The joint winners of the 2023 Salam Award for Imaginative Fiction, which recognizes emerging speculative fiction writers of Pakistani origin or residence, are “The Shoe Shop Djinn” by Sakina Hassan and “Earth 747” by Saud Ahmed. Read the winning stories here.
The winners receive:
A cash prize of Rs 50,000
Stories will be published on the Salam Award website
Review by an established literary agent for market guidance and possible representation
An editorial review by a professional editor for critique and potential publication in a multi-award winning science fiction magazine
The authors of the other top two stories receive Rs 30,000 and Rs 20,000.
The award judges were Samit Basu, Arley Sorg, and Mohammed Hanif.
(1) SFF WORKSHOP IN PAKISTAN. The first Salam Award Writers Workshop will be held March 6-10, 2023 in Lahore, Pakistan. Elizabeth Hand and Mary Anne Mohanraj are the lead instructors. Apply at the link – the deadline is December 31, 2022.
…Since 2017, The Salam Award has honored the best Pakistani and Pakistani-diaspora writing in the SFF genre. This workshop will exclusively focus on enhancing and furthering speculative fiction writing and authors. Over the four days, participants will receive intensive instruction from award-winning writers and editors, participate in critique workshops of an existing manuscript, and craft exercises.
Applications are competitive as the seats are limited. If accepted, conference fees are PKR 40,000 and cover three meals, accommodation at LUMS, instruction costs, and all materials. Limited scholarships are available!
Highlights of the event include:
Clarion/Milford style workshop focused on Speculative Fiction genre writing
SFF craft lectures and talks
Participants will arrive on March 5th and depart on March 11th…
This was the year our dreams grew teeth. The best science fiction and fantasy books of 2022 managed to combine mournfulness and rage. In them, we’re seeing the first indication of how the pandemic and our recent political turmoil might change our stories, in the form of work that’s sharper, funnier and weirder….
The list includes –
‘How High We Go in the Dark,’ by Sequoia Nagamatsu
At first, “How High We Go” — a novel in interconnected stories about the devastation from a strange disease that comes from ancient corpses unfrozen in Antarctica — seems like a simple plague tale. But Nagamatsu’s ambitions reach higher and deeper, taking the story in some truly weird directions. Each of its narratives explores human grief in new ways, and each captures something about how technology and corporate interests can distort it. But throughout, human connection provides a saving grace.
(3) A TALE OF TWO TURKEYS. Walter Jon Williams shared his “best Thanksgiving story” yesterday on Facebook. Whew!
(4) CALLING FOR HELP. Chessiecon, held in Maryland, is a Thanksgiving weekend convention with a 45-year history that continues the tradition of DarkoverCon, emphasizing the work of women creators in sff literature and art.
It is having problems this year, in particular they expect to be hit with a contractual financial penalty for failing to fill their hotel room block. A GoFundMe — “Friends of ChessieCon Unite” — has been started to raise $11,000.
After several years of shutdown and a year of staff and volunteers battling health concerns, this intimate, esoteric fan convention has found itself seriously impacted. Though they have strived to power on, attrition caused by these health issues and a diminished volunteer base has left this year’s convention and its organizers falling short of meeting the convention’s needs and obligations. Most hard-hitting is the fact that this year they have not filled their contractually obligated hotel block. There is a stiff financial penalty levied against the convention by the hotel.
We very much would like to see Chessie and her crew survive these trying years to come back strong in 2023, but to do that, we must meet our obligations for this year. Can you help us?
(5) MAKE YOUR CORNER OF THE INTERNET A GARDEN. In “How to Weave the Artisan Web”, John Scalzi, inspired by a Pablo Defendini tweet, encourages people in sff to resume blogging. Includes lots of suggestions about what to do, but first he answers the question “Why?”
Everyone should start blogging again. Own your own site. Visit all your friends’ sites. Bring back the artisan, hand-crafted Web. Sure, it’s a little more work, but it’s worth it. You don’t even need to stop using social media! It’s a “yes, and” situation, not a “no, but” one.
… Now, why should we bring back that artisan, hand-crafted Web? Oh, I don’t know. Wouldn’t it be nice to have a site that’s not run by an amoral billionaire chaos engine, or algorithmically designed to keep you doomscrolling in a state of fear and anger, or is essentially spyware for governments and/or corporations? Wouldn’t it be nice not to have ads shoved in your face every time you open an app to see what your friends are up to? Wouldn’t it be nice to know that when your friends post something, you’ll actually see it without a social media platform deciding whether to shove it down your feed and pump that feed full of stuff you didn’t ask for?…
In 1934, the late Percy Shaw almost crashed while driving home from the pub on a foggy night in West Yorkshire, in England.
He was saved when his headlights were reflected in the eyes of a cat and it gave him a brilliant idea.
He invented reflective studs for the road and called them cat’s eyes.
And wasn’t this invention behind Will Jenkins’ (aka Murray Leinster) subsequent invention of front-screen projection? Or is that just a trick of my memory? He wrote about it in an Analog science article a loonnng time ago. I see this much on the Murray Leinster official website:
Will F. Jenkins was an active inventor and most notably on December 20, 1955, patented the “Front Projection” filming method, and he sold the patent to Sherman Fairchild of Fairchild Cameras, who widely produced the method, and “Front Projection” was first used in the movie “2001: A Space Odyssey”
(7) MEMORY LANE.
1970 — [By Cat Eldridge.]Star Trek’s “Amok Time”
“Jim, when I requested to Spock that it was time for his routine check-up, your logical, unemotional first officer turned to me and said: ‘You will cease to pry into my personal matters, Doctor, or I will certainly break your neck!’.”
“Spock said that?” – McCoy and Kirk, about Spock
And now for a true classic episode of the first Trek series. Fifty-two years ago on this date “Amok Time” premiered across the pond in the United Kingdom (having first aired in the U.S. in 1967).
It followed what I thought was a good awful episode, “Operation — Annihilate!”, and was written by Theodore Sturgeon whose other Trek script was the stellar “Shore Leave”. I mean seriously, what a wonderful episode that was!
It had a number of things that made it unique. It is the only episode of Trek, and when I say Trek I always mean the original series, to show scenes on Vulcan. It was the first episode to show Ensign Pavel Chekov as the navigator, and it was the first episode to list DeForest Kelley as Dr. McCoy in the opening credits.
I’m going to assume that each and everyone here has seen it, right? Ok. You’re fans. So let’s not deal with the story at all.
It has two firsts that cannot be overlooked — Leonard Nimoy first used his signature Vulcan salute and “Long live prosper” in this episode. Ok, Sturgeon was a brilliant writer, wasn’t he?
Memory Alpha says “In Theodore Sturgeon’s original script, Kirk did not have to depend on T’Pau’s influence to justify the departure to Vulcan. He knew the officials on the other planet, and asked them to delay the ceremonies until he got Spock back from Vulcan. This planet (Altair VI in the episode itself) was named Fontana IV in the original script, as a tribute to writer and then-story editor D.C. Fontana.”
Finally a cat version of “Amok Time” was featured in Jenny Parks’ 2017 book Star Trek Cats. Really she did. She did the same for Picard and his crew as well.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 25, 1920 — Ricardo Montalbán. Khan Noonien Singh and the first Mr. Rourke. Armando and Grandpa Valentin Avellan as well. I’m picking those as four most memorable roles he’s played and they just happen to all be genre in nature. Oh, and is Khan Noonien Singh one of the few occurrences of a non-crew character carrying over from the original series into the films? I suspect not but I can’t think of who else who did. If there is, I’m sure one of you will tell me who else did. (Died 2009.)
Born November 25, 1926 — Poul Anderson. My favorite ones by him? Orion Shall Rise for the mix of a personal scale story with his usual grand political stories, and all of the Flandry and van Rijn stories. I also enjoy his Time Patrol stories as well, and the two Operation Luna tales are quite fun. Not to forget the ever so entertaining The Unicorn Trade that he wrote with his wife Karen. He was quite honored with seven Hugo Awards and three Nebula Awards. I am told by reliable sources that Lis will reviewing all of the Flandry and van Rijn stories for us. (Died 2001.)
Born November 25, 1926 — Jeffrey Hunter. Best known for his role as the first Captain Christopher Pike in the original pilot episode of Star Trek and the later use of that material in “The Menagerie” episode which won a Hugo at NyCon 3. Other genre work included Dimension 5, A Witch Without A Broom, Strange Portrait (never released, no print is known to exist), Alfred Hitchcock Hour, Journey into Fear and The Green Hornet. Hunter suffered an intracranial hemorrhage while walking down a three-stair set of steps at his home in Van Nuys, California. He died in-hospital despite brain surgery. (Died 1969.)
Born November 25, 1941 — Sandra Miesel, 81. She has described herself as “the world’s greatest expert” on Poul Anderson and Gordon R. Dickson. She’s written such works as Against Time’s Arrow: The High Crusade of Poul Anderson on Borgo Books and she’s written the front and back matter for many of their books. Oh, and she was recognized early as a serious fan being nominated thrice for Hugos for her writing in zines such as Yandro and Granfalloon. She co-authored The Pied Piper of Atheism: Philip Pullman and Children’s Fantasy with Catholic journalist and canon lawyer Pete Wer.
Born November 25, 1950 — Alexis Wright, 72. A Waanyi (Aboriginal Australian) writer known for winning the Miles Franklin Award for her novel Carpentaria which might well be genre. She has one definitely genre novel, The Swan Game.
Born November 25, 1951 — Charlaine Harris, 71. She is best known for the Southern Vampire series starring Sookie Stackhouse which was adapted as True Blood. I know I’ve read several of this series and enjoyed them. She has two other series, nether genre or genre adjacent, the Aurora Teagarden and Lily Bard series.
Born November 25, 1953 — Michael “Orange Mike” Lowrey, 69. A fan, free citizen of the ImagiNation, husband, daddy, union leader, Esperantist, wearer of orange garments, Quaker, feminist, Irishman, Mac user, Wobbly, Hordesman, Wikipedian. He’s been active in fanzines (Vojo de Vivo) and apas, the N3F, mailing lists, Usenet, social media. The 2020 TAFF delegate. Frequent Filer!
Born November 25, 1974 — Sarah Monette, 48. Under the pen name of Katherine Addison, she published The Goblin Emperor which garnered the Locus Award for Best Fantasy Novel and was nominated for the Nebula, Hugo and World Fantasy Awards. She won the Spectrum Award in 2003 for her short story “Three Letters from the Queen of Elfland”. Her first two novels Mélusine and The Virtu are quite wonderful and I highly recommend her Iskryne series that she co-wrote with Elizabeth Bear.
… As the MCU continues its rapid growth, both on the big-screen and on Disney+, keeping track of back-to-back movies and weekly series has become cumbersome for some audiences. While the notion of franchise fatigue when it comes to superhero movies is as much of a non-issue as it was a decade ago, with the films consistently accounting for the most ticket sales and highest box office each year, even amidst the pandemic, the number of releases leaves little breathing room to catch up before the next thing….
Critics won’t weigh-in on James Cameron’s highly anticipated “Avatar” sequel for few more weeks. But if Guillermo del Toro is to be believed, then the boundary-pushing water adventure will surely dazzle audiences and the box office come December 16.
That’s big praise for the director behind “Titanic,” “Aliens,” and “The Terminator,” made even more meaningful by del Toro’s own cinematic chops. The Mexican filmmaker’s most recent project — a stop-motion “Pinocchio” for Netflix — is a frontrunner for Best Animated Feature at the 95th Academy Awards. Cameron and “Avatar 2” are similarly positioned in the Oscar race for Best Visual Effects….
For just the sixth time in recorded history, astronomers managed to catch a glimpse of an asteroid before it slammed into Earth.
On 19 November 2022, nearly four hours before impact, the Catalina Sky Survey discovered an asteroid named 2022 WJ1 on an inbound trajectory. A network of telescopes and scientists sprang into action, accurately calculating exactly when and where on the globe the asteroid would fall.
This is excellent news. 2022 WJ1 was too small to do any serious damage, but its detection shows that the world’s asteroid monitoring techniques are improving, giving us a better chance of protecting ourselves from falling space rocks – the big ones that might actually do some damage….
…The T. rex, which the auction house called Shen, had been billed as the first skeleton of its species to appear at auction in Asia. A Christie’s news release touted the specimen as “museum standard” and “a world-class specimen.”
Although Stan was auctioned off, the Black Hills Institute retained intellectual property rights on the specimen, allowing it to continue selling painted polyurethane casts of the skeleton, which are currently priced at $120,000 each.
Peter Larson, the company’s president, said in an interview that when he first saw a photo of Shen, the skeleton Christie’s was preparing to auction in Hong Kong, he noticed that the skull looked similar to Stan’s skull, including holes in the lower left jaw that Mr. Larson said were unique to Stan. Mr. Larson and his colleagues at Black Hills had examined the particularities of Stan’s bones over three decades after excavating the specimen starting in 1992.
Mr. Larson said that it appeared to him that the owner of Shen — who was not identified by Christie’s — had bought a cast of Stan from Black Hills to supplement the original bones….
[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]
The story follows a woman who is (not quite) at the end of her journey through the various difficulties of running a shoe store during (not quite) the end of the world. Ghosts of family members, dying technology, and lost shoes make appearances.
(1) TIME IS OF THE ESSENCE.The Salam Award, which promotes imaginative fiction in and about Pakistan, released this video by Mushba Said to remind Pakistani writers they have until midnight July 31 to submit entries for the award. See full guidelines at the link. Participants must either be currently residing in Pakistan, or be of Pakistani birth/descent.
The origins of Alice’s tumble into Wonderland and its long cultural afterlife—everything from Carroll’s tentative first sketches to cheery, Alice-themed advertisements for Guinness and tomato juice produced a hundred years later (“Welcome to a Wonderland of good drinking!”)—are the subject of a beguiling new exhibition, “Alice: Curiouser and Curiouser,” at the Victoria and Albert Museum, in London.
Exploring its origins, adaptations and reinventions over 157 years, this immersive and theatrical show charts the evolution of Alice’s Adventures in Wonderland from manuscript to a global phenomenon beloved by all ages.
From rabbit holes to psychedelic mushrooms, flamingos to hedgehogs, Wonderland is the perfect world to explore in virtual reality. Curious Alice encourages audiences to reward their curiosity by navigating a fantastical landscape, interacting with the book’s famous characters and completing a series of curious challenges. Race against the clock to capture the White Rabbit’s missing glove; solve the Caterpillar’s mind-bending riddles; defeat the Queen of Hearts in a curious game of croquet.
(3) WENDIG AND KHAW. Powell’s Books presents “Chuck Wendig in Conversation With Cassandra Khaw,” promoting Wendig’s new book, on July 29 at 5:00 p.m. Pacific. Register for the virtual event here.
A family returns to their hometown — and to the dark past that haunts them still — in The Book of Accidents (Del Rey), a new masterpiece of literary horror by Chuck Wendig, bestselling author of Wanderers…. Wendig will be joined in conversation by Cassandra Khaw, game writer and author of Nothing but Blackened Teeth.
An introductory essay published in 2005, “Driving the Machine Backward Through the Graveyard of Dead Narrative,” explains the evolution of genre poetry through reference to Johanna Russ’s 1971 critical essay, “The Wearing Out of Genre Materials.” Which argues that genre tropes progress through three distinct stages: “Innocence” which seems to be characterized by novelty and sense of wonder, “Plausibility,” which describes how authors use the rules of verisimilitude to support readers suspension of disbelief, and finally “Decadence” where a petrification of genre rules, “stylized, like ballet,” tempts writers to break long established conventions, for instance, combining magic with aliens and dinosaurs. Although Russ writes that it is not possible for a genre to return to Innocence, Beatty argues that it is possible for genre poetry to create a “liminal space” where tropes from fantasy and science become metaphor for human experience, thereby avoiding Decadence and possibly returning to the novelty and energy of Innocence.
With a pirate’s eyepatch and a scowl that seems as fixed and enigmatic as Mona Lisa’s smile, Snake Plissken, the hero of John Carpenter’s Escape from New York, drifts through a cataclysmic future like a man condemned, forced into a mission that, at best, might save a world he doesn’t care about anyway. The allegiances he forges along the way are hard-earned but only temporary, swiftly discarded as he survives one assignment and looks ahead to another one. He is deeply suspicious of authority, too, from the two-faced benefactor who’s forcing him through an impossible gauntlet to an aloof president who’s openly contemptuous of him and others like him.
In other words, Snake Plissken is John Carpenter, and Escape from New York was the first of three films in the 1980s in which Kurt Russell would serve as his charismatic stand-in – an iconoclast who had no home in the new Hollywood, but would take up residence on its fringes. As Plissken runs and guns his way through a Manhattan that’s been turned into maximum security prison, it’s easy to imagine it as an allegory for a film production, where Carpenter weaves his way through an impossible job with the help of fellow ne’er-do-wells that he’ll have to leave behind at the end. If he survives, it’s onto the next gauntlet….
(6) THE SHARP END. Netflix dropped a trailer for season 2 of The Witcher. Premieres December 17.
(7) MEDIA BIRTHDAY.
July 11, 2011 — A decade ago, Alphas premiered on Syfy. It was created by Zak Penn and Michael Karnow. It is in the same universe as Warehouse 13 and Eureka, a fact confirmed when Vanessa Calder who is a recurring character on Warehouse 13 appeared in one episode of the series. (Thanks Andrew (not Werdna) for confirming that in a recent Scroll.) It had far too many Executive Producers and Producers to list here, a puzzle for a series that would last but two seasons and twenty four episodes. It starred David Strathairn, Ryan Cartwright, Warren Christie, Azita Ghanizada, Laura Mennell, Malik Yoba and Erin Way. Critics in general loved it and the audience reviewers at Rotten Tomatoes currently give a most excellent seventy seven rating. Syfy cancelled it on an unresolved cliffhanger.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 11, 1899 — E. B. White. Author of Charlotte’s Web and Stuart Little, both of which are surely genre. Along with William Strunk Jr., he is the co-author of the The Elements of Style English language style guide. (Died 1985.)
Born July 11, 1913 — Cordwainer Smith. Pen name of Paul Myron Anthony Linebarger. Most of his fiction was set in The Instrumentality of Mankind series which I know I read once upon a time in fragments. The usual suspects are well stocked with his novels and short stories including Scanners Live in Vain, a most excellent novella. (Died 1966.)
Born July 11, 1920 — Yul Brynner. The Gunslinger in Westworld and its sequel Futureword. He would also play Carson, a human warrior in the post-apocalyptic The Ultimate Warrior. Are we considering The King and I genre or even genre adjacent? If we are, he played King Mongkut in the short-lived Anna and the King TV series as well. (Died 1985.)
Born July 11, 1925 — David Graham, 96. The voice of Daleks in the early years of Doctor Who including two non-canon films, Dr. Who and the Daleks and Daleks’ Invasion Earth 2150 A.D.; his voice work made him a sought after worker and he’d be used on Thunderbirds, Asterix & Obelix Take On Caesar, Timeslip, Moomin, Stingray and even the recent Thunderbirds Are Go. And yes, he’s still doing voice work as his last genre work was for the Nebula-75 series just last year.
Born July 11, 1950 — Bruce McGill, 71. His first role was as Director Eugene Matuzak in Time Cop. He later got one-offs in Quantum Leap (twice), Babylon 5, Voyager and Tales from the Crypt. He’s in the television remake of The Man Who Fell to Earth as Vernon Gage. If MacGyver counts as genre, he has the recurring role of Jack Dalton.
Born July 11, 1956 — Amitav Ghosh, 65. Author of the absolutely brilliant The Calcutta Chromosome: A Novel of Fevers, Delirium and Discovery which won the Arthur C. Clarke Award. Really just go read it and we’ll discuss it over a cup of chai masala. His newest work is about the medieval Bengali tale about the forest (Sundarbans) goddess, Bon Bibi.
Born July 11, 1958 — Alan Gutierrez, 63. An artist and illustrator, specializing in SF and fantasy cover art. His first professional sale was to the now defunct semi-professional Fantasy Book in 1983. He then began producing work for Baen Books, Tor Books,Pequod Press and other publishers. He has also painted covers for Analog magazine, Aboriginal Science Fiction, Asimov’s Science Fiction, and other SF magazines. He’s been nominated for five Asimov’s Readers Awards and two Analog Awards as well.
Born July 11, 1984 — Serinda Swan, 37. She first graces our corner of the multiverse in Percy Jackson & the Olympians: The Lightning Thief as Aphrodite. Later on she’s in Tron: Legacy as Siren #2. Currently she’s Medusa in The Inhumans. She’s got one-offs in Supernatural, Smallville and The Tomorrow People.
(9) PUT TO THE TEST. DUST’s new sci-fi short film release is “Intelligentia”.
Lisa receives a butler A.I. to Turing test, and over the course of the procedure, she discovers the A.I. is not what it seems and her entire world disrupted.
(10) FLIGHT TO THE EDGE OF SPACE. The 70-year-old British billionaire and crew members of Virgin Galactic launched the commercial space plane Unity from New Mexico, reached the edge of space and landed safely back at the spaceport on Sunday. The New York Times posted “Highlights From Richard Branson’s Virgin Galactic Flight”.
…The rocket plane, a type called SpaceShipTwo, is about the size of an executive jet. In addition to the two pilots, there can be up to four people in the cabin. The particular SpaceShipTwo that flew on Sunday is named V.S.S. Unity.
To get off the ground, Unity was carried by a larger plane to an altitude of about 50,000 feet. There, Unity was released, and the rocket plane’s motor ignited. The acceleration made people on board feel a force up to 3.5 times their normal weight on the way to an altitude of more than 50 miles.
At the top of the arc, those on board were able to see the blackness of space as well as the curve of Earth from the plane’s windows. They also got out of their seats and experienced about four minutes of apparent weightlessness. Fifty miles up, Earth’s downward gravitational pull is essentially just as strong as it is on the ground; rather, the passengers were falling at the same pace as the plane around them.
The two tail booms at the back of the space plane then rotated up to a “feathered” configuration that created more drag and stability, allowing the plane to re-enter Earth’s atmosphere more gently. This configuration SpaceShipTwo like a badminton shuttlecock, which always falls with the pointy side oriented down, than a plane.
Still, the forces felt by the passengers on the way down were greater than on the way up, reaching six times the force of gravity.
Branson gets all the attention – but who piloted the mission and were the other crew members?
The pilots are David Mackay and Michael Masucci….
In addition to Mr. Branson, three Virgin Galactic employees joined the flight to evaluate how the experience will be for future paying customers. They were Beth Moses, the chief astronaut instructor; Colin Bennett, lead operations engineer; and Sirisha Bandla, vice president of government affairs and research operations.
In 2018 The New Yorker profiled a predecessor in “Virgin Galactic’s Rocket Man”, “The ace pilot risking his life to fulfill Richard Branson’s billion-dollar quest to make commercial space travel a reality.”
At 5 a.m. on April 5th, Mark Stucky drove to an airstrip in Mojave, California, and gazed at SpaceShipTwo, a sixty-foot-long craft that is owned by Virgin Galactic, a part of the Virgin Group. Painted white and bathed in floodlight, it resembled a sleek fighter plane, but its mission was to ferry thousands of tourists to and from space.
Stucky had piloted SpaceShipTwo on two dozen previous test flights, including three of the four times that it had fired its rocket booster, which was necessary to propel it into space. On October 31, 2014, he watched the fourth such flight from mission control; it crashed in the desert, killing his best friend. On this morning, Stucky would be piloting the fifth rocket-powered flight, on a new iteration of the spaceship. A successful test would restore the program’s lustre.
Stucky walked into Virgin Galactic’s large beige hangar. He is fifty-nine and has a loose-legged stroll, tousled salt-and-pepper hair, and sunken, suntanned cheeks. In other settings, he could pass for a retired beachcomber. He wears the smirk of someone who feels certain that he’s having more fun than you are…
(11) SKYSCRAPER CAT. CBS This Morning devoted a short segment to the 3-D cat billboard in Tokyo that was recently covered by the Scroll. Their report includes video callbacks to several previous 3-D billboards.
It was about 2 a.m. on a Sunday when the gross-out horror-comedy “Class of Nuke ’Em High” started playing at the Mahoning Drive-In. This was the last screening at TromaDance, an annual showcase of low-budget horror and sex comedies produced by the Queens-based Troma movie studio. Earlier that evening, about 600 cars had piled into the drive-in in Lehighton, Pa., but by 2 a.m., only the die-hards remained. Kevin Schmidt, an extra in the film, was among them.
He had driven to the Mahoning from Summit, N.J., and hadn’t seen the movie projected on screen since it was first shown in Jersey City in December 1986. “This is the only time I can justify driving 100 miles to see a movie,” Mr. Schmidt said much earlier in the evening.
By the time the evening was over, it had been another success for the Mahoning, a 72-year-old drive-in theater that was left for dead just seven years ago….
…Movie screenings at the Mahoning Drive-In often feel like events. Films are shown in double and triple features, sandwiched between older (and often bizarre) movie trailers. You might take in “Escape From New York” and “Invasion U.S.A.,” which play after vintage church advertisements (“Worship at the church of your choice”) or an anti-cable-TV screed (“Don’t let pay TV be the monster in your living room”). It is, in the words of Mr. Schmidt, “a special place.”…
(13) VIDEO OF THE DAY. Director Mel Stuart reminiscences about Willy Wonka and the Chocolate Factory in this short from 2011 that Warner Bros. released two weeks ago.
[Thanks to JJ, Michael Toman, John King Tarpinian, Daniel Dern, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Dann.]
A brief description of the story: In Pluvistan, the city where it always rains, a father and daughter struggle at the end of all life to find her mother’s faith and the tree that will reunite them with her in heaven.
Eligible for consideration are original, previously unpublished English-language stories of 10,000 words or less by persons residing in Pakistan, or of Pakistani birth/descent. The full guidelines are at the link.
Ellen Datlow: An editor of sff short fiction for almost forty years, she currently acquires short fiction and novellas for Tor.com and the new Tor horror imprint Nightfire. She’s edited more than ninety anthologies, and has won multiple awards for her work. Her most recent original anthology is Echoes: The Saga Anthology of Ghost Stories. She co-hosts the long-running monthly reading series, Fantastic Fiction at KGB with Matthew Kressel.
A.T. Greenblatt is a graduate of Viable Paradise XVI and Clarion West 2017. Her work has been nominated for a Nebula Award, has been in multiple Year’s Best anthologies, and has appeared in Uncanny, Beneath Ceaseless Skies, and Fireside, as well as other fine publications.
Sami Shah is a multi-award winning writer and comedian. Sami has been performing award-winning and highly acclaimed comedy for over a decade, and used his acerbic wit to address world affairs and social issues, in comedy clubs and even international platforms like TEDx. His autobiography, I, Migrant (Allen & Unwin) has been nominated for the NSW Premier’s Literary Award, WA Premier’s Literary Award, and the Russell Prize for Humor Writing. His first novel Fire Boy (Fantastica) was released in 2016, with its sequel Earth Boy In 2017. His latest non-fiction book is The Islamic Republic Of Australia (Harper Collins) was released in June, 2017.
The Salam Award judges were Jeffrey Ford, Mary Anne Mohanraj, and Maha
Khan Phillips. In
addition to the jury, the top stories will also be reviewed by editor John
Joseph Adams and agent Saba Sulaiman.
(1) NAME THAT ROCK. In the Washington Post, Sarah Kaplan profiles the “byzantine and marvelously
nerdy naming guidelines” of the International Astronomical Union (“The
bizarre and brilliant rules for naming new stuff in space”). Among them: the mountains and
plains of Titan have to be named according to references in Dune or Lord of the Rings, Names for asteroids have relatively few rules,
but one of them is not to name an asteroid after your cat, as James Gibson
found out when he named an asteroid after his cat, Mr. Spock, and was told that
while his asteroid remains “2309 Mr. Spock,” he really shouldn’t do
[Names for the moons of Jupter] must come from a character in Greek or Roman mythology who was either a descendant or lover of the god known as Zeus (in Greek) or Jupiter (Latin). It must be 16 characters or fewer, preferably one word. It can’t be offensive, too commercial, or closely tied to any political, military or religious activities of the past 100 years. It can’t belong to a living person and can’t be too similar to the name of any existing moons or asteroids. If the moon in question is prograde (it circles in the same direction as its planet rotates) the name must end in an “a.” If it is retrograde (circling in the opposite direction), the name must end in an “e.”
Most people don’t kill time by finding the most distant object ever discovered in the solar system, but most people aren’t Scott Sheppard.
Last week, the Carnegie Institution for Science astronomer announced he had just discovered an object that sits about 140 astronomical units away. One AU equals the 93 million miles between Earth and the sun, so that means this object is 140 times the distance of Earth from the sun, or 3.5 times farther away than Pluto.
This is just a mere couple months after he and his team discovered 2018 VG18, nicknamed “Farout,” which sits 120 AU away, and for a brief moment was the farthest known object in the solar system. Sheppard and his team have already given a pretty apt tongue-in-cheek nickname to the usurper: “FarFarOut.”
Realistic worldbuilding requires that we get out of the dystopia/utopia binary and imagine futures that are a diverse mix of worlds. To imagine a plausible future world, we need to look critically at our own history, where progress is uneven and resistance is not futile. Annalee Newitz, journalist, co-founder of the website io9, and author of the acclaimed science fiction novel Autonomous joins us to share her insights into worldbuilding as part of the San Diego 2049 series of programs.
(4) SALAM AWARD JUDGES. The 2019 jury for the Salam Award will be Jeffrey Ford, Mary Anne Mohanraj, Maha Khan Phillips, John Joseph Adams, and Saba Sulaiman. The award promotes imaginative fiction in Pakistan. (Via Locus Online.)
Last year’s winner was Akbar Shahzad for his story Influence
From what I’ve seen–and the effects of the last decade in the genre short fiction scene have been to render it even more diffuse than it already was, so I really can’t say that I’ve had a comprehensive view–2018 was a strong year for SF short fiction, with venues including Strange Horizons, Lightspeed, and Uncanny delivering strong slates of stories. I was interested to observe how easy it is to discern an editorial voice, and a preoccupation with certain topics, when reading through a magazine’s yearly output. Uncanny, for example, had a strong focus on disabled protagonists in 2018, with stories that often turn on their struggles to achieve necessary accommodation, with which they can participate and contribute to society.
One topic that I expected to see a great deal more of in my reading was climate change. Only a few of the pieces I’ve highlighted here turn on this increasingly important topic, and very few stories I read dealt with it even obliquely. Given how much climate change has been in the public conversation recently (and not a moment too soon) it’s possible that next year’s award nominees will deal with it more strongly, but I was a bit disappointed not to see SF writers and editors placing an emphasis on it already.
The Necronomicon is undoubtedly the most emblematic book in the mythology of H.P. Lovecraft. In this game you will assume the role of Abdul Alhazred with the aim of completing all sections of the aberrant book. It is a game for 2 to 4 players with game modes for 20 or 60 minutes.
(7) PLAYING IN THE FIELDS OF D.C. John Kelly in the Washington Post went on the press tour for Tom Clancy’s The Division 2, a Ubisoft
video game in which Washington, wiped out by a pandemic, has turned the
National Air and Space Museum into an armory and the Lincoln Memorial into a
graffiti-covered headquarters for paramilitary groups. (“A
new video game invites players to wallow in a dystopian Washington”.) But Ubisoft couldn’t use the World
War II Memorial for copyright reasons and decided not to have shooters blast
away at the Martin Luther King Jr. Memorial because “the gamemakers
thought it would be disrespectful to have players shooting at each other around
the statue of the famous pacifist.”
The game is set in the months after a deadly pandemic has swept the country and transformed the area around the Tidal Basin into a flooded wasteland, the National Air and Space Museum into a heavily guarded armory and the Lincoln Memorial into the smoke-blackened, kudzu-shrouded headquarters of a paramilitary group.
On the plus side, rush hour traffic is pretty light.
The challenge facing anyone designing a video game set in an actual place is making it realistic. The purpose of this junket — events were spread over two days, with a shuttle bus squiring the group from site to site — was to explain that process.
It will consist of a talk by David Ketterer and Ken Smith on Wyndham and the Penn Club where he lived from 1924 to 1943 and from 1946 to 1963 followed by drinks and food at a pub on the nearby Store Street, a street which figures on page 98 of the Penguin edition of The Day of the Triffids.
David Ketterer has more or less completed a full scale critical biography entitled TROUBLE WITH TRIFFIDS: THE LIFE AND FICTION OF JOHN WYNDHAM…
Anyone who is interested is invited to gather outside the Penn Club at 21-23 Bedford Place, London W.C.1 (near the British Museum) at 6.00 pm on Monday, 11 March 2019. We shall move to seating in the Penn Club lounge around 6.15 pm for the talk and questions. Around 7.00 pm we shall walk to The College Arms at 18 Store Street (near Senate House).
(10) HUGH LAMB OBIT. British anthologist
Hugh Lamb, editor of many paperback collections of vintage horror, died March 2.
His son, Richard, tells more in a “Tribute to My Father”.
On the night of 2nd March 2019, Hugh Lamb passed away. He died peacefully, in his sleep, after a long illness that had left him frail and weak. At the end he chose to move on, rather than suffer long months of treatment with no guarantees. We, his family, chose to honour his wishes and were with him at the end.
Hugh Lamb was, to many, one of the country’s foremost authorities on Victorian supernatural literature and a respected anthologist of those stories. To me, however, he was just dad. Certainly, I inherited a great love of ghost stories, as well as the cinema of the macabre, from my father. We would recommend movies to each other and enjoy critiquing them. As a child I used to thrill at tales of the supernatural, both real and fictional, all because of my father’s influence. When I wrote a series of screenplays, two of which were optioned by producers, they were all either ghost stories or stories with a supernatural flavour. And when one of my screenplays won the 2008 Rocliffe/BAFTA New Writers award, it was my father who positively glowed with pride. The screenplay was a father and son story, and he recognised himself in the pages with a mischievous delight.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which in played Phillip Bainbridge, during 5he first season of Trek. Doohan did nothing of genre nature post-Trek. (Died 2005.)
Born March 3, 1945 — George Miller, 74. Best known for his Mad Max franchise, The Road Warrior, Mad Max 2, Mad Max Beyond Thunderdome andFury Road. He also directed TheNightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming.
Born March 3, 1948 — Max Collins, 71. Best known for writing the Dick Tracy comic strip from 1977 to 1993 giving The it a SF flavor. He also did a lot of writing in various media series such as Dark Angel, The Mummy, Waterworld, The War of The Worlds and Batman.
Born March 3, 1955 — Gregory Feeley, 64. Reviewer and essayist who Clute says of that “Sometimes adversarial, unfailingly intelligent, they represent a cold-eyed view of a genre he loves by a critic immersed in its material.” Writer of two SF novels, The Oxygen Barons and Arabian Wine, plus the Kentauros essay and novella.
Born March 3, 1970 — John Carter Cash, 49. He is the only child of Johnny Cash and June Carter Cash. To date, he’s written two fantasies, Lupus Rex which oddly enough despite the title concerns a murder of crows selecting their new leader, and a children’s book, The Cat in the Rhinestone Suit, which I think Seuss would be grin at.
Born March 3, 1982 — Jessica Biel, 37. A number of interesting genre films including The Texas Chainsaw Massacre, Blade: Trinity, Stealth, The Illusionist, the remake of Total Recall which I confess I’ve not seen, and the animated Spark: A Space Tail.
(12) COMICS SECTION.
Rich Horton, quite rightly, calls this a “very Eganesque” Dilbert.
(13) VARIANT COVERS. Brian
Hibbs in his Tilting at Windmills column
for Comics Beat“Heroes
in (Sales) Crisis” says variant covers are helping to break the
Again, the new Marvel catalog leads with a mini-series called “War of the Realms” that has seventeen different covers attached to it. For one single issue worth of release. Even if you try to “ignore variants” they take up catalog and “eye” space, they increase the amount of time it takes to order (let alone find) the comics you want to stock; they also consume distributor resources, ultimately increasing overages, shortages and damages, hurting everyone as a result.
The January 2019 order form features 1106 solicited periodical comic books. Of those, only 454 of those SKUs are new items – the other 652 are variant covers. That means a staggering fifty-ninepercent of all solicited comics are actually variants. That’s completely and entirely absurd! It is deluded, it is dangerous, and it actively works against the best interests of the market.
Last Man on Earth star Will Forte voicing Shaggy, Jane the Virgin star Gina Rodriguez [Velma], Tracy Morgan [Captain Caveman] and Frank Welker [Scooby-Doo] are going for a ride in the Mystery Machine.
The actors have closed deals to voice star in the untitled Scooby-Doo animated movie being made by Warner Bros. and its Warner Animation Group division.
Tony Cervone is directing the feature, which counts Chris Columbus, Charles Roven and Allison Abbate [as] producers.
[…] The story sees the Mystery Inc. gang join forces with other heroes of the Hanna-Barbera universe to save the world from Dick Dastardly and his evil plans…and this time, we are told, the threat is real. The movie is slated for a May 2020 release.
Star Trek is boldly going on a new mission where only men have gone before. Hanelle Culpepper will direct the first two episodes of the upcoming untitled Star Trek Jean-Luc Picard series, making her the first woman to direct a pilot or debut episode of a Starfleet series in the franchise’s 53-year history. All 13 feature films in the Trek universe have also been directed by men.
Culpepper has directed two episodes of Star Trek Discovery on CBS All-Access. She helmed the episode titled Vaulting Ambition in Season One as well as an upcoming episode in Season Two, now underway on the subscription streaming site.
…Try as they will to style themselves international, the Inner and Outer Party members of American literary SF/F are hopelessly provincial, sharing a painful overlap in ideology, as well as a kind of homogeneous, mushy globalist-liberal outlook. Which, being “woke”, puts a premium on demographics over individualism. Fetishizing ethnicities and sexualities. While remaining borderline-militant about a single-track monorchrome political platform.
So, certain Inner and Outer Party folks proceeded to step all over their own unmentionables in an effort to “call out” the “slate” of the indie Proles from the dirty ghettos of indie publishing. And now the Inner and Outer Parties are in damage control mode (yet again!) trying to re-write events, submerge evidence, gaslight the actual victims of the literary pogrom, blame all evils on Emmanuel Goldstein (cough, Sad Puppies, cough) and crown themselves the Good People once more. Who would never, of course, do anything pernicious, because how could they? They are Good! They tell themselves they are Good all the time! They go out of their way to virtue-signal this Goodness on social media! It cannot be possible that they have done anything wrong!
Rabid Puppies packmaster Vox Day not only reprinted Torgersen’s post at Vox Popoli (“Puppies redux: Nebula edition” [Internet Archive link]), he appropriated to himself others’ credit for indie authors being in SFWA:
It was funny to read this in my inbox, as it was the first time I’ve had any reason to give a thought to SFWA in a long, long time. Possibly the most amusing thing about this latest SFWA kerfluffle is that it is a direct consequence of SFWA adopting my original campaign proposal to admit independent authors to the membership. Sad Puppy leader Brad Torgersen observes, with no little irony, the 2019 version of Sad Puppies…
(17) DIAL 451. The New Indian Express’ Gautam Chintamani uses a famous Bradbury novel as
the starting point to comment on news coverage of the recent Pakistan-India incident
Bradbury wrote Fahrenheit 451 as a commentary on how mass media reduces interest in reading literature but considering the times we live in, it is doing more than that. Following the February 14 Jaish-e-Mohammed fidayeen attack on a CRPF convoy in Pulwama that left 44 Indian soldiers dead, most television news channels bayed for blood. There is no denying that the national emotions were running high and it was only natural for citizens of a nation that have been at the receiving end of a proxy war conducted by a neighbour that as a national policy believes in causing loss of life in India to ask for a befitting reply. Yet the fashion in which many news anchors assumed the mantle of judge, jury, and executioner was nothing less than appalling. The constant white noise emanating from most news debates, where everyone was urged to shout louder than the next person, offers a greater emotional bounty to the one who would teach Pakistan a lesson and this showed a committed effort from media to not allow the average citizen a moment to think.
(18) GAHAN WILSON FUNDRAISER. A GoFundMe to “Help Gahan Wilson find his way” wants to raise $100,000 for the artist’s care. Neil Gaiman gave $1,000. Other donors include artist Charles Vess, editor Ellen Dtalow, and Andrew Porter.
Gahan Wilson is suffering from Dementia
Gahan is suffering from severe dementia. We have helped him through the stages of the disease and he is currently not doing very well.
His wife, Nancy Winters, just passed away
My mother, and his wife of fifty three years, Nancy Winters, passed away on March 2, 2019. She was his rock. His guide through the world. While we all helped with his care, it was my mother who grounded him. He is currently distraught and out of sorts with the world.
Memory care is needed immediately
Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, the facility is about to discharge him. We must find him a memory care facility immediately.
… Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.
Canada will contribute US$1.4bn to a proposed Nasa space station that will orbit the Moon and act as a base to land astronauts on its surface.
Prime Minister Justin Trudeau said the step would “push the boundaries of innovation”.
The space station, called Gateway, is a key element in Nasa’s plan to return to the Moon with humans in the 2020s.
As part of the 24-year commitment, Canada will build a next-generation robotic arm for the new lunar outpost.
“Canada is going to the Moon,” Mr Trudeau told a news conference at Canadian Space Agency’s headquarters near Montreal, according to AFP.
Nasa plans to build the small space station in lunar orbit by 2026. Astronauts will journey back and forth between Gateway and the lunar surface. It will also act as a habitat for conducting science experiments.
(22) VIDEO OF THE DAY. In “Motion Makes a Masochist” on
Vimeo, Dev warns that if you want to be a motion designer for movies, you
should be prepared to suffer a lot for your art.
John King Tarpinian, Rich Horton, Mike Kennedy, Frank Olynyk, Chip Hitchcock, Carl Slaughter, JJ, Martin
Morse Wooster, Brian Z., Andrew Porter, and Cat Eldridge for some of these stories.
Title credit goes to File 770 contributing editor of the day John Winkelman.]
Eligible for consideration were original, previously unpublished English-language stories of 10,000 words or less by persons residing in Pakistan, or of Pakistani birth/descent.
Usman Malik reported in June that the award has entered into a partnership with Orlando-based Burrow Press and their Functionally Literate Reading Series. Starting in March 2019, each year’s Salam Award winner will be invited to do a public reading in Orlando, Florida, with travel and lodging aided by a subsidy from the Burrow Press.
Malik also said the winner will be encouraged to attend the International Conference for the Fantastic in Arts (ICFA), and they were working on covering the expense.
Welcome to Smugglivus 2017: A Year In Review. Today, January 7, 2017, is our bloggoversary–and it’s a big one. Today we officially turn ten years old. To celebrate, we’re looking back at 2017 to document our year, as well as our top 10 moments since starting The Book Smugglers a decade ago.
A lot of interesting achievements and reminiscences in this post.
(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Myke Cole and Joseph Helmreich on Wednesday, January 17, 2018, 7 p.m. at the KGB Bar (85 East 4th Street, New York).
Myke Cole is the author of the military fantasy Shadow Ops series and its prequel trilogy, the Reawakening series, both from Ace/Roc. His Sacred Throne series is forthcoming from Tor.com in February. His first nonfiction (military history) book, will be out from Osprey in the fall. Myke appeared on CBS’ hit TV show Hunted, as part of a team of elite investigators tracking fugitives across the southeastern United States.
Joseph Helmreich has contributed writing to Newsweek, NY Daily News, and Tor.com, and is author of the recent sf thriller, The Return (St. Martin’s Press, March 2017) about a physicist who gets abducted by an alien ship on live TV. When not writing, Joe is a ventriloquist, illustrator, voice-over actor and member of alternative folk duo, Honeybrick. He lives in New York City and works in film distribution.
(3) SALAM AWARD. The 2018 jury for the Salam Award will be Elizabeth Hand , E. Lily Yu and Anil Menon. The award promotes imaginative fiction in Pakistan.
Last year’s winner was Firuza Pastakia for her story The Universe is a Conscientious Gardener.
Silvia Minucelli is an engineer and freelance artisan who creates itsy-bitsy, ickle figurines using polymer clay and a toothpick—can you imagine how painstaking and difficult that must be? Minucelli produces and sells her delightful models under the name Mijbil Creatures—named after the famous otter in Gavin Maxwell’s book Ring of Bright Water.
…The actors attracted to the series included Bryan Cranston of “Breaking Bad” (also one of the show’s executive producers), Steve Buscemi, Maura Tierney and the avant-R&B singer Janelle Monáe. And “Electric Dreams” attracted writers and directors like Dee Rees (“Mudbound”), Peter Horton (“American Odyssey,” “Thirtysomething”) and Alan Taylor (“Game of Thrones”).
Dick’s daughter, Isa Dick Hackett, whose production company Electric Shepherd oversees adaptations of her father’s work, reached out in 2012 to Mr. Dinner, executive producer of FX’s “Justified,” and invited him to look at the short stories. “Michael really had the idea to do it as anthology,” said Mr. Moore, a friend of Mr. Dinner’s who was brought on soon after.
Mr. Dinner, who had a deal with Sony, also recruited Mr. Cranston, who, like the others, is a major Philip K. Dick fan. All four brought in people they’d worked with as well as reaching out to talent they admired. “I sent Janelle Monáe a letter and asked her if she’d want to be a part of it,” Ms. Hackett said. “I knew that she was a big fan of my dad’s.”
David Klaus sent these comments with the link:
There’s an irony in that Star Trek was sold as the first s.f. t.v. series unlike previous s.f. series which had all been anthology shows, to have continuing characters and standing sets, to reduce production costs.
It could also be said another of Robert Heinlein’s great gifts to science fiction was the typewriter he bought and gave to PKD so that he could earn his way out of being so broke he couldn’t pay a library overdue fine.
(6) BLATHER. The New York Times interviewed an expert about “How To Speak Gibberish”. And it wasn’t even a member of Congress.
… In 2014, Sara Maria Forsberg was a recent high-school graduate in Finland when she posted “What Languages Sound Like to Foreigners,” a video* of herself speaking gibberish versions of 15 languages and dialects. Incorporate actual phonology to make a realistic-sounding gibberish. “Expose yourself to lots of different languages,” says Forsberg, now 23, who grew up speaking Finnish, Swedish and English.
Assemble your raw linguistic materials. Shortly after her YouTube video went viral — it has since been watched more than 19 million times — Lucasfilm contacted Forsberg and asked her to make up a language for one of the alien fighter groups in “Star Wars: The Force Awakens.” The actors were Indonesian, so Forsberg studied online videos in various Austronesian languages including Bahasa Indonesia and Sundanese, a language spoken in western Java. “Listen for repeated syllables,” she says. Write them down phonetically. Note the rhythm of the language. Look at the way a speaker’s lips and tongue give shape to his or her words. You don’t need to be a linguist to get an impression of real syntactic rules, which you can borrow. It helps to love listening to the singsong quality of people talking. For Forsberg, “it’s like music.”…
(7) TRIVIAL TRIVIA.
A friend was watching Queen of Outer Space with Zsa Zsa Gabor and noticed the title stuff did not appear until 17 minutes into the flick.
Star Wars creator George Lucas had to fight to maintain his vision of going straight into the story through the use of his rolling text sequence. He thought that opening credits were nothing to do with making a movie, seeing them as an example of the old-school posturing that he and his new Hollywood contemporaries had spurned. In this he could well have been inspired by George Mélies’ A Trip to the Moon (1902), which is regarded as the first sci-fi film and avoided using any credits because the visual narrative was so strong.
Lucas did end up having to put the studio and Lucasfilm idents at the start of the reel, but he put his own directing and producing credits at the end of the film. He argued that credits would destroy the impact of the opening, and put them at the end of the film instead.
Lucas did the same thing for Empire Strikes Back in 1980, which was directed not by himself but by Irving Kershner. This time the Directors Guild of America objected, even though Kershner didn’t mind. The guild wanted the movie withdrawn from theatres, the opening re-titled with Kershner’s directing credit at a cost of US$500,000 (£1.4m today), and that Lucas pay a $25,000 fine.
Lucas was incensed and took the guild to court. When it countersued, he decided to pay the fine to avoid entangling Kershner in the dispute. It was a pyrrhic victory for the guild, however. Lucas resigned from both the writers’ and directors’ guilds and all future Star Wars opening titles were untouched and consistent with the original.
(8) TODAY IN HISTORY
January 7, 1929 — The Buck Rogers in the 25th Century A.D. comic strip debuted. (The character’s first appearance was in a story published by Amazing Stories in 1928.)
(9) TODAY’S BIRTHDAY BOY
January 7, 1934 – Flash Gordon. This has been long regarded as his “birthdate” because that was the day Alex Raymond’s strip was first published.
(10) COMICS SECTION.
Mike Kennedy and John King Tarpinian both recommended this mashup superhero/cat joke in Off the Mark.
(11) WOMBAT ON THE AIR. Information wants to be free —
LIZ: Well, I'm sure there's things where you know a horrible fact and people are just like "Wow…uh…" ME: Oh, tons. Did you know when you're hanged, your teeth turn pink? LIZ: … ME: I put that in a children's book! LIZ: …Remember thirty seconds ago?
Here is my affectionate tribute to cherished friend Ray Bradbury, whose loving presence occupied my world and my heart for nearly four decades. Ray was one of the most distinguished writers of the twentieth century and, with H.G. Wells, perhaps the most influential, legendary science fiction writer of the past one hundred years. More importantly, however, Ray was a gentle little boy whose love of imagination, fantasy, and stories of other worlds influenced hundreds of writers and millions of admirers all over the world. His monumental presence upon this planet warmed and inspired all who knew him, and I was honored to call him my friend for thirty-eight years. Here, once more, is my loving remembrance of the life and world of Ray Bradbury, “I SING BRADBURY ELECTRIC.”
Steve’s article begins —
He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction.
The large floor plan with gorgeous floor to ceiling windows overlooking the breathtaking pool area makes entertaining a breeze. With a state of the art chef’s kitchen and dining room that seats 10, tastefully dazzle your guests with a perfect setting for your dinner parties.
Los Angeles architect Thom Mayne razed Bradbury’s longtime Cheviot Hills home and built a place of his own design, which was finished in 2017.
(14) SIMULTANEITY PRINCIPLE. Andrew Porter points out there will be two conventions a few miles apart, same town, same weekend, July 27-29. Confluence is at the Sheraton Pittsburgh Airport Hotel. And Pulpfest is at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. He says —
They’re about 8 miles apart, NW of downtown Pittsburgh. You’d think both conventions could do some sort of deal together. Maybe a shuttle between the two. I bet both sets of dealers would be happy with the exposure.
Also, judging from people’s Facebook posts, Confluence will be gaining some writers who have been trimmed from ReaderCon programming (another July convention).
(18) ROWLING SITES. The Washington Post’s Tom Shroder tells how to go about “Discovering the magic of Edinburgh” in a travel piece about his visit to the places where J.K. Rowling wrote Harry Potter and the Philosopher’s Stone in longhand, and a trip to Greyfriars Graveyard, whose tombs include Thomas Riddle (the real name of Lord Voldemort).
It was the first of what I came to think of as our Edinburgh Harry Potter moments — when the ordinary Muggle reality suddenly parted to reveal something magical. As it turned out, this wasn’t entirely fanciful thinking on my part. I only discovered later that J.K. Rowling herself said, in a 2008 speech accepting the Edinburgh Award, “Edinburgh is very much home for me and is the place where Harry evolved over seven books and many, many hours of writing in its cafes.”
The city’s remarkably consistent buildings of mottled brown stone blocks, the most spectacular of them with sharply peaked roofs and ostentatious turrets, are clear inspiration for the architecture of the Hogwarts School of Wizardry. The tombstones in the fabulously gloomy Greyfriars Kirkyard in the oldest part of the city bear the names of some key Potter characters — McGonagall, Moodie and, most notably, Thomas Riddle, the birth name of Harry’s nemesis, Lord Voldemort. Tourists flock to the cafes where the then-impoverished author wrote out her stories in longhand: the Elephant House, Nicholson’s (now called Spoon), the baroquely gorgeous Balmoral Hotel.
The most mind-boggling thing of all about Jon is, he insults and harasses people, then wonders why folks don’t want him around. If you call SFWA terrorists, insult women in science fiction related podcasts, insult people in the comic industry, call folks running fandom sites bigots, then openly admit you’re going to break a convention’s rules, why would you be surprised when people start banning you? You are your own worst enemy, Jon Del Arroz. I don’t believe you anymore.
Last March, Colorado Symphony conductor Christopher Dragon donned a T-rex costume to lead the ensemble in a performance of John Williams’ beloved ‘Jurassic Park’ theme song. The hilarious musical moment is getting its 15 minutes of fame after a video from the concert was posted to social media.
[Thanks to Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Steve Vertlieb, Chris Garcia, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Mister Dalliard.]