana.

(6) THE SPACE PROGRAM’S ORIGINAL COMPUTERS. PBS’ American Experience covers “The Women Who Brought Us the Moon”.

…The women working at the Jet Propulsion Laboratory in the 1960s were all highly trained mathematicians, and many possessed advanced degrees. Helen Ling was born in China and experienced a tumultuous childhood formed under the pressures of WWII. Coming to the United States for college, she earned her master’s degree in mathematics before leading the computing section in a managerial role for over three decades. There was also Janez Lawson, the first African American hired in a technical position at the laboratory. She held a bachelor’s degree in chemical engineering from UCLA and by modern qualifications would be hired today as an engineer. However, in the 1950s, her gender and race impeded her employment and she was brought in as a computer….

The section on JPL is followed by another devoted to the African American computers at the Langley Memorial Aeronautic laboratory in Hampton, Virginia made famous by Hidden Figures.

…In a system designed to repress their advancement, the African American women became indispensable. “A Trojan horse of segregation opening the door to integration,” Margot Lee Shetterly wrote in Hidden Figures, her 2016 nonfiction book documenting the groundbreaking female African American computers at Langley and adapted into a feature film of the same name. In the book, Shetterly focuses her narrative on three human computers turned engineers: Katherine Johnson, who was awarded the Presidential Medal of Freedom in 2015, Dorothy Vaughan and Mary Jackson. While their careers spanned decades, their contributions to early human spaceflight are most frequently lauded…

(7) JEOPARDY! [Item by David Goldfarb.] A number of SF-related clues in Wednesday’s Jeopardy! episode, for some reason all in the first round.

I’m Blue, $200: This Oscar-winning actress has a certain mystique playing Mystique, who, deep down, is all blue

Challenger Lucas Partridge got it right: “Who is Jennifer Lawrence?”

All Kinds of Literature, $600: “Bowman could bear no more. He jerked out the last unit, and HAL was silent forever” is a line from this sci-fi work

Lucas knew this one.

Recent TV Shows by Episode Title, $400: “Chapter 13: The Jedi”

Lucas tried “Obi-Wan”, which left the field open for returning champion Julie Sisson to respond, “What is ‘The Mandalorian’?”

I’m Blue, $400: In this novel, a character is described as having “the half-tint blue eyes that told of off-planet foods in his diet”

Nobody knew what this one does. (I’ll presume that all the Filers do.)

Recent TV Shows by Episode Title, $600: “Dear Offred”

Lucas got it right: “What is ‘The Handmaid’s Tale’?”

“Da” or “Ba” or “Dee”, $800: It’s a word describing motorcyclist Bud Ekins, or the name of a Marvel hero

The third player, Alex Muhler, responded with “What is Daredevil?”

(8) ONE RING. Josh Hutcherson and Morgan Freeman star in 57 Seconds, debuting September 29.

Time bends, revenge ignites, and survival hangs by a thread in 57 SECONDS! Josh Hutcherson and Morgan Freeman team up in this heart-racing action thriller. Franklin (Hutcherson) seeks vengeance against the man who killed his sister and the corporate empire he reigns, as he discovers a time-altering ring dropped by tech guru Anton (Freeman) that propels him into a pulse-pounding battle for survival.

(9) DAVID K. M. KLAUS (1955-2023). Longtime fan and File 770 contributor David K. M. Klaus died July 27 at the age of 67. He is survived by his sons Kevin and Ryan.

Gary Farber wrote a reminiscence on Facebook which begins with meeting David at Suncon, the 1977 Worldcon. About the David he knew for the next almost-fifty-years he says:

…Eager to help, friendly like a puppy, and occasionally overdoing it a bit. He helped several more times on sf conventions I worked on in later years, as well as many others. He also remained a major fan of fanzines and attempted to contribute to local clubs in the various places he lived. Science fiction clubs being what they are, sometimes his efforts were more compatible than others. But he truly wanted to help and was looking for no other reward.

David felt passionately, beyond passionately, about his various enthusiasms, especially his beloved STAR TREK, which remained central to the core of his ethos and who we was. David Klaus was always Starfleet in his own mind.

And now he no longer has to deal with the pain of his relatively recently deceased wife of many years, Nila….

Nila and David met at a Star Trek club meeting, married, and were together for many years, til he lost her to ovarian cancer in 2016.

I was honored with the rare opportunity to have dinner with the whole family when I was in St. Louis on business in 2010.

However, over the years our friendship experienced sudden peaks and valleys, the reasons for which I won’t go into here. Fortunately our last exchange of emails in 2022 ended on an up note when I told him, “I should just point out some things I respect about you. You took care of your family, raised your sons, worked hard. You kept it together. There are some things in that line I’d like to have done as well as you did.” 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 27, 1938 Gary Gygax. Game designer and author best known for co-creating Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels, none of which is currently in print. I’ll admit that I’ve not read any of the many novels listed at ISFDB, so I’ve no idea how he is as a genre writer. (Died 2008.)
  • Born July 27, 1938 Pierre Christin, 85. French comics creator and writer. In the mid Sixties, collaborated with Jean-Claude Mézières to create the science-fiction series Valérian and Laureline for PiloteTime Jam: Valerian & Laureline, a French animated series was released, and a feature film directed by Luc Besson, Valerian and the City of a Thousand Planets, was released as well. A officially released compilation of the Valerian & Laureline series is on YouTube here.
  • Born July 27, 1948 — Juliet Marillier, 75. She’s a New Zealand-born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She contributed to the fiction writing blog, Writer Unboxed.
  • Born July 27, 1939 — Sydney J. van Scyoc. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Assignment Nor’Dyren is one of her better novels. Over the next twenty years, she published a dozen novels and likewise number of short stories. (Died 2023.)
  • Born July 27, 1952 Bud Webster. Writer known for his essays on the history of science fiction and genre anthologies. His Bubba Pritchert series, all four stories, is fun reading indeed. He did but a handful of stories but essays as I alluded to above, oh my. Mike has a loving look at him and everything he did here. (Died 2016.)
  • Born July 27, 1968 Farah Mendlesohn, 55. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein, The Pleasant Profession of Robert A. Heinlein, which won a BSFAHer Diana Wynne Jones: Children’s Literature and the Fantastic Tradition is also a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. Her only Hugo to date was at Interaction for The Cambridge Companion to Science Fiction. She’s also garnered a BFA for Children’s Fantasy Literature: An Introduction (shared with co-writer Michael Levy) which also got a Mythopoeic Scholarship Award for Myth and Fantasy, and she is a Karl Edward Wagner Award winner as well.
  • Born July 27, 1973 Cassandra Clare, 50. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series? Interestingly she’s been nominated for myriad Goodreads Choice Awards and won two for City of Fallen Angels and City of Heavenly Fire.

(11) A HOWARD BROTHER. Slashfilm points out that “Star Trek: SNW’s Latest Guest Star Appeared in Star Trek When He Was Six Years Old”.

…In “The Corbomite Maneuver,” the U.S.S. Enterprise is approached by a massive and mysterious alien spaceship, perfectly spherical and possessed of immense destructive power. The ship is called the Fesarius, and Captain Kirk (William Shatner) can only communicate with the Fesarius’ captain, Balok (voiced by Ted Cassidy), via audio. Balok declares that he very much intends to destroy the Enterprise using his superior weapons. Thinking quickly, Kirk bluffs; he says that the Enterprise is equipped with an imaginary substance called Corbomite that would react negatively to a weapons attack and destroy both ships. The bulk of the episode is a standoff between the two captains. 

Spock (Leonard Nimoy) is able to hack into the video cameras on board the Fesarius and gets a visual of Balok. Children of multiple generations likely recall the nightmare-inducing image of Balok’s evil face. Cruelly, the “Star Trek” producers included Balok’s evil face over the credits of every episode. 

At the end of the episode, however, it is revealed that Balok was also enacting a bluff. He was not an evil, blue-skinned alien, but a creature that looks an awful lot like a six-year-old boy. Balok was merely testing Kirk and would love to chat diplomatically. 

Balok was played by a six-year-old Clint Howard, an actor who has revisited “Trek” periodically over the decades, and he appears in the latest episode of “Star Trek: Strange New Worlds” as a general in the Klingon Wars. 

…Howard’s latest “Star Trek” appearance is in “Under the Cloak of War,” a flashback episode which shows what Nurse Chapel (Jess Bush) and Dr. M’Benga (Bab Olusanmokun) experienced during the Klingon Wars. Nurse Chapel arrives at a remote Federation outpost that is being aggressively bombarded by Klingon forces and is immediately made one of the chief medical officers because her predecessor was just killed in combat. Howard shows Nurse Chapel around, completely jaded by death and unaffected by the violence. …

Collider has an episode recap: “’Strange New Worlds’ Season 2 Episode 8 Recap: War Makes Monsters of Us All”.

(12) SFF COFFEE BREAK. Bones Coffee Company offers the Crusader’s Cup blend.

Crusader’s Cup is a wise choice for those who want to embark on a flavor-filled journey with hints of nutty chocolate, butterscotch, and caramel. If you’re ready to take on the world and explore new horizons, grab Crusader’s Cup and set out on your next adventure.

(13) PRIME REAL ESTATE CAN BE YOURS. Here’s another plug…. GameSpot says “Lord Of The Rings Monopoly Is On Sale At Amazon Right Now”.

Ever wondered what it would be like to own property in Middle-earth? Well, you can find out if you pick up the Amazon-exclusive Monopoly: The Lord of the Rings edition while it’s on sale for just $26 (normally $45). This price is from a third-party seller, but if you’d rather buy directly from Amazon, you can get it for $32.49 with Prime shipping.

Monopoly: The Lord of the Rings Edition reimagines Hasbro’s classic board game with locations, characters, and items from The Lord of the Rings film series directed by Peter Jackson. For example, instead of the original game pieces like the top hat and thimble, the game uses the iconic members of the fellowship–Frodo, Sam, Aragorn, Legolas, Gimli, Pippin, Merry, Boromir, and Gandalf. Monopoly: The Lord of the Rings edition also adds new rules where players compete for control over The One Ring and journey to Mordor along with the classic Monopoly gameplay….

(14) WRITER NOTED AS BODYPAINTING SUBJECT. “At NYC Bodypainting Day, Naked Bodies Become Artists’ Canvases” in the New York Times.

…Across from a Pret a Manger near Union Square Park, Nicolette Barischoff held still as an artist painted an open blue eye across her sternum on Sunday. It was around 88 degrees and a crowd had assembled around them. But the temperature and the audience did not faze Ms. Barischoff. Nor did the fact that she was naked.

“It’s a very Zen experience,” she said, as photographers snapped pictures from behind police barricades. “This is my fishing.”

Ms. Barischoff, 38, a writer in Los Angeles, was among the 60 people who had paid $100 to become mostly nude human canvases for 40 artists during NYC Bodypainting Day, a public art exhibition that has been staged annually since 2014. This year’s installment was the 10th — and the last, according to the event’s founder, Andy Golub, an artist. He said he was ending it to focus on other projects for his organization, Human Connection Arts….

Barischoff’s online bio at Uncanny Magazine tells about the many sff projects she’s worked on:

Nicolette Barischoff has spastic cerebral palsy, which has only made her more awesome. She qualified for SFWA with her first three stories, published in Long Hidden, Accessing the Future, and Unlikely Story’s The Journal of Unlikely Academia. Her work has been spoken aloud by the wonderful people of PodCastle, and one of her novelettes is mandatory reading at the University of Texas, Dallas. She edited the personal essays section of Uncanny Magazine’s Disabled People Destroy Science Fiction, which won a Hugo Award. She’s also a fierce advocate for disability and body-positivity, which has occasionally landed her in trouble. She made the front page of CBS New York, who called her activism “public pornography” and suggested her face was a public order crime. She has the exact same chair as Professor X, and it is also powered by Cerebro.

(15) THE MARTIAN PARTICLES. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature reports a wide range of organic compounds found by Perseverance rover in the Jezero Crater on Mars: “Diverse organic-mineral associations in Jezero crater, Mars”.

The results come from the rover’s Scanning Habitable Environments with Raman and Luminescence for Organics and Chemicals (SHERLOC) instrument.

The SHERLOC instrument is a deep ultraviolet (DUV) Raman and fluorescence spectrometer designed to map the distribution of organic molecules and minerals on rock surfaces.

(16) NUCLEAR PROPULSION BACK ON THE DRAWING BOARD. [Item by Mike Kennedy.] Rocket geeks of a certain age will remember the NERVA program, one of the first attempts to design a nuclear thermal rocket engine.

Well, NASA and DARPA are reviving that concept with the intent of a test flight as early as 2027. This version will be limited to cislunar space, but the idea is to enable flight to Mars and possibly beyond. “The US government is taking a serious step toward space-based nuclear propulsion” at Ars Technica.

Four years from now, if all goes well, a nuclear-powered rocket engine will launch into space for the first time. The rocket itself will be conventional, but the payload boosted into orbit will be a different matter.

NASA announced Wednesday that it is partnering with the US Department of Defense to launch a nuclear-powered rocket engine into space as early as 2027. The US space agency will invest about $300 million in the project to develop a next-generation propulsion system for in-space transportation.

“NASA is looking to go to Mars with this system,” said Anthony Calomino, an engineer at NASA who is leading the agency’s space nuclear propulsion technology program. “And in this test is really going to give us that foundation.”

… The basic idea is straightforward: A nuclear reactor rapidly heats up a propellant, probably liquid hydrogen, and then this gas expands and is passed out a nozzle, creating thrust. But engineering all of this for in-space propulsion is challenging, and then there is the regulatory difficulty of building a nuclear reactor and safely launching it into space….

(17) VIDEO OF THE DAY. One of many trailers shown at SDCC is this one for Popeye The Sailor, a live-action fan-made film.

Based on characters created by E.C. Segar, Popeye The Sailor is a No budget, action, adventure fan film coming later this year. Before Olive, before Bluto, before Sweet Haven and its many residents, this feature film tells the story of a younger Popeye, wandering the world alone, living with questions of his past. In his quest to find answers, new foes are met, and new allies are made.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Olav Rokne, David Goldfarb, John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/8/23 This Is Not A Test Of The Emergency Pixel System

(1) CLARION WEST’S EVOLVING WORKSHOP CULTURE REPORT. In 2020 Clarion West began a project to update how they run their workshops, especially the Six-Week Summer Workshop.

With project consultant Rachelle Cruz, Clarion West has finalized a report that covers what spurred this project and the conclusions they reached. S.L. Huang touched on the process in their Tor.com article last summer.

You can read the 90-page report on the Evolving Workshop Culture Project (2020-2022) here.

The Clarion West Writers Workshop was founded on the belief that writers from diverse backgrounds need an opportunity to be heard — and to experiment with new forms of storytelling. Clarion West has historically been successful in reaching women writers and LGBTQIA+ writers, and many of our graduates are actively publishing in the field. 

With 744 graduates from the Six-Week Workshop, Clarion West has played a significant role in shaping the careers of speculative fiction writers, and our work continues. As we explore our own efforts to further equity and inclusion, we see an ongoing disparity between the writers we serve and the greater community of published writers in speculative fiction who identify as Black, Indigenous, and People of Color (BIPOC), People of the Global Majority, LGBTQIA+, or disabled. As such, we are now seeking to do better at following our mission to help new and emerging voices in speculative fiction through an examination of our workshop techniques, workshop and organizational culture, community programs, and internal processes.

As a result of feedback and community forums with our alumni described in the report we’ve linked below, Clarion West has undertaken the process of making lasting structural changes that promote a Six-Week Workshop culture distinctive to Clarion West’s mission of equity, empowerment, and innovation — by providing a safer space for participants to explore concepts of race, class, nationality, disability, neurodivergence, gender, and sexual orientation within and beyond the genre of speculative fiction. We hope to expand the focus of this process to every program presented by Clarion West over the next few years.

Clarion West workshop staff and our project consultant and advisor, Rachelle Cruz, created the Overall Report on Evolving Workshop Culture, which details the changes undertaken from 2020–2022. We are excited to share our process, goals, and findings. While this part of the project is complete, we anticipate continuing to update our workshop methods and expectations for students, staff, and instructors each year.

A few findings:

  • The role of a workshop facilitator serves as an an advocate for our students and a resource to our instructors. All staff should be trained in workshop facilitation in order to help coach instructors and students in our new workshop models.
  • Elements like author statements and author-centered workshop models created excitement and engagement. One participant in testing the Lerman/Huang workshop model said: “I felt excited for a community driven toward building the story toward the author’s intent.”
  • Instructors may bring us new models that inspire us! Fonda Lee introduced a model to the 2022 Six-Week Workshop in Week 3 based on Liz Lerman’s Critical Response Process. It proved so successful we continued using it the rest of the summer. A few key elements of this model include giving authors the opportunity to briefly describe their intentions for their work and the feedback they wish to receive, allowing participants to share what they admired about the work and to ask thought-provoking questions, and creating opportunities for full-group discussion.

(2) GUARDIANS OF THE GALAXY CASHING IN. Chris Pratt (Guardians of the Galaxy Vol. 3) squared off against Chris Pratt (The Super Mario Bros. Movie) this past weekend and Chris Pratt won.

The Guardians of the Galaxy Vol. 3 broke the other film’s four-week winning streak at the box office, although The Hollywood Reporter said the domestic opening of $118.4 million is “well behind the last film in the stand-alone Marvel Studios franchise but enough to prove that the new movie is already benefiting from strong audience sentiment.”

And Variety tallied the worldwide receipts:

At the international box office, “Guardians of the Galaxy Vol. 3” added $170 million from 52 markets, bringing its global tally to $289 million. In China, which was once a huge territory for Marvel but has been increasingly hostile toward most Hollywood movies, the comic book threequel collected a better-than-expected $28 million to start.

Meanwhile, The Wrap anticipated The Super Mario Bros. Movie will pass a milestone today:

…On Monday, “The Super Mario Bros. Movie” will pass the $1.15 billion total of “Minions” to become the highest grossing animated movie not produced by Disney or Pixar and one of the Top 5 highest grossing animated movies of all time. The No. 4 spot on that list currently belongs to “Incredibles 2” with $1.24 billion grossed in 2018….

(3) EDIFICE WRECKS. Robin Anne Reid shared the Call for Papers for “Tolkien’s Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth”. Full details at the link.

Many notable scholars have probed the motif of ruins in ancient and medieval texts: Alain Schnapp, Alan Lupack, Geoffrey Ashe, and Richard Barber read the poetics of ruins in Latin poetry, the Exeter Book, and Arthuriana. Scholars working outside of the Classical Age and Middle Ages have also examined how this topos persists in literary periods up through the Renaissance, Romanticism, and to today. In short, the structural and symbolic purposes of ruins in literary texts have a long history, and the literary-critical history of engaging these poetics influences our interests in essays grounded in reading relationships between literary history and relics and ruins in Tolkien’s legendarium. It is time for a volume on the topic, and we are pleased to welcome proposals from a variety of theoretical approaches for a proposed edited collection.

Throughout J. R. R. Tolkien’s history of Middle-earth, relics and ruins appear as images that capture the mood, personality, and disposition of the characters. From the ruins of Erebor and the relics of Gondolin that appear in The Hobbit to the various images of Amon Sûl, Moria, Osgiliath, and post-war Isengard in The Lord of the Rings, Tolkien captures each character’s awareness of the glories of the past and their desires to emulate them. The important roles of relics and ruins in the history of Middle-earth create opportunity for a more formal critical discourse on the topic. This proposed collection of essays will seek to deepen the awareness and importance of relics and ruins in Tolkien’s legendarium while simultaneously focusing on how Tolkien’s vision of history functions within and outside of the Middle Ages. In this vein, we are concerned with including essays that address a greater literary history of Tolkien’s work. We are equally concerned with including pieces that explore the representation of relics or ruins not only within The Hobbit and The Lord of the Rings but, also, the larger legendarium with The History of Middle-earth series, The Silmarillion, and the texts that Christopher Tolkien edited and published after his father’s death (The Children of HúrinBeren and LúthienThe Fall of GondolinThe Fall of Númenor)…. 

(4) BARD BLOOM (1963-2023). Sff writer Bard Bloom died April 29 at the age of 60 after a three-year struggle with glioblastoma. The family obituary is here.

Bard Bloom passed away at their home in Dobbs Ferry, NY on the morning of April 29, 2023, after a nearly three year struggle with glioblastoma. They were 60 years old.

Bard graduated from Washington University in St. Louis with a degree in mathematics and later earned a PhD in computer science from the Massachusetts Institute of Technology. They began their career as an academic specializing in programming languages and semantics and as a professor of computer science at Cornell University. Later, they became a software engineer with industry giants including IBM, Google, and Spotify.

Bard was a passionate writer of fantasy and science fiction, including the World Tree RPG (together with their wife Vicki) and several published novels, often featuring dragons, both inside the World Tree universe and in other original settings. Bard was also a prolific amateur potter and a skilled gamemaster who facilitated the co-creation of numerous stories with their friends.

Bard was a beloved friend to many and an advocate for their transgender and disabled peers, helping others find community, access support, and feel deeply heard. They will be remembered for their stunning intelligence, their insightful advice, their wild imagination, their snarky and occasionally surreal sense of humor, and their often unusually-colored hair….

(5) MEMORY LANE.

1983[Compiled by Cat Eldridge.]

My favorite Tim Powers novel is The Anubis Gates which was published forty years ago by Ace Books. I’ve read it a number of times and enjoyed it immensely each time. It’s got interesting characters, a weird story that’s among the best he’s written, and a setting that you have to read to believe. 

It won the Philip K. Dick Award and SF Chronicle Award, and was nominated for a BSFA as well.  

And now his Beginning…

PROLOGUE: 

FEBRUARY 2, 1802

Tho’ much is taken, much abides; and tho’ We are not now that strength which in old days Moved earth and heaven, that which we are, we are. . . .”

—Alfred, Lord Tennyson 

FROM BETWEEN TWO trees at the crest of the hill a very old man watched, with a nostalgic longing he thought he’d lost all capacity for, as the last group of picnickers packed up their baskets, mounted their horses, and rode away south—they moved a little hastily, for it was a good six miles back to London, and the red sun was already silhouetting the branches of the trees along the River Brent, two miles to the west. When they’d gone the old man turned around to watch the sun’s slow descent. The Boat of Millions of Years, he thought; the boat of the dying sungod Ra, tacking down the western sky to the source of the dark river that runs through the underworld from west to east, through the twelve hours of the night, at the far eastern end of which the boat will tomorrow reappear, bearing a once again youthful, newly reignited sun. Or, he thought bitterly, removed from us by a distance the universe shouldn’t even be able to encompass, it’s a vast motionless globe of burning gas, around which this little ball of a planet rolls like a pellet of dung propelled by a kephera beetle. Take your pick, he told himself as he started slowly down the hill. . . . But be willing to die for your choice.

He had to walk carefully, for his Japanese clogs were awkward on the uneven dirt and grass. Fires were already lit among the tents and wagons, and a weaving of wild odors whirled up to him on the cool evening breeze: a sharp, earthy reek from the tethered donkeys, wood smoke, and the aroma of roasting hedgehog, a dish his people particularly relished. Faintly, too, he thought he caught a whiff of stale breath from the crate that had arrived that afternoon—a musty fetor, as of perverse spices meant to elicit aversion rather than appetite, almost shockingly incongruous when carried on the clean breezes of Hampstead Heath. As he approached the cluster of tents he was met by a couple of the camp dogs; as always, they backed away from him when they recognized him, and one turned around and loped purposefully to the nearest tent; the other, with evident reluctance, escorted Amenophis Fikee into the camp. Responding to the dog’s summons, a dark man in a striped corduroy coat stepped out of the tent and strode across the grass toward Fikee. Like the dogs, he halted well short of the old man. “Good evening, rya,” he said. “Will you eat some dinner? They’ve got a hotchewitchi on the fire, smells very kushto.”

“As kushto as hotchewitchi ever does smell, I suppose,” Fikee muttered absently. “But no, thank you. You all help yourselves.”

“Not I, rya—my Bessie always loved cooked hotchewitchi; so since she mullered I don’t eat it anymore.” 

Fikee nodded, though he obviously hadn’t been listening. “Very well, Richard.” He paused as though hoping for an interruption, but none came. “When the sun is all the way down, have some of the chals carry that crate down the bank to the tent of Doctor Romany.” 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 8, 1937 Thomas Pynchon, 87. I’ve not read him so I’m not at all sure which of his novels can be considered genre. Would y’all first enlighten to which are such, and second what I should now read. ISFDB certainly doesn’t help by listing pretty much everything of his as genre including Mason & Dixon which though post-modernist isn’t genre. Or is. 
  • Born May 8, 1940 Peter Benchley. He’s known for writing Jaws and he co-wrote the film script with Carl Gottlieb. His novel Beast is genre and was adapted into a film, as was White Shark, which has absolutely nothing to do with sharks. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
  • Born May 8, 1947 Ron Miller, 76. Illustrator who is quite knowledgeable about the work of astronomical artist Chesley Bonestell – his book The Art of Chesley Bonestell received a Hugo at ConJosé. The Grand Tour he did with William K. Hartmann was nominated at Chicon IV (1982) for Best Related Non-Fiction Book.
  • Born May 8, 1947 Susan Casper. Editor and author, was married to Gardner Dozois. She was co-editor with him of the Ripper! and Jack the Ripper anthologies. Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper was edited just after her death by her husband. (Died 2017.)
  • Born May 8, 1955 Della Van Hise. A prolific Trek fanwriter who later published an official Trek novel, Killing Time which in its first printing implied a sexual relationship between Spock and Kirk. Later printings didn’t include this passage. It’s available on all the usual digital suspects. (Died 2021.)
  • Born May 8, 1963 Michel Gondry, 60. French director, screenwriter, and producer of such genre as Eternal Sunshine of the Spotless Mind (love that film), The Green Hornet, and The Science of Sleep (which I had not heard of but sounds interesting.) 
  • Born May 8, 1967 John Hicklenton. British illustrator also known as John Deadstock. He worked on 2000 AD characters like Judge Dredd (especially the Heavy Metal Dredd series) and Nemesis the Warlock during the Eighties and Nineties. He also dipped into the Warhammer universe with “Cycles of Chaos” (with writer Andy Jones) in Warhammer Monthly No. 9. (Died 2010.)

(7) CURE FOR VIRAL. Ben Smith, editor-in-chief of Semafor, tells New York Times readers “We’re Watching the End of a Digital Media Age. It All Started With Jezebel.”

Ten years ago, a group of digital media companies thought the future belonged to us. New brands like Vice, Gawker, The Huffington Post, Business Insider and BuzzFeed News, which I helped start, had begun as blogs or something similar, outsider voices with audiences who were sick of the stuffy mainstream media. They’d grown steadily on the internet, and when Facebook arrived, they exploded with the social platform. They became expert in telling stories in a way people would like and share, and their links became omnipresent in readers’ newsfeeds. Their voices dominated the influential, sometimes toxic conversations on Twitter.

But they didn’t turn out to be the future. Gawker shut down in 2016, briefly revived and shut down again this February. Last month BuzzFeed News closed up shop. The other iconic brand of the era, Vice, is reportedly near bankruptcy and has laid off many journalists in recent weeks. On television, still America’s dominant medium, social media also helped boost a new kind of confrontational, hyperpolitical style, but that seems to be fading, too. Also last month the corporate owners of cable networks pushed out two of the defining voices of the confrontational Trump years, Tucker Carlson and Don Lemon.

Media commentators from CNN to The Financial Times are using the same phrase for this moment: “The end of an era.”

But when did this era in media begin? Where in the media did this remarkable new openness and uncontrollable anger start?

Smith goes on to explain why he thinks it started with Jezebel, a blog started in 2007, which thrived under the editorship of Anna Holmes.

(8) HELL IS HERE. Destination, Part 2 in Marc Watson’s Catching Hell duology, has been released and relaunched by Fluky Fiction.

A critical blow has been dealt to the robotic Army of the Old, but at a great price. Broken and weary, best friends Johan and Aryu have been separated while chasing forces from the distant past that they both fear.

Aryu, the man with wings, pursues the enemy while he slowly slips into the enticing magic and mystery of the Power, led by the great phoenix Nixon Ash.

Johan stands on the steps of Bankoor, a futuristic city full of wonder and mistrust. Here he must make his stand to avenge his destroyed home and find his friend.

As the gap between the brave warriors closes, the worlds of technology and magic will clash!

The book is available in paperback and ebook formats:

Marc Watson, an author of genre fiction of all lengths and styles, lives in Calgary, Alberta. He began writing at the age of 15 and continues to be a part-time writing student at Athabasca University. He has been published on flash fiction site 101words (find his stories here). Watson is a husband and proud father of two. He is an avid outdoorsman, martial artist, baseball player, and lover of all Mexican foods.

(9) POLYMATH. The immersive Leonard da Vinci experience, Leonardo: The Universal Man, is currently available in Phoenix. Buy tickets at the link.

Leonardo: The Universal Man will transport you into the Genius Mind of the original “Renaissance Man” using state of the art immersive design, light, sound, and projection technology. Experience a floor to ceiling spectacle as you embark on a visual and musical journey of da Vinci’s life including world-renowned masterpieces “The Mona Lisa” and “The Last Supper”. This fantastical journey into the many phases of Leonardo’s expansive contribution to history, art, and technology has been reimagined alongside exciting visual animations and custom soundtrack – to bring a man from the 1400s into the wondrous future of today.

(10) FOMALHAUT IS READY FOR ITS CLOSE-UP. “Webb Telescope Finds a Star Cloaked in 3 Rings of Ruined Worlds” reports the New York Times, where you can see several photos.

Fomalhaut, a star just 25 light-years away, is so dazzlingly bright that it blots out the faint light of other stars around it. Stargazers have been enraptured by its secrets for thousands of years.

Now, with the help of the James Webb Space Telescope, astronomers have documented evidence that Fomalhaut is a dynamic star wreathed in cosmic chaos. The powerful observatory’s infrared vision is letting astronomers better understand Fomalhaut’s features, including a mysterious ring unlike anything found in our solar system.

“It’s complex — there’s so much going on!” said Andras Gaspar, an astronomer at the University of Arizona and one of the authors of a study using the Webb observations that was published Monday in Nature Astronomy. “It’s the first time we’ve seen such structures in an evolved system.”…

See the NASA press release here: “Webb Looks for Fomalhaut’s Asteroid Belt and Finds Much More”.

(11) VIDEO OF THE DAY. A new trailer has dropped for Oppenheimer. Opens in theaters July 21.

Written and directed by Christopher Nolan, Oppenheimer is an IMAX®-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, N., Jae Steinbacher, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2023 National Recording Registry Selections Include Carl Sagan, Mario Bros.

The National Recording Registry announced its 2023 inductees on April 12 and two items of genre interest made the list. Each year the Librarian of Congress, with advice from the National Recording Preservation Board, selects 25 titles that are “culturally, historically, or aesthetically significant” and are at least 10 years old.

Among the 2023 selections are a video game music theme, and a recording of Carl Sagan’s impressions about a famous NASA photo.  

Super Mario Bros. theme — Koji Kondo, composer (1985)

Perhaps the most recognizable video game theme in history, Koji Kondo’s main motif for the 1985 Nintendo classic, Super Mario Bros., helped establish the game’s legendary status and proved that the five-channel Nintendo Entertainment System (NES) sound chip was capable of vast musical complexity and creativity. Inspired in part by the music of Japanese jazz fusion band, T-Square, the game’s main theme, or “Ground Theme,” is a jaunty, Latin-influenced melody that provides the perfect accompaniment to Mario and Luigi’s side scrolling hijinks. Kondo’s score laid the groundwork for an entire generation of chiptune musicians and has been performed by orchestras around the globe, befitting its status as one of the most beloved musical compositions of the last 40 years.

“Pale Blue Dot” — Carl Sagan (1994)

Few people understood astronomy, planetary science and astrophysics like Carl Sagan, and even fewer could communicate it in a way that makes us think and feel a deeper connection with the universe. In 1990, as the space probe Voyager 1 was finishing its final mission, Sagan asked NASA to take a photo of Earth in a wide shot across the great span of space. The photo and concept resulted in Sagan’s 1994 book, “Pale Blue Dot,” and reminds us of the humility of being the only known species in the solar system and beyond. Reading the words is one thing, but hearing the recording, in Sagan’s own voice, really paints the perspective on how vast the universe is and the responsibility of our existence. As Sagan so eloquently speaks, “It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.”

Speaking generally, the class of 2023’s best-known choices include Madonna’s “Like a Virgin,” Mariah Carey’s perennial No. 1 Christmas hit “All I Want for Christmas Is You”, Queen Latifah’s “All Hail the Queen”, and Daddy Yankee’s reggaeton explosion “Gasolina”.

Librarian of Congress Carla Hayden said, “The National Recording Registry preserves our history through recorded sound and reflects our nation’s diverse culture. The national library is proud to help ensure these recordings are preserved for generations to come, and we welcome the public’s input on what songs, speeches, podcasts or recorded sounds we should preserve next. We received more than 1,100 public nominations this year for recordings to add to the registry.”

The new additions bring the number of titles on the National Recording Registry to 625, representing a small portion of the national library’s vast recorded sound collection of nearly 4 million items.

KOJI KONDO. The LOC press release notes that few musicians have had their work become so internationally recognized for decades yet remain so relatively unknown as Koji Kondo, the man who composed the music for the Super Mario Bros. video games in the 1980s. Still today, Kondo is credited for original Nintendo music in the new “Super Mario Bros. Movie” out this month.

Kondo, born and raised in Japan, was a college senior in Osaka, interested in the piano and sound design, when he saw a recruiting flyer from Nintendo on a university bulletin board. He answered the ad, and the rest is video game history. His main, or “Ground Theme,” for the 1985 game is a jaunty, Latin-influenced melody that’s instantly recognizable around the world today.

“The amount of data that we could use for music and sound effects was extremely small, so I really had to be very innovative and make full use of the musical and programming ingenuity that we had at the time,” he said through an interpreter in a recent interview. “I used all sorts of genres that matched what was happening on screen. We had jingles to encourage players to try again after getting a ‘game over,’ fanfares to congratulate them for reaching goals, and pieces that sped up when the time remaining grew short.”

Now 61 and still working for Nintendo, he’s seen his “Mario” music used in films and played by orchestras. He’s designed the world of sound for dozens of other video games. He did, however, have an inkling that they were onto something at the beginning. “I also had a feeling that this game might be something that could turn into a series and continue for a long time,” he said.

“Having this music preserved alongside so many other classic songs is such a great honor,” he said. “It’s actually a little bit difficult to believe.”

Complete List of National Recording Registry 2023 Selections

  1.  “The Very First Mariachi Recordings” — Cuarteto Coculense (1908-1909)
  2. “St. Louis Blues” — Handy’s Memphis Blues Band (1922)
  3. “Sugar Foot Stomp” — Fletcher Henderson (1926)
  4. Dorothy Thompson: Commentary and Analysis of the European Situation for NBC Radio (Aug. 23-Sept. 6, 1939)
  5. “Don’t Let Nobody Turn You Around” — The Fairfield Four (1947)
  6. “Sherry” — The Four Seasons (1962)
  7. “What the World Needs Now is Love” — Jackie DeShannon (1965)
  8. “Wang Dang Doodle” — Koko Taylor (1966)
  9. “Ode to Billie Joe” — Bobbie Gentry (1967)
  10.  “Déjà Vu” — Crosby, Stills, Nash and Young (1970) 
  11.  “Imagine” — John Lennon (1971)
  12.  “Stairway to Heaven” — Led Zeppelin (1971)
  13.  “Take Me Home, Country Roads” — John Denver (1971)
  14.  “Margaritaville” — Jimmy Buffett (1977)
  15.  “Flashdance…What a Feeling” — Irene Cara (1983)
  16.  “Sweet Dreams (Are Made of This)” — Eurythmics (1983)
  17.  “Synchronicity” — The Police (1983)
  18.  “Like a Virgin” — Madonna (1984)
  19.  “Black Codes (From the Underground)” — Wynton Marsalis (1985)
  20.  Super Mario Bros. theme — Koji Kondo, composer (1985)
  21.  “All Hail the Queen” — Queen Latifah (1989)
  22.  “All I Want for Christmas is You” — Mariah Carey (1994)
  23.  “Pale Blue Dot” — Carl Sagan (1994)
  24.  “Gasolina” — Daddy Yankee (2004)
  25.  “Concerto for Clarinet and Chamber Orchestra” — Northwest Chamber Orchestra, Ellen Taaffe Zwilich, composer (2012)

 [Thanks to N. for the story. Based on a press release.]

Pixel Scroll 3/28/23 Pixels Yearning To Be Running With The Wild Things

(1) LINK Q&A. “Kelly Link Can’t Write Narrative Before 3pm: And Other Tips For Purposeful Writing” at Literary Hub.

What time of day do you write?
I’ve spent a lot of time trying to figure out why I hate writing so much, when it’s also the thing that I want most to do—it turns out a large piece of this is that I mostly hate writing when I’m attempting to do it between waking up to around 2 pm. For a long time, I thought that real writers settled down to do their work first thing, and so I must be a dilettante not to be able to get anything done without finding it excruciating.

Finally, after lots of experimenting, I’ve realized that before 2 pm I can’t really make much headway, and that at some point between 2 and 3 in the afternoon some little switch in my brain flips, and I can think about narrative. And so now, on days when I’m going to write (including important emails), in the morning I do dishes, play games on my phone, and even watch some TV. From 3 pm to around 1 am, given the freedom to just write, I can get a lot of work done….

(2) OBVIOUSLY WRITTEN AFTER 3 P.M. And The New Yorker has a review of Link’s new collection White Cat, Black Dog: “A Shape-Shifting Short-Story Collection Defies Categorization”.

…One thing that fairy tales teach us, of course, is that it’s wise not to examine such magic too closely—better to accept the gift gratefully than to inquire into its provenance. Still, at the risk of incurring the magician’s wrath, we might look more closely at one of these stories and see if we can figure out how it works. “Prince Hat Underground” is the second story in the new collection, and the only one that’s previously unpublished. It begins in a very un-fairy-tale-like fashion, in medias res: “And who, exactly, is Prince Hat?” This isn’t as familiar an opening as “Once upon a time,” but it does point down a well-trodden path in literary fiction—that is, toward a character portrait. “Gary, who has lived with Prince Hat for over three decades, still sometimes wonders,” Link continues. And so the plot becomes even more familiar: this is the story of a marriage, and, more particularly, a story of the secrets that persist even in long-term relationships. Already we have, in two lines, a thumbnail sketch of this relationship, between staid, reliable Gary and the boyish, fanciful Prince Hat….

(3) SMALL WONDERS KICKSTARTER NEARS FINISH LINE. Stephen Granade reports, “We’re in the final day-and-a-half of the Small Wonders Kickstarter and are tantalizingly close to funding. We’ve passed 75% funded so got to release a new story from Nebula winner John Wiswell.”

Read “Irresponsibly Human” at the link.

I already got a body. Infiltrating their planet was easy after that; theirs is a simple culture, so unevolved that social media is still legal. Give me a week of using this body and the culture’s tech, and I’ll have enough experiential data to synthesize a whole army. They won’t even know we’re here until we’ve won. I’m going to be the first person to conquer another planet as a senior thesis project….

Granade adds, “When we reach 90% we’ll release a new poem by Beth Cato, and we’ve got a new story from Premee Mohamed as a reward for us fully funding.” 

(4) YOUR NAME THERE. NASA continues to invite people to “Send Your Name to Mars” on a “Future Mars Mission” whenever that may be. In the meantime, you can download a lovely Boarding Pass. My name went to Mars with Perseverance.

(5) DIAL TIME. Do you have Indiana Jones in Cannes? Well, let him out! “Indiana Jones and the Dial of Destiny to Debut at Cannes” and The Hollywood Reporter has details.

…The French fest runs May 16-27, with Dial of Destiny eying a day two or day three debut.

It is a homecoming of sorts for the pulpy hero. Fifteen years ago, Indiana Jones and the Kingdom of the Crystal Skull debuted at the fest, which has been a launching ground for tentpoles in recent years…. 

(6) NO RESPECT. Ed Power demands to know, “This Mormon sci-fi author made $55m last year. So why isn’t he taken seriously?” The article, about WIRED’s hit job on Sanderson, is behind a paywall at The Telegraph.

From tipping the barman to pre-teen beauty pageants, America is no stranger to bizarre rituals. One of the weirdest is the glossy magazine “hit piece”. This involves a journalist pretending to be friends with a famous person and then demolishing them over 2,000 words or so. Make that 4,000 in the case of a new Wired magazine “profile” of fantasy author Brandon Sanderson, in which the best-selling writer is subjected to a thorough biffing-up….

(7) PUBLISHING NIGHTMARE AVOIDS PRISON. “Book fraudster Filippo Bernardini spared jail” – the Guardian says he will be deported instead.

…Filippo Bernardini, who worked as a rights coordinator, pleaded guilty to one count of wire fraud in New York in January.

He was yesterday sentenced by judge Colleen McMahon to time served, meaning he will not be imprisoned, according to the Bookseller. He has agreed to pay $88,000 (£72,700) to Penguin Random House to cover the legal and expert fees the company paid as a result of his scheme.

Bernardini has also been sentenced to three years of supervised release, and will be deported from the US to the UK or Italy, where he grew up….

(8) MEMORY LANE.

1992[Compiled by Cat Eldridge.]

Great secondary characters are a must in any ongoing series. So it is with Sharyn McCrumb’s Ballad series, mysteries set in her native Appalachian region. And here we get the story of Nora Bonesteel. 

The one that is our Beginning this Scroll is from The Hangman’s Beautiful Daughter which was published by Scribner in 1992. It was the second in the series after the debut novel, If Ever I Return, Pretty Peggy-O. To date, there are thirteen Ballad novels and some shorter works. 

The Appalachian Writers Association gave The Hangman’s Beautiful Daughter its Award for Best Novel. 

As per our policy here of absolutely no spoilers, I won’t say anything this novel or anything explicit about the series. I’ll only say that the author has a deft hand at writing interesting characters set in what seems to be authentic Appalachian settings with interesting stories. 

PROLOGUE 

Summer for the living, 
Winter for the dead—

The rule for solstice alignment 
of standing stones 
in pre-christian britain 

Nora Bonesteel was the first one to know about the Underhill family. Death was no stranger to Dark Hollow, Tennessee, but Nora Bonesteel was the only one who could see it coming. 

She was well past seventy, and she lived alone in a white frame house up on the part of Ashe Mountain that had been Bonesteel land since 1793. Across the patchwork of field and forest, eye to eye with the Bonesteel house, was the outcrop of rock called Hangman, looking down on the holler with a less benevolent eye than Nora Bonesteel’s. They perched on their respective summits, the granite man and the parchment woman, in a standoff older than the pines that edged the meadows. 

She seldom left her mountain fastness except to walk down the gravel road to church on Sunday morning, but she had a goodly number of visitors—mostly people wanting advice—but they’d come bringing homemade blackberry jelly or the latest picture of the grandbaby so as not to seem pushy about it. Folks said that no matter how early you reached her house of a morning with a piece of bad news, she’d meet you on the porch with a mug of fresh-brewed chicory coffee, already knowing what it was you’d come about. 

Nora Bonesteel did not gossip. The telephone company had never got around to stringing the lines up Ashe Mountain. She just knew. 

Dark Hollow folk, most of them kin to her, anyhow, took it for granted, but it made some of the townspeople down in Hamelin afraid, the way she sat up there on the mountain and kept track of all the doings in the valley; sat up there with her weaving, and her pet groundhog, and her visions. 

The night that Garrett Webster died in that wreck on the road to Asheville, Nora had the carrot cake baked to take to the funeral by the time somebody stopped in the next morning to tell her about the accident. She had a dream, she said, while she was sleeping in that old iron bedstead with the hollow pipes at the head and foot of it. Suddenly, she had heard a clang and felt the bed vibrate, as if somebody had hit those footboard pipes with the point of a sword. She’d sat up in bed, looking to see what woke her, and there was Garrett Webster standing at the foot of her bed, smiling at her from inside a glow of white light. When he saw that she’d seen him and knew who he was, he faded away, and the room was dark again. It was eight minutes past five, Nora said, and she got up right then to start fixing that cake for Esther Webster and her boys. The state trooper’s report said that the wreck between Garrett Webster’s car and a semi on Route 58 had occurred at 5: 08 that morning. It also stated that Webster never knew what hit him, but Nora Bonesteel reckoned he had. 

She knew other things, too. Who was pregnant, when to cover your tomato plants for frost, and where your missing wedding ring would turn up. She could cure nosebleeds by quoting the sixteenth chapter of Ezekiel, sixth verse; and she knew how to gauge the coming winter by the bands on a woolly worm. But that was nothing to marvel at. Every family had somebody with the simple gifts; even ones who knew when there had been a death within their family, but what made Nora Bonesteel different from others with the Sight was that for her it wasn’t only a matter of knowing about close kin. The fate of the whole community seemed as open to her as the weekly newspaper. Even newcomers, like the Underhills, outsiders who had bought an old farm and had come as strangers to settle between the mountains, were within the range of her visions. 

Nobody in Dark Hollow ever mistook her for a witch. She taught Sunday school to the early teens, and she kept her place in an old leather King James Bible with the feather of a redbird’s wing. Nora Bonesteel never wished harm, never tried to profit by her knowledge. Most times, she wouldn’t even tell people things if it was bad news that couldn’t be avoided. And if she did impart a warning, she’d look away while she told it, and say what she had to in a sorrowful way that was nobody’s idea of a curse. She just knew things, that’s all. In the east Tennessee hills, there had always been people who knew things. Most people felt a little sorry for her, and were glad they could go through life with the hope that comes from not seeing the future through well-polished glass.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 28, 1912 A. Bertram Chandler. Did you ever hear of popcorn literature? Well the Australian-tinged space opera that was the universe of the Rim World and John Grimes was such. A very good starting place is the Baen Books omnibus To The Galactic Rim which contains three novels and seven stories. If there’s a counterpart to him, it’d be I think Dominic Flandry who appeared in Anderson’s Technic History series. Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t. (Died 1984.)
  • Born March 28, 1928 Ron Soble. He played Wyatt Earp in the Trek episode, “Spectre of The Gun”.  During his career, he showed up on a huge number of genre series that included Mission: ImpossibleThe Six Million Dollar ManShazamPlanet of The ApesFantasy IslandSalvage 1 and Knight Rider. His last genre role, weirdly enough, was playing Pablo Picasso in Pterodactyl Woman from Beverly Hills. (Died 2002.)
  • Born March 28, 1933 J. R. Hammond. Looking for companionable guides to H.G. Wells? Clute at EoSF has the scholar for you. He wrote three works that he recommends as being rather good (H G Wells: A Comprehensive Bibliography, Herbert George Wells: An Annotated Bibliography of his Works and An H G Wells Companion: A Guide to the Novels, Romances and Short Stories). Clute says that his “tendency to provide sympathetic overviews, now as much as ever, is welcome.” (Died 2018.)
  • Born March 28, 1942 Mike Newell, 81. Director whose genre work Includes The Awakening, Photographing Fairies (amazing story, stellar film), Harry Potter and the Goblet of Fire (popcorn film — less filling, mostly tasty), Prince of Persia: The Sands of Time and two episodes of The Young Indiana Jones Chronicles, to wit “Masks of Evil” and “The Perils of Cupid”.
  • Born March 28, 1944 Ellen R. Weil. Wife of  Gary K. Wolfe. She wrote a number of works with him including the non-fiction study, Harlan Ellison: The Edge of Forever. They wrote a fascinating essay, “The Annihilation of Time: Science Fiction; Consumed by Shadows: Ellison and Hollywood,” which can be found in Harlan Ellison: Critical Insights. (Died 2000.)
  • Born March 28, 1946 Julia Jarman, 77. Author of a  children’s book series I like a lot, of which I’ll single out Time-Travelling Cat And The Egyptian GoddessThe Time-Travelling Cat and the Tudor Treasure and The Time-Travelling cat and the Viking Terror as the ones I like the best. There’s more to that series but those are my favorites. I see no indication that the cats are available from the usual suspects alas. 
  • Born March 28, 1972 Nick Frost, 51. Yes, he really is named Nick Frost as he was born Nicholas John Frost. Befitting that, he was cast as Santa Claus in two Twelfth Doctor stories, “Death in Heaven” and “Last Christmas”. He’s done far more genre acting than I can retell here starting with the Spaced series and Shaun of The Dead (he’s close friends with Simon Pegg) to the superb Snow White and The Huntsman. He’s currently Gus in the Truth Seekers, a sort of low-budget comic ghost hunter series 

(10) FANAC’S FANNISH FEMINISM PANEL. Fanac.org hosted a two-part presentation about “Feminism in 1970s/80s Fandom” with Janice Bogstad, Jeanne Gomoll, and Lucy Huntzinger.

Fandom in the 70s/80s saw real influence from people with a feminist perspective, from the creation of Wiscon to fanzines like Janus and Rude Bitch, and to raising awareness of the reality women experienced.  What were the beginnings? How did Wiscon get started? Was fandom following popular culture or leading it? 

Part 1 – Panelists Janice Bogstad and Jeanne Gomoll tell us about the creation of Janus, Wiscon and the Madison nexus of feminist thought in 70s fandom, and Lucy Huntzinger brings us into the 80s with the lamentably short-run Rude Bitch, and her other experiences in fandom as a feminist.  Moderated by Edie Stern, FANAC.org webmaster, this intriguing panel reveals the unusual origins of Janus (and how the editor found out it was a fanzine!), the academic background brought to the discussions of women in science fiction, and some of the factors that made Madison the hotbed of feminist thought in fandom. 

These personal histories trace the growth of feminist discussion in broader fandom, and explore why fandom felt like a safe space for women. The panelists also discuss the sometimes negative reactions received…Wound through with personal anecdotes (“Will the real James Tiptree please stand up!”, and the production of “The Emperor Norton Science Fiction Hour”), the discussion provides a window on an important area of science fiction fan history.

Part 2 –  Panelists Jeanne, Lucy and Janice continue here with more on the reactions they received from others, and with the differences in being a feminist in fandom in the 70s and in the 80s…Part 2 has stories about dating approaches in fandom, the wonderful origins of Corflu, and a number of anecdotes (both serious and constructive as well as personal and funny) about well known women writers. There are charming anecdotes about Octavia E. Butler, Connie Willis, Sheri Tepper (and her rousing call to action on population growth), and Ursula K. Le Guin. 

You’ll also hear about the origins and early days of the Tiptree Award, and its novel funding mechanism. Finally, there are audience comments and reminiscences including a true story about the Minneapolis chicken hat…This session is lots of fun, with a serious thread underlying it. 

(11) FLIGHT HISTORY SUFFERS FIRE DAMAGE. The New York Times reports “Wright Brothers’ Airplane Factory Is Badly Damaged in Fire”.

A fire that broke out at a building complex in Dayton, Ohio, on Sunday damaged a factory founded by Wilbur and Orville Wright, the brothers who were the first people to successfully fly an airplane.

The fire throws into doubt the future of the factory, where the brothers built planes starting in the 1910s. It became part of the National Park Service’s group of aviation-related sites in Dayton in 2009.

The factory is a monument not just to the brothers and their consequential invention, but also to the role of leading industrialists of the day in giving birth to the age of commercial aviation. The factory was built shortly after Wilbur Wright visited New York in 1909 and “got buttonholed by the Vanderbilts, the Colliers, J.P. Morgan, folks like that,” said Dean Alexander, who was the park service superintendent in Dayton when the site was added. “The first thing they paid for was building that factory,” Mr. Alexander said.

The Dayton Fire Department said that it is investigating the cause of the fire, which started at 2:28 a.m. Sunday and damaged the roof and interior of buildings in the complex. No one was injured, the department said….

(12) LUCAS MUSEUM OF NARRATIVE ART. “Lucas Museum in Los Angeles Slated to Open in 2025” says the New York Times.

In the spring of 2018, after years of bidding wars, shifting proposals and changing plans, the Lucas Museum of Narrative Art broke ground in South Los Angeles.

And despite many subsequent delays, pandemic-related and otherwise, the enormous scope of the project by the “Star Wars” filmmaker George Lucas is finally coming into focus, and the museum is slated to open sometime in 2025, my colleague Adam Nagourney recently reported in The New York Times.

That may come as a surprise.

“My sense from the response to this story is that many people here were unaware of how far along the museum has come, and how big it is,” Adam, who is based in Los Angeles, told me.

As a refresher, Lucas considered building his billion-dollar museum in Chicago or San Francisco, but settled on Los Angeles, where officials were more aggressive in courting the project, which was expected to bring with it prestige and thousands of construction and museum jobs. The futuristic building, reminiscent of a low-flying spaceship, is being built on what were once parking lots in Exposition Park, across the street from the University of Southern California, Lucas’s alma mater.

The Lucas, designed by Ma Yansong, one of China’s most prominent architects, is part of a recent wave of museum construction in Los Angeles. The Academy Museum of Motion Pictures opened in 2021, and the Hammer Museum this month completed yearslong renovations. The Los Angeles County Museum of Art is also in the midst of a major overhaul….

(13) BALANCE OF POWER. “Would building a Dyson sphere be worth it? We ran the numbers” says Ars Technica. Daniel Dern posits, “If you have to ask, you can’t afford it.”

… For these and many other reasons, a Dyson sphere costs energy. So we’re going to see how long it will take to recoup the energy investment of building one and what the optimal design might be to minimize the initial investment.

To get at some numbers, we’re going to make a lot of assumptions. People like to poke fun at physicists for simplifying complex problems, sometimes beyond recognition. The old joke goes that dairy farmers reached out to a nearby university to help understand why milk production was low, and the response from the physicists began by assuming that the cows were spherical.

But there is something powerful about this simplifying approach, which is why physicists are trained in it from day one. First, it lets us answer questions when we’re not interested in precise numbers at the outset. Here, we just want a general sense of feasibility—will building a Dyson sphere take a (relatively) small, medium, or extreme amount of energy? Second, simplifying the problem helps cover up mistakes (either in calculations or our starting assumptions). If all we’re going after is a general ballpark, then a factor-of-two mistake (or even 10 or 100) won’t really change the overall intuitions our calculations enable….

Also: How about instead making a Ringworld-scale Dyson vacuum cleaner? (to suck up all that dark matter and other clutter…?)

(14) VERSE OF THE DAY. Too long to use as a title, however, it deserves Scroll honors. By Randall M:

One File makes you pixel
And one File makes you scroll
And the ones Mike Glyer sends you
Don’t go anywhere at all
Go ask Jetpack
When it’s on a roll

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Andrew (not Werdna), Randall M., Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/17/23 If Those Pixels Would Just Scroll Faster

Melba Roy Mouton

(1) NASA “HUMAN COMPUTER” NOW ON THE MAP. “Moon Mountain Name Honors NASA Mathematician Melba Mouton” the space agency announced this week.

Scientists recently named a mesa-like lunar mountain that towers above the landscape carved by craters near the Moon’s South Pole. This unique feature will now be referred to as “Mons Mouton,” after NASA mathematician and computer programmer Melba Roy Mouton (MOO-tawn).

Members of NASA’s Volatiles Investigating Polar Exploration Rover (VIPER) mission proposed the name to the International Astronomical Union (IAU). The flat-topped mountain is adjacent to the western rim of the Nobile Crater, on which VIPER will land and explore during its approximately 100-day mission as part of NASA’s Artemis program.

The IAU theme for naming mountains (mons) on the Moon focuses on “scientists who have made outstanding or fundamental contributions to their fields.” The lunar landmark naming honors and recognizes Mouton’s life, her accomplishments as a computer scientist, and her contributions to NASA’s missions. 

“Melba Mouton was one of our pioneering leaders at NASA,” said Sandra Connelly, the acting associate administrator for science at NASA Headquarters in Washington. “She not only helped NASA take the lead in exploring the unknown in air and space, but she also charted a path for other women and people of color to pursue careers and lead cutting-edge science at NASA.”

Mouton was first employed at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, in 1959, just a year after the space agency was established. She became the head mathematician who led a group of “human computers,” who tracked the Echo 1 and 2 satellites, launched into Earth’s orbit in 1960 and 1964, respectively. 

A few years later, in 1961, Mouton was the head programmer responsible for the Mission and Trajectory Analysis Division’s Program Systems Branch – the team who coded computer programs used to calculate spacecraft locations and trajectories, giving NASA the ability to track spacecraft while in orbit. 

Before retiring in 1973, after a career at NASA that spanned 14 years, Mouton had become the assistant chief of research programs for the Trajectory and Geodynamics Division at Goddard. In appreciation of her dedicated service and outstanding accomplishments, which culminated in the successful Apollo 11 Moon landing on July 20, 1969, she was recognized with an Apollo Achievement Award. 

(2) BSFS REVAMPS COC. The Baltimore Science Fiction Society has posted the updated BSFS Code of Conduct, approved by its Board of Directors on February 11. An extensive document, its Introduction says:

The Baltimore Science Fiction Society (BSFS) exists to promote the creation and appreciation of science fiction, fantasy, and related sub-genres, primarily through literary art forms, but also embracing the many related cultural arts in graphical, musical, theatrical, and media forms inspired by speculative fiction. BSFS welcomes all people to be part of the activities we sponsor and to consider becoming one of our members.

We affirmatively welcome individuals who identify with groups based on characteristics such as, but not limited to (in alphabetical order) age, ancestry, citizenship, color, disability status, familial status (including marital status), gender identity and/or expression, immigration status, level of educational attainment, national origin, physical appearance, race, religion, sex, sexual orientation, socioeconomic status, and/or veteran status. Attendees at our meetings/events and participants in our social media and/or digital platforms, are expected to conduct themselves in a manner that is courteous and respectful of the other people present. By attending a BSFS event, all individuals are required to abide by BSFS policies, including this Code of Conduct, venue policies, and all municipal, state, and federal laws….

(3) HARPERCOLLINS RESOLUTION. Publishers Weekly, in “HarperCollins Union Ratifies New Contract”, says strikers return to work next week.

After three months on strike, unionized HarperCollins employees will return to work on Tuesday, February 21, after voting 194-10 to ratify a labor agreement with the publisher that includes a higher minimum salary and new benefits.

“We are pleased that the agreement was ratified,” HC said in a statement. “We are excited to move forward together.”

According to Local 2110 of the UAW, the union that represents unionized HarperCollins employees, the contract “achieves improved compensation and benefits, including higher minimums, guaranteed annual increases for everyone rated above ‘unsatisfactory,’ two hours of overtime without approval for lowest paid employees, improved union rights with release time during work hours, paid time to participate in the joint labor-management committee and company’s diversity initiatives, improved paid time off, and ability to continue to work remotely until July 1.”

In terms of minimum salaries, the lowest salary, $47,500, will increase to $48,500 in January 2024 and go up to $50,000 in January 2025. More details of the agreement can be found here….

(4) NEW VOICE IN ANALOG. Rosemary Claire Smith’s first installment of Analog’s book review column, “The Reference Library”, appeared in the latest issue. (Via Cat Rambo.)

…Thankfully, while awaiting the next crewed mission to the Moon, readers like me can sink into a spate of new books that build on recent scientific discoveries and technological advances to reenvision what off-planet settlements could look like during this century and into the next. John Kessel, Mary Robinette Kowal, Tochi Onyebuchi, and Maurice Broaddus put forward diverse, well-thought-out visions for lunar settlements and communities of varying sizes in space, mindful of the ramifications these developments may have for everyone who remains on Earth. …

(5) INCREDIBLE WITNESS. Today’s litigation release from Dominion Voting Systems includes something of genre interest: “Sidney Powell cited woman who claimed to be headless, time-traveling entity in email pushing election conspiracy theories” reports MSN.com.

Trump-allied lawyer Sidney Powell sent Fox an email full of wild claims from a woman claiming to be a decapitated time-traveler, according to a recent court filing.

Excerpts of the message formed part of a filing from Dominion Voting Systems released on Thursday in its defamation case against Fox….

(6) PERISHO OBITUARY. The SFWA Blog yesterday mourned the passing of Marjorie Nelson Perisho who died December 29. Their tribute begins:

Marjorie Nelson Perisho (24 June 1939–29 December 2022), who also wrote under the names Marjorie Nelson and Majliss Larson, was a lifetime SFWA member.  Her Star Trek novel Pawns and Symbols, was published in 1985 and later translated into Serbian….

(7) MEMORY LANE.

1962[Compiled by Cat Eldridge.]

So what is our Beginning this Scroll? Well it’s A Clockwork Orange.

I read this novel by Burgess oddly enough in a high school literature class. Brave teacher, I’d say.

It was published sixty-one years ago by William Heinemann, and turned into the Kubrick film nine years later. The film won a Hugo at the first L.A.  Con. 

A true first goes for four thousand dollars currently. 

Now A Clockwork Orange to me, and this is emphasized in this Beginning, represent the banality of Evil. Anthony Burgess makes the lads sound so, well, ordinary here.  They’re just drinking milk. Drugged out milk, yes, but milk none the less. And planning to do vicious things. 

So here’s our Beginning…

What’s it going to be then, eh?’ There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. The Korova Milkbar was a milk-plus mesto, and you may, O my brothers, have forgotten what these mestos were like, things changing so skorry these days and everybody very quick to forget, newspapers not being read much neither. Well, what they sold there was milk plus something else. They had no licence for selling liquor, but there was no law yet against prodding some of the new veshches which they used to put into the old moloko, so you could peet it with vellocet or synthemesc or drencrom or one or two other veshches which would give you a nice quiet horrorshow fifteen minutes admiring Bog And All His Holy Angels And Saints in your left shoe with lights bursting all over your mozg. Or you could peet milk with knives in it, as we used to say, and this would sharpen you up and make you ready for a bit of dirty twenty-to-one, and that was what we were peeting this evening I’m starting off the story with.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 17, 1912 Andre Norton. She penned well over a dozen series, but her major series was Witch World which began rather appropriately with Witch World in 1963. The first six novels in that series were Ace Books paperback originals published in the Sixties. If you putting together the essential reading list of hers, what would be on it? (Died 2005.)
  • Born February 17, 1913 David Duncan. A screenwriter and novelist who was twice nominated for Hugos, first at Seacon for writing the screenplay for The Time Machine, and at NyCon 3 for the same work on Fantastic Voyage. He also wrote Time Machine: The Journey Back sequel to The Time Machine. And he wrote The Outer Limits’ “The Human Factor” episode. (Died 1999.)
  • Born February 17, 1930 Ruth Rendell, whose full name of Ruth Barbara Rendell, Baroness Rendell of Babergh, CBE (née Grasemann) is quite wonderful. I know her only as an English author of very superb thrillers and somewhat disturbing murder mysteries but ISFDB lists her as doing horror as well to my surprise in the form as three novels, to wit The Killing DollThe Tree of Hands and The Bridesmaid, plus a not inconsiderable amount of short fiction that is fantasy no doubt. She was also the editor of A Warning to the Curious: The Ghost Stories of M.R. James. (Died 2015.)
  • Born February 17, 1939 Kathy Keeton. Founder and publisher of Omni. It was founded by her and her partner and future husband Bob Guccione, the publisher of Penthouse. It would publish a number of stories that have become genre classics, such as Card’s “Unaccompanied Sonata”, Gibson’s “Burning Chrome” “and “Johnny Mnemonic” and George R. R. Martin’s “Sandkings” to name a few of the stories that appeared there. (Died 1997.)
  • Born February 17, 1947 Bruce Gillespie, 76. He’s one of the major Australian SF fans and is best known for his long-running fanzine SF Commentary. Over the years, he’s published The Metaphysical ReviewSteam Engine Time and is currently putting out Treasure. He was fan guest of honor at Aussiecon 3, the 57th Worldcon held in Melbourne in 1999.
  • Born February 17, 1954 Don Coscarelli, 69. A film director, producer, and screenwriter best known for horror films. His credits include the Phantasm series, The Beastmaster, and Bubba Ho-Tep, the latter based a novella by Joe R. Lansdale whom I’ve met and who is a really nice person.

(9) COMICS SECTION.

(10) OCTOTHORPE. Episode 77 of the Octothorpe podcast, “Slightly Less Troglodyte-y Than You”, is live.

John Coxon has trauma, Alison Scott has poetry and Liz Batty hasn’t got Paramount+. We draft our picks for the Hugo Awards nominations in Best Dramatic Presentation: Short Form before, er, picking some more things.

(11) BANNED PICTURE BOOKS. PEN America introduces readers to “The Most Banned Picture Books of 2022”. There’s a three-way tie for first place.

PEN America counted school book bans in the 2021-2022 school year and found an alarming 1,648 titles banned somewhere in the United States — the most comprehensive count of book bans to date. With some titles restricted in multiple places, the total count of book bans is more than 2,500.

The most banned books were primarily young adult or adult titles, but picture books for the youngest readers were not spared, with 317 titles banned. Several of the most banned picture books are nonfiction, including histories of civil rights and gay pride. Others are lighthearted fiction about animals or babies. Most feature a protagonist of color or characters who reflect the LGBTQ+ experience.

This is the list of the most banned picture books of the 2021-2022 school year, according to the PEN America Index of School Book Bans. For more on what kinds of bans are happening and where, see the full Banned in the USA report.

MOST BANNED PICTURE BOOKS

1 (tie). Pride: The Story of Harvey Milk and the Rainbow Flag, by Rob Sanders and Steve Salerno, 5 bans

This true story traces the origins of of the Gay Pride flag from its beginnings in 1978 with activist Harvey Milk and designer Gilbert Baker.

1 (tie). I Am Jazz, by Jessica Herthel, Jazz Jennings, and Shelagh McNicholas, 5 bans

The story of a transgender child based on the real-life experience of transgender activist Jazz Jennings.

1 (tie). And Tango Makes Three, by Peter Parnell, Justin Richardson, and Henry Cole, 5 bans

The heartwarming true story of two male penguins at the Central Park zoo who adopt a baby penguin.

(12) IF YOU’RE NEAR SANTA MONICA. Variety tells fans, “Guillermo del Toro to Host ‘Pinocchio’ 35mm Screening at Aero Theatre”.

In celebration of his love for animation, Oscar-winning director Guillermo del Toro is set to program a weekend of animation for the American Cinematheque at the Aero Theatre in Santa Monica called “Guillermo del Toro’s Weekend of Animation.”

The films programmed by del Toro will include screenings of “The Red Turtle” and “I Lost My Body.”

The weekend of animation will open with the 2016 Studio Ghibli film, “The Red Turtle,” with del Toro virtually introducing the film. Following that, there will be a screening of the Netflix film “I Lost My Body.”

Sunday concludes with a 35mm screening of the Oscar-nominated film “Guillermo del Toro’s Pinocchio.” Del Toro and co-director Mark Gustafson will attend a post-screening Q&A….

(13) MANCON 1952. Rob Hansen has added pages covering the first Manchester con to his fanhistory website: “MANCON (1952)” at Fiawol.org.

…Next came the visiting celebrities. John Russell Fearn spoke first, and he turned out to be a very nice friendly sort of character. In answers to an absolute barrage of questions, he released the following information – He enjoys writing S.F. and has done so for about 25 years. The pseudonym Vargo Statten was his publisher’s idea, not his; he doesn’t like it, but as he’s under contract there’s nothing he can do. Astron del Martia is another of his names, but he only wrote one story under it, “The Trembling World’. The rest are not his. The Vargo Statten tales are turned out at the rate of three a month, each one comprising 40,000 words, taking eight days to write. It’s a full time job even when they are not accepted. He sometimes finds it difficult to find time for a shave….

(14) VIDEO OF THE DAY. There’s quite a cast in “Extrapolations”, coming from Apple TV+ on March 17.

Extrapolations is a bracing drama from writer, director and executive producer Scott Z. Burns that introduces a near future where the chaotic effects of climate change have become embedded into our everyday lives. Eight interwoven stories about love, work, faith and family from across the globe will explore the intimate, life-altering choices that must be made when the planet is changing faster than the population. Every story is different, but the fight for our future is universal. And when the fate of humanity is up against a ticking clock, the battle between courage and complacency has never been more urgent. Are we brave enough to become the solution to our own undoing before it’s too late?

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Robert Brown, Rob Hansen, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/13/23 I Get Scrolled Down, But I Scroll Up Again

(1) STOP LOAFING AROUND. Cora Buhlert snagged another figure, who stars in her latest toy photo story called: “Masters-of-the-Universe-Piece Theatre: ‘Wun-Dar and His Wonderful Dinosaur’”.

… “Halt, stranger! State your business!”

“Relax. Like I said, I’m Wun-Dar. You know, legendary hero, champion of Grayskull and wielder – well, former wielder of the Sword of Power? And this is Giga, my trusty mount. I came through a portal from Preternia because… well, even paradise gets boring eventually, I guess. And besides, Fleaman – I mean, Adam – said that you guys needed help with someone named Skeleton? Is that right? Stupid name, at any rate.”

“It’s Skeletor, young man. And what exactly do you and this… this thing want here in my throne room?”…

(2) ANOTHER MASTERS FAN. [Item by Cora Buhlert.] The Dad-at-Arms podcast has a very good interview with animation and comic writer Tim Sheridan, who worked on Masters of the Universe: Revelation, Dragon Age: Absolution and a lot of Transformers and DC superhero stuff: 

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to feast on French toast with Ron Marz in Episode 189 of his Eating the Fantastic podcast.

Ron Marz is perhaps best known for his writing of the characters Silver Surfer and Green Lantern, but also for his work on the Marvel vs. DC crossover and Batman/Aliens. He also worked on the CrossGen Comics series ScionMysticSojourn, and The Path. At Dark Horse Comics, he created Samurai: Heaven and Earth and various Star Wars comics. For DC Comics, he’s written Ion, a 12 part comic book miniseries that followed the Kyle Rayner character after the One Year Later event, and Tales of the Sinistro Corps Presents: Parallax and Tales of the Sinestro Corps Presents: Ion, two one-shot tie-ins to the Green Lantern crossover, The Sinestro Corps War.

Ron Marz

We discussed how the letter he wrote to Marvel when he was a kid suggesting a Justice League/Avengers team-up predicted his future comics career, which side his childhood self fell in the Marvel vs. DC war, the difficulties of surprising readers when the publicity machine is always running, how early encounters with Bernie Wrightson and Jim Starlin led to him giving up journalism, why it was better he broke in first at “collegial” Marvel rather than “corporate” DC, how the thick skin he developed in newspapers helped him when he took over Green Lantern, why comic book companies like poaching each other’s creators, the ironic conversation that led to him writing Superman, what he still considers the best part of the job after 30 years in comics, our memories of George Perez and Neal Adams, and much more.

(4) TODAY VERSUS TOMORROW. Here are two somewhat contradictory articles from the Guardian about independent bookstores in the UK:

The number of independent bookshops in the UK and Ireland climbed to a 10-year high in 2022, as the book trade defied the odds in an otherwise brutal year for high street retailers.

The lifestyle changes brought about by the coronavirus pandemic lockdowns were a boon for the book trade, as Britons with more time on their hands read more and sought out bookshops when they reopened.

There are now 1,072 independent bookshops after the industry enjoyed a sixth consecutive year of growth, according to the Booksellers Association (BA). The resurgence followed a 20-year losing streak in which bookshop numbers sank to a nadir of 867 in 2016….

… The survey also asked booksellers about the year of trading to come, with many concerned about the cost of living crisis and how it might impact consumer spending and business viability.

Caitlin Lowe, assistant manager of the St Helens Book Stop in Merseyside, told the Bookseller that as well as being concerned about customers spending money on books, there were also concerns “about the cost of running our shop owing to increasing energy prices”….

(5) ROBERT E. HOWARD WORKS RESCUED FROM OBSCURITY. The good folks of Goodman Games have two articles about some of Robert E. Howard’s lesser known works.

Bill Ward talks about Bran Mak Morn, last king of the Picts, in “Bran Mak Morn, The Doomed King”.

…Bran is, unquestionably, one of Howard’s major creations; representing not only the best of what Howard was capable of producing, but also exemplifying deeply personal themes that would inform the entirety of Howard’s writing life.

Bran Mak Morn emerges out of Howard’s fascination with the Picts – but not the Picts of modern, sober archaeology – rather the Picts of turn-of-the-century pseudo-scientific conjectural anthropology, the sort of thing that was available for a young Howard to read….

Ryan Harvey takes a look at Howard’s stories for the weird menace pulps: “A Black Wind Blowing: Robert E. Howard and The Weird Menace Horror Pulps”.

…The term “weird menace” was given to these pulps by later popular culture scholars. At the time, the magazines were referred to as “horror pulps.” This wasn’t an inclusive horror, but a specific subset with its own formula. The best way to understand what weird menace is about is to imagine a three part mixture: the action-speed of pulp detective stories; the mood and settings of Gothic novels; and the bloody excess of the Grand Guignol theater of Paris….

(6) PLAID INSPIRATION. [Item by Cora Buhlert.] I wouldn’t call Outlander a thriller, but Diana Gabaldon recounts how she wrote her time travel novel: “My First Thriller: Diana Gabaldon” at CrimeReads.

…“When I turned 35, I told myself I’d better get started writing. Mozart died at thirty-six.”

“Gradually, the voice in the back of my mind came up with a bunch of stuff,” she says. She wrote down ideas for a book. This would be her practice round, so she had no plans to show it to anyone. 

Inspired by a young man wearing a kilt on the BBC science fiction series “Doctor Who,” she decided to set her story in Scotland. Since she was a researcher and couldn’t afford an overseas trip to check on her setting, Diana figured the easiest type of novel for this first attempt would be historical fiction. She could find all the historical information she needed in books….

(7) IN THE MIDST OF SUCCESS. Matt Wallace pulls back the curtain on his career, and ponders about what’s to come. Thread starts here. (Via John Scalzi.)

(8) THE COLD WEIGHT LOSS EQUATIONS. [Item by Daniel Dern.] Gizmodo reports “DARPA Wants to Find a Drug That Makes You Impervious to Cold”. (Playlist, “Baby, It’s Cold Outside, But Who Cares”).

The Defense Advanced Research Projects Agency (DARPA) is looking for a new way to get nice and cozy: The agency is funding research into drugs that could protect people from extreme cold. Should these efforts bear fruit, the drugs could have a variety of uses, from treating hypothermia patients to helping people better explore the Arctic—and, what is surely DARPA’s main interest, creating soldiers who aren’t fazed by freezing conditions.

… Szablowski and his team will use the money [a DARPA grant] to investigate a non-genetic treatment that can enhance our adaptation to cold temperatures via thermogenesis, or the bodily production of heat. There are two basic methods of thermogenesis in humans, with the most familiar being shivering. But the researchers are more interested in improving how our bodies burn off brown adipose tissue (BAT), or brown fat, to keep warm….

(9) MEMORY LANE.

1819 [Compiled by Cat Eldridge.]

So food I suspect is not what comes to you mind what you think of Washington Irving’s The Legend of Sleepy Hollow. Most likely you think of the headless rider of the horse with his weapon in hand wrecking most unholy terror upon that small village.

But Irving’s narrator was a keen observer of life on that small village and,  to be rather honest about it, craved food in all its forms. If it was edible, he dreamed about consuming it with great rapture. 

In his devouring mind’s eye, he pictured to himself every roasting-pig running about with a pudding in his belly, and an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cozily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savory sausages…

So let’s end this essay with my favorite passage…

Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlor of Van Tassel’s mansion. Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country tea-table, in the sumptuous time of autumn. 

Such heaped-up platters of cakes of various and almost indescribable kinds known only to experienced Dutch housewives! There was the doughty doughnut, the tenderer ‘oly koek,’ and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes. 

And then there were apple pies and peach pies and pumpkin pies, besides slices of ham and smoked beef, and moreover delectable dishes of preserved plums and peaches and pears and quinces, not to mention broiled shad and roasted chickens, together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst– Heaven bless the mark!

It was first published in The Sketch Book of Geoffrey Crayon, Gent in 1819. “Rip Van Winkle” was also published first here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 13, 1893 Clark Ashton Smith. One SFF critic deemed him part of “the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft.” This is while some readers found him to excessively morbid, as L. Sprague de Camp said of him in noting “nobody since Poe has so loved a well-rotted corpse.” If you’ve not read his work, Nightshade has collected it in The Collected Fantasies of Clark Ashton Smith, five volumes in total. They’re all available at the usual suspects. (Died 1961.)
  • Born January 13, 1933 Ron Goulart. First I must acknowledge that he was very prolific, and uses many pseudonyms, to wit: Kenneth Robeson, Con Steffanson, Chad Calhoun, R.T. Edwards, Ian R. Jamieson, Josephine Kains, Jillian Kearny, Howard Lee, Zeke Masters, Frank S. Shawn, and Joseph Silva. (Wow!) You did see the Doc Savage one in there, didn’t you? I’m reasonably sure that I’ve read a lot of his fiction including the Flash Gordon series, his Avenger series, maybe a bit of the Vampirella novels, the Incredible Hulk definitely, not the Groucho Marx series though it sounds fun, and, well, damn he was prolific. So what have you have read by him that you like? (Died 2022.)
  • Born January 13, 1938 Daevid Allan (aka Divided Alien, Dingo Virgin, Bert Camembert, etc.). Co-founder of the British band Soft Machine (named for the William Burroughs SF novel), and the Anglo-French psychedelic band Gong. With Gong, he released the Radio Gnome trilogy (1973-74), a surreal science-fantasy epic musical story featuring pothead pixies in flying teapots, erotic witches, and the Compagnie d’Opera Invisible de Thibet. (Died 2015.) (Xtifr)
  • Born January 13, 1938 Charlie Brill, 85. His best-remembered role, well at least among us, is as the Klingon spy Arne Darvin in “The Trouble with Tribbles”. And yes he’ll show in the DS9 episode, “Trials and Tribble-ations”, that repurposed this episode to great effect. (It was nominated for a Hugo at LoneStarCon 2.) He was the voice of Grimmy in the animated Mother Goose and Grimm series, as well having one-offs in They Came from Outer SpaceThe Munsters TodaySlidersThe Incredible HulkWonder Woman and Super Train. Not even genre adjacent but he was a recurring performer on Rowan & Martin’s Laugh-In.
  • Born January 13, 1945 Joy Chant, 78. Chant is an interesting case as she only wrote for a short period between 1970 and 1983 but she produced the brilliant House of Kendreth trilogy, consisting of Red Moon and Black MountainThe Grey Mane of Morning and When Voiha Wakes.  Her other main work, and it is without doubt absolutely amazing as well, is The High Kings, illustrated lavishly by George Sharp and designed by David Larkin with editing by Ian and Betty Ballantine. It is intended as a reference work on the Arthurian legends and the Matter of Britain with her stellar retellings of the legends.  I’ve got one reference to her writing Fantasy and Allegory in Literature for Young Readers but no cites for it elsewhere. Has anyone read it?
  • Born January 13, 1947 Peter Elson. Illustrator whose life was far too short as he died of a heart attack. If you were reading SF between the early seventies and the late eighties, it’s likely that you saw his astonishing artwork. I found covers for the Sphere edition of Asimov’s Pebble in the Sky, a Mayflower edition of Leiber’s Swords Against Death and a Methuen edition in Canada on Zelazny’s To Die in Italbar, which are but a few of the several hundred covers he did. (Died 1998.)
  • Born January 13, 1961 Wayne Coyne, 62. Founder and frontman of the neo-psychedelic band The Flaming Lips which frequently incorporates science-fictional elements in their songs and albums, perhaps most prominently with their 2002 hit album Yoshimi Battles the Pink Robots. Coyne also wrote and directed the low-budget 2008 SF movie, Christmas on Mars, which starred members of the Lips and friends, including actors Adam Goldberg and Fred Armisen. (Xtifr)

(11) IN PLAIN SIGHT. “Title Search: Can You Find the 21 Fantasy Books Hidden in This Story?” is the challenge posed on the New York Times’ “Books” page. It’s really not that hard, but you may find it fun to work on.  And the answers appear at the end of the puzzle story.

If you like an adventure with your quest to discover books, try this month’s Title Search challenge, which intentionally hides the names of 21 classic and popular fantasy novels (and graphic novels) within the fictional text passage below.…

(12) MATCHING SCI- WITH -FI. Nancy Kress and Robert Lanza interview each other about their collaboration on the novel Observer: “A Scientist And Sci-Fi Author On Imagining The Future And Breaking The Rules” at CrimeReads.

Scientist Robert Lanza and science fiction author Nancy Kress have co-written a new thriller grounded in deep scientific principles and guided by the writers’ shared passion for technology and biocentrism. Read a conversation between Lanza and Kress below. 

Kress: Robert, you’re a pioneer in stem cell research and in addition to writing dozens of textbooks related to the topic, you’ve written three works of nonfiction on biocentrism, the central concept in our novel, OBSERVER. Why now a novel?

Lanza: I wanted to introduce the ideas of biocentrism ─ where life is the basis of the universe ─ to a broader audience through storytelling to bring to life the science behind the astounding fact that time, space, and reality itself, all ultimately depend upon us, the observer.

(13) LATEST PLAGUE. “Review: ‘The Last of Us’ Is a Zombie Thriller About Single Parenting” says the New York Times’ James Poniewozik.

…The series kicks off in Standard Apocalypse-Onset Mode. Joel (Pedro Pascal), a construction contractor in Texas, starts his birthday in 2003 eating breakfast with his family and ends it amid the chaos of civilization’s collapse. The intense but bloated 81-minute pilot runs up a high body count, making clear that there is minimal plot armor to go around here.

Twenty years later, in 2023, we find Joel in the military-occupied ruins of Boston, a grim, grizzled survivor. Battling fungi does not make one a fun guy. With his black-marketeering partner, Tess (Anna Torv), he lands a job escorting Ellie (Bella Ramsey), a 14-year-old who is immune to zombie bites, on a risky journey that could lead to a cure.

Ellie may or may not be the savior of humanity, but she certainly rescues “The Last of Us” from apocalyptic mope. In “Game of Thrones” (in which Pascal also did time), Ramsey was memorable as Lady Lyanna Mormont, the fearsome child leader of a northern fief. Here she’s all foulmouthed verve, her adolescent insolence turbocharged by the liberation of living after the end of the world. Her fighting spirit is, well, infectious….

(14) ROBO-UMP. Robots have made it to AAA baseball reports The Comeback in “MLB world react to massive umpire news”.

While fans hoping to see robot umpires during the upcoming 2023 Major League Baseball season will still have to wait, they also won’t have to look too far to find them. Robot umpires will reportedly be implemented in all 30 Triple-A stadiums during the 2023 season.

Buster Olney of ESPN reported on Thursday that “The electronic strike zone will be used in all 30 Class AAA parks in 2023.”… 

(15) NO LIGHTS, CAMERA, ACTION! “Wow! NASA-Funded ShadowCam Captures Dark Side Of The Moon In Stunning Detail” at Hot Hardware.

The first image from ShadowCam reveals the permanently shadowed wall and floor of Shackleton crater in incredible, never before seen detail. NASA-funded ShadowCam is one of six instruments onboard the Korean Aerospace Research Institute’s Pathfinder Lunar Orbiter.

The poles of the Moon are in a perpetual state of dawn to dusk, making it difficult to gather images of the depressions in the dark locations. KPLO has six instruments onboard, one of which is the NASA-funded ShadowCam. The instrument is the younger sibling of the Lunar Reconnaissance Orbiter Camera (LROC), Narrow Angle Camera (NAC). LROC has been able to image nearly all of the Moon’s surface, except within permanently shadowed regions (PSRs). ShadowCam will add to our knowledge of the Moon by being able to capture images within those PSRs near the poles….

(16) POETRY IN MOTION. Gizmodo makes the latest science news sound dramatic: “Astronomers Discover Two Invisible Stars Spinning Around Each Other at Breakneck Speed”.

Researchers have found an extreme binary system that features two dwarf stars that are so cool, they don’t emit visible light. And they’re so close together that they take less than one Earth day to orbit around each other.

The system is called LP 413-53AB, and it was identified by researchers from Northwestern University and the University of California San Diego. The two dwarf stars are in a class known as ‘ultracool’—their temperatures are so low that they emit mostly infrared light, rendering them invisible to our eyes (but thankfully not our telescopes). Chih-Chun “Dino” Hsu, an astrophysicist at Northwestern University, led the study and presented the findings at the American Astronomical Society meeting in Seattle this week….

(17) VIDEO OF THE DAY. In the short film “Uprising!” from DUST, “Humanity is being tea-bagged, kill-shotted, and yo-mama-joked out of existence by robots who think they’re teenage gamers.” But kindess will out!

[Thanks to Andrew Porter, Michael Toman, SF Concatenation’s Jonathan Cowie, Daniel Dern, Cora Buhlert, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 11/11/22 There Was A Filer Who Had A Blog, And Pixel Was Its Name-O

(1) LAW ENFORCEMENT ACTIVITY NEARBY AS WINDYCON BEGINS. [Item by Steven H Silver.] This year’s Windycon [in the Chicago area] started out in an interesting way.  A police presence in the inside of the ring access road due to a high-speed chase and a search for bullet casings.  Never good to see helicopter views of the building your con is in.  Some inconvenience to members getting in and out of the parking lot, but otherwise no real impact.

File 770 located a brief video report here: “Lombard police investigating report of shots fired at Yorktown Shopping Center”.

(2) VONNEGUT CENTENARY. “100 years after his birth, Kurt Vonnegut is more relevant than ever to science” asserts Science.

…As a philosopher, Vonnegut was no stranger to science. Under pressure from his brother, a renowned atmospheric chemist, he studied biochemistry at Cornell University in the 1940s before dropping out and enlisting in the Army during World War II. He later worked as an institutional writer for General Electric and, until his death in 2007, said he spent more time in the company of scientists than of writers.

Perhaps that’s why, beneath his persistent skepticism about science, there was always a deep appreciation for its potential. In the novel Cat’s Cradle, for instance, a dictator on the brink of death urges his people to embrace science over religion because “science is magic that works.” Even within ultimately dystopian tales, “you can see a sort of romanticization of the scientific endeavor,” says David Koepsell, a philosopher of science and technology at Texas A&M University, College Station….

(3) E.T. FOR SALE. The “Icons & Idols: Hollywood” auction presented by Julien’s Auctions and Turner Classic Movies will feature this high ticket headliner: the E.T. filming model.

Headlining this epic event is the E.T. the Extra Terrestrial Hero “#1” Mechatronic filming model “actor” that brought the eponymous character to life in Steven Spielberg’s 1982 classic E.T. the Extra-Terrestrial (estimate: $2,000,000 – $3,000,000). Pre-dating modern CGI technology and effects, this one-of-a-kind cinematographic relic (constructed in 1981) features 85 points of movement and is regarded as an engineering masterpiece.

“Carlo Rambaldi was E.T.’s Geppetto.” – Steven Spielberg

Created by “The Father of E.T.,” Carlo Rambaldi was an Italian special effects master, designer and mechatronics expert best known for his work on King Kong (Paramount Pictures, 1976), Alien (20th Century Fox, 1979), Close Encounters of the Third Kind (Columbia Pictures, 1977), Dune (Universal Pictures/DDL Corp. 1984), and E.T. the Extra-Terrestrial

(4) GOLDSMITHS PRIZE. The 2022 winner of the Goldsmiths Prize is the non-genre novel Diego Garcia by Natasha Soobramanien and Luke Williams.

It won out over five other works on the shortlist, which included two of genre interest, Maps of Our Spectacular Bodies by Maddie Mortimer (Picador) and Peaces by Helen Oyeyemi (Faber).

(5) THE BIG SQUEEZE. Dave Doering was left scratching his head after reading the plug for “BookyCon 2022: A Mega Meta Book Festival”.

You up for the world’s largest virtual book festival? 
Reserve your ticket here! (Space is limited)

(6) KEVIN CONROY (1955-2022). Kevin Conroy, longtime voice of the animated Batman, died November 10 at the age of 66. Deadline says he reportedly had been battling cancer:

… An actor with credits on stage, television and film, Conroy became a premier voice actor as the title character of Batman: The Animated Series (1992-96). He’d eventually give voice to the Dark Knight in nearly 60 different productions, including 15 films and more than 15 animated series spanning nearly 400 episodes and more than 100 hours of television.

Conroy also voiced Batman in dozens of video games and was featured as a live-action Bruce Wayne in the Arrowverse’s 2019-20 “Crisis on Infinite Earths” crossover event.

“Kevin was perfection,” said Mark Hamill, who voiced the Joker opposite Conroy’s Batman. “He was one of my favorite people on the planet, and I loved him like a brother. He truly cared for the people around him – his decency shone through everything he did. Every time I saw him or spoke with him, my spirits were elevated.”…

(7) MEMORY LANE.

1946 [By Cat Eldridge.] Molle’ Mystery Theatre’s “Come Back to Me” (1946)

This May 17, 1946 radio show is an adaption of Ray Bradbury’s story, “Killer, Come Back to Me” which was published two years earlier in  the July 1944 issue of Detective Tales. It was adapted for radio by Joseph Ruskall.

It was a fairly meaty story at twenty pages when published in Detective Tales.  It was in three parts, the first of which describes Julie, a stereotypical Forties femme fatale who it turn out is anything but not, and Broghman, a young man who conducts a robbery alone and then finds himself now allied with her. Or so he thinks.

The second part of this story is about the dealings of a Los Angeles crime syndicate Angeles and Broghman’s realization that he is not afraid of them; while the third part is at a meeting between him and the head of the syndicate, who naturally thinks of his thugs as “respectable businessmen” which they are most decidedly not. 

The primary actors here were Richard Widmark and Alice Reinhart in the lead roles. Widmark as one site put it has “the leading role of a cheap hoodlum with delusions of grandeur who assumes the role of a dead gangster while taking up with the crook’s delusional girlfriend.” Alice Reinhart Is Julie, that femme fatale and really delusional girlfriend.

Mollé Mystery Theatre was a thirty-minute radio program that ran from 1943 to 1948 on the NBC network before moving to the CBS network where the show became only the stories of Inspector Hearthstone. It would end its run on the ABC network.  The show was sponsored first by Sterling Drugs, manufacturers of Mollé Brushless Shaving Cream, hence the name. When it was not sponsored by Mollé, the program was called Mystery Theater.

Of its estimated 237 episodes, only 73 are known to be still in circulation.

You can hear it thisaway.

The original story is collected in, not at all surprisingly, Killer, Come Back to Me: The Crime Stories of Ray Bradbury which is published by Titan Books. It’s available from the usual suspects. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 11, 1922 Kurt Vonnegut Jr. The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
  • Born November 11, 1916 Donald Franson. Longtime fan who lived most of his life in LA. Was active in the N3F and LASFS including serving as the secretary for years and was a member of the Neffer Amateur Press Alliance.  Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. (Died 2003.)
  • Born November 11, 1917 Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con.  He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius.  And I’ve seriously enjoyed his short fiction. Wildside Press has seriously big volumes of his fiction up at the usual suspects for very cheap prices. (Died 1983.)
  • Born November 11, 1925 Jonathan Winters. Yes, he did do quite a few genre performances including an early one as James Howard “Fats” Brown in “A Game of Pool”, a 1961 episode of The Twilight Zone. He next shows up as the very, very silly role of Albert Paradine II in More Wild, Wild West. He had a recurring role in Mork & Mindy as a character named Mearth. You’ll find him in The Shadow film, The Adventures of Rocky and BullwinkleThe Flintstones, both of The Smurfs films and quite a bit more. He of course was a guest on The Muppets Show. Who wasn’t? (Died 2013.)
  • Born November 11, 1945 Delphyne Joan Hanke-Woods. Artist and Illustrator whose grandfather taught her to read using science fiction pulp magazines. After discovering genre fandom at Windycon in 1978, she became one of the leading fan artists in fanzines of the time, including providing numerous covers for File 770. In addition to convention art shows, her art also appeared professionally, illustrating books by R.A. Lafferty, Joan D. Vinge, and Theodore Sturgeon, and in magazines including Galaxy, Fantastic Films, and The Comics Journal. She won two FAAn Awards for Best Serious Artist and was nominated six times for the Best Fan Artist Hugo, winning in 1986. She was Fan Guest of Honor at several conventions, including back at a Windycon, where her fandom started. (Died 2013.) (JJ) 
  • Born November 11, 1947 Victoria Schochet, 65. Wife of Eric Van Lustbader. She co-edited with John Silbersack and Mellisa Singer the most excellent The Berkley Showcase: New Writings in Science Fiction and Fantasy that came out in the Eighties. She has worked editorially at Analog as Managing Editor.
  • Born November 11, 1948 Kat Bushman, 74. Costumer and Fan from the Los Angeles area who has chaired/co-chaired Costume-Cons, and has worked on or organized masquerades at a number of Westercons, Loscons, and a Worldcon. She received Costume-Con’s Life Achievement Award in 2015. She is a member of LASFS and of SCIFI, and ran for DUFF in 1987. Her essay “A Masquerade by Any Other Name” appeared in the L.A.con III Worldcon Program Book. (JJ) 

(9) GOING ROGUE. For a spoiler-filled look at Andor, read Variety’s profile: “’Star Wars’ Series ‘Andor’ Showrunner Talks Sex, Revolution, Geekdom”.

… As anyone who has watched the show and/or been on Twitter since it debuted Sept. 21 knows, “Andor” has been one of the most enthusiastically well received “Star Wars” projects of the Disney era. Between its sprawling cast and labyrinthine plotting, the 12-episode series has raced headlong into territory many “Star Wars” fans did not know was possible: mature, dramatic storytelling about everyday people. With each new episode, the social media adulation for “Andor” has only grown louder, as millennials and Gen Xers who grew up with “Star Wars” have become further enthralled by the realization that the family-friendly franchise has proven capable of growing up with them….

(10) SOFT LANDING. “NASA Launched an Inflatable Flying Saucer, Then Landed It in the Ocean” – the New York Times takes a look at the future of Martian valet parking.

On Thursday morning, NASA sent a giant inflatable device to space and then brought it back down from orbit, splashing in the ocean near Hawaii.

You might think of it as a bouncy castle from space, although the people in charge of the mission would prefer you did not.

“I would say that would be inaccurate,” Neil Cheatwood, principal investigator for the Low-Earth Orbit Flight Test of an Inflatable Decelerator, or LOFTID for short, said of the comparison during an interview.

LOFTID may sound like just an amusing trick, but the $93 million project demonstrates an intriguing technology that could help NASA in its goal of getting people safely to the surface of Mars someday. The agency has landed a series of robotic spacecraft on Mars, but the current approaches only work for payloads weighing up to about 1.5 tons — about the bulk of a small car….

(11) VERBAL HINT. The BBC’s Fred Harris talks to game developers at Infocom about interactive fiction in this clip from 1985.

Fred Harris goes behind the scenes at Boston software company Infocom. The developer has enjoyed great success with its line of text adventure games – the likes of Zork, Planetfall, Enchanter, and The Hitchhiker’s Guide to the Galaxy – which eschew graphics in favour of a simple text display, and arcade gameplay in favour of what the company calls ‘interactive fiction’. Game designer Dave Liebling – one of Infocom’s founder members – is currently putting the finishing touches to a new game called Spellbreaker. He explains the processes that go in to making a good text-adventure game. This clip is from Micro Live, originally broadcast 29 November, 1985.

(12) PAINT YOUR DRAGON. From Kevin Smith’s YouTube channel: “Curious George: An Evening with GEORGE R.R. MARTIN and KEVIN SMITH!”

A Bayonne boy goes down the shore to geek out with a Highlands nerd about comic books, movies, TV, the dawn of fandom, writing, success, failure, and DRAGONS! It’s a once-in-a-lifetime audience with a living legend: the celebrated, world renowned author of the A Song of Fire & Ice novels, the source for HBO’s Game of Thrones! Watch as he’s interviewed by a guy who was traumatized by The Red Wedding!

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Jennifer Hawthorne, Steven H Silver, Dave Doering, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]