HWAs Sixth Annual Summer Scares Reading List

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, Booklist, and NoveList®, a division of EBSCO Information Services (EBSCO), has announced the sixth annual Summer Scares Reading List, with titles selected by a panel of authors and librarians and designed to promote horror as a great reading option for all ages, during any time of the year. 

This year, Summer Scares welcomes author Clay McLeod Chapman as the 2024 spokesperson. “Our bookshelves are getting haunted this summer!” exclaims Chapman. “Every last one of the books selected for this year’s Summer Scares is a beautiful little nightmare just waiting for the right reader to come along and crack it open. The outright honor of amassing this awesome roster of authors cannot be overstated. I love each and every last one of these books and I can’t wait to shout about how terrifying they are all summer long.”

Every year, three titles are selected in each of three categories: Adult, Young Adult, and Middle Grade. For 2024 the selected titles are:

ADULT SELECTIONS:

  • Jackal by Erin E. Adams (Bantam, 2022)
  • Such Sharp Teeth by Rachel Harrison (Berkley, 2022)
  • This Thing Between Us by Gus Moreno (MCD x FSG Originals, 2021)

YOUNG ADULT SELECTIONS:

  • All These Bodies by Kendare Blake (Quill Tree Books, 2021)
  • Dead Flip by Sara Farizan (Algonquin Young Readers, 2022)
  • #MurderTrending by Gretchen McNeil (Freeform, 2018)

MIDDLE GRADE SELECTIONS:

  • Ophie’s Ghosts by Justina Ireland (Balzer + Bray, 2021)
  • The Nest by Kenneth Oppel (Simon & Schuster Books for Young Readers, 2015)
  • My Aunt Is A Monster by Reimena Yee (Random House Graphic, 2022)

The goal of Summer Scares is to introduce Horror titles to school and public library workers in order to help them start conversations with readers that will extend beyond the books from each list and promote reading for years to come. In addition to the annual list of recommended titles, the Summer Scares Programming Guide, created each year by the Springfield-Greene County (MO) Library–and free for libraries anywhere to access, is back with the tools libraries need to connect with their patrons. 

“The 2024 guide is packed with ideas that library workers can use to engage their communities with these great titles, whether they’re putting up book displays, hosting author events, or planning an entire Summer Scares program series,” states Konrad Stump, co-creator of the programming guide. The guide will be available beginning March 1, 2024 on the Summer Scares Resource page.

Along with the guide, the Summer Scares committee will work with both the recommended list authors and Horror authors from all over the country to provide free programming to libraries. Any library looking to host horror-themed events anytime of year is encouraged to email [email protected] to get started.

Once again, Summer Scares will be included as part of iRead, a summer reading program that is used by libraries in the United States and across the globe by the Department of Defense for libraries on military bases. “While there is nothing scary about Summer Reading, there is no better time than summer to scare up some great books. iREAD is thrilled (and chilled!) to partner once again with Summer Scares to introduce Horror titles to school and public library workers in order to help them start conversations with readers that perfectly align with our mission to bridge the summer gap while inspiring literacy and life-long learning,” shares iREAD Content and Development Manager Becca Boland. 

Booklist is helping to kick off Summer Scares 2024 in March with a series of three free webinars with this year’s featured authors in conversation with the committee members: 

  • Monday, March 11, 2024, at 4pm Eastern, featuring our Middle Grade authors and moderated by Sarah Hunter (register here)
  • Thursday, March 21, 2024, at 2pm Eastern, featuring our Young Adult authors and moderated by Yaika Sabat (register here)
  • Monday March 25, 2024, at 2pm Eastern, featuring our Adult authors and moderated by Clay McLeod Chapman (register here)

Each webinar lasts one hour. Anyone may register to participate for free at https://www.booklistonline.com/webinars. Recordings will be available for on-demand viewing after the live events at https://www.booklistonline.com/webinars-archive.

All are welcome to join the Summer Scares committee and featured authors at the HWA’s Librarians’ Day, taking place in person on May 31, 2024, in San Diego as part of StokerConⓇ. Details at: https://www.stokercon2024.com

The HWA is a non-profit organization of writers and publishing professionals and the oldest organization dedicated to the Horror/Dark Fiction genre. One of the HWA’s missions is to foster an appreciation of reading through extensive programming and partnerships with libraries, schools, and literacy-based organizations.

The 2024 Summer Scares program committee consists of author Clay McLeod Chapman, HWA Library Committee Co-Chairs Becky Spratford and Konrad Stump, as well as Academic Librarian Carolyn Ciesla, Book Riot Editor and YA specialist Kelly Jensen, Booklist Editor and Middle Grade specialist Julia Smith, and Manager of Reader Services at NoveList Yaika Sabat. 

For more information about the Summer Scares reading program, including committee member bios and how to obtain promotional materials and schedule events with the authors/committee members, please visit the Summer Scares Resource page or email HWA Library Committee Co-Chairs Becky Spratford and Konrad Stump at [email protected].

[Based on a press release.]

Pixel Scroll 11/1/23 Eat, Pray, Jaunt

(1) 4 YOUR LISTENING PLEASURE. [Item by SF Concatenation’s Jonathan Cowie.] SF book lovers had an hour of delight on BBC Radio 4 last Sunday with two half-hour programmes.

First up there was Open Book that saw a led discussion of a panel of three authors that looked at artificial intelligence (AI) in their work as well as the possible effects of AI on novels writing.

The overall drift – of what was an interesting conversation – was that AI is not developed enough at the current moment to have a significant impact on (commercial) writing/publishing but there is clearly a trajectory and that in a few years time things could well be different..

One point made was that eventually AI writing might possibly induce a revolution in writing with a new type of novel. The panel took this notion further and said it may be that in the future some AI writing will only be able to be appreciated by AI (non-human) readers.

You can listen to the programme here,

Elizabeth Day and Johny Pitts present a special edition of the programme exploring AI and the novel.

Recorded at the London Literary Festival at the Southbank Centre; novelists Naomi Alderman, Adam Thirlwell and Julianne Pachico join Elizabeth and Johny on stage to discuss depictions of AI in their fiction – and what AI might mean for fiction.

Naomi Alderman’s new novel, The Future, is the tale of a daring heist hatched in the hope of saving the world from the tech giants whose greed threatens life as we know it. Adam Thirlwell’s The Future, Future takes us from the salacious gossip of pre-revolutionary Paris to a utopian lunar commune, and Julianne Pachico tells the story of a young girl raised by artificial intelligence in her novel Jungle House.

The second programme was The Exploding Library that in this episode looked at Angela Carter’s Night at the Circus.

“Am I fact or am I fiction?”

So asks the six-foot-something winged woman, Fevvers, the acclaimed aerialiste at the heart of Angela Carter’s epic, Nights at the Circus. It’s a question that has haunted almost every performer who’s stepped onto a stage and seen their ‘real’ self and ‘stage’ selves blur.

Yet a woman with wings with the world at her feet is almost run-of-the-mill in this extravaganza. There’s dancing tigers, murderous clowns, shamanic visions in the Siberian wilderness, and the odd pair of stinky tights.

Labels and genres are flung around – gothic, magical realism, fantasy – but the book, like Angela Carter’s writing in general, evades categorisation at every turn. Twist the kaleidoscope and another vision emerges, twist again and the human condition is re-revealed.

Kiri Pritchard Maclean runs off with the circus to consider the performer underneath the greasepaint, and find out what happens when the performance comes to an end. (Plus chickens).

You can listen to the programme here.

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Two part convention report by Chengdu fan/business owner

(via SF Light Year)

I’m not exactly sure who Huawen is; I think they are a fan who set up an SF-related company/museum/library (?) based in Chengdu.  (Per the website URL listed in the leaflet image listed in the leaflet image, “[their company] was established in 2021 in Chengdu, Sichuan Province. It is a media company dedicated to promoting excellent science fiction culture.”  Per the first part of their report, had some involvement in the early days of the Chengdu bid/con organization, but dropped out.  

Part 1Part 2

Extracts from Part 1 of their report, via Google Translate with manual edits.

I was a little afraid of the World Science Fiction Convention.  Previously, I’d only heard about this science fiction convention which has lasted for more than 80 years, from news reports and a few words from friends. There was always a sour grapes mentality of “looking at what other people’s families were doing”.

But now after experiencing it personally, I feel more or less disenchanted. Let me expand upon this first.

First of all, the Worldcon has a long history and many traditions. This is the 81st edition. With 80 previous events, it has accumulated a lot of experiences and traditions. I had never participated in it before, and felt that it would always be a bit of a mystery to me.

And then there’s the scale. Every time, thousands of science fiction fans and practitioners participate, with hundreds of stalls and hundreds of activities. Such a large scale has never been seen before in China.

Then there is the difficulty of organization. The complexity and organizational difficulty increases exponentially with the increase in scale. What’s more, except for a few members of the organizing committee, almost all of them are involved for just a short time. This level of difficulty is simply hellish. Think about it – it’s scary…

I saw from the WeChat official account of the convention that collections related to the history of science fiction were being solicited. I was originally thinking of doing a big presentation, but I succumbed to procrastination.  However, if I rushed to catch up with my preparations, maybe the visual effect could be good? …

In the end, as an exhibitor, I briefly displayed a small collection in two cabinets, and fortunately everyone reported that they had good impressions of it.

Therefore, my main participation in this conference was as an exhibitor, and secondarily as a guest 1, 3, and 5.   [I think this is a reference to the badge numbering, about what access individual attendee types had?]  I constantly switched between the two identities whilst at the con.

Precisely because of the resource-draining nature of being an exhibitor, I was unable to participate in many activities, and was unable to observe the full picture of this convention, which really was a pity.  If I had been able to attend more events, there would definitely be more [in this report]. However, I can summarize my experiences, to learn from [them in the future]

1. The venue is the basic determining factor for almost any event / Unparalleled, beyond imagination, 900 million yuan [approx $123m USD]  can convince people with reason…

The venue and facilities were so good, but my preparations were so unsatisfactory, and I completely underestimated the scale of this conference.

2. The youth trend is obvious, directly reversing the aging trend of the World Science Fiction Convention

I heard a long time ago that the participants at foreign world science fiction conventions are mainly middle-aged and elderly people, with only a small proportion of young people.  This phenomenon is not recent; it has a history of at least more than 20 years.

The same is true from my observations at my table. The foreign science fiction fans who came to the conference are generally older.  I never saw any children or teenagers, and young people in their twenties and thirties were also relatively rare.  [Note: the default Google Translate output says, “…were relatively preferred”, which didn’t make much sense to me.  I’ve taken the liberty of replacing that with something that makes more sense to me.]

By contrast, the clear main participants of this Chengdu Science Fiction Convention are minors, mainly primary school students, followed by junior high school students, and many high school students. Excluding the parents and adults accompanying children, the proportion of adult science fiction fans attending the conference was a long way down – less than one tenth….

I speculate that the average age of all participants this time was most likely no more than 18 years old.  Science fiction makes people young, if I’m honest.

I bet that no subsequent World Science Fiction Convention in the next fifty years will be able to gather such a group of tens of thousands of primary and secondary school science fiction fans – no, a hundred years.

I think foreign science fiction fans will have received a little shock from Chengdu 🙂

3. We ran out of materials and lacked preparations. We really couldn’t squeeze out another drop …

All the books that I planned to sell were sold out on the first or second day.

The three new commemorative medals made for this science fiction convention were almost completely out of ink the next day, and I had to replenish them twice a day. [Note

Not only were there not enough badges, but the 3,000 ribbons prepared for the previous 2,000 people did not last until the end, even with the restriction that “each person could only choose one.”

The only thing that I still had some inventory of, was a leaflet that had 5,000 copies printed.

I have skim read the second post, but haven’t had time or energy to do a similar write-up; it will probably appear in tomorrow’s Scroll.

The Space-Time Painter and the Hugos being used in school work and tests

I spotted these Xiaohongshu posts earlier today (1)(2).  There are other unusual references to this Hugo winner that I’ll include in a future Scroll.

Photos from Shanghai Halloween

These have absolutely nothing to do with the Worldcon, but they came up in my Xiaohongshu default feed late last night, and I thought they might be of mild interest to Filers.  Sorry that there’s no link to the source post, but I was afraid that if I spent too long looking at that post, the algorithmic feed might determine that this is the sort of content that it should continue to show me in future… There’s more in a short Twitter video from the Chinese news site Sixth Tone, and also a three-minute English-language explainer video on YouTube.

(3) MARVEL’S PROBLEMS. “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed” in Variety.

…[E]veryone at Marvel was reeling from a series of disappointments on-screen, a legal scandal involving one of its biggest stars and questions about the viability of the studio’s ambitious strategy to extend the brand beyond movies into streaming. The most pressing issue to be discussed at the retreat was what to do about Jonathan Majors, the actor who had been poised to carry the next phase of the Marvel Cinematic Universe but instead is headed to a high-profile trial in New York later this month on domestic violence charges. The actor insists he is the victim, but the damage to his reputation and the chance he could lose the case has forced Marvel to reconsider its plans to center the next phase of its interlocking slate of sequels, spinoffs and series around Majors’ villainous character, Kang the Conqueror.

At the gathering in Palm Springs, executives discussed backup plans, including pivoting to another comic book adversary, like Dr. Doom. But making any shift would carry its own headaches: Majors was already a big presence in the MCU, including as the scene-stealing antagonist in February’s “Ant-Man and the Wasp: Quantumania.” And he has been positioned as the franchise’s next big thing in this season of “Loki” — particularly in the finale, which airs on Nov. 9 and sets up Kang as the titular star of a fifth “Avengers” film in 2026.

“Marvel is truly fucked with the whole Kang angle,” says one top dealmaker who has seen the final “Loki” episode. “And they haven’t had an opportunity to rewrite until very recently [because of the WGA strike]. But I don’t see a path to how they move forward with him.”

Beyond the bad press for Majors, the brain trust at Marvel is also grappling with the November release of “The Marvels,” a sequel to 2019’s blockbuster “Captain Marvel” that has been plagued with lengthy reshoots and now appears likely to underwhelm at the box office….

(4) MORE LEARNEDLEAGUE. [Item by David Goldfarb.] Some One-Day Special quizzes that Filers might enjoy:

(Xena has gods and sorceresses; Randall Munroe has won a Hugo Award, so I claim that both of these are at least genre-adjacent.)

(5) HWA SUMMER SCARES SPOKESPERSON IS CLAY MCLEOD CHAPMAN. The Horror Writers Association yesterday announced their Summer Scares Reading Program 2024 Spokesperson and Timeline.

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, Booklist, and NoveList®, a division of EBSCO Information Services (EBSCO), is proud to announce the fifth annual Summer Scares Reading Program. Summer Scares is a reading program that provides libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. It introduces readers and librarians to new authors and helps start conversations extending beyond the books from each list and promote reading for years to come.

Summer Scares is proud to announce the 2024 spokesperson, author Clay McLeod Chapman:

“To this day, I still have vivid memories of my grandmother escorting six-year-old me through our local library — Go, Bon Air! — and striking a deal: Pick two books, any two books, one for her to read to me and one for me to read to myself. When we both finished our individual reads, we could always come back and pick another pair. I can still list off practically every book I selected — beginning with “Monsters of North America” by William A. Wise — returning to the library to replenish our endless reservoir of reading every week of my childhood. Now I feel as if I’m returning to the library all over again, thanks to Summer Scares, where the deal this time is to pick those books that continue to make an impact on me and share them with as many readers as humanly possible.”

Chapman is joined by a committee of six library workers who, together, will select three recommended fiction titles in each reading level, totaling nine Summer Scares selections. The goal of the program is to encourage a national conversation about the horror genre, across all age levels, at libraries around the world, and ultimately attract more adults, teens, and children interested in reading. Official Summer Scares designated authors will also make themselves available at public and school libraries.

The committee’s final selections will be announced on February 14, 2024, Library Lover’s Day. Chapman, along with some of the selected authors, will kick off Summer Scares at the 8th Annual HWA Librarians’ Day, Friday, May 31st, during StokerCon® 2024 at the San Diego Mission Bay Marriott….

(6) HOWARD STATEMEN DEATH LEARNED. [Item by Rick Kovalcik.] Howard “Howeird” Statemen (1950-2022) was a past Boskone participant. In response to an email, his sister informed us that Howard passed away last year on October 5, 2022 of an aneurysm. Here’s the link to his memorial presentation on YouTube. He also had a website which may be of interest to some people: Howeird Dot Com at WMP

(7) SHERRIE R. CRONIN (1954-2023). Author Sherrie R. Cronin died October 23 at the age of 68. The SFWA Blog has posted a tribute.

…A geophysicist by trade and extensive traveler by passion, Cronin lived in seven cities and visited forty-six countries, while staying dedicated to her writing. Cronin wrote 13 works within the “46. Ascending” and “The War Stories of the Seven Troublesome Sisters” series. Additionally, she was dedicated to writing and blogging about world peace, empathy, and what she called intra-species harmony. She joked that she’d love to tell these stories, stories of peace—or be Chief Scientist Officer—on the Starship Enterprise, and admitted to occasionally checking her phone for a message from Captain Picard. Just in case….

(8) MEMORY LANE.

1939 [Written by Cat Eldridge.]

Our Beginning is not from a genre work this time, but from a mystery, that of Raymond Chandler’s The Big Sleep. We do cover mysteries here, so I thought I’d look at Chandler and this work.

He turned to writing mysteries relatively late at age forty four after losing his job as oil company exec during the Great Depression. “Blackmailers Don’t Shoot”, his first story, was published in 1933 in Black Mask, one of many mystery stories he’d write. The Big Sleep, his first novel, followed six years later. 

The Big Sleep would first be published by Alfred A. Knopf in 1939. It is based off of two Black Mask stories, “Killer in the Rain” (published in 1935) and “The Curtain” (published in 1936) as Chandler based his novels off previously written material. Well, he said “cannibalised” those stories. 

It would be made into two films, the 1946 film that Leigh Brackett helped write the screenplay and which co-started Humphrey Bogartand Lauren Bacall,  and a 1978 one that’s remembered mostly, well, for Robert Mitchum being at sixty twice as old as the character he playing, Philip Marlowe. Mitchum had previously been an aging Philip Marlowe in Farewell, My Lovely, a 1975 release. 

The 1946 film’s 38-year-old Marlowe played by Bogart who was 44 at the time. Why the script aged him by five years is unknown. 

There was a television adaptation starring Zachary Scott, who had done mostly Westerns, as Marlowe, that was broadcast on September 25, 1950. I can’t find any record of it existing now. 

Oh, and none of Chandler’s novels will move into the public domain until 2034, the year the rights to The Big Sleep are set to expire. 

And now our Beginning…

IT WAS ABOUT ELEVEN O’CLOCK in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars. 

The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn’t have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn’t seem to be really trying. 

There were French doors at the back of the hall, beyond them a wide sweep of emerald grass to a white garage, in front of which a slim dark young chauffeur in shiny black leggings was dusting a maroon Packard convertible. Beyond the garage were some decorative trees trimmed as carefully as poodle dogs. Beyond them a large green house with a domed roof. Then more trees and beyond everything the solid, uneven, comfortable line of the foothills.

On the east side of the hall a free staircase, tile-paved, rose to a gallery with a wrought-iron railing and another piece of stained-glass romance. Large hard chairs with rounded red plush seats were backed into the vacant spaces of the wall round about. They didn’t look as if anybody had ever sat in them. In the middle of the west wall there was a big empty fireplace with a brass screen in four hinged panels, and over the fireplace a marble mantel with cupids at the corners. Above the mantel there was a large oil portrait, and above the portrait two bullet-torn or moth-eaten cavalry pennants crossed in a glass frame. The portrait was a stiffly posed job of an officer in full regimentals of about the time of the Mexican war. The officer had a neat black Imperial, black mustachios, hot hard coalblack eyes, and the general look of a man it would pay to get along with. I thought this might be General Sternwood’s grandfather. It could hardly be the General himself, even though I had heard he was pretty far gone in years to have a couple of daughters still in the dangerous twenties. 

I was still staring at the hot black eyes when a door opened far back under the stairs. It wasn’t the butler coming back. It was a girl. 

She was twenty or so, small and delicately put together, but she looked durable. She wore pale blue slacks and they looked well on her. She walked as if she were floating. Her hair was a fine tawny wave cut much shorter than the current fashion of pageboy tresses curled in at the bottom. Her eyes were slategray, and had almost no expression when they looked at me. She came over near me and smiled with her mouth and she had little sharp predatory teeth, as white as fresh orange pits and as shiny as porcelain. They glistened between her thin to taut lips. Her face lacked color and didn’t look too healthy.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 1, 1897 Naomi Mary Margaret Mitchison, Baroness Mitchison, CBE (née Haldane). Author of many historical novels with genre trappings such as The Corn King and the Spring Queen which Terri Windling called “a lost classic” and The Bull Calves but also SF such as Memoirs of a Spacewoman. She was also a good friend of Tolkien, and was one of the proofreaders of The Lord of the Rings. (Died 1999.)
  • Born November 1, 1917 Zenna Henderson. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951. The People series appeared in magazines and anthologies, as well as the stitched-together Pilgrimage: The Book of the People and The People: No Different Flesh. Other volumes include The People Collection and Ingathering: The Complete People Stories. She was nominated for a Hugo Award at Detention for her “Captivity” novelette. Her story “Pottage” was made into the 1972 ABC-TV movie, The People.  “Hush” became an episode of George A. Romero’s Tales from the Darkside which first aired in 1988. (Died 1983.)
  • Born November 1, 1923 Gordon R. Dickson. Writer, Filker, and Fan who was truly one of the best writers of both science fiction and fantasy. It would require a skald to detail his stellar career in any detail. His first published speculative fiction was the short story “Trespass!”, written with Poul Anderson, in the Spring 1950 issue of Fantastic StoriesChilde Cycle, featuring the Dorsai, is his best known series, and the Hoka are certainly his and Poul Anderson’s silliest creation. I’m very fond of his Dragon Knight series, which I think reflects his interest in medieval history.  His works received a multitude of award nominations, and he won Hugo, Nebula, and British Fantasy Awards. In 1975, he was presented the Skylark Award for achievement in imaginative fiction. He was Guest of Honor at dozens of conventions, including the 1984 Worldcon, and he was named to the Science Fiction Hall of Fame and the Filk Hall of Fame. The Dorsai Irregulars, an invitation-only fan volunteer security group named after his series, was formed at the 1974 Worldcon in response to the theft of some of Kelly Freas’ work the year before, and has provided security at conventions for the last 34 years. (Died 2001.) (JJ)
  • Born November 1, 1923 Dean A. Grennell. Writer, Editor, Firearms Expert, Conrunner, and Fan who edited numerous fanzines including La Banshee and Grue, which was produced sporadically from 1953 to 1979 and was a finalist for the Hugo Award in 1956. He published several short fiction works, and even dabbled in fanzine art. He ran a small U.S. gathering held the same weekend as the 1956 UK Natcon which was called the Eastercon-DAG, and another called Wiscon, which preceded the current convention of that name by more than twenty years. He is responsible for the long-running fannish joke “Crottled Greeps”. (Died 2004.) (JJ)
  • Born November 1, 1942 Michael Fleisher. A writer best known for his work at  DC Comics of the Seventies and Eighties, particularly for the Spectre and Jonah Hex. He wrote Hex for over a dozen years, both as an Old West and a SF character. Fleisher wrote three volumes of The Encyclopedia of Comic Books Heroes, doing some research on-site at DC Comics. (Died 2018.)
  • Born November 1, 1959 Susanna Clarke, 64. Author of Jonathan Strange & Mr Norrell which I think wins my award for the most-footnoted work in genre literature. It won a World Fantasy, Nebula, Mythopoeic and of course a Hugo Award, that being at Interaction. It was adapted into a BBC series, most likely without the footnotes. The Ladies of Grace Adieu and Other Stories collects her short works and is splendid indeed with artwork by Charles Vess. Her Piranesi novel as nominated for a Hugo at Discon III, the year that Martha Wells Network Effect got it.

(10) HWA INDIGENOUS HERITAGE MONTH. “Un-Settling Horrortellers: Introduction to Indigenous Heritage Month 2023” by Shane Hawk kicks off another Horror Writers Association blog series.

…The HWA has put great effort into recognizing the need for diversifying Horror and the association itself over the last few years. It’s been so wonderful to see. Owl Goingback has earned the Lifetime Achievement Award and won two Stokers, Jewelle Gomez also has earned a Lifetime Achievement Award, Stephen Graham Jones has won four Stokers, and the HWA has highlighted Indigenous writers just outside of the Horror genre like Daniel H. Wilson, Darcie Little Badger, and Tim Tingle.

Indigenous Horror is a small space to spill blood on the ground, smell the organ meat slopping out of the clawed-open abdomen, but it is growing at a nice pace. My main mission with Never Whistle at Night: An Indigenous Dark Fiction Anthology was to increase that small percentage and rid ourselves of that pesky “less-than” mathematical symbol when it came to describing Indigenous market share of genre works. The anthology has only been out for six weeks, but its status as an international bestseller since its first week (and every week since) has proven that there is an absolute hunger for Indigenous Horror and dark fiction. Over are the days of the non-Native genre writer killing us off after we help the white folks understand the monster’s weaknesses, exploiting our religions, our traumas, our cultures, our “esoteric” folklore. Also, the days wherein Holt McCallany of Mindhunter fame sported brownface to become Navajo in Creepshow 2 are over (“What the hell was that?” all the Natives asked in unison). Like I wrote in the original proposal sent to Penguin Random House: Now it’s our turn. (Or like Barkhad Abdi sternly told Tom Hanks in that one Boat Movie, “We’re da captain now…”

(11) OFF TO THE RACES. Mark Hamill helps plug the “Star Wars scheme for Bubba Wallace at Phoenix”.

Bubba Wallace will run a special Star Wars X-wing fighter scheme on his No. 23 Toyota this weekend for the NASCAR Cup Series Championship Race at Phoenix Raceway.

The scheme is inspired by Columbia Sportswear’s Star Wars collection.

(12) WILEY POST’S EERIE PRESSURE SUIT. The National Air and Space Museum’s podcast AirSpace devotes its latest episode “Jetstream” to an item of history-making pilot wear.

No, this isn’t a spooky Halloween costume. It’s one of the earliest pressure suits.

In the 1930s, aviation icon Wiley Post reached the stratosphere for the first time in his Lockheed Vega Winnie Mae. The aircraft didn’t have a pressurized cabin, so he wore a pressure suit and helmet designed for him by the B.F. Goodrich Company. 

***

We get it—the early days of aviation were full of outlandish characters, and it can be a little exhausting. But trust us on this one—it’ll be worth it. Wiley Post was an oil-worker and armed robber-turned-record breaking pilot who discovered the jet stream while wearing a sweet eye-patch and a suit straight out of 20,000 Leagues Under the Sea (it was a lewk). That should be enough but wait! There’s more! That steampunk getup, which Wiley designed and built with tire company BF Goodrich, was the very first successful pressure suit. And it did more than unlock the stratosphere, it laid the groundwork for the first spacesuits—and modern spacesuits aren’t much different. This tall tale keeps getting higher, but again—trust us (we’ve got the suit!). Special thanks to Tested’s Adam Savage, whose answer for “history’s most important spacesuit” was both unexpected and absolutely on the mark.

(13) ROBOBOOKS ON THE WAY. According to Publishers Weekly, “Kindle Direct Publishing Will Beta Test Virtual Voice–Narrated Audiobooks”.

In a post today in the Kindle Direct Publishing community forum, the self-publishing giant announced that it has begun a beta test on technology allowing KDP authors to produce audiobook versions of their e-books using virtual voice narration. The ability to create an audiobook using synthetic speech technology is likely to result in a boom in the number of audiobooks produced by KDP authors. According to an Amazon spokesperson, currently only 4% of titles self-published through KDP have an audiobook available.

Under the new initiativeauthors can choose one of their eligible e-books already on the KDP platform, then sample voices, preview the work, and customize the audiobook. After publication, audiobooks will be live within 72 hours, and will distributed wherever Audible titles are sold. Prices can be set between $3.99 and $14.99 and authors will receive a 40% royalty. All audiobooks created by virtual voice, the post says, will be clearly labeled and, as with any audiobook, customers can listen to samples….

(14) A FRIGHTENING COINCIDENCE. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at the Media Death Cult YouTube Channel has a short, 10-minute video on “The History Of Science Fiction Horror”. Funny that this should come out Halloween week. Spooky or what?

(15) VIDEO OF THE DAY. “Disney+ Shares ‘LEGO Marvel Avengers: Code Red’ Poster”Animation World Network has the story and a gallery of images from the production.

…In the special, the Avengers assemble to save New York City from the threat of the Red Skull and his Hydra forces. Amid the battle, the Avengers are unexpectedly joined by Black Widow’s father, Red Guardian, which doesn’t go over well with Natasha. 

In the show, after an argument with his daughter about his well-intentioned helicopter parenting, Red Guardian disappears under mysterious circumstances. As Black Widow and the Avengers investigate, they discover that the villainous Collector is kidnapping every character who has “red” in their name. But despite their best efforts, the Avengers are unable to stop the Collector from kidnapping his next victim, their friend Red She-Hulk….

Here’s the trailer:

[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, David Goldfarb, JeffWarner, Rick Kovalcik, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

HWA’s Fifth Annual Summer Scares Reading List

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Booklist, has announced the fifth annual Summer Scares Reading List, with titles selected by a panel of authors and librarians and designed to promote horror as a great reading option for all ages, during any time of the year. 

Every year, three titles are selected in each of three categories: Adult, Young Adult, and Middle Grade. For 2023 the selected titles are:

ADULT SELECTIONS

  • Ring Shout by P. Djèlí Clark (Tordotcom, 2020)
  • Catherine House by Elisabeth Thomas (Custom House, 2020)
  • The Merry Spinster: Tales of Everyday Horror by Daniel M. Lavery (Holt Paperbacks, 2018)

YOUNG ADULT SELECTIONS

  • In The Shadow of Blackbirds by Cat Winters (Amulet Books, 2013)
  • Squad by Maggie Tokuda-Hall and Lisa Sterle (illustrator) (Greenwillow Books, 2021)
  • Mooncakes by Suzanne Walker and Wendy Xu (illustrator) (Oni Press, 2019)

MIDDLE GRADE SELECTIONS

  • Small Spaces by Katharine Arden (G.P. Putnam’s Sons Books for Young Readers, 2018)
  • Living Ghosts and Mischievous Monsters: Chilling American Indian Stories by Dan SaSuWeh Jones, illustrated by Weshoyot Alvitre (Scholastic Nonfiction, 2021)
  • A Small Zombie Problem by K.G. Campbell (Alfred A. Knopf Books for Young Readers, 2019)

The goal of Summer Scares is to introduce Horror titles to school and public library workers in order to help them start conversations with readers that will extend beyond the books from each list and promote reading for years to come. In addition to the annual list of recommended titles, the Summer Scares committee will release themed lists of even more “read-alike” titles libraries can suggest to readers. And, in order to help libraries forge stronger connections between books and readers, the Summer Scares committee will be working with both the recommended list authors and Horror authors from all over the country to provide free programming to libraries. 

The Summer Scares Programming Guide, created each year by the Springfield-Greene County (MO) Library, and free for libraries anywhere to access, is back with the tools libraries need to connect with their communities. 

“The 2023 guide is packed with ideas that library workers can use to engage their communities with these great titles, whether they’re putting up book displays, hosting author events, or planning an entire Summer Scares program series,” states Konrad Stump, co-creator of the programming guide. The guide will be available beginning March 15, 2023 on the Summer Scares Resource page here.

This year Summer Scares is adding two new partnerships to join their existing partnerships with EBSCO’s NoveList database and the Horror Studies Collection of the University of Pittsburgh Library Systems. First, Summer Scares welcomes the Books in the Freezer podcast, which will be featuring Summer Scares committee members and authors beginning in March 2023 and continuing throughout 2023. 

Second, Summer Scares joins iRead, a summer reading program that has been adopted by nine states and across the globe by the Department of Defense for libraries on military bases. “While there is nothing scary about Summer Reading, there is no better time than summer to scare up some great books. iREAD is thrilled (and chilled!) to partner with Summer Scares to introduce Horror titles to school and public library workers in order to help them start conversations with readers that perfectly aligns with our mission to bridge the summer gap, while inspiring literacy and life-long learning,” shares incoming iREAD Content and Development Manager, Becca Boland. “We look forward to working with Summer Scares to help people find their voice – even if it is to scream!”

You can help kick off Summer Scares 2023 at the HWA’s Librarians’ Day, taking place in person on June 16, 2023, in Pittsburgh as part of StokerCon. Details here. Summer Scares content will also be available for free on the HWA’s YouTube page, including panels with all of this year’s selected authors.

The 2023 Summer Scares program committee consists of author Daniel Kraus, HWA Library Committee Co-Chairs Becky Spratford and Konrad Stump, as well as Academic Librarian Carolyn Ciesla, Book Riot Editor and YA specialist Kelly Jensen, and Booklist Editor and Middle Grade specialist Julia Smith. 

[Based on a press release.]

HWA Announces Summer Scares Reading Program 2023 Timeline

The Horror Writers Association’s fifth annual Summer Scares Reading Program will provide libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. The 2023 reading list will be released on February 14, Library Lover’s Day. 

Summer Scares’ 2023 spokesperson is Daniel Kraus, author of more than a dozen novels and graphic novels. He co-authored The Living Dead with filmmaker George A. Romero. With Guillermo del Toro, he co-authored The Shape of Water, based on the same idea the two created for the Oscar-winning film. Also with del Toro, Kraus co-authored Trollhunters, which was adapted into the Emmy-winning Netflix series. Kraus says, “Libraries were the space in which I nurtured my early interest in horror. I was able to make autonomous decisions about my own limits and how to push them, and that benefitted my confidence, intellect, courage, and empathy. I couldn’t be more honored to work with Summer Scares to help other kids have their own life-changing experiences.”

He will be joined by a committee of five library workers who, together, will select three recommended fiction titles in each reading level, totaling nine Summer Scares selections. The goal of the program is to encourage a national conversation about the horror genre, across all age levels, at libraries nationwide and ultimately attract more adults, teens, and children interested in reading. Official Summer Scares designated authors will also make themselves available at public and school libraries.
 
Kraus, along with some of the selected authors, will kick off Summer Scares at the 7th Annual HWA Librarians’ Day, Friday, June 16, during StokerCon 2023 at the Sheraton Pittsburgh Hotel at Station Square in Pittsburgh, PA.

Of special note is the forthcoming annual Summer Scares Programming Guide, courtesy of HWA Library Committee Co-Chair Konrad Stump and the Springfield-Greene County Library, which provides creative ideas to engage horror readers. Centered around the official Summer Scares titles, the guide offers tips and examples for readers’ advisory, book discussion guides, and sample programs, enabling librarians, even those who don’t read or especially enjoy the horror genre themselves, to connect their communities with Summer Scares.

See past years’ Summer Scares titles, spokespeople, and programming guides at the program archive here.

[Based on a press release.]

HWA’s Fourth Annual Summer Scares Reading List

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Booklist, has announced the fourth annual Summer Scares Reading List, with titles selected by a panel of authors and librarians and designed to promote horror as a great reading option for all ages, during any time of the year. 

Every year, three titles are selected in each of three categories: Adult, Young Adult, and Middle Grade. For 2022 the selected titles are:

ADULT

  • Coyote Songs by Gabino Iglesias [Broken River Books, 2018]
  • My Favorite Thing Is Monsters by Emil Ferris [Fantagraphics, 2017]
  • The Remaking by Clay McLeod Chapman [Quirk Books, 2019]

YA

  • Clown in a Cornfield by Adam Cesare [HarperTeen, 2020]
  • The Companion by Kate Alender [G.P. Putnam’s Sons Books for Young Readers, 2020]
  • Agnes at the End of the World by Kelly McWilliams [Little, Brown Books for Young Readers, 2020]

MG

  • The Forgotten Girl by India Hill Brown [Scholastic Press, 2019]
  • Scary Stories for Young Foxes by Christian McKay Heidicker [Henry Holt and Co., 2019]
  • Beetle & the Hollowbones by Aliza Layne [Atheneum Books for Young Readers, 2020]

The goal of Summer Scares is to introduce Horror titles to school and public library workers in order to help them start conversations with readers that will extend beyond the books from each list and promote reading for years to come. In addition to the annual list of recommended titles, the Summer Scares committee will release themed lists of even more “read-alike” titles libraries can suggest to readers. And, in order to help libraries forge stronger connections between books and readers, the Summer Scares committee will be working with both the recommended list authors and Horror authors from all over the country to provide free programming to libraries. 

The Summer Scares Programming Guide, created each year by the Springfield-Greene County (MO) Library, and free for libraries anywhere to access, is back with the tools libraries need to connect with their communities. 

This year’s programming guide will also feature an article by Yaika Sabat from NoveList, a new Summer Scares partner. 

“NoveList is working to highlight the program through the creation of booklists, recommendations, and even some promotional material,” notes Sabat.

Yaika Sabat of NoveList, Konrad Stump, co-creator of the programming guide. Alma Katsu, program spokesperson, and many of the Summer Scares 2022 authors will be appearing along with committee members Becky Spratford and Julia Smith as part of the HWA’s Librarians’ Day, taking place in person on May 13, 2022, at the Curtis Hotel in Denver, CO, during this year’s StokerCon. Summer Scares content will be available live, in person, and as part of the virtual conference, as well as on the HWA’s YouTube page.

The HWA is a non-profit organization of writers and publishing professionals, and the oldest organization dedicated to the horror/dark fiction genre. One of the HWA’s missions is to foster an appreciation of reading through extensive programming and partnerships with libraries, schools, and literacy-based organizations.

The 2022 Summer Scares program committee consists of author Alma Katsu, HWA Library Committee Co-Chairs Becky Spratford and Konrad Stump, as well as Academic Librarian Carolyn Ciesla, Book Riot Editor and YA specialist Kelly Jensen, and Booklist Editor and Middle Grade specialist Julia Smith. 

For more information about the Summer Scares reading program, including committee member bios and how to obtain promotional materials and schedule events with the authors/committee members, please visit The Summer Scares Resource page: http://raforallhorror.blogspot.com/p/summer-scares.html or email HWA Library Committee Co-Chairs Becky Spratford and Konrad Stump at [email protected]

[Based on a press release.]

HWA Announces Summer Scares Reading Program 2022 Timeline

The Horror Writers Association’s fourth annual Summer Scares Reading Program will provide libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. The 2022 list will be released on February 14. HWA’s Summer Scares is organized in partnership with United for Libraries, Book Riot, and Booklist to introduce readers and librarians to new authors and help start conversations extending beyond the books from each list and promote reading for years to come.

The Summer Scares 2022 spokesperson is author Alma Katsu:

I’m thrilled to be the author representative to the Summer Scares programming committee and to have the honor of representing my fellow horror writers and be an advocate for the great writing that’s being produced by the horror community. Horror is a widely-loved genre, for many readers constituting their earliest reads, whether it’s R.L. Stine or Edgar Allan Poe, and so I’m happy for the opportunity to work with librarians to introduce more horror stories and new authors to their patrons.

Katsu is joined by a committee of five library workers who, together, will select three recommended fiction titles in each reading level, totaling nine Summer Scares selections. Official Summer Scares designated authors will also make themselves available at public and school libraries.

Katsu, along with some of the selected authors, will appear on a panel to kickoff Summer Scares at the 6th Annual HWA Librarians’ Day, Friday May 13 during StokerCon 2022 at the Curtis Hotel in Denver, CO.

Official Summer Scares podcasting partner, Ladies of the Fright Podcast, will also record episodes in conjunction with Summer Scares.

Of special note is the forthcoming annual Summer Scares Programming Guide, courtesy of Konrad Stump and the Springfield-Greene County Library, which provides creative ideas to engage horror readers. Centered around the official Summer Scares titles, the guide offers tips and examples for readers’ advisory, book discussions, and special programs, and enables librarians, even those who don’t read or especially enjoy the horror genre themselves, to participate in Summer Scares. They will be releasing the guide earlier than ever, on March 1.

See past years’ Summer Scares titles, spokespeople, and programming guides, at the program archive here.

[Based on a press release.]

HWA’s Third Annual Summer Scares Reading List

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Booklist, has announced the third annual Summer Scares Reading List, with titles selected by a panel of authors and librarians and designed to promote horror as a great reading option for all ages, during any time of the year.

Each year, three titles are chosen in the Adult, Young Adult, and Middle Grade categories, and for 2021 they are:

ADULT

  • The Hunger by Alma Katsu [G.P. Putnam’s Sons, 2018]
  • The Cipher by Kathe Koja [originally published 1991 by Dell but reissued Meerkat Press, 2020]
  • Frankenstein in Baghdad by Ahmed Saadawi, Translator Jonathan Wright [Penguin Books, 2018] 

YOUNG ADULT

  • The Marrow Thieves by Cherie Dimaline [Dancing Cat Books, 2017]
  • The Diviners by Libba Bray [Little Brown Books for Young Readers, 2012]
  • Undead Girl Gang by Lily Anderson [Razorbill, 2018]

MIDDLE GRADE

  • Ollie’s Odyssey by William Joyce [Atheneum/Caitlyn Dlouhy Books, 2015]
  • Whichwood by Tahereh Mafi [Dutton Books for Young Readers, 2017]
  • Fearsome Creatures of the Lumberwoods by Hal Johnson [Workman, 2015]

The goal of the Summer Scares program is to introduce horror titles to school and public library workers in order to help them start conversations with readers that will extend beyond the books from each list and promote reading for years to come. Along with the annual list of recommended titles for readers of all ages, the Summer Scares committee will also release themed lists of even more “read-alike” titles for libraries to use when suggesting books to readers this summer and all year long. And, in order to help libraries forge stronger connections between books and readers, the Summer Scares committee will be working with both the recommended list authors and horror authors from all over the country, to provide free programming to libraries. From author visits (both in person and virtual) to book discussions to horror themed events, Summer Scares is focused on connecting horror creators with libraries and readers all year long.

Due to ongoing COVID-19 concerns, the 2021 Summer Scares programming will be virtual, and held in conjunction with the Horror Writers Association’s annual StokerCon event (May 20 – May 23, 2021). Authors and committee members will be participating in live and pre-recorded sessions. Authors and committee members will also be available virtually throughout the year to libraries and schools to promote the Summer Scares program and discuss the use of horror fiction as a tool to increase readership and nurture a love of reading.

The Summer Scares program committee consists of bestselling author Silvia Morena-Garcia (Mexican Gothic, Gods of Jade and Shadow, Certain Dark Things, Untamed Shore), Becky Spratford (library consultant, author of The Readers Advisory Guide to Horror, 2nd Ed.), Konrad Stump (Local History Associate for the Springfield-Green County Library and creator of the library’s popular “Oh, the Horror!” series), Carolyn Ciesla (library director, academic dean, book reviewer), Julia Smith (senior editor at Booklist), Kelly Jensen (editor, Book Riot, author of [Don’t] Call Me Crazy: 33 Voices Start the Conversation about Mental Health), and JG Faherty (HWA Library Program director, author of Sins of the Father, The Cure, and Ghosts of Coronado Bay).

For more information about the Summer Scares reading program, including how to obtain promotional materials and schedule events with the authors/committee members, visit the HWA’s Libraries web page (www.horror.org/libraries), Becky Spratford’s Reader’s Advisory Horror Blog RA for All: Horror (http://raforallhorror.blogspot.com/p/summer-scares.html), or the Book Riot, Booklist, or United for Libraries websites and social media sites.

[Based on a press release.]

Pixel Scroll 5/17/20 Quit Airing Those Gripping Hands Through The Zoom

(1) TIME TO BOW OUT. Bruce Sterling’s blog at WIRED, which he’s been writing since 2003, is ending: “Farewell to Beyond the Beyond”.

…If there are no big events due to pandemic, and nobody’s shopping much, either, then it’s mighty hard to keep a magazine empire afloat in midair. Instead, you’ve gotta fire staffers, shut down software, hunt new business models, re-organize and remove loose ends. There is probably no looser-end in the entire WIRED domain than this weblog.

…Although I wrote tons of “original content” elsewhere, long text-form essays like this were vanishingly rare on “Beyond the Beyond.” The blog never trolled for any viral hits, or tried to please any patrons. Also, I never got paid anything for my blogging, which was probably the key to the blog’s longevity. This blog persisted with such ease, because there was so much that I didn’t have to do.

…Also, the ideal “Beyond the Beyond” reader was never any fan of mine, or even a steady reader of the blog itself. I envisioned him or her as some nameless, unlikely character who darted in orthogonally, saw a link to some odd phenomenon unheard-of to him or her, and then careened off at a new angle, having made that novelty part of his life. They didn’t have to read the byline, or admire the writer’s literary skill, or pony up any money for enlightenment or entertainment. Maybe they would discover some small yet glimmering birthday-candle to set their life alight.

(2) ANTICLICK BAIT, BUT DON’T BLAME THE PARK SERVICE. Does Gizmodo think putting the President’s name in this headline generates more clicks? If so, they’re wrong . I only looked because Daniel Dern recommended the link. “These Social Distancing Posters Are the Best Thing the Trump Administration Has Done for Parks”. Very clever stuff! Then I went to the National Park Service’s Twitter feed and found the source art.

The posters have an important mission: promote social distancing in parks during the covid-19 pandemic, reduce the spread of disease in parks, and promote virtual opportunities and experiences at parks. To be fair, the posters have been around for a few weeks now, but these gems clearly haven’t received the attention they deserve….

And that’s not the only clever thing with a genre twist that they’ve posted. Another is:

(3) RESOURCES FOR THE SUMMER SCARES PROGRAM. The Summer Scares 2020 reading list has been augmented by an array of videos:

A playlist of videos about the Summer Scares program, including resources for libraries to use to promote horror at their own libraries. Summer Scares is brought to you by the Horror Writers Association, Book Riot, Library Journal/School Library Journal, and United for Libraries.

Here’s the one from Stephen Graham Jones:

(4) VOYAGE TO THE BOTTOM OF THE SEA. SF Geeks go where only two men have gone before: “Thirty-six Thousand Feet”, in The New Yorker.

…Most submarines go down several hundred metres, then across; this one was designed to sink like a stone. It was the shape of a bulging briefcase, with a protruding bulb at the bottom. This was the pressure hull—a titanium sphere, five feet in diameter, which was sealed off from the rest of the submersible and housed the pilot and all his controls. Under the passenger seat was a tuna-fish sandwich, the pilot’s lunch. He gazed out of one of the viewports, into the blue. It would take nearly four hours to reach the bottom.

…The submarine touched the silty bottom, and the pilot, a fifty-three-year-old Texan named Victor Vescovo, became the first living creature with blood and bones to reach the deepest point in the Tonga Trench. He was piloting the only submersible that can bring a human to that depth: his own.

For the next hour, he explored the featureless beige sediment, and tried to find and collect a rock sample. Then the lights flickered, and an alarm went off. Vescovo checked his systems—there was a catastrophic failure in battery one. Water had seeped into the electronics, bringing about a less welcome superlative: the deepest-ever artificial explosion was taking place a few feet from his head.

If there were oxygen at that depth, there could have been a raging fire. Instead, a battery junction box melted, burning a hole through its external shell without ever showing a flame. Any instinct to panic was suppressed by the impossibility of rescue. Vescovo would have to come up on his own.

(5) MCWHORTER OBIT. Noted Burroughs collector George McWhorter (1931-2020), whose work in the sff field came after a long and fruitful career in music, died April 25. Legacy has details of both careers, as well as his family history.

…George’s most celebrated collection is the Edgar Rice Burroughs Memorial Collection, which he developed as a tribute to his mother Nell Dismukes McWhorter, who taught him to read when he was just five years old. “She tried everything,” George recalls, “Dickens, Dumas… but when she got to Burroughs, I was hooked!” The largest institutional collection of Burroughs in the world, this vast and comprehensive collection of rare editions, toys, posters, games, photographs, and film has attracted scholars and fans to the University of Louisville for more than thirty years.

In 1986 George was named Curator of the Edgar Rice Burroughs Collection, a fitting title for a man who has furthered scholarship, preserved unique treasures, and brought worldwide attention to Burroughs. Looking toward the future, George has established an endowment to provide continuous support for the Edgar Rice Burroughs Memorial Collection. In 2008, he designated a bequest for an endowed chair and curatorship. He also has been working with Burroughs Bibliophiles on their own gifts and bequests.

(6) TODAY IN HISTORY.

  • May 17, 1987 The Return Of The Six Million Dollar Man And The Bionic Woman first aired. The series were loosely based off on Cyborg by Martin Caidin and The Bionic Woman by Kenneth Johnson. Michael Sloan wrote the screenplay which was based on the story he and Bruce Lansbury wrote. Lee Majors co-stars here with Lindsay Wagner. Martin Landau, Lee Major II  and Gary Lockwood guest star. It was the fourth highest rate show of genre week, and holds a 82% approval rating among the audience reviewers at Rotten Tomatoes.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 17, 1913 Peter B. Germano. Though neither of his SF novels was of great distinction, The Interplanetary Adventures and  The Pyramids from Space (written as Jack Berlin), his scriptwriter duties are as he did work on The Time TunnelVoyage to the Bottom of the Sea, Land of the Lost, Battle of the Planets and the revival version of The Next Step Beyond, do warrant his being noted here. (Died 1983.) (CE)
  • Born May 17, 1918 – Darrell Richardson.  Baptist minister, authority on Frederick Faust (who wrote as “Max Brand”) and Edgar Burroughs, collector (30,000 books, 20,000 pulps).  Early member of Cincinnati Fantasy Group.  Co-founded Memphis SF Ass’n, who named their Darrell Award for Mid-South regional work after him.  Served as a director of the Nat’l Fantasy Fan Federation; compiled An Index of the Works of Various Fantasy Authors 1947-1948 and An Index of Various Fantasy Publications 1947-1948.  Member of First Fandom.  Big Heart, Lamont, Phoenix awards.  (Died 2006) [JH]
  • Born May 17, 1919 – Ronald Cassill.  Lieutenant in U.S. Army; two exhibits of his artwork in Chicago; two stories reprinted in The Magazine of Fantasy & Science Fiction.  Atlantic Monthly “first” prize, O. Henry short-story prize, American Academy of Arts & Letters Award for Literature; Fulbright, Guggenheim fellowships; Rockefeller grant; Professor of English, Brown University.  (Died 2002) [JH]
  • Born May 17, 1926 – Ludvík Soucek.  Probably still the best-known Czech SF author.  Wrote also about puppet theater, photography, book printing.  A dozen books, as many collections.  (Died 1978) [JH]
  • Born May 17, 1946 – F. Paul Wilson.  Sold to Analog while still in medical school, now an osteopath.  Medical thrillers, interactive scripts e.g. FTL Newsfeed.  Urban mercenary Repairman Jack first appeared in N.Y. Times best-seller The Tomb.  Three Prometheus Awards, including the first (1979), most recently Lifetime Achievement (2015).  Fifty novels in our field, sixty shorter stories, letters & reviews in JanusSF ReviewN.Y. Review of SF.  [JH]
  • Born May 17, 1948 – Amanda Cockrell.  Professor at Hollins University.  Historical and other fiction for adults, young adults, children, under her own name and pseudonyms.  Among us, novels about deer dancers (Daughter of the Sky, two more), goddesses (Persephone, Aphrodite, Athena), horse catchers (When the Horses Came, two more); six others; What We Keep Is Not Always What Will Stay named one of the best children’s books of 2011 by The Boston Globe.  [JH]
  • Born May 17, 1954 Colin Greenland, 66. His partner is the Susanna Clarke, with whom he has lived since 1996. The Entropy Exhibition: Michael Moorcock and the British ‘New Wave’ in Science Fiction study is based on his PhD thesis. His most successful fictional work is the Plenty series that starts with Take Back Plenty and continues with Seasons of PlentyThe Plenty Principle and wraps up with Mother of Plenty. In the Eighties and Ninties, he was involved in the editorial work ofFoundation: The Review of Science Fiction and Interzone. (CE)
  • Born May 17, 1958 – Dave Sim.  Perpetrator of Cerebus the Aardvark.  Twenty covers and interiors for Phantasy DigestDark FantasyBorealis.  Harvey Award; Canadian Comic Book Creator Hall of Fame.  [JH]

(8) COMICS SECTION.

(9) ANOTHER ENTRY FOR YOUR HVP. Cora Buhlert, 2020 Best Fan Writer Hugo finalist, has put her Hugo Voter Packet online as well. Here is a link where you can download it in the e-book format of your choice here.

(10) MORE LAUGHS. NPR takes notes as “Greg Daniels Moves His Comedic Spotlight To Absurdity In The Afterlife”.

For more than 30 years, Emmy Award-winning television writer, director and producer Greg Daniels has spun comedy from the threads of ordinary life, turning its frustrations and awkward moments into such hit shows as The Office, Parks And Recreation, and King of the Hill.

Now he’s reflecting on these notions again in Upload, a futuristic comedy on Amazon Prime — but this time they play out in the afterlife too. He’s also behind the upcoming Netflix satire Space Force, launching May 29, starring Steve Carell.

Greg Daniels’ humor has all the makings of the British comedies he reveres, including Fawlty Towers and the original, British version of The Office.

“There’s something wonderful about the awkwardness of it and their kind of enjoyment of a pathetic situation that always appealed to me,” Daniels says.

…The problems in Daniels’ upcoming Netflix show Space Force include a military leader who doesn’t listen to the scientists around him. His new sci-fi comedy Upload explores the inequalities — and inhumanity — that emerges as advanced, expensive, digital technologies hit the market.

“These technologies are introduced and they all seem great. And then, you know, the law of unintended consequences kicks in and they are kind of flawed or sometimes outright evil when they’re actually executed,” Daniels says.

In Upload, only the wealthy get to experience an idyllic afterlife in the expensive, leafy resort called “Lakeview.” Even the commercial for Lakeview feels eerily familiar.

(11) LIGHT OF OTHER DAYS. Disney Parks posted a video flashback to Halloween 2019: “Jack Skellington reigns at Disney’s Not-So-Spooky Spectacular!”

Because we are halfway to Halloween, we are traveling back in time to last fall when Magic Kingdom Park was in the skeletal hands of the Pumpkin King. Join him in front of Cinderella Castle for a frightfully mischievous night of fireworks and creeps during Mickey’s Not-So-Scary Halloween Party.

(12) HER REAL CHILDREN. NPR’s Lulu Garcia-Navarro interviews author Curtis Sittenfield: “Hillary Without Bill? ‘Rodham’ Imagines What Could Have Been”.

A young Hillary Rodham, madly in love with the man she met at Yale Law School, abandons her own path and heads to Arkansas. Slowly she starts to uncover Bill Clinton’s many infidelities and makes a choice.

What would have happened if Hillary Rodham had never married Bill Clinton?

“So in real life, Bill Clinton proposed to Hillary Rodham twice and she said no. Both times. And then he proposed a third time and she said yes,” says author Curtis Sittenfeld. “And in my version, she says no. The third time, too. And she goes her own way.” Sittenfeld’s new book Rodham follows Hillary as she goes on to become a law professor, and then a politician.

Interview Highlights

On wanting to write speculative fiction about someone who’s been written about so much already

Well, doesn’t everyone? Isn’t it a totally natural impulse? So actually, it’s funny because I agree with you that so much has been written about Hillary. And it was sort of in reaction to that that I think I wrote this book. So in the lead-up to the 2016 election, I was invited to write essays about Hillary, and I would decline because I felt like every possible thing there was to say about Hillary had been said. She had been analyzed from every angle.

And then an editor at Esquire magazine invited me to write a short story from Hillary’s perspective. And I accepted, and writing that story was this kind of strange exercise where I realized that the question was not, what do the American people think of Hillary Clinton, but what does Hillary Clinton think of the American people? And it turned out that that I had 400 pages worth of thoughts to say on that. So it was actually trying to sort of flip the narrative, and instead of making her the one who’s scrutinized, like giving her a voice — which, of course, is a totally fictionalized voice, like she did not write this book. I wrote this book.

(13) HE’S A CRITIC. [Item by Daniel Dern.] And I’ll say it in case nobody else will (although I’m sure they will), “This robot really sucks.” “An R2-D2 Robot Vacuum Is Exactly the Chore Droid I’m Looking For”. Be sure to watch the video!

(14) THEY’RE CRITICS TOO. “Coronavirus: Author Neil Gaiman’s 11,000-mile lockdown trip to Scottish isle” – BBC says a local politician is outraged.

The SNP’s Westminster leader Ian Blackford, who is the MP for the island, told the Sunday Times the author’s journey was unacceptable.

He said: “What is it about people, when they know we are in the middle of lockdown that they think they can come here from the other side of the planet, in turn endangering local people from exposure to this infection that they could have picked up at any step of the way?”

Mr Gaiman – whose main family home is in Woodstock in the USA – has owned the house on Skye for more than 10 years.

(15) THE MASTER SPACE. The Iron Sky “Dictator’s Cut” is online.

(16) BACK TO THE FUTURE REUNION. Josh Gad’s stay-at-home show Reunited Apart summons Christopher Lloyd, Michael J. Fox, Lea Thompson and even Huey Lewis to reminisce about the 1985 movie.

Great Scott! Things get heavy during Episode Two of “Reunited Apart” as Josh is joined by the creative geniuses behind the Back to the Future trilogy.

(17) VIDEO OF THE DAY. Something sure to please that little bit of pyromania in everyone.

Match Chain Reaction – Space Rocket built with Matches TAKES OFF 1 Million matches is a lot of matches, which means lighting them all together is a lot of fire. The way it burns is crazy to watch. It took me a lot of hard work and time to make this rocket.

[Thanks to JJ, John King Tarpinian, John Hertz, Cat Eldridge, Chip Hitchcock, Dennis Howard, Martin Morse Wooster, Daniel Dern, Todd Mason, Mike Kennedy, Michael Toman, IanP, JeffWarner, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day the cryptic Daniel Dern.]

Naperville Library Hosts
4th Annual HWA Librarians Day on May 7

The Horror Writers Association (HWA) will host the 4th Annual HWA Librarians Day on May 7 at the Naperville, IL Public Library. Authors from the Summer Scares reading list and committee members will be in attendance.

Featured guests include: 

  • Danielle Trussoni
  • Stephen Graham Jones 
  • Daniel Kraus
  • Sarah Read
  • Cina Pelayo
  • Sadie Hartmann
  • Flame Tree Press Editor Don D’Auria
  • J.H. Moncrieff
  • John Everson
  • J G Faherty
  • Steven Hopstaken
  • Melissa Prusi
  • and more!

Price:  $75 / ($65 for Adult Reading Round Table or HWA members). All attendees get lunch, swag and free books. Co- Sponsored by: NoveList, Library Reads, Flame Tree Press, Sourcebooks, and Cemetery Dance. Complete panels with schedule and signup will be available via EventBrite the week of March 3.

Authors and Summer Scares program committee members will also be available throughout the year for on-site and/or remote appearances to libraries and schools to promote the Summer Scares program and discuss the use of horror fiction as a tool to increase readership and nurture a love of reading.

Summer Scares 2020

The second annual Summer Scares Reading List has been released by the Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Library Journal/School Library Journal. On the list are titles selected by a panel of authors and librarians, designed to promote horror as a great reading option for all ages, any time of the year.

Three titles were chosen in the Adult, Young Adult, and Middle Grade categories.

ADULT

  • In the Valley of the Sun by Andy Davidson (Skyhorse, 2017)
  • The Ballad of Black Tom by Victor LaValle (Tor.Com, 2016)
  • She Said Destroy: Stories by Nadia Bulkin (Word Horde, 2017)

YOUNG ADULT

  • The Agony House by Cherie Priest, Illustrated by Tara O’Connor (Scholastic 2018)
  • Labyrinth Lost by Zoraida Córdova (Sourcebooks Fire, 2017)
  • Daughters Unto Devils by Amy Lukavics (Harlequin Teen, 2015)

MIDDLE GRADE

  • Spirit Hunters by Ellen Oh (HaperCollins, 2017)
  • Case Files 13: Zombie Kid by J. Scott Savage (HarperCollins, 2012)
  • Hoodoo by Ronald L. Smith (Clarion Books, 2015)

The goal of the Summer Scares program is to introduce horror titles to school and public library workers in order to help them start conversations with readers that will extend beyond the books from each list and promote reading for years to come.

Along with the annual list of recommended titles for readers of all ages, the Summer Scares committee will also release themed lists of even more “read-alike” titles for libraries to use when suggesting books to readers this summer and all year long. And, in order to help libraries forge stronger connections between books and readers, the Summer Scares committee will be working with both the recommended list authors and horror authors from all over the country, to provide free programming to libraries. From author visits (both in person and virtual) to book discussions to horror themed events, Summer Scares is focused on connecting horror creators with libraries and readers all year long.
  
The Summer Scares program committee consists of award-winning author Stephen Graham Jones (Mongrels, The Only Good Indians, Night of the Mannequins), Becky Spratford (library consultant, author of The Readers Advisory Guide to Horror, 2nd Ed.), Carolyn Ciesla (library director, academic dean, book reviewer), Kiera Parrott (reviews director for Library Journal and School Library Journal), Kelly Jensen (editor, Book Riot, author of [Don’t] Call Me Crazy: 33 Voices Start the Conversation about Mental Health), and JG Faherty (HWA Library Program director, author of Sins of the Father, The Cure, and Ghosts of Coronado Bay).
 
The HWA is a non-profit organization of writers and publishing professionals, and the oldest organization dedicated to the horror/dark fiction genre. One of the HWA’s missions is to foster an appreciation of reading through extensive programming and partnerships with libraries, schools, and literacy-based organizations.
 
For more information about the Summer Scares reading program, including how to obtain promotional materials and schedule events with the authors/committee members, visit HWA’s Libraries web page, Becky Spratford’s Reader’s Advisory Horror Blog RA for All: Horror, or the Book Riot, School Library Journal, Library Journal, or United for Libraries websites and social media sites.

[Based on a press release.]