Pixel Scroll 1/8/22 All My Files Are Packed, I’m Ready To Scroll

(1) SOLDIERING ON THROUGH COVID. ConFusion chair Lithie Dubois has written one of the strongest chair communications I have ever read explaining why the Michigan convention is going ahead. “The State of ConFusion – a Transparent Update from the Conchair”.

My name is Lithie Dubois, and I am the 2022 Conchair. I want to update our community and be as transparent as possible with you. This may be long, but if you are a community member, you will want to read this….

First – are we still holding an in-person event? Absolutely. On January 20, 2022 – myself and my team will begin the task of packing in ConFusion gear to the Sheraton Detroit Novi, and setting up.  

The entire ConCom is deeply aware of the current state of this pandemic, and the Omicron Wave. We understand our community’s concerns, and even their disbelief in the fact that we’re holding an in-person ConFusion. We share in the community’s concerns and fears, as well as their hopes.

Truth is, we have a contract with our hotel. That contract does have what is called an Impossibility Clause. The short explanation of that is as follows; Should the government, be it Federal, State or Local impose orders or regulations which would prohibit us, or the Sheraton from being able to have, or provide what is needed for the event – then we’d be released from the contract with no penalties.  Unfortunately, as of today (Jan 7th, 2022) no such regulations or orders are in place at any level. Thus the Impossibility Clause does not apply. 

…Could we cancel the event outright? Legally, yes. Financially – absolutely not. Make no mistake, ConFusion Community – this con and community does not have $80k, – $90k dollars to pay out the entire contract.

Dubois’ message covers in detail their steps to maximize Covid safety, with changes in program, the con suite, etc.

…As a person who has been involved for many many years running not only fan events, but corporate ones, I can say that I have never had to push my team so hard, so fast, and ask for so many pivots than I have had to do this year. There are countless members of my ConCom that have put in hours of work, while always knowing that they themselves can not attend Rising ConFusion. These individuals helped carry the weight and stress of trying our best to do this the safest way we can, while knowing they’d not even be present to reap the benefits. Then there are those members of the Concom who are able to attend, and have also put in countless hours and brain cells to their departments needs. They’re all STILL working at breakneck speeds.  They are each amazing. While the community may not have witnessed all they have faced, I have.  Truly our community is blessed because of these individuals. Truly.

She also hopes members of the community will help prop up their finances, and suggests two ways to do so:

1) You could purchase a membership – and then not attend. This option will not provide you anything other then the knowledge that you did your best to ensure ConFusion lives on, by supporting the con with your membership. To be clear, we will not be rolling over memberships. If you elect to pre-register a membership and then not attend, that membership will not roll over to 2023, and expires at the end of the 2022 con. 

2) You can directly donate to our cost via our Paypal Donation Link…. 

(2) GIVE READERS WHAT THEY DON’T KNOW THEY WANTED. Clarkesworld hosts “Working Towards Legacy: A Conversation with Ann & Jeff VanderMeer by Arley Sorg” in the January issue.

Ann VanderMeer: …Jeff and I have different skills and talents so that helps make these collaborations work well. He is so good with the bigger picture and the overall concepts; and his instincts are spot-on most of the time. I am a detail-oriented person, so I deal with a lot of the nitty gritty, such as the permissions process (not the most fun, but necessary).

We also made a determination early on that each of us gets one veto (to drop a story) and one selection that cannot be vetoed. Luckily, we hardly ever have to use the veto in either scenario, as we generally agree on all selections before finalizing the table of contents. The bottom line is we have a great deal of respect for one another. This is a key component to our work together….

(3) SLUSH ANALYSIS. Editor Neil Clarke has updated the “Clarkesworld Submissions Funnel 2017-2021”, which breaks down by genre stories submitted and the acceptance rates in each category. Clarke advises against taking it all too much to heart for several reasons, beginning with: “Acceptance rates are fundamentally misleading. They suppose that all stories are equal in quality and we all know that isn’t true.”

…Over the last five years, the percentage of submissions reaching the second round has dropped significantly and the conversion from second round to acceptance has grown from 8% to nearly 35%. These changes are the likely result of our work with the slush team and how we recruit, monitor, and provide feedback to them….

(4) SPRING IS COMING. SF² Concatenation has just tweeted its second advance post ahead of its full spring edition. It’s an article comparing the novel Dune with both its cinematic adaptations.

Frank Herbert himself liked the film script, stating in Starlog in January 1983 that “Believe me, it is good, about two hours, 10 minutes, maybe.”.

The critics were less kind. Critic Roger Ebert’s comment is fairly typical of most. He said, “This movie is a real mess, an incomprehensible, ugly, unstructured, pointless excursion into the murkier realms of one of the most confusing screenplays of all time.”

SF² Concatenation’s full spring edition is slated for mid-month.

(5) HOLMES. Collector Glen S. Miranker will share his passion for Holmes and Sir Arthur Conan Doyle in Sherlock Holmes in 221 Objects, an exhibit at the Grolier Club in New York from January 12-April 16.

Highlights include leaves from The Hound of the Baskervilles; four short story manuscripts; original artwork by the British and American illustrators who created Sherlock’s iconic look for readers; a wealth of holograph letters from Arthur Conan Doyle to friends, colleagues, and well-wishers; a fascinating cache of pirated editions; the only known salesman’s dummy for the US Hound; an “idea book” of Conan Doyle’s private musings in which he (in)famously penned “Killed Holmes” on his calendar for December 1893; and a handwritten speech—never before displayed—with the author’s explanation for killing Holmes:

“I have been much blamed for doing that gentleman to death but I hold that it was not murder but justifiable homicide in self defence [sic] since if I had not killed him he would certainly have killed me.”

The New York Times helps build anticipation for the exhibit in “A Sherlock Holmes Mystery at the Grolier Club”.

This has the makings of a detective story with hints of history: Why did Sir Arthur Conan Doyle sign a pirate edition of “The Sign of the Four,” the second of the four Sherlock Holmes novels? Conan Doyle hated pirate editions. He was as famous for denouncing pirate publishers as they were infamous for grinding out cheap editions — and not paying royalties to authors like him.

Consider the plot possibilities here. Did someone force Conan Doyle to write words above his name that he could not have meant — “Yours cordially”?

Sherlock Holmes and Watson are not available to tackle this one, but Glen S. Miranker is on the case. He acquired the evidence years ago….

(6) RETURN TO THE ROCK. Fraggle Rock has been revived and is going to be on Apple TV+ starting January 21.

(7) TOLKIEN SOCIETY ADDS TO ARCHIVE. The Tolkien Society has purchased a historic collection of Tolkien photos taken by Pamela Chandler in 1961 and 1966.

In 1961, Pamela Chandler was commissioned to take portraits of Professor Tolkien. The formal black and white portraits were taken in his study at 76 Sandfield Road, Oxford.

At that time she also took informal photographs of the Professor and his wife, Edith, in the garden.

In 1966, when visiting the Tolkiens, she took a further series of less formal colour photographs of them both, in the study and in the garden.

…The 64 original negatives (which includes the copyright) were bought by the Tolkien Society at auction earlier this month for £18,000 (auction listing here), and the Society anticipates generating a modest income from these into the future. The Society also purchased at the same event lot 1470, two hand-written letters by Edith Tolkien, and lot 1465, a letter from J.R.R. Tolkien to Pamela Chandler.

The Society anticipates making these photos available to the Tolkien community for research and academic purposes, as well as generating a modest income from photo libraries and similar agreements. The Society shall be including more information about the photographs, as well as Pamela Chandler, on the website in due course. Until then you can support the Society by purchasing a postcard collection of 8 photographs, or by making a donation to the Society.

(8) JANE HAWKINS (1951-2022). Seattle fan Jane Hawkins died January 7, the day after explaining on Facebook why she was going through Washington State’s Death With Dignity procedures to end her own life. Hawkins had survived multiple cancers, but the latest recurrence came with a terminal diagnosis, and last November she stopped treatment and entered hospice care. “I have gotten to the point where enough drugs to quell pain pretty much renders me unconscious. I can’t focus on a book, a few minutes conversation wears me out completely, and snuggling with my lovely cat is just barely pleasant. Bluntly put, I just don’t want to be doing this anymore.”

Hawkins was a member of Seattle’s Vanguard fan group and hosted its monthly meetings for years. She was a founder of Norwescon, co-chaired three Potlatch conventions, and worked on many other cons including WisCon, Corflu, and Noreascon 3. She wrote one novel, Quantum Gate (1996), and was part of the Pacific Northwest Review of Books 

Jeanne Gomoll has written a deep-felt and insightful tribute to her friend Jane here on Facebook.

(9) MEDIA BIRTHDAY.

1989 [Item by Cat Eldridge.] Thirty-three years ago, Agatha Christie’s Poirot starring David Suchet as Hercule Poirot, the Belgian Detective, the most famous creation of that author, premiered on ITV.  

Over the thirteen series and seventy episodes which ranged in length between fifty and a hundred minutes, some ten production companies would be involved in creating what we saw. Each episode was indeed adapted from original material by Christie. 

David Suchet is the only actor to appear in the entire series though Hugh Fraser as Captain Arthur Hastings and Philip Jackson as Chief Inspector James Japp appeared in the first eight series. Pauline Moran as Miss Felicity Lemon appeared in most of the first eight series. Their absence reflects the stories of the latter series. 

Reception for the series was excellent starting with the family who recommended Suchet for the part.  Christie’s grandson Mathew Prichard commented: “Personally, I regret very much that she never saw David Suchet.” It even won an Edgar Award for Best Episode in a TV Series for “The Lost Mine”. It holds a near perfect ninety-nine percent rating among audience reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 8, 1908 William Hartnell. The very first Doctor when Doctor Who first aired on November 23rd, 1963. He would be the Doctor for three years, leaving when a new Showrunner came on. He played The Doctor once more during the tenth anniversary story The Three Doctors (aired 1972–73) which was the last thing he filmed before his death. I scanned through the usual sources but didn’t find any other genre listings for him. Is that correct? (Died 1975.)
  • Born January 8, 1941 Boris Vallejo, 81. Illustrator whose artwork has appeared on myriad genre publications. Subjects of his paintings were gods, hideous monsters, well-muscled male swordsmen and scantily clad females. Early depictions of Tarzan, Conan the Barbarian, and Doc Savage established him as an illustrator.
  • Born January 8, 1942 Stephen Hawking. Y’all know who he is, but did you know that Nimoy was responsible for his appearance as a holographic representation of himself in the “Descent” episode of Next Gen?  He also guest starred in Futuruma and had a recurring role on The Big Bang Theory. Just before his death, he was the voice of The Book on the new version of The Hitchhiker’s Guide to the Galaxy radio series. (Died 2018.)
  • Born January 8, 1947 David Bowie. First SF role was as Thomas Jerome Newton in The Man Who Fell to Earth. He next shows up in The Hunger which is well worth seeing. He plays The Shark in Yellowbeard, a film that Monty Python could have produced but didn’t. Next up is the superb Labyrinth where he was Jareth the Goblin King, a role perfect for him. From that role, he went on to being Pontius Pilate in The Last Temptation of Christ, an amazing role by the way. He was in Twin Peaks: Fire Walk with Me as FBI AgentPhillip Jeffries which was his last role. He also played Nikola Tesla in The Prestige from Christopher Priest’s novel. Ok, what am I leaving y’all to mention?
  • Born January 8, 1956 Jack Womack, 66. Ok I was trying to remember what I’d read by him. I realized it was his excellent Ambient novel when it first came out and that I hadn’t kept up with his later writings. So what do y’all think of his later novels? I know, he stopped witting essentially a generation ago except for his Flying Saucers Are Real! non-fiction release. Non-fiction? Really? Truly?  I was surprised the he’d won but one Award and that was the Philip K. Dick Award for his Elvissey novel. 
  • Born January 8, 1958 Lou Aronica, 64. Editor and publisher, primarily of science fiction. As a publisher he began at Bantam Books and formed their Bantam Spectra line. Later he moved on to Avon and assisted in the creation of their Avon-Eos line. He co-edited the Full Spectrum anthologies with Shawna McCarthy which won a World Fantasy Award once. He wrote three genre novels.
  • Born January 8, 1965 Michelle Forbes, 57. Best remembered as  Ensign Ro Laren in Star Trek: The Next Generation, she also showed up in the Battlestar Galactica: Razor film as Admiral Helena Cain, and the most excellent pilot of Warren Ellis scripted Global Frequency as Miranda Zero. She played Maryann Forrester on True Blood as well. 

(11) COMICS SECTION.

(12) GET YOUR KICKS FROM 1966. “Batman rewatch: We will never see anything like Adam West’s Batman again, alas” mourns Yahoo!

…By the time Adam West published his memoir in 1994, it was conventional to think of him as a bad actor and his Batman as a travesty. Dark Knights on page and screen were moping through BDSM role-play, getting spine-crunched by philosophical ‘roidheads, and carving steel cleats across Superman’s chin. West’s version looked like a toothless punchline in reruns. Which was, of course, the point. “We were farce,” West explains in Back to the Batcave (co-written by Jeff Rovin). “We were a lampoon.” The book reads defensive. Critics were wrong to call his series “camp.” Comic book fans were wrong to say his silliness ruined the character. The creators of the TV show were wrong not to pay him more money. The mega-grossing 1989 film Batman was wrong, because Michael Keaton‘s moody hero was “psychotic,” “addle-headed,” “shallow,” and “unpleasant.” (West wishes the film had starred West.)

No one reading Back to the Batcave had seen Lookwell, the astounding pilot West filmed a few years earlier. He plays a struggling actor semi-famous for a long-gone, three-season TV show: Hmmm. Former fake TV cop Ty Lookwell tries to solve actual crimes, and still chases hot-young-dude casting calls. He should be adrift in the wrong era, a turtlenecked Gloria Swanson washed up on grunge beach — but his baritone assurance warps the world around him. The script came from two young whoevers, Conan O’Brien and Robert Smigel, and they realized West’s stentorian I-Am-So-Normal manners had gotten weirder (and funnier) with age….

(13) SIMULATE KINDNESS. The December 19 New York Times Magazine has an interview with New York University philosopher David J. Chalmers about what life would be like if we were living in a simulated work like The Matrix. “Can We Have a Meaningful Life in a Virtual World?”. [May be paywalled.]

“You can try to think of our own physical universe as being a digital universe with bits at the bottom.  That’s not pathological:  that’s just a way for the world to be.  I want to normalize this idea of simulations; I quite like the recent movie Free Guy where the guy discovers he’s a character in a video game, and instead of totally freaking out— –None of this is real!– –he starts a movement.  It’s like, OK, we’re real people, too, and our lives matter and our world matters. That’s thinking of the simulated world not as dystopia but as a place where people can live meaningful lives.”

(14) HARD TRUTH. Try to control your disappointment (yeah, right) – Yahoo! covers the big non-discovery: “Moon Cube Mystery: Chinese Rover Finds It’s Just a Rock”.

…Last November, China’s Yutu-2 lunar rover spotted something curious on the far side of the moon. The image was blurry, but it was unmistakable: The object looked like a cube sitting on the moon’s surface. Its shape looked too precise to be just a moon rock — perhaps something left by visiting aliens like the monolith in Arthur C. Clarke’s “2001: A Space Odyssey.”

China’s space authorities called it the “mystery hut.” Others called it the “moon cube.” Yutu-2 was sent for a closer look, and at the leisurely speed the rover is capable of traveling, it took weeks to get up close.

On Friday, Our Space, a Chinese language science channel affiliated with China National Space Administration, posted an update. There is no monolith, no secret base on the rim of a lunar crater. Close up, it turns out to be just a rock. The seemingly perfect geometric shape was just a trick of angle, light and shadow….

(15) BIRDSTRIKE. [Item by Michael Toman.] I thought you (and Other Filers’n’Friends in the Lone Star State?) would be interested in this story I found on MSN: “Texas Walmart Overrun by Thousands of Birds Branded Sign of ‘Apocalypse’”.

…Shoppers were seemingly trapped in their cars—and presumably the store—when the flock descended onto the supermarket’s parking lot, off highway 80 in Mesquite.

One man, named Denis Mehic, filmed the “terrifying” spectacle from his car, where he sat with his children as birds swarmed the vehicle, with droppings landing on the windshield….

Will DisneyNature be streaming this “True Life Adventure” soon?

P.S. And here’s a Shout-Out dedicated to ol’ Winston Hibler!

“Now there’s something you don’t see in the sky every day, Woodrow!”

Now what, Gus?”

“Yonder, over there, past those railroad tracks…”

From Larry McMurtry’s uncut first draft of Lonesome Dove?

(16) VIDEO OF THE DAY. Matthias Pilhede hates wizards especially if they have all-seeing orbs!

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

To Be Fair, I Was Left Unsupervised: DisCon III, Day Two

To Be Fair, I Was Left Unsupervised: A Disjointed Chronicle of 79th World Science Fiction Convention, Discon III – December 16-17, 2021

By Chris M. Barkley: There are some days, you just feel LUCKY.

On this fine day, Juli, our friend Anna and I decided to try the Omni’s restaurant for breakfast. After ordering coffee and tea, I suddenly remembered that I had not taken my diabetic meds. 

I excused myself and walked back to the elevators. There was a bit of a crowd there so I decided to take the steps up one flight to our room. There are two sets of steps and the convention had posted signs indicating which ones to use going up and which to go down.  I went to the right and  up the steps.

As I opened the door, I looked down and became very surprised; there on the floor right at the entrance was my convention notebook! Apparently, it dropped out of my pocket as we left our room. I scooped it up and immediately wrote my name and phone number on the inside of the front cover. If I had the cash for a lottery ticket, I would have gotten one today. I was smiling for the rest of the morning…

We were joined at Breakfast by Chicago area super-fan Sandra Levy, who was having a splendid time at Discon III.

After breakfast, Juli and I decided to go Vote at the Site Selection area in the Dealer’s Room. Along the way, we encountered Laurie Mann at the Boskone Fan Table, who exhorted us to VOTE! 

At the Site Selection Desk, Sharon Sbarsky reported that had been a steady stream of fans coming to vote, both yesterday and today. 

As we wandered through the Dealer’s Room (which I found out later in the day was actually the Omni’s Parking Garage and looks very reminiscent of the sets they used on The Matrix films…) we came across the table of former Worldcon Chair (ConStellation, 1983) and bookseller Mike Walsh.

My eye was immediately drawn to a BIG collection of Krazy Kat comic strip Sunday pages. And when I mean big, I ACTUALLY MEANT GIGANTIC!

Being an ardent fan of George Herrimann, the late creator of the classic comic strip, I was immediately smitten with it. As I frantically wrote out a check to make the purchase, the Best Girlfriend in the World had already whipped out her credit card and gave me a very early Christmas gift. I LOVE you Juli and I thank you for loving my stupid face every day. At 3:00, we checked out the Con Suite, which was located on the 8th floor of the East Wing of the hotel. The food and drink were quite varied and plentiful but due to the pandemic, no one was allowed to eat in the suite. The suite’s balcony was open and a few people at a time did go out to take in the captivating view of Washington D.C.

At 4:00 p.m., we caught up with Hugo Award-winning author Jo Walton (whom we last encountered at the Dublin Airport on the way home) and the Hugo Award winning editor-in chief of Clarkesworld, Neil Clarke. Since I could not bring the many books I’d like to have signed, both happily consented to signing several book plates instead.

Also in the Dealers Room, Dave McCarty introduced me to writer/director Eric Brammer, who is shooting here with a crew for a documentary on Worldcons. He hopes to have either a rough cut or finished version done to show at Chicon 8 next year.

Later in the day, Juli and I sat for a while with fan writers and editors Nicki and Richard Lynch, who live about an hour away from D.C. They are longtime attendees of our local Ohio relaxacon  Midwestcon and asked about its status for 2022. (It is currently unknown to me.) We were lucky to catch them because they are lovely people (i.e.: baseball fans) and were only attending for the day…

Nearby, The Hugo Nominee’s reception was in full swing…with The Little Big Band, an ACTUAL swing band!

In the reception area, constant Filer (and Hugo Nominees) Olav Rokne and his partner Amanda Wakaruk were holding court with Skiffy and Fanty podcast host Shaun Duke.

We had dinner at the Open City restaurant, a delightful eatery located a half a block away from the hotel. Dinner was so delicious that Juli and I agreed that we would make that our destination for breakfast the next day.

As I began writing up the day’s events (and keeping an eye on the Eagles-Chief game on Fox) we tried to find a first run copy of Day One’s Dis ‘N Dat, which featured the first mention of the Site Selection controversy. We examined all the copies we had on hand but they were all the redacted versions.

We eventually surmised that by the time we arrived on Wednesday, ALL of the offending copies had already been rounded up and destroyed.

But anyone who does have an original, is in possession of one of the rarest of all ephemeral artifacts, ground zero of this year’s biggest fannish scandal. I can only imagine seeing it on Antiques Roadshow twenty or thirty years from now…

An Editorial About the WSFS Business Meeting. On the second day of DisCon III, a Preliminary Business Meeting of the World Science Fiction Society was held to confirm the agenda for the Main Business Meeting, which will be held on Friday. 

I did not attend the Preliminary Meeting nor do I intend to go to the Main Business Meeting. 

The Business Meeting and I became first acquainted in 1999 at Aussiecon 3 and parted bitterly at the Dublin Worldcon in 2019 and I, dear reader, was the plaintiff.

Back on November 22nd, File 770 published a link to Nicholas Whyte’s analysis of the 2021 WSFS Business Meeting’s Hugo Award Study Committee, which, over the past several years, has been charged with recommending rule and category changes to the WSFS Constitution.

What they have done is left a trail of obfuscation, hand-wringing and utter disdain for the proposals that came before them. I should know, I was one of the people doing the proposing. 

It was only through the persistence of myself and a dedicated group of supporters and collaborators that any changes have been made at all. They have my undying gratitude for all the time and effort they have put into getting those changes through the arduous process of being ratified.

As many of you regular readers may know, I was one of the main proponents of the Young Adult Book Award, now known as the Lodestar Award. 

And, as one of the more recent additions to the WSFS Constitution, the Lodestar Award is up for re-ratification this year. I support its continuation, even though I, and many other people, would prefer it be recognized as a full-fledged Hugo Award category, as it was originally intended.

Reading Nicholas Wyhte’s comments on this year’s Business Meeting agenda stirred up some strong feelings within me.

Specifically, I have found that many times, the proposals that had been made and debated online in advance of the Business Meeting, most egregiously in the case of the Young Adult Book Award, there were motions to delay debate on or outright reject proposals with BM sanctioned committees, like the Hugo Award Study Committee mentioned by Mr. Whyte, for the sole purpose of obstructing and eventually killing any possibilities for new award categories. 

There have been arguments that any new award proposals should be accompanied by evidence or statistics that would support a new award. The people making these objections claim they are doing so to protect the integrity of the Hugo Awards but know that such evidence is either hard to collect or nearly impossible to produce. 

As any mathematician worth their salt will tell you that a negative cannot be proven. The only appropriate way to see if a proposal is viable is to persuade a Worldcon committee to use its special award privilege as specified in the WSFS Constitution:

3.3.19: Additional Category. Not more than one special category may be created by the current Worldcon Committee with nomination and voting to be the same as for the permanent categories. The Worldcon Committee is not required to create any such category; such action by a Worldcon Committee should be under exceptional circumstances only; and the special category created by one Worldcon Committee shall not be binding on following Committees. Awards created under this paragraph shall be considered to be Hugo Awards. 

In the past decade, the members of the Business Meeting have taken very swift action on some issues when there has been a consensus that something needed to be done.

Per wit; the Fancast Award and Best Series Award were fast tracked through the process without too much resistance and legislation was quickly passed and ratified during the Angry/Sad/Rabid Puppy Crisis to deter a rash of slated voting.    

In the meantime, the Young Adult Book Hugo Award proposal languished in committees and discussion groups as they argued over the worthiness of honoring a branch of literature that the Locus and Nebula Awards have no problem honoring previously for many years. 

The Lodestar Award, sans it’s Hugo Award status, finally debuted in 2018. 

As I have argued over the past twenty one years, the Hugo Awards NEED to evolve and change with the times lest they become irrelevant and obsolete in our cultural landscape. And when I say change, which includes the categories I had a hand in creating, the Long and Short Form Best Dramatic Presentation, Short and Long Form Editing and Best Graphic Story or Comic (which, upon further reflection, NEEDS the term Manga added to the title to expand and clarify the category’s reach).

In examining its record over the past few years, I too have concluded that the Hugo Award Study Committee has been a dismal failure, having accomplished nothing except squelching debate on new categories and delaying vitally needed reforms for a whole host of issues, including categories I mentioned above and the Best Fan and Professional Artist categories as well. 

As Mr. Whyte mentioned in his blog post, the Lodestar Award is up for a final ratification for a permanent spot on the Hugo Awards ballot. I have every expectation that it will be ratified, seeing that it has more than proved its worthiness having averaged well over 500 nominating ballots over the past four years. 

I am also of the opinion that if the Lodestar Award were struck down by the Business Meeting, it would not only be a black eye for the fannish community and it would also invite a backlash from the wider Young Adult readers around the world.

The other measure up for re-ratification is the Best Series Award; I expect that it too, will be a permanent fixture on the ballot, at least until the literary quality of the series being nominated falls off.

The move to limit a television or a streaming series to a single nomination (instead of the current limit of two) is probably a mistake because it will restrict the voting for two connected, serialized episodes, which I think would be profoundly unfair. The only upside I can see is that more people will start nominating an entire mini-series or a season of a series in the BDP Long Form category, something that I have been advocating people to do, even at the expense of some of the longer eligible films. 

The solution to this particular conundrum would be to redefine the Best Dramatic Presentation into Best Series and Best Film categories, with a third category for very short items of under one hour’s running time. (This solution was actually submitted to the Business Meeting by myself and Vincent Docherty way back in 2015 when we were both members of another “Hugo Award Committee”. It was summarily dismissed and subsequently ignored.)  

While I enthusiastically support the idea of a Best Audio Book award, I am afraid that it will either be voted down not to be considered or, if they’re lucky, relegated to a study committee where it will either be hashed around for several years or ignored and discarded. 

I have a word of advice to Michele Cobb and Nicole Morano, the fans who proposed the Best Audio Book Award. The only way to advance your idea is to show up with enough supporters to advance your amendment past the Preliminary Meeting to get to the Main Meeting and hope for some spirited debate between yourself and them. 

If you fail, my advice to you is to be PERSISTENT. Show up and keep showing up.

If not this year, then next year and the year after that. Wear them down until they actually listen to you. Persuade people. Build coalitions. Spread the word. Build a groundswell of support among fans of audio books.

And, if you love your idea and believe in it, do not retreat and never, ever, surrender to the naysayers.

Good Luck!

Estimated Onsite Head Count: Still unknown

Luminaries Sighted: Geez, EVERYBODY, I think.

Neil Clarke Releases ToC for Best Science Fiction of the Year: Volume 6

Neil Clarke has unveiled the table of contents for his Best Science Fiction of the Year: Volume 6, which features science fiction short stories/novelettes/novellas originally published in 2020The cover art is Pascal Blanché’s “FOSS_STATION77”.

Table of Contents

  • “Scar Tissue by Tobias S. Buckell (Future Tense Fiction, May 30, 2020)
  • “Eyes of the Forest by Ray Nayler (The Magazine of Fantasy & Science Fiction, May/June 2020)
  • “Sinew and Steel and What They Told by Carrie Vaughn (Tor.com, February 26, 2020)
  • “An Important Failure by Rebecca Campbell (Clarkesworld Magazine, August 2020)
  • “The Long Iapetan Night by Julie Novakova (Asimov’s Science Fiction, November/December 2020)
  • “AirBody by Sameem Siddiqui (Clarkesworld Magazine, April 2020)
  • “The Bahrain Underground Bazaar by Nadia Afifi (The Magazine of Fantasy & Science Fiction, November/December 2020)
  • “Lone Puppeteer of a Sleeping City by Arula Ratnakar (Clarkesworld Magazine, September 2020)
  • “Your Boyfriend Experience by James Patrick Kelly (Entanglements: Tomorrow’s Lovers, Families, and Friends, edited by Sheila Williams)
  • “Beyond the Tattered Veil of Stars by Mercurio D. Rivera (Asimov’s Science Fiction, March/April 2020)
  • “The 1st Interspecies Solidarity Fair and Parade by Bogi Takács (Rebuilding Tomorrow, edited by Tsana Dolichva)
  • “Oannes, From The Flood by Adrian Tchaikovsky (Avatars, Inc., edited by Ann VanderMeer)
  • “Yellow and the Perception of Reality by Maureen McHugh (Tor.com, July 22, 2020)
  • “Exile’s End by Carolyn Ives Gilman (Tor.com, August 12, 2020)
  • “Invisible People by Nancy Kress (Entanglements: Tomorrow’s Lovers, Families, and Friends, edited by Sheila Williams)
  • “Red_Bati by Dilman Dila (Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora, edited by Zelda Knight and Oghenechovwe Donald Ekpeki)
  • “Textbooks in the Attic by S.B. Divya (Rebuilding Tomorrow, edited by Tsana Dolichva)
  • “Seeding the Mountain by M. L. Clark (Analog Science Fiction & Fact, September/October 2020)
  • “Knock Knock Said the Ship by Rati Mehrotra (The Magazine of Fantasy & Science Fiction, July/August 2020)
  • “Still You Linger, Like Soot in the Air by Matthew Kressel (Lightspeed Magazine, August 2020)
  • “Tunnels by Eleanor Arnason (Asimov’s Science Fiction, May/June 2020)
  • “Test 4 Echo by Peter Watts (Made to Order, edited by Jonathan Strahan)
  • “Uma by Ken Liu (Avatars, Inc., edited by Ann VanderMeer)
  • “Beyond These Stars Other Tribulations of Love by Usman T. Malik (Wired, December 11, 2020)
  • “The Translator, at Low Tide by Vajra Chandrasekera (Clarkesworld Magazine, May 2020)
  • “Fairy Tales for Robots by Sofia Samatar (Made to Order, edited by Jonathan Strahan)
  • “This World is Made for Monsters by M. Rickert (The Magazine of Fantasy & Science Fiction, September/October 2020)
  • “Elsewhere by James S. A. Corey (Avatars, Inc., edited by Ann VanderMeer)
  • “Salvage by Andy Dudak (Interzone, January/February 2020)
  • “The Long Tail by Aliette de Bodard (Wired, November 30, 2020)
  • “Rhizome, by Starlight by Fran Wilde (Rebuilding Tomorrow, edited by Tsana Dolichva)
  • “How Quini the Squid Misplaced His Klobucar by Rich Larson (Tor.com, January 15, 2020)

The book’s release date is November 23.

Pixel Scroll 10/2/21 Pixel Down, Scrollsocki, Pixel Down

(1) STOP THAT IMMEDIATELY! Richard Marpole writes one of those delectably sweeping accusations with the got-to-click-on-it title of “You Are Writing Medieval Fantasy Wrong” at Fantasy-Faction. Here is one segment:

TRAVEL WAS RELATIVELY COMMON

It’s quite possible that many Medieval people spent most of their lives in or near the place where they were born. But travel was far from unknown. Going back at least as far as the Celts, Europe was part of a vast trading network which could bring people from Africa to Asia to the British Isles and back.

Some countries specialised in particular kinds of warfare such as artillery or the use of crossbows. Regiments of mercenaries from these lands could see service all over the continent. Then there were the pilgrimages. Medieval Europeans of all social classes travelled hundreds or thousands of miles to the supposed resting places of saints all over the continent, and beyond, to Jerusalem, for example. They shared stories, made business deals, and brought back souvenirs. Some stuck to the Church-approved pilgrim badges, others stole stones, bits of fabric and entire bones from the shrines of saints.

(The alleged skeleton of one saint, Alban, was supposedly taken from its original resting place in England and placed in a monastery in Denmark. Years later, the story goes, a Saxon monk infiltrated the Danish order, gained enough trust to be given custody of its relics, secretly cut a hole in Alban’s coffin, stole his bones, hid them in a chest, and gave the chest to a merchant who was headed to England, ultimately sending them back home.)

So, your protagonist grew up in an isolated village. But an elder of the village could have travelled across the continent and beyond on a religious pilgrimage or to fight in a war, bringing back stories of wonders and monsters, and even artefacts that could help your hero in their own journeys. (Or perhaps the skeleton of a saint, which now longs to go home and may even return of its own accord.)

(2) SWEET FIFTEEN. Congratulations to Neil Clarke and staff on Clarkesworld’s fifteenth anniversary. Clarke looks back on the magazine’s history in his editorial for the October 2021 issue:

We were told we wouldn’t last a year, but here we are at our fifteenth anniversary issue and I have to say that it feels really good. To be fair to our early critics, the landscape for online fiction was more like a slaughterhouse back in 2006. While a lot of that was simply poor planning, a significant part of the problem was the lack of infrastructure to support such activities. Digital subscriptions, Patreon, Kickstarter, membership software, and most of the mechanisms that fund online fiction today simply didn’t exist and there were far fewer people reading online. Advertising? You’d be lucky to get pennies. That’s not to say that no one succeeded. Corporate funding, wealthy patrons (sometimes the editor/publisher), and other charity models existed, but had problems of their own. In fact, if it were not for the collapse of one corporate-funded publication, SciFictionClarkesworld may never have existed.

At the time, I ran Clarkesworld Books, an online bookstore. My passion for short fiction manifested itself there as a very large magazine section of over a hundred titles. Sometime in 2005, I started offering publishers the opportunity to include free sample stories on our website as a means of promoting magazines to our customers. In July 2006, I met up with Sean Wallace (then editor of Fantasy Magazine, one of the publications I was working with) at Readercon and we started discussing the impact of that experiment, the recent demise of SciFiction, and a post-mortem on several of the other recent losses in online publishing. A few hours later and sleep-deprived, we had a business model in mind and we decided to go for it…. 

Our in-house anniversary was in July and I thanked our staff in that issue, but I’m compelled to acknowledge their work once again. I’d also like to call out the two people who have been with me the longest: Sean Wallace and Kate Baker. They are like brother and sister to me and have been there for me through the best and worst. I am truly surrounded by amazing people.

(3) JUANITA COULSON Q&A. Fanac.org’s Fan History Zoom session with Juanita Coulson is now available to watch on YouTube.

PART 1 – Juanita Coulson has been an active science fiction fan for 70 years. She’s a marathon fanzine publisher, a mainstay of the filk community and a professional writer. Among her honors: Hugo winner (Yandro, 1965), Worldcon Fan Guest of Honor (1972), Filk Hall of Fame inductee (1998) and she famously outsang a steamboat whistle (NASFiC, 1979).

In this fascinating interview, Juanita provides personal recollections of some of the legendary fans of science fiction, of whom she is one. Juanita starts with her entry into fandom, her experiences at Chicon II (1952 Worldcon) and recalls how racism affected her friend Bev Bowles as she tried to check into a convention hotel. Juanita tells of her first meeting with Harlan Ellison, the origin of Bob Tucker’s “smooth” gesture, the first all night filksing and how she lost her job during the McCarthy era for being “different”. This interview is a rare and enlightening look into science fiction fandom in 50s, 60s and onward. Part 1 ends with Juanita’s rendition of one of the filksongs she made famous, Reminder, written by husband Buck Coulson.

IN PART 2, Juanita talks more about fandom in the 60s and beyond There are stories of filk and its evolution, Filthy Pierre, her appearance as General Jinjur of Oz, and the quirky story of Gene Wolfe and the jacket shot. She recounts the start of her professional writing career, with the mentorship and encouragement of Marion Zimmer Bradley. On breaking into the ranks as a professional writer, Juanita received this note from first reader Terry Carr: “In the immortal words of Lee Hoffman, you have lost your return postage” – meaning that a contract was coming. She speaks about women in science fiction fandom, the difference that Star Trek made, and tells the story of Harlan Ellison and the movie screen at St. Louiscon (1969). After 70 years, she’s still a fan, and why? “It’s home.” Fandom is home.

(4) KINKY BOOTS. “Elijah Wood: ‘I still have a pair of Hobbit feet in my house’” – so he told The Guardian.

…Nothing can prepare you for the magnitude of what the Lord of the Rings films became, and the world stage that it propelled all of us on to virtually overnight. I’d been acting for 10 years by then, and we collectively helped each other deal with the attention, which was intense. I remember the day that I saw us all plastered over the side of plane. At that point I compartmentalised it. I put it in its own universe.

I’ve had encounters with people who are a little unsettling. There was a woman who flew to Wellington airport in New Zealand to declare her love for me. It was clear her sense of reality may not have been intact. I’ve also had people show up at my door who weren’t entirely stable.

I try to be kind and listen, then move on.

I still have a pair of Hobbit feet in my house, but I don’t wear them any more. They’re made of latex. They were given to me by the makeup department. I did wear them at one stage. Now they’re in a box, tucked away. And, no, I don’t recreate Frodo at fancy dress parties.///

(5) PASSING FANCY. The European Space Agency shared a fly-by photo of the craters of Mercury: “Hello Mercury”.

The joint European-Japanese BepiColombo mission captured this view of Mercury on 1 October 2021 as the spacecraft flew past the planet for a gravity assist manoeuvre.

The image was taken at 23:44:12 UTC by the Mercury Transfer Module’s Monitoring Camera 2, when the spacecraft was about 2418 km from Mercury. Closest approach of about 199 km took place shortly before, at 23:34 UTC. In this view, north is towards the lower right.

(6) MEMORY LANE

  • 1959 – Sixty-two years this evening on CBS, the Twilight Zone as created, largely written by and presented by Rod Serling, premiered on CBS with the “Where is Everybody?” episode. An earlier pilot was developed but it ended up airing on a different show, Westinghouse Desilu Playhouse, and was later adapted as a radio play. Serling served as executive producer and head writer; he wrote or co-wrote ninety two of the show’s one hundred fifty-six episodes. The series would run four seasons in total. It would win the Hugo at Pittcon and then again the next year at Seacon for Best Dramatic Presentation repeating that for a third year straight at Chicon III. It didn’t do that for a fourth year running at DisCon I as no Best Dramatic Presentation Hugo was awarded. 

There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call The Twilight Zone. —?Rod Serling

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 2, 1909 Alex Raymond. Cartoonist who was best remembered for creating the Flash Gordon strip for King Features Syndicate in 1934.  He actually started for them by illustrating Secret Agent X-9 scripted by Dashiell Hammett. George Lucas has often cited Raymond as a strong influence on the look and feel of Star Wars. (Died 1956.)
  • Born October 2, 1911 Jack Finney. Author of many novels but only a limited number of them genre, to wit The Body SnatchersTime and Again and From Time to Time. He would publish About Time, a short story collection which has the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. The film version of The Body Snatchers was nominated for a Hugo at Seacon ‘79. He has a World Fantasy Award for Lifetime Achievement. (Died 1995.)
  • Born October 2, 1944 Vernor Vinge, 77. Winner of five Hugo Awards, though what I consider his best series, the Realtime/Bobble series, was not one of them. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the last eighteen years worth of his work remain uncollected as far as I can tell. 
  • Born October 2, 1948 Avery Brooks, 73. Obviously he’s got his Birthday write-up for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk which are aren’t even tangentially genre adjacent. He retired from acting after DS9 but is an active tenured theater professor at Rutgers. 
  • Born October 2, 1950 Ian McNeice, 71. Prime Minister Churchill / Emperor Winston Churchill on Doctor Who in “The Beast Below”, “Victory of the Daleks”,  “The Pandorica Opens” and “The Wedding of River Song”, all Eleventh Doctor stories. He was an absolutely perfect Baron Vladimir Harkonnen in Frank Herbert’s Dune and Frank Herbert’s Children of Dune series which is far better than the original Dune film ever was. And he voiced Kwaltz in The Hitchhiker’s Guide to the Galaxy. 
  • Born October 2, 1953 Walter Jon Williams, 68. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that SF or fantasy, as well as his Hardwired series. I’m surprised how few Awards that he’s won, just three with two Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”.  
  • Born October 2, 1972 Graham Sleight, 49. He’s The Managing Editor of the third edition of the Encyclopedia of Science Fiction which won the Hugo for Best Related Work at Chicon 7. He’s also a critic whose work can be found in LocusStrange HorizonsThe New York Review Of Science Fiction, and Vector. And he’s a Whovian who edited The Unsilent Library, a book of writings about the Russell Davies era of the show, and The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who.

(8) COMICS SECTION.

  • Bizarro shows why slow downloads are a crime.

(9) HARI HARI SELDON SELDON. Camestros Felapton has a good discussion of the third episode of Foundation, but no excerpt here because I don’t want to spoil his spoilers. “Review: Foundation Episode 3”. But did I make that clear enough? Spoiler Warning.

(10) SMOOTH SEGUE. Paul Weimer finds a lot to like about this sequel: “Microreview [book]: In the Deep by Kelly Jennings” at Nerds of a Feather.

… One thing I did appreciate right from the get go is the synopsis of the previous book, Fault Lines. While I personally had read the book not long before picking up this second volume, it was good to have this here for those readers who want to start with this novel to start here. For readers who have read Fault lines, the key takeaway is that this tells the reader right off that this new novel is set three years later. The glossary at the beginning of the book also helps the reader get grounded in what is definitely a complex and complicated space opera universe.

That complex and complicated space opera universe seen here, with the aid of the Glossary, does not prevent new readers to Jennings’ verse from picking it up, because we are in a new and different area than the previous novel. The ground rules are different, both the planet Durbin as well as the Pirian ship Sungai…. 

(11) TODAY’S THING TO WORRY ABOUT. WIRED is concerned that “As SpaceX’s Starlink Ramps Up, So Could Light Pollution”. It’s a specific problem for astronomers.

WITH SOME 1,800 satellites already orbiting Earth, providing internet access to about 100,000 households, SpaceX’s Starlink broadband service is poised to emerge from the beta testing phase this month, according to a recent tweet from Elon Musk, the company’s founder and CEO.

Just a decade ago, there were only a few thousand spacecraft orbiting Earth. Now Starlink engineers aim to build up to 12,000 satellites, and SpaceX launches scores more on its Falcon 9 rockets almost every month. (A recent FCC report states that the company applied for authorization for 30,000 more.) The massive network of satellites, known as a “mega-constellation,” currently dominates the satellite internet industry, but other players, like Amazon and OneWeb, have plans to launch thousands of satellites of their own.

As the Starlink fleet grows, SpaceX and its competitors will have to address some potential problems. One is that more orbiting bodies means that, eventually, there will be more space junk, creating more chances for collisions. And astronomers, environmentalists, and indigenous groups, among others, express concern that Starlink will irrevocably light up the night sky, thanks to the sunlight reflected off its satellites….

(12) KEEP THEM DOGGIES ROLLING. “It’s man’s best friend’s worst enemy.” From The Late Show With Stephen Colbert: “Amazon Astro Wants To Haunt Your Dog’s Dreams”.

[Thanks to Michael Toman, Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Cat Eldridge, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Arthurs.]

Semiprozine.org Eligibility List Updated by Neil Clarke

Neil Clarke has updated the Semiprozine Directory for the benefit of Hugo voters who want to know what’s eligible in the Best Semiprozine category.

He tells File 770

I can’t say that there’s been much activity. Not shocking considering the year we’ve had. 

We had a few magazines that didn’t publish new issues in 2020 (possible they could return) and some new ones that just missed meeting the four issue minimum requirement, but are on-track for eligibility in 2021. Over the course of the year, there were a few new additions, but I believe that most of them were previously eligible and we just didn’t know about them.

No one has moved from semipro to professional in 2020. Similarly, no one has taken themselves out of the running for the award this year.

As usual, if there are any publications that would like to be added to the list, they should feel free to contact me. 

The updated  Semiprozine Directory lists:

  • 53 publications that are currently eligible for the Hugo Award for Best Semiprozine;
  • Other semiprozines that are ineligible for the 2021 Hugos because they did not publish an issue in 2020;
  • Other zines that are ineligible for nomination as semiprozines because they are professional publications or fanzines (answering specific reader inquiries – not intended as an exhaustive list).

This is not an official list, but a tool that Clarke has excellent sources for keeping current. He invites any editor or publisher of a qualified semiprozine who wants their zine added to contact him at neil(@)clarkesworldmagazine.com

Group Sends Letter of Concern To CoNZealand Programming

Alasdair Stuart has published a “Statement of 2020 Hugo Finalists re: Worldcon Programming” on behalf of a group of CoNZealand program participants and award finalists. Stuart, co-owner of Escape Artists podcasts and a 2020 Best Fan Writer Hugo finalist, outlined the issues in a Twitter thread starting here.

Stuart told File 770, “The letter was workshopped by the entire group, and wasn’t published before they gave express approval so it very much is a group of co-signees.”

The group includes: Charles Payseur, Benjamin C. Kinney, Jennifer Mace, SL Huang, Shiv Ramdas, SB Divya, Jenn Lyons, Sarah Gailey, Paul Weimer, Sarah Pinsker, Claire Rousseau, Maria Haskins, Tasha Suri, Marguerite Kenner, Alasdair Stuart, Jonathan Strahan, Pablo Defendini, Elsa Sjunneson, Brent Lambert, Freya Marske, Julia Rios, Alix Harrow, Gideon Marcus, Janice Marcus, Lorelei Marcus, James Davis Nicoll, Neil Clarke, Cora Buhlert, Charlie Jane Anders, Brandon O’Brien, Erica Frank, Jen Zink, Adri Joy, Fran Wilde, Suzanne Walker, Chimedum Ohaegbu, Navah Wolfe, John Picacio, and Max Gladstone.

The letter says:

We applaud the courage and conviction of the CoNZealand organisers in pivoting to a virtual Worldcon during an unprecedented global event. Their work has been admirable and — in many aspects — both innovative and successful.

We are a group of Hugo Award finalists who identified concerns with our programming when we received our “final schedules” this week, and came together to help CoNZealand recognize and address these issues.

In brief, our key concerns are:

  • Many Hugo finalists have not been offered programming and panels relevant to their nomination.
  • We believe that many of our panels cannot be adequately performed without more diverse participants and/or a reframing of the topic.
  • Communication with Hugo finalists about the financial requirements for participation has been inconsistent or absent, with contradictory information on whether or not we were able to participate in programming without a full attending membership. This issue particularly impacted Black, Indigenous and people of color (“BIPOC”), leaving them more likely than other finalists to receive no programming.

We present our concerns in the hope that these issues represent not intentional choices on the convention’s part but the unavoidable consequences of Worldcon’s discontinuous structure, and the necessary prioritization CoNZealand has had to undertake in order to pivot successfully to a virtual event. 

We have tried to be brief and targeted in our recommendations so as to remain sensitive to the time pressure CoNZealand is under. Accompanying this letter is a spreadsheet containing specific examples of the issues above. We have listed (1) which panel topics we are missing; (2) which panels have problematic design or membership; (3) which panels we finalists want off or are willing to leave to create space; and (4) finalists that were deterred from participation due to lack of membership.

Our data are incomplete because we could only recruit a limited number of Hugo finalists to provide input without further delaying the process. Among our group of finalists, about 25% entirely lack relevant panels, and about 45% are dissatisfied with the fit of the programming they have.

We recognize there is a difficult balance to strike when raising concerns to an overtaxed team less than two weeks before an event, however many of us have repeatedly raised these issues or volunteered only to receive no response. We have intentionally not sought to assume ownership of programming items, but we are committed to assisting where possible and desired by CoNZealand. However, we emphasize that our bringing awareness to these issues does not obligate us to single-handedly resolve them.

As part of our offer to assist, we have begun identifying additional and replacement panelists who could add necessary diversity. If CoNZealand lacks sufficient BIPOC attendees, we hope you will provide free attendance to needed panelists who aren’t members. Moreover, there remain issues we cannot address on our own, especially (1) communicating with all finalists whether paid membership is required for programming; and (2) making sure all finalists with memberships are on relevant programming.

We are not united in what actions we intend to take if our concerns are not addressed. Many have already begun the process of asking to be removed from programming in its entirety, while others are actively working to locate replacements for the programming items they feel need improvement. Our focus at this stage remains taking action to make our concerns known, and to support CoNZealand addressing them in the combined spirit of fostering an environment for all to share in the celebration of our genre.

Although there are some echoes of the representation issues raised before the 2018 Worldcon (which a team led by Mary Robinette Kowal stepped in to address before the con), so far the efforts have been collaborative.

The CoNZealand’s Programming Division Head Jannie Shea emailed this reply to Stuart:

Thank you for sending us your concerns. We are addressing those we can. We encourage indigenous, marginalised and historically underrepresented fans to apply for our Inclusion Initiative, (https://conzealand.nz/blog/2020/07/03/conzealand-chairs-inclusion-initiative) which offers two types of opportunities to join CoNZealand. 

We appreciate your volunteerism in contacting all those people for us. As you know, due to privacy regulations, we cannot contact people more than once without a response from them. We hope they will get in touch with us directly and soon, to see if we can fit them in.

All the best,
Jannie

Shea points to CoNZealand’s inclusion initiative in answer to the letter’s question “whether paid membership is required for programming.” Typically, only people who have bought attending memberships become Worldcon program participants. The introduction to the  inclusion initiative explains what help is available:

Marginalised communities are overrepresented in the group suffering the greatest fallout from this pandemic, and as such, we want to ensure that our community does not suffer a loss of its hard-won diversity. We want to lower the barriers for participation for those from underrepresented communities. 

We want the convention to be a global one, where all communities and viewpoints are represented, and this fund is intended to help those who would otherwise not be able to participate fully in the activities of the Worldcon.

The initiative upgrades eligible members from supporting to attending memberships. …There are a small number of attending passes available.

CoNZealand is especially challenged in its efforts to answer these needs because, as a virtual convention, it isn’t limited to programming people who can afford to come to Wellington, as would have been the case before the pandemic — it could draw people from everywhere. But like most non-U.S. Worldcons it has a smaller membership base from which to draw the financial support needed to make its budget.  

Following the jump is a roundup of Twitter comments from participants.

Continue reading

Pixel Scroll 6/28/20 No One Expects The Fannish Inquisition! Our Chief Weapons Are Filing, Scrolls, And A Fanatical Devotion To The Pixel

(1) IN POOH’S OWN PAW. Pooh may have been a bear of very little brain, but he knew etiquette.

A 1935 letter signed by “Winnie the Pooh” — actually written by illustrator Ernest Howard Shepard — fetched triple its expected amount when it sold for more than $15,000.

The note, which included a drawing of the titular bear from A.A. Milne‘s book series as well as best friend Piglet, apologizes to a young fan named “Buffkins” for missing his birthday party.

(2) COLD DECK. Vox’s Aja Romano asks: “Did Cards Against Humanity’s ironic humor mask a toxic culture all along?” Tagline: “The popular brand built its progressive ethos through a game that encouraged ironic bigotry. Now, it faces a reckoning.”

The company’s own statement begins:

Starting on June 6, several of our former employees posted reports on social media about a toxic work environment in our Chicago office. Many of them centered on one of our eight co-founders, Max Temkin, who led that office. We immediately began an internal investigation, and on June 9, we made the following commitments to our staff:

  • Max Temkin stepped down and no longer has any active role at Cards Against Humanity, effective that day.
  • We’re hiring a specialist firm to review and improve all HR, hiring, and management practices at the company. Our goal is to make these practices more inclusive, transparent, and equitable.
  • An outside organization will lead workplace training for all partners and employees of Cards Against Humanity, focusing on communication and unconscious bias at work.

Romano’s Vox article continues with an explanation of the problematic aspects of the game, and why they were not called out earlier –

…CAH’s namesake card game, a self-proclaimed “party game for terrible people,” is an off-color derivative of the family-friendly Apples to Apples, the Mad Libs-style party game. Players use a small handful of words to fill in blanks within loaded phrases for maximum comedic effect, and the appeal lies in the goal of creating a more shocking, provocative one-liner from your hand of cards than your fellow players in order to be dubbed the funniest player in the group. It’s the kind of wordplay silliness that goes over well among a lot of drunk party-goers.

But detractors have argued for years that CAH’s real appeal is, in a word, racism. A 2016 study published in the academic journal Humanity & Society found that a quarter of the cards in the original deck dealt with race, and nearly all of those cards involving minorities seemed to invite the worst readings possible. Consider, for example, the card about indigenous Rwandans, “Stifling a giggle at the mention of Hutus and Tutsis,” later reportedly changed to “Helplessly giggling at the mention …” The phrase implies that something about the names of indigenous tribes is inherently funny, and that even though we all know it’s wrong, we just can’t help but indulge in our racism just a little bit, for a laugh. (CAH removed this card from circulation in 2015.)…

(3) ANOTHER CUCKOO IN THE SLUSHPILE. [Item by Andrew Porter.]  Okay, which word in the title would you have changed?

(4) PRACTICE YOUR WORLDCON SKILLS. In the CoNZealand 2020 Worldcon Community Group on Facebook, Laurie Mann announced there will be training and practice sessions for the apps they will use to run the virtual Worldcon.

To help people learn about Grenadine, Zoom & Discord & to get practice using these apps leading up to, we will have training sessions & practice sessions over the next few weeks. The schedule, using New Zealand Time, is here: https://conzealand.grenadine.co/en/cnzpreconz/ If you plan to attend any items, don’t forget to log into Grenadine – there’s information about that on the first page of the schedule.

(5) SUMMER SCHOOL. The Clarion West Write-A-Thon has started. The schedule and other nformation is at the links:

The Write-a-thon is on! Five hundred and eight participants have begun guided writing sessions, and on Tuesday, we hosted a livestream video of Andy Duncan’s reading. In the coming weeks, the world can tune in to see and hear Eileen Gunn, Nalo Hopkinson, Tina Connolly, Caroline M. Yoachim, and an editors’ roundtable featuring Scott H. Andrews, Chinelo OnwualuJulia Rios, and Wendy Wagner. These live events include ASL interpreters to help ensure that they are accessible to as many as possible. If you prefer closed captioning, please contact the Seattle Public Library. Please subscribe to our newly revamped YouTube channel for reminders about these events and more!

(6) DYSON SPHERE OF INFLUENCE. From the March 2018 New York Review of Books: “The Big Bang”. Tagline: The following letters to relatives and the accompanying headnotes are adapted from Freeman Dyson’s Maker of Patterns: An Autobiography Through Letters, published by Liveright. This would be of interest in any case, all the more so to readers of Robert J. Sawyer’s new The Oppenheimer Alternative.

… Yesterday I had a talk with [Hans] Bethe about my future. Bethe told me that unless I raise objections, he will press for me to be given a second year; he said this was “in the interests of science as well as in your own interests.” He said I should spend the second year at Princeton with [J. Robert] Oppenheimer, and that Oppenheimer would be glad to look after me…

(7) MEDIA BIRTHDAY.

  • June 1982 — Ursula K, Le Guin’s The Compass Rose was published  by Pendragon Press, the Welsh publisher. This edition was of only 550 copies, and featured cover art by Tom Canty with interior illustrations by Anne Yvonne Gilbert.  It would garner a Best Single Author Collection From the annual Locus Readers Poll. And a Ditmar was also awarded. It’s been in print even since, and has quite a few translations.  Most of the stories here are reprinted from elsewhere but some such as the horrific “The Wife’s Story” which is highly reminiscent of work done by Angela Carter is written for here. (CE)

(8)  TODAY’S BIRTHDAYS.

  • Born June 28, 1948 Kathy Bates, 72. Her performance in Misery based on the King novel was her big Hollywood film. She was soon in Dolores Claiborne, another King derived film. Another genre roles included Mrs. Green in Dick Tracy, Mrs. Miriam Belmont in Dragonfly, voice of the Sea Hag in Popeye’s Voyage: The Quest for Pappy, voice of Bitsy the Cow in Charlotte’s Web and Secretary of Defense Regina Jackson in The Day the Earth Stood Still , a very loose adaption of the Fifties film of the same name. (CE)
  • Born June 28, 1954 Deborah Grabien, 66. She makes the Birthday list for her most excellent Haunted Ballads series in which a folk musician and his lover tackle the matter of actual haunted spaces. It leads off with The Weaver and the Factory Maid. You can read the first chapter here. Oh, and she makes truly great dark chocolate fudge. (CE)
  • Born June 28, 1954 Alice Krige, 66. I think her first genre role was in the full role of Eva Galli  and Alma Mobley in Ghost Story. From there, she plays Mary Shelley (née Godwin) in Haunted Summer before going onto being Mary Brady in Stephen King’s Sleepwalkers. Now Star Trek: First Contact in which she first plays the Borg Queen, a role she’ll repeat in the 2001 finale of Star Trek: Voyager, “Endgame”. She’s had a number of other genre roles but I only note that she was Eir in Thor: The Dark World. (CE)
  • Born June 28, 1979 Felicia Day, 41. She was Vi in  Buffy the Vampire Slayer, Dr. Holly Marten in Eureka, and had a recurring role as Charles Bradbury on Supernatural. She also appears  as Kinga Forrester in Mystery Science Theater 3000. (CE)
  • Born June 28, 1957 Mark Helprin, 73. Author of three works of significance to the genre, Winter’s TaleA City in Winter which won the World Fantasy Award for Best Novella and The Veil of Snows. The latter two are tastefully illustrated by Chris Van Allsburg. I know Winter’s Tale was turned into a film but color me very disinterested in seeing it.  (CE)
  • Born June 27, 1926 Mel Brooks, 94. Blazing Saddles I’ve watched, oh, at least two dozen times. And Get Smart several times at least wholly or in part. Spaceballs, errr, once was enough. And let’s not mention Robin Hood: Men in Tights, though The Producers (not genre I grant you) was brilliant. So what do you like or dislike by him? (CE)
  • Born June 27, 1951 Lalla Ward, 69. She is known for her role as Romana (or Romanadvoratrelundar in full) on  Doctor Who during the time of the Fourth Doctor. She has reprised the character in Dimensions in Time, the webcast version of Shada, and in several Doctor Who Big Finish productions. In addition, she played Ophelia to Derek Jacobi’s Hamlet in the BBC television production.  And she was Helga in an early horror film called Vampire Circus. (CE)
  • Born June 27, 1954 Raffaella De Laurentiis, 66. Yes, she’s related to that De Laurentiis hence she was the producer of the Dune film. She also did Conan the Barbarian and Conan the Destroyer, both staring Arnold Schwarzenegger, and Kull the Conqueror. She also produced all films in the Dragonheart series. She was the Executive Producer of the Sky Captain and the World of Tomorrow. (CE)
  • Born June 28, 1918 – Martin Greenberg.  Co-founded Gnome Press with Dave Kyle (Dave’s logograph is here), publishing ninety books in hard covers including Anderson, Asimov, Clarke, Heinlein, Moore, Norton, Simak.  Edited eight anthologies.  Lost his shirt to Bob Bloch at poker.  First Fandom Hall of Fame.  (Died 2013) [JH]
  • Born June 28, 1930 – Joe Schaumburger.  Active in our two longest-running apas, the Fantasy Amateur Press Ass’n (FAPA) and Spectator Amateur Press Society (SAPS).  President of the New Jersey SF Society and the Dickens Fellowship of New York.  Founded Wossname (Pratchett fans).  (Died 2011) [JH]
  • Born June 28, 1944 – Peggy Rae Sapienza.  Daughter of Jack McKnight who made the first Hugo Award trophies.  Active in FAPA.  With husband Bob Pavlat was given the Big Heart, our highest service award.  Chaired Smofcon 9.  Vice-chair of ConFrancisco the 51st Worldcon.  After BP’s death, married John Sapienza.  Chaired BucConeer the 56th Worldcon, Nebula Awards Weekend 2012 and 2014, World Fantasy Convention 2014.  Fan Guest of Honor at Chicon 7 the 70th Worldcon.  When Japanese fans bid for and won the right, privilege, or typhoon of holding the 65th Worldcon, she was the North America agent, as probably no one else on the continent could have been.  Our Gracious Host’s appreciation is here.  (Died 2015) [JH]
  • Born June 28, 1945 – Jon Gustafson.  Co-founded Moscon (Moscow, Idaho) and the Ass’n of Science Fiction & Fantasy Artists (ASFA); ASFA Western Region Director until his death. Wrote “The Gimlet Eye” for Science Fiction Review and Pulphouse.  Edited the Program Books for Westercon 46 and MagiCon the 50th Worldcon; the 1995 SFWA Handbook (Science Fiction & Fantasy Writers of America); Chroma, the Art of Alex Schomburg.  Founded JMG Appraisals, first professional SF art and book appraisal service in North America.  Wouldn’t lead Art Show tours but walked around with me so I could lead them better.  (Died 2002) [JH]
  • Born June 28, 1954 – Darcy Pattison, 66.  Author and quilter; “Houses and Stars” on the cover of Quilting Today (September 1991); Great Arkansas Quilt Show 2002, 2007-2008.  The Wayfinder among a dozen novels for us, a few shorter stories; thirty more books for children and adults.  Leads the Novel-Revision Retreat.  Five Nat’l Science Teaching Ass’n (NSTA) Outstanding Science Trade Books.  Arkansas Governor’s Art Award.  Translated into Arabic, Chinese, Danish, German, Norwegian, Portuguese, Swedish.  [JH]
  • Born June 28, 1983 – Gina Damico, 37.  CroakWax, and four more novels for us.  Grew up under four feet of snow in Syracuse, New York; California now.  Hardcore crocheter and knitter.  Likes Utz cheese balls.  Even she has seized the Iron Throne.  Her Website is here.  [JH]

(9) TRIVIAL TRIVIA.

On Mel Brooks’ birthday, let John King Tarpinian tell you about attending the premiere of Blazing Saddles. Not the one in the movie, but the real one at the Pickwick Drive-in in Burbank. 

“Attending on horseback was encouraged,” says John. “It was a block from what was then called the Pickwick Stables, now the Burbank Equestrian Center.  What is now the entrance back then was a grass lawn, which is where George Burns, as God, made his final phone booth call to John Denver.”

(10) A ROSE OF TEXAS BY ANY OTHER NAME. There’s not much to it besides a map of the district and a news clipping: “Lou Antonelli for Congress – Texas 4th District”.

(11) HOW’S FOR DINNER? “Dolphins Learn Foraging Tricks From Each Other, Not Just From Mom”.

Dolphins learn special foraging techniques from their mothers—and it’s now clear that they can learn from their buddies as well. Take the clever trick that some dolphins use to catch fish by trapping them in seashells. It turns out that they learn this skill by watching their pals do the job.

The discovery, reported in the journal Current Biology, helps reveal how groups of wild animals can transmit learned behaviors and develop their own distinct cultures.

“Dolphins are indeed very clever animals. So it makes sense that they are able to learn from others,” says Sonja Wild, a researcher at the University of Konstanz in Germany. She says young dolphins spend years in close association with their mothers and naturally tend to adopt their mothers’ ways, but this study shows that “dolphins are not only capable, but also motivated to learn from their peers.”

The bottlenose dolphins that live in Shark Bay, Western Australia, have been studied for decades, and scientists have identified over a thousand individuals by looking at the unique shape and markings of their dorsal fins. Researchers know what families the dolphins belong to, and keep track of their close associates. These dolphins use a variety ways of finding food—and not every dolphin uses every method.

Some dolphins, for examples, use sponges as tools. The dolphins break a conical sponge off the seafloor, and then wear it almost like a protective cap on their long snout, or beak. This apparently helps them probe into the rough sand of the rocky seafloor and search for buried prey.

(12) WE HAVE ALWAYS PUNKED IN THE CASTLE. “Shirley Jackson Meets Johnny Rotten In ‘Dark Blood Comes From The Feet'”NPR will tell you about it.

Horror isn’t many readers’ first choice during times like these. And while the prospect of wallowing in the murkier end of the emotional spectrum isn’t exactly high on the list of anyone’s self-care regimen right now, there’s a lot to be said for confronting our demons on the printed page as well as in real life. Emma J. Gibbon gets it. The Maine-by-way-of-England author’s debut collection of short stories, Dark Blood Comes from the Feet, is an assortment of seventeen scalding, acidic tales that eat away at society’s thin veneer of normalcy, convention, and even reality. At the same time, these horrific confections leave a sweet aftertaste of humanity.

As with all great horror, Dark Blood puts its characters first. In “Janine,” a reporter interviews a broken, middle-aged woman whose experience during her prom night in the ’80s shattered lives as well as reality. It’s the doom-laden, small-town fable of rich boy romancing a girl from the wrong side of the tracks, as if Stephen King had written Pretty in Pink instead of John Hughes.

“The Tale of Bobby Red Eyes” is more mysterious but no less sympathetic to its titular character. In it, a group of children set out to investigate a local urban legend. The ending isn’t exactly happy. “If you say ‘Bobby Red Eyes’ three times in the mirror on Halloween, he’ll be your reflection,” whispers the story’s narrator, and Gibbon builds that incantatory force until it’s incandescently frightening. And in “The Last Witch in Florida,” Gibbon etches an endearingly weird portrait of an elderly witch who’s retired to the Sunshine State, stirring up magical mischief using pink plastic flamingoes and whatever she can scare up at the corner CVS.

(13) UNRELEASED. An NPR review: “A Painful Past And Ghostly Present Converge In ‘Tokyo Ueno Station'”.

Kazu, the narrator of Tokyo Ueno Station, had hoped that his death would bring him some rest, some sense of closure. The man led a life marked with hard work and intense pain; he spent his final years homeless, living in a makeshift shelter in a Tokyo park. But when he dies, he finds the afterlife — such as it is — is nothing like he expected.

“I thought that once I was dead, I would be reunited with the dead,” he reflects. “I thought something would be resolved by death … But then I realized that I was back in the park. I was not going anywhere, I had not understood anything, I was still stunned by the same numberless doubts, only I was now outside life looking in, as someone who has lost the capacity to exist, now ceaselessly thinking, ceaselessly feeling –“

Kazu’s painful past and ghostly present are the subject of Tokyo Ueno Station, the latest book by Korean-Japanese author Yu Miri to be published in English. It’s a relatively slim novel that packs an enormous emotional punch, thanks to Yu’s gorgeous, haunting writing and Morgan Giles’ wonderful translation.

(14) NOT UNCUT AFTER ALL. Bruce Haring, in the Deadline story, “‘South Park’ Missing Five Episodes From HBO Max Offerings Because Of Prophet Muhammad Depictions”, says that HBO Max is offering 23 seasons of South Park except for five episodes that have the Prophet Muhammad as a character.  Two of the five episodes are on the South Park website.

…The controversial episodes violate a widespread Islamic belief that depictions of Muhammad or any of the other prophets of Islam are forbidden, as they encourage the worship of idols. The prohibitions cover images, drawings, statues and cartoons.

…The episodes not available on HBO Max include season five’s Super Best Friends and season 14’s 200 and 201. Those shows had previously been removed from a streaming deal with Hulu and also were axed on the official South Park website. Also not made available to HBO Max were season 10’s Cartoon Wars Part I and Cartoon Wars Part 2, although those episodes can still be streamed on the South Park website.

South Park creators Matt Stone and Trey Parker were threatened in 2010 for the prior depictions of Muhammad. That prompted Comedy Central to remove voice and visual references in the episodes, and eventually to pull the entire episodes from streaming.

(15) A SPOONFUL OF NOT-SUGAR. BBC explains “How one teaspoon of Amazon soil teems with fungal life”.

A teaspoon of soil from the Amazon contains as many as 1,800 microscopic life forms, of which 400 are fungi.

Largely invisible and hidden underground, the “dark matter” of life on Earth has “amazing properties”, which we’re just starting to explore, say scientists.

The vast majority of the estimated 3.8 million fungi in the world have yet to be formally classified.

Yet, fungi are surprisingly abundant in soil from Brazil’s Amazon rainforest.

To help protect the Amazon rainforest, which is being lost at an ever-faster rate, it is essential to understand the role of fungi, said a team of researchers led by Prof Alexandre Antonelli, director of science at the Royal Botanic Gardens, Kew.

…Fungi in soil from tropical countries are particularly poorly understood. To find out about soil from the Amazon rainforest in Brazil, researchers collected samples of soil and leaf litter from four regions.

Genetic analysis revealed hundreds of different fungi, including lichen, fungi living on the roots of plants, and fungal pathogens, most of which are unknown or extremely rare. Most species have yet to be named and investigated.

Areas of naturally open grasslands, known as campinas, were found to be the richest habitat for fungi overall, where they may help the poorer soil take up nutrients.

Understanding soil diversity is critical in conservation actions to preserve the world’s most diverse forest in a changing world, said Dr Camila Ritter of the University of Duisburg-Essen in Germany.

(16) VIDEO OF YESTERDAY. The Locus Awards virtual ceremony video is now available at YouTube.

[Thanks to Michael Toman, John King Tarpinian, Andrew Porter, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, JJ, John Hertz, and Carl Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Nina.]

Pixel Scroll 5/22/20 Is A Palindrone An Unmanned Craft That Can Fly Backwards As Well As Forwards?

(1) LETTING THE GENE OUT OF THE BOTTLE. One of the field’s most esteemed writers delivers Whatever’s recurring feature today: “The Big Idea: Nancy Kress”.

At parties in my city—environmentally conscious, crunchy-granola, high-tech and socially activist Seattle—it is easy to start a flaming argument. Just walk up to a group, tilt your head, and say inquiringly, “What do you think of GMOs?” Then stand back to avoid being scorched.

Genetically modified organisms have passionate denouncers and equally passionate supporters. This is especially true for GMO crops, since the genemod bacteria and animals are usually hidden away in labs, ranches, or manufacturing facilities. But there is GMO food right out front on your table, plated in front of your kids. Everybody has an opinion.

Including me.

But I didn’t want my new novella from Tachyon, Sea Change, to be a polemic for one side of the controversy. I wanted to explore in a balanced way both sides of the myriad questions involved….

(2) HARRY POTTER READINGS. This edition is really cool.

(3) KEEPING AN EAR ON YOU. Mara Hvistendahl’s article “How a Chinese AI Giant Made Chatting—and Surveillance—Easy” in the June WIRED reports that iFlytek does a really good job of translation — and also allows Chinese authorities to track users by the sound of their voices.

When I mentioned iFlytek’s work to a friend in Shanghai, she said it reminded her of the story ‘City of Silence’ by the Chinese science fiction writer Ma Boyong.  The story is set in a future society where speech is tightly controlled.  The people are clever at adapting to each new limit, turning to homonyms and slang to circumvent censors, and in time the authorities realize that the only way to truly control speech is to publish a List of Healthy Words, forbid all terms not on the list, and monitor voice as well as text.  Anytime the protagonist leaves the house, he has to wear a device called the Listener, which issues a warning when he strays from the list of approved words.  The realm of sanctioned speech dwindles day by day.

Eventually the protagonist discovers the existence of a secret Talking Club, where in an apartment encircled by lead curtains, members say whatever they want, have sex, and study 1984,  Feeling alive again, he realizes that he has been suppressing ‘a strong yearning to talk.’  This brief encounter with hope is squelched when the authorities develop radar dishes that can intercept signals through lead curtains.  By the end of the story, there are no healthy words left, and the hero walks the city mutely, alone with his thoughts.  ‘Luckily, it was not yet possible to shield the mind with technology.’ Ma writes.

(4) EMPIRE AT 40. “Star Wars drops 40th anniversary poster for ‘The Empire Strikes Back'”Yahoo! Movies UK shared the image and some other interesting links.

This week marks the 40th anniversary of Star Wars: Episode V – The Empire Strikes Back.

Considered by most to be the blockbuster franchise’s finest moment, the second Star Wars film stunned audiences around the world with a killer twist and the ultimate downbeat ending.

To celebrate the film’s 40th year, Lucasfilm and Disney have gone all out, uploading a wealth of content to StarWars.com including a brand new interview with series creator George Lucas.

(5) YA GOTTA BELIEVE. Inverse has already mined that Lucas interview for a post: “George Lucas reveals a shocking connection between Yoda and Baby Yoda”.

Frank Oz, the original puppeteer and voice behind Yoda, also created several Muppet characters along with Jim Henson. You don’t think of Oz’s Miss Piggy as a puppet, you think of her as a pig. And, it’s the same with Yoda and Baby Yoda: We think of them as whatever it is they are supposed to be, not as a kooky fake thing.

But, it turns out, that creating that illusion requires a very specific philosophy. And in a new interview celebrating the 40th anniversary of The Empire Strikes Back, George Lucas touched on one fascinating connection between the original Yoda in 1980 and Baby Yoda on The Mandalorian.

Over on the official Star Wars website, George Lucas is talking about The Empire Strikes Back. For diehards, there’s not necessarily a ton of new information in this interview, after all, people have been meticulously documenting the making of Star Wars movies since Star Wars began. But, in talking about the director or The Empire Strikes Back —Irvin Kershner — one detail about how Yoda was shot on set will raise your eyebrow if you’ve been following all the behind-the-scenes action on The Mandalorian.

From StarWars.com:

“Kershner treated Yoda like an actor on set, sometimes talking to the prop instead of addressing Oz down below.”

This is significant because nearly 40 years later, the exact same thing happened on the set of The Mandalorian. In the behind-the-scenes documentary series Disney Gallery: The Mandalorian, director Deborah Chow confirmed what was cropping up in several reports already; cinematic legend Werner Herzog spoke directly to Baby Yoda puppet on the set, and, like Kershner did on Empire, treated the puppet exactly like an actor….

(6) AURORA NEWS. Members of the Canadian Science Fiction and Fantasy Association will want to know: “Aurora Awards – Voter Package Downloads now available”.

Awards voting opens June 20 and ends July 25 at 11:59:59 EDT.

(7) CASTAWAYS WITH ETIQUETTE. James Davis Nicoll lists “Four SF Stories That Are More Gilligan’s Island Than Lord of the Flies for Tor.com readers.

…It turns out that even castaway kids will flout convention, as this Guardian article reveals. With no regard for the feelings of authority figures, six Tongan boys spent over a year marooned on a deserted island without even one brutal murder. Instead they cooperated and survived; they even cared for one of the boys who broke his leg…. 

(8) MARTIAN MUD PIMPLES. The German Aerospace Center suspects there are “Lava-like mud flows on Mars”.

Laboratory experiments show that at very low temperatures and under very low atmospheric pressure, mud behaves similar to flowing lava on Earth.

Results suggest that tens of thousands of conical hills on Mars, often with a small crater at their summit, could be the result of mud volcanism.

(9) MOVING TARGET. The paradigm shifts! And CNN tries to sort it out — “J.K. Rowling stupefies fans by revealing the truth around the origins of ‘Harry Potter'”

The news came after a fan posted a picture on Twitter of the Elephant House, a coffee shop in Edinburgh which on its website describes itself as the place “made famous as the place of inspiration to writers such as J.K. Rowling, who sat writing much of her early novels in the back room overlooking Edinburgh Castle.”

The fan asked Rowling to explain “the truth about this ‘birthplace’ of Harry Potter.”

Rowling, who is known to drop various bombshells and unknown tidbits about the franchise on Twitter, explained that the real “pen to paper” birth of Harry Potter himself, happened in her flat.

“If you define the birthplace of Harry Potter as the moment when I had the initial idea, then it was a Manchester-London train,” Rowling tweeted.

“But I’m perennially amused by the idea that Hogwarts was directly inspired by beautiful places I saw or visited, because it’s so far from the truth.”

(10) CHECK YOUR SHELVES. “Harry Potter first edition found in skip sells for £33,000”. No, J.K. Rowling’s revelation above is not the reason that book got chucked. It happened a long time ago. And hey, the librarian was just doing their job when they dumped that worn-out volume!

A hardback first edition Harry Potter book which was found in a skip has sold for £33,000 at auction.

The rare copy of Harry Potter and the Philosopher’s Stone was discovered by a teacher 12 years ago along with two paperback first editions.

The anonymous seller found the books outside a school while tidying its library before an Ofsted inspection.

After the paperbacks went for £3,400 and £3,000, the seller said: “To say I’m pleased is an understatement.”

They were sold during an online auction at Bishton Hall in Staffordshire earlier.

Only 500 hardback first editions of Harry Potter and the Philosopher’s Stone were printed in 1997, most of which were sent to schools and libraries.

(11) RITA RETIRED. The Guardian’s take on RWA’s new award, “The Vivian” — “Romance Writers of America aims for happy end to racism row with new prize”.

Romance Writers of America is attempting to turn the page on a damaging racism row, abolishing its top literary prizes and replacing them with awards in a new format it hopes will show “happily ever afters are for everyone” and not just white protagonists.

The association of more than 9,000 romance writers is developing proposals to encourage more diverse winners, including training for its judges, an award for unpublished authors and processes to ensure books are judged by people familiar with each subgenre.

The RWA has been at the centre of an acrimonious debate about diversity, criticised for the paucity of writers of colour shortlisted for its major awards, the Ritas, as well as its treatment of Courtney Milan after she called a fellow author’s book a “racist mess” because of its depictions of Chinese women.

(12) TODAY IN HISTORY.

  • May 22, 1981 Outland premiered. It was written and directed by Peter Hyams with production by Richard A. Roth and Stanley O’Toole.  It starred  Sean Connery, Peter Boyle, James B. Sikking,  Kika Markham and Frances Sternhagen. According to the studio, it literally broken even at the Box Office. Critics in general liked it (“High Noon in Outer Space”) but audience reviewers at Rotten Tomatoes are meh on it giving a soft 54% rating.
  • May 22, 2012 Indiana Jones and the Kingdom of the Crystal Skulls premiered. The fourth film in the franchise, it directed by Steven Spielberg and was released nineteen years after the last film. Produced by Frank Marshall from a screenplay by David Koepp off of the story by George Lucas and Jeff Nathanson. And starring Harrison Ford, Cate Blanchett,  Karen Allen,  Ray Winstone, John Hurt, Jim Broadbent and Shia LaBeouf. Despite the myth around it in the net that it was a critical failure, critics overwhelmingly loved it. And the audience reviewers at Rotten Tomatoes give it a 60% rating. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 22, 1813 – Richard Wagner.  His fantasies The Flying Dutchman (“fly” in the sense we still have in “flee”), TannhäuserThe Ring of the Niebelung (four-opera series), Parsifal, are masterworks of music and theater.  Complicated life and opinions less admirable.  (Died 1883) [JH]
  • Born May 22, 1859 – Sir Arthur Conan Doyle.  Famous for Sherlock Holmes, in SF he wrote five novels, sixty shorter stories, translated into Croatian, Dutch, Finnish, French, German, Hungarian, Italian, Portuguese, Romanian, Russian, Spanish.  In fact his surname from birth records to his knighting was only Doyle.  (Died 1930) [JH]
  • Born May 22, 1907 Hergé. He is best remembered for creating The Adventures of Tintin which are considered one of the most popular European comics of the 19th and 20th centuries. He is much less remembered for Quick & Flupke, a short-lived series between the Wars, and The Adventures of Jo, Zette and Jocko which lasted well into the Fifties. (Died 1983.) (CE)
  • Born May 22, 1914 – Sun Ra.  In the avant-garde of jazz he played keyboards and sang, led a variously-composed band under names more or less like “The Solar Arkestra”, still performing; recorded dozens of singles and a hundred full-length albums with titles like We Travel the SpacewaysSpace Is the PlaceStrange Celestial Road.  Said he was taken to Saturn in a vision, changing his life and art.  (Died 1993) [JH]
  • Born May 22, 1922 – Bob Leman.  Fanzine, The Vinegar Worm; two pieces in The Best of Fandom 1958.  Fourteen short stories in F&SF, one more in collection Feensters in the Lake, translated into French, German, Italian, Portuguese.  With Gerald Bishop, “Venture Science Fiction Magazine” , a Checklist of the First American Series and the First British Series.  (Died 2006) [JH]
  • Born May 22, 1930 – Robert Byrne.  Editor of Western Construction.  Amateur magician, member of Int’l Brotherhood of Magicians.  Billiards and pool teacher and commenter; Byrne’s Standard Book of Pool & Billiards sold 500,000 copies; columnist for Billiards Digest; seven instructional videos; Billiard Congress of America Hall of Fame.  Eight anthologies of funny things people have said.  Three novels in our field, five others.  (Died 2016) [JH]
  • Born May 22, 1938 Richard Benjamin, 82. He’s here because he was Adam Quark on the all too short-lived Quark series. He also was Joseph Lightman in Witches’ Brew which was based off Fritz Leiber’s Conjure Wife novel (winner of the 1944 Retro-Hugo Award at Dublin 2019) though that’s not credited in the film. And he was in Westworld as Peter Martin. Finally, he did a stint on the Ray Bradbury Theatre as Mr. Howard in “Let’s Play Poison” episode. (CE)
  • Born May 22, 1943 – Arlene Phillips.  Dancer, choreographer including the film Annie and the Royal Shakespeare production of A Clockwork Orange, judge for Strictly Come Dancing and the U.K. version of So You Think You Can Dance?  Ten credited film appearances.  For us, six Alana, Dancing Star children’s books.  [JH]
  • Born May 22, 1956 Natasha Shneider. Her entire acting career consisted of but two roles, only one of interest to us, that of the Soviet cosmonaut Irina Yakunina in 2010: Odyssey Two. Her other genre contribution was she wrote and performed “Who’s in Control” for Catwoman. Cancer would take her at far too early an age. (Died 2008.) (CE)
  • Born May 22, 1968 Karen Lord, 52. A Barbadian writer whose first novel, Redemption in Indigo, won the Carl Brandon Parallax Award and Mythopoeic Fantasy Award for Adult Literature for its inventive use of Senegalese folklore. I’d also recommend her The Best of All Possible Worlds novel as it’s as well done as her earlier novel but different and fascinating in its own right. 
  • Born May 22, 1978 – Tansy Rayner Roberts.  Ph.D. in Classics from U. Tasmania.  Hugo as Best Fan Writer 2013, Ditmar as Best Fan Writer 2015; nine more Ditmars, three of them Athelings (for SF criticism).  George Turner prize for Splashdance Silver.  WSFA (Washington, D.C., SF Ass’n) Small Press Award for “The Patrician”.  A dozen novels, three dozen shorter stories.  Served a term as a Director of SFWA (no one made SFWA into Science Fiction & Fantasy Writers of America and Australia; directors were no longer region-specific).  Crime fiction as Livia Day.  [JH]
  • Born May 22, 1979 Maggie Q, 41. She portrayed Tori Wu in the film adaptation of Veronica Roth’s novel Divergent, a role she reprised in its sequels, Insurgent and Allegiant. She played a female agent in a comedic version of the Jackie Chan fronted Around the World in 80 Days. And she’s in the recent remake of Fantasy Island that critics hated but was a box office success. On a brighter note, she voices Wonder Woman on the Young Justice series.

(14) COMICS SECTION.

  • Lio references Harlan Ellison.

(15) SPEAK, MEMORY. So does Liza Fletcher McCall:

(16) HUMANITY IS NO LONGER ON TOP. Titan Comics has revealed the Horizon Zero Dawn issue #1 covers. The series, based on the award-winning game by Guerrilla, brings back characters Aloy and Talanah in a new story set after the events of the game. The series launches August 5, 2020.

Set on a far future Earth, where nature has reclaimed the planet but massive, animal-like machines now rule the land, Horizon Zero Dawn follows the story of Aloy, an extraordinary young woman whose quest to solve the riddle of her mysterious origins takes her deep into the ruins of the ancient past.

Titan’s new comic book series – co-created by Anne Toole, one of the writers of Horizon Zero Dawn, with artwork by fan-favorite artist Ann Maulina – takes place after the events of the game as Talanah, a strong and determined hunter, struggles to find purpose after her trusted friend Aloy disappears. When a mysterious threat emerges in the wilds, she sets out to hunt and to defeat it, only to learn that a whole new breed of killer machines stalk the land!

(17) NEW VIEWS. Nerds of a Feather hears about “6 Books with Rowenna Miller”.

4. How about a book you’ve changed your mind about – either positively or negatively?
How about a book that changed my mind? I’ve never been big on nineteenth century lit—there were books I liked here and there but so often they were just…dull. There, I said it. But I read Dickens’ Hard Times a couple years ago and it was such fun—witty and tongue-in-cheek, with obvious but not moralistic commentary on ethical issues—and found families and the circus! I’m finding that some of the lesser-known, non “canon” lit, and especially short fiction, from that period ticks more of my boxes than I realized.

(18) RANDOM ACCESS MEMORIES. Joe Sherry and Aidan Moher are on the party line in “The Modern Nostalgia of Dragon Quest XI: A Conversation” at Nerds of a Feather.

Aidan: Silent protagonists come under a lot of heat, but they’ve never really bothered me in older games. As the level of fidelity and detail grow, however, they make less and less sense, and it feels particularly odd in Dragon Quest XI. With so much voice acting in the game, every time the protagonist (who I’ll call Eleven) responds by awkwardly staring into space or making a weird little gasp feels uncanny. The characters all behave as though he’s this magnetic hero type, but so much of that is personality and charisma—and Eleven has none of that.

I recently replayed Lunar: Silver Star Story Complete (and a bit of Grandia before that) and one of the things that really stood out to me in those games was the personalities of the protagonists really shining through. By emphasizing their personalities, they felt like much more engage and proactive heroes, compared to, say, Crono from Chrono Trigger or Eleven from Dragon Quest XI. Those silent types require others to push the story forward and they act as sort of a… defining element for the protagonist’s actions and motivations. It’s almost like they’re the splash of paint revealing the invisible protagonist.

(19) IT’S ONLY NATURAL. CNN reports “A parasite that feeds off of the reproductive organs of millipedes is named after Twitter, where it was found”.

Biologist and associate professor Ana Sofia Reboleira of the National Natural History Museum said in a press release that she was simply browsing Twitter when she came across a photo, shared by her US colleague Derek Hennen of Virginia Tech, of a North American millipede.

Nothing unusual there. But then she looked closer….

(20) A NEW TWIST. “Jason Momoa is a Vampire and Peter Dinklage is Van Helsing in Action-Horror Movie ‘Good Bad & Undead’”Bloody Disgusting has the details.

Check out this wild plot synopsis, billed as “Midnight Run in a Bram Stoker world“:

“Dinklage will play Van Helsing, last in a long line of vampire hunters. He develops an uneasy partnership with a Vampire (Momoa) who has taken a vow never to kill again. Together they run a scam from town to town, where Van Helsing pretends to vanquish the Vampire for money. But when a massive bounty is put on the Vampire’s head, everything in this dangerous world full of monsters and magic is now after them.”

Momoa and Dinklage are also set to produce.

(21) KEEP WATCHING THE SKIES. In addition to SpaceX’s planned launch, “Virgin Orbit hopes for rocket flight this weekend”.

British businessman Sir Richard Branson is looking to this weekend to debut one of his new space systems.

Virgin Orbit, based in California, will put satellites above the Earth, using a rocket that’s launched from under the wing of a jumbo jet.

The maiden mission, to be conducted out over the Pacific Ocean, could take place as early as Saturday.

Assuming this demonstration is successful, Virgin Orbit hopes to move swiftly into commercial operations.

It already has a rocket built at its Long Beach factory for a second mission.

British businessman Sir Richard Branson is looking to this weekend to debut one of his new space systems.

(22) COPYCATS. There’s no telling what’s likely to come over the transom these days –

(23) VASTER THAN EMPIRES, AND MORE SLOW. “Herd-Like Movement Of Fuzzy Green ‘Glacier Mice’ Baffles Scientists”.

In 2006, while hiking around the Root Glacier in Alaska to set up scientific instruments, researcher Tim Bartholomaus encountered something completely unexpected.

“What the heck is this!” Bartholomaus recalls thinking. He’s a glaciologist at the University of Idaho.

Scattered across the glacier were balls of moss. “They’re not attached to anything and they’re just resting there on ice,” he says. “They’re bright green in a world of white.

Intrigued, he and two colleagues set out to study these strange pillow-like moss balls. In the journal Polar Biology, they report that the balls can persist for years and move around in a coordinated, herd-like fashion that the researchers can not yet explain.

“The whole colony of moss balls, this whole grouping, moves at about the same speeds and in the same directions,” Bartholomaus says. “Those speeds and directions can change over the course of weeks.”

In the 1950s, an Icelandic researcher described them in the Journal of Glaciology, noting that “rolling stones can gather moss.” He called them “jökla-mýs” or “glacier mice.”

This new work adds to a very small body of research on these fuzz balls, even though glaciologists have long known about them and tend to be fond of them.

(24) KEEPING BUSY. “Bumblebees’ ‘clever trick’ fools plants into flowering”. Yes. Let’s call this “Plan Bee.”

Scientists have discovered a new behaviour among bumblebees that tricks plants into flowering early.

Researchers found that when deprived of pollen, bumblebees will nibble on the leaves of flowerless plants.

The damage done seems to fool the plant into flowering, sometimes up to 30 days earlier than normal.

(25) STINKERS. [Item by Mike Kennedy.] I can pretty much guarantee you’ve never heard of some of these. And that’s a good thing. “The Worst Sci-Fi Movies Every Year Of The Decade (According To IMDb)” at ScreenRant.

8 Area 407 (2012) – 3.6

Who’d have thought a sci-fi-horror found footage film released in the year 2012 could possibly be a critical failure? Believe it or not, that’s exactly what Area 407 turned out to be.

Arguably the most obscure movie on this list, the fact that barely anybody saw this one is likely no accident. The film was reportedly shot without a script, being entirely ad-libbed by its actors during the movie’s suspiciously lean five-day shoot. Whether or not this was down to sheer laziness or a failed attempt to recapture the magic of classic found footage movie The Blair Witch Project is up for debate – but the movie is terrible, regardless.

(26) SEE SPOT HERD. “Robot dog tries to herd sheep” — video.

A robot dog designed for search and rescue missions has had a go at herding sheep in New Zealand.

Technology company Rocos is exploring how the Spot robot – made by US-based Boston Dynamics – might be put to work in the agricultural industry.

(27) MORE BITS, SCOTTY! BBC rushes to judgment! “Australia ‘records fastest internet speed ever'”.

Researchers in Australia claim they have recorded the fastest ever internet data speed.

A team from Monash, Swinburne and RMIT universities logged a data speed of 44.2 terabits per second (Tbps).

At that speed, users could download more than 1,000 high-definition movies in less than a second.

According to Ofcom, the average UK broadband speed currently is around 64 megabits per second (Mbps) – a fraction of that recorded in the recent study.

(28) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Fire (Pozar)” on YouTube is a weird film written, animated, and directed by David Lynch in 2015.  (I can’t describe it–it’s just weird!)

[Thanks to Chip Hitchcock, Cat Eldridge, John Hertz, Mike Kennedy, Martin Morse Wooster, Andrew Porter, JJ, Michael Toman, Contrarius, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Clarkesworld 2019 Reader’s Poll Winners

Editor Neil Clarke announced the winners of the 2019 Clarkesworld Magazine Reader’s Poll for best story and cover art in the March issue.

Best Story of 2019

Best Cover of 2019

Clarkesworld 2019 Reader’s Poll Finalists

Editor Neil Clarke has announced the finalists for the 2019 Clarkesworld Magazine Reader’s Poll for best story and cover art.  

Clarke commented, “It was a close race from the start and once again it ended with ties. The story category was particularly close, with a six-way tie for fifth place. That’s more than we wanted, but the readers have spoken. If it doesn’t work out well, we’ll update the rules next year.”

The public is invited to pick the winners. Go to:

www.surveymonkey.com/r/clarkesworld2019

Voting will close February 20 at 8 p.m. EST. The winners will be announced in Clarkesworld’s March issue.

Finalists for Best Story

Finalists for Best Cover Art (click on the link to see the image)