Pixel Scroll 9/8/16 Happy Birthday Star Trek

A modest Scroll, but mine own.

(1) WORLD FANTASY CON EVOLVES. Meg Turville-Heitz posted a statement about potential changes in World Fantasy Con on Facebook on August 26.

Apologies for the length of the following, but it is in response to a lengthy letter to the board from Andy Duncan and thus requires some length in return…..

Since we are in the process of agreeing on a new structure for the board, issues of board make up and authorities will be discussed as part of our larger conversation about what we will look like in the wake of David’s passing, and thus will be addressed when that is finalized.

We’ve heard, as well, a number of concerns that we as a board have been non-responsive. This is a product of time scales. We approve conventions two to three years out and thus requirements that we put in place in a given year required already seated conventions to react, which can appear like disorder, when it is not. In 2012, a series of incidents regarding harassment, beginning at other conventions, led us to add a harassment policy to our guidelines and a requirement that upcoming conventions draft one. The word, harassment, however, became a problem. Some of the jurisdictions require anything that can be called harassment be reported to the police for incidents that, in convention culture, wouldn’t be appropriate. We modified this to a requirement for a code of conduct and have been building upon the code of conduct language from DC in 2014. We’ve shared this language with upcoming committees as we work through what we want in place. We are limited, again, by local jurisdictions that could supersede our policy regarding something such as, for example, concealed weapons.

Additionally, concerns about the hotel setup in Saratoga Springs in 2015 (board members were participants on panels where the issues were evident, and were also highly dissatisfied with the hotel’s response to an inaccessible dining room) led the board to add the requirement for accessibility guidelines be provided by incoming conventions and as part of upcoming bids. Board members were working on drafting an acceptable guidance document when David died.

Our difficulty with that document comes from the fact that as a mobile convention, we are landing in places where other laws again supersede our guidelines. We have guidance that we will be looking at that suggests language and kinds of policies, but it must remain flexible.

Regarding Columbus’ program, we have looked at the guerilla site and agree that there are great ideas there. Some topics are not relevant to WFC (e.g. science fiction); others clarify topics we have and we plan to steal from it liberally. Darrell’s role in programming is far advanced, and the timing in the convention planning process does not allow for Columbus to seek a replacement. Ellen Datlow has worked with him to vet and build a better and more diverse program. Critical errors were a draft, unvetted program being published.That’s partly due to disrupted leadership as David had always assumed final authority on the program. We aren’t flush with volunteers who know how to program. If we were, some of these issues wouldn’t even need to be debated

And continues at great length.

(2) SNAIL MAIL SALUTES STAR TREK. Classic Trek went on the air 50 years ago today, and the US Postal Service has issued a sheet of stamps in commemoration.

On September 8, 1966, Star Trek premiered. Centered on the interstellar voyages of the U.S.S. Enterprise, the prime-time television program’s mission was to boldly go where no man has gone before.With an intricate futuristic setting, multicultural cast, and story lines that touched on social issues, Star Trek pushed past the boundaries of popular science fiction and became a worldwide phenomenon. Each of the 20 self-adhesive Star Trek stamps showcases one of four digital illustrations inspired by elements of the classic TV show…

Star Trek

(3) PLANETARY POST.  Robert Picardo’s latest Planetary Post for the Planetary Society.

In this issue, I share my journey to San Diego Comic-Con, where I quiz Trekkies and NASA scientists with trivia to celebrate Star Trek’s 50th anniversary. Engage:

 

(4) A TRIBE THAT FITS THE DESCRIPTION. Meir Soloveichik makes a Tolkien-endorsed case in “The Secret Jews of The Hobbit” for Commentary Magazine,

…The dwarves of Middle Earth, the central characters of one of the most beloved books of all time, are indeed based on the Jews. This was confirmed by Tolkien himself in a 1971 interview on the BBC: “The dwarves of course are quite obviously, [sic] couldn’t you say that in many ways they remind you of the Jews?” he asked. “Their words are Semitic obviously, constructed to be Semitic.” Similarly, in a letter to his daughter, Tolkien reflected, “I do think of the ‘Dwarves’ like Jews: at once native and alien in their habitations, speaking the languages of the country, but with an accent due to their own private tongue.” …

(5) NO CHILLS. The Guardian reports on a study that found “One third of parents avoid reading children scary stories”.

A psychologist has stressed the importance of scary children’s literature, after new research revealed that a third of parents would avoid reading their children a story containing a frightening character. A survey of 1,003 UK parents by online bookseller The Book People found that 33% would steer clear of books for their children containing frightening characters. Asked about the fictional creations they found scariest as children, a fifth of parents cited the Wicked Witch of the West from L Frank Baum’s The Wonderful Wizard of Oz, with the Child Catcher from Ian Fleming’s Chitty-Chitty-Bang-Bang in second place. Third was the Big Bad Wolf, in his grandmother-swallowing Little Red Riding Hood incarnation, fourth the Grand High Witch from Roald Dahl’s The Witches, and fifth Cruella de Vil, from Dodie Smith’s The Hundred and One Dalmatians…

(6) DROPPED IN THE PUNCHBOWL. Don’t let the birthday party stop you. Cheat Sheet fights another round in a timeless culture war: “’Star Wars’ vs. ‘Star Trek’: Why ‘Star Trek’ is Losing”

Star Wars versus Star Trek. The classic debate continues to rage on. But while Star Trek has gained popularity in recent years with both Star Trek (2009) and Star Trek Into Darkness (2013) achieving mainstream appeal and box office success, it’s still nothing compared to what The Force Awakens (2015) did this past December both at the box office and when it came to popular culture. In fact, to date the Star Wars series has made $2.8 billion with eight films compared to Star Trek’s $1.2 billion through 12 films. So why has Star Wars continued to be such a juggernaut in the cultural landscape compared to its sci-fi foe? Here are six reasons why Star Wars might be winning the long battle with Star Trek.

(7) MARTINSON OBIT. Leslie H. Martinson, a ubiquitous TV director who was active for decades, has died at the age of 101 reports the New York Times.

Just a partial list includes, from the 1950s, the live drama series “General Electric Theater” and “Chevron Theater,” the sitcom “Topper,” the drama “The Millionaire” and the westerns “The Roy Rogers Show” and “Tales of Wells Fargo.” In the ’60s, he directed episodes of “Surfside 6,” “Maverick,” “Hawaiian Eye,” “The Roaring Twenties,” “77 Sunset Strip,” “No Time for Sergeants,” “Run for Your Life,” “Batman,” “Mister Roberts,” “Mission: Impossible” and “The Green Hornet.” His output in the ’70s included “Ironside,” “Love, American Style,” “The Brady Bunch,” “Room 222,” “Mannix,” “The Six Million Dollar Man,” “Barnaby Jones,” “Wonder Woman” and “Dallas.” He wound up his television career in the ’80s with, among others, “Eight Is Enough,” “Quincy, M.E.,” “CHiPs,” “Fantasy Island” and “Diff’rent Strokes.”

 [Thanks to Andrew Porter and John King Tarpinian for some of these stories. Title credit goes to contributing editor of the day OGH.]

Pixel Scroll 5/17/16 There and Gernsback Again

(1) I WONDER WHAT THE KING IS DOING TONIGHT. Kameron Hurley observes that fame and fortune don’t go hand-in-hand: “Dancing for Dinner: Fame, Publishing, and Breakout Books”.

In my own life, I find I have to remind people often that I have a day job. I actually had a client email me after a conference call one time and ask, “Are you THE Kameron Hurley?” and I had to admit that I was. I had to have a conversation with my boss about online harassment, and how the release of my upcoming essay collection, The Geek Feminist Revolution, might create some pushback at my job, and how we should handle that should it happen. The whiplash you get in going to an event where people literally scream with happiness when you walk into a room and back to private life where you’re just another cog is really weird (to be truthful, I greatly enjoy my anonymity in Ohio, and don’t want it another way, but the dissonance is weird).

Yet this balancing act between public and private life, or public personae and private day job, is something that many thousands of other writers and artists struggle with every day. I was reading that Joe Abercrombie kept his day job for a lot longer than you might have thought (and even then, picked up freelancing jobs until a few years ago), and Gene Wolfe has had a day job his whole career. Most of us have to do this. It’s just… increasingly awkward to find that the fame part comes so much faster than the money part (if the money comes at all). There’s this strange assumption that by being an artist, you have traded away your private life in exchange for money. But what about those of us who never have the money to keep ourselves safe from the fame?

(2) HILL’S DARKSIDE. Coming in October from IDW, “Joe Hill’s Terrifying Scripts For Tales From The Darkside Collected”.

Originally planned as a reboot for the storied series, Hill’s scripts for these never-broadcast television episodes allow the New York Times bestselling author to stretch his creative muscles, his effortless mastery of the twisted subject matter injecting new terrors into this silver screen legend.

Joining Hill in resurrecting this classic is Charles Paul Wilson III, known to many Joe Hill fans as the artist responsible for the nightmare vision made real in their most recent collaboration…

“When I was offered a chance to reinvent Tales from the Darkside, I leapt,” said Hill. “This was a landmark show for my generation: our Twilight Zone, our Outer Limits. Right away, I wanted to do something that honored the spirit of the original Darkside… and at the same time I wanted to go bigger, to do something fresh, something with scope. In the end I wrote three scripts and sketched a vision for a whole Darkside universe. I envisioned a series of individual horror stories that would, ultimately, turn out to be connected by a single mythology. I really wanted to do something with the scale of Locke & Key. TV is tough and in the end we didn’t quite make it to the little screen. But it’s a delight and a thrill to share the scripts alongside Charles Paul Wilson’s beautifully sick illustrations. Here’s the show that could’ve been, now playing in your imagination.”

Tales From The Darkside was created by George A. Romero.

(3) MONSTER CENSUS. Max Florschutz, in “Being a Better Writer: Micro-Blast #3”, answers the question “Do I Need Fantastic Creatures in My Fantasy?”

No, actually.

All right, let me explain a bit more. Usually when we think of fantasy we think of fantastic creatures: Beings like dragons, unicorns, monstrous beasts, etc. Such creatures fill the realm of myth and legend the world over, and are a common sight in fantasy stories. But do you need one in your story?

Well, no. There are plenty of stories out there where the fantastic and the incredible happen without any sort of mythical, shocking, or otherwise out-of-the-ordinary beasts and creatures entering the narrative. A lot of stories are about human interaction, no beasts needed. You can still write a fantastic fantasy without any indication or even mention of fantastic beasts, and there are plenty of fantasy books that prove this as well. For example, take the success of GRRM’s Game of Thrones books. Granted, they pull in dragons and other fantastic beasts as the series moves on, but such elements only, if I recall correctly, appear right at the end of the first book—the rest of that introduction to the series draws more on the characters and the goings-on of a political kingdom to keep you reading (as well as lots of incest and other elements, which is why I only ever read that first book and didn’t care to move on).

My disinterest in the series aside, the first title in the series shows that your fantasy doesn’t need to have fantastical beasts in order to be gripping. You can write a fantastic amount of drama, magic, and excitement without ever needing a fantastical creature.

(4) STRAW WARS. Bence Pintér, editor-in-chief of the Hungaran SF portal Mandiner.sci-fi, recommends a funny video from Hungary. Public workers created Star Wars sculptures from bales of straw in Tiszaigar, a small village in the Great Hungarian Plain.

(5) PLANETARY SOCIETY. Robert Picardo’s Planetary Post, “A Visit to JPL.”

Welcome to the fourth installment of The Planetary Post, our monthly newsletter from Robert Picardo featuring the most notable space happenings. This month we head to JPL for a tour with two young friends.

 

(6) LONGLIST. Aaron Pound is gathering data for “The Hugo Longlist Project” at Dreaming of Other Worlds.

As I noted a few days ago, it does not appear that anyone is tracking the nominees on the Hugo longlist. There are plausible reasons for this, the most important of which is that it is entirely informal and unofficial. The Hugo administrators usually do not even bother to determine if a particular nominee is eligible in the category they have been nominated in unless it makes the list of finalists. This does not mean, however, that this data is not without value. Thus far, however, it has not been compiled into a coherent whole. This project is intended to fill in this gap by compiling all of the Hugo longlist data into a series of posts so it is all accessible in one location. Some notes:

  1. Though the Hugo statistical data that is released concerning the top fifteen nominees lists the total number of nominations each work received and ranks them accordingly, they are presented here in alphabetical order. Perusing the statistics, it is not uncommon for a work to receive the most nominations in the nominating round, but not win the Hugo award in the award selection round. This indicates to me that the raw number of nominations is not a worthwhile guide to whether one work is “better” than another in the eyes of the Hugo voters.

(7) NEBULA TRIP REPORT. Zak Zyz filled in readers about “My trip to the Nebulas, Installment 1: Cry Havoc and let slip the Blogs of War”.

I was sick as hell on Thursday but made a point to get out to see at least @MikeRUnderwood’s sales panel. Very valuable info, he first went into an explanation of a few retail-style presentation techniques useful for displaying books when working a booth at a con.

Two presentation points I plan to implement:

  1. Have bookstands, a tablecloth, and ideally a banner or a sign that complement your brand
  2. Have a stack of books underneath yours, so people know they aren’t taking your last copy.

Mike Underwood has a lot of sales and retail experience and it shows. He talked about a flowchart method to his sales pitch, favoring a soft-sell approach with a lot of emphasis on gauging the comfort and interest level of a prospective buyer. He talked about the importance of genre familiarity, knowing what’s popular for comparison not just to your own genre, but to build bridges to people who aren’t necessarily SFF readers (or even big readers at all) in larger conventions with a more diverse crowd. A final tip was offering people who were interested but not willing to commit to a sale a chance to join your email list.

This was a valuable panel that taught me a few things that will make it easier to sell books in person. He also fielded my question about selling books to independent stores, with some great advice about talking to book buyers. Just the information in this one panel was worth the price of admission to me.

I should also note Mike has an active Kickstarter going for Genrenauts.

(8) CAMERA ARTISTE. John Scalzi announced on Whatever that he posted an exquisite set of photos of the Nebula Awards banquet in this Flickr album.

(9) ZERO YOBS. Nigel battled Damien Walter on Twitter.

I don’t think Walter is actually wrong. Those looking for WSFS rules permitting an action should try the thought experiment of looking instead for rules that will prevent that action. The WSFS rules give great latitude to the committee in all matters that aren’t specifically addressed in the WSFS constitution. The necessary ingredient is for the corporate entity running the con to have the political will to act — I have no idea whether MACII has even discussed the idea. Also, it would cost money to refund memberships — don’t underestimate that issue.

(10) S.H.I.E.L.D. TRAVELS IN TIME. Comic Book Resources reports “ABC Bumps ‘Agents of SHIELD to New Timeslot”.

When “Agents of S.H.I.E.L.D.” returns to ABC this fall, the show will air in a new timeslot: Tuesday nights at 10 pm EST. This pushes the show back an hour from its original 9 pm slot, which will now be filled by “Fresh Off the Boat” and “The Real O’Neals.”

The news follows the cancellation of “Agent Carter,” which aired during “S.H.I.E.L.D.’s” past two winter hiatuses, and ABC’s decision not to move forward with the Mockingbird-centric “Marvel’s Most Wanted” spinoff.

(11) INNOVATION. The Valley Forge in 2017 NASFiC bid has posted a new progress report on Facebook.

We’re pleased to announce the Valley Forge 2017 Mobie Fund!

Mobie Fund Mission: The Mobie Fund will provide monetary assistance to those fans who have difficulty attending NASFIC due to the financial burden of mobility scooter rental. We will seek donations from all who want to help make NASFiC accessible. Valley Forge 2017 will match donations to the fund, up to $500.

After the site selection vote at MidAmeriCon II, the 2016 WorldCon, we will accept donations in cash or through Paypal via our website. At the same time, those who wish to apply for financial assistance for mobility scooter rental can contact us through our website.

Please note: The Mobie Fund is first-come, first-serve. We will confirm that your spot is available, but it won’t be secured until we receive your registration for the con. Upon arrival at the hotel, you can pick up your pre-paid mobie at the mobie rental spot. If, at the end of the con, the Mobie Fund still has a balance, we will reimburse that money among the other mobie riders at the con.

(12) SUICIDE SPINOFF. According to Yahoo! Movies, “Margot Robbie Spearheads Proposed Harley Quinn Movie With More Female DC Comics Characters”.

Months ahead of the opening of Suicide Squad, Warner Bros. is already contemplating a spin-off for the DC Entertainment anti-heroine, Harley Quinn.

Margot Robbie, who stars as the villainess in Suicide Squad, is attached to reprise the character and would also produce the untitled spin-off, The Hollywood Reporter has learned.

But in an interesting twist, the project is not a Quinn solo movie. Rather, it would focus on several of DC’s female heroes and villains.

Details are being closely guarded but names such as Batgirl and Birds of Prey have surfaced, although in what capacity, it’s not clear. Warner Bros. isn’t commenting.

There is also a scribe penning the script but those details, too, are being kept secret, although it is known that the writer is female.

(13) STANISLAW LEM HONORED. A Kraków Science Festival will be named after Stanislaw Lem says Radio Poland.

Late science-fiction writer, philosopher and futurologist, Stanislaw Lem, is the patron of the 16th edition of the Science Festival, which begins in Kraków, southern Poland, on Thursday.

This year marks the 10th anniversary of Lem’s death. The slogan of this year’s festival is “Time and Space”. “Lem’s work strongly refers to the concept of time and space, which are also the domain of science,” the chairman of the festival’s organising committee, prof. Robert Stawarz, said.

(14) OLDIE BUT GOODIE. Just discovered this 2011 Robot Chicken video today: “Aliens Acid Blood.“

[Thanks to John King Tarpinian, Bence Pintér, JJ and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Leslie C.]

Pixel Scroll 3/29/16 Police My Tears, the Scrollman Said

(1) SIAM SINFONIETTA. Somtow Sucharitkul conducts at Carnegie Hall tonight! On Facebook, he posted a picture of his dressing room.

Somtow at Carnegie Hall

(2) SOCIETY PAGES. The Planetary Society has released the second installment of The Planetary Post with actor and Society board member Robert Picardo, their newsletter featuring the most notable space happenings.

For this issue, we took a trip to the set of the scientist-produced musical called “Boldly Go!” to celebrate the 50th anniversary of Star Trek.

 

(3) HOP ON POP. “William Shatner sued for $170 million by man claiming to be his long-lost son”

William Shatner is being sued for $170 million by a radio host who claims to be the “Star Trek” legend’s long-lost son.

Peter Sloan has boldly gone and filed legal paperwork in Florida demanding Shatner submit to a DNA test and cease claiming he isn’t his father.

Sloan, 59, claims his birth mother, late Canadian actress Kathy McNeil, had a brief affair with Captain Kirk in Toronto. She gave him up for adoption at 5 days old.

But Shatner, 85, denies Sloan is his son, and claims the local radio host is trying to unfairly live long and prosper from the connection.

(4) MEMORY NUMBER ONE. Madeleine E. Robins makes a riveting anecdote out of her earliest memory, in “My Mother Went Out for Lemons” at Book View Café.

As a small child my family lived in the top two floors (or more properly, the top floor and an attic) of a brownstone on 11th Street in New York City. Four years after this story we moved to another brownstone, also on 11th Street, where we lived in the bottom two floors.  But that’s neither here nor there in terms of this memory.

My brother would have been about six months old–I know this because it was spring (and both my brother and I were December babies, but it wasn’t swelteringly hot the way that summer in New York City so often is). I would have been about two and a half. And my mother was making dinner and realized that she needed a lemon. Rather than waking the baby and packing us both into the stroller and going down to the corner to fetch a lemon, Mom made a different call: she sat me down on the couch, told me not to move, and went out to buy a lemon….

(5) ONE RULE TO BIND THEM ALL. Jeffe Kennedy warns against violating the One Rule, in “Romance Tropes for SFF Writers” at the SFWA Blog.

The romance in the book does not end happily. It does not end with even the promise of happiness. The heroine and the hero part ways with every indication that this will be a permanent separation.

Now, there is nothing wrong with this ending for a science fiction novel. However, for a book marketed as SFR, it’s a huge violation of reader trust. It’s an ending that makes romance readers throw the book against the wall. It’s a profound betrayal that destroys their trust in an author.

An argument that gets introduced in a lot of these conversations – always from non-romance readers – is that the HEA/HFN is not mandatory. That it’s okay for a story to end tragically. Romeo and Juliet gets trotted out. And sure, that’s true! But Romeo and Juliet is one of Shakespeare’s tragedies! Sure, there’s a romance in it. You can even say the romance is the core of the story, but that doesn’t make it a romance. Why not?

Because it ends tragically, not happily.

(6) TRUST. R. S. Belcher says “Trust Your Editor” in a post at Magical Words.

Like I said, I was pissed. I had been doing this job of writing and getting paid for it for a long time, years. I paid bills, mine and my family’s bills, on my words, and I thought, after busting my hump on this piece that it was one of the best journalism pieces I had written.

The first chicken McNugget of “wisdom” I’ll throw out here, is whatever you write, if you expect to get paid for it, expect to deal with criticism…from all corners. You have to learn how to deal with that anger or it will eat you up like acid, or worse, it will influence how you write. It will affect how fearless you get in your writing, what you do, how you say it, and what you decide to not say. If you can’t handle that, pack it in, take up alpaca herding or something, ’cause you will be a bitter, miserable, and poor writer (in more ways than one).

So, I took a few days, because my deadline allowed me to, and did nothing in regards to the article. I did not email this editor and tell him exactly what I thought of his revisions, and where he could stuff them. I did not quit in a funk, or bad-mouth the guy and his publication in social media. In other words, I didn’t shoot my career in the face with a bazooka. I raged in private, I calmed the hell down, and I got back to work.

I did every single thing this editor had wanted me to do; when all was said and done, when all the ego, and emotional sturm und drang was over, it was a better piece, a better creation of my writing, my words. My editor was right, and he was damn good at his job. The moral of this story is trust your editor.

Now, I’m not saying trust every editor, I’m saying trust your editor.

(7) TWO DADS. The View from the Cheap Seats by Neil Gaiman, on sale May 31. The Fireman by Joe Hill, on sale May 17. John King Tarpinian says, “Joe Hill gave Ray Bradbury credit for the title. Both books are dedicated to the authors’ newborn babies.”

Fireman and gaiman

(8) PATTY DUKE OBIT. Patty Duke passed away March 29 at the age of 69. Sean Astin paid tribute to his mother online:

Shortly after the news was made public that his famous mother Patty Duke had passed, Sean Astin took to social media to post a heartwarming tribute — and announce that he’s launching a mental health initiative in her honor.

“I love you mom,” he wrote alongside a photo of his mother holding him as a baby. The message also included the statement that the family released to announce the passing.

Along with image, Sean posted the words, “Her work endures,” along with a link to the Patty Duke Mental Health Project.

“My mother’s life touched tens of millions of people. Her ground breaking portrayal of iconic American legend Helen Keller, launched a career that would span six decades,” Sean wrote of the crowd-funded project. “First on broadway and then on the silver screen, Patty Duke’s characterization of the extraordinary development of the blind/deaf child brought global attention to the plight of people living with those challenges.

“The nature of this kind of illuminating and compassionate work become the sacred mission of her life,” he continued. “She became a voice for the voiceless, a reassuring presence for the scared, the intimidated and the lost. She was a healer of many souls and a champion for so many in need.”

(9) TODAY IN HISTORY.

revenge of the creature

  • March 29, 1955 Revenge of the Creature was seen for the first time.  Clint Eastwood, uncredited, makes his first screen appearance in this movie as the goofy white coated lab assistant.
  • March 29, 2004 Shaun of the Dead premieres in London.

(10) TODAY’S BIRTHDAY GIRL.

  • March 29, 1968 – Lucy Lawless of Xena fame.

(11) A LENS MAN LOOKS AT NARNIA. Vishwas R. Gaitonde has some thoughts about the worldwide popularity of Lewis’ Narnia stories. “With No Inkling of the Contents: Viewing Narnia Through a Hindu Lens” at The Mantle.

Recognizing Hindu Philosophy in Narnia

I began to wonder: what would Narnia be like if it were viewed through a Hindu lens? Perhaps part of the worldwide popularity of the Narnian saga lies in people from other cultures discovering a resonance of their own spiritual beliefs—meanings that Lewis never consciously intended. But then, works of imagination are open to interpretation. As I contemplated the Christian themes in Lewis’ work, I began to wonder: what would Narnia be like if it were viewed through a Hindu lens? Could a reader find such themes throughout Narnia?

…In viewing Narnia through a Hindu lens, I have largely drawn from the Hindu school of philosophy called Advaita Vedanta, which is arguably the most popular contemporary concept of Hinduism.

Atman, Brahman, and Maya: Hindus believe that the human soul (Atman) intuitively knows that existence within a physical body is not its true nature—that it is part of the Godhead, the Universal Spirit (Brahman). But in its body prison, the soul has forgotten its real identity. This ignorance (avidya) forms the human quandary and its accompanying sorrows….

Mythology awakens within us the desire for our true selfIn The Silver Chair, Prince Rilian has similarly forgotten who he is for years whilst bewitched by the Lady of the Green Kirtle. When liberated, Rilian regains full knowledge that he is the heir to the Narnian throne. He declares, “For now that I am myself, I can remember that enchanted life, though while I was enchanted, I could not remember my true self.” Similarly, in The Horse and His Boy, Shasta is clueless about his true identity, but he knows that he isn’t who he and others think he is (a slave or serf). His intuition sets him on a quest that ultimately reveals he is the lost heir of Archenland. In The Voyage of the Dawn Treader, Lord Rhoop is trapped on Dark Island where subconscious dreams come to life, where one is a prisoner of his or her own mind. In The Silver Chair, Jill Pole sees boulders and is fooled into thinking they may have given rise to the old wives’ tales of giants—until the boulders turn out to be actual giants. In The Last Battle, Puzzle the Donkey cloaked in a lion’s skin deceives others into thinking he is Aslan. And in Prince Caspian, Caspian longs for the old Narnia, just as the soul instinctively knows that there is a better place and a better experience (viz., Brahman, Spirit) than its current surroundings. Mythology awakens within us the desire for our true self—so just as Caspian clings to his myths, Hindus hang on to theirs.

(12) JOHN JOSEPH ADAMS. Here’s how John Joseph Adams said it, in “NEWS: Hugo Award Nomination Deadline is March 31”:

If you like a thing, and you think it’s deserving of a Hugo Award, nominate it! If you’re not familiar with a thing, but you saw it on a suggested nominations list or something of the sort, either read/watch it, and then nominate it because you like it, or don’t nominate it because you didn’t like it. Point being, please don’t nominate stuff just because it’s on somebody’s list somewhere; only nominate things you personally think are deserving.

(13) DOGGED EFFORT. At Chaos Horizon, Brandon Kempner continues “Estimating the 2016 Hugo Nominations, Part 2”.

A pretty simple model and not terribly informative so far. What you’ll glean from this is that the Rabid Puppies are likely to deliver a large block of votes to the works on their list. When we combine this chart with the estimated chart from the Typical vote and the Sad Puppy vote, that’s when we’ll be in business.

The core question is whether or not this block will be larger than other voting groups. In more lightly voted categories like Best Related Work or categories where the vote is more dispersed like Best Short Story, 400 votes is likely enough to sweep all or most of the ballot. Think about Best Related Work: the highest non-Puppy pick last year managed only around 100 votes. The top non-Puppy short story only managed 76 votes last year. Even if you triple those this year, you’re still well under 400 votes. In a more popular category like Best Novel or Best Dramatic Work, I expect the impact to be substantial but not sweeping. Perhaps 3 out of 5? 2 out of 5?

(14) WHAT A WAG. The Good Dog News can be found in this Maximumble cartoon.

(15) SHOPPING ONLINE IN THE STONE AGE. Martin Morse Wooster advises, “The YouTube video ‘Internet Shopping–Database—1984’ is another installment of the 1984 ITV series Database, in which the manager of the Nottingham Building Society reveals ‘If we give away one of these’ (keyboards) ‘We won’t have to build any more branches!’

“The excitement of shopping and looking up your bank statements on your TV is palpable!”

[Thanks to Martin Morse Wooster, John King Tarpinian, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]