Pixel Scroll 3/10/22 No Pixels Were Harmed In The Production Of This Scroll

(1) ANALYZING SANDERSON’S KICKSTARTER SUCCESS. Kristine Kathryn Rusch has an in-depth commentary about a seismic event in self-publishing, “Business Musings: Brandon’s Kickstarter”.

… If the past is any indication, however, these big Kickstarters increase the people who watch  the category and, to use the cliched phrase, they will become the rising tide that will lift all boats.

That’s the small picture.

The larger one? Smart traditionally published bestsellers should be looking closely at this. Smart unpublished writers should use this as a wake-up call.

Traditional publishing will never pay its writers tens of millions for unnamed projects. Traditional publishing can barely afford the million-dollar advances these days.

And please, remember, the Kickstarter numbers are only the beginning of the earnings on these books. These books will live for decades. Brandon will earn money on them for decades—without licensing any of the copyright to some gigantic corporate entity that does not have his best interest at heart.

Also, remember that this Kickstarter is advertising. It’s introducing millions of readers to Brandon Sanderson. These new readers are asking Who is this guy and why is he getting so much money? What are these new readers going to do? Why, they’re going to buy a backlist book and try to read it before the Kickstarter ends.

His published book sales are going to increase dramatically. So the tens of millions he’s earning on the Kickstarter does not count the other ways this Kickstarter is benefitting him financially. Nor is it counting the promotion value that he’s getting from projects that he felt inspired to write.

There’s a lot more to unpack—from some of the innovations he’s doing to the impact on the fantasy and science fiction field. But for the moment, I’m stopping here.

If you’re one of the sour grapes people, perhaps you should ask yourself why you’re being so very negative. Are you jealous? Or scared?

The rest of you should watch what happens next. This is a very big deal. For all of us.

(2) KDP WTF. Philip Beaufoy, author of the Lochwood Series, is another casualty of a sudden and unexplained Kindle Direct Publishing account closure.

(3) LOVE IS ALL AROUND. The SFWA Blog’s “Romancing Sci-Fi & Fantasy” series begins with Alex Chantel’s “I See Romance … Everywhere!”

… I see romance everywhere, on all levels, and it makes me love the books I read even more. There are books without romance, that don’t need romance, and readers that are perfectly happy without it. But borrowing from the romance genre can strengthen a story and the readers’ connection to the characters. 

We all want to craft memorable characters, and the strong ones can become more enduring with a partner—two are stronger than one, as the adage goes. Princess Leia and Han Solo from Star Wars—closely followed by Ben and Rey. Paul and Chani from Dune. Nahri and Ali from S.A. Chakraborty’s Daevabad Trilogy. K and Chloe from Terry Miles’s Rabbits. Euthalia and Conrí from Jeffe Kennedy’s Forgotten Empires series. Niko and Petalia from Cat Rambo’s You Sexy Thing. Some of those names may strike a romantic chord within you?…

(4) DISNEY RECORD ON LGBTQIA+ SET STRAIGHT. Deadline reports a “Internal Pixar Letter Disputes Disney’s Support Of LGBTQIA+ Employees & Questions Company’s Commitment to Change”. (The full text of the letter is quoted at the end of Variety’s coverage.)

Shortly after Disney CEO Bob Chapek spoke out publicly against Florida’s so-called “Don’t Say Gay” bill today, a very pointed response began circulating internally at the studio. A letter signed by “The LGBTQIA+ employees of Pixar, and their allies” took Chapek to task. It refuted, point by point, an internal memo Chapek sent to employees on Monday and also criticized the fact that the company “did not take a hard stance in support of the LGBTQIA+” at the shareholder meeting.

“Monday’s email, ‘Our Unwavering Commitment to the LGBTQ+ Community,’ rang hollow,” read the LGBTQIA+ letter. It said Chapek’s communication “began with the claim that Disney has a long history of supporting the LGBT community, but Disney Parks did not officially host Pride until 2019, in Paris alone. Disney has a history of shutting down fan-created Pride events in the parks, even removing same-sex couples for dancing together in the 1980’s.”

The letter goes on to say the corporation is “capitalizing on Pride” through merchandising, specifically The Rainbow Mickey Collection.

“It feels terrible to be a part of a company that makes money from Pride merch when it chooses to ‘step back’ in times of our greatest need, when our rights are at risk,” the letter asserts.

The “step back” bit is likely a reference to Chapek’s assertion at a shareholders’ annual meeting today that “we chose not to take a public position on [the bill] because we felt we could be more effective working behind the scenes, engaging directly with lawmakers on both sides of the aisle.” It later came out that Chapek had only reached out to Florida Gov. Ron DeSantis very recently….

… Finally, the letter damningly addresses Chapek’s repeated insistence that the best way for Disney to make change is through creating “powerful content that changes hearts and minds.”

It reads [in part]:

“We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were. Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”

(5) CALL TO REMOVE A 2023 WORLDCON GOH. SF² Concatenation has tweeted the link to an editorial comment ahead of its next seasonal edition (slated for April). Read it here.

Science fiction is far more than a genre, it enthuses science and warns of possible futures, among much else. More, many of its aficionados are part of a community: a community that crosses nations. Sometimes that community needs to nail its colours to the mast. Now, at this moment in time, due to circumstances up-to-now unthought-of in the early 21st century, those colours are blue and yellow….

On Wednesday, 2nd March (2022), the UN moved to condemn Russia’s war on Ukraine. 141 nations supported that call: only Belarus, Syria, North Korea and Eritrea supported Russia, while China, Cuba and Venezuela abstained. And here’s the thing, if China is abstaining then arguably the 2023 SF Worldcon should dis-invite Sergei Lukyanenko as a Guest of Honour: Lukyanenko has repeatedly and publicly proclaimed his support for his nation’s war against Ukraine…

In particular, there is one person in the west who is currently due to share the platform at the 2023 Worldcon with Lukyanenko. Is that something he really wants to do?…

(6) REVIEWING SFF. Strange Horizons hosts “The Author and the Critic I: Christopher Priest and Paul Kincaid”, featuring the two named figures discussing the present and future of sff criticism. They begin at the beginning.

Christoper Priest: Before I wrote and published my first novel I had already written several amateurish book reviews. I was young and inexperienced, unguided, learning slowly as I went along. I was writing for fanzines published by Peter Weston and Charles Platt, and others. It was a way of writing something and seeing it in print—or at least, typed out by someone else, which at the time felt almost as good because after the process of being retyped, with bits cut out or changed or just got wrong, it looked different. By looking different it made me read it again and look at it with some objectivity. Overall, it was much easier and quicker to write an opinion piece on a new book by Brian N. Ball or Ken Bulmer than write a novel of my own. None of this counted in the long run, of course, although I still think for a beginning writer it was a good way to learn.

Paul Kincaid: Personally, I can’t remember a time when I didn’t read reviews. This goes back to a time when newspapers used to publish things like book reviews and film reviews. But I never thought about writing them until I started getting involved in fandom…. 

(7) MORE FROM THE WORLDCON. Morgan Hazelwood posts her notes about another DisCon III panel: “The Nuts and Bolts of Chapters”. (She also presents the material in a YouTube video.)

The panelists for the titular panel were: Ada Palmer, Aparna Verma, Elle E. Ire, Nancy Kress, and Patricia A. Jackson, with Delia Sherman as moderator.

The panel description was as follows:

Do you even need chapters? How long should they be? Should you title your chapters or just number them? Where do you break a chapter, and how do you write a good cliffhanger? How do you write chapters with multiple character points of view? So much to discuss for such a small topic!

While the panelists didn’t address all of these, they shared some valuable tips.

(8) UNMADE HITCHCOCK PROJECT. “Alfred Hitchcock once planned a sci-fi epic, which he envisaged as ‘a projection into the life of a generation ahead’” – BFI looks back at “Hitchcock’s sci-fi movie, ‘a forecast of days to come’”.

… News of Hitchcock’s sci-fi project broke in October 1926, a month after The Lodger was first shown to the press. P.L. Mannock of the Kinematograph Weekly, who had spoken to Hitchcock about his “film laid in the future”, wrote that “If we except ‘Metropolis,’ it will be the first screen forecast of days to come,” the last words being a deliberate reference to a novella by one of Lang’s inspirations, H.G. Wells. “Television will be used dramatically, and Sir Alan Cobham will probably be consultant on big episodes of the air.”…

(9) MEDIA BIRTHDAY.

1964 [Item by Cat Eldridge]

“My specialty is wisdom. Do you know what wisdom is?””- Dr. Lao

“No sir.” – Mike 

“Wise answer.” – Dr. Lao

Fifty-eight years ago, 7 Faces of Dr. Lao premiered. It was George Pal’s last directorial effort. As you well know, it’s based off of Charles G. Finney’s The Circus of Dr. Lao. (There is now a Kindle edition of The Circus of Dr. Lao though it won’t be mistaken for a Meredith Moment.) It was nominated for a Hugo at Loncon II, the year Dr. Strangelove won. 

The screenplay was by Beaumont, who wrote twenty-two Twilight Zone episodes which given he died at 38 is quite astonishing, and Ben Hecht (originally uncredited), whose most notable work was Alfred Hitchcock’s Spellbound and Notorious, though he did have a genre credit writing The Thing from Outer Space, an early Fifties film. He also did uncredited work on Casino Royale.

Tony Randall played myriad roles in the 7 Faces of Dr. Lao including of course Dr. Lao, the Mysterious Visitor. And if you look carefully, you spot Randall simply as himself sans any makeup as a silent audience member. He also voices the Serpent, a stop-motion animated snake which has the face of another actor. Quite a performance indeed. 

Pal originally wanted Peter Sellers for the role of Dr. Lao and Sellers very much wanted to do the role. However, MGM had Randall under contract who was far cheaper than Sellers would’ve been. 

Pal also saved quite a bit of money here by reusing footage from Atlantis, the Lost Continent and The Time Machine. The Woldercan spectacular that Dr. Lao does as his grand finale of his circus is drawn entirely from the former. 

Pal has stated that it’s only film that he lost money on. It made just one million and I can’t find any mention of how much the production costs were but they were obviously higher than the very small box office was.

So how was it received? The Hollywood Reporter at the time said Randall’s performance was “a dazzling display of virtuosity, in some stunning makeup created by Bill Tuttle.” Audience reviewers at Rotten Tomatoes give a very strong rating of seventy-eight percent.

I don’t believe it’s streaming anywhere but you can rent it pretty much everywhere. Or you can buy it for little more than a Meredith Moment. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 10, 1891 Sam Jaffe, His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.)
  • Born March 10, 1905 Richard Haydn. Actor who appeared in a number of genre undertakings including voicing the Caterpillar in the early Fifties Alice in Wonderland, Professor Summerlee in the early Sixties version of The Lost World and Herr Falkstein in Young Frankenstein. I’d be very remiss not to note his appearance on The Twilight Zone as Bartlett Finchley in the chilling “A Thing About Machines”. And he had one offs on BewitchedShirley Temple’s Storybook and The Man from U.N.C.L.E., in the “The Mad, Mad Tea Party Affair” an unusual episode as it takes place almost entirely within U.N.C.L.E headquarters. (Died 1985.)
  • Born March 10, 1918 Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed theirs and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller.”  Having not read these, I’ve no idea, what this details, but I’m betting one of y’all know. (Died 1987.)
  • Born March 10, 1921 Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock PresentsVoyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
  • Born March 10, 1938 Marvin Kaye. Editor of Weird Tales, he also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He wrote the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (Died 2021.)
  • Born March 10, 1938 Ken Sobol. New to our Birthday honors list. I will single him out for having personally received Astrid Lindgren’s personal blessing to write the Pippi Longstocking series which he worked on with puppeteer Noreen Young. He also contributed scripts to Batman, Curious GeorgeG.I. JoeGeorge of the JungleHardy BoysHighlander, Superman, and Wizard of Id, and that’s hardly a complete listing.  He also wrote one of the best works done on baseball, Babe Ruth and the American Dream. (Died 2010.)
  • Born March 10, 1951 Christopher Hinz, 71. His Liege Killer novel, the first in his most excellent Paratwa Saga, won the Compton Crook Award, the BSFS Award for the Best First Novel. (And yes, there is a prequel, Binary Storm, which was written much later.) He was nominated for an Astounding Award for Best New Writer. 
  • Born March 10, 1956 Robert Llewellyn, 66. He plays the mechanoid Kryten in the Red Dwarf series. His It2i2 which was a television show about AI depicting fictional events but presented as a documentary. And he played a gryphon in the oh-so-superb MirrorMask

(11) AFROFUTURISM. The Schomburg Center’s 10th Annual Black Comic Book Festival in partnership with Carnegie Hall’s Afrofuturism Festival! Presents “Black Feminist Futures Series: Planting for the Future”.

The Black Feminist Futures Series features programs highlighting the powerful and long-standing relationship between Afrofuturism and Black feminism in genres ranging from literature, film, art, fashion, and community organizing. Planting for the Future, a virtual conversation on Black women’s participation in Afrofuturism through literature, film, art, fashion, and community organizing. The program features Dr. Andrea Hairston (author of Master of Poisons), Sheree Renee Thomas (author of Nine Bar Blues), Tananarive Due (author of The Between: A Novel), and Tanaya Denise Fields (founder of Black Feminist Project & Black Joy Farm, and author of “Dirty Business: The Messy Affair of Rejecting Shame” in the book You Are Your Best Thing). Moderated by Dr. Chesya Burke.

(12) GAIMAN MIRACLEMAN REPRINT. Following the herald of his return in Timeless #1 and the announcement of an all-new omnibus, Marvel Comics continues to mark the 40th anniversary of Miracleman’s modern era with a new printing of award-winning writer Neil Gaiman and artist Mark Buckingham’s redefining work on the character.

 Arriving in October, Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will collect the first six issues of Gaiman and Buckingham’s groundwork to give a legendary super hero a fascinating future —a future that will now come to pass! Available for the first time in paperback, the Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will give fans a chance to revisit this beloved era of Miracleman ahead of the exciting plans Marvel has in store for the iconic character later this year.

Atop Olympus, Miracleman presides over a brave new world forged from London’s destruction. It is a world free of war, of famine, of poverty. A world of countless wonders. A world where pilgrims scale Olympus’ peak to petition their living god, while miles below the dead return in fantastic android bodies. It is an Age of Miracles — but is humankind ready for it? Do we even want it? Is there a place for humanity in a world of gods? Gaiman and Buckingham delve into the lives of lonely idealists, rebellious schoolchildren and fracturing families, exploring the human constant in a changing world of gods and miracles.

(13) STAR WARS FAN NEWS. “’Star Wars’ fans are raising money for transgender youth”Yahoo! Life has the details. (The direct link to the GoFundMe is here: “Fundraiser by The Amidala Initiative (A Community Effort) : The Amidala Initiative for Equality Texas”. They have raised $8,292 of their $25,000 goal as of this writing.)

…Fans of the Star Wars franchise can relate to Padmé Amidala, a character from the Star Wars prequel trilogy played by Natalie Portman, for a multitude of reasons, from her troubled romance with Anakin Skywalker to her desire to do her best to protect her people.

It’s the latter that inspired the Amidala Initiative, a group of Star Wars fans and content creators who have joined … forces … to raise money for Texas advocacy organization Equality Texas after Texas Governor Greg Abbott directed the Texas Department of Family and Protective Services to investigate the parents of trans children who have had or are seeking elective gender-affirming procedures or treatments.

“We, the undersigned, are 77 fan content creators, podcasters, YouTubers, TikTokers, artists, writers and cosplayers who have joined together to use our limited platforms to stand in solidarity with our trans siblings and their families in Texas,” a GoFundMe site for the Amidala Initiative states. “No child should fear that their teachers will report their parents to the government for allowing them to live as their true gender. No parent should fear criminal charges for supporting their transgender child and helping them seek therapeutic and medical support to treat their gender dysphoria … this is something we refuse to stand by silently for.”…

(14) DOES NOT PLAY WELL WITH OTHERS. Radio Times listens in as “Christopher Eccleston rules out Doctor Who multi-Doctor story return”.

…However, according to the latest comments from The A Word star, there’s seemingly no chance he would return for a 60th anniversary team-up special currently rumoured for 2023.

He told crowds at Australian convention Supanova: “I’ve never been a fan of multi-Doctor stories. When I worked on the series, I had really strong ideas about what works and what doesn’t, and I always think that multi-Doctor stories are a bit of a cash-in, and a bit of exploitation.

“Creatively, they never worked for me. I looked at the script for the 50th anniversary and I felt as soon as I said I wasn’t doing it it got better because, well, if I’m not in it, it’s better. The creation of the War Doctor introduced a whole new facet to the canon.”

Interestingly though, a later comment from Eccleston suggested he would consider returning to Doctor Who in live-action for a solo storyline following the Ninth Doctor.

He added: “The Ninth Doctor, in particular, is a one-man band. Definitely. So he doesn’t work with other Doctors. If you want me back, you’d get me on my own.”

(15) HEAR FROM EDITORS. Space Cowboy Books will host an online panel discussion “Beyond the Submission Guidelines” on March 29 at 6:00 p.m. Pacific. Register for free here.

Join us for an online panel discussion with editors of SF/F magazines. Learn about the behind the scenes of running science fiction and fantasy magazines with editors: Arley Sorg (Locus & Fantasy Magazines), F.J. Bergmann (Mobius & Weird House), Rob Carroll (Dark Matter Magazine), and JW Stebner (Hexagon Magazine)

(16) PREDICTING THE PAST. [Item by SF Concatenation’s Jonathan Cowie.] Inscriptions provide an invaluable insight into the ancient world. But over the centuries, many inscriptions have been damaged and exist in fragmented or semi-legible forms, making the job of reading and interpreting them extremely difficult. In this week’s issue of Nature, “Restoring and attributing ancient texts using deep neural networks”, Yannis Assael, Thea Sommerschield and their team introduce Ithaca, a deep neural network designed to help historians restore and understand ancient Greek inscriptions. Working alone, Ithaca is able to restore damaged texts with a 62% accuracy, but when historians use Ithaca, their accuracy on the same task rises to 72%. Ithaca can also determine the original geographical location of inscriptions with 71% accuracy, and can date them to within 30 years from the date ranges proposed by historians. The researchers say that such cooperation between artificial intelligence and historians could help transform studies of the ancient world. 

(17) SOUNDTRACK OF SPACE. NASA’s Chandra X-Ray Observatory page hosts a “Sonification Collection” – maybe there is a “music of the spheres.”

…By translating the inherently digital data (in the form of ones and zeroes) captured by telescopes in space into images, astronomers create visual representations that would otherwise be invisible to us.

But what about experiencing these data with other senses like hearing? Sonification is the process that translates data into sound, and a new project brings the center of the Milky Way to listeners for the first time. The translation begins on the left side of the image and moves to the right, with the sounds representing the position and brightness of the sources. The light of objects located towards the top of the image are heard as higher pitches while the intensity of the light controls the volume. Stars and compact sources are converted to individual notes while extended clouds of gas and dust produce an evolving drone….

There’s a demonstration in this tweet:

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Arthur C. Clarke chats with Dick Cavett about 2001, life on other planets, and perpetual motion machines in this clip from a 1972 Dick Cavett Show. “Arthur C. Clarke on Why Aliens Would Be Superior To Humans”.

English science-fiction writer Arthur C. Clarke discusses the on-going research in astronomy into discovering new planets and how he believes there is life on other planets, although we don’t know it yet.

[Thanks to Michael Toman, Cat Eldridge, rcade, Phil Nichols, mlex, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Numerous Russian SFF Writers Support Ukraine Invasion in Open Letter

“Stars Over Donbass” logo.

Sergey Lukianenko1, a guest of honor of the 2023 Worldcon in Chengdu, heads the list of eighty organizers of the “Stars Over Donbass” literary festival who have signed an “Open Appeal” supporting Russia’s military action in the Ukraine.

Russian sff author Lukianenko attended the inaugural event held in Donbass in 2019, an oblast of Ukraine that was recognized as an independent republic by Russia in February. A report at the time by the Analytical Service of Donbass, a Russian-language website, also named five other prominent writers, Andrei Lazarchuk, Alexander Pelevin, Evgeny Lukin, Vitaly Pishchenko and Alexey Mashtakov, who all are signers of the “Open Appeal” posted yesterday.    

Borys Sydiuk, an internationally-known Ukranian sff fan, called out the “misanthropic document” on Facebook, urging his readers “to ban these people who support the genocide of the Ukrainian people: please, don’t issue visas to them, don’t publish them, don’t invite them to cultural events.”

The full text of the letter translated into English including the names of the signers follows the jump.

Continue reading

Sergei Lukianenko Defends Russian Policy Towards Ukraine

Sergei Lukianenko

Russian sff author Sergei Lukianenko1, selected by the Chengdu 2023 Worldcon as a guest of honor, has been busy in February extending his track record as an apologist for Russian policy toward the Ukraine. This includes a recent interview where he tries to blame the West, and the U.S. in particular, for Russia being “forced to intervene” there.

The author was asked about the crisis by an interviewer from the Russian-language EurAsia Daily (a product of the Jamestown Foundation, a conservative U.S.-based think tank with a board composed of Trump Administration veterans and CPAC speakers) for an article published February 5 with a headline that translates as: “The United States is trying to push Kiev against Moscow militarily: an interview with Sergei Lukyanenko”. (Via Google Translate.)

The famous Russian science fiction writer Sergei Lukyanenko was very excited when Crimea returned to Russia. Moreover, in his early works, this topic repeatedly surfaced. True, the science fiction writer described in his books a real, bloody war between Russia and Ukraine, which he managed to avoid. What he is sincerely happy about. But how to turn things around now, when the situation is tense to the limit?

A Russian writer who is visiting Yerevan in an interview with EADaily said that even now the war can be avoided, although today the situation is more explosive and there is a very active attempt by certain forces and circles, very far from both Russia and Ukraine, to arrange a military conflict. But, as Lukyanenko emphasized, Russian President Vladimir Putin confidently takes the blow.

– Do you think Ukraine needs it, Kiev really wants and, most importantly, is ready for war?

– Moscow does not need a war, I am sure that Ukraine does not need it either. But you need to understand that in Ukraine itself the situation has reached a certain point: the West does not want to sponsor it, and it is not even going to develop it, because the West never creates competitors for itself. Ukraine has always been important for the Western world as a kind of anti-Russia, a springboard against Russia and a source of its problems and headaches. And now they are trying to push Kiev against Moscow militarily, for example, by starting another conflict in the Donbass, where Russia will be forced to intervene. Because, besides the fact that there are many of our citizens there, no one in Russia itself will understand when the cleansing operations will begin there, and we will not intervene. Yes, this is not a military danger for Russia, but it will be a great reason to impose all sorts of sanctions on it to the very top. While we are trying to dodge this dubious honor – we are for peace, we do not need it. But will it succeed? Hope so.

— Sergey Vasilyevich, there is also an opinion that, in fact, the goal of the United States is not so much Russia as Europe, namely, to stuff it with American military bases and control it.

– Europe is one of the competitors of the USA, and the United States has huge problems – internal, political, social, economic. Now the United States is at risk of losing the status of the greatest economic power – China has already ousted them from this Olympus. Therefore, yes, the United States needs someone who can be both taxed and robbed, thus breathing new strength into itself. Russia was clearly planned for this role, but it doesn’t work out: it turned out that it was too dangerous to touch us. China is also not suitable for this role, the European Union remains, which is still under them. So yes, it is quite possible that the purpose of the conflict in Ukraine is to completely quarrel Russia with Europe, and to draw as much juice out of it as possible….

To leave no doubt where EA Daily is coming from, a sidebar survey asks readers, “Do you support the operation of the Russian Armed Forces to demilitarize and denazify Ukraine?”

Lukianenko’s first Facebook post since the war started, dated February 23, does not even hint at any opposition to the invasion, but rather praises Putin’s government for allowing protesters. Following a series of remarks about dissent during the Russo-Japanese War of 1905, the First World War, and the Great Patriotic War (WWII), he says:  

…Russia is a unique country. Only we can curse our army during the war, oppose the authorities – and at the same time calmly walk the streets, receive salaries in state institutions and even work in the media and for the defense industry. Do you know any other such country? I don’t. And they say we are bad with democracy.

He has been a go-to source of comment supporting Russian policy toward the Ukraine for some time. In 2014 he gave Komsomolskaya Pravda, a Russian tabloid, an interview published under the colorful headline, “Sergey Lukyanenko about the events in Ukraine: ‘Forced de-Russification is as much a crime as forced sex reassignment’” where he “explained why he banned the translation of his books into Ukrainian.”

More recently, Lukianenko claimed there is no Ukraine, it was created artificially, in a Q&A posted March 3, 2020 in Ukraina, published by an agency of the Russian government: “Science fiction writer Lukyanenko: Russians deserve to enshrine their status in the Constitution of Russia” (Google translation.)

– How do you feel about the statement of Vladislav Surkov from his interview, which he made immediately after his resignation to the site “Actual Comments”: there is no Ukraine, there is only Ukrainianism? He thereby wanted to say that Ukrainians do not exist, and those who are called “Ukrainians” are in fact one people with Russians. Do you agree with Surkov’s thought?

– I partially agree, because the Ukrainian national identity was formed artificially. It was intensively formed both before the revolution, and by the efforts of outside forces, and after the revolution – thanks to the unintelligent national policy under the communist regime. It was formed at that time. It’s a fact, it’s known.

As a result, we got what we got: a nation that is being created before our eyes. It is actually created by artificially severing ties with the Russian people. If earlier it was part of a single people, now it is a separate people, which is now being formed.

– In 2019, you were in Donetsk, where you took part in the festival of literary fiction “Stars over Donetsk”. Will Sergei Lukyanenko continue his creative cooperation and cultural patronage over the DPR in 2020?

“Donbass is the region that has earned its right to self-determination with its blood. Of course, this is a complex process and a long one. It does not depend on Russian writers or even on ordinary ordinary citizens of Russia, but it seems to me that it is necessary to support the people of Donbass at the cultural and national level.

If any events are held in Donetsk, I, of course, will come to a meeting with my readers. People who gathered in Donetsk for this fantastic event and came to meet with science fiction writers, and not only with me, they were happy and really deeply touched that they are not forgotten, including in such cultural events, which Donbass is largely deprived of.

Donbass, an oblast of Ukraine that was recognized as an independent republic by Russia earlier this week, was paid a visit by the author in 2019. The Analytical Service of Donbass, a Russian-language website that reports on such things as the “criminal-oligarchic regime in power in Ukraine”, covered his appearance — “Sergey Lukyanenko visited Donetsk for the first time” — and how he responded to a question from the audience about his prediction of the war in Donbass.

…Donetsk journalist and cameraman Timur Kolesnik asked about references to the modern Ukrainian state in Lukyanenko’s new novels, where the writer subtly, playing with metaphors, ridicules the Ukrainian so-called jingoistic patriots. The writer noted that it is not for nothing that he was included in the lists of enemies of Ukraine on the scandalous website “Peacemaker”.

Lukianenko has over 40 books published and has received 32 literary awards.


1 The spelling of Lukianenko here follows the usage of the author’s official site. However, his name is commonly translated on Amazon and in news articles as Lukyanenko.