Pixel Scroll 11/25 Have Space Suit, Can’t Get Through Babylon 5 TSA

In response to a suggestion I am adding subtitles to go with the item numbers. Some feel that will make cross-references to Scroll topics less confusing when they are talking about, say, item 8 from two days earlier.

(1) Royal Treatment. File 770 doesn’t get a lot of press releases, just the quality. Today I received the announcement of a second round of tickets for sale to those wanting to attend the celebration of Queen Elizabeth’s 90th birthday in May 2016.

(2) Radio SFWA. Henry Lien’s instructional video, demonstrating the choreography for his anthem “Radio SFWA”, is rockin’ and ready for you to witness in this public Facebook post.

(3) Read The Comments. The New York Times published a feature about some of its most valued regular commenters. One of them is 95-year-old sf writer Larry Eisenberg.

Larry Eisenberg. Photo by Chad Batka.

Larry Eisenberg. Photo by Chad Batka.

Mr. Eisenberg has made a name for himself by commenting in poetry.

“Today the kind of poetry you see is primarily a prose form of poetry, you rarely see anything of a rhyming nature that’s published,” Mr. Eisenberg said, citing hip-hop music as an exception. “My own feeling is that people like rhymes. There’s something attractive about them.”

He said his poems were inspired by the fight against racism and inequality. “That’s something that really disturbs me,” he said. “The killings that are taking place, that are primarily racially directed.”

“I do get people who say they love what I wrote,” Mr. Eisenberg, who served as a radar operator in World War II, added. “They found it very enjoyable, or they got a laugh out of it. That’s of course very pleasant for me to read.”

Intelligence failure my eye!
A Cheney-Bush-Condi baked Pie!
Media abetted,
The lies weren’t vetted,
And boy, did this mess go awry!

Larry Eisenberg

Larry Eisenberg was an active sf writer in the 1960s-1970s who had a story picked by Harlan Ellison for Dangerous Visions (“What Happened to Auguste Clarot?”), 20 published stories in his “Emmett Duckworth” series, and had his story “The Time of His Life” (1968) included in The Arbor House Treasury of Modern Science Fiction edited by Silverberg and Greenberg.

(4) Loscon 42 is this weekend in LA. The full program is now online.

(5) Once More With Joshi. S.T. Joshi restates his arguments at greater length in “November 24, 2015 – Once More with Feeling”.

It appears that my recent blogs have been somewhat misunderstood: I suppose in this humourless age, where everyone feels at liberty to be offended at anything and everything, satire and reductio ad absurdum are dangerous tools to employ. (How I wish more of us could adopt Lovecraft’s sensible attitude: “I am as offence-proof as the average cynic.”)

Here are three of his 11 points – I suspect many sympathize with #7, if none of the rest:

7) It would help if the World Fantasy Convention committee had presented some—or any—explanation as to why the award was changed. The secrecy with which this matter was handled has done a disservice to the field.

8) No fair-minded reader could say that my discussion of Ellen Datlow in any way constituted “vitriol.” I was raising a legitimate query as to why she has turned against Lovecraft after profiting from anthologies that could only have been assembled because of Lovecraft’s ascending reputation. Similarly, my comment directed at Jeff VanderMeer was in no way insulting to him. It is simply the plain truth that his offhand comment does not begin to address the multifarious complexities of this issue.

9) I do not question the sincerity of those individuals (whether they be persons of colour who have been the victims of race prejudice—as I have been on a few occasions—or others who are concerned about the continuing prevalence of prejudice in our society today, as I certainly am) who genuinely believe that changing the WFA bust might have some positive results in terms of inclusiveness in our genre. I happen to think they are mistaken on that particular issue, but that is a disagreement that I trust we can have without rancour or accusations of bad faith. (I am, however, not convinced that Mr. Older is one of these people.)

(6) Carrie Fisher. CinemaBlend knows “The Blunt Reason Carrie Fisher Returned To Star Wars”.

Leia, who we now know has traded out the Princess tag for General, is one of those roles that is difficult for an actor to escape—much like Luke Skywalker, it casts a long shadow—and this played a part in Fishers decision. But her choice also had a lot to do with a bigger issue in Hollywood, the lack of quality roles for aging actresses. When Time caught up with the 59-year-old actress and asked if her decision making process was difficult, she said:

No, I’m a female and in Hollywood it’s difficult to get work after 30—maybe it’s getting to be 40 now. I long ago accepted that I am Princess Leia. I have that as a large part of the association with my identity. There wasn’t a lot of hesitation.

(7) Attack of the Clones. Michael J. Martinez continues his Star Wars rewatch reviews in Star Wars wayback machine: Attack of the Clones”.

…No, my issue is Padme, as in…what the hell are you thinking?

Anakin is utterly unstable. It’s apparently widely known that Jedi aren’t supposed to get romantic or emotional. So there’s your first tip-off. The stalkerish leering and horrid attempts at flirtation aren’t helping, either. But then, right in front of Padme, he confesses to slaughtering an entire tribe of sentient beings — women and children, too! Sure, the Sand People killed Anakin’s mom, but do you really just sit there and say, “Hey, Anakin, you’re human. We make mistakes. It’s OK. Hugs?”

Hell, no, Padme. You call the Jedi Council on Coruscant and let them know they got themselves a massive problem….

(8) We Missed A Less Menacing Phantom. Meanwhile, we learn “Ron Howard could have saved us from The Phantom Menace, but chose not to” at A.V. Club.

Way back in the mid-’90s, George Lucas apparently exerted some mental energy trying to decide whether he’d rather create a trilogy of bloodless films in order to experiment with his new computer-imaging software, or hire some real filmmakers and make some decent Star Wars movies. He ultimately went with the former option, but—at least according to Ron Howard—it could have easily gone the other way.

“[Lucas] didn’t necessarily want to direct them,” Howard explains in a recent interview on the Happy Sad Confused podcast. “He told me he had talked to Robert Zemeckis, Steven Spielberg, and me. I was the third one he spoke to. They all said the same thing: ‘George, you should do it!’ I don’t think anybody wanted to follow up that act at the time. It was an honor, but it would’ve been too daunting.”

If this story is true, that is some criminally negligent counseling from some of Lucas’ supposed friends.

(9) Theme v. Message. Sarah A. Hoyt works on a practical distinction between theme and blunt message in storytelling, in “Threading The Needle” at According To Hoyt.

Theme, plot and meaning in your work.

Yes, I know, I know.  You’re out there going “but aren’t we all about the story and not the message.”

Yeah, of course we are.  If by message you mean the clumsy, stupid, predictable message you find in message fiction….

So:

1- Figure out the theme and thread it through WHERE APPROPRIATE.

2- Figure out the sense of your novel and thread it through WHERE APPROPRIATE and not in people’s faces.

3 – If your sense of the novel fits in a bumpersticker, you iz doing it wrong.

4- most of 1 and 2 come down to building believable characters that fit the story you want to tell, and then not violating their individuality.

5- if you end in a line saying “the moral of this story is” it’s likely you’re over the top and turning off readers.  Also it’s possible Sarah A. Hoyt will come to your house and hold your cats/dogs/dragons hostage till you stop being a wise*ss.

(10) Today In History.

  • November 25, 1915 — Albert Einstein formulated his general theory of relativity

(11) Supergirl, Spoiler Warning.  Polygon reports “Superman to finally be introduced on Supergirl”

Audiences have gotten quick glimpses of the superhero, but there’s never been an official first look at the man of steel.

Now, however, Superman is set to make his official first appearance on the show, according to a new report from TV Line. Casting has already begun for the character, although some may be surprised to find out that CBS isn’t looking for a handsome, leading man to fill the role, but a 13-year-old boy.

(12) Game of Thrones Spoiler Warning. The Street asks, “Did HBO Just Tease That Jon Snow Is Alive in This Awesome ‘Game of Thrones’ Promotion?”

GoT left off in the Season 5 finale that Snow had been killed by his brothers of the Night’s Watch who rebelled against him as the commander of the group. Avid fans across the world cried and took to social media in outrage.

But since the season finale last June, fans have tossed around lots of theories on whether Jon Snow is actually dead. A prominent theory — at least in the TV series – is that Snow’s eyes change color just before the camera cuts off in the episode’s last scene. Could it mean that while Jon Snow may be dead, he will emerge as a new person, ahem, Jon Targaryen? Or was the eye color change just a trick of the camera?

As well, Game of Thrones blogs and various media articles have noted that Kit Harington, the actor who plays Snow, was seen on the show’s set while filming earlier this year for Season 6.

Still HBO hasn’t confirmed that the character will be returning. And following the season finale in June, HBO insists that Jon Snow is indeed — dead.

(13) Rex Reason Passes Away. Actor Rex Reason died November 19.

Rex Reason, the tall, handsome actor with a lush voice who portrayed the heroic scientist Dr. Cal Meacham in the 1955 science-fiction cult classic This Island Earth, has died. He was 86.

Reason died November 19th of bladder cancer at his home in Walnut, California, his wife of 47 years, Shirley, told The Hollywood Reporter….

In This Island Earth, distributed by Universal-International and directed by Joseph M. Newman, Reason’s Dr. Meacham is one of the scientists recruited by a denizen of the planet Metaluna to help in a war against another alien race. Russell Johnson, the future Professor on Gilligan’s Island, also played a scientist in the Technicolor movie, which at the time was hailed for its effects….

After a few years at MGM and Columbia, Reason landed at Universal and worked alongside Rita Hayworth in William Dieterle’s Salome (1953). He later starred as another scientist in The Creature Walks Among Us (1956), appeared with Clark Gable and Sidney Poitier in Band of Angels (1957) and toplined Badlands of Montana (1957) and Thundering Jets (1958).

(14) Blue Origin. Yesterday’s Scroll ran a quote about the Blue Origin rocket test, but omitted the link to the referenced Washington Post story.

(15) Hines Review. Jim C. Hines reviews “Jupiter Ascending”.

I’d seen a bit of buzz about Jupiter Ascending, both positive and negative. I didn’t get around to watching it until this week.

The science is absurd, the plot is completely over the top, and about 3/4 of the way through, I figured out why it was working for me.

Spoilers Beyond This Point

(16) Cubesats. “United Launch Alliance Reveals Transformational CubeSat Launch Program” reports Space Daily.

As the most experienced launch company in the nation, United Launch Alliance (ULA) announced it is taking CubeSat rideshares to the next level by launching a new, innovative program offering universities the chance to compete for free CubeSat rides on future launches.

“ULA will offer universities the chance to compete for at least six CubeSat launch slots on two Atlas V missions, with a goal to eventually add university CubeSat slots to nearly every Atlas and Vulcan launch,” said Tory Bruno, ULA president and CEO.

“There is a growing need for universities to have access and availability to launch their CubeSats and this program will transform the way these universities get to space by making space more affordable and accessible.”

(17) Nazi Subway Ads. The New York Post article “Amazon Pulls Nazi-Inspired Ads from Subways” has more photos of the subway cars, inside and out.

Andrew Porter’s somewhat Joshi-esque comment is: “The concept of a USA under German and Japanese occupation is apparently beyond the comprehension of most subway riders, and politicians. Note that no actual swastikas appeared anywhere! Next: toy stores will be forced to remove World War II German model airplanes….”

(18) Testing for Feminism: The dramatic title of Steven Harper Piziks’ post “The Impending Death of Feminism” at Book View Café obscures his finely-grained account of a classroom discussion. The comments are also good.

Every year my seniors read Moliere’s Tartuffe. In that play is a scene in which Orgon orders his daughter to break off her engagement with the man she loves and marry the evil Tartuffe.  She begs him not to force this and asks his permission to marry the man she wants.

“Haw haw haw!” I chuckle at this point.  “Tartuffe was written in the 1600s.  Nothing like this happens today!”

Or . . . ?

I bring up a web site on my SmartBoard that asks questions and lets the students text their responses so we can see how the class as a whole answered.  The answers are always a little shocking

(19) Mockingjay 2. Tom Knighton reviews Mockingjay Part 2:

…Now, let’s talk about performances.  Jennifer Lawrence is phenomenal, like she always is.  Personally, I like her better as Katniss than Mystique, but mostly because I prefer rooting for her characters and I just can’t with Mystique.

This is the last film we’ll ever see Phillip Seymour Hoffman in, and that is truly a tragedy.  So much talent, but he had a demon he couldn’t tame and it cost him his life.  To get political for a moment, this is something we should be discussing how to prevent.  Frankly, the threat of prison didn’t stop him, so maybe we should figure something else out for a bleeding change.  </politics>

Liam Hemsworth is great as well.  He’s a young actor I can’t wait to see do more.  My hope is that someday we’ll get a great action movie with Liam and his big brother Chris.  Gail and Thor on the big screen…yeah, I can see it….

(20) Bottled In Bond. James H. Burns recommends, “As folks are celebrating Thanksgiving, they could have a drink, like that other JB….!“ He means, of course, James Bond. For ideas, consult Burn’s article “007’s Potent Potables”.

The virtual explosion of surprise over James Bond drinking a beer in Skyfall was a bit absurd, and played almost like some practical joke from one of the spy’s arch enemies seeking to display just how gullible the media can be. (“Is that a SPECTRE I see over your shoulder?”) Call it a vast victory for product placement: The kind that not only gets the brand a major slot in a movie, but gets folks–including “The NBC Nightly News”–buzzing to the tune of MILLIONS OF DOLLARS of free publicity, for both the film, and the endorsement. But Ian Fleming’s secret agent 007 has been having the occasional brew almost since his very beginnings in the author’s bestselling series of espionage novels, which commenced in the early 1950s!

(21) Trivia. J.M. Barrie, the creator of Peter Pan, was one of the seven people that Antarctic explorer Robert Falcon Scott wrote to in the final hours of his life during his ill-fated return journey from the South Pole. Scott asked Barrie to take care of his wife and son. Barrie was so touched by the request that he carried the letter with him the rest of his life.

(22) Gratitude. “The SF/F We’re Thankful for in 2015” at B&N Sci-FI & Fantasy Blog.

Andrew: Space opera seems to be coming back in a big way. Books such as Nemesis Games by James S.A. Corey, Ancillary Mercy by Ann Leckie, The End of All Things by John Scalzi, and The Long Way To A Small Angry Planet by Becky Chambers have been earning acclaim from all corners of the internet. I’ve always been a big fan of stories about expansive galactic empires, ragtag starship crews, and adventure far out into the cosmos, and the genre’s recent resurgence is both exciting and terrifying: there’s not nearly enough time to read all of them!

(23) Scalzi’s Thanksgiving Prayer. John Scalzi has recorded an audio of his science fictional thanksgiving prayertext first published on AMC in 2010.

… Additionally, let us extend our gratitude that this was not the year that you allowed the alien armadas to attack, to rapaciously steal our natural resources, and to feed on us, obliging us to make a last-ditch effort to infect their computers with a virus, rely on microbes to give them a nasty cold, or moisten them vigorously in the hope that they are water-soluble. I think I speak for all of us when I say that moistening aliens was not on the agenda for any of us at this table. Thank you, Lord, for sparing us that duty….

[Thanks to James H. Burns, Jim Meadows, rcade, Andrew Porter, and John King Tarpinian for some of these stories. Credit for this holiday travel-themed title credit belongs to File 770 contributing editor of the day Daniel Dern.]

The Jocular Joshi

Lovecraft scholar S. T. Joshi, still enraged by the decision to stop using a bust of H. P. Lovecraft bust as the World Fantasy Award, ferments a mix of false equivalence and bitter mockery in his November 19 blog post “More Crusades for the Crusaders!”

I have been led to believe that the celebrated editor Ellen Datlow was a major force in getting the Lovecraft bust discarded from the World Fantasy Awards. If this is so, it casts a dubious light on Datlow herself. One has to wonder about the moral compass of a person who has materially benefited from Lovecraft’s increasing reputation by opportunistically assembling two volumes of Lovecraft-inspired fiction (Lovecraft Unbound [2009] and Lovecraft’s Monsters [2014]) and who then turns around and kicks Lovecraft figuratively in the posterior. Sadly, she does not appear to be alone in this kind of behaviour.

Joshi continues on, constructing arguments why crusaders should also attack Edgar Allan Poe (icon of the Mystery Writers of America’s Edgar Award), L. Frank Baum, George Washington, Daniel José Older and Jeff VanderMeer.

I repeat what I’ve said before: Lovecraft will be around a lot longer than any of his current dectractors. Let’s have a show of hands, people, to see who you think will be more remembered in history: H. P. Lovecraft or…Scott Nicolay? Nick Mamatas? Jeff VanderMeer? Daniel José Older? S. J. Bagley? Edward Morris?

Okay, okay, I’ll stop laughing now.

Pixel Scroll 11/13 Life During Scrolltime

(1) James H. Burns shares his personal vision of a recent TV debut:

There is much that is wonderful, and also much that is silly, about the new Supergirl TV series.But Melissa Benoist, and so many of the cast, are simply so winning, it just more often than not, is utterly charming, For someone raised with the whole Superman mythos, particularly the Kryptonian elements introduced by DC Comics editor Mort Weisinger, there was actually something quite moving about many of the moments in the first Supergirl episode. (We all, after all, ultimately have our lost Kryptons…) But one surprise, and a small spoiler for those who have not yet seen the CBS series’ debut episode. Towards the finale, Kata receives a present from her cousin, Superman…  In my mind’s eye, remarkably, I did not see any of the recent Kal-Els, but George Reeves, preparing the small package. Reeves, of course, was television’s Superman of the 1950s, and forever, really… And it’s fascinating to think how these two characters have finally been reunited, across the decades.

(2) Lenika Cruz’ article in The Atlantic about the World Fantasy Award, “’Political Correctness’ Won’t Ruin H.P. Lovecraft’s Legacy”, argues that the changing the award trophy signals that the genre is able to be inclusive to writers of color.

Starting next year, the World Fantasy Award trophy will no longer be modeled after the massively influential horror-fiction writer H.P. Lovecraft.

The convention organizers didn’t offer a reason for the change, nor did they name a replacement, but the decision is notable nonetheless. Lovecraft’s rise to fame happened largely after his death, but as he received more attention, so too did his racist and xenophobic beliefs. His disassociation from the WFC after 40 years feels in line with a growing inclusiveness in the science-fiction and fantasy community of women and people of color. The author Daniel José Older, who started a petition last year to replace Lovecraft with Octavia Butler, praised the decision. “Writers of color have always had to struggle with the question of how to love a genre that seems so intent on proving it doesn’t love us back,” he said. “We raised our voices collectively, en masse, and the World Fantasy folks heard us.”

Not everyone agreed with this sentiment. In a letter to the co-chair of the WFC board, the Lovecraft biographer and author S.T. Joshi called the decision “a craven yielding to the worst sort of political correctness.”

(3) At Black Gate, Jackson Kuhl puts Lovecraft in his idea of the proper context, in “S. T. Joshi Is Mad As Hell”.

Debate over Lovecraft’s racism — and let’s face it, he was a racist, and even if it blunted in his later years, he was never going to join the ACLU — generally falls into two camps: that he and his views were products of his times; or that his beliefs were particularly venomous even for the era. As usual with truth, I think it’s somewhere in the middle. Lovecraft was a naive shut-in, his head a Gordian knot of neuroses. No one will argue that Lovecraft was a well-adjusted individual; from sex to seafood, a psychiatrist would have worn out an IKEA’s worth of sofas itemizing a complete list of the man’s phobias. I contend those same anxieties are precisely what make Lovecraft’s writing so much fun. If his racism was more vile than that of his neighbors and contemporaries, then it originated in that same pool of existential paranoia from which only madmen sip. It was part and parcel with his oversensitivity to smells, his finicky eating habits, and all the rest. H.P. Lovecraft may have been a genius. He was also crazy.

Having said that, I often worry that scolding Lovecraft too harshly is to rub Vaseline on the lens through which we view early 20th-century America. For this country, those first three decades were a period of peak racism in a Himalayan history. The 1896 Plessy v. Ferguson decision, by which SCOTUS granted the South carte blanche to do their worst, was the tamping of the soil upon Reconstruction’s grave; and 1915 saw the rebirth of the Klan, though this time with a more anti-Catholic, anti-immigrant bent, attracting millions of members in the 1920s. The nativism of the 19th century — which shows no signs of abating in 2015 — came to full bloom, with passage of the 18th Amendment and the Volstead Act (which was intended in large part to circumscribe Irish, Italian, and other immigrants) being its greatest successes. Somebody at this year’s NecronomiCon described Lovecraft as the last of the Victorian gentleman scientists, a man who had the leisure time to read journals and magazines about science and new discoveries and contemplate their repercussions. Alas, this was also a high time of pseudoscience, of theories about genetic memory and phrenology and racial traits; they are recurring topics in letters between Lovecraft and Robert E. Howard, both of whom read widely on the subjects and included them in their stories. To say Lovecraft lived in racist times and channeled them through his writing is not to apologize for him so much as it is to confront our not-very-distant past.

(4) Lee Martindale, SFWA Director-at-Large, should have been credited for assembling the SFWA Accessibility Guidelines in yesterday’s post here at File 770. Today the SFWA Blog ran Martindale’s history of the guidelines, “Back Story: The Accessibility Guidelines Checklist”.

When I was elected to SFWA’s Board of Directors in 2010, I brought with me the desire to see the organization move toward greater accessibility at SFWA-sponsored events, particularly the Nebula Awards weekend. That desire stemmed from my own experiences at SF conventions, particularly the Nebula Weekends I’d attended. But it was largely prompted by how ashamed I was of SFWA that, at the Nebula Weekend at which she was named Grand Master, the only way Anne McCaffrey could get to spaces in which she was being celebrated involved going through a very busy kitchen and up a service elevator.

I’m proud to have been involved in the work that resulted in SFWA’s Accessibility Guidelines Checklist and a member of the Board of Directors that approved it, in January 2014, for use at SFWA-sponsored events. And I’m delighted that SFWA is sharing it at http://www.sfwa.org/accessibility-checklist-for-sfwa-spaces/

(5) British Fantasy Award winner Juliet McKenna has a guest post on Sean Williams’ blog.

I see variations on the writing process as a spectrum, with Outline Writers at one end and Discovery Writers* at the other. I’m definitely way over there at the Outline end. I’ll know the beginning, the middle and the end of a story before I begin to write it, and a whole lot more besides. I’ll have notebooks full of background on people and places and all sorts of aspects of the world that I’m writing about. (I’ve learned a wonderful acronym for these vital scene-setting elements from a panel at Fantasycon 2015, thanks to Karina Coldrick. PESTLE: Political. Economic. Social. Technological. Legal. Environmental. Isn’t that great?)

(6) Today’s Birthday Boy and Girl

  • Born November 13, 1850Robert Louis Stevenson, author of Treasure Island and Doctor Jekyll and Mr. Hyde.
  • Born November 13, 1955 – Whoopi Goldberg. From the Wikipedia: “According to an anecdote told by Nichelle Nichols in the documentary film Trekkies (1997), a young Goldberg was watching Star Trek, and upon seeing Nichols’ character Uhura, exclaimed, ‘Momma! There’s a black lady on TV and she ain’t no maid!’ This spawned lifelong fandom of Star Trek for Goldberg, who would eventually ask for and receive a recurring guest-starring role on Star Trek: The Next Generation (as Ten Forward’s Guinan.)”

(7) Brandon Kempner originally stated that Chaos Horizon’s mission is “predicting the Hugo and Nebula Awards for Best Novel by using statistical and data mining techniques.” How does he square that with his unsupported comment about Ann Leckie’s work in “Final 2015 SFF Awards Meta-List”?

So how did 2015 turn out? There wasn’t a single dominant book, as was the case with Ancillary Justice in 2014 (7 nominations, 4 wins, with 2 additional nominations and wins in “First Novel” categories). This year, Cixin Liu did the best with 5 nominations, but he managed only 1 win. I suspect that if The Three-Body Problem came out earlier in the year (it was published in November), it would have done a little better. Leckie won twice for Ancillary Sword, and she was the only author to win two awards. Those wins, depending on how cynical you are, could be chalked up to last year’s success of Ancillary Justice.

(8) Morgan Holmes, in “Primary Research” at Castalia House blog, starts with a good anecdote about L. Sprague De Camp, but the best part is about researching Donald Wandrei.

Second story: I was going through the listing of the Donald Wandrei items in possession of the Minnesota Historical Society. Donald Wandrei was a member of the Lovecraft circle and pulp magazine writer. One could describe a good portion of his fiction as a logical continuation of H. G. Wells’ short stories though with a Lovecraftian cosmic inclination to them. Wandrei also wrote a number of detective stories that read like Lovecraft writing for Black Mask magazine.

Going through a list of letters, one popped up that grabbed my attention. A letter from Robert E. Howard to Donald Wandrei. No one knew of this before I found it. Another case of primary research.

This past week, I remembered looking into a Wandrei story in Robert H. Barlow’s small press zine Leaves. I remember reading that Wandrei has fiction in the first issue. I found a table of contents of Leaves, Summer 1937 and “A Legend of Yesterday” did not register with me.

I contacted Dwayne Olson who is the Donald Wandrei expert on this to see if this story had been reprinted under a different name. Dwayne got back to me and this story had gotten past him for the Fedogan & Bremer collections. He did not know the story existed. So, we have another case of depending on work done before.

Take home point: Thoroughly research your subject. Go back to primary sources. Don’t depend that someone before has done the ground work.

(9) At Amazing Stories, MD Jackson discusses the “Science Fiction and Fantasy Spoken Word Recordings” from Caedmon Records.

This was back in the days of the vinyl record, of course and it was always a special, almost magical thing to have and to listen to one of these recordings. To hear the author of a famous work reading selected passages aloud was thrilling. Most particularly if it was J.R.R. Tolkien.

J.R.R. Tolkien Reads and Sings his The Hobbit and The Fellowship of the Ring was a record released by Caedmon in 1975. It was taken from a reel to reel recording made in Tolkien’s study in 1952. One side was a recording of Tolkien reading the chapter Riddles in the Dark from The Hobbit. The other side featured poems and songs from The Fellowship of the Ring.

I had the recording as a teen and it was absolutely marvelous to hear the words from The Hobbit read by the author himself. His “Gollum” voice was hysterical and the songs –yes, songs – Tolkien actually sings some of his poetry to old tunes. He even reads some Elvish poetry!

The recordings can be found today fairly easily on Youtube if one is so inclined to look.

[Thanks to David K.M. Klaus, Dana Sterling, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 11/12 Vampire Elf-eared Zombie Shape-Shifting Warriors Of Gor

(1) An Al Hirschfeld signed lithograph of the Star Trek: The Next Generation crew is for sale by the Baltimore Science Fiction Society.

non-glare-pic-hirsh COMP

This a signed limited edition (127 of 375) print originally owned by science fiction fan legend Marty Gear. The lithograph shows the cast of the Star Trek the Next Generation TV Series and was commissioned by cast member Brent Spiner (Commander Data) with many given to the cast and crew of the show during the show’s original run as gifts…. This hand signed numbered print was dry mounted and framed by Marty Gear in a silver frame with glass and was bequeathed to BSFS in Marty’s will. It is in perfect condition. We are offering this item for $1,495.00 plus tax and shipping.

(2) “(Almost) Every SFF Adaptation Coming to Television and Movie Theaters!” compiled by Natalie Zutter at Tor.com.

Thanks to Game of Thrones and Marvel’s Cinematic Universe, we’ve entered a golden age of sci-fi and fantasy properties being developed for film and television. It seems that nearly every network and studio has snatched up the rights to old and new classics, with a bevy of projects in production or premiering in the coming months. We’ve compiled a master list of every SFF adaptation currently in the works, from American Gods to Y: The Last Man. And surprising no one, prolific writers Neil Gaiman and John Scalzi each have a number of projects in varying stages of development.

(3) The fourth installment of Superversive Blog’s interview with Ruth Johnston, author of Re-modeling the Mind: Personality in Balance, is titled “Culture War Post 4: The War Over Archetypes!”

L. Jagi Lamplighter poses the questions in this series described as “Speculative Fiction meets Jung.”

Q: So the group that is interested in exploring gender roles and seeing them as less restrictive probably loves books like Ancillary Justice or Left Hand of Darkness, which do just that. In fact, it was probably a major factor in Ancillary Justice winning the Hugo in 2014.

A: If there’s one thing the two sides in the Hugo controversy agree on, it’s that the most important thing about Ancillary Justice is not the story itself but the way it used pronouns to obscure gender. Everyone is “she” until the narrator has a reason to identify male or female. It’s explained in the story as just part of the narrator’s native language which, like Chinese and Turkish, doesn’t specify gender in a normal sentence. The narrator, writing in English, is forced to make gender choices in every sentence, so instead just uses “she” for everyone. But I had to read some of the story to understand the thing about language, because when people talk about Ancillary Justice, they elevate the single pronoun to such importance that it’s like the story was really just about obscuring gender. If they liked the story, it’s because at last we’re disrupting mental assumptions that gender will always be visible. If they didn’t like the story, it’s because obscuring gender became more important than whatever was happening.

So that’s a great example of the wider culture battle interfering in science fiction and crowning a winner in what might otherwise just be a dispute about literary taste. Once it’s connected to the wider question of how we, in real life, see men and women, then it’s about life and death, good and evil. It’s like they’re saying, “If you don’t like this story, maybe it’s because you want to suppress the “‘other’.” Those who didn’t like the story respond in defensiveness: “well maybe if you like the story, it’s because you care more about message! You just want to disrupt society.” Now it’s no longer about literary taste, it’s about hurting people or destroying the culture, and things “just got real,” as they say. There are pre-existing political sides to take, and these sides are ready to swing into action even if they don’t care about science fiction or fantasy.

(4) From a website devoted to Joyce Carol Oates — “Into the Void: Lovecraft and the World Fantasy Award”.

Joyce Carol Oates’s short story “Fossil-Figures” from the collection The Corn Maiden and Other Nightmares won a World Fantasy Award in 2011. Her story collection Haunted: Tales of the Grotesque was a finalist for the collection award in 1995. The award itself is a bust of H.P. Lovecraft.

At the link is a Twitter conversation about the news that the Lovecraft statue will no longer be used for the award.

(5) The publisher of Castalia House, Vox Day, would like everyone to know the firm is doing well.

Two _1

Two simultaneous #1 bestsellers isn’t bad, especially when you only publish one book each month.

It’s also worth noting that in the Military Strategy category, Castalia House currently publishes five of the top 40 bestsellers.

(6) Kate Paulk, never known for her economy of prose, could have distilled today’s Mad Genius Club post into this sentence:

And yet, when I pointed out that our dear anti-Puppy friends were behaving like the Nazis did, complete with examples and quotes, I was horrible, just absolutely horrible.

(7) But this is a strange field. John Scalzi wrote a post reassuring the original Sad Puppy, Larry Correia, that when it comes to book tour audiences, “Size Matters Not”.

I’ve been actively touring novels since 2007, when Tor put me on tour for The Last Colony. Since that time, across several tours, I’d say my largest tour event had several hundred people at it, and my smallest event had… three. Yes, three. I was at the time a New York Times best selling, award-winning author, and yet three people showed up to a tour event of mine. And they were lovely people! And we had a fine time of it, the three of them and I. But still: Three.

Because sometimes that happens. And it happens to every writer. Ask nearly any writer who has done an event, and they will tell you a tale of at least one of their events populated by crickets and nothing else. Yes, even the best sellers. And here’s the thing about that: Even with the best sellers, it’s an event often in the not-too-recent past. Every time you do an event, you roll the dice. Sometimes you win and get a lot of people showing up. Sometimes you lose and you spend an awkward hour talking to the embarrassed bookstore staff. Either way, you deal with it, and then it’s off to the next one.

Also, tangentially: the dude on Twitter trying to plink one off of Larry because of the size of his event crowd? Kind of a dick. …

And then those seven or eight or forty or however many people will go home feeling valued by Larry, and they’ll keep buying his books and keep recommending them to friends and others. Because that’s the point and that’s how it’s done. The value of doing a book event is not only about who is in the crowd that day. It’s the knock-on effect from there — building relationships with fans and booksellers, and benefiting when they talk you up to friends and customers and so on….

(8) It really must be National Pat Your Puppy Day, because George R.R. Martin claimed to have found a silver lining in the Hugo disaster:

Last time I talked about some possible nominees for Dramatic Presentation, Long Form. This time I want to focus on Dramatic Presentation, Short Form. In other words, best television episode. (No, not officially, but that’s what it usually comes down to, and let’s ignore the silliness of nominating an Easter Egg or an acceptance speech from the previous year’s Hugos).

I was no fan of the efforts of Puppies to game the Hugo Awards last year. I don’t think I have been shy in my opinions on that subject. But I will give the Puppies this much — their efforts did break the decade-long hold that Dr. Who fandom had on the nominations in this category. I have no problem with episodes of DR. WHO being nominated, and indeed winning, mind you… and the Doctor has won plenty of times in this category over the past decade… but when four of the six finalists are from the same category, that strikes me as way unbalanced and, well, greedy. The Doctor’s fans love their show, I know, but there is a LOT of great SF and fantasy on the tube right now. Nominate DR. WHO, by all means… but leave some room for someone else, please.

(9) Even S. T. Joshi got some love today — in Black Gate’s post “New Treasures: The Madness of Cthulhu, Volume Two, edited by S.T. Joshi”.

The reason his stock is still flying high is because Black Gate’s review of Volume 1 is quoted on the back cover…

G. Winston Hyatt wrote:

Lovecraft’s At the Mountains of Madness serves as the inspiration for many of the authors in The Madness of Cthulhu… it’s masterful in concept and at times in execution. A fusion of Antarctic adventure, science fiction, and early-modern horror, it not only offers chilling passages with an escalating sense of dread and isolation, but also constructs a world horrifying in its implications about mankind…

The second volume contains 14 brand new stories inspired by Lovecraft’s At the Mountains of Madness.

(10) As SF Site News explains, “In 2014, SFWA developed an accessibility checklist for its internal events, such as the Nebula Award Weekend or the New York Reception. SFWA has now elected to make the checklist public and available to other events which may desire to have some guidelines.”

“Accessibility Checklist for SFWA Spaces” is now posted at the SFWA Blog.

The SFWA Accessibility Checklist is provided for the use of conventions and other gatherings who want to ensure that their event is fully accessible by all attendees.

The checklist was assembled by Matthew Johnson, Teresa Frohock, Peggy Rae Sapienza, Tanya Washburn, and Bill Thomasson.

(11) RedWombat in a comment on File 770.

Let us go then, me and you,
When the awards are nearly due,
Like shoggoths dissected upon a table;
Let us go, through eldritch winding blogs,
Muttering and wordy slogs,
Of those upset in one-line tweets
And those who pound the well-worn beats:
“PC censorship!”–a tedious argument
Of insidious intent
To lead you to an overwhelming question….
Oh, do not ask, “What the hell is that?”
You behold the bust of Lovecraft.

In the room the fans go fore and aft,
Talking of H. Phillip Lovecraft.

(12) Glenn Fleishman visited Amazon’s new brick-and-mortar bookstore in Seattle to shoot some photos – and in the process caught a labeling error in the sf section where Neil Gaiman’s American Gods is listed as the 2015 Hugo Award winner. (It won in 2002.)

Amazon FleishmanAmerican Gods Fleishman

S. T. Joshi Rails Against Ending Use of Lovecraft Bust on World Fantasy Award

Two-time World Fantasy Award winner S. T. Joshi, author of numerous books on H. P. Lovecraft and the Cthulhu Mythos, and the editor of many more critical works about them, publicly announced he is returning his awards in protest against the World Fantasy Con’s decision to stop using a bust of Lovecraft as the award trophy.

He wrote on his blog November 10:

It has come to my attention that the World Fantasy Convention has decided to replace the bust of H. P. Lovecraft that constitutes the World Fantasy Award with some other figure. Evidently this move was meant to placate the shrill whining of a handful of social justice warriors who believe that a “vicious racist” like Lovecraft has no business being honoured by such an award. (Let it pass that analogous accusations could be made about Bram Stoker and John W. Campbell, Jr., who also have awards named after them. These figures do not seem to elicit the outrage of the SJWs.) Accordingly, I have returned my two World Fantasy Awards to the co-chairman of the WFC board, David G. Hartwell. Here is my letter to him:

Mr. David G. Hartwell
Tor Books
175 Fifth Avenue
New York, NY 10010Dear Mr. Hartwell:

I was deeply disappointed with the decision of the World Fantasy Convention to discard the bust of H. P. Lovecraft as the emblem of the World Fantasy Award. The decision seems to me a craven yielding to the worst sort of political correctness and an explicit acceptance of the crude, ignorant, and tendentious slanders against Lovecraft propagated by a small but noisy band of agitators.

I feel I have no alternative but to return my two World Fantasy Awards, as they now strike me as irremediably tainted. Please find them enclosed. You can dispose of them as you see fit.

Please make sure that I am not nominated for any future World Fantasy Award. I will not accept the award if it is bestowed upon me.

I will never attend another World Fantasy Convention as long as I live. And I will do everything in my power to urge a boycott of the World Fantasy Convention among my many friends and colleagues.

Yours,
S. T. Joshi

And that is all I will have to say on this ridiculous matter. If anyone feels that Lovecraft’s perennially ascending celebrity, reputation, and influence will suffer the slightest diminution as a result of this silly kerfuffle, they are very much mistaken.

 

Lovecraft Research Fellowship Offered

H. P. Lovecraft by Virgil Finlay

H. P. Lovecraft by Virgil Finlay

The John Hay Library at Brown University is taking applications through January 31 for the S.T. Joshi Endowed Research Fellowship, an annual fellowship for research relating to H. P. Lovecraft, his associates, and literary heirs.

The Fellowship, which provides a stipend of $2,500 for six weeks of research at the library, was established by The Aeroflex Foundation and Hippocampus Press, to promote scholarly research using the John Hay Library’s world-renowned Lovecraft resources.

The S. T. Joshi Fellowship is open to individuals engaged in pre- and post-doctoral, or independent research. Applicants who do not reside in the U. S. must either indicate their citizenship or already hold the J-1 visa or equivalent documents that will allow them to accept the stipend.

 [Via Farah Mendelsohn.]

Del Toro’s Horror Fiction Favorites

American Supernatural TalesPenguin is bringing out a new edition of American Supernatural Tales edited by S. T. Joshi, whose vast resume includes editing the recently published Nolan on Bradbury.

American Supernatural Tales covers two centuries of weird and frightening American short fiction by Edgar Allan Poe, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and Stephen King.

The collection, which first appeared in 2007, is projected as part of a six-volume series of the best in classic horror curated by Guillermo del Toro.

Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard.

The series is due in September. The other titles are:

The Raven
Tales and Poems
Edgar Allan Poe, Guillermo del Toro

The Haunting of Hill House
Shirley Jackson, Guillermo del Toro, Laura Miller

The Thing on the Doorstep and Other Weird Stories
H. P. Lovecraft, Guillermo del Toro, S. T. Joshi

Frankenstein
Mary Shelley, Guillermo del Toro, Elizabeth Kostova

Haunted Castles
Ray Russell, Guillermo del Toro

The volumes feature original cover art by Penguin Art Director Paul Buckley.

 [Thanks to John King Tarpinian for the story.]