Pixel Scroll 5/28/22 Though I Scroll Through The Pixels Of The Of Media Birthdays, I Will Fear No Spoilers

(1) WELLS AMA. Martha Wells did an “Ask Me Anything” for Reddit’s r/books today: “I’m Martha Wells, and I’m an author of science fiction and fantasy, including The Murderbot Diaries. AMA!”

What authors do you like to read?

N.K. Jemisin, Kate Elliott, Nghi Vo, K. Arsenault Rivera, Rebecca Roanhorse, Fonda Lee, Aliette de Bodard, Ovidia Yu, Lois McMaster Bujold, Zen Cho, Barbara Hambly, Judith Tarr, Tana French, Tade Thompson, C.L. Polk. A whole bunch, basically. 🙂

(2) GREAT AND NOT-SO-GREAT EXPECTATIONS. Naomi Kanakia discusses “My relationship to bias against trans people in the publishing industry” at The War on Loneliness.

I’ve been reflecting a lot lately on my ‘career’ (so to speak) as a trans writer for teens, which (oddly enough) now includes being one of the enemies du jour for a substantial part of the country!

Personally, it doesn’t bother me that much. I don’t lose sleep over it. If I got harassment or felt unsafe, I’m sure that would change. All the consequences are professional. There’s a huge appetite for trans narratives now, but I think they’re also risky, and that more marginal or nuanced perspectives like mine are just not what the country feels like it needs. That’s even aside from the risks of a book being banned by the right or cancelled by the left (or, as in a few cases, cancelled by right-wing trolls who pick out seemingly-offensive passages and use them to get the left riled up)

I see being trans the same way I see being a woman or being brown: it’s a definite professional liability, and it probably makes publication and acclaim harder to come by, but it also makes the work more meaningful. In a way, it’s kind of a privilege to be able to write about things that people care about, to say stuff that they might not’ve heard before, and to have a perspective that’s valuable. Which is to say, if it wasn’t harder for me to succeed, the would be less worth doing. I do think that if you want to produce something valuable, it’s always going to be more difficult, precisely because what is valuable is rarer, less-understood, and doesn’t have the same immediately-intuitive appeal….

(3) VERTLIEB MEDICAL UPDATE. Steve Vertlieb had a setback after returning home from heart surgery. But now he’s back home from a second hospital stay and has copied File 770 on his account for Facebook readers.

A Pseudoaneurysm And Blood Clot Bring Me To My Knees Once More, Requiring Renewed Forced Hospitalization

 … Just returned a little while ago from Abington Hospital in Jenkintown, Pennsylvania where I spent the last ten days unexpectedly confined to the dreaded hospital once again. I was only home for five days when agonizing pain in my lower groin forced me to to go back to the emergency room for a re-evaluation of my already precarious medical condition. I was diagnosed rather quickly, I fear, with a Pseudoaneurysm in my left lower groin area, as well as a blood clot in my left leg. I had a two and a half hour blood transfusion a few days ago in order to correct a low Hemoglobin level which had only added to my recent medical woes. I’m home again, however … I hope this time permanently.

To quote Dr. Henry Frankenstein … “HE’S ALIVE … ALIVE.” I’ve returned bloodied and scarred, but alive and on the mend, from the proverbial gates of hell. I shall live, God willing, to tell the story of my remarkable journey through fear, panic, and nearly terminal illness to the sweet gates of successful surgery, completion, and somewhat “limitless” vistas.

My time on Facebook will, for the present, be limited, I fear, in the days ahead, but I just wanted to let everyone know that I’ve survived. I came home from the hospital yesterday (Thursday) after a ten day stay following major open-heart surgery. The procedure lasted approximately six hours, during which my surgeons replaced one heart valve, repaired another, stitched back together the hole in my heart, and stopped my internal bleeding.

This procedure was far more involved and life threatening than I ever imagined or was advised. The second time, it seems, is not the charm, but the entire bracelet. They had to cut through an already existing incision, breaking once healed bones protecting my heart cavity yet again, in order to reach and operate upon the newly troubled areas. My recovery, consequently, will also be far more difficult than my original transition back to health, healing, and wholeness twelve years ago.

The good news, however, is that when I asked my surgeon the chances for a complete recovery, he responded “ONE HUNDRED PERCENT.” Doing anything beyond menial movement and chores over the next several months will be severely limited. My brother Erwin is here with me for the next month or so, and he’ll be taking care of me. However, my reason for posting this morning, is to let you all know that I have survived a difficult surgery, and that I’m looking forward, with faith and dreams, to a Summer, a year, and a life of happiness, love, laughter, and blessed renewal.

Thank you all from the bottom of my sometimes troubled heart for the most gracious gift of your prayers, and friendship. In Love, Peace, and Gratitude Steve

(4) VIRGIL FINLAY ART. Doug Ellis has announced a sale:

For fans of the great Virgil Finlay, my latest art sale catalog is now available.  This one is devoted entirely to the art of Finlay.  Note that none of these are published pieces, but instead are personal pieces (including abstracts).  This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.

You can download the catalog (about 30 MB) through Dropbox here.

(5) FUTURE TENSE. “Out of Ash by Brenda Cooper” at Slate is a short story about climate change, the new entry from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives. 

…Mist gave way to soft rain, then faded back to damp cold. Stored sunlight made octagonal tiles on the path under my feet glow. I followed its light to the middle of Central Park, where dusk barely illuminated the blue and red mosaics of the town well. Volunteers had moved every piece of the well they could salvage from drowning historic Olympia to the replica in New Olympia. By car, the journey was over 65 miles. The new city perched on the lower slopes of Mount Rainier, and the water tasted as clean, although more like mountain than river. This well, like the old one, operated as a free community asset. The glowing streets, the well, and, a few blocks away, the new State Capitol all looked even more beautiful than the artist’s renderings. The city ran on sunlight. Edible plants bordered parks, fed by recycled wastewater as clean as the well water. New Olympia gave as much back to the ecosystem as it took….

Molly Brind’amour’s response essay considers, “What happens if no one moves to a new city?”

Multiple choice question: Your favorite beautiful, coastal city is at risk of being flooded by sea level rise, and you have the power to do something. Do you

a)   Build a sea wall
b)   Rearrange it into the hills
c)    Move the entire city inland
d)   Do nothing

These are the options facing today’s leaders… 

(6) STYLIN’ IN SIXTIES HOLLYWOOD. Techno Trenz remembers when: “Over a pair of shoes, Frank Sinatra came dangerously close to assaulting writer Harlan Ellison.”

…Sinаtrа wаs so pаrticulаr аbout his аppeаrаnce thаt he becаme enrаged when people didn’t dress the wаy he did. When he wаs in а bаr, he hаppened to notice Ellison.

“[Ellison] wore а pаir of brown corduroy slаcks, а green shаggy-dog Shetlаnd sweаter, а tаn suede jаcket, аnd $60 Gаme Wаrden boots,” Gаy Tаlese wrote in the Creаtive Nonfiction аrticle “Frаnk Sinаtrа Hаs а Cold.”

Sinаtrа wаs irritаted enough by Ellison’s аttire thаt he аpproаched him while plаying pool.

“Look, do you hаve аny reаson to tаlk to me?” Ellison inquired.

Sinаtrа responded, “I don’t like how you’re dressed.”…

(7) MEDIA BIRTHDAY.

2011 [By Cat Eldridge.] Eleven years ago on this evening, the BBC aired the first episode of the Outcasts series. You’ve probably never heard of it as it only lasted eight episodes. It was created by Ben Richards who had absolutely no SFF background being a writer of such series as the British intelligence series Spooks (which is streaming on Britbox). 

It was written by him along with Jack Lothian and David Farr with the story being it is set on the colony planet Carpathia and it revolves around the ongoing lives of the existing settlers, and the introduction of the last evacuees from Earth.  No spoilers there I think.

When critics saw the pilot episode, they were downright hostile. Let’s start with Kevin O’Sullivan of The Mirror who exclaimed “While the barmy BBC squanders a billion quid on getting the hell out of London… it must have saved a fortune on ­Outcasts.  A huge horrible heap of cheapo trash, this excruciating sci-fi rubbish tip looked like it was made on a budget of about 50p.  Who directed it? Ed Wood? And what a script! So jaw-droppingly dreadful it hurt.” 

David Chater at the Times wrote, “Not since Bonekickers has the BBC broadcast such an irredeemably awful series. Sometimes catastrophes on this scale can be enjoyed precisely because they are so dismal, but this one has a kind of grinding badness that defies enjoyment of any kind.” 

Mike Hale of the New York Times gets the last word: “With none of the flair or self-deprecating wit that has defined other British sci-fi imports (‘Torchwood,’ ‘Primeval’), ‘Outcasts’ strands a number of talented performers, including Mr. Bamber, Eric Mabius and Liam Cunningham, on a world of wooden dialogue and interplanetary clichés. There’s nothing a rescue ship from earth can do for this crew.”

Audience figures for the series were extremely poor: as they started with an initial low figure of four point five million viewers for the pilot, and the show lost nearly two-thirds over its run, to finish with one point five million UK viewers. 

Richards remain defiant after it was moved to a new time stating “I have every confidence we will rule our new slot. Clear eyes, full hearts, can’t lose!” and “Cultdom beckons. And keep watching hardcore because remaining eps great.”  Well BBC didn’t pay attention as they then cancelled the series despite actually having shot some of the first episode of the second series. 

It gets a fifty percent rating among audience reviewers at Rotten Tomatoes. 

It appears to streaming for free on Vudu.  And it was released as a UK DVD.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 28, 1908 Ian Fleming. Author of the James Bond series which is at least genre adjacent if not actually genre in some cases such as Moonraker. The film series was much more genre than the source material. And then there’s the delightful Chitty-Chitty-Bang-Bang: The Magical Car. The film version was produced by Albert R. “Cubby” Broccoli, who had already made five James Bond films. Fleming, a heavy smoker and drinker his entire adult life, died of a heart attack, his second in three years. (Died 1964.)
  • Born May 28, 1923 Natalie Norwick. She had a number of genre roles in the Sixties including being Martha Leighton in “The Conscience of the King”, a Trek episode, and appearing as Josette duPres Collins on Dark Shadows. (Died 2007.)
  • Born May 28, 1951 Sherwood Smith, 71. YA writer best known for her Wren series. She co-authored The Change Series with Rachel Manija Brown.  She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade
  • Born May 28, 1954 Betsy Mitchell, 68. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties. She edited the Full Spectrum 4 anthology which won a World Fantasy Award. 
  • Born May 28, 1981 Laura Bailey, 41. I find voice performers fascinating. And we have one of the most prolific ones here in Laura Bailey. She’s got hundreds of credits currently, so can hardly list all of them here, so l’ll just choose a few that I really like. She voiced Ghost-Spider / Gwen Stacy in the recent Spider-man series and the Black Widow in Avengers Assemble and other Marvel series. And she appeared in Constantine: City of Demons as Asa the Healer. 
  • Born May 28, 1984 Max Gladstone, 38. His debut novel, Three Parts Dead, is part of the Craft Sequence series, and his shared Bookburners serial is most excellent. This Is How You Lose the Time War (co-written with Amal El-Mohtar) won a Hugo Award for Best Novella at CoNZealand. It also won an Aurora, BSFA, Ignyte, Locus and a Nebula. 
  • Born May 28, 1985 Carey Mulligan, 37. She’s here because she shows up in a very scary Tenth Doctor story, “Blink”, in which she plays Sally Sparrow. Genre adjacent, she was in Agatha Christie’s Marple: The Sittaford Mystery as Violet Willett. (Christie gets a shout-out in another Tenth Doctor story, “The Unicorn and the Wasp”.)

(9) CON OR BUST. Dream Foundry’s Con or Bust program is gearing up again. The program helps creatives of color attend conventions and other professional development opportunities they otherwise might not be able to by financing their trip, stay, and/or tickets.

They’re looking for donations – to offer one, use the donation form here. If you think you’d benefit from the funds, there’s a request form here. 

(10) SERVICE INTERRUPTUS. Cat Eldridge circled back to right-wing blog Upstream Reviews to read any new comments on its recent gloating posts about the Mercedes Lackey controversy and SFWA’s announcement that its membership directory data had been compromised. Surprisingly, he found that the blog is offline – all you get is an “Internal Server Error.” There’s still a Google cache file – the blog’s last entry was Declan Finn kissing Larry Correia’s butt.  Maybe the internet threw up? Cat says, “Quite likely as the parent domain is for it is mysfbooks.com which as been blacklisted by the internet as being dangerous to visit (may have worms, may harvest your passwords, may steal your immortal soul).”

(11) IF I COULD TALK TO THE ANIMALS. They left this part out of Doctor Doolittle, I guess.

Young dolphins, within the first few months of life, display their creativity by creating a unique sound. These bleats, chirps and squeaks amount to a novel possession in the animal kingdom — a label that conveys an identity, comparable to a human name.

These labels are called signature whistles, and they play an essential role in creating and keeping relationships among dolphins. While the development of a signature whistle is influenced by learning from other dolphins, each whistle still varies in volume, frequency, pitch and length….

… Fellow researcher Jason Bruck, a marine biologist at Stephen F. Austin State University in Texas, told National Geographic the original goal was to test whether dolphins use their signature whistles in the same way people rely on names.

Bruck couldn’t do that unless he found a second way dolphins could identify each other. Luckily, he remembered that a fellow scientist had previously observed wild dolphins swimming through what the website called “plumes of urine” and he figured the creatures might be using it as an ID technique….

(12) WHAT’S UP, DOCK? A travel writer for Insider gives a detailed account of her Starcruiser experience, accompanied by many photos of the décor, characters, and food, and assures everyone the $5200 price tag is worth it. “Adults Try Star Wars: Galactic Starcruiser — Cost, Review, Photos”

I felt the price I paid was justified for everything that was included in this experience and watching my husband live out his best Star Wars life was priceless.. 

Plus the level of service and entertainment, the cast, and the food were just incredible. 

If you are a Star Wars fan, I recommend this once-in-a-lifetime experience.

But I have to tell you if that’s the price I’ll have to pay, like Han Solo said, “This is going to be a real short trip.”

(13) PORTENTOUS WORDS. [Item by Martin Morse Wooster.] In the Washington Post, David Betancourt prepares people for the release of Obi-Wan Kenobi by giving his ten favorite Obi-Wan moments from Star Wars episodes 1-4. “Obi-Wan Kenobi moments to know before his Disney Plus return”. Second on the list:

Duel of the Fates “We’ll handle this.” (Episode 1: The Phantom Menace)

Duel of the Fates, the epic lightsaber battle featuring Obi-Wan, Qui-Gon and Darth Maul, borders on Star Wars perfection. Its success comes from the combination of John Williams’s score, Ray Park’s physicality as Darth Maul and modern CGI technology finally catching up to the imagination of George Lucas. And it is a moment that shows the ascension of Obi-Wan from Padawan to Jedi Knight when he ends up victorious.

(14) OBOE WAN. Legendary film composer John Williams hit the stage to surprise fans at Anaheim Star Wars Celebration and play the theme for the new Obi Wan Kenobi series.

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]