Apple has quietly launched a catalogue of books narrated by artificial intelligence in a move that may mark the beginning of the end for human narrators. The strategy marks an attempt to upend the lucrative and fast-growing audiobook market – but it also promises to intensify scrutiny over allegations of Apple’s anti-competitive behaviour.
The popularity of the audiobook market has exploded in recent years, with technology companies scrambling to gain a foothold. Sales last year jumped 25%, bringing in more than $1.5bn. Industry insiders believe the global market could be worth more than $35bn by 2030.
… Before the launch, one Canadian literary agent told the Guardian she did not see the value from both a literary or customer perspective.
“Companies see the audiobooks market and that there’s money to be made. They want to make content. But that’s all it is. It’s not what customers want to listen to. There’s so much value in the narration and the storytelling,” said Carly Watters….
… What can contemporary fiction inject into the fairy tale?
Maybe psychological depth. Fairy tales depend on what the reader brings to them. The difference between fairy tales and myth is that Disney hardened our idea of certain stories so that a particular version of them becomes so codified that it replaces other possibilities of how that story could exist. I don’t think it’s great to let those stories exist in one form. People are constantly retelling them, and I think you need the rigid, popular version everyone knows for the weirder versions to have any power….
The Omega Sci-Fi Awards invites Los Angeles County high school students to submit their short science fiction stories to The Tomorrow Prize. The Tomorrow Prize encourages young writers to use sci-fi to explore the diverse issues humanity wrestles with, spark creative solutions, and unite the worlds of art and science.
The Green Feather Award co-presented by the Nature Nexus Institute, highlights an environmentally focused sci-fi story. We are seeking stories that integrate creative solutions to the climate and biodiversity crises.
For more details please see submission guidelines.
Selected finalists will be chosen to have their stories read in their honor by celebrity guests during the May 2023 Culminating Event.
First, Second, and Third place Tomorrow Prize winners will receive $250, $150, and $100 USD cash prizes.
The First place Tomorrow Prize winner will be published in L.A. Parent Magazine.
The Green Feather Award is a special prize for an environmentally focused sci-fi story. The winner will receive $250 USD & online publication by the Nature Nexus Institute.
(4) IN THE BEGINNING? Whatever presents “The Big Idea: Nancy Kress” about the premise to Observer, the novel she’s co-written with Robert Lanza.
…On the one hand, could science support the idea that consciousness creates the universe? On the other hand, wasn’t this just recycled philosophy 101 according to Irish philosopher George Berkeley, among others?…
(5) TRIVIAL TRIVIA. English-language prozine Interzone is being published in Poland by MYY Press.
The first-season Star Trek episode “What Are Little Girls Made Of?” has a few memorable things that stand out. It gives us our second evil duplicate Kirk of the series, we get some backstory for Majel Barrett’s nurse Chapel… but arguably what sticks in the minds of fans the most is Ted Cassidy as ominous android Ruk.
At this time, Ted Cassidy was fresh off the ending of The Addams Family where he enjoyed a regular role as Lurch, the family butler. In his book Star Trek Memories, William Shatner talks about how Cassidy was cast as the seven-foot-tall, menacing android. Prior to filming, Star Trek‘s makeup artist, Freddie Phillips asked Cassidy to come in for a makeup test.
“Cassidy sat down in Phillips’ undersized makeup chair and allowed the artist to transform him from a smiling young actor to an evil, hulking monster,” Shatner writes. “First Freddie covered Ted’s head with a latex skinhead wig; then he applied a sort of greyish-green base coat over Cassidy’s entire face. Once all that was done, Phillips darkened the area around each of the actor’s eyes and employed a black grease pencil to sharpen the angles of Ted’s cheekbones, forehead and chin. The end result was quite frightening and really served to drain all the humanity from Cassidy’s face.”…
…Both immediate and long-term strategies are needed to keep books secure in changing environments, experts say, but some threats are more insidious than wildfires or hurricanes.
Shifts in temperature and humidity from climate change can have large consequences. Archivists and conservators in Cincinnati, for example, are worried about big temperature swings in a single day. Humidity is on the rise in Southern California, where the climate is historically dry; most preservation systems in the area aren’t designed to manage precipitation.
“The higher the humidity, the higher the temperature, the quicker they will break down their organic materials,” said Holly Prochaska, the interim head of the Archives and Rare Books Library at the University of Cincinnati. “Leather will wet rot. Collagen fibers in vellum will tighten and shrink.”…
Institutions like U.C.L.A. are developing ways to combat humidity to work in tandem with their climate-controlled stacks and collections rooms. Now, because of climate change, Metzger thinks twice before loaning out materials, which can keep history and knowledge under lock and key.
“Books gain meaning by use — use is exhibit, use is research — and there’s a beauty in use,” Metzger said. “If we just isolate things and keep them in these little, perfectly controlled environments with guards around them, what is their meaning anymore?”
One solution is digitization — scanning pages and storing them online. The process is not only an answer to climate change; it also allows for documents to be easily accessible and shared, broadening a collection’s reach. Adding documents to a server or the cloud, though, presents its own set of obstacles, both practical and environmental.
(8) SYLVIA RUCKER (1943-2023). Sylvia Bogsch Rucker, Rudy Rucker’s wife, died January 6. He pays tribute to her in “Sylvia’s Life”.
…Her curiosity never ended, even in her final days she wanted to know the details of everyone’s lives. This special attention made everyone feel loved. Her loving, warm, beautiful spirit will be deeply missed by all….
(9) MEMORY LANE.
1926 — [Compiled by Cat Eldridge.] Pooh and food
We shall talk about Pooh and food. Well actually I believe that A.E. Milne only had one food that his round little bear found interesting to the point of obsession and that was honey. Honey, often spelled Hunny by Pooh, is as you know the ever so sweet food made by bees.
It’s easily the most important food in the Winnie-the-Pooh works, being loved by pooh bears, heffalumps and woozles and also enjoyed by rabbits and piglets.
Pooh even called it smackerel , which is to say a snack of a small amount of honey. Indeed In the very first chapter, Pooh tells us, “the only reason for making honey is so as I can eat it”.
And yes, actual bears do love honey. They’ll break open a tree to get at a wild hive inside a dead trunk eating the honey and bees alike. They particularly like the bee larvae.
““When you wake up in the morning, Pooh” said piglet at last, “what’s the first thing you say to yourself?”
“What’s for breakfast?” said Pooh. “What do you say, Piglet?”
“I say, I wonder what’s going to happen exciting today?” said Piglet.
Pooh nodded thoughtfully.
“It’s the same thing,” he said.”
The illustration is from the 1926 first edition with the art by E.A. Shepherd.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 10, 1904 — Ray Bolger. The Scarecrow in The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, andVector In “Greetings from Earth” on the Seventies version of Battlestar Galactica. He made a Dr. Pepper ad which you can see here. (Died 1987.)
Born January 10, 1937 — Elizabeth Anne Hull. She served as the President of the Science Fiction Research Association and editor of its newsletter. She was a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She was also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”. (Died 2021.)
Born January 10, 1944 — William Sanderson, 79. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner, but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood.
Born January 10, 1944 — Jeffrey Catherine Jones. She was an artist providing more than a hundred and fifty covers for many different types of genre books through mid seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series including Swords Against Death. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the Conan Saga for Marvel Comics in the late Eighties. (Died 2011.)
Born January 10, 1947 — George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review. I don’t think I’ve ever encountered any of his other works. (Died 2002.)
Born January 10, 1959 — Jeff Kaake, 64. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a beloved SJW Cred) as well.
Born January 10, 1959 — Fran Walsh, 64. Partner of Peter Jackson, she has contributed to all of his films since the late Eighties when she started out as co-writer of Meet the Feebles, and as producer since The Fellowship of the Ring which won a Hugo. Need I note the next two films won Hugos as well? The Hobbit films did not win Hugos. The first one was nominated at LoneStarCon 3 but lost out to The Avengers; the other two were not nominated.
(12) TOTOPOTUS. [Item by Ben Bird Person.] Miranda Parkin (@mparkinb) did this piece based on Season 2 of the HBO sci-fi comedy television series Avenue 5 (2020-):
(13) LOOK CLOSER. [Item by Jo Van.] Something tonight reminded me of the Deep Space Nine Documentary What We Left Behind, which I helped to crowd-fund back in 2017, and I was thinking, wait a minute, wasn’t there something about a posted acknowledgement of the contributors?
It took a foray into the Wayback Machine, but I found it… and there’s my name, down about where Sisko’s communicator would be.
I never thought I’d kiss a cat. Or like them, or be in a room with them. Cats, to me, were evil and unpredictable. A classic projection, if ever I saw one, of fear manifesting as dislike. Intense fear. Intense dislike.
But then I became a mother and, as we all know, maternal love makes you do strange, selfless things occasionally. My children started asking for a cat. I said no, of course. My home was my safe place. No cats allowed. For some years they asked for a cat, on and off. Eventually, the “why we should get a cat” lists started getting toilet-roll long and I started thinking, maybe we can get a kitten. Kittens are cute. I started watching videos. Kittens were cute….
Welcome to the last of our three discussions about an anthology of original fantasy and science fiction that’s drawing a lot of attention. Love it or hate it, or maybe a little of both, it’s impossible to ignore….
No longer the seat of Danish monarchy, Elsinore is now a corporation, a leading manufacturer of human-like robots. The murdered Hamlet senior was the Humanoid Artificial Mind (Learned Emotive Type), a model that represented a huge leap ahead in robotic innovation. Instead of a queen, Gertrude is a CEO, whose hopes for Elsinore’s bottom line now depend on the success of her latest creation, the Hamlet v.2. If the company doesn’t maintain dominance of the robot market, its (figurative) throne will be snatched by its main competitor, which is aggressively promoting a rival model, the Fortinbras. But one night, a portion of old code from Hamlet v.1 copies itself into the hard drive of Hamlet v.2, and a quest for revenge begins to take shape.
Everything’s better with robots, and a retelling of one of the biggest classics in the Western canon is a sure attention grabber….
(17) ON THE SHELF. Nerds of a Feather’s Paul Weimeralso asked the Hamlet author for recommendations in “Six Books with M. Darusha Wehm”.
1. What book are you currently reading?
I’ve had it on my shelf since it came out, but only just started The Book of Flora by Meg Elison. It’s the third and final book in the “Road to Nowhere” series, which starts with The Book of the Unnamed Midwife. The whole series is an incredible, post-apocalyptic saga of the struggles of communities in dark times. I’ve loved the two previous books in the series, but while the books offer stories of human resilience, they are also harrowing to read, so I’ve had to space them out in my reading time….
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Jo Van, Daniel Dern, Andrew Porter, Michael Toman, JJ, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
Wind Farm Outside Lafayette, Indiana. Photos by Juli Marr
My partner Juli and I set out on a beautiful morning for Chicago. One of our favorite sights is the immense Meadow Lake Wind Farm (which generates 801.25 megawatts of electricity) consisting of 301 turbines, just northwest of Lafayette, Indiana. I have always been in awe of the size and scope of this modern marvel of engineering.
Photos by Juli Marr
We arrived at dusk and were treated to the enchanting vista of Chicago at night by the river…
SEPTEMBER 1ST
Blues Brothers Cap
Since I was going to be dwelling in the hometown of the Blues Brothers, I thought it would be appropriate to be attired properly.
Galaxy ‘s Edge Editor Lezli Robyn and myself by Juli Marr
One of the first people Juli and I met at Chicon 8 was Galaxy’s Edge Editor and Arc Manor Assistant Publisher Robyn Lezli, who was a large display of books and magazines with her benevolent (and generous) boss, Shahid Mahmud.
Journey Planet
On my way to the Press Office, Christopher Garcia threw a copy of Journey Planet (paperboy style) as we passed each other. Here is a photo of it in mid-flight…
Death Star Beach Ball
One of the first things I unpacked for the Press Office was this item. When the staff assembled that first morning, I told them in NO UNCERTAIN TERMS that if they stepped out of line, I would not hesitate to blow the Illuminated Death Star Beach Ball up! Needless to say, it remained deflated during the duration of the convention.
SEPTEMBER 2
Myself and Oghenechowe Donald Ekpeki, taken by Lezli Robyn
After several delays (and escapades) involving the United States Department of State and airline hijinks, Nigeria’s rising literary star (and double Hugo Finalist), Oghenechowe Donald Ekpeki finally arrived at Chicon 8. I greeted him at the Galaxy’s Edge table in the Dealer’s Room with two facemasks and an envelope with some valuable personal papers. Needless to say, everyone was overjoyed to see him…
Myself, Laura and Navia Moorman, photo by Juli Marr
Also on hand were my daughter, Laura, her husband Charlie (not pictured, unfortunately) and my granddaughter, Navia. They were here to witness my (possible) Hugo Award acceptance speech on Sunday. I may have felt the sting of disappointment by not winning but I was so incredibly happy they were all there.
Chicago By Day…
Dan Berger, Juli Marr and Sushee Blat pondering
So here are my Press Office mates, Dan Berger, Juli Marr and Sooshe Blat Harkins, pondering where we should go for dinner along the Chicago Riverwalk. Rest assured, we did eat that evening…
Chicago After Dark
Chicago After Dark…
SEPTEMBER 3RD
Day Three of Chicon 3, another beautiful morning.
The Chicon 8 Hugo Award
On my way to the Press office, I made some time Saturday morning to stop by the Exhibit Hall and check out this year’s Hugo Award trophy. This magnificent award was handcrafted by the renowned Chicago artist and business entrepreneur Brian Keith Ellison of BKE Designs.
Chicon 8 Panelists
Ah, FINALLY, a photo from a Chicon 8 panel. Here are the panelists of “Movie Year in Review: A Curated Look at Genre Films (2021–2022)” moderated by yours truly. From left to right are: Matthew S. Rotundo, Daryll Mansel, Joshua Bilmes and Deirdre Crimmins. We had fun. You should have been there.
Oghenechovwe Donald Ekpeki and Seanan Maguire
I was checking up on how Mr. Ekpeki was getting along in the Dealer’s Room when up ZOOMED fellow Hugo Award Finalist Seanan Maguire on her scooter. They both knew of a photo opportunity when they saw it…
Regency John Hertz
It’s Saturday Night so you know it’s time for another magnificent appearance by fandom’s favorite, and most regal, Masquerade Judge, John Hertz!
Masquerade Ensemble
And here is a wide shot of all the Chicon 8 Masquerade contestants. I apologize for it being out of focus; I BLAME the three apparitions lighting up in the middle of the photo. I don’t recall who they are but let’s face it, they lit up the joint that evening.
SEPTEMBER 4TH
Breakfast of Champions
It’s THE BIG DAY! And that calls for a BIG BREAKFAST, courtesy of the Chicon 8 Staff Lounge. I hadn’t had a bowl of Rice Chex in AGES. (As a kid, I used to inhale whole boxes in a single sitting. Ah, those were the days…). Anyway, kudos to everyone who helped kept us fed during the convention.
Lezli Robyn’s Birthday Gifts
Juli and I are very sneaky. We knew in advance that Sunday was Lezli Robyn’s birthday so we planned something a little special for her. The day before we left, we packed and wrapped her gift specially for her. We have both known for years that Lezli is a bit, uh, accident prone. After the fifth or sixth incident we started threatening to just roll her in bubble wrap, for her own safety and protection. Well at Chicon 8, we decided on this preemptive strike before disaster struck again. As you can see, a nice birthday card was placed on top of the package. And you can see Lezli’s reaction as she realized that bubble wrap was all that was left in the box. All for her. We were later informed by sources that she used the bubble wrap as a pillow (in an appropriate place, mind you) when she needed to nap. You’re welcome, Lezli, anytime.
Catherynne Valente
After delivering Ms. Robyn’s gift, I stole a few minutes from my Press Office duties to have a novel by Catherynne M. Valente signed. We met before when she had a signing at Joseph Beth Booksellers in Cincinnati where I worked for many years. She remembered me and enthusiastically remarked that she had a great time and would love to return for a visit someday. I told her I would pass the word along.
Hugo Award Day and Invitations
As the day wore on, the more nervous I became. Since there wasn’t much going on that afternoon, I turned my attention to writing a Hugo Award acceptance speech and a concession speech (which was published on File 770 that very evening). Everyone wished me luck but deep down, I knew that I was long shot to actually win. (And, as it turned out, I was right, finishing second in the nomination count and fifth overall in the vote standings.)
O. Donald Ekpeki and myself, photo by Juli Marr
At the Chicon 8 Hugo Award Reception, Mr. Ekpeki and I were recessed to the nines!
Hugo Award Fan Writer Finalists, photo by Juli Marr
Your 2022 Hugo Award Finalists in the Fan Writing Category; from left to right, Jason Sanford, myself, Paul Weimer and Bitter Karella.
The Hugo Ceremony Crowd
The Crowd gathers for the start of the Hugo Awards Ceremony.
My Date, My Love and My Partner, the lovely and vivacious Juli Marr.
My Fellow 2022 Hugo Award Finalist Steven H Silver and his partner, Elaine Silver.
Chuck Serface
My Fellow 2022 Hugo Award Finalist Chuck Serface.
Hugo Ceremony Hosts
Our 2022 Hugo Award Ceremony Hosts, Annalee Newitz and Charlie Jane Anders.
Olav Rokne and Myself at the After Party, photo by Juli Marr
Two Hugo Losers commiserating, Olav Rokne and myself (being subtly photobombed by Vincent Docherty) at the Chengdu Hugo Reception.
Laura Moorman and myself, photo by Juli Marr
My daughter Laura and I at the Glasgow Bid Party.
Laura Moorman with Denis Villeneuve and Eric Roth’s Hugo Award
My daughter Laura is seen here holding the 2022 Hugo Award for Best Dramatic Presentation – Long Form for Dune (Part 1). The award was offered for photos by Chicon 8 Advisor Dave McCarty, whom we thank profusely for the opportunity.
SEPTEMBER 5TH AND 6TH
John Hertz and Myself, photo by Juli Marr
And it’s all over but the shouting. Here John Hertz and I are watching the proceedings, counting down until the dead dog parties start…
Myself, Jonathan P. Brazee and Maurizio Manzieri, photo by Juli Marr
After Closing Ceremonies, Juli and I met author Col.Jonathan P. Brazee and Hugo Award Finalist (Best Professional Artist) Maurizio Manzieri outside the hotel on their way to an early dinner.
Berger, Berger and Blat-Harkins
As we wind down a day after Chicon 8 has officially ended, we shared a final meal with Dan Berger, Terry Berger and Sooshe Blat Harkins, who were a tremendous help in the Chicon 8 Press Office.
Your humble correspondents
A final portrait from Chicago of your humble correspondents, myself and Juli Marr. Until next time, Goodbye and Good Luck…
People writing about the issues they care about is what keeps this community going. It’s a gift and privilege for me to be continually allowed to publish so many entertaining posts rich in creativity, humor, and shared adventures. Thanks to all of you who contributed to File 770 in 2022!
Stormm continued her humorous series about the misdirected emails she gets from Writer X throughout 2022, braiding together comedy, horror, and the pitfalls of being a writer.
…Thinking about Jules Verne, with the new TV version of Around the World in Eighty Days about to start, I just bought the Wesleyan edition of Five Weeks in a Balloon, translated by Frederick Paul Walter – after researching what the good modern translations of Verne are. Verne has been abysmally translated into English over the years, but there’s been a push to correct that….
… It was on FaceBook where I first saw friends’ posting about Opening Ceremonies. According to what was posted, some of the musical selections performed by students from the Duke Ellington School spotlighted the religious aspects of the Christmas holiday.
My immediate reaction was that this was not an appropriate part of Opening Ceremonies, especially since, as far as I know, the religious aspect of the performance was not contained in the descriptions in any convention publication. The online description of Opening Ceremonies says, in its entirety: “Welcome to the convention. We will present the First Fandom and Big Heart awards, as well as remarks from the Chair.” The December 9, 2021, news release about the choir’s participation did not mention that there would be a religious component to the performance….
Whew! We made it. We made it to Issue 100 of the Grantville Gazette. This is an incredible feat by a large group of stakeholders. Thank you, everyone.
I don’t think Eric Flint had any idea what he’d created when he sent Jim Baen the manuscript for 1632. In the intervening two-plus decades, the book he intended to be a one-shot novel has grown like the marshmallow man in Ghostbusters to encompass books from two publishing houses, a magazine (this one, that you are holding in your metaphorical hands) and allowed over 165 new authors to see their first published story in print. The Ring of Fire Universe, or the 1632 Universe, has more than twelve million words published….
This message was written by a fan in Moscow 48 hours ago. It is unsigned but was relayed by a trustworthy source who confirms the writer is happy for it to be published by File 770. It’s a fan’s perspective, a voice we may not hear much….
Right now, when I’m sitting at my desktop and writing this text, a cannonade nearby doesn’t stop. The previous night was scary in Kyiv. Evidently, Russians are going to start demolishing Ukrainian capital like they are doing with Kharkiv, Sumy, Chernihiv, Mariupol.
The Ukrainian SFF Community joined the efforts to isolate Russia, the nazi-country of the 21st century, to force them to stop the war. The boycott by American authors we asked for is also doing the job. Many leading writers and artists of the great United States already joined the campaign.
We appealed to SFWA to also join the campaign, and here is what they replied…
Fortunately, comic-carrying newspapers are, of course, all (also or only) online these days, but even then, some require subscriptions (fair enough), and to get all the ones you want. For example, online, the Washington Post, has about 90, while the Boston Globe is just shy of a paltry one-score-and-ten. And (at least in Firefox), they don’t seem to be visible in all-on-one-page mode, much less customize-a-page-of.
So, for several years now, I’ve been going to the source — two “syndicates” that sell/redistribute many popular strips to newspapers….
There’s been a lot of excitement about Squid Game. Everybody’s talking about how clever, original, and utterly skiffy it is. I watched it, too, eagerly and faithfully. But I wasn’t as surprised by it as some. I expected it to be good. I’ve been watching Korean video for ten years, and have only grown more addicted every year. And yet I just can’t convince many people to watch it with me….
Let me tell you about my favorite building in Washington, D.C. It’s the staid old Arts and Industries Building, the second-oldest of all the Smithsonian Institution buildings, which dates back to the very early 1880s and owes its existence to the Smithsonian’s then urgent need for a place where parts of its collection could go on public display….
When we last left the Heinleins (“What the Heinleins Told the 1940 Census”), a woman answering the door at 8777 Lookout Mountain – Leslyn Heinlein, presumably — had just finished telling the 1940 census taker a breathtaking raft of misinformation. Including that her name was Sigred, her husband’s was Richard, that the couple had been born in Germany, and they had a young son named Rolf.
Ten years have passed since then, and the archives of the 1950 U.S. Census were opened to the public on April 1. There’s a new Mrs. Heinlein – Virginia. The 8777 Lookout Mountain house in L.A. has been sold. They’re living in Colorado Springs. What did the Heinleins tell the census taker this time?…
“In the future, there was a nuclear war. And because of all the radiation, cats developed the ability to shoot lasers out of their mouths.”
On this dubious premise, Laser Cats was founded. By its seventh and final episode, the great action stars and directors of the day had contributed their considerable talents to this highly entertaining, yet frankly ridiculous enterprise. From James Cameron to Lindsey Lohan, Josh Brolin to Steve Martin, Laser Cats attracted the best in the business.
Being part of Saturday Night Live undoubtedly helped….
The Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction aims to award disability in speculative fiction in two ways. One, by awarding a writer of speculative fiction for their representation or portrayal of disability in a world of speculative fiction, whatever their health status; and two, by awarding a disabled writer for a work of speculative fiction in general, whatever the focus of the work may be….
Robert Osband, Florida fan, really loves space. All his life he has been learning about spaceflight. And reading stories about spaceflight, in science fiction.
So after NASA’s Apollo program was over, the company that made Apollo space suits held a garage sale, and Ozzie showed up. He bought a “training liner” from ILC Dover, a coverall-like portion of a pressure suit, with rings at the wrists and neck to attach gloves and helmet.
And another time, in 1976, when one of his favorite authors, Robert A. Heinlein, was going to be Guest of Honor at a World Science Fiction Convention, Mr. Osband journeyed to Kansas City.
In his suitcase was his copy of Heinlein’s Have Space Suit, Will Travel—a novel about a teenager who wins a secondhand space suit in a contest—and his ILC Dover suit.
Because if you wanted to get your copy of Have Space Suit, Will Travel autographed, and you happened to own a secondhand space suit, it would be a shame NOT to wear it, right?…
… I’m sure that our first face-to-face meeting was in 1979, when my job in industry took me from Chattanooga all the way out to Los Angeles for some much-needed training in electrochemistry. I didn’t really know anybody in L.A. fandom back then but I did know the address of the LASFS clubhouse, so on my next-to-last evening in town I dropped in on a meeting. And it was there that I found Bruce mostly surrounded by other fans while they all expounded on fandom as it existed back then and what it might be like a few years down the road. It was like a jazz jam session, but all words and no music. I settled back into the periphery, enjoying all the back-and-forth, and when there eventually came a lull in the conversations I took the opportunity to introduce myself. And then Bruce said something to me that I found very surprising: “Dick Lynch! I’ve heard of you!”…
It was back in 2014 that a student filmmaker at Stephen F. Austin State University, Ricky Kennedy, created an extraordinary short movie titled The History of Time Travel. Exploration of “what ifs” is central to good storytelling in the science fiction genre and this little production is one of the better examples of how to do it the right way.
For a long time, I’ve felt the Short Form Hugo for Best Dramatic Presentation was not properly organized to give an award to the best “Television” SF of the previous year….
Lavie Tidhar’s Neom is a stunning return to his world of Central Station, twinning the fates of humans and robots alike at a futuristic city on the edge of the Red Sea….
… It is through Joy and Cassimer’s eyes we experience S.A. Tholin’s Iron Truth, a finalist of the Self-Published Science Fiction Competition. If there was ever a case of the cream rising to the top this book is one….
… A couple of odd things, though. He had $300 on him, that wasn’t stolen, and an unusual rosary, with what seems to be the wrong number of beads. It’s a puzzle….
In T. A. Bruno’s In the Orbit of Sirens, a Self-Published Science Fiction Competition finalist, the remnants of the human race have fled the solar system ahead of an alien culture that is assimilating everyone in reach. Loaded aboard a vast colony ship they’re headed for a distant refuge, prepared to pioneer a new world, but unprepared to meet new threats there to human survival that are as great as the ones they left behind.
On the morning of Carmen Grey’s sixth birthday an armed team arrives to take her from her parents and remove her to the underground facility where Clairvoyants — like her — are held captive and trained for years to access their abilities. So begins Monster of the Dark by K. T. Belt, a finalist in the Self-Published Science Fiction Competition….
G.M. Nair begins Duckett and Dyer: Dicks for Hire by making a surprising choice. His introductory scene explicitly reveals to readers the true nature of the mysterious events that the protagonists themselves uncover only very slowly throughout the first half of the book. The introduction might even be the penultimate scene in the book — which would make sense in a story that is partly about time travel loops. Good idea or bad idea?…
… What sounds like Firefly also describes the SPSFC finalist novel Captain Wu: Starship Nameless #1, a space opera by authors Patrice Fitzgerald and Jack Lyster. I love Firefly so it wasn’t a big leap to climb aboard this vessel….
…. It would be exceptionally embarrassing for a Worldcon to have to explain why a finalist would have won the Hugo except for — oops! — this bit of outdated fine print. The best course of action is to eliminate that fine print before such a circumstance arises….
The social media of the 30th century doesn’t seem so different: teenagers anonymously perform acts of civil disobedience and vandalism to score points and raise their ranking in an internet app. That’s where Aster Vale leads a secret life as the Wildflower, a street artist and tagger, in A Star Named Vega by Benjamin J. Roberts, a Self-Published Science Fiction competition finalist…..
R F Kuang’s Babel is an audacious and unrelenting look at colonialism, seen through the lens of an alternate 19th century Britain where translation is the key to magic. Kuang’s novel is as sharp and perceptive as it is well written, deep, and bears reflection upon, after reading, for today’s world….
Paul Weimer went to donate some books at Don Blyly’s new location for Uncle Hugo’s and Uncle Edgar’s bookstores. While he was inside Paul shot these photographs of the bookshelves being stocked and other work in progress.
… Another contributor to the Afrofuturist tradition is Nicole Mitchell, a noted avant-jazz composer and flutist. She chose to take on Octavia Butler’s most challenging works, the Xenogenesis Trilogy, and create the Xenogenesis Suite, a collection of dark and disturbing compositions that reflect the trilogy’s turbulent and complicated spirit….
Anna carefully arranged the necessary objects around her desktop computer into a pentagon: sharpened pencils, a legal pad, a half-empty coffee cup, and a copy of Science Without Sorcery, with the chair at the fifth point. This done, she intoned the spell that would open the channel to her muse for long enough to write the final pages of her work-in-progress. Then she could get ready for the convention….
… In the last five years, the [Hugo Awards Study Committee] [HASC] has changed precisely two words of the Constitution. (Since you asked: adding the words “or Comic” to the title of the “Best Graphic Story” category.) The HASC’s defenders will complain that we had two years of pandemic, and that the committee switched to Discord rather than email only this year, and that there are lots of proposals this year. But the fact remains that so far the practical impact has been slower than I imagined when I first proposed the Committee…..
In Michaele Jordan’s overview, she comments on the novellas by Aliette de Bodard, Becky Chambers, Alix E. Harrow, Seanan McGuire, Adrian Tchaikovsky, and Catherynne M. Valente that are up for the 2022 Hugo.
… Once we had a lot of science fiction, little fantasy; lately we’ve had a lot of fantasy; so Powers’ writing fantasy does not seem particularly defiant.
His fantasy has generally been — to use a word which may provoke defiance — rigorous. Supernatural phenomena occur, may be predicted, aroused, avoided, as meticulously — a word whose root means fear — as we in our world start an automobile engine or put up an umbrella. Some say this has made his writing distinctive….
The day of reckoning is here for E Pluribus Hugo. The change in the way Hugo Awards nominations are counted was passed in 2015 and ratified in 2016 to counter how Sad and Rabid Puppies’ slates dictated most of finalists on the Hugo ballots in those years. It came with a 2022 sunset clause attached, and E Pluribus Hugo must be re-ratified this year in order to remain part of the WSFS Constitution….
… His name is Joel Nydahl, and back about the time of that Chicon he was a 14-year-old neofan who lived with his parents on a farm near Marquette, Michigan. He was an avid science fiction reader and at some point in 1952 decided to publish a fanzine. It was a good one….
… Abigail Kamara, younger cousin of police constable and apprentice wizard Peter Grant, has been left largely unsupervised while he’s off in the sticks on a case. This leaves Abigail making her own decisions when she notices that kids roughly her age are disappearing–but not staying missing long enough for the police to care….
Friends, let me tell you about one of my favorite TV shows. But I must admit to you up front that it’s not SF/F. Extraordinary Attorney Woo is, as I assume you’ve deduced from the title, a lawyer show. But it’s a KOREAN lawyer show, which should indicate that is NOT run of the mill….
Joseph Campbell was a professor of literature at Sarah Lawrence College, and wrote extensively about comparative mythology. His “hero’s journey” theory has been extremely influential….
… The Phantom Empire, a twelve-chapter Mascot serial, was originally released in February, 1935. A strange concoction for a serial, it is at once science fiction film, a Western, and strangely enough, a musical. It was the first real science fiction sound serial and its popularity soon inspired other serials about fantastic worlds….
… I find myself explaining the changes to membership in the World Science Fiction Society (WSFS) and the conditions for attending the World Science Fiction Convention that were ratified this year in Chicago (and thus are now in effect, because this was the second vote on the changes)…
Chicon 8’s Chicago Worldcon Community Fund (CWCF) program offered both memberships and financial stipends. It was established with the goal of helping defray the expenses of attending Chicon 8 for the following groups of people:
Non-white fans or program participants • LGBTQIA+ fans or program participants • Local Chicago area fans of limited means…
The London Underground has ghosts. Well, the London Underground always has ghosts, but usually they’re gentle, sad creatures. Lately there’s been an outbreak of more aggressive ghosts….
As environmental problems caused by industrialisation and post-industrialisation continue to increase, the public is looking for ecological solutions. As pandemics, economic crises, and wars plague our society in different ways, thoughts turn to the good old times. But were they really all that good? People are escaping increasingly into fantastical stories in order to find a quantum of solace. But at what point was there a utopia in our society. If so, at what or whose cost did it exist? Whether or not we ever experience living in a utopia, the idea of finally finding one drives us to continue seeking ideal living conditions….
… Capclave appeared to be equally star-crossed in its next iteration. It was held over the weekend of October 18-20, 2002, and once again the attendees were brought closer together by an event taking place in the outside world. The word had spread quickly through all the Saturday night room parties: “There’s been another shooting.” Another victim of the D.C. Sniper….
… In Fairy Tale, his newest novel, Stephen King delivers a, cough, grimm contemporary story, explicitly incorporating horror in the, cough, spirit of Lovecraft (King also explicitly namedrops, in the text, August Derleth, and Henry Kuttner), in which high-schooler Charlie Reade becomes involved in things — and challenges — that, as the book and plot progress, stray beyond the mundane….
The idea of an anthology of science fiction and fantasy stories about the Beatles seems like a natural. I’ve been told the two editors, each unbeknownst to the other, both presented the idea to the publisher around the same time…
The Science Museum (that’s the world famous one in Kensington, London) has just launched a new exhibit on what Carl Sagan once mused (though not mentioned in the exhibit itself) science fiction and science’s ‘dance’. SF2 Concatenation reprographic supremo Tony Bailey and I were invited by the Museum to have a look on the exhibition’s first day. (The exhibition runs to Star Wars day 2023, May the Fourth.) Having braved Dalek extermination at the Museum’s entrance, we made our way to the exhibition’s foyer – decorated with adverts to travel to Gallifrey – to board our shuttle….
I was at the 2022 F. Scott Fitzgerald Literary Festival in Rockville, MD today. If you’re wondering why the festival is there, that’s where Fitzgerald and his wife are buried. Now, I’d never read any of Fitzgerald`s writing, so I spent the evening before reading the first three chapters of The Great Gatsby (copyright having expired last year, it’s online). So far, I’ve yet to find anyone in it that I want to spend any time with, including the narrator.
However, the reason I attended was to see Kim Stanley Robinson, who was the special guest at the Festival. The end of the morning’s big event was a conversation between Stan and Richard Powers. Then there was lunch, and a keynote speaker, then Stan introducing Powers to receive an award from the society that throws the annual Festival….
A recent possible record could be the SF2 Concatenation’s website 2012 Eurocon Award voted on by those at the European SF Society’s convention which, that year, was held in Croatia….
Snuff is our narrator, here, and he’s a smart, interesting, likable dog. He’s the friend and partner of a man called Jack, and they are preparing for a major event….
…As a child, I kept a notebook filled with my favorite quotes. (How did I not know I was going to be an author?) The first quote? “Not all who wander are lost.” There was everything from 90s rom com lines to Wordsworth poems in that notebook, but Tolkien filled the most pages….
Louis Wu is 200 years old, and he’s bored. It’s his 200th birthday, and he’s using transfer booths to extend the celebration of it for a full twenty-four hours, and he’s really bored….
How can Halloween be over already? We barely had time to watch thirty horror movies –and those mostly classics, which are less than half our (horror) collection!
There is a fundamental implausibility to easy manned interstellar (or even interplanetary) space travel that nonetheless remains a seductive idea even in our wiser and more cynical and weary 21st century. …
Alif is a young man, a “gray hat” hacker, selling his skills to provide cybersecurity to anyone who needs that protection from the government. He lives in an unnamed city-state in the Middle East, referred to throughout simply as the City. He’s nonideological; he’ll sell his services to Islamists, communists, anyone….
Journalist, author, genre historian (and fan, certainly, from the 1940s and on!) Bertil Falk is acclaimed for performing the “impossible” task of translating Finnegans Wake to Swedish, the modernist classic by James Joyce, under the title Finnegans likvaka….
The protagonist of the first short novel in this omnibus — which is in fact Eye of Cat — is William Blackhorse Singer, a Navajo born in the 20th century, and still alive, and fit and healthy, almost two centuries later….
One fine Monday morning, Peter Grant is summoned to Baker Street Station on the London Underground, to assess whether there was anything “odd,” i.e., involving magic, about the death of a young man on the tracks….
…If you’re not a fan, then there’s a real chance you have no idea how much range animé encompasses. And I’m not even talking about the entire range of kid shows, sit-coms and drama. (I’m aware there may be limits to your tolerance. I’m talking about the range within SF/F. Let’s consider just three examples….
While I subscribe to the practice that, as a rule, reviews and review-like write-ups, if not intended as a piece of critical/criticism, should stick to books the reviewer feels are worth the readers reading, sometimes (I) want to, like Jerry Pournelle’s “We makes these mistakes and do this stuff so you dont have to” techno-wrangling Chaos Manor columns, give a maybe-not-your-cup-of-paint-remover head’s-up. This is one of those….
It’s been 30 years since the passing of my friend Roger Weddall. I doubt very many of you reading this had ever met him and I wouldn’t be surprised, actually, if most of you haven’t even heard of him. Thirty years is a long time and the demographics of fandom has changed a lot. So let me tell you a little bit about him….
I expect a lot of File 770’s readers watched, as we did, as the Orion capsule returned to Terra. I’m older than some of you, and it’s been decades since I watched a capsule re-entry and landing in the ocean. What had me in tears is that finally, after fifty years, we’re planning to go back… and stay….
Poul Anderson began writing his own “future history” in the 1950s, with its starting point being that there would be a limited nuclear war at some point in the 1950s. From that point would develop a secret effort to build a new social structure that could permanently prevent war….
…As with Avatar, Avatar: The Way of Water is a visual feast. Unlike the first film, there aren’t long sweeping pans lingering over beautiful, otherworldly vistas. The “beautiful” and the “otherworldly” are still there, but we’re seeing them incorporated into the action and storytelling….
Today we celebrate what would have been the 100th birthday of Harry Warner, Jr., who was perhaps the best-known stay-at-home science fiction fan of all time….
…But having learned that she can see and talk to ghosts, and that they all have unresolved problems they want to solve, she can’t always say no when they ask her for help….
…Xich Si is a tech scavenger, living in Triệu Hoà Port, and scavenging tech to sell and support herself and her daughter, when she’s captured by pirates. ….
… When I was growing up, children like myself were taught, no, more like indoctrinated, to think the United States was the BEST place to grow up, that our country was ALWAYS in the right and that our institutions were, for the most part, unassailable and impervious to criticism from anyone, especially foreigners.
I grew up in Ohio in the 1960’s and despite what I was being taught in a parochial Catholic grade school (at great expense, I might add, by my hard-working parents), certain things I was experiencing did not add up. News of the violence and casualties during the Vietnam War was inescapable. I remember watching the evening network news broadcasts and being horrified by the number of people (on all sides of the conflict) being wounded or killed on a daily basis.
As the years went on, it became harder to reconcile all of the violence, terrorism, public assassinations and the racism I was experiencing with the education I was receiving. The Pentagon Papers and the Watergate break-ins coincided with my high school years and the beginnings of my political awakening.
When I look back on those formative days of my life, I see myself as a small child, set out upon a sea of prejudice and whiteness, in a boat of hetero-normaltity, destination unknown….
… After I introduced myself to Mr. Weir and Mr. Bell, I said, “You and I have something in common.”
“Oh really? What’s that?”
“You and I are the only 2022 Hugo Award nominees within a hundred-mile radius of this bookstore.” (I stated that because I know that our fellow nominee, Jason Sanford, lives in Columbus, Ohio, hence the reference to the mileage.)…
Despite some very harsh comments from Dmitry Rogozin, the director general of Roscosmos, threatening that “If you block cooperation with us, who will save the ISS from an uncontrolled deorbit and fall into the United States or Europe?” spacefarers seem to have a different perspective and understanding of the importance of international cooperation, respect and solidarity. This appears to have been demonstrated today when three cosmonauts arrived at the International Space Station….
Forty-five years ago or thereabouts, on February 26, 1977, the first ‘prog’ of 2000AD was released by IPC magazines. The second issue dated March 5 a week later saw the debut of Judge Dredd. Since then, Rogue Trooper, Nemesis the Warlock, Halo Jones, Sláine, Judge Anderson, Strontium Dog, Roxy and Skizz, The ABC Warriors, Bad Company and Proteus Vex are just some of the characters and stories that have emanated from the comic that was started by Pat Mills and John Wagner. Some have gone on to be in computer games, especially as the comic was purchased by Rebellion developments in 2000, and Judge Dredd has been brought to the silver screen twice.
Addictive and enjoyable stories of the fantastic, written and drawn by some of the greatest comic creators of the latter part of the 20th century, they often related to the current, utilizing Science Fiction to obscure issues about violence or subversiveness, but reflecting metaphorically about the now of the time….
“Fight With Art” is an exhibition of Ukrainian Contemporary Art created under exceptional circumstances taking place now in Kraków at the Manggha Museum until April 30.
We reached out to curator Artur Wabik to learn more of this topical exhibition…
Steve Vertlieb, William Shatner, and Erwin Vertlieb.
Traditionally, the start of a new year is a time when film critics begin assembling their lists of the best films, actors, writers, composers, and directors of the past year. What follows, then, while honoring that long-held tradition, is a comprehensive compilation and deeply personal look at the finest film scores of the past nearly one hundred years….
The frenzy of joyous controversy swirling over director Adam McKay’s new film Don’t Look Up has stirred a healthy, if frenetic debate over the meaning and symbology of this bonkers dramedy. On its surface a cautionary satire about the impending destruction of the planet, Don’t Look Up is a deceptively simplistic tale of moronic leadership refusing to accept a grim, unpleasant reality smacking it in its face.
What follows is truly one of the most personally heartfelt, poignant, and heartbreaking remembrances that I’ve ever felt compelled to write.
Veronica Carlson was a dear, close, cherished friend for over thirty years. I learned just now that this dear sweet soul passed away today. I am shocked and saddened beyond words. May God rest her beautiful soul.
After interviewing William Shatner for the British magazine L’Incroyable Cinema during the torrid Summer of 1969 at “The Playhouse In The Park,” just outside of Philadelphia, while Star Trek was still in the final days of its original network run on NBC, my old friend Allan Asherman, who joined my brother Erwin and I for this once-in-a-lifetime meeting with Captain James Tiberius Kirk, astutely commented that I had now met and befriended all three of our legendary boyhood “Captains,” which included Jim Kirk (William Shatner), Flash Gordon/Buck Rogers (Larry “Buster” Crabbe), and Buzz Corry (Edward Kemmer), Commander of the Space Patrol….
… The first of the most important music modernists, however, in the post war era and “Silver Age” of film composers was Elmer Bernstein who would, had he lived, be turning one hundred years old on April 4th, 2022. Although he would subsequently prove himself as able as classic “Golden Age” composers of writing traditional big screen symphonic scores, with his gloriously triumphant music for Cecil B De Mille’s 1956 extravaganza, The Ten Commandments….
… She was just four days into her maiden voyage from Southhampton to New York City when this “Unsinkable” vessel met disaster and finality, sailing into history, unspeakable tragedy, and maritime immortality. May God Rest Her Eternal Soul … the souls of the men, women, and children who sailed and perished during those nightmarish hours, and to all those who go courageously “Down to The Sea in Ships.” This horrifying remembrance remains among the most profoundly significant of my own seventy-six years….
… It is true that Seth MacFarlane, the veteran satirist who both created and stars in the science fiction series, originally envisioned [The Orville] as a semi-comedic tribute to Gene Roddenberry’s venerable Star Trek. However, the show grew more dramatic in its second season on Fox, while it became obvious that MacFarlane wished to grow outside the satirical box and expand his dimensional horizons and ambitions….
… I was born in the closing weeks of 1945, and grasped at my tentative surroundings with uncertain hands. It wasn’t until 1950 when I was four years old that my father purchased a strange magical box that would transform and define my life. The box sat in our living room and waited to come alive. Three letters seemed to identify its persona and bring definition to its existence. Its name appeared to be RCA, and its identity was known as television….
He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction….
On June 11, 1982, America and the world received the joyous gift of one of the screen’s most beloved fantasy film classics and, during that memorable Summer, a young aspiring television film critic reviewed a new film from director Steven Spielberg called E.T….
…Before I realized it, tables and chairs were being moved and I felt the hands of paramedics lifting me to the floor of the restaurant. Les was attempting to perform CPR on me, and I was drifting off into unconciousness. I awoke to find myself in an ambulance with assorted paramedics pounding my chest, while attempting to verbally communicate with me. I was aware of their presence, but found myself unable to speak….
After nearly dying a little more than a decade ago during and just after major open heart surgery, I fulfilled one of the major dreams of my life…meeting the man who would become my last living life long hero. I’d adored him as far back as 1959 when first hearing the dramatic strains of the theme from Checkmate on CBS Television. That feeling solidified a year later in 1960 with the rich, sweet strains of ABC Television’s Alcoa Premiere, hosted by Fred Astaire, followed by Wide Country on NBC….
…When Jack Warner was casting the film version of the smash hit, he considered performers such as Cary Grant, James Cagney, or Frank Sinatra for the lead. Meredith Willson, the show’s composer, however, demanded that Robert Preston star in the movie version of his play, or he’d withdraw the contracts and licensing. The film version of The Music Man, produced for Warner Brothers, and starring Robert Preston and Shirley Jones, opened to rave reviews on movie screens across the country in 1962. Robert Preston, like Rex Harrison in Lerner and Lowe’s My Fair Lady, had proven that older, seasoned film stars could propel both Broadway and big screen musicals to enormous artistic success….
On the evening of May 14, 1998, following the airing over NBC Television of the series finale of Seinfeld, the world and I received the terrible news of the passing of the most beloved entertainer of the twentieth century. It has been twenty-four years since he left this mortal realm, but the joy, the music, and the memories are as fresh and as vital today as when they were born….
I had the honor and distinct pleasure of both knowing and sharing correspondence with British actor Peter Cushing for several years during the late Sixties and early Seventies….
Very exciting news. The long awaited CD soundtrack release of 12 O’Clock High is now available for purchase through La-La Land Records and is a major restoration of precious original tracks from Quinn Martin’s beloved television series….
That terrible day in Dallas, Texas on November 22, 1963 remains one of the most significantly traumatic days of my life. I was just seventeen years old. I was nearing the end of my high school classes at Northeast High School in Philadelphia when word started spreading through the hallways and corridors that JFK had been shot. I listened in disbelief, praying that it wasn’t true … but it was….
I recently watched a somber new three part documentary by film maker Ken Burns that is among the most sobering, heartbreaking, and horrifying indictments of humanity that I have ever encountered. It was extremely difficult to watch but, as an American Jew, I remain struck by the similarities between the rise in Fascism in the early nineteen thirties, leading to the beginnings of Nazism in Germany, and the attempted decimation of the Jewish people in Europe and throughout the world, with the repellant echoes of both racial and religious intolerance, and the mounting hatred and suspicion of the Jewish communities and population residing presently in my own country of birth, these United States….
I’ve read with interest some of the recent discussions concerning the measure of Hugo Friedhofer’s importance as a composer, and it set my memory sailing back to another time in a musical galaxy long ago and far away. I have always considered Maestro Friedhofer among the most important, if underrated, composers of Hollywood’s golden era….
…Steven Spielberg’s reverent semi-autobiographical story of youthful dreams and aspirations is, for me, the finest, most emotionally enriching film of the year, filled with photographic memories, and indelible recollections shared both by myself and by the film maker….
These photographs are of an annual Christmas tradition at American Heritage Federal Credit Union located at Red Lion and Jamison Roads in Northeast Philadelphia….
…This was the man who brought such incalculable joy and hope to so many millions of filmgoers with his quintessential Christmas classic, It’s A Wonderful Life. …
My friend Adam Spector tells me that when Ernest Lehman was asked to write the script for North by Northwest, he tried to turn out the most “Hotchcocky” script he could, with all of Hitchcock’s obsessions in one great motion picture.
Moonfall is the most “Emmerichian” film Roland Emmerich is made. Like his earlier films, it has flatulent melodrama interlaced with completely daft science. But everything here is much more intense than his earlier work. But the only sense of wonder you’ll get from this film is wondering why the script got greenlit….
… Having a long career in Hollywood is a lot harder than in other forms of publishing; you’ve got to have the relentless drive to pursue your vision and keep making sales. To an outsider, what is astonishing about J. Michael Straczynski’s career is that it has had a third act and may well be in the middle of a fourth. His career could have faded after Babylon 5. The roars that greeted him at the 1996 Los Angeles Worldcon (where, it seemed, every conversation had to include the words, “Where’s JMS?”) would have faded and he could have scratched out a living signing autographs at media conventions….
When I read in the Financial Times about how Britain’s National Theatre was adapting Sir Philip Pullman’s La Belle Sauvage, the first volume of his Book of Dust trilogy, I told myself, “That’s a play for me! I’ll just fly over to London and see it! OGH is made of money, and he’ll happily pay my expenses!”
Fortunately, I didn’t have to go to London, because the theatre came to me, with a screening of the National Theatre Live production playing at the American Film Institute. So, I spent a pleasant Saturday afternoon seeing it….
… Stories matter more in the theatre than in film because far more of a play is in our imagination than in a film. Stripped of CGI and rewrites by multiple people, what plays offer at their best is one person’s offering us something where, if it works, we tell ourselves, “Yes, that was a good evening in the theatre,” and if it doesn’t, we gnash our teeth and feel miserable until we get home…
As Anton Ego told us in Ratatouille, the goal of a critic today is to be the first person to offer praise to a rising artist. It’s not the tenth novel that deserves our attention but the first or second. In the theatre, the people who need the most attention are the ones who are being established, not the ones that build on earlier successes.
So I’m happy to report that Matthew Aldwin McGee, author, star, and chief puppeteer of Under the Sea with Dredgie McGee is a talented guy who has a great deal of potential. You should be watching him….
I once read an article about a guy who was determined to live life in 1912. He lived in a shack in the woods, bought a lot of old clothes, a Victrola, and a slew of old books and magazines. I don’t remember how he made a living, but the article made clear that he was happy….
(1) NPR’S PICKS OF 2022. NPR has put up its massive list of “Best Books 2022: Books We Love”. It’s sortable by category – this is the button to pull out the 67 “Sci-Fi, Fantasy & Speculative Fiction” titles. The tool will also take you back to any of their annual selections since 2013.
Books We Love! – NPR’s biannual, interactive reading guide – is back for its 10th year with 400+ books published in 2022! Mix and match tags including “Book Club Ideas,” “Eye-Opening Reads,” and “Kids’ Books” to browse titles hand-picked by NPR staff and trusted critics. Click back through a decade of recommendations to find more than 3,200 books – we’ve got your next favorite read and something for every person on your holiday shopping list. Discover the books that comforted, challenged, and captivated us this year.
(2) WHAT DO YOU WANT SANTA TO BRING? Connie Willis, on Facebook, recommends adding Miracle on 34th Street to your Thanksgiving viewing. She does a deep dive into how a real Macy’s parade was filmed for the movie, and has other insights into the actors and actresses.
Thanksgiving is fast upon us, and I have a great movie to recommend (besides the standards we watch every year: PLANES, TRAINS, AND AUTOMOBILES and DEAR GOD.) The movie is MIRACLE ON 34TH STREET (the original black and white with Edmund Gwenn, Natalie Wood, Maureen O’Hara, and John Payne).
“But that’s a Christmas movie!” I can hear you saying. True, but it actually begins at Thanksgiving, with the Macy’s Thanksgiving parade, and, even better, the parade in the movie is the real deal. Yes, the actual Macy’s Thanksgiving Day Parade from the year the movie was made, 1946. They filmed the opening sequences with the majorette and the clown and the drunken Santa–“It’s cold! A man’s gotta do SOMETHING to keep warm!”–at the beginning of the parade….
(3) LOCUS FUNDRAISER MAKING PROGRESS. With 23 days left, the Indiegogo for “Locus Magazine: Science Fiction, Fantasy, Horror” has raised $45,169 of the $75,000 goal with the help of 473 backers. There’s a variety of perks available, such as this one for $30 donors.
(4) WILL IT MAKE A BIG SPLASH? A new trailer for Avatar: The Way of Water – in theaters December 16.
Set more than a decade after the events of the first film, “Avatar: The Way of Water” begins to tell the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.
The district court’s decision is a victory for authors, the marketplace of ideas, consumers, and competitive markets. It reinforces the important principle that antitrust laws apply to transactions that harm content creators and workers. The Department is pleased that Penguin Random House and Simon & Schuster have opted not to appeal.
(6) RECOMMENDED READING FOR ELON MUSK. Norman Spinrad, for reasons unexplained, wants to place a copy of his forthcoming novella Up and Out in the hands of Elon Musk. He calls on everyone to use their connections and get back to him at [email protected]
ELON MUSK WHERE ARE YOU?
It has often been said that no one on the planet is more than 6 steps from anyone else, and I have been trying contact Elon Musk fruitlessly, not surprising, given that he is the richest and maybe one of the most famous people on Earth. I did not want to ask him for money or anything else. I simply wanted to give him something that I know he would enjoy, a novella called UP AND OUT, but of course, impossible to get the rtf to him personally.
And this is a very personal gift and now it will be published December 13th in the formally January/February issue of Asimov’s SF Magazine. So he will be able to buy the issue if he knows about it, and I think he can probably afford it.
So what I am asking y’all is only to help me tell him. Given that there are about 200 people getting this, the math would seem to say that the odds are good. I’m not asking for an email address, or anything else, so this would seem to be possible.
Jonathan Kasdan was in the middle of making a Star Wars movie, but his mind kept venturing to an entirely different universe.
This happened in 2017, when the screenwriter of Solo stood on the Canary Islands set of the movie, watching as one of his idols dropped in for a cameo. Warwick Davis, who was there to play a member of a galactic biker gang, had a long history of playing Star Wars characters, but he was also the star of one of Kasdan’s favorite movies from childhood, the 1988 sword-and-sorcery adventure Willow.
“I asked to be introduced to him,” Kasdan recalls. “I had one of the ADs walk me over, and he was sitting in his foldout chair. I said, ‘I’m Jon Kasdan. I’m one of the writers.’ And he was very nice.” But Kasdan had a not-so-secret agenda. “I said, ‘Listen, I love Willow, and I really think there’s something to be done here. I’m beating the drum loudly with Kathy [Kennedy, Lucasfilm’s president] and with the company.’” Davis lit up. “He immediately was like, ‘Have a seat! Let’s talk more!’” Kasdan says. “We started talking that very minute about what it could be and have never stopped.”
Five years later, Willow—the new Disney+ series —will debut on November 30. But the journey between that first conversation and the completion of the show was a fraught adventure of its own, sometimes harrowing, sometimes comical, sometimes just awkward. Still, it was driven by a sincere love of this fantasy realm and the unlikely hero at its center.
Today, Kasdan is part of the Lucasfilm brain trust, consulting on multiple projects with his own office at their Disney headquarters, (complete with a sweeping view of Kennedy’s parking space, he jokes). But back in 2017, when he first broached the subject of reviving Willow with Davis on the set of Solo, his credits included writing stints on Dawson’s Creek and Freaks and Geeks, and directing the indie films The First Time and In the Land of Women. Kasdan had leveled up to epics for the first time with Solo, which he had cowritten with his father (Star Wars veteran and Oscar-nominated screenwriter Lawrence Kasdan). He had the experience and the enthusiasm to take on a return to Willow, if not the actual pull at Lucasfilm to make it a reality….
(8) PARADOX LAUNCH EVENT. [Item by SF Concatenation’s Jonathan Cowie.] I previously sent an image of the cover of Romania’s H. G. Wells SF Society of Timisoara 50 year anniversary edition of Paradox (Pixel Scroll 11/17/22 item #12).
The zine’s launch took place at the Theresien Bastion (the main section of the former Austrian fortifications that defended Timisoara in 1700s) and it attracted a number of old sci-fi fans and members of the H.G. Wells association.
I have pictures of the launch courtesy of Silviu Genescu (himself an award-winning author – the Romanian equivalent of the Booker for D is for ‘End’)
(9) MEMORY LANE.
1986 — [By Cat Eldridge.]Nutcracker: The Motion Picture
Christmas long ago was the memory of a dream that seemed never to end. But somewhere in the middle of that dream, I always did wake up, just in time to attend the Christmas party. — Opening lines as said by the adult Clara.
So let’s talk about a most unusual Nutcracker that had the blessing to get filmed. Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet’s Nutcracker or simply Nutcracker, is was produced thirty-six years ago by the Pacific Northwest Ballet.
So what makes this one worth knowing about? Two words that form a name: Maurice Sendak.
Choreographer Kent Stowell who the artistic director of the Pacific Northwest Ballet had invited the author-illustrator Maurice Sendak to collaborate on a Nutcracker production in 1979 after his wife and another colleague had seen a Sendak design for a performance of Mozart’s The Magic Flute.
Sendak initially rejected Stowell’s invitation, later explaining why he did so:
The Nutcrackers I’ve seen have all been dull. You have a simpering little girl, a Christmas party, a tree that gets big. Then you have a variety of people who do dances that seem to go on and on ad nauseam. Technically it’s a mess, too; Acts I and II have practically nothing to do with each other. … What you don’t have is plot. No logic. You have lots of very pretty music, but I don’t enjoy it because I’m a very pedantic, logical person. I want to know why things happen.
He later accepted provided that he could write it so it was in tune with the themes in Hoffmann’s original story. It was extremely popular and it was the annual Christmas show for thirty-one years.
For reasons too complicated to explain here, I got invited on a personal tour of the backstage area of the Pacific Northwest Ballet building where the scenery and other materials that Sendak had designed for this were stored. To say these were magical is an understatement. And just a tad scary up close.
Two Disney executives attended the premiere and suggested it’d make a splendid film. Sendak and the Director of the Ballet resisted at first preferring to just film the ballet. But both finally decided to adapt it to a film. That meant Clara’s dream had to be clarified; large portions of the choreography were changed; some of some the original designs underwent revision, and Sendak created additional ones from scratch.
It was shot in ten days on the cheap and critics weren’t particularly kind about the result as they could see the necessary shortcuts taken. Ballard, the Director here as well, responded to criticism about the editing in a later The New York Times interview, noting that the editing was not what he had initially planned, but was because of the tight filming schedule.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 22, 1932 — Robert Vaughn. His best-known genre work was as Napoleon Solo in The Man from U.N.C.L.E. with other genre work being in Teenage Caveman, Starship Invasions, The Lucifer Complex, Virus, Hangar 18, Battle Beyond the Stars, Superman III, C.H.U.D. II: Bud the C.H.U.D. (seriously who penned that awful title?), Transylvania Twist and Witch Academy. Oh, and he wrote the introduction to The Man from U.N.C.L.E. series companion that came out a generation after the series aired. (Died 2016.)
Born November 22, 1940 — Terry Gilliam, 82. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don Quixote, Tideland, The Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his work for the children’s series Do Not Adjust Your Set which had the staff of Eric Idle, Terry Jones, and Michael Palin. Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup. He also co-directed a number of scenes. Awards? Of course. Twelve Monkeys is the most decorated with six followed by Brazil with two and Time Bandits and The Fisher King which each have but one. He’s not won any Hugos though he has been nominated for four — Monty Python and the Holy Grail, Time Bandits, Brazil and Twelve Monkeys. My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits. He’s co-directing and writing the forthcoming Time Bandits series Apple is financing and showing. I’ll subscribe when it’s out.
Born November 22, 1943 — William Kotzwinkle, 79. Fata Morgana might be in my opinion his best novel though Doctor Rat which he won the World Fantasy Award for is in the running for that honor as well. And his short stories of which there are many are quite excellent too. Did you know Kotzwinkle wrote the novelization of the screenplay for E.T. the Extra-Terrestrial? The usual digital suspects are well stocked with his books.
Born November 22, 1949 — John Grant. He’d make the Birthday list solely for being involved in the stellar Encyclopedia of Fantasy which won a Hugo at BucConeer. And he did win another well-deserved Hugo at Noreascon 4 for Best Related Work for The Chesley Awards for Science Fiction and Fantasy Art: A Retrospective. Most of His short fiction has been set in the Lone Wolf universe though I see that he did a Judge Dredd novel too. (Died 2020.)
Born November 22, 1957 — Kim Yale. Married to John Ostrander until 1993 when she died of breast cancer, she was a writer whose first work was in the New America series, a spin-off of Truman’s Scout series. With Truman, she developed the Barbara Gordon Oracle character, created the Manhunter series, worked on Suicide Squad, and was an editor at D.C. where she oversaw such licenses as Star Trek: The Next Generation. For First Comics, she co-wrote much of the amazing Grimjack with her husband.
Born November 22, 1958 — Jamie Lee Curtis, 64. Can we agree that she was the best Scream Queen for her film debut in the 1978 Halloween film in which she played the role of Laurie Strode? No? Well, that’s my claim. Spoilers follow. She followed up with yet more horror films, The Fog and Prom Night. In all, she’s the only character that survives. She would reprise the role of Laurie in six sequels, including Halloween H20, Halloween: Resurrection, Halloween II and Halloween III: Season of the Witch, Halloween (a direct sequel to the first Halloween) and Halloween Kills. She shows up in one of my fave SF films, The Adventures of Buckaroo Banzai Across the 8th Dimension as Sandra Banzai but you’ll need to see the director’s extended version as she’s only there in that version. Is True Lies genre? Probably not, but for her performance, Curtis won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the Saturn Award for Best Actress. Damn impressive I’d say. No, I’m not listing all her films here as OGH would likely start growling. Suffice to say she’s had a very impressive career.
Born November 22, 1984 — Scarlett Johansson, 38. Best known perhaps for her role as the Black Widow in the MCU films including the present Black Widow film but she has other genre appearances including playing Motoko Kusanagi in Ghost in the Shell which was controversial for whitewashing the cast, particularly her character who was supposed to be Japanese.
AWA Studios has enlisted Reginald Hudlin, Gregg Hurwitz, Laeta Kalogridis, Joseph Kosinski, Al Madrigal and J. Michael Straczynski to serve on the company’s Creative Council. The council’s charter is for those established players to use their experience and their connections to help AWA writer and graphic artists “unleash the full potential of their characters and stories, providing a diversity of contemporary storytelling perspectives and putting projects in the best position to be scaled across the entertainment ecosystem,” per AWA.
Ghost Bird belongs most comfortably in the genre of the YA thriller. A certain subsection of this genre likes to play coy about the presence of supernatural elements. Examples include Black by Fleur Ferris, Small Spaces by Sarah Epstein and Flight of the Fantail by Steph Matuku. By the end, each of these books definitively answers whether the speculative elements played with are considered real within the story’s world. Ghost Bird also has definitive answers, making it very at home in this subgenre. However, its identity as an Indigenous Australian Own Voices narrative makes it difficult to call the story a speculative one. After all, referring to what may be a part of a living Indigenous tradition as fantasy or speculative seems neither respectful nor accurate.
Cleverly, this tension between Western and Indigenous thought is one of the central themes of Ghost Bird. The story is written in first person present tense from the perspective of Stacey. She is intelligent, rational and takes her education very seriously — too seriously, according to some of her family, who feel she should be paying more heed to traditional ways…
A girl loses her father and processes her grief by oversleeping. An emotionally stunted uncle tries to learn childrearing from Google. The complicated interplay of growth and decay makes the future uncertain and scary. If she wants to grow up and stop retreating into fantasies, she’ll have to accept the fact of death, but also help her uncle reconnect with his inner child and dream again.
This setup sounds like it should deliver a full emotional experience, bolstered by the metaphoric possibilities of dream language. Unfortunately, Netflix film Slumberland shows us a muted dreamscape that doesn’t dare embrace the protean qualities of the unconscious mind. When protagonist Nemo ventures into the land of dreams to look for her father, the place looks too rigid, too rational, built on an oppressively linear logic that makes it less Paprika and more Inception. This does not feel like the dream of a child; it feels like an adult’s self-serving memory of what goes on in a child’s mind….
(14) POPULATION CRISIS. Paul Weimer reviews a novel about a world ruled by women where girl children are no longer being born: “Microreview [book]: Scorpica by G.R. McAllister” at Nerds of a Feather.
…Humans are a species that can think in terms of years, decades and generations ahead and to come. Humans are a species that is very concerned with their posterity, as a way of preserving not only their legacy, but establishing the future for their children and their children’s children. And when that posterity is threatened, people, and the societies they inhabit, can come under stress, fracture, and break.
P D James’ novel The Children of Men (and its movie adaptation) explores the death of posterity for the human race by having had no children born in the last 17 years. Mankind is slowly and inexorably aging out to death, and the stresses on people, on society are like an inexorably tightening vise, a ticking clock for humanity. It’s not pretty, even (and perhaps especially) when there is a glimmer of hope that the doom can be averted.
We come to GR McAllister’s Scorpica, which takes a widescreen epic fantasy approach to this scenario. The Five Queendoms (which is also the name of the series that Scorpica starts) are a quintet of fantasy kingdoms which are not just matriarchies, kingdoms ruled by women, but out and out gynarchies. This is a woman’s world, from the fierce fighters of Scorpica to the potent magicians of Arca, the power, authority and social structures are all controlled by women.
So, when the Drought of Girls begins, and girls are no longer being born among any of the five kingdoms, there is indeed a slow moving, inexorably building crisis that strikes the inhabitants of the kingdoms, and the lives of those whom we meet in the book….
Tyler writes:My partner, who is also named Tyler, wants a second cat. I’m not a fan of cats, so he takes full responsibility for ours. I told him if he adopts another cat, I would get to name it. He agreed. But he doesn’t like the name I’ve chosen — Gowron, after the Chancellor of the Klingon High Council — and insists I choose another.
This one hurts. First, because you presumed I didn’t know who Gowron is. He’s the son of M’Rel, for Kahless’s sake! Second, I suspect you’re just trying to annoy Tyler as punishment for this second cat. Third, it’s obvious this cat should be named Tyler. But a deal is a deal: Gowron it is. At least you did not get clever and suggest “Meowron,” which I’m sure has been done one million times. Readers, let me know how many of you have cats named Chancellor Meowron. Also email me if your dog is named Lieutenant Woof.
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Cat Rambo, ja, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
Mary Robinette Kowal’s The Spare Man provides the most seductive of settings for a space opera novel, an interplanetary cruise liner with all the trimmings, and deploys that setting to tell the story of a crackerjack murder mystery.
By Paul Weimer: There is a fundamental implausibility to easy manned interstellar (or even interplanetary) space travel that nonetheless remains a seductive idea even in our wiser and more cynical and weary 21st century. The future may indeed be robots all the way down for major travel beyond Low Earth Orbit. Space is just too hazardous and difficult on a variety of axes not appreciated by science fiction writers or visionaries for a long time to make it an experience that will be common, or pleasant, for a very long time, if ever.
And yet there is a romance to that, a harkening to extend the ideas and delights of experiences here on Earth. Take, for example, the concept of a cruise. In the days before the most recent global pandemic (Covid), even with recent challenges and issues cruises have had, cruises were enormously popular for reasons. Taking your accommodations with you as you stop at various ports, or even just go across a long distance, is an incredibly seductive idea, if the cruise liner itself is adequately equipped. A home away from home as it takes you to a new destination, with distractions aplenty to keep you occupied. In the age of the most recent pandemic, the allure is somewhat tarnished but the basic appeal and idea is there.
One more strand, patient reader, and that is the subgenre that, in mainline science fiction, gets most mixed into science fiction. No, not romance, even though romance as a genre surpasses in sales and size all of its non-mimetic rivals. No, I am talking about mysteries. Mysteries have been a subgenre of science fiction since the early 1950’s. Writing a mystery is hard, making it a fair puzzle, putting on restrictions to narrow things for the writer and the reader. Writing a science fiction mystery is difficult, though, to make it a fair puzzle that doesn’t cheat the reader and gives them a chance to anticipate the author is a very ambitious high wire act. A murder mystery on a cruise liner, well, that’s as old as Agatha Christie, at least. But a murder mystery in a science fiction setting on a cruise liner…that’s a new idea.
However, now, we do have what feels like to me the definitively interstellar cruise liner novel. A novel that is complete with a murder mystery, compelling characters, and solid worldbuilding. And now, patient reader, it is time to talk directly about Mary Robinette Kowal’s The Spare Man.
Some decades (perhaps a century and change) from now, with a Martian colony a going concern, Luna a burgeoning colony, and of course good old Earth, the solar system is becoming Mankind’s oyster. Interplanetary travel can be for the masses — if they are wealthy enough. And so cruise liners like the I.S.S Lindgren make trips from the Moon to Mars. Big, well equipped liners, of which I will speak more anon. This is why Artesia Zuraw and Mishal Husband are taking their well deserved honeymoon on a cruise to Mars. They seem like an ordinary rich couple, albeit one, unusually enough, with a service dog, a Westie named Gimlet (who frankly steals every scene she is in)
But there is a wrinkle here. Artesia is really Tesla Crane, famous engineer and inventor. And her new husband is Shal Steward, a famous private detective, now retired. And when Shal is framed for a murder that happens just outside their rooms, both Tesla and Shal are going to have give up their anonymous identities and move to solve the murder themselves.
And so in hangs a tale.
The Spare Man, for all that it seems to be a relatively light looking “Thin Man in Spaaaace!” sort of SF mystery that is more of a popcorn light and frothy sort of affair does a lot of things, and nearly all of them very well. The mystery itself, and it is a mild spoiler to note that the death that Shal is framed for is not the only murder on the ship, falls into place piece by piece. In the hindsight of having finished the novel, I can see how the author set up a lot of the pieces very carefully, leaving clues for the careful reader to pick up. I am not a versed mystery reader by history or inclination, and so I do not even try to play the “guess the murderer” sort of game that really seasoned readers of the genre DO like to engage in. But looking back, I can see the clues laid out there, now, for a reader to pick up what is really going on, and then follow who the real culprit is and why they are doing it.
In retrospect, it all makes a lot of sense, it is to me a fair and well-developed puzzle. It is, mind you, a science fiction-based puzzle, this being a science fiction novel, and the author does set up and introduce aspects of the technology of the setting that apply and factor in on the murder, so that the puzzle can be plausibly deciphered by a seasoned reader. But all of that technology brings me to the next thing that the novel does really well, and that is worldbuilding.
As I mentioned above, a trip to Mars is not likely ever to be a possibility. But if you are going to do so, why not do it in style, with all the trimmings and fixings? The I.S.S. Lindgren, our cruise liner, is one of the best realized original space craft in modern science fiction literature. It is an amazing multi-ring spacecraft with three different rings for three different gravity environments (Moon, Mars. Terra). The author isn’t interested in how the ship is propelled, this is not that kind of novel. All of the physical aspects that are described, including the varying gravity, do turn out to be eventually plot relevant. The amenities on the ship, from bars to karaoke to the pool, are very well described and are immersively detailed.
There are subtleties to the worldbuilding, too, beyond the grand design of a interplanetary cruise liner, ranging from the technology of surveillance and the arms race of devices and gadgets to defeat it, to social evolutions as well. In Kowal’s world, everyone gets the Mx. title, regardless of gender, and it is a well established social practice to introduce yourself with your pronouns, or if in discussing someone else, to add their pronouns to the discussion up front. Or if pronouns are not known, to ask what they are. The times where this is not done is considered social faux pas of a rather rude sort. There are also subtle references sprinkled into the text here and there that gives a light touch on the state of Earth. The focus here is very much on the world beyond Earth, as it should be.
Finally, let’s talk about the characters, the leads and others. The novel focuses on the binary star system that is the newlywed couple of Tesla Crane and Shal Steward, and they are dynamically drawn, flawed, engaging protagonists that come as alive as, say, Nick and Nora Charles of The Thin Man. The author has said that this was her model, and it is definitely true, but she puts her own spin on it. As mentioned above, the couple are traveling under false identities, so at first they don’t have their money and power to help extricate them. There is a dog, perhaps one of the best in genre fiction. Gimlet. But instead of just being a pet like Asta in The Thin Man, Gimlet is a working dog, for she is a service dog for Tesla, who is suffering PTSD and physical disability following an accident. The nature of that accident and what it means for the character gets revealed in the narrative, and the details, large and small are important from both a character and a plot perspective.
Shal, as mentioned before, is a retired private detective (again, like Nick Charles) who winds up getting roped into a case, here, despite himself. The history of his private detective efforts, too, become rather plot relevant as well as character relevant. And together, they are a very human couple on their honeymoon trying to enjoy it, incognito, despite the best efforts of the universe to pull them otherwise.
There are a cloud of secondary characters around Tesla and Shal, but the most interesting one, the one that will delight a spectrum of readers (or intimidate them, as she did me) is Fantine. Fantine is the lawyer for the couple and of course when Shal is accused of murder, she is on the case immediately. Or at least as immediately as lightspeed lag, going ever greater as the ship heads toward Mars, will allow. The lightspeed lag allows for Fantine’s messages and her delayed responses to what Tesla and Shal get up to be truly comedic. And Fantine’s sense of insults and words of choice just accentuates that comedic aspect to her. She never appears in the flesh, but she is the most memorable of characters besides the main three themselves.
I think that The Spare Man hits its marks, and firmly takes its place as the best, most complete, most all rounded novel that the author has written to date. Fresh off the strengths of her Lady Astronaut novels, The Spare Man is a standalone triumph for the author. It’s a world she entices the reader to visit, with interesting and witty characters that have snappy dialogue, strong character arcs and revelations, and an engaging mystery on a cruise liner…in Spaaaace!
Kowal, Mary Robinette, The Spare Man [2022, Tor Books]
Edgar Allan Poe autograph letter signed, with dramatic content regarding his famous feud with poet and playwright Thomas Dunn English. Poe writes to John Bisco, publisher of the defunct ”Broadway Journal”, which Poe had once edited. Poe asks Bisco to call upon an attorney in relation to ”attacks made upon me” by Mr. English. This is the first time since 1941, when it was sold by Parke-Bernet, that this letter has been at auction.
Although the public feuding between Poe and English was not new – with both men trading veiled barbs in various publications over the years, English raised the stakes when he wrote a letter published in the 23 June 1846 edition of the ”New York Evening Mirror.” Not only did English accuse Poe by name of being a forger, drunk, deadbeat, and scoundrel for besmirching a lady’s honor, but also, perhaps most unforgivable, a serial plagiarist. Poe likely got advance notice of the article as this letter is dated 17 July 1846, only six days before the publication. However, although Poe couldn’t stop the article from running, he was successful in suing the ”Mirror” for libel, collecting $225.06 in damages a year later, likely more than Poe made during his lifetime from writing.
(2) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down with Wesley Chu in episode 181 of his Eating the Fantastic podcast, the first of six recorded at Chicon 8.
Wesley Chu
Chu’s debut novel, The Lives of Tao, earned him a Young Adult Library Services Association Alex Award and a Science Fiction Goodreads Choice Award Top 10 slot, and was followed by three other books in that universe — The Deaths of Tao (also in 2013), The Rebirths of Tao (2015), and The Days of Tao (2016). He’s also published two books in his Time Salvager series — Time Salvager (2015) and Time Siege (2016). His novel Typhoon, set in The Walking Dead universe, was published in 2019.
He’s also the coauthor of the Eldest Curses series with Cassandra Clare, the first book of which — The Red Scrolls of Magic (2019) — debuted at #1 on the New York Times bestseller list, and was followed by The Lost Book of the White in 2020. His latest novel, The Art of Prophecy (2022), released in August, is the first book in The War Arts Saga. He was a finalist for the John W. Campbell Award for Best New Writer in 2014, and won the following year. But that’s not all! He’s also an accomplished martial artist and a former member of the Screen Actors Guild who has acted in film and television, worked as a model and stuntman, and summited Kilimanjaro.
We discussed why his new novel The Art of Prophecy has him feeling as if he’s making his debut all over again, the reason his particular set of skills means he’s the only one who could have written this project, why creating a novel is like trying to solve a 1,000-piece jigsaw puzzle without the picture on the box as reference, the heavy lifting a well-written fight scene needs to accomplish, why you’ll never get to read his 180,000-word first novel, how to make readers continue to care when writing from the POV of multiple characters, the benefits and pitfalls of writing bigger books, why he decided to toss 80,000 words from the second book in his series, the ways in which environments are also characters, and much more.
(3) WHAT PROFESSIONALISM MEANS IN SFF. Morgan Hazelwood shares notes and comments about another Chicon 8 panel, “Publishing As Collaboration”, at Morgan Hazelwood: Writer In Progress.
If you want to be a published author, a little professionalism goes a long way.
Bookshelves are packed with volumes about how to properly submit your manuscripts, but how does professionalism function in real-world publishing relationships? Moreover, what defines professionalism from culture to culture? Agents and editors share their best examples of what works best, and how to get back on track if your interactions go off the rails.
The titular panel at WorldCon 80 — otherwise known as ChiCon8 — had moderator Holly Lyn Walrath, with panelists Emily Hockaday, Joey Yu, and Joshua Bilmes.
Hazelwood also presents her comments in this YouTube video.
…Wells’ debut novel, The Element of Fire, appeared in 1993. To put that in terms grognards might better understand, by this point in their careers, Poul Anderson had just published A Knight of Ghost and Shadows, while Lois McMaster Bujold was about to publish Penric’s Demon.
This is, of course, good news! If you are only familiar with Well’s Murderbot books, know that there are plenty more Wells books to read. Allow me to suggest five Martha Wells books that Murderbot fans might like….
(5) THEY, THE JURY. Meanwhile, James Davis Nicoll has assigned the Young People Read Old SFF panel John Varley’s 1979 story “Options”.
This month’s Hugo Finalist is John Varley’s Options. First published in 1979, Options was both a Hugo1 and Nebula2 finalist. Options was popular with both fans and Varley’s peers. It might then seem a pretty safe bet to win the hearts and minds of the Young People.
Except…
The second last Eight Worlds (phase one) story published, Options examines the impact of cheap, convenient gender reassignment. By the era most Eight Worlds stories were set, body modification was a common and uncommented upon aspect of the proto-transhumanist setting. Options is set just as the technology becomes available….
Top congressional Democrats are preparing to address a wave of bans and restrictions on school library materials Thursday with new resolutions that call on local governments “to protect the rights of students to learn,” according to lawmakers and a draft copy of the legislation.
The moves represent urgent statements of concern from President Joe Biden’s party about ongoing controversies that affect as many as 4 million U.S. schoolchildren, according to one recent estimate. The congressional response has won endorsements from the American Federation of Teachers and National Education Association labor unions as well as prominent literary and left-leaning educational interest groups….
Both the House and Senate resolutions will face an uncertain path to a vote.
Alarmed Democratic lawmakers have nevertheless convened hearings this year over political organizing and state restrictions against books and curriculum that address gender identity and race. A group of party pollsters and strategists have also sought to draw voter attention to the controversies during fall’s midterm elections as they attempt to depict conservative-led campaigns as extremist and at odds with a significant share of public opinion.
(7) AUTHOR MAY NEED AROUND-THE-CLOCK CARE. “Rachel Pollack needs your help!” — a GoFundMe appeal has been launched for the American science fiction author, comic book writer, and expert on divinatory tarot.. The goal was $15,000, and at this writing 666 donors have given over $36,000.
As many of you know Rachel is in the ICU.
If she is able to go home, she will need 24-hour care. Up to now, we haven’t needed your help. It is time now. If we are wrong, your pledge will not be collected. We love and honor you …. But you already know that. Keep up the prayers, rituals and love too. All is real and appreciated.
(8) MEDIA BIRTHDAY.
1962 – [By Cat Eldridge.] Sixty years tonight in prime time on ABC, The Jetsons debuted its very first episode, “Rosey the Robot”. Yes, a SF cartoon would start on in network television as a primetime series and would be the first program broadcast in color on ABC.
Following its primetime run of three years and seventy-five episodes of roughly twenty to thirty minutes, the show aired on Saturday mornings for decades. It started on ABC for the 1963–64 season and then on CBS and NBC as it was syndicated after the first season.
The series was considered by some critics to be a sort of antithesis of The Flintstones being set in whimsical future approximately a century from now. Naturally William Hanna and Joseph Barbera were the creators, executive producers and producers (along with a long list of other folk) as it was a property of Hanna-Barbera Productions.
It had a very extensive voice cast befitting the number of characters — George Jetson was voiced by George O’Hanlon, Jane Jetson by Penny Singleton, Elroy Jetson by Daws Butler, Judy Jetson, Rosey by Jean Vander Pyl, and Cosmo Spacely by Mel Blanc. No, that’s not a complete cast.
In 1963, Morey Amsterdam and Pat Carroll each filed $12,000 suits against Hanna-Barbera for breach of contract. They had been cast and signed to the roles of George Jetson and Jane Jetson, respectively. But someone didn’t like their work and fired them after the first episode work was done. (That voice work wasn’t used.) They were paid the five hundred dollars owed and showed off the lot. They claimed they were promised the entire first season, but they had no contract for this hence losing the Court case.
It’s worth noting that this series had devices that did not exist at the time but subsequently are now in usage such as computer viruses, digital newspapers, flatscreen television and video chat to name but a few.
It’s streaming on Amazon and HBO Max.
Audience reviewers at Rotted Tomatoes give it seventy percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for his role in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work, in Voyage to the Bottom of the Sea as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. (Died 1984.)
Born September 23, 1908 — Wilmar House Shiras. Her story “In Hiding” was published in 1948 in Astounding Science Fiction, followed by a pair of sequels over the next two years, “Opening Doors”, and “New Foundations”. The three stories would become the first three chapters in the novel, Children of the Atom. Almost twenty years later she had three more short stories published in Fantastic. (Died 1990.)
Born September 23, 1928 — John S Glasby. English writer who wrote a truly amazing amount of pulp fiction of both a SF and fantasy under quite a few pen names that included John Adams, R. L. Bowers, Berl Cameron, Max Chartair, Randall Conway, Ray Cosmic, John Crawford, J. B. Dexter, John Glasby, J. S. Glasby, Michael Hamilton, J. J. Hansby, Marston Johns, Victor La Salle, Peter Laynham, H. K. Lennard, Paul Lorraine, John C. Maxwell, A. J. Merak, H. J. Merak, R. J. Merak, John Morton, John E. Muller, Rand Le Page, J. L. Powers and Karl Zeigfried. It is thought but not confirmed that he produced more than three hundred novels and a lot of short stories in a twenty year period that started in the early Fifties. (Died 2011.)
Born September 23, 1920 — Richard Wilson. A Futurian, and author of a number of sff short stories and novels, his really major contribution to fandom and to Syracuse University where he worked as the director of the Syracuse University News Bureau was in successfully recruiting the donation of papers from many prominent science fiction writers to the Syracuse University’s George Arents Research Library. The list of those writers includes Piers Anthony, Hal Clement, Keith Laumer, Larry Niven and Frederik Pohl. And, of course, himself. It has been called the “most important collection of science fiction manuscripts and papers in the world.” (Died 1987.)
Born September 23, 1948 — Leslie Kay Swigart, 74. Obsessions can be fascinating and hers was detailing the writings of Harlan Ellison. Between 1975 and 1991, she published Harlan Ellison: A Bibliographical Checklist plus wrote shorter works such as “Harlan Ellison: An F&SF Checklist“, “Harlan Ellison: A Nonfiction Checklist“ and “Harlan Ellison: A Book and Fiction Checklist”. Her George R. R. Martin: A RRetrospective Fiction Checklist can be found in the Dreamsongs: GRRM: A RRetrospective collection.
Born September 23, 1957 — Rosalind Chao, 65. She was the recurring character of Keiko O’Brien with a total of twenty-seven appearances on Next Generation and Deep Space Nine. In 2010, a preliminary casting memo for Next Gen from 1987 was published, revealing that Chao was originally considered for the part of Enterprise security chief Tasha Yar.
Born September 23, 1959 — Frank Cottrell-Boyce, 63. Definitely not here for his sequels to Chitty-Chitty-Bang-Bang. He is here for such writing endeavors as Goodbye Christopher Robin, his Doctor Who stories, “In the Forest of the Night” and “Smile”, both Twelfth Doctor affairs, and the animated Captain Star series in which he voiced Captain Jim Star. The series sounds like the absolute antithesis of classic Trek.
Born September 23, 1956 — Peter David, 66. Did you know that his first assignment for the Philadelphia Bulletin was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1—The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel , Wolverine and Young Justice.
ONE HUNDRED AND SEVEN years ago, Woodrow Wilson hosted the first-ever film screening at the White House. It was for D. W. Griffith’s adaptation of Thomas Dixon Jr.’s The Clansman, which was published originally as a novel but made famous as a stage play that traces the lives of a white family through the Civil War and Reconstruction. Griffith called it The Birth of a Nation. “It’s like writing history with lightning,” the president is reported to have said when he walked out of the East Room. “My only regret is that it is all so terribly true.”
In the century since its release, The Birth of a Nation has become shorthand for a specific, and specifically virulent, kind of early-20th-century American racism that was obsessed with relitigating that war and the legislation that came out of it (a shorthand so enduring, in fact, that Nate Parker’s 2016 The Birth of a Nation, about Nat Turner and the rebellion by enslaved people he led in 1831, was very plausibly greenlit because of its title’s provocation)…. Birth also invented whole swaths of cinematic language still in use today. It is likely — probably inevitable — that other filmmakers would have, on their own, in time, devised dramatic close-ups on actors’ faces, tracking shots to follow action as it moved, cross-cutting between different sequences, or fade-outs to exit scenes. But no one had done so before Griffith. The late critic Pauline Kael wrote that “[o]ne can trace almost every major tradition and most of the genres, and even many of the metaphors, in movies to their sources” in his work. The Los Angeles Times called Birth “the greatest picture ever made.”
And yet Woodrow Wilson was not talking about cross-cutting when he called Griffith’s movie “so terribly true.” Aside from sympathizing with its Klan-agitprop politics, the president, who grew up in Virginia and codified Jim Crow laws within the federal government, was apparently engrossed by the film’s other great technical achievement: its intricate battle sequence, where Griffith skips between disorienting close-ups, wide vistas, and the literal fog of war — gun smoke choking the camera.
This footage was not filmed on the ground of old battlefields. It was captured on arid land across Los Angeles County and edging into the Inland Empire….
… In Nope, the Haywoods exist on the fringes of the industry that drives this imagination. But these are, truly, the fringes: Agua Dulce, practical in the age of computer-generated imagery, horse handlers when superheroes have replaced cowboys. The land that the studios have found to be such a convenient stand-in for the moon, Mars, and beyond — the land that is meant to support them as they support the city, unseen until needed — has turned, if not hostile, something just short….
Beyond the traditional routes to fame — sports, entertainment, even politics — Nope hints at a morbid dovetail between its twin focuses on race and film. Though its protagonists are motivated by profit, it’s difficult to watch without thinking, at least in passing, of the way police brutality was disbelieved or minimized before the broad dissemination of videos depicting it — or of the way those videos are in turn reduced over time by cable news and political pundits to mere spectacle….
(12) ON THE RIGHT TRACKS. Paul Weimer makes you want to read this book in “Microreview: Last Car to Annwn Station” at Nerds of a Feather. “Last Car to Annwn Station takes what is now a famous trope in Urban Fantasy –the presence of Faerie in the Twin Cities, and puts his own, Welsh mythological spin. Oh, and Streetcars.”
… Faerie in Minneapolis has been a thing ever since Emma Bull introduced the Faerie to Minneapolis with War for the Oaks, and permanently highlighted the Twin Cities as a hotbed of Faerie activity for games like Changeling the Dreaming, and other stories and novels taking up the cause. A modest but not overwhelming city on the edge of Prairie and forest,plenty of lakes, a vibrant cultural scene that punches above its weight, and much more make the Twin Cities a logical place to set stories like this….
(13) HOW WELL DO YOU SPORCLE? Surely a national trivia convention in Washington D.C. is fandom-adjacent? SporcleCon runs September 23-25. Here is the schedule of events.
A truism of the internet, central to the work of researchers who study the spread of dangerous trends and misinformation, holds that attempting to discourage bad behavior can, if clumsily handled, reinforce the bad behavior by amplifying it to people who would have otherwise never considered it.
Which leads us to the NyQuil chicken.
In recent weeks, some people on TikTok, Twitter and other sites discovered years-old videos and images of people pouring blue-green NyQuil, a nighttime cold medicine, over chicken breasts in a pan or pot. It was, to be clear, a dangerous idea that no one should do — it could lead to consuming unsafe levels of the product, and over-the-counter medicines should be used only as directed….
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Bill, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]
(1) JAYMEE GOH ANTHOLOGY HAS EKPEKI STORY. Don’t Touch That, an anthology about parenting edited by Jaymee Goh, was released this week. It includes Oghenechovwe Donald Ekpeki’s latest short story “Mother’s Love, Father’s Place”. He says, “It’s a historical fantasy story set in southern Nigeria and touches on the killing of Twins in Calabar & how it ended. (spoiler, not by Mary Slessor).”
You were a girl who wanted to choose your own adventures. Which is to say, you were a girl who never had adventures. You always followed the rules. But, when you ate an entire sleeve of graham crackers and sank into the couch with a Choose Your Own Adventure book, you got to imagine that you were getting into trouble in outer space, or in the future, or under the sea. You got to make choices every few pages: Do you ask the ghost about her intentions, or run away? Do you rebel against the alien overlords, or blindly obey them?
This was the late eighties in Los Angeles. You binged on these books, pulling tattered sun-bleached copies from your bookshelf: four, five, six in the course of a single afternoon. All over the country, all over the world, other kids were pulling these books from their bookshelves, too. The series has sold more than two hundred and seventy million copies since its launch, in 1979. It’s the fourth-best-selling children’s-book series of all time. Its popularity peaked in the eighties, but the franchise still sells about a million books a year….
The story of Choose Your Own Adventure is largely the tale of two men: Edward Packard, a lawyer who came up with the concept while telling bedtime stories to his two daughters (who sometimes wanted the protagonist to do different things), and R. A. (Ray) Montgomery, an independent publisher who put out Packard’s first book, in 1976, after all the big houses had rejected it….
Both men went through divorces shortly before the series started gaining momentum, and ended up writing many of their books as single fathers. Their children remember helping their fathers invent and flesh out new scenarios: Packard’s daughter Andrea suggested the idea of a time-travelling cave; Montgomery’s sons, Anson and Ramsey, suggested cars (the Saab 900 Turbo, the Lancia Stratos) for “The Race Forever.” Packard paid his children thirty-five cents an hour to read his manuscripts and offer feedback: Which parts were boring? Which choices would kids enjoy? (Andrea, Anson, and Ramsey ended up writing for the franchise, publishing their first Choose books during college.)…
(3) INTERIOR LIFE OF THE ARTIST. Melissa Capriglione is “just journaling some thoughts” – that we probably can all relate to in our own way.
(4) RECIDIVIST. Bob Roehm posted a clever photo on Facebook taken after he was apprehended with a banned book – Fahrenheit 451 – at Carmichael’s Bookstore in Louisville, KY.
(5) THE DNA OF THE DEATH STAR. [Item by Martin Morse Wooster.] The San Francisco Chronicle looks at how John Dysktra built the Death Star in Star Wars based on his work in 1972 building a realistic model of Berkeley. “This obscure Bay Area study shaped the ending of ‘Star Wars’”.
The newly released six-part Disney Plus streaming docuseries “Light & Magic” goes deep into the history of George Lucas’ San Francisco-based special effects studio Industrial Light & Magic, which was founded in 1975. The ending of the second episode explores the process behind the Death Star scene, in which the fate of the Rebel Alliance hangs on Luke Skywalker’s ability to speed his X-wing through a narrow trench and blast a thermal exhaust port that is only 2 meters wide.
In reality, the entire surface of the Death Star was a hand-built model that measured approximately 15 by 40 feet. Meticulous craftsmanship contributed to the verisimilitude, but the documentary reveals that the filmmaking techniques that made the scene feel so real are actually rooted outside the realm of special effects. It turns out that the entire sequence hinged on a model developed during an urban planning study at UC Berkeley in the early 1970s, which also happened to shape the future of San Francisco’s skyline.
“The Berkeley Experiment,” as it is referred to in the documentary, was funded by the National Science Foundation and led by urban planning professor Donald Appleyard at the school’s Environmental Simulation Lab. Completed in 1972, the project entailed building a small-scale model of Marin County and a computer-controlled stop-motion 16 mm camera system. The goal was to achieve a sense of realism as a model car traversed the miniature cityscape, in hopes that the technique could guide civic decision-making regarding construction choices. …
An archival photo of the UC Berkeley Environmental Simulation Laboratory.
(6) ATTACK OF THE 50-YEAR-OLD CONVENTION. Rob Hansen draws on contemporary reports by Fred Pohl, Rob Holdstock, Sam Long, Bob Shaw and many others to reconstruct the events of “Chessmancon (1972)”. Many photos, too, including GoH Larry Niven giving a physics lecture?
CHESSMANCON, the twenty-third post-war UK National Science Fiction Convention, took place over the weekend of Friday, 31st March to Monday, 3rd April 1972. Named for both its location (Chester) and the city (Manchester) from whose Delta Group most of those organising it were drawn, CHESSMANCON was the fourth MANCON, the others being MANCON, SUPERMANCON, and THIRDMANCON.
…Presumably because of its name, the organisers of CHESSMANCON decided to include a chess tournament. Sadly, I don’t think SUPERMANCON made any reference to Clark Kent, or THIRDMANCON any reference to Harry Lime. So far as I’m aware, CHESSMANCON is the only con to be named after *two* cities.
And here’s another excerpt —
BOB SHAW:
I suppose that in what purports to be a con report one should make some mention of the official programme. Regrettably, I have a tendency to go to conventions and not see any of the programme items, but this doesn’t mean that the programme isn’t important to me. I like to be near the programme and let it induce currents in me, a coil of nerves in the vicinity of the con hall’s electromagnetic field. Some other fans feel the same way (I won’t name any names) and it is pleasant to sit with them in the bar, speculating on what is actually happening in the hall and listening to fragmentary reports from runners – “George Hay has got up to ask a question”, “The projector has broken down”, “There’s been an outbreak of sporran rash among the Scottish fans”, “George Hay is still asking his question”….
On 26 September, an act of targeted violence will unfold 11 million kilometers from Earth, as a spacecraft about the size of a vending machine smashes into a small asteroid at 6 kilometers per second. Unlike some asteroids that stray worrisomely close to Earth’s orbit, Dimorphos—the 160-meter moon of a larger body—is an innocent bystander, posing no threat to our world. But the looming assault represents humanity’s first-ever field test of a planetary defense mission: NASA’s Double Asteroid Redirection Test, or DART. The hope is that the collision will nudge Dimorphos toward its 780-meter partner, Didymos, shortening a nearly 12-hour orbital period by minutes. A successful strike would support the idea that, in the future, similar efforts could deflect threatening asteroids onto safer courses. But simulations and lab experiments show the fate of the mission depends on a crucial question: Are such small asteroids solid boulders or—as astronomers increasingly believe—loose heaps of rubble?…
(8) MEDIA BIRTHDAY.
1964 – [By Cat Eldridge.]Bewitched premiered on ABC fifty-eight years ago this evening.
Creator Sol Saks’ said his basis for this series were I Married a Witch, the 1942 film that came from Thorne Smith’s unfinished novel The Passionate Witch, and the John Van Druten Broadway play Bell, Book and Candle, which was adapted into the 1958 film. Yes, both films were properties of Columbia Pictures, which also owned Screen Gems, which also produced Bewitched.
The show was popular, finishing as the second-rated show in America during its debut season, staying in the top ten for its first three seasons, and ranking in eleventh place for both seasons four and five.
It starred, as you well know, Elizabeth Montgomery as Samantha Stephens, Dick York for the first, and Dick Sargent for the rest of the series, as Darrin Stephens. Agnes Moorehead as Endora was really the only other ongoing character.
Look I need no SPOILER ALERTS here as y’all know the characters, the setting and the story. I bet everyone here has seen some or all of it.
Historical note here.
Series director William Asher started rehearsals for the pilot on November 22, 1963 which of course coincided with President Kennedy’s assassination. He felt deeply affected by the event as he personally knew Kennedy — he had produced the 1962 televised birthday party where Marilyn Monroe sang “Happy Birthday, Mr. President”.
End historical note. Back to the series.
The Stephens house, inside and out, was inspired by a location used in two Gidget movies. Gidget was filmed in 1959 at a real house at 267 18th Street in Santa Monica. The blueprints of this house were later reversed and replicated as a house facade attached to an existing garage on the backlot of Columbia’s Ranch. This was the house seen on Bewitched.
Then, the patio and living room sets seen in Columbia’s Gidget Goes to Rome (1963) were adapted as the permanent Bewitched set for 1964. (At least some episodes of I Dream of Jeannie also were filmed using this interior set which makes sense as it’s the same production company. Using material from one series or film on another is very, very economical.)
Bewitched lasted eight seasons and two hundred fifty episodes. Both the opening and closing animated credits were produced by Hanna-Barbera. Naturally they are on YouTube.
No, I’m not mentioning or discussing the reboot. I’m really not.
As near as I can tell, Bewitched is only streaming for free, errr, on Freevee.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 17, 1885 — George Cleveland. He was Professor Hensley aboard the Thirties Flash Gordon film serial. IMDb says that he was supposed be in 1938’s Flash Gordon’s Trip To Mars, but his bits ended up not being in the film. (Died 1957.)
Born September 17, 1908 — John Creasey. English crime and SF writer who wrote well over than six hundred novels using twenty-eight different names. His SF writings were mostly in the Dr. Palfrey series, a British secret service agent named Dr. Stanislaus Alexander Palfrey, who forms Z5. There’s a lot of his novels available from the usual suspects. And I do many really a lot, so I’m going to ask all of you where to start reading his SF novels as I am curious as to how they are. (Died 1973.)
Born September 17, 1917 — Art Widner. He was a founding member of The Stranger Club which created Boston fandom. He chaired Boskone I and Boskone II which were held in 1941 and 1942, they being the very first two Boston cons. Fancyclopedia 3 has a very detailed look at him here. (Died 2015.)
Born September 17, 1920 — Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. (Died 2012.)
Born September 17, 1920 — Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. And where’s a treat for you. Here he is on The Carol Burnett Show wearing his Planet of the Apes makeup. (Died 1998.)
Born September 17, 1939 — Sandra Gimpel, 83. Performer and stunt woman. Though you’ll literally not recognize her, she was the salt monster aka the M-113 creature (as it was called in the credits) in “The Man Trap” episode of the original Trek. In “The Cage” episode, she played a Talosian. As a stunt woman, she’s been on genre shows ranging from Lost in Space to Lucifer and even appeared on films like Escape from New York.
Born September 17, 1950 — Roger Stern, 72. Comics writer who’s most noted work who was on Avengers, Captain America, Doctor Strange, and Starman. I’m very, very impressed of his work on the first twenty-eight issues of Starman, which were published from 1988 to 1990.
Born September 17, 1979 — Neill Blomkamp, 43. South African born Canadian filmmaker of District 9 which was nominated for Best Dramatic Presentation, Long Form at Aussiecon 4. EofSF says also, “Of particular note were Tetra Vaal (2004), a RoboCop-inspired advertisement for a fictional range of third-world law-enforcement drones; Alive in Joburg (2005), about an influx of Alien immigrants from a Spaceship stalled over Johannesburg; and Tempbot (2006), about a Robot office worker attempting to parse cubicle culture.” Other genre films include Elysium and Chappie.
(10) COMICS SECTION.
Close to Home’s joke probably really isn’t about the first thing that came to my mind.
It was the latest addition to a fantasy world populated by an ever-growing cast of superheroes and villains: Marvel Studios announced this past week that it had cast the Israeli actress Shira Haas to play Sabra, a mutant Israeli police officer-turned-Mossad agent, in the next installment of the “Captain America” franchise.
While Jewish Israelis rejoiced at the casting of an actress from Israel as a superhero in a major Hollywood production (“Israeli Pride,” declared the Hebrew news site Maariv), the backlash among Palestinians and their supporters was swift, and #CaptainApartheid soon appeared on social media.
Many critics expressed outrage about Sabra’s character and her identity as an Israeli intelligence agent, accusing Marvel of buying into Zionist propaganda; of ignoring, or supporting, Israel’s occupation of territory captured in 1967; and of dehumanizing Palestinians….
How does one really review the 8th(!) book in a series and make that review intelligible to readers who have never read any of the books, and yet helpful to readers both old and new alike. This is the situation where I find myself talking about Genevieve Cogman’s The Untold Story, eighth in her Invisible Library novels.
I’ll start by saying that the Invisible Library novels, which the first was published in 2016, were multiverse before the multiverse was the new hotness. Imagine a multiverse of worlds , aligned on an order-chaos spectrum a la Moorcock. Imagine these worlds taking cues from Earth cultures and societies. Imagine two sets of superhuman beings–Dragons, representing order, and Fae, representing chaos, struggling for control and domination of these worlds. Now imagine a third power, a third party, the Library, seeking to stabilize the worlds, and collect books from all of them at the same time.
Irene Winters is one of these interdimensional Librarians. Her previous adventures have had her tangle with a traitor to the library (Alberich, more on him anon) deal with both Fae and Dragon politics (her first assistant is a Dragon, and her newest apprentice is a Fae) and visit a variety of worlds in places inspired by Venice, Vienna, New York, and more….
When one encounters an impeccably beautiful work of art, the attempt to explain it feels like a desecration. Three Thousand Years of Longing is that kind of art that you’re meant to experience more than understand. It does follow a plot, and the plot does make arguments, but to dissect those arguments risks losing sight of the experience. I can’t properly communicate to you the emotional content of this story. What I can try to do is describe what happens in it, but I will fall short of conveying all it says. This is one of those films that leave you permanently changed, and the only way for that secret alchemy to happen is to go yourself to the theater and let it wash over you….
Were there story lines that you thought “M*A*S*H” hadn’t quite tackled yet that you wanted to bring into the world of the show as a writer and director?
When I wrote, I tried to find out a little bit more about each of the characters. Who is Klinger [Jamie Farr] really? What was underneath — I almost said, what was underneath the dresses. [Laughs.] What was underneath the wearing of the dresses? Who was Margaret [Loretta Swit]?
I see on the internet that people assumed that because I was politically active, trying to get the Equal Rights Amendment passed, that in my writing I was trying to make political points, too. And I wasn’t. I really don’t like writing that passes as entertainment when it’s really propaganda. I want to hear a human story.
Mysteries and detective fiction are usually thought of as the inventions of Edgar Allan Poe, but the truth is that they have both been popular in China for over a thousand years. The Chinese have no clear place or person of origin for mysteries and detective fiction, the way the West has Poe, but what the Chinese do have are centuries’ more mysteries and detective stories than the West does.
The first Chinese proto-mysteries—that is, mysteries who some but not all of the elements of modern mystery fiction—were the “gong’an” (“court case”) stories. Told in the form of oral performances and puppetry shows, the gong’an began appearing during the Northern Song Dynasty (960-1127). Gong’an traditionally featured incorruptible government officials solving criminal cases and bringing about justice to the guilty and restoration to those who were wronged….
Scientists have debated its existence. Tiny traces provided clues. Now, researchers have confirmed the existence of a celestial diamond after finding it on Earth’s surface.
The stone, called lonsdaleite, has a hardness and strength that exceeds that of a regular diamond. The rare mineral arrived here by way of a meteorite, new research has suggested….
The revelation started to unfold when geologist Andy Tomkins, a professor at Monash University in Australia, was out in the field categorizing meteorites. He came across a strange “bended” kind of diamond in a space rock in Northwest Africa, said study coauthor Alan Salek, a doctoral student and researcher at RMIT University in Australia.
Tomkins theorized the meteorite that held the lonsdaleite came from the mantle of a dwarf planet that existed about 4.5 billion years, Salek said.
“The dwarf planet was then catastrophically struck by an asteroid, releasing pressure and leading to the formation of these really strange diamonds,” he added.
(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King explains why you should be nice to the annoying little guy with a squeaky voice who offers to show you a fantasy world!
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, SF Concantenation’s Jonathan Cowie, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
(1) RHYSLING REVAMP SURVEY REPORT. The Science Fiction and Fantasy Poetry Association (SFPA) surveyed members about potential changes to their Rhysling Award. See their feedback here: “Rhysling Revamp” at the SPECPO blog. From the introduction:
The Rhysling Awards are in their 45th year of recognizing excellent speculative poetry, presented by The Science Fiction and Fantasy Poetry Association (SFPA). Leaders have been monitoring the Rhysling Anthology as it grew along with membership numbers. The anthology has ballooned from 42 poems in 2002 to 180 poems in 2022. Continued growth would result in an anthology that is not feasible to print or read.
Here’s an excerpt from the survey results.
CATEGORIES
A continual discussion point among members is the question of “double dipping” on awards. Most respondents support that Elgin-length poems not be considered for the Rhysling (64%). A slight majority agree at setting a maximum line length for the Rhysling (53%), which would be consistent with considering extra-long poems being only eligible for the Elgins. On the other side of the spectrum, there is generally support (49%) for Dwarf Stars to be the only award that can catch the 1-10 line poems. Only 25% of respondents disagreed about keeping Dwarf-Stars-eligible poems out of the Rhyslings.
There was very little support for adjusting the length definitions, but lots of ambivalence showing in the swell of neutral responses (44%).
(2) CHICON 8 POCKET PROGRAM. In a manner of speaking. The 392-page Pocket Program is now available on the Chicon 8 website. There are two versions, (1) a single page version best viewed on phones and tablets, and (2) a two-page version which is best for printing.
(3) ALERT: FAUX CHICON 8 MERCHANDISE. The Worldcon committee issued a heads up that some t-shirt sites are selling Chicon 8 branded merchandise and saying they are official. They are not.
“Our only official site for Chicon 8 merchandise at this time isRedbubble. If you buy from anywhere else, it does not benefit the convention. Please shop wisely!”
(4) THE OTHER WORLD. This World Fantasy Award winner’s new book isn’t genre, but when speaking about her research she says things like this — “So I went on this fantastic two-week trip into a time and place that doesn’t really exist now.” “Sofia Samatar Brings a Second Coming” at Publishers Weekly.
Sofia Samatar has a way with a sentence. No matter what she’s writing—whether it’s short stories, like her quietly devastating Nebula- and Hugo-nominated “Selkie Stories Are for Losers,” or novels, like her World Fantasy Award–winning debut, A Stranger in Olondria—her work has a way of pairing the mundane and sublime with casual aplomb.
Her latest, The White Mosque (Catapult, Oct.), is a mosaic memoir that juxtaposes history, culture, religion and regionalism, tracing the journey of a group of German-speaking Mennonites into the heart of Khiva in Central Asia—now modern-day Uzbekistan—on a quest that promised no less than the second coming of Christ.
Samatar’s own journey to the site where the group’s church once stood started in 2016, when her father-in-law gave her a book titled The Great Trek of the Russian Mennonites, by Frank Belk. “This guy, who’s sort of a cult leader, predicts Christ is returning, and these people just uproot their lives to follow him,” she says, speaking via Zoom from her office at James Madison University in Harrisonburg, Va., where she’s an associate professor of English. “Of course, nothing happens. But they stayed for 50 years, until they were deported by the Bolsheviks.”
Samatar, the child of a Black Somali Muslim and a white Mennonite, became obsessed with the story….
(5) CON OR BUST. Dream Foundry, which previously announced that Con or Bust is “folding into our (dragon) wing,” shared the program’s new logo designed by Dream Foundry contest winner Yue Feng.
(6) BACK TO THE MOON. This NASA promo about the Artemis mission dropped yesterday. “Artemis I: We Are Ready”.
The journey of half a million miles – the first flight of the Artemis Generation – is about to begin. The uncrewed Artemis I mission will jump-start humanity’s return to the Moon with the thunderous liftoff of NASA’s powerful new Space Launch System rocket and Orion spacecraft. This critical flight test will send Orion farther than any human-rated spacecraft has ever flown, putting new systems and processes to the test and lighting the way for the crew missions to come. Artemis I is ready for departure – and, together with our partners around the world, we are ready to return to the Moon, with our sights on Mars and beyond.
(7) WHERE’S THE LOOT? [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber looks at the problems game designers have giving users rewards.
Most games interface short, mid- and long-term rewards that trigger at different times. the short-term rewards often take the form of sensory feedback; the bright ‘ding’ when you get a coin in Super Mario, an enemy’s head exploding in a shower of gore in Grand Theft Auto. These get boring after a while–behavioural psychologists learned that repeating the same rewards generates diminishing returns. So developers offer midterm rewards: new levels, items, skills, characters, locations or narrative beats. The longterm rewards are often related to social competition and prestige, such as difficult high-level team challenges or rare cosmetic items which players can show off to their friends.
Loot boxes lean into several of these techniques. They have been employed in all manner of games ranging from FIFA to Star Wars, and they’re very profitable. Yet they have also faced a backlash: a recent report from consumer bodies in 18 European countries called them ‘exploitative.’ Although they have been banned in Belgium since 2018, most governments have been wary of legislation–the UK recently decided not to ban loot boxes after a 22-month consultation. Still, some developers have heard gamers are unhappy–loot boxes were removed from Star Wars Battlefront 2 after an outcry and Blizzard recently announced they won’t feature in upcoming shooter Overwatch 2.”
…“I’d like people to know that it’s possible for a debut author in her 40s, a woman of color, a mom, who led a quiet life offline with no brand building whatsoever to have this experience,” said Jessamine Chan.
And yet Chan’s “The School for Good Mothers” was published in January 2022 — and soared to the best-seller list, catapulting her to literary stardom. Last month, former President Barack Obama featured it on his summer reading list.
How does a debut novel go from a “very messy” draft on a writer’s desk to a published book, on display in bookstores around the country?
Here, we take you behind the scenes to see how a book is born — the winding path it takes, the many hands that touch it, the near-misses and the lucky breaks that help determine its fate.
From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture.
Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn’t expect many would want to read about his random experiences and personal philosophies.
Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers.
In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion–writing–Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one’s true purpose that should resonate with fans and aspiring artists alike. (William Morrow & Company)
The Hollywood Reporter confirmed with multiple sources that a select few who worked on the film, including cast, crew and studio executives, would be attending the screenings this week on the Warner Bros lot in California. One source described them as “funeral screenings”, as it is likely the footage will be stored forever and never shown to the public.
…The Hollywood Reporter reported there was a chance Warner Bros would make “the drastic move of actually destroying its Batgirl footage as a way to demonstrate to the IRS that there will never be any revenue from the project, and thus it should be entitled to the full write-down immediately.”
On Tuesday, in an interview with French outlet Skript, Batgirl directors Adil El Arbi and Bilall Fallah said they no longer had any copy of the film, recalling the moment they found they could not longer access the servers that held the footage.
…El Arbi said it was unlikely they’d have the studio’s support to release it in the future or that there could be an equivalent of “the Snyder cut” – Zack Snyder’s four-hour director’s cut of the DC film Justice League, which added an extra $70m to a $300m budget film.
“It cannot be released in its current state,” said El Arbi. “There’s no VFX … we still had some scenes to shoot. So if one day they want us to release the Batgirl movie, they’d have to give us the means to do it. To finish it properly with our vision.”
(11) TRANSFORMATIVE RULES OF ENGAGEMENT. Seekingferret posted a “Panel Report” from Fanworks where the topic was “Ethical Norms in Fanworks Fandom”.
… I presented three models for fandom’s approach to copyright- the It’s All Transformative model, the It’s Illegal but I Do It Anyway model, and the It’s Not Illegal Because the Copyright Holders’ Inaction is an Implicit License model, and then the audience argued with me for a while about whether the second two models are essentially the same, which was a good, clarifying argument to have….
If you can communicate on it, you can abuse it. This was proven again recently when a hacker using the name “scarycoder” uploaded a dozen malicious Python packages to PyPI, the popular Python code repository. These bits of code pretended to provide useful functions for Roblox gaming community developers, but all they really did was steal users’ information. So far, so typical. Where it got interesting is it used the Discord messaging app to download malicious executable files.
(13) BOOK PORN. [Item by Bill.] Whenever I see a photograph on the web that has a bookshelf in the background, I spend way too much time trying to figure out what the books are. For example:
Blogger Lawrence Person has posted photos of his SF book shelves, and there are a lot of titles I’d love to have in my own collection. A few years old, but perhaps worth a look …. “Overview of Lawrence Person’s Library: 2017 Edition”. He provides regular updates to the collection (see the “books” tag).
(14) MEDIA BIRTHDAY.
1989 – [By Cat Eldridge.] Thirty-three years ago, the first installment of the Bill & Ted franchise, Bill & Ted’s Excellent Adventure premiered.
Starring William “Bill” S. Preston Esq. and Ted “Theodore” Logan, portrayed by Alex Winter and Keanu Reeves as, and not giving a frell about spoilers here, time travelling slacker high schoolers assembling the ultimate history report. And let’s not forget Rufus as portrayed by George Carlin. I met him some forty years ago — a really neat gentleman.
Stephen Herek directed here. He had previously written and directed the horror/SF Critters film. Nasty film it was. Chris Matheson who wrote all three of the franchise films co-wrote this with Ed Solomon who co-wrote the third with him and, more importantly, was the Men in Black writer.
By late Eighties standards, it was cheap to produce costing only ten million and making forty in return. Critics for the most part were hostile —- the Washington Post said “if Stephen Herek has any talent for comedy, it’s not visible here.” And the Los Angeles Times added, “it’s unabashed glorification of dumbness for dumbness’ sake.”
It spawned not one but two television series named – oh, guess what they were named. Bill & Ted’s Excellent Adventure, an animated series that started out on CBS and ended on Fox, lasted twenty-one episodes over two seasons, and Bill & Ted’s Excellent Adventure, the live version, lasted but seven episodes on Fox. Evan Richards and Christopher Kennedy played Bill and Ted.
DC did the comic for the first film, Marvel for the second. It did well enough that it led to the Marvel series Bill & Ted’s Excellent Comic Book which lasted for just twelve issues. And there was a sort of adaptation of the animated series that lasted for a year by Britain’s now gone Look-In Magazine.
Audience reviewers at Rotten Tomatoes give it a most bodacious seventy-five percent rating.
(15) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on one of The Lost World films as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1972.)
Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released the complete Pogo in twelve stunning hardcover editions covering up to 1973. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? Well he did. (Died 1973.)
Born August 25, 1930 — Sean Connery. Worst film? Zardoz. Best film? From Russia with Love very, very definitely. Best SF film? Outland. Or Time Bandits you want to go for silly. Now remember these are my personal choices. I almost guarantee that you will have different ones. (Died 2020.)
Born August 25, 1940 — Marilyn Niven, 82. She was a Boston-area fan who now lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons. In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
Born August 25, 1947 — Michael Kaluta, 75. He’s best known for his 1970s take on The Shadow with writer Dennis O’Neil for DC in 1973–1974. He’d reprise his work on The Shadow for Dark Horse a generation later. And Kaluta and O’Neil reunited on The Shadow: 1941 – Hitler’s Astrologer graphic novel published in 1988. If you can find them, the M. W. Kaluta: Sketchbook Series are well worth having.
Born August 25, 1955 — Simon R. Green, 67. I’ll confess that I’ve read pretty much everything he’s written except that damn Robin Hood novel that made a NYT Best Seller. Favorite series? The Nightside, Hawk & Fisher and Secret History were my favorite ones until the Ismael Jones series came along and I must say it’s a hell of a lot of fun as well. Drinking Midnight Wine and Shadows Fall arethe novels I’ve re-read the most.
Born August 25, 1958 — Tim Burton, 64. Beetlejuice is by far my favorite film by him. His Batman was, errr, interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was which I think is a far better look at the source material, and Sleepy Hollow is just too damn weird for my pedestrian tastes. (Snarf.)
Born August 25, 1970 — Chris Roberson, 52. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He won two Sidewise Awards, first for his “O One” story and later for The Dragon’s Nine Sons novel. He’s had five Sidewise nominations.
(17) HORROR WRITERS HAVE OPINIONS. Midnight Pals did a sendup of John Scalzi and his purchase of a church building. And his burritos. Can’t overlook those. Thread starts here.
Scalzi: i bought a church! King: a church? King: oh that's King: cool Scalzi: you sound unconvinced King: well i'm just a little confused that's all Scalzi: Scalzi: you know steve you live in a haunted mansion so i wouldn't exactly get up on a high horse about eccentric purchases
… I found myself in the mood for a big space opera the other day and with the novel also being a Dragon Award finalist, it seemed like a natural choice. I wasn’t wrong in my initial assessment. It is in many ways a more conventional space opera than the books I’d read. Humanity is a spacefaring species with its own factions, in a galactic society with a range of aliens. There’s hyperspace (or rather “unspace”), a cosmic threat, mysteriously vanished advanced civilisations, space spies, space gangsters, badass warriors and epic space battles. This is all good but if you are hoping for the millennia-long deep dive into the evolution of a sapient spider civilisation this book doesn’t have anything like that. Which is fine because that gives Tchaikovsky more space and time to attend to a cast of characters….
(19) A CITY ON A HILL. Paul Weimer reviews Stephen Fry’s Troy at Nerds of a Feather: “Microreview [book]: Troy, by Stephen Fry”. There may be surprises in store for some readers – at least there were for Paul.
…In any event, Fry is here to help you. He starts at the beginning, as to how Troy was founded, and why, and brings its history up to date as it were. The delight in the depth of research and scholarship he brings is tha there is a fair chunk here I didn’t know about. Fun fact, the Trojan War is not the first time that Troy gets attacked in its mythological history, and you will never guess who did it before the Greeks got it into their heads to take back Helen, nor why….
…However, it seems likely that Lehrer may be set for yet another major revival as news spread yesterday that Lehrer, now 92, had released his lyrics and much of his music into the public domain. This has already sparked a great deal of interest in possible covers and recreations of his most famous songs.
Note: It’s worth stating that the declaration deals with his compositions and his lyrics, not the recordings. Those are most likely not owned by Lehrer.
However, the statement isn’t wholly true. Tom Lehrer didn’t actually release his songs into the public domain. While it may be pedantry given that there is no practical difference, the lengths Lehrer had to go to release what he did in the way that he did only further highlights Lehrer’s genius and is well worth exploring.
If this is truly to be Lehrer’s final musical act, it makes sense to see it for both the effort it took and the intellect required to conceive of it….
(21) AI GIVES ASSIST TO MUSIC VIDEO. [Item by Dann.] Someone recently made a video using the lyrics to “Renegade” by Styx. The lyrics were fed, line by line, into AI art software to create the images used in the video.
While the lyrics aren’t explicitly genre centered, the AI created several images that evoked sci-fi/fantasy themes. The rhetorical progeny of Edgar Allen Poe shows up a few times as well. “Renegade – Styx – But the lyrics are Ai generated images”.
(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Deathly Hollows Part I Pitch Meeting,” Ryan George says the producer in the seventh Harry Potter film mourns when several beloved minor characters die. He is bored by the very long camping scenes (where the characters camp and camp and camp some more” but gets excited when Harry Potter gets to duke it out with Voldemort only to discover that this is the end of Part I and we have to wait for Part II.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Dann, Jennifer Hawthorne, Daniel Dern, Bill, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) WHO IS NUMBER ONE? At The Splintered Mind, Eric Schwitzgebel continues his annual ratings with the “Top Science Fiction and Fantasy Magazines 2022”. The scoring is done in the following way:
(2.) I gave each magazine one point for each story nominated for a Hugo, Nebula, Sturgeon, or World Fantasy Award in the past ten years; one point for each story appearance in any of the Dozois, Horton, Strahan, Clarke, or Adams “year’s best” anthologies; and half a point for each story appearing in the short story or novelette category of the annual Locus Recommended list.
(2a.) Methodological notes for 2022: Starting this year, I swapped the Sturgeon for the Eugie award for all award years 2013-2022. Also, with the death of Dozois in 2018, the [temporary?] cessation of the Strahan anthology, and the delay of the Horton and Clarke anthologies, the 2022 year includes only one new anthology source: Adams 2021. Given the ten-year-window, anthologies still comprise about half the weight of the rankings overall.
The ratings are followed by various observations, for example:
For the past several years it has been clear that the classic “big three” print magazines — Asimov’s, F&SF, and Analog — are slowly being displaced in influence by the four leading free online magazines, Tor.com, Clarkesworld, Lightspeed, and Uncanny (all founded 2006-2014). Contrast this year’s ranking with the ranking from 2014, which had Asimov’s and F&SF on top by a wide margin. Presumably, a large part of the explanation is that there are more readers of free online fiction than of paid subscription magazines, which is attractive to authors and probably also helps with voter attention for the Hugo, Nebula, and World Fantasy awards.
After two seasons of an extended Cold War, For All Mankind moved into the technology boom of the ’90s. If the real ’90s were driven by a techno-optimism, For All Mankind explores an idea of what a utopian America driven by technology would actually look like. In this alternate space-focused timeline, the go-go ’90s are filled with electric cars, videophones, and moon-mining. Sounds pretty good, right? But over the course of the season, For All Mankind shows how even if the utopianism of the actual ’90s could have been translated into reality, we couldn’t have left our problems behind.
By the third season, For All Mankind’s alternate history has moved leaps and bounds beyond where our ’90s found us. The larger powers have wound down their military snafus in Vietnam and Afghanistan to focus on building military bases on the moon. The Equal Rights Amendment entered the Constitution thanks to the prominence of female astronauts, electric cars are readily available thanks to investments in technology, and the Soviet Union never collapsed….
(3) MYTHIC MOMENTS. Rivera Sun and David Bratman were the Author and Scholar guests of honor, respectively, at Mythcon 52 in Albuquerque, New Mexico.
If you’ve never heard David Bratman speaking about Tolkien and other mythopoeic figures, don’t miss the opportunity to at least read the text of his GOH Speech, hosted on the Southwestern Oklahoma State University site.
And you can listen to Rivera Sun’s GoH speech in a video here.
The idea that literature’s ethical values stem from its ability to produce empathy has become the be-all and end-all of how we talk about it. The incredible immersion in the minds of others [that fiction offers] is something I wouldn’t be able to live without, but I’d push against the notion that it is valuable for a kind of portable empathy that makes us better people. Many bad people don’t read. Many good people never got to learn how to read. The equation of reading with morally positive effects [resembles] the neoliberal model of eating well and doing exercise. We can see that in the way books are commodified right now: pictures of your latte or smoothie next to a beautiful book cover on Instagram are meant to reflect one’s engagement in a project of self-improvement, rather than actual engagement with other people, talking and thinking about that book. My scepticism isn’t of art – it’s of what we take art to be for.
Here is the long-awaited Masters-of-the-Universe-Piece Theatre Photo Story about She-Ra, He-Man’s long lost twin sister. To recap, last year I bought myself a Masters of the Universe Origins He-Man and Battlecat and then a Teela figure, because I couldn’t find my vintage figure. Gradually, they were joined by other Masters of the Universe Origins figures. I also started posing the action figures to re-enact scenes from the cartoons and my imagination and started posting the results first on Twitter and then here.
This is part 3 in a sub-series of posts called “Secrets of Eternia” about how much the entire Masters of the Universe franchise is driven by secrets….
“Halt! Put down the babies, fiends! You are under arrest.”
“Tell Randor that he will never see his precious children again, bwahaha.”
“Waaah!”
“Why is it making those sounds, Keldor? And what’s that smell?”
“Just shut up and take the baby!”
(6) FRANKED BY URSULA. [Item by Kevin Standlee.] Today, we mailed the last batch of Westercon 74 program books to the members whose records showed that they did not pick up their membership badge, including supporting members. Whenever possible, we included that person’s membership badge and one of the Westercon 74 ribbons that we gave to every member until they ran out. We excluded “Guest of” members and those people we knew to have died over the past three years. Of course, we also did not try to send a program book to any member who did not provide a valid postal mailing address. In total, we mailed 156 program books, which coincidentally was almost exactly the same number of members who did pick up their membership badges.
We mailed everything from Fernley, Nevada by first class mail. The last 27 in this batch went out a few days after the main mailing because we exhausted the supply of Ursula K. Le Guin high-value stamps from our local post office and had to wait for another shipment of stamps to arrive.
…All I thought before now rings inconsequential and incomplete. Death will do that to you. Grief transforms you. Losing the love of your life breaks you. So, this is the beginning of a new story, one I am still finding the strength to tell. Of how I went from not being able to physically leave my couch, all of six months ago, to reluctantly leaving the country to film the much-anticipated second season of a yet-to-be-aired, internationally anticipated TV show. Of how I went from becoming a widow in an agonizing heartbeat to re-becoming Erica Ortegas, helmsman of the USS Enterprise on Star Trek: Strange New Worlds, and how the two will forever be inextricably linked….
(8) MEMORY LANE.
1951 – [By Cat Eldridge.] I was downstairs this morning as I as most mornings chatting with the usual group when someone mentioned that Yul Brynner’s The King and I had played here at Merrill Auditorium and that she saw it.
So I got interested to see just what the history of The King and I was. It is based on Margaret Landon’s Anna and the King of Siam novel which came out in 1944, which she based upon the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. Mongkut reigned for an astonishing sixty-four years.
(It has since been established by historians that the memoirs of Anna Leonowens are, to put it mildly more fiction than actual reality.)
I discovered it was a Richard Rodgers (the music) and Oscar Hammerstein II (the lyrics) affair (I didn’t know that) that first opened in 1951 with, of course, Yul Brynner who had shaved his head for the role (something he never stopped doing) and Gertrude Lawrence as Anna Leonowens, the widowed Briton who was teaching his children.
It opened on Broadway’s St. James Theatres and ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time,
Brynner would perform the role of the King of Siam four thousand six hundred and twenty-five performances on Broadway and off Broadway on stages in places like here in Portland.
He of course starred in the film version of The King and I whose screenplay was written by Ernest Lehman. The film starred Deborah Kerr as Anna Leonowens. The film made five times what it cost to make. The Variety review at the time praised it lavishly: “All the ingredients that made Rodgers & Hammerstein’s The King and I a memorable stage experience have been faithfully transferred to the screen.”
He also starred in 1972 in Anna and the King, the CBS series that lasted thirteen episodes. Samantha Eggar co-starred. Anyone see it?
Oh, and it was banned in Thailand but so is the book, and any adaptations of the book including other film versions.
Yes, I like it very much so and have watched the film a number of times.
The role would net Brynner two Tony Awards, and an Academy Award for Best Actor.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 15, 1858 — E. Nesbit. She wrote or collaborated on more than sixty books of children’s literature including the Five Children Universe series. She was also a political activist and co-founded the Fabian Society, a socialist organization later affiliated to the Labour Party. (Died 1924.)
Born August 15, 1932 — Robert L. Forward. Physicist and SF writer whose eleven novels I find are often quite great on ideas and quite thin on character development. Dragon’s Egg is fascinating as a first contact novel, and Saturn Rukh is another first contact novel that’s just as interesting. (Died 2002.)
Born August 15, 1933 — Bjo Trimble, 89. Her intro to fandom was TASFiC, the 1952 Worldcon. She would be active in LASFS in the late 1950s onward and has been involved in more fanzines than I can comfortably list here. Of course, many of us know her from Trek especially the successful campaign for a third season. She’s responsible for the Star Trek Concordance, an amazing work even by today’s standards. And yes, I read it and loved it. She’s shows up (uncredited) as a crew member in the Recreation Deck scene in Star Trek: The Motion Picture. Bjo and her husband John Trimble were the Fan Guests of Honor at the 60th Worldcon, ConJose. She was nominated at Seacon for Best Fanzine for Shangri L’Affaires, and two years later at DisCon 1 for the same under the Best Amateur Magazine category.
Born August 15, 1952 — Louise Marley, 70. Winner of two Endeavour Awards for The Glass Harmonica and The Child Goddess. Before becoming a writer, she was an opera singer with the Seattle Opera, and so her works often feature musical themes.
Born August 15, 1943 — Barbara Bouchet, 79. Yes, I’ve a weakness for performers who’ve shown up on the original Trek. She plays Kelinda in “By Any Other Name”. She also appeared in Casino Royale as Miss Moneypenny, a role always noting, and is Ava Vestok in Agent for H.A.R.M. which sounds like someone was rather unsuccessfully emulating The Man from U.N.C.L.E. It will be commented upon by Mystery Science Theater 3000.
Born August 15, 1945 — Nigel Terry. His first role was John in A Lion in Winter which is at least genre adjacent as it’s alternate history, with his first genre role being King Arthur in Excalibur. Now there’s a bloody telling of the Arthurian myth. He’s General Cobb in the Tenth Doctor story, “The Doctor’s Daughter”, and on the Highlander series as Gabriel Piton in the “Eye of the Beholder” episode. He even played Harold Latimer in “The Greek Interpreter” on Sherlock Holmes. (Died 2015.)
Born August 15, 1972 — Ben Affleck, 50. Did you know his first genre role is in Buffy the Vampire Slayer? He’s a basketball player in it. He’s Batman in Batman v Superman: Dawn of Justice and Justice League. IMDB claims he shows up in an uncredited spot in Suicide Squad as well. He’s reprising his role as Batman in forthcoming Flash. He’s Matt Murdock / Daredevil in Daredevil which I have seen. He’s actually in Field of Dreams too as a fan on the stands in Fenway though he’s not credited. Can I nominate Shakespeare in Love as genre? If so, he’s Ned Alleyn in it.
Born August 15, 1972 — Matthew Wood, 50. He started out as, and still is, a sound engineer but he also became a voice actor with his best known role being that of General Grievous in The Revenge of the Sith and The Clone Wars. He often does both at the same time as on 2013 Star Trek Into Darkness where he was the lead sound editor and provided the ever so vague additional voices. If you’ve been watching The Mandalorian, he was Bib Fortuna in “The Rescue” episode.
For some people reading is a hobby but for C Kay Hinchliffe it’s a lifestyle. She’s been working at Renaissance Book Store for more than 40 years.
“I started working for Renaissance in January of 1980 when we were still in the big building downtown,” said Hinchliffe. “You meet all sort of people in used books. Part of the fun for me is the joy I can give people because they come in and say I’m looking for a book and I say okay what’s the name?”
Renaissance Books is one of the only standing independent bookstores left in Milwaukee, first opening back in the 1950s when its original location was downtown in a five-story building.
In 1979, it opened a location inside Mitchell International Airport becoming the first used bookstore inside an airport in the country.
“At the airport store you have people coming from all over. There are people who fly into Milwaukee just so they can come to the store,” said Hinchliffe.
…Working at Renaissance has become a family affair. Hinchliffe’s husband Michael has worked at the store since the 1970’s.
“Michael has worked for Renaissance since ’76 and I started working at Renaissance because he worked at Renaissance,” said Hinchliffe.
Since working at this location Hinchliffe estimates she’s sold more than 25,000 books and says she will work at Renaissance for as long as possible.
“We’re a dying breed but we’re small but fierce,” said Hinchliffe.
And the “Michael” referred to is TAFF delegate and Filer “Orange Mike” Lowrey.
(11) YOU’VE SEEN THIS FACE BEFORE. S.E. Lindberg is hosting videos of writing and literature panels from the 2022 GenCon Writer’s Symposium here.
Paul Weimer is one of the panelists on “Sword & Sorcery Renaissance in Writing” along with Jaym Gates, Howard Andrew Jones, Matt John; Jason Ray Carney, and S.E. Lindberg.
The Lionsgate movie is based on the 2020 book of the same name, which takes place decades before the adventures of Katniss Everdeen in “The Hunger Games.” The prequel story is focused on 18-year-old Snow, who eventually becomes the tyrannical leader of the dystopia known as Panem. In “The Ballad of Songbirds and Snakes,” he’s chosen to be mentor during the 10th Hunger Games, a televised event in which teenagers are chosen via lottery to fight to the death.
Davis, who is playing Volumnia Gaul, the mastermind of the diabolical teen death-match, will star opposite Tom Blyth as young Coriolanus Snow, Rachel Zegler as tribute Lucy Gray Baird, Hunter Schafer as Snow’s cousin and confidante Tigris Snow and Peter Dinklage as Academy dean Casca Highbottom….
(13) CALIFORNIA’S DROUGHT ISN’T ITS ONLY WORRY. [Item by Tom Becker.] Researchers from UCLA and National Center for Atmospheric Research have found that climate change has doubled the risk of a major “mega-flood” in California. The Great Flood of 1862 inundated the Central Valley. Steamships went along the main streets of towns, picking up passengers from rooftops. Sacramento was under ten feet of water. Climate change increases the severity of both droughts and floods. A major flood can occur when an “atmospheric river” melts the snowpack in the Sierra Nevada and it all runs off at once. It has happened before in California, hence the Great Flood of 1862. When it happens again, 5 to 10 million people may be in the path of the flood. Evacuating that many people would be an enormous task, never done before. There are ways to mitigate the flooding, but they would necessarily involve changes to water rights and land use policies that will be highly controversial. Science fiction writers, take note.
My latest tribute film about Wall-E, this time an “origin” story. Yes, I know the true background of the beloved character, but, like all fan fiction, I wanted to try putting out my own version of how he might have come to be. To those who have faithfully followed my other Wall-E films in the past, this one has been made especially for you. There are a few Easter eggs you’ll find throughout the film and in the soundtrack as well. This is the longest and most complex animation project I’d ever attempted and took me over a year, working alone and on a single computer, with many new challenges.
An Alien Invasion of Earth is a terrifying scenario, yet science fiction rarely has good reason for those invasions. Today we’ll discuss the worst reasons aliens invade in fiction and some plausible scenarios for why they might do it in fact.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Tom Becker, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
Don Blyly readies the new Uncle Hugo’s for business. Photo (c) by Paul Weimer.
At Uncle Hugo’s Imagination stock’d corners, place Your books, angels, and arise, arise From death, those numberless infinities Of stories, and to your scattered bookshelves go…
– Jeff Warner, with apologies to John Donne.
Don Blyly told readers in the August 9 edition of his “How’s Business” newsletter that he plans to open the new home for Uncle Hugo’s and Uncle Edgar’s bookstores for shortened hours beginning Sunday, August 14 – though knock on wood because “there is still time for a new disaster to strike.”
Over two years have passed since the old location was burned by vandals in 2020. Insurance claims were followed by real estate deals, then extensive renovation of the new place, installation of shelves, and stocking the inventory. All the work has paid off as the new location at 2716 E. 31st St. in Minneapolis is on the verge of being ready for customers.
And if anyone is so unsympathetic as to ask “So, why is it taking so long?”, Blyly has a list of answers to the question.
The number one problem has been the computer system. It took 3 weeks longer than expected for the hardware to arrive, after FedEx lost the original set of computer monitors. After the hardware finally showed up, it took 5 weeks longer than expected to get ethernet cables run to connect the computers to the internet. That’s a total of 8 weeks unexpected delays, but that was just the beginning of the problems.
There have been other mundane delays, like contracting for trash and recycling pick-up.
…The salesperson claimed that it was impossible to have the waste service on the same contract as the recycling, so promised to e-mail two contracts for me to sign. I looked at the contracts and immediately saw two problems: 1) the recycling contract was for only 1/3 the capacity of the old contract, and 2) both contracts stated that the customer will put a maximum of 0 pounds per yard into the containers. I pointed out these problems and the salesperson kept sending me the bad contracts for signatures about 8 more times before sending revised contracts.
…The trash dumpster was finally delivered on July 5. More than a month later than the promised date, the recycling containers still have not been delivered, and I have words with Waste Management about that 2 or 3 times per week. And the front of the store is filled with recycling material.
Photo (c) by Paul Weimer.
Moving the phone and internet service to the new location has also been an issue.
Comcast/Xfinity was very helpful after the fire. They allowed me to cancel my home contract and move the business account to my home and allowed me (for a fee, of course) to keep the two business phone numbers, forwarding them to my home landline. After I had bought the new commercial building, they set up a new business account for the new address, but kept the old business phone lines connected to my home landline for a transition period. Around July 6th a Comcast employee called to make sure we were in agreement on the transition to the new location. We agreed that on July 16 the two phone lines would be transferred to the new store, but the internet connection to my home would remain in place. Instead, on July 16 they cut the internet connection to my home, but left the two business lines connected to my home landline. I finally got them to move the business phone lines to the business around July 20, but they refused to return internet service to my home, claiming that Comcast Business does not allow any business to have modems in more than one location, even if there is a different account for each location. This forced me to move the mail order operation to the store a couple of weeks sooner than planned. I still have not been able to get them to return internet service to my home.
Blyly also reported his progress on setting up displays of his inventory.
As I write this, we’ve received about 1/3 of the new books that I’ve ordered. When boxes of books come in, they have to be checked against the invoice and then divided into different sections. The mysteries are separated from the science fiction/fantasy. Within those sections, they are then divided into the “before the fire” titles, the “after the fire” titles, and the “new releases”. The sides of the bookshelves away from the front windows have the “before the fire” titles and the sides towards the front windows have a couple of sections of “new releases” and many sections of “after the fire” titles. This should make it much easier for people to see what they’ve missed since the fire. Around January we will mix the “before the fire” and “after the fire” titles into a single alphabetical section.
Photo (c) by Paul Weimer.
Here are his scheduled hours for the planned opening.
I hope to be able to open the Uncles for shortened hours beginning Sunday, August 14 (but there is still time for a new disaster to strike). For the first week or two we will be open from 11 am to 4 pm Monday – Saturday and from 1 to 4 pm on Sundays, after which we will move to our regular hours. During the first couple of weeks we expect to be very busy receiving and filing the rest of the new books that are on order, dealing with donated used books, and learning the computer system. So, we will not be buying used books for the first 2 weeks. We will continue to accept donated books during this period (“Just put the boxes over there and we’ll get around to dealing with them one of these days.”) but won’t have time to deal with buying used books. I don’t expect the new sign or new awnings to be ready by then, so the signage will still say “Glass Endeavors” until the sign painter and the awning people get their work done.
