Pixel Scroll 11/21/22 Please State The Nature Of Your Pixel Emergency

(1) TWITTER CONTINUES TO HEMORRHAGE. John Scalzi reports that he has been losing Twitter followers since people began shutting down their accounts after Musk took over — and that the number immediately dropped by several hundred when Musk announced Trump could have his account back. Scalzi now has tweeted this summary for the last month.

(2) MAJOR PUBLISHER MERGER NOW IMPROBABLE. Publishers Weekly anticipates that “PRH, S&S Deal Likely Dead”.

With the deadline to appeal Judge Florence Pan’s October 31 decision closing in, reports from multiple media sources say that Simon & Schuster parent company Paramount Global has decided not to extend its purchase agreement, putting the sale to Penguin Random House close to collapse. Without an extension of the purchase agreement, which is reportedly set to expire on Tuesday, an appeal would be virtually impossible, and S&S would likely go back on the market.

Paramount’s decision to forego an appeal doesn’t come as a surprise. Immediately after Pan’s decision came down in late October, sources were pointing out that an appeal could only be made if Paramount agreed, and while PRH CEO Markus Dohle wanted to move ahead, he acknowledged that PRH and parent company Bertelsmann were talking to Paramount executives about “next steps.”

Representatives at PRH and S&S had no comment on the reports this morning.

If the deal is indeed dead, Paramount is entitled to a roughly $200 million breakup fee, something that makes ending the legal fight much more attractive to Paramount than PRH. Even the expedited appeal that PRH is seeking could take as long as nine months to be heard and would further prolong the process of finding a new home for S&S, especially if the appeal was denied and Paramount would need to revive the acquisition process….

(3) SEASON’S READINGS. “Bill Gates’ 2022 holiday book list: From ‘Team of Rivals’ to Bono” at CNBC.

This holiday season, billionaire Bill Gates is gifting you a list of five books to read while you’re hopefully enjoying some much-deserved downtime.

Gates, a voracious reader who reads at least 50 books each year, regularly releases lists of the best books he’s read each year — alongside seasonal recommendations for holiday books and summer beach reads….

There’s a reason this Heinlein novel is one of them.

‘Stranger in a Strange Land’ by Robert Heinlein

This 1961 sci-fi classic holds a special place in Gates’ memory.

“I met Paul [Allen] around [that] time, and we got to know each other by talking about sci-fi,” Gates wrote of his late friend and Microsoft co-founder. “I thought I had read a lot of it, but Paul way outdid me.”

“Stranger in a Strange Land” — Gates’ favorite sci-fi book from his youth, he noted — is the story of a human who was raised on Mars, by Martians. The young man travels to a futuristic Earth, where he struggles to understand human concepts of religion and war.

“I love sci-fi that pushes your thinking about what’s possible in the future,” Gates wrote, noting that Heinlein’s book correctly predicted some aspects of the future at the time, including “hippie culture” and waterbeds.

“He also does the classic sci-fi thing of using an obviously fictional setting to ask profound questions about human nature,” Gates added.

(4) HOMES WORTHY OF A SAGA. Architectural Digest invites you to admire “15 Whimsical Fairytale Houses Around the World”.

From a Beverly Hills home to a 500-year-old thatched roof cottage, don’t be surprised if you find Snow White answering the door at one of these properties…

Wow, this may be in my general area but it is news to me!

Culver City, California

If the lopsided roof, stone façade, and odd-shaped window alone didn’t make this home look like it came straight out of children’s book, then the small pond surely seals the deal. Designed by Lawrence Joseph, an ex-Disney studio artist, the home is actually located in a development in Culver City known as The Hobbit Houses of Los Angeles. Built over some 20 years, the community holds a collection of whimsical storybook homes.

(5) WORLD ENDS, FILM AT ELEVEN. CBR.com admires these “10 Best Movies About The End Of The World”.

…Frequent topics covered in apocalyptic films include zombie attacks, virus outbreaks, natural disasters, alien invasions, and nuclear holocausts. Some apocalyptic films are produced solely for their entertainment value, while others encapsulate the chaotic nature of their respective eras. Many of the greatest films of all time revolve around the destruction of human existence….

The list begins with a film with a growing reputation:

10/10 Train To Busan Is One Of The All-Time Great Zombie Movies

Train to Busan is a South Korean action horror film that predominantly takes place on a high-speed train as a group of passengers attempts to survive a zombie apocalypse. Historically, zombies have been portrayed as lumbering creatures; however, in Train to Busan, the zombies are highly aggressive and move with lightning quickness.

Train to Busan was a massive box-office success, becoming the highest-grossing film of the year in South Korea and the all-time highest-grossing Korean film in several Asian countries. The film has been praised for its thrilling entertainment value as well as its social commentary on class warfare.

(6) MEMORY LANE.

2012 [By Cat Eldridge.] Rise of the Guardians

On this day a decade ago, The Rise Of The Guardians enjoyed its premiere.  It is quite possibly my favorite holiday film, though Scrooged and The Polar Express are also on the list as well.

It was directed by Peter Ramsey and produced by Christina Steinberg and Nancy Bernstein from a screenplay by David Lindsay-Abaire. It was based on William Joyce’s The Guardians of Childhood series, 

OK, IT IS TIME FOR A CUP OF HOT CHOCOLATE PREPARED BY THE STEWARDS OFVTHE POLAR EXPRESS. COME BACK AFTER WE HAVE TOLD THE STORY OF THIS FILM.

The Guardians of Childhood series was a mystical epic of mythological characters fighting darkness to protect childhood dreams. It made very good source material for that aforementioned screenplay by David Lindsay-Abaire in which Jack Frost awakens from a very long nap under the ice with his memory gone to discover everyone has forgotten him.

Meanwhile at the North Pole (splendidly realized here), the Man in the Moon warns Nicholas St. North that Pitch Black (who look a lot Mr. Dark in Bill Willingham’s Fables series) is threatening the children of the world with his nightmares. 

He calls E. Aster Bunnymund, the Sandman, and the Tooth Fairy to arms. Each of these is a wonderfully realized character as the Man in the Moon and Nicholas St. North.

A series of truly epic battles to defeat Pitch Black follows lest all the children of the world are permanently beset with nightmares. He is defeated when his own Nightmares sensing he has grown weak drag him down into the Underworld.

DID YOU ENJOY THAT HOT CHOCOLATE? GOOD, COME ON BACK. 

The feature starred the voice talents of Hugh Jackman, Jude Law and Isla Fisher among others. I think it was a stellar voice cast and the animation was splendid. I’ve rewatched it several times, and the Suck Fairy retreats whimpering that it’s too sweet for her to mess with. 

It did exceedingly well at the box office taking in over three hundred million on a budget of one hundred and thirty million, and most critics at least grudgingly admit to liking it. (Children’s films are hard on critics.) The audience rating at Rotten Tomatoes is very healthy eighty percent.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 21, 1924 Christopher Tolkien. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR. His father invited him  to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. (Died 2020.)
  • Born November 21, 1941 Ellen Asher, 81. Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Renovation.
  • Born November 21, 1945 Vincent Di Fate, 77. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • Born November 21, 1946 Tom Veal, 76. He’s a con-running fan who chaired Chicon 2000. He was a member of the Seattle in 1981 Worldcon bid committee. He chaired Windycon X.  In 2016 he married fellow fan Becky Thomson. And he wrote the “1995 Moskva 1995: Igor’s Campaign“ which was published in  Alternate Worldcons and Again, Alternate Worldcons as edited by Mike Resnick.
  • Born November 21, 1950 Evelyn C. Leeper, 72. Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon. (JJ)
  • Born November 21, 1953 Lisa Goldstein, 69. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog. (JJ)
  • Born November 21, 1965 Björk, 57. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic. And I’ve got boots of her band somewhere here I think. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.

(8) COMICS SECTION.

  • Macanudo has an idea about how to train your dragon that I never saw in a movie.

(9) JUST BEFORE THE HEAT DEATH OF THE UNIVERSE? “When Will the MCU End? Marvel Studios Exec Gives Honest Answer” at The Direct.

…During an interview on The Town with Matthew Belloni, Marvel Studios VP of Production & Development Nate Moore addressed how long the Marvel Cinematic Universe could potentially run.

When asked if there’s an end in sight, Moore admitted that the team “can’t sit back on (their) laurels,” noting a need to keep pushing the limits of what the genre and the franchise can do. But, in the end, he does feel like the MCU could continue for “a long time:”…

(10) FIREPOWER. Marvel didn’t get there first. CBR.com explains: “A Forgotten Will Eisner Creation was the First Fire-Themed Superhero”.

…Before Eisner achieved immense success with his groundbreaking character, the Spirit, the now legendary comic book writer was hired by Fox Feature Comics to help capitalize on the recent popularity of the superhero genre spearheaded by the arrival of Superman in 1938. After a failed attempt to replicate the Superman style with his character Wonder Man in the May of 1939, Eisner created one of the first superheroes to have a fire-based gimmick in the form of ‘The Flame’ in July that same year, actually predating the first appearance of Human Torch in Marvel Mystery Comics #1 (by Carl Burgos, Paul Gustavson, and Bill Everett)….

(11) TAKING THE BARK OFF OF THEM. Did you wonder what happened to the Puppies? Well, pretend you did, because Steve J. Wright has answered the question by setting clever new lyrics to a Noel Coward tune, which he titles “I Don’t Care what Happens to Him”. Here’s the opening verse.

The Puppies that one’s read about
That Fandom lost its head about
Have fallen from the spotlight to the darkness whence they came.
Though individual Puppies moan and whine
A lot,
Their prose is not
As hot as they might claim.
They never, ever managed yet,
Their plan to cause a big upset,
And now they must content themselves to play the hand they’re dealt….

(12) IANNUCCI Q&A. Armando Iannucci on ADHD, Avenue 5 and how human poop would make a good shield against radiation in space: “Armando Iannucci: ‘I have ADHD, which explains why I can only work to deadlines’” in the Guardian.

It’s become a cliche that “politics is beyond satire”. Do you believe that?
No, it’s how you approach it. If you try to dramatise current events, it will quickly date. Nowadays, the news moves faster than the last season of Game of Thrones. So either you get fast turnaround satire on social media – Cassetteboy, Led By Donkeys, Rosie Holt’s spoof Tory MP or Michael Spicer’s The Room Next Door, which are all great – or the more considered, analytical style of John Oliver. Not so much looking at what happened today but where it fits in. Framing the joke and giving it context. That influenced my thought process on Avenue 5 – it’s about going forward in time and away from the planet, then looking at it again from a wider perspective.

(13) ZOMBIE PITCHMAN. John King Tarpinian says, “The Walking Dead series finale was just so-so. But the commercials were hilarious.” The Drum has two of them. “Gareth’s Back! 5 Ads Resurrect Infamous Undead Characters During The Walking Dead Finale”.

After 11 seasons, 177 episodes and 12 years, AMC’s The Walking Dead came to an end last night.

To commemorate the momentous occasion, Ryan Reynolds’ creative agency Maximum Effort, AMC Network’s Content Room and Kimmelot’s Dan Sanborn devised a five-spot campaign that aired during the finale. The series of spots for Autodesk, Deloitte, DoorDash, MNTN and Ring bring back four characters who died throughout the series’ 12-year run….

Here’s one example. Another is at the link.

[Thanks to Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Steven French, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 11/16/16 I’ve Filed Through The Desert On A Scroll With No Name

(1) THERE GOES THE NEIGHBORHOOD. Professor Hawking did not say it’s time for us to start looking for the next planet to ruin, but that would be one way of looking at his prediction – “Stephen Hawking Puts An Expiry Date On Humanity”.

Stephen Hawking believes that humanity has less than a thousand years on Earth before a mass extinction occurs, the leading theoretical physicist said during a speech Tuesday at Oxford University Union, U.K.

According to Hawking, the only way humans can avoid the possibility of extinction was to find another planet to inhabit. At the talk, Hawking gave a one-hour speech on man’s understanding of the origin of the universe from primordial creation myths to the most cutting-edge predictions made by “M-theory,” which presents an idea about the basic substance of the universe.

“We must also continue to go into space for the future of humanity,” he said. “I don’t think we will survive another 1000 without escaping beyond our fragile planet.”

Earlier this year, the 74-year-old predicted that technology would lead Earth to a virtually inevitable global cataclysm.

“We face a number of threats to our survival from nuclear war, catastrophic global warming, and genetically engineered viruses,” he said in January. “The number is likely to increase in the future, with the development of new technologies, and new ways things can go wrong. Although the chance of a disaster to planet Earth in a given year may be quite low, it adds up over time.”

(2) HEINLEIN IN DEVELOPMENT. Entertainment Weekly says Stranger in a Strange Land could become a TV series:

Valentine Michael Smith is heading to Earth — and now maybe to television.

Paramount TV and Universal Cable Productions are teaming up to develop Stranger in a Strange Land into a TV series on Syfy, the companies announced Tuesday. Robert Heinlein’s novel will be adapted by Mythology Entertainment, Scott Rudin Productions, and Vecchio Entertainment.

Ed Gross’ version of the news story includes this fascinating bit of Hollywood history:

A previous attempt at adapting Heinlein’s novel came in 1995, when Batman Returns’ Dan Waters penned a script designed for Tom Hanks and Sean Connery, which was for Paramount Pictures

The 1995 vintage Tom Hanks played Jim Lovell in Apollo 13 and seems to me too old for Valentine Michael Smith, though the Bosom Buddies Tom Hanks could have been a good pick. Connery, I assume, was destined to play Jubal Harshaw.

(3) GOING BI-BI. “Analog and Asimov’s Go Bimonthly” reports Locus Online.

SF magazines Analog and Asimov’s are switching to a bimonthly schedule beginning in January 2017. Both currently publish ten issues per year, with eight regular issues and two “double” issues.

Asimov’s editor Sheila Williams explains in a forthcoming editorial that the magazines will now publish “six 208-page double issues” per year, a 16-page increase over current double issues….

(4) LIGHTENING THE MOOD. John DeNardo recommends that we “Relieve Holiday Stress with One of These Lighter Science Fiction and Fantasy Reads”. Sure, Death and Hell – what could be jollier than that?

The Ferryman Institute by Colin Gigl

If you think your job is soul-sucking, don’t tell Charlie Dawson. He’s one of the ferrymen who’s been ushering dead people into the afterlife for hundreds of years in Colin Gigl’s supernatural adventure The Ferryman Institute. Let’s face it: centuries of drudge work tends to wear down one’s motivation. That’s certainly what happened to Charlie.  Despite his long history of success, he’s ready to hang up his robe. Charlie had given up all hope of escaping his boring existence until he did something unexpected: he saved Alice Spiegel from committing suicide. Let me tell you, something like that does not sit well with the department of Internal Affairs at The Ferryman Institute, and it especially does not make IA’s Inspector Javrouche happy at all. Charlie stands by his decision to save Alice and chooses to fight the system, even though that may put an end to the existence of mankind.

(5) TODAY IN HISTORY

  • November 16, 1984 — A comet wipes out most of life on Earth, leaving two Valley Girls to fight the evil types who survive in Night of the Comet, seen for the first time on this day in 1984. Joss Whedon has cited this film as a big influence for Buffy the Vampire Slayer.
  • November 16, 2001 – First Harry Potter film opens.

(6) TODAY’S BIRTHDAY PENGUIN

  • Born November 16, 1907 – Burgess Meredith

(6) TODAY’S WRITER BIRTHDAYS

  • Born November 16, 1952 – Candas Jane Dorsey
  • Born November 16, 1976 — Lavie Tidhar

(7) TODAY’S GUEST APPERTAINER. Don’t blame Carl, it was my mistake. I was just trying for a cute post title. Fixed now….

(8) WHEN YOU FIND YOURSELF LIVING A TROPE. Saladin Ahmed hoped this would work:

https://twitter.com/saladinahmed/status/798614532600037376

(9) AN EXCEPTION TO EVERY RULE. In the end, Black Gate managing editor Howard Andrew Jones couldn’t help himself — “Seeking Solace”.

When assembling the first round of Black Gate bloggers one of the few rules I laid down was that we keep our personal politics and religion out of our posts. John and I both wanted to create a safe and welcoming space where people of all stripes could come together to discuss the genres we love.

Over the last week I’ve never found that admonition more of a challenge. You see, I’ve been grieving. Not for any one person’s loss, or even because the side I backed lost, but because it feels to me that an ideal has vanished. That ideal may not have been flawless, but I shudder at the manner in which the leading proponent of a replacement movement conducts himself. And for the first time in my life I’m not just disheartened by an election result contrary to my own wishes, I’m a little frightened….

(10) I HEARD THE NEWS TODAY. Auston Habershaw was inspired by events to write a primer on “Empires and Rebellions”.

(Looks out window) Whoah. Looking pretty ugly out there in the real world. Politics just got a bit scary, and a lot of people are pretty convinced a lot of bad things are about to happen. In this time of fear and anxiety, what is a person to do if they are expected to maintain their sanity in the face of catastrophe?

Well, that’s what fiction is for! Curl up with a good book or throw on the TV and try to escape for a few hours.

Of course, then you’re probably going to see or read something about empires. Or rebellions. Or both. …

…Now, opposed to [the Empire] you have the Rebellion. The Rebellion is the out-group – those bereft of power or wealth or (frequently) culture. They exist on the fringes or between the cracks of the Empire. If Empire is a force for stability and stasis, the Rebellion is a force for change. Their goal is to upset or subvert the social order. They are your outlaws, your ne’er do-wells, your poor, your vagabonds and wanderers. Your freaks and weirdos. The instinct, in the case of Rebellion, is one of sympathy. We have all felt marginalized in one sense or another in our lives, and our frequent desire is to see those who are harmed by the in-group find a way to subvert the power structure and have justice be served. This, of course, is not always the case: we revile rebels as often as we laud them. Take, by way of real-life example, global terrorism or ISIS. They are, by all measures, the out-group. We are not inspired by their underdog struggle to subvert the power of Empire (i.e. us) because we do not share their goals or morals. They are the barbarous hordes, not the inspiring resistance (even though, by the account of at least one CIA interrogator, they view themselves in this way).

Stories told with the Rebellion as heroic tend to emphasize the overthrow of dictatorial regimes through noble struggle and self-sacrifice. They value the individuality of their followers, they emphasize freedom and self-reliance over safety and wealth. When Han Solo tells his commanding officer on Hoth that he has to leave, the general gives him a handshake and a pat on the back, but when Captain Needa apologizes to Lord Vader, he is strangled to death for his efforts. Such is the narrative of the heroic Rebellion: we will save you from your oppressors. Look at any list of quotable lines from Firefly and you’ll see this sentiment played out in exhaustive detail. They might be filthy and rowdy and quirky and poor, but the crew of Serenity are the plucky underdogs we love and the Alliance are the soulless Imperial types we loathe.

(11) USING CLARKE’S LAW TO WRITE FANTASY. Bishop O’Connell has a guest post at Serious Reading  — “Quantum Magic”.

To me, this was an open door to a new kind of magic. I knew very early on that I wanted my main character, Wraith [in The Forgotten], to be a homeless teenager. After learning about the double-slit experiment, I decided to also make her a mathematical genius, and use that genius to perform her magic. But how? Well, the aforementioned experiment shows that observing can change the outcome. What if it was the observer, rather than just the act of observing, that caused this? That would mean that we’re actually, unconsciously, altering reality. The next logical question was: could someone do so consciously, and to what extent? And if they could, how would this be distinguishable from magic? After all, can’t every magical effect be explained scientifically? Teleportation? There is already teleportation on the quantum level, and on the macro level Einstein-Rosen Bridges (worm holes) are becoming increasingly common in science fiction. Throwing fireballs? Well fire is just an effect that happens when particles reach an energy level that generates sufficient heat to combust a fuel. Moving things with magic (telekinesis)? Electromagnetism is used all over the world to move trains without any physical contact. It’s all theoretically possible, or rather not theoretically impossible. Sure, some of those effects require vast amounts of energy, more than we can dream of generating. But there are unimaginable amounts of energy all around us; the gravitational force of dark matter, and dark energy for example. We just don’t know how to utilize them…yet.

I decided Wraith would see the waves of probability all around us in the form of equations and symbols (the quantum information of reality).

(12) CHARACTERIZATION. Sarah A. Hoyt tells why you should “Hang A Lantern on It — More Real Than Real” in a helpful column at Mad Genius Club.

This can also be used for stuff that you know is true, but which the reader will think is otherwise, because of books or — shudder — movies that portrayed the event wrong.  Or, of course, when you’re writing in someone else’s world and about to kick their world in the nadders.  I had to do this with Dumas, because in a picaresque adventure it’s perfectly fine to have a stupid character, but in mysteries I couldn’t have Porthos be dumb.  So I made him like my younger kid at the time, a visual/tactile thinker, who had issues with words.  To sell it, I hung a lantern on it.  I explained something like “Many people thought Porthos was a simpleton, but his friends knew better.  Indeed, none of them would be friends with an idiot.  The problem was that Porthos thought through his eyes and through his hands, and words often came lagging and contradictory to his lips.”  I did this at least once per book, but mostly when I was in his head.  Because people “know” Porthos is dumb.

(13) FILMATION’S ONE GOOD SERIES. Forbes writer Luke Y.Thompson falls in love — Star Trek: The Animated Series Beams Down To Blu-ray, Worth Any Sci-Fi Fan’s Time”.

If you’re familiar at all with TV animation, especially in the ’70s and ’80s, you probably know Filmation as the producers of He-Man, She-Ra, Flash Gordon, Tarzan, and any number of other slightly goofy-looking Saturday morning cartoons known for “limited” animating techniques that involve lots of re-use of cels and work-arounds to keep from having to draw and paint more than was affordable. It’s a bit like the way old horror movies kept the monster hidden in shadows because they didn’t have the special effects to create a good creature, except that those movies frequently won praise for leaving much to the imagination, while Filmation gets mocked for being sub-Hanna Barbera technical quality. As a kid raised on Disney, I frequently rejected shows that evinced such obvious cheats and workarounds, and often, it’s true, the writing isn’t great either (I love He-Man more than most, primarily for the toys, but I cannot defend it as any kind of masterpiece)….

Star Trek wound up being the only Filmation show to air for two consecutive, full seasons on NBC, and won the first Emmy for both Filmation and the Star Trek franchise, which bought it six extra episodes, though NBC ultimately decided it wasn’t kid-oriented enough, and passed on an additional year. They’re right: as seen in the new Blu-ray boxed set, these episodes may be crudely animated, but the stories are true, cerebral sci-fi. Mostly (there are Tribbles). And airing almost exactly halfway between the end of the original live-action series and the first movie, the animated episodes kept the property alive–yet because of the stigma of Filmation cartoons being formulaic and cheesy, there are a whole lot of fans today who haven’t seen them.

The new Blu-ray set, released today, is remastered in 1080p high definition with a 5.1 DTS-HD audio, which is arguably both a blessing and a curse. Yes, it’s the best version of every element available, but it’s so restored, and from cheap elements, that you can blatantly spot cels being pulled across the screen, see scratches and dust on the original material, and hear that the voice cast often sound like they’re in different rooms. A documentary featurette mentions the whole cast recording in the same studio for the first time, but it seems possible, if not likely, that this was not the case on many of the subsequent episodes. And if the limited animation weren’t already limited enough, one of Filmation’s directors was color blind, which is why the Tribbles are now pink. But it’s not like Trek fans are necessarily put off by such things–the original series, after all, is full of bad make-up jobs and obvious soundstages, but it doesn’t really affect our affection for them. Story-wise, they hold up, favoring clever reversals and moral dilemmas rather than the typical Saturday morning adventure schlock.

(14) DREAM A LITTLE DREAM. John Scalzi is not one to settle for success in just one field.

[Thanks to Daniel Dern, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]