Pixel Scroll 8/1/22 The Scrolls Finally Busted Madame Marie For Filing Pixels Better Than They Did

(1) CHICON 8 SITE SELECTION OPENS 8/6. Site Selection Administrator Warren Buff wrote to members today that voting for the location of both the 2024 Worldcon and the 2023 NASFiC will open August 6.

Also that day there will be a Q&A session with the bidders over Zoom (Saturday, August 6, at 12:00 p.m. Central).  The public is welcome to view the Zoom event, however, the committee asks that they request the link by emailing siteselection@chicon.org.

Electronic/online voting will be a new option, alongside paper voting, this year. Chicon 8 has selected ElectionBuddy for this service. An explanation will be given during the Q&A session on the 6th. Members will also be provided documentation online.

(2) FUTURE TENSE. Here is the July 2022 entry in the Center for Science and the Imagination’s  Future Tense Fiction series, published this past Saturday: “All That Burns Unseen,” by Premee Mohamed, a story about the future of fighting wildfires.

The plane had no pilot. Vaughn, who had wandered into the cockpit to find someone to talk to, found herself more startled than shocked by this—after all, her boss had said about half the flights going up to the fires were self-flown—but there had certainly been a pilot when she’d boarded. He must have disembarked in Cold Lake, where they had stopped so briefly that Vaughn hadn’t even bothered unfastening her seat belt. Either way, the Hercules was now, undeniably, flying itself…. 

It was published along with a response essay by Meg Duff, an expert in environmental politics and climate law. “Firefighting chemicals are dangerous for the environment. Can that change?”

(3) WELLER OUT. Columbia College Chicago professor Sam Weller has been terminated following an investigation of accusations of sexual assault reports The Columbia Chronicle. He is a four-time Bram Stoker Award nominee for his work as a Bradbury biographer.

Tenured professor Sam Weller, who was accused of sexual assault by a former faculty member in February, has been terminated by the college.

In an email statement, President and CEO Kwang-Wu Kim announced that Weller, who was an associate professor in the English and Creative Writing Department, was issued a Notice of Dismissal earlier today as a result of the investigation conducted by the law firm Mayer Brown LLP.

“Based on Mayer Brown’s findings that Professor Weller engaged in conduct that violated the college’s sexual harassment and other policies, Provost Marcella David concluded that the conduct warranted termination,” the statement read.

Cara Dehnert, a former associate professor of instruction in the Business and Entrepreneurship Department, accused Weller of sexually assaulting her in her office in 2018 in an article published to Medium Feb. 12.

Dehnert said she spoke with Human Resources in a February 2020 meeting where she told then-Associate Vice President of Human Relations Norma De Jesus “everything,” and provided texts, emails and Facebook messages between her and Weller, but never heard from Human Resources again following the meeting. 

De Jesus resigned from her position at the college two weeks ago on June 24…. 

(4) A REACH THAT EXCEEDS. “’I can’t do superheroes, but I can do gods’: Neil Gaiman on comics, diversity and casting Death” – the Guardian profiles the Sandman creator. Here’s what he thought when he started out:

…“Bear in mind, at this point I’ve written and sold maybe four short stories and [comic miniseries] Black Orchid. And now I’m going to have to do a monthly comic,” he says. “And I have no idea whether or not I can do it. I don’t think I have the engine to write a superhero comic. I’ve watched what Alan Moore does, what Grant Morrison does. These guys have superhero engines, they can do them; I don’t have that.”

Gaiman needed another way in, and it came via a US science-fiction author. “Roger Zelazny did a book called Lord of Light, where he did science-fictional gods who feel like superheroes,” says Gaiman. “It’s set in a world in the future where a bunch of space explorers have given themselves the powers of the Hindu pantheon. I thought: I can’t do superheroes, but I could do god comics. I bet I could get that kind of feeling to happen, and it might feel enough like a superhero comic to fool people.”…

(5) TESTING THE TURING TEST. Mohanraj and Rosenbaum Are Humans podcast episode 39 is about “Ted Chiang and the Metrics of Personhood”.

Surprise! It’s a bonus season 1 episode we’ve been keeping on the back burner! Ted Chiang comes onto the show to have a discussion with Ben about what it means to be a person, whether Alan Turing’s test for artificial intelligence still holds up, and the persistent themes of parenting and religion in Chiang’s work.

Content warning for a potentially ableist use of a congenital disease as an example of the theological problem of innocent suffering.

(6) TRIAL BEGINS. “Penguin Random House-S&S Acquisition Case Goes to Court” – an update from Publishing Perspectives.

It was on November 25, 2020, when it was announced that Penguin Random House‘s parent company Bertelsmann had struck a deal to buy Simon & Schuster for US$2.175 billion.  And it was nine years and a month ago—July 1, 2013—when another merger was completed, the one that brought Penguin and Random House together.

Oral arguments are scheduled to begin today (August 1) in the antitrust suit filed by the United States Department of Justice, a case with which the government proposes to block the merger of PRH and S&S.

The case, being heard by Judge Florence Pan at Washington’s US District Court for the District of Columbia (the Prettyman Courthouse), brings home the fact that those who object to consolidation among the book business’ biggest players aren’t wrong that things actually are moving quite quickly. These two major inflection points are occurring in under a decade.

That’s one reason that this American antitrust trial has a lot of interest for our international readership, of course. The case in Washington is focused on Penguin Random House as the States’ biggest publisher and Simon & Schuster as one of PRH’s sisters in the US “Big Five”—which could become the “Big Four,” if Bertelsmann and Penguin Random House are successful the bid to buy S&S. These industry-leading companies, however, have profound presence in many markets of world publishing, and so, in fact, does an issue on which the government’s case turns very heavily: author compensation.

Author Stephen King is expected to testify at Tuesday’s session: “Stephen King is star witness as government tries to block publishing giants’ merger” reports the Portland Press Herald.

… The government’s star witness, bestselling author Stephen King, is expected to testify at Tuesday’s session of the weekslong trial in U.S. District Court in Washington, D.C. King’s works are published by Simon & Schuster.

At Monday’s opening session, opposing attorneys for the two sides presented their cases before U.S. District Judge Florence Pan.

Justice Department attorneys called the merger “presumptively wrong” because it would shrink competition and, inevitably, the vital public discourse that books help engender. Penguin Random House countered that the new company would “enhance” competition because the combined company could turn out books more efficiently….

(7) LABORING IN THE VINEYARD. Sharon Lee’s post “In which the authors are working” includes some Trader’s Leap spoilers, should you be in the market for some.

Much like being a Liaden Scout, being a writer is 98% mucking around in the mud, and 2% excitement.

And, after a brief period of excitement, we’re back to Business as Usual, which is exciting enough for those doing the work, but makes for poor telling….

(8) SOMEBODY OWES HIM MONEY. Cory Doctorow explains why he won’t let his books appear on Audible in “Pluralistic: 25 Jul 2022”. The long saga includes this bit of comic relief:

…We’re going to be rolling out a crowdfunding campaign for the Chokepoint Capitalism audiobook in a couple of weeks (the book comes out in mid-September). …And it won’t be available on Audible. Who owe me $3,218.55.

But you know what will be available on Audible?

This. This essay, which I am about to record as an audiobook, to be mastered by my brilliant sound engineer John Taylor Williams, and will thereafter upload to ACX as a self-published, free audiobook.

Perhaps you aren’t reading these words off your screen. Perhaps you are an Audible customer who searched for my books and only found this odd, short audiobook entitled: “Why none of my books are available on Audible: And why Amazon owes me $3,218.55.”

I send you greetings, fellow audiobook listener!

…In the meantime, there is now a Kindle edition of this text:

I had to put this up, it’s a prerequisite for posting the audio to ACX. I hadn’t planned on posting it, but since they made me, I did.

Bizarrely, this is currently the number one new Amazon book on Antitrust Law!

(9) MEMORY LANE.  

1977 [By Cat Eldridge.] Now I’m feeling old as I clearly remember watching this episode, the next-to-last one of the series. Holmes & Yoyo’s “The Cat Burglar“ aired forty-five years ago on this date on ABC. Someone is stealing well loved felines for ransom from wealthy ladies, and Holmes and Yoyo set out to catch the cat stealer. 

Look no one is ever going to accuse Holmes & Yoyo, which lasted a mere thirteen episodes, of being deep or meaningful because it wasn’t. Was it good SF? Not really? Was it a decent detective series? Oh no, but despite that, it was fun to watch. 

And this story was proof of that in, errrr, the number of cats under foot. It’s lightweight and no one but one gets hurt, it’s got John Schuck at his very, very comic best and it’s got cats in it. None of which get hurt. 

I don’t think that series could’ve gone any further than it did as there just wasn’t anything there to build off, was there? To say to the premise was thin would be an understatement. 

I hold that John Schuck is best in his comic roles and that includes his role as Draal on Babylon 5 which had a measure of comedy the way he presented himself. Herman Munster on The Munsters Today may have been his best role ever, and the Lt. Charles Enright character on the McMillan & Wife series (which yes, I watched and liked a lot) had more than a bit of comic relief in it. And I adore his take on M.A.S.H. as Capt. ‘Painless’ Waldowski. I’ve watched that film at least a half dozen times now. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 1, 1862 M.R. James. Writer of some of the best ghost stories ever done. A Pleasing Terror: The Complete Supernatural Writings, released in 2001 from Ash-Tree Press has forty stories which includes the thirty stories from Collected Ghost Stories plus the 3 tales published after that, and the seven from The Fenstanton Witch and Others. It’s apparently the most complete collection of his stories to date. Or so I though until I checked online. The Complete Ghost Stories of M.R. James, over seven hundred pages, is available from the usual suspects for a mere buck ninety-nine! (Died 1939.)
  • Born August 1, 1910 Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available from the usual suspects. Member, First Fandom Hall of Fame. He was nominated five times for a Retro Hugo for Best Editor, Short Form, and once as Best Professional Editor, Short Form. (Died 1977.)
  • Born August 1, 1914 Edd Cartier. Illustrator who received the World Fantasy Award for lifetime achievement, the first artist to receive that honor. His artwork was first published in Street and Smith publications, including The Shadow, to which he provided many interior illustrations, and Astounding Science Fiction, Doc Savage Magazine and Unknown as well. (Died 2008.)
  • Born August 1, 1930 Geoffrey Holder. You’ll likely best remember him for his performance as Baron Samedi in Live and Let Die but he’s also the narrator in Tim Burton’s rather awful Charlie and The Chocolate Factory. He was also Willie Shakespeare in Doctor Doolittle but it’s been so long since I saw the film that I can’t picture his character. And he was The Cheshire Cat in the Alice in Wonderland that had Richard Burton as The White Knight. Weird film that. (Died 2014.)
  • Born August 1, 1932 Paddy Chayefsky. In our circles known as the writer of the Altered States novel that he also wrote the screenplay for. He is the only person to have won three solo Academy Awards for Best Screenplay. The other winners of three Awards shared theirs. He did not win for Altered States though he did win for Network which I adore. (Died 1981.)
  • Born August 1, 1941 Craig Littler, 70. His main genre role was as space adventurer Jason in Jason of Star Command which of course James Doohan was in as well. If you look closely, you’ll spot him briefly in Blazing Saddles as Tex and Rosemary’s Baby as Jimmy as well. And he has one-offs in The Next BeyondAirWolf and Team Knight Rider. Team Knight Rider? Really, they didn’t know when to stop?
  • Born August 1, 1942 Jerry Garcia. Lead vocalist of the Grateful Dead. The Dead did some songs that were SF as SFE notes. The song “The Music Never Stopped” (on Blues for Allah, 1975) borrows its title from a sentence in Alfred Bester’s The Stars My Destination (1956) and was possibly inspired by that novel.  And SFE notes that the band was hired to compose and perform some appropriately outré music for the first revival of the Twilight Zone television series.  There’s lots more connections to SF but I’ll stop by saying that Garcia played the banjo heard in the first remake of Invasion of the Body Snatchers. (Died 1995.)
  • Born August 1, 1948 David Gemmell. Best remembered for his first novel, Legend, the first book in his long-running Drenai series. He would go on to write some thirty novels. The David Gemmell Awards for Fantasy were presented from 2009 to 2018, with a stated goal to “restore fantasy to its proper place in the literary pantheon”. (Died 2006.)
  • Born August 1, 1955 Annabel Jankel, 67. Director who was first a music video director and then the co-creator and director of Max Headroom. She conceptualized Max. She and her partner Rocky Morton first created and directed The Max Talking Headroom Show, a mix of interviews and music vids which aired on Channel 4 (where it was sponsored by Coca-Cola) and HBO. Jankel and Morton would go on to direct Super Mario Bros. And they’re both responsible for the Max Headroom movie and series. I haven’t heard if she has a role in the forthcoming rebooted Max Headroom series.

(11) COMICS SECTION.

(12) DEJA VIEW. That NPR is a radio network doesn’t keep them from reaching for this optical analogy: “Seeing double: Near-identical films that came out at the same time”. Surely you’ve noticed yourself that this happens. And many of the movies are genre.

They are showdowns that didn’t need to happen — rival studios staring each other down, refusing to blink.

In 1998, Earth-snuffing asteroids got blown up in the nick of time by nuclear warheads, not once but twice, in Armageddon and Deep Impact. That same year, animated insects skittered onto movie screens in Antz and A Bug’s Life — and just a year earlier, dueling lava flows erupted in Dante’s Peak and Volcano.

And in 2013, Jesse Eisenberg starred in The Double, and Jake Gyllenhaal in Enemy, each as a man tormented by his doppelganger (and wouldn’t you know that Enemy was based on a novel called…wait for it… The Double.)…

(13) ACT NOTABLE AWARDS. [Item by Dann.] A.C.T. (Australia Capitol Territory) Writers presented their awards for 2020 and 2021 over the weekend.  Covid caused them to not have an awards ceremony for 2020.

T.R. Napper’s collection of science fiction stories called Neon Leviathan won in for fiction in 2020 under the Small Press category. The collection was published by GrimDark Magazine.

(14) MORE MUNROE DOCTRINES. Randall Munroe has a new book coming out in September. “Randall Munroe – Sixth & I. At the link you have the option to buy in-person or virtual tickets to see Munroe in conversation with Derek Thompson on September 14 at 7:00 p.m. Eastern.

Planning to ride a fire pole from the moon back to Earth? The hardest part is sticking the landing. Hoping to cool the atmosphere by opening everyone’s freezer door at the same time? Maybe it’s time for a brief introduction to thermodynamics. For the answers to the rest of the weirdest questions you never thought to ask, “xkcd” creator and former NASA roboticist Randall Munroe is back with What If? 2: Additional Serious Scientific Answers to Absurd Hypothetical Questions.

(15) IN THE BEGINNING. Bill jumped in his TARDIS and returned with a clipping of this early advertisement for Nichelle Nichols when she was a nightclub singer. From the Honolulu Advertiser, Aug 4, 1960.

(16) SUPER CLEAN. WLKY captures the scene as “’Superhero’ window washers scale Norton Children’s Hospital again”.

It’s a bird. It’s a plane. No, it’s superheroes outside of patient windows at Norton Children’s Hospital again!

That’s exactly what kids and their families at Norton Children’s Hospital in downtown Louisville got on Monday morning as window washers traded in their cleaning uniforms for capes and masks.

The goal is to give sick children a surprise several stories high as a crew from Pro Clean International dress as superheroes to wash the exterior windows of the hospital.

CEO of Pro-Clean International, and ‘Iron Man’, Joe Haist says, he got the idea from personal experience. “I have a special needs child that was born blind with special needs” said Haist, “I know that sometimes you go to the hospital, you’re there for a long time and there’s not a lot to see or do and there’s not a lot of happiness. So it’s really a great moment to really kind of bring people with some happiness.”

They have done this at least the past few years.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This video from Alasdair Beckett-King dropped today. “Every Internet Video From 2003 (not literally)”.

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Bill, Warren Buff, Dann, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Smith.]

Pixel Scroll 2/19/22 I Am NOT Pixel Number Six

(1) COLUMBIA COLLEGE REACTS TO ALLEGATIONS AGAINST WELLER. Columbia College Chicago has announced that faculty member and Bradbury biographer Sam Weller, accused by a former colleague of sexual assault, will ‘step away’ from teaching during Columbia investigation.

A Columbia faculty member publicly accused of sexual assault by a former colleague at the college has agreed to “step away” from the classroom while the college investigates the claims. 

In an article published on Medium Feb. 12, Cara Dehnert, a former associate professor of instruction in the Business and Entrepreneurship Department, accused Sam Weller, associate professor in the English and Creative Writing Department, of sexually assaulting her in his office on March 25, 2018. 

…Dehnert said she received no communication from Human Resources after her meeting with them in 2020, and as of Feb. 18 has not heard from the college following the publication of her article.

In a Feb. 15 statement, Lambrini Lukidis, associate vice president of Strategic Communications and External Relations, said the college was investigating the allegations against Weller. 

“Columbia College Chicago is aware of recent new allegations of potential criminal behavior and misconduct, which the College is investigating,” the statement said. “All reports of crimes and misconduct are taken seriously, investigated by the College and forwarded to local law enforcement if necessary.”  

Over the course of the past week, Dehnert’s post was shared on various social media platforms, via email and in the Columbia Engage app. As word of the accusation spread, calls for accountability and for Weller’s removal from the classroom grew. A petition titled “Hold Sam Weller accountable” was posted Wednesday on Change.org, and as of Friday evening had garnered more than 2,600 signatures. 

In a Feb. 16 interview, Madhurima Chakraborty, president of the Faculty Senate and associate chair of the English and Creative Writing Department, said she wanted more transparency from the college. 

“I want there to be clarity around accountability,” Chakraborty said. “I want there to be a clear understanding of what it is that we should be able to expect from our workplaces and the place where we study.” 

A statement from Lukidis to the Chronicle on Feb. 18 said Weller and the college “have agreed he will step away from his classes pending the outcome of the investigation.”  

Students enrolled in Weller’s classes received an email Friday afternoon from Pegeen Reichert Powell, chair of the English and Creative Writing Department, informing them that Weller’s classes would be taught by a substitute “for the time being.”…  

A local Chicago TV news devoted two minutes to the story, strangely failing to identify the accused person but interviewing the accuser on camera: “Columbia College Professor to ‘Step Away’ From Teaching Amid Sexual Assault Probe” at NBC Chicago.

Cara Dehnert Huffman has learned she’s not the only one, as she told Facebook readers yesterday.

… Since then, I’ve been contacted by five other women and counting who shared similar experience. Except all of them were students at the time.

I don’t know why Columbia College Chicago didn’t act when Sam’s behavior was reported by someone else in 2017. I don’t know why (it appears) that CCC did not act when I reported in 2020.

I’ve said all along that my only goal is to help people moving forward. But as I read and listen to heart wrenching tale after tale, all of which are too similar to mine and all of which done by the hands of Sam, I’ve reconsidered my position.

The pattern is clear. Sam’s abuse and manipulation go back as early as 2008. 2008!!!! …

(2) SOMETHING PROS WONDER ABOUT. Lincoln Michel asks, “Do blurbs work?” and answers: Maybe, but yes if Stephen King blurbs your first novel: “Do Blurbs Actually Work?”

… Yes, sometimes. I myself have bought books thanks to blurbs now and then. Recently, I was browsing a translated literature table and saw The Houseguest by Amparo Dávila. I’d never heard of the author, but the book had blurbs from Carmen Maria Machado and Julio Cortázar so I thought, hell, let’s give this author a try! I’m glad I did.

Whenever blurb discourse heats up, plenty of readers say blurbs are a factor. So yes, they can sell books.

At the same time, yes, it is perhaps true that blurbs are rarely the deciding factor….

(3) GET READY. Oghenechovwe Donald Ekpeki pointed Facebook readers to the cover and table of contents release for Bridging Worlds: Global Conversations on Creating Pan-African Speculative Literature In A Pandemic at Jembefola, which will be released as a free download there on February 21.

…It will feature 18 non-fiction pieces by 19 creatives You can check out the TOC  here.

Our amazing cover was done by Dare Segun Falowo. The book itself will be free to download in all formats, following and due to the events inspired by Amazon KDP’s bad behaviour….

… 2020 was a landmark year in the lives of speculative fiction writers trying to both survive and create in the pandemic-lockdown breakout year. It was especially difficult for Black people, and Africans on the continent and in the diaspora.

The Bridging Worlds anthology examines those difficulties and how Black people and African writers navigated them. Even though we had myriad experiences in the different worlds we inhabit, we were nonetheless plagued by well, the same plague, no pun intended.

Bridging Worlds seeks to explore the threads and lines that connect us as we navigated this singular yet multifaceted experience, and show that connection in the various non-fiction pieces written in the diverse styles and forms the authors chose….

(4) WRAPPED. George R.R. Martin gave Not a Blog readers a progress report on House of the Dragon.

Exciting news out of London — I am informed that shooting has WRAPPED for the first season of HOUSE OF THE DRAGON.

Yes, all ten episodes.   I have seen rough cuts of a few of them, and I’m loving them.  Of course, a lot more work needs to be done.   Special effects, color timing, score, all the post production work.

But the writing, the directing, the acting all look terrific.   I hope you will like them as much as I do…. 

HBO/HBO Max chief content officer Casey Bloys was asked by Variety when the show will air.

…While Bloys could not tell Variety when “House of the Dragon” might premiere, he did confirm that it’s likely the show sticks around for more than just one season.

“If you’re betting on whether we’re going to do a second season, I think it’s probably a pretty good bet,” Bloys said. “Generally speaking, we usually let something air and see how it does, but obviously, we’ll make preparations ahead of time to make sure we’re ahead of the game.”…

(5) SFF MAGAZINE TRENDS AND INSIGHTS. Jason Sanford has published the “Genre Grapevine SF/F Magazines Survey Results” in a free Patreon post. He notes, “It turns out the results before the pandemic match up pretty close to the results in 2022. I also included a ton of the comments people shared as they completed the survey. Some fascinating stuff in those comments.”

At the end of 2019 I released the special report #SFF2020: The State of Genre Magazines, which examined the history of genre magazines along with the issues facing today’s magazines and podcasts. The report also included interviews with the editors, publishers, and staff of a number of leading SF/F magazines and podcasts.

I intended to follow that report with an examination of the attitudes of people in the science fiction and fantasy community towards their genre’s magazines and podcasts. I completed a survey on this topic in December 2019 and intended to combine the survey results with more interviews and research.

If all went well, the report would have been released in February 2020.

Of course, all did not go well. The global COVID pandemic shut the world down and swept my own personal life. I didn’t have the time to complete the report.

A few weeks ago I looked over the 2019 survey results and realized they presented an opportunity to see if the pandemic had changed attitudes among people in the SF/F community toward genre magazines and podcasts. I re-ran the same survey and compared the results….

(6) MYSTERIES REVEALED. Editor Laura Stadler tweeted a thread inviting readers to better understand what editors do. However, it’s in German, and if Twitter’s translations are not up to your standards, by all means, don’t click! Personally, I found it helpful. Thread starts here. The translation of the first tweet says —

Twitter, let’s talk about what editors do? And why am I, as an editor, not an absolute enemy of authors and why do you really not have to be afraid of me and my work on your texts?

(7) RETURN TO WONDERLAND. Literary Hub’s Erin Morgenstern shares the experience of rereading Carroll’s story for Alice in “How Lewis Carroll Built a World Where Nothing Needs to Make Sense”.

… Every time I read the books, I am struck by something that hadn’t captured my attention the same way in previous readings. On this most recent re-reading, I noticed anew how often Alice interferes with pencils belonging to other characters, and I was particularly caught by the question of what does the flame of a candle look like after the candle is blown out? There are treasures to be found in these pages, glimmering, whether it is your first time reading, or fifth, or fiftieth.

No matter how familiar these stories may be, that white rabbit might lead you somewhere unexpected, if only you will follow….

(8) MEDIA BIRTHDAY.

1960 [Item by Cat Eldridge]

The time is the day after tomorrow. The place: a far corner of the universe. A cast of characters: three men lost amongst the stars. Three men sharing the common urgency of all men lost. They’re looking for home. And in a moment, they’ll find home; not a home that is a place to be seen, but a strange unexplainable experience to be felt. — opening narration

On this date sixty two years ago, The Twilight Zone’s “Elegy” aired for this first time. It was the twentieth episode of the first season and was written by Charles Beaumont who you might recognize as the screenwriter of 7 Faces of Dr. Lao. Beaumont would die at just thirty-eight of unknown causes that were assumed to be neurological in nature. 

The cast for this SF Twilight Zone episode was Cecil Kellaway as Jeremy Wickwire, Jeff Morrow as Kurt Meyers, Kevin Hagen as Captain James Webber and Don Dubbins as Peter Kirby. 

This episode was based on his short story “Elegy” published in Imagination, February 1953. It was included in Mass for Mixed Voices: The Selected Short Fiction of Charles Beaumont.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 19, 1912 Walter Gillings. UK fan of some note. He edited Scientifiction, a short lived but historic fanzine. Shortly thereafter he edited Tales of Wonder, regarded as the first UK SF zine. Clarke made his pro debut here. He’d edit a number of other genre zines later on, and ISFDB lists him as having two genre stories to his credit whereas Wiki claims he has three. (Died 1979.)
  • Born February 19, 1915 Fred Freiberger. He’s best remembered as  the producer of the third and final season of Star Trek. He was also involved in the Wild Wild West, the second season of Space: 1999 which he’s wholly responsible for and the short-lived Beyond Westworld. He was brought unto Trek after Roddenberry resigned as Showrunner. (Died 2003.)
  • Born February 19, 1937 Terry Carr. Well known and loved fan, author, editor, and writing instructor. I usually don’t list Awards both won and nominated for but his are damned impressed so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow.  He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to Awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds went to his widow. (Died 1987.) 
  • Born February 19, 1937 Lee Harding, 83. He was among the founding members of the Melbourne Science Fiction Club along with Bertram Chandler. He won Ditmar Awards for Dancing Gerontius and Fallen Spaceman. In the Oughts, the Australian Science Fiction Foundation would give him the Chandler Award in gratitude for his life’s work. It does not appear that any of his work is available from the usual digital sources. 
  • Born February 19, 1964 Jonathan Lethem, 58. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail here. I confess that I lost track of him after that novel so I’d be interested in hearing what y’all think of his later genre work particularly his latest, The Arrest. His only major Award win was a World Fantasy Award for The Wall of the Sky, the Wall of the Eye collection. 
  • Born February 19, 1966 Claude Lalumière, 56. I met him once here in Portland. Author, book reviewer and has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes so far, Objects of WorshipThe Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains
  • Born February 19, 1968 Benicio del Toro, 54. Originally cast as Khan in that Trek film but unable to perform the role as he was committed to another film. (And yes, I think he would’ve made a better Khan.)  He’s been The Collector in the Marvel film franchise, Lawrence Talbot in the 2010 remake of The Wolfman, and codebreaker DJ in Star Wars: The Last Jedi.  Let’s not forget that he was in Big Top Pee-wee as Duke, the Dog-Faced Boy followed by being in Terry Gilliam’s Fear and Loathing in Las Vegas as Dr. Gonzo which damn well should count as genre even if it isn’t. 

(10) COMICS SECTION.

  • The Far Side sympathizes with a famous writer.
  • xkcd explains the tractor beam – in its own idiocyncratic way.

(11) QUEEN TO QUEEN SEVEN. Paul Weimer returns to A Green Man Review with an assessment of “Greta Kelly’s The Seventh Queen

When last we left Askia, things had gone so very wrong for her. Her efforts to protect her people, her lost kingdom had been completely dashed, and she has been captured. Now, at the heart of the power of her enemy, and nearly completely denuded of her powers, Askia has to find new ways and techniques to resist and oppose Radovan, and not incidentally, save her own life. For it is certain that, like his previous captives and victims, Radovan will, within a month, kill her, and take and distribute her power as he did his previous Empresses.

The Seventh Queen continues the story from Kelly’s debut novel The Frozen Queen.

(12) EATING THE FANTASTIC. Scott Edelman invites listeners to brunch with Natalie Luhrs in episode 165 of the Eating the Fantastic podcast.

My guest for brunch at the Unconventional Diner — about which Washington Post food critic Tom Sietsema wrote — when he placed the restaurant at #4 on his Fall dining guide last year — “No restaurant fed me more often, or better, throughout the pandemic than French chef David Deshaies’s whimsical tribute to American comfort food.” — was two-time Hugo Award finalist Natalie Luhrs.

She’s the former science fiction and fantasy reviewer for Romantic Times Book Reviews and was briefly an acquisitions editor for Masque Books, the digital imprint of Prime. Though she dabbles in writing speculative fiction and poetry, she is mostly known for her non-fiction — which earned her those nominations — and can be found at her personal blog, Pretty Terrible, the intersectional geek blog, The Bias, which she co-founded with previous guest of this podcast Annalee Flower Horne, and of course, on Twitter, as @eilatanReads.

We discussed why I had a more optimistic outlook on her chances of winning last year than she did, the emotions which inspired her most recently nominated work and the doxxing that resulted from her offering up that opinion, her love for Dune even as she recognizes the classic novel’s problematic parts, what she once said about the Lord Peter Wimsey continuations which caused a backlash, the ways romance and science fiction conventions differ, where she chooses to expend her spoons when controversies arise, the importance of making our shared fannish community a welcoming space for all, recent science fiction novels which blew her mind, and much more.

Natalie Luhrs

(13) A YEAR OF ROVING. NASA interviewed Mars 2020 team members on the occasion of Perseverance’s Landiversary.

It’s been one busy year for NASA’s Perseverance Mars rover! Join us in the Mars Yard at the Jet Propulsion Laboratory as we celebrate the one-year anniversary of the robotic explorer’s historic Mars landing. We’ll be chatting with members of the Mars 2020 team who helped make the moment happen, and they’ll tell us what’s next for the rover.

(14) NUMBER NINE, NUMBER NINE. BBC Culture’s Nicholas Barber is not ready to concede to Plan 9 From Outer Space: “Is this the worst film ever made?”

…Among cinephiles who enjoyed bad films as much as good ones, Plan 9 from Outer Space became known as the one movie you had to watch, and watch again, and tell your friends (or enemies) to watch, too. Xavier Mendik, co-editor of The Cult Film Reader, says that it “remains a key template for judging cult film status”. Its fans wrote unofficial sequels and mounted stage adaptations. Jerry and his buddies aim to watch it in an episode of Seinfeld from 1991. And in 1994, Tim Burton’s biopic of Ed Wood climaxes with the making of the film. “This is the one,” beams Wood (Johnny Depp) at its premiere. “This is the one they’ll remember me for”.

… And here’s the third key to its strange charm: it isn’t actually a failure in every respect. Don’t get me wrong. Plan 9 from Outer Space is a terrible film. A dreadful film. An atrocious film. But it does have some elements that are halfway decent, and it’s unlikely that it would have a cult following without them…

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] A family of excited Star Wars fans have turned up at a new exhibition on the construction of the Millennium Falcon months before it opens.

 A life-size prop of the spaceship was built in Pembroke Dock, Pembrokeshire, in 1979 for the Empire Strikes Back, which was filmed in Elstree.

And news of a permanent exhibition there, due to open in April, pushed some fans to make the jump to hyperspace prematurely.

Mark Williams, who works for the Pembroke Dock Heritage Trust, said one family had “jumped the gun a little bit” amid a flurry of calls, emails and social media posts from fans.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Jason Sanford, Chris Barkley, Scott Edelman, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 2/18/22 My Name Is Scroll, Pixel Scroll, Agent 770, With A License To File

(1) #METOO. On February 12, attorney and former Weller colleague Cara Dehnert published an essay detailing her previous relationship with Bradbury biographer Sam Weller. The piece alleges mental, emotional, and sexual abuse from Weller, including rape. “What Happened To Me. By: Cara Dehnert” at Medium.

(2) TRUTHS ABOUT TRAUMA. Sarah Gailey sets the bar “On Trauma-Informed Writing” at the SFWA Blog.

… “A difficult or unpleasant experience that changes a person in a lasting way” is a descriptor that applies to most stories. In spite of the promises of a recent literary movement that strives to elide unpleasantness in storytelling, it’s difficult to make a narrative compelling when characters aren’t changed as a result of struggle. Further, a story in which characters endure traumatic experiences without changing in response to them is a story that can cause immense harm.

Narratives help us to understand ourselves and the world around us, and stories that depict trauma as a temporary inconvenience reinforce the idea that ongoing trauma-responses are unusual, or even a sign of weakness. This real-world impact bears out in the way many people process—or are unable to process—their own real-life traumas. Many trauma survivors find themselves questioning why they’re unable to move on from traumatic events. They’ve consumed narratives in which scary things happen, but when the scary things are over . . . everyone stops being scared. So why shouldn’t the same be true in real life?

Treating a character’s trauma as though it can be resolved along with the plot is disingenuous. Treating a character’s trauma as though it must be resolved along with the plot is dangerous. Both are profoundly disrespectful to the story being told…. 

(3) FEDERAL PREEMPTION. Publishers Weekly explains why “Court Blocks Maryland’s Library E-book Law”.

In a rebuke to Maryland state legislators, a federal judge has granted the Association of American Publishers’ motion for a preliminary injunction, blocking Maryland officials from enforcing the state’s new library e-book law.

“It is clear the Maryland Act likely stands as an obstacle to the accomplishment of the purposes and objectives of the Copyright Act,” concluded federal judge Deborah L. Boardman, in a 28-page opinion. Although the judge noted that the Maryland Act only requires an ‘offer’ to license and does not ‘explicitly require’ publishers to grant licenses to libraries, “this is a distinction without a difference,” Boardman concluded (lifting directly from the AAP’s brief), holding that the threat of civil and criminal penalties for non-compliance amounts to “a forced transaction” that “effectively strips publishers of their exclusive right to distribute.”

In enjoining the law, Boardman found that the AAP cleared all four factors necessary to grant a preliminary injunction—a likelihood of success on the merits; irreparable harm; winning the balance of equities, and that the injunction was in the public interest. But while the court entertained—and largely accepted the AAP’s arguments on each factor—the court’s decision ultimately came down to one simple finding (which the AAP also argued): the Maryland law is fatally flawed because it is preempted by federal copyright law….

(4) POKEMON. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Pokemon Legends;  Arceus.

The game “comes as something of a shock.  There is rarely a surprise in a mainline Pokemon game–if you’ve played one, you’ve played them all.  While The Pokemon Company has spun its IP into the highest-grossing media franchise of all time, encompassing movies, merchandise and trading cards, there has always been an uncomfortable tension in the video games:  that they are supposedly about the joy of adventure, yet have been proven remarkably unwilling to tread new ground for 25 years…

…Like Harry Potter and all the most successful franchises for younger children, Pokemon sells a dream, a world that children desperately want to be real.  As a kid I yearned to make life-long friends with magical creatures.  Arceus is not the Poikemon game I dreamt of, but it gets close.  Game Freak has swapped the series’ aging skeleton for a promising new set of bones, creating a Pokemon game that feels fresh for the first time in over a decade.  It achieved this by finally taking a leaf out of its own book–to make like a Pokemon and evolve.”

(5) IT MIGHT BE SFF. [Item by Mike Kennedy.] Legendary Director Francis Ford Coppola has announced he will be dipping deep into his own pocket to fund a passion project: Megalopolis. Coppola wrote the script around 40 years ago (though one guesses there may have been revisions since). IMDb gives this succinct description,“An architect wants to rebuild New York City as a utopia following a devastating disaster.” GQ described it as, “A love story that is also a philosophical investigation of the nature of man.” Variety interviewed him about it: “Francis Ford Coppola to Spend His Own $120 Million on New Film: I Don’t Care ‘About the Financial Impact’”.

… Speaking to GQ magazine, Coppola said that major Hollywood executives reacted to his “Megalopolis” pitch the “same way they did when I had won five Oscars and was the hottest film director in town and walked in with ‘Apocalypse Now’ and said, ‘I’d like to make this next.’ I own ‘Apocalypse Now.’ Do you know why I own ‘Apocalypse Now?’ Because no one else wanted it.”

Coppola added, “So imagine, if that was the case when I was 33 or whatever the age and I had won every award and had broken every record and still absolutely no one wanted to join me, [then how do you think they’re reacting now?] I know that ‘Megalopolis,’ the more personal I make it, and the more like a dream in me that I do it, the harder it will be to finance.”

…When GQ asked if self-funding “Megalopolis” could mirror his experience on “One From the Heart,” a massive flop that Coppola spent years paying back the bank for, the director responded, “I couldn’t care less about the financial impact whatsoever. It means nothing to me.”

(6) BRENNER OBIT. Film editor David Brenner died February 18 at the age of 59 reports Variety. In 1990, Brenner won the Academy Award for film editing with director Oliver Stone’s Born on the Fourth of July, sharing the award with editor John Hutshing. His genre film credits include Independence Day (1996), What Dreams May Come (1998), The Day After Tomorrow  (2004), 2012 (2009), Pirates of the Carribean: On Stranger Tides (2011), Man of Steel (2013), Batman vs. Superman: Dawn of Justice (2016), Justice League (2017), and Zack Snyder’s Justice League (2021).

(7) MEDIA BIRTHDAY.

2005 [Item by Cat Eldridge]  On this day in 2005, Constantine was released in the U.S. Based off DC’s Hellblazer series, it starred dark haired Keanu Reeves as the much blonder-haired John Constantine, a decision that of course drew much criticism. It was, to put it mildly, produced by committee. The screenplay by Kevin Brodbin and Frank Cappello off a story by Kevin Brodbin. 

Its impressive cast included Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale, and Peter Stormare. I really Tilda Swinton‘s role. 

Reception among critics was mostly negative with Roger Ebert saying Reeves that he “has a deliberately morose energy level in the movie, as befits one who has seen Hell, walks among half-demons, and is dying. He keeps on smoking.” The film made his most hated list. 

Box office wise, it made nearly a 25 million dollars off a budget that was maybe a hundred million dollars. The studio has declined to admit how much the production costs were. 

Over the years, its rating among audience reviewers at Rotten Tomatoes has steadily climbed now standing at an excellent seventy-two percent. Huh. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 18, 1908 Angelo Rossitto. A dwarf actor and voice artist, with his first genre role being in 1929’s The Mysterious Island as an uncredited Underwater Creature. His last major role was as The Master in Mad Max Beyond Thunderdome. He showed up in GalaxinaThe Incredible HulkJason of Star Command, Bakshi’s Lord of The RingsAdult FairytalesClonesDracula v. Frankenstein and a lot more. (Died 1991.)
  • Born February 18, 1919 Jack Palance. His first SF film is H. G. Wells’ The Shape of Things to Come which bears little resemblance to that novel. (He plays Omus.) Next up he’s Voltan in Hawk the Slayer followed by being Xenos in two Gor films. (Oh the horror!) He played Carl Grissom in Burton’s Batman, and Travis in Solar Crisis along with being Mercy in Cyborg 2. ABC in the Sixties did The Strange Case of Dr. Jekyll and Mr. Hyde in which he played the lead dual roles, and he had a nice turn as Louis Strago in The Man from U.N.C.L.E. which is worth seeing. (Died 2006.)
  • Born February 18, 1929 Len Deighton, 93. Author of possibly the most brilliant alternative novel in which Germany won the Second World War, SS-GB. It deals with the occupation of Britain. A BBC One series based off the novel was broadcast several years back.
  • Born February 18, 1968 Molly Ringwald, 54. One of her was first acting roles was Nikki in Spacehunter: Adventures in the Forbidden Zone. She’ll later have the lead role of Frannie Goldsmith in Stephen King’ The Stand series. And does the Riverdale series count at least as genre adjacent? If so, she’s got the recurring role of Mary Andrews there.

(9) COMICS SECTION.

(10) WILD CARDS COMICS. Paul Cornell and Mike Hawthorne retell the foundational Wild Cards stories in new comic series, Wild Cards: The Drawing Of Cards #1 coming June 1.

Based on stories by Harold Waldrop, Roger Zelazny and series master-mind and editor, George R.R. Martin, Wild Cards is a fascinating saga set in a whole new world reshaped by the emergence of superpowers. The limited series, titled The Drawing Of Cards, will be written by a team of comic superstars, writer Paul Cornell and artist Mike Hawthorne, and serve as a perfect entry point for Wild Cards newcomers and a must-have new reimagining for Wild Cards aficionados!

Spanning more than 25 novels, 20 short stories, and written by more than 40 authors over three decades, the Wild Cards series tells the story of an alternate history where Earth is home to super-powered individuals. When a human is infected with the alien “Wild Card” virus, the odds are that they will be killed… which is referred to as “drawing the black queen”. Of those that survive, the bulk of them become “jokers”, left with some strange mutated form. A lucky few are called “aces”, those gifted with super powers they can put to use towards heroic goals… or villainous ones….

“As my fans may already know, the Wild Cards World holds a special place in my heart, so to have the privilege of announcing that an industry titan like MARVEL is going to produce the narrative from the beginning as a comic book brings me no end of joy,” [George R.R. Martin] added.

(11) ONE DOES NOT SIMPLY WALK INTO MORDLE. [Item by Jennifer Hawthorne.] You know that word game, Wordle, that’s burning up Twitter?

Well, variants are popping up like mushrooms after a rainstorm, and someone came up with “Lordle of the Rings.”  It’s Wordle, but you can only use five letter words found in “The Lord of the Rings.”  (Mind you, given how long the books are, that covers a lot of ground.) Find it here: “Lordle of the Rings”.

(12) THE PRICE DOESN’T SUCK THAT MUCH. A “Scarce First Edition, First Issue of ‘Dracula’ by Bram Stoker from 1897” is being auctioned by Nate D. Sanders. The binding is a little banged up, but surely it’s a bargain at $22,500?

(13) NASA NEWS. SF is discussed in this interview with NASA’s chief economist: “Astronomy, sci-fi, and the roots of the space economy: My long-read Q&A with Alex MacDonald” at the American Enterprise Institute.

… In the Industrial Revolution, a lot of the technologies that allow you to think about space flight come online, the most obvious one being pressure vessels, the other relevant ones being, essentially, large armaments. It’s not a coincidence that when Jules Verne talks about the technology for traveling to the Moon in his very well-known book “From the Earth to the Moon,” he essentially has the protagonists being underemployed armaments makers in the United States after the Civil War, who had incredible capabilities for developing large cannons, and they thought they might put them to a different use, a type of swords-into-plowshares initiative in the United States in the 19th century.

This results in a real explosion of stories about traveling into space. Jules Verne’s “From the Earth to the Moon” is written in the 1860s, but also written in the 1860s is the story “The Brick Moon” by Massachusetts pastor and writer Edward Everett Hale. He writes the first story about living on a space station. He and his brother, while they’re students at Harvard, basically come up with a concept for what today we would call a GPS system. All of these things are in the culture and in the literature.

Perhaps the most striking combination of these two themes of science fiction and astronomy is the story of Percival Lowell. Percival Lowell builds a little observatory, at which, later in the 20th century, the planet Pluto is discovered. I should say the dwarf planet Pluto. He is motivated by this idea of canals on Mars, which had been essentially emerging as a culture topic because of a mistranslation of Giovanni Schiaparelli’s Italian word canale, by which he meant channels, and which gets translated into English as canals. But Lowell sees these things, and he writes these books like “Mars as the Abode of Life.” And all of these popular culture works that expound the idea of a purported hypothetical Martian civilization, which, of course, gives further energy to the space flight movement overall.

That intertwining of astronomy and space flight ambition really is there in the 19th century, and of course, it continues up to the present day. The James Webb Space Telescope, of course, is one of the most exciting projects of our time. I was fortunate enough to take off some time from work and actually go down to French Guiana to watch the launch, and it was an amazing moment….

(14) HUMAN RESOURCES. This Netflix series isn’t about an HR department, but about aliens assigned to deal with humans. Airs March 18.

Life on Earth is pretty complicated. That’s why people need them. Welcome to Human Resources.

(15) VIDEO OF THE DAY. [Item by Mike Kennedy.] Apple, Inc. has turned their Signal Boost dial to 11 to promote a new Korean short film shot entirely on an Apple iPhone 13 Pro. Editing was done on Apple Macintosh computers. Director Park Chan-wook’s 21-minute fantasy Life is But a Dream—plus a short “making of” doc—are both available on YouTube. The soundtrack is available on Apple Music. 9to5mac has the story: “Apple shares film shot on iPhone 13 Pro by Park Chan-wook”.

An undertaker who needs woods to build a coffin for the savior of his village digs up an abandoned grave. But while doing so, he accidentally awakens the ghost of an ancient swordsman. Now the ghost tries to take back his coffin.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Jennifer Hawthorne,.John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

A Bradbury Multimedia Roundup

(1) WHO RAY LEARNED FROM. The Ray Bradbury Experience Museum invites you to “Meet Ray Bradbury’s Greatest Writing Mentor: Leigh Douglass Brackett”.

Leigh Brackett

…“Her stories were very simple, and well-plotted, and very beautiful. I learned from her how to pare my stories down and how to plot,” Bradbury said. —Sam Weller in The Bradbury Chronicles.

Brackett was a masterful storyteller of limitless imagination, exquisite writing skills and quite an impressive range. She was ahead of her time just as she was ahead of most of her colleagues, Sven Mikulec reports in Cinephilia Beyond. She was known as the “Queen of Space Opera.”…

(2) WALKING WAUKEGAN. Also, the “Ray Bradbury museum offers virtual tour of his life in Waukegan” – and the Chicago Tribune took it.

…As the pandemic continues, the museum is offering online experiences such as the virtual tour and the “I Met Ray” video project, also in the News & Media tab. The virtual tour, paid for with a grant from Chicago-based nonprofit Illinois Humanities, focus a great deal on the library, one of Bradbury’s favorite places, according to Sandra Petroshius, committee chair of the museum. “Bradbury just loved the library,” said Petroshius, who grew up in Waukegan and lives in Lake Forest. “He showed that in his writings,” she said.

Bradbury’s book, “Something Wicked This Way Comes,” is set in the library, and one of the characters works at a library, she said….

(3) PANDEMIC TIMES. Bradbury biographer Sam Weller looks back at “Ray Bradbury and the Last Global Pandemic” in the LA Review of Books.

…For all the years I spent with him (12 in total, five during which I saw him every two weeks, flying from Chicago to Los Angeles as I was writing his authorized biography), he would often speak about the 1918 virus, the so-called “Spanish flu.” This was in the early 2000s, when few understood the damage a pandemic could wreak. Pandemics were the stuff of a Michael Crichton novel, not our own reality.

Bradbury was dumbfounded that the 1918 tragedy had faded from our cultural consciousness. “Nobody talks about it anymore,” he said with remorse. The 1918 pandemic claimed at least 50 million lives around the world; in the United States, the death toll is estimated to be near 675,000.

…Bradbury lost two family members to the 1918 pandemic. These deaths, with their associated grief, imbue much of his oeuvre. Mortality, loneliness, letting go were the central motifs to Bradbury’s first book, Dark Carnival (1947), published when he was only 27 years old, and dubbed by Stephen King as the “Dubliners of American Gothic.”

Ray Bradbury was born on August 22, 1920, after the flu pandemic had ended. The virus had taken a devastating toll on his family. I have spent two decades delving into Bradbury’s genealogy, combing through lost records, staring blurry-eyed at microfiche screens, trying to understand and fully appreciate how Bradbury’s formative years (what he called his “root system”) shaped him as a writer….

(4) BEWARE PIRATES. Barry Hoffman, Publisher, Gauntlet Press sent out this warning to his list on April 28:

Have you ever come across a deal that seemed too good to pass up? A customer wrote to me asking if a 3000 copy edition of Ray Bradbury’s Dark Carnival being offered by Dragon Books was a scam. The offer seemed to be too good to be true … and in fact, it was an illegal sale of the title.

When Ray Bradbury agreed to let us publish his first short story collection as a signed limited his agent, Don Congdon, told me it would be the only printing of the book, after which it would go back into the vault. But here was a listing of the book for $3.99 with a bookplate signed by Bradbury (with the cover art of our version). It made no sense. Bradbury, of course, has passed away. He agreed with his agent that after our release of the book there should be no other. And, where would the publisher get 3000 bookplates SIGNED by Bradbury? To offer a SIGNED version of Bradbury’s acclaimed first book for less than $4 was ludicrous.
 
I contacted Bradbury’s agent Michael Congdon (son of Don) who sent Dragon Books a cease and desist letter. They agreed and the listing has been removed….
 
It has always been our goal to protect the legacy of authors we have published. Ray Bradbury and Richard Matheson can no longer protect their work. However, both still have agents who will take action when an illegal version of their writing is offered. If you see Bradbury or Matheson books (especially signed versions) being offered (other than on legitimate secondary markets like eBay and Abe.com) please contact me at gauntlet66@aol.com and I will look into the offering and, if necessary, contact their agent.

(5) THE SPACE BETWEEN THE WORDS. In “A Science Fiction Author’s Pointers for Worldbuilding with Negative Space” on CrimeReads, Stina Leicht cites classics by Bradbury, Le Guin, and Butler as examples of how it’s what you don’t show in worldbuilding that is as important as what you do show.

…It might be easier to imagine world-building as an iceberg floating in the sea of plot. The reader only sees a small percentage of it. The rest is deep beneath the water and affects everything in the water—visibly and invisibly. That said, communicating with the empty spaces takes a deft hand because the border between too little and just right is quite thin. In addition, Americans in particular are often socially conditioned to say more and listen less. That’s why world building in the blank spaces is an advanced technique most often employed by authors with experience and skill.

A great deal of worldbuilding can happen with what is left unsaid….

(6) A WIDE FANBASE. The “Ray Bradbury: Inextinguishable” virtual exhibit at the American Writers Museum includes a treasured letter. (Click for larger image.)

One of the letters that Ray received in 2003 was of particular significance. It was from Thomas Steinbeck, the son of Ray’s childhood literary hero John Steinbeck.

In the letter, Thomas told Ray that the entire family had been fans of him for years. John would read to the children, and would often choose Ray’s stories. This in turn inspired Thomas to become a writer when he got older. It is amazing that Ray inspired the son of a writer that inspired him so much, and shows the enduring legacy of his writing and personality.

The File 770 post “Bradbury at Big Read” includes a photo of Ray and Thomas at an encounter in Santa Barbara in 2009.

(7) CLIFTON’S CAFETERIA. The eatery hosted LASFS gatherings in the Thirties, and Ray held court there may times in later years. This is/was the dedicated Ray Bradbury booth at Clifton’s in the Gothic Bar room. Photo by Steve Leiva.

(8) LANSDALE ON BRADBURY. Joe R. Lansdale joined a RBEM Virtual Session to talk about Hap & Leonard, Batman and Ray Bradbury.

(9) THE ORIGINAL 451. Christie Hefner will discuss Playboy Magazine and Ray Bradbury’s Fahrenheit 451 in a free livestream on May 25, 6:30 Central. Register at Eventbrite: “Playboy and Fahrenheit 451: A Program with Christie Hefner”.

In 1954, when Playboy magazine was in its infancy, it published a three-part serialized novel about the perils of censorship and the seductive lure of anti-intellectual movements. The magazine introduced thousands of readers unfamiliar with science fiction to the genre’s masterwork and helped make it a classic. Former Chairman, CEO Playboy Enterprises Christie Hefner talks about the landmark publication and its influence.

This program is made possible by NEA Big Read. NEA Big Read is a program of the National Endowment for the Arts (NEA) designed to broaden our understanding of our world, our communities, and ourselves through the joy of sharing a good book. The American Writers Museum is one of 78 not-for-profit organizations to receive a grant to host an NEA Big Read project between September 2019 and December 2021. The NEA presents NEA Big Read in partnership with Arts Midwest.

(10) THE HEADLINER. Franco Laguna Correa discusses “Ray Bradbury on War, Recycling, and Artificial Intelligence” at Public Books.

One of the roles of science fiction is to provide readers with a glimpse of how the future could be.1 Ray Bradbury didn’t get everything about the future right. We haven’t yet seen books and reading made illegal (as in his 1953 Fahrenheit 451),2 just as we haven’t yet discovered another planet ready for American colonizers (as in his 1950 The Martian Chronicles). And yet, the themes he explored in those books—mass media and censorship, colonization and environmental change—are more relevant than ever. Even in his lesser-known works—such as the 1951 sci-fi collection The Illustrated Man, Bradbury tackles a surprising array of issues that feel as if they were ripped from today’s headlines….

(11) RAY TALKS ABOUT DISNEY. In “The Optimistic Futurist” Leonard Maltin interviews Ray Bradbury about Walt Disney.

From the Walt Disney Treasures DVDs, this is an interview about Walt Disney. It is a bonus feature from the set, and here it is meant to shed light on the genius of Walt Disney.

(12) HISTORIC INFLUENCE. Dana Gioia calls it the “Ray Bradbury’s Butterfly Effect”:

…Was Bradbury really a major writer? Or was he simply the amiable pioneer of a dynamic popular genre? The question persists, so let me offer what I believe will be Bradbury’s particular claim to literary posterity. For one astonishingly productive decade—from 1950 to 1960—Ray Bradbury was probably the most influential fiction writer in the English language. Please note that I’m not claiming he was the best writer or that he exerted the most influence on his fellow writers. In strictly literary terms, Bradbury was not remotely the equal of Flannery O’Connor, Graham Greene, Chinua Achebe, John Cheever, or a dozen other of his Anglophonic contemporaries. Bradbury’s enormous impact was felt mostly outside the literary world—on scientists, filmmakers, architects, engineers, journalists, librarians, artists, and entrepreneurs. Above all, his influence was felt on the young, the generation of adolescents who would shape the late twentieth and early twenty-first centuries. Bradbury’s impact is still evident from Disneyland to Cape Canaveral, from Hollywood to Silicon Valley. It is even evident on other planets. When the Mars rover Curiosity touched down two months after the author’s death, NASA scientists named the spot Bradbury Landing. He was the paperback bard of book burning, the Butterfly Effect, virtual reality, and the full-body tattoo. Bradbury’s dreams and nightmares of space travel, nuclear holocaust, interactive media, robotics, censorship, mass illiteracy, and environmental payback provided the mythic structure for millions of other dreamers in science, entertainment, and technology.

(13) RAY BRADBURY & COMICS. The staff from the Ray Bradbury Experience Museum share behind-the-scenes views of the museum and stories of Bradbury’s love of comics in this 90-minute video.

[Thanks to John King Tarpinian, Michael Toman, Will R., and Martin Morse Wooster for these stories.]

Pixel Scroll 4/24/21 The Fantastic Voyage Of Space Force Beagle One To The Non-Fungi Bottom Of The Fabulous Mushroom Planet Of The Apes Of Wrath, And Back Again

(1) ERRING EYE. Catherine Lacey’s short story “Congratulations on Your Loss” is the latest from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination.

…Inside was a large photograph printed on thin paper, an image filling the whole sheet. The photograph—a grainy shot of a woman jaywalking across a street with a large blue purse tucked under one arm—had been taken from a high angle. On the left edge of the photograph a white car was visible, headed directly toward the woman, and on the right side a bit of a pedestrian walkway could be seen. A citation was printed on the back—this woman, it explained, was Enid, and Enid had illegally crossed Z Street last Thursday at 3:34 in the afternoon. The fine was enough to buy a week of modest groceries….

It comes with a response essay by human rights lawyer Nani Jansen Reventlow: “There’s no such thing as flawless facial recognition technology”.

A few years ago, I attended a meeting for litigators at a digital rights conference. When entering the room, I saw many familiar faces, and a few that were unfamiliar. When I introduced myself to one of the women I had never seen before, a white woman, she reacted in a most offended manner. “Yes, we met this morning at your office,” she snapped at me. Given that I had been nowhere near my office that morning, I was quite sure she was mistaken. In the course of this awkward exchange, it dawned on me that she was confusing me with my boss: also a woman of color, but in no way resembling me otherwise. “Ah, yes, we all look alike,” I sighed, rolling my eyes, and moved on….

(2) HOBBIT READING WITH MANY SFF AUTHORS. The Rutgers Writers House presents “The Hobbit: A Rutgers Day Round Robin Reading (Part 2)” a video on Facebook:  

Tolkien lived through a lot. His own global pandemic, two world wars (which included, of course, the bloody Battle of Somme), the Great Depression, the death of both parents by age twelve. Despite being disillusioned (like most of his generation), his stories are incredibly illusioned. And we need them now. These stories of adventure, of vigilance, of hardship and humor and hope. Here, then, is the next virtual installment of our continuing round robin reading of Tolkien’s The Hobbit (Chp 2 & 3). With over a hundred readers. Featuring a robust roster of RU students/alumni and faculty/staff, as well as two dozen authors, including Lev Grossman, Eoin Colfer, Stephen Graham Jones, Ellen Kushner, Joe Abercrombie, Karen Russell, Catherynne Valente, and Brian Selznick. Plus, Jeff VanderMeer, inexplicably dressed like a giant, blue caterpillar and Darcie Little Badger flipping and fanning a butterfly knife (which I suppose makes a strange sort of sequential sense). Lots of armor, too (both mail and plate). And plenty of hoods, torches, and swords. All in just an hour….

(3) LISTEN IN. “BBC World Service announces new original podcast, The Lazarus Heist”Exchange4Media has the highlights:

The BBC World Service has announced its major new original podcast, The Lazarus Heist. It tells the true story of an attempted $1 billion hack, which investigators say was carried out by a secretive ring of elite North Korean hackers. 

The Lazarus Heist is presented by cybercrime investigative journalist Geoff White and Pulitzer-nominated veteran foreign correspondent and world renowned North Korea expert, Jean Lee. Geoff has been investigating the underworld of digital crime for years, while Jean has extensive experience of reporting from inside North Korea. 

This major new release will initially run for 10 episodes, released weekly.

The first episode is at BBC Sounds: “The Lazarus Heist – 1. Hacking Hollywood”.

A movie, Kim Jong-un and a devastating cyber attack. The story of the Sony hack. How the Lazarus Group hackers caused mayhem in Hollywood and for Sony Pictures Entertainment.
And this is just the beginning…

(4) CHIPPING OFF EVERYTHING THAT ISN’T THE SOLUTION. In “The Creative Sherlock Holmes: Appreciating the Rational Thinker’s Hidden Artistry” at CrimeReads, Bonnie MacBird says that Sherlock Holmes was also an artist as well as a cool, rational thinker, and we need to understand his artistic side if we are to appreciate his abilities.

…Of course Holmes is every bit as much as artist as he is a scientist.

But artists create. What, exactly does Holmes create? You won’t find daubs of cerulean blue paint on his frock coat. “Data, data, data! I cannot make bricks without clay!” says he.

His art material is this data, this clay—the details, the facts of the case which he has observed or ferreted out. But only Holmes creates these bricks which build up the solution. He creates a mental model of “what happened, who did it, how, and why?”…

(5) ABOUT BRADBURY. The American Writers Museum hosts “Sam Weller: Telling Bradbury’s Story” on April 27 at 6:00 p.m. Central. Register for the free program here.

Ray Bradbury’s authorized biographer Sam Weller discusses the life and legacy of the iconic American writer. In conversation with American Writers Museum President Carey Cranston, Weller will speak on Bradbury’s writing, his worldwide impact, and his enduring relevance in American literature today. This program will be hosted on Zoom. 

(6) BEAR’S WRITER SURVIVAL TIPS. Elseweb on April 27, Anglia Ruskin University hosts Elizabeth Bear in another free online event: “AHSS Presents – a conversation with: Elizabeth Bear ‘How to Survive a Literary Life’”. Begins at 9:30 a.m. Pacific.

There’s a lot of information out there on how to perfect your work and seek publication. There’s not as much about how to deal with the stresses of writing for a living—inconsistent income streams, uncertainty, arbitrariness of the market, mental health issues, public exposure, professional jealousy, exploitative contracts, and more.  

Elizabeth Bear

(7) FORMERLY FAMOUS. Jeff Foust reviews a new documentary about Gerard K. O’Neill, “The High Frontier”, for The Space Review.

…O’Neill is largely forgotten, even among many who work in the space industry in some way today. But at the peak of interest in space colonies in the 1970s, O’Neill was, at least briefly, in the cultural mainstream, appearing on “The Tonight Show” with Johnny Carson and profiled on “60 Minutes.” The prospect of giant cities in space, built of out lunar materials that could also support development of space solar power facilities, seemed at least in the realm of the possible at the time.

The new documentary The High Frontier: The Untold Story of Gerard K. O’Neill attempts to rekindle that interest while reexamining the life of O’Neill. The 90-minute film had its premiere Saturday night on the Space Channel online, and is now available to rent or buy on various services, including iTunes and Google Play.

The movie extensively uses archival footage, including those “The Tonight Show” and “60 Minutes” appearances, as well as another show where O’Neill appeared alongside Isaac Asimov. That footage is combined with interviews with his family, colleagues, and others who knew or were inspired by him. It’s a who’s-who of the space advocacy community, with people such as Rick Tumlinson, Peter Diamandis, and Lori Garver, as well as pioneers in the commercial space industry like Charles Chafer and Jeffrey Manber. (Jeff Bezos and Elon Musk also appear in the film, but in footage from speeches they gave rather than interviews with the filmmakers.)…

(8) MEDIA BIRTHDAY.

  • April 24, 1955 — The X Minus One radio program aired on NBC for the first time. Written by Ray Bradbury, “And The Moon Be Still As Bright” is the tale of Mars expedition which finds the Martians extinct due to chickenpox brought to them by previous expeditions. The crew save one decide to destroy all Martian artefacts. Ernest Kinoy wrote the script from the story by Bradbury, and the cast included John Larkin and Nelson Olmstead.  The show would run from now until January 8, 1958 with many of coming from well-known SF authors including Anderson, Pohl, Asimov, Blish, Leiber, Heinlein and Simak to name just a few. You can hear this episode here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 24, 1900 – Elizabeth Goudge, F.R.S.L.  A score of novels, thirty shorter stories; here is The Little White Horse.  Nonfiction e.g. a Life of St. Francis.  Carnegie Medal.  Fellow of the Royal Society of Literature.  Memoir The Joy of the Snow.  (Died 1984) [JH]
  • Born April 24, 1911 – Evaline Ness.  Half a dozen covers, many interiors for us; much else.  Here is The Book of Three.  Here is Coll and His White Pig.  Here is Taran Wanderer.  Here is an interior for Sam, Bangs & Moonshine.  Caldecott Medal.  Society of Illustrators Original Art Lifetime Achievement Award.  See this Univ. Minnesota note.  (Died 1986) [JH]
  • Born April 24, 1930 Richard Donner, 91. He’s credited in directing Superman which is considered by many to be the first modern superhero film. H’h. Well I’m instead going to celebrate him instead for ScroogedThe Goonies and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh, and the first X-Men film which was superb.  (CE) 
  • Born April 24, 1936 Jill Ireland. For her short life, she showed up in an amazing number of genre shows. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise” episode. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery, My Favorite MartianVoyage to the Bottom of the SeaThe Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.) (CE) 
  • Born April 24, 1946 Don D’Ammassa, 75. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction covers some five hundred writers and his two newer volumes, Encyclopedia of Fantasy and Horror Fiction and Encyclopedia of Adventure Fiction are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered him as a reviewer. It appears the only novel of his available from the usual suspects is THE 39 ADEPTS: A Wanda Coyne novel. (CE) 
  • Born April 24, 1950 Michael Patrick Hearn, 71. Academic who has some of the best annotated works I’ve had the pleasure to encounter. I wholeheartedly recommend both The Annotated Wizard of Oz and The Annotated Christmas Carol, not to overlook Victorian Fairy Tales which is simply the best collection of those tales. (CE) 
  • Born April 24, 1953 – Larry Carmody, age 68.  Fanzines Eternity Road and (with Stu Shiffman) Raffles.  Chaired Lunacon ’84.  [JH]
  • Born April 24, 1955 – Wendy Delmater, age 66.  Eight short stories, four poems for us; editor, Abyss & Apex.  Otherwise e.g. Confessions of a Female Safety Engineer.  Website.  [JH]
  • Born April 24, 1973 – Judy Budnitz, age 48.  One novel, three shorter stories for us; maybe we should count others, see this note in Harvard Magazine.  “Magical or horrific or impossible things might happen in my stories, but the characters are always guided by the same human emotions that we all share.”  Two collections.  Jaffee Foundation Award, Wallant Award.  [JH]
  • Born April 24, 1974 – Leigh Fallon, age 47.  Four novels, one shorter story.  After a career in corporation treasury, traveling to eight countries, decided to write; now, with husband and four children, only travels between U.S. and Ireland.  So much for escapism.  [JH]
  • Born April 24, 1983 Madeline Ashby, 38. California-born Canadian resident writer whose Company Town novel created an entire city in an oil rig. Interestingly In 2013, she was a finalist for the Astounding Award for Best New Writer but recused herself on the grounds that her pro career started with her ‘09 publication of a short story in Nature, so her two-year eligibility period had already expired. And  her Machine Dynasties series is simply brilliant with resonances of the Murderbot series on it. (CE) 

(10) COMICS SECTION.

  • Off the Mark covers a kaiju fashion dispute.
  • And Frankenstein strives for sartorial splendor at Bizarro.

(11) BARBARELLA. Bleeding Cool reports “Sarah A. Hoyt Writes Barbarella #1 For Dynamite July 2021 Solicits”. Believe me, I’m not going to start reporting every time a Puppy writes a comic, however, I wasn’t previously aware Hoyt was working in the field. So, news to me!

Sci-fi and fantasy novelist Sarah A. Hoyt, author of Uncharted, Darkship Thieves, and many more, is writing a new Barbarella series from Dynamite, based on the classic comic books, novels and movie, with new artist Madibek Musabekov, coming out in July.

(12) PURCHASING MATERIALS VS. SERVICES. “Libraries Can Use ARPA Funds on E-books, but Change May Be Needed”Publishers Weekly analyzes the issue.

Federal and state library officials have confirmed that funds allocated under the $1.9 trillion American Rescue Plan (ARPA) can be used to purchase digital content. But in guidance issued this week, leading vendor OverDrive clarified that the current licensing terms used by some publishers may have to be amended for libraries to license titles using those funds.

In a notice that went out to library customers on April 20, following conversations with IMLS officials, state librarians, and publishers, OverDrive explained that while IMLS has advised that licensing digital content is an acceptable use of ARPA funding, the agency also concluded that “metered” e-book access (licenses that apply lend or time limits on circulation) may be categorized as a “service” rather than as a “materials” purchase. And because ARPA funds must be used within a 16-month window (from June 1, 2021 through September 30, 2022), some of the lend-limited or time-limited licenses currently offered by publishers may not fully qualify under ARPA if the license term extends beyond the September 30, 2022 deadline for using ARPA funds….

(13) CRIME AND PUNISHMENT. Yahoo! News says that “An Oklahoma woman was charged with felony embezzlement for not returning a ‘Sabrina the Teenage Witch’ VHS tape more than 20 years ago”. But the charge has now been dismissed.

…Caron McBride reportedly rented the “Sabrina The Teenage Witch” tape at a now closed store in Norman, Oklahoma in 1999, according to KOKH-TV. She was charged a year later, in March 2000, after it was not returned, KOKH-TV reported citing documents. 

McBride was notified about the charge by the Cleveland County District Attorney’s Office when she was attempting to change the name of her license after she got married, the news station reported. 

“She told me it was over the VHS tape and I had to make her repeat it because I thought, this is insane. This girl is kidding me, right? She wasn’t kidding,” McBride told KOKH-TV, adding that she does not recall renting the video. 

“I had lived with a young man, this was over 20 years ago. He had two kids, daughters that were 8, 10, or 11 years old, and I’m thinking he went and got it and didn’t take it back or something. I have never watched that show in my entire life, just not my cup of tea. Meanwhile, I’m a wanted felon for a VHS tape,” McBride told the news station.

The district attorney’s office has dismissed the charges.

McBride also recalled randomly getting let go from a few jobs, and now she understands why.

“This is why… because when they ran my criminal background check, all they’re seeing is those two words: felony embezzlement,” McBride told KOKH-TV. 

(14) NOT QUITE A PAIL OF AIR. Bad Astronomy’s Phil Plait tells how“NASA’s MOXIE made oxygen on Mars” for SYFY Wire readers,

Well, isn’t this a breath of fresh air: An experiment on board the Mars Perseverance rover designed to produce breathable oxygen from carbon dioxide has been switched on and is working! On April 20 it produced 5 grams of oxygen — not a huge amount, but it’s designed to make as much as 10 grams per hour, and this is the very first time oxygen has been converted from native air on another planet.

The device is called MOXIE — the Mars Oxygen In-Situ Resource Utilization Experiment — and it’s small (like everything sent to Mars, size and mass are at a premium)….

(15) THE TERRIBLY WRONG OF SPRING. [Item by Martin Morse Wooster.] In “The Rite of Teletubbies” on YouTube, Martim Gueller fuses the Teletubbies with “The Rite of Spring”! (This will really get your weekend started right!)

(16) PULP HISTORY. On the 1950s British Science Fiction YouTube channel, lifelong fan Philip Harbottle talks about his introduction to sff in the 1950s, and show some rare vintage books from his collection. Episode 20 covers the Tit-Bits Science Fiction Library.

[Thanks to John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “A Man, A Plan, A Pleonasm” Dern.]

Pixel Scroll 12/29/20 A Mime
In A Tesseract Still Has Ways To Get Out

(1) BRADBURY’S CHAMPION. The Los Angeles Review of Books hosts “Ray Bradbury at 100: A Conversation Between Sam Weller and Dana Gioia”.

COMMEMORATING THE CENTENNIAL of the great Ray Bradbury, biographer Sam Weller sat down with former California poet laureate and former chairman of the National Endowment for the Arts Dana Gioia for a wide-ranging conversation on Bradbury’s imprint on arts and culture.

SAM WELLER: The first time I met you was at the White House ceremony for Ray Bradbury in November 2004. You were such a champion for Ray’s legacy — his advocate for both the National Medal of Arts and Pulitzer Prize. As we look at his 100th birthday, I want to ask: Why is Bradbury important in literary terms?

DANA GIOIA: Ray Bradbury is one of the most important American writers of the mid-20th century. He transformed science fiction’s position in American literature during the 1950s. There were other fine sci-fi writers, but Ray was the one who first engaged the mainstream audience. He had a huge impact on both American literature and popular culture. He was also one of the most significant California writers of the last century. When one talks about Bradbury, one needs to choose a perspective. His career looks different from each angle….

(2) TUCKER ON BRADBURY. [Item by Martin Morse Wooster.] This is from “Beard Mumblings,” a column by Bob Tucker that appears in the recently published Outworlds 71, but which was written in 1986 and is about the 1986 Worldcon.

There were some very pleasant memories of the con.  One of them was when Ray Bradbury recognized me in the huge 10th floor consuite and came over to shake and talk.  Mind you, we had not met each other for 40 years.  Our last meeting was the 1946 Worldcon in Los Angeles, yet he recognized and remembered.  I was very pleased to see him again, and equally pleased to get his autograph across the page of his chapter in Harry Warner’s All Our Yesterdays.  Judging the way he examined that page and that chapter, he doesn’t have a copy.

(3) WHEN HOKEY RELIGIONS AND ANCIENT WEAPONS ARE A MATCH. Professor Louise A. Hitchcock makes a connection in “The Mandalorian and Ancient Mediterranean Societies: The Way of The Force?” at Neon Kosmos. BEWARE SPOILERS.

…Thus, like both Achilles and Gilgamesh of early epic, baby Grogu has semi-divine aspects paired with Din Djarin’s stoic sense of duty and discipline. The pairing both calls to mind Patroclus who becomes a role model to the younger Achilles as well as Enkidu who becomes humanised through his friendship with Gilgamesh. In each epic tale the pair are changed by their bond of affection which is forged through shared experience. In all of these epics, the friends are also tragically separated, our ancients by death, and Grogu by Din Djarin’s quest to return him to the Jedi to finish his training. An element of danger is added by the fact that the Empire is seeking to capture or buy Grogu to increase its power through acquiring his force sensitive blood.

The weekly quest for survival as Din and Grogu, pursue their goal operates on the basis of pre-monetary economy that is reminiscent of maritime trade in the ancient Mediterranean. Food and drink are sometimes obtained through a shared code of hospitality, exchanging mercenary acts for information or needed supplies, transporting individuals from one port to another, providing Beskar ingots in exchange for ship repairs, and even trading spices. In other words, things haven’t changed a lot since the Silk Road brought needed goods from Asia to Mesopotamia or ships transported copper from Cyprus to Crete.

(4) OWN THOSE LITTLE BLACK BOOKS. [Item by Rob Thornton.] Games Designers Workshop is doing two Bundles of Holding that together will contain all of legendary science fiction roleplaying game Traveller’s Little Black Books (LBBs). Currently, “Traveller LBBs 1” and “Traveller LBBs 2” are available. Both bundles together comprise the complete LBB collection.

Traveller! We’ve resurrected both of our 2015 offers of the classic “Little Black Books” from the Golden Age of Traveller, the original science fiction tabletop roleplaying game. Together these two bargain-priced offers give you DRM-free .PDF ebooks of all 50+ rulebooks, supplements, and adventures published as half-size manuals (with elegant black covers) by Game Designers’ Workshop, 1977-1982.

(5) BROKEN HEARTS OF A WRITING LIFE. Stephen R. Donaldson mourns the response to his latest draft.

11/12/20
“The Killing God”: progress report

                I’ve finally finished my first-pass revision of Book Three of THE GREAT GOD’S WAR, “The Killing God” (formerly known as “The Last Repository”). The text is now ready to deliver to my agent and editor. In its current form, it stands at 1100 pages, a bit more than 283,000 words. What happens next? My agent will read the book much faster than my editor will; but I won’t start on the next revision until I’ve received what are politely called “comments” from both of them. At that point, no doubt, Berkley (and Gollancz in the UK) will schedule publication. Sometimes this requires me to do my next revision in a hurry. But not always.

12/6/20 
“The Killing God”: bad news

                My agent has submitted the book to my editor at Berkley. Without reading it (!), my editor informed me that Berkley will not consider publishing the book until I cut 100,000 words. Roughly 35% of the text. On the assumption that I will not do such violence to my own work, Berkley has removed the book from their publication schedule.
Their assumption is correct. At this stage, I routinely prune my manuscripts by 10%. I may conceivably be able to go as far as 15%. But whether or not anyone likes my characters and how I handle them, my stories are very tightly plotted. Each piece relies on–and is implied by–what came before it. I can’t mutilate Book Three without making the entire trilogy incoherent.
My agent believes that where we stand now is not the end of “The Killing God.” (Never mind of my career.) He has persuaded my editor to go ahead and read the book. He hopes that seeing how strongly Book Three caps Books One and Two (which she loved) will persuade her to rethink her position. I have my doubts. I suspect that her position is corporate rather than editorial: my books no longer earn enough to make them worth publishing regardless of their intrinsic merits. Naturally, I hope I’m wrong.

When I have more news, I’ll post it here. I don’t expect to hear anything until sometime in January.

(6) NEXT NYRSF READING. Sam J. Miller will be featured on the virtual New York Review of Science Fiction reading, Tuesday, January 5, 2021 at 7:00 PM EST.

Now that the Dystopia Year of 2020 is over, we will begin 2021 with the wonderful writer Sam J. Miller to make sure we stay on our toes.

Sam J. Miller is the Nebula Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). Sam’s short stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. He is the last in a long line of butchers, and he has also been a film critic, a grocery bagger, a community organizer, a secretary, a painter’s assistant and model, and the guitarist in a punk rock band. He lives in New York City, and at samjmiller.com

After the reading general series dogsbody Amy Goldschlager will interview the author, and then we’ll open up the discussion to general questions from our virtual audience. Barbara Krasnoff will be the Audience Wrangler.

Please help us keep the series going by donating to NYRSF Reading Series producer Jim Freund at PayPal.me/HourWolf.

(7) EXPANDING THE HONORVERSE. Eric Flint did a title reveal on Facebook today.

Well, it’s official. After much wrangling and soul-searching, we’ve settled on the title To End In Fire for the upcoming Honorverse novel David Weber and I are writing. It’s tentatively scheduled for publication in October.

I tried to hold out for the more exciting title of The Cabal In The Luyten 726-8b (UV Ceti) System, but David overruled me. He thinks that title is too obscure. I find that hard to believe, given that the star system is clearly identified in the Gliese Catalog of Nearby Stars, which I’m sure can be found on every literate person’s bookshelves. But, he’s got the final sayso on account of he’s the one who created this whole setting.

Titles are just window dressing, anyway. What matters is the story — which in this case is shaping up to be a dandy. If I say so myself as shouldn’t, if I subscribed to Samwise Gamgee notions of modesty. Which (clears the throat), I don’t, on account of I’m a shameless scribbler and he’s, well, a hobbit when you get right down to it.

(8) MOSS OBIT. Actor Basil Moss (1935-2020) died November 28. There’s an overview of his career in The Guardian.

Basil Moss, who has died aged 85, was a perennial character actor often popping up in popular series as authority figures, but he found his best parts in two BBC soaps.

He became a familiar face on television as the librarian Alan Drew in Compact, set in the offices of a glossy women’s magazine… 

After Compact, Moss’s other TV roles included … a doctor with the hi-tech military agency Shado, defending the Earth against aliens, in UFO (1970-71), the puppet master Gerry Anderson’s first full live-action series; and Robert Atkinson in the political thriller series First Among Equals (1986).

Uncredited, Moss was also seen as a Navy submarine officer in the James Bond film You Only Live Twice (1967).

(9) MEDIA BIRTHDAY.

  • December 29, 1967 — “The Trouble with Tribbles” first aired as written by David Gerrold and directed by Joseph Pevney,  with some of the guest cast being Stanley Adams as Cyrano Jones, Whit Bissell as Station Manager and Michael Pataki  as Korax. Memory Alpha says ”Wah Chang designed the original tribbles. Hundreds were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could walk around.” Memory Alpha also notes Heinlein had Martian flat cats in The Rolling Stones that were similar to these and Roddenberry called to apologize for these being so similar. Who remembers these?  It would come in second in the Hugo balloting to “The City on the Edge of Forever” written by Harlan Ellison. All five final Hugo nominees at Baycon were Trek episodes written by Jerome Bixby, Norman Spinrad and Theodore Sturgeon.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 29, 1843 – Carmen Sylva.  Keyboardist (piano, organ), singer, graphic artist (painting, illuminating), poet, writer in English, French, German, Romanian, she left us particularly a dozen tales published in English as Pilgrim Sorrow, one in The Ruby Fairy Book and more recently in the VanderMeers’ Big Book of Classic Fantasy (2019).  CS was a pen name, she was the Queen of Romania.  (Died 1916) [JH]
  • Born December 29, 1915 – Charles L. Harness.  A dozen novels, five dozen shorter stories; appreciation of Van Vogt in Nebula Awards 31; interview “I Did It for the Money” in Locus (but, as has often been said, fiction-writers are liars).  SFWA (Science Fiction & Fantasy Writers of America) Author of Distinction.  Best known for “The Rose” and The Paradox Men.  Three NESFA (New England SF Ass’n) Press books; here is Jane Dennis’ cover for Cybele, with Bluebonnets.  Patent lawyer.  (Died 2005) [JH]
  • Born December 29, 1916 John D. MacDonald. He wrote three genre novels of which I think the best by far is The Girl, the Gold Watch & Everything. He also wrote some sixty genre short stories, many of the genre are collected in End of The Tiger which is available from the usual digital suspects (Died 1986.) (CE)
  • Born December 29, 1924 – Art Rapp.  At his home in Michigan he welcomed fans and published Spacewarp; after two years’ Army service in Korea he married Nancy Share and moved to Pennsylvania.  Two N3F Laureate Awards (Nat’l Fantasy Fan Fed’n), later a term as N3F President.  To him was revealed the fannish ghod (naturally opinions differ on what this is for; it may indicate the shape of a cheek with a tongue in itRoscoe.  (Died 2005) [JH]
  • Born December 29, 1928 Bernard Cribbins, 92. He has the odd distinction of first showing up on Doctor Who in the Peter Cushing as The Doctor non-canon Daleks’ Invasion Earth 2150 A.D. film. He would show up in the canon when he appeared as Wilfred Mott in the Tenth Doctor story, “Voyage of the Damned”, and he‘s a Tenth Doctor companion himself in “The End of Time”, the two-part 2009–10 Christmas and New Year special. (CE)
  • Born December 29, 1945 – Sam Long, age 75.  First noted in Fred Hemmings’ Viewpoint reporting Eastercon 23, he notably published (with Ned Brooks) the Mae Strelkov Trip Report (as you can see here; PDF) after friends brought the fine fanartist MS from Argentina.  SL still appears e.g. in The MT Void (pronounce it M-T, not as an abbreviation for mountain).  [JH]
  • Born December 29, 1950 – Gitte Spee, age 70.  This Dutch artist born in (on?) Java has done lots of illustrations for us.  Here is Detective Gordon’s first case in English and in Polish.  Here is Rosalinde on the Moon(in French).  [JH]
  • Born December 29, 1961 – Kenneth Chiacchia, Ph.D., age 59.  Medical science writer at Univ. Pittsburgh, and since he is ours too, member of both SFWA and the Nat’l Ass’n of Science Writers.  A dozen stories; poems (the 2007 Rhysling anthology has this one).  Carnegie Science Center Journalism Award.  [JH]
  • Born December 29, 1966 Alexandra Kamp, 53. Did you know Sax Rohmer’s noels were made into a film? I didn’t. Well she was the lead in Sax Rohmer’s Sumuru which Michael Shanks also shows up in. She’s also in 2001: A Space Travesty with Leslie Neilsen, and Dracula 3000 with Caspar van Dien. Quality films neither will be mistaken for, each warranting a fifteen percent rating  among audience reviewers at Rotten Tomatoes.. (CE) 
  • Born December 29, 1963 Dave McKean, 57. If you read nothing else involving him, do read the work done by him on and Gaiman called The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance. Brilliant, violent, horrifying. Well and Signal to Noise by them is worth chasing down as well. (CE) 
  • Born December 29, 1969 Ingrid Torrance, 51. A very busy performer who’s had one- offs in Poltergeist: The Legacy, The Sentinel, Viper, First Wave, The Outer Limits, Seven Days, Smallville, Stargate: SG-1, The 4400, Blade: The Series, Fringe, The Tomorrow People, and Supernatural.
  • Born December 29, 1972 Jude Law, 48. I think his first SF role was as Jerome Eugene Morrow in Gattaca followed by playing Gigolo Joe in A.I. with my fav role for him being the title role in  Sky Captain and the World of Tomorrow. He was Lemony Snicket In Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy In Repo Man and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians. (CE)

(11) KAL-EL AND LL. SYFY Wire is there when “The CW’s Superman & Lois drops first heroic trailer for new DC series”.

… While the teaser isn’t very long (or footage-heavy for that matter), it does give us our first look at the Kent family unit, while Clark talks about how the stress of life can strengthen a person beneath the surface. His use of the phrase “forged liked steel” is a nice little nod to one of Superman’s monickers: the Man of Steel.

(12) SPDIEY’S NEW THREADS. Spider-Man’s hideous new costume that looks like he tore it off a New England Patriots cornerback is revealed in Amazing Spider-Man’ #61.

Over the years, Spider-Man has donned a host of iconic costumes, from his classics digs to the black suit to the Iron Spider. Now in 2021, everyone’s favorite Wall-Crawler will get a brand-new costume to add to his legendary wardrobe! Designed by superstar artist Dustin Weaver, this vibrant new look is unlike any that Peter Parker has worn before. The mysterious look can be seen on Weaver’s incredible variant covers for AMAZING SPIDER-MAN #62 and April’s AMAZING SPIDER-MAN #63.

…  Peter Parker will wear this new suit for his face-off against Kingpin in the next arc of writer Nick Spencer’s hit run. Discover the mystery behind this top-secret costume when AMAZING SPIDER-MAN #61 and AMAZING SPIDER-MAN #62 swing into shops this March!

(13) SUPERHERO LIFTS THEATER CHAINS. Deadline reports “’Wonder Woman 1984’ Opening Boosts Movie Theater Stocks, But AMC Loses More Ground”.

The better-than-expected Christmas-weekend opening of Wonder Woman 1984 is giving most exhibition stocks a welcome boost as the misery of 2020 gives way to hope for a brighter 2021.

Shares in Cinemark, Imax, Marcus Corp. and National CineMedia rose between 3% and 7% apiece after the sequel took in $16.7 million domestically, the best bow by any film during the coronavirus pandemic.

AMC, the world’s largest theater circuit, was a notable exception to the rally. Its stock dropped 5% on ongoing investor concern about its liquidity and a potential bankruptcy filing…. 

(14) BOOGLY WOOGLY STUFF. This is great — Boston Dynamics sets its robots dancing in “Do You Love Me?” on YouTube.

(15) SPLINTERS ARE BETTER. “Japan developing wooden satellites to cut space junk” – BBC News has the story. [Via Slashdot.]

…The partnership will begin experimenting with different types of wood in extreme environments on Earth.

Space junk is becoming an increasing problem as more satellites are launched into the atmosphere.

Wooden satellites would burn up without releasing harmful substances into the atmosphere or raining debris on the ground when they plunge back to Earth….

Does this train of thought wind up with Captain Harlock’s spaceship?

(16) VIDEO OF THE DAY. [By Martin Morse Wooster.] “Batman:  The Animated Series/The Heart of Batman” on YouTube is a 2018 documentary, directed by Alexander Gray, on the 1990s “Batman: The Animated Series” which many critics, such as Glen Weldon, say is the best version of Batman.  The film shows that the immediate inspiration for the series was Tim Burton’s Batman and Steven Spielberg’s desire to build an animation at Warner Bros., including giving the budget to have a full orchestra record Shirley Walker’s imaginative score.  Creators Bruce Timm and Eric Radomski give many influences, including film noir, German expressionist films, Citizen Kane, Max Fleischer’s Superman cartoons, and the art of Alex Toth.  But Andrea Romano gets a lot of credit for coming up with superb voices, including Mark Hamill as the Joker and Kevin Conroy as Batman.  The series also turned Harley Quinn into a full-fledged, interesting character and led to Margot Robbie playing her in three big-budget movies.

As an aside, Batman:  The Animated Series discusses how earlier animated shows of the 1980s had stifling restrictions imposed by network censors.  One writer (who wasn’t identified) worked on Super Friends.  One episode had the Justice League shrunk to midgets leading to Robin fighting a spider.  The censors said the cartoon had to include a scene where the spider is seen crawling away because Robin couldn’t hurt the spider.

[Thanks to John Hertz, Andrew Porter, Michael Toman, JJ, Mike Kennedy, Cat Eldridge, John King Tarpinian, Rob Thornton, Louise A. Hitchcock, Michael J. Walsh, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

More Bradbury Literary Dividends

(1) IN VINO VERITAS. How’s your Finnish? Tähtivaeltajablogi has put up a post about the translation of Bradbury’s Dandleion Wine, “Kirjat – Ray Bradbury: Voikukkaviiniä”. The beautiful cover speaks for itself!

(2) LASFL DAZE. “Ray Bradbury’s Clubhouse” chronicles Ray’s earliest contact with fandom at First Fandom Experience.

…In Surround Yourself With Your Loves and Live Forever, edited by John L. Coker III, Bradbury’s friend Ray Harryhausen later recalled:

“In the mid-1930s when I was still in high school, Forry told me about the little brown room in Clifton’s Cafeteria, where the Los Angeles chapter of the Science Fiction League would meet every Thursday. Robert Heinlein used to come around, and a guy named Ray Bradbury. We were a group who liked the unusual.

“Ray would arrive wearing roller skates. After selling newspapers on the street corner he would skate to the meetings because he had no money. He used to go meet the stars at the Hollywood Theater where they did weekly radio broadcasts.”

(3) RAY & RAY. Eyes on Cinema presents an undated video of these two friends and creators in dialog: “The importance of curiosity with Ray Bradbury and Ray Harryhausen.”

(4) CALLING. This is from an interview with Tobias S. Buckell in the June Locus.  Buckell grew up biracial in the Caribbean Islands.

“Ray Bradbury has a story in The Martian Chronicles about a couple with a kid that dies.  The Martians can adopt whatever form people around them want, so one of them goes to their parents and looks just like the kid.  Their son is back from the dead, and they don’t care why–they fold him into their routine.  He starts disappearing a lot, so they follow him, and realize he’s also being a lot kid for another family along the way.  The two families call him back and forth like a dog until he just rips apart and dies.  I read that in high school in the US Virgin Islands and broke into tears.  That story literalizes a metaphor about the question you asked earlier, about being pulled to one side or the other.  That story is not about being biracial–but for me it was.”

(5) DESPARACION DE LOS LIBROS. Ray Bradbury was interviewed by Cristina Mucci on the Argentine TV show Los siete locos in 1997. The program is “dedicated to the dissemination of books and culture.” Bradbury’s answers were broadcast with Spanish subtitles. Early on, he was asked about Fahrenheit 451.

(6) A VISIT ON CABLE TV. The Planetary Society has posted this 1982 interview with Bradbury on their YouTube channel.

Mat Kaplan crossed paths with author, poet, and visionary Ray Bradbury many times across three decades. UK Planetary Radio fan and Bradbury expert Dr. Philip Nichols recently revealed that he had a VHS copy of Mat’s first interview with Ray, conducted in 1982. The author of The Martian Chronicles was a frequent visitor to Long Beach, California where Mat managed a cable television channel. Here’s that interview.

(7) SCREEN PASS. Christine Novell considers “Modern Plagues and the Prescience of Ray Bradbury” at The Imaginative Conservative.

…In the world of pandemia in 2020, Bradbury’s stories resonate with a different irony. For those who can afford the technology, screen life has become more critical than ever, critical to education, business, government, and ministry. It has become a way of connecting, a method of community. It keeps us close, yet as Bradbury thought, isolated from our neighbors and family. But that’s the nature of the current virus, a destroyer of community. Bradbury did not predict a plague-inspired isolation, at least not this type of plague.

Instead I think he saw technology as the plague that isolates, a relentless social force. He would ask us, “What are we dependent on? What can we not live without?” As if Bradbury was thinking aloud, he offers several “solutions.” We could destroy technology, especially if we realize it controls us too much. In “The Murderer” (1953) Albert Brock is arrested for shooting a television set, murdering a telephone, a wall radio, a wrist radio, intercom system, and other things. Brock is happily committed to an institution for six months in a quiet cell. This is the stance of a rebel, not a conformist….

(8) THE TAKEAWAY. Sam Weller, the Bradbury biographer, has assembled an online course for Columbia College Chicago, “Creative Storytelling Featuring Ray Bradbury”.

Experience the transformative power of creative writing through the life and works of famed fantasy writer, Ray Bradbury. As the author of Fahrenheit 451, Bradbury remains one of the 20th century’s most visionary and celebrated writers. This course explores practical creative writing strategies through a deep dive into the “dark fantasy” of Ray Bradbury.

(9) APOLLO 11 NIGHT. Ray Bradbury is interviewed on the night of the first moon landing by Mike Wallace. From Comic-con 2009, Ray’s own DVD. Part 1 of 2

Ray Bradbury Moon Landing Interview part 2

Marc Scott Zicree (“Mr. Sci-Fi”) tells where he was when the Moon landing happened. And he also relates Ray Bradbury’s anecdote about why he skipped out on David Frost’s show that night to find someone who would interview him about this great event.

(10) WICKED GOOD. [Item by Martin Morse Wooster.] In the Washington Post, Angela Haupt asked 13 novelists “which books they like best when they need to get away.”  Pierce Brown recommended Something Wicked This Way Comes.  Diana Gabaldon is the only sf or fantasy novelist whose name I recognize (I don’t know current YA novelists) and she recommended Shogun. “Salman Rushdie, Diana Gabaldon and other authors reflect on the books they find most transporting”.

(11) NO THANKS. It’s a 1980 rejection letter from Ray Bradbury to Stan Lee. Makes you wonder what Stan submitted to Ray…

[Thanks to John King Tarpinian, and Martin Morse Wooster, for these stories.]

A Bradbury Avalanche

Thanks to bloggers’ outpouring of interest in his work we again can celebrate “all Bradbury all the time” here at File 770.

(1) SOMETHING TO LOOK FORWARD TO. First Fandom Experience has announced a remarkable project: “Coming Soon: The Earliest Bradbury & More”.

This year (2020) marks the centenary of Bradbury’s birth, and we at First Fandom Experience hope to honor him by contributing to the extensive body of literature that surrounds him. Building on our work for The Visual History of Science Fiction Fandom, Volume One: The 1930s, we are on schedule to publish a volume titled The Earliest Bradbury, an exploration and celebration of his earliest writings as a science fiction fan, ahead of his centennial in August.

Like The Visual HistoryThe Earliest Bradbury explores history by wrapping an archive in a story. We use original artifacts from the past, such as fanzines, letters, and photographs, to tell the story of Bradbury’s journey as a young fan and author. Although we discuss his more well-known works, such as Futuria Fantasia and Hollerbochen’s Dilemma, we pay special attention to the often overlooked articles, letters, and stories Bradbury published as a teenager and young adult, and tease out the relationships that influenced the young Bradbury and launch his career as a professional author. As with The Visual History, many of the artifacts reproduced in The Earliest Bradbury are rare and difficult to find as originals or reproductions.

They’ll publish a deluxe, hard-bound edition of The Earliest Bradbury in July, which will be available through the FFE website. 

(2) AT NINETEEN. This month Wil Wheaton released his reading of one of Bradbury’s fanzine stories – the kind of thing we may expect to see in the FFE collection: “Radio Free Burrito Presents: Luana the Living by Ray Bradbury”.

Actor & writer Wil Wheaton (Star Trek, The Big Bang Theory, and Stand by Me) read Bradbury’s “Luana the Living” on an episode of his podcast, Radio Free Burrito. Wheaton describes this story of an explorer’s harrowing experience in the jungles of India as “*exactly* the kind of book I would have picked up from the spinning rack of fifty cent paperbacks in the drugstore.”

Published in 1940 in the fanzine Polaris when Bradbury was 19 years old, “Luana the Living,” offers a rare glimpse into the writers’ earliest works.

(3) HIT PERSON. In the tenth post of a series at BradburyMedia, Phil Nichols reviews the title story in the Bradbury’s Small Assassin collection: “Lockdown Choices – The Small Assassin”.

…It’s classic Bradburyan paranoia of the type we have seen in “The Crowd”, “The Wind”, “Skeleton” and “The Fruit at the Bottom of the Bowl”. And as with most of those stories, the paranoid protagonist turns out to be justified in their paranoia. Bradbury, in his classic horror period, was never one to leave the reader to decide; he nearly always set things up to make you think the hero is crazy, then make you empathise with them, and then vindicate them….

See Phil Nichols’ entire slate of Lockdown Choices in “Reading at Home”.

Phil Nichols, historian, educator, and creator of Bradburymedia, offers his series of suggestions for the best Bradbury stories to enjoy at home while the world is engaged in social distancing.

Nichols also recounts Bradbury’s avalanche of productivity in the decade of the Fifties in his post titled “The Breathless 1950s”.

If you’ve been following my posts of late, you will know that I have been working through each of Ray Bradbury’s books in order of original publication, explaining a bit about how each book came about, and selecting the best stories and adaptations from each one.

So far, I have covered all the books from the 1940s and 1950s. And what a breathless decade(-and-a-bit) it’s been.

By the end of 1959, Bradbury had published nine books: three novels (or packaged to appear like novels), five short story collections, and one children’s book.

By the end of 1959, at the age of thirty-nine, he had been publishing short stories for twenty-two years, and had totalled 249 of them. That’s an average of 11.3 per year, but with a peak of 24 stories in 1950….

(4) THE FUTURE OF RACE. Kathryn Ross’ Pasadena Now opinion piece “Why Race Still Matters in a Post-Race Universe” takes a Bradbury story as a key text to lead up to this conclusion about representation; “Will race still matter then? Will it matter after we’ve discovered extensive space travel and aliens and new worlds and parallel universes? Perhaps not. But does it matter right now for audiences like myself and Andre? and my parents to see black people belonging as integral parts of these fantastical narratives? I think it does. However far into the future we’re reaching, it matters.”

June 2003. The American south is still segregated, blacks are employed by wealthy whites and treated like the lowliest of servants in an effect reminiscent of the Mammys, Bucks, and “boys” of old Hollywood, lynching is an after-dinner pastime, and use of the n-word in casual conversation abounds.

Celebrated sci-fi literary giant Ray Bradbury paints this raw and oftentimes hard-to-read picture as the context within his short story, “Way in the Middle of the Air.” Bradbury imagines a mass exodus of all the black people in America —not back to Africa as one white character suggests, but to the planet Mars— to escape the racial tyranny of Earth. This short appears in Bradbury’s famous first novel, The Martian Chronicles, first published in 1950.

From Bradbury’s 1950s viewpoint, June 2003 is the farthest reach of the future, and in this future, racism is still alive and as virulent as ever. To be clear, Bradbury is not writing as pro-racist. Rather, he is musing on what would happen to the racists if their prey could —and did— just leave, far beyond where they could reach. 

(5) A MATCH MADE IN HELL. Christina Dalcher, in “The Dystopia At Home” on CrimeReads, looks at five dystopian novels (including Fahrenheit 451) for what they say about families.

You work hard all day, setting books on fire, waving your portable blowtorch around at anything that might be read, and when you come home, all you want is a little hug. Forget it, brother. Your wife is permanently glued to the largest boob-tube ever invented: the parlor wall, so stuck on it that she can barely remember your name. You start having second thoughts about your chosen trade, you want someone to talk to, and you turn to that one person who’s supposed to be your life partner, your sounding board in all things intimate. She tunes you out. You try reading a book, just for fun, and end up being locked out of the bathroom while your wife swallows enough pills to bring down a bull elephant.

Ah, marriage.

(6) GAIMAN AND WELLER ON BRADBURY. On May 9, as part of the Big Book Weekend programme, award-winning Bradbury biographer and writer Sam Weller joined in a spirited discussion with Neil Gaiman about Ray Bradbury’s inestimable influence and enduring popularity, and how it has inspired their own work.

The Big Book Weekend is a 3-day virtual festival, taking place on MyVLF.com (My Virtual Literary Festival), that brings together the best of the British book festivals cancelled due to coronavirus. The festival is sponsored by BBC Arts and The Arts Council, among others.

The program can still be viewed, however, free registration is required at https://myvlf.com. Other panels and discussions from various different genres are also available.

A transcript of the Weller/Gaiman discussion is accessible here. The URL seems to work if I’m not logged in, too, but no guarantees.

(7) DOING SOME WEEDING. If Bradbury hadn’t named a book after it I might never have heard of dandelion wine – now I even have a recipe for making it.

What started as a poor man’s wine in Europe slowly made its way into a tradition on the Great Plains of North America. Settlers found patches of the weed and started fermenting it into a sweet drink to enjoy after working in the fields all day.

Along with having a bit of alcohol, dandelion wine is also a medicinal drink. Dandelion flowers are packed with vitamins A, B, C, and D and are great for digestive health because they clean the kidneys and liver.

Today modern homesteaders make the wine at home and relish in its taste. Ever wanted to give winemaking a try? Now’s your chance to try homebrewing all those dandelion blossoms you have in your yard.

…While this dandelion wine recipe does take months to make, you’ll be happy you created it once you take the first sip of your very own homemade dandelion wine. In the meantime, read Ray Bradbury’s novel, Dandelion Wine, a 1957 novel that uses the flower petal wine as a metaphor for packing all of the joys of summer into a single bottle.

(8) COVERED IN ART. Anna Felicity Friedman explains how “Ray Bradbury Understood the Narrative Power of Tattoos” at LitHub.

…Tattoos and perceptions of them have transformed enormously from 1950­–51 when Esquire first published Bradbury’s short story in July of 1950, followed by the author using the character again as a frame device for the prologue and epilogue to The Illustrated Man collection. Tattooing was mired in a dark time in its history then, perhaps at its lowest point of popularity in modern times.

The heyday of the circus sideshow had passed, tattooing was mainly relegated to skid-row areas and near military bases, and, aside from macho characters like the soon-to-be-conceived Marlboro Man, tattoos were not for everyday people. By the 1950s, tattooed men held little appeal—especially compared to tattooed ladies—and Bradbury masterfully captured the pathos of being a washed-up tattoo performer, despite still being an extraordinary work of art, in his portrayals of Mr. William Philippus Phelps.

[Thanks to John King Tarpinian, Michael O’Donnell, and Martin Morse Wooster for these stories.]

Pixel Scoll 10/17/18 They Scrolled Paradise And Pixeled A Parking Lot

(1) BEST OF TED. Ideas.Ted.com. features Nnedi Okorafor: “’Write your story, and don’t be afraid to write it’ — a sci-fi writer talks about finding her voice and being a superhero”.

During family visits to Nigeria in the 1990s and 2000s, Okorafor was fascinated by the harmony between traditional belief systems and brand-new electronic devices. “I started noticing the use and the interplay of technology in Nigerian communities, especially when cell phones came around,” she says. “I saw phones popping up in the most remote places, and they were normalized in really cool ways.” She wondered why stories didn’t depict technology in African nations. In fact, she began to wonder why she wasn’t writing such stories herself.

In college, however, Okorafor found herself discouraged from writing science fiction. “I had professors who were constantly telling me, ‘You’re such a good writer; you want to stay away from all of that weird stuff,’” she remembers. “Eventually I just kind of jumped the rails, because I couldn’t help it.” Okorafor dove headfirst into creating the stories she never found on library shelves growing up — ones with strong female protagonists of color, African locations, speculative technology, aliens and magic, as well as complex and relevant social themes like racial identity and gender violence.

(2) A VISION OF THE FUTURE. Ray Bradbury biographer Sam Weller blasts a proposal to raze Waukegan’s old Carnegie Library building:

And this is why Charles Selle’s ridiculous call to “raze the edifice” of Waukegan, Illinois’ historic 1903 Carnegie Library building is short-sighted and, frankly, emblematic of Waukegan’s frustrating inability to capitalize on its own crown jewel lakefront location and its remarkable history. Cities large and small across the nation are embracing historic revitalization and renovation, attracting artists and entrepreneurs, restaurateurs and urban visionaries who see the connection to the past and the future. Selle’s assertion that the city is “hanging on to the past” with the long-abandoned Carnegie building is correct. Yet he misses the point entirely. Waukegan should hang on to its past. Selle doesn’t even propose a replacement suggestion for the location, instead only calling for the complete demolition of a building with landmark status. The fact of the matter is that the current plans to house the Ray Bradbury Experience Museum in the Carnegie is the best chance to renovate the old biblio-gem, to raise the needed funding, and to properly honor one of the world’s great, inspiring imaginations….

(3) OUT OF THE LINEUP. With Wendig gone, the Shadow of Vader comic has been sidelined, says The Hollywood Reporter — “Marvel Pulls Fired Writer Chuck Wendig’s ‘Shadow of Vader’ Series From Schedule”.

Marvel Entertainment released the official list of January 2019 comic book product this week, and one title was notable by its absence: Shadow of Vader, the five-issue comic book series written by Chuck Wendig, the writer Marvel fired last week because of his social media use.

(4) EREWHON BOOKS BEGINS. Tor.com boosted one of its editors’ new company: “Hugo Award-Winning Editor Liz Gorinsky Launches New Publishing Company Erewhon Books”.

(5) UPTOWN SPOT. Ed Green worked as a background actor on the Bruno Mars “Uptown Funk” music video – it’s good thing he got the gig before this new generation of robots came along!

(6) IN PRAISE OF FAMOUS MEN. Except in Slate, this praise is intended satirically — “In Defense of Soylent Green Inventor Henry C. Santini”.

On October 16, 2018, Popular Mechanics published a deeply weird tribute to mercurial industrialist Elon Musk, in which a carefully-curated group of technology journalists and Musk’s fellow rich people praised him for trying, regardless of what he was trying to do, whether or not he succeeded, or the methods he used to pursue his goals. One writer compared him at length to Mark Twain!

On October 16, 2022, NYPD detective Frank Thorn discovered that Soylent Green was made of people. The ensuing public scandal threatened the reputation of Henry C. Santini, the Governor of New York and a board member of both Holcox Manufacturing of Norfolk, Virginia and its parent company, the New-York-based Soylent Corporation.

On October 17, 2022, Slate sprang into action.

He is under attack. For saying the wrong thing, for not making enough Soylent Green, for creating a global manufacturing pipeline based on baking human corpses into little green crackers and telling people they’re made out of plankton. Some of the criticisms have merit. Much of it is myopic and small-brained, from sideline observers gleefully salivating at the opportunity to take him down a peg and maybe score a few extra rations in the process. But what have these anti-cannibalism activists and pontificators done for humanity?

Henry Santini is an engineer at heart, a tinkerer, a problem-solver, a genius at disguising the taste of human flesh—the kind of person Slate has always championed—and the problems he’s trying to solve are hard. Really hard. He could find better ways to spend his money, that’s for sure….

(7) HONEST TRAILERS. These YouTubers bid you “Return to the MCU franchise that makes you say ‘sure’ – It’s Ant-Man and The Wasp.”

(8) PUTTING AWAY THE FEATHERS. Variety has the story — “‘Sesame Street’ Puppeteer Caroll Spinney Retires From Big Bird, Oscar the Grouch Roles”.

Caroll Spinney has been a television mainstay since 1969, but his face has rarely made an appearance.

Disguised beneath a frock of bright yellow feathers and an orange bill, the “Sesame Street” puppeteer was the heart and soul behind Big Bird and Oscar the Grouch since the show’s premiere almost 50 years ago.

Now, at the age of 84, Spinney told the New York Times that he is retiring from “Sesame Street” after nearly half a century playing some of the show’s most iconic characters. Come Thursday, Spinney will enter the “Sesame Street” studios in Astoria, Queens for the last time before leaving the roles behind forever.

(9) TODAY IN DUCK HISTORY

  • October 17, 1937 — Huey, Dewey, and Louie first appeared in a comic strip.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 17, 1914 – Jerry Siegel, Comic Book Writer who also used pseudonyms including Joe Carter and Jerry Ess. His first foray into genre was as editor of a 5-issue fanzine called Science Fiction. He was co-creator of the Superman character, along with Joe Shuster. They started off selling stories to National Allied Publications, the original precursor of DC Comics, and sold the Superman character to Detective Comics, Inc., yet another forerunner of DC. His contentious career with DC and elsewhere is far too long to detail here; suffice it to say that if you’ve read comics, you’ve likely encountered some of his characters. He was inducted posthumously, with Shuster, into the Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame.
  • Born October 17, 1917 – Marsha Hunt, 101, Actor and Singer whose career was hampered by blacklisting during the McCarthy era. She had guest roles on the original versions of Alfred Hitchcock Presents, The Twilight Zone, and The Outer Limits, as well as on Star Trek: The Next Generation, Shadow Chasers, and the TV movie Fear No Evil. She has spent decades doing humanitarian work to fight poverty, starvation, homelessness, and mental illness.
  • Born October 17, 1922 – George Hay (Oswyn Robert Tregonwell), Writer, Editor, Conrunner, and Fan from the UK who served on convention committees and helped establish the Science Fiction Foundation in 1972. In addition to writing his own four novels, he co-edited the first 6 issues of the long-running Foundation: The Review of Science Fiction, edited several anthologies, and his fanzines included Realtime and Door Into George. He co-edited two volumes of The John W. Campbell Letters, the first of which was a finalist for a Hugo for Best Nonfiction Work. Named after him is the George Hay Memorial Lecture, an annual program item at Eastercon (the UK Natcon) in which an invited speaker, often a prominent British scientist, gives a talk on a scientific topic.
  • Born October 17, 1933 – William Anders, 85, Engineer and Astronaut, who was one of the first three persons to leave low Earth orbit and travel to the Moon in Apollo 8 along with fellow astronauts Frank Borman and Jim Lovell. The famous photograph Earthrise was taken by him. His foundation created the Heritage Flight Museum in Washington state; he serves as its President and until 2008 was an active participant in its air shows (his career includes more than 8,000 hours of flight time). The Anders crater on the Moon is named in his honor.
  • Born October 17, 1934 – Alan Garner, 84, Writer from England who is best known for his children’s fantasy novels and his retellings of traditional British folk tales. However, at least two of his novels, Boneland and Thursbitch, are decidedly adult in language and complexity in their storytelling. I strongly recommend both of them for Autumnal reading. His novel The Owl Service received the Carnegie Medal, and he has been recognized with British Fantasy Awards’ Karl Edward Wagner Award for contributions to genre, and with the World Fantasy Award for Life Achievement, as well as Guest of Honor at World Fantasy Convention.
  • Born October 17, 1946 – Bruce McAllister, 72, Writer, Editor, Teacher, and Poet of mainly short fiction whose novelette “Dream Baby”, about a Vietnam War nurse who can foresee which soldiers will die in battle, was nominated for Hugo and Nebula Awards, and was later expanded into a novel which was a Locus Award finalist. Other stories have garnered another Hugo nomination and a Shirley Jackson nomination. As a 16-year-old, he sent a survey to 150 well-known science fiction authors, asking them about symbolism in their work, and whether it was conscious or unconscious, intentional or the invention of readers – and received responses from half of them, ranging from an admin assistant’s blow-off to a thick packet of single-spaced typescript.
  • Born October 17, 1948 – Margot Kidder, Actor and Producer who is best known to genre fans as Lois Lane from Christopher Reeve’s Superman films. Other movie roles included The Reincarnation of Peter Proud, The Amityville Horror, and Halloween II, and guest parts in episodes of The (new) Outer Limits, Tales from the Crypt, Earth: Final Conflict, The Hitchhiker, and – most appropriately – Smallville. She struggled with health issues and bipolar disorder for decades, but in recent years had maintained steady work in numerous independent films and TV roles; sadly, she succumbed to an overdose of alcohol and painkillers in May of this year.
  • Born October 17, 1948 – Robert Jordan (James Oliver Rigney, Jr.), Writer who started out in the 80s writing Conan pastiche novels as well as westerns and historical novels, but who struck gold in the 90s with his Wheel of Time series. The novels were massively popular with fans; his series spawned an ardent Usenet forum community who called themselves Darkfriends and who later built an extensive internet resource at Dragonmount.com (what would now be considered a fandom wiki), inspired the Jordancon annual convention of devotees, and sold millions of copies. In the mid-2000s, he revealed that he had been diagnosed with a terminal illness, but continued to work on plot notes for the completion of the WoT series until his death. His widow, Tor editor Harriet McDougal, personally chose author Brandon Sanderson to complete the series using Jordan’s notes, and after the final three volumes were published, the entire series was nominated by Hugo voters for Best Novel. He was Guest of Honor at numerous conventions, and was posthumously given the Phoenix Award for Lifetime Achievement by Southern Fandom.
  • Born October 17, 1950 – Michael J. Walsh, 68, Publisher, Conrunner, and Fan who found fandom at the age of 17 and became involved in running conventions; he chaired numerous Disclave, Capclave, Balticon, and World Fantasy Conventions, as well as the notoriously-insolvent 1983 Worldcon. He is a member of the Washington Science Fiction Association, and has held a number of offices in that organization in addition to starting WSFA Press, which publishes special editions of works by Disclave and Capclave Guests of Honor. In 1993, he founded Old Earth Books, which publishes niche editions and reprints of out-of-print works, and which received a Special World Fantasy Award for its collections of Howard Waldrop’s short fiction; and he has been Guest of Honor at several conventions.
  • Born October 17, 1956 – Dr. Mae C. Jemison, 62, Physician, Engineer, and Astronaut who was a member of NASA’s eight-day 50th Space Shuttle mission in 1992, beginning each shift with the words “Hailing frequencies open” in honor of Nichelle Nichols, the Star Trek actor who inspired her to become an astronaut. The following year she left NASA to found her own company to promote STEM education to young people; her company won the bid for the joint DARPA and NASA 100 Year Starship Project to create a business plan that can last 100 years in order to help foster the research needed for interstellar travel. Jemison had a cameo on an episode of Star Trek: The Next Generation, and served as technical consultant for the current season of National Geographic’s drama series Mars (which – hey! is available in the U.S. via online streaming… BRB in about 6 hours). She was immortalized last year in LEGO’s Women of NASA minifigure set.
  • Born October 17, 1958 – Jo Fletcher, 60, Journalist, Writer, Editor, Critic, Poet, and Publisher from the UK who became involved in fandom at the age of 20, contributing to, and later editing, the British Fantasy Society’s Bulletin and attending conventions. Eventually she wound up running the British Fantasy Society with editor Stephen Jones, chairing Fantasycon (the British Fantasy Convention) and the first World Fantasy Convention held outside of North America, and serving on the boards of the WFA and WHA. After 16 years of running Orion’s Gollancz SFF imprint, including its SF Masterworks and Fantasy Masterworks lines, in 2011 she started her own imprint under Quercus; as ample demonstration of her acumen, Jo Fletcher Books published Robert Jackson Bennett’s Hugo-nominated Divine Cities trilogy. She’s been Guest of Honor at FantasyCon and WFC, has been recognized with the BFA’s Karl Edward Wagner Award for her contributions to genre and the BFS, and was given a special World Fantasy Award for Gollancz’ Fantasy Masterworks series.
  • Born October 17, 1971 – Patrick Ness, 47, Writer, Journalist, and Producer who emigrated from the U.S. to England. He is best known for his books for young adults, including the Chaos Walking trilogy, the novels of which received a Tiptree Award, a Carnegie Medal, and a Clarke Award nomination, and were adapted into a movie which will be out next March. His novel A Monster Calls won a Carnegie Medal and was nominated for a Stoker Award and the Prix Imaginaire; he adapted it into a movie which was nominated for a Saturn Award. He also wrote and produced the Doctor Who spinoff series Class, about a group of teenagers dealing with time travel and aliens.
  • Born October 17, 1983 – Felicity Jones, 35, Actor from England who gained genre fame, and a Saturn nomination, starring in the Star Wars film Rogue One, which won a Saturn Award and was a Hugo finalist for Best Dramatic Presentation; she reprised that role in the animated Star Wars: Forces of Destiny series. Other genre appearances include an Oscar-nominated lead role in the Stephen Hawking docudrama The Theory of Everything, the Saturn-nominated film adaptation of Ness’ A Monster Calls, The Amazing Spider-Man 2, and Inferno, a main role in the TV series The Worst Witch and its sequel series Weirdsister College, and an episode of Doctor Who. She has a lead role in next year’s The Aeronauts, a fictionalized version of the story of the hot air balloon pilot and the scientist who, in 1862, set a still-standing record for ascending 7 miles up in the atmosphere.
  • Born October 17, 1984 – Randall Munroe, 34, Engineer, Writer, and Cartoonist who has become famous for his webcomic xkcd, which frequently has panels relating to science, genre fiction, and other items of genre interest – including the Filer favorite Today’s Lucky 10,000. His 2015 book Thing Explainer explains concepts using only the 1,000 most common English words. He was twice a finalist for the Best Fan Artist Hugo, and his animated graphic sequence Time won a Hugo for Best Graphic Novel.

(11) COMICS SECTION.

(12) PROBLEMS WITH NOCTURNAL READER’S BOX. Jason Sanford shares a free report from his Patreon: “Publisher files suit against Nocturnal Reader’s Box, alleges $100,000 in books from multiple genre presses are missing”.

Nocturnal Reader’s Box (NRB), a “subscription box service shipping horror-themed books and merchandise for the price of $35 per month,” shut down in September. According to Bleeding Cool, the service run by the husband and wife team of Jessica and Vincent Guerrero was the “subject of numerous complaints about late or nonexistent shipping, changes to the company’s terms of service, missing or different-than-advertised items, and purportedly non-existent tracking numbers.”

The website for NRB currently states that “We’re temporarily closed!” Despite this, people online are alleging that NRB is still charging credit cards and that automatic renewal charges are still going through….

(13) VIEWED FROM THE INSIDE. Joseph Bentz answers the question “Why Is Writing So Hard?” — but as many books as he has out, you’d never suspect he had reason to ask!

Why do you need all those writers conferences to commiserate and moan about an activity—writing—that you supposedly love?

It’s a fair point, and yet, writers are very familiar with all those agonizing hours we spend squirming, staring at walls, searching for words, deleting words, and writing through drafts that won’t quite come together. Why such struggle?

I finally figured out why writing is so hard….

(14) FRANCOFILE. Adweek devotes an article to French company Cdiscount’s ad campaign — “These Outlandish Aliens Getting Ecommerce Deals Is the Spaciest of Oddities” – unfortunately, registration is required to read it.

The animated space creatures featured in Cdiscount’s latest campaign are absolutely over the moon about the French ecommerce site.

Thanks to YouTube you can see the ad – and if you speak French, even understand it!

(15) LEGACY. Vice’s Motherboard website explains how “How Paul Allen Saved the American Search for Extraterrestrial Intelligence” by donating money to the effort.

On Monday evening, Microsoft co-founder Paul Allen died of non-Hodgkin’s lymphoma at the age of 65. At the time of his death, Allen was the 47th richest person in the world, with a net worth of $26 billion. For the last few decades of his life, Allen used his wealth for a staggering variety of business and philanthropic interests. In addition to owning the Seattle Seahawks and the Portland Trail Blazers, Allen founded a brain science institute, an AI institute, and Stratolaunch Systems, which was exploring private spaceflight.

Yet one of the research areas where Allen made the biggest impact was also the one he spoke about the least: the Search for Extraterrestrial Intelligence (SETI). Indeed, Allen almost single-handedly rescued American SETI by donating over $30 million to scientists scanning the cosmos for intelligent radio signals.

(16) BRIGHT IDEA? According to the People’s Daily Online, China plans to use a mirror satellite to provide outdoors nighttime illumination for the city of Chengdu—and real soon now  (“Chengdu to launch ‘artificial moon’ in 2020”). The claim is that it will be several times brighter than a full moon over the city.

Southwestern China’s city of Chengdu plans to launch its illumination satellite, also known as the “artificial moon”, in 2020, according to Wu Chunfeng, chairman of Chengdu Aerospace Science and Technology Microelectronics System Research Institute Co., Ltd.

Wu made the remarks at a national mass innovation and entrepreneurship activity held in Chengdu on Oct. 10.

The illumination satellite is designed to complement the moon at night. Wu introduced that the brightness of the “artificial moon” is eight times that of the real moon, and will be bright enough to replace street lights.

…Some people expressed concern that the lights reflected from space could have adverse effects on the daily routine of certain animals and astronomical observation.

Kang Weimin, director of the Institute of Optics, School of Aerospace, Harbin Institute of Technology, explained that the light of the satellite is similar to a dusk-like glow, so it should not affect animals’ routines

(17) WAX ON. WAX OFF. Gizmodo’s io9 warns you, “Don’t Blink: Jodie Whittaker’s Doctor Who Wax Figure Is Watching You.”

That’s not a picture of Jodie Whittaker, Doctor Who’s new star, up there. Seriously. It’s a wax recreation so good that even the Nestene Consciousness itself would be a bit jealous of the handiwork behind it.

This frankly absurdly lifelike replica of Whittaker in her full 13th Doctor regalia is the work of a new Doctor Who experience at Madame Tussauds in Blackpool. Alongside the uncanny recreation of the actress, the experience includes one of the actual TARDIS props used during the filming of the 11th season of the show, as visitors are tasked with trawling a forest to hunt down the Doctor’s sonic screwdriver—retrieving it and bringing it back to its rightful, albeit waxy, owner.

(18) TROPE THEORY. The Fifth Element, Enchanted, Tron Legacy, My Stepmother Is an Alien, Sheena, Planet of the Apes, Stargate, Star Trek, Splash and other mermaid tales, even Forbidden Planet.  The female characters in the movies and shows are what Pop Culture Detective labels “born sexy yesterday” and describes as a male fantasy trope.  Occasionally, as in Star Man, the trope is in reverse.

(19) LIVE FROM 2007. For reasons that would take too long to explain I watched a lot of Commando Cody episodes before the start of LASFS meetings, so I especially enjoyed this parody of the classic serial –

[Thanks to JJ, John A Arkansawyer, Jason Sanford, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Carl Slaughter, and Andrew Porter, for some of these stories, Title credit goes to File 770 contributing editor and earworm creator of the day bill.]

Pixel Scroll 3/15/17 I’m Scrolling On My Knees Looking For The Answer

(1) NO FLY ZONE. John Brunner in The Shockwave Rider said that ‘The future arrives too soon and in the wrong order.’ And here’s proof of that — “French hoverboard inventor banned from flying in France”.

The man who invented the Flyboard Air has been barred from flying his jet-powered hoverboard in France, sparking a debate over the country’s policies on innovation. In a Facebook post on March 10th, Franky Zapata, founder of the company that bears his name, said there is a “strong probability that the Flyboard Air will never fly again in France,” after officials from the French air gendarmerie told him he would be placed under criminal investigation if he continued to pilot the craft. Zapata added that he will now be “obliged to leave France” in order to continue his work.

“That is how innovators are treated in our country,” Zapata wrote in a French-language post. “I leave you [to] imagine my disgust after having produced more than 10,000 ‘made in France’ Flyboards.”

(2) DO YOU DIG IT? A road that is too close to Stonehenge will probably be buried, but there are many issues with the proposed tunnel.

It’s one of the world’s most famous ancient monuments: an instantly recognisable icon from a forgotten world, a place for quiet wonder and contemplation.

And yet for many people, the first and perhaps only glimpse they get of Stonehenge is from a traffic jam on the A303, one of the main routes between London and southwest England.

This could be about to change. A bold £1.4bn plan proposes ripping up much of the existing road and replacing it with a new route that includes a 2.9km (1.8 miles), deep-bored tunnel just a few hundred metres south of Stonehenge….

A far bigger priority is ensuring that the context of the wider landscape is preserved, such as that the sightlines between the area’s various monuments and barrows – thought to have been deliberately designed by the Neolithic engineers of ancient Britain – are left intact.

For instance, a key area of concern with the current proposal, and something that McMahon and others hope to be able to persuade Highways England to address, is the positioning of the western entrance. “It’s too close to one of the major funerary monuments in the landscape called the Normanton down barrow cemetery,” says McMahon, “and the road coming out also sits for part of its route on the same astronomical alignment as the midwinter setting Sun.”

(3) GRAMMAR’S SLAMMERS. Walter Jon Williams declares “Victory for the Oxford Comma”:

I stand proudly with the Oxford comma, as it stands for reason, clarity, and mitigates against incertitude.  (Try reading that sentence without the Oxford comma and see where it gets you.)

I am pleased to know that the US Court of Appeals agrees with me, insofar as they ruled that a missing Oxford comma was the deciding factor in the case of Kevin O’Connor v. the Oakhurst Dairy….

(4) 10-SIDED DICE YES, BLACK HELICOPTERS NO. An Ars Technica writer at SXSW found “The CIA uses board games to train officers – and I got to play them”.

Clopper recalls one day in 2008 when his “boss’s boss” called him into a meeting and asked him to develop new internal training exercises. Normally, these exercises test whether recent lessons and seminars have been absorbed by officers, and they usually involve “teams, flip charts, and briefings,” Clopper says. “Incredibly boring.” But Clopper had now been at the CIA long enough to reshape its exercises, his boss said, and he got excited: “I’m a gamer. I enjoy games, video games, tabletop games. Could we bring games into learning?”

He used SXSW to present three board games made for his training exercises over the span of a four-year period, one of which is still in development. The first is the one we got the most hands-on time with during SXSW: Collection. If that dry-as-a-desert name isn’t a good indicator, rest assured—this is not a game meant for retail or for the highest ratings at BoardGameGeek.

Collection compares favorably to the popular cooperative game Pandemic. In Clopper’s game, a group of players must work together to resolve three major crises across the globe. The object is for players, who each represent different types of CIA officers, to collect enough relevant intel to resolve all three crises. If any one of the three impending disasters boils over (as represented by three increasing “fire” meters), the team loses. Every game must have at least three players to fill the roles of “political analyst,” “military analyst,” and “economic analyst.” Those three are only able to collect intel in their specific fields, while additional players (up to seven on a team) have their own specialties.

The difficulty comes from the low number of actions each player can do per turn, along with how quickly the fire meter ratchets up.

(5) WIZARDRY. Bradbury biographer Sam Weller tells why you should “Pay Close Attention to the Man Behind the Curtain: 8 Things I Learned About Writing from Ray Bradbury”.

In 12 years, as one might imagine, I observed many of Bradbury’s creative secrets. I peered behind the Oz-ian curtain, as it were, and paid close attention. Bradbury was a master storyteller and visionary artist who created across an unprecedented nine decades. Fahrenheit 451. The Martian Chronicles. Dandelion Wine. Something Wicked This Way Comes. Massive collections of poetry. Massive collections of essays. Hundreds of short stories across every conceivable genre. He owned and operated his own theatre company. He wrote episodes of The Twilight Zone and Alfred Hitchcock Presents. On a whim, he scripted an animated short film that was later nominated for an Oscar. He earned an Emmy for an animated television adaptation of his own YA novel, The Halloween Tree. Bradbury developed architectural concepts for shopping malls, the 1964 World’s Fair and EPCOT. There is a crater on the moon named, by NASA, for Ray Bradbury’s book 1957 novel-in-stories, Dandelion Wine.

The man was a force.

Not surprising then, that much of my own creative ethos is culled from what I learned working alongside Ray Bradbury….

(6) HARRIS OBIT. Jack Harris, producer of the original horror film The Blob (1958) died March 14 at the age of 98. He was also a producer or executive producer of Paradisio (1962), Beware! The Blob (1972), Schlock (1973) and other genre films.

(8) TODAY IN HISTORY

  • The Ides of March – Julius Caesar finds out what happens when you keep your friends close and your enemies closer.

(9) TODAY IN BEER HISTORY

  • March 15, 1937 – H.P. Lovecraft joins the choir invisible.

(10) FRANCHISE CROSSOVER. CBS gets its clicks on Route 66 with “19 Star Trek References on The Big Bang Theory”. First is —

“Game over, Moon Pie.”

Star Trek: The Next Generation‘s Wil Wheaton is a regular guest star on The Big Bang Theory. Sheldon’s arch nemesis makes his first appearance in “The Creepy Candy Coating Corollary” (Episode 5, Season 3), where he tricks Sheldon into throwing a Mystic Warlords of Ka’a card tournament.

(11) APOCALYPSE IN REVERSE GEAR. The Guardian interrupted the memorial service for paper books with this flash – “Ebook sales continue to fall as younger generations driver appetite for print”.

Readers committed to physical books can give a sigh of relief, as new figures reveal that ebook sales are falling while sales of paper books are growing – and the shift is being driven by younger generations.

More than 360m books were sold in 2016 – a 2% jump in a year that saw UK consumers spend an extra 6%, or £100m, on books in print and ebook formats, according to findings by the industry research group Nielsen in its annual books and consumer survey. The data also revealed good news for bricks-and-mortar bookshops, with a 4% rise in purchases across the UK.

While sales through shops increased 7% in 2016, ebook sales declined by 4%. It is the second year in a row that ebook sales have fallen, and only the second time that annual ebook sales have done so since industry bodies began monitoring sales a decade ago.

(12) PERIODICAL PERFORMANCE. The March ratings are up at Rocket Stack Rank. Sarah Pinsker, Khaalidah Muhammad-Ali, and Michael Flynn have the top-ranked stories.

(13) EQUALS? Natalie Luhrs does her annual slice-and-dice of the Locus Recommended Reading List to show how many listed works are by people of various genders and races.

I wrote yesterday that one problem with pure counting exercises is that they don’t tap into the experience or emotion of the subjects. Today in Luhrs’ report I ran into a further  question – if the goal is diversity, and an analyst is considering numbers in isolation, what number equals winning? This came to mind when I read this passage in her section on race. Luhrs found that works by people of color on the list increased from 15.61% to 26.47% in one year. She commented —

Race Breakout by Year, Percentages

Nearly three quarters of the works are still by white people. Representation of POC has jumped by over 10% and that is a really good thing, but I believe there is still room for improvement.

Does Luhrs have a target number in mind that Locus has yet to reach, or is she failing to put in perspective what seems to be a radical effort to get diverse works listed?

(14) GROWTH IN AFRICAN SFF. This isn’t the first time someone has asked “Why Is science fiction so white?” The news is that the question was posed today by a journalist in Zimbabwe, Mako Muzenda.

The presence of these spaces – websites, magazines and publications – goes a long way in introducing readers to different writers, and getting aspiring authors the visibility they need. Ivor Hartmann has been involved in speculative fiction since 2007, with the release of his first book Earth Rise. After going from publisher to publisher, looking for someone to put his book on the market, Hartmann (a Zimbabwean) was finally able to get his story out with Something Wicked, which at the time was the only science-fiction magazine for the whole of Africa.

“While I did publish it with them (Something Wicked), I was distressed at the lack of publishing venues for speculative fiction in Africa. So rather than moan about it I started up an online weekly magazine,” explains Hartmann. His decision led to the creation of StoryTime, which ran for five years until Hartmann switched to solely publishing anthologies. With enough experience in the industry behind him, Hartmann decided to take the plunge and address the inadequacies in African science fiction head-on with AfroSF, the first Pan-African science fiction anthology.

“Of course, now there are loads of African online magazines but back then it was all new territory for writers and readers. No longer were we held back by the excruciating logistics and heavy capital needed to run a print magazine.”

What had started off as a fringe movement is growing into a vibrant community of people dedicated to letting Africa’s voice be heard in speculative fiction….

(15) IN THE JURY ROOM. The Shadow Clarke Jury has produced three more thoughtful reviews.

The Underground Railroad is, perhaps, the best novel of 2016.

I qualify that statement only because I have not read every novel published in 2016. Nobody has. But I have seen nothing to suggest that I am wrong in this assessment. And I am not alone in this view; the novel has, after all, won America’s National Book Award.

I consider it the best, in part, because it is a novel that speaks to the moment the way that few other books do. It captures the screams of Ferguson, the anger of Black Lives Matter, the despair in the face of the renewed racism that celebrated the last American election. It is a book that places the experience of being black in America today on a trajectory that puts it closer to slavery than we ever like to think. And it does all of this with intelligence, with beauty, with subtlety, with wit and with invention. It uses the tools of the novel the way those tools are meant to be used, but so seldom are.

It is a book that held me with its first sentence, and continued to hold me, with horror and delight, through to its last sentence.

It is a good novel, perhaps the best novel; but does that mean it is the best science fiction novel?

What is Kavenna’s book actually about, though? This question is harder to answer than it first appears, no doubt intentionally so. As suggested above, the outline appears simple: Eliade Jencks, having failed to enter Oxford as a student, takes a job waiting tables in the cafe of the Tradescantian Ark Musuem and continues to conduct her researches in the evenings and weekends. While working at the cafe she makes the acquaintance of a Professor Solete, an eminent don whose magnum opus is the eponymous Field Guide to Reality, a theory of everything that will finally bring together his lifelong researches into the nature of life, death and the origins of the universe. Unfortunately, Professor Solete dies before the book can be published, and when his acolytes enter his rooms in search of the manuscript they find only a locked box, labelled ‘For Eliade’.

I start with Achimwene because he reminds us that one of the central themes of Lavie Tidhar’s Central Station is the telling of stories, and science-fiction stories in particular. Indeed, the narrative itself is an embodiment of a pivotal moment in sf storytelling: the move from short story to novel. The earliest sf novels weren’t novels as such; they were formed from several closely connected short stories, sometimes reworked to strengthen those connections, and were known as ‘fix-ups’. Central Station is a fix-up par excellence, bringing together Tidhar’s various Central Station stories, some of them substantially reworked, with a couple of new stories added to the mix, and a Prologue that introduces the novel as an act of storytelling, while itself participating in the act of storytelling not once but twice.

(16) A (SUIT)CASE OF CONSCIENCE. Is this “the perfect Tyrion Lannister cosplay” as Reddit  says, or in incredibly bad taste? YOU decide!

[Thanks to John King Tarpinian, Merrick Lex, Andrew Porter, JJ, Mark-kitteh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]