Natalie Naudus’s skilled narration adds to the luminous and otherworldly qualities of Vo’s historical fantasy. Luli Wei is determined to be a star. But in her world, that means making dangerous pacts, trading away years of her life, and fending off literal monsters. Naudus moves from character to character with ease, enlivening the ambitious and bold Luli, the captivating women she falls for, and the roaring executives who are looking to own Luli’s soul. Naudus conveys all of Luli’s passion as she delivers her lines for her starring role as the monstrous Siren Queen. A surreal and spellbinding story of a Golden Age Hollywood that is steeped in ancient magic.
THE MEMORY LIBRARIAN: And Other Stories of Dirty Computer
by Janelle Monáe| Read by Janelle Monáe, Bahni Turpin
Musician and actor Janelle Monáe adds author and narrator to her considerable list of accomplishments with this story collection based on themes from her 2018 album DIRTY COMPUTER. The totalitarian entity New Dawn seeks to strip away all perceived deviance from humanity. Monáe’s narration of the eponymous first story is softly menacing as she introduces listeners to Seshet, a bureaucratic memory thief who longs for love and connection. Bahni Turpin narrates the rest of the stories in her engaging voice, using crisp and flexible tones to portray characters at odds with Seshet’s mission. Together, they create a memorable experience for listeners seeking classic science-fiction themes with new horizons.
by Rebecca Roanhorse| Read by Christian Barillas, Darrell Dennis, Cara Gee, Nicole Lewis, Shaun Taylor-Corbett
Five talented narrators continue an epic fantasy story of political upheaval, magic, and destiny in the Meridian. Serapio, portrayed with intensity and vulnerability by Shaun Taylor-Corbett, is struggling to maintain his humanity after becoming the living avatar of the Crow God. Cara Gee voices priestess Naranpa with wonder as she discovers she has been reborn as the Sun God, the Crow God’s bitter enemy. Each narrator propels the story forward in turn, expertly conveying the tangled fears and ambitions of its many characters. Listeners will be eager for the third part of this tense series inspired by pre-Columbian societies.
Golden Voice narrator Julia Whelan gives a thoughtful performance of a novel focused on a fundamental question: Would you want to know how long you’re going to live? One night everyone 22 years and older receives a box containing a length of string that tells them how much longer they will live. Would you open the box? Whelan introduces listeners to characters who have a range of reactions to that question. She provides a sense of intimacy to their stories as she calmly explores the dramatic ways the world changes for each one. Whelan shares the intensity of their emotions and the camaraderie that develops, especially among the “short stringers” who are soon to die.
THE CANDY HOUSE
by Jennifer Egan| Read by Michael Boatman, Nicole Lewis, Thomas Sadoski, Colin Donnell, Griffin Newman, Rebecca Lowman, Jackie Sanders, Lucy Liu, Christian Barillas, Tara Lynne Barr, Alex Allwine, Emily Tremaine, Kyle Beltran, Dan Bittner, Chris Henry Coffey, and a Full Cast
The ensemble performance of this novel is exceptional. Michael Boatman narrates the opening chapter at the right pace with the right intonation. He captures the interior life of the enigmatic Bix Boughton, a social media genius who invents the world-altering technology “Own Your Unconscious.” Alex Allwine delivers a haunting automaton-like second-person narration of the chapter titled “Lulu the Spy, 2032”; Tyra Lynne Barr emulates the chirpy sound of 13-year-old Molly in “The Perimeter After-Molly”; and Dan Bittner supplies sharply insightful tone as Ames, whose life story ends this imaginative tour de force. While Egan reprises some of the characters from her award-winning A VISIT FROM THE GOON SQUAD, this novel has a wider timeframe, a greater trajectory, and a more complex plot.
by Peng Shepherd| Read by Emily Woo Zeller, Nancy Wu, Karen Chilton, Ron Butler, Neil Hellegers, Jason Culp, Brittany Pressley
A superb ensemble of narrators animates this exciting tale of friendships and betrayals, a cartographers’ cabal, maps, murder, and missing towns. Among her father’s effects, cartographer Nell discovers what appears to be a worthless 1930s highway map. However, this map hides dark secrets as well as a “phantom settlement” known only to “the Cartographers.” Possessing it puts Nell in great danger. Nell’s third-person point of view comes alive with narrator Emily Woo Zeller’s artistry, while the other narrators’ perceptive interpretations create fascinating, believable secondary characters. Outstanding performances highlight Peng Shepherd’s thrilling magical literary mystery.
Narrator Amara Jasper faithfully delivers Kingfisher’s audiobook filled with fairy-tale magic. Princess Marra’s oldest sister dies under mysterious circumstances only months after her marriage. Her second sister marries the same prince, but when his abuse comes to light, Princess Marra embarks on a perilous quest to save her with a gravewitch, her fairy godmother, an exiled knight, a dog made of bones, and a demon-possessed chicken. Jasper’s unhurried pace and impassive tone perfectly complement the story’s dry humor. Her skill and commitment to creating diverse voices offer listeners distinct and emotionally connected characters—and bird caws. Jasper easily immerses listeners in the story and keeps them hooked to the end.
Natalie Naudus’s immersive delivery immediately draws listeners into Gladstone’s kaleidoscopic adventure. Estranged in the wake of their last failed mission, a group of friends with deep wounds and unusual powers must reunite to defeat forces that are threatening to tear apart all realities. Naudus readily dives into a sprawling, harrowing narrative of perilous battles, ominous voices in the dark, gut-wrenching flashbacks, and defiant feats of magic and science. Characterizations range from courageous and clever to horrifying and unhinged. Underpinning the friends’ expedition is a powerful, complex love story, deftly explored by Gladstone and beautifully rendered by Naudus.
SEA OF TRANQUILITY
by Emily St. John Mandel| Read by John Lee, Dylan Moore, Arthur Morey, Kirsten Potter
The four narrators of Mandel’s newest novel create a mesmerizing listening experience full of time shifts. Kirsten Potter shines as an author on a book tour at the beginning of a 2200s pandemic; her increasingly worried observations hit close to home. Dylan Moore brings a perfect mix of malaise and inertia as a young woman living in 2020 New York. John Lee effortlessly transports listeners to British Columbia in 1918. Arthur Morey’s beautiful, throaty narration of a man from the moon colonies whose life is changed forever by a mysterious government job is haunting and familiar. These interlocking storylines offer a poignant and surprising exploration of love, art, and the beauty of everyday life.
“Best Sci-Fi & Fantasy Audiobooks of 2022—so far!” was curated by AudioFile. AudioFile is an independent source of audiobook reviews and recommendations with a clear focus on the performance and listening experience.
From the large number of stories that series editor John Joseph Adams screened for this year’s collection, he picked the 80 best pieces to submit to editor Rebecca Roanhorse for a blind reading, so that the prestige of the venues or author bylines were not a factor. (The ones Adams designated as notable are shown in a table at the link). Roanhorse then selected 20 for publication (ten science fiction, ten fantasy.)
The book will be published on November 1.
Here is the Table of Contents with the 20 stories they thought the best.
The Captain and the Quartermaster by C.L. Clark from Beneath Ceaseless Skies
Colors of the Immortal Palette by Caroline M. Yoachim from Uncanny
L’Esprit de L’Escalier by Catherynne M. Valente from Tor.com
The Red Mother by Elizabeth Bear from Tor.com
The Cloud Lake Unicorn by Karen Russell from Conjunctions
Skindler’s Veil by Kelly Link from When Things Get Dark
The Frankly Impossible Weight of Han by Maria Dong from khōréō
If the Martians Have Magic by P. Djèlí Clark from Uncanny
I Was a Teenage Space Jockey by Stephen Graham Jones from Lightspeed
10 Steps to a Whole New You by Tonya Liburd from Fantasy
The Cold Calculations by Aimee Ogden from Clarkesworld
Root Rot by Fargo Tbakhi from Apex
Proof of Induction by José Pablo Iriarte from Uncanny
The Algorithm Will See You Now by Justin C. Key from Vital: The Future of Healthcare
Delete Your First Memory For Free by Kel Coleman from FIYAH
The Pizza Boy by Meg Elison from The Magazine of Fantasy & Science Fiction
Broad Dutty Water: A Sunken Story by Nalo Hopkinson from The Magazine of Fantasy & Science Fiction
The Future Library by Peng Shepherd from Tor.com
Tripping Through Time by Rich Larson from Dark Matter
Let All the Children Boogie by Sam J. Miller from Tor.com
(1) BASFF 2022. Rebecca Roanhorse is the guest editor of Best American Science Fiction and Fantasy 2022.
(2) PRO TIP. What’s the best writing advice J. Michael Straczynski’s ever been given?
(3) COMPLAINT: JUSTIFIED OR UNJUSTIFIED? [Item by Anne Marble.] This review of the new alternative history novel The Peacekeeper: A Novel by B.L. Blanchard might make an interesting discussion. There’s also a three-star review showing the same confusion. (This is one of the First Reads book for this month on Amazon, so the potential reviewers probably come outside of SFF, but still… Why can’t people just Google?)
(4) VIDEO GAME NEWS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Norco, a point-and-click adventure game with magical realist elements based on the personal experiences of lead developer Yuts, who grew up in Norco, Louisiana near “a Shell oil refinery that exploded during his childhood in 1988, damaging his house.”
Norco‘s writing nods to Southern Gothic authors such as William Faulkner and Cormac McCarthy alongside genre writers Raymond Chandler and William Gibson. Looking at a vehicle in your garden, you are told: “This truck was your grandfather’s. You remember hiding in his lap while he let you steer. The dead wasps that collected behind the seat. The smell of grease, whiskey and nicotine.’ This terse, stylish language is studded with sharply observed local vernacular and occasional bouts of impressionistic poetry whose adventurous metaphors only rarely stray into purple prose….
..If it all sounds sombre, the game leavens its storytelling with plenty of wackiness and wry humour. There is a detective who wears clown make-up as a fashion choice. A cat on a bookshop counter will, if stroked repeatedly, purr so ecstatically that it flies through the air, crashing through the ceiling.
In this episode, Steve and Tananarive talk to comedian and actor Patton Oswalt about how horror helps us navigate difficult times, the horror-comedy connection, the late Harlan Ellison, and meditation as a tool for coping with stress.
(6) GEORGE PERÉZ (1954-2022) George Pérez, the acclaimed comic book artist and writer known for his work on major DC properties, including Crisis on Infinite Earths and Wonder Woman, along with Marvel’s The Avengers, has died. The Hollywood Reporternoted his passing with a long tribute. He was 67.
Constance here, with the update no one wants to read. George passed away yesterday, peacefully at home with his wife of 490 months and family by his side. He was not in pain and knew he was very, very loved.
We are all very much grieving but, at the same time, we are so incredibly grateful for the joy he brought to our lives. To know George was to love him; and he loved back. Fiercely and with his whole heart. The world is a lot less vibrant today without him in it.
He loved all of you. He loved hearing your posts and seeing the drawings you sent and the tributes you made. He was deeply proud to have brought so much joy to so many.
Everyone knows George’s legacy as a creator. His art, characters and stories will be revered for years to come. But, as towering as that legacy is, it pales in comparison to the legacy of the man George was. George’s true legacy is his kindness. It’s the love he had for bringing others joy – and I hope you all carry that with you always.
Today is Free Comic Book Day. A day George absolutely loved and a fitting day to remember his contributions to comics and to our lives. I hope you’ll enjoy your day today with him in mind. He would have loved that.
Please keep his wife Carol in your thoughts and again, I thank you for respecting her privacy. I remain available through the contact on the page.
George’s memorial service will take place at MEGACON Orlando at 6pm on Sunday, May 22nd. It will be open to all. Details to follow.
We will miss him always.
(7) MEDIA BIRTHDAY.
1997 – [By Cat Eldridge.] Twenty-five years ago, The Fifth Element got its first theatrical exhibition at the Cannes Film Festival, an English-language French film directed by Luc Besson and co-written by Besson and Robert Mark Kamen from a story by Besson.
Artists Jean “Moebius” Giraud and Jean-Claude Mézières, whose books Besson acknowledges are his inspiration for a great deal of the film, were hired for production design. The fabulous if admittedly over-the-top costume design was by Jean-Paul Gaultier who is not in the film. (I checked.) The filming took place in London and Mauritania when nothing in France was available.
It is very much an adolescent fantasy, or fiction if you prefer, as he wrote it at sixteen though he was thirty-eight when it was actually produced. I love the cast which includes among many Bruce Willis, John Neville, Milla Jovovich, Gary Oldman, Ian Holm and, in a role for the ages, Maïwenn Le Besco. Look I love this film — the casting is great, the story works and I love the universe here. I’ve watched it least a half dozen times so far.
The budget was close to ninety million but it made back over two hundred and sixty million. Quite impressive indeed.
So what did the critics think at the time? Let’s as usual start with Roger Ebert of the Chicago Sun-Tribune: “’The Fifth Element,’’ which opened the Cannes Film Festival on Thursday, is one of the great goofy movies–a film so preposterous I wasn’t surprised to discover it was written by a teenage boy. That boy grew up to become Luc Besson, director of good smaller movies and bizarre big ones, and here he’s spent $90 million to create sights so remarkable they really ought to be seen.”
And let us finish with Marc Salov of the Austin Chronicle who obviously didn’t know how old Besson was he wrote the script: “The Fifth Element never takes itself too seriously. Oldman is hilarious as the effete, over-the-top Zorg; Willis plays essentially the same character he’s played in his last five films — ever the scruffy rebel; and Jovavich is gorgeous, charming, and thoroughly believable as Leeloo (thanks to some terrific post-English language skills). Even U.K. trip-hop sensation Tricky scores points as Zorg’s right-hand toadie. Although the film tends to suffer from a severe case of overt preachiness in the third reel (shades of James Cameron’s The Abyss), it’s still a wonderfully visual, exciting ride. Besson remains one of France’s great national treasures, and The Fifth Element is a surprising, delightful melange of old-school dare-deviltry and new-age sci-fi.”
It has a very impressive eighty-six percent rating among audience reviewers at Rotten Tomatoes. It was nominated for a Hugo at BucConeer, the year Contact won. It is streaming on Amazon Prime and Paramount +.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 7, 1922 — Darren McGavin. Oh, I loved him being Carl Kolchak on the original Kolchak: The Night Stalker — How many times have I seen it? I’ve lost count. Yes, it was corny, yes, the monsters were low-rent, but it was damn fun. And no, I did not watch a minute of the reboot. By the way, I’m reasonably sure that his first genre role was in the Tales of Tomorrow series as Bruce Calvin in “The Duplicates“ episode which you can watch here. (Died 2006.)
Born May 7, 1923 — Anne Baxter. The Batman series had a way of attracting the most interesting performers and she was no exception as she ended playing two roles there, first Zelda, then she had the extended recurring role of Olga, Queen of the Cossacks. Other genre roles were limited I think to an appearance as Irene Adler in the Peter Cushing Sherlock Holmes film The Masks of Death. (Died 1985.)
Born May 7, 1931 — Gene Wolfe. He’s best known for his Book of the New Sun series. My list of recommended novels would include Pirate Freedom, The Sorcerer’s House and the Book of the New Sun series. He’s won the BFA, Nebula, Skylark, BSFA and World Fantasy Awards but to my surprise has never won a Hugo though he has been nominated quite a few times. He has been honored as a Grand Master by the Science Fiction and Fantasy Writers of America. (Died 2019.)
Born May 7, 1940 — Angela Carter. Another one taken far too young by the damn Reaper. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very, very adult in tone. Personally I’d recommend The Curious Room insteadas it contains her original screenplays for the BSFA-winning The Company of Wolves which starred Angela Lansbury, and The Magic Toyshop films, both of which were based on her own original stories. Though not even genre adjacent, her Wise Children is a brilliant and quite unsettling look at the theatre world. I’ve done several essays on her so far and no doubt will do more. (Died 1992.)
Born May 7, 1951 — Gary Westfahl, 71. SF reviewer for the LA Times, the unfortunately defunct as I enjoyed it quite a bit Internet Review of Science Fiction, and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films.
Born May 7, 1952 — John Fleck, 70. One of those performers the Trek casting staff really like as he’s appeared in Next Generation, Deep Space Nine in three different roles, Voyager and finally on Enterprise in the recurring role of Silik. And like so many Trek alumni, he shows up on TheOrville.
Born May 7, 1969 — Annalee Newitz, 53. They are the winner of a Hugo Award for Best Fancast at Dublin 2019 with Charlie Jane Anders for “Our Opinions Are Correct”. And their novel Autonomous was a finalist for the Nebula Award for Best Novel, John W. Campbell Memorial Award and the Locus Award for Best First Novel, while winning a Lambda Literary Award. Very impressive indeed. They are also the winner of the Theodore Sturgeon Memorial Award for their best short science fiction, “When Robot and Crow Saved East St. Louis”. They are nominated again this year at Chicon 8 for a Best Fancast Hugo for their “Our Opinions Are Correct” podcast.
(9) STRANGE HAPPENINGS. [Item by Martin Morse Wooster.] In the Washington Post, David Betancourt interviews Benedict Cumberbatch and Elisabeth Olsen about Doctor Strange in the Multiverse of Madness, with Cumberbatch explaining that he thinks Stephen Strange is part of an ensemble and not necessarily the star. “Benedict Cumberbatch on Doctor Strange sequel: ‘It’s not all about him’”.
… Cumberbatch still gets opportunities to flex his own superhero muscles in the new film by playing multiple alternate universe versions of Doctor Strange. These include heroic, seemingly evil and zombielike versions of the superhero, who was created by the late Steve Ditko and Stan Lee and first appeared in Marvel Comics “Strange Tales” No. 110 back in 1963. Cumberbatch first dabbled with a Doctor Strange from a different world when he voiced the character in the animated series “What If…?” last year.
Ego seems to be the common denominator among the variants — he never works well with others. But Cumberbatch says Strange has to learn to rely on someone other than himself.
“These parallel existences have a similarity about them but there’s also key differences,” Cumberbatch said. “It was a challenge … to create something that’s different but at the same time recognizably Strange. There’s an element of him that’s constant. But he’s still really injured by his ego and his arrogance and his belief that he has to be the one holding the knife. This film really undoes that logic and stress-tests him in a way that means his evolution is such that he can’t operate as a solo entity. He has to collaborate.”…
Vancouver’s John Fluevog is joining the USS Enterprise this spring as Starfleet’s official bootmaker.
Fluevog, whose shoes have been worn by the likes of Madonna, Beyoncé, Lady Gaga and even B.C.’s Provincial Health Officer Dr. Bonnie Henry, designed footwear for the cast of the new series Star Trek: Strange New Worlds, which premieres May 5.
He said he feels a sense of connection to Star Trek in that both his shoes and the series offer a sense of escapism….
(12) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Boston Dynamics’s Spot is a hard-working robot but he still likes showing off his latest dance moves! “No Time to Dance”.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Rob Thornton, Lisa Garrity, Anne Marble, Todd Mason, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]
I’m a death scholar and a sustainability researcher at a major tech company, so Cat Rambo’s “The Woman Who Wanted to be Trees” hit home. In the story, a death care worker is asked to memorialize clients in innovative ways, using cutting-edge technologies to blur the boundaries between life and death, and between humans and the natural world. For the past 15 years, I have been researching how people use technology to remember and communicate with the dead. My forthcoming book, Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond, explores the fundamental incompatibility between dreams of technologically mediated life extension and the planned obsolescence of material technologies….
(2) AUTHOR MAGNET. The inaugural Santa Fe Literary Festival will take place May 20-23, at the Santa Fe Community Convention Center in Santa Fe, NM. The authors who are scheduled to appear include Margaret Atwood, Sandra Cisneros, John Grisham, Joy Harjo, Anne Hillerman, Craig Johnson, Phil Klay, Jon Krakauer, Emily St. John Mandel, George R.R. Martin, N. Scott Momaday, James McGrath Morris, Douglas Preston, Rebecca Roanhorse, Bob Shacochis, Colson Whitehead and Don Winslow.
Besides author readings and book signings, the festival will feature meals during which chefs and food writers will talk about the food they’ve prepared, their work and their books; Walk & Talks, during which attendees and authors will together explore parts of Santa Fe; and Tea & Tequila, featuring tea and tequila tastings. On Monday, the last day of the festival, attendees will be able to go on literary day trips in Santa Fe and nearby areas in northern New Mexico.
In your short story “Mercy of the Wild,” you wrote from the viewpoint of a lion. What inspired that story?
“Mercy of the Wild” was a point of experimentation for me. I love to experiment with forms and styles or speculative fiction, and that was one such experiment that I was delighted to follow up on. The story was inspired by an almost childlike, wide-eyed curiosity about what goes on in the minds of the creatures we share the planet with. What if we heard their story, from the horse’s mouth so to speak. Or as the Igbo proverb says, “Until the lion learns to tell its story, the hunt will always glorify the hunter.” This got me wondering, what if the roles were reversed? Its telling impresses on me the need for people of diverse cultures to champion and find spaces for their stories to thrive in the world of today.
(4) GREAT LEAP FORWARD. Cora Buhlert was a guest on the Dickheads podcast (as in Philip K. Dick) and discussed “‘The Big Jump’ – Leigh Brackett” with Grant Warmack and host David Agranoff.
In the first episode of this podcast, Solar Lottery, David said he would someday do this episode. So four years later, in January of this year, he sat down with a couple of colleagues and discussed the lesser-known novel The Big Jump by Leigh Brackett. The pair of talents he was privileged to have here are newcomer to Leigh Brackett writer/music manager/tarot reader Grant Wamack and long time ‘Bracketteer’ teacher/translator/writer and three time Hugo nominee Cora Buhlert. Enjoy.
[Scott Oden:] I put out the call, a few days ago, for a few guest posts relating to the New Edge of Sword & Sorcery. And here is our first victim . . . er, participant. Oliver is a podcaster, a screenwriter, and a novelist; he’s also one of the organizers of the whole New Edge movement. Oliver, you have the floor . .
[Oliver Brackenbury]: …I’ve been in conversations like that before, in other scenes and settings, and I thought “Wouldn’t be nice if all this energy was directed at really changing the situation?”. So I proposed an open, yet specific question – “What could we do to get more young people into this genre we all love?”.
Now, I can take credit for asking the question, but I cannot take credit for the incredible amount of energy I unwittingly tapped into by asking it. The conversation that took off was galloping and enthusiastic and good-natured and productive and WOW!
A genre can grow dull. The accretion of old social mores — the misogyny, racism, and homophobia of bygone eras — can oxidize a genre, making it seem as graceless as a barnacle-encrusted hunk of metal drawn from the sea. A genre’s founders can (and will) die, leaving less-invested imitators to tease out only the surface tropes while its deeper meanings are lost to the ages. And, over time, that genre starts to become irrelevant to the world at large.
In today’s fiction market, this is largely the fate of sword-and-sorcery. Mainstream publishers are loath to market a work as S&S because they consider it a dead end market. Readers less concerned with genre labels use the term nowadays to describe any book with swordplay and magic, from Tolkien to Pratchett — and they’re unaware that it has (or had) a veryspecificmeaning. In short, the term sword-and-sorcery has lost its edge. It has rusted, and is stuck in a very old and problematic scabbard.
There is, however, a nascent movement that has started in the small press sphere to remove that blade from its sheath, to clean the rust from it, sharpen it on a grinding wheel, and fashion a new scabbard — one free from the old problems of the genre. That movement is called the NEW EDGE of S&S….
(6) SUBGENRE GETS NEWSLETTER SOURCE. There’s now also a free weekly sword and sorcery newsletter with the delightful name “Thews You Can Use” from Sword & Sorcery News. It just started.
This week’s Roundup will be a little different—not that you’d know, since it’s the first. Rather than covering the week in S&S news, I’ll go back over the last couple months. Here’s a quick roundup of S&S news from February through April….
Science fiction can have real policy impacts, and comes rife with real-life commentary. For the next, we have selected All Systems Red by Martha Wells.
The novel explores a spacefaring future in which corporate-driven exploratory missions rely heavily on security androids. In Wells’ engaging – at times funny – tale, one such android hacks its own system to attain more autonomy from the humans he is accompanying. The result is a thought-provoking inquiry into the evolving nature of potential human-robot relations.
Join Future Tense and Issues in Science and Technology at 6pm ET on Wednesday, June 1 to discuss the novel and its real-world implications. The book club will feature breakout rooms (they’re fun and stress-free, we promise) where we can all compare notes and share reactions, even if we didn’t finish the book (though we picked a short one this time!).
…In addition to Carell as General Mark Naird, the show also starred an A-list supporting cast of John Malkovich (Dr. Adrian Mallory), Ben Schwartz (F. Tony Scarapiducci), Tawny Newsome (Captain Angela Ali), Lisa Kudrow (Maggie Naird), and Diana Silvers (Erin Naird).
That group is chock full of talent, which may have been part of its downfall — according to THR, the show’s large budget was reportedly in part because of the actors’ salaries, with Carell getting over $1 million per episode. That much built in spending, along with mixed reviews for both seasons, apparently resulted in a failure for Space Force to (ahem) launch into a third season….
(9) MEDIA BIRTHDAY.
1938 — [Compiled by Cat Eldridge.] Not his official appearance as Bugs Bunny that will happen in “A Wild Hare” on July 27, 1940. But a preliminary version of the character we now know as him first showed up in “Porky’s Hare Hunt” eighty-four years ago today. The Looney Tunes cartoon was directed by Ben “Bugs” Hardaway (do note his name) and an uncredited Cal Dalton. It stars Porky Pig as a hunter whose quarry is a rabbit named Happy. Yes, Happy.
Oh, I well know that most Bugs Bunny fans will tell you that July 27 is the day that he was created as that is the anniversary of the 1940 debut of the familiar rabbit and his adversary, Elmer Fudd. In that July debut people also heard for the first time Bugs’s famous line, “What’s up, Doc?”
But today is the real anniversary of the creation of this character. He first appeared on the theater short called as I noted above “Porky’s Hare Hunt.” Perhaps the reason people don’t recognize, or indeed want to credit him as that rabbit, is Bugs in that early cartoon was credited as Happy Rabbit. And admittedly it really looks pretty much like any rabbit save the smirking face, doesn’t it? Or does he?
It’s been uploaded to YouTube so go watch it. It may not look like him but it acts like him and it sounds like him. Several sources state that Mel Blanc voiced him here but the cartoon itself has no credits.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 30, 1930 — Bill Buchanan. A musician who was not a filker but might have been. Really. Truly. His most famous composition took place in 1956, when he and Dickie Goodman created the sound collage “The Flying Saucer”. They then did “The Flying Saucer Goes West” which is a lot of fun. A short time later, they would do “The Creature (From A Science Fiction Movie)” / “Meet The Creature (From A Science Fiction Movie)”. With other collaborators, he did such works as “Frankenstein Of ’59/Frankenstein Returns”. Checking iTunes, quite a bit of what he did is available. (Died 1996.)
Born April 30, 1938 — Larry Niven, 84. One of my favorites author to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version as you know since I wrote an essay on them. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I, “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me.
Born April 30, 1968 — Adam Stemple, 54. Son of Jane Yolen. One time vocalist of Boiled in Lead. (Which I just discovered has not released a recording in a decade. Damn.) He was the lead vocalist for Songs from The Gypsy which was based on The Gypsy, the novel written by Steven Brust and Meghan Lindholm. A truly great album. With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are well worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as quite engaging.
Born April 30, 1973 — Naomi Novik, 49. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won her the Astounding Award for Best New Writer. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novelwhich won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. She has a number of Hugo nominations starting at Nippon 2007 for His Majesty’s Dragon, then next at MidAmericaCon II for Uprooted, The Temeraire series at Worldcon 75. No wins yet which really, really surprises me. She’s twice been a finalist for Lodestar Award for Best Young Adult Book with A Deadly Education at DisCon III for and this year at Chicon 8 for The Last Graduate.
Born April 30, 1982 — Kirsten Dunst, 40. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
Born April 30, 1985 — Gal Gadot, 37. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production Death on the Nile which is quite lovely but not genre adjacent, but I really don’t mind as they’re lovely mysteries. Oh, and she’s playing The Evil Queen in the forthcoming Snow White film.
Born April 30, 2003 — Emily Carey, 19. Yes, nineteen years old. She has had a lot of roles for her age. First she played the twelve-year-old Diana in Wonder Woman followed by playing the fourteen-year-old Lara in the rebooted Tomb Raider. And then she’s in Anastasia: Once Upon a Time in the lead role of Anastasia. She’s Teen Wendy Darling in the forthcoming The Lost Girls. She was in the genre adjacent Houdini and Doyle as Mary Conan Doyle, and finally she’s in the not-yet-released G.R.R. Martin’s House of the Dragon series as the young Alicent Hightower.
The Pasadena Chalk Festival began in 1993 after a summer intern at the Light Bringer Project attended a street painting festival in Paris and brought back her amazing pictures and observations. The first “Chalk on the Walk” took place at Centennial Square at Pasadena City Hall with over 150 visual artists participating in the first Los Angeles-area event. All proceeds went toward community arts programs and HIV/AIDS resources.
In 2010, The Pasadena Chalk Festival was officially named the largest street painting festival by the Guinness World Record, welcoming more than 600 artists using over 25,000 sticks of chalk and drawing a crowd of more than 100,000 visitors in one weekend.
(13) DON’T SAY PAY. The Florida legislature’s move to punish Disney for publicly opposing the “Parental Rights in Education” bill, also known as the “don’t say gay” bill fails to conform to other requirements of state law says the corporate giant: “Disney’s special tax district suggests its repeal is illegal” in the Miami Herald.
As Florida legislators were rushing through passage of a bill to repeal the special district that governs Walt Disney World last week, they failed to notice an obscure provision in state law that says the state could not do what legislators were doing — unless the district’s bond debt was paid off. Disney, however, noticed and the Reedy Creek Improvement District quietly sent a note to its investors to show that it was confident the Legislature’s attempt to dissolve the special taxing district operating the 39-square mile parcel it owned in two counties violated the “pledge” the state made when it enacted the district in 1967, and therefore was not legal. The result, Reedy Creek told its investors, is that it would continue to go about business as usual.
The statement, posted on the website of the Municipal Securities Rulemaking Board on April 21 by the Reedy Creek Improvement District, is the only public statement Disney has supplied since lawmakers unleashed their fury over the company’s vocal opposition to the “Parental Rights in Education” law, also known as the “don’t say gay” bill. The statement, first reported by WESH 2, quotes the statute which says, in part, that the “State of Florida pledges…it will not limit or alter the rights of the District…until all such bonds together with interest thereon…are fully met and discharged.”
… In essence, the state had a contractual obligation not to interfere with the district until the bond debt is paid off, said Jake Schumer, a municipal attorney in the Maitland law firm of Shepard, Smith, Kohlmyer & Hand, in an article for Bloomberg Tax posted on Tuesday and cited in a Law and Crime article.
The law passed by the Republican Legislature on a largely party-line vote, and signed into law by the Republican governor, either violates the contract clause of the Florida Constitution, or is incomplete, Schumer told the Herald/Times on Tuesday. If the Legislature wants to dismantle the Reedy Creek Improvement District, it has more work to do.
(14) FLY YOU FOOLS! J. Michael Straczynski would like to tell you about the worst musical he ever saw. Thread starts here.
Not to be confused with the prematurely canceled ’90s cartoon of the same name, Gargoyles starred B-movie tough guy Cornel Wilde (from The Naked Prey). The opening voiceover raises the stakes pretty high: In the aftermath of the war between God and Satan, a race of creatures climbs out of hell to terrorize mankind every few centuries. In the modern age, the gargoyles are relegated to myth and statues, leaving humans completely unprepared for their next onslaught.
Whoa. That sounds serious. Until you notice that the gargoyles reemerge in a desert that is surely within driving distance of the studio. And it takes only a handful of armed townsfolk to quell the apocalyptic uprising. But those minor details aside, this movie remains a guilty pleasure for my generation, in part because of the Emmy-winning makeup wizardry of Stan Winston. The gargoyles aren’t that scary, but they look pretty darn cool, and some of them even fly. And by “fly,” I mean “slowly lift off the ground with a barely concealed cable.”
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King meets the evil emperor, who wonders why the people don’t love him!
What do you do when you’ve seized power and/or purchased a large social media company? You monologue.
[Thanks to Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]
Next month, Marvel Comics continues its tradition to uplift and spotlight Indigenous and First Nations creators and characters in Marvel’s Voices: Heritage #1. Now in its second year, the series will feature Indigenous writers and artists, including talent who contributed to the first Marvel’s Voices: Indigenous Voices title last year as well as many rising stars making their Marvel Comics debut. These creators will come together on four stories that dive into the past, present, and future of the Marvel Universe and star some of Marvel’s most iconic Indigenous super heroes.
New York Times bestselling author Rebecca Roanhorse and acclaimed Navajo artist Shaun Beyale will further reveal the fascinating story behind River, the mysterious stranger from the pages of Rebecca Roanhorse’s new Phoenix Song: Echo series.
Discover Snowguard’s greatest hopes and fears in a tale by celebrated filmmaker Nyla Innuksuk and artist Natasha Donovan.
It’s the return of Werehawk in an extraordinary adventure by writer Bobby Wilson and artist Jim Terry.
And writer Steven Paul Judd and artist David Cutler explore the legacy of Jason Strongbow AKA American Eagle in a poignant tale about this classic Navajo super hero.
Check out all seven covers following the jump. Pick up Marvel’s Voices: Heritage #1 on November 24.
(1) BLACK PANTHER. Today marks the end of an era for one of Marvel’s most acclaimed series: Ta-Nehisi Coates’ Black Panther. View never-before-seen artwork from Coates’ final issue and revisit some of the best moments of this iconic run in the all-new Black Panther #25 trailer.
Alongside artists Daniel Acuña and Brian Stelfreeze, the National Book Award winner and New York Times Best-selling author closes out his game-changing run with a special giant-sized finale issue. Since taking over the title in 2016, Coates has transformed the Black Panther mythos. Now five years later, he departs, leaving the world of Wakanda and the Marvel Universe as a whole forever changed and laying the groundwork for the next bold era of one of Marvel’s most celebrated heroes.
Howard University is renaming its College of Fine Arts after one of its most acclaimed alums: actor Chadwick Boseman.
On Wednesday, Howard renamed its performing and visual arts school after the “Black Panther” star, who earned an Academy Award nomination for his role in last year’s “Ma Rainey’s Black Bottom.” Boseman, who graduated from Howard in 2000 with a bachelor of arts degree in directing, died in August at the age of 43 from colon cancer.The renaming unites Howard and Walt Disney Co.’s executive chairman, Bob Iger, who will spearhead fundraising for an endowment named after Boseman, as well as help raise money for the construction of a state-of-the-art building on the campus. The new building will house the Chadwick A. Boseman College of Fine Arts, the Cathy Hughes School of Communications, its TV station, WHUT, and its radio station, WHUR 96.3 FM.
(3) SFF FROM AFRICAN WRITERS. Omenana Issue 17 is out, the latest issue of a tri-monthly magazine that publishes speculative fiction by writers from across Africa and the African Diaspora. The magazine is credted by Mazi Nwonwu, Co-founder/Managing Editor; Chinelo Onwualu, Co-founder; Iquo DianaAbasi, Contributing Editor; and Godson ChukwuEmeka Okeiyi, Graphic Designer.
Omenana is the Igbo word for divinity – it also loosely translates as “culture” – and embodies our attempt to recover our wildest stories. We are looking for well-written speculative fiction that bridges the gap between past, present and future through imagination and shakes us out of the corner we have pushed ourselves into.
We’re thrilled to share that TorCon is back! Taking place from June 10 through June 13, 2021, TorCon is a virtual convention that was launched in 2020 with a simple goal: to bring the entertainment and excitement of live book conventions into the virtual space. From Thursday, June 10 through Sunday, June 13, Tor Books, Forge Books, Tordotcom Publishing, Tor Teen, and Nightfire are presenting ten panels featuring more than 30 of your favorite authors, in conversation with each other—and with you!
Join authors, including James Rollins, Charlie Jane Anders, Joe Pera, Catriona Ward, Gillian Flynn, TJ Klune, Alix E. Harrow, Seanan McGuire, Nghi Vo, and many others for four days of pure geekery, exclusive reveals, content drops, giveaways, and more…all from the comfort of your own home!
I got involved with tie-in writing when, as the then-scripter of the Dick Tracy comic strip, I was enlisted to write the novel of the Warren Beatty film. That was, happily, a successful book that led to my writing novels for In the Line of Fire, Air Force One, Saving Private Ryan, and many others, including Maverick, that favorite of my childhood. Eventually I wrote TV tie-ins as well, in particular CSI and its spin-offs. Finally I got the opportunity to work with the Mickey Spillane estate to write Mike Hammer novels – a dream job, since Spillane had been my favorite writer growing up and Hammer my favorite character.
The founding of the IAMTW came out of a series of panels about tie-ins at San Diego Comic Con. Lee Goldberg, a rare example of a TV writer/producer who also wrote tie-in novels, was an especially knowledgeable and entertaining participant on those panels. He and I shared a frustration that the best work in the tie-in field was ignored by the various writing organizations that gave awards in assorted genres, including mystery, horror, and science-fiction.
Individually, we began poking around, talking to our peers, wondering if maybe an organization for media tie-in writers wouldn’t be a way to give annual awards and to grow this disparate group of creative folk into a community. I don’t remember whether Lee called me or I called Lee, but we decided to combine our efforts. What came out of that was the International Association of Media and Tie-in Writers and our annual Scribe Awards, as well as the Faust, our Life Achievement Award.
(6) SUPPORT YOUR LOCAL OUTLAW.
(7) HOW MANY HAVE YOU READ? AbeBooks has come up with their own list of “100 (Fiction) Books to Read in a Lifetime”, and some genre books are on it. I’ve read 29. (My midlife decision to read Moby Dick is constantly rewarded by raising my score on these things.)
We’ve seen these lists before – from Amazon to the Telegraph to Time Magazine and beyond. Plenty of folks have lists of the 100 best books of all time, the 100 books you should read, and on. And beautifully, despite overlap, they are all different. The glorious subjectivity of art means that no two of these lists should ever be exactly alike. So this is ours, our special snowflake of a list, born out of our passion for books. We kept it to fiction this time. Some of the expected classics are there, alongside some more contemporary fare. There is some science fiction, some YA, and above all else, some unforgettable stories.
Do any of the included titles shock you? Are you outraged by any omissions? Let us know what makes the cut for your top 100 novels.
(8) JMS’ B5 EPISODE COMMENTARY NOW ON YOUTUBE. For nearly a year J. Michael Straczynski has been providing his Patreon supporters full-length on-camera Babylon 5 commentaries. He’s now going to make some of them available to the public. Up first: “The Parliament of Dreams.” For this to work, you need to get access to a recording of the episode. Like JMS says —
For those who would like to sync up with the commentary on this video (since full-length TV episodes are not allowed here), fire up the episode and be ready to hit Play at the appropriate (or inappropriate) moment.
…Carle headed straight back to the U.S. after graduating from art school at age 23 and was immediately hired by The New York Times. He fell in love with the impressionists (“color, color, color!”), served in the U.S. military during the Korean War, and, upon his return, moved into advertising.
Perhaps that career helped him prepare for using the simple, resonant language of The Very Hungry Caterpillar. For the book’s 50th anniversary in 2019, professor Michelle H. Martin told NPR that The Very Hungry Caterpillar‘s writing helps little kids grasp concepts such as numbers and the days of the week. (“On Monday he ate through one apple. But he was still hungry. On Tuesday he ate through two pears, but he was still hungry.”)
Martin, the Beverly Cleary Endowed Professor for Children and Youth Services at the University of Washington, told NPR the book builds literacy by gently guiding toddlers toward unfamiliar words. For example, when Saturday comes around and the hungry caterpillar binges on “one piece of chocolate cake, one ice-cream cone, one pickle, one slice of Swiss cheese, one slice of salami, one lollipop, one piece of cherry pie, one sausage, one cupcake, and one slice of watermelon,” words such as salami and Swiss cheese might be new to 3-year-olds already familiar with ice cream and lollipops….
…I am devastated. One of my oldest friends in the business. Our whole family loved him. HE and Bobbie lived for years about twenty five minutes from our house, and then in Northampton for some time before moving down South.
He was funny, dear, a favorite “uncle” to my kids.And his museum is twenty minutes from my house. I have been sobbing since I heard about two hours ago from a notice sent out by the family….
(10) MEDIA ANNIVERSARY.
May 26, 1995 — On this day in 1995, Johnny Mnemonic premiered. Based on the William Gibson short story of the same name, it was directed by Robert Longo in his directorial debut. It starred Keanu Reeves, Takeshi Kitan, Henry Rollins, Ice-T, Dina Meyer and Dolph Lundgren. Despite the story itself being well received and even being nominated for a Nebula Award, the response among critics to the film was overwhelmingly negative. It currently holds a 31% rating on Rotten Tomatoes among audience reviewers. It is available to watch here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 26, 1865 — Robert Chambers. His most remembered work was The King in Yellow short stories. Though he would turn away from these supernatural tellings, Lovecraft’s included some of them in his Supernatural Horror in Literature critical study. Critics thought his work wasn’t as great as could have been. That said, Stross, Wagner, Carter and even Blish are said to have been influenced by him. (Died 1933.) (CE)
Born May 26, 1903 — Harry Steeger. He co-founded Popular Publications in 1930, one of the major publishers of pulp magazines, with former classmate Harold S. Goldsmith. They published The Spider which he created, and with Horror Stories and Terror Tales, he started the “Shudder Pulp” genre. So lacking in taste were these pulps that even a jaded public eventually rejected them. (Died 1990.) (CE)
Born May 26, 1913 — Peter Cushing. Best known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. A CGI recreation of Grand Moff Tarkin was used for his likeness in Rogue One. (Died 1994.) (CE)
Born May 26, 1913 – Joan Jefferson Farjeon. Scenic designer, illustrated published versions of plays she’d done, also fairy tales. See here (a frog footman), here (a tiger lily), here. From a 1951 stage production, here is a moment in Beauty and the Beast. (Died 2006) [JH]
Born May 26, 1923 — James Arness. He appeared in three Fifties SF films, Two Lost Worlds, Them! and The Thing from Another World. The latter is based on the 1938 novella Who Goes There? by John W. Campbell (writing under the pseudonym of Don A. Stuart). The novella would be the basis of John Carpenter’s The Thing thirty years later. (Died 2011.) (CE)
Born May 26, 1923 — Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in a recurring role on Hercules: The Legendary Journeys as Zeus. He’s on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. He narrates at least some of the GoT audiobooks. (Died 2017.) (CE)
Born May 26, 1925 – Howard DeVore. Began collecting, 1936. Michigan Science Fantasy Society, 1948 (Hal Shapiro said it was the Michigan Instigators of Science Fantasy for Intellectual Thinkers Society, i.e. MISFITS). Leading dealer in SF books, paraphernalia; known as Big-Hearted Howard, a compliment-complaint-compliment; called himself “a huckster, 1st class”. Active in N3F (Nat’l Fantasy Fan Fed’n); Neffy Award. Also FAPA (Fantasy Amateur Press Ass’n), SAPS (Spectator Am. Pr. Society). Said a Worldcon would be in Detroit over his dead body; was dragged across the stage; became Publicity head for Detention the 17th Worldcon. With Donald Franson The Hugo, Nebula, and World Fantasy Awards (through 3rd ed’n 1998). Named Fan Guest of Honor for 64th Worldcon, but died before the con. His beanie had a full-size airplane propeller. (Died 2005) [JH]
Born May 26, 1933 – Yôji Kondô, Ph.D. Black belt in Aikido (7th degree) and judo (6th degree). Senior positions at NASA, Medal for Exceptional Scientific Achievement; two hundred scientific papers, see here. SF as Eric Kotani; six novels, most with J.M. Roberts; two shorter stories; edited Requiem tribute to Heinlein; non-fiction Interstellar Travel & Multi-Generation Space Ships with F. Bruhweiler, J. Moore, C. Sheffield; essays, mostly co-authored, in SF Age and Analog. Heinlein Award. Writers of the Future judge. Our Gracious Host’s appreciation here. (Died 2017) [JH]
Born May 26, 1938 – Lyudmila Petrushevskaya, age 83. Author (including plays and screenwriting), singer, painter, animator. Russian Booker Prize, Pushkin Prize, World Fantasy Award. Twenty short stories for us. See here. [JH]
Born May 26, 1954 – Lisbeth Zwerger, age 67. Children’s-book illustrator. Hans Christian Andersen and Silver Brush awards; Grand Prize from German Academy for Children’s & Youth Literature. Thirty books, most of them fantasy; see here (Swan Lake), here (the Mad Tea Party), here. [JH]
Born May 26, 1964 — Caitlín R. Kiernan, 57. She’s an impressive two-time recipient of both the World Fantasy and Bram Stoker awards. As for novels, I’d single out Low Red Moon, Blood Oranges (writing as Kathleen Tierney) and The Drowning Girl: A Memoir as being particularly worth reading. She also fronted a band, Death’s Little Sister, named for Neil Gaiman’s character, Delirium. (CE)
(13) ZOOMING WITH THE TRIMBLES. Fanac.org has posted a videos of “Bjo and John Trimble – A Fan History Zoom Session with Joe Siclari (Parts 1 and 2)”.
Bjo and John Trimble sit with Joe Siclari (May 2021) to tell us about their fannish histories. In part 1 of this interview, they talk about how they each found fandom, their ultimate meet-cute under Forry Ackerman’s grand piano, Burbee’s “Golden Treachery” and more serious topics. The Trimbles changed their part of fandom. Bjo talks about how she revitalized LASFS in the 1950s, and about the beginnings of the convention art show as we know it today (and Seth Johnson’s surprising part in that). Fandom is not without its controversies, and the Trimbles also speak about the Breendoggle and Coventry. Part 1 finishes up with anecdotes about Tony Boucher’s poker games. In Part 2, the interview will continue with the Trimbles’ roles in the Save Star Trek campaign. For more fan history, go to <FANAC.org> and <Fancyclopedia.org>. If you enjoyed this video, please subscribe to our channel.
In part 2 of Bjo and John Trimble’s interview with Joe Siclari (May 2021), they tell the remarkable story of how they met Gene Roddenberry and became involved in Star Trek. Learn the story of how they started, orchestrated and managed the “Save Star Trek” campaign which resulted in the third year of Star Trek, the original series. Hint: it all started in Clelveland. There’s much more in this interview. There are stories of the early days of the SCA, including how it got the name “Society for Creative Anachronism”, the day that a Knight of St. Fantony appeared at an SCA event, and the unlikely story of the first coronation of an SCA king. Additionally, you’ll hear about costuming, Takumi Shibano and how Gene Roddenberry helped get him to Worldcon (and how Bjo helped Shibano-san learn that his wife spoke English), and Q&A from the attendees.
In the ultimate symbol of one Hollywood era ending and another beginning, Metro-Goldwyn-Mayer, home to James Bond and Rocky, finally found a buyer willing to pay retail: Amazon.
The e-commerce giant said on Wednesday that it would acquire the 97-year-old film and television studio for $8.45 billion — or about 40 percent more than other prospective buyers, including Apple and Comcast, thought MGM was worth….
So why did Amazon pay such a startling premium?
For starters, it can. The company has $71 billion in cash and a market capitalization of $1.64 trillion….
Amazon most likely paid more than others thought MGM was worth because of its all-important Prime membership program.
In addition to paying Amazon $119 a year or $13 a month for free shipping and other perks — notably access to the Prime Video streaming service — households with Prime memberships typically spend $3,000 a year on Amazon. That is more than twice what households without the membership spend, according to Morgan Stanley. About 200 million people pay for Prime memberships.
“More and more Prime members are using video more often, spending more hours on there, so I think this is a way to add more content and more talent around movies,” said Brian Yarbrough, a senior analyst at Edward Jones.
“This isn’t one studio buying another,” he added. “If you’re Amazon, the perspective is what’s the potential for Prime membership, what is the potential for advertising.”…
I have been greatly enjoying the new Batman tv series. Campy costumes, over-the-top acting, wacky super-science gizmos, silly plots, the chance to see several of my favorite comic book characters on a screen; it’s all good fun….
The Batman Drinking Game
The best way to watch this show: Before it starts, get yourself a beer, glass of wine, or couple of shots of something harder. Every time you see a gizmo that can’t actually work as shown, take a sip. Every time Robin says, “Holy [something]!,” take a sip. When either of the Dynamic Duo is trapped, take a sip; if they’re both trapped, take two. Every time a supposedly valuable item, like a museum statue, is destroyed during the obligatory heroes-vs-thugs slugfest, take another sip. By the time the show is over, you’ll be pleasantly relaxed—unless you actually know much about science and technology, in which case, you’ll have left “relaxed” in the dust and be on your way to “blitzed.”…
…I thoroughly enjoyed this and despite the scale of the world-building, I found myself immersed into the setting very quickly. It is a book with a sense of bigness to it with quite different magical elements to it distinct to the individual characters. The growing tension as chapter by chapter we get closer to what will clearly be a very bad day for all concerned, is well executed and if I hadn’t been using the audiobook version I would probably have rushed through the final chapters.
I’ve enjoyed other works by Roanhorse but this is definitely a more skilful and mature work from a writer who started with a lot of promise. It sits in that sweet spot of delivering the vibe of the big magical saga but with enough innovation in setting and magic to feel fresh and original….
The circus, with its built-in otherworldliness, is an ideal setting for fantasy, horror and science-fiction novels. Authors have been capitalizing on it for years. Stephen King terrified a whole generation with Pennywise the clown in 1986’s “It,” then tackled a carnival setting 27 years later in “Joyland.” In 2011, Erin Morgenstern charmed readers and scored a big hit with “The Night Circus.” So what other great fiction hides under the big top?…
…By now, I was starting to see that the shaded letters would be forming some sort of figure, a pooka indeed and it seemed to be symmetrical. Also, I had enough of the early across answers to start to see the quotation forming. With “Years ago my mother say this world”. An internet search revealed, “Years ago my mother [used to say to me,] she’d say, [“In this world, Elwood, you must be” – she always called me Elwood] – “In this world, Elwood, you must be [oh so] smart or [oh so] pleasant.” Well, for years I was smart. I recommend pleasant. You may quote me. ”…
(19) VIDEO OF THE DAY. In “Honest Trailers: The DCEU (400th episode), the Screen Junkies, for their 400th episode, portray the entire DC Extended Universe, a world where “Superman doesn’t want to save people, Batman’s a murderer, Wonder Woman’s an incel, and Harley Quinn takes three movies to break up with Joker, who looks like my coke dealer.” And given a choice between all the quips in Marvel movies, and DC films where “everyone talks like a 14-year-old boy trying to sound badass while they’re reading a Wiki page,” wouldn’t you rather see an Air Bud movie?”
[Thanks to Andrew Porter, Martin Morse Wooster, JJ, StephenfromOttawa, David Langford, Daniel Dern, Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
(1) SPEAK FRIEND. Guy Gavriel Kay will deliver the 2021 J.R.R. Tolkien Lecture on Fantasy Literature, an annual lecture on fantasy literature held at Pembroke College, Oxford. The digital lecture will take place on Tuesday, May 11th, 6 PM BST (1 PM ET).
Kay has published fourteen novels which have been translated into 30 languages and have appeared on bestseller lists around the world. He is also the author of the poetry collection, Beyond This Dark House. His most recent work is A Brightness Long Ago.
Before beginning his career as a novelist, Kay was retained by the Estate of J.R.R. Tolkien to assist in the editorial construction of The Silmarillion, the first and best-known of the posthumously published Tolkien works. Called to the Bar of Ontario in 1980, he has also been principal writer and associate producer for the CBC’s award-winning crime-drama series, The Scales of Justice.
The pair, who played hobbits Merry and Pippin inThe Lord of the Rings, are launching a podcast about the hit film franchise.
The duo are launching The Friendship Onion with podcast producer Kast Media and the series will premiere on May 18. They will bring banter, stories and comedy to the podcasting space, each week digging into the latest in pop culture, put fans’ Lord of the Rings knowledge to the test, reveal exclusive stories from filming and maybe even welcome surprise drop-ins from famous faces.
Monaghan, who is also known for his role on Lost, played Meriadoc ‘Merry’ Brandybuck in the films, close friend to Frodo Baggins, and along with Peregrin ‘Pippin’ Took, played by Boyd members of the Fellowship of the Ring.
The Friendship Onion will be available weekly on Spotify and across all podcast platforms, including video simulcast episodes on YouTube….
Following is a quiz I wrote for an online trivia league I am in. The subject matter is aliens in SF books, movies, TV, or comic books. Each question is accompanied by an image of the alien. The quiz ran over the weekend. Some of you may know the winner, David Goldfarb, who was prominent on the great Usenet newsgroup rec.arts.sf.written back in its glory days. Tom Galloway, another prominent fan known for his trivia knowledge, also did very well.
I need to thank Steven Silver and John O’Neill (as well as several members of the trivia league) for helping me improve the question set, including some excellent proposed questions.
I will post the answers in a day or two. If you want, you can post your guesses in the comments.
1. There are many aliens depicted in the Marvel Cinematic Universe. This alien race may be hard to depict definitively, as they are shapeshifters, but they do have a typical form. They appeared in Captain Marvel in the MCU, and in the comics as early as an issue of Fantastic Four in 1962. What is the name of this alien race? Click here
2. What’s the common name for this cowardly species featured in many of Larry Niven’s Known Space stories? The name is perhaps ironic as this species doesn’t seem to have the appendages normally used by the human performers known by that name. Click here …
(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Rebecca Roanhorse and Angela Slatter in a YouTube livestream on May 19 at 7:00 p.m. Eastern. Link to come – check back at the KGB site.
Rebecca Roanhorse is NYTimes bestseller and an award-winning speculative fiction writer. Her latest novel, Black Sun, was recently nominated for the Nebula award for Best Novel of 2020. She has short fiction published in Apex Magazine, Uncanny, and multiple anthologies. She has also written for Star Wars, Marvel , and for TV. She lives in Northern New Mexico.
Angela Slatter in a multi-award-winning Australian writer of dark fantasy and horror. Her latest publications are the gothic fairytale novel All the Murmuring Bones from Titan, and the mosaic collection The Tallow-Wife and Other Tales from Tartarus Press. She has a PhD, teaches for the Australian Writers’ Centre, and is trying to finish a new gothic novel, Morwood.
if you haven’t watched Solo in a while, away from all the drama and (maybe for you) bad lighting, give it another shot. It might just be the most pure fun Star Wars movie we’ve gotten from this era so far.
NOAF: Secret sisters, a geneticist studying illegal technology, and a deadly virus. What inspired this story, and how did all those elements get into the story?
SB: The initial central question of the story is identity. What makes us the same and different? Some of it is genetics, and some of it is life experiences. What makes those differences stand out? People show their true nature in a disaster. Because the story is about genetics, I brought more genetics and more disaster into it. The elements posed a lot of questions, and the story resulted from one set of answers.
Award-winning editor Sheila Williams was a guest lecturer at the 2020 Odyssey Writing Workshop. In this excerpt from a question and answer session, she answers questions about her editorial process, story endings, and what differentiates a good story from a story that she buys.
Sheila is the multiple Hugo Award-winning editor of Asimov’s Science Fiction magazine. She is also the winner of the 2017 Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community.
(8) COSINE COMING BACK.COSine, the Colorado Springs, CO convention, will be held in person once more next January 14-16.
Last June we had to make the difficult decision to postpone COSine 2021. After that we put ourselves into suspended animation until such time as a vaccine for COVID was available and an appropriate supply of lemon-soaked paper doilies could be acquired.
Well, the doilies arrived, and most of us have aching arms, so it looks like we are on track for COSine 2022:
Guest of Honor: C.J. Cherryh Artist Guest of Honor: Jane Fancher Special Guests: Connie Willis & Courtney Willis
Our lowest rates for registration are available through the end of October, but if you want to sign up now, you can beat the Halloween rush! At the very least, please make sure that we are on your calendar.
(9) HORROR UNIVERSITY. It’s time to enroll for the virtual Horror University, part of the Horror Writers Association’s StokerCon coming May 20-23. See the session schedule at the link. One session, $55/members, $65/nonmembers; multiple-session discounts available.
Horror University is one of the most successful and popular aspects of StokerCon™. We are proud to present another great series of workshops for StokerCon™ 2021. Horror University furthers the Horror Writers Association’s focus on education with a curriculum run by some of the best and brightest in the horror field.
HORROR UNIVERSITY offers a series of 90 minute to two-hour workshops. They are not your typical workshop experiences—they are hands-on, intensive classes that include interactive activities and exercises. Workshop registration will open April 12. Workshops for this year’s Horror University will be virtual, part of Horror University Online. All HU courses will be run through the Horror University School on Teachable.com and require separate registration and additional payment as has been the practice at all past StokerCons.
All workshops are in Eastern Standard Time. Click the workshop titles in the table below for more detailed information about each workshop and instructor. Pricing is provided below.
(10) THEY DIDN’T ABANDON HOPE. Sarah Gailey’s new “Building Beyond” writing prompt is “See You In Hell”. Amanda Hamilton and Brendan Williams-Childs play along.
Hell is an urban metropolis in the middle of a sprawling agrarian underworld. You’ve just moved to a farm about six hours upstate from Hell.
Amanda Hamilton (she/her) is a chaos scheduler for her spouse, daughter and myriad pets. She’s also a fundraising professional, primarily focused on corporations and foundations these days. When not managing various and sundry to-do lists, she likes to read and nap and read some more.
Gailey: What is it about Hell that made you decide to move?
They always said that if you could make it in Hell, you could make it anywhere. Well, after a decade of (barely) making it, I was done….
…At its core, science fiction as a genre reflects the fears, anxieties, politics, events, and mood of the present. Thus, the immediate question: What type of science fiction (and speculative fiction more broadly) will the Age of Trump and its aftermath produce?
In an effort to answer that question I recently spoke with author Andy Weir whose first best-sellling novel “The Martian” was adapted by Ridley Scott into a 2015 blockbuster feature film of the same title starring Matt Damon. Weir’s other work includes the novel “Artemis” and the beloved short story “The Egg.”…
What type of science fiction writing and other works – and creative arts more generally – do you think are going to come out of this moment?
My book “Project Hail Mary” was finished before the pandemic. The story involves an alien microbe. It may seem that “Project Hail Mary” is somehow-pandemic related, but that is just pure coincidence. Moreover, this microbe does not infect humans; it infects stars in outer space.
I honestly do not know what is going to come out of this.
I do not think that there is going to be quite as much disease-related science fiction, as one might suspect. We are all going through this pandemic, and when it’s over, it will be a common experience. It is not really something we are going to enjoy reminiscing about. We will never forget the experience with the pandemic, but it is not something we are going to want to mentally relive.
My instinct is that the pandemic experience is not going to impact science fiction very much because science fiction and fantasy are on a basic level about escapism. Spend some time in the world of this book so that you can enjoy yourself away from the world that you live in. The last thing anybody wants is for a book to drag them back to the world that they live in.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 5, 1856 – W.W. Denslow. First illustrator of Baum’s Wizard of Oz; also illustrated Baum’s Father Goose and Dot and Tot of Merryland. Designed the sets and costumes for the 1902 stage version of Wizard. Illustrated Denslow’s Mother Goose, Denslow’s “Night Before Christmas”, 18-vol. Denslow’s Picture Books. Comic strip Denslow’s Scarecrow and Tin Man. Newspaper reporter, editorial cartoonist, poster artist. Designed books and bookplates. (Died 1915) [JH]
Born May 5, 1907 – Pat Frank. Wrote what I’ve long thought the best-made atomic-bomb-and-after novel Alas, Babylon; two more novels, one shorter story for us; two other novels; memoir; journalism. Office of War Information overseas correspondent during World War II. American Heritage Foundation Award. (Died 1964) [JH]
Born May 5, 1942 — Lee Killough, 79. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her? (CE)
Born May 5, 1943 — Michael Palin, 78. Monty Python of course. I’ll single him out for writing the BFA winning Monty Python’s The Meaning of Life and co-writing the BSFA winning Time Bandits with Terry Gilliam. And it might be at least genre adjacent, so I’m going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role. (CE)
Born May 5, 1944 – Dave Locke. Active fanziner, e.g. Awry; electronic zine Time and Again. Loved by some, annoyed others (can this surprise you?), or both. Among his best, What do birds of a feather do? Dave Locke. More here. (Died 2012) [JH]
Born May 5, 1944 — John Rhys-Davies, 77. He’s known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood, Professor Maximillian Arturo in Sliders, a most excellent Hades in the animated Justice League Unlimted series, Hades in Justice League and Sallah in the Indiana Jones films. Oh, and voicing Macbeth in the exemplary Gargoyles animated series too.(CE)
Born May 5, 1957 — Richard E. Grant, 64. He first shows up in our world as Giles Redferne in Warlock, before going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker. (CE)
Born May 5, 1958 – Ingrid Nielson, age 63. Drawings pp. 15, 21, Program Book for ConFederation the 44th Worldcon; see here (PDF). Photo of her & Andre Norton here. Moderated panel “ASFA [Ass’n of Science Fiction & Fantasy Artists of America] and the Chesleys” at Chicon VI the 58th Worldcon. 2010 Chesley “for work on the Chesley Awards for 20+ years”. [JH]
Born May 5, 1961 — Janet Brennan Croft, 60. She’s published any number of works on library science, but she is concentrated her research on Tolkien, winning the Mythopoeic Scholarship Award for Inkling Studies for War and the Works of J.R.R. Tolkien, Tolkien on Film: Essays on Peter Jackson’s The Lord of the Rings, Tolkien and Shakespeare: Essays on Shared Themes and Language, and Perilous and Fair: Women in the Works and Life of J. R. R. Tolkien. I’d also like to single her work, Baptism of Fire: The Birth of the Modern British Fantastic in World War I. (CE)
Born May 5, 1963 – Michelle West, age 58. Twoscore novels, fifty shorter stories (some as M. Sagara); book reviews for The Magazine of Fantasy & Science Fiction; interviewed in Challenging Destiny, Lightspeed, Northern Dreamers. Within a 4-page single-space rejection letter from Lester Del Rey was a curmudgeonly line of encouragement, and off she went. [JH]
Born May 5, 1975 – Tanya Tagaq, age 46. Canadian Inuk throat singer. Six albums; also collaborator with Kronos Quartet, Buffy Sainte-Marie (here is TT’s cover). Polaris Prize, Canadian Folk Music Award, two Junos, Western Canadian Music Award. Novel for us Split Tooth won Indigenous Voices Award. [JH]
Born May 5, 1979 — Catherynne M. Valente, 42. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man. (CE)
(13) COMICS SECTION.
Non Sequiturlives up to its name while depicting the first land-walking creatures.
(14) GETTING THE WORD OUT WITH PICTURES. [Item by Rose Embolism.] Jem Yoshioka, creator of the science fiction romance webcomic Circuits and Veins was tapped for the New Zealand Covid information campaign! The poster is seriously lovely!
(15) IF IT DIDN’T HAPPEN, IT’S NOT A SPOILER, RIGHT? In Brian Hiatt’s article for Rolling Stone,“Benedict Cumberbatch’s Dr. Strange Almost Appeared in ‘WandaVision’”, Kevin Feige explains that Dr. Strange was going to appear in the last episode of WandaVision but he thought having Dr. Strange show up “would take it away from Wanda” so Benedict Cumberbatch was written out of the script. This is a preview of a big oral history of WandaVision in Rolling Stone that has yet to appear.
The story of WandaVision‘s main character, Wanda Maximoff, a.k.a. the Scarlet Witch (played by Elizabeth Olsen), is set to continue in 2022’s Dr. Strange and the Multiverse of Madness, but the two projects were almost linked much more directly. As Marvel Studios president Kevin Feige reveals in Rolling Stone‘s upcoming, extensive oral history of WandaVision, Marvel struck a deal with Benedict Cumberbatch to appear in the final episode of the show as Dr. Strange. But late in the process, they wrote him out.
“Some people might say, ‘Oh, it would’ve been so cool to see Dr. Strange,’” says Feige. “But it would have taken away from Wanda, which is what we didn’t want to do. We didn’t want the end of the show to be commoditized to go to the next movie — here’s the white guy, ‘Let me show you how power works.’” That meant the Dr. Strange movie, too, had to be rewritten. In the end, Feige says, Marvel’s process is “a wonderful combination of very dedicated coordination, and chaos. Chaos magic.”…
After his mother’s untimely death, Rhett inherits a cookie jar which proves to have some very unusual properties…
‘I had sort of a peculiar childhood, because my mother was peculiar. Not outright crazy, but very, very peculiar. Stories were her way of staying sane… A way to cover that hole in reality the way you might cover a well with boards so no one would fall in. But her stories stopped working for her. Because the thing she was afraid of was in the house with her all along.’
From ‘The Bazaar of Bad Dreams’, Stephen King’s story adapted in three parts. Read by Colin Stinton.
On Tuesday, May 4 at 3:01 p.m. EDT, SpaceX launched 60 Starlink satellites from Launch Complex 39A (LC-39A) at Kennedy Space Center in Florida. This was the ninth launch and landing of this Falcon 9 first stage booster, which previously launched Telstar 18 VANTAGE, Iridium-8, and six Starlink missions.
The British military been exploring the possibility of boarding ships at sea with futuristic jet packs that let wearers fly over the water like Iron Man.
The “Jet Suit” was made by Gravity Industries. The company released a video Sunday that showed its operators wearing jet packs and working with the Royal Marines to launch from rigid inflatable boats and land aboard the Royal Navy Batch 2 River-class offshore patrol ship HMS Tamar.
…But one former top Pentagon intelligence official who has lobbied Congress to take more action on such sightings said on Tuesday that the IG’s involvement is a positive step to compel the military to take the issue more seriously.
“You are looking at how is it possible that restricted military airspace is being routinely violated for months and years and nobody is informed in the Defense Department or the Congress and there is a complete system breakdown,” said Christopher Mellon, former deputy assistant secretary of defense for intelligence. “That’s a valid thing for them to investigate.”
Our bodies can often seem possessed. To most people, that possession occurs in a metaphorical sense. Dogma possesses us, as it’s hammered down from society until it sticks, nailed down to our core whether we like it or not. And that dogma can deviate from what we want deep down, like how family values dictate who we can and can’t love. Black Water Sister explores that possession, and with clever skill, it combines it with literal possession. A family spirit inhabits the protagonist, while they’re dealing with family interference from all sides. It’s a compelling story that’s quality is heightened by witty dialogue, a pacey second half, and vibrant characters….
As Canada’s statistical portrait, the census is a reflection of who we are and what makes us Canadian. Listen to our Spotify and YouTube playlists while you complete your 2021 Census questionnaire to experience the different facets of Canadian culture through the sounds of our celebrated musical talent. If these songs aren’t already among your favourite tracks, we hope that you have the opportunity to discover something new as you fill out your questionnaire online in May.
Get comfortable, press play, and let’s experience Canada’s musical talent together.
R2-D2 and C-3PO from “Star Wars” in a 1980 anti-smoking public service announcement. Aired in 1984 on Milwaukee’s WVTV.
[Thanks to Michael Toman, Andrew Porter, John King Tarpinian, John Hertz, Mike Kennedy, SF Concatenation’s Jonathan Cowie, James Davis Nicoll, JJ, Cat Eldridge, Martin Morse Wooster, and Rose Embolism for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]
This is going to be a bit short because I have to leave early to attend a movie premiere across town. At a drive-in – which is good, I don’t own a tux.
(1) IMAGINARIUM BOOK FESTIVAL. The Imaginarium Book Festival is a free virtual event happening May 8-9, the first held by Nadège Richards and Diantha Jones, two fantasy authors who seek to spotlight the importance of “imagination escapism” in literature. Tosca Lee and Rebecca Roanhorse are among the many authors who will participate. RSVP at the link.
The changeover to an online platform for 2021 will allow a space for many to safely participate in discussions face-to-face. It is free to RSVP to the virtual event, so readers of all ages are welcome to attend and celebrate novels in the fantasy, paranormal, and science fiction genres. Panels will be held at 10 a.m. to 4:10 p.m. EDT on Saturday and 10 a.m. to 5 p.m. EDT on Sunday. In addition, there will be interactive games and giveaways for book lovers to play and enjoy.
The author lineup features over 30 diverse fantasy and sci-fi authors, including New York Times bestselling authors Tosca Lee, Hafsah Faizal, Brigid Kemmerer, Emily A. Duncan, Shelby Mahurin, Roshani Chokshi, Roseanne A. Brown, and Jodi Meadows. IBF is also honored to welcome Hugo and Nebula award-winning author Rebecca Roanhorse.
Salesman Underhill sells robots, but even he would admit that the best robots often fall short of perfection. Too many of the robots and other mechanicals on sale have been poorly designed or badly made. Not only that, but the market for such contrivances has become oversaturated. The appearance of a new competitor is an unwelcome development. At first.
Underhill soon learns that Humanoid Institute’s mechanicals deliver what lesser companies can only promise. Equipped with a crystal-clear knowledge of humans’ best interests, the Humanoids leave no human need unaddressed. Before the Humanoids, humans had to labour by the sweat of their brow. Now that they have arrived, humans can look forward to an eternity of perfect tranquility, as the robots have taken over every aspect of human existence…
(3) HELP WANTED. Pixar has issued a casting call for a voice-over actress who can play the character of a 14-year-old transgender girl in an animated production.
(4) MORE HELP WANTED. Another company is looking for help with Star Trek Lower Decks, if this can be taken at face value.
(5) WHERE TO GET POTTER MERCH IN NEW YORK. “Harry Potter store coming to NYC sets June opening with first images” – SYFY Wire shares the view. They say the address is 935 Broadway, so not that near to the familiar Flatiron Building at 120 where Tor used to be. The Potter specialty store in LA folded several years ago, but that hasn’t discouraged this outfit.
…After stepping inside, fans of J.K. Rowling‘s Wizarding World can browse three floors of the 21,000 square-foot space as they shop for exclusive items transfigured straight out of the Potter and Fantastic Beasts franchises across 15 different themed areas. In addition, visitors can indulge in a number of photo opportunities. Pose inside of a London phone box (aka the secret entrance to the Ministry of Magic), or else see what it’s like to step into Hagrid’s massive leather boots (which are described as “baby dolphins” in the first book).
(6) MEMORY LANE.
1971 — Fifty years ago, the Noreascon I Hugo for Best Dramatic Presentation went to no one as No Award won out over a field of Colossus: The Forbin Project, Firesign Theater’s Don’t Crush That Dwarf, Hand Me the Pliers, Hauser’s Memory, Paul Kantner and Jefferson Starship‘s Blows Against the Empire and No Blade of Grass.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 21, 1911 — John Lymington. Between the late Fifties and the mid Eighties, he wrote twenty-six genre novels, an astonishing number. All of his short fiction was done in 1964 and published in his Night Spiders collection. He’s not made it into the digital realm and I’ll admit that I’ve not heard of him, so I’m hoping the brain trust here can tell me about him. (Died 1983.) (CE)
Born April 21, 1924 – Wrai Ballard. Active in the apasFAPA and SAPS (where he served as Official Editor). Promoted Lee Jacobs’ typo “filk music”, which stuck; today many fans are vigorous filkers. Invented Non-Poetry. More here. (Died 2009) [JH]
Born April 21, 1928 — Dee Hartford. Miss Iceland, companion of Mister Freeze in two episodes of the Sixties Batman series. She also had appearances on Time Tunnel, Lost in Space, Land of The Giants, The Man from U.N.C.L.E., The Twilight Zone, The Outer Limits and The Alfred Hitchcock Hour. Yes, she was very pretty and that really counted in that time. (Died 2018.) (CE)
Born April 21, 1933 – Jim Harmon. One novel, fifty stories; three collections, one posthumous. Associate editor of Riverside Quarterly. Fanzine, Harmony (naturally). Outside our field, loved what came to be called old-time radio, had a program about it on Radio Station KPFK, edited two anthologies. First Fandom Hall of Fame. (Died 2010) [JH]
Born April 21, 1939 — John Bangsund. Australian fan from the Sixties through the Eighties. He was instrumental with Andrew Porter with Australia winning the 1975 Aussiecon bid, and he was Toastmaster at the Hugo Award ceremony at that con. His fanzine, Australian Science Fiction Review is credited with reviving Australian Fandom in the Sixties. And he was the instigator of the term Muphry’s law which states that “If you write anything criticizing editing or proofreading, there will be a fault of some kind in what you have written.” (Died 2020.) (CE)
Born April 21, 1954 — James Morrison, 67. Lt. Col. Tyrus Cassius ‘T.C.’ McQueen on the short-lived but much loved Space: Above and Beyond series. Starship Troopers without the politics. He’s got a lot of one-off genre appearances including recently showing up as an Air Force General in Captain Marvel, guesting on the Orville series and being Warden Dwight Murphy on Twin Peaks. (CE)
Born April 21, 1954 – Jon Wallace, age 67. Reviewer for Vector, also Paperback Inferno in its day. I think this isn’t the author of three Kentsibec novels. [JH]
Born April 21, 1959 – Tim Jacobus, age 62. Ten dozen covers; memoir It Came from New Jersey!Here is The Invisible Man. Here is Doomsday Book. Here is Earth Winter. Here is Egg Monsters from Mars (“they’re no yolk”, aiee) – he’s done lots for Goosebumps. [JH]
Born April 21, 1963 – Suga Hiroe, age 58. (Personal name last, Japanese-style.) Three Seiun Awards. Also detective fiction; Mystery Writers of Japan Award. Qualified as natori (mistress) in Wakayagi traditional Japanese dance. So far only two short stories available in English. [JH]
Born April 21, 1978 – Lola St. Vil, age 43. Two dozen novels for us; much else. Has read two dozen books by Agatha Christie, seven by James Baldwin. Website. [JH]
Born April 21, 1980 — Hadley Fraser, 41. His first video acting role was as Gareth in the superb Tenth Doctor story, “Army of Ghosts”. He’d later be Chris in The Lost Tribe, a horror film, and play Viscount Raoul de Chagny in The Phantom of The Opera, as well as being being Tarzan’s father in The Legend of Tarzan. And though not even genre adjacent, I’m legally obligated to point out that he showed up as a British military escort in the recent production of Murder on the Orient Express. (CE)
What can we look forward to from the Unstoppable series and from you? Will you be writing more books for teens?
So currently, I have two more books in this trilogy after Victories Greater Than Death. In the second book, we get to see a lot of the stuff that I hinted at in the first book. We get to see a little bit more of the heart of the galaxy, more of the politics and more of how things are run. We get to visit some more alien worlds and get to know some of these cultures a little bit better. I really believe in not making people wait for too long. The second book answers all the questions that are set up in the first book and then there are new questions that will get answered in the third book, which I’m writing now. It’s a race against time to save everything because, without giving too many spoilers, stuff gets worse in the second book in a lot of ways. It’s that middle book where things just start to go down the tubes! So far the third book is so much fun to write because it’s just nonstop action. There isn’t time to let the grass grow under our feet; we’re just going to keep trying to solve problem after problem as fast as we can. The characters are under a lot of pressure, which is also really fun to write, but it’s the most fast-paced of the three books. I’m really loving that; it’s going in some really wild and wacky directions.
I would love to write more books for teens. I’d like to live more in the Unstoppable universe. I feel like there’s a ton of stuff that I came up with for this universe that I’ve barely even touched on in the books. I created a giant wiki with all these different aliens and things. There’s just so much that I could easily spend another 10 books getting into it.
(10) VIDEO OF THE DAY. From NASA: “The Doubly Warped World of Binary Black Holes.”
A pair of orbiting black holes millions of times the Sun’s mass perform a hypnotic dance in this NASA visualization. The movie traces how the black holes distort and redirect light emanating from the maelstrom of hot gas – called an accretion disk – that surrounds each one.
[Thanks to John Hertz, Cat Eldridge, Rich Lynch, Martin Morse Wooster, Cliff, Danny Sichel, Andrew Porter, John King Tarpinian, Michael Toman, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day OGH.]
The shortlists for the 33rd Annual Lambda Literary Awards were announced March 15. These finalists in 24 categories were selected by a panel of over 60 literary professionals from more than 1,000 book submissions from over 300 publishers.
The winners will be revealed during the virtual 33rd Annual Lambda Literary Awards Ceremony to be held on June 1.
Shortlisted works of genre interest are listed below. The complete roster of finalists is here.
LGBTQ Science Fiction/Fantasy/Horror
Black Sun, Rebecca Roanhorse, (Gallery / Saga Press)
Everyone on the Moon is Essential Personnel, Julian K. Jarboe, (Lethe Press)
The Order of the Pure Moon Reflected in Water, Zen Cho, (Tordotcom Publishing)
The Silence of the Wilting Skin, Tlotlo Tsamaase, (Pink Narcissus Press)
Subcutanean, Aaron A. Reed, (Self-published)
Works of genre interest in other categories include:
This Town Sleeps, Dennis E. Staples (Counterpoint)
Bestiary, K-Ming Chang (One World)
Finna, Nino Cipri (Tordotcom)
The Seep, Chana Porter (Soho)
Trans-Galactic Bike Ride: Feminist Bicycle Science Fiction Stories of Transgender and Nonbinary Adventurers, Lydia Rogue (Microcosm)
The Ghost and Charlie Muir, Felice Stevens (self-published)
Love after the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction, Joshua Whitehead (Arsenal Pulp)
LGBTQ Children’s/Middle Grade
The Deep & Dark Blue, Niki Smith (Little, Brown)
Apsara Engine, Bishakh Som (Feminist)
SFSX (Safe Sex), Vol. 1: Protection, Tina Horn, Michael Dowling, Alejandra Gutiérrez & Jen Hickman (Image)
The 44th Annual Jack Williamson Lectureship, hosted by Eastern New Mexico University, will be held online April 22-24, with guests of honor James Patrick Kelly and Rebecca Roanhorse, and emcee Connie Willis. There will be readings and panels, interspersed with film clips from past lectureships, and quizzes, SF bingo and other surprises. A full agenda will be shared soon.
James Patrick Kelly has won the Hugo, Nebula, and Locus awards. His most recent publications are the novella King Of The Dogs, Queen Of The Cats (2020) and the collection, The Promise of Space (2018). He writes a column on the internet for Asimov’s Science Fiction Magazine and recently retired from faculty of the Stonecoast Creative Writing MFA Program at the University of Southern Maine where he taught for 15 years.
Rebecca Roanhorse is a Nebula and Hugo Award-winner and the recipient of the 2018 Astounding (Campbell) Award for Best New Writer. Her novel Trail of Lightning won the Locus Award for Best First Novel and is a Nebula, Hugo and World Fantasy finalist. A sequel, Black Sun, came out in 2020. Her short fiction can be found in Apex Magazine, New Suns, The Mythic Dream, and various anthologies. She lives in Northern New Mexico.
The lectureship, named for the prolific sff author and academic, was established by the university when Dr. Jack Williamson retired from his position as professor of English at Eastern New Mexico University in 1977. Ever since then writers, editors, artists and other speakers have gathered at ENMU every spring to share ideas, insights and their work with students, readers, viewers, creators, collectors and fans.