Hugo Controversy Hits Mainstream News; A Chengdu Vice-Chair Comments in Social Media

By Ersatz Culture.

IN THE GUARDIAN.The Guardian’s report “Science fiction awards held in China under fire for excluding authors” includes quotes from Xiran Jay Zhao and Paul Weimer.

…No reason was given for the exclusions, which were only revealed on 20 January when the Hugo awards published the full nomination statistics for last year’s prize. Certain titles were listed as having been given votes, but were marked with an asterisk and the words “not eligible”, with no further details given….

…Concerns have been raised that the authors were targeted for political reasons, connected to the fact that the ruling Chinese Communist party exerts a tight control on all cultural events that take place inside its borders.

Dave McCarty, the head of the 2023 Hugo awards jury, wrote on Facebook: “Nobody has ordered me to do anything … There was no communication between the Hugo administration team and the Chinese government in any official manner.”

McCarty did not respond to a request from the Guardian for comment, but shared what he said was the official response from the awards administration team on Facebook: “After reviewing the constitution and the rules we must follow, the administration team determined those works/persons were not eligible.” He declined to elaborate on what the rules were.

“I can only guess to why I was excluded, but it probably has something to do with my critical comments about the Chinese government in the past,” said Xiran. “You would think that as a big, powerful country, China would be graceful about criticisms, but they in fact take it very personally, and doubly so when it’s from Chinese diaspora.”…

…In an Instagram post published on 22 January, Kuang wrote: “I wish to clarify that no reason for Babel’s ineligibility was given to me or my team. I did not decline a nomination, as no nomination was offered … I assume this was a matter of undesirability rather than ineligibility.”

Paul Weimer, a hobbyist sci-fi writer, discovered last week that he was excluded from the best fan writer category, despite receiving enough nominations to be shortlisted. “I had the highest of hopes for Chengdu,” said Weimer, who has been nominated for Hugos in previous years. “I thought it was amazing that a number of Chinese fans had got together to get this bid together.”

The organising committee of Chengdu Worldcon did not respond to requests for comment….

The Bookseller posts about the Hugo controversy; seemingly removes the post shortly afterwards

Around 1:20pm UK time on Wednesday, I noticed that the website of The Bookseller trade magazine had posted a piece about the Hugos, covering material that should already be very familiar to File 770 readers.

Perhaps more interestingly, by around an hour later, the post seemed to be no longer available, or shown on their homepage, instead presenting a visitor with a login prompt,  The Bookseller does operate a system where you can only read one article a month without creating a (paid) account, but the usual workaround of opening the link in an incognito window or clearing cookies did not work.  (As I write this up several hours later, a generic “topics” index page is instead returned.)

Fortunately, Google has a cached copy. (Click for larger image.)

Bizarre post from Chengdu Worldcon Vice-Chair and Hugo finalist/nominee La Zi

拉兹 (La Zi, aka Raz aka Lattsep) is – per his Weibo bio, as rendered by Google Translate – ‘Deputy Editor-in-Chief of Science Fiction World, Chief Editor of “Science Fiction World”‘.  (I think one of those is in reference to the general SFW company, and the other to the SFW print magazine.)  The Chengdu Worldcon site lists him as one of eleven Vice Chairs of the con.  He was co-editor of the Best Fanzine finalist 中文科幻学术速递 (Chinese Science Fiction Express), placed tenth in the Best Editor, Short Form nominations.  He also co-edited the 2022 bilingual Galaxy Awards 1 anthology, the English translations therein being the means by which the older Chinese stories “Color The World”, “Upstart”, “Turing Food Court”, “Fogong Temple Pagoda”, “Resurrection”, “Tongji Bridge” and “2039: Era of Brain Computer” appear in the Novelette and Short Story nominations lists, although only Resurrection was a finalist, with “Color the World” and “Fogong Temple Pagoda” both being marked as “Not eligible”.  (The former being excluded because the translation had previously appeared in a 2021 anthology; the issue with the latter is still unknown.)

His most recent Weibo post from Tuesday 23rd reads as follows:

烂事早晚发酵,我阻拦还被泼一身屎,搞得某人跟我断交。希望现在知道我为什么阻拦了,阻拦是因为看到了某些位子底下埋了雷,坐上去就是死路一条,却被背后传小话的小人污蔑为夺人名利。好意或许被栽赃,问心无愧便无所谓。

Google Translate renders the text as follows:

Sooner or later, the bad things started to get worse. I got shit thrown at me when I tried to stop him, which made someone break up with me. I hope I know now why I blocked it. I blocked it because I saw that there were mines under certain seats. Sitting on them meant you would die, but you were slandered by the villains who gossiped about you for taking fame and fortune. Good intentions may be framed, but it doesn’t matter if you have a clear conscience. 

If that makes “the rules we must follow” look like the model of clarity, bear in mind that of the six (as I write this up) user comments, three are variants of “what are you talking about?”, so it’s no more comprehensible to many Chinese users than those reading the translation.

Below is a screengrab of the post along with an alternative English translation from the Alibaba Cloud functionality built into Weibo.

China cracks down on publishing of false data

On Monday, Reuters (via MSN) published a short piece entitled “China vows to punish officials for falsifying economic data“.  Selected paragraphs from the story:

BEIJING, Jan 22 (Reuters) – China will investigate and punish officials for falsifying economic data, the National Bureau of Statistics said on Monday, amid scepticism about the reliability of Chinese data….

“Statistical fraud is the biggest corruption in the field of statistics, which seriously violates the statistics law, seriously affects the quality of statistical data, obstructing and even misleading macro decision-making,” the official said…

There has long been scepticism about the reliability of Chinese data, especially as the government has sought to defuse market concerns about a protracted slowdown in the world’s second-largest economy.

Chengdu Bid Committee Officially Established to Facilitate Worldcon 2023 Bid

The bidders to hold the 2023 Worldcon in Chengdu, China held a kickoff meeting to publicize their efforts on July 28, the day before the start of CoNZealand. Those attending saw video messages from well-known sff authors Liu Cixin, Wang Jinkang, He Xi, and Yao Haijun, deputy editor-in-chief of Science Fiction World magazine,

A photo shows there also was a video message from Colette H. Fozard and William Lawhorn, co-chairs of Discon III, the 2021 Worldcon in Washington, D.C.. The 2023 site selection vote will be administered by their Worldcon. A press release posted after the meeting quotes Lawhorn —

William Lawhorn, chairman of the 2021 Washington Worldcon, also encouraged Chengdu’s bid. He hopes the Worldcon can expand its scope of influence to farther places on earth. “After all, only by hosting at different places each time, the world-class convention can be diverse and the sci-fi family can be enlarged.” Lawhorn said, “We need Chengdu, China to become a part of our world sci-fi family.”

The complete press release follows the jump.

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Chengdu After 100 Years – A View of the Future

[Thanks to Science Fiction World, China’s most influential sci-fi magazine, for providing this post. I feel the competition is newsworthy and the beautiful art is something you’ll want to see. However, running the item is not intended as an endorsement of the Chengdu Worldcon bid.]

What does Chengdu look like 100 years later? Sci-fi works are mind-blowing!

The 5th China (Chengdu) International Science Fiction Conference kicked off on November 22, in which the list of winners for “Chengdu After 100 Years” Global Science Fiction Works Collection sponsored by Chengdu Association for Science and Technology was officially published and a grand award ceremony was held. These eye-opening sci-fi works greatly intrigue our expectations for Chengdu 100 years later.

Cao Junjie, Deputy Mayor of Chengdu presents the First Prize awards

“Chengdu After 100 Years” offers a stage for people to picture the future Chengdu city. It collected science fiction works from across the world, and set awards of four groups: Sci-Fi Literature, Sci-Fi Video, Sci-Fi Fine Arts (Adult) and Sci-Fi Fine Arts (Children), having drawn universal attention from sci-fi fans worldwide. During the last three months, a total of 431 literary works, 418 fine art works and 21 videos were received from the US, Italy, Japan, South Korea and other countries and regions. Among them, Images: City of Taste or Taste of City by Yang Wanqing won the First Prize of Sci-Fi Literature, Chengdu after 100 Years by Qiu Yuan won the First Prize of Sci-Fi Fine Arts (adult) and Life in the Air in Chengdu after 100 years by Ji Shuyu won the First Prize of Sci-Fi Fine Arts (children). The First Prize of Sci-Fi Video remained vacant.

According to He Xi, Director of the Review Committee of “Chengdu After 100 Years” Global Science Fiction Works Collection, this one-of-a-kind event in China fully reflected Chengdu’s imaginative and innovative spirit and demonstrated the city charm of Chengdu as China’s “capital of science fiction”. Centering on the theme of science fiction, this global cultural dissemination activity would not only benefit the international publicity of Chengdu’s city image, but also promote Chengdu’s construction into “three cities and three capitals” (famous city of culture & creativity, tourism, and competition, and capital of delicacy, music, and convention and exhibition), thus significantly pushing the gathering of global science fiction resources to Chengdu. According to the organizing committee, the above-mentioned award-winning works will be stored for at least 100 years after being digitized. Chengdu people 100 years later will also learn today’s Chengdu people’s imagination of the future through these outstanding works.

Exhibition of “Chengdu After 100 Years” Excellent Works, which are really stunning and enlightening

Part of award-winning fine art works (adult group)

Chengdu after 100 Years

Qiu Yuan, Akita University of Art

Author’s conception: 100 years later, in Chengdu, the setting sun kindles the sky and a girl is strolling on the street. High buildings tower around in the distance where the light rail runs away. A sea of shining lights shows a bustling world…

Central Core of Chengdu after 100 Years

Li Jun, Beijing Zenjoy Technology Co., Ltd.

Author’s conception: 100 years later, AI completely replaces human intelligence, and it seems to have evolved Chengdu into a giant and intelligent creature. Urban transportation, public security, pollution, defense, and even human’s job are all coordinated by a central core. Life in such a city is like a game. A human being just needs to receive one or two tasks per day, and the rest of the time is completely free to arrange by self.

? Chengdu, the city of the future?

Zhu Wenlong, Beijing Wenlu Culture Media Co., Ltd.

Author’s conception: In order to preserve the 3,000 years of cultural history of Chengdu, the king in Bashu cultural mythology has been transformed into a “cuckoo”, the sunbird totem. Folk artists doing magical face-changing and fire spitting are also included in the picture, implying that the cultural inheritance will be immortal and exist in Chengdu 100 years later. Landmarks such as Yuanyang Taikoo Li Street, Radio & TV Tower and De Men Ren Li still stand in the technology-dominated Chengdu 100 years later, and the national treasure panda is still the symbol of the city. Super green antimagnetic buses, light energy-driven delivery robots, light speed trains and AI pandas offering consulting service everywhere bring us to the street scene of Chengdu 100 years later.

Chengdu Tower

Huang Qin, Sichuan Conservatory of Music

Author’s conception: I’m always thinking-what is the world like when the popular cyberpunk culture shows up with Chengdu landmark buildings? In the future 100 years later, clean energy will provide inexhaustible electricity, and beautiful starry sky at night is also visible in Chengdu. The cutting-edge holographic and AI application incisively showcases the aesthetics of modern science and technology against the night scene, and the lofty Chengdu Tower demonstrates the super advanced material science of Chengdu 100 years later. Though boasting so leading technology, Chengdu people remain true to their original heart, and landmark buildings built by the predecessors are kept intact and even further evolved and created.

Chengdu, City of Purity – Light of Globe

Zhang Xudong, Sichuan Robin Times Film & TV Media Co., Ltd.

Author’s conception: 100 years later, Chengdu sees epoch-making breakthrough in the field of sci-tech and ecological environment, where AI and nanotechnology get widely used. White nanomaterials are extensively applied to building surfaces to absorb solar energy and also purify the air for their better photosynthesis with plants. Vehicles are all powered by magnetic levitation and electricity, free of gasoline pollution. Chengdu becomes a truly oxygen-rich and pure city. In regard to AI application, small panda carriers serve for transportation, improving the express industry and facilitating the human life. At the same time, AI robots are in widespread use, pushing Chengdu into an era of science fiction. Light of Globe, a high-tech tower developed by artificial intelligence in the Southwest China, constantly updates various core technologies and is the core to control artificial intelligence as well. People in the future are looking forward to sending AI machines into space to continue exploring the universe.

City of Hot Pot

Pan Zhonghao, Beijing Zenjoy Technology Co., Ltd.

Author’s conception: When it comes to Chengdu, you can’t help but think of Sichuan hot pot. 100 years later, eating hot pot is still a part of people’s life. Chengdu will have developed into a hot pot city… A giant two-layer hot pot circled with a dragon becomes the new landmark of Chengdu. The smoky city is full of waterways that transport hot pot water, and people will take cruise ship to enjoy hot pot in various restaurants… 100 years later, Chengdu is full of cheerful air…

An Ideal City of Ease

Luo Ya, Sunny Day Studio

Author’s conception: 100 years later, Chengdu boasts time-honored and enduring historical heritages (hot pot, Sichuan opera, Taoist culture, Taikoo Li, statue of Chairman Mao, TV Tower, landmark buildings, etc.). We never stop the pace to explore the world and update cognition (the picture shows high-dimensional space-timers, shuttles, high-speed traffic, new forms of energy transmission, etc.). Pandas stand for people living in Chengdu, fun, playful, with trueness. Technology and wisdom are achieved through games. The true meaning of the universe is constantly explored by Chengdu people.

Chengdu in New Century

Yang Shu, Freelancer 

Author’s conception: With the rise of cutting-edge technology in 100 years, those future scenes in fantasy movies which seem distant have become reality. Chengdu influenced by Chinese culture has a free-spirited personality. Boating on the Nanhe River and feeling the lively night market on the banks of the river, you know that even in the distant future, the inner of Chengdu will remain unchanged.

City of Pandas: A Future with Cate 

Yang Hui, Freelancer

Author’s conception: After 100 years, it might be possible to see pandas everywhere! At that time, the tradition of lining up for food is still maintained in the leisure city of Chengdu, and it is no wonder even if two or three alien tourists appear in the queue!


List of Winners for “Chengdu After 100 Years”

I. Sci-Fi Literature Works

First Prize                       

  • Images: City of Taste or Taste of City– by Yang Wanqing

Second Prize     

  • Hibiscus Flowers Blossom – by Jia Yu
  • The Other – by Wang Yuan
  • Future, Has Already Been Here – by Liu Wei   

Third Prize        

  • Fire Ghost and Fireworks – by Li Huayi
  • Significant End of Chengdu in 2119 – by Song Ruiyang
  • Atlas Shrugs – by Jia Tianyuan
  • Message After 100 Years – by He Jixuan (Zhong Tuiyi)
  • Panda with Human Face – by Jiang Tian

II. Fine Arts (Adult Group) Works       

First Prize                

  • Chengdu after 100 Years – by Qiu Yuan (pen name: Qiu Yuan)

Second Prize                  

  • Chengdu Tower – by Huang Qin
  • Chengdu in New Century – by Yang Shu
  • Chengdu, the city of the future – by Zhu Wenlong

Third Prize                  

  • Central Core of Chengdu after 100 Years – by Li Jun
  • City of Hot Pot –  by Pan Zhonghao
  • Chengdu, City of Purity – Light of Globe – by Zhang Xudong
  • An Ideal City of Ease – by Luo Ya
  • City of Pandas: A Future with Cate – by Yang Hui

III. Fine Arts (Children Group) Works 

First Prize                  

  • Life in the Air in Chengdu after 100 Years – by Ji Shuyu  

Second Prize                   

  • View of Anshun Bridge after 100 Years – by He Jiheng
  • No. 2119 Shuhan Road – by Xing Bojun
  • Intelligent Healthcare, Health Chengdu – by Cai Yifei

Third Prize                     

  • Chengdu after 100 Years – by Zhou Sichen
  • A Dream of 100 Years ? Chengdu in My Heart – by Xiao Yaqi
  • Chengdu Space Station – Zhan Bochao
  • Chengdu with Air Rails Decorated with Hibiscus after 100 Years – by Li Zihan
  • Chengdu, City of Hibiscus in 100 Years – by Mou Boyasi

IV. Video Works

Second Prize                       

  • Rebirth – by Li Yong
  • Sunny in Chengdu – by Zhang Zirui
  • Chengdu Visual – by Luo Yingqi

Third Prize                         

  • Perception of Everything – by Li Xiudan
  • Panda and Mole 2119 – by Li Yi
  • Travel – Wu Jiaxun
  • Boundless Green – by Tan Yu
  • Chengdu, Sichuan Opera, Cyberpunk – by Cao Qinyu

Special Prize

  • 30,000-li Bashu – by Quan Hui (South Korea)
  • Finally, I Meet You Here – by Kazuhiro Yada (Japan)

[Editor’s note: The original text does not include a First Prize for Video Works.]

China’s Galaxy Awards at 25

The winners of the 25th annual Galaxy Awards were announced at a ceremony in Shanghai on September 20. Regina Kanyu Wang delivered the results to English-language readers as part of her coverage of the event for Amazing Stories. (The titles are her translations.)

BEST SHORT STORY
“Age of the Elderly” by Han Song
“Wake up at Dust” by Jiang Bo
“Reaping the Childhood” by A Que

BEST NOVELLA
The Windy City by Zhang Ran

BEST NOVEL
Escaping the Mother Universe by Wang Jinkang

BEST NEW WRITER:
Chen Zijun

BEST TRANSLATION:
Wyrd Sister by Hu Shu

BEST ARTIST
Liu Junwei/Shark Dan

BEST EDITOR
Yang Feng, deputy editor-in-chief of Science Fiction World

MOST POPULAR FOREIGN WRITER
Ken Liu

BEST ORIGINAL BOOK
Escaping the Mother Universe, Sichuan Science and Technology Press & Science Fiction World

BEST TRANSLATED BOOK
The Difference Engine, New Star Press

BEST RELATED BOOK
Fly! The Great Qing Empire: Imagination and Science in Modern China, Beijing United Press & Motie Press

BEST GAME
The Legend of Galaxy: Time Fleet

BEST SCREENPLAY
Honey from the Star

BEST SCIENCE EDUCATION ORGANIZATION
Beijing Green & Shine Foundation
Fosun Charity Foundation

The Galaxy Award was established in 1986 and currently is hosted by China’s Science Fiction World magazine.