Pixel Scroll 2/16/16 Think Pixel, Count Scroll

(1) CARNEGIE AND GREENAWAY LONGLISTS. The longlists for the CILIP Carnegie and Kate Greenaway Medals have been announced.

The Carnegie Medal, established in 1936, is awarded annually to the writer of an outstanding book for children. The Kate Greenaway Medal has been given since 1955 for distinguished illustration in a book for children.

Locus Online has identified the works of genre interest on both lists.

(2) TOLKIEN POEMS DISCOVERED. Two poems by J.R.R. Tolkien have been discovered in a 1936 copy of a school annual reports the BBC.

The Shadow Man, and a Christmas poem called Noel, were found at Our Lady’s School, Abingdon.

It is thought Tolkien got to know the school while he was a professor of Anglo-Saxon at Oxford University.

The poems were printed a year before Tolkien’s first literary sensation The Hobbit was published.

The Shadow Man is an earlier version of a poem eventually published in 1962 in Tolkien’s Adventures of Tom Bombadil collection.

The existence of the poems came to light after American Tolkien scholar Wayne G. Hammond got in touch with the school.

According to The Guardian

The first poem, The Shadow Man, is an early version of a poem that Tolkien went on to publish in his 1962 collection The Adventures of Tom Bombadil. It tells of “a man who dwelt alone/ beneath the moon in shadow”, who “sat as long as lasting stone,/and yet he had no shadow”. When “a lady clad in grey” arrives, he wakes, and “clasped her fast, both flesh and bone;/and they were clad in shadow”.

The second, Noel, is a Christmas poem, albeit one set in scenery that would not be out of place in Middle-earth. “The hall was dark without song or light,/The fires were fallen dead,” writes Tolkien, going on to portray “the lord of snows”, whose “mantle long and pale/Upon the bitter blast was spread/And hung o’er hill and dale”.

(3) TWITTER WISHES. John Scalzi, in “What I Want Out of Twitter”, explains the changes he’d like to see made in this social media platform.

What I’m more interested in is how Twitter can make itself better, which is a different question than how Twitter can be saved. Twitter’s major issue, as everyone except apparently Twitter’s C-bench knows, is that there are a bunch of shitheads on it who like to roll up to whomever they see as targets (often women and/or people in marginalized groups) and dogpile on them. That’s no good….

So, if Twitter were asking me what I wanted out of Twitter to make it an optimal service for me, here’s what I would suggest, in no particular order:…

Other things to allow filtering of:

  • Profile keywords: If I could filter out every single account that had “#GamerGate” in its profile text, as an example, my replies would have been a lot quieter in the last couple of years.
  • Accounts based on who they follow: Right now I’m thinking of five Twitter accounts of people I think are basically real assholes. I suspect that if you are following all five of them, you are probably also an asshole, and I don’t want to hear from you. In this particular case I think it’d useful to have the filtering be fine-grained, as in, rather than just filtering everyone who followed one account, you’d filter them if they followed Account 1 AND Account 2 AND Account 3 (and so on). It would also be useful to be able to do this more than once, i.e., have more than one follower filter, because often it’s not just one group being annoying.

(4) THE HAMMER. Robot6 asks “Are you worthy to wield this Thor’s Hammer Tool Kit?”

Noting a serious lack of geek-themed hardware, Dave Delisle came up with an idea for a tool set to tackle virtually any home-repair project in the Nine Realms, even the famed clogged drains of Jotunheim.

As you can see, the Thor Hammer Tool Kit looks like the fabled Mjolnir, until it’s opened to reveal a claw hammer, wrench, screwdriver, socket set and so on.

Click through to see an animated gif that makes it all clear.

(5) UNREADY PLAYER ONE. Science Fiction.com reports “’Ready Player One’ Moves Release Date To Dodge ‘Star Wars’”.

And now that the release date for Rian Johnson’s ‘Star Wars: Episode VIII’ has officially moved from May 2017 to December 15, 2017, it looks like even the legendary Steven Spielberg is jumping out of the way in hopes of not getting steamrollered.

According to Variety, the iconic filmmaker’s latest film ‘Ready Player One’ will push back it’s release date to March 30, 2018. Originally slated for December 15, 2017, the movie based on Ernest Cline’s acclaimed nostalgia-filled sci-fi adventure has vacated that spot to give a galaxy far, far away some space. After all, they definitely don’t want to end up like Tina Fey and Amy Poehler’s ‘Sisters’, which went up against J.J. Abrams’ highly anticipated blockbuster during this past holiday season and didn’t stand a chance against the intergalactic juggernaut.

(6) A MUNDANE YEAR FOR GRAMMY. The 2016 Grammy Award winners didn’t have much of genre interest. I’m really going to have to stretch a point…

Best pop duo/group performance

“Uptown Funk”: Mark Ronson featuring Bruno Mars

Although the music video for the song wasn’t a Grammy nominee, it’s the main reason I’m reporting any of these awards, because fannish actor Ed Green appears in the background of it beginning at :25 — he’s on the left, speaking on the pay phone. (He also appears at right, below, in the title frame.)

Best Score Soundtrack For Visual Media

Birdman

Antonio Sanchez, composer

Then, Jimmy Carter won the Best Spoken Word Album category, where Janis Ian was also a nominee.

(9) ONLY IN IT FOR THE PUN. The Telegraph says “BBC to axe television and radio divisions as part of radical management overhaul”.

Lord Hall, the director-general of the BBC, will not replace Danny Cohen, the corporation’s recently departed director of television, and is instead moving ahead with radical plans to abolish the broadcaster’s radio and television divisions.

“’Doc Martin’ and ‘Doctor Who’ to be combined into new programme, ‘Doc Who’,” reports Andy Porter.

(10) LE GUIN. Ursula K. Le Guin continues answering people’s questions about writing in “Navigating the Ocean of Story (2)” at Book View Café.

Do you consider it a good idea to offer your work in progress to numerous and/or unselected critics? If so, how do you decide which criticisms are valid and useful?

To offer work for critique to an unselected group on the Net, people who remain strangers, is to extend trust to absolute strangers. Some of them will take advantage of the irresponsibility afforded by the medium.

Here’s my advice, for what it’s worth: Don’t do it unless you’ve considered the risks. Pay attention to any comment that really makes sense to you; value any intelligent praise you get. That’s about as far as trust can take you. Keep an eye out for know-it-alls who make like critics, spouting secondhand rules. And remember some may be there because they want to make soup out of your bones.

This is not the voice of experience. I never gave my work to strangers to criticize in first draft or at any stage. I never submitted a piece to an editor or agent until it was, to the best of my knowledge and ability, finished.

(11) TODAY IN HISTORY

  • February 16, 1923 – Archeologists opened the tomb of Tutankhamen in Egypt’s Valley of the Kings.

(12) TODAY’S BIRTHDAY GIRL

  • Born February 16, 1958 – Lisa Loring, the actress who played Wednesday Addams in the original Addams Family TV series.

Lisa Loring as Wednesday Addams

(13) TODAY’S BIRTHDAY BOYS

  • Born February 16, 1926 – Rusty Hevelin
  • Born February 16, 1957 – LeVar Burton, Jr., who played ST:TNG’s Geordi LaForge.

(14) CHAOS HORIZON. Chaos Horizon comments on the final SFWA 2015 Best Novel Recommended Reading List. It’s interesting that only six novels have more than 20 recommendations.

Gannon [Raising Caine] and Schoen [Barsk] have shot up this list like rockets, going from nowhere in November to dominating by the end. Those 34 and 33 numbers are so impressive it’s hard to imagine them not getting Nebula nominations at this point. Overall, there were 728 total recommendations; that has to represent a substantial amount of the final Nebula nomination vote. Gannon and Schoen will raise some eyebrows if they get nominations; these SF books certainly got less press, acclaim, and online discussion than other SF books like Sevenves or Aurora. The Nebula is quirky like this, often favoring smaller authors over the big names. If they get nominated, I think the question is whether or not one of those books can win. Will Gannon follow the McDevitt route—get nominated enough and eventually you’ll win? Will Barsk grab a ton of new readers and take the Nebula? I think there’s a definite advantage to being fresh in your voters’ minds.

(15) WRIGHT BACKS HIS BEST EDITOR. John C. Wright adds his endorsement to the Rabid Puppy slate.

The Puppy-kickers are our ideological foes bent on replacing popular and well crafted sci fi tales with politically correct science-free and entertainment-free moping dreck that reads like something written by a highschool creative writing course dropout.

The Puppy-kickers have repeatedly and vehemently assured us assured us that soliciting votes from likeminded fans for stories you judge worthy was a “slate” and therefore was (for reasons not specified) totally and diabolically evil and wrong and bad, was not something insiders had been doing for decades, and was always totally inexcusable, except when they did it, and voted in a slate to grant ‘No Award’ to categories where they had lost their stranglehold over the nominations.

In that spirit, I hereby officially announce in my capacity as the Grand Inquisitor of the Evil Legion of Evil Authors, that the following list is the recommended reading list of our Darkest Lord only, and not a voting slate.

These are the recommendations of my editor, Theodore Beale, aka Vox Day, the most hated man in Science Fiction, but certainly the best editor I have had the pleasure to work with.

(16) MESSAGE FREE. Those who feel the yarn is the most important thing may find themselves voting for this —

Geeknits

(17) MILLENNIALS. “Millennial Fans: An Interview with Louisa Stein (Part Two)” conducted by Henry Jenkins at Confessions of an Aca-Fan.

Many of the shows you write about as Millennial programs are also shows with strong female leads and targeted at female consumers — Friday Night Lights would be a notable exception on your list. So, what happens to the gendering of fandom as we move towards Millennial fan culture? 

Issues of gender permeate millennial culture, fan culture, and the relationship between the two. Masculinizing—or feminizing—fan culture has been one way industry interests tame fandom’s perceived unruliness. Seemingly masculine forms of fandom (and I would emphasize that these areas, like gender itself, are social constructs) have already been categorized as industrially legible and profit friendly. The fanboy stereotype has its share of taboo associations, going all the way back to the “Get a Life” bit on Saturday Night Live that Textual Poachers opens with; but the fanboy position has since been spun into industry heralded narratives of superfans and fanboy auteurs (see Scott, Kohnen), with the lines toward brand support and profit already clearly delineated.

Obsession_inc (and many others citing her) have termed this divide “affirmational fandom,” versus “transformative fandom,” with the latter perceived as more the practice of female consumers who transform media texts into art and fiction, often in so doing significantly changing their meaning. In Millennial Fandom, I actually argue that transformational and affirmational fandom are more deeply intertwined than we might at first assume, but nevertheless, at a discursive level, the distinction helps us to see why and how transformative (perceived “feminine”) practices have been and continue to be treated as suspect, marked as taboo, and policed.

(18) AQUA JODHPURS. “Our first good look at Jason Momoa’s full Aquaman costume comes from ToyFair” at Yahoo! TV.

Then along came ToyFair 2016. Ahhhh, good old ToyFair. Hosted in New York City at the beginning of each year, the convention showcases the best of upcoming merchandise to look forward to. It’s also ALWAYS good for a spoiler or two. One of this year’s was a complete look at Jason Momoa’s costume in Batman v Superman, complete with colors. Behold!

The tattoos on Aquaman’s chest appear to continue onto his pants(?) which are a murky green. The better to blend into the ocean floor with. Of course, the camo look is marred by the bright gold knee-highs, but a king has to make concessions for style. I’m curious if Aquaman’s asymmetrical armor has a backstory is just there to look cool. Also, he is totally standing in rubble. Could it be that Wonder Woman isn’t the only superhero to show up at the end to clean up Batman and Superman’s mess?

(19) SHATNER BOOK REVIEW. Ryan Britt at Tor.com says “William Shatner’s New Memoir Leonard is Surprising and Moving”.

Whether they’re in their Kirk and Spock guises, or just being themselves, it’s hard to prefer William Shatner to Leonard Nimoy. Nimoy just seems more comfortable and real of the two, whereas Shatner appears to be putting on airs. Over the years, William Shatner seems to have figured this out and embraced the fact that no one will ever totally take him seriously. All of this makes the publication of a memoir written by him about Leonard Nimoy both look like a cynical cash-grab and a disingenuous maneuver of faux-love.

But if you’re a Star Trek fan, or casually interested in Leonard Nimoy, Leonard: My Fifty-Year Friendship With a Remarkable Man reveals that not only is Shatner a good guy, but that Leonard Nimoy may not have been the cool one, and did in fact fight all sorts of demons both inside and out.

(20) CORREIA’S SCHOOL FOR BUSINESS. Larry Correia says “One Star Reviews Over Book Prices are Dumb”, which is absolutely true.

I know writers aren’t supposed to respond to reviews, but I’m not responding to this as a writer, I’m responding to it as a retired accountant.

I am the author in question. Your review doesn’t hurt anything except my overall average. You aren’t sticking it to the man. You aren’t harming the corporate fat cats. If you think the book sucks, give it one star. That’s awesome. That’s what the stars are for. But you don’t use one star to bitch about the price of eBooks. That just makes you look stupid. We shouldn’t still be having this conversation with anybody who isn’t a Bernie Sanders supporter.

Now, Accountant Hat on. This is pretty basic stuff. This is how basic costing works, not just for books, but quite literally everything. But today, we’ll talk about books, because your ridiculous review has pissed me off.  I’m going to dumb this down and keep it simple as possible.

The rest is a long but lighthearted lesson about the business of producing books that makes cost accounting entertaining. (I know you think I’m being facetious, which is why I need to say, no, I really found it entertaining.)

(21) ANOTHER OPINION ABOUT THE KENYON SUIT. Amanda S. Green at Mad Genius Club begins her “And the World Keeps Turning”  column: “I will give the same caveat here that Sarah gave in her post. I have not read the pleadings filed on Ms. Kenyon’s behalf. Nor have I read Ms. Clare’s books.”

On Friday of last week, the Guardian published an article that addresses, from Ms. Clare’s point of view. Two things stood out for me and, yes, I know I am paying attention to lawyer-speak but the attorney, John Cahill, does bring up some interesting questions. First, “the lawsuit failed to identify a single instance of actual copying or plagiarism by Cassie.”  The second is that Ms. Clare has been writing these characters and series, iirc, for ten years. That’s a long time to wait before filing suit and part of me wonders if the fact Ms. Clare’s series is being made into a television series wasn’t the impetus for the suit.

To be fair, the suit does allege that Ms. Clare, in her series, does, “employ a line of warriors who protect the normal world from demons”, both cover how “a young person becomes part of the Dark-Hunters’ (or Shadowhunters’) world after being saved by a gorgeous blond Dark-Hunter (or Shadowhunter)”, and “both Dark-Hunters and Shadowhunters have enchanted swords that are divinely forged, imbued with otherworldly spirits, have unique names, and glow like heavenly fire”.

Now, I don’t know about you, but I can think of any number of books, short stories, TV shows and movies that could fall under that description. Those are, indeed, story elements, but does it rise to the level of plagiarism and copyright infringement?

Green steps into the judge’s shoes, for at least a few sentences, to voice skepticism about the plaintiff’s case. Not having read the complaint, Green missed the opportunity to see its list of the statutes the judge is asked to apply. With the help of Google she could have tested lawyer Cahill’s argument, as well as her own doubts that the infringement is actionable.

(22) A MENU ALOFT. Rick Foss was interviewed by Leanna Garfield for her Tech Insider post “We’re in a golden age of airplane food – for some people”.

When American Airlines recently launched a 15-hour direct flight from Los Angeles to Sydney, Australia, it also debuted a new menu. Flight attendants offer first-class passengers complimentary glasses of 2010 Penfolds Grange Shiraz (normally $850 per bottle) and roasted sirloin steak with red wine sauce.

Travelers in the economy cabin are still only treated to peanuts (But hey, at least they now get complimentary spirits — quite the perk).

The improvements in first and business class have more to do with the economics of the airline industry than they do with a desire to provide better service, Richard Foss, culinary historian and author of “Food in the Air and Space: The Surprising History of Food and Drink in the Skies,” tells Tech Insider.

Foss has studied the history of airline food for over a decade, from the glory days in the ’70s when airlines served lobster to today’s inflight tuna sandwiches. Here’s a look at that history, and how airlines are trying to bring back the golden age of airline dining for high-paying passengers.

[Thanks to Will R., JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jonathan Edelstein.]

Pixel Scroll 1/2 Sacrificing Poisoned Pixels While Dancing Naked in the Scrolls

(0) APOLOGY TENDERED. Greg van Eekhout is quite right to be displeased —

I was so struck with the association sparked between two posts about not having a book out in 2016 that I quite insensitively plowed over the real life causes he was relating. I apologize for making light of his situation.

(1) HOW TO IMPROVE. Sherwood Smith’s post “Beginning Writer Errors” at Book View Café shares the distilled wisdom she found in an old set of notes taken during a Loscon panel by that name.

I think these lists interesting mostly because they reveal writerly process at least as much as they do beginner errors. Some of the best discussion arose out of what some considered no error at all, and others considered advice for revision, not for first draft errors, and what the difference was.

For pants writers (those who sit down and let the tale spin out through their fingers before going back to see what they have) one set of rules might be helpful and another useless; for plotters and planners, a completely different set….

Panelist’s Three’s list suggests to me that that writer works by a completely different process:

  1. Ending every chapter on a transition.
  2. Letting the narrative voice tell readers what to think.
  3. Long, clumsy sentences.

To number one, half the panelists disagreed. Note: “transitions are natural chapter breaks.” The writer defended it: “this pattern reads artificial.”

(2) HELP HELPS. “Joe Hill Calls Bullshit On The Crazy Artist Cliché” by Hayley Campbell at Buzzfeed.

“I was just really paranoid and really depressed and really unhappy and full of really nutty ideas. I would call my dad with my latest crazy ideas and he would patiently listen. He was the only person who could listen to me. And he’d talk me through and explain why my latest idea about being pursued and prosecuted and persecuted was irrational.”

Hill wouldn’t go into what he calls his “terrible, lunatic notions”, because he doesn’t like revisiting them. But eventually his dad suggested that seeing someone professionally could help him out – an idea Hill had resisted because he was convinced the paranoia and “lunatic ideas” were connected to his creativity. “I thought if I got help, I wouldn’t be able to write any more.”

It all goes back to another cliché: the crazy artist. But as a crazy artist, he got no actual work done. The three novels he couldn’t finish are testament to that cliché being bullshit.

“I got into therapy and I got on a pill, and what I discovered was getting help didn’t make me less creative. What was making me less creative was being a depressed crazy person. Figuring out how to be happy and have fun with the kids again, how to have fun with my life and work, actually made me a better writer, not a worse writer.”

(3) BEST SF FILMS OF 2015. JJ says Brian Merchant’s “The 11 Sci-Fi Films That Defined 2015”at Motherboard is “A ‘Best SF Films’ list that isn’t just a re-hash of other lists.” Part of the proof – The Martian ranks ahead of The Force Awakens – and three other movies rank above them.

The major themes that bubbled up in the year’s science fictional slipstream included income inequality, artificial intelligence, transgender rights, and the power and necessity of the scientific endeavor itself. Young adult dystopias showed signs of flagging, while classic-mold sci-fi mega franchises boomed (with one exception). There were not one but two great feminist-leaning SF films; one a bona fide blockbuster hit, another a powerful, slow-burning indie. There was an already-beloved animated short about our possible futures.

(4) THE HEISENBERG CERTAINTY PRINCPLE. Jonathan M is right, however, it is equally clear that when no one was paying attention to them, they were not starved out of existence for lack of it.

(5) STEAMING PILE. Just one person’s opinion, but I think this logo (first posted last April) isn’t that different from the real 1988 Hugo Award base.

1988 Hugo Award base by Ned Dameron

1988 Hugo Award base by Ned Dameron

(6) TODAY’S BIRTHDAY BOY

  • BORN January 2, 1920 – Isaac Asimov

(7) JASON WINGREEN OBIT. Yahoo! News reports actor Jason Wingreen passed away January 1.

The Brooklyn native appeared in three episodes of The Twilight Zone, most notably portraying the real train conductor in the 1960 episode in “A Stop at Willoughby.” …[He] died a memorable death as Dr. Linke on the 1968 Star Trek episode “The Empath.”

… On The Empire Strikes Back (1980), Wingreen auditioned for the part of Yoda. He didn’t get that role (Frank Oz did), but he was given four lines of dialogue spoken by the masked Boba Fett, the feared bounty hunter who captures Han Solo (Harrison Ford).

“I think the actual work, aside from the hellos and goodbyes and all that, could have been no more than 10 minutes,” he said. He received no credit for his work (it didn’t become publicly known that the voice was his until about 2000)…

(8) MEADOWLARK LEMON OBIT. Meadowlark Lemon, who passed away December 27, starred in a few Saturday morning outings (animated, and otherwise) as James H. Burns recalls in an appreciation written for the NY local CBS affiliate website.

In 1979, there was yet another Globetrotters cartoon, The Super Globetrotters, in which they became super heroes, but Lemon was not part of that mix. That same year, though, he co-starred in the fantasy comedy theatrical feature film, The Fish That Saved Pittsburgh (along with Julius Erving (Doctor J!), Debbie Allen and Stockard Channing). According to some sources, the movie–about a failing professional basketball team, saved by stocking its roster according to the players’ astrological signs–has developed something of a cult following….

(9) FIFTH! “Indiana Jones 5 Confirmed By Disney” is the headline. Tarpinian’s suggestion for the movie title is “Indiana Jones and the Rocking Chair of Gold.”

Speaking to Yahoo earlier in 2015, Spielberg said he’ll likely work on the film and that it would star Harrison Ford. Bradley Cooper and Chris Pratt were rumoured to play a younger version of the archeologist.

He said: “Now I’ll probably do an Indy 5 with Harrison, [so] it’ll be five for Harrison, four for Tom [Hanks].”

In a separate interview with French radio RTL, Spielberg said: “I am hoping one day to make it to an Indiana Jones V. I would hope to make it before Harrison Ford is 80 and I get much older.”

Spielberg’s quotes suggests that both he and Harrison Ford are on board for the sequel, though neither has officially said as much.

(10) FIRST! While you’re waiting for the new Indy film, Open Culture recommends you click on “Great ‘Filmumentaries’ Take You Inside the Making of Spielberg’s Raiders of the Lost Ark & Jaws.

Even casual filmgoers will recognize these movies, and they’ll feel, shortly after pressing play on [Jamie] Benning’s Inside Jaws and Raiding the Lost Ark, as if they’ve just settled in to watch them again, though they’ll see them as they never have before. Serious film fans will, as the form of the filmumentary emerges, recognize the basis of the concept. Described as “visual commentaries,” these productions take the concept of the commentary track and step it up considerably, overlaying the original film’s soundtrack with the words of a veritable chorus of those who worked on it — actors (even some not ultimately cast), crew members, designers, producers, hangers-around — sourced and sometimes even recorded by Benning.

 

(11) LOGAN’S RUN AND AUTHOR APPEARANCE. William F. Nolan, co-author of Logan’s Run, will be on hand when the Portland Geek Council presents the film Logan’s Run on January 17.

(12) TWU WUV.  “Jared Weissman Made Harry Potter Fictional Wizard’s Broomstick For Girlfriend”. With DIY photos taken as he made a copy of the Nimbus 2000.

“Shelby has been obsessed with Harry Potter for a long time now and about a year ago decided she wanted to start collecting prop replicas,” Weissman told Mashable in an email. “We went to the Wizarding World of Harry Potter this past summer where she bought the Sorcerer’s Stone, Tom Riddle’s diary, and a plaster scroll that says Dumbledoor’s Army with 6 wands mounted on it (Harry, Ron, Hermoine, Luna, Neville, and Ginny).”

From that point on, it was pretty clear to Weissman what the perfect Christmas gift for Shelby would be.

(13) FROSTY PERSONALITY. The Game of Thrones parody “Winter Is Not Coming” is a French commercial from Greenpeace about climate change.

(14) IMPERIAL TRAILER PARK. If you’re not burnt out on Star Wars stuff, Mark-kitteh recommends a fan-made trailer for Empire Strikes Back, deliberately aiming for a modern trailer style. Mark adds,

For reference, I found a vid of the 1979 original as well. It’s an interesting contrast – the original has a fun high-energy vide, but is a bit too breathless (and spoiler-filled!) for modern tastes.

 

[Thanks to Mark-kitteh, Will R., JJ, Nigel, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

Spielberg’s New Bradbury TV Pilot

The Whispers, a story of alien invasion, is coming to ABC as a one-hour drama pilot starring American Horror Story’s” Lily Rabe.

The projected series, formerly known as The Visitors and Forever, is based on Ray Bradbury’s short story “Zero Hour” in which aliens use children to help with their invasion.

Variety reports Under the Dome’s Soo Hugh wrote the pilot for Amblin Television/ABC Studios and is exec producing with Darryl Frank, Justin Falvey, Steven Spielberg and Dawn Olmstead.

[Thanks to John King Tarpinian for the story.]

True Animation

Steven Spielberg wants his forthcoming movie The Adventures of Tintin, made with performance capture technology, to compete in the Academy Awards’ animated film category. Steven Paul Leiva argues that it is ineligible in his essay for the Los Angeles Times.

Leiva, last mentioned here as organizer of Los Angeles’ official celebration of Ray Bradbury’s 90th birthday, has worked over 20 years in the animation field, as director of animation development for producer Gary Kurtz, president of Chuck Jones Productions and a producer on Space Jam.

Motion/performance capture typically samples the movements of one or more actors many times per second. Then this animation data is mapped to a 3D model so that the model performs the same actions as the actor. Leiva says this process is alien from the true animation that the Oscar category is intended to honor:

In true animation, whether it be the vaudeville fables of the Looney Tunes, the fairy-tale romances of Disney or the deeply human performances in Pixar’s “The Incredibles” and “Up” life is created literally from scratch — the scratch of a pencil on paper — and should not be confused with the embellished documentation of life preexisting.

To include a performance capture film in the category of best animated picture would be a mistake; for it to be nominated and win would be a travesty.

So far so good. Why does Leiva still need to address this controversy, when Digital Acting reported in July 2010 that the Academy of Motion Picture Arts and Sciences had announced that “motion-capture films are no longer considered eligible for the Best Animated Feature Film category”? Because a Paramount spokeswoman is still making Spielberg’s argument that Tintin isn’t a just a performance capture film, says the Kansas City Star:

“Tintin” relies on motion-capture performances for most of its major characters, including Tintin (played by Jamie Bell), a pirate (Daniel Craig) and a pair of bumbling detectives (Simon Pegg and Nick Frost). But animators are working with those performances — Pegg and Frost, for instance, who are physical opposites in real life, play twins.

And Bill Kroyer, a governor of the academy’s short films and animation branch, told a Star reporter:

“If it was intended to simply be a copy of a live actor’s work, then we would not consider it animation,” Kroyer said. “At the moment, we have not determined a way to make that decision. It lies with the intention of the director.”

So the controversy lives on.

[Thanks to John King Tarpinian for the story.]