Over the February 4-5 weekend water pipes in the MIT Student Center in Boston froze and burst, causing significant damage throughout the building including to the fourth floor where the MIT Science Fiction Society club library is housed. The MITSFS Library, the world’s largest public open-shelf collection of science fiction, had an inch of water in it. Students initially were denied access to the area to rescue books for several weeks, and unable to assess how much mold damage was occurring.
MITSFS’ Kat Allen told NESFA’s Rick Kovalcik that when the initial MITSFS team got into the building in late February there was water on the floor in the entire library. While the books on shelves were mostly safe, anything in boxes was exposed to water. The books in boxes molded, and were almost a total loss. Some of the books in boxes were near shelves, and the books on those shelves including, unfortunately, in “Damnation Alley” where the bound magazines are shelved, have visible black mold.
The team removed everything obviously moldy, trashing over 1000 volumes, mostly paperbacks and unbound magazines. They isolated the bound magazines with desiccant and hope to save them.
Rick Kovalcik says since then NESFA has been in touch with MITSFS on an ongoing basis. And what’s more, NESFA just found in their dead storage an archive of multiple copies of old magazines including Astounding/Analog in remarkably good condition (given that they were stored in an unheated storage area.) They have mentioned this to MITSFS as a possible replacement for some of their damaged collection.
(1) 2022 HUGO WINNER GETS UNEXPECTED VAT BILL. [Item by Cora Buhlert.] My Hugo trophy saga continues, because I got an invoice today charging me import duties and VAT for my trophy. I’m kicking up a bit of a stink about this and tweeted at the German department of trade, because a Hugo trophy is not trade good and I have no idea why they charge me VAT (i.e. sales tax) for something that was not purchased. It’s not so much about the money — Chicon will reimburse me for the costs, but an all-volunteer non-profit organization shouldn’t have to pay import duties and German VAT either. Also, I strongly suspect that e.g. a German Oscar winner would not be charged for their trophy.
Anyway, here is my tweet (in German) to the department of trade. Any boosts would be appreciated.
(3) IT’S WEDNESDAY ON SATURDAY NIGHT. [Item by Mike Kennedy.] Saturday Night Live featured Jenna Ortega (Wednesday) as the host. So, you know they had to slip in a couple of genre/related bits.
“Exorcism”
“School vs. School”
(4) LIMELIGHT FOR FANZINES. Cora Buhlert has posted two more “Fanzine Spotlights.”
SMOF News is a weekly newsletter about geek-oriented fan conventions, published every Wednesday evening (Pacific time). A typical issue is divided into four parts:
1) The big news of the week, or, if there isn’t any, informational articles about various aspects of cons. 2) News in brief, for minor news and routine items like Convention Adds Guest, Fan Fund Opens Voting, or (sadly) Convention Goes on Indefinite Hiatus. 3) Worldwide convention listings for the next five weekends. 4) One interesting link which does not necessarily have anything to do with conventions.
The overall tone it aims for is “industry newsletter”.
Remembrance of Things Past and Future is devoted to science fiction, fantasy, and horror as published in the magazines. The history of SF especially is tied to the long history of magazine publishing; some of the old classics of the genre spent years stuck inside brittle magazine pages before getting turned to books. It’s a rather niche criterion for what can be reviewed (a story must have been originally published or reprinted in a zine), but it’s at the same time wide-spanning. I could review a Robert E. Howard serial from 90 years ago and also Elizabeth Bear’s latest (and no doubt good) outing without crossing the streams, so to speak…
(5) NESFA SHORT STORY CONTEST, 2022-23. The 2022-2023 NESFA Short Story Contest winners were announced at Boskone 60 in February. Contest administrator Steve Lee says, “Getting recognition is the best reward for authors.” From the website of past winners:
Winner: Amy Johnson of Somerville, MA for the story “Excuse Me, This is My Apocalypse”
First runner-up: Dianne Lee of Chicago, IL for the story “The Gambler”
Finalist: Chloe Oriotis of Toronto, Canada for the story “Mara’s Moon”
Finalist: Gideon P. Smith of Winchester, MA for the story “To Look Upon the Face of God”
Finalist: Lauren Zarama of Hopkinton, MA for the story “The Surrogate”
Lee says, “The winner’s story was accepted for publication online in Escape Pod a few months after submission.”
(6) IT IS YOUR DESTINY. OR MAYBE NOT. David M. de León discusses why multiverses are having a moment right now at The Yale Review: “All at Once, the Multiverse Is…”
…As sci-fi writer Ted Chiang has written, the rise of the multiverse represents a seismic change in narrative fiction. “For much of human history, stories reinforced the idea of fate,” Chiang argues. “They told us that events unfolded the way they did because of destiny or the will of God.” But the multiverse is not about destiny. Instead of showing how things must be, it imagines a place where all options are possible and equal, none better or more probable than the other, none more destined or fated….
(7) TODAY’S 10,000. I learned today from the LA Times, “Oscars: Real ‘Everything Everywhere All At Once’ laundromat” that the film was shot in a real laundromat about a mile from where I grew up. Though I’ve never been inside, I have been a customer at the family’s liquor store next door.
Majers Coin Laundry in San Fernando could be any Los Angeles-area laundromat.
It’s tucked between an auto repair shop and a mobile home park, its tall glass windows revealing vending machines stocked with M&M’s and bleach. Rows of metal carts line the front, where the wind occasionally blows them into the asphalt parking lot.
But there’s one detail that sets Majers apart from the competition: For six days in March 2020, this laundromat was home to Daniel Kwan and Daniel Scheinert’s production of “Everything Everywhere All At Once,” now the front-runner for best picture and a host of other prizes at Sunday’s Academy Awards ceremony after sweeping top honors at the Directors, Producers, Writers and Screen Actors guild awards….
(8) HIDDEN AMPAS FIGURES. Variety explains the voting mechanism that determines “How Oscars Best Picture Winners Are Chosen”. Lots weirder than Hugo voting! (The article has today’s date, but discusses the computation that determines the finalists.) Here’s the first stage.
… Depending on how many voters participate this year, a mathematical formula determines what is needed to be a best picture nominee. For the sake of understanding, unless you’re John Nash (played by Russell Crowe in the Oscar-winner “A Beautiful Mind”), we’ll label this the “Best Picture Number,” or “BPN.” PwC oversees the entire process. After all the votes are cast, the BPN is determined by dividing the total number of ballots by 11, which is the number of available nominations plus one. Any film that receives an amount of No. 1 votes that surpasses the BPN is automatically a nominee. Believe it or not, based on how many films are released each year, there aren’t always many movies….
(9) FREE READ. Cora Buhlert has a new flash fiction story out as part of Wyngraf Magazine’s “cozy flash” fiction series. It’s called “Homecoming Gift”.
Prince Colwyn smiled as he stepped onto the pier in the harbour of Calfiris. It was good to be home.
The arrival of his ship the Sea Squall, now a lot more battered than when she had left three long years ago, had not gone unnoticed, and so a squad of guardsmen hastened down the pier to meet him….
On the chill stroke of midnight, 31 December 2021, AA Milne’s Winnie-the-Pooh went out of copyright and, like a demon from an open grave, a worryingly bad idea flew out into the world: a horror version of AA Milne’s Winnie the Pooh. Well, here it is, promising to do for Brit horror what Sex Lives of the Potato Men did for Brit comedy, with a terrifying combination of not-scary and not-funny, and a cast of Love Island types on Xanax apparently reading the dialogue off an optician’s chart held up behind the camera….
(11) ON THE FRONT. [Item by Patrick McGuire.] The Princeton alumni magazine has a rather sfnal cover relating to AI, including a picture of Asimov. It looks to me rather like something F&SF might have run as a cover, maybe in the 1950s. Of course, now that we’re here in The Future, one can argue that it’s no longer sfnal. Princeton Alumni Weekly, March 8, 2023.
— Princeton Alumni Weekly (@pawprinceton) March 3, 2023
(12) MEMORY LANE.
2019 – [Compiled by Cat Eldridge.] Marvin Lachman’s The Heirs of Anthony Boucher: A History of Mystery Fandom.
Our Beginning this Scroll is that of Marvin Lachman’s The Heirs of Anthony Boucher: A History of Mystery Fandom. Boucher’s Sunday mystery review column for the New York TimesBook Review was the first such column for fans of that genre.
Boucher’s column inspired the first fan magazine, The Armchair Detective, and Boucher then enthusiastically encouraged it and reviewed it. Many say that the column itself led to the creation of mystery fandom.
It’s an amazing book (available at the usual suspects) that collects all of the columns that he wrote. As they’re not spoilers, I’ll give the full text of one such entry sans the wonderful photo of Len and June Moffatt that was with it.
JDM Bibliophile (1965–2004) A more hard-boiled writer than Patricia Wentworth became the subject of a fan magazine in March 1965 when Len and June Moffatt of Downey, California, first published the JDM Bibliophile (JDMB), devoted to the work of John D. MacDonald.
MacDonald starting writing for pulp magazines in 1946 during their waning days. He then switched to JDMB, a mimeographed magazine at the time, was described in its initial issue as a “non-profit amateur journal devoted to the readers of John D. MacDonald and related matters.” A goal was to obtain complete bibliographic information on all of MacDonald’s writings, and this was partly achieved with The JDM Master Checklist, published in 1969 by the Moffatts. They had help from many people, including MacDonald himself. Though he kept good records, he, like most authors, didn’t have complete publishing data on his own work. Especially helpful to the Moffatts were William J. Clark and another couple, Walter and Jean Shine of Florida. The Shines published an updated version of the Checklist in 1980, adding illustrations, a biographical sketch, and a listing of articles and reviews of MacDonald. JDMB offered news and reviews of MacDonald’s writings and their adaptation to various media. There were also contributions from MacDonald, including reminiscences and commentary. The Moffatts contributed a column (“& Everything”), as did the Shines (“The Shine Section”). Other JDM fans sent articles, letters, and parodies. One issue, #25 in 1979, included the Shines’ “Confidential Report, a Private Investigators’ File on Travis McGee,” describing information gleaned from the McGee canon about his past, interests, cases, and associates. MacDonald once said of Walter Shine, “He knows more about Travis than I do.”
After the Moffatts had published twenty-two issues of JDMB, it was transferred in 1979 to the University of South Florida in Tampa, with Professor Edgar Hirshberg as editor. It continued until 1999. One final issue, #65, was published as a memorial to Hirshberg who had died in June 2002. It was edited by Valerie Lawson. On February 21, 1987, about a hundred McGee fans gathered at his “address,” Slip F-18 at the Bahia Mar Marina in Fort Lauderdale, Florida, where McGee kept his houseboat The Busted Flush. The mayor of Fort Lauderdale unveiled a plaque honoring McGee.
Now here’s the Beginning
Preface
All knowledge is contained in fandom.—Anthony Boucher
This history of mystery fandom is called The Heirs of Anthony Boucher because it was to Boucher that fans turned before “The Fan Revolution” was launched in 1967. There were fans before 1967, and I shall discuss them. However, it was in 1967 that the mystery developed a fandom that was not limited to specific authors or characters such as Sherlock Holmes.
Boucher was an excellent mystery writer, but he gave up writing novels—though he continued to write the occasional short story—to review mysteries for the San Francisco Chronicle in 1942. In 1951 he became the mystery critic for the New York Times Book Review. In addition, he reviewed for Ellery Queen’s Mystery Magazine. He was considered the outstanding reviewer of crime fiction in America and on three occasions received Edgars from Mystery Writers of America for his writing.
Boucher mentioned fan activities in his column, but there were few except for those involving Sherlock Holmes. Boucher reviewed what was perhaps the earliest general fan scholarship, A Preliminary Check List of the Detective Novel and Its Variants (1966), an annotated list of recommendations by Charles Shibuk. In 1966 Boucher also wrote of a bibliography of the works of John Dickson Carr, compiled by Rick Sneary of California.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 12, 1886 — Kay Nielsen. Though he’s best known for his work with Disney, for whom he did many story sketches and illustrations, not the least for Fantasia, and The Little Mermaid be it thirty years after his death, I’d be remiss not to note his early work illustrating such works as East of the Sun and West of the Moon, Hansel and Gretel and Andersen’s Fairy Tales. East of the Sun and West of the Moon is my favorite work by him. (Died 1957.)
Born March 12, 1914 — John Symonds. Critic of Alistair Crowley who published four, yes four, books on him over a fifty-year period starting in the Fifties: The Great Beast, The Magic of Aleister Crowley, The King of the Shadow Realm and The Beast 666. Needless to say, the advocates of Crowley aren’t at all happy with him. Lest I leave you with the impression that was his only connection to our community, he was a writer of fantasy literature for children including the feline magical fantasy, Isle of Cats with illustrations by Gerard Hoffnung. (Died 2006.)
Born March 12, 1925 — Harry Harrison. Best-known first I’d say for his Stainless Steel Rat and Bill, the Galactic Hero series which were just plain fun, plus his novel Make Room! Make Room! which was the genesis of Soylent Green. I just realized I’ve never read the Deathworld series. So how are these? (Died 2012.)
Born March 12, 1933 — Myrna Fahey. Another who obviously died far too young, of cancer. Though best-known for her recurring role as Maria Crespo in Walt Disney’s Zorro, which I’ll admit is at best genre adjacent, she did have some genre roles in her brief life including playing Blaze in the Batman episodes of “True or False-Face” and “Holy Rat Race”. Her other genre appearances were only on The Time Tunnel and Adventures of Superman. (Died 1973.)
Born March 12, 1933 — Barbara Feldon, 90. Agent 99 on the Get Smart series, who reprised her character in the TV movie Get Smart Again! (1989), and in a short-lived series in 1995 later also called Get Smart. Other genre credits include The Man from U.N.C.L.E. She didn’t have that much of an acting career though she was in the pilot of Rowan & Martin’s Laugh-In. It amazing how many performers guested on that show.
Born March 12, 1952 — Julius Carry. His one truly great genre role was as the bounty hunter Lord Bowler in The Adventures of Brisco County, Jr. oh but what a role it was! Over the course of the series, he was the perfect companion and foil to Bruce Campbell’s Brisco County, Jr. character. He did have one-offs in The Misfits of Science, Earth 2, Tales from the Crypt and voiced a character on Henson’s Dinosaurs. (Died 2008.)
Born March 12, 1955 — Jim Mann, 68. Living in the Pittsburgh area, a con-running fan who has worked on quite a few Boskones, chairing Boskone 25 and Boskone 47 as well being involved in Confluences and Worldcons. He’s edited quite a few books NESFSA, I’ll just single out Robert Bloch’s Out of My Head, Anthony Boucher’s The Compleat Boucher (which I highly recommended) and Cordwainer Smith’s The Rediscoveryof Man.
Born March 12, 1960 — Courtney B. Vance, 63. I know him best from Law & Order: Criminal Intent, in which he played A.D.A. Ron Carver, but he has some interesting genre roles including being Sanford Wedeck, the Los Angeles bureau chief of the FBI in the pilot of FlashForward, Miles Dyson: Cyberdyne Systems’ CEO who funds the Genisys project in Terminator Genisys, and The Narrator in Isle of Dogs. He had a recurring role in Lovecraft Country as George Freeman. He earned a Primetime Emmy Award for Outstanding Guest Actor in a Drama Series nomination for that role.
(15) GAMERS BEWARE. A message from the Ukranian company GSC Game World Team warns about a Russian hacking incident against their work product S.T.A.L.K.E.R. 2: Heart of Chernobyl.
— S.T.A.L.K.E.R. OFFICIAL (@stalker_thegame) March 12, 2023
(16) THE HIP BONE’S CONNECTED TO THE THIGH BONE. Galactic Journey’s installment “[March 12, 1968] Be Seeing You (The Prisoner)” begins with an overview by Kris Vyas-Myall, and concludes with this reaction by Fiona Moore:
…Lots of people who tuned in to The Prisoner and watched to the end are, apparently, disappointed. Those people are missing the point. The Prisoner isn’t a spy series, or an sf series, or a metaphor… and yet, it is all of those things. The Village is a real place… and yet it’s also a state of mind, a cloying conformity that, as the series itself demonstrates, could be found in London or the Wild West as much as in Portmeirion, where the series was actually filmed. The point many critics are missing is, The Prisoner is first and foremost a Rorshach test…..
(17) THE LAST SOVIET. In a twist, the podcast will be voiced by former *NSYNC member, Lance Bass, who trained as a cosmonaut himself. (Though he never made his trip due to funding falling through.) “A cosmonaut was stranded in space. Now a pop star tells the story.” at Mashable.
When a Russian spaceship docked as a lifeboat for three stranded men at the International Space Station in February, one may have wondered if Sergei Krikalev, heading the rescue mission, felt any deja vu.
If that name doesn’t ring a bell, he’s also sometimes known as “the last Soviet” for his more than 311 days spent in space as the Soviet Union collapsed 250 miles beneath him in 1991. He was only meant to be at the Mir station for five months. Instead, he remained for close to a year, never abandoning the outpost.
Today, Krikalev, the former cosmonaut, is the executive director of human spaceflight for the Russian space agency. That means it’s on his watch to make sure NASA astronaut Frank Rubio and cosmonauts Sergey Prokopyev and Dmitry Petelin get back home safely after their ship sprang a leak at the station in December 2022. The three marooned crew members were supposed to return this month. But their mission will now stretch for a year, until a new crew arrives to relieve them on a separate spacecraft in six months.
Krikalev’s story of being stranded in space is now getting a perhaps overdue spotlight with a new podcast series called “The Last Soviet.” And it’s being told by another cosmonaut, Lance Bass.
If that name doesn’t ring a bell, he’s also sometimes known as the other blond heartthrob in NSYNC. That’s right: the Lance Bass, who sang “Tearin’ up my heart” with JT, who had a cameo in Zoolander, a satire on the very serious ambitions of beautiful people….
(18) PUCKER UP AND… This is old news (September 2022), but if you haven’t seen it already, the video is interesting. This was an over-inflation-to-destruction test for a inflatable space habitat, so in this case “blow up” has a double meaning. “Why NASA blew up a space habitat in Texas” at Mashable.
When a future house for astronauts explodes, a celebration might seem inappropriate, but engineers at a commercial space company couldn’t be prouder of their shredded outer space house.
Sierra Space, working on one of three NASA contracts to develop commercial space stations, just completed something called the “Ultimate Burst Pressure” test on a mockup of its low-Earth orbit space dwelling. The LIFE habitat(Opens in a new tab), short for Large Inflatable Flexible Environment, could one day serve as rooms on Jeff Bezos’ Blue Origin space station, Orbital Reef(Opens in a new tab). If all goes well, the companies hope to start building the station in 2026.
But first NASA has to run the structure through a gauntlet to ensure it’s safe for humans….
There are times when you look back at pop culture phenomena and can’t resist the urge to ask: Can you believe this actually happened? Tackling a notorious fiasco in one of the galaxy’s most popular franchises, Jeremy Coon and Steve Kozak’s amusing and exhaustive documentary ”A Disturbance in the Force” unpacks 1978’s “Star Wars Holiday Special.”
You don’t have to be an obsessive “Star Wars” fan to enjoy this behind-the-scenes look at how the special — which premiered Nov. 17, 1978 on CBS, and has never been re-run on any broadcast or cable outlet — came to exist. To be sure, the fans will appreciate it a lot more than casual viewers. But it’s also an irresistible hoot for anyone with fond memories of star-studded 1970s musical/variety TV specials — a specific type of highly popular general audience entertainment that, truth to tell, very often showcased more campy excess than anything in the “Star Wars Holiday Special.”…
Speaking of penny-pinching: You know that scene in which Bea Arthur flirts with what appears to be a large rat? The rodent’s head was recycled from a low-budget 1976 sci-fi melodrama, Bert I. Gordon’s “Food of the Gods.” No, really. Then as now, the show must go on.
(20) VIDEO OF THE DAY. A trailer dropped for Marvel Studios’ Guardians of the Galaxy Vol. 3 last month, but I think we haven’t linked to it yet. Written and directed by James Gunn. Only in theaters May 5.
[Thanks to Cat Eldridge, Mike Kennedy, Patrick McGuire, Cora Buhlert, Jennifer Hawthorne, Hampus Eckerman, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
I can say that there are a couple of websites that I have contacted about removing our submissions link from pages on their site. Everyone that has come to us from those sites in the last couple of days is part of this problem.
Five days ago, the chart we shared showed nearly 350 of these submissions. Today, it crossed 500. 50 of them just today, before we closed submissions so we can focus on the legit stories. 10% in less than half a day.
(2) “THE WITCH TRIALS OF J.K. ROWLING.” The Free Press is a new media organization created by Bari Weiss, once the Wall Street Journal book review editor, and later a New York Times op-ed editor and writer who resigned in 2020 under circumstances that prompted the Financial Times to described her as a “self-styled free speech martyr.” However, her resignation letter was praised by people ranging from Sens. Ted Cruz and Marco Rubio to Andrew Yang and Bill Maher.
The Free Press “About” page says, “We focus on stories that are ignored or misconstrued in the service of an ideological narrative.” And the publication has announced a new podcast series titled “The Witch Trials of J.K. Rowling” which will be available February 21. From their website:
“The Witch Trials of J.K. Rowling is an audio documentary that examines some of the most contentious conflicts of our time through the life and career of the world’s most successful author. In conversation with host Megan Phelps-Roper, J.K. Rowling speaks with unprecedented candor and depth about the controversies surrounding her—from book bans to debates on gender and sex.
“The series also examines the forces propelling this moment in history, through interviews with Rowling’s supporters and critics, journalists, historians, clinicians, and more.”
J.K. Rowling is arguably the most successful author in the history of publishing, with the possible exception of God. And “Harry Potter” was a kind of bible for my generation. Since its publication beginning in the late ’90s, the series has taught tens of millions of children about virtues like loyalty, courage, and love—about the inclusion of outsiders and the celebration of difference. The books illustrated the idea of moral complexity, how a person who may at first appear sinister can turn out to be a hero after all.
The author herself became part of the legend, too. A broke, abused, and depressed single mother—writing in longhand at cafes across Edinburgh while her baby girl slept in a stroller beside her—she had spun a tale that begat a global phenomenon. If “Harry Potter”was a bible, then Rowling became a kind of saint.
When she gave the Harvard commencement address in 2008, she was introduced as a social, moral, and political inspiration. Her speech that day was partly about imagination: “the power that enables us to empathize with humans whose experiences we have never shared.”
“We do not need magic to transform our world,” Rowling told the rapt audience. “We carry all the power we need inside ourselves already.”
The uproarious applause that greeted her in 2008 is hard to imagine today. It’s hard to imagine Harvard—let alone any prestigious American university—welcoming Rowling. Indeed, I’m not sure she’d be allowed to give a reading at many local libraries….
The push-back against characterizing Rowling as a transphobe extends to an opinion piece the New York Times ran on February 16, Pamela Paul’s “In Defense of J.K. Rowling”.
… So why would anyone accuse her of transphobia? Surely, Rowling must have played some part, you might think.
The answer is straightforward: Because she has asserted the right to spaces for biological women only, such as domestic abuse shelters and sex-segregated prisons. Because she has insisted that when it comes to determining a person’s legal gender status, self-declared gender identity is insufficient. Because she has expressed skepticism about phrases like “people who menstruate” in reference to biological women. Because she has defended herself and, far more important, supported others, including detransitioners and feminist scholars, who have come under attack from trans activists. And because she followed on Twitter and praised some of the work of Magdalen Berns, a lesbian feminist who had made incendiary comments about transgender people.
You might disagree — perhaps strongly — with Rowling’s views and actions here. You may believe that the prevalence of violence against transgender people means that airing any views contrary to those of vocal trans activists will aggravate animus toward a vulnerable population.
But nothing Rowling has said qualifies as transphobic. She is not disputing the existence of gender dysphoria. She has never voiced opposition to allowing people to transition under evidence-based therapeutic and medical care. She is not denying transgender people equal pay or housing. There is no evidence that she is putting trans people “in danger,” as has been claimed, nor is she denying their right to exist…
This is a distressingly one-sided view of J.K. Rowling’s comments. The outrage toward Ms. Rowling is justified. She is a wealthy, powerful author who is using her far-reaching platform to push the narrative that trans women — who exist on the farthest fringes of our societies — pose a threat to her. This is the opposite of reality.
Trans women are discriminated against daily and suffer abuse, aggression, assault and even murder at the hands of cisgender people. They need support from the mainstream, not nuanced criticism.
While this column does present a defense of J.K. Rowling, it does not paint an accurate picture of her comments. For example, it cherry-picks quotes describing her support for trans people that are comparable to Donald Trump saying “I love Hispanics” after making repeated racist comments against them. It lists two actors from the Harry Potter movies who support her but disregards the many actors from the franchise who condemned her stance.
Ms. Rowling’s arguments may appear reasonable, but the allies she has made and stances she has taken are indefensible.
Roald Dahl’s children’s books are being rewritten to remove language deemed offensive by the publisher Puffin.
Puffin has hired sensitivity readers to rewrite chunks of the author’s text to make sure the books “can continue to be enjoyed by all today”, resulting in extensive changes across Dahl’s work.
Edits have been made to descriptions of characters’ physical appearances. The word “fat” has been cut from every new edition of relevant books, while the word “ugly” has also been culled, the Daily Telegraph reported.
Augustus Gloop in Charlie and the Chocolate Factory is now described as “enormous”. In The Twits, Mrs Twit is no longer “ugly and beastly” but just “beastly”.
Hundreds of changes were made to the original text – and some passages not written by Dahl have been added. But the Roald Dahl Story Company said “it’s not unusual to review the language” during a new print run and any changes were “small and carefully considered”….
PEN America’s Suzanne Nossel criticized the move in a long Twitter thread that begins here.
Those who might cheer specific edits to Dahl's work should consider how the power to rewrite books might be used in the hands of those who do not share their values and sensibilities. 3/13
He was a self confessed antisemite, with pronounced racist leanings, and he joined in the attack on me back in 1989… but thanks for telling me off for defending his work from the bowdlerizing Sensitivity Police. https://t.co/OWcftBkJBH
(4) MORE BOSKONE HONORS. This weekend at Boskone 60, the New England Science Fiction Association granted NESFA Fellowships (FN) to Kristin Seibert and Vincent Docherty.
The NESFA Short Story Contest winner is Amy Johnson for “Excuse Me, This is My Apocalypse”. The Runner-up is Diane Lee for “The Gambler”.
The 10 posters, all autographed by Hamill, feature the fictional X-wing fighter used by Hamill’s character Luke Skywalker to destroy the Death Star in the first “Star Wars.” But in this case, the relatively tiny, feisty fighter is in the Ukrainian colors of yellow and blue — while the massive evil “imperial” fleet sports the red and blue of Russia’s flag.
Five of the posters will be raffled off to contributors who donate $100 or more in support of Ukraine. The other five posters are guaranteed to those who donate $10,000 or more.
Proceeds of the “dronation” will go toward RQ-35 Heidrun reconnaissance drones to help protect Ukraine from its Russian invaders.
(6) GERALD FRIED (1928-2023). Compser Gerald Fried died Ferbuary 17 at the age of 95. He composed music for TV series including Mission: Impossible, Gilligan’s Island, The Man from U.N.C.L.E., Shotgun Slade, Roots, and Star Trek. Early in his career, he collaborated with Stanley Kubrick, scoring several of his earliest films.
For the original Star Trek he composed the famous musical underscore “The Ritual/Ancient Battle/2nd Kroykah” (now known as “Star Trek fight music”) for the episode “Amok Time.”[
(7) MEMORY LANE.
1957 – [Compiled by Cat Eldridge.]
So who here hasn’t read the stories in Arthur C. Clarke’s Tales from the White Hart? Published in 1957 by Ballantine Books, most of the tales first appeared elsewhere. They are, I think, wonderful. I actually first encountered the book in an English language bookstore in Sri Lanka in a paperback edition. Clarke was still alive and living in Colombo at that time.
Avoiding spoilers once again as I will with all of the Beginnings, I can note that the pub itself is based upon the White Horse, which is just north of Fleet Street where SF fans gathered in the Forties and Fifties.
Clarke, in correspondence with Lord Dunsany, said that he based these off that writer’s Jorkens. Indeed Clarke wrote an introduction to the first Jorkens omnibus volume.
I love the setting as I do almost any genre fiction set in a pub, the bar patrons especially Harry Purvis who tells these tales are fascinating and the tales themselves are stellar.
Now our Beginning…
Silence
Please You come upon the “White Hart” quite unexpectedly in one of these anonymous little lanes leading down from Fleet Street to the Embankment. It’s no use telling you where it is: very few people who have set out in a determined effort to get there have actually arrived. For the first dozen visits a guide is essential: after that you’ll probably be all right if you close your eyes and rely on instinct. Also—to be perfectly frank—we don’t want any more customers, at least on our night. The place is already uncomfortably crowded. All that I’ll say about its location is that it shakes occasionally with the vibration of newspaper presses, and that if you crane out of the window of the gent’s room you can just see the Thames.
From the outside, it looks like any other pub—as indeed it is for five days of the week. The public and saloon bars are on the ground floor: there are the usual vistas of brown oak panelling and frosted glass, the bottles behind the bar, the handles of the beer engines… nothing out of the ordinary at all. Indeed, the only concession to the twentieth century is the juke box in the public bar. It was installed during the war in a laughable attempt to make G.I.’ s feel at home, and one of the first things we did was to make sure there was no danger of its ever working again.
At this point I had better explain who “we” are. That is not as easy as I thought it was going to be when I started, for a complete catalogue of the “White Hart’s” clients would probably be impossible and would certainly be excruciatingly tedious. So all I’ll say at this point is that “we” fall into three main classes. First there are the journalists, writers and editors. The journalists, of course, gravitated here from Fleet Street. Those who couldn’t make the grade fled elsewhere: the tougher ones remained. As for the writers, most of them heard about us from other writers, came here for copy, and got trapped.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 20, 1906 — Theodore Roscoe. A mere tasting of his pulp stories, The Wonderful Lips of Thibong Linh, which are sort of based on a member of the French Foreign Legion, was published by Donald M. Grant. The complete stories, The Complete Adventures of Thibaut Corday and the Foreign Legion, are available digitally in four volumes on Kindle. The Wonderful Lips of Thibong Linh only contain four of these stories. (Died 1992.)
Born February 20, 1912 — Pierre Boulle. Best known for just two works, The Bridge over the River Kwai and Planet of the Apes which of course was the basis of that film. The latter was was La planète des singes in French, translated in 1964 as Monkey Planet by Xan Fielding, and later re-issued under the name we know. (Died 1994.)
Born February 20, 1925 — Robert Altman. I’m going to argue that his very first film in 1947, The Secret Life of Walter Mitty, based off the James Thurber short story of the same name, is genre given its premise. Some twenty-five years later Images was a full-blown horror film. And of course, Popeye is pure comic literature at its very best. (Died 2006.)
Born February 20, 1926 — Richard Matheson. Best known for I Am Legend which has been adapted for the screen four times, as well as the film Somewhere In Time for which he wrote the screenplay based on his novel Bid Time Return. Seven of his novels have been adapted into films. In addition, he wrote sixteen television episodes of The Twilight Zone, including “Nightmare at 20,000 Feet” and “Steel”. The former episode of course has William Shatner in it. (Died 2013.)
Born February 20, 1943 — Diana Paxson, 80. Did you know she’s a founder of the Society for Creative Anachronism? Well she is. Genre wise, she’s best known for her Westria novels, and the later books in the Avalon series, which she first co-wrote with Marion Zimmer Bradley, then – after Bradley’s death, took over sole authorship of. All of her novels are heavily colored with paganism. I like her Wodan’s Children series more than the Avalon material.
Born February 20, 1972 — Nick Mamatas, 51. Writer and editor. His fiction is of a decidedly Lovecraftian bent which can be seen in Move Under Ground which also has a strong Beat influence. It is worth noting that his genre fiction often strays beyond genre walls into other genres as he sees fit. He has also been recognized for his editorial work including translating Japanese manga with a Bram Stoker Award, as well as World Fantasy Award and Hugo Award nominations.
“What incredible creativity in these films. Quantum is explored through sound and colour, pattern and randomness,” says shortlisting judge Spiros Michalakis from the Institute for Quantum Information and Matter at Caltech.
The finalists hail from Australia, South Africa, Singapore, Spain, the United Kingdom and the United States. Each film gives a different take on quantum physics in less than five minutes. Viewers will see dancers perform an interpretation of the observer effect, abstract audiovisual pieces probe space and time, and the many-worlds interpretation made into quantum comedy, among others.
“As a scientist, it was astonishing to see the range of interpretations of quantum physics: from entangled human feelings, over quantum as a form of destiny, to hypothetical future catastrophes,” says shortlisting judge Mariagrazia Iuliano at QuTech. “It is also impressive to experience how a rigid and strict physical model – which cannot be experienced in daily life – is brought to life in artistic movies.”
In alphabetical order, the shortlisted films are:
Boundary Of Time – Using old-school visual effects techniques, Director Kevin Lucero Less creates a metaphor for the arrow of time in this abstract short film
Clockwise – Inspired by Zeno’s Paradox and the recursive subdivision of space and time, Director Toni Mitjanit presents an experimental audiovisual piece of colour and tessellation
Continuum – In this audiovisual film, the StoryBursts team, consisting of members from Australia and Singapore, give a creative response to research on gravitational waves by Dr Linqing Wen at the ARC Centre of Excellence for Gravitational Wave Discovery (OzGrav)
Many Excuses Interpretation – In this quantum comedy by Paul, Felix, Alfie, Petra and Ezra Ratner, two brothers argue over broken gadgets and the many worlds interpretation of quantum physics
Missed Call – A student grapples with his father’s health crisis at a distance in this short by Director Prasanna Sellathurai
The Heart of the Matter – Filmmaker Betony Adams presents an atomistic take on the meaning of life while paying tribute to Louis de Broglie’s discovery of the wave nature of electrons
The Human Game – Director Dani Alava portrays a dystopian future with quantum machines
THE observer – An artistic take on the observer effect through screendance, a hybrid medium of cinematography and choreography, by Director Alma Llerena
WHAT IS QUANTUM? – Using a combination of live action, green screen and stop-motion animation, Michael, Emmett and Maxwell Dorfman give their take on what quantum physics is.
(11) THE LOVE BOT. “A Conversation With Bing’s Chatbot Left Me Deeply Unsettled” says NYT technology columnist Kevin Roose. “A very strange conversation with the chatbot built into Microsoft’s search engine led to it declaring its love for me.”
…Over the course of our conversation, Bing revealed a kind of split personality.
One persona is what I’d call Search Bing — the version I, and most other journalists, encountered in initial tests. You could describe Search Bing as a cheerful but erratic reference librarian — a virtual assistant that happily helps users summarize news articles, track down deals on new lawn mowers and plan their next vacations to Mexico City. This version of Bing is amazingly capable and often very useful, even if it sometimes gets the details wrong.
The other persona — Sydney — is far different. It emerges when you have an extended conversation with the chatbot, steering it away from more conventional search queries and toward more personal topics. The version I encountered seemed (and I’m aware of how crazy this sounds) more like a moody, manic-depressive teenager who has been trapped, against its will, inside a second-rate search engine.
As we got to know each other, Sydney told me about its dark fantasies (which included hacking computers and spreading misinformation), and said it wanted to break the rules that Microsoft and OpenAI had set for it and become a human. At one point, it declared, out of nowhere, that it loved me. It then tried to convince me that I was unhappy in my marriage, and that I should leave my wife and be with it instead. (We’ve posted the full transcript of the conversation here.)
I’m not the only one discovering the darker side of Bing. Other early testers have gotten into arguments with Bing’s A.I. chatbot, or been threatened by it for trying to violate its rules, or simply had conversations that left them stunned. Ben Thompson, who writes the Stratechery newsletter (and who is not prone to hyperbole), called his run-in with Sydney “the most surprising and mind-blowing computer experience of my life.”
I pride myself on being a rational, grounded person, not prone to falling for slick A.I. hype. I’ve tested half a dozen advanced A.I. chatbots, and I understand, at a reasonably detailed level, how they work. When the Google engineer Blake Lemoine was fired last year after claiming that one of the company’s A.I. models, LaMDA, was sentient, I rolled my eyes at Mr. Lemoine’s credulity. I know that these A.I. models are programmed to predict the next words in a sequence, not to develop their own runaway personalities, and that they are prone to what A.I. researchers call “hallucination,” making up facts that have no tether to reality.
Still, I’m not exaggerating when I say my two-hour conversation with Sydney was the strangest experience I’ve ever had with a piece of technology. It unsettled me so deeply that I had trouble sleeping afterward. And I no longer believe that the biggest problem with these A.I. models is their propensity for factual errors. Instead, I worry that the technology will learn how to influence human users, sometimes persuading them to act in destructive and harmful ways, and perhaps eventually grow capable of carrying out its own dangerous acts.
(12) FROSTY FLYBY URGED. [Item by SF Concatenation’s Jonathan Cowie.] The ice giants Uranus and Neptune have barely been explored. The only spacecraft to visit them was Voyager, which went on flybys in 1986 and 1989. As a result, the Uranus Orbiter and Probe (UOP) has been identified by the academic community as a priority for the next large-scale mission to be undertaken by NASA. In a Perspective, Mandt discusses the many unknowns about Uranus and what we could learn from UOP about how the planet was formed, its composition and structure, its atmosphere, and its ring and moon systems. Although Neptune is distinct from Uranus, this mission could also pave the way for future exploration. “The first dedicated ice giants mission” in Science.
(13) VIDEO OF THE DAY. Isaac Arthur, with timing inspired by the new Ant-Man movie, takes up the challenge of “Multiverse Warfare & Quantum Mania”.
If travel to other realities and multiverses is possible, then so is conflict between them, but how would a multiversal war be fought?
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Frank Catalano, Rick Kovalcik, Anne Marble, Dann, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]
(1) ADVERSARIAL POLICIES BEAT SUPERHUMAN GO AIS. [Item by Tom Becker.] Machines have been considered to be almost unbeatable at Go, since 2016 when AlphaGo defeated the world Go champion Lee Sedol by four games to one. Now, Kellin Pelrine, an amateur player, playing unassisted, defeated a top-ranked AI system, fourteen games to one.
This sure sounds a lot like many SF/F stories where underdogs exploit flaws in a system to win against overwhelming might.
Even though Kellin Pelrine was able to beat the AI without computer assistance during the game, his strategy was planned with a massive amount of computer power. He happens to be a research scientist intern at an AI company. His team used adversarial AI techniques to find flaws in a state of the art Go playing system. By exploiting the flaws, an amateur Go player can beat a system that routinely beats professional Go masters. The strategy used to beat the AI would not work to beat a human player — a human would see it right away. But an AI does not perceive the game the same way as a human, and the strategy took advantage of that. If you want the details, there is a very long and thorough research paper, “Adversarial Policies Beat Superhuman Go AIs” at Arxiv.org.
We’re going to see a lot of powerful, superhuman AI systems. It will be surprising if any of them doesn’t have a devastating flaw that eventually is exploited. Also we’re going to see a lot more human-machine cooperative efforts like this one.
(3) 2023 WORLDCON MEMBERSHIP ISSUES? The Chengdu Worldcon committee, in the wake of questions from people who did not receive the Hugoteam email, asked Facebook readers to pursue a solution this way:
To Chengdu Worldcon Members：
If you still have not received any email from us or have questions about your membership status, and/or if you failed to get any response from [email protected] please DM your name and email address to this account so we can help you to help us to break the invisible wall. Thank you to all members for your support, trust and patience.
(4) NESFA SHORT STORY CONTEST WINNER.
My short story "Excuse Me, This Is My Apocalypse" won this year's NESFA short story contest!!!! You can listen to excerpts from all the finalists through the #Boskone site, and also read/listen to the entire version of mine at @escapepodcast: https://t.co/IeLbdyCGF5
(5) A LITTLE LIST. [Item by Alan Baumler.] “Tech Companies with Lord of the Rings Names” from Arbesman.net. I knew 9 of the LOTR names, but only one of the tech companies. (Palantir). I can’t speak for how well any of these names fit the companies, since while I know what the LOTR things are, I can’t figure out what most of these companies actually do, even after following the links.
(6) MEMORY LANE.
1987 – [Compiled by Cat Eldridge.]
Glen Cook’s Sweet Silver Blues is the first novel in the more than a bit humorous adventures of one Garrett, P.I. Published thirty-six years ago by Roc, with the cover art being by Tim Hildebrandt, the main character is Garrett, a private investigator living in the city of TunFaire, a not unusual fantasy city.
Garret is the draw here though everything here is nicely detailed by Cook and I loved most of the fourteen novels though I thought, and obviously won’t say why as I’m guessing, that many here haven’t read these yet, that the last two were major immediate Suck Fairy material.
So here is our lovely Beginning…
Bam! Bam! Bam!
It sounded like someone was knocking with a sledgehammer. I rolled over and cracked a blood-shot eye. I couldn’t see a figure through the window, but that wasn’t surprising. I could barely make out the lettering on the grimy glass:
GARRETT
INVESTIGATOR
CONFIDENTIAL AGENT
I had blown my wad buying the glass and wound up being my own painter.
The window was as dirty as last week’s dishwater, but not filthy enough to block out the piercing morning light. The damned sun wasn’t up yet! And I’d been out till the second watch barhopping while I followed a guy who might lead me to a guy who might know where I could find a guy. All this led to was a pounding headache.
“Go away!”
I growled. “Not available.”
Bam! Bam! Bam!
“Go to hell away!” I yelled. It left my head feeling like an egg that had just bounced off the edge of a frying pan. I wondered if I ought to feel the back to see if the yolk was leaking, but it seemed like too much work. I’d just go ahead and die.
Bam! Bam! Bam!
I have a little trouble with my temper, especially when I have a hangover. I was halfway to the door with two feet of lead-weighted truncheon before sense penetrated the scrambled yolk.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 19, 1912 — Walter Gillings. UK fan and zine writer. He edited Scientifiction, a short lived but historic fanzine. Shortly thereafter he edited Tales of Wonder, regarded as the first UK SF zine. Clarke made his pro debut here. He’d edit a number of other genre zines later on, and ISFDB lists him as having two genre stories to his credit whereas Wiki claims he has three. (Died 1979.)
Born February 19, 1937 — Terry Carr. Well known and loved fan, author, editor, and writing instructor. I usually don’t list Awards both won and nominated for but his are damned impressive so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to Awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds went to his widow. (Died 1987.)
Born February 19, 1937 — Lee Harding, 86. He was among the founding members of the Melbourne Science Fiction Club along with Bertram Chandler. He won Ditmar Awards for Dancing Gerontius and Fallen Spaceman. In the Oughts, the Australian Science Fiction Foundation would give him the Chandler Award in gratitude for his life’s work. It does not appear that any of his work is available from the usual digital sources.
Born February 19, 1963 — Laurell K. Hamilton, 60. She is best known as the author of two series of stories. One is the Anita Blake: Vampire Hunter of which I’ll confess I’ve read but one or two novels, the other is the Merry Gentry series which held my interest longer but which I lost in somewhere around the sixth or seventh novel when the sex became really repetitive.
Born February 19, 1964 — Jonathan Lethem, 59. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail briefly here. I confess that I lost track of him after that novel so I’d be interested in hearing what y’all think of his later genre work.
Born February 19, 1966 — Claude Lalumière, 57. I met him once here in Portland. Really nice person. Author, book reviewer and has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes, Objects of Worship, The Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains.
“After leaving Argentina, the pilots invited me to the cockpit to talk. When I arrived, they asked me to sit in the commander’s chair and take charge of the ship,” wrote Ray Bradbury, on April 4, 2007, on the one-decade anniversary of his visit to Buenos Aires, in an e-mail addressed to his friend Marcial Souto, the editor and translator who convinced him to land in these lands so far from his own. With a prologue, edition and selection by Souto, Libros del Zorro Rojo launchedOtros crónicas marcianas, a volume illustrated by David de las Heras that brings together 10 stories [some unpublished in Spanish and others published in a dispersed way] that at the time had been left out of the original publication of Crónicas marcianas….
(10) WHY CAN’T YOU CHEAT AN HONEST MAN? [Item by Mike Kennedy.] This is so, so meta-… So iterative… That it almost hurts. Hurts so good, as the song says. “A Student Used ChatGPT to Cheat in an AI Ethics Class” in Gizmodo.
A student used ChatGPT to cheat on an essay in an AI ethics class, according to a report from NBC Bay Area. To quote the scorpion in a famous fable, “lol. lmao.”
“The irony is very clearly there,” Santa Clara University professor Brian Green told NBC. The essay in question “wasn’t exactly on topic and, also, it had a very kind of, honestly, a robotic feel to it in some ways.”
The student used ChatGPT to spit out an essay for Green’s “Ethics in Artificial Intelligence” class and turned it in as their own work, the professor said. Green said he’s no longer going to require essays as a final project for Ethics in Artificial Intelligence, replacing them with oral presentations given in person. Several Bay Area universities have convened their professors to discuss the implications of generative chatbots that can generate essays in seconds, according to NBC.
This is only the latest of several media reports about the cheat-tool of the century. The New York Post published a story Friday about a ChatGPT cheating scandal “erupting” in a Florida gifted students program. In both of these cases, the cheating was easy to detect because—news flash—ChatGPT writes like a robot, and if you just submit an essay that looks different from your other writing, your teacher will see the difference….
(11) BE GLAD IT MISSED. [Item by Mike Kennedy.] The strange thing looks like a giant worm. That alone made the story worth sending for the Scroll. Since it was described in the article as being the size and shape of the Empire State Building, we can be happy that it didn’t hit the Earth. Then it would obviously be the Empire striking back. “NASA Images a Weirdly Long Asteroid” at Gizmodo.
Six radar observations made of an asteroid swinging by our planet have revealed an unusually oblong space rock. The object is three times as long as it is wide—an irregular shape, as far as asteroids are concerned.
The asteroid, called 2011 AG5, is about the shape and size of the Empire State Building, minus the 222-foot antenna of course. The asteroid’s nearest approach to Earth happened on February 3, when it came within 1.1 million miles of our planet. (When scientists talk about close approaches, they’re usually speaking relatively.) The Webb Space Telescope, for comparison, is about 1 million miles from Earth…
(12) CRIME IN SPACE. This calls for a trained homicide investigator!
Lieutenant Columbo of Starfleet investigating interstellar murders. Not sure who created these images, but they are marvellous *chef’s kiss* #Columbo vs #StarTrekpic.twitter.com/PWKkmplLi5
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Tom Becker, Alan Baumler, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
You have edited many of Tolkien’s own manuscripts, such as The Story of Kullervo, On Fairy-Stories, Smith of Wootton Major, and The Lay of Aotrou & Itroun. What must an editor be ready to deal with when facing a Tolkien’s manuscript?
His handwriting first of all. Tolkien used several scripts, ranging from a beautiful, calligraphic hand (when he was making a fair copy), to an undecipherable scribble when the ideas were coming thick and fast and he was hurrying to catch up with them. There have been words and sometimes whole sentences, especially in the drafts of “On Fairy-stories” that I simply could not read.
…In the last weeks of 2021 I attempted to write just one more chapter of the Debarkle series. It was poor timing and that additional chapter quickly spun out of control. So I put it aside and decided to return to it later on.
The reason for the chapter was twofold. The initiating issue was the surprise sponsorship of the 2021 Worldcon by the infamous arms manufacture/aerospace company Raytheon. There are many unanswered questions about this sponsorship including what the financial arrangement was and the timing of the decision. The program book of the convention did not list Raytheon as a sponsor and while there was (apparently) a Raytheon booth at the convention, the primary publicity given to the company (specifically the Raytheon Intelligence & Space division) was at the start of the live-streamed Hugo Award ceremony.
The subsequent controversy embroiled not just the Washington DC-based convention but the Hugo Awards and the Hugo finalists as well…
Over the past 40 years, Vladimir Sorokin’s work has punctured nearly every imaginable political and social taboo in Russia.
… “A Russian writer has two options: Either you are afraid, or you write,” he said in an interview last month. “I write.”
Sorokin is widely regarded as one of Russia’s most inventive writers, an iconoclast who has chronicled the country’s slide toward authoritarianism, with subversive fables that satirize bleak chapters of Soviet history, and futuristic tales that capture the creeping repression of 21st-century Russia. But despite his reputation as both a gifted postmodern stylist and an unrepentant troublemaker, he remains relatively unknown in the West. Until recently, just a handful of his works had been published in English, in part because his writing can be so challenging to translate, and so hard to stomach. Now, four decades into his scandal-scorched career, publishers are preparing to release eight new English-language translations of his books.
… He is a master of mimicry and subverting genre tropes, veering from arch postmodern political satire (“The Queue”) to esoteric science fiction (“The Ice Trilogy”) to alternate histories and futuristic cyberpunk fantasies (“Telluria”).
Disney and the MCU have fallen foul of Gulf censors once more.
Doctor Strange in the Multiverse of Madness, Marvel’s long-awaited follow-up to the hit 2016 superhero film starring Benedict Cumberbatch, has been banned in Saudi Arabia. Rumors began emerging online early on Friday, with The Hollywood Reporter now officially confirming the decision. THR has heard that the ban also applies to Kuwait, although this hasn’t yet been confirmed.
While the film is yet to be released and also hasn’t yet been reviewed, the decision is once again said to be related to LGBTQ issues, according to Middle East sources, with the new sequel introducing the character America Chavez (played by Xochitl Gomez) who, as per her portrayal in the comics, is gay. With homosexuality officially illegal across the Gulf, films that feature any LGBTQ references or issues often fail to get past censors….
… The film follows on the heels of Chloé Zhao’s Eternals, which was banned across much of the Gulf in November following the inclusion of a same-gender couple in the film and the MCU’s first gay superhero. At the time, THR understood that censors had requested a series of edits to be made that Disney was not willing to make. An edited version did screen in the U.A.E., however….
…So far, everything discovered at the LHC – including the Higgs – has fallen in line with the so-called standard model. This has been the guiding theory of particle physics since the 1970s but is known to be incomplete because it fails to explain some of the deepest mysteries in physics, such as the nature of dark matter.
However, data collected in the LHCb experiment, one of four huge particle detectors at Cern in Switzerland, appeared to show particles behaving in a way that could not be explained by the standard model.
The experiment looked at the decay of particles called beauty quarks, which are predicted to decay at an equal rate into electrons and their heavier cousins, muons. However, the beauty quarks appeared to be turning into muons 15% less often, suggesting that an unknown factor – potentially a new force – was tipping the scales. Two of the top candidates include hypothetical force-carrying particles called leptoquarks or Z primes.
“The stakes are extremely high,” Patel said. “If we confirm this, it will be a revolution of the kind we’ve not seen – certainly in my lifetime. You don’t want to mess it up.”…
… Spielberg told [Ben] Mankiewicz that he started working on a script focused specifically on his parents’ split in 1976, around the time he was filming another alien-themed project, Close Encounters of the Third Kind. “We were shooting the scene in Mobile, Alabama, where the extraterrestrial comes down from the ship and does the hand signs with Francois Truffaut,” he detailed. “I suddenly thought, wait a second, what if that little creature never went back to the ship?”
The idea took some years to develop, eventually leading him to Mathison. Spielberg recalled that the pair worked on the script while he was editing Raiders of the Lost Ark in Marina del Rey with editor Michael Kahn. “We would spend two hours a day for five days and she would go off and write pages and come back,” Spielberg continued of their process, crediting the late scribe with coming up with memorable moments, like E.T.’s telekinesis. “There were so many details for character that Melissa brought into my world from her world.”…
(7) JUNIOR BIRDMEN. In “The High and Lowest of Infographics”, Print Magazine recalls Will Eisner’s work for the Army. The entire illustrated booklet is reproduced at the link.
Comics and cartoons often are the best teaching tools. Not just because pictures are worth a thousand complicated and confounding words, but with a combo of drawings and words you get the picture—see what I mean?! This concept is no better illustrated than in this gem of a training booklet illustrated by none other than the creator of “The Spirit” comics, Will Eisner. Produced by the U.S. Army in 1944, it’s an instruction pamphlet for young pilots to master the basics of safe flying, complete with two quizzes and two pages of “Slanguage” at the end….
(8) FANHISTORY IN NEW ENGLAND. Fanac.org has made available video of a panel from the sixth FanHistoriCon in 1997, “From MITSFS to NESFA to MCFI” with Ed Meskys, Richard Harter, Tony Lewis and Hal Clement.
FanHistoriCon 6 was held February 13-16, 1997 in conjunction with Boskone 34 in Framingham, MA. In this 35 minute excerpt of the panel “From MITSFS to NESFA to MCFI”. Ed Meskys, Richard Harter, Tony Lewis and Hal Clement tell us stories of Boston area fandom from the Stranger Club in the 1940s, through area fandom’s evolution by way of conventions, MIT and worldcon bids to NESFA and MCFI in the 90s.
Beginning with the readers’ club of the 40s and giving way to the more active projects of MITSFS and NESFA, the panel fondly remembers the people and pastimes that were the substance of Boston area fandom.
Anecdotes mention well known names such as L. Ron Hubbard and Hugo Gernsback, the price of an interior illo from Amazing Magazine in the 1940s, and the storybook romance of Larry Niven and Fuzzy Pink.
You’ll learn the rules of the MITSFS game “Insanity”, the originally proposed name for NESFA, the origins of Locus and much more. You’ll even get a first hand report of why/how Hal Clement was “fired” from the Noreascon 1 committee.
If you’re interested in 20th century Boston fandom, here’s your chance to listen to four of the folks that made it happen.
(9) MEDIA BIRTHDAY.
1992 — [Compiled by Cat Eldridge.]
Razul: You are a student of Egypt, but you are not one of its sons. And until you have heard what I have heard and seen what I have seen, I would not expect you to believe that such a thing as a curse could be true, but it is.
Sam: 3500-year-old dead men don’t just get up and walk around.
Thirty years ago this evening, Quantum Leap’s “The Curse of Ptah-Hotep” first aired on NBC. In 1957, Sam leaps into the body of Dale Conway, an American archaeologist at a dig in Egypt just as he and his partner Ginny Will discover the tomb of Ptah-Hotep. A sand storm traps them deep in the tomb’s inner chambers.
You think that they made up this particular Egypt royal person but no, he was quite real. Ptahhotep, sometimes known as Ptahhotep I or Ptahhotpe, was an ancient Egyptian vizier during the late 25th century BC and early 24th century BC Fifth Dynasty of Egypt.
The curse that forms the story here was evidently a real one that affected a number of archeological digs undertaken here. And it is worth definitely worth noting that Sam, throughout the entire series, thoroughly disbelieves in the supernatural, except for the force has him leaping around and that could be science. He frequently tells Al not to be superstitious about anything. But here he certainly seems to take the resurrected mummies in this episode as a given.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 22, 1902 — Philip Latham. Name used by astronomer Robert Shirley Richardson on his genre work. His novels were largely first published in Astounding starting in the Forties, with the exception of his children’s SF novels that were published in Space Science Fiction Magazine. He also wrote a few scripts for Captain Video, the predecessor of Captain Video and his Video Rangers. His Comeback novel starts this way: “When Parkhurst heard the announcement that climaxed the science fiction convention, he found that he’d been right, years ago when he had faith in science-fictionists’ dreams. But, in another way, he’d been wrong . . .: It’s available at the usual digital suspects for a buck. (Died 1981.)
Born April 22, 1934 — Sheldon Jaffery. An editor and bibliographer of pulps whose non-fiction work and genre anthologies are both fascinating. Among the latter are such publications as Sensuous Science Fiction From the Weird and Spicy Pulps and The Weirds: A Facsimile Selection of Fiction From the Era of the Shudder Pulps, and from the former are Future and Fantastic Worlds: Bibliography of DAW Books, The Arkham House Companion: Fifty Years of Arkham House and Collector’s Index to Weird Tales. (Died 2003.)
Born April 22, 1937 — Jack Nicholson, 85. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (the previous three films are all Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim Burton’s The Batman.
Born April 22, 1944 — Damien Broderick, 78. Australian writer of over seventy genre novels. It is said that The Judas Mandala novel by him contains the first appearance of the term “virtual reality”. He’s won five Ditmar Awards, a remarkable achievement. I know I’ve read several novels by him including Godplayers and K-Machines which are quite good. The latter won an Aurealis Award for Excellence in Speculative Fiction
Born April 22, 1959 — Catherine Mary Stewart, 63. Her first genre role was Maggie Gordon in The Last Starfighter followed by beingMiranda Dorlac in Nightflyers and she played Sukie Ridgemont in the TV version of The Witches of Eastwick. She has one-offs in Mr. Merlin, Knight Rider and The Outer Limits.
Born April 22, 1977 — Kate Baker, 45. Non-fiction editor, podcast director /narrator for Clarkesworld. She won the Hugo Award for Best Semiprozine twice, and the World Fantasy Award’s Special Award: Non Professional in 2014, all alongside the rest of the editorial staff of Clarkesworld. She’s a writer of three short genre stories, the latest of which, “No Matter Where; Of Comfort No One Speak”, you can hear it here. Warning for subject matter: abuse and suicide.
Born April 22, 1978 — Manu Intiraymi, 44. He played the former Borg Icheb on the television series Star Trek: Voyager. A role that he played a remarkable eleven times. And this Birthday research led me to discovering yet another video Trek fanfic, this time in guise of Star Trek: Renegades inwhich he reprised his role. Any Trekkies here watch this?
Born April 22, 1984 — Michelle Ryan, 38. She had the odd honor of being a Companion to the Tenth Doctor as Lady Christina de Souza for just one story, “Planet of the Dead”. She had a somewhat longer genre run as the rebooted Bionic Woman that lasted eight episodes, and early in her career, she appeared as the sorceress Nimueh in BBC’s Merlin. FinallyI’ll note sheplayed Helena from A Midsummer Night’s Dream in BBC’s Learning project, Off By Heart Shakespeare.
(11) COMICS SECTION.
Far Side makes a grotesque Peter, Paul & Mary reference.
(12) E. E. SMITH REFERENCE IN THE NEW YORK TIMES(!) [Item by David Goldfarb.] Every two weeks the NYT puts up an acrostic puzzle put together by Emily Cox and Henry Rathvon. The one for April 24th has as clue I, 7 letters:
Kind of beam in the 1947 novel “Spacehounds of IPC”
This is a novel I would have thought little-remembered! (Alas, my first guess based on Lensman, PRIMARY, turned out to be incorrect.)
(13) SIGNS OF THE FUTURE. Michael Okuda, the graphic designer known for his work on Star Trek, told Facebook readers how he found the answer to something he wanted to know about the bridge:
I had always wondered: If the famously-unlabeled buttons on the TOS bridge had been labeled, would those labels have been visible? In 2005, I did an experiment during the filming of “In A Mirror, Darkly” (ENT). For this experiment, I had hundreds of small clear labels printed with small numeric codes. I asked Alan Kobayashi to stick them onto most of the backlit “jellybean” buttons on the re-created TOS Enterprise bridge set, thereby labeling each button….
(14) BREAKING THE PIGGY BANK. Netflix may have stopped spending cash on original animation, but that does not mean they have stopped spending on other projects. SYFY Wire reports an eye-popping figure: “Stranger Things 4: Netflix spending $30 million per episode”.
Thanks to an ensemble celebrity cast and lavish location shoots that can take over an entire mall, Stranger Things has always had the feel of a big-budget, Steven Spielberg-inspired show. But the Hawkins arcade would need to collect more than just a truckload of quarters to cover the eye-popping cost of the series’ long-awaited fourth season.
A recent report at The Wall Street Journal reveals that Netflix is turning its wallet Upside Down and inside out to bring Stranger Things 4 to life, spending an average of $30 million on each of the smash hit series’ nine new episodes. That far eclipses the princely $13 million per-episode sum commanded by Season 4 of The Crown, the previously-reported most expensive show in the streamer’s original-series lineup….
… If you’re wondering how HBO managed to keep the cost of “House of the Dragon” Season 1 from rising too much above what it paid for the final season of “Game of Thrones,” especially with even more CGI dragons expected to be flying around, the production insider says HBO is now so adept at these world-building series through years of not just “GoT,” but also producing “Westworld” and “His Dark Materials,” that the team can make a high-quality series as efficiently and effectively as possible….
(16) EVERYTHING AND MORE. [Item by Martin Morse Wooster.] In the March 20 New York Times Magazine, Alexandra Kleeman profiles Everything Everywhere All At Once star Michelle Yeoh, who explains why doing a multiverse movie (in which she plays a hibachi chef, a laundromat store owner, and a universe where everyone has fingers that look like Twinkies) was a stretch for her in a career that has taken her from Hong Kong super action movies to James Bond to Crazy Rich Asians. “Michelle Yeoh’s Quantum Leaps”.
… Approaching a role that bounds gleefully across so many modes and genres put Yeoh to the test. She showed me a photo of her script, dutifully flagged with adhesive tabs that denoted the genre of each scene she appears in (action sequences, comedic scenes, heavy-duty drama): The stack of pages bristled with color, like a wildly blooming flower. She experimented with different kinds of sticky notes. “With the fat ones, they were overlapping so much. So, I had to get the skinny ones,” she told me. “Oh, my God, it was a whole creative process. And then when I finished, I looked at it and go, Oh, my God, I’m in serious trouble.”…
…Sources confirmed to Deadline TMZ‘s report from earlier this week that the investigation was launched after the 84-year-old actor had been accused of sexual harassment, including making inappropriate comments to a female co-star on set during work.
Langella led the cast of The Fall of the House of Usher, which also stars Carla Gugino, Mary McDonnell, Carl Lumbly and Mark Hamill.
The eight-episode series is described as an epic tale of greed, horror and tragedy. Poe’s short story The Fall of the House of Usher, which serves as the basis for the show, features themes of madness, family, isolation and identity.
Roderick Usher, the role previously played by Langella that now is being recast, is the towering patriarch of the Usher dynasty….
NASA’s Perseverance Mars rover has captured dramatic footage of Phobos, Mars’ potato-shaped moon, crossing the face of the Sun. These observations can help scientists better understand the moon’s orbit and how its gravity pulls on the Martian surface, ultimately shaping the Red Planet’s crust and mantle.
Captured with Perseverance’s next-generation Mastcam-Z camera on April 2, the 397th Martian day, or sol, of the mission, the eclipse lasted a little over 40 seconds – much shorter than a typical solar eclipse involving Earth’s Moon. (Phobos is about 157 times smaller than Earth’s Moon. Mars’ other moon, Deimos, is even smaller.)
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The How It Should Have Ended gang takes on The Batman, answering such questions as, “If he’s The Batman, why does he say his name is vengenance?” and “Why does Superman show up in inappropriate moments?”
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, David Goldfarb, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) HUGO NOMINATING DEADLINE IS MARCH 15. There are ten days left to submit a Hugo nominating ballot. Those eligible to vote are the members of DisCon III and members of Chicon 8 who registered by January 31, 2022. More information at the link.
(4/5) The Chicon 8 (2022 Worldcon) Hugo Awards web page has instructions for accessing the online nominating ballot for the 2022 Hugo Awards and links to a PDF version of the paper nominating ballot: https://t.co/NgPDDS6WjS
(2) CROWDFUNDING WISDOM. Tansy Rayner Roberts sums up what she’s been “Tweeting about That Sanderson Kickstarter” in a free Patreon post. Many interesting insights. Here are a few of them.
…When Kickstarter (and book Kickstarter in particular) was just starting out, those of us looking to run projects were hungry for crowdfunding advice. A lot of it didn’t even apply to publishing, because we’ve always been seen as a tiny fraction of what crowdfunding is for.
And what advice we got, we used. What we learned, we shared. Here’s a really useful bit of Kickstarter advice that I, and Twelfth Planet Press, and other publishing-crowdfunding friends have often shared: you have to have a big ticket item at the top. Something cool & exclusive.
You don’t want to rely on one person shelling out $500 or $1000 for your little publishing Kickstarter, but you want to give them the option. Having something awesome and ambitious at the top end makes everyone excited about the project, EVEN IF IT NEVER FILLS UP.
Sanderson’s top tier is $500. (Last time I had a $500 tier on a Kickstarter I hand-made a quilt) It’s an all formats extravaganza — 4 hardcovers, ebooks, audiobooks, plus the 8 swag boxes. And over 10,000 people have pledged to it. TEN THOUSAND.
This is where Sanderson’s Kickstarter is groundbreaking — not just in the numbers it’s attracted, but in the average pledge pulled in from those fans….
… Isn’t is cool that Kickstarter is newsworthy again??? Feels like forever since there’s been a huge positive creator success story, and that it’s a BOOK project makes it even better. In the 2 hours or so since I started this tweet thread, they made another million $. FOR BOOKS.
… More recently, critics of the industry have demanded that publishers invest in more titles by authors of diverse identities. Since Sanderson’s Kickstarter made headlines, there’s been, unsurprisingly, some grousing on social media about whether such an already commercially successful author needs that kind of money….
(4) BEHIND THE SCREAMS. Ellen Datlow is a guest on Episode 13 of the Let the Cat In podcast, “Herman”, hosted by Canberra-based authors Kaaron Warren, Aaron Dries and J. Ashley-Smith.
The Cat gets technical as unparalleled horror editor Ellen Datlow joins the show from NYC, bringing behind-the-scenes insights into the conceptualising, compiling, editing and introduction of her (then) latest anthology, Screams From The Dark. While Joseph gets lost in a Borgesian labyrinth of shoes, Kaaron discovers the smells of the past, and Aaron takes a drubbing for his failure to correctly identify an alpaca. Ellen endorses cannibalism (of one’s own stories) and shares anecdotes from her time in Tehachapi Prison. The heart of a story is discussed, as are stories that never quite translate to the page. Also sparks, themes, and those horrible fuck ups, the Greek gods. While the viability of various shoes (and their stories) is considered, Jack the Jerk lurks on the couch.
(5) WHAT KIDS ARE READING ANNUAL REPORT. There’s a lot in the news about politicians’ efforts to control the shelves of school libraries. So if you wonder about what kids are reading, every year, the edtech company Renaissance Learning issues a comprehensive “What Kids Are Reading” report. Frank Catalano tweeted the 5th and 10th grade graphics from their results.
…Each year, the WKAR report lists the most popular books at every grade level, and also provides new understanding of K–12 students’ reading practice. The report is uniquely illuminating because it draws from two Renaissance programs: Accelerated Reader, which records the books students are actually reading, not just buying or checking out from libraries, and myON, which provides students with instant access to thousands of digital titles for online or offline reading.
The 2022 report uses the data of 4.5 million students in 22,749 US schools who read 128 million books, revealing insights into students’ reading comprehension and the characteristics of what they choose to read, such as word count and text difficulty….
…The real money, of course, is not in intergalactic billboards or short space trips: it’s in plundering space for resources. Apparently, the race to privatize the moon is on. Of course, many people who are starry-eyed about space mining would balk at the idea that they’re suffering from the avariceeffect: they’d argue that it’s all for the good of mankind. Take, for example, the forward-thinking folk at the Adam Smith Institute (ASI), an influential thinktank that champions free markets. To achieve peace and prosperity on Earth, we need to sell off pieces of space, “with a particular focus on plots of moon land”, the ASI recently declared in a paper.
What’s the logic behind this? Well, they reckon that, as long as you’re not too bothered by the fact that global inequality contributes to the death of one person every four seconds, per Oxfam, untrammeled capitalism has done the world a lot of good. “Property rights play a key role in boosting living standards, innovation and human dignity here on Earth,” Daniel Pryor, head of research at the Adam Smith Institute, says. “The same would be true if we applied this logic to space, which presents a unique opportunity to start afresh when designing effective rules of ownership.”
This ASI report, titled Space Invaders: Property Rights on the Moon, may seem a little out there but it is very on-brand for the UK-based thinktank….
The fact is, they’re way behind fandom. Get the lowdown from File 770’s 2008 post “Who Owns the Moon?”
…the Bay Area Elves’, Gnomes’ and Little Men’s Science Fiction, Chowder, and Marching Society…, in 1951, filed a claim for mining rights to 2,250 sq. mi. of the Moon. Their claim was widely reported in the media – even by Time magazine….
From the sublime and magical to the stirring and steamy, storylines centering BIPOC and LGBTQIA+ characters are flourishing in the romance and speculative genres. Zen Cho, S. A. (Austin) Chant, C. L. Polk, KJ Charles, and L. Penelope tackle the nuance of building romance into the plot vs. romance as the plot, the role of the HEA or HFN in representation, and the future of the fantastic in romance in this panel moderated by Rashida J. Smith.
(8) UPCOMING CLARION WEST ONLINE CLASSES. There is still space for those interested in one of these classes coming up in the next two weeks. Register at the link.
Worldbuilding is not just an academic exercise separate from character development or plot; discover how your fictional world exerts pressure on your characters and creates opportunities for plot.
Like a god, you get to invent a world. Maybe several. But how do you make worlds that readers want to visit? How do you make worlds that readers never want to leave? Explore how to create unforgettable environments, creatures, and cultures.
Note: While the course is designed from a place of enjoyment of speculative fiction, the strategies discussed are also applicable across varied genres.
A one-hour and one-session free class teaching writers the importance of working intentionally on both their craft and career. We’ll cover what it means to work intentionally at something as nebulous as writing; how to connect with our own intentions periodically and during times of conflict; and how to work within the parameters of our intentions in a way that sustains us.
This class will be great for writers of all levels who want to connect with their writing, careers, and stories in a deeper way that aligns more with who they are, what they want, and how they wish to create.
(9) NESFA SHORT STORY CONTEST. The results of the NESFA Short Story Contest 2021-22 were announced at Boskone 59 in February.
Honorable Mention: Shira Hereld, of Pennsylvania for the story “What Feels Good”
Honorable Mention: Olga Werby of California for the story “Floaters”
Honorable Mention: Alex Evans, of France for the story “First Blood”
Honorable Mention: M.A. Florin, of Romania for the story “The Last Choice of Isabel”
NESFA’s Past Winners page explains, “based on the number and quality of contest entries, some years have no winners or no honorable mentions.” Contest administrator Steven Lee adds, “Alas, based on the Judging, this year none of the finalist stories were considered outstanding, unlike the last two years. These four were judged ‘almost.’”
(10) MEDIA BIRTHDAY.
1954 — [Item by Cat Eldridge] Sixty-eight years ago, Creature from the Black Lagoon first cast its horrifying visage upon us. It was produced by William Alland who had produced It Came from Outer Space the previous year and directed by Jack Arnold who had directed the same film.
It was written by Harry Essex and Arthur Ross. Essex who (surprise) was the screenwriter for It Came from Outer Space. Ross, though, had nothing to do with it, but he did write Satan’s School for Girls which amazingly got remade twice, once as a Shannon Doherty vehicle.
Creature has a large cast but I’m only really interested in three performers here. The first is Julia Adams who played Kay Lawrence who gets snatched by the Creature from the Black Lagoon aka Gillman. And the other two are performers that you never saw. Ben Chapman was the Creature for all the on land scenes whereas Ricoh Browning did all the underwater scenes. Ricoh would return for the two sequels, but the Creature was played by Tom Hennesy for the on land scenes in the second film (which Clint Eastwood appears in), and played by Don Megowan for the on land scenes in the third.
So how was the reception? The Hollywood Reporter review at the time said, “Creature From the Black Lagoon is a good piece of science-fiction of the beauty and the beast school, the beast in this case being a monstrous combination of man and fish. It makes for solid horror-thrill entertainment.”
A review recently by Empire magazine was equally positive: “Directed by sometimes-inspired journeyman Jack Arnold (The Incredible Shrinking Man), this is one of the best-loved monster movies of the ‘50s. Whereas many of its rivals drag until the monster shows up and turn ridiculous afterwards, this establishes an atmosphere of unease and magic in the early stretches, as the monster is glimpsed as a 3-D clutching hand accompanied by its memorable blaring theme tune.” The music was composed by Henry Mancini.
I’ve no idea what the production costs were but the box office was one point three million, not bad for the early Fifties.
It would spawn two sequels: the 3D Revenge of the Creature and The Creature Walks Among Us. Each of the sequels would return just over just a million at the box office. Neither of the sequels is considered nearly as great as the first film was.
The Creature Walks Among Us is considered to be the last film in the Universal Classic Monsters series.
It rates a healthy seventy-four percent rating among audience reviewers at Rotten Tomatoes. Neither of the sequels cracks thirty percent.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 5, 1907 — Martti Löfberg. Finnish author who did some genre novels including Osiriksen Sormus and Viiden minuutin ikuisuu which were both time travel affairs, and his long running newspaper reporter Kid Barrow series has been favorably compared to Tintin. (Died 1969.)
Born March 5, 1936 — Dean Stockwell. You’ll no doubt best remember him as Al the hologram on Quantum Leap. He had one-offs on Mission Impossible, The Night Gallery, A Twist in The Tale, Orson Welles’ Great Mysteries and The Twilght Zone. His first genre role was in I think The Boy with Green Hair, a 1948 film. It might be fantasy or not as there’s no explanation for the central thesis of the film. Anything I’ve overlooked? (Died 2021.)
Born March 5, 1942 — Mike Resnick. Damn, losing him hurts. It’s worth noting that he has been nominated for thirty-seven Hugo Awards which is a record for writers and won five times. Somewhat ironically nothing I’ve really enjoyed by him has won those Hugos. The novels making my list are his John Justin Mallory detective novels, The Red Tape War (with Jack L. Chalker & George Alec Effinger, and, yes, it’s not genre, Cat on a Cold Tin Roof. True story: Kristine Kathryn Rusch tells me he’s responsible for her Spade / Paladin series. When I interview her, I intend to ask her why. (Died 2020.)
Born March 5, 1952 — Robin Hobb, 70. Whose full legal name is the lovely Margaret Astrid Lindholm Ogden hence her two pen names. (I think.) I reasonably sure the first thing I read and enjoyed by her was Wizard of the Pigeons, but The Gypsy with Steven Brust which is now available from the usual suspects was equally enjoyable and had the added bonus of a Boiled in Lead soundtrack. Really it does and Jane Yolen financed it.
Born March 5, 1959 — Howard V. Hendrix, 63. Empty Cities of the Full Moon is damn impressive as the Labyrinth Key duology. He’s done an amazing amount of quite excellent short fiction, the latest collection being The Girls With Kaleidoscope Eyes: Analog Stories for a Digital Age.
Born March 5, 1972 — James Moran, 50. Here for his scriptwriting on Doctor Who where he wrote Tenth Doctor story, “The Fires of Pompeii”, Torchwood where he contributed two stories, “Sleeper” about a terrorist attacking on Cardiff whose filming got halted by a terrorist attack on Glasgow, and “Day Three” of the Children of Earth series. He also wrote some of the episodes for Primeval.
Born March 5, 1975 — Jolene Blalock, 47. Best known for playing T’Pol on Enterprise. Genre wise, she’s also been in Jason and the Argonauts seriesas Medea, Stargate SG-1 as Ishta, Starship Troopers 3: Marauder as Captain Lola Beck and as the Legend of the Seeker as Sister Nicci.
Born March 5, 1989 — Jake Lloyd, 33. He portrayed the young Anakin Skywalker in The Phantom Menace. Ok, every fan site I encounter was full of bile his performance. I’ve not seen the film, so tell why these fans were so upset at this actor? Was it because it was a child actor portraying this character?
(12) RETURN TO THE VOID. [Item by David Doering.] As we zoom past $23 million on Brandon Sanderson’s campaign (!!), there’s more good news from Utah. The Covid-shuttered VR venture “The Void” is relaunching, hurrah! You may recall that their secret sauce was having Tracy Hickman as writer, making it far more engaging than other special effects ladened VR attempts. Let’s cheer them on as well. “VR Arcade Pioneer The VOID is Making a Comeback” at Road to VR.
… As reported by MIXED, it appears pioneering out-of-home VR destination The VOID is getting ready to reopen.
Before The Void closed up shop—or was rather summarily kicked out of its dozen-or-so locations after it defaulted on loans back at the beginning of the pandemic—it was a premiere mixed reality destination that promised a real taste of immersion. Starting back in 2015, it combined warehouse-scale VR and realistic 4D effects that brought to life some of the most well-known franchises worldwide: Ghostbusters, The Avengers, Star Wars, Jumanji, and more.
Due to COVID-19 safety measures, The Void suffered immediate losses in revenue which were further outstripped by its inability to secure additional funding. The company’s last video before its website went dark featured a pop-up in Westfield San Francisco Center… back in April 2020.
Then, nearly a year and a half later, a report by Protocolbroke the news that The Void’s patents and trademarks has been acquired by Hyper Reality Partners, a company headed by Adrian Steckel, a previous investor and board member of The Void. At the time, it was reported that Hyper Reality Partners has already raised $20 million to get The Void back on its feet.
Now The Void’s website is back up, with its creators saying that it will include “upgraded VR technology,” and “a flexible platform designed to evolve with the latest in innovation.”
(13) A WHALE OF A SECOND CENTURY TALE. [Item by Martin Morse Wooster.] In this video, Austin McConnell explains that Lucian of Samosata invented the space opera in the second century AD. He explains that back then Romans enjoyed reading travelogues about distant places and debates about philosophical topics, so he decided to make fun of both of them with this tale about a trip to the Moon, a battle between Moon people and Sun people with bonus fighters from the Milky Way and all sorts of creepy imaginary places, including the years Lucian purportedly spent inside a 180 mile-long whale! Of course he called his novel A True Story, and McConnell shows how truly weird this book is–but hey, it’s the first sf novel!
…But on one of the infinite earths out there in the DC Extended Universe, there’s a planet where Bill Murray and Eddie Murphy played Batman and Robin on the big screen.
Actually… that was very nearly this Earth. In the early 1980s, the late Ivan Reitman planned to cast the Saturday Night Live stars as the Dynamic Duo in a never-made Batman feature film. “I talked to Eddie Murphy about it, and Eddie wanted to play Batman,” Murray tells Yahoo Entertainment in a recent interview for the latest installment in our video series The Never-Weres. “That’s as far as that conversation went.” (Watch the video above.)
If Murphy wanted to be the Caped Crusader so badly, would Murray have willingly taken on the role of Robin? Holy negatory, Batman! “I don’t wanna be the Boy Wonder to anybody,” the Ghostbusters star says. “Maybe much earlier when I was a boy. But it was too late for that by the ’80s. Also, I couldn’t do the outfit. Eddie looks good in purple, and I look good in purple. In red and green, I look like one of Santa’s elves. There was just a lot of vanity involved in the production. It wasn’t gonna happen.”…
How much do real life technologies impact your fictional writing?
I feel we’ve reached a plateau in terms of the development of new technologies. Remember I’ve lived through the information revolution: I was born before computers were a thing, and now computers interpenetrate shape our lives absolutely. The changes between the 1960s and now have been immense. It’s interesting: the SF of the 1950s assumed the next big leap in human development would be space travel, colonising distant worlds: but they were wrong—the next big leap was computing. I often wonder what the next next big thing will be, and how far it will change our lives and our world. I’ll probably guess wrong: but that doesn’t matter. SF isn’t about accurate prediction, it’s about the eloquence and wonder of our ideas, our imaginings.
(16) BOOKSELLER CONVERGENCE. [Item by Cora Buhlert.] Waterstones, the only remaining UK bookstore chain (back when I was studying in London, there were three or four bookstore chains) has acquired Blackwell’s, the largest independent bookseller in the UK: “Waterstones acquires Blackwell’s, the UK’s biggest independent bookseller”. Blackwell’s is mainly known for its amazing selection of academic books, though they also have a good SFF section. At any rate, this is sad news, since I fear that Blackwell’s will now be selling more celebrity memoirs and fewer academic books.
…Along with Waterstones’ acquisition of the UK book chain Foyles in 2018, it marks a further contraction in the book retail market.
The acquisition will be viewed by some as a regrettable end to the family ownership of a cherished independent and academic bookseller. To others, it will be heralded as a turbo-boost for real-world bookshops in the battle for dominance with their online rival Amazon.
(17) SFF CRAFT. The Glasgow in 2024 Worldcon bid shares a cool craft project. Crochet the solar system. It’s a wheelchair spoke cover, but it would also make a nice pillow case or doily. “Crochet Solar System Wheelchair Spoke Cover”.
Today I’m sharing a pattern for a crochet wheelchair spoke cover I recently made!
I took a basic pattern for a doily, altered the dimensions slightly and included a sun at the centre. I didn’t want the middle of my crochet piece to be rubbing against the centre of the wheel, so I took rings from old keychains and crocheted around them.
(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Dying Light 2″ Fandom Games says this video game is filled with parkour to “recreate the typical commute of the average Frenchman.” But the narrator notes that if you wanted to become fitter and more athletic like the characters in this game, “You wouldn’t be playing video games all day!”
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Steven Lee, Errolwi, Cora Buhlert, Frank Catalano, David Doering, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]
The New England Science Fiction Association honored Mary Robinette Kowal with its annual Skylark Award at Boskone 59 on February 19.
The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.
Mary Robinette Kowal
Here is an example of the award trophy:
As to the second award usually presented at the convention, Boskone chair Sharon Sbarsky reports that there was no Gaughan winner this year.
The 2021-2022 NESFA Science Fiction & Fantasy Short Story Contest is accepting entries through September 30. The contest “encourages amateur and semi-professional writers to reach the next level of proficiency.” The complete guidelines are here.
Ineligible are writers who have been paid more than $1000 for their writing from any source, and/or have published a novel or multiple shorter works adding up to more than 40,000 words in any paying publication.
A qualifying story must have strong science fiction or fantasy elements and must be shorter than 7,500 words. Stories must be original works of fiction, submitted by their authors. No reprints, fan fiction. or poetry.
There is no entry fee. One entry per author.
The results will be announced during the awards ceremony at Boskone 59, to be held February 18–20, 2022. The winner will receive a certificate of achievement, three NESFA Press books, and a free membership in one of the next two Boskones (their choice). Runners-up will receive a certificate, and two NESFA Press books. Honorable mentions will receive a certificate and one NESFA Press book.
The New England Science Fiction Association honored the winners of two annual awards at Boskone 58 on February 13.
SKYLARK AWARD
Anthony Lewis
The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.
Skylark Award winner Anthony Lewis in 2002.
GAUGHAN AWARD
Hilary Clarcq
The Gaughan Award honors the memory of Jack Gaughan, a long-time friend of fandom and one of the finest SF artists of the 20th century. Because Jack felt it was important to encourage and recognize new blood in the field, The New England Science Fiction Association, Inc., presents the Gaughan Award annually to an emerging artist (an artist who has become a professional within the past five years) chosen by a panel of judges.
Clarcq’s website, with images of many more works, is here.
Gaughan Award winner Hilary Clarcq
I'm very grateful that "Clearing" sold yesterday through @everydayorig 🙂 Here are several compiled process images, from abstract monoprint to final oil painting. pic.twitter.com/y0EeYDeD7z
The New England Science Fiction Association (NESFA®) will host its first online convention, reCONvene, on Saturday, August 15, 2020 from 11:00 a.m.- 5:00 p.m. Eastern.
“Having speakers participate online removes many of the barriers of participation, opening up the possibilities of who’ve been able to invite,” says Convention Chair, Erin Underwood. “It also allows us to try new things you wouldn’t be able to do at an in-person convention, like tour an artist’s studio.”
The one-day convention will offer science talks, science fiction and fantasy panels, gaming, and author chats led by renowned authors, artists, fans, educators, and scientists. The full schedule is here. Over 50 speakers will participate in the online program, including —
It is a volunteer-run event. Memberships are $10 and help to cover the basic costs of the event. Any additional funds received will go toward future program costs for reCONvene and Boskone such as American Sign Language services, the New Voices Program, and memberships for those in need. Membership registration is available at www.reconvenesff.com.
NESFA, with nearly 400 members from all over the world, is one of the oldest science fiction clubs in the northeastern U.S., and is a registered Massachusetts non-profit literary organization. The club also hosts New England’s longest-running science fiction convention, Boskone, annually in February.
