Pixel Scroll 4/10/23 A Pixel Sliding Into Third Just Under The Tag Of A Scroll As A Filer Calls “Safe!”

(1) FRENCH SFF SCHOLAR COMING TO KANSAS. The Gunn Center for the Study of SF is welcoming 2023 Hall Center International Scholar, Simon Bréan. Professor Simon Bréan (U. of Paris-Sorbonne), a world-renowned a scholar and specialist in science fiction, will visit the University of Kansas in April 2023 as the Hall Center for the Humanities 2023 International Scholar and a guest of the Department of French, Francophone & Italian Studies, Center of Excellence, KU Libraries, and the Gunn Center for the Study of SF. Professor Bréan will be visiting from Wednesday April 26 to Thursday, April 27, 2023.

(2) ENJOY IT WHILE YOU CAN. “Harlan Coben’s Top Tip for Book Touring: Appreciate Crowds” in the New York Times.

On July 11, 2001, Harlan Coben was at home in Ridgewood, N.J., when his publisher called to share the happy news that his 10th novel, “Tell No One,” was a best seller. “That’s the first time I hit the New York Times list,” he said in a phone interview. “It was also the day my fourth and youngest child was born. Things changed a lot after that.”

Not only was the author swarmed by small people — the oldest Coben kid was 7 — he suddenly attracted crowds to bookstores. Gone was the awkwardness he immortalized in a 2014 Op-Ed about a slow afternoon at Waldenbooks: “During the first hour of my signing, a grand total of four people approached me. Two asked me where the bathroom was. The third explained his conspiracy theory linking the J.F.K. assassination with the decision by General Mills to add Crunch Berries to Cap’n Crunch breakfast cereal. The fourth asked me if we had a copy of the new Stephen King.”

Maybe this memory explains why Coben declined to issue a single substantive complaint about the toll of recent professional obligations.

(3) NERO FIDDLES, VULCAN BURNS. [Item by Mike Kennedy.] We may be living in some offshoot of the Star Trek alternate timeline where Nero destroys Vulcan.

Back in 2018 it was announced an exoplanet (“super-Earth” sized) had been discovered at 40 Eridani which was, of course, popularly referred to as Vulcan after Mr. Spock‘s home planet orbiting there in the Star Trek universe.

Well, reanalysis of the data has lead to the conclusion that, sadly, that announcement was in error. Though, the door isn’t completely closed as current data isn’t sensitive enough to rule out other, smaller, planets in the system. 

So, fingers crossed — for Nero to be thwarted and Vulcan to be rediscovered in its rightful place. Or perhaps a different arrangement of one’s fingers is called for. “Sorry Trekkies: Bad news about the ‘real-life Planet Vulcan'” at Mashable.

… The trouble is, after a reanalysis, the new team found the discovery was likely a mistake. That’s right: They couldn’t just let Spock live long and prosper in a real world. They had to go and wipe out his home planet from existence.

“We apologize for that,” Burt told Mashable. “We’ll find other cool planets.”…

… Despite their findings, the search for Spock’s home can continue, Laliotis said. Though they may not have a starship Enterprise to seek it out, more sensitive instruments and detection methods in the near future may make it possible to find another smaller exoplanet in that star system — perhaps one that is more Earth-like — to rename Vulcan.

After all, if 40 Eri b’s detection were correct, it would be much too hot for life as we know it.

“There is still hope that there might be a Vulcan there,” she said. “This actually is maybe promising that there might be a better Vulcan there.”

(4) BE ON THE LOOKOUT. [Item by Mike Kennedy.] A fan costumed as Boba Fett had the transit police called on them during Anime Boston because onlookers thought he was carrying a real rifle. Fortunately, nothing severe came of it. “Police were called about a person with a rifle. It turned out to be a man in a Boba Fett costume” at CNN.

… Boston police had an intergalactic encounter after a report about a person carrying a long rifle led them to someone dressed up in a Boba Fett costume.

Transit police with the Massachusetts Bay Transportation Authority received a call about a person armed with a long rifle at the Back Bay train station on Friday around 6 pm ET, according to a tweet from the agency’s official account.

But the rifle in question wasn’t real at all, said police…

(5) AL JAFFEE (1921-2023). Mad Magazine cartoonist Al Jaffee died April 10 at the age of 102 reports SFGate.com.

Al Jaffee, Mad magazine’s award-winning cartoonist and ageless wise guy who delighted millions of kids with the sneaky fun of the Fold-In and the snark of “Snappy Answers to Stupid Questions,” has died. He was 102.

Jaffee died Monday in Manhattan from multiple organ failure, according to his granddaughter, Fani Thomson. He had retired at the age of 99.

…The [initial fold-in] idea was so popular that Mad editor Al Feldstein wanted a follow-up. Jaffee devised a picture of 1964 GOP presidential contenders Nelson Rockefeller and Barry Goldwater that, when collapsed, became an image of Richard Nixon.

“That one really set the tone for what the cleverness of the Fold-Ins has to be,” Jaffee told the Boston Phoenix in 2010. “It couldn’t just be bringing someone from the left to kiss someone on the right.”

…Jaffee received numerous awards, and in 2013 was inducted into the Will Eisner Hall of Fame, the ceremony taking place at San Diego Comic-Con International. In 2010, he contributed illustrations to Mary-Lou Weisman’s “Al Jaffee’s Mad Life: A Biography.” The following year, Chronicle Books published “The MAD Fold-In Collection: 1964-2010.”

The Hollywood Reporter notes that Jaffee began his comics career after graduating high school in 1940, and at age 20 he made his first sale to Will Eisner, who bought his parody of Superman called Inferior Man. He went on to work for soon-to-be Marvel legend Stan Lee at Timely Comics, a forerunner of Marvel Comics.  He did his first work for Mad Magazine in 1955.

(6) NORMAN REYNOLDS (1934-2023). Production designer and art director Norman Reynolds died April 6, and Lucasfilm has a lengthy tribute.

Reynolds shared the 1978 Academy Award for Best Production Design with three colleagues for their work on the first Star Wars movie.

…Reynolds was an art director on Star Wars: A New Hope (1977). He worked closely with John Barry, the film’s overall production designer, to help establish the core design philosophy behind Star Wars architecture and construction. They joined art director Leslie Dilley and set decorator Roger Christian as winners of the Academy Award for Art Direction in 1978. For Star Wars: The Empire Strikes Back (1980), Reynolds was elevated into the production designer role as Barry pursued directing (sadly, he would pass away while working as a consultant on Empire)…. 

He won another Academy Award for Art Direction 1982, shared with two colleagues, for their work on Raiders of the Lost Ark.

…When Steven Spielberg partnered with Lucasfilm to make Raiders of the Lost Ark, Reynolds became production designer, helping establish the Indiana Jones style from the ground-up. This even included sculpting the iconic golden idol that Indy attempts to procure during the film’s memorable opening. Reynolds used an Incan fertility sculpture that he’d collected during his travels overseas….

Of course, Raiders wouldn’t be complete without Indy’s close call with a giant boulder as it rolls down a temple passage. “I didn’t know it was gonna look as good as it did until the day Norman Reynolds showed me that he had actually made a boulder that was something like 22 feet in circumference,” Steven Spielberg would explain. As Reynolds explained, it was Spielberg himself who kept asking for it to be bigger! Raiders would earn Reynolds his second Academy Award for Art Direction in 1982 alongside art director Leslie Dilley and set decorator Michael Ford….

(7) MICHAEL LERNER (1941-2023). Actor Michael Lerner has died at the age of 81. The Yahoo! profile mentions many genre roles.

…With an Academy Award nod under his belt [for Barton Fink], Lerner became a familiar face for moviegoers through the ’90s, with notable credits including “Newsies,” “Blank Check,” “No Escape” and “Celebrity.” In Roland Emmerich’s 1998 “Godzilla,” he played the overwhelmed, pompous New York leader deemed Mayor Ebert, a flagrant lampoon of premier film critic Roger Ebert. Lerner was styled to resemble the “At the Movies” co-host in the disaster blockbuster. (Ebert ended up panning the film with a 1.5 star review, though he praised Lerner for a “gamely played” performance.)

Lerner continued regular work after the turn of the century. He played the severe boss to James Caan’s grumpy publishing company exec in the 2003 holiday comedy “Elf,” as well as a mutant-weary U.S. Senator in the 2014 blockbuster “X-Men: Days of Future Past.”

(8) MEMORY LANE.

1888[Compiled by Cat Eldridge.]

Our Beginning is both that of Arthur Conan Doyle’s A Study in Scarlet and of the best known consulting detective to ever grace the pages of fiction, Sherlock Holmes. 

The November 1887 issue of Beeton’s Christmas Annual published Arthur Conan Doyle’s A Study in Scarlet which showed us for the first time Sherlock Holmes and his friend Watson. Only eleven known copies of this issue are known to exist. 

It would be published in book form in 1888 by Ward, Lock & Co. 

It’s hard to believe there’s a single soul here who doesn’t know the story of these characters but I’m playing by our established rules, so no spoilers. So let’s go to our Beginning.

MR. SHERLOCK HOLMES

IN the year 1878 I took my degree of Doctor of Medicine of the University of London, and proceeded to Netley to go through the course prescribed for surgeons in the army. Having completed my studies there, I was duly attached to the 5th Northumberland Fusilier as assistant surgeon. The regiment was stationed in India at the time, and before I could join it the second Afghan f war had broken out. On landing at Bombay, I learned that my corps had advanced through the passes and was already deep in the enemy’s country. I followed, however, with many other officers who were in the same situation as myself, and succeeded in reaching Candahar in safety, where I found my regiment and at once entered upon my new duties.

The campaign brought honors and promotion to many, but for me it had nothing but misfortune and disaster. I was removed from my brigade and attached to the Berkshires, with whom I served at the fatal battle of Maiwand. There I was struck on the shoulder by a Jezail bullet, which shattered the bone and grazed the subclavian artery. I should have fallen into the hands of the murderous Ghazis had it not been for the devotion and courage shown by Murray, my orderly, who threw me across a pack-horse and succeeded in bringing me safely to the British lines.

Worn with pain, and weak from the prolonged hardships which I had undergone, I was removed, with a great train of wounded sufferers, to the base hospital at Peshawur. Here I rallied, and had already improved so far as to be able to walk about the wards, and even to bask a little upon the veranda, when I was struck down by enteric fever, that curse of our Indian possessions. For months my life was despaired of, and when at last I came to myself and became convalescent, I was so weak and emaciated that a medical board determined that not a day should be lost in sending me back to England. I was despatched, accordingly, in the troopship Orontes, and landed a month later on Portsmouth jetty with my health irretrievably ruined, but with permission from a paternal government to spend the next nine months in attempting to improve it.

I had neither kith nor kin in England, and was therefore as free as air—or as free as an income of eleven shillings and sixpence a day will permit a man to be. Under such circumstances, I naturally gravitated to London, that great cesspool into which all the loungers and idlers of the empire are irresistibly drained. There I stayed for some time at a private hotel in the Strand, leading a comfortless, meaningless existence, and spending such money as I had considerably more freely than I ought. So alarming did the state of my finances become, that I soon realized that I must either leave the metropolis and rusticate somewhere in the country, or that I must make a complete alteration in my style of living. Choosing the latter alternative, I began by making up my mind to leave the hotel and to take up my quarters in some less pretentious and less expensive domicile.

On the very day that I had come to this conclusion, I was standing at the Criterion bar, when some one tapped me on the shoulder, and turning round I recognized young Stamford, who had been a dresser under me at Bart’s. The sight of a friendly face in the great wilderness of London is a pleasant thing indeed to a lonely man. In old days Stamford had never been a particular crony of mine, but now I hailed him with enthusiasm, and he, in his turn, appeared to be delighted to see me. In the exuberance of my joy I asked him to lunch with me at the Holborn, and we started off together in a hansom.

“Whatever have you been doing with yourself, Watson?” he asked, in undisguised wonder, as we rattled through the crowded London streets.

“You are as thin as a lath and as brown as a nut.”

I gave him a short sketch of my adventures, and had hardly concluded it by the time that we reached our destination.

“Poor devil!” he said, commiseratingly, after he had listened to my misfortunes. “What are you up to now?”

“Looking for lodgings,” I answered. “Trying to solve the problem as to whether it is possible to get comfortable rooms at a reasonable price.”

“That’s a strange thing,” remarked my companion; “you are the second man to-day that has used that expression to me.

“And who was the first?” I asked.

“A fellow who is working at the chemical laboratory up at the hospital. 

He was bemoaning himself this morning because he could not get some one to go halves with him in some nice rooms which he had found, and which were too much for his purse.”

“By Jove!” I cried; “if he really wants some one to share the rooms and the expense, I am the very man for him. I should prefer having a partner to being alone.”

Young Stamford looked rather strangely at me over his wineglass.

“You don’t know Sherlock Holmes yet,” he said; “perhaps you would not care for him as a constant companion.”

“Why, what is there against him?”

“Oh, I didn’t say there was anything against him. He is a little queer in his ideas—an enthusiast in some branches of science. As far as I know, he is a decent fellow enough.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 10, 1897 Eric Knight. Decidedly better known for his 1940 Lassie Come-Home novel which introduced Lassie who I cannot stretch to be even genre adjacent for the soul of me, but he had one genre undertaking according to ISFDB, the Sam Small series. I’ve never heard of them, nor are they available in digital form though Lassie Come-Home of course is. Anyone read them? (Died 1943.)
  • Born April 10, 1921 Chuck Connors. His first genre role was as Senator Robert Fraser in Captain Nemo and the Underwater City followed by being Tab Fielding in Soylent Green. He’s Captain McCloud in Virus, a Japanese horror film, and he had one-offs in The Adventures of SupermanThe Six Million Dollar ManFantasy Island and a recurring role as Captain Janos Skorzenyn in Werewolf. (Died 1992.)
  • Born April 10, 1929 Max von Sydow. He played Ernst Stavro Blofeld in the Never Say Never Again and Ming the Merciless in Flash Gordon. He shows up in the Exorcist II: The Heretic as Father Lankester Merrin while being King Osric in Conan the Barbarian. Dreamscape sees him being Doctor Paul Novotny while he’s Liet-Kynes the Imperial Planetologist in Dune. He was Judge Fargo in Judge Dredd (and yes I still like it), in Minority Report as Director Lamar Burgess, Sir Walter Loxley in Ridley Scott’s Robin Hood and finally in Star Wars: The Force Awakens as Lor San Tekka. (Died 2020.)
  • Born April 10, 1953 David Langford, 70. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the Encyclopedia of Science Fiction, not to mention hundreds of thousands of words as a principal editor of the third (online) edition of the publication, and some eighty thousand words of articles to the most excellent Encyclopedia of Fantasy as well. And let’s not forget his genre writing as well that earned him a Best Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”.  And he has won 28 other Hugos for his fan writing, for Ansible, and his work on the third edition of EoSF
  • Born April 10, 1955 Pat Murphy, 68. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects.
  • Born April 10, 1957 John M. Ford, 1957 –  2006 Damn, he died far too young! Popular at At Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. (And no, the Suck Fairy hasn’t gotten near when I last read it.) The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing.  He’s finally back into print after a very long time. (Died 2006.)
  • Born April 10, 1962 — James H. Burns. Every search I did in putting together this late Filer’s Birthday ended back here. That he was beloved here, I have no doubt. In OGH’s obituary for Burns in 2016 he said Burns’ pride was this trio of posts that paid tribute to the influence of his father — My Father, And The BrontosaurusSons of a Mesozoic Age, and World War II, and a Lexicon in Time. Burns also wrote for File 770 about memories of “growing up fannish,” such as the very popular Once, When We Were All Scientists, and CLANKY!. And his good friend Steve Vertlieb also has reminisced about Burns here. (Died 2016.)
  • Born April 10, 1992 Daisy Ridley, 31. Obviously she played the role of Rey in The Force AwakensThe Last Jedi and The Rise of Skywalker. She will reprise her role as Rey in an yet untitled Star Wars film set that is after The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on The Orient Express.

(10) COMICS SECTION.

  • Heart of the City shows us an episode of what Filers might call SJW Credential Court TV. (Hint: this is cat humor.)

(11) STRONG SALES PITCH. Charlie Jane Anders makes some pretty wild promises in the “Here’s What I’ll Do If You Buy My New Book!” section of her latest Happy Dancing newsletter. Here’s just the first of many:

…But regardless of where and how you purchase Promises Stronger Than Darkness, here are all the things I will do for you, because I love you and appreciate your support.

I will ship you, by zeroeth class mail, a portable ambient sexifier, which for 24 hours after activation, will render every inanimate object in your vicinity thirty-nine percent sexier. Your drapes will billow sexily. The cracks in the sidewalk will wink salaciously. Newspaper articles about the impending mulchification of civilization will appear diaphanous. The uneaten crusts of your morning toast will salute you….

(12) JUST ADD CUSTOMERS. “German monks create world’s first powdered beer”New Atlas has details.

A monastic brewery in East Germany says it’s created the first powdered beer. Just add water, and it’ll froth up, complete with a foamy head and full flavor. The result promises massive savings on transport, because it can be shipped at 10% of the weight.

Klosterbrauerei Neuzelle worked together with “technology partners” and used funding from BMWi to create its first powdered product, a dextrin-rich zero-alcohol beer which has been brewed using conventional methods, then “processed and prepared into a water-soluble beer powder/granulate.”…

(13) YOU NEVER KNOW. According to AP News, “’The Super Mario Bros. Movie’ is a box office smash”.

Audiences said let’s go to the movie theater for “ The Super Mario Bros. Movie ” this weekend. The animated offering from Universal and Illumination powered up with $204.6 million in its first five days in 4,343 North American theaters, including $146.4 million over the weekend, according to studio estimates on Sunday.

With an estimated $173 million in international earnings and a global total of $377 million, “Mario” broke records for video game adaptations (passing “Warcraft’s” $210 million) and animated films (“Frozen 2’s” $358 million).

Its global total makes it the biggest opening of 2023 and the second biggest three-day domestic animated opening (behind “Finding Dory”). It’s also a record for Illumination, the animation shop behind successful franchises like “Minions,” which has made over $5 billion from its 13 films….

(14) VIDEO OF THE DAY. [Item by N.] Animated fantasy series The Owl House received a final season that was truncated to only three hour-long episodes, despite the outcry of both the creator and its fanbase. In the face of that challenge the show has given viewers arguably its best episodes. The final episode has been uploaded to YouTube in full for free (as the previous two were), bringing The Owl House to a close after three years. “The Owl House Season 3 Final Episode”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Gary Farber, P. J. Evans, Daniel Dern, N., Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/25/20 I Don’t Know, Batman. Why *Is* A Pixel Like A Writing Desk?

(1) HWA SERIES. The Horror Writers Association Blog continues its Women in Horror Month series of interviews with “Females of Fright: Linda Addison”.

3) Who were/are your biggest influences?
That is a long list of people. The first person that influenced me to write is my mother. She was a fantastic storyteller and would entertain the nine of us with fables she made up. This made it feel very natural to create stories for me. Also, two strong female characters from the Star Trek television series were huge influences: Uhura (Nichelle Nichols) as the first Black female officer in a SF series and Christine Chapel (Majel Barrett) whose character said more with a look than words.

When I was in high school, I loved Maya Angelou, Ralph Ellison, Toni Morrison, Alice Walker, James Baldwin, Eudora Welty, and Langston Hughes because of the music in their writing. In college, I discovered genre writers Isaac Asimov, Anne McCaffrey, Robert Heinlein, Octavia Butler, Nancy Kress, and Connie Willis. In horror, some of my female influences were Anne Rice, L. A. Banks, Elizabeth Massie, Marge Simon, and Charlee Jacob. Looking back, I see that I read more male SF and horror writers than female because the field didn’t have as many in print as they do now and even fewer Black female writers.

When my story was published in Sheree R. Thomas’ Dark Matter anthology in 2000, it gave me so much exposure and made a huge difference in my career. Others lifted me up with their belief in my writing early on: Jack Ketchum, Terry Bisson, Nancy Kress, Straub, L. A. Banks, Douglas Clegg, and so many more…

(2) CHANGING OF TH GUARD AT DISNEY. “Bob Iger steps down at Disney, Bob Chapek named new CEO” – the LA Times has details:

In a stunning move that marks the end of an era for one of the entertainment industry’s great corporate success stories, Bob Iger on Tuesday stepped down as chief executive of Walt Disney Co. after 15 years in the job.

Bob Chapek, a 27-year Disney veteran who most recently led the company’s massively important parks and consumer products business, was named Iger’s successor, effective immediately.

Iger, 69, has assumed the role of executive chairman, the company said. In that role, he will direct the Burbank entertainment giant’s creative endeavors and help guide the company’s board through the leadership transition until the end of his contract on Dec. 31, 2021, Disney said in statement.

Disney’s CEO succession plan was the subject of speculation for years as Iger delayed plans to leave the company. Disney’s board last extended Iger’s contract was in December 2017, when Disney announced that it was buying much of 21st Century Fox from Rupert Murdoch. As part of those negotiations, Murdoch requested that Iger stay on to run the company rather than leave when he’d planned….

(3) RETRO DRAMA. Mark Leeper has finished his complete overview of all feature-length dramatic presentations eligible for the Retro Hugo. Originally done in three installments, the full article now is available here — “Comments on the 1945 Retro Hugo Nominations in the Dramatic Presentation Category”.

Members of the 2020 World Science Fiction Convention will be given an opportunity to vote retroactively for Hugo Awards for 1945, for works from 1944. I am not actually old enough to have been around in 1944. The year 1944 was roughly a flowering when fantastic media was seen by much of the public. I am not sure when I started seeing fantastic media from the year 1944 until about 1960, but I do remember the early general public availability of some of the films nominated for a 1944 Retroactive Hugo. They had science fiction and fantasy for which the fiction was absurdly bad (but fun) and the “science” contained no science at all. It can still be fun to be misinformed by science from someone who knows less science than you do and by fiction that is just written. There is a certain charm to science fiction written by someone with no obvious understanding of science trying their best to make it sound credible

Many true fans of science fiction and fantasy still retain an interest in the fantasy fiction from 80 years earlier. Reading it creates an atmosphere from a writing style of decades ago. Few fans delude themselves into believing that this prose eight decades old is true artistry.

Personally I see only one or two titles among the nominees that say to me “classic.” By the time I finish this article you will probably have very little doubt which two are the ones that I consider the true classics. In the meantime I will hint for the reader think about which would the real classic be. Evelyn and I will both be viewing the choice of nominees and independently recording our opinions.

Enjoy your sojourn to the fun films of 1944. I know I will.

(4) SEES RIGHT THROUGH IT. “‘The Invisible Man’: Film Review” in The Hollywood Reporter.

This is not your father’s or, for that matter, grandfather’s The Invisible Man, even though it marks the launch of Universal’s revived attempt to seriously refresh and refashion its 1930s/’40s horror lineup for the modern age. Rather, enterprising writer-director Leigh Whannell (writer of Saw and Insidious and director of Insidious: Chapter 3) has imaginatively gone in a different direction by meeting the requirements of the title both literally and figuratively. At the same time, the movie stakes a claim for new mystery-horror territory worthy of a talent like Elisabeth Moss, who amplifies the qualities of the script with a top-shelf woman-in-severe-jeopardy performance…. 

(5) DON’T OPEN THE BOX! Last night on PBS’ Antiques Roadshow:

Caution: this appraisal may melt your face off! Watch as James Supp appraises a prototype Ark of the Covenant from the 1981 Indiana Jones film “Raiders of the Lost Ark” at Crocker Art Museum in Sacramento, CA.

(6) A STEP ON THE WAY TO MARS. The LA Times reports “SpaceX gets approval to build its Mars spaceship at Port of L.A.”

The Los Angeles City Council approved a permit Tuesday that allows the Elon Musk-led company to use a site on Terminal Island at the port to build aerospace parts.

With the vote, SpaceX is now cleared to start work at the site; last week, the L.A. Board of Harbor Commissioners green-lighted the permit.

SpaceX representatives told L.A. City Councilman Joe Buscaino’s office that the company was interested in the port site because it needed additional manufacturing capacity for its Starship spaceship and rocket booster. A SpaceX representative at last week’s harbor commissioners meeting did not mention Starship by name during his presentation of the project, but he said the company would use the port site to further its goal of creating an interplanetary society that includes Mars.

(7) TODAY IN HISTORY.

  • February 25, 1999 Escape from Mars premiered on UPN. It was directed by Neill Fearnley and produced  by Peter Lhotka. It was written by im Henshaw, Peter Mohan. It starred Lia Poirier, Allison Hossack , Peter Outerbridge, Allison Hossack and Michael Shanks. There are no critical reviews of it but the reviews at IMDB and Amazon make it clear that this is a horrible film.  And the audience numbers at Rotten Tomatoes are simpatico withose opinions at 27%. You can see it here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 25, 1906 Mary Chase. Journalist, playwright and children’s novelist. She’s best remembered for the Broadway playwright who penned Harvey which was later adapted for the film that starred James Stewart. Her only other genre work was the children’s story, “The Wicked, Wicked Ladies In the Haunted House”. The latter is available at the usual digital publishers but Harvey isn’t. You can get Harvey as an audiobook. (Died 1981.)
  • Born February 25, 1909 Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. His Tales of a Darkening World work is certainly well-crafted and entertaining. He’s deeply stocked at reasonable prices at the usual digital publishers. (Died 1976.)
  • Born February 25, 1913 Gert Fröbe. Goldfinger in the Bond film of that name. He also the Baron Bomburst in Chitty Chitty Bang Bang, Professor Van Bulow in Jules Verne’s Rocket to the Moon and Colonel Manfred von Holstein in Those Magnificent Men in their Flying Machines, a film that’s at least genre adjacent. (Died 1988.)
  • Born February 25, 1917 Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film.  I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
  • Born February 25, 1922 Robert Bonfils. Illustrator, known for his covers for pulp paperback covers, many of an erotic nature. I’ve not heard of him but ISFDB lists quite a few genre works that are, errr, graced by his work. Sex is certainly his dominant theme as can be seen in the covers of Go-Go SADISTO, Orgy of the Dead and Roburta the Conqueress. I’ve included the cover of From Rapture with Love, an obvious rip-off a Bond film, as an example of his work. (Died 2018.)
  • Born February 25, 1938 Diane Baker, 82. She starred in Journey to the Center of the Earth with James Mason,  and shortly thereafter, she’s Princess Yasmin in The Wizard of Baghdad.  She’s Kathy Adams in the “Beachhead” episode of The Invaders, and Fran Woods in the “Saturday’s Child” episode of the original Fantasy Island. I think her last genre role was as Dolores Petersen in the “Water, Water Everywhere” episode of Mann and Machine.
  • Born February 25, 1938 Malcolm Tierney. He’s Lt. Shann Childsen, the Imperial Prison Officer who questions Skywalker and Solo on what they are doing with Chewbacca in Star Wars, he’s in the Sixth Doctor story, “The Trial of a Time Lord” as Doland. (Died 2014.)
  • Born February 25, 1944 Mary Hughes. Solely here because she was a bikini-clad robot in Dr. Goldfoot and the Bikini Machine, a too obvious Bond ripoff made entertaining by Vincent Price in the lead role. Her career spanned but three years. Another film she was in was The Ghost in the Invisible Bikini where she played, errr, a bikini clad Mary, and Boris Karloff played The Corpse.
  • Born February 25, 1968 A. M. Dellamonica, 52. A Canadian writer who has published over forty rather brilliant short works since the Eighties. Her first novel, Indigo Springs, came out just a decade ago but she now has five novels published with her latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Pod Castle 562. It was in  Mojo: Conjure Stories, edited by Nalo Hopkinson.
  • Born February 25, 1971 Sean Astin, 49. His genre roles include Samwise Gamgee in the Rings trilogy, Mikey Walsh in The Goonies, and Bob Newby in the second season of Stranger Things. He also shows up in Justice League: War and in Justice League: Throne of Atlantis filmsvoicing both aspects of Shazam, a difficult role to pull off. He reprises that role on the Justice League Action series. 

(9) COMICS SECTION.

  • Lio finds one size does not fit all when it comes to being abducted by aliens.

(10) SQUOOBS AND COMPANY. When Mysterious Galaxy bookstore reopened in San Diego this month, representatives of the Mandalorian Mercs and Imperial Sands Garrison were on hand: “Mercs ‘Haran’galaar – Mysterious Galaxy Grand Opening’ Event Report”.

Event location: San Diego, CA
Date: February 08, 2020
Clan(s) Involved: Haran’galaar Clan
Mission Objective: Photo ops
Event Report: Mysterious Galaxy book store opened its doors again and Haran’galaar member Squoobs Jaro was there to show support. Guests were treated to photo ops with Squoobs along with members of the Imperial Sands Garrison.

(11) LAW LAW LAND. In “Useful Laws of the Land” on the Collaborative Fund website, Morgan Heusel discusses “Benford’s law of controversye:  “Passion is inversely proportional to the amount of real information available,” which Gregory Benford promulgated in Timescape.

8. Benford’s law of controversy: “Passion is inversely proportional to the amount of real information available.”

The line appeared in science fiction author Gregory Benford’s book Timescape.

Data has a way of keeping excitement in check, whereas if you have to take a leap of faith on something you’re likely to leap as far as your mind allows.

The median income of the people of another state: data I can confirm and everyone can agree on.

The feelings and political beliefs of the people of another state: no way for me to easily tell. But I can guess and draw conclusions, some of which are wrong and missing content, and might anger me, which angers them, and so on.

Former Netscape CEO Jim Barksdale once said, “If we have data, let’s look at data. If all we have are opinions, let’s go with mine.”

He wasn’t serious, but it seriously explains a lot of things.

(12) IT’S A BABY! In the Washington Post, David Betancourt, reporting from the Toy Fair New York, says the market is about to be flooded with Baby Yoda merchandise, including a doll that makes baby noises if you hold his left hand and the theme from “The Mandalorian” if you hold the right.  He interviews “Mandalorian” producer Dave Piloni, who says that one reason why Baby Yoda merchandise is becoming available now is that they wanted to surprise people with the character and couldn’t start production of Baby Yoda stuff until after the show was launched: “Baby Yoda toys are finally arriving. Sure, they missed the holidays — but at least that prevented spoilers.”

And on Thursday at the Dream Hotel in Manhattan, the Child was everywhere. Legos, action figures, costumes, backpacks, hats, shirts, wallets and socks were all on display. An image of the now-classic moment in “The Mandalorian” when a young Baby Yoda reaches out of a capsule and extends the cutest finger in the universe for the first time? Framed and ready for your wall. The capsule itself? Also available, and featuring an animatronic Baby Yoda that blinks, coos and will melt your heart, for $60.

(13) YOU’RE INVITED TO GO APE. Fathom Events is selling tickets to a theatrical screening of King Kong on March 15.

In the classic adventure that made her a star, Fay Wray plays the beautiful woman who conquers the savage heart of a giant ape.

(14) FROM DA VINCI TO DA CAPO. Dan Brown’s next project is for young children. Wild Symphony, a hybrid picture book and album, featuring a mouse conductor who recruits other animals to join his orchestra.

Before he became a best-selling writer, Dan Brown was an aspiring musician. In 1989, he self-produced an album of children’s music he arranged on synthesizers, titled “Musica Animalia.” It sold around 500 copies, and Brown soon forgot about it.

He had better luck as a novelist, with page-turners like “The Da Vinci Code,” “The Lost Symbol” and other thrillers that collectively have more than 220 million copies in print.

Now, three decades later, Brown is reviving his musical career with a hybrid children’s album and picture book that grew out of the music and poems he wrote for “Musica Animalia.”

(15) STEALING COMEDY GOLD. James Davis Nicoll acquaints Tor.com readers with a Donald Westlake series in “A Funny Thing Happened on the Way to the Heist”.

…Just as Parker was the perfect lead for noir crime novels, hapless, likeable Dortmunder was the perfect lead for a comic heist series. There’s always stuff that needs stealing in New York; there are no end of unanticipated complications that can transform what was on paper a simple plan into a hilariously inconvenient maze of stumbling blocks for Dortmunder and his crew. It’s no surprise, therefore, that Westlake wrote fourteen novels and eleven or so short stories about John Dortmunder, Kelp, Murch, Tiny, and the rest of the crew before the author’s death put an end to the series.

(16) TEAMING WITH A ROBOT. “What do we look for in a ‘good’ robot colleague?” BBC devotes a long article to answering the question, with field observations as well as speculation.

How can we make our robot colleagues feel more at home? Teams of psychologists, roboticists and managers are trying to find out.

With a tank-like continuous track and an angular arm reminiscent of the Pixar lamp, the lightweight PackBot robot was designed to seek out, defuse and dispose of the improvised explosive devices, or IEDs, that killed and injured thousands of coalition soldiers during the wars in Iraq and Afghanistan. Bomb disposal was and is highly dangerous work, but the robot could take on the riskiest parts while its human team controlled it remotely from a safer distance.

US Army explosive ordinance disposal technician Phillip Herndon was assigned a PackBot during his first tour in Iraq. Herndon’s team named their robot Duncan, after a mission when the robot glitched and began spinning in circles, or doughnuts (doughnuts led to Dunkin Donuts, hence Duncan). His fellow bomb disposal techs named theirs too, and snapped photos of themselves next to robots holding Xbox controllers, dressed in improvised costumes or posing with a drink in their claws.

A PackBot was a piece of lifesaving kit, but it also felt like a comrade. No other equipment evoked the same kind of emotional pull, said Herndon, who retired from the army in 2016 as a first sergeant. Duncan’s final mission came one night when an enemy combatant fired on the robot as it worked to defuse a bomb. The strike disabled the IED, potentially saving lives, but destroyed the robot. “It was actually kind of a sad day for all of us,” says Herndon. “You do wind up in this situation where you have this robot for a tremendous amount of your operations, and all of a sudden you’re without a robot… There’s this emotional and operational missing link.”

Herndon was hardly alone in his attachment. Bomb-disposal robots have proven to be highly effective both at clearing explosives and at eliciting affection from their human handlers, some of whom have held robot funerals and award ceremonies for favoured bots.

These relationships offer illuminating insights into the experience of working with a robotic teammate, something an increasing number of workers in fields from healthcare to retail will be called on to do.

…‘Helping, not taking jobs’

“You need to think from the beginning of how you’re going to put these teams together, and give the robot [or] AI the job that the robot or AI does best and that the human doesn’t want to do, or that’s too boring or dangerous for the human,” says Nancy Cooke, a professor of cognitive science and director of Arizona State University’s Center for Human, Artificial Intelligence, and Robot Teaming.

(17) WHERE DID THE VIRUS COME FROM. “Coronavirus: The race to find the source in wildlife” – BBC has the story.

…Somewhere in China, a bat flits across the sky, leaving a trace of coronavirus in its droppings, which fall to the forest floor. A wild animal, possibly a pangolin snuffling for insects among the leaves, picks up the infection from the excrement.

The novel virus circulates in wildlife. Eventually an infected animal is captured, and a person somehow catches the disease, then passes it on to workers at a wildlife market. A global outbreak is born.

Scientists are attempting to prove the truth of this scenario as they work to find wild animals harbouring the virus. Finding the sequence of events is “a bit of a detective story”, says Prof Andrew Cunningham of Zoological Society London (ZSL). A range of wild animal species could be the host, he says, in particular bats, which harbour a large number of different coronaviruses.

So how much do we know about the “spillover event”, as it’s known in the trade? When scientists cracked the code of the new virus, taken from the body of a patient, bats in China were implicated.

The mammals gather in large colonies, fly long distances and are present on every continent. They rarely get sick themselves, but have the opportunity to spread pathogens far and wide. According to Prof Kate Jones of University College London, there is some evidence bats have adapted to the energetic demands of flight and are better at repairing DNA damage. “This might enable them to cope with a higher burden of viruses before getting sick – but this is just an idea at present.”

…The second part of the puzzle, then, is the identity of the mystery animal that incubated the virus in its body and possibly ended up in the market at Wuhan. One suspect for the smoking gun is the pangolin.

(18) COMPUTERIZED INCOMPETENCE. BBC reports “Pets ‘go hungry’ after smart feeder goes offline”.

Owners of a device designed to release food for pets say their animals were left hungry during a week-long system failure.

Petnet allows owners to schedule and control feeding via a smartphone app.

When the BBC contacted Petnet on its advertised email address, the email bounced back with a delivery failure notice.

One pet owner tweeted: “My cat starved for over a week”, while others complained about other hardware issues.

“My three Gen2 feeders constantly jam and won’t dispense food,” wrote another.

[Thanks to Chip Hitchcock, Evelyn Leeper, Cat Eldridge, Andrew Porter, Martin Morse Wooster, John King Tarpinian, JJ, Michael Toman, James Davis Nicoll, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Oldest Niece’s Live Commentary on Raiders of the Lost Ark

Aunt Carol’s Oldest Niece is my daughter. When they get together to watch a movie, Aunt Carol captures her Oldest Niece’s wisecracks in a Facebook post. I am privileged to present their latest opus. (A little like Mystery Theater 2018…)

Aunt Carol identifies her own comments as “Me.” Oldest Niece’s comments are either in quotes, or preceded by ON.


Me: My Oldest Niece (who turns 16 next week) will be watching Monty Python and the Holy Grail followed by Indiana Jones and the Last Crusade for her party. So I figured we should watch Raiders of the Lost Ark first.


“The donkey looks offended.”


“Ah! Spiders!


Me: (After Indy tells Alfred Molina to stay there)
ON: “Oh sure, I’ll get right on that.”


ON: Oh, it’s one of those museum switches!
Me: Huh?
ON: With the sand!
Me: Yeah, this is where the trope came from.


“How is the boulder so perfect?”


“He looks so offended!”


Sings along with the music
“I like how I know the music.”


“Oh, a snek!”


“Giant spiders? Fine. One snake? NOPE!”


“That is a GREAT sweater vest.”


ON: That’s so weird.
Me: What, the plane?
ON: Yeah, that there’s no security.


“Why is he so sweaty?”


“The place is going to burn down with the medallion inside?”


ON: Does it burn the hands of those that aren’t worthy?
Me: No it’s just sitting in fire.
ON: I like my version better.


“She stole a pan. And then climbed into a basket.”


“The monkey is not your friend.”


“Tasty poison!”


“Oh yeah, the monkey’s gonna die.”


“Yay, the monkey died. I did not like him.”


ON: Is Marian really dead?
Me: Do you want me to tell you?
ON: No.


Me: I’m just standing here…
ON: Next to a hole with the map room where we’re not supposed to go…
Me: Like ya do.


(After seeing the snakes)
“I am not a fan of that. That is about a hundred snakes too many for me.”


Me: Why is there gasoline down there?
ON: Let it live.


“He made a hanger! A portable hanger! That’s funny. I love him, he’s dumb.”


“So much gasoline…”


“Who is this bald guy? He is so pink he’s either sweaty or sunburnt.”


“He’s got little goggles!”


“Smiles at German dude, throws him out of window.”


“Not the pots!”


“Motorcycle sidecar! Weapon of true destruction!”


“Attack of the palm trees.”


“He’s going to have aggressive road burn on his ankles.”


“It’s a Mercedes!”


“Oh, He is not having a good day. His butt must be hurting so bad!”


“That’s not how physics works!”


(Regarding the locals)

“If I was these guys, I would hate them so much.”


Me: Indy does not deserve a friend like Sallah.
ON: He does NOT. Honestly, neither does Marian.


ON: Did the Ark just…?
Me: It doesn’t like Nazis.
ON: It’s sentient?
Me: shrugs


“He’s gonna bazooka them!”


“Ew. I love burning off my flesh.”


“I would not want to hug someone that sweaty.”


“I love the researcher named ‘Top Men.’”


“She’s gonna out-drink ya, Buddy.”


“Ah yes, ‘top men’ studying it. In a warehouse.”