Tag Archives: Roald Dahl

Pixel Scroll 6/15/22 No! It Was Professor Scroll, In The Fifthorium, With An Appertained Beverage

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(1) SOME LIKE IT HOT. Gwenda Bond, to promote her novel The Date from Hell, got herself appointed the Mayor of Hell for one day. As Bond told told Facebook readers:

When I found out you can be Mayor of Hell, Michigan, for the day, my reaction was obviously: Hell yes. So consider this a celebration of the Match Made in Hell books being out in the world — with the @lexwritersroom fire happening the week before The Date from Hell released, I feel like I didn’t do enough to get the word out about it. So consider this ridiculous fun your excuse to go buy either or both the books and/or leave reviews somewhere if you enjoy them. Meanwhile, the Mayor must do some writing!

Coincidentally, today the Lexington (KY) Herald-Leader also published its interview with Bond about the tie-in novel she wrote about a popular TV series: “Love ‘Stranger Things’? Try out the series’ first official novel, written by Lexington author”.

…Her novel, Stranger Things: Suspicious Minds, evolved to tell the story of Terry Ives, the mother of Eleven, a protagonist in the Netflix series. Suspicious Minds focuses on the backstory behind why Terry became involved in the experiment with Dr. Brenner, the show’s main antagonist….

Returning to Hell, Michigan for a moment – the questionnaire on their reservation page shows how open-minded those folks truly are. They ask —

Is our upcoming Mayor: 

A Human

An Animal (dog, cat, lizard, etc.)

A Nonhuman (sock, stuffie, door knob, etc.)

(2) FACE-TO-FACE AT LAST. Asimov’s editor Sheila Williams’ editorial in the current Issue provides much more detail – and photos – about the 2020, 2021, and 2022 Dell Magazines Award winners. (See File 770’s report of the 2022 winner here.)

…After two years of Zoom ceremonies, It was a delight and a relief that the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing could once again be presented in sunny Orlando, Florida, at the annual International Conference for the Fantastic in the Arts (ICFA). The award, which is co-sponsored by Dell Magazines and the International Association for Fantastic in the Arts, and supported by Western Colorado University’s Graduate Program in Creative Writing… 

The finalists [who were able to attend IAFA] dined with returning Dell Award finalists Rich Larson, Kay Chronister, and Eleanor Griggs, as well as Joe and Gay Haldeman, Nick Wolven, Alan and Karen Smale, Gregory Norman Bossert, Stephen R. Donaldson, James Patrick Kelly, Suzanne Palmer, Walter Jon Williams, and editor/publisher Jacob Weisman.

(3) TOLKIEN’S ORIGIN STORY. John Garth told Facebook readers he’d received his contributor copy of The Great Tales Never End: Essays in Memory of Christopher Tolkien, edited by Richard Ovenden and Catherine McIlwaine for Bodleian Publishing. To be released June 24, the book’s other contributors include the late Priscilla Tolkien, Vincent Ferré, Verlyn Flieger, Wayne G. Hammond and Christina Scull, Carl F. Hostetter, Stuart Lee, Tom Shippey and Brian Sibley.

Garth also shared a page from his own contribution, “The Chronology of Creation: How J.R.R. Tolkien misremembered the beginnings of his mythology”, which “establishes that he wrote his creation myth, The Music of the Ainur, in 1917 during recovery from the Battle of the Somme – two years before we thought.”

(4) PEEVED. Amanda S. Green tells Mad Genius Club readers “Rules are made to be broken” – or at least, not all advice about how to “win” at NaNoWriMo deserves to be followed.

… So, what had me reacting so strongly? It was one of those articles where “real writers” are asked for advice for those of us who struggle to finish writing projects. At least that’s the way the promo for the article is framed. But it really comes down to asking why less than 17% of writers who sign up for NaNoWriMo actually finish the challenge and what those 83% who fail to finish should do.

The first piece of “advice” give is to create “a comprehensive outline before you start writing.” 

Look at that again. Not only are you supposed to outline your book but you are supposed to write a “comprehensive outline”. Forget the fact you might be a pantser. Forget the fact that you might do a one-five chapter general outline, staying ahead of where you currently are on the project. Oh no, you MUST write a comprehensive outline before you even start writing the book….

(5) TO INFINITY. Chris Evans, who voices the lead role in Lightyear, an animated Pixar movie that features a female space ranger who marries another woman, does his best to tell homophobic critics of the movie to kiss off in this Reuters interview.

“The real truth is those people are idiots,” Evans said in an interview with Reuters Television ahead of the debut of “Lightyear”…

“Every time there’s been social advancement as we wake up, the American story, the human story is one of constant social awakening and growth and that’s what makes us good,” he added.

…”There’s always going to be people who are afraid and unaware and trying to hold on to what was before. But those people die off like dinosaurs,” Evans said. “I think the goal is to pay them no mind, march forward and embrace the growth that makes us human.”

…”Lightyear” was banned in the United Arab Emirates because it depicts homosexuality, and Disney has been unable to secure permission to show the movie in 13 other Middle Eastern and Asian countries.

(6) NO BONES ABOUT IT. Vanity Fair had a paleontologist review a bunch of famous dinosaur movie scenes. He said every one of them is 100% scientifically accurate. Okay, you got me, I lied.

How accurate is Hollywood when it comes to depicting dinosaurs on the big screen? Paleontologist Mark Loewen reviews dinosaur scenes from films including Jurassic Park, The Lost World: Jurassic Park, Jurassic World, Jurassic World: Fallen Kingdom, Land Of The Lost, King Kong, Night at the Museum, and more.

(7) SASA NEUMAN (1952-2022). LASFS member Sasa Neuman died Monday, June 13 of a heart attack. Craig Miller who knew him since high school, wrote a tribute on Facebook.

Neuman joined LASFS in 1982 but I know he was networked with fans earlier than that because the 30 gallons of ice cream we served at the 1978 Westercone Ice Cream Social came from his Baskin Robbins franchise.  

Many more tributes are pouring in at Neuman’s own Facebook page.

(8) SHAMUS YOUNG (1971-2022). Shamus Young, who has written the Twenty Sided gaming blog since 2005, died June 15 of cardiac arrest at the age of 50. Young was a 2016 Best Fan Writer Hugo finalist, and was on the Rabid Puppies slate. He wrote a long post about his health challenges last year on his fiftieth birthday.

(9) MEDIA BIRTHDAY.

1955 – [By Cat Eldridge.] Sixty-seven years ago this day, This Island Earth went into general circulation in the United States, five days after it premiered in New York. 

It was produced by William Alland, and directed by Joseph M. Newman and Jack Arnold. It was written by Franklin Coen and Edward G. O’Callaghan as based on the novel by Raymond F. Jones, first published in Thrilling Wonder Stories as three separate novelettes, “The Alien Machine” in the June 1949 issue, “The Shroud of Secrecy” in the December 1949 issue, and “The Greater Conflict” in the February 1950 issue.  

The primary cast was Jeff Morrow as Exeter Faith,  Domergue as Ruth Adams,  Rex Reason as Cal Meacham, Lance Fuller as Brack and Russell Johnson as Steve Carlson. The last of course will be will known later as the Professor on Gilligan’s Island. 

It was made at a cost of around eight hundred thousand and made at least one point eight million in its first run. 

Critics in general loved it, it did very well at the box office but currently the audience reviewers at Rotten Tomatoes give it a not so great forty-four percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 15, 1910 — Harold Lawlor. April 1942 saw “The Eternal Priestess” published in Fantastic Adventures, his first sale. His first story for Weird Tales was “Specter in the Steel”,  May 1943. Over the next decade, twenty-nine stories by him would appear in Weird Tales. Alas I don’t believe his stories were ever collected and published. If I’m wrong, please do tell me. (Died 1992.)
  • Born June 15, 1939 — Brian Jacques. British author who surprisingly is not on the ISFDB list today. Writer of the exceedingly popular Redwall series of novels (I read a few of them, they’re excellent) and also of the Castaways of the Flying Dutchman series. He also wrote two collections of Alan Garner style fiction, Seven Strange and Ghostly Tales and The Ribbajack & Other Curious Yarns. (Died 2011.)
  • Born June 15, 1941 — Neal Adams. Comic book artist who worked for both DC and Marvel. Among his achievements was the creation with writer Dennis O’Neil of Ra’s al Ghul. I’m a DC fan so I can’t speak for his work on Marvel but he did amazing work on Deadman, Batman, Green Lantern and Green Arrow. All of this work is now available on the DC Universe app.  It should be noted he was instrumental in the efforts that resulted in Superman creators Jerry Siegel and Joe Shuster receiving long overdue credit and  financial remuneration from DC. (Died 2022.)
  • Born June 15, 1942 — Sondra Marshak, 80. Author of multiple Trek novels including The Price of the Phoenix and The Fate of the Phoenix, both co-written with Myrna Culbreath. She also wrote, again with Myrna Culbreath, Shatner: Where No Man…: The Authorized Biography of William Shatner which of course naturally lists Shatner as the third co-author. She also co-wrote the fandom reference book Star Trek Lives! with Jacqueline Lichtenberg and television producer Joan Winston. She was an important early promoter of Star Trek fan culture, and a publisher of fan fiction.
  • Born June 15, 1951 — Kirstie Alley, 71. She’s here for being Saavik on Star Trek II: The Wrath of Khan, her very first film. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner.
  • Born June 15, 1960 — Sabrina Vourvoulias, 62. Thai-born author, an American citizen from birth brought up in Guatemala, but here since her teens. Her novel, Ink, deals with immigrants who are tattooed with biometric implants that are used to keep track of them no matter where they are. The Readercon 25 panel she was on, “East, West and Everything Between: A Roundtable on Latin@ Speculative Fiction” is available from the usual suspects as is all of her fiction. 
  • Born June 15, 1960 — William Snow, 62. He is best remembered as Lord John Roxton on Sir Arthur Conan Doyle’s The Lost World. (Yes, that’s it’s official title.) He also had the lead as David Grief on the Australian series Tales of the South Seas which had Rachel Blakey from Sir Arthur Conan Doyle’s The Lost World as Isabelle Reed. It was definitely genre. 

(11) COMICS SECTION.

  • Funky Winkerbean hasn’t suddenly gone genre, however, I can imagine fans having this conversation.

(12) NEW SERIES. [Item by N.] Scavengers Reign is on its way from HBO Max.

Looks like this short was the original pilot, or proof-of-concept.

(13) NOT QUITE WALTZING MATILDA. Tor.com’s Molly Templeton says “Emma Thompson Is a Terrifying Miss Trunchbull In the Trailer for Nextflix’s Matilda the Musical“, based on the work of Roald Dahl.  

…Matilda is the story of a clever little girl surrounded by idiot adults. School is no better than home; at school, she has to contend with Trunchbull, a nightmare headmistress who basically tortures students. Smart, bookish Matilda has only her teacher, Miss Honey, for support—until she discovers she has a way to fight back.

In 1996, the novel was adapted into a film starring Mara Wilson as an iconic Matilda and Danny DeVito as Mr. Wormwood. The musical debuted in 2010, and arrived on Broadway in 2013. The trailer for this new version is full of tiny children singing about being revolting, which makes me love them all; I wish to watch this film immediately….

(14) UP ALL NIGHT. Andrew Porter sent a link to a February announcement — “These Six ‘Beloved’ Restaurants Won the 2022 James Beard America’s Classics Award” – because one of the honorees has a fannish connection. Says Porter, “Ted White established a tradition of ending Brooklyn NY Fanoclast meetings by a trip, in the middle of the night, to go to Wo-Hop, either by subway, or, sometimes, by car.”

It’s officially James Beard Award season: Today, the Foundation announced the first winners of 2022. As in years past, six long-tenured restaurants have been named “America’s Classics.” Per the Foundation, the award “is given to locally owned restaurants that have timeless appeal and are beloved regionally for quality food that reflects the character of its community.” Over 100 restaurants have won the award…and winners tend not to receive other nominations for Beard Awards.…

Wo Hop, New York, NY: One of the oldest restaurants in NYC’s Chinatown, Wo Hop stands as a testament to the old-fashioned Chinese American cooking that is increasingly hard to find.

(15) VIDEO OF THE DAY. Here’s a video interview with Dave McKean on illustrating the limited edition of The Gormenghast Trilogy. The Folio Society’s edition of Mervyn Peake’s Gormenghast trilogy is introduced by master of modern fantasy Neil Gaiman, illustrated by the extraordinary Dave McKean and signed by both contributors.

Award-winning illustrator Dave McKean provides the collection’s 142 original hand-drawn illustrations, as well as startling cover designs for each book and an exclusive art print of iconic villain Steerpike. Eschewing the traditionally gloomy and gothic, McKean’s concept has been inspired by the Gormenghast trilogy’s often overlooked sense of passion and colour. His renditions of Peake’s cast – from the enigmatic Countess Groan to the spidery manservant Flay – seethe with life and feeling, capturing the often stark surrealism of each book. Dave McKean has also created the hypnotic maze design that envelops the hinged collection case, bound in stone-grey Dubletta cloth and blocked in crimson metallic foil with the title screen-printed in black ink. Opening the case itself releases a burst of corvids silhouetted against the sky in silver ink.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Jan Vaněk jr, Steven H Silver, Daniel Dern, Aaron Pound, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve “Clueful” Davidson.]

Pixel Scroll 9/22/21 Or I Will Scroll Thee In The Gobberfiles With My Pixelcruncheon, See If I Don’t!

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(1) WORKING FOR THE MAN EVERY NIGHT AND DAY. Yesterday’s Scroll picked up The Mary Sue’s report that “Marvel Fired Joe Bennett After Alleged Anti-Semitic Cartoons”. Today Bounding Into Comics reports Bennett is now working for Vox Day’s Arkhaven Comics: “After Being Blacklisted By Marvel Comics, Joe Bennett Joins Arkhaven Comics”. That obviously wasn’t a hard decision for Bennett.

…In a press release, Arkhaven Comics notes they “did not hesitate to take advantage of Bennett’s unexpected availability, and promptly signed the former DC and Marvel illustrator as its lead artist on two series being written by legendary comics writer Chuck Dixon.”

Not only was Bennett the artist for Immortal Hulk, but his resume also includes Savage Hawkman, Deathstroke, and Arrow Season 2.5 among others at DC Comics. 

…Dixon, who has also been subject to a Marvel Comics blacklist since 2002, welcomed Bennett to Arkhaven Comics stating, “It’s a sign of where the American comic industry is at the moment that they would let a powerhouse talent like Joe Bennett go because his personal politics are not in line with their own.”

“I’m looking forward to working with Joe on both of the projects we have in motion at Arkhaven,” he added….

(2) BARBARIAN AT THE GATES. Funcom has purchased the Cabinet Group, which currently holds the trademarks to Conan and most other Robert E. Howard characters. This mainly affects comics and videogames, since there apparently are no movies, TV shows or new books in the works, although they say a game is in development. “Funcom Acquires Full Control of Conan the Barbarian and Dozens of Other IPs”.

…Funcom CEO Rui Casais said he has high ambitions for the IPs and noted at least one unannounced project is already in development. 

“We are currently overseeing the development of an unannounced game which will combine many of the characters in the Robert E. Howard universe,” said Casais. “And if you combine Funcom’s knowledge of games with Heroic Signatures’ knowledge of the TV/entertainment, publishing, and licensing industries, it makes us perfectly placed to take this venture to the next level. It’s exciting times ahead for us and for fans of the IPs.”… 

(3) BES&ST, Lavie Tidhar and Silvia Moreno-Garcia offer an overview of the best sword and sorcery fiction past and present at the Washington Post: “Let’s talk about the best sword and sorcery books”.

…Lavie: I love the original “Witcher” stories by Andrzej Sapkowski, collected in English as “The Last Wish” in 2007 and translated by Danusia Stok. They were originally published in the Polish magazine Nowa Fantastyka. I got to read “The Last Wish” in proof before it even came out, but I don’t know that anyone then expected it would become as big as it did. For a time, it was nearly titled “The Hexer” but, hexer or witcher, Sapkowski’s Geralt of Rivia is a worthy successor to its earlier influences….

(4) HE CALLED IT. Goodman Games has a post on Fritz Leiber and Fafhrd and the Grey Mouser by James Maliszewski: “Fritz Leiber, H.P. Lovecraft, and the Origin of Sword-and-Sorcery Stories”.

In the May 1961 issue of the fantasy fanzine Amra, future stalwart of Appendix N, Michael Moorcock, wrote a letter to the editor in which he proposed the term “epic fantasy” for the literary genre pioneered by Robert E. Howard in his stories of Conan the Cimmerian. In the July issue of that same year, however, Fritz Leiber offered another term in reply, writing, “I feel more certain than ever that this field should be called the sword-and-sorcery story.” Leiber elaborates a bit on his coinage, adding that this term “accurately describes the points of culture-level and supernatural element,” as well as being useful in distinguishing these stories from other popular pulp genres….

(5) WHAT BELONGS IN THAT BOX? Also at Goodman Games, — now that we have a name for these stories, how do we define sword and sorcery? Brian Murphy discusses the problem in “Sifting Through a Sword-and-Sorcery Definition”.

…But, in the same essay Moorcock began refining these broad parameters, focusing on a subset of fantasy stories “which could hardly be classified as SF, and they are stories of high adventure, generally featuring a central hero very easy to identify oneself with …. tales told for the tale’s sake… rooted in legendry, classic romance, mythology, folklore, and dubious ancient works of “History.” These were quest stories, Moorcock added, in which the hero is thwarted by villains but against all odds does what the reader expects of him….

(6) RACISM IN S&S. This isn’t new, but Charles R. Saunders’ famous essay “Die, Black Dog, Die” about the latent and not so latent racism in sword and sorcery and fantasy in general from the 1970s is available again online here: “Revisiting ‘Die, Black Dog!’” at Reindeer Motel. (It’s posted as a single image file, so no excerpt here.)

(7) BACKSTAGE TO THE FUTURE. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the Financial Times, Sarah Hemming reviews Back To The Future: The Musical, which recently opened in London.  Roger Bart, who played Frankenstein in Young Frankenstein, plays Doc.

“As in the film, restless teenager Marty McFly escapes his humdrum home life by hanging out with doc and ends up taking the wheel of the DeLorean for an early voyage.  But he gets more than he bargains for when that voyage lands him back in 1955 and in the hugely awkward position of meeting his teenage mum–who promptly develops a crush on him.  Gale’s script gleefully replicates the film (with a few wise excisions, such as the Libyan terrorists), while relishing the irony that from 2021, 1985 looks like old hat and that, for many in the audience, the whole show is an exercise in nostalgia–coupled with curiosity to see time travel on stage…

…A mix of pastiche and sincerity characterises the show.  The songs (Alan Silvestri and Glen Ballard) channel the periods–such as a peppy Fifties number in praise of gasoline and DDT–and there’s a nice streak of self-mockery.”

The website for the show is Back to the Future the Musical.

(8) SUPER-OVERRATED. James Davis Nicoll has decided there are “Five Superpowers That Just Aren’t As Fun as They Sound”.

Who among us has not dreamed of having superpowers? We are urged thereto by the avalanche of comics, movies, novels, and roleplaying games featuring abilities beyond mortal ken. Yet not all superpowers are created equal. Some superpowers require secondary superpowers to survive.  Other abilities have disquieting consequences for their possessors.

I’m not going to talk about superhumans with powers that would kill them or their friends if exercised. No one dreams of being any of the following:

  • X-Bomb Betty (can self-detonate, producing a 150 million megaton explosion (once))
  • Hazmat (lethal radioactive aura)
  • Absorbing Man (can duplicate the properties of materials he touches; see footnote)

I’m talking, here, about powers that appear on their surface to be useful but later reveal themselves to be harmful to, or at least extremely alienating for, those who wield them. Below are my musings about five such examples…

(9) NOW, THE NEWS. Also, James Davis Nicoll recommends this comedy sketch on Tik-Tok as an interpretation of “the Canadian election seen through the lens of the Matrix”.

(10) GIANT PEACH OF A DEAL. Netflix now owns the rights to Roald Dahl’s stories. Roundup at Adweek: “Netflix Acquires Roald Dahl Story Company, Plans Extensive Universe”.

The U.S. streaming giant announced Wednesday it has bought the Roald Dahl Story Company, which manages the rights to the British novelist’s characters and stories. It comes three years after Netflix signed a deal to create a slate of new animated productions based on the works of Dahl. (CNBC)

Under the previous deal, Taika Waititi is working on Roald Dahl animated series projects for Netflix, covering Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator. That’s in addition to two different versions of Matilda, including a film version of Matilda the Musical and an animated series, plus plans to make a BFG cartoon. (The Verge)…

(11) 1001, A FACE ODYSSEY. “What About the Heroine’s Journey?” asks the New York Times in its review of Maria Tatar’s The Heroine With 1,001 Faces.

…[Joseph] Campbell’s ideas have rippled out in the culture for decades — especially after a popular series hosted by Bill Moyers in 1988 — but he has long demanded a feminist response. It would be hard to conjure up a more suitable person to provide one than Maria Tatar, the Harvard professor who is one of the world’s leading scholars on folklore.

Her new book, “The Heroine With 1,001 Faces,” out this month from Liveright, is an answer to Campbell, though she is careful not to frame it as an assault. “Even though my title suggests that I’m writing a counternarrative, or maybe an attack on him, I think of it as more of a sequel,” Tatar said in a video interview from her home in Cambridge, Mass.

She is stirring what J.R.R. Tolkien once called the “cauldron of story” in search of the girls and women, some silenced and some forgotten, some from the Iliad and some from Netflix, who live in Campbell’s blind spot. The reader jumps from Arachne’s battle with Athena to the escape of Bluebeard’s trickster wife to Pippi Longstocking and Nancy Drew and even to Carrie Bradshaw typing away on her laptop.

(12) LIGHTEN UP. Sarah Gailey is joined by Sophie Lee Mae and Jaxton Kimble to play with this new writing prompt in “Building Beyond: That’s Just Super” at Stone Soup:

Exposure to fluorescent lights gives people a 98% chance of developing a superpower under conditions of duress.

(13) J. RANDOLPH COX (1936-2021). Randy Cox died in a nursing home on September 14 reports Mysteryfile.com. Cox edited The Dime Novel Round-Up for over 20 year. He wrote several books including Man of Magic & Mystery: A Guide to the Work of Walter B. Gibson, about the man who created The Shadow; Flashgun Casey: Crime Photographer, co-authored with David S. Siegel, about the character originally created for Black Mask by George Harmon Coxe; Masters of Mystery and Detective Fiction: An Annotated Bibliography;  and The Dime Novel Companion: A Source Book. He received the Munsey Award at PulpFest in 2014.

(14) MEMORY LANE.

  • 1964 – Fifty-seven years ago on NBC, The Man from U.N.C.L.E. premiered. It was created by Sam Rolfe who was responsible for Have Gun, Will Travel and Norman Felton who directed All My Children, the first daytime soap which debuted in the Forties. It starred Robert Vaughn, David McCallum and Leo G. Carroll. It would last four seasons of one hundred and five episodes, most in color. Harlan Ellison scripted two episodes, “The Sort of Do-It-Yourself Dreadful Affair” and “The Pieces of Fate Affair.” A reunion film, Return of the Man from U.N.C.L.E. with the subtitle of The Fifteen Years Later Affair with Vaughn and McCallum reprising their roles with Patrick Macnee replacing Leo G. Carroll, who had died, as the head of U.N.C.L.E. There was a film reboot recently that was very well received. 

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Star Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek lore, “[Gene Roddenberry] got ‘Wagon Train to the stars’ from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, ‘Yeah? Why don’t you do Wagon Train to the stars?’” (Died 1997.)
  • Born September 22, 1952 — Paul Kincaid, 69. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction. His latest publication is The Unstable Realities of Christopher Priest.
  • Born September 22, 1954 — Shari Belafonte, 67. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well known genre performance. 
  • Born September 22, 1957 — Jerry Oltion, 64. His Nebula Award winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000. 
  • Born September 22, 1971 — Elizabeth Bear, 50. First, let’s all wish her a speedy recovery from her cancer surgery which was this week. Her first sff series was a superb trilogy, which might be considered cyberpunk, centered on a character named Jenny Casey. She’s a very prolific writer; I’m fond of her Promethean Age, New Amsterdam and Karen Memory series. She won an Astounding Award for Best New Writer, a Hugo Award for Best Short Story for “Tideline”, and a Hugo for Best Novelette for “Shoggoths in Bloom”. One of only five writers to win multiple Hugo Awards for fiction after winning the Astounding Award! Very impressive indeed! It is worth noting that she was one of the regular panelists on now sadly defunct podcast SF Squeecast, which won the 2012 and 2013 Hugo Awards for “Best Fancast”. (CE)
  • Born September 22, 1981 — Maria Ashley Eckstein, 40. She’s voice of Ahsoka Tano on Star Wars: The Clone Wars, Star Wars Rebels, and Star Wars Forces of Destiny. She even has a voice only cameo as Ashoka in Star Wars: The Rise of Skywalker. And she voiced the character in the audiobook of E. K. Johnston’s Star Wars: Ahsoka.
  • Born September 22, 1982 — Billie Piper, 39. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North.
  • Born September 22, 1985 — Tatiana Maslany, 36. Best known for her superb versatility in playing more than a dozen different clones in the Orphan Black which won a Hugo for Dramatic Presentation (Short Form) at the  73rd World Science Fiction Convention for its “By Means Which Have Never Yet Been Tried“ episode. She received a Best Actress Emmy and more than two dozen other nominations and awards. She’ll be playing Jennifer Walters / She-Hulk in the upcoming Marvel She-Hulk series.

(16) SHARP POINTY TEETH. Of course it’s a vampire movie. Was there ever any doubt? Night Teeth coming to Netflix on October 20.

(17) IT CANNOT BE DENIED. From a book review in today’s New York Times:

“(Turid is among those names, like Shakespeare’s Titus, for which it is crucial, when spelling, not to omit the second vowel.)”

(18) DANGEROUS HISTORY. A genre study titled Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 edited by Andrew Nette and Iain McIntyre is available for pre-order from PM Press.

…It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.

Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

Here’s a sample page that was posted to the book’s Kickstarter site:

(19) THE QUICK SAND AND THE DEAD. Juliette Kayyem remembers a hazard much on the minds of young TV viewers back in the day:

Her tweet inspired E. Gruberman to round up a zillion YouTube links to relevant scenes from old shows of TV heroes up to their hips in quicksand.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Transformers:  Age of Extinction Pitch Meeting” on Screen Rant, Ryan George says in the fourth Transformers movie, Sam Witwicky disappears without an explanation because Shia LeBouef didn’t want to be in Transformer movies anymore. The writer explains that the Transformers are powered by “transformium,” “which can change into any product placement we want.” but the third act will be “our usual visual mess” but will feature “guns, boobs, America, victory.”

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jayn.]

Pixel Scroll 12/31/20 It’s Shuffled Off Its Mortal Scroll, Run Down The Curtain And Joined The Bleedin’ File Invisible! This Is An Ex-Pixel!

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The title is longer than today’s Scroll!

(1) REGRESS REPORT. Michael Dirda says his heaps are still sparking joy: “Clutter, says who? College essays, letters from Stephen King and Tucker Carlson: I’m keeping (almost) all of it” in the Washington Post.

As we close out the last week of turbulent 2020, there are 15 boxes stacked precariously on a couch in the small living room of this house. There are another 20 or so identical boxes crammed floor-to-ceiling in a dark corner of the basement. All of them contain what I refer to grandiosely as “my papers.”By that I mean a lifetime’s accumulation of letters, newspaper clippings, reporter’s notebooks, photocopied articles, three-ring binders, file folders, photographs, ID cards and driver’s licenses, magazines and journals (Gramophone, The Armchair Detective, Studies in Bibliography), drafts of short stories and poems — and even a few elementary school compositions and college essays. Everything has been stashed away higgledy-piggledy, a system that I’ve been known to rationalize by murmuring a line from poet Wallace Stevens: “A great disorder is an order.”

But I’m done with that. Having devoted chunks of this plague year to sorting and culling my books, I now face the more daunting task of weeding through all this memorabilia and paper clutter….

(2) REAL STINKERS. In The Guardian, columnist Louise Candlish has a particular character type in mind as she lists her “Top 10 most dislikable characters in fiction“ (literary fiction, that is). One genre work makes the cut for a group of characters (counted as a single entry for the author’s purpose)—Charlie and the Chocolate Factory. “Top 10 most dislikable characters in fiction”.

3. The other children in Charlie and the Chocolate Factory by Roald Dahl
One way of signalling who your hero is in a children’s book is to make every other child deeply detestable. The Oompa Loompas explain far better than I can the vices of Charlie’s rivals: Veruca Salt is “the little brute”; Augustus Gloop is “unutterably vile”; and Violet Beauregarde is “some repulsive little bum”. Square-eyed Mike Teavee is the least offensive, so we’ll be kind and spare him.

(3) DOOM OBIT. “Rapper MF Doom dies at 49, wife says”. He styled himself after Doctor Doom and was a noted fan of comic books. The Chicago Tribune pays homage:

… Now calling himself MF Doom and wearing a metal mask inspired by the Marvel Comics villain Dr. Doom, Dumile released “Operation: Doomsday” in 1999. Produced by Dumile himself under the pseudonym Metal Fingers, the album couldn’t have been more out of step with hip-hop’s mainstream; featuring Dumile’s signature plainspoken flow and head-spinning volleys of intricate internal rhymes, off-the-wall cultural references and non-sequiturs, the album gained him a sizable cult following.

(4) MEDIA ANNIVERSARY.

  • December 31, 1987 — On this day in India, Superman premiered. It produced and directed by B. Gupta. The film stars Dharam Singh Deol more commonly known as Dharmendra, Puneet Issar, Sonia Sahni and Ranjeeta Kaur. Puneet Issar plays the role of Superman. It was not sanctioned by Warner Brothers., nor did they sue.  It was unbelievably bad according to the critics who reviewed it, and yes you can watch it here as Warner Brothers doesn’t seem to care.

(5) TODAY IN HISTORY.

  • December 31, 1995: The last new Calvin and Hobbes cartoon strip was published.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 31, 1872 – Edith Olivier.  The first Lady Mayor of Wilton.  Decorated for her service during World War II.  A novel and three shorter stories for us, four other novels, nonfiction, memoirs, journals.  In a chapter “Things Past Explaining” she recounts waking one summer night to hear a thud on the floor by her bed – an oldfashioned tennis racket.  Her windows and door were closed.  “If it was an apport by a passing spirit, I can only say that the sense of humour of those in another world is very different from ours.”  (Died 1948) [JH]
  • Born December 31, 1890 – Joe Sewell.  Seventy interiors for “Riddles of Science” and “Scientific Mysteries” in Amazing.  Those also serve who only sit and draw.  (Died 1967) [JH]
  • Born December 31, 1931 – Bob Shaw.  One of the Wheels of IF i.e. Irish Fandom.  Two Hugos, three FAAn (Fan Activity Achievement) Awards, as Best Fanwriter.  Toastmaster at Seacon ’79 the 37th Worldcon and ConFederation the 44th.  Brought to Noreascon I the 29th Worldcon by the BoSh Fund; to Aussiecon Two the 43rd Worldcon by the Shaw Fund.  Co-author of The Enchanted Duplicator which you can see here.  You can also see “Fansmanship”.  Rebel Award – lived variously in the U.K. and U.S.  Doc Weir Award (U.K.; service).  In fact this is all BoSh as you can see.  (Died 1996) [JH]
  • Born December 31, 1943 — Ben Kingsley, 77. Speaking of Kipling, he voiced Bagherra in the live action adaptation that Disney did of The Jungle Book. He was also in Iron Man 3 as Trevor Slattery, a casting not well received. He’s The Hood in Thunderbirds (directed by Frakes btw), Charles Hatton in A Sound of Thunder and Merenkahre in Night at the Museum: Secret of the Tomb, the third of three great popcorn films. (CE) 
  • Born December 31, 1945 — Connie Willis, 75. She has won eleven Hugo Awards and seven Nebula Awards for her work, a feat that impresses even me, someone who isn’t generally impressed as you know by Awards! Of her works, I’m most pleased by To Say Nothing of the Dog, Doomsday Book and Bellwether, an offbeat novel look at chaos theory. I’ve not read enough of her shorter work to give an informed opinion of it, so do tell me what’s good there. (CE)
  • Born December 31, 1949 — Ellen Datlow, 71. Let’s get start this Birthday note by saying I own a complete set of The Year’s Best Fantasy & Horror which yes , I know it was titled The Year’s Best Fantasy for the first year. And I still read stories for them from time to time.  If that was all she had done, she’d have been one of our all-time anthologists but she also, again with Terri Windling, did the Fairy Tale and Mythic Fiction series, both of which I highly recommend. On her own, she has the ongoing Best Horror of Year, now a decade old, and the Tor.com anthologies which I’ve not read but I assume collect the fiction from the site.  Speaking of Tor.com, she’s an editor there, something she’s also done at Nightmare Magazine, Omni, the hard copy magazine and online, Sci Fiction webzineandSubterranean Magazine. (CE) 
  • Born December 31, 1949 – Susan Shwartz, Ph.D., age 71.  A score of novels, threescore shorter stories.  Half a dozen anthologies.  Essays, introductions and afterwords, letters, reviews in Analog, Ares, SF Review, SFWA Bulletin (Science Fiction & Fantasy Writers of America), Thrust.  Interviewed by Darrell Schweitzer and Lesley McBain.  Unable to resist writing “A Neopro’s Guide to Fandom and Con-Dom” for the Noreascon Three Souvenir Book (47th Worldcon) but made up for it with “Appreciating Esther Friesner” for Millennium Philcon the 59th, hello Susan.  [JH]
  • Born December 31, 1953 — Jane Badler, 67. I first encountered her on the Australian-produced Mission Impossible where she played Shannon Reed for the two seasons of that superb series. She’s apparently best known as Diana, the main antagonist on V, but I never saw any of that series being overseas at the time. She shows up in the classic Fantasy Island, Sir Arthur Conan Doyle’s The Lost World, Bitch, Popcorn & Blood and Virtual Revolution. (CE)
  • Born December 31, 1958 — Bebe Neuwirth, 62. Ok she’s had but one television SF credit to her name which is playing a character named Lanel in the “First Contact” episode of the Next Gen series during season four but I found a delightful genre credential for her. From April 2010 to December 2011, she was Morticia Addams in the Broadway production of The Addams Family musical! The show itself is apparently still ongoing. (CE)
  • Born December 31, 1959 — Val Kilmer, 61. Lead role in Batman Forever where I thought he did a decent job, Madmartigan in Willow, Montgomery in The Island of Dr. Moreau, voiced both Moses and God in The Prince of Egypt, uncredited role as El Cabillo in George and the Dragon and voiced KITT in the not terribly well conceived reboot of Knight Rider. Best role? Ahhh that’d be Doc Holliday in Tombstone. (CE)
  • Born December 31, 1967 – Cynthia Leitich Smith, age 53.  This Muskogee Creek Nation author with a Univ. Michigan law degree was just given the first Katherine Paterson Chair at Vermont College of Fine Arts, and the Neustadt Prize.  A score of novels, young-adult, and children’s books, some comic, some fantastic (half a dozen for us), some realistic; essays, short stories, poetry, not to omit “A Real-Live Blonde Cherokee and His Equally Annoyed Soul Mate” in L. Carson ed., Moccasin Thunder.  [JH]
  • Born December 31, 1982 – Remus Simian.  (There should be, but the software won’t allow it, a cedilla under the S of Simian, indicating a sound like s in English sure.)  One story, and that passably strange, in Paradox, the magazine of the H.G. Wells SF Society of Timisoara (that s should have a cedilla), Banat, Romania, twin club of the U.K. Phoenicians and thus of its successor the Northumberland Heath SF Group, all part of the Science Fact & Science Fiction Conctatenation – they use a superscript, I don’t know if they’d accept SF**2.  (Died 2004) [JH]

(7) COMICS SECTION.

  • Ziggy has a holiday traveler’s waking nightmare.

(8) TWENTY-TWENTY TV VISION. Thrillist calls these the “Best Fantasy & Sci-Fi TV Shows of 2020: Our Favorite Series This Year”. First on the list:

The Boys (Amazon Prime)

Season 2. 8 episodes.
The Boys, already the savviest show about the state of pop culture, went even darker and harder in its second season. Despite operating in the same genre as Marvel and DC, The Boys is less about world saving and more about greedy corporate entities that trade on public fears in order to sell their product—the product in this case being superheroes. This batch of episodes introduced You’re the Worst‘s Aya Cash as a no-bullshit feminist using the language of women’s rights for her own evil aims, a fucked up narrative not just there for shock value: It gets to the root of something genuinely insidious in the entertainment industry.—Esther Zuckerman

(9) IN A HURRY. “Long-distance quantum teleportation is now possible, meaning quantum internet” says SYFY Wire.

Raise your hand if you ever wanted to get beamed onto the transport deck of the USS Enterprise. Maybe we haven’t reached the point of teleporting entire human beings yet (sorry Scotty), but what we have achieved is a huge breakthrough towards quantum internet.

Led by Caltech, a collaborative team from Fermilab, NASA’s Jet Propulsion Lab, Harvard University, the University of Calgary and AT&T have now successfully teleported qubits (basic units of quantum info) across almost 14 miles of fiber optic cables with 90 percent precision. This is because of quantum entanglement, the phenomenon in which quantum particles which are mysteriously “entangled” behave exactly the same even when far away from each other….

(10) SPARE THE CREDENTIAL. “A snake bit my cat. Clearing out my bank accounts to save him was an easy choice” in the Washington Post is a moving article by the author of The Fire Line: The Story of the Granite Mountain Hotshots.

…Rocky is a great hunter, and for years he brought us gifts: birds (dead and alive), rabbits (dead and alive), lizards (dead) and ground squirrels (alive, always, and so hard to catch). At 19 pounds, Rocky is big enough that a friend once mistook him for a bobcat. Such sightings are not uncommon where we live, on the edge of the Phoenix Mountains Preserve. The danger of that terrain jolted me on a recent Friday, when I got a text from a neighbor accompanied by a picture of a baby Western diamondback rattlesnake. “Rocky thinks this is a toy,” she wrote.

I raced out the door, calling his name, my heart thumping, fearful of losing him in a year already marked by too much loss. Rocky emerged from behind a creosote bush and rushed toward me. As I scanned his body, I saw puncture wounds behind his left digits.

We have human health insurance but not pet insurance. I didn’t hesitate to give my credit card number to the animal hospital’s desk attendant, who asked for it as a condition of admitting him that night, when his left paw was already swollen as big as the head of a golf club. Four doses of antivenin, several blood tests to check his clotting time, three nights at the hospital, plus who-knows-what-else-because-I-lost-track brought the total to $6,200….

(11) CATS AND ELIOT. Before there was music, there were words….

So Cats was a weird movie, huh? Join me, Maggie Mae Fish (and my alternate cat personality), as I explore the weird origins of Cats in the poetry (and warped mind) of TS Eliot.

(12) FIRE WHEN READY. “Amateur Batman Builds His Own Wrist Mounted Grappling Gun” – Gizmodo will show it to you.

A childhood spent obsessing over Batman’s wonderful toys eventually transitions to a disappointing adulthood where you realize those gadgets just can’t exist in real life, even with a billion-dollar budget. That hasn’t stopped many from trying, and JT from YouTube’s Built IRL has come closer than most at recreating Batman’s grappling gun….

(13) VIDEO OF THE DAY. Camestros Felapton arrived in 2021 almost a whole day ahead of File 770. Not only has he survived the impact (so far), he sent his readers a video from the future:

[Thanks to JJ, Andrew Porter, John King Tarpinian, N., John Hertz, Martin Morse Wooster, Michael Toman, Cat Eldridge, Jeff Smith, Todd Mason, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 1/12/20 Mongo Only Pawn In Scroll Of Pixels

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(1) AVOIDING CALENDRICAL ROT. Odyssey Writing Workshop presents “Interview: Guest Lecturer Yoon Ha Lee”.

You recently completed the Hugo Award-nominated Machineries of Empire trilogy. Did you know how the trilogy would end when you began writing the first book? Are you more of a planner, or more of a pantser?

I didn’t know it was going to be a trilogy! I originally intended Ninefox Gambit to be a standalone. But after I finished drafting it, I had an idea for a sequel. And after I committed to Raven Stratagem, I had another idea, and that became Revenant Gun. I plan individual novels because I’m not smart enough to figure out the plots on the fly. But on the series level…well, I didn’t plan to write a trilogy. It just happened.

(2) SOMTOW IN THE NEWS. Forward’s Benjamin Ivry interviews Somtow Sucharitkul: “A new Holocaust opera premieres — in Thailand”.

Thailand might not seem the most probable point of origin for a new opera about the Holocaust, but on January 16, the world premiere of “Helena Citrónová” by the composer Somtow Sucharitkul, 67, will be staged in Bangkok.

It is about a real-life Auschwitz survivor of Slovak Jewish origin who at a trial in 1972, testified that a Nazi officer had fallen in love with her and thereafter, saved her and her sister. Despite testimony from others attesting to his crimes, the Nazi was allowed to go free due to a statute of limitations.

Citrónová’s story gained further currency in a 2005 BBC-TV documentary, “Auschwitz: The Nazis and the ‘Final Solution’” in which she was interviewed.

It inspired a controversial romance novel about a Jewish prisoner at a Nazi concentration camp whose love for a Nazi commandant redeems him. As The Forward reported in August 2015, this book sparked objections, notably from Katherine Locke, a Jewish writer based in Philadelphia.

Far from Auschwitz and Philadelphia, Somtow Sucharitkul, who writes and composes under the name S.P. Somtow, published his libretto for Helena Citrónová in 2018….

Last October, you tweeted a response to those who wonder why you chose the subject of Helena Citrónová by citing lines from Yevgeny Yevtushenko’s poem “Babi Yar,” about Nazi atrocities in the USSR: “Today, I am as old/ As the entire Jewish race itself,” adding “This story belongs to all of us.” What did you mean by that?

Somtow Sucharitkul: People ask me all the time why should I talk about these things as if I were somehow schnorring in on someone else’s life. I was born in Thailand, but left when I was six months old and lived in Europe for most of my childhood, so it feels like more of my past than what happened in Asian countries. The reason I started getting involved in Jewish issues in Thailand were that none of my students here knew whether Thailand had won or lost the Second World War. I was in the Terminal 21 Shopping Mall [in Bangkok] and saw a statue of Hitler dressed as Ronald McDonald. No one meant anything by it, but it was a terrible moment of disjunction, and I felt that I should explain to young people around me and those in a wider range.

You posted on Facebook in October that in the opera’s final scene, when you set the heroine’s words, “My father told me once, never forget you’re a Jew,” you chose to rework a melody from Wagner’s “Die Walküre.” You add that this was done “unconsciously,” but using the notorious anti-Semite Wagner’s music in this context was an “allusion so cogent and so trenchant that my unconscious must have intended it.” So was it intentional or unconscious?

I imagine it was unconsciously intentional. At the time I wrote those notes, I thought to myself, this is Wagner, but I couldn’t place it. That was an odd moment, I have to admit….

(3) A COMPLETE TRIUMPH. Edgar Allan Poe’s “William Wilson” is Library of America’s “Story of the Week.” It’s preceded by a long and interesting note about its reception.

Since returning from Europe in 1832, Irving had done much to help younger American writers, and he responded without hesitation as soon as the letter reached him at his home in Tarrytown. “I have read your little tale of ‘William Wilson’ with much pleasure,” Irving wrote. “It is managed in a highly picturesque style, and the singular and mysterious interest is well sustained throughout. . . . I cannot but think a series of articles of like style and merit would be extremely well received by the public.” Irving added that he much preferred this new work over Poe’s previous story in the magazine, which suffered from “too much coloring.” (That tale, incidentally, was “The Fall of the House of Usher.”) While the endorsement might seem somewhat equivocal, Poe boasted to one editor that Irving’s support represented “a complete triumph over those little critics who would endeavor to put me down by raising hue and cry of exaggeration in style, of Germanism & such twaddle.” The quote from Irving was featured prominently in publicity for Poe’s new book, Tales of the Grotesque and Arabesque.

(4) NISI SHAWL CLASS. Cat Rambo tweeted “Highlights from Nisi Shawl’s A Taste of Writing the Other”

(5) AN ALLUSION, In The Village Voice, Thulani Davis recounts how “Black Women Writers Reclaim Their Past”. Tagline: “Like a number of other black women writers, I have made it a point to speak of our ‘tradition,’ yet I know that no such tradition is assumed by the rest of the world, primarily because our books have not been read or taught”

…Imagine a John Coltrane who had only heard one 78 by Charlie Parker, one LP by Billie Holiday. Imagine a Cecil Taylor who did not grow up with the sounds of Art Tatum and Duke Ellington, and you have some idea how amazing it is that we have writers like Lorraine Hansberry and Toni Morrison.

Each generation of black women has cer­tainly taken ideas from known forms, yet in the matter of content — the telling of black women’s stories — the same impulses appear time and again, with little revision over the decades. Only lately have we seen work that makes conscious nods to the past. And no wonder: Morrison, Alice Walker, Gayl Jones, Toni Cade Bambara, Gloria Naylor, Sherley Anne Williams, Ntozake Shange, and others are the first generation to have a body of work on the black woman’s condi­tion readily at hand.

(6) TODAY IN HISTORY.

  • January 12, 1932 – In Mexico, Doctor X premiered. A pre-Code film, it was directed by Michael Curtiz and was headlined by Lionel Atwill and Fay Wray. Because it was pre-Code, murder, rape, cannibalism, and prostitution were part of the story. It’s based on the play titled “The Terror” (New York, February 9, 1931) by Howard W. Comstock and Allen C. Miller. It was well received both by critics and at did very well at the box office. Warner Bros. followed up with Mystery of the Wax Museum, another pre-Code film.  Critics at Rotten Tomatoes rate it considerably higher (75%) than reviewers do (48%). 
  • January 12, 1940 — The Invisible Man Returns, the sequel to The Invisible Man, premiered. Directed by John May and produced by Ken Goldsmith, it starred Vincent Price in the title role. The screenplay was written by Lester Cole and Curt Siodmak (as Kurt Siodmak). Its success led to a third film, The Invisible Woman, a comedy billed as a sequel. Critics at Rotten Tomatoes love it giving a 82% rating while reviewers give a not so bad 58% rating.
  • January 12, 1966 — Batman made its television debut.
  • January 12, 1967 – Star Trek’s “The Squire of Gothos” first aired on CBS. Starring William Campbell as Trelane, it was written by Paul Schneider, and directed by Don McDougall. Trelane Is considered by many Trekkies to be a possible Q. Critics loved it giving such comments as “one of TOS’s most deservedly iconic hours” and voting the William Campbell performance as Trelane, as the fifth best guest star of the Trek series. 
  • January 12, 2018 — Amazon dropped Philip K. Dick’s Electric Dreams unto the public for viewing.  The first episode of the first season was titled “The Hood Maker”.  It was originally published in the June 1955 issue of Imagination hich was born in the Fifties and ceased publishing in the the Fifties as well.The screenplay was by Matthew Graham. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 12, 1916 — House Peters Jr. Though he’s best remembered as Mr. Clean in the Procter and Gamble commercials of the Fifties and Sixties, he did appear in a fair amount of SFF including Flash Gordon, Batman and Robin, King of the Rocket Men, The Day The Earth Stood Still, Red Planet Mars, Target Earth and The Twilight Zone. (Died 2008.)
  • Born January 12, 1937 — Shirley Eaton, 83. Bond Girl Jill Masterson in Goldfinger, and yes, she got painted gold in it. She also shows up as the title character in The Million Eyes of Sumuru, the Sax Rohmer based film we just discussed. Her other significant role would be as Dr. Margaret E. ‘Maggie’ Hanford in Around the World Under the Sea. She retired from acting in 1969. 
  • Born January 12, 1948 — Tim Underwood, 72. Bibliographer with such works as Fantasy and Science Fiction by Jack Vance (done with Jack Miller), Shameless Art: Paintings of Dames, Dolls, Pin-ups, and Bad Girls (genre adjacent at the very least) and Stephen King Spills the Beans: Career-Spanning Interviews with America’s Bestselling Author.  
  • Born January 12, 1951 — Kirstie Alley, 69. She’s here for being Saavik on Star Trek II: The Wrath of Khan. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner.
  • Born January 12, 1952 — Walter Mosley, 68. An odd one as I  have read his most excellent Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue Light, Futureland: Nine Stories of an Imminent Future, The Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four that was conceived of and orchestrated by him.  Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB.
  • Born January 12, 1952 — Rockne S. O’Bannon, 68. He’s The genius behind  Farscape, SeaQuest 2032, the Alien Nation series and Defiance. Only the latter couldn’t I get interested in. 

(7) TAKE A RIDE ON THE READING. “For William Gibson, Seeing the Future Is Easy. But the Past?” – a New York Times interview.

Describe your ideal reading experience (when, where, what, how).

The ideal reading experience, for me, is wholly induced by the text, with a complete lack of interruption. My most memorable adult experience of this remains my initial reading of Cormac McCarthy’s “Blood Meridian,” which I began in the cab, in Vancouver, on my way to the airport, in 1991 or so, for my first visit to Berlin. I remember nothing of the journey, between my door in Vancouver and the hotel room in which I finished the book. Just the Judge and I, here to there. Leaving him (as much as any receptive reader ever can) I stepped to the window, blinking out at this city, whenever and wherever it was. I was late getting to the Kunsthalle, to greet Samuel Delany and Wim Wenders, though I was able to later.

(8) FARSIGHT. “Everybody talks about the weather,” begins a Mark Twain quote. Now they’ll have even more to talk about: “Aeolus: Weather forecasts start using space laser data”.

Europe’s novel wind-measuring satellite, Aeolus, has reached a key milestone in its mission.

The space laser’s data is now being used in operational weather forecasts.

Aeolus monitors the wind by firing an ultraviolet beam down into the atmosphere and catching the light’s reflection as it scatters off molecules and particles carried along in the air

The European Centre for Medium-Range Weather Forecasts says the information is now robust enough for routine use.

The Reading, UK-based organisation is ingesting the data into its numerical models that look from one to several days ahead.

Forecast improvements are most apparent for the tropics and the Southern Hemisphere.

…The European Space Agency’s Aeolus satellite is regarded as a breakthrough concept.

Wind measurements have traditionally been very patchy.

You can get data from anemometers, weather balloons and aeroplanes – and even from satellites that infer air movements from the way clouds track across the sky or from how rough the sea surface appears at different locations.

But these are all limited indications that tell us what is happening in particular places or at particular heights.

Aeolus on the other hand gathers its wind data across the entire Earth, from the ground to the stratosphere (30km) above thick clouds.

(9) IF YOU’VE GOT IT… BBC reports that “The woman who paid $250,000 to go into space” may get there yet.

Ketty Maisonrouge has waited 15 years for a trip that she knows will be out of this world.

The 61-year-old business school professor signed up back in 2005 for the promise of five minutes in zero-gravity, paying $250,000 (£190,500) to travel beyond the earth’s atmosphere.

Now the company that sold her the ticket, Virgin Galactic, says it will finally begin flights this year. Its founder, Sir Richard Branson, will be on the first trip, and Mrs Maisonrouge won’t be far behind.

“Hopefully it will be as amazing as I think,” says Mrs Maisonrouge.

If all goes to plan, Virgin Galactic will be the first private company to take tourists into space. The company says 600 people have already purchased tickets, including celebrities like Justin Bieber and Leonardo DiCaprio.

But rival firms are close behind. Blue Origin, started by Amazon founder Jeff Bezos, has also starting speaking to possible passengers for trips it hopes to start this year, while SpaceX, founded by Tesla’s Elon Musk, announced in 2019 that a Japanese billionaire would be its first passenger for a trip around the moon.

(10) ANOTHER HITCHHIKER. Martin Plimmer lets us share a ride “In Roald Dahl’s Car” in his essay for the New York Times.

…I told him I was a reporter on the local paper, The Bucks Herald. I needed to get back for work the next day. My first task every Monday morning, as the most junior reporter on the paper, was to call on the town’s undertakers and compile a list of people who had died over the weekend. Then I had to phone or visit the next of kin. It was my job to populate the newspaper’s obituary column.

He chuckled. “Sounds grim,” he said.

“It’s not really,” I said. “Well, the undertakers are grim, but people are actually very happy to be approached for an obituary. And they’re good stories too. Obituaries celebrate whole lives. It would be hard not to find a couple hundred interesting words to write about someone’s whole life.”

“I can see that,” he said. “I also do a bit of writing.”

I’d had a feeling this was coming. In my experience of conversations with people who stopped to give me lifts, it was quite common to be told that they were also “writers.” Sometimes it would be a couple of articles in the parish magazine, or a half-finished novel in a bedroom drawer, or, more commonly, they would claim to have easily a book’s worth of fascinating ideas in their heads, just itching to become a best seller. This man had the look of a gentleman tinkerer, someone who might do a bit of scribbling in his spare time. “What sort of writing?” I asked.

“Oh, plays, film screenplays, some TV. Children’s novels seem to be taking up a lot of my time just lately. I suppose, though, that I’m best known for short stories. Stories with a macabre element — I’ve written quite a lot of them.”

His answer surprised me. I asked him his name.

“Roald Dahl,” he said.

It meant nothing to me. “I haven’t come across your work,” I said. “So … ‘a macabre element’ — are these horror stories?”

“Not exactly,” he said, “though, unlike your jolly obituaries, they can be pretty horrible. They don’t always end well; there’s often a twist in the tail. Actually, I think I’m writing funny stories, because they can be very comical. There’s such a narrow line between the macabre and laughter.” I could sense him smiling as he said it….

(11) LONG REMEMBERED THUNDER. In “Samuel R. Delany: Portrait of the Artist as a Young Super-Nova”, Jeet Heer rediscovers that the field’s reception of this new author had its bright spots, too, despite the resistance of editors John W. Campbell and Michael Moorcock.

…It was only after his appearance at the 24th World Science Fiction Convention, held in Cleveland in 1966, that Delany’s existence was recognized, which led to the quick consensus that he was a leading figure in the field. In 1967, the contentious editor Harlan Ellison wrote that Delany gave “an indefinable but commanding impression that this was a young man with great work in him.” The following year, Algis Budrys, a respected novelist and at the time the sharpest critic in science fiction, hailed Nova by saying the novel proved that “right now, as of this book” Delany is “the best science-fiction writer in the world, at a time when competition for that status is intense.” Delany was all of twenty-six years old when he earned that accolade.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Media Birthday Christmas Party

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Compiled by Cat Eldridge:

Rod Serling

Born December 25, 1924 — Rod Serling. Best remembered for the original and certainly superior Twilight Zone and Night Gallery with the former winning an impressive three Hugos. He’s also the screenwriter or a co-screenwriter for Seven Days in May, a very scary film indeed, as well as The New People series, The Strange Case of Dr. Jekyll and Mr. Hyde, A Town Has Turned to Dust, UFOs: Past, Present, and Future and Planet of the Apes. ISDB lists a lot of published scripts and stories by him. (Died 1975.)

December 25, 1965 — BBC’s Doctor Who aired the very first of its holiday episodes “The Feast Of Steven”.  Running about twenty-four minutes, this First Doctor story survives only in stills and video fragments. It’s worth noting that Jean Marsh who was once married to future Third Doctor Jon Pertwee was a cast member here as Sara Kingdom who BBC does not consider a Companion.

December 25, 1992 — Roald Dahl’s The BFG premiered on ITV in the U.K.  It’s based on his decades-old novel of that name. It was directed by Brian Cosgrove and scripted by John Hambley. The film was dedicated to animator George Jackson as he had worked on quite a few Cosgrove Hall productions prior to his passing some years earlier. This film is also the last and only posthumous role of Ballard Berkeley, the voice of the Head of the Army, who died four years earlier. Well received by critics and viewers alike, it’s now a cult classic (don’t groan) with a 65% rating among reviewers at Rotten Tomatoes.

December 25, 1999 — The film that is an acknowledged homage to Trek, Galaxy Quest premiered. It’s directed by Dean Parisot from a script by David Howard and Robert Gordon. It has a cast of Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, and Daryl Mitchell. Chicon 2000 would of course award the Hugo it deserved (yes, I’m biased) beating out The Matrix, The Sixth Sense, Being John Malkovich and The Iron Giant. 

December 25, 2005 – Doctor Who “The Christmas Invasion” premiered. This episode features the first full-episode appearance of David Tennant as the Tenth Doctor and is also the first specifically produced Doctor Who Christmas special in the series history as the ones before were considered just part of a series. It included Companion Rose Tyler as played by Billie Piper and Rose’s mother, Jackie, as played by Camille Coduri.  

December 25, 2008 — The Spirit premiered. It was written and directed by Frank Miller and starred Gabriel Macht, Eva Mendes, Sarah Paulson, Dan Lauria, Paz Vega, Scarlett Johansson, and Samuel L. Jackson. It’s based as you know on Will Eisner’s most excellent The Spirit. To say it bombed would be an understatement as it lost tens of millions of dollars, critics for the most part really didn’t like it and it currently has a rating of 14% among reviewers at Rotten Tomatoes. 

Pixel Scroll 11/27/18 Three Pixels And One Scroll Are Trapped In A File! Send Tick Boxes! If You Can’t Send Tick Boxes, Send Two More Chapter Fives!

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(1) WHAT’S INSIGHT. The InSight lander, after yesterday’s successful touchdown, charged up its solar-powered batteries and tested its camera….

(This may be an old chestnut by now, but it’s a Martian chestnut!)

(2) ELVES AND MEN. Olga Polomoshnova considers partings beyond the end of the world in “Last Goodbye” at Middle-Earth Reflections.

Before proceeding, let us look at the fates of Elves and Men after death to understand why Lúthien’s and Arwen’s decisions caused such grief to their parents. The First Children of Ilúvatar were doomed to dwell in Arda as long as it endured. If Elves died (they could be either slain, or die of grief), they went to the Halls of Mandos and stayed there for some time. Then they, with a few notable exceptions, were restored to their bodily forms and returned to life in Aman. Therefore Elves could reunite with their kin and loved ones: even death could not part them forever.

(3) BOOKS OF THE YEAR. NPR’s “Guide To 2018’s Great Reads” – a general link — left-side picks filter for genre.

What would you like to read?

Use the filters below to explore more than 300 titles NPR staff and critics loved this year. (You can also combine filters!)

(4) GREAT WALL OF GOOGLE. “‘We’re Taking A Stand’: Google Workers Protest Plans For Censored Search In China” – NPR has the story.

The project, code-named Dragonfly, would block certain websites and search terms determined by the Chinese government — a move that, according to a growing number of workers at Google, is tantamount to enabling “state surveillance.”

“We are among thousands of employees who have raised our voices for months. International human rights organizations and investigative reporters have also sounded the alarm, emphasizing serious human rights concerns and repeatedly calling on Google to cancel the project,” said the letter’s signatories, whose group initially numbered nine employees but has ballooned since its publication on Medium.

…The employees are not alone in expressing their dismay at reports of the new project’s development. In fact, they released their letter the same day that Amnesty International launched a protest of its own. The human rights organization announced it would be reaching out to Google staff to add their names to a petition calling on CEO Sundar Pichai to kill the project before it can even get off the ground.

“This is a watershed moment for Google,” Joe Westby, Amnesty’s researcher on technology and human rights, said in a statement Tuesday. “As the world’s number one search engine, it should be fighting for an internet where information is freely accessible to everyone, not backing the Chinese government’s dystopian alternative.”

(5) NYT NOTABLE. Naomi Novik’s Spinning Silver has been named a “2018 Notable Book” by the New York Times. (There is only one page for all the fiction selections, so this link does not go directly to the Novik entry.)

In her stunning new novel, rich in both ideas and people, Novik gives classic fairy tales — particularly “Rumpelstiltskin” — a fresh, wholly original twist, with the vastness of Tolkien and the empathy and joy in daily life of Le Guin.

(6) FOR GIVING. Nerds of a Feather has a nice roundup of recommendations in “Holiday Gift Guide: Games”. Here’s one —

Fireball Island (Mike):

If you are looking for a blast of nostalgia then Fireball Island from Restoration Board Games is the game you want under your tree. Vul-Kar has returned and is not happy. Players make their way around the island picking up treasures and snapping pictures.  You can try to steal the heart of Vul-Kar, but watch out for the rolling embers and fireballs that will make your adventure a dangerous one.  Featuring a bigger board than the original and some optional expansions, Fireball Island looks amazing on the table with its stunning 3-D board and shiny marbles.

Another installment covers “Holiday Gift Guide: Books and Comics”, and includes a Paul Weimer writeup:

Dungeons and Dragons Art and Arcana: A Visual History (recommended by Paul)

This the definitive work that shows the growth and evolution of the artwork used in the Dungeons and Dragons games over the last 40 years. It’s an amazingly deep dive into a look at the game, not just as its art, as filtered through the changing depictions of everything. From the first handdrawn maps of the original developers of the game, to the modern sleek art of today, the book’s art unlocks the evolution of the game through imagery and essays. While the book is mainly arranged by chronology, starting from the precursors of D&D in the 1970’s and running up to today, my favorite feature is “Evilution”, where the book breaks this format to show how an iconic monster or character, like, for example, the fearsome Beholder, has evolved across multiple editions. Features like this give a cohesive and complete view of how the art and the imagery of the game has evolved and changed over time. And, joyfully, the book has some of my favorite art in the game’s history, like “Emirikol the Chaotic”. Anyone vaguely interested in Dungeons and Dragons will love this book. It’s compulsively dippable back into anytime, to be inspired to write, dream, and of course, roleplay.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 27, 1907 – L. Sprague de Camp, Aeronautical Engineer, Writer, and Member of First Fandom, whose early career included many stories for Campbell’s Astounding and Unknown magazines. His time-travel alt-history Lest Darkness Fall is considered a classic. He and Fletcher Pratt co-wrote the popular humorous Incomplete Enchanter fantasy series and collaborated on the Gavagan’s Bar series. His later career turned mostly to fantasy, and he contributed more than three dozen stories to Robert E. Howard’s Conan universe. He wrote many nonfiction reference works for both science fiction and fantasy, as well as a biography of H.P. Lovecraft; his Time & Chance: An Autobiography won a Hugo Award for Best Nonfiction Book. By all accounts, his 60-year marriage with fellow fan and writing collaborator Catherine Crook was a great love, and the two of them were Guest of Honor at more than two dozen conventions. He was GoH at Worldcon in 1966, named SFWA Grand Master in 1979, was honored with a World Fantasy Award for Life Achievement in 1984, and received a Sidewise Award for Special Achievement in Alternate History in 1995. (Died 2000.)
  • Born November 27, 1951 – Melinda M. Snodgrass, 67, Attorney, Historian, Writer, Editor, Equestrian, and Fan whose Star Trek Original Series early Pocket Books tie-in novel featuring Uhura, The Tears of the Singers, is still considered one of the best, and is probably the reason that her unsolicited script for Star Trek: The Next Generation was accepted and made into the acclaimed episode “The Measure of a Man” – considered by many to be the first truly great episode of the series, and for which she received a Writers Guild of America Award nomination. As a result, she became the series story editor and script consultant for the second and third seasons of TNG. She also wrote scripts for the series Odyssey 5, The (new) Outer Limits, Sliders, SeaQuest DSV, and Beyond Reality, and for the TV movies Trapped in Space (based on Asimov’s story “Breaking Strain”) and Star Command. She is co-creator and co-editor, with GRRM, of the Wild Cards shared universe, which since 1987 has spawned more than two dozen novels and anthologies and more than 200 short fiction works; a TV series is in the works, for which she will be an executive producer. This year saw the release of the third volume in her Military SF quintology The Imperials (which JJ thinks is fantastic).
  • Born November 27, 1940 – Bruce Lee, Actor, Director, and Martial Artist from Hong Kong, best known for his martial arts adventure films – but he had a recurring genre role as Kato in the TV series The Green Hornet which, to my utter surprise, turns out to only have lasted for 26 episodes between 1966 and 1967. He also appeared in three episodes of Adam West’s Batman series, “The Spell of Tut”, “ Batman’s Satisfaction”, and “A Piece of The Action”. He died before having the opportunity to have a full life and career at the age of 32, due to cerebral swelling caused or exacerbated by reaction to pain medication. (Died 1973.)
  • Born November 27, 1960 – Lori Wolf, Forensic Chemist, Bookseller, Conrunner, and Fan who was a member of the Cepheid Variables fan club at Texas A&M and a past chair of the Fandom Association of Central Texas. She co-chaired two ArmadilloCons, served on numerous other convention committees, and managed the Hugo Award ceremony at Worldcon in 1997 and the Boucher Award ceremony at the World Mystery Convention in 2002. She left fandom too soon at the age of 43 after a battle with cancer. (Died 2004.)
  • Born November 27, 1961 – Samantha Bond, Actor from England who is best known for playing Miss Moneypenny in four James Bond films during the series’ Pierce Brosnan years, but her first genre role was as Helga in Erik the Viking, which was written and directed by Monty Python‘s Terry Jones. She had a recurring role as Mrs Wormwood in the Doctor Who spinoff The Sarah Jane Adventures, and provided voices for characters in the live-action marionette film Strings and in The Children’s Midsummer Night’s Dream.
  • Born November 27, 1974 – Jennifer O’Dell, Actor whose main genre role of note is three seasons as Veronica on Arthur Conan Doyle’s The Lost World, a series very loosely based on his 1912 novel. She had roles in two genre films, Sometimes They Come Back… for More and Alien Battlefield, and a guest part in an episode of Charmed.

(8) COMICS SECTION.

(9) SPIDER PROLIFERATION. The Hollywood Reporter says “‘Spider-Man: Into the Spider-Verse’ Sequel and All-Female Spinoff in the Works From Sony”.

With just weeks to go before Sony unveils the buzzy animated movie, Spider-Man: Into the Spider-Verse, Sony Pictures Animation is already putting the pieces together for not just a sequel but a spinoff as well.

Joaquim Dos Santos, known for his work on cartoon series Avatar: The Last Airbender and, more recently, Netflix’s Voltron series, has been tapped to direct the sequel. David Callaham, who penned The Expendables and worked on Wonder Woman 1984 as well as Zombieland 2, is writing.

At the same time Lauren Montgomery, who also worked on Voltron and co-directed animated movies Batman: Year One and Superman/Batman: Apocalypse for DC, is in negotiations to helm an untitled Spider-centric project that will gather the female heroes in the Spider-Man universe of characters in one adventure. Bek Smith, who wrote episodes of CBS show Zoo, will pen the script.

(10) NEXT YEAR’S LOSCON. Loscon 46, which will be held November 29-December 1, 2019, has unveiled its website.  There you can find out more about the guests of honor.

Howard Waldrop

Professional Writer Guest of Honor

Julie Dillon

Artist Guest of Honor

Edie Stern

Fan Guest of Honor

(11) WORD BUCKET BRIGADE. BBC tells about “The app that makes writing less lonely”.

If you see a writer in a movie, most likely she (or he) will be tapping on a laptop. But many young writers are doing it on mobile phones, and sometimes in teams….

(12) A GIANT RETURN ON CAPITAL. Another Netflix sff announcement: “Netflix to adapt Roald Dahl stories including Matilda and The BFG”.

Felicity Dahl, the author’s widow, said it was “an incredibly exciting new chapter for the Roald Dahl Story Company.”

She added: “Roald would, I know, be thrilled.”

Melissa Cobb, a spokesperson for Netflix, said: “We have great creative ambition to reimagine the journeys of so many treasured Dahl characters in fresh, contemporary ways with the highest quality animation and production values.”

(13) SHUTDOWN. Text and video on decommissioning a UK nuclear-fuel reprocessing plant — “Inside Sellafield’s death zone with the nuclear clean-up robots”.

Thorp still looks almost new; a giant structure of cavernous halls, deep blue-tinged cooling ponds and giant lifting cranes, imposing in fresh yellow paint.

But now the complex process of decontaminating and dismantling begins.

It is a dangerous job that will take decades to complete and require a great deal of engineering ingenuity and state-of-the-art technology – some of which hasn’t even been invented yet.

This is why.

Five sieverts of radiation is considered a lethal dose for humans. Inside the Head End Shear Cave, where nuclear fuel rods were extracted from their casings and cut into pieces before being dissolved in heated nitric acid, the radiation level is 280 sieverts per hour.

(14) PICKY EATER. The “‘Siberian unicorn’ walked Earth with humans” – if so, then the humans got out of its way!

A giant rhino that may have been the origin of the unicorn myth survived until at least 39,000 years ago – much longer than previously thought.

Known as the Siberian unicorn, the animal had a long horn on its nose, and roamed the grasslands of Eurasia.

New evidence shows the hefty beast may have eventually died out because it was such a picky eater.

…Weighing in at a mighty four tonnes, with an extraordinary single horn on its head, the “Siberian unicorn”, shared the earth with early modern humans up until at least 39,000 years ago.

(15) JEOPARDY! TONIGHT. Andrew Porter reports sff made another appearance on the Jeopardy! game show tonight.

  • In the category, “The Writer Speaks,” the clue was, “This ‘Space Odyssey’ Author: ‘I predict that a new species could well appear on Earth–what I call Robosapiens.”
  • No one could answer with the question, “Who is Arthur C. Clarke.”

(16) TRADITION OVER THRONE AT MEDIEVAL TIMES. Dave Doering writes, “I see that our boisterous battle and binging eatery has run into tougher times over historical recreations as this line from the Washington Post has it — ’Medieval Times has a queen for the first time, but the show is still stuck in the Dark Ages’.” Dave seems shaken up by this change. “First, it was the maiden market in Pirates of the Caribbean ride in Disneyland, now we have erased more history…”

The Dairy Queen used to reign supreme over the Arundel Mills shopping mall. But last month, a new ruler ascended the throne: All hail Doña Maria Isabella, who presides over a kingdom of knights and squires, horses and falcons, rotisserie chicken, middle-schoolers wearing paper crowns and Honda Odysseys in the parking lot of the fake castle it shares with a Best Buy next door.

History is being made at the same time it’s being reenacted at Medieval Times. It’s the first time a female ruler has presided over the equestrian jousting dinner theater experience in its nearly 35-year history in America. Gender equality and the #MeToo and Time’s Up movements are still making progress in politics and the C-suite, but at least here, in this version of 11th-century Spain, cultural forces have unseated a long-ruling monarch.

(17) BOOZE CONTINUES, CHOW ON HIATUS. The Franklin Avenue blog drew attention to a big change at the reopened (in 2015) Clifton’s Cafeteria, home to LASFS meetings in the 1930s — “Clifton’s Closes Its Cafeteria; Will Food Ever Return to the Downtown Landmark?”

Opened in 1935 as Clifton’s Brookdale, we visited the forest-themed eatery several times before new owner Andrew Meieran (who previously created downtown’s famed Edison bar) shut it down for what was supposed to be a brief renovation in 2011.

Cut to nearly five years later, and rebuilding Clifton’s became a labor of love for Meieran, who has kept the fun and the kitsch but added so much more to the place. Clifton’s finally re-opened in 2015.

Clifton’s original famous slogan, of course, was “Pay What You Wish, Dine Free Unless Delighted.” Perhaps not enough folks were delighted with the updated cafeteria. I asked Chris Nichols via Twitter what he knew about the shut-down cafeteria portion of Clifton’s, and he wrote back: “I also miss eating at Clifton’s. This just in from the owner: ‘food is definitely coming back— pretty soon if anyone asks.'”

(18) HAUNTED PAINTING. Heritage Auctions is taking bids on “Haunted Mansion Stretching Room Disneyland Painting Original Art”. Currently up to $3,009. Helps if you have a really tall living room.

“The Haunted Mansion” opened in New Orleans Square on 8/9/69. The Mansion boasted a population of 999 Happy Haunts. People rode in “Doom Buggies” in this ride. The “Ghost Host” of this attraction was the voice of Paul Frees. The tour of the Mansion begins in the famous “Stretching Room.” As the walls get larger, four portraits appear to grow and change right before your eyes. The four paintings were designed by original Disney “Nine Old Men” member and Disney Legend Inductee, Mr. Marc Davis. The Stretching Room portraits were hand-painted from 1969 to 1972. They would be changed over time. Eventually they went to prints. This is a rare original hand-painted Stretching Room painting on canvas. It is very large, measuring 11′ 2″ x 3′ 10″. A wooden pole is at the top, for mounting purposes. This is the Elderly Widow, sitting on her husband’s tombstone. One of the few original paintings from the Stretching Room that we have seen, that is hand-signed by Marc Davis. One of the single most identifiable pieces of Disneyland Park original artwork we have ever come across! A slight crease where the tracks to stretching device were. Minor scuffing and edge wear from normal use. Overall Good condition.


[Thanks to John King Tarpinian, Rich Horton, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, JJ, Scott Edelman, Carl Slaughter, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Randall M.]

Pixel Scroll 11/6/16 The Sound Of One Pixel Scrolling

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(1) UNREALITY CHECK. Damien G. Walter loves the Doctor Strange movie but he believes it’s time to explain again that Buddhism wont give you magic powers.

But can we please clear something up here? BUDDHISM IS NOT THE GATEWAY TO SECRET MAGICAL POWERS. It doesn’t matter how many thousands of hours you spend in meditation, you’ll never be able to summon power from other dimensions, conjure cool looking glowing sigils with wavy hand movements, or indulge in the joys of astral projection. Got it?

“Oh Damo!” I hear one of you sigh, “You’re just taking this all too seriously! Nobody believes Buddhism can REALLY give them magical powers. Any more than they believe they can really upload their mind into a computer to achieve immortality! Oh, wait, loads of people do actually believe that…” As, in fact, do many people really genuinely believe Buddhism will give them magic powers. And much as I would like to blame this on Hollywood, it’s a much, much older problem.

While I’m lucky not to have had my hands crushed in an automobile accident, my own life took me into the Himalayan mountains, to study at the Buddhist temples in Dharamsala. I’ve been a student of Buddhism for eight years now. I stepped out of a successful, creative career that was killing me incrementally and Buddhism was part of what helped me transition to a different kind of life. Now I live in Thailand, a Buddhist nation, to study Theravada Buddhism. In 2015 I travelled across India, to the capital of the Tibetan government in exile, and home of the Dalai Lama in Dharamsala, to study Mahayana Buddhism.

(2) STRANGE THOUGHTS. Paul Weimer shares some thoughts about the Doctor Strange movie.

Tell me if you recognize this story from the Marvel Cinematic Universe.

A brilliant, snarky, assholish rich person with amazingly skills strides through life blandly, confident that he knows everything, and often can back up his reputation with cold hard skills and knowledge. He is an endless deadpan snarker, always with a cutting jape or a quip for friend and rival alike. He has a long-suffering quasi love interest who clearly deserves better. We get to see him in his glory before an accident brings him low and nearly kills it. Worse, it doesn’t kill him, but gives him a permanent debility, changing his future plans forever. Said asshole learns to be better slowly and painfully in a period of retrenchment and regrowth, becoming a superhero in the process, and defrosting the heart of his love interest a bit whilst in the middle of battling the big baddie.

I could be describing Iron Man, but I am also describing Doctor Strange, and that is the core of one of the problems I found with the 2016 Marvel Cinematic Universe story.

(3) QUIZZING BUJOLD. Lois McMaster Bujold, who published a new novella this week, Penric’s Mission, is interviewed about her writing process (just in time for the National Novel Writing Month) — “Lois McMaster Bujold Answers Three (Okay, Four) Questions about the Writing Process”.

MD: So, National Novel Writing Month is basically about creating a first draft of at least 50,000 words. What’s your favorite thing about writing the first draft?

LMB: Finishing it. (-:

Starting it runs a close second, true. Then, probably, those moments when a sticky knot gets suddenly undone by some neat idea or inspiration that I didn’t have — often couldn’t have had — earlier.

I do rolling revisions — correcting, rewriting, re-outlining, and dinking as I go — because if I don’t get my edits in pretty early, my prose sets up like concrete, and it takes a jackhammer to pry it open. Also, by the end I will be tired and frantic and in no state of mind for careful polishing, still less major surgery. Since I’m usually doing novels or novellas, there’s too much to face, not to mention wrangle and just find, if I save all that till the finish.

This is a shift from earlier decades, when my method was to complete each chapter, print it out, run it past my test readers, and then do little more than make notes on the pages till I circled around for the final run/s. (There’s never only one.) In the past few years I’ve finally gone paperless, so I do a lot more micro-editing along the way now.

(4) WORLDCON 75 NEWS. The Worldcon 75 International Film Festival is accepting entries.  

Worldcon 75 international film festival is now open for submissions! Please read the official rules and send in your entry form and film by email or snail mail by June 1st, 2017: WORLDCON 75 INTERNATIONAL FILM FESTIVAL PDF (633 kB).

(5) OPERATION GONDOR. The Angry Staff Officer says Tolkien exemplifies sound Army doctrine, in “Warfighter: Middle-Earth”.

When I think of the six warfighting functions I always think of J.R.R. Tolkien’s The Lord of the Rings.

What, you don’t?

Let’s be honest, one does not immediately think of fantasy or science fiction when conversations turn to Army doctrine. Most vignettes that are used to make the subject understandable to the lowly minds of company grade officers are either historical or situational. And while there is nothing wrong with this technique, are we perhaps overlooking a missed opportunity for providing a broader understanding of our doctrine? …

Summary

Through utilizing the six warfighting functions, the Captains of the West were able to preserve their combat power, protect critical information nodes, deceive and confuse the enemy as to their true intentions, and finally mass key maneuver assets at critical points in the enemy lines. This led to an eventual tactical victory that reversed the course of ground operations in the War of the Ring.

Tolkien is assuredly cursing me profoundly in the afterlife.

(6) ON THE OTHER PAW. Rachel Neumeier decided that the B&N Sci-FI & Fantasy Blog’s recent list of 25 cats in sf/f needed answering, so she listed the “Top ten dogs in SFF”.

  1. Barbara Hambly’s wonderful THE BRIDE OF THE RAT GOD actually made me fall a little bit in love with Pekingese, not ordinarily my favorite breed (sorry, Pekingese lovers; just a personal preference). Do NOT be misled by the title, which is deliberately B-movie campy. The story is delightful and the three Pekingese are real characters, real dogs, and also btw capable of hunting demons if any should turn up.

(7) SIGHTS SEEN AND UNSEEN. After being feted at Utopiales, Ann Leckie’s travels took her to Paris, as she tells in her latest post, “Utopiales”.

I did some very touristy things–the day I had to myself in Paris, the weather was clear and just chilly enough for a good walk, and the map told me the Louvre was only a few kilometers from my hotel, so I figured I’d go on foot. It was a nice walk! And the Louvre is just as full of looted antiquities as ever. Every now and then I’d see a familiar object–oh, hello Etruscan couple I’ve seen photos of you all over the place! Oh, that round hat looks familiar, could it be Gudea, King of Lagash? Why, yes, it is! The Dendera Zodiac I didn’t stumble across, though, I was actually looking for it. (And found it.)

I didn’t bother with the Mona Lisa. No doubt she was surrounded the way the Venus de Milo was. I found that kind of fascinating–there were dozens of other wonderful statues in the room, but everyone was just looking at her, taking pictures, and selfies.

A remark that brings to mind Art Buchwald’s famous column, “The Six-Minute Louvre” which begins:

Any sportsman will tell you that the only three things to see in the Louvre are the “Winged Victory of Samothrace,” the “Venus de Milo” and the “Mona Lisa.” The rest of the sculpture and paintings are just so much window dressing for the Big Three, and one hates to waste time in the Louvre when there is so much else to see in Paris….

(8) ANTIHARASSMENT ALLY PROJECT. Steven Saus has created #IWillBelieveYou, “An Ally Project To Support Those Affected by Sexual Harassment and Assault In Fandom and Elsewhere.”

As he explains in a post on his blog Ideatrash:

After the revelations last month (reference one, two), those of us with enough energy, privilege, and resources have to do something. Something that shows both that we will support those who have been harassed and that we do not accept harassment in the places we gather. So, building on the example of Take Back The Night, as well as #IllRideWithYou and #IllGoWithYou, I created #IWillBelieveYou.

(9) ROALD DAHL’S TV SHOW. Atlas Obscura remembers that “In 1961, Roald Dahl Hosted His Own Version of ‘The Twilight Zone’” called Way Out.

Under the gun, some enterprising producers at the network began dreaming up a creepy drama show to fill the time slot, and they went right to Dahl. While he is best remembered today for his timeless works of children’s literature like Matilda and Charlie and The Chocolate Factory, for a good portion of his writing career, he was better known as an author of twisted, devilish fiction. As explained in an article originally published in Filmfax Magazine, Dahl jumped at the chance to develop the series, spurred on by the fact that the show’s time slot (9:30 p.m. on Fridays) fell right before another thematically similar little CBS show, The Twilight Zone.

The black-and-white show would begin with what became its signature image, a slow pan over a series of mist-shrouded, disembodied hands, before resting on one which would burst into flames at the title came onscreen. Then, flexing his dry British charm like a more cosmopolitan Vincent Price, Dahl would give a short intro to each episode. The bulk of the program consisted of the main tale, usually a short morality play with an ironic or surprising ending or element, which often dipped into the supernatural. Then Dahl would close out the show with another direct epilogue, much like the Cryptkeeper of the later Tales From the Crypt.

(10) HELLO, I LOVE YOU. A Vintage News story tells how “Abandoned in space in 1967, a US satellite has started transmitting again”.

In 2013 in North Cornwall, UK, an Amateur Radio Astronomer picked up a signal which he determined to be the LES1 that was built by MIT in 1965. The satellite never made it to its intended orbit and had been spinning out of control ever since.

Phil Williams, the amateur radio astronomer from near Bude, picked out the odd signal which was transmitting due to it tumbling end over end every four seconds as the solar panels became shadowed by the engine. “This gives the signal a particularly ghostly sound as the voltage from the solar panels fluctuates,” Williams said.

It’s more than likely the onboard batteries have disintegrated, and something else caused its 237Mhz transmission to resume when it was in sunlight.

The LES1 is about the size of a small automobile and should not cause any issues more than any other piece of space junk in orbit.

This proves electronics built around 50 years ago, 12 years before Voyager 1, and far before microprocessors and integrated circuits are still capable of working in the hostile environs of space. Phil refers to his hobby as “Radio-Archaeology”.

(11) TREACHEROUS HOME APPLIANCES. It’s great that Sixties electronics are still working in space, but look out for latest tech in your own home: the internet of things is a fertile environment for hackers, who can turn even the most innocuous thing to their purposes: “Why Light Bulbs May Be The Next Hacker Target” in the New York Times.

Now here’s the bad news: Putting a bunch of wirelessly connected devices in one area could prove irresistible to hackers. Researchers report in a paper made public on Thursday that they have uncovered a flaw in a wireless technology that is often included in smart home devices like lights, switches, locks, thermostats and many of the components of the much-ballyhooed “smart home” of the future.

The researchers focused on the Philips Hue smart light bulb and found that the wireless flaw could allow hackers to take control of the light bulbs, according to researchers at the Weizmann Institute of Science near Tel Aviv and Dalhousie University in Halifax, Canada. That may not sound like a big deal. But imagine thousands or even hundreds of thousands of internet-connected devices in close proximity.

Malware created by hackers could be spread like a pathogen among the devices by compromising just one of them.

And they wouldn’t have to have direct access to the devices to infect them: The researchers were able to spread infection in a network inside a building by driving a car 229 feet away.

The new risk comes from a little-known radio protocol called ZigBee. Created in the 1990s, ZigBee is a wireless standard widely used in home consumer devices. While it is supposed to be secure, it hasn’t been held up to the scrutiny of other security methods used around the internet. The researchers found that the ZigBee standard can be used to create a so-called computer worm to spread malicious software among internet-connected devices.

[Thanks to Andrew Porter, Michaeline Duskova, Camestros Felapton, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 7/2/16 The Ancillary Swords of Lankhmar

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(1) THIS IS THE END MY FRIEND. Melinda Snodgrass advises writers about “Sticking the Landing” at SFFWorld.

All of these various skills work in concert, but I think if a writer fails to deliver a satisfying ending — the ending that has been promised by the story then the entire project is likely to fail.  It doesn’t matter how good the ride or delightful the journey.  If the final scene is disappointing and leaves the reader/viewer/player feeling cheated they probably aren’t going to be recommending that book or film or game to their friends and family.

There are various ways to state this — “keeping your promise”, “sticking the landing”, “providing a sense of closure”.  Often people who dismiss this requirement do so by sniffing “that the readers/viewers/players just want a happy ending.”  That may be true, and it’s probably a topic for a different essay, but let me say that I think there is case to be made for the happy ending.  Too often critics seem to equate darkness with importance.

So how do you make an ending satisfying?  First, you have to lay in the ultimate solution and the tools to bring about that solution in the beginning of the book or film or game.  You can’t suddenly ring in a new player, or a new fact, a new magic power or super power for the protagonist to use at the end and expect to keep your fans.  They will rightly feel cheated, that you hid the football from them and didn’t play fair.  Worse is the conclusion that you didn’t really know what you were doing and just grabbed for some kind of resolution.  Often those kind of ending don’t seem organic and true to the world that was created, the rules of that world, and the problem as presented…

(2) BUY-IN. Sherwood Smith responds to the question “Reading: What makes YOU believe?” at Book View Café.

A lot of these readers are lured by what I call the seduction of competence: characters who have agency, especially with panache. Anyone who has dreamed of stepping forward and having the right idea, which everyone responds to, and leading the way to righting an egregious wrong instead of cowering back waiting for someone else to act (or, worse, stepping forward just to be shouted down scornfully, or totally ignored) probably looks for characters who either start out as heroes, or attain heroism through hard work.

So those are the easy ones: readers willingly invest in characters they can fall in love with, or identify with, or admire. And then there are the characters who fascinate for whatever reason, like the many who couldn’t get enough of Hannibal Lector. Some are drawn to characters who are monstrous, or ridiculous.

(3) VERSATILITY. Coach Paul Cornell visited Convergence today.

(4) THE INK NO LONGER STINKS. Technology has turned the corner, in the latest installment of M.D. Jackson’s series: “Why Was Early Comic Book Art so Crude (Part 4)”.

But there were two other factors that changed the nature of comic books. One was technological and the other was economical.

The technology of printing was changing with the adoption of flexography. Flexography is a high speed print process that uses fast-drying inks and can print on many types of absorbent and non-absorbent materials. The flexopress is cheaper because the inks are water based, which meant they dried quicker and were easier to clean up. The flexographic presses also are lighter and take up less room.

For years comics were printed on low-grade, absorbent papers that were not meant to last. Early comics were rare because the paper degraded so quickly. The distribution system also was designed to put comic books in as many places as they could find kids to buy them. Remember the spinner racks of comics in your local drug store? Comic books, then retailing for about 25 – 30 cents per title, were available everywhere, but they were not made to last.

In the 1980’s the comic book companies began printing certain titles on a better quality of paper, Baxter paper. It was smoother and whiter and the inks and colors looked much better than your regular comic book fare….

(5) CONVERGENT EVOLUTION. Jennifer Frazer, in “The Artful Amoeba” blog on Scientific American, rounds up the photographic evidence for “Butterflies in the Time of Dinosaurs, With Nary a Flower in Sight”.

Jurassic butterflies disappeared a full 45 million years before the first caterpillar decided to grow up and become a beautiful butterfly. Again

…Apparently, way back when Dinosaurs Ruled the Earth, a group of insects called lacewings produced butterflies. Not the butterflies we see flitting around today from the Order Lepidoptera, but floating, flapping, nectar-sucking flibbertigibbits nonetheless, with wings adorned with eyespots, veins, and scales….

(6) THOSE DAYS OF YESTERYEAR. At Getty Images you can view footage of the Sinclair oil dinosaur exhibit from the 1933 World’s Fair.

PAN along Brontosaurus dinosaur over to a Triceratops confronting a Tyrannosaurus Rex and down to a duck-billed Hadrosaurid; all dinosaurs were part of the Sinclair Oil exhibit.

(7) FOR SOME VALUES OF HISTORY. Vox Day interrupted his Castalia House status report to endorse the assault on Judith Merril’s memory —

Meanwhile, Barry Malzburg makes it clear that some women have always been bent on destroying science fiction.

— because, after all, the measure of a man’s intelligence is how closely he agrees with you, regardless of whether you’ve ever heard of Barry Malzberg before.

(8) QUITE RIGHT.

https://twitter.com/andrhia/status/749071592450301953

(9) GAME DEMO. Based on the work of Jeff VanderMeer.

(10) DEEP DIVE INTO BUSIEK/ROSS.

Osvaldo Oyala’s “Marvels and the Limited Imagination of Nostalgia”.

I had not read Kurt Busiek and Alex Ross’s Marvels in quite some time, probably 15 years or more, and despite having a memory of quite liking it when I first read it in the 90s sometime, my suspicion was that it would not hold up to that memory. And, while I was right, it also was not so hagiographic that I could just dismiss it. On the surface it certainly seems that way—unapologetically nostalgic about Marvel’s Golden and Silver Age—but it is actually constructed with competing visions that grant it a bit—a little bit—more complexity, even if ultimately it fails as anything except a sharp reaction to the moment in mainstream comics from which it emerged.

After Phil Sheldon lets a young mutant girl his daughters were sheltering run off into the anti-mutant riotous streets (a reference to a story in 1953’s Weird Science #20) it is difficult to take any of his moral claims seriously (from Marvels #2).

Marvels is a look back at the emergence of Marvel Comics’ heroes through the eyes of “Everyman” photojournalist, Phil Sheldon, from the first appearance of characters like the Original Human Torch and Prince Namor the Sub-Mariner in 1940, through the death of Gwen Stacey in the early 70s. Sheldon, as a kind of stand-in for the Marvel reader, displays complex and shifting attitudes towards the superheroes he calls “Marvels.” In each of the four issues we see his different perspectives on Marvel’s super-characters. From a deep fear of their raw power and capricious behavior that shifts to an appreciative awe of their demi-god stature as forces of nature in the first issue to a threatening cynicism that leads him to retire from his livelihood snapping pictures of their conflicts, adventures and social appearances in the last issue, when Gwen Stacey’s death becomes just another minor detail buried in a seeming endless cycle of superhero fisticuffs and collateral damage. In between, he participates in paranoid anti-mutant riots before abandoning his bigotry upon realizing mutants can be “our own children” (which made me roll my eyes so hard they still hurt), and later grows angry at the flaring bouts of negative public sentiment against heroes like the Fantastic Four, the Avengers and Spider-Man, fuming at the lack of gratitude displayed for their having saved the city or the world over and over again. And in case we might forget Sheldon’s special insight into the world of superheroes, in the first issue he loses an eye, calling to the One-Eyed Man or Blind Seer trope. At every stage when everyone else seems to return to hating or being suspicious of the superhero figure, Sheldon sees through public fear and pettiness (despite sometimes feeling it himself) to an understanding of the world he occupies that evokes something akin to the awe of Moses before the burning bush. As he says in the first issue after the rubble from the epic confrontation between the original Human Torch and the Sub-mariner takes his eye (a re-telling of the events of Marvel Mystery Comics #8 and 9), “It isn’t going to be them that adapts to us. The world is different now.” In other words, he can see with his Odin-eye what the general public cannot or will not, everyday people exist in the superhuman world, not the other way around. As Geoff Klock posits in his seminal book of comic book literary criticism, How to Read Superhero Comic Books and Why, unlike the transformative comic book texts like Watchmen or The Dark Knight Returns that ask, “What would it be like if superheroes lived in our world? Marvels…ask[s], what would it feel like if we could live in theirs?” (77). And the answer is, kinda fucking scary.

This narrative vision constructed by Busiek, however, manifests in the near-photorealistic painting of Alex Ross which provides a Rockwellian patina of troubling idealism that passes for “realism.” ….

(11) LEWIS DRAMATIZED. The Most Reluctant Convert, a stage show about C.S. Lewis, will be in town July 10-23 at the Irvine Barclay Theatre in Irvine, CA.

Max McLean brings to life one of the most engaging personalities of our age and takes audiences on Lewis’ fascinating theatrical journey from atheism to Christianity. Adapted exclusively from Lewis’ writings, McLean inhabits Lewis from the death of his mother, his estranged relationship with his father and the experiences that led him from vigorous debunker to the most vibrant and influential Christian intellectual of the 20th Century. Experience a joyous evening of Lewis’ entertaining wit and fascinating insight. Cherish every minute of the extraordinary journey of C.S. Lewis as The Most Reluctant Convert.

Lewis’ experience is synopsized in a Director’s Note.

In 1950, C.S. Lewis received a letter from a young American writer expressing his struggle to believe Christianity because he thought it “too good to be true.” Lewis responded, “My own position at the threshold of Christianity was exactly the opposite of yours. You wish it were true; I strongly hoped it was not…Do you think people like Stalin, Hitler, Haldane, Stapledon (a corking good writer, by the way) would be pleased on waking up one morning to find that they were not their own masters…that there was nothing even in the deepest recesses of their thoughts about which they could say to Him, ‘Keep out! Private. This is my business’? Do you? Rats!… Their first reaction would be (as mine was) rage and terror.”

(12) TODAY IN HISTORY

(13) GENTLEFEN, BE SORTED. Want to be enrolled in the North American wizards’ school? Potterverse will run you through the process.

“Ilvermony House: Thunderbird”

Named by Chadwick Boot after his favourite magical beast, the Thunderbird, a beast that can create storms as it flies. Thunderbird house is sometimes considered to represent the soul of a witch or wizard. It is also said that Thunderbird favours adventurers.

(14) LINEAGE UNLOCKED. A recent episode of Game of Thrones inspired Adam Whitehead to draw conclusions about Jon Snow — “When Theories Are Confirmed: Twenty Years of Speculation”.

BEWARE SPOILERS. OR AT LEAST SPECULATIVE ATTEMPTS AT SPOILERS.

However, its status as the biggest mystery in fantasy had already long been supplanted. In 1996 George R.R. Martin published the first novel in A Song of Ice and Fire, A Game of Thrones. A minor subplot revolves around the status of Eddard Stark’s bastard son, Jon Snow, born out of wedlock to Eddard and…well, someone. His wife, Catelyn, believes it was a Dornish noblewoman, Ashara Dayne of Starfall. Eddard himself has told King Robert Baratheon – incredibly reluctantly – that it was a serving girl named Wylla. In A Storm of Swords the young lord of Starfall, Edric Dayne, also confirms (to Arya Stark) that it was Wylla, who was his wetnurse.

(15) NONE DARE CALL IT SLASH. NPR found there is plenty of fan fiction online about the 2016 candidates, Bernie, Donald, and others now out of the running.

In another story, written in the style of a Western, Jeb Bush fights to protect a Florida school from a Sharknado.

“You think ‘it can happen anywhere,’ never realizing that it can happen anywhere.

A SHOT —

The shard of glass in Jeb’s hand shatters by the scrape of a bullet. Jeb drops the ground, rolls through the booze-soaked ground. He jumps up to a squat and whips out the old pistol and holds it to the bullet hole in the doorway. The engraved barrel shimmers: Gov. Jeb Bush.

Florida hasn’t been safe since the Sharknados started coming. When I was in my 40s, the kids used to tease about the swamp sharks. Gave me the heebie-jeebies over a plague of mutant sea creatures that roamed the Everglades.”

In the 2016 presidential cycle, where everything seems unpredictable, fiction allows voters to determine exactly what happens next – whether it’s set in the present day or some kind of alternate universe where sharks rain down in a natural disaster.

(16) WHEN TWO FANTASISTS MET. Walt Disney and Roald Dahl hung out together in 1942 – who knew?

More than a decade before Walt Disney welcomed guests into his land of fantasy and two decades before author Roald Dahl penned his excursion into The BFG’s cave and Willy Wonka’s chocolate factory, these two creative legends crossed paths in 1942 when The Walt Disney Studios optioned Dahl’s first book, The Gremlins, for an animated feature. With Disney’s The BFG coming to theaters on July 1, D23 takes a look at the connection between these two creative visionaries.

The Gremlins was fashioned from stories told by English airmen who attributed equipment failures and other mishaps to mischievous little saboteurs. From these tales, Dahl—then a Flight Lieutenant for the Royal Air Force—created a story and specific characters for his book.

(17) LACKING CHARACTERS. In an “Uninvent This” feature for The New Yorker, Ted Chiang contemplated “If Chinese Were Phonetic”.

So let’s imagine a world in which Chinese characters were never invented in the first place. Given such a void, the alphabet might have spread east from India in a way that it couldn’t in our history, but, to keep this from being an Indo-Eurocentric thought experiment, let’s suppose that the ancient Chinese invented their own phonetic system of writing, something like the modern Bopomofo, some thirty-two hundred years ago. What might the consequences be? Increased literacy is the most obvious one, and easier adoption of modern technologies is another. But allow me to speculate about one other possible effect.

One of the virtues claimed for Chinese characters is that they make it easy to read works written thousands of years ago. The ease of reading classical Chinese has been significantly overstated, but, to the extent that ancient texts remain understandable, I suspect it’s due to the fact that Chinese characters aren’t phonetic. Pronunciation changes over the centuries, and when you write with an alphabet spellings eventually adapt to follow suit. (Consider the differences between “Beowulf,” “The Canterbury Tales,” and “Hamlet.”) Classical Chinese remains readable precisely because the characters are immune to the vagaries of sound. So if ancient Chinese manuscripts had been written with phonetic symbols, they’d become harder to decipher over time.

Chinese culture is notorious for the value it places on tradition. It would be reductive to claim that this is entirely a result of the readability of classical Chinese, but I think it’s reasonable to propose that there is some influence. Imagine a world in which written English had changed so little that works of “Beowulf” ’s era remained continuously readable for the past twelve hundred years. I could easily believe that, in such a world, contemporary English culture would retain more Anglo-Saxon values than it does now. So it seems plausible that in this counterfactual history I’m positing, a world in which the intelligibility of Chinese texts erodes under the currents of phonological change, Chinese culture might not be so rooted in the past. Perhaps China would have evolved more throughout the millennia and exhibited less resistance to new ideas. Perhaps it would have been better equipped to deal with modernity in ways completely unrelated to an improved ability to use telegraphy or computers.

(18) STRONG LURE. At BookRiot, Derek Attig feels there’s no need to bait the hook when what you’re offering is as irresistible as “100 Must-Read Books about Libraries & Bookstores”.

I’m not even sure why I’m writing an introduction to this list. It’s a hundred books about libraries and bookstores! That should sell itself.

But sure. Fine. I’ll make the pitch.

Books are a crucial part of our lives (especially yours, since here you are being a great big nerd on Book Riot), but I think we don’t always pay enough attention to the institutions that get those books into our grubby, greedy little hands. Sure, we’ll bicker about Amazon sometimes or squee over a bookmobile, but how much time do we take to really explore and think about what libraries and bookstores really mean?

Not enough!

(19) SORRY ABOUT THAT. Godzilla and fellow monsters apologized at a Japanese press conference for acts of destruction. Why, yes, it’s another scheme to sell toys – how did you guess?

The world of gachapon vending machine capsule toys just got even weirder with a new lineup of figurines from top Japanese toy producer Bandai. Called the “Godzilla Toho Monsters Press Conference”, the series depicts Godzilla, along with three other kaiju monsters from the acclaimed movie production and distribution company Toho, all appearing at fictional press conferences, complete with microphone stand and name plaque. These types of formal apologies are commonly seen on television news reports around Japan, in cases where high-profile politicians and celebrities formally atone for scandals and wrongdoings, expressing remorse to the public with deep, heartfelt bows. Only this time, it’s a group of well-known movie monsters making amends for their actions.

Godzilla apologizes

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Paul Weimer, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]

Top Sales of 2015 at AbeBooks

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AbeBooks, an online listing service for dealers in vintage books, publishes an annual list of the volumes it sold for the highest prices.

The most expensive item sold through AbeBooks in 2015 was Storia naturale degli uccelli trattata con metodo e adornata di figure intagliate in rame e miniate al naturale. Ornithologia methodice digesta atque iconibus aeneis ad vivum illuminatis by Saverio Manetti, a famous Italian ornithology book from 1765 that went for $191,000.

That sale also set a new mark as AbeBooks’ most expensive ever. The firm’s dual record holders before that were two books which each sold for $65,000 in 2003 — a 1937 first edition of The Hobbit and a 1644 copy of Areopagitica, John Milton’s defense of press freedom.

Works of genre interest AbeBooks sold for top dollar last year were —

charlie-and-the-chocolate-factory

  1. Charlie and the Chocolate Factory by Roald Dahl – $25,000 A first edition from 1964 that had been signed and inscribed by the author with the words “For Jane and Alex with much love Roald Dahl October 1964.” The bookseller was Raptis Rare Books located in Brattleboro, Vermont. Published in September 1964 by Knopf, just 10,000 copies of Charlie and the Chocolate Factory were published and they sold out within a few weeks. This copy is by far the most expensive Roald Dahl book to sell via AbeBooks and probably the most expensive Dahl book to ever be sold.
  1. Lord of the Rings trilogy by J.R.R. Tolkien – $19,492 Three volumes comprising The Fellowship of the Ring (signed by the author), The Two Towers, and The Return of the King, published in 1954, 1954, and 1955 respectively. All first editions.
  1. The Astronauts: The Story of Project Mercury, America’s Man-in-Space Program by Martin Caidin – $18,500 Project Mercury was America’s first mission to put men into space. First edition published in 1960 and signed by all seven of the project’s astronauts – Scott Carpenter, Leroy Cooper, Alan Shepard, Deke Slayton, John Glenn, Wally Schirra, and Gus Grissom. The project ran from 1958 and culminated in 1962 when Glenn made three orbits of the Earth.
  1. (tie) Do Androids Dream of Electric Sheep? by Philip K. Dick – $15,000 1968 first edition signed and inscribed by Dick. The book served as the basis for the Blade Runner movie. The plot is set in a post-apocalyptic world where a bounty hunter is tasked with destroying six escaped androids.

A couple of other genre works outside the top 15 that were mention in AbeBooks’ roundup —

  • The Colour of Magic by Terry Pratchett – $9,633 A 1983 first edition of the first book in the Discworld series that had a print run of just 506 copies, most of which disappeared into the library system. Sadly, Pratchett died in March 2015.
  • A Hitchhiker’s Guide to the Galaxy by Douglas Adams – $2,480 A signed 1979 first edition of one of the funniest books ever written.

Here are links to File 770’s coverage of AbeBooks’ sales roundups from the past couple of years.

Top Sales of 2014 at AbeBooks

  1. Alice’s Adventures in Wonderland by Lewis Carroll & illustrated by Salvador Dali – $20,000 The 1969 Maecenas Press/Random House edition, signed by the artist. The seller described the book ‘as new’ and its leather Solander box as ‘fine’. Only 2,500 copies were produced, containing 12 memorable illustrations from the surrealist.

AbeBooks Most Expensive Sales of 2013

  1. Harry Potter and the Philosopher’s Stone by J.K. Rowling – $20,000 First edition from June 1997 – one of the 500 copies printed.

[Thanks to Michael J. Walsh for the story.]

Bring Out Yer Dead!

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The Sunday Times Online cannot explain why the literary estates of dead authors have suddenly become sought-after business for agents:

What’s going on? Until recently, literary estates were a cottage industry, handled by executors – a grandchild or a spouse, say – in a more or less dilatory fashion. While the work was in copyright (for 70 years after the author’s death) the family would reply to correspondence, renew rights and preserve the writer’s good name. If the estate was represented, it was by the same agent who represented the author during his lifetime. One did not poach dead people.

It now seems the rules have changed. The playground accusation of some British agents is that [American literary agent Andrew] “Wylie started it”, which does not explain why so many have followed his example. Agencies are businesses. They do not promote authors for fun. Estates, meanwhile, are notoriously hard work to manage. Why are they now so attractive?

Five of the eight authors on Sunday Times Online’s list of “literary estates every agent wants” have written fantasy or science fiction: J.R.R. Tolkien, T.S. Eliot, Roald Dahl, Enid Blyton and C.S. Lewis.

[Thanks to John Mansfield for the link.]