Tag Archives: Philip Jose Farmer

Pixel Scroll 8/14/23 Nine Hundred Granfalloons

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(1) LUKYANENKO’S LATEST OPINIONS ABOUT UKRAINE. Chengdu Worldcon GoH Sergey Lukyanenko’s interview on Radio Komsomolskaya Pravda was transcribed for his website. Here are some computer-translated excerpts; “’By the end of 2023, the situation for Russia will be clearer’ – S. Lukyanenko”.

… M. Bachenina:

Well, then, who would you like to see at the head of Ukraine?

S. Lukyanenko:

This is a very difficult question, because, firstly, I would not want to see anyone there. As well as Ukraine itself. Because Ukraine, it was originally formed and is being formed as anti-Russia. That is, as long as Ukraine exists, it will act, unfortunately, as anti-Russia. It needs to be completely reformatted, it needs to completely change itself, including both the name and the territories, in order to create some kind of state that they want to create not as such an antagonist of Russia, an adversary and hater, but as a state that wants to represent something and live its own life. This will be a completely different state.

…M. Bachenina:

Many now say that Russia cannot lose, we have the gene of winners. Do you agree with that? And if so, what is the manifestation of this gene?

S. Lukyanenko:

I don’t know if we have a special gene for winners, but I know that we didn’t worry about that, and we will naturally win, it’s indisputable. I would just like this to happen without any unnecessary victims, not only ours, but also those deceived Russian people who now live on the territory of Ukraine. As a matter of fact, we are, of course, one people, just part of the people has been reformatted. It’s, you know, like Tolkien, at one time he described that orcs are the same elves, only who have been poisoned, changed and distorted.

I understand that here we probably have a conviction on both sides that the beautiful elves are us, and there, on the other side, the nefarious orcs. But we know that we are not orcs….

(2) WRONG. THANKS FOR PLAYING. Robin A. Reid devotes her latest Writing From Ithilien newsletter to those “Misquoting Tolkien”.

At some point before Covid (2019 maybe?), I attended a Tolkien Society event and heard a great presentation by Marcel Aubron-Bülles based on a project that he calls “Things J.R.R. Tolkien has never said, done, written or had anything to do with (TThnsdwohatdw)” where he debunks, through research, internet quotes that are not by Tolkien, or are corrupted versions of what Tolkien wrote (I might charitably call some of those paraphrases but they are attributed as direct quotes to Tolkien), or are quotes from Jackson’s films (though they also might be incorrectly quoted). It was fascinating and turns out to that wrong/fake quotes on the internet are legion.

I’m quite sure there will eventually be quotes from Rings of Power attributed to Tolkien!

I am happy in this post to be able to add another example to Marcel’s list (I have skimmed the fifteen blog entries and do not see it!)….

Read the post to find out which one she has in mind.

(3) HUGO RECEPTION MUSICAL CHAIRS. The Hugo Book Club Blog takes its turn at explaining the “The Numbers Game” – the fluctuating ceiling on how many team members get listed as Hugo finalists.

…Over the past decade, there has been a regularly recurring argument about the maximum number of individual contributors that can be listed for each group finalist on the Hugo ballot. This is more common with fan categories like fanzine, fancast, and semiprozine — in recent years some of the contributors lists for an individual publication have extended to several dozen names.

On one side of the argument are those who express logistical concerns about the size of the ballot. On the other side are those who want to ensure that everyone who contributed to the success of a work or publication are given nomination-level credit for their work….

Is this issue something that should be addressed in a new Worldcon rule?

…Those advocating for a more restrictive set of rules point out that the pre-Hugo reception already has capacity issues and logistical constraints. They also suggest that if everyone gets called a “Hugo finalist,” then the status becomes devalued. In addition, the distribution of perks to Hugo finalists, such as the rocketship pins, etc., increase costs on Worldcons.

Both of these positions have merit, and neither should be dismissed out of hand. But the debate should take place in the appropriate forum. The WSFS membership on whose behalf these awards are presented deserve a say in this matter, and the way to do this is to allow both sides to make their case at a business meeting….

(4) INTERNET ARCHIVE SUIT PROPOSED AGREEMENT. Publishers Weekly has more details: “Judgment Entered in Publishers, Internet Archive Copyright Case”.

…The jointly proposed agreement includes a declaration that cements the key finding from Judge John G. Koeltl’s March 24 summary judgment decision: that the IA’s unauthorized scanning and lending of the 127 in-suit copyrighted books under a novel protocol known as “controlled digital lending” constitutes copyright infringement, including in the IA’s controversial “National Emergency Library” (under which the IA temporarily allowed for simultaneous access to its collections of scans in the the early days of the pandemic, when schools and libraries were shuttered).

Most importantly, the proposed agreement includes a permanent injunction that would, among its provisions, bar the IA’s lending of unauthorized scans of in-copyright, commercially available books, as well as bar the IA from “profiting from” or “inducing” any other party’s “infringing reproduction, public distribution, public display and/or public performance” of books “in any digital or electronic form” once notified by the copyright holder. Under the agreement, the injunction will not be stayed while the case is on appeal—essentially meaning that once Koeltl signs off, the IA will have to take stop making unauthorized scans of copyrighted works available to be borrowed within two weeks of notification.

The parties left one final dispute for Koeltl to clean up, however: what books will be “covered” by the proposed injunction?

In a letter to the court, IA attorneys argue that “Covered Books” should be limited to books that are both “commercially available” and available in digital format. “This case involved only works that the Publishers make available as e-books and so the scope of any injunction should be limited accordingly,” IA attorneys argue. “Because the parties did not have the opportunity in this case to litigate the degree to which the unavailability of digital library licensing would affect the fair use analysis, it is inappropriate for an injunction in this case, by its breadth, to effectively prejudge the outcome of that question.”

Lawyers for the plaintiff publishers counter that the injunction should cover all unauthorized scans of commercially available books, whether the copyright holder has licensed a digital edition or not. “The law is clear that the right to decide whether or not to publish a book in electronic format belongs to its authors and publishers, not IA,” the publishers’ letter argues….

(5) MAGICAL HISTORICAL FICTION. [Item by SF Concatenation’s Jonathan Cowie.] This week’s B Beeb Ceeb Radio 4 programme Open Book takes a deep dive into magical historical fiction and includes an interview with Ann Patchett.

Available on BBC Sounds  here. 28 minutes.

Anne Patchett

Octavia Bright talks to Ann Patchett about her captivating new novel. Tom Lake is the story of a young actor Lara under the spell of a future Hollywood star, but it is also about how she retells that story in later life to her adult daughters, and the power of storytelling itself.

Two masters of historical fiction, Laura Shepherd-Robinson and S. J. Parris (aka Stephanie Merritt) discuss the allure of magic and mysticism in their latest books set either side of the Enlightenment.

Plus Nana Kwame Adjei-Brenyah recalls the enchanting tale behind the book he’d never lend.

(6) IT ALL TIES TOGETHER. You may know about Philip José Farmer’s creation, but for the benefit of those born in the past few decades Keith Roysdon explains “The Wold Newton Universe: How a Fictional History Connects Literary Legends” at CrimeReads.

…Even a casual student of science fiction and comic-book history knows all about meteorites. They’re either the source of superheroic powers – or agents of destruction to people with fantastic abilities. (See: Kryptonite.) 

Farmer chose the former concept and, in an unmatched bit of revisionist literary history, decided to use the Wold Newton meteorite to form an interconnected world for some of imaginative literature’s most fantastic characters. Not Superman, of course, because his off-planet origin is well known. But very nearly everyone else was included, as Farmer and his successors in tending the Wold Newton Universe would have it….

(7) OLD SFF LOOKS AT EVOLUTION. The Public Domain Review revisits “H. G. Wells and the Uncertainties of Progress” in this 2019 article.

For Wells the most basic level of uncertainty arose from the fear that the human race might not sustain its current rate of development. In his 1895 story “The Time Machine” he imagined his time traveler projected through eras of future progress: “I saw great and splendid architecture rising about me, more massive than any buildings of our time, and yet, as it seemed, built of glimmer and mist.”2 But the time traveler ends up in a world brought down by social division and degeneration. The brutal Morlocks are the descendants of the industrial workers, while the childlike Eloi are the remnants of the leisured upper classes. This prediction was based on his zoologist friend E. Ray Lankester’s extension of the Darwinian theory. Lankester argued that because evolution works by adapting populations to their environment, progress is not inevitable and any species that adapts itself to a less active and hence less challenging way of life will degenerate.3 Here was the model for a more complex vision of progress in which any advance would depend on the circumstances of the time and could not be predicted on the basis of previous trends….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.)
  • Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. The latter won the fanzine Hugo at Nippon 2007 (with Geri Sullivan and Randy Byers) after her death. She wrote four novels and a handful of short fiction, none of which are in-print. (Died 2007.)
  • Born August 14, 1940 — Alexei Panshin. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis. Let’s not overlook that he was the Hugo Award winning Best Fan Writer at NYCon 3. (Died 2022.)
  • Born August 14, 1950 — Gary Larson, 73. Setting aside a long and delightful career in creating the weird for us, ISFDB lists a SF link that deserve noting. In the March 1991 Warp as published by the Montreal Science Fiction and Fantasy Association, he had a cartoon “The crew of the Starship Enterprise encounters the floating head of Zsa Zsa Gabor”.
  • Born August 14, 1956 — Joan Slonczewski, 67. Their novel A Door into Ocean won the John W. Campbell Memorial Award. They won a second John W. Campbell Memorial Award for their Highest Frontier novel. They were nominated for an Otherwise Award for The Children Star novel.
  • Born August 14, 1965 — Brannon Braga, 58. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes of the Trek various series than anyone else has with one hundred and nine to date. He was responsible for the Next Generation series finale “All Good Things…” which won him a Hugo Award at Intersection for excellence in SF writing, along with Ronald D. Moore. He’s one of the producers of The Orville. 

(9) WORLDCON THEMED FABRIC. Glasgow 2024, A Worldcon For Our Futures introduces Sara Felix-designed fabrics.

Sara Felix, Hugo award-winning artist and Glasgow 2024 designer, has launched six brand-new fabric designs on Spoonflower, now available for purchase.

Whether it’s a yard of fabric or a throw pillow, tea towels or a blanket, you can celebrate Glasgow 2024 with your choice of festive wares!

A word from Sara: “I created these fabrics because while I love the tartan, I wanted a few more options to play with. So I took the Armadillo we use on the bottom of some of our webpages and publication pages and made these. Of course, we had to have the logo on there as well!”

Browse the designs on Sara Felix’s website.

(10) PASSENGERS. “You’ll travel nearly a trillion miles in your lifetime. Here’s how” explains Space.com. This reminds me of a paragraph in a Vonnegut book that ends, “Who says there’s no such thing as progress?”

….In addition to rotating, Earth orbits the sun. That orbit is an ellipse, which causes our planet to occasionally move more quickly or slowly depending on its distance from the sun. But on average, Earth’s orbital speed is about 19 miles per second (30 km per second).

That’s about 600 million miles (1 billion km) every year. So over a lifetime, each of us travels roughly 50 billion miles (80 billion km) — which, again, dwarfs the distance we travel due solely to the rotation of our planet….

(11) MULTITALENTED JOYNER’S NEW BOOK. Jackiem Joyner, author of Zarya Episode II Sochi Unleashed, also is a contemporary saxophonist and music producer with a pair of number one hit songs and five top 10 Billboard under his belt.

In the second novel of his Zarya series, the fate of Cydnus, a highly advanced desert world, hangs in the balance. With oxygen levels beginning to deplete, this politically divided planet stands on the brink of an existential crisis.

In the heart of the advanced city of New Cebrenia City, Zarya, along with her father, Aaron, and friends Kizzy and Marco, must navigate a complex web of political strife. With Vice Chairman Eros’s dark plots threatening their progress, the security of their only political ally, the chairman, is under threat.
Their most powerful asset is Sochi, Zarya’s advanced AI Airboard. Yet, Sochi’s newfound ability to control other machines presents both significant opportunities and risks.

Meanwhile, Aaron embarks on a perilous journey into the cosmos, driven by desperation to resurrect a long-abandoned project that might be Cydnus’s last hope. His mission, shadowed by his past, is a race against time, with the future of Cydnus at stake.

Zarya Episode II: Sochi Unleashed delves into the intricate relationship between sentient beings and technology, bravery amidst uncertainty, and the struggle for survival. As Zarya, her allies, and Sochi traverse this journey, the tale evolves into a saga filled with challenges and triumphs. Welcome to Cydnus, a world teetering on the brink of an uncertain future, in this captivating narrative.

Available at Amazon.com and Amazon.ca.

(12) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s latest from Moid is a very brief (Hondo Cit) look at Japanese SF shot on location in a Japanese garden in Poole (Dorset, England, Brit Cit): “The History Of Japanese Science Fiction”.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/11/23 Practically Perfect Pixels Never Permit Scrolls To Muddle Their Thinking

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(1) 2023 WORLDCON CRITICIZED. C. L. Polk, author of a 2023 Hugo finalist, told newsletter readers they want the Hugos taken away from the Worldcon.  

…I rebuke Chengdu Worldcon for inviting Sergey Lukianenko, a choice that is so terrible I can’t even make a bitter derisive joke about it. That’s a fucking horrifying choice from all angles and this person should not be honored in this way. And I shouldn’t have to be horrified by even one GOH who supports fucking genocide, but actually there’s two, since Liu Cixin is also invited.

The treatment of Uighyr Muslims in China is an atrocity and I hate it. The attempt to invade Ukraine and re-colonize it with unspeakable violence is an atrocity and I hate that too. I don’t have any clever words for this. it’s fucking evil and gross and thinking about it makes me feel fury. There was no way I would attend or participate, and being on the ballot for the Hugo awards doesn’t change my mind.

Again, I don’t really feel like anyone is surprised that I object to Chengdu worldcon’s guests and I have nothing to say to any of them.

But I wish that the Hugo Award would/could separate itself from Worldcon.

I have had this opinion for ages. yes, the Hugo Award is not Worldcon; it is only presented there, but that’s a distinction that doesn’t register for a lot of people who believe or assume that they are the same thing. They’re not…but.

The Hugo award is like the Aurora Award here in Canada. It has its own organization, just like the Aurora Award here in Canada. But the Aurora Award ceremony in Canada is hosted by different Canadian conventions each year. In 2019, I went to Ottawa for a lovely award ceremony as part of Can Con (please attend this convention; it’s a good one.) The Aurora Award ceremony has been held in Calgary several times. It floats from place to place, year to year, and in that wandering, asserts that it belongs only to itself.

Perhaps the Hugo Award should do that too, to reinforce that it’s not Worldcon – it’s simply that a worldcon bid, by tradition, includes the hosting of the Hugo awards and so they are associated in this way….

(2) SECONDED. John Wiswell also says, “’D.I.Y.’ is a Hugo Finalist! And I am not going to Worldcon”.

…I wish that I could just spend my time celebrating. But there’s more we need to discuss. I’ve wrestled with this for some time.

The ceremony for the Hugo Awards traditionally takes place at each year’s Worldcon. I support Worldcon touring the world; it should not always be in the U.S., especially not as the U.S. becomes increasingly dangerous for visitors and marginalized people.

This year’s Worldcon is in Chengdu, China, which many authors protested because of the Chinese government’s ongoing genocide of the Uyghurs. Since then Chengdu Worldcon has selected reprehensible Guests of Honor. Among them is Sergei Lukyanenko, an author infamous for his rabid support of Russia’s war in Ukraine. Chengdu Worldcon has been asked numerous times to remove him and ignored it. Lukyanenko has had ample opportunities to change and has instead deepened his support for the war, and specifically cheering for the murder of Ukrainian civilians and children.

I am a descendant of many Slavs. One of my first introductions to fantastical literature was my grandmother telling me fairy tales from her ancestors. My great grandfather helped assemble one of the largest collections of Slavic literature in the English-speaking world. He gave the collection to Texas A&M University in the hopes of further spreading knowledge of Slavic culture.

It shouldn’t take that level of connection to be disturbed here. It is repulsive that anyone would platform and celebrate Lukyanenko while he gloats about war crimes. It is the same repulsion I feel when reading reports of the genocide against the Uyghurs, and that I feel when so-called Guests of Honor vocally support that genocide.

So, as a Hugo finalist, I will not be participating in this year’s Worldcon. I will not travel to Chengdu in person. I will not do any virtual programming remotely, either.

The Worldcon community should know how these decisions have hurt us, and that this is how a Hugo finalist feels. I’m grateful that my work is meaningful to you. I hope the community can do better. It deserves better….

(3) PAY THE WRITER. [Item by Anne Marble.] Yilin Wang learned the British Museum was using their translations of poems by Qiu Jin (“China’s Joan of Arc”) — without credit, permission, or payment – and tweeted about it on June 18. Wang translated works that were in the public domain, and the copyright on the translation is owned by Wang.

The story has been covered in ARTnews (“British Museum Removes Writer’s Translations of Chinese Poetry”) and by CNN (“British Museum apologizes after using translator’s work in China exhibition without pay or acknowlegment”). The British Museum eventually responded to the controversy by taking down the translations — instead of, you know, paying the translator.

The translator, Yilin Wang (she/they), has been published in Clarkesworld, Fantasy Magazine, and others. (Wang has been covered in several File 770 posts.) Wang was a finalist for the Aurora Award and attended Clarion West Writers Workshop 2020/2021.

On July 10 an organization called the International Intellectual Property Law Association put up a very misinformed article about the topic that could have been considered defamatory because it said the translator was the copyright infringer. It has since been superseded by the version “British Museum Drops Writer’s Chinese Poetry Translations Over Copyright Claims” which ends with an apology by IIPLA for its “wrong interpretation”.

The British Museum has issued an apology following the unauthorized use of translations by writer and translator Yilin Wang in their exhibition titled “China’s Hidden Century.” Wang expressed disappointment on Twitter, stating that their translations of Chinese feminist poet Qiu Jin’s work were included without their consent.

The museum released a press statement acknowledging the incident as an “unintentional human error.” They privately corresponded with Wang and offered compensation for using the translations. Consequently, both Wang’s translations and the Chinese poems they translated were removed from the exhibition. However, the museum’s actions have faced criticism, sparking a broader conversation about the role of translators.

The British Museum, which previously stated it would not remove “controversial objects” from the display, faced criticism from Wang, who described the response as “erasure.” This raises concerns about the museum’s engagement with its curation and power dynamics with non-white contributors. The museum issued a statement acknowledging Wang’s request, removing the translations from the exhibition, and offering financial compensation. However, Wang disputes the sufficiency of the museum’s response….

PS: Apology from IIPLA for Wrong Interpretation…

Yilin Wang is continuing to press for compensation from the British Museum for having used her translations: “Canadian Translator Will File Copyright Lawsuit Against British Museum” at ARTnews.

Vancouver-based writer, translator and poet Yilin Wang has raised enough money to initiate a legal claim against the British Museum, as she continues to accuse the institution of copyright infringement after the museum removed poetry translations from a major exhibition on nineteenth century China.

As of July 10, Wang has raised £17,380 ($22,400) on crowd-funding platform CrowdJustice to work with lawyers in the UK to file a claim against the British Museum in the Intellectual Property Enterprise Court (IPEC), a specialist court that is part of the Business and Property Courts of the High Court of Justice in London. Wang has also retained the services of Jon Sharples, a solicitor specializing in intellectual property and art, from the British firm Howard Kennedy LLP.

,,, Wang told ARTnews Monday she decided to raise money to pursue legal action after exchanging several emails with the British Museum about full reinstatement of Qiu Jin’s poetry with credit for her translations; “reasonable payments” for the use of her work in several different formats; as well as an apology explaining what happened and how the museum would avoid it in the future. Wang said the British Museum initially offered a payment of £150 ($194) for the catalogue. That amount was raised to £600 ($775) after Wang asked for a list of all the places the poetry translations had appeared, but the museum also said it would not reinstate Qiu Jin’s poetry and Wang would not be credited because the work would not be in the exhibit.

“They refused twice,” Wang said. “And that was why I started the fundraiser, because it was just not going anywhere at that point.”…

(4) IN THE FIRST PERSON. The SFWA Blog has more testimony in “The LGBTQ+ Speculative Experience: Part 2”, curated by Elle Ire. Ire is joined by Scott Coatsworth, Nicola Griffith, Jose Pablo Iriarte, and Virginia Black. “Kind of like the Star Trek Experience—lots of diversity that some accept, some fight, and others never see.”

Our exploration of the experiences of various members within the LGBTQ+ spec fic community continues in this blog post. Please see Part 1 for an introduction to the series, disclaimers, and why I began this quest. In Part 2, we’ll look at the publishing choices my interviewees made once they were bitten by the writing bug and examine whether there was a connection between their initial exposure to spec fic and the publishing paths they took….

(5) NEW TRANSLATION PRIZE. The Cercador Prize is a new bookseller-led prize for literature in translation. A wide range of prose works will be eligible.

A new and auspicious distinction, the Cercador Prize for Literature in Translation will be awarded annually by a committee of five independent booksellers. During the initial prize cycle, each committee member will be responsible for nominating two full-length translations published in the U.S. between January 1, 2023 and December 31, 2023. The Cercador committee’s primary focus will be translated prose works including but not limited to fiction, nonfiction, memoir, and hybrid texts. As nominations are culled from the organic discovery, discussions, and recommendations of the committee, there is no formal submissions process for this prize.

The ten finalists for the Cercador Prize will be announced no later than October 15, 2023 with one winner, chosen by whatever method the committee deems appropriate, to follow. The winning translation will be announced no later than November 15, 2023. A prize amount of $1,000 will be attached and conferred entirely to the winning translator(s). Translators based anywhere in the world are eligible for the Cercador Prize.

The inaugural prize’s five committee members include:

  • Thu Doan of East Bay Booksellers in Oakland, Calif.
  • Gary Lovely of Prologue Bookshop in Columbus, Ohio
  • Javier Ramirez of Exile in Bookville in Chicago, Ill.
  • Riley Rennhack of Deep Vellum Books in Dallas, Tex.
  • Spencer Ruchti of Third Place Books in Seattle, Wash. (chair)

(6) HOLLYWOOD BOWL. Steve Vertlieb was in the audience to hear this concert over the weekend. Great poster!

(7) MEMORY LANE.

1971 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Philip Jose Farmer’s the writer who Mike choose this time. Now I know that y’all are very familiar with him, so I don’t feel that I need to go into any depth on him.  

I will say that I love the first two novels of the Riverworld saga, plus Doc Savage: His Apocalyptic Life.  

So the Beginning for this Scroll is To Your Scattered Bodies Go, the beginning of the Riverworld saga, which won a Hugo at the first L.A. Con. It was also nominated for a Ditmar. 

It was published by G. P. Putnam’s Sons fifty-two years ago. It was originally serialized as two separate novellas: “The Day of the Great Shout” which was printed in the January 1965 issue of Worlds of Tomorrow, and “The Suicide Express” that was in the March 1966 issue of Worlds of Tomorrow. The cover illustration is by Ira Cohen.

And now let’s see how the Riverworld novelstarted off..

His wife had held him in her arms as if she could keep death away from him. 

He had cried out, “My God, I am a dead man!” 

The door to the room had opened, and he had seen a giant, black, one-humped camel outside and had heard the tinkle of the bells on its harness as the hot desert wind touched them.  Then a huge black face topped by a great black turban had appeared in the doorway. The black eunuch had come in through the door, moving like a cloud, with a gigantic scimitar in his hand. Death, the Destroyer of Delights and the Sunderer of Society, had arrived at last. 

Blackness. Nothingness. He did not even know that his heart had given out forever. Nothingness.

Then his eyes opened. His heart was beating strongly. He was strong, very strong! All the pain of the gout in his feet, the agony in his liver, the torture in his heart, all were gone. 

It was so quiet he could hear the blood moving in his head. He was alone in a world of soundlessness. 

A bright light of equal intensity was everywhere. He could see, yet he did not understand what he was seeing. What were these things above, beside, below him? Where was he?

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 11, 1899 — E. B. White. Author of Charlotte’s Web and Stuart Little, both of which are surely genre. Along with William Strunk Jr. he’s the co-author of The Elements of Style English language style guide. In a survey of School Library Journal readers, Charlotte’s Web came in first in their poll of the top one hundred children’s novels. I know I saw the Stuart Little film. It was, errr, cute. (Died 1985.)
  • Born July 11, 1913 — Cordwainer Smith. Pen name of Paul Myron Anthony Linebarger. Most of his fiction was set in The Instrumentality of Mankind series which I know I’ve read once upon a time at in fragments. Both iBooks and Kindle are well stocked with his novels and short stories including Scanners Live in Vain, a most excellent novella. (Died 1966.)
  • Born July 11, 1950 — Bruce McGill, 73. His first role was as Director Eugene Matuzak in Time Cop. He later has got one-offs in Quantum Leap (twice), Babylon 5, Voyager and Tales from the Crypt.  He’s in the first television remake of The Man Who Fell to Earth as Vernon Gage. If MacGyver counts as genre and I for one think that it should, he had the recurring role of Jack Dalton there. 
  • Born July 11, 1956 — Amitav Ghosh, 67. Author of the absolutely brilliant The Calcutta Chromosome: A Novel of Fevers, Delirium and Discovery. Really go read it and then we’ll discuss it over a cup of chai masala.
  • Born July 11, 1958 — Alan Gutierrez, 65. An artist and illustrator, specializing in SF and fantasy cover art. His first professional sale was to Rigel Science Fiction, #3 Winter 1982 . He then began producing work for Baen Books, Tor Books, Pequod Press  and other publishers. He has also painted covers for Analog magazine, Aboriginal Science Fiction, Asimov’s Science Fiction, and other SF magazines.
  • Born July 11, 1976 — T.L. Morganfield, 47. She is as she says “An Aztec geek; whether it’s history or mythology, I devour it all. It’s a love affair that began in college and has taken over my fiction writing life.” And that’s why I’m recommending her Bone Flower trilogy which is at genre adjacent if not genre. Her Aztec West series bring the Aztec gods into the Old West and is quite entertaining in a weird sort of manner.

(9) JUDGE DREDD. [Item by Olav Rokne.] This was an emotionally challenging book to read. Often damning and enraging. But brilliantly written, and insightful. Michael Molcher’s I Am The Law deserves consideration for Best Related Work next year. “Judge, Jury, Executioner … and Prophet” at the Hugo Book Club Blog.

…The book depicts the creation of Judge Dredd as a response to the rising reactionary moral panics that engulfed British media in the late 1970s. Molcher seems to argue that comics provided a fertile ground outside of the “establishment” media for Judge Dredd writers like John Wagner and Alan Grant. It provided a platform from which they could offer pointed critiques that were later seen as prescient. 

“Things that happen in [Judge Dredd] echo, copy, or pressage things that happened in real life maybe a week or two either side. These are comics that were written months before,” Molcher says. “It’s almost Cassandra-like.”

By understanding Judge Dredd, Molcher argues, we can understand the multifaceted political crisis we are facing today. Thus, it might also be considered an important work of social science fiction. Throughout the book, history, sociology, and cultural studies are woven together.

“When you look at the book Policing The Crisis by Stuart Hall — it’s about the moral panic around the mugging crisis of the 1970s — you can’t help but realize that Hall and [Judge Dredd writers] John Wagner and Alan Grant are talking about the same things,” Molcher says….

(10) GIZZARD HISTORY. “A Strange Museum Takes a Strange Turn” and Reason wants to tell you about it.

Philadelphia has some of the strangest museums in the country. There is a Dental Museum with buckets of teeth, a museum dedicated to insects, and Pizza Brain, featuring…pizza. But the strangest collection must be the Mütter Museum.

Part of the College of Physicians, the museum houses a vast store of medical oddities dating back to the 1850s. Although not large, the two-story institution houses hundreds of specimens and maintains a 19th century feel. Visitors can see part of Albert Einstein’s brain, tumors removed from American presidents, and the death cast of the “Siamese twins” Chang and Eng Bunker, who died in 1874. The collection of skulls and diseased body parts defies description. One of my favorite exhibits is a large set of drawers filled with bizarre objects that people have swallowed (including, as I recall, a cast metal toy ship).

As much as I loved the Mütter, I have been careful to bring only visitors I thought would enjoy it. Some people prefer to keep their distance from a display of a 9-foot human colon…. 

(11) SOME ASSEMBLY REQUIRED. Speaking of gizzards, here’s what Archie McPhee has been up to.

These are some adorable organs! From kidneys to livers, this pack of internal organs is a perfect pick-me-up for a minuscule mortician. While it includes a few unpopular organs, you’ll also get the most popular organ of all time, the heart! (Brain is a close second. Also included.)

Want to make it look like a gnome died in your potted plant? These Itty Bitty Bones are like a tiny archaeological dig in your azaleas. Or, pose them in front of your cat and take a picture! What has little Fluffy been up to?

(12) SLEEPOVER IN A MISSILE SILO. Alta will host a Zoom interview with missile silo owner and enthusiast Gary Baker tomorrow, July 12, at 12:30 p.m. Pacific. Register here.

Would you spend the night in a decommissioned missile silo in Roswell, New Mexico? If your answer is an enthusiastic yes, you’ll want to meet Gary Baker: silo enthusiast and owner of Site 4, one of Airbnb’s most curious rental offerings. Profiled in Mark Wallace’s Alta Journal article “Sleeping in the Barrel of a Gun,” Baker joins Alta Live to detail his passion for missile silos, tell us about “preppers”—people who prepare for the end of the world—and reveal what it’s like to sleep in an underground bunker that was built to withstand a war. This will be a fun one—join us!

(13) THE VIBES. [Item by Steven French.] It turns out that the shape of your brain may be more important than previously thought (presumably by folk with particularly shaped brains …!) “MRI study challenges our knowledge of how the human brain works” at Physics World.

We have long thought that specific thoughts or sensations elicit activity in specific parts of the brain, but this study reveals that structured patterns of activity are excited across nearly the entire brain, just like the way in which a musical note arises from vibrations occurring along the entire length of a violin string, and not just an isolated segment…

(14) IS RESISTANCE FUTILE? “How to Resist Amazon and Why by Danny Caine (Audiobook Excerpt from Chap. 2)” from 2021.

This is a preview of the digital audiobook of How to Resist Amazon and Why by Danny Caine (Audiobook Excerpt from Chap. 2: An open letter to Jeff Bezos from a small bookstore), available on Libro.fm

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Bill, Anne Marble, Olav Rokne, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/25/22 File The Pixels, Lest They Squeak Or Scroll

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(1) OKORAFOR’S LOVE FOR COMICS. It started when she was seven: “From Garfield to Black Panther: Nnedi Okorafor on the Power of Comics” at Literary Hub.

My path to writing the big black cat started with a fat orange cat.

I’ve always been attracted to comics. Even before the word, it was the black line that drew me (pun intended). It began when I was about seven years old in the early ’80s with . . . Garfield. My father was an avid Chicago Sun-Times newspaper reader, and every day he would sit at the dinner table and read it. It was while hanging around him that I noticed that there was a comics page every day. The Family Circus, Hi and Lois, Bloomsbury, Calvin and Hobbes, Momma, Ziggy—there were so many I enjoyed. And, oh man, on Sunday, there were pages of comics, and they were in color! I loved these little stories told in pictures. But I became most obsessed with Garfield….

(2) FUTURE TENSE. “This, But Again” by David Iserson, about life as a recurring simulation, is this month’s story from Future Tense Fiction, a monthly series from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.

There’s an accompanying response essay by Eric Schwitzgebel, “If We’re Living in a Simulation, the Gods Might Be Crazy”.

That we’re living in a computer simulation—it sounds like a paranoid fantasy. But it’s a possibility that futurists, philosophers, and scientific cosmologists treat increasingly seriously. Oxford philosopher and noted futurist Nick Bostrom estimates there’s about a 1 in 3 chance that we’re living in a computer simulation. Prominent New York University philosopher David J. Chalmers, in his recent book, estimates at least a 25 percent chance. Billionaire Elon Musk says it’s a near-certainty. And it’s the premise of this month’s Future Tense Fiction story by David Iserson, “This, but Again.”

Let’s consider the unnerving cosmological and theological implications of this idea. If it’s true that we’re living in a computer simulation, the world might be weirder, smaller, and more unstable than we ordinarily suppose…

(3) KEEP WATCHING THE SKIES. “See rare alignment of 5 planets and moon in stunning photo” at Space.com.

The rare sight of five bright planets lining up with the moon wowed skywatchers around the world Friday, with some gearing up for more this weekend to see a planetary sight that won’t happen again until 2040.

Throughout June, Mercury, Venus, Mars, Jupiter and Saturn have lined up from left to right, in their orbital order from the sun, before dawn in the southeastern sky. Early Friday (June 24), the moon joined the planet parade in an awesome sight captured by astrophotographer Wright Dobbs, a meteorologist for the U.S. National Weather Service in Tallahassee, Florida….

(4) “US IN FLUX” RETURNS. In 2020 ASU’s Center for Science and Imagination published Us in Flux, a series of 11 flash-fiction stories and virtual events about community, collaboration, and resilience in the face of transformative events. They’re back!

This summer, we’re presenting a second cycle of Us in Flux stories and events, providing glimpses of better futures shaped by new social arrangements, communities, and forms of governance, with a focus on bottom-up creativity and problem-solving at the local level. Our stories will present civic experiments, envisioning the collectives, systems, and activities that could power the functional, equitable, and thriving communities of the future.  

 We’ll publish one story and host one event each month from June to September 2022.

 Our first story is “Becoming Birch” by Carter Meland, about rock music, unexpected connections, and northern Minnesota forests. The story is available to read now, And you can view a conversation about the story’s themes and implications with Carter and Grace Dillon, professor of Indigenous Nations Studies at Portland State University and editor of Walking the Clouds: An Anthology of Indigenous Science Fiction.

(5) YOU’RE OUT OF THERE. The #KickedFromTheJediOrderFor meme has inspired some funny tweets (and some obnoxious duds, what else is new?) Here are two I liked.

(6) SLOWER THAN LIGHT. James Davis Nicoll ransacks the genre for “Scientifically Plausible SF Settings That Provide an Alternative to FTL Travel” at Tor.com.

Suppose for the moment that one was a science fiction author and was trying to imagine a plausible setting in which a multitude of inhabited worlds were within easy, quick reach. Further suppose that one did not care to discard relativity, but likewise was not keen on a setting where time dilation plays a significant role. What is one to do?

How many authors have tried to come up with settings that meet all these demands? More than you’d expect….

(7) PAGES OUT OF HISTORY.  Publisher Penguin has established an online gallery, The Art of Penguin Science Fiction. Click on individual covers to see them larger. The Table of contents link takes you to a chronological discussion of the designs and artists.

(8) GORN WITH THE WIND. MeTV drops the challenge: “How well do you know the memorable Gorn episode of Star Trek?” I got 9 out of 12 – I expect you to do better!

The original Star Trek series was philosophical, strange, deadly serious and wonderfully wacky – sometimes all in the same episode! One of those episodes is the first season outing “Arena.” It has since become a legendary entry in the franchise for its reptilian villain – the Gorn. Though immensely strong, the green, glitter-eyed monster doesn’t exactly move at warp speed.

How well do you remember this iconic space adventure? Test your might, at least when it comes to Star Trek details, in this “Arena” episode quiz!

(9) KEN KNOWLTON (1931-2022). “Ken Knowlton, a Father of Computer Art and Animation, Dies at 91” reports the New York Times.

…In 1962, after finishing a Ph.D. in electrical engineering, Dr. Knowlton joined Bell Labs in Murray Hill, N.J., a future-focused division of the Bell telephone conglomerate that was among the world’s leading research labs. After learning that the lab had installed a new machine that could print images onto film, he resolved to make movies using computer-generated graphics.

“You could make pictures with letters on the screen or spots on the screen or lines on the screen,” he said in a 2016 interview, recalling his arrival at Bell Labs. “How about a movie?”

Over the next several months, he developed what he believed to be the first computer programming language for computer animation, called BEFLIX (short for “Bell Labs Flicks”). The following year, he used this language to make an animated movie. Called “A Computer Technique for the Production of Animated Movies,” this 10-minute film described the technology used to make it.

Though Dr. Knowlton was the only person to ever use the BEFLIX language —he and his colleagues quickly replaced it with other tools and techniques — the ideas behind this technology would eventually overhaul the movie business….

…At Bell Labs, Dr. Knowlton realized that he could create detailed images by stringing together dots, letters, numbers and other symbols generated by a computer. Each symbol was chosen solely for its brightness — how bright or how dark it appeared at a distance. His computer programs, by carefully changing brightness as they placed each symbol, could then build familiar images, like flowers or faces….

(10) MEMORY LANE. 

1972 – [By Cat Eldridge.] Philip José Farmer’s To Your Scattered Bodies Go wins Hugo.

At the round earth’s imagin’d corners, blow Your trumpets, angels, and arise, arise From death, you numberless infinities Of souls, and to your scattered bodies go — English poet John Donne’s “Holy Sonnets”, number seven

Fifty years ago at the very first L.A. Con which was indeed attended by OGH, one of the finest novels ever written won the Hugo for Best Novel. That was the first of three Riverworld novels, To Your Scattered Bodies Go, and its author was Philip José Farmer who was there as Mike remembers hearing his acceptance speech.

It had been published by the Putnam Publishing Group in June of the previous year. The cover art was done by Ira Cohen.

To Your Scattered Bodies Go, and all of the Riverworld series, is based off of his unpublished novel Owe for the Flesh. To Your Scattered Bodies Go was originally serialized as two separate novellas: “The Day of the Great Shout” which appeared in the January 1965 issue of Worlds of Tomorrow and “The Suicide Express” which appeared in the March 1966 issue of that magazine.

It has been made into two films, neither of which I’ve seen nor have any intention of seeing. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 25, 1903 — George Orwell. George Orwell, born Eric Blair in 1903. I’m not sure if Animal Farm counts as fantasy, but 1984 is clearly Science Fiction, and it may hold the record for the most neologisms added to English by a single SF book. Orwell was mostly known as a journalist and essayist, including his spats with H.G. Wells, most notably in “Wells, Hitler and the World State”. (Died 1950.) (Alan Baumler)
  • Born June 25, 1925 — June Lockhart, 97. Maureen Robinson on Lost in Space which amazingly only ran for three seasons despite my feeling that it ran a lot longer. It’s on Amazon Prime and Netflix currently. She has a number of genre one-offs including Voyage to the Bottom of the Sea, The Man from U.N.C.L.E., The Greatest American Hero and Babylon 5. Babylon 5? Huh. She appeared in the Lost in Space film as Principal Cartwright. 
  • Born June 25, 1935 — Charles Sheffield. He was the President of the Science Fiction and Fantasy Writers of America and of the American Astronautical Society. He won both the Nebula and Hugo Awards for his novelette “Georgia on My Mind” and a John W. Campbell Memorial Award for Best SF Novel for Brother to Dragons which is an amazing read. Much of his fiction is in his Heritage Universe series; the linked short stories of space traveler Arthur Morton McAndrew are a sheer comic delight. Besides his Hugo Award at ConAdian (1994) for “Georgia on My Mind”, he had several nominations as well. Chicon V (1991) picked two, “A Braver Thing” novellette and the “Godspeed” short story.  Oh, and he was toastmaster at BucConeer.  (Died 2002.)
  • Born June 25, 1947 — John Maddox Roberts, 75. Here for being prolific with his Conan pastiches, seven to date so far. I’ll also single out his The SPQR series beginning with SPQR which are police-procedural mystery novels set in Ancient Rome. Someone at the Libertarian Futurist Society really, really likes the Island Worlds as it has been nominated three times for the Prometheus Hall of Fame.
  • Born June 25, 1951 — Priscilla Olson, 71. She and her husband have been involved with NESFA Press’s efforts to put neglected SF writers back into print and have edited myriad writers such as Chad Oliver and Charles Harness, plus better-known ones like Jane Yolen.  She’s chaired a number of Boskones, and created the term “prosucker” which I must admit is both elegant and really ugly at the same time.
  • Born June 25, 1956 — Anthony Bourdain. That’s a death that hit me hard. Partly because he’s round my age, partly because, damn, he seemed so interested in everything that I couldn’t conceive him committing suicide. And yes, he was one of us with three works to his credit: Get Jiro!,  (with Joe Rose and Langdon Foss), Get Jiro: Blood and Sushi (with Joe Rose and Ale Garza) and Hungry Ghosts (with Joel Rose, Alberto Ponticelli, Irene Koh, Paul Pope). The first two are on DC, the latter‘s on Berger Books. (Died 2018.)
  • Born June 25, 1981 — Sheridan Smith, 41. She makes the Birthday list for being Lucie Miller, a companion to the Eighth Doctor in his Big Finish audio adventures starting in 2006 and running through at least this year. Her only video genre work was being in The Huntsman: Winter’s War as Mrs Bromwyn.

(12) COMICS SECTION.

  • The Argyle Sweater takes you back to the Marvel writers’ room of long ago.
  • Baby Blues shows a family on the way home from a comic con, and which parent got the better deal with their divided responsibilities.
  • The Flying McCoys has a superhero with no feeling for certain things.

(13) WILLIAMS BIRTHDAY CONCERT. [Item by Martin Morse Wooster.] In the Washington Post, Michael Andor Brodeur reviews John WIlliams’s 90th birthday concert at the Kennedy center, which had appearances by Steven Spielberg and Daisy Ridley and Yo-Yo Ma on stage. “Composer John Williams feted with birthday gala fit for the big screen”.

…To drive home the evening’s big-screen energy there was … a big screen, suspended over the orchestra and showing various montages, call-ins and clips. (This included a full screening of Kobe Bryant and Glen Keane’s Oscar-winning 2017 short film, “Dear Basketball,” accompanied by the orchestra and movingly introduced via video by the late NBA star’s wife, Vanessa Bryant.)

(Perhaps best of all, there was quiet on the set! I heard nary a beep nor bloop from the sold-out crowd. Good job, y’all. Oscars for everyone!)

Yet despite all the big names and Hollywood-level production values of the celebration, what stood out the most (and lingered the longest in my mind on the walk home) was the unexpected intimacy of Williams’s music, which feels hard-wired in my DNA, enmeshed in multiple dimensions of my memory and experience (and quite likely yours)….

(14) LIGHTYEAR MIGHT MAKE MONEY YET. [Item by Cat Eldridge.] The Sox Vinyl Collectible by Super 7 is life sized. The ultimate SJW robotic companion, I’d say. And it’s only $400 but that includes the carrier.  And a robotic mouse too. 

Attention Space Ranger Recruits! Sideshow and Super 7 present the new Sox Vinyl Collectible! Sox the cat is Buzz Lightyear’s PCR (Personal Companion Robot) and now he can be your pal too!

From Disney and Pixar’s Lightyear, this premium vinyl figure is engineered to be truly “life-sized” and measures about 20” long from nose to tail, and almost 15” tall to the tip of his ears. Fully poseable and wearing a faux leather collar with real metal name tag, Sox is accompanied by his small mouse protocol robot with a glow-in-the-dark tail.

This limited edition premium collectible comes packaged in a “Property of Star Command” cat carrier to display with the rest of your Disney collection!

(15) ISS.CON. “Astronaut cosplays as ‘Gravity’ spacefarer in space station shot” at Space.com.

The only flaw in this cosplay is the hair, joked European astronaut Samantha Cristoforetti.

The Italian astronaut posed on the International Space Station in just about the same way as Sandra Bullock, who visited the orbiting complex fictionally in the 2013 movie “Gravity.” Cristoforetti wore a similar outfit to Bullock, who played fictional NASA astronaut Ryan Stone in a rousing adventure sparked by a cloud of space debris that struck Stone’s space shuttle on-screen.

(16) NEVER TELL SOMEONE TO SMILE. [Item by Mike Kennedy.] Screen Rant says “Happiness Turns To Horror In Smile Trailer Starring Sosie Bacon”. (It’s a grim trailer.)

The trailer for Paramount Picture’s new horror film Smile might make viewers instead want to scream. Sosie Bacon (Mare of Easttown) stars in the film by writer/director Parker Finn. Smile is Finn’s first feature, and is adapted from his own horror short Laura Hasn’t Slept, which won the SXSW Film Festival’s special jury Midnight Short award. While Bacon began her acting career in 2005 in her father Kevin Bacon’s film Loverboy, this is her first leading role in a feature film.

The unsettling trailer released by Paramount Pictures shows Bacon as a psychiatrist named Dr. Rose Cotter who witnesses a patient gruesomely kill herself after the patient sees the form of a terrifying entity. After the incident, Rose seems to be followed by that same supernatural force, which spreads via a literally infectious smile and kills all those around her. It turns out her troubling past may hold the secret to unlocking her frightening present….

(17) OINKATASTROPHE. [Item by Mike Kennedy.] Xenotransplantation appears in genre fiction from time to time. In a recent real-world incidence, a heart from a genetically-engineered pig was transplanted into a human with heart failure. Initially the transplant was a great success, but a puzzling and unexpected mechanism of failure presented itself. The patient died after 60 days. So what happened? “Pig heart transplant failure: Doctors detail everything that went wrong” at Ars Technica.

Earlier this year, news broke of the first experimental xenotransplantation: A human patient with heart disease received a heart from a pig that had been genetically engineered to avoid rejection. While initially successful, the experiment ended two months later when the transplant failed, leading to the death of the patient. At the time, the team didn’t disclose any details regarding what went wrong. But this week saw the publication of a research paper that goes through everything that happened to prepare for the transplant and the weeks following.

Critically, this includes the eventual failure of the transplant, which was triggered by the death of many of the muscle cells in the transplanted heart. But the reason for that death isn’t clear, and the typical signs of rejection by the immune system weren’t present. So, we’re going to have to wait a while to understand what went wrong….

(18) HEY ABBOTT. Aurora offers a resin model kit based on Abbott and Costello Meet Frankenstein — “McDougals Frankenstein Crate Scene” – for a mere $319.99.

You Get All Accurate Likeness Unpainted Models of Wilbur Gray with Mcdougals Dummy head, Chick Young with wagging finger and Spook Candle, Strange Frankenstein laying in Wooden textured Crate Model Plus special sculpture study Dracula and Wolfman. Model comes with realistic Frankensteins Wood Crate with House of Horrors address on it Plus 2 easels with Mcdougals Sign and Dracula lengend. wood floor base comes with raised logo name plate also hammer and crow bar.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Joey Eschrich, Will R., John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Stuart Hall.]

Strangely Familiar

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The Crotchety Old Fan’s site is well on its way to recovering from the depredations of several hijackers. What he’s learned is worth reading.

Crotchety’s sense of humor is back, too, as he shows in a post about two characters’ conversation about science fiction in a Riverworld novel by Philip Jose Farmer.

And at the moment, Crotchety’s blog is looking strangely familiar because he’s using WordPress’ default “Kubrick” theme, the same one I’ve relied on since the beginning.

SF May Play in Peoria
But Not Port Huron

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With the eyes of the sf community already on Port Huron, Michigan as the site of Peter Watts’ arrest and trial, it’s an interesting coincidence to discover a local blogger there warning his fellow citizens against sf writers generally.

A post to Way of Life Literature features a black-and-white photo of Isaac Asimov thoughtfully grasping his chin with one hand as he looks the reader in the eye. But this is not a fan site. Asimov is exhibited as one of many reasons to “Beware Science Fiction” on a blog hosted by the Fundamental Baptist Information Service of Port Huron. The reason for the warning?

Science fiction takes the reader into a strange world without God. Oh, there might be “a god,” a “force,” but it is definitely not the God of the Bible, and the prominent names in this field are atheists.

Seems to me there’s no denying that, although some will be offended to see it treated as a bug rather than a feature.

And yet, science fiction isn’t monolithic (no Kubrick reference intended).  If some apologists are concerned sf will erode people’s faith, that is by no means the inevitable outcome. Consider C.S. Lewis, former atheist, whose fame as a writer of sf and fantasy followed his conversion to Christianity. Lewis also issued a famous warning of his own:

“Really, a young Atheist cannot guard his faith too carefully. Dangers lie in wait for him on every side.”

P.S. While Peoria is mentioned in the headline because the old cliche resonates with this story, in fact SF really does play in Peoria, once home to writer P.J. Farmer and fan Ed Connor (Moebius Trip).

[Via the two Davids — Klaus and Langford.]