Pixel Scroll 10/11/18 My Pixels Touched Dog Pixels! Agh!

(1) F&SF. Gordon Van Gelder shared F&SF’s Nov/Dec 2018 issue cover:

(2) ISS CREW OKAY AFTER FAILED TAKEOFF. Astronauts bound for the ISS safely returned when their rocket failed soon after launch — “Space crew survives plunge to Earth after Russian rocket fails”.

A Russian cosmonaut and a U.S. astronaut were safe on Thursday after a Soyuz rocket bound for the International Space Station failed in mid-air two minutes after liftoff in Kazakhstan, leading to a dramatic emergency landing.

The two-man crew, Russian cosmonaut Alexei Ovchinin and American Nick Hague, landed unharmed on the Kazakh desert steppe as rescue crews raced to reach them, according to the U.S. space agency NASA and Russia’s space agency Roscosmos.

The mishap occurred as the first and second stages of a Russian booster rocket separated shortly after the launch from Kazakhstan’s Soviet-era cosmodrome of Baikonur.

(3) WHALE OF A TALE. L.A. Smith has a fascinating writeup about this 8th century artifact — “The Franks Casket” – carved from whalebone.

…So, the pictures and inscriptions on the casket are a great source of scholarly discussion. To top it all off, there seems to also be some numerological significance to the number of runes on the casket. There are 72 runes on the front and left panels, and a total of 288 runes in total. The 72 could correspond to the 72 disciples mentioned in the Latin Vulgate Bible familiar to the Anglo-Saxons. The number 288 is a multiple of 24, which is the number of runes in an early continental Anglo-Saxon runic alphabet, which had magical significance for the Anglo-Saxons.

Phew! No wonder many scholars have devoted so much time and effort on trying to decipher the runes and pictures on this little box. The more you look at it, the more you discover.

This beautiful box has so much to tell us about this fascinating period in England’s history….

(4) ANIME TRIAGE. Petréa Mitchell reviews 15 anime series and approves many as the title of her Amazing Stories post hints — “Anime roundup 10/11/2018: Sturgeon Takes a Holiday”. For example —

That Time I Got Reincarnated as a Slime premiere – Satoru Mikami is a single geek who suddenly gets stabbed to death on a Tokyo street, only to find himself in a fantasy world, granted fabulous powers, and hobnobbing with a mighty dragon. Typical light-novel power fantasy, right? Well, there are a couple of catches. One is that he’s been reborn as the weakest creature possible. The other concerns the visual presentation of the show itself.

When adapting a popular property, a show is expected to make a predictable amount of money off selling Blu-Rays and merchandise to hardcore fans. Since those fans will buy it no matter what, most shows like this have a look about them that the only minimum necessary effort was made. In this case, a similar calculation seems to have been made, only the conclusion was that those fans will still mindlessly purchase it if it turns into an art film.

This premiere is one visual treat after another, from the careful attention to detail in the movement and posture of people in modern Tokyo, to the trippy mixed-media imagery as Satoru falls into another reality, to the wild expressiveness wrung from a ball of goo. This still has some of the usual problems of light-novel adaptations— the protagonist is already ridiculously overpowered, too much game terminology, and a lot of time spent sitting around and talking— but between the unique twist and the look of this episode, it’s actually enjoyable.

(5) FIRST MAN REVIEW. NPR’s Linda Holmes reports that “‘First Man’ Considers Glory, Grief And A Famous Walk On The Moon”:

…We encounter Armstrong at three points: 1961, leading up to the start of his training as an astronaut; 1965, just before his first space flight; and 1968, as he prepares to be the first person to walk on the moon. His family life progresses alongside his much more famous professional one: the loss of his two-year-old daughter from brain cancer, the grief that nearly consumes him after, the sacrifices that his service demands from his wife, Janet (Claire Foy), and his relationship with his two boys, to whom he hesitates to explain the dangers of space travel….

(6) WHAT WE LEARNED FROM WAR GAMES. The answer is: absolutely nothing. BBC reports “US weapons systems can be ‘easily hacked'”.

…The committee’s members expressed concerns about how protected weapon systems were against cyber-attacks.

The report’s main findings were:

  • the Pentagon did not change the default passwords on multiple weapons systems – and one changed password was guessed in nine seconds…

So, does the United States use its birthday as a password? – July41776….

(7) RIVERDALE RECAP. A public service message from Martin Morse Wooster:

For people who are wondering how much Riverdale is like Archie Comics, I offer the folllowing recap of last night’s show.

Archie Andrews was found guilty of murder, but he was framed by Veronica’s father.  The underground offers to sneak him into Quebec but he decides to stay in Riverdale and take his punishment.

Veronica finds out where the jury in Archie’s trial is sequestered and sneaks into the hotel in a maid’s outfit but is thrown out before she can engage in jury tampering.

Betty is an Adderall addict and is stopped before she can fill a forged prescription.

But the gang still relaxes at Pop’s Malt Shop!

Also, I learned that fans who want Betty and Jughead to have a relationship are known as “Bugheads.”

(8) GLASS. M. Night Shyamalan’s next picture, about tortured people with superpowers, will be released in the U.S. on January 18, 2019.

M. Night Shyamalan brings together the narratives of two of his standout originals—2000’s Unbreakable, from Touchstone, and 2016’s Split, from Universal—in one explosive, all-new comic-book thriller: Glass. From Unbreakable, Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. Joining from Split are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.

 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 11, 1922 – G.C. Edmondson (José Mario Garry Ordoñez Edmondson y Cotton), Author from Mexico who mostly wrote Westerns under several pen names – and, being fluent in six languages, he also did translations – but produced a number of science fiction works, many involving time travel and Latin America, including the Nebula Award-nominated The Ship That Sailed the Time Stream and its sequel, the trilogy The Cunningham Equations (co-written with C. M. Kotlan), and numerous short works in his Mad Friend universe.
  • Born October 11, 1928 – Doris Piserchia, 90, Author of more than a dozen of what multiple sources call “darkly comic novels”, including her penultimate novel, I, Zombie which she published under the pseudonym Curt Selby, and a somewhat larger number of short fiction works. Because she had a story in The Last Dangerous Visions, she has been labelled New Wave by some who didn’t do their research properly. Like most genre writers of the 70s and 80s, she has greatly benefited from digital publishing, with all of her backlist now republished in that format.
  • Born October 11, 1944 – Patrick Parrinder, 74, Writer and Critic from England who is one of the foremost experts on H. G. Wells, having written works specializing on that author subtitled Shadows of the Future, Science Fiction and Prophecy, and The Critical Heritage. Not to be mistaken as a one-trick pony, he’s also penned Science Fiction: Its Criticism and Teaching and Utopian Literature and Science.
  • Born October 11, 1944 – Julek Heller, 74, Artist and Illustrator from Jerusalem who emigrated to England, who did cover art for around 80 novels and more than 50 works of interior art, mostly in the 80s and 90s, including covers for works by Norton, Moorcock, Silverberg’s Majipoor series, and several Mammoth Books. He also provided artwork for the 1978 TV series Pinocchio.
  • Born October 11, 1945 – Gay Haldeman, 73, Writer, Translator, and Member of First Fandom who has Masters degrees in Linguistics and Spanish. A fan and con-goer since 1963, she has contributed many letters, essays, and convention reports to genre and fannish publications, a fair number of them written in Spanish. She and her author husband Joe have been Guests of Honor at numerous conventions – including a relaxacon in Sydney, Australia named Haldecon – and she has been much in demand as a con Toastmaster. She and Joe were given the Edward E. Smith Memorial Award (NESFA’s Skylark Award) in 1996.
  • Born October 11, 1950 – William R. Forstchen, 68, Writer and Historian, whose early novel series included Ice Prophet, Wars of Heaven, Gamestar Wars, and The Lost Regiment, and more recently the One Second After post-apocalyptic novels. Has also contributed novels to the Star Trek, Riftwar, and Wing Commander universes. He was Guest of Honor at InConJunction XIX.
  • Born October 11, 1953 – David Morse, 65, Actor, Writer, Singer, and Director, who has had main roles in the Hugo-nominated Twelve Monkeys, The Green Mile, The Boy, Double Vision, the Occurrence at Owl Creek Bridge-inspired Passengers, and the Hugo-winning film adaptation of Carl Sagan’s Locus-winning Contact, as well as parts in World War Z, Joe Hill’s Horns, TV series Friday the 13th: The Series, Tales from the Crypt, SeaQuest DSV, Medium, and Blindspot, and the Stephen King miniseries The Langoliers.
  • Born October 11, 1962 – Joan Cusack, 56, Actor and Writer especially known for comedic roles, who had main parts in the Hugo-nominated Addams Family Values (for which she received a Saturn nomination), the film adaptation of David Gerrold’s Hugo- and Nebula-winning The Martian Child, It’s a Very Merry Muppet Christmas Movie, Looney Tunes: Back in Action, and a plethora of voice roles in animated features including the Hugo-nominated Toy Story movies and TV specials, Chicken Little, and Mars Needs Moms.
  • Born October 11, 1965 – Lennie James, 53, Actor, Screenwriter, and Playwright from England who has had main roles in the genre TV series The Walking Dead, Fear the Walking Dead, and Jericho, and movie roles in Blade Runner 2049, Sahara, Lockout, and the (in JJ’s opinion) vastly-underrated Lost in Space.
  • Born October 11, 1965 – Sean Patrick Flanery, 53, Actor who starred in the TV series The Young Indiana Jones Chronicles and also had lead roles in the genre films Powder, Demon Hunter, The Insatiable, Veritas, Prince of Truth, InSight, The Devil’s Carnival, and The Evil Within, and guest roles on Stargate: SG-1, The Twilight Zone, The Dead Zone, The Outer Limits, Charmed, and Touched by an Angel.
  • Born October 11, 1972 – Claudia Black, 46, Actor from Australia best known for her roles as Aeryn Sun on Farscape (for which she won a Saturn Award) and Vala Mal Doran on Stargate SG-1 (for which she won a Constellation Award, Canada’s counterpart to the Saturn Award), who also appeared in the films Pitch Black and Queen of the Damned. Her first genre role was as Cassandra on Hercules: The Legendary Journeys, followed by episodes of Xena: Warrior Princess, Beastmaster, The Dresden Files and Haven, a recurring role on The Originals, and a main role on Containment. She has also provided character voices to animated films and TV series, and a very large number of videogames, including Uncharted, Dragon Age, Mass Effect, and Final Fantasy.
  • Born October 11, 1972 – Nir Yaniv, 46, Writer, Editor, Musician, and Fan from Israel who in 2000 founded the webzine of the Israeli Society for Science Fiction and Fantasy and was its chief editor for seven years. He later edited several issues of Chalomot Be’aspamia, Israel’s only professional printed science fiction and fantasy magazine. He co-authored with Lavie Tidhar the short novel The Tel Aviv Dossier, and has published a collection of his short fiction, The Love Machine and Other Contraptions; several of his stories have been translated into English by Tidhar. As a musician, he created the first Hebrew-language SF music-themed album, The Universe in a Pita, and more recently has begun writing and directing short films of strong genre interest.
  • Born October 11, 1974 – Ian Mond, 44, Writer, Critic, and Podcaster from Australia who has published a dozen of his own stories, plus a few Doctor Who stories. He was Tuckerized by fellow Australian and Doctor Who writer Kate Orman in the tie-in novel Blue Box. For eight years, he co-hosted with Kirstyn McDermott the Hugo-nominated and Ditmar-winning book podcast, The Writer and the Critic, and his reviews of genre fiction have garnered him two Atheling nominations. He started reviewing for Locus Online in June this year.
  • Born October 11, 1978 – Wes Chatham, 40, Actor best known for a main role in the Hugo-winning TV series The Expanse, as well as a role in the two-movie Hunger Games installment Mockinjay.
  • Born October 11, 1974 – Doona Bae, 34, Actor from South Korea whose most notable genre role has been as a lead in the TV series Sense8 but has also had roles in Cloud Atlas and Jupiter Ascending, as well as several South Korean science fiction and horror films including The Ring Virus and The Host and the manga adaptation Air Doll.
  • Born October 11, 1985 – Michelle Trachtenberg, 33, Actor and Producer who started early in genre roles with a guest role on Space Cases at the age of 11 and a main role on Meego at the age of 12. At 14, she took on a main role in Buffy the Vampire Slayer, for which she received 3 Saturn nominations. Her other appearances include the films Inspector Gadget, Can’t Be Heaven, Richie Rich’s Christmas Wish, Black Christmas, 17 Again, and The Scribbler, and guest spots on the live-action and animated TV series Sleepy Hollow, Dragonlance: Dragons of Autumn Twilight, Robot Chicken, The Super Hero Squad Show, SuperMansion, and Superman/Shazam. She currently has a starring voice role in the animated SF series Human Kind Of.

(10) COMICS SECTION.

(11) FRANKENSTEIN. Sean O’Hara talks about how Mary Shelley’s preface to the book was an attempt to whitewash her life — “The History of Frankenstein Part I: Lies, Damned Lies, and Mary Shelley’s Preface to Frankenstein”

Most of us are familiar with the tale of how Mary Shelley came to write Frankenstein — how she and her husband Percy were on vacation in Switzerland and happened to be staying near Lord Byron, and on a dark and stormy night, after reading some German horror stories, they decided to have a contest to see who could write the scariest story. It all sounds so genteel. Something you’d see on Masterpiece Theater.

It’s also pure BS.

Mary and her step-sister Claire were the Kardashians of the early 19th Century. And I don’t mean they were wild by the standards of their day. They did things that would still make the front page of TMZ. If they were alive today, they’d be feuding with Beyonce and Taylor Swift, I guarantee it.

So where did the sanitized version of the story come from?

Why Mary Shelley herself….

— Then steps back to look at her mother, the feminist philosopher Mary Wollstonecraft: “The History of Frankenstein Part II: That Time the World’s First Feminist Married the World’s First Libertarian”.

But their happiness was short lived. Wollstonecraft became pregnant at the end of 1796, and she and Godwin decided, despite their mutual misgivings about marriage, to wed so their child would be legitimate. But Wollstonecraft was by now thirty-eight, an age at which child birth became dangerous. Her daughter Mary was born safely, but Wollstonecraft contracted a postpartum infection and died a mere two weeks later, leaving her two daughters in the care of a forty year old man who had spent his entire life as a bachelor.

There are several more posts in this series at O’Hara’s blog, Yes, We Have No Culottes.

(12) KIRBY YOUR ENTHUSIASM. Scott Bradfield recommends “Reading irresponsibly with Jack Kirby” at the LA Times.

Probably what I miss most in our perilous, terrifying and end-of-times-like historical era is the ability to read irresponsibly. There’s just too much responsible reading around; it can drive you to drink. Everything we’re supposed to read keeps looming up out of the darkness, bristling with portents, economic data, apocalyptic planetary crises and an endless urgent blizzard of news bulletins about tweets, personal liberties, gun violence and conflagrations both natural and metaphorical — all of which require more sober attention than most of us can muster. Increasingly (and understandably), reading has become a duty to be performed by conscientious citizens and students. And I’m sorry, but jeez, that just isn’t right.

When I was young, reading irresponsibly was easy. I did it all the time. In fact, well into my late teens and early 20s I could easily lose myself in books and comics; it just came with the territory.

(13) WFA CONTENDER. Lela E. Buis sings the praises of a World Fantasy Award nominee: “Review of City of Brass by S.A. Chakraborty”.

…So, counter to the depressive trend in the WFA finalists this year, this is a romance and an intrigue. All these people are lying to each other, and political groups are plotting right and left. Daevabad is exotic, the details of the city life, the temples and the palace very well assembled. I didn’t have any problems visualizing the people, the creatures or the scenery–the author has done a lot of research. The characters are slightly flat, but the story is more focused on the action and intrigue than on revealing their deepest inner thoughts. The reader is left to deduce a lot of what’s going on from their actions….

(14) MURDER MOST ‘BOT. And Buis gives five stars to the conclusion of the Murderbot series, but says it is not flawless – “Review of Exit Strategy by Martha Wells”.

On the not so great side, I’ve got some nits to pick with the whole story arc at this point. I suspect the series was written fairly quickly, as Wells has said it’s a short story that got out of control, and after the huge success of the first novella, she quickly got in gear to produce the rest. Tor was also in a hurry to follow up on the initial success, and went light on the editing. That means there are some inconsistencies in the content.

(15) CHIBNALL ON WHO. Showrunner Chris Chibnall discusses his new vision for Doctor Who.

(16) WHO PANEL AT NYCC. Here’s the full Doctor Who panel from New York Comic-Con 2018, with Jodie Whittaker, Chris Chibnall and Matt Strevens.

(17) THE NOSE KNOWS. io9’s Germain Lussier is thrilled to hear that “The Most Disgusting Scenes in Star Wars Are Now Scented Candles”.

Scents like “Trash Compactor,” “Inside of a Tauntaun,” “Rancor,” and “Sarlacc Pit” are just some of the scents available in these new, officially licensed candles. There are some more pleasant sounding ones, too, like “Bantha Milk,” “X-Wing Cockpit” and “Yoda’s Cooking Pot”—as well as just plain weird ones like “Death Star Destroyed,” “Millennium Falcon,” “Han Solo Carbonite” and “Lightsaber Duel.”

(18) AND SMALLER FLEAS TO BITE ‘EM. Science Alert is sure “You’ll Never Guess What Scientists Want to Call The Moon of a Moon”.

Stars have planets, and planets have satellites we call moons; but can a moon have its own satellite? And if it did, what would we call it?

In a paper currently up on pre-print resource arXiv, astronomers Juna Kollmeier of the Carnegie Institution for Science and Sean Raymond of the Laboratoire d’Astrophysique de Bordeaux have called them submoons.

But other scientists are using the far more delightful term moonmoon, so that’s what we’re going to go for.

(19) VIDEO OF THE DAY. In La Futur Sera Chauve (The Bald Future) on Vimeo, Paul Cabon imagines how limited his life will be when he loses his hair.

[Thanks to John King Tarpinian, Brian Z., JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 5/8/16 The Pixelshop of Isher

(1) CHINESE NEBULA AWARDS. Regina Kanyu Wang, linking to the Chinese-language announcement, informed Facebook readers about three people who will be guests at the Chinese Nebula Awards this year: Worldcon 75 co-chair Crystal Huff, SFWA President Cat Rambo and Japanese sf writer Taiyo Fuji.

Crystal Huff responded:

I am so very honored and pleased to reveal what I’ve been quietly psyched about for a while now:… I am thrilled to go to China for my first ever visit, and meet new friends in Beijing and Shanghai! So thrilled!

Cat Rambo told File 770 she’s more than excited about the trip:

I am super!! stoked!! about it and have been spending the last month and half trying to pick up a little conversational Mandarin. Post Beijing, another Chinese SF organization is taking me to Chengdu for a similar ceremony involving SFF film awards. This trip is – next to being able to tell Carolyn Cherryh she was a SFWA grandmaster — one of the biggest thrills of being SFWA president I’ve experienced so far, and I’m looking forward to getting to know the Chinese publishing scene a bit better in a way that benefits SFWA and its members.

(2) ANIME EXPO HARASSMENT POLICY. Sean O’Hara reported in a comment, “Anime Expo just went hardcore with a new Youth Protection program that requires all employees, volunteers, vendors and panelists to submit to a criminal background check and take an online courses.”

Read the policy here [PDF file].

SPJA Youth Protection Policy

  1. Purpose and Goals

The Society for the Promotion of Japanese Animation (SPJA) recognizes the importance of protecting youth participants in SPJA events and activities, including online activities. SPJA has adopted a zero tolerance policy with regard to actions or behaviors that threaten the safety of young people, including violence, bullying, sexual harassment, sexual assault, and other inappropriate or potentially harmful actions or behaviors. SPJA views the safety and security of all participants—especially young people— as a top priority.

All participants at SPJA events and activities (including online activities) are encouraged to report any unsafe or inappropriate behaviors, conditions, or circumstances, including any violation of this Youth Protection Policy or violation of any other policy or rule intended to promote a safe environment….

(3) LIVING HISTORY. Ted White, the Hugo-winning fanwriter, pro, and former editor of Amazing, was interviewed for his local paper, the Falls Church News-Press, on May 6 – “F.C.’s Ted White Reflects on Comics, Sci-Fi and the Little City”. The reporter asked about his interests in sf, jazz, writing, and comics.

N-P: How were you introduced to comic books?

White: They were there. I found them. I mean, I can’t remember what the first comic book I ever saw was but it was probably one that one of the neighborhood kids had and it very likely didn’t even have a cover….We’re talking the war years, the ‘40s, early on [and] comic books just sort of passed from hand-to-hand. It was a long time before I bought my first comic book.

There’s an interesting story involved in all of this….One day, I think it was between the first and second grade, the summer, and…Madison had a swimming program for the summer.

And I would walk over to the school, which was a mile away but it didn’t matter because I used to walk everywhere, at a certain time in the morning and join up with a motley crew of other kids and be taken into Washington, D.C. to 14th and K Streets where there was the Statler Hotel….At the end of that we were brought back to Madison and it was time for me to walk home.

But I didn’t walk directly home. For some strange reason I followed N. Washington Street north…I’m not sure where I was headed to but north of Columbia Street there is a bank that used to be a Safeway, a tiny Safeway…and I’m walking in that direction and I’m almost opposite that Safeway when I meet a friend of mine who is pushing his bicycle up the sidewalk…and in the basket of his bicycle he has several comic books.

And we stopped and we talked and he showed me the comic books and I don’t know how I did it, but I talked him out of them and he gave them to me and one of them was an issue of Wonder Woman.

Now I had never seen Wonder Woman before – this was a brand new comic book to me. And it was strange. The art was strange…it was almost Rococo and the writing was even stranger….I started reading this comic book as I was coming along Columbia Street to Tuckahoe and I’m just sort of very slowly walking, reading intensely. It would be the equivalent of someone obliviously reading their cell phone while walking down a sidewalk….I was about halfway home when I look up and I see my mother rapidly approaching and she does not have a happy look on her face.

I am hours late because I’ve been spending all my time dawdling, reading comic books. And my mother took the comic books out of my hand and took the ratty dozen or so that I already had, most of them coverless, and took them out to our incinerator and burned them all.

This profoundly upset me but it also changed me. I was six or seven then, and I decided two things which I was happy to share with my mother. One of them was that she was never ever going to destroy anything of mine again and she never did….and the other thing it did was make me into a collector…from that point on I became a comic book collector…and by time I was in high school…I was written up in a newspaper called the Washington News as the boy with 10,000 comic books.

(4) SF DRAMEDY. Seth MacFarlane will do an sf comedy/drama series reports Collider.

Between Family Guy, American Dad, and The Cleveland Show, prolific writer/producer/voice actor Seth MacFarlane has voiced a lot of characters on television and created even more, but now he’s heading into the live-action realm for his next TV series.

Fox announced today that MacFarlane is developing a new, though still untitled comedic drama for the network for which he’ll executive produce and star based off a script he wrote. Here’s what we know: the series will consist of 13 hourlong episodes and takes place 300 years in the future where the crew of the Orville, “a not-so-top-of-the-line exploratory ship in Earth’s interstellar Fleet,” deal with cosmic challenges on their adventures.

(5) MARKET OPENS. Sunvault: Stories of Solarpunk and Eco-speculation edited by Phoebe Wagner and Brontë Wieland, which was funded by a Kickstarter appeal, now is open for submissions.

Submissions for fiction and poetry are open until June 4th. Submissions for line art and coloring pages are open until June 30th.

We want this anthology to reach outside Western and Anglophone traditions of speculative fiction, showcasing the way environment and environmental issues are talked about and perceived in all parts of the world. We encourage and welcome submissions from diverse voices and under-represented populations, including, but not limited to, people of color, members of the LGBTQ community, those with disabilities, and the elderly. Authors of all walks of life should feel encouraged to send us stories and poems celebrating these diverse characters and settings all around us.

(6) NO SH!T. Here’s some more good news — the No Sh!t, There I Was – An Anthology of Improbable Tales Kickstarter has funded, reaching its $8,500 goal. The anthology is edited by Rachael Acks.

(7) TODAY IN HISTORY

(8) SELECTIVE QUOTE. A responsible blogger would have chosen a tweet about the writer’s Amazon sales, his con appearances, or his charitable causes. But noooo…!

(8) YOUR BARTENDER. Marko Kloos shares his recipe for “frontlines: the cocktail”.

Just in time for the upcoming Manticon (where I will be Guest of Honor), I present to you the first Frontlines-themed cocktail: the Shockfrost.

Those of you who have read ANGLES OF ATTACK will know that the Shockfrost is featured in the novel as the specialty of the bars on the ice moon New Svalbard, and that it’s supposed to pack quite a punch. Andrew mentions the look (blue) and the flavors of the drink when he tries one for the first time (notes of licorice, mint, and God-knows-what-else). So I made a trip to the liquor store for ingredients and experimented with the flavors a bit to create a real-world replica….

(9) A SMASHING TIME. The Traveler at Galactic Journey reviews a monster movie: “[May 8, 1961] Imitation is… (Gorgo)”.

…Is it art for the ages?  Absolutely not.  Though there is some morality tacked on, mostly of the “humanity mustn’t think itself the master of nature” sort of thing, it’s an afterthought.  Characterization is similarly abandoned around the halfway mark.  This is no Godzilla — it is knocking over of toy cities for the fun of it.

At that, it succeeds quite well.  Gorgo makes liberal and reasonably facile use of stock footage (though the planes all inexplicably bear United States markings!) The cinematography is well composed, the color bright, the screen wide.  The acting is serviceable, and for anyone who wants to see what London looks like in this modern year of 1961, there are lots of great shots, both pre and post-destruction…

(10) INTERPRETING AN ICON. In “Captain America and Progressive Infantilization” Jeb Kinnison replies to Amanda Marcotte’s widely-read post about Cap.

…In her piece, “Captain America’s a douchey libertarian now: Why did Marvel have to ruin Steve Rogers?”, Marcotte is upset because the Cap didn’t knuckle under to “reasonable, common-sense” restrictions on his freedom to act for good. It’s not worth a detailed fisking — generating clickbait articles for a living doesn’t allow much time for careful writing — but she does reveal the mindset of those who believe every decision should be made by a committee of the select. The “unregulated” and “uncontrolled” are too dangerous to tolerate. Some key bits:

Steve Rogers is an icon of liberal patriotism, and his newest movie turns him into an Ayn Rand acolyte…

Most corporate blockbuster movies would cave into the temptation to make the character some kind of generic, apolitical “patriot,” abandoning the comic tradition that has painted him as a New Deal Democrat standing up consistently for liberal values. Instead, in both the first movie and in “Captain America: Winter Soldier,” we get Steve the liberal: Anti-racist, anti-sexist, valuing transparency in government and his belief that we the people should hold power instead of some unaccountable tyrants who believe might makes right.

Steve is All-American, so he is classically liberal: believing in the rule of law, equality of opportunity, and freedom to do anything that doesn’t step on someone else’s rights and freedoms. Amanda does not believe in individual freedom — she believes in “freedom,” approved by committee, with individual achievement subordinated to identity politics aiming at equality of outcome. No one should be free to judge the morality of a situation and act without lobbying others to achieve a majority and gaining approval of people like her….

(11) AN ORIGINAL MAD MAN. Ben Yakas, an interviewer for Gothamist, spent some time “Hanging With Al Jaffee, MAD Magazine’s 95-Year-Old Journeyman Cartoonist”.

His career took off in earnest in the early 1940s, initially while he was still in the Army. He taught wounded airmen how to do figure drawing at a hospital in Coral Gables, Florida, then was recruited by the Pentagon to create posters, illustrated pamphlets, and exercise pieces for soldiers in hospitals around the country. Once he was discharged, he worked at Timely Comics and Atlas Comics (precursors of Marvel Comics) with his first boss, Stan Lee. “He had been discharged from the military and took over from a substitute editor,” Jaffee said. “He said, ‘Oh, come ahead.’ He even wrote a letter to tell them that I had a job to go to so they favored my release. That’s how my career really got going.”

Jaffee explained his unusual working relationship with Lee, whom he first met when he was just 20 years old: “Usually in the comic book business, someone writes a script, an artist is called in, the artist shows pencils, and if the pencils are approved, the artist is told to finish with ink,” he said. “Each step is edited by the editor who approves of each stage. I didn’t have that with Stan Lee. He and I apparently hit it off so well that he just told me, ‘Go ahead and write it, pencil it, and ink it and bring it in.’ It was never rejected. I was very fortunate because it was so smooth working and we enjoyed each other’s company and he was a very, very bubbling with ideas kind of guy.”

That loose set-up turned out to be the norm for Jaffee throughout his career, even as he left Lee and ventured out into the uncertain world of freelancing: “We were responsible for our own income and upkeep. What you do is you wake up every Monday morning and you say, ‘What am I going to produce now to make a buck?'”

(12) AUDIO TINGLES. Starburst’s The BookWorm Podcast hosted by Ed Fortune enters the Hugos debate. Mostly by laughing: “Enter the Voxman”.

Ed reviews Star Wars Bloodline by Claudia Gray and Ninfa returns to review Victoria Avayard’s The Glass Sword. Extended chatter about the awards season and the usual silliness.

(13) SHORT SF VIDEO. Hampus Eckerman says, “This nice little gem became available on Youtube just a few days ago:”

The Nostalgist A Sci-fi Short Based on a Story From the Author of Robopocalypse

In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father’s device begins to fail. Desperate to avoid facing his traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a beautiful but fragile veneer…

 

[Thanks to Andrew Porter, Sean O’Hara, Paul Weimer, Michael J. Walsh, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Doctor Science.]

Pixel Scroll 4/8/16 “…And He Built A Crooked Mouse.”

(1) GALAXY QUEST BURIED TOO? Australia’s News.com says two Galaxy Quest stars are making contradictory statements about the sequel’s future.

Sam Rockwell (“Guy Fleegman”) told The Nerdist podcast that it’s dead, Jim —

IT APPEARS the untimely death of much-loved actor Alan Rickman earlier this year has nixed any hope of a sequel to the 1999 sci-fi comedy Galaxy Quest.

Rickman’s co-star in the film, Sam Rockwell, revealed that talks were underway to make a follow-up to the cult classic, which saw a bunch of former sci-fi TV stars enlisted to save the world in a real-life battle against alien forces.

“We were ready to sign up for it,” Rockwell reveals on the Nerdist podcast.

“You know, Alan Rickman passed away. And then Tim Allen wasn’t available. He has a show. Everybody’s schedule was all weird. We were going to do this sequel on Amazon. It was going to shoot, like, right now.”

The deciding factor in the sequel not going ahead, Rockwell says, was Rickman’s death in January this year aged 69. Rickman passed away after a short battle with pancreatic cancer. “How do you fill that void of Alan Rickman?” asks Rockwell.

Tim Allen, on the other hand, told The Hollywood Reporter immediately following Rickman’s death that it was still on:

“I’m not supposed to say anything — I’m speaking way out of turn here — but Galaxy Quest is really close to being resurrected in a very creative way. It’s closer than I can tell you but I can’t say more than that. The real kicker is that Alan now has to be left out. It’s been a big shock on many levels,” he said at the time.

(2) KZIN ON LINE TWO. ZD Net reports “World’s brightest X-ray laser boosted with $1 billion upgrade”. David K.M. Klaus jokes, “Looks like Chuft-Captain is going to get a powerful enough X-Ray Laser for the Lying Bastard in time for the trip to the Ringworld.”

The world’s brightest X-ray laser, SLAC’s LCLS, has received a $1 billion cash injection to vastly improve its capabilities and our understanding of how the world works on the atomic level.

The Department of Energy’s SLAC National Accelerator Laboratory in Menlo Park, California, is the home of the Linac Coherent Light Source (LCLS) laser system, a critical component for researchers working on atom-based projects.

(3) GETTING WISDOM. Whiting Awards winners get financial counseling in addition to money. The New York Times explains in “Helping Writers With a Windfall Avoid a Downfall”.

“I might be close to solvent,” the poet and essayist Brian Blanchfield said, “but I still think like a deeply insolvent person.”

Mr. Blanchfield, 42, was in a conference room near Times Square recently as part of an unusual group: 10 sometimes-struggling writers suddenly in possession of $50,000 each. Winners of the 2016 Whiting Awards, given annually to up-and-coming authors of fiction, nonfiction, poetry and drama, they were learning how to handle not just the unexpected payouts but also the complicated emotions that money can inspire: ignorance, confusion, shame, panic, the occasional bout of inchoate elation….

Mitchell S. Jackson, 40 and the author of a novel and a book of essays and short stories, said that until recently he supported himself largely through teaching. At one time, he taught something like eight classes, paying between $1,800 and $5,500 each, at different colleges. He made a lot less than he had when he worked at his first job, dealing crack and other drugs as a teenager in Portland, Ore….

(4) THANK COG IT’S FRIDAY. The PRI radio show Science Friday this afternoon included a segment on “Telling the Story of Climate Change — In Fiction”(“Cli-Fi”) reports Rich Lynch. “Pablo Bacigalupi was one of the guests (via telephone). There was some interesting discussion about his novel The Water Knife.”

(5) WILL GALAKTIKA PAY? The story takes a promising turn – in “Galaktika Magazine: Statement from Istvan Burger” A. G. Carpenter reports:

Istvan Burger, publisher of Metropolis Media and Galaktika Magazine, has issued a statement regarding the reports of massive theft of translated work over the past decade.

Mandiner Magazine has a brief summary and the full statement in Hungarian here.

It seems that Burger is offering to compensate authors effected by the theft and admits that the foreign acquisitions have been mishandled and they “did not act with due diligence, caution, or even speed.” 

(6) GOURMAND AT LARGE IN LA. Here’s how John Scalzi tapered off from yesterday’s In-N-Out burger lunch.

(7) FAVORITES. Wim E. Crusio begins compiling his “Favorite science fiction classics (I)”. His first three picks are Time Enough for Love, The Witches of Karres, and The Left Hand of Darkness. He explains why. I don’t recall ever seeing Time Enough for Love on anybody’s list of favorites before. (I’ve read it a couple times — I’m not pointing that out because I disliked the book.)

(8) TODAY IN HISTORY

  • April 8, 1990 Twin Peaks premieres on ABC

(9) MORE REACTION TO DRAGON AWARDS.

Jason Sanford makes a powerful suggestion.

https://twitter.com/jasonsanford/status/718519358641872896

At The Other McCain “Wombat-socho” writes —

I am probably the last person to find out that Dragon*Con, probably the largest non-comics convention in fandom, has finally bestirred itself and created its own set of awards – the Dragon Awards. This has been greeted with much glee by Sad and Rabid Puppies alike, with Declann Finn going so far as to declare victory. I’d say he and our Supreme Dark Lord are probably correct in predicting that the Dragons will almost certainly eclipse the Hugos, given the much larger voting base which makes any kind of gaming the nominations or the final vote futile. Looking forward to seeing how it works out.

So futile that Vox Day immediately set out to do that very thing?

I am registered to vote in the Dragon Awards and I would encourage you to do so as well. I’ll post my recommendations here the week after the Hugo shortlist is announced, in the event that any of you might happen to be curious about them.

Louis Antonelli isn’t completely opposed to gatekeeping, otherwise he wouldn’t be able to slam the door on fandom.

Sgt. Mom concludes “Another Round of Puppy Saddening” with an endorsement of the Dragon Awards, at Chicago Boyz.

To some followers of the Sad Puppy Saga situation, the whole matter of a prestigious award in science fiction being bestowed by a diminishing number of Worldcon members seemed quite pointless. They pointed out in comments and blog-posts, that Worldcon is becoming a smaller and more inward-turning science fiction gathering. Why shouldn’t a larger fan-convention gathering work up their own awards, and let the Hugos no-award themselves out of existence. Behold, in this last week, a massive, popular and long-established convention of science fiction and gaming enthusiasts – Dragon-con – has come up with their own proposals, to recognize and award not just a wide range of books and authors, but movies, and games as well. That should prove … interesting to say the least.

Sean O’Hara opines, “What the World Needs Now Is Another Sci-Fi Award Like I Need a Hole in My Head” at Yes, We Have No Culottes.

That being said, not all awards are created equal. That awards are inherently flawed doesn’t mean that some aren’t more flawed than others. The people championing the Dragon Awards (inevitably to be known as the Draggies) seem to think that the award will be better than the Hugos because DragonCon has a larger voter base than WorldCon. But, again, DragonCon is a regional convention. You get a larger sample size, but of a smaller cross-section of society. It’s already bad enough that SF awards are dominated by American tastes without narrowing it further to a specific section of the United States. The people championing the new award aren’t really doing it because of the larger voter base. They’re doing it because it’s nice and provincial — it’s not gonna be tainted by all those damned foreigners and their fellow travelers with their cosmopolitan tastes. This is going to be an award for Hobbits, picking out works full of nice, Hobbity sentiments, and the fact that not anyone outside the Shire will give a damn … well, nothing outside the Shire matters anyway.

Brad Torgersen told his Facebook friends.

And so: the final nail in the coffin of the Hugo awards. Looks like the Dragon Award is basically going to be doing everything Sad Puppies was hoping to get the Hugos to eventually do, but Dragon Con is doing it without having to wade through all the histrionic, caterwauling drama that resulted from the self-appointed defenders of Worldcon correctness and propriety throwing the genre’s all-time biggest temper tantrum. I raise my glass to this, and predict that within ten years, a gold-foil DRAGON AWARD label on a book is going to routinely replace both NEBULA and HUGO labels.

(10) SQUEAKING GATE. There is GamerGate mess around Baldur’s Gate now. Katherine Cross sums it up in an opinion piece “The Siege of Dragonspear drama and the video game community” at Gamasutra.

The past week has seen an explosion in drama amongst a particularly vocal minority of gamers angry about the inclusion of what they see as “social justice” themes into Beamdog’s Baldur’s Gate expansion The Siege of Dragonspear. The conflagration has a few sources; some players are complaining about bugs they claim Beamdog has been slow to fix, but that has been disingenuously used as a figleaf by some of the outraged crowd to mask the true source of their vitriol. Said source is elaborated on in this Niche Gamer article, which complains about–among other things–the very brief inclusion of a trans woman character who has only a minor speaking role, a silly “actually, it’s about ethics…” joke, a Goblin who calls your character racist, and the “sultry voiced rogue” Safana becoming a “sarcastic dissenter” who occasionally insults the player character.

An interesting tweet regarding this:

https://twitter.com/MadAdam_/status/717938548180180992

(11) CASHING IN THOSE COMICS. Yahoo! News knows about a “Superhero Dad Selling 5,000 Classic Comic Books for Daughter’s College Tuition”. See the benefits when people’s collections don’t get tossed?

Al Sanders may have spent his entire life reading about superheroes in his vast classic comic book collection, but now he’s turning into a real-life superhero by selling them all to help fund his daughter’s college tuition.

“As all parents who have college-age kids, we started putting together what it was going to cost and what we needed to do,” the doting dad from Seattle told ABC News of his decision to sell. “You start looking at those options you have, and my comic books were an option. That’s when I looked at their value, and I’m now trying to find a good home for them.”

[Thanks to Hampus Eckerman, Rich Lynch, Cat Eldridge, John King Tarpinian, Andrew Porter, and Will R. for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]