23 What Good Is A Glass Pixel?

Posted on June 16, 2023 by Mike Glyer

(1) EATING THE FANTASTIC EPISODE 200! To celebrate reaching this milestone Scott Edelman invites listeners to join J. Michael Straczynski for breakfast on Episode 200 of the Eating the Fantastic podcast.

Wait, what? It’s Episode 200 of Eating the Fantastic? Really? That number shouldn’t seem so unbelievable, because Eating the Fantastic is, after all, my podcast, and I’ve been responsible for every episode, and yet … it still is. My guest for Episode 200 is J. Michael Straczynski, who took time out of his extremely busy schedule to chat and chew with me just as last month’s Nebula Awards weekend was kicking off.

Straczynski is perhaps best known as the creator of the television series Babylon 5, for which he wrote 92 of the 110 episodes. His roles in TV prior to that include acting as story editor on Captain Power and the Soldiers of the Future, executive story editor on the new Twilight Zone, co-producer for Murder, She Wrote, and many others. And after Babylon 5 came its spinoff Crusade, as well as the series Jeremiah and Sense8. He also wrote Amazing Spider-Man from 2001 to 2007, plus extended runs on Thor and the Fantastic Four. In recent years, he’s published the autobiography Becoming Superman (2019), the novel Together We Will Go (2021), and Becoming a Writer, Staying a Writer (2021). He is also the executor for the estate of Harlan Ellison, someone whose name popped up frequently during our conversation.

We discussed his appearance on one of the greatest convention panels I’ve ever been privileged to witness, why Superman stood out above all the other superheroes of his youth, his epiphany which occurred the night before the premiere of Changling at the Cannes Film Festival, the low boredom threshold of Harlan Ellison, how Norman Corwin’s ability to overcome bitterness about the Blacklist helped him deal with his own demons, his realization there was something more important about writing than either plot or characters (and what that something is), the tendency of humans to sleepwalk through our lives and what can shake us free from that, the life-changing nature of the “shoelace moment,” why DC Comics would never have dared publish anything as political as Captain America #1, the reason you don’t ever have to worry about him eating off your plate, the early encouragement he received from Rod Serling, and so much more.

(2) AN INDEX TO S&S CHARACTERS. Christopher Rowe has compiled a listing of contemporary sword and sorcery series characters and where to find their adventures. He includes two by Cora Buhlert: “Sword and Sorcery Reviews: Contemporary Sword and Sorcery Series Characters”.

(3) GET READY FOR FATHER’S DAY. Steve Vertlieb ”My Father, Myself” points to “the very special tribute that I wrote for my beloved dad, Charles Vertlieb for Father’s Day a couple of years ago.”

Dad, I love you, and I miss you more and more with every passing day. I live in the sweet shadow of your goodness, and am but a tender reflection of your own humble purity. Wishing you a Happy Father’s Day in paradise.

(4) WRITE-A-THON TIME. Clarion West is taking registrations for the annual Write-a-Thon, which will run from June 25 to August 5. Donations are welcome — it’s their biggest fundraiser of the year.

The Write-a-thon is a time of year we set aside to focus on our wider writing community: participants set writing goals for themselves, create personal Write-a-thon pages, and write!

Achieve your writing goals
Meet other writers in our online affinity groups
Level up your writing with our weekly writing prompts
Join sprints and writing sessions online
Exclusive access to writing classes and webinars
No cost, no obligations

Anyone, at any level, can participate in the Write-a-thon, an opportunity to write alongside the Six-Week Workshop participants.

You can use the Write-a-thon to set personal goals in writing. You can cheer others on, meet fellow writers, and raise funds for Clarion West. The Write-a-thon brings together CW alumni, instructors, and new friends from around the world in one big happy puddle of writerly support.

(5) YOUNG PEOPLE READ OLD SFF. James Davis Nicoll unleashes the Young People Read Old SFF panel on a Hugo winner by James Patrick Kelly.

June 2023s’ Young People Read Old Hugo Finalists story is James Patrick Kelly’s “Rat,” first published in the June 1986 The Magazine of Fantasy & Science Fiction. Kelly, who first debuted in the 1970s¹_,has an impressive body of work, always worth seeking out. His fiction has been nominated for a wide variety of awards. “Rat”, for example was both a Hugo² and Nebula finalist³.

In the ancient and now utterly irrelevant struggle between the so-called Cyberpunks and the so-called Humanists, Kelly was often lumped in the Humanists. Simple categorization is often misleading; “Rat” fits nicely into the Cyberpunk genre. Let’s see what our Young People made of it…

(6) MEMORY LANE.

2021 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Ryka Aoki is an amazing individual. She says on her on her most excellent blog that notes she’s a poet, composer, teacher, and novelist.

Genre wise, her works are not that many. One novel, Light from Uncommon Stars which is where our Beginning comes from, and short piece of fiction, “The Gift”.

She’s won an Otherwise Award which was in the category for gender-bending SF.

Light from Uncommon Stars was nominated at Chicon 8 for an Award and for a Mythopoetic and Ignyte Awards as well.

Here’s our Beginning…

Shhh …

Yes, it hurt. It was definitely not just a bruise. Yes, she was scared. Her throat was raw from screaming.

Cautiously, Katrina Nguyen felt under her bed.

Girl clothes. Boy clothes. Money. Birth certificate. Social security card. Toothbrush. Spare glasses. Backup battery. Makeup. Estradiol. Spironolactone.

Katrina had made an escape bag the first time her father threatened to kill her.

At first, the bag seemed an “in case of emergency,” a glass that one would never break.

But after tonight …

Why had she let it come to this? Why couldn’t she be what her parents wanted?

Part of her was in a panic. What have you done? Apologize. Knock on their door right now. Say it’s all your fault—say you’re sorry, say you’ll promise to change.

But another, stronger, part of Katrina was calm, even cold.

You have to escape. Tonight. Breathe, be quiet, and listen.

And so, Katrina listened … for footsteps, for breathing, for sleep. She listened, and listened. Through the dark, she heard her mother’s one last cough. Her father’s one last flush.

And then, finally, there was silence.

Katrina clutched her ribs, then propped herself up. The pain was sharp, but manageable. She was in her room, behind a locked door. All she needed to do was be quiet. And calm. She could do this.

She could do this.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 16, 1896 — Murray Leinster. It is said that he wrote and published more than fifteen hundred short stories and articles, fourteen movie scripts, and hundreds of radio scripts and television plays. Among those was his 1945 Retro Hugo-winning novella “First Contact” which is one of the first (if not the first) instances of a universal translator in science fiction. So naturally his heirs sued Paramount Pictures over Star Trek: First Contact, claiming that it infringed their trademark in the term. However, the suit was dismissed. I’m guessing they filed just a bit late. (Died 1975.)
Born June 16, 1920 — T.E. Dikty. In 1947, Dikty joined Shasta Publishers as managing editor. With E. F. Bleiler he started the first Best of the Year SF anthologies, called The Best Science Fiction, that ran from 1949 until 1957. He was posthumously named to the First Fandom Hall of Fame in a ceremony at the 71st World Science Fiction Convention. (Died 1991.)
Born June 16, 1924 — Faith Domergue. Dr. Ruth Adams in the classic Fifties film This Island Earth. She has a number of later genre roles, Professor Lesley Joyce in It Came from Beneath the Sea, Jill Rabowski in Timeslip (aka The Atomic Man) and Dr. Marsha Evans in Voyage to a Prehistoric Planet. She amazingly did no genre television acting. (Died 1999.)
Born June 16, 1938 — Joyce Carol Oates, 85. No Hugos but she has garnered a World Fantasy Award in Short Fiction for “Fossil-Figures”, and has won more Stokers than I thought possible, the latest one for her most excellent collection of horror and dark fantasy stories, The Doll-Master and Other Tales of Terror. She has written pure SF in the form of Hazards of Time Travel which is quite good.
Born June 16, 1939 — David McDaniel. He wrote but one non-media tie-in novel, The Arsenal Out of Time, but most of his work was writing The Man from U.N.C.L.E. novels, six in total, with one, The Final Affair, which was supposed to wrap up the series but went unpublished due to declining sales but which circulated among fandom. He also wrote a Prisoner novel, Who is Number 2? And he wrote several filk songs, including “High Fly the Nazgul-O” and “The Mimeo Crank Chanty”. As a fan, he was quite active in LASFS, serving as its Director and Scribe, writing for various APAs (he aspired to be in all of them) and is remembered as a “Patron Saint” for his financial support of the club. (Died 1977.)
Born June 16, 1940 — Carole Ford, 83. She played the granddaughter and original companion of the First Doctor. She reprised the role for The Five Doctors, the Dimensions in Time charity special, and of course for The Five(ish) Doctors Reboot. Her first genre role was as Bettina in The Day of the Triffids, and she had an earlier role as an uncredited teen in the hall of mirrors in Horrors of the Black Museum.
Born June 16, 1972 — Andy Weir, 51. His debut novel, The Martian, was later adapted into a film of the same name directed by Ridley Scott. He received the Astounding Award for Best New Writer at MidAmeriCon II. His next two novels are Artemis and Project Hail Mary. Intriguingly, he’s written one piece of Sherlockian fan fiction, “James Moriarty, Consulting Criminal” which is only available as an Audible audiobook. Project Hail Mary was nominated for a Hugo Award at Chicon 8.

(8) COMICS SECTION.

Wallace the Brave has – shall we say, fantastic – summer plans.

(9) CARRIE FISHER’S FINALE. [Item by Mike Kennedy.] Carrie Fisher’s last movie (for which her work was completed shortly before her death) is to be released theatrically followed by digital release. It’s billed as a coming-of-age modern-day fairytale. “Carrie Fisher’s Final Movie to Be Released in Theaters, More Than 7 Years After Her Death” at People.

…The film distributor is planning a limited theatrical release for the movie at AMC Theatres before it releases digitally, beginning Friday, June 23. Wonderwell also stars Rita Ora, Nell Tiger Free, Sebastian Croft and Kiera Milward….

The movie follows a girl named Violet (Milward) who is brought to “a mysterious portal” near a medieval Italian village by Fisher’s character Hazel, who offers “a glimpse of what [Violet’s] future might hold” after Violet and her family travel to the village for her sister’s modeling opportunity, according to the outlet….

(10) WHAT ARE THE FAVORITE MOVIES OF THE DC EXTENDED UNIVERSE? With the premiere of The Flash this week JustWatch decided it is time for a definitive ranking of DC Extended Universe movies.

So far fans have had the opportunity to see 13 films, and the most favorite turned out to be The Suicide Squad accounting for 17.45% of the popularity. Thus, the standalone sequel became 3.5x more popular than Suicide Squad, which landed in 8th place. On the cinematic superhero podium, two remarkable entries also shone brightly: the empowering Wonder Woman and Zack Snyder’s Justice League.

(11) TAILS OF TERROR. “The Fish That Ate Our Ancestors” – Discover Magazine knows how to catch my attention. Here’s the opening of the article – more details at the link.

As life was first struggling to set foot on land in the Late Devonian Period, there was a predator waiting to snatch it back to the depths: the recently discovered Hyneria udlezinye, a toothy prehistoric fish estimated to have reached up to 9 feet long.

It represents the largest monster fish yet uncovered from this period and appears to have lurked in the brackish waters of the modern-day Waterloo Farm site in South Africa, in wait for its prey. An excavation exposed a wall of fossils there in 2016, during road construction, and led to this and a number of other discoveries, including the fossil of an early tetrapod, the massive fish’s likely prey. These early genetic forebears of modern human resembled large salamanders or small alligators and walked on four feet (thus tetrapod)…

(12) BEYOND AT EASE. If you snooze you don’t lose! “The 5-step ‘military method’ for falling asleep in minutes” at Big Think.

So, what is this magic technique? Below we lay out the military method’s steps to a good night’s sleep. It’s deliberately designed to be easy and efficient, so anyone can start tonight.

Relax your face. Focus on your forehead, your eyes, your cheeks, your jaw, and so on. Feel the tension held in them and consciously push it away.

Drop your shoulders. Let your arms flop down and your shoulders relax. Imagine there is a soft, warm wind gently pushing your arms down.

Take a deep breath. Slowly inhale and let it out. As you do so, focus on how it relaxes your stomach. Don’t try to hold your stomach in; let it all out.

Relax your legs. The warm wind is back, and this time it’s gently easing your legs down. Let your legs sink into the bed or the floor. They are leaden, and the bed is soft.

Clear your mind. There are a few ways to do this. For instance, try to visualize some calming images, like lying by a flowing river or staring at the clouds. If that doesn’t work, try saying the words “don’t think” over and over for about 10 seconds. If you get distracted, don’t get angry; just pull your mind back to one of those two techniques….

(13) VIDEO OF THE DAY. This is an Honest Trailer about the Flash, but not the latest edition: “Honest Trailers: The Flash (90’s)”.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Scott Edelman, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/23/23 MurderChatBotGPT-124C41+

Posted on March 23, 2023 by Mike Glyer

(1) NO DOGS^H^H^H^H BOOKS ALLOWED. “Book ban attempts hit record high in 2022, library org says” – AP News has the story.

Attempted book bans and restrictions at school and public libraries continue to surge, setting a record in 2022, according to a new report from the American Library Association released Thursday.

More than 1,200 challenges were compiled by the association in 2022, nearly double the then-record total from 2021 and by far the most since the ALA began keeping data 20 years ago.

“I’ve never seen anything like this,” says Deborah Caldwell-Stone, who directs the ALA’s Office for Intellectual Freedom. “The last two years have been exhausting, frightening, outrage inducing.”

Thursday’s report not only documents the growing number of challenges, but also their changing nature. A few years ago, complaints usually arose with parents and other community members and referred to an individual book. Now, the requests are often for multiple removals, and organized by national groups such as the conservative Moms for Liberty, which has a mission of “unifying, educating and empowering parents to defend their parental rights at all levels of government.”

Last year, more than 2,500 different books were objected to, compared to 1,858 in 2021 and just 566 in 2019. In numerous cases, hundreds of books were challenged in a single complaint. The ALA bases its findings on media accounts and voluntary reporting from libraries and acknowledges that the numbers might be far higher….

(2) LET THERE BE LIGHTS. Cora Buhlert has posted a new “Semiprozine Spotlight” about “Hexagon Speculative Fiction Magazine” edited by J. W. Stebner.

… Science fiction, fantasy and horror were born in the pulps and short fiction has long been the beating heart of the genre. However, the focus of attention is increasingly moving towards novels and series. So why do you think SFF short fiction is important and worthy of attention?

I think that the reason SFF short fiction is so important is that it is constantly evolving and keeping up with what is happening in the world. Short fiction can be written, edited, and published long before a novel outline is finished. There is something immediate and satisfying about short fiction that does not exist in longer works of SFF. A great short story can be devoured in a single sitting, giving the reader a complete narrative arc in the time it takes to drink a cup of coffee. Whole worlds can be created, inhabited, and destroyed on a single bus ride. There’s something about that that always attracted me to short fiction….

She also has a new “Fancast Spotlight” about the “Chrononauts” podcast hosted by JM, Gretchen, and Nate.

Tell us about your podcast or channel.

JM: Chrononauts is a podcast that delves into the history of science fiction literature, and seeks to discuss more obscure works in tandem with or in relation to more well-known stories and writers. In the beginning, I don’t think we had a very precise vision of what we wanted to do, besides: “Hey, let’s talk about some cool sci-fi books! And maybe we can proceed sort of chronologically through the genre’s history!” As time has gone on I think we’ve gotten a more firm handle on this, but also adopted a somewhat relaxed approach, so that while we are still, roughly speaking, moving forward chronologically, we are also taking many tangential side-steps, and are open to including newer works “out of sequence” as it were, particularly if they match up thematically with something from the past. Since I’ve always been into hunting down obscure treasures, I think one of my goals, from the beginning, was always to highlight things that were lesser-known, either because they simply didn’t get as much promotion or, in some cases, had no exposure in the English-speaking world….

(3) WORLD BUNDLE. The 2023 World SF StoryBundle curated by Lavie Tidhar is available for another three weeks. Full information at the link.

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in .epub format—WORLDWIDE.

Unto the Godless What Little Remains by Mário Coelho
Signal to Noise by Silvia Moreno-Garcia
Ion Curtain by Anya Ow
Hadithi & the State of Black Speculative Fiction by Eugen Bacon and Milton Davis

If you pay at least the bonus price of just $20, you get all four of the regular books, plus six more books for a total of 10!

Nova Hellas: Stories from Future Greece edited by Francesca T Barbini and Francesco Verso
The Love Machine & Other Contraptions by Nir Yaniv
& This is How to Stay Alive by Shingai Njeri Kagunda
And What Can We Offer You Tonight by Premee Mohamed
Of Dragons, Feasts and Murders by Aliette de Bodard
HebrewPunk by Lavie Tidhar (StoryBundle Exclusive)

(4) SHE SAYS SCREENS AREN’T TO BLAME. The Atlantic’s Katherine Marsh thinks she knows the real reason “Why Kids Aren’t Falling in Love With Reading”.

…What I remember most about reading in childhood was falling in love with characters and stories; I adored Judy Blume’s Margaret and Beverly Cleary’s Ralph S. Mouse. In New York, where I was in public elementary school in the early ’80s, we did have state assessments that tested reading level and comprehension, but the focus was on reading as many books as possible and engaging emotionally with them as a way to develop the requisite skills. Now the focus on reading analytically seems to be squashing that organic enjoyment. Critical reading is an important skill, especially for a generation bombarded with information, much of it unreliable or deceptive. But this hyperfocus on analysis comes at a steep price: The love of books and storytelling is being lost.

This disregard for story starts as early as elementary school. Take this requirement from the third-grade English-language-arts Common Core standard, used widely across the U.S.: “Determine the meaning of words and phrases as they are used in a text, distinguishing literal from nonliteral language.” There is a fun, easy way to introduce this concept: reading Peggy Parish’s classic, Amelia Bedelia, in which the eponymous maid follows commands such as “Draw the drapes when the sun comes in” by drawing a picture of the curtains. But here’s how one educator experienced in writing Common Core–aligned curricula proposes this be taught: First, teachers introduce the concepts of nonliteral and figurative language. Then, kids read a single paragraph from Amelia Bedelia and answer written questions.

For anyone who knows children, this is the opposite of engaging: The best way to present an abstract idea to kids is by hooking them on a story. “Nonliteral language” becomes a whole lot more interesting and comprehensible, especially to an 8-year-old, when they’ve gotten to laugh at Amelia’s antics first. The process of meeting a character and following them through a series of conflicts is the fun part of reading. Jumping into a paragraph in the middle of a book is about as appealing for most kids as cleaning their room….

(5) POT WALLOPER. “Stamp honoring ‘Strega Nona’ author Tomie dePaola gets release date” reports CBS Boston.

Fans of beloved children’s writer and illustrator Tomie dePaola will be able to get stamps honoring the “Strega Nona” author in just a few weeks.

The U.S. Postal Service said the stamps will be released on May 5. dePaola, a longtime New Hampshire resident whose books sold nearly 25 million copies, died in 2020 at 85 years old.

The Forever stamp shows the titular grandmother with her magic pasta pot. “Strega Nona,” published in 1975, is a Caldecott Honor book and was voted one of the “Top 100 Picture Books” by the School Library Journal.

(6) IN PASSING. [Item by Cora Buhlert.] Three deaths in the sff field to report.

Eric Brown, science fiction, mystery and children’s book writer as well as the Guardian’s SFF reviewer, has died aged 62. The Guardian’s tribute is at the link.

Paul Grant, a British actor who played an Ewok in Return of the Jedi and also appeared in Legend, Labyrinth and the Harry Potter movies, has died: “Star Wars and Harry Potter actor Paul Grant dies aged 56” in the Guardian.

Norwegian cartoonist Dina Norlund has died aged 27. Her best known work outside Norway is The Snowcat Prince: “Cartoonist Dina Norlund has died of cancer” at Comics Beat.

(7) MEMORY LANE.

1968 – [Compiled by Cat Eldridge.]

So the Beginning this Scroll is not one of the more upbeat ones we’ve done to date as it of Keith Roberts’ Pavane.

The ending of this novel, yes the ending, a novellette, “Pavane: The Signaller”, came out in Impulse: The New Science Fantasy in their March 1966 issue. The complete stories that are Pavane would first be printed by Hart-Davis in 1968. Why the ending first? I’ve no idea, but perhaps one of you knows why.

So I’ll just say that Pavane is a brilliant telling of an alternative England that mercifully never happened. So without further commentary, here’s the perfect Beginning that the author gave it…

PROLOGUE

On a warm July evening of the year 1588, in the royal palace of Greenwich, London, a woman lay dying, an assassin’s bullets lodged in abdomen and chest. Her face was lined, her teeth blackened, and death lent her no dignity; but her last breath started echoes that ran out to shake a hemisphere. For the Faery Queen, Elizabeth the First, paramount ruler of England, was no more …

The rage of the English knew no bounds. A word, a whisper was enough; a half-wit youth, torn by the mob, calling on the blessing of the Pope. … The English Catholics, bled white by fines, still mourning the Queen of Scots, still remembering the gory Rising of the North, were faced with fresh pogroms. Unwillingly, in self-defence, they took up arms against their countrymen as the flame lit by the Walsingham massacres ran across the land, mingling with the light of warning beacons the sullen glare of the auto-da-fé.

The news spread; To Paris, to Rome, to the strange fastness of the Escorial, where Philip II still brooded on his Enterprise of England. The word of a land torn and divided against itself reached the great ships of the Armada, threshing up past the Lizard to link with Parma’s army of invasion on the Flemish coast. For a day while Medina-Sidonia paced the decks of the San Martin, the fate of half the world hung in balance. Then his decision was made; and one by one the galleons and carracks, the galleys and the lumbering urcas turned north toward the land. Toward Hastings and the ancient battleground of Santlache, where history had been made once centuries before. The turmoil that ensued saw Philip ensconced as ruler of England; in France the followers of Guise, heartened by the victories across the Channel, finally deposed the weakened House of Valois. The War of the Three Henrys ended with the Holy League triumphant, and the Church restored once more to her ancient power.

To the victor, the spoils. With the authority of the Catholic Church assured, the rising nation of Great Britain deployed her forces in the service of the Popes, smashing the Protestants of the Netherlands, destroying the power of the German city-states in the long-drawn-out Lutheran Wars. The Newworlders of the North American continent remained under the rule of Spain; Cook planted in Australasia the cobalt flag of the Throne of Peter.

In England herself, across a land half ancient and half modern, split as in primitive times by barriers of language, class, and race, the castles of mediaevalism still glowered; mile on mile of unfelled woodland harboured creatures of another age. To some the years that passed were years of fulfillment, of the final flowering of God’s Design; to others they were a new Dark Age, haunted by things dead and others best forgotten; bears and catamounts, dire wolves and Fairies.

Over all, the long arm of the Popes reached out to punish and reward; the Church Militant remained supreme. But by the middle of the twentieth century widespread mutterings were making themselves heard. Rebellion was once more in the air…

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 23, 1904 — H. Beam Piper. I am reasonably sure that the first thing I read and enjoyed by him was Lord Kalvan of Otherwhen followed by Little Fuzzy and related works which are damn fun reading. Has anyone here read Scalzi’s Fuzzy novel? And how’s his Federation series? Not a Hugo to be had by Piper, amazingly, but Little Fuzzy was nominated at the first Discon when The Man in the High Castle won. (Died 1964.)
Born March 23, 1934 — Neil Barron. Certainly best known for Anatomy of Wonder: A Critical Guide to Science Fiction which actually is still a damn fine read which is unusual for this sort of material. If memory thirty years on serves me right, his Fantasy Literature and Horror Literature guides were quite good too. (Died 2010.)
Born March 23, 1937 — Carl Yoke, 86. One of those academics that I stumbled upon when I was looking for information on Zelazny. His 1979 study of him, Roger Zelazny, is quite excellent, as is his essay, “Roger Zelazny’s Bold New Mythologies” which is in Tom Staicar’s Critical Encounters II: Writers and Themes in Science Fiction. He also wrote “What a Piece of Work is a Man: Mechanical Gods in the Fiction of Roger Zelazny” which you’ll find in Contributions to the Study of Science Fiction and Fantasy. Yoke does have four genre stories to his credit.
Born March 23, 1947 — Elizabeth Ann Scarborough, 76. Though her only award was a Nebula for The Healer’s War, I remember her best for a three book series called The Songkiller Saga which was wonderful and the Acorna series that she did with Anne McCaffrey which they co-wrote all but two as the first two were written by McCaffrey and Margaret Ball. She wrote a tribute to McCaffrey, “The Dragon Lady’s Songs”, that appeared in Dragonwriter.
Born March 23, 1952 — Kim Stanley Robinson, 71. If the Mars Trilogy was the only work that he’d written, he’d rank among the best genre writers ever. But then he went and wrote the outstanding Three Californias Trilogy. I won’t say everything he writes I consider top-flight, the Science in the Capital series just didn’t appeal to me. His best one-off novels I think are without argument (ha!) The Years of Rice and Salt and New York 2140. I should note he has won myriad Awards including the Hugo Award for Best Novel, BSFA Award for Best Novel, the Nebula Award for Best Novel and the World Fantasy Award. And the Heinlein Society gave him their Robert A. Heinlein Award for his entire body of work!
Born March 23, 1959 — Maureen Kincaid Speller. British reviewer and essayist who has been nominated for Hugos for Best Semiprozine and Best Fan Writer. She had an extensive career with her writing showing up in Matrix, Steam Engine Time, The Gate and Vector (all of which she either edited or co-edited), Barbed Wire Kisses, Fire & Hemlock, Local Fanomena, Red Shift, Interzone and The BSFA Review. A brief collection by BSFA, And Another Thing … A Collection of Reviews and Criticism by Maureen Kincaid Speller, leave room for an additional collection. OGH’s obituary writeup is here. (Died 2022.)
Born March 23, 1958 — John Whitbourn, 65. Writer of a number novels and short stories focusing on an alternative history set in a Catholic universe. It reminds me a bit of Keith Robert’s Pavane but much more detailed. A Dangerous Energy in which Elizabeth I never ascends the throne leads off his series. If that’s not to your taste, Frankenstein’s Legion’s is a sheer delight of Steampunk riffing off Mary Shelley‘s tale. He’s available at the usual digital suspects.

(9) COMICS SECTION.

Adam@Home wants an exotic pet.

(10) HAMILTON, YOLEN Q&A’S. Grimdark Magazine landed interviews with two distinguished writers.

LAURELL K. HAMILTON: “An Interview With Laurell K. Hamilton”

[GdM] The expression of characters’ sexuality is something you have always written about that feels open and honest. Has the way you approached sex scenes and sensuality changed between the first novel and now, and if so, how?

Answer: When I started writing the series my plan was to have every kiss, every caress so amazing that we wouldn’t need to ever complete the act. What actually happened was that I built up the anticipation higher and higher so when it came to the point where Anita was finally ready to have full blown sex I had to live up to all the amazing foreplay. I was incredibly uncomfortable with the idea of doing it on paper, but I’d written crime scenes and fight scenes with extreme violence in them and not hesitated. The fact that sex between two people that cared about each other bothered me more than writing violent murder made me question my priorities. Was sex really worse than violence? No, no it wasn’t, but in America we’re conditioned that it is, and once I realized where the bias came from I was determined not to be trapped by it. I promised myself that every sex scene would be as well written and unflinching as my murder scenes had been. I think I’ve kept that promise to myself and to my readers.

JANE YOLEN: “An Interview With Jane Yolen”.

Are you still sending your subscribers a poem a day? To produce the poem a day, are you influenced by the news, world happenings, or something beautiful you saw while about in your daily life?

JY: All of the above, plus lines from favorite poems, newspaper clippings, something someone asked, or watching out my window and seeing squirrels and foxes and bobcats and bears and….it’s an old New England farmhouse with a lot of out buildings and farmland! Lots happening there every day.

(11) WHAT CAN REPLACE A (HU)MAN? Brian Murphy turns the tables in the ongoing AI debate: “Why (Human Generated) Sword-and-Sorcery?” at DMR Books.

… Sword-and-sorcery is a subgenre of influence, to varying degrees. The various “Clonans”—Brak, Thongor, Kothar, and their ilk—bear the obvious influence of Robert E. Howard’s famous creation. Michael Moorcock read and was influenced by Howard, but with Elric created a protagonist wholly different than Conan or Kull—civilized, decadent, his strength dependent on a cocktail of drugs.

We also consume and enjoy derivative products. I like my Kothar books—they’re fun (no, they’re not, they’re terrible—DMR), and sometimes they’re just what I need (no, they’re not, they’re terrible!—DMR). The Clonans sold, but creatively arrested the subgenre in the ‘60s and ‘70s. S&S became so narrowly focused and artistically stultified that it suffered a collapse in the early 1980s.

It’s important we recognize true innovators and mavericks. And offer venues and support creators that strive for originality.

Today the issue of originality vs. derivative work has risen to greater prominence and debate with the rise of AI. Now our art is threatened not by derivative authors, but by machines capable of turning it out in choking quantities….

(12) BEAGLE VISITS GLENDALE. Here’s a beautiful photo of author Peter S. Beagle, taken by Krystal Rains, while Beagle was signing at the LA Vintage Paperback Show in Glendale on Sunday.

Peter S. Beagle. Photo by Krystal Rains.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Krystal Rains, Cora Buhlert, Mike Kennedy, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern – folding more references together than the ingredients in a Scalzi burrito.]

Pixel Scroll 2/24/23 Worst Pixel, Filed On Ugliest Scroll

Posted on February 24, 2023 by Mike Glyer

(1) A FIGURE OF FUN. Cora Buhlert has posted a new Masters-of-the-Universe-Piece Theatre Photo Story entitled “Held Hostage”. And Cora says, “I have more of those coming up as well, because they’re a lot of fun to make and offer a great distraction from — well — everything.”

"And you're sure that you'll be all right going on patrol all on your own?" – "Oh please, Adam. I'm a trained soldier, Captain of the Royal Guard and I can kick your arse anytime." – "Not in this form. Unless I let you. And now kiss me." #MastersOfTheUniverse pic.twitter.com/aj9rJiH4Qh
— Cora Buhlert (@CoraBuhlert) January 30, 2023

(2) ANOTHER LOOK AT LEGENDS. Mark Lawrence takes a deep dive into the work of David Gemmell: “Legends and Re-reads”.

I was a very different person in a very different world when I read Legend at 21 from the man I am at 57. I also know a lot more about writing.

A few things to say about Gemmell.

– He is a skilled storyteller.

– He knows how to push emotional buttons. When I was starting to think about the mechanics of writing he was the first author I looked hard at and said ‘how is he making me feel like this?’

– He had a clear ethos/worldview that runs through all his books. His readers often repeat it as delivered through the eponymous Legend (Druss the Legend, aka Druss of the Axe, aka Deathwalker):

Never violate a woman, nor harm a child. Do not lie, cheat or steal. These things are for lesser men. Protect the weak against the evil strong. And never allow thoughts of gain to lead you into the pursuit of evil.

-The Iron Code of Druss the Legend

(3) RUN AWAY, RUN AWAY! “Lord of the Rings New Movies Set at Warner Bros” reports Variety.

Warner Bros. Pictures is revamping the “Lord of the Rings” film franchise.

On a Thursday earnings call, Warner Bros. Discovery CEO David Zaslav announced that newly-installed studio leaders Mike De Luca and Pam Abdy have brokered a deal to make “multiple” films based on the beloved J. R. R. Tolkien books. The projects will be developed through WB label New Line Cinema. The first “Lord of the Rings” trilogy, helmed by Peter Jackson, grossed nearly $3 billion worldwide; Jackson’s follow-up trilogy based on Tolkien’s “The Hobbit” matched those grosses.

No filmmakers have been attached to the projects as yet, but in a statement to Variety, Jackson and his main “Lord of the Rings” collaborators Fran Walsh and Philippa Boyens said Warner Bros. and Embracer “have kept us in the loop every step of the way.”…

(4) NEXT QUESTION PLEASE. “Helen Mirren says the plot of ‘Shazam! Fury of the Gods’ is ‘too complicated’: ‘Don’t ask me about the plot’” at MSN.com.

Helen Mirren said she doesn’t fully understand the plot of her latest movie, “Shazam! Fury of the Gods.”

Mirren makes her superhero movie debut next month in the DC Comics sequel, playing the film’s villain, Hespera.

During her appearance on “The Graham Norton Show,” which airs in the UK on Friday, Mirren admitted she’s not “a big superhero-type person” but “loved” the first “Shazam!” movie released in 2019.

“Don’t ask me about the plot, it’s too complicated,” Mirren said about her role in the movie. “[Lucy Liu and I] are angry goddesses wearing unbelievably heavy costumes. It was very hot and uncomfortable and in fact, Lucy said at the end of the first day’s shooting, ‘They are trying to kill us,’ in all seriousness.”…

(5) THE INSIDE STORY. Wil Wheaton invites us inside to “see how we are”:

…Last night, Anne and I went to the fancy premiere of Star Trek Picard’s final season at the Chinese Theatre in Hollywood. Before the screening began, after we were all settled into our seats, Terry Matalas and Alex Kurtzman introduced the show, thanked the cast and crew, and turned the spotlight over to Patrick. He spoke lovingly and beautifully about the entire experience, in that Patrick Stewart way we all love.

As he was wrapping up his remarks, he said, “I would like to ask the cast who are here to please stand up,” so they could also be celebrated.

I remembered how humiliating it was, how much it hurt, those times Rick Berman deliberately left me seated while everyone else was standing up, those times Rick Berman made me feel exactly the way my father made me feel: unwelcome, unworthy, invisible. Not a great feeling.

But last night wasn’t about me. Yes, I have a wonderful cameo in season two, but I’m not in season three. And last night was about season three. It was about celebrating my family, who all came together for what is likely their final mission together. So I was happy to stay in my seat while they started to stand up. I clapped so hard my hands are still vibrating this morning. I applauded not just their work on this season, but everything they’ve given to Star Trek for over thirty years. I celebrated the absolute hell out of my family. And while I was doing this, I looked across the aisle at Frakes and clapped at/for him.

We made eye contact, and he gave me this incredulous look. “Why are you sitting down? Stand up, W!” He said.

So I did, and he applauded me, and I may have wept just a little bit. Or maybe a lot. I can’t remember. I was so grateful to be included in the moment by the man who I wish was my father, who loves me and sees me like my own parents never did….

(6) S&S AND $. Cora Buhlert has posted another “Semiprozine Spotlight” for New Edge Sword & Sorcery Magazine. Also, their team is currently running a Kickstarter that’s 85% funded.

Why did you decide to start your magazine?

After having some very exciting discussions last Spring, on the Whetstone Tavern discord, about how to make the S&S scene larger and more inclusive, someone suggested to me that I try to express ideas from that discussion in an anthology. I decided I’d rather do a magazine, but only if there were others who wanted to work with me on it.

There were!

So I set about creating the magazine I wanted to see in the world, made with love for the classics and an inclusive, boundary-pushing approach to storytelling, a gorgeous vessel for high quality writing & art, that would be a delight for Sword & Sorcery fans as well as draw in people from outside the community.

(7) A REAL HEADSCRATCHER. Priya Sridhar knows “How To Steal Right From Squid Game”. Why doesn’t Netflix? (Via Cat Rambo.)

…Here is one difference between the YouTube version of Squid Game and the Netflix reality show: no one got hurt in the former. In fact, you can see the competitors laughing and enjoying themselves. Netflix somehow hurt the production crew and reality competition members.

Sometimes you have to ask one question: how? How do you become the thing that you’re mocking? And how does a corporation remain so oblivious?…

(8) GOODMAN GAMES. [Item by Cora Buhlert.] The good folks of Goodman Games have posted a profile of Margaret St. Clair, mainly focusing on the two novels of hers that are listed in Appendix N (she has written so much more than that, but at least she’s getting attention): “Adventures in Fiction: Margaret St. Clair”.

…Margaret St. Clair is an interesting figure, one whose work is largely overlooked in the present age. St. Clair was one of only three women authors who appeared on Gygax’s list of influential writers and their works. During both the Golden and Silver Ages of fantasy fiction, the field was dominated by white males, so much so that the now-often derided pronouncement on the back cover of the Bantam Books 1963 printing of The Sign of the Labrys (“Women are Writing Science Fiction!”) was actually somewhat shocking. The fact that Appendix N includes three women authors is a testimony to the breadth of Gary’s reading…

And they’ve done a profile of Andre Norton: “Adventures in Fiction: Andre Norton”.

…Norton’s influence on adventure gaming and its creators was not accidental. She often employed a recurring motif in her books in which the protagonist begins as an outsider or “other”, and through dedicating themselves to a perilous journey in the wilderness, eventually becomes a fully-realized heroic figure. The parallels to the level advancement and experience point systems of early role-playing games is obvious….

Also at Goodman Games, Bill Ward reviews A Book of Blade, an anthology in which I have a story: “A Look at A Book of Blades”.

The folks behind the Rogues in the House Sword & Sorcery Podcast have applied their old school sensibilities to create an anthology of contemporary sword-and-sorcery from today’s modern practitioners. Edited by Matthew John, A Book of Blades delivers fifteen tales from an array of authors that fans keeping up with the genre – and especially readers of Tales From the Magician’s Skull – will be sure to recognize, such as Howard Andrew Jones, Scott Oden, John C. Hocking, S.E. Lindberg, Jason Ray Carney, and John Fultz, to name a few. From grimdark to swashbuckling, from all-out-action to moody introversion, the variety of tales found within A Book of Blades presents a fine cross-section of modern sword-and-sorcery….

(9) MEMORY LANE.

1969 – [Compiled by Cat Eldridge.]

Larry Niven’s “Not Long Before the End” is the first work in the setting of The Magic Goes Away universe, published in the April 1969 issue of Fantasy and Science Fiction. It would nominated for a Hugo at Heicon ’70.

Though I always thought of Niven as a SF writer first and foremost, his fantasy writing here is first rate. It’s a wonderful series that shows Niven at his very best.

Now here’s our Beginning…

NOT LONG BEFORE THE END

A swordsman battled a sorcerer, once upon a time.

In that age such battles were frequent. A natural antipathy exists between swordsmen and sorcerers, as between cats and small birds, or between rats and men. Usually the swordsman lost, and humanity’s average intelligence rose some trifling fraction. Sometimes the swordsman won, and again the species was improved; for a sorcerer who cannot kill one miserable swordsman is a poor excuse for a sorcerer.

But this battle differed from others. On one side, the sword itself was enchanted. On the other, the sorcerer knew a great and terrible truth.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born February 24, 1786 — Wilhelm Grimm. Here for two reasons, the first being the he and his brother were the first to systematically collect folktales from the peasantry of any European culture and write them down. Second is that the number of genre novels and short stories that used the Grimms’ Fairy Tales as their source for source material is, well, if not infinite certainly a really high number. I’d wager that even taking just those stories in Snow White, Blood Red series that Terri Windling and Ellen Datlow co-edited would get quite a number based the tales collected by these brothers. (Died 1859.)
Born February 24, 1909 — August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like), not to overlook being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.)
Born February 24, 1933 — Verlyn Flieger, 90. Well known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s World, A Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a YA fantasy, Pig Tale, and some short stories.
Born February 24, 1941 — Sam J. Lundwall, 82. Swedish writer, translator and publisher. He first started writing for Häpna!, an SF magazine in the 50s. In the late 60s, he was a television producer for Sveriges Radio and made a SF series. He published his book, Science Fiction: Från begynnelsen till våra dagar (Science Fiction: What It’s All About) which landed his first job as an SF Editor. In the 80s, he would start his own company, Sam J. Lundwall Fakta & Fantasi. Lundwall was also the editor of the science fiction magazine Jules Verne-Magasinet between 1972 and 2013. He has been active in fandom as he organized conventions in Stockholm six times in the 60s and 70s. And I see he’s written a number of novels, some released in the U.S., though not recently.
Born February 24, 1945 — Barry Bostwick, 78. Best remembered for being Brad Majors in The Rocky Horror Picture Show. His first genre undertaking was the English language narration of Fantastic Planet. He voices the Mayor in The Incredibles 2. He also won a Tony Award for his role in The Robber Bridegroom, a play based off the Eudora Welty novella.
Born February 24, 1947 — Edward James Olmos, 76. Reasonably sure the first thing I saw him in was Blade Runner as Detective Gaff, but I see he was Eddie Holt in Wolfen a year earlier which is I’m reasonably sure his genre debut. Though I didn’t realize it as I skipped watching the nearly entire film, he was in The Green Hornet as Michael Axford. He has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the rebooted Battlestar Galactica. He has made appearances on Agents of S.H.I.E.L.D. and Eureka.
Born February 24, 1951 — Helen Shaver, 72. Her SFF debut was as Betsy Duncan in Starship Invasions aka Project Genocide in the U.K. Though you’ve likely not heard of her there, you might have seen her as Carolyn in The Amityville Horror. She’s Littlefoot’s mother in The Land Before Time, and Kate ‘White’ Reilly in the second Tremors film. She’s got one-offs in The Outer Limits, Amazing Stories, Ray Bradbury Theater and Outer Limits to name but a few. And she was Dr. Rachel Corrigan in Poltergeist: The Legacy, an excellent series indeed.
Born February 24, 1968 — Martin Day, 55. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers.

(11) EATING THE FANTASTIC. Scott Edelman invites listeners to get crabby with writer Jennifer R. Povey in Episode 192 of his Eating the Fantastic podcast.

I attended Boskone last weekend, where I recorded three new conversations I’ll be sharing with you, but before we get to those, let’s pay a visit to the previous weekend’s Farpoint, where I had lunch with Jennifer R. Povey at the Ashland Cafe in Cockeysville, Maryland, which offers excellent diner food and great pie.

Povey has made numerous appearances in Analog, and her short fiction has also appeared in such magazines and anthologies as Daily Science Fiction, Bards and Sages Quarterly, Zombiality, 99 Tiny Terrors, First Contact, You’re Not Alone, and many others. Her novels include the four books in the Lost Guardians series — Falling Dusk (2016), Fallen Dark (2017), Rising Dawn (2017), and Risen Day (2018) — as well as the stand-alones Transpecial (2013), Araña (2019), The Lay of Lady Percival (2019), Firewing (2020), and The Friar’s Tale: A Novel of Robin Hood (2020) She also has a number of credits in the RPG industry, having written or co-written supplements for Fat Goblin Games, Rite Publishing, Dark Naga Games, Flaming Crab Games, Avalon Game Company, and others.

We discussed how the pandemic altered the timing of her newly begun five-book science fiction series, why she once had to rethink a novel after getting 20,000 words in, the reason series detectives are rarely the true protagonists in their own stories, our differing reasons for taking issue with J. K. Rowling, her Star Trek fan fiction origins, how to avoid sequel fatigue when writing long series, techniques for avoiding self-rejection, her unusual journey to getting published in Analog, how 20,000 Leagues Under the Sea changed her life, the Doctor Who episode which altered her existential understanding of the universe, how her archeological training helped her fiction, what writers get wrong when depicting horses, how it’s possible for pantsers to write novels, the time she horrified a Klingon in a convention bar, the divisive nature of “ship wars,” and much more.

(12) ASTEROID SCIENCE. [Item by SF Concatenation’s Jonathan Cowie.] Today’s US leading journal Science is sort of SFnal related.

An artist’s impression shows the Hayabusa2 spacecraft retrieving a sample from the surface of asteroid (162173) Ryugu. A combined total of 5 grams of samples were collected from two locations on Ryugu and then brought to Earth. Laboratory analysis of the samples has now determined the composition, formation process, and evolutionary history of the asteroid.

There’s also an open access introduction to the special section to which this cover relates here: “An asteroid in the laboratory”.

One other part of the special selection is on noble gases and nitrogen in the asteroid here: “Noble gases and nitrogen in samples of asteroid Ryugu record its volatile sources and recent surface evolution”.

The noble gas and nitrogen composition of this non-carbonaceous asteroid is of interest as they indicate how much more volatile components (such as carbon dioxide, methane and water) might have originally been there. So they also compiled a basic model of the Solar system including temperature and radiation environments in space with distance from the Sun as well as cosmic ray exposure. From this they infer that Ryugu’s orbit migrated from the main asteroid belt to the near-Earth region ~5 million years ago.

A recently published piece on the likely water content of non-carbonaceous meteorites suggests that much of the water delivered to Earth came from non-carbonaceous meteorites/asteroids/planetismals crashing into the primordial Earth. It is quite likely that as the above current work on the Ryugu samples continues that it will tie into this other, previous work.

At the moment there is some debate as to how Earth got its water. Was it through early accretion as our planet formed or through the late veneer 4.42 billion years ago a short (geologically/astronomically) time after the Earth formed? The answer is likely to be a mix of one and the other, but to what proportion remains highly debatable. Now, of SFnal interest, all these questions have a bearing on the likelihood of life-bearing Earth-like planets in habitable zones around other stars. This, in turn, relates to the far more important question of the likelihood of finding good bars, serving decent real ale, across the Galaxy.

(13) HOPE IS HARDER THAN DESPAIR. TBRCon2023 Panel 29 “Hopepunk & Optimistic Futures”. (Via Cat Rambo.)

Join moderator/author Jonathan Nevair and authors Cat Rambo, Ruthanna Emrys, Matthew Kressel and Sarena Ulibarri for a TBRCon2023 author panel on “Hopepunk & Optimistic Futures”!

(14) MASTER OF THE MASTERS. [Item by Cora Buhlert.] In 2022 the Geek Dad Live YouTube channel interviewed Ted Biaselli, who is a producer for many SFF shows at Netflix. The interview is mainly about Masters of the Universe: Revelation, but Biaselli has also produced Wednesday, The Dark Crystal and many others. Super enthusiastic and very likeable guy:

Join John and Jay as they iscuss Masters of the Universe with fellow toy geek and Executive Producer of MOTU : Revelation, Ted Biaselli! They’ll talk about their thoughts on Season 1, the toys supporting the show, and whatever he can share about a potential second Season of the Show! They’ll discuss the latest in toy news like the conclusion to the Mattel Vs. the Dino Channels affair. They’ll talk about all of the Star Wars reveals by hasbro this week, share their latest toy hauls and try to Stump John, all of that and more tonight on Toy Geeks!

[Thanks to SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, Cora Buhlert, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 9/18/22 Scrolling Pixels In The Park

Posted on September 18, 2022 by Mike Glyer

(1) HE KEPT IT UNDER HIS HAT. Rob Wilkins, who assisted Terry Pratchett for many years, writes a long profile about him for the Guardian: “’I think I was good, though I could have been better’: Terry Pratchett and the writing of his life”. “After he was diagnosed with Alzheimer’s, the Discworld author began an autobiography. He never finished it, but seven years after his death, his long-time assistant has taken up the task.”

…Terry also had strong and, some might even say, puritanical ideas about how much money he should accept in advance of a book’s publication. If he couldn’t be confident that the advance would earn itself out inside three years and that the book would go into profit and yield royalties, he refused to accept it. At one point, for example, Transworld offered Terry £125,000 for a book. This was in the mid-1990s, when a generous offer for a book of its nature would have been in the region of £25,000, so that six-figure offer was an emphatic demonstration of confidence in Terry’s writing. Colin, naturally, was excited to tell Terry about it. The conversation they had was short and pointed. Colin then found himself ringing Transworld and saying: “I have conveyed your offer to Terry, and I’m afraid he is not at all happy with it … No, he says it’s far too much and he would like me to agree a deal with you for less.”…

(2) THE KICKOFF. Charlie Jane Anders is the new sf/fantasy book reviewer for The Washington Post. Here is her first column: “4 witchy books from the world of science fiction and fantasy”.

When Megan Giddings told her agent she wanted to write a novel about witches, he told her: “If anybody can make them feel new, it’s you.” In the acknowledgments of her new novel, “The Women Could Fly” (Amistad),Giddings says she didn’t entirely agree with him that witches feel like a tired subgenre; to her, there’s always room for another take.
Luckily for anyone who feels the same way, a wealth of novels about witches has come out recently — and many of them do feel brand new.
To be sure, many recent witch novels explore timeworn themes: Witches are distrusted and feared and must conceal themselves from the world. But Giddings and other authors also uncover fresh layers to the classic witch tales, exploring the complexity of anti-witch attitudes in an enriching and timely way….

(3) IT’S NOT EVEN THE THING I’M POINTING AT WHEN I SAY ‘FANZINE’. In “Fan v Pro v Fanzine”, Camestros Felapton ventures into the twisty little maze of passages all alike.

…But seriously, I think the current knot arises out of an unwillingness to redefine what a fanzine is. Functionally, fan artist and fan writer arose out of fanzine culture where fanzine didn’t need a definition. To a lesser degree the mess around semi-prozine arises there as well. There’s an intuitive sense of three grades of platforms were stuff happens: professional, fan and somewhere in between (a labour of love that aspires to be a going concern).
There are many available dimensions but none by themselves capture the essence of the fanzine distinction:

profit v non-profit
paywall v open access
corporate v non-corporate
size – number of people involved in the endeavour
fiction v non-fiction
hobby v “job”
weight class – a mix of size, influence and professional demeanour I guess
paying writers or not
paying staff or not
general vibe

¯\_(ツ)_/¯
commercial-corporate v. non-commericial-corporate gets closest to a distinction but not one that I could convert into a sensible set of rules.
Which means that I must circle back to the notion of self-identification as fan or pro. That also has tricky cases (a pro-writer who is a fan artists or vice versa) but if the point is to address the weight-class idea then maybe that is the least problematic pain point to accept. Put another way, if we see the “original sin” of John Scalzi’s* fan writer win not as blogs v print fanzines, not as style of genre question (clearly it was in the genre of fan writing), not as whether he is a real fan (clearly he is), but as a question of whether the voting is distorted because he had a large voting base in the Hugo Awards and major name recognition…then self-identification for the purpose of award eligibility gets at that issue….

(4) AND HE’D DO IT ALL OVER AGAIN. Meanwhile, John Scalzi’s ears are burning.

And yes, I'll take some small credit for that, one, because I was the one to break the two-decade streak, and two, in my acceptance speech I told people not to nominate me in the category again and instead to open up the award and spotlight to a wider range of voices. They have.
— John Scalzi (@scalzi) September 18, 2022

Finally, while I take some small credit, the credit really is small. The Hugo voting population was ready to open up the category; I was the immediate beneficiary. And even if I had not declined future nominations, I'm sure the voter pool would have spread nominations widely.
— John Scalzi (@scalzi) September 18, 2022

(5) HWA CELEBRATES LATINX HORROR AUTHORS. The latest entry in the Horror Writers Association blog’s “Latinx Heritage in Horror” series is an “Interview with LP Hernandez”.

What inspired you to start writing?
Reading fueled my love of writing. I was a constant Scholastic Book Fair customer, addicted to the smell of new Goosebumps or Fear Street books. Eventually, I progressed to King, McCammon, and Tolkien. I began writing stories at around nine or ten. I remember corralling my mother in the morning as she attempted to get ready for work, handing her what I knew was going to be a best seller and requesting she read it right there in front of me.

(6) RATED ARRRRH! Do people still do “Talk Like a Pirate Day”? If so, it’s tomorrow, September 19.

(7) UNTRUE GRIT. Brian Murphy shares his appreciation for the Bard books by Keith Taylor: “Under the Spell of Keith Taylor’s Bard Songs” at Goodman Games.

…A characteristic of good sword-and-sorcery is earthiness; even if not set in some ancient age of our own earth, sword-and-sorcery nevertheless is typically gritty, even grimy, in its realism. Joseph McCullough once described sword-and-sorcery with the terse, pithy, “fantasy with dirt.” That works for me.
Over this layer of grit, which serves to ground the reader somewhere recognizable and to spare overly tedious worldbuilding, the skilled sword-and-sorcery writer adds in the fantastic, in small doses. Weird monsters and dark sorcery that feels alien, and dangerous, and when it appears casts its spell upon the reader….

(8) HOUSES DIVIDED. The New York Times explores “How Russian Trolls Helped Keep the Women’s March Out of Lock Step”.

…For more than a century, Russia and the Soviet Union sought to weaken their adversaries in the West by inflaming racial and ethnic tensions. In the 1960s, K.G.B. officers based in the United States paid agents to paint swastikas on synagogues and desecrate Jewish cemeteries. They forged racist letters, supposedly from white supremacists, to African diplomats.
They did not invent these social divisions; America already had them. Ladislav Bittman, who worked for the secret police in Czechoslovakia before defecting to the United States, compared Soviet disinformation programs to an evil doctor who expertly diagnoses the patient’s vulnerabilities and exploits them, “prolongs his illness and speeds him to an early grave instead of curing him.”
A decade ago, Russia’s president, Vladimir V. Putin, oversaw a revival of these tactics, seeking to undermine democracies around the world from the shadows.
Social media now provided an easy way to feed ideas into American discourse, something that, for half a century, the K.G.B. had struggled to do. And the Russian government secretly funneled more than $300 million to political parties in more than two dozen countries in an effort to sway their policies in Moscow’s favor since 2014, according to a U.S. intelligence review made public last week.
What effect these intrusions had on American democracy is a question that will be with us for years. It may be unanswerable. Already, social media was amplifying Americans’ political impulses, leaving behind a trail of damaged communities. Already, trust in institutions was declining, and rage was flaring up in public life. These things would have been true without Russian interference.
But to trace the Russian intrusions over the months that followed that first Women’s March is to witness a persistent effort to make all of them worse….

(9) MORE TROLLS WITH OPINIONS. The homegrown trolls are also busy. “The Rings of Power Gets Review Bombed: Amazon Turns Off Ratings” – The Hollywood Reporter has the story.

Where’s a wizard to fight trolls when you need one?
The mega-budget fantasy series The Lord of the Rings: The Rings of Power is under fire from some of its viewers. A day after the first two episodes of Amazon’s billion-dollar baby debuted on Prime Video, the show’s average audience score on Rotten Tomatoes is a “rotten” 37 percent, and reviews on Amazon have been outright suspended.
Compare that score to TV critics giving the show a very fresh 83 percent average, and many of the reviews were highly enthusiastic (“It’s great: a gorgeously immersive and grandly ambitious spectacle, packed with stunning imagery and compelling plot threads,” wrote TV Line). The Hollywood Reporter dubbed the first two episodes a rather successful, promising start.
The scores come a couple weeks after Marvel’s She-Hulk was declared review bombed on the site, with 88 percent critics score and an initial 36 percent audience score.
How The Rings of Power is doing on Amazon’s own user review ecosystem is not yet clear because the company has taken the unusual step of suspending user ratings for the show. An Amazon source says reviews are being held 72 hours to help weed out trolls and to ensure each review is legitimate. The source later claimed Prime Video started the policy this summer on all its shows.
“Review bombing” is when a group of online users post numerous negative reviews for a product or service due to its perceived cultural or political issues rather than its actual quality….

(10) HENRY SILVA (1926-2022). [Item by Cora Buhlert.] Actor Henry Silva, whose genre rolls include The Manchurian Candidate (well, I think it’s genre), Killer Kane in Buck Rogers in the 25th Century and the voice of Bane in Batman: The Animated Series, died September 13 at the age of 95.

…“Henry Silva is one of those guys you most likely will recognize even if you don’t know his name,” onetime Crimespree magazine writer Dave Wahlman wrote in 2016. “His face is something straight out of central casting if you were looking for a villain. It alternates between the insipid glee of potential mayhem and looking emotionless and dead as a stone.”
…He went on to make dozens of movies in Europe, the majority of which were in the Italian “poliziotteschi” genre. “Funny thing,” he said in a 1971 interview, “over here they see me as a bad guy; in Europe, they see me as a hero.”…

(11) MEDIA BIRTHDAY.

1964 – [By Cat Eldridge.] There are series I refuse to rewatch lest the Suck Fairy with her steel toed boots stomps all over it. The Addams Family series which premiered on this evening fifty-eight years ago on ABC is definitely one of them. I unreservedly loved that series.

The Los Angeles Times in its obituary of David Levy explained how he came to create the series: “The idea for the series came to Levy when he was strolling with a friend down New York’s 5th Avenue and passed a display of Addams’ books. One, ‘Homebodies,’ showed the entire group of Addams characters in a family portrait on the cover. Levy was stopped in his tracks by the sight and told his friend: ‘There’s a hit series!’”

Now let’s talk about the characters here. Who wasn’t perfect? Be it John Astin as Gomez Addams or Carolyn Jones as his wife Morticia, they played their roles perfectly. And no, I’m certainly not forgetting Wednesday, their child. (Surely the name comes from the English folk poem, Wednesday’s child is full of woe), Uncle Fester or Thing. Not to mention Lurch played oh-so-well by Ted Cassidy.

It had pets, presaging to a great extent what Lio would have. Aristotle was Pugsley’s pet octopus and Fang was his pet jaguar. Addams Family had a lion called Kitty Kat and they piranhas, Tristan and Isolde. Zelda was their vulture. Morticia had a very large carnivorous plant named Cleopatra and Wednesday has a pet tarantula by the name of Homer.

It didn’t last nearly as long as I thought did — just two seasons totaling sixty-four episodes shot in glorious black and white.

Halloween with the New Addams Family aired eleven years after the series went off the air with new characters added in. Seven years after the series was cancelled, the animated version of The Addams Family aired for sixteen episodes. It’s notable for a young Jodie Foster voicing Pugsley Addams. Only Jackie Coogan and Ted Cassidy, who played Uncle Fester and Lurch from the series, returned in voice acting roles.

Gold Key Comics produced a comic book series in connection with the show, but it only lasted three issues.

It streams on Amazon and Paramount +. Of course Paramount + owns the Columbia catalog and Columbia produced it.

It has a near perfect ninety-eight percent rating among audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called by many a pioneering author of genre fiction. She wrote a number of fantasies between in the late 1910s and early 1920s, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered the first time that an American female writer published an SF story using her real name. (Go ahead, dispute it.) I’m pleased to say that the usual suspects are heavily stocked with her works. (Died 1948.)
Born September 18, 1917 — June Foray. Voice performer with such roles as Cindy Lou Who, Natasha Fatale and Rocky the Flying Squirrel. She also provided the voice of Lucifer the Cat from Disney’s Cinderella. She also did a lot of witches such as Looney Tunes’ Witch Hazel which you can hear over here. She was instrumental in the creation of the Academy Award for Best Animated Feature twenty years ago. OGH has a most touching remembrance here. (Died 2017.)
Born September 18, 1946 — Struan Rodger, 76. He was the Bishop in Stardust, and shows up in the A Discovery of Witches as John Dee. (Loved the novels, skipped the series as I always do.) He voiced the Three-Eyed Raven in The Game of Thrones’ “The Lion and The Rose” and “The Children”. More interestingly he’s got multiple roles in Doctor Who. First he’s The Voice of The Face of Boe in the Tenth Doctor stories, “New Earth” and “Gridlock”, next he’s Clayton in the Twelfth Doctor story, “The Women Who Lived” and finally he’s a voice again, that of Kasaavin in “Skyfall, Part One”, a Thirteenth Doctor story.
Born September 18, 1946 — Nicholas Clay. Here for playing Lancelot on Excalibur. He did two earlier horror films, The Damned and Terror of Frankenstein, and he was The Prince in Sleeping Beauty. For television work, he’s done The Adventures of Sherlock Holmes, The Hound of the Baskervilles, Zorro, The New Adventures of Robin Hood, Virtual Murder, Highlander and Merlin. (Died 2000.)
Born September 18, 1948 — Lynn Abbey, 74. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for 13 years) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will have to tell me how it is. Most, if not all, of the Thieves’ World series is available from the usual digital suspects.
Born September 18, 1959 — Mark Romanek, 63. His first film was Static about a teenager who invents a device he claims can show picture of Heaven. Cult hit in the UK after Robyn Hitchcock prompted it. Never Let Me Go, a film released a decade ago postulated clones whose organs were harvested that made life extension possible in the UK. US reviewers thought it was fact leading it to having a text prologue explaining it was fiction.
Born September 18, 1963 — Gary Russell, 59. A very prolific director of audio narratives for Big Finish Productions, having done forty-five Doctor Who and related productions, which is to say the Sarah Jane and Bernice Summerfield lines as well. He’s written novels that feature Doctor Who and related characters. He’s written three nonfiction works, two Who related, no surprise there, and one called The Art of The Lord of the Rings.
Born September 18, 1984 — Caitlin Kittredge, 38. Known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s penned a Witchblade series at Image Comics, and the excellent Coffin Hill series for Vertigo.

(13) COMICS SECTION.

Frank and Ernest aren’t aboard the UFO for very long.

(14) EDGE CASE. “R. Crumb Means Some Offense” is a profile of the iconic comix creator in the New York Times.

…Crumb used to attend comic conventions and book signings, but now he makes very few public appearances. He never really picked up French (he relies on Kominsky-Crumb for that), and his social circle is small. Crumb’s followed in the long line of artists and writers who have exiled themselves from America, but his life abroad feels far more circumscribed than most. He doesn’t even have a cellphone. (At one point, he looks at his wife’s and says earnestly, “It’s listening to us right now.”) He uses email but “I worry about it,” he says. “Any email you write goes into the N.S.A. computer banks.” He’s only voted once in his life, for Barack Obama in 2008. Yet even living thousands of miles from America, disconnected from its culture by so many moats of his own making, he is, like many of his expatriate predecessors, a dedicated and unflinching observer of home. It was his ability to capture the id of America — in all its decadence, hypocrisy and lecherousness — that established him as an artist; that ability is unmatched nearly six decades later. He’s been called an “equal opportunity offender”: For his entire career, he’s angered the left, the right and everyone in between. It’s why his work remains, more than that of perhaps any other artist today, a litmus test for how much we’re willing to put up with for the sake of art….

(15) CONSTANTINE NEWS. [Item by Mike Kennedy.] There can be only one. AKA The Law of Conservation of Constantines. “Keanu Reeves’ Constantine Sequel Means JJ Abrams’ Constantine Show is Dead, For Now” reports Gizmodo.

Just before the weekend started, Warner Bros. Discovery up and surprised everyone when they revealed that a sequel to their 2005 Constantine movie was in development. With Keanu Reeves and original director Francis Lawrence both set to return, it seemed like a pleasant shock…until one had to remember that way back in 2021, the corporation announced that JJ Abrams was working on a series for the Hellblazer. And like with much of what’s recently happened with HBO Max, the situation for Abrams’ show is now in a weird bind.
Per Variety, the new Constantine show, along with the Madame Xanadu series being headed up True Blood’s Angela Robinson, are both dead at the moment….

(16) SCREEN TIME. Gizmodo is also prepared to fill you in about the coming season of genre TV: “Fall 2022 TV Preview: All the Sci-Fi, Fantasy, and Horror Shows”.

Your TV brain might be completely hardwired into magical rings and lusty dragons these days, but there are so many more sci-fi, fantasy, and horror shows—both returning and new—coming to screens this season.
Scroll through for our handy calendar of all the geeky series that you need to know about, with the caveat that dates may be subject to change….

(17) LIFE LESSONS. His role in Tron is the ObSF reference, however, there’s so much more! “’Dealing with your mortality, it makes things more precious’: Hollywood legend Jeff Bridges on the gift of life after cancer” in the Guardian.

…So he’s someone who can quickly identify and make the most of a bright side. As I’m not someone like that, I ask him how he does it. How did he stay positive through two vicious illnesses? Bridges starts to tell an apparently unrelated story, the relevance of which only gradually becomes clear. “So I’m remembering the very last gift my father gave me, before he died,” he says. His father, Lloyd, was a successful TV actor who died in 1998. “Sue and I had this new house at the time,” Bridges continues, “huge grounds, and what I really wanted for my birthday was a neat little electric golf cart to get around the property. I know Dad’s bought something cool for me. I open a door. And there… It’s not the golf cart I wanted… It’s like a motorised, gasoline-operated, dump truck kind of a thing. In my mind I’m thinking, ‘Oh, shit. This is not what I want at all.’ But I say thank you to him. Then he dies. Suddenly I’m using this vehicle all the time. I’m constantly saying to myself, ‘This is so much better than a golf cart! It’s so much more powerful! There are so many things I can get done!’”…

(18) HOT STUFF. Get ready to serve breakfast on Halloween: “Dash Mini Waffle Maker — Halloween, Black and Orange”.

SPOOKY WAFFLES: The Dash Halloween Mini Waffle Maker 2-pack is perfect for making spooky waffles for fall and beyond. Plus make your favorite breakfast classics and get creative with waffled hash browns, cookies and more

(19) NASA RELIC. “A Busted Trailer Listed on a Government Auction Website Turned Out to Be a Space Fan’s Dream: a NASA Command Vehicle”. ArtNet News tellxs all about it.

For most people trawling government auctions, the listing would not have stood out: GSA Auctions, a division of the General Services Administration, was offering up a vehicle described simply as a “1989 Airstream Executive Air Coach,” with no minimum bid.
An online sleuth, however, was able to determine that the RV was probably once used in NASA’s Space Shuttle program. Acquired for just $21,000, the historic item was a major steal for any fan of space memorabilia….
The upshot? “This van was the official Convoy Command Vehicle for the Space Shuttle at Edwards,” Higgins wrote. “It directed all Shuttle recovery procedures once the spacecraft was on the ground! And it’s for sale currently at $10k.” (He also shared a YouTube video of the vehicle in action.)
Some 19 bidders competed for the former Convoy Command Vehicle, with interest leaping from $10,000 to over $20,000 in the final day….

Ok, I’m not going to be able to buy and restore this due to logistics so I figured I’d throw it up on Twitter. Long story short, I found the @NASA Convoy Command Vehicle for the Space Shuttle program up for auction, with almost zero indication of what it is (link at end of ????) https://t.co/dqy7xVxVGX pic.twitter.com/hzmcWPr9hg
— MacCallister Higgins (@macjshiggins) September 12, 2022

(20) VIDEO OF THE DAY. Alasdair Beckett-King parodies “Every ‘Not So Fast… I’ll Be Taking That’ Scene”.

When you’re a rogue archaeologist in search of a surprisingly cheap-looking idol. I’m really pushing the limits of what one man with four hats can do, here.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steven French, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 8/9/22 Files Are A Glorious Pixel Of Scrolls, A Medley Of Fannish-Euphoria

Posted on August 9, 2022 by Mike Glyer

(1) THE SAGA OF SF ON TV. “David Gerrold Talks Television: A Conversation with Peter Wood” at “From the Earth to the Stars”, the Asimov’s author and editor blog. Wood expects one story; Gerrold generously gives him a vast number of them, about Logan’s Run, Star Trek, Land of the Lost, and more.

Peter Wood: So, you said you have a story for me (about “Man Out of Time,” the episode you wrote for the 1977 television serial Logan’s Run)?
David Gerrold: It’s a couple stories. The producer on the show was Len Katzman, and the executive producers, who I never met, were Goff and Roberts. Now, I enjoyed working with Len Katzman. He later went on to do Dallas, and he was a very, very nice man, and a very good producer. And what I suggested was not just a time travel story but that we actually find sanctuary, and that this would give the show the opportunity to—once we had found that sanctuary was not real—stop searching for sanctuary and start being about rebuilding the connection between all the human settlements all over….

(2) Q&A ABOUT S&S. [Item by Cora Buhlert.] Two interviews with Sword and Soul authors:

D.M. Ritzlin interviews Milton J. Davis: “Independent Author Spotlight: Milton J. Davis” at DMR Books.

What are the most prominent influences on your writing? How do you incorporate those influences without being derivative?
I would say the two authors that influenced my writing style are James Baldwin and Frank Herbert. From James Baldwin I learned to be a precise and descriptive writer; from Frank Herbert I learned to be a meticulous world builder. I think I keep from being derivative by having my own concept of what I want my writing to be, and applying the lessons from these authors are just a part of that.

Milton J. Davis is a great guy. We were on a panel together at DisCon.

And Oliver Brackebury has an “Interview with Kirk A. Johnson” in episode 47 of his So I’m Writing a Novel… podcast.

Oliver has a great time talking with Kirk A. Johnson about his new sword & soul story collection, The Obanaax and Other Tales of Heroes and Horrors.

We cover the afternoon movies which helped form Kirk’s idea of what heroes should be, his own first collision with Conan and Frazetta, why martial arts films were such a big thing in the black community back in the day, is Robin Hood S&S?, Fafhrd & Grey Mouser in The Wire…. [etc.]

(3) AIMS. Max Florschutz has a very interesting and nuanced article about an aid in devising characters: “Being a Better Writer: Crafting Good Goals For Protagonists and Antagonists Alike” at Unusual Things.

…Indy’s goal in the film is twofold: Acquire the ark, and/or make sure the Nazi’s don’t get their hands on it. However, this goal isn’t his. Not originally. He only comes upon this goal because someone else brings it to him.
This is a goal that evolves around a character. Indy himself isn’t the one who places himself on the path. He chooses to accept it, yes. But he only is exposed to it because other characters have the goal and bring him onboard.
Some goals are like this. Goals that grow and shape not because our character made a choice, but because other characters have impacted them, and our character reacts accordingly, adjusting aims to try and meet the original goal under new circumstances.
But what about goals that evolve through a character? Well, let’s look at another aspect of Indiana established in Raiders. The viewer is shown that one of Indy‘s goals (not the people who hire him) is to preserve and save historical artifacts. Thus, there comes a point in the film where the goal he has been given from an external source—do not let the Nazi’s acquire the ark—comes into conflict with his own personal goal of preserving relics so they can be kept safe. Indy has to choose which goal to act on, to blow up the Ark of the Covenant with a rocket launcher to keep it out of Nazi hands … or to let them have it and preserve the relic, even if in the hands of evil. One of the antagonists, and Indy’s mirror darkly, even calls him out on this exact conundrum, and Indy chooses to “evolve” the goal he was given of “get the ark/don’t let the nazis have the ark” by cutting the latter half of the goal.
That might have read a little clunky, but I hope you get the idea. Some goals are external, pushed on the character by outside forces, while other goals are internal. Goals can evolve and change around a character as caused by the actions of others, or they can change and evolve through our character making choices or coming to realizations….

(4) LATINO REPRESENTATION DECLINES. “’Batgirl’ Cancellation, James Franco Show Hollywood’s Latino Erasure” reports Variety’s Clayton Davis.

It wasn’t a great week for Latinos in Hollywood, but I’m sure many of you knew that already.
Between Warner Bros. axing the release of “Batgirl” starring Leslie Grace, HBO Max canceling the coming-of-age comedy TV series “The Gordita Chronicles” and James Franco being cast as Cuban dictator Fidel Castro in an upcoming feature, Latinos are being mercilessly discarded and overlooked in the entertainment business. Worse yet, not many seem to care.
… The Annenberg Inclusion Initiative released its findings on the absence of Hispanic and Latino representation in the film industry in September 2021. Its findings were even worse than many suspected. An examination of the 1,300 top-grossing films released in the U.S. in the last 13 years found only six Afro-Latino lead or co-leads in the time period. Even more so, less than 5% of more than 52,000 characters examined had speaking parts.
Wouldn’t that have been a wake-up call? Obviously not….

(5) THERE’S NO BUSINESS LIKE SHOW BUSINESS. Also from Variety, the other cancelled Warner Bros. movie Scoob: Holiday Haunt had basically already rented the studio and the orchestra to record the score, when the cancellation news hit: “’Scoob!: Holiday Haunt’ Producer Records Score, Despite Cancellation”.

…Although recording a score for a film that will not be released isn’t exactly an ordinary practice, axing a film after the bulk of its production has already been completed — which was the case around “Scoob!: Holiday Haunt,” according to reports — isn’t ordinary either….

And this happened too: “Kevin Smith Bizarro Nicolas Cage Superman Canceled At HBO Max” according to Cosmic Book News.

Wow. This is a tough one, as Kevin Smith reveals his Strange Adventures episode featuring Bizarro Superman has been canceled at HBO Max, which of course follows Warner Bros. Discovery and CEO David Zaslav canceling Batgirl and Wonder Twins, among others.
What also really hurts is that Smith reveals he wanted Nicolas Cage to play the Bizarro Superman (Cage nearly played Superman in Smith’s defunct Superman Lives years ago), and Smith further reveals the budget of the episodes would have been really high – around $20million an episode – and to put that into perspective, The CW DC shows are only around $3-5 million, so Strange Adventures would have been something special….

(6) WHEN GRAVITY BAILS. “Megastructures ring the Earth in trailer for sci-fi film ‘Orbital’”. Space.com introduces the trailer:

…Hashem Al-Ghaili is a Yemeni molecular biotechnologist, science communicator, director and producer whose YouTube videos on scientific breakthroughs have been watched by millions.
Now he’s written, directed, and created the special effects for “Orbital,” an upcoming indie sci-fi film about megastructures and orbital rings with incredible visual imagery that rival many mid-budget Hollywood productions. The film’s impressive trailer has already been viewed by 1.2 million fans on YouTube and the ambitious movie is expected to be released sometime in late 2022….

(7) “AND THEY’VE GONE WRONG!” The only remaining UK bookstore chain Waterstones has massive restocking issues after a warehouse computer system upgrade went wrong. The Guardian has details: “Waterstones hit by ‘nightmare’ stock issues after warehouse system upgrade”.

…The retailer, which has more than 300 stores across the UK, upgraded to a new system called Blue Yonder several weeks ago, but it has been struggling to get stock out to shops and fulfil customer orders.
A spokesperson from the chain said: “Waterstones last month upgraded the system that manages stock distribution from our warehouse to Blue Yonder technology. This is now operational, with stock flowing to our bookshops and customers. Over the implementation period, however, a backlog of orders was created which we are now processing as quickly as we can.”
… Sam Missingham, publishing commentator and founder of The Empowered Author book marketing service raised the issue on Twitter and was inundated with replies from frustrated staff, authors and customers.
One Waterstones bookseller wrote, “We haven’t had deliveries for over a month because there’s an overhaul of our system, but something has gone wrong and we are having to order emergency stock directly from the publishers. Glasgow ran out of books.”…

(8) VICTORIA AND ALBERT AND FRANKENSTEIN. “It’s a monster mash! How the V&A is facing a transatlantic battle over a 7ft Frankenstein figure” – in the Guardian.

…Is it natural history, though? Was the monster real? Not the point.
What is the point? That the NHM was given the monster, and the costume, by Universal Studios in 1935. It in turn lent it to the Academy Museum of Motion Pictures, where it was reported as being destroyed in 1967. So the NHM was a bit surprised when it showed up in the V&A in London.
It wants it back? Too right. It is demanding repatriation to California, “where it belongs”.
Basically the Elgin marbles, then, only more gothic. See also the Benin bronzes….

(9) MEDIA BIRTHDAY.

1953 – [By Cat Eldridge.] Ok I’m not saying it was a very serious genre film, but Abbott and Costello Meet Dr. Jekyll and Mr. Hyde did premiere sixty-nine years but as you’ll see in a bit it actually was liked quite a bit by the critics at the time.

It was directed by Charles Lamont who had done several Abbott and Costello comedies already including Abbott and Costello Meet the Invisible Man. The screenplay was by Lee Leob who would later write Abbott and Costello Meet the Mummy (yes, there’s a theme here) andJohn Grant who also wrote Abbott and Costello Meet the Invisible Man, along with Abbott and Costello Meet Frankenstein and, I kid you not, Abbott and Costello Meet the Killer, Boris Karloff. They were all very popular.

Though it had a “PG” rating here, the censors in Britain weren’t happy with it. It received an “X” rating it there because of the scenes with Mr. Hyde. And that was not Karloff as Hyde though he credited as such in the film. Once the transformation was complete, Hyde was played by stuntman Eddie Parker, who was uncredited in the film.

An opening night review by the Los Angeles Times was most complimentary: “Robert Louis Stevenson is turning over in his grave, it’s probably only so he can get in a more comfortable position for a belly laugh.” And likewise Film Daily liked it when they saw it at a preview: “If the audience reaction at a sneak preview can be taken as a criterion, then Universal-International has another big treat for the Abbott and Costello fans.” Interestingly reviewers linked to Rotten Tomatoes really don’t like it at all.

Audience reviewers at Rotten Tomatoes give it a rather decent sixty-two percent rating.

Please do not offer up links to YouTube copies of it as it still under copyright and we will delete your comment. The Movie Channel, a unit of Paramount, owns the copyright. It actually runs there from time as do all of the Abbott and Costello comedies.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born August 9, 1914 — Tove Jansson. Swedish speaking Finnish artist wrote the Moomin books for children, starting in 1945 with Småtrollen och den stora översvämninge (The Moomins and the Great Flood). Over the next decades, there would be a total of nineteen books. Currently Moominvalley, the animated series, is playing on Netflix. And Terry Pratchett in “My family and other Moomins: Rhianna Pratchett on her father’s love for Tove Jansson” credited her for him becoming a fiction writer. (Died 2001.)
Born August 9, 1927 — Daniel Keyes. Flowers for Algernon was a novel that I read in my teens. Two of the teachers decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned along with something by Heinlein that I don’t remember) nor have I ever seen Charly. I see he has three other genre novels, none that I’ve heard of. (Died 2014.)
Born August 9, 1930 — D.G. Compton, 92. SWFA Author Emeritus whose The Steel Crocodile was nominated for the Nebula Award. The Unsleeping Eye, The Continuous Katherine Mortenhoe in the U.K., was filmed as Death Watch which the Audience Reviewers at Rotten Tomatoes actually like giving it a 60% rating. His two Alec Jordan near future police stories are superb.
Born August 9, 1944 — Sam Elliott, 78. Weirdly the source for this Birthday thought he’d only been in one genre role, General Thaddeus E. “Thunderbolt” Ross in the 2003 Hulk film, but he’s got many other roles as well. His first was Lock in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’s the Phantom Rider in Ghost Rider and Lee Scoresby in The Golden Compass. His latest genre is as the lead in The Man Who Killed Hitler and Then the Bigfoot as Calvin Barr. Not even vaguely genre adjacent, but he’s in the exemplary Tombstone as Virgil Earp.
Born August 9, 1947 — John Varley, 75. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now? He was nominated for quite a few Hugos with wins coming at Heicon ‘70 for “The Persistence of Vision” novella, Chicon IV for “The Pusher” short story and at Aussiecon Two for “Press Enter []” short story.
Born August 9, 1949 — Jonathan Kellerman, 73. Author of two novels so far in the Jacob Lev series (co-authored with Jesse Kellerman), The Golem of Hollywood and The Golem of Paris. I’ve read the first — it was quite excellent with superb characters and an original premise. Not for the squeamish mind you.
Born August 9, 1956 — Adam Nimoy, 66. Son of Leonard Nimoy and the actress Sandra Zober who pre-deceased Nimoy. His wife is Terry Farrell. He’s directed episodes of Babylon 5, Next Generation, The Outer Limits (he directed his father in the “I, Robot” episode), and Sliders. He’s responsible for For the Love of Spock, a documentary about his father.
Born August 9, 1968 — Gillian Anderson, 54. The ever skeptical, well most of the time, Special Agent Dana Scully on X-Files. Played Media on American Gods. And she played Kate Flynn in Robot Overlords. Did you know she’s co-authored a X-File-ish trilogy, The EarthEnd Saga, with Jeff Rovin?

(11) COMICS SECTION.

Poorly Drawn Lines brings us a dire warning!

apocalypse pic.twitter.com/4mKVZ1Ab2l
— poorly drawn lines (@PDLComics) August 8, 2022

(12) PULP VISIONS. William Lampkin shares photos from “PulpFest 50: Thursday” at Yellowed Perils. One of them includes Rick Lai, who later won this year’s Munsey Award. “Rick Lai, Win Scott Eckert, and Frank Schildiner discuss Philip José Farmer’s Lord Grandrith, Doc Caliban, and Lovecraft…”

View this post on Instagram

A post shared by ThePulp.Net (@thepulpnet)

(13) THE MOST TOYS. Geek. Dad. Life. reports about Power-Con, a toy collector convention in Columbus, Ohio:

(14) GENCON BOUND. [Item by Cora Buhlert.] The Rogues in the House podcast shares some interviews from GenCon: “The Rogues on Hallowed Ground”. Includes a Baen editor pimping Larry Correia’s books — Baen is apparently moving into sword and sorcery.

Rogues, old and new, meet at the mecca known as GenCon. In this very special episode, Deane and Matt are joined by Howard Andrew Jones, Seth Lindberg, Steve Diamond, Sean CW Korsgaard, Jason Ray Carney, and (shudders) The Magician’s Skull himself. Topics include sword and sorcery (of course) as well as our “top picks” from GenCon.

(15) CIRCLE UP! Space Cowboy Books invites fans to their online Flash SF Night reading with Avra Margariti, Mary Soon Lee, Charlie Jane Anders on Tuesday, August 23 at 6:00 p.m. Pacific. Register for free at the link.

Join us online for an evening of short science fiction readings with authors Avra Margariti, Mary Soon Lee, and Charlie Jane Anders. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(16) BE CAREFUL OUT THERE. Camestros Felapton reviews the new Predator prequel. “Review: Prey (Hulu/Disney+)”.

…However, it is the strange weather phenomenon and her hunter’s intuition that leads her to conclude that there is something out there worse than a mountain lion or a bear. Of course, we know what it is, a strange and remorseless killing machine known in popular culture as “European colonialism”, also a weird alien dude with laser sights, heat vision and invisibility.
Naru, her fellow hunters and her dog (who keeps stealing the show) have to contend with the twin existential threats in what becomes a protracted conflict of attrition….

(17) ALLS WELL THAT ENDS WELLS. Arturo Serrano admires the author’s take on a story originated by H. G. Wells: “Review: The Daughter of Doctor Moreau by Silvia Moreno-Garcia” at Nerds of a Feather.

Is this novel a retelling, a remake, a reimagining, a reboot, a requel? I’d call it a reclaiming.
The original book that inspired it, The Island of Doctor Moreau by H. G. Wells, bears several hallmarks typical of Victorian adventure fiction: a properly educated Englishman ventures into the scary jungle and is quickly forced to dodge the infighting of the locals before he makes an eager return to modern civilization. In a new version of the story, The Daughter of Doctor Moreau, author Silvia Moreno-Garcia takes that premise and turns it on its head: no, when the white man sets foot in the tropic, the dangerous thing about that interaction is not the tropic; no, the locals are not aggressive by nature, but they won’t take kindly to attempts at enslavement; and no, home sweet home is not only to be found in the drawing rooms of Europe….

(18) A SUPERIOR MIXTURE. Paul Weimer weighs in about a first-contact novel with “Microreview: A Half-Built Garden by Ruthanna Emrys” for Nerds of a Feather.

… A Half-Built Garden distinguishes itself as a first contact novel unlike any either by virtue of its temporal and political setting. First contact stories that take place in the modern day are a dime a dozen and a cliche even in movies. First contact stories set in the past are a minor note in the genre of SF, but much more common is future first contact, but with humans as an interplanetary if not an interstellar species.
What Emrys does here is have first contact on Earth, in a late 21st Century Earth that is trying to recover from the mess of earlier decades and find a sustainably way forward. While there is a boomlet of novels that are set in this low-to-medium term future and exploring the many ways our world might go forward, good, bad, mixed, or bad, mixing in a first contact story is adding peanut butter to that chocolate and enhances both….

(19) CLASSIC PROPS. In this clip from 2016, Adam Savage visits Peter Jackson’s collection of movie props, including the eye from the HAL 9000 computer from 2001.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Multiversus,” Fandom Games says this celebrity death match game is only interesting for people who would wonder what powers Shaggy from Scooby-Doo could have if he chowed down on dog steroids. But the narrator says he hopes Universal would do its own version so he could see Vin Diesel fight Shrek. “I could watch this all day!” the narrator says.

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Lise Andreasen, Cora Buhlert, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 8/7/22 She Came In Through The Bathroom Pixel, Protected By Her Silver Scroll

Posted on August 7, 2022 by Mike Glyer

(1) WSFS BUSINESS MEETING AGENDA UPDATE. Chicon 8 has released an expanded Business Meeting agenda — 2022-WSFS-Agenda as of 20220807. One of the many items added since the first draft came out in July is a motion to create a Best Game or Interactive Work Hugo.

(2) NEVALA-LEE’S LATEST. Pradeep Niroula deconstructs the figure at the center of Alec Nevala-Lee’s Inventor of the Future: The Visionary Life of Buckminster Fuller, who “became a counterculture icon while entrenched in the very things that betrayed its spirit” in “The Making of a Prophet” for LA Review of Books.

HOW DO YOU write a biography of a man who lived like a demigod? A man for whom the vocabulary and syntax of the English language was so inadequate that he had to invent words, including “synergy,” “ephemeralization,” and “livingry” (a spiritual antithesis to weaponry, which, of course, leads to “killingry”), to articulate his ideas. A man who wore three wristwatches set to three different time zones to organize his day and who angrily banged his fists if you dared ask him for his address (“Young man, I live on Planet Earth!”). A man who believed that it fell to him to save the planet….

(3) ABOUT COSPLAY. Cora Buhlert posted another “Non-Fiction Spotlight” today. This one is for “Cosplay: A History by Andrew Liptak”.

Why should SFF fans in general and Hugo voters in particular read this book?
In short, it’s a history of fandom as a community — not just the capital F literary traditions/community, but of the wider history of fandom and how it’s evolved and changed over the decades.
This was a particularly fascinating thing to watch as I interviewed folks or pored over documents from Fanac.org: how did the act of costuming become an institution within the worldcon scene, and how did it grow out and fracture as fandom expanded and Balkanized as science fiction and fantasy entertainment began to take over movie theaters, television sets, and video game consoles? It’s a really fascinating evolution, and one that I think is well worth paying attention to, culturally.
It’s a high-level overview of the larger fan world, one that touches on a bunch of these various tribes. I wanted to make sure that it was approachable to folks who have been fans for decades, long-time costumers/cosplayers/makers, and to folks who were just casual fans or who wanted to learn a little more. Hopefully, it’s a good entry point to understand the larger cosplay — and fan — world.

(4) FROM ORION TO APOLLO. The Compact Ella Parker is the latest addition to the Trans-Atlantic Fan Fund’s library of free downloads. And if you enjoy the book, a donation to TAFF is a fine way to express your appreciation:

Ella Parker was a prominent, London-based British fan of the 1950s and 1960s who published the highly regarded fanzine Orion from 1958 to 1962 and the later Compact in 1963-1964. Which should explain the ebook title The Compact Ella Parker. She was a founder member of the Science Fiction Club of London and of the British Science Fiction Association.
As a follow-up to his presentation of her 1961 North American trip report with third-party fannish commentary as The Harpy Stateside (2021), Rob Hansen has compiled this selection of Ella Parker’s other fan writing both before and after the famous excursion. As he writes in his Foreword, “I wasn’t sure that Ella – never the most prolific of fanwriters – had written enough to warrant such a volume but, happily, I was wrong. Taken together, the pieces she produced are the best account that we have of London fandom as it was in the first half of the 1960s. They also offer an interesting look into the larger fannish politics and convention issues of that period.” As a bonus there’s a long report, crammed with sense of wonder, of her attendance at the launch of Apollo 16 in 1972.

(5) EVOLUTION OF S&S. Brian Murphy shares “Some ruminations on sword-and-sorcery’s slide into Grimdark” at The Silver Key.

Sword-and-sorcery continues to show stirrings, and life. Outlets like Tales from the Magician’s Skull, DMR Books, new projects like Whetstone, New Edge, etc., are publishing new authors and new stories that embrace its old forms and conventions. Obviously the genre ain’t what it used to be circa 1970, but who knows what the future may hold for us aging diehards.
I speculate on some of the reasons why S&S died off in Flame and Crimson (which, by the way, just surpassed 100 ratings on Amazon—thank you to everyone who took the time to rate or review the book, as these help with visibility in some arcane, Amazon protected manner). I won’t rehash them all here, they are available in the book.
What I haven’t written as much about is why Grimdark filled the void, what makes that genre popular with modern readers, and what we might have to learn from this transition.
First, I am of the opinion that Grimdark is the spiritual successor to S&S. One of them, at least. I agree with the main thrust of this article by John Fultz. S&S has many spiritual successors, from heavy metal bands to video games to Dungeons and Dragons. But in terms of literature, the works of Richard Morgan, Joe Abercrombie, and George R.R. Martin, bear some of the hallmarks of S&S, while also being something markedly different….

(6) DIALOG ADVICE. Dorothy Grant advises “Don’t serve sir sandwiches” at Mad Genius Club.

Or, advice for non-military authors when writing military.
“Sir, statement, sir.” “Sir, question, sir?” “Sir, blah blah, sir.” “Sir, yadda yadda, sir.” …NO. …

(7) ROLAND J. GREEN (1944-2021). Author Roland J. Green died on April 20, 2021. File 770 just became aware of his passing. Green wrote many books under his own name, and 28 books in the Richard Blade series published under the pen name “Jeffrey Lord.”

His first novel, Wandor’s Ride, was a sword & sorcery tale published in 1973

His alternate history short story “The King of Poland’s Foot Cavalry” from Alternate Tyrants was a Sidewise Award nominee in 1998.

The family obituary is here:

…Roland became an established science fiction/fantasy writer after his first novel was published in 1973, writing more than 60 works in his 30+ year writing career.

He was involved in historical re-enactments and could brilliantly spout off historical trivia. He enjoyed reading (favoring maritime history), drawing, and a good pun. When working or during leisure time you could always find one of his cats curled up next to him. Most of all he cherished and loved being a family man….

He is survived by his wife, Freida, a daughter, and a grandchild.

(8) MEDIA BIRTHDAY.

1981 – [By Cat Eldridge.] Forty-two years ago on a very hot summer day not dissimilar to this one, I saw the Heavy Metal film which premiered today. I was familiar with the Heavy Metal magazine being an on-and-off reader of it. The illustrations were quite good and occasionally the stories were brilliant as well.

The film was directed by Gerald Potterton who previously done animation on Yellow Submarine which was nominated for a Hugo at St. Louiscon. (Now there’s a film I hadn’t thought of as being genre.)

As it was an anthology, a lot of folk were responsible for the source material: there was original art and stories by Richard Corben, Angus McKie, Dan O’Bannon (doesn’t he show up in the most interesting places?), Thomas Warkentin and Bernie Wrightson.

It was produced by Ivan Reitman, known for his comedy work such as Stripes which I really liked and Ghostbusters II which I thought wasn’t nearly as good as the first film was, and Leonard Mogel who, well did pretty much this and nothing else. The screenplay was written by Daniel Goldberg, who also wrote the Stripes screenplay and Len Blum, who did the same.

It had a big voice cast which frankly I don’t recognize outside of John Candy and Harold Ramis.

I’m not going to discuss the film itself as it has far too many stories to do so, nor will I talk about the more controversial aspects of it in the form of the nudity, sex, and graphic violence, though the critics below will. I liked some of it but thought most of it was just badly done. I certainly haven’t had any reason to go see it again. There was a sequel, Heavy Metal 2000, which I’ve no desire to see.

The reception among critics at the time was, to say the least, was mixed. Gene Siskel of the Chicago Tribune really liked it but criticized it for being sexist and overly violent. And Sheila Benson of the Los Angeles Times condemned it for its explicit sadism. Reading through the reviews, a common note was that they thought the animation was really poor. And almost everyone criticized it for being overly sexist and way too violent.

It probably broke even as it cost very little to make, nine million, and made twenty million. It has, as many a site notes, a cult following now.

Audience reviewers at Rotten Tomatoes currently give it a rather excellent sixty-seven percent rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born August 7, 1884 — Billie Burke. This Birthday is new this year as she popped up on a list I subscribe to. Her best remembered role was as the Glinda the Good Witch of the North in oh-so-stellar The Wizard of Oz. But she did have some other genre roles. She is also remembered for her appearances in the Topper film series as Clara Topper, not altogether a favorable role but memorable none the less. She also starred in a version of “Dr. Heidegger’s Experiment” about a search for the Fountain of Youth on the TV’s Lights Out. (Died 1970.)
Born August 7, 1918 — Jane Adams. Actress who showed in the Forties Batman and Robin film as Vickie Vale, Girl Reporter. (That’s how she’s listed at the time.) Other genre credits were House of Dracula, Tarzan’s Magic Fountain, Master Minds (eat too much sugar and you can see the future — it was sponsored by a cereal company) and the Adventures of Superman series. (Died 2014.)
Born August 7, 1944 — John Glover, 78. He’s got a wealth of genre roles, so I’m going to be highly selective. (Go ahead and complain.) He was Brice Cummings in the Bill Murray fronted Scrooged, and he voiced a great Edward Nygma who was The Riddler in Batman: The Animated Series, in Brimstone, he was both The Devil and The Angel, and he was Daniel Clamp in the second Gremlins film.
Born August 7, 1933 — Jerry Pournelle. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter, Jennifer. And that’s how I came to find out there was a third Motie novel called, errrr, Moties. It’s much better than The Gripping Hand was. His best novel is of course The Mote in God’s Eye which he wrote with with Niven. And yes, I’ve read a lot of his military space opera when I was a lot younger. At that age, I liked it. I expect the Suck Fairy with her steel toe boots wouldn’t be kind to it now if I read any of it, so I won’t. I see though he hasn’t won any Hugos, that he has a number of nominations starting at Torcon II for “The Mercenary” novella followed by a nomination at DisCon II for his “ He Fell into a Dark Hole” novelette. The next year at the first Aussiecon, The Mote in God’s Eye got nominated and his Extreme Prejudice novel also got a nod. MidAmericaCon saw Inferno by him and Niven get nominated and his “Tinker” novelette also was on the ballot. Lucifer’s Hammer with Niven got on the ballot at IgunaCon II and his final nomination was at ConFederation for Footfall with Niven. Oh and at MidAmericaCon II, he got a nomination for Best Editor, Short Form. And yes, I was a devoted reader of his Byte column. (Died 2017.)
Born August 7, 1957 — Paul Dini, 65. First, he is largely responsible for the existence of Batman: The Animated Series, Superman: The Animated Series, The New Batman/Superman Adventures, Batman Beyond, and yes Duck Dodgers And Tiny Toons as well. He’s recently been writing for the Ultimate Spider-Man series which is quite good. He co-authored with Pat Cadigan, Harley Quinn: Mad Love. He’s responsible for the single best animated Batman film, Batman Beyond: Return of the Joker, as he wrote it. If you see it, see the R rated version.
Born August 7, 1957 — Lis Carey, 65. A prolific reader whose reviews fill the shelves at Lis Carey’s Library. She is also a frequent Filer, contributor of numerous cat photos and even more book reviews. She is a longtime member of NESFA, and chaired Boskone 46 in 2009. (OGH)
Born August 7, 1960 — Melissa Scott, 62. I think the first work I read by her was Trouble and Her Friends which holds up well even now. I’m also fond of Night Sky Mine and The Jazz. I see that she has an entire series set in the Stargate Atlantis universe. She won the Astounding Award for Best New Writer, and four Lambda Awards, the first for Trouble and Her Friends, a second for Shadow Man, a third for Point of Dreams and a fourth for Death by Silver.

(10) MUSIC TO HPL BY. Bandcamp has available for purchase “Nyarlathotep – A Tribute To Howard Phillips Lovecraft” by various artists.

Eighth Tower is proud to reprint the rare and long time out of stock compilation “Nyarlathotep – A Tribute To Howard Phillips Lovecraft”, originally released in 1997 by the label KADATH. With this remastered release Eighth Tower brings to light a jewel of the Portuguese post-industrial tape culture, featuring some of the most interesting projects from the late 90’s Portuguese, Italian and French underground.

(11) D&D&B. Chris Barkley passed this along with a comment that “This is fandom at its BEST.” Thread starts here.

But my character was really a sorcery-using spy for a rival kingdom, and the baby was really my cat familiar in disguise. They even wrote some custom abilities so that when I *appeared* to pause play to nurse or change a diaper, I was really receiving secret information. 2/3 pic.twitter.com/cWobaeM8vd
— Leah Libresco Sargeant (@LeahLibresco) August 6, 2022

Let it be known, it was the Feldra Gamers: https://t.co/fYyBEBxJNV
— Leah Libresco Sargeant (@LeahLibresco) August 7, 2022

(12) COMING TO TRANSFORMED SPACE. In October, “Star Trek Original Enterprise Model Returns to National Air & Space Museum” reports Collider.

The latest stage of the Smithsonian National Air and Space Museum’s renovations may have the museum temporarily closed, but Trekkies will have something to look forward to when it reopens on October 14: The Enterprise studio model used in Star Trek: The Original Series. The Museum is reintroducing the popular display as a part of its reopening later in the fall, unveiling 8 new galleries in the transformed space….

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Steven H Silver, Cora Buhlert, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Dominey.]

Pixel Scroll 5/23/22 Cosplaying And Straying In Pixel Scroll Land, To The Sounds Of The Pixel Scroll Band

Posted on May 23, 2022 by Mike Glyer

(1) DELANY’S STATEMENT. David Lubkin’s Facebook page has become one of the centers for discussing the Mercedes Lackey controversy because Samuel Delany – whose work Lackey reportedly was praising when she used the slur – reacted to the issue in a comment there. Lubkin’s post begins:

Science fiction writer Mercedes Lackey was recognized on Saturday at the Nebula Awards Conference as the newest SFWA Grand Master.
She was removed today from the conference and the additional panels she was scheduled for in accordance with the SFWA Moderation Policy for making a “racial slur” as a panelist yesterday.
The rule is “Respect all cultures and communities. Do not make derogatory or offensive comments even as a joke.” and was deemed to apply in all SFWA space, and being given SFWA’s highest honor that day didn’t exempt her.
I didn’t listen to the panel. But according to the moderator and a fellow participant, what happened: While praising the work of SFWA Grand Master and my old friend Chip (Samuel Delany), she referred to him as “colored.” My guess is she’d chosen the term for being commonplace in Chip’s experience growing up. (He turned 80 last month. She’s 71 herself.)…

Delany wrote in a comment there:

(2) ALTERNATIVE VIEW. K. Tempest Bradford wrote a balanced explanation of why Delany’s exoneration of Lackey won’t be the end of the issue for others: “On Samuel Delany, the use of the term ‘colored’, intergenerational conversations about language, and why SFWA was still right to remove Mercedes Lackey” at Tempest in a Teapot.

On Samuel Delany, the use of the term “colored”, intergenerational conversations about language, and why SFWA was still right to remove Mercedes Lackey from programming.
Several people have tweeted the screenshot below at me due to my thoughts on this situation.
What strikes me about this is that Delany is coming at this issue from a him-centric viewpoint (which is fine). Thing is, this isn’t just a Delany-centered problem. If Delany wants us all to refer to him as colored, fine. If he just doesn’t care if that word is used to label/describe him even if he personally prefers black, also fine.
But this is also about how hearing a Black man referred to as colored by an older white woman affects other Black people and people of color broadly. It’s not necessarily a respectful term to use in public on a panel at one of the community’s most respected events.
Even if Delany is cool with one of his friends calling him Colored, it doesn’t mean that the rest of us can’t have a different reaction or find it upsetting. This is similar to how even worse slurs might be used in-group without issue but are frowned upon when used out-group.
And I’m sure Chip knows and understand this. My guess is he’s upset by the perceived slight against his longtime friend by SFWA and that’s what’s at the forefront of that comment, though he is free to correct me.
Either way, it’s one thing to use an outdated term that’s generally considered a slur within a friend group and another to use the term on a panel at a con. That’s what Mercedes Lackey should have been aware of and that’s what most people are reacting to…

This is roughly the first half of Bradford’s comment, which continues at the link.

(3) RETALIATION. Jen Brown, whose Twitter thread explained what happened on a Nebula Conference panel that resulted in Mercedes Lackey being removed from the event, reported last night on Twitter that she is being harassed.

(4) PUSHBACK. Some of the social media lightning generated by SFWA’s removal of Mercedes Lackey from the Nebula Conference found its way to ground in responses to what was intended as a close-out tweet for the Nebula Conference. Critics protested that the term “comfort elves” resonated with the WWII term “comfort women”.

The tweet was removed and this one took its place.

(5) KAY Q&A. The Reddit subreddit /r/fantasy brought Guy Gavriel Kay in to answer questions and talk about his new release All The Seas. “Hello, all. I am novelist Guy Gavriel Kay – Ask Me Anything”.

What has been your favorite book to read over the last 24 months?
I *loved* John Banville’s *The Untouchable* … that’s partly because I’m fascinated by the Cambridge spies. But it is so elegantly written (Banville’s known for that, and he’s Irish, which is unfair) and also, this one actually inhabits the space I do, as to a quarter turn away from ‘using’ real lives and names. This is a fictionalized treatment, with characters *almost* the real ones. I’m always happy when I see other writers exploring that.

(6) PRAIRIE HORROR COMPANION. Westworld Season 4 premieres Sunday, June 26 on @HBO and @HBOMax.

(7) COLIN CANTWELL (1932-2022). Colin Cantwell, a concept designer of Star Wars vehicles, died May 21 at the age of 90. The Hollywood Reporter profile notes:

…His love of architecture and fascination with space provided the perfect combination for Cantwell to make serious moves in Hollywood, working on several projects, his initial credited work being ‘2001: A Space Odyssey.’
Colin Cantwell, the concept artist who designed iconic Star Wars spacecraft, including the X-wing Starfighter, TIE fighter and Death Star…
Cantwell’s film credits include special photographic effects for 2001: A Space Odyssey (1968), technical dialogue for Close Encounters of the Third Kind (1977) and computer graphics design consultant for WarGames (1983). Yet, he was most renowned for his work with George Lucas on Star Wars, designing and constructing the prototypes for the X-wing, TIE fighter, Star Destroyer and the Death Star, among more.
… It was Cantwell’s work on WarGames — programming the Hewlett Packard monitors to depict the dramatic bomb scenes on NORAD screens as the WOPR (War Operation Plan Response) computer nearly launched nuclear weapons — that led him to programming software that took the actual Hewlett Packard from a few colors to 5,000 colors.
In addition to his film work, Cantwell’s wrote two science fiction novels, CoreFires 1 and CoreFires 2.

And according to the Guardian:

…He said “a dart being thrown at a target in a British pub” gave him the concept for the X-wing, and explained how he accidentally designed an iconic feature of the Death Star that became a crucial plot point: the meridian trench, used by the Alliance and Luke Skywalker as part of their attack on the mighty battle station in A New Hope.
“I didn’t originally plan for the Death Star to have a trench, but when I was working with the mould, I noticed the two halves had shrunk at the point where they met across the middle,” he told Reddit. “It would have taken a week of work just to fill and sand and re-fill this depression. So, to save me the labor, I went to George and suggested a trench. He liked the idea so much that it became one of the most iconic moments in the film!”

His IMDb listing also has his video game work.

(8) KENNETH WELSH (1942-2022). Actor Kenneth Welsh, best known for his work in Twin Peaks, died May 5. The New York Times noted these genre roles:

…Mr. Welsh appeared in 10 episodes of “Twin Peaks” in its second season, playing Earle, the vengeful, maniacal adversary and former F.B.I. partner of the protagonist, Dale Cooper (Kyle MacLachlan)…
But in his more than 240 movie and television roles, he ranged widely across genres, including … science fiction (“Star Trek: Discovery” in 2020).
His notable film notable roles included the vice president of the United States in Roland Emmerich’s “The Day After Tomorrow” (2004), about the onset of an ecological catastrophe…

(9) MEDIA BIRTHDAY.

1980 – [By Cat Eldridge.] Forty-two years ago today, the most perfect Stephen King film imaginable came out in the form of The Shining. Directed by Stanley Kubrick from a screenplay by him and Diane Johnson, it was also produced by him.

It had an absolutely wonderful primary cast of Jack Nicholson, Shelley Duvall. Danny Torrance, Scatman Crothers and Danny Lloyd. Jack Nicholson in particular was amazing in his role as was Shelley Duvall in hers. And the setting of the Overlook Hotel is a character in and itself — moody, dangerous and quite alive.

Kubrick’s script is significantly different from the novel which is not unusual to filmmaking. However Stephen King was extremely unhappy with the film due to Kubrick’s changes from his novel.

If you saw it upon the first release, you saw a print that was a half hour longer than later prints. And Kurbrick released multiple prints, all different from each other. Some prints made minor changes, some made major changes.

It cost twenty million to make and made around fifty million. It did not make money for the studio.

So how was it received by the critics? Well it got a mixed reception.

Gene Siskel in his Chicago Tribune review stated he thought it was a “crashing disappointment. The biggest surprise is that it contains virtually no thrills. Given Kubrick’s world-class reputation, one’s immediate reaction is that maybe he was after something other than thrills in the film. If so, it’s hard to figure out what.”

However Peter Bradshaw of The Guardian was much more positive: “The Shining doesn’t look like a genre film. It looks like a Kubrick film, bearing the same relationship to horror as Eyes Wide Shut does to eroticism. The elevator-of-blood sequence, which seems to ‘happen’ only in premonitions, visions and dreams, was a logistical marvel. Deeply scary and strange.”

I’ll let Roger Ebert have the last word: “Stanley Kubrick’s cold and frightening ‘The Shining’ challenges us to decide: Who is the reliable observer? Whose idea of events can we trust?”

Audience reviewers at Rotten Tomatoes currently give it a excellent ninety three rating.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 23, 1921 — James Blish. What was his best work? Cities in Flight? A Case of Conscience? I’d argue it was one of those works. Certainly it wasn’t the Trek novels though he certainly pumped them out with nearly ninety all told if I’m reading ISFDB right. And I hadn’t realized that he wrote one series, the Pantropy series, under a pen name (Arthur Merlyn). (Died 1975.)
Born May 23, 1933 — Joan Collins, 89. Sister Edith Keeler in “The City on the Edge of Forever”, the sort-of-Ellison-scripted Trek episode which won a Hugo at BayCon. She has an extensive number of other genre appearances including Land of the Pharaohs, Mission: Impossible, The Man From U.N.C.L.E., Tales from the Crypt, Space: 1999, The Fantastic Journey, Future Cop, Fantasy Island and Faerie Tale Theatre.
Born May 23, 1933 — Margaret Aldiss. Wife of Brian Aldiss. She wrote extensively on her husband’s work including The Work of Brian W. Aldiss: An Annotated Bibliography & Guide. He in turn wrote When the Feast is Finished: Reflections on Terminal Illness, a look at her final days. She also co-edited the A is for Brian anthology with Malcolm Edwards and Frank Hatherley. (Died 1997.)
Born May 23, 1935 — Susan Cooper, 87. Author of the superb Dark is Rising series. Her Scottish castle set YA Boggart series is lighter in tone and is just plain fun. I’d also recommend her Dreams and Wishes: Essays on Writing for Children which is quite excellent. The Grey King, part of The Dark is Risk series, won a Newbery, and she received a Lifetime Achievement Award from the World Fantasy Convention.
Born May 23, 1941 — Zalman King. OK he’s best known for The Red Shoe Diaries which are decidedly not genre and indeed are soft core erotica but even that isn’t quite true as some of the episodes were definitely genre such as “The Forbidden Zone” set in a future where things are very different, and “Banished” which deals with an Angel now in mortal form all on Earth. I’m betting there’s more fantasy elements but I need to go through sixty episodes to confirm that. Denise Crosby appeared in two episodes of the Red Shoe Dairies playing the different characters, Lynn ‘Mona’ McCabe in “The Psychiatrist” and Officer Lynn ‘Mona’ McCabe in “You Have the Right to Remain Silent”. Zalman himself played Nick in “The Lost Ones” episode on The Land of The Giants and earlier was The Man with The Beard in the Munsters episode of “Far Out Munsters”. His final acting genre gig was on The Man from U.N.C.L.E. as Gregory Haymish in “The Cap and Gown Affair”. (Died 2012.)
Born May 23, 1979 — Brian James Freeman, 43. Horror author. Novels to date are Blue November Storms, This Painted Darkness and Black Fire (as James Kidman). He’s also done The Illustrated Stephen King Trivia Book (superbly done) which he co-authored with Bev Vincent and which is illustrated by Glenn Chadbourne. He publishes limited edition books here.
Born May 23, 1986 — Ryan Coogler, 36. Co-writer with Joe Robert Cole of Black Panther which he also directed. He will directed Black Panther: Wakanda Forever to be released this year. Producer, Space Jam 2, producer of the announced Wankanda series on Disney+. Black Panther was nominated at Dublin 2019: An Irish Worldcon, the year that Spider-Man: Into the Spider-Verse won the Hugo.

(11) COMICS SECTION.

Crankshaft finds photos from the wrong kind of rover.

(12) A FRESH LOOK AT S&S. Oliver Brackenbury talks about feminism and sword and sorcery with pulp scholar Nicole Emmelhainz on his So I’m Writing a Novel podcast: “Sword & Sorcery & Feminism, with Nicole Emmelhainz”.

This covers things like Weird Tales Magazine, Robert E. Howard and Conan, Jirel as “Alice in Wonderland with a big sword”, Howard and Lovecraft’s correspondence with each other as well as fellow Weird Tales writers like Moore, S&S writing as “an opportunity to expose gender as fundamentally performative in nature”, growth and change in Conan, the flexibility of sword and sorcery, what Nicole sees as the necessary qualities for an S&S story to be feminist, defying gender roles, the body as a vessel for victory, S&S as a very body-centric genre, good old barbarism vs civilization, queer possibilities in S&S, an intriguing ambiguity in the ending of Black God’s Kiss, what might be a “trans utopic space” in sword and sorcery?, the potential for expanding the space of sword & sorcery along lines of gender & sexuality, cozy fantasy, and more!

(13) YOU HEARD IT HERE LAST. The BBC reports that a 1698 book predicting alien life in the solar system has been discovered in the UK: “Rare book predicting alien life discovered in Cotswolds”.

…The book, lengthily entitled The Celestial World Discover’d: Or, Conjectures Concerning the Inhabitants, Plants and Productions of the Worlds in the Planets, Huygens questions why God would have created other planets “just to be looked” upon from Earth….

(14) GIVE CREDIT TO GENRE. The Cultural Frontline episode “Breaking the boundaries of fiction” is available at BBC Sounds.

How novelists working across popular genres like crime, horror and fantasy are overcoming literary snobbery to get their work the credit it deserves and broaden the definition of what makes truly great writing.
South Korean horror writer Bora Chung, shortlisted for the 2022 International Booker Prize, tells us what it means to see her work, a type of fiction often dismissed in her country as commercial and not ‘pure literature,’ nominated for the prestigious award.
Crime novelists from two very different countries, Deon Meyer in South Africa and Awais Khan in Pakistan, discuss with Tina Daheley why theirs is a misunderstood genre, one with the capacity to offer a social critique, and even change society for the better, all in the process of telling a great story.
Critically acclaimed New Zealand fantasy novelist Elizabeth Knox shares the magic of imagining fantastical new worlds, and how writing and reading fantasy can help us come to terms with traumatic experiences.

(15) IT IS A VERY GOOD YEAR. Glasgow In 2024 have commissioned Pixel Spirits to craft our own bespoke gin called “GIn2024”. (Only available for delivery in the UK, they say: “Sadly, for now, different hurdles make it very difficult to ship internationally. We’ll make sure to keep all Gin lovers updated though, in case this changes.”)

Using the finest Science Fiction & Fantasy inspired botanicals, GIn2024 is rich and zesty, perfectly balanced with a subtle astringency and refined sweetness; exploring a taste journey out-of-this-world!
We have two sizes of bottles available, 70cl and 20cl and both have labels designed by our bid artists Sara Felix and Iain Clark.

Pricing and shipping: VOL 70cl for £37; VOL 20cl for £15; Postage to a UK address: £4.45 per bottle; ABV: 43%

The two bottles have different artwork on their labels. On the 70cl bottle, ‘The Suffragette Tree, Glasgow’ by the BSFA Award-winning artist, Iain Clark. And on the 20cl bottle, an armadillo design by the Hugo Award-winning artist, Sara Felix. Sara is taking inspiration from the Armadillo auditorium at the SEC in Glasgow, where the Glasgow bid aims to host the Hugo awards as part of Worldcon in 2024.

(16) MOON SHOT. NASA Astronaut Thomas Marshburn reads Goodnight Moon from the International Space Station, and Mark Vande Hei answers questions.

Watch as astronaut Thomas Marshburn reads out loud from the children’s book “Goodnight Moon” by Margaret Wise Brown while floating in microgravity aboard the International Space Station. Also, Astronaut Mark Vande Hei joins Thomas to answer questions sent to them. This video was featured as a part of the Crayola and Harper Kids “Read Along, Draw Along” event to commemorate the 75th anniversary of the book’s publication.

(17) NEW ALASDAIR BECKETT-KING VIDEO. [Item by Martin Morse Wooster.] Orson Welles has risen from the grave to denounce Sonic the Hedghog!

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Jennifer Hawthorne, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 5/9/22 Listen: There’s A Hell Of A Good Pixel Next Door; Let’s Scroll

Posted on May 9, 2022 by Mike Glyer

(1) RAMBO ACADEMY. Cat Rambo asks:

Want to move from promising rejections to actual acceptances? The Rambo Academy for Wayward Writers offers live and on-demand classes as well as a virtual campus featuring daily co-working sessions, weekly story discussion, and other Zoom-based social events and a Discord server for chatting with other writers and exchanging story critiques.

She has just released the latest round of classes, and people can find details here She will also be adding a Nisi Shawl class on August 25, which will be up on the website as soon as possible). There’s also a giveaway for a live class. “All the June-August Classes, Plus Some Others! And a Delightful Giveaway.”

(2) BLUE WATERS. Variety introduces “’Avatar 2′ Trailer: James Cameron’s Long-Awaited Sequel”.

After 13 years and numerous delays, 20th Century Studios has finally released a glimpse into James Cameron’s “Avatar 2,” due Dec. 16. This marks the long-awaited sequel to the highest-grossing film of all time. The sequel’s official title is “Avatar: The Way of Water.”…

(3) CORA BUHLERT NEWS. Best Fan Writer nominee Cora Buhlert’s Hugo Voter Packet submission is now online as a free download for those who want to check it out or get a headstart on their Hugo reading: 2022 Hugo Voter Packet.

Cora also has been a guest on the Retro Rockets podcast and was interviewed by Andrea Johnson of Little Red Reviewer: “RetroRockets With Cora Buhlert”.

(4) A RIVERDALE UPDATE. [By Martin Morse Wooster.] BEWARE SPOILERS. Riverdale is currently under the control of Percival Pickens, an evil British person who became mayor with the aid of Betty’s mother, Alice Cooper. Pickens has decided he wants Archie and the gang to return overdue library books, and if the characters don’t return an exact copy of the book they checked out decades ago they will have to pay thousands of dollars in fines and possibly serve prison time. He asks all of the characters to give him something personal as collateral–Archie’s guitar, Betty’s diary. Jughead offers to give up his signed copy of Don DeLillo’s Underworld, but instead gives a copy of a book written by his grandfather.

Pickens is a sorcerer who uses these personal treasures as tools to control Archie and his friends. Luckily Jughead uses his internet skills, and fans of Manhattan’s Strand Bookstore will find the Strand is namechecked here. Jughead finds copies of the overdue books, and Pickens returns the items. Cheryl Blossom says the only way to break the spell is for everyone to throw the possessed items in a fire and burn them.

Jughead doesn’t want to burn his grandfather’s book. “It’s a book and I won’t burn it,” he says. “What would Ray Bradbury say?”

(5) MERRIL COLLECTION PODCAST. [Item by Cora Buhlert.] The new season of the Unknown Worlds of the Merril Collection podcast kicks off with host Oliver Brackenbury discussing sword and sorcery with Brian Murphy: “Sword & Sorcery”.

Upcoming subjects on the Unknown Worlds of the Merril Collection podcast are:

Scifi Digests
Haunted Houses
Norse Mythologies
Alternate Histories
Graphic Novels
Beyond Lovecraft
Folklore and the Four Winds Storytellers Library

New episodes drop every two weeks.

(6) LAUNCHING A MAGAZINE. [Item by Cora Buhlert.] On his personal podcast So I’m Writing a Novel, Oliver Brackenbury interviews Nat Webb, who just started a new fantasy magazine: “Founding a Literary Magazine, with Nat Webb”.

Returning champion Nat Webb joins us to discuss his recent founding of a literary magazine, Wyngraf!

Their discussion covers alternate titles for the magazine, defining cozy fantasy & backpack fantasy, conflict in stories and other things that can drive story, writing delicious food scenes, the cozy fantasy scene on Reddit and elsewhere, getting into short stories, his first submission and rejection and what he learned from it all, self-publishing a novel, discovering a love for the technical side of publishing, taking submissions in for the first time, putting one of your own stories in your own magazine, being transparent about the numbers behind your business, paying forward all the writing advice you’ve been given, working with an artist on a cover commission, choosing to pay authors and how much, deciding how often to release new issues, the importance of actually finishing a project, knowing when to stop with a project, Legends and Lattes and other reading recs, refreshing sincerity vs ironic distance, “coffee shop AU” explained, “numbies” explained, how sometimes the thing you bang out quickly resonates with people far more than the thing you slaved over forever, ins and outs of the Kindle Select program, the merits of publishing flash fiction, and more!

(7) JEWISH HERITAGE IN HORROR. The Horror Writers Association blog has posted two more Q&As in one of its thematic interview series:

“Jewish Heritage in Horror: An Interview with Becky Spratford”

What has writing taught you about how to express your Jewishness or the experiences you’ve had as someone who is Jewish?
I have been writing about stories for as long as I can remember. As a student, I took many courses analyzing literature, and one thing that always came up was applying a “Jesus” lens to stories. As a kid who grew up in the Jewish tradition, spending 2 days a week at Hebrew school, and having most of my family’s social life revolve around the synagogue, I had to teach myself about Jesus in order to keep up in these classes and add to the discussion. Interestingly, I never thought of this as problematic; it was just the way things had to be, I thought. This is a common issue for those with marginalized identities; systemic oppression means we must conform, and yet we don’t question that we have to.

Jewish Heritage in Horror: An Interview with Josh Malerman

Do you make a conscious effort to include Jewish characters and themes in your writing and if so, what do you want to portray?
The book I wrote immediately after Bird Box is called Bring Me the Map, and with that one I was thinking in terms of “Jewish horror story.” I was thinking lofty then, that I might write the essential Jewish horror novel, as The Exorcist seems to be that for Catholics. But the book changed organically as it went, and became less about Judaism and more about this family affair, but still, Jewish characters, all. And one of my more recent books, Forever Since Breakfast, is absolutely Jewish-centric. I’m hoping both these books come out soon. And, yes, it was a conscious effort to highlight Jewish characters in both. No doubt. And it felt good to do so. I should probably examine what that means and do it more often.

(8) DELANY IN NYT. [Item by Steven Johnson.] “Samuel R. Delany’s Life in Books” is a feature/interview on Samuel Delany in the New York Times T Magazine, April 24. The quote I liked best: “My library makes me comfortable.” And I do not recall the anecdote about reading Bob Kane Batman comics at a critical age.

(9) PÉREZ FAREWELL. The New York Times has published its obituary for a famous comics writer and artist: “George Pérez, Who Gave New Life to Wonder Woman, Dies at 67”.

…Mr. Pérez was also at the helm of the 1986 reboot of Wonder Woman, which presented the character, who had originally appeared in 1941, as a new superheroine. His version was younger, and he leaned into the Greek mythology rooted in her origin story.
“Wonder Woman had to rise or fall based on me,” Mr. Pérez said in a telephone interview in December. “It was a great success that gave me an incredible sense of fulfillment.”
His editor on the series, Karen Berger, said in an email, “What set George apart on Wonder Woman was that he really approached the character from a woman’s perspective — I found her relatable and authentic.” Patty Jenkins, the director of the “Wonder Woman” films, cited this version of the character as an influence…

(10) MEMORY LANE.

1973 – [By Cat Eldridge.] Forty-nine years ago, Soylent Green was in general distribution in the States. (It had premieres earlier in LA and NYC, respectively, on April 18th and April 19th.)

The film was directed by Richard Fleischer who had previously directed Fantastic Voyage and Doctor Doolittle, and, yes, the latter is genre. Rather loosely based off of Harry Harrison’s Make Room! Make Room! Novel, it starred Joseph Cotten, Chuck Connors, Charlton Heston, Brock Peters, Edward G. Robinson in his final film role, and Leigh Taylor-Young.

The term soylent green is not in the novel though the term soylent steaks is. The title of the novel wasn’t used according to the studio on the grounds that it might have confused audiences into thinking it a big-screen version of Make Room for Daddy. Huh? It’s worth noting that Harrison was not involved at all in the film and indeed was was contractually denied control over the screenplay.

So how was reception at the time? Definitely mixed though Roger Ebert of the Chicago Sun-Tribune liked it: “Richard Fleischer’s ‘Soylent Green’ is a good, solid science-fiction movie, and a little more. It tells the story of New York in the year 2022, when the population has swollen to an unbelievable 80 million, and people live in the streets and line up for their rations of water and Soylent Green.”

Other were less kind. A.H. Weiler of the New York Times summed it up this way: “We won’t reveal that ingredient but it must be noted that Richard Fleischer’s direction stresses action, not nuances of meaning or characterization. Mr. Robinson is pitiably natural as the realistic, sensitive oldster facing the futility of living in dying surroundings. But Mr. Heston is simply a rough cop chasing standard bad guys. Their 21st-century New York occasionally is frightening but it is rarely convincingly real.“

Audience reviewers at Rotten Tomatoes currently give it a sixty percent rating. It was nominated for a Hugo at DisCon II, the year Sleeper won.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 9, 1920 — William Tenn. Clute says in ESF that “From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.” That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. He’s very, very well stocked at the usual suspects. (Died 2010.)
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago so will not read it again so the Suck Fairy may not visit it. Are any of the various Watership animated affairs worth seeing? Reasonably sure I’ve read Shardik once but it made no impression one way or the the other. I have heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.)
Born May 9, 1925 — Kris Ottman Neville. His most famous work, the novella Bettyann, is considered a classic of science fiction by no less than Barry Malzberg who wrote a detailed remembrance in Locus. He wrote four novels according to ISFDB over a rather short period of a decade and a number of short story stories over a longer period. Clute at EoSF says that “He was one of the potentially major writers of Genre SF who never came to speak in his full voice.” (Died 1980.)
Born May 9, 1926 — Richard Cowper. The Whit Bird of Kinship series is what he’s best remembered for and I’d certainly recommend it as being worth reading. It appears that all of here are available from the usual digital suspects. (Died 2002.)
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a really deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. A deeply strange affair. Oh, and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.)
Born May 9, 1951 — Geoff Ryman, 71. His first novel, The Unconquered Country, was winner of the World Fantasy Award and British Science Fiction Association Award. I’m really intrigued that The King’s Last Song is set during the Angkor Wat era and the time after Pol Pot and the Khmer Rouge, grim times indeed for an SF novel. And let’s not overlook that The Child Garden which bears the variant title of The Child Garden or A Low Comedy would win the Arthur C. Clarke Award for Best SF Novel.
Born May 9, 1979 — Rosario Dawson, 43. First shows as Laura Vasquez in MiB II. Appearances thereafter are myriad with my faves including being the voice of Wonder Woman in the DC animated films, Persephone in Percy Jackson & the Olympians: The Lightning Thief and her take as Claire Temple across the entire Netflix Marvel universe. She played Ahsoka Tano on The Book of Boba Fett on Disney + in “From the Desert Comes a Stranger” which has led to her being the lead in upcoming Ahsoka Tano series on the same streaming service. (Editorial comment: I wish I liked the Star Wars universe well enough to subscribe to Disney + to see all of this stuff but I really don’t.)

(12) COMICS SECTION.

Off the Mark has a hard science joke!

(13) WHICH IS IT? “Whether you think it’s one of the best sci-fi movies ever or one of the worst, you’re never going to forget it.” An Inverse writer considers the possibilities: “25 years ago, Bruce Willis made the most divisive sci-fi movie ever”.

… The initial response to The Fifth Element, which celebrates its 25th anniversary on May 7th, was divisive. It was recognized just as much at Cannes and the Oscars as it was the Razzies. Even those who appeared in its gleefully insane world have contrasting opinions, with Milla Jovovich hailing it as “one of the last hurrahs of epic filmmaking” and Gary Oldman admitting he “can’t bear it” and only signed up for the paycheck….

(14) VIDEO OF THE DAY. [Item by Mike Kennedy.] In which SNL host Benedict Cumberbatch discovers the multiverse is real. At least in TV Land. “The Understudy”.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steve Johnson, Cat Rambo, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 4/30/22 Those Who Cannot Remember Past Pixel Scrolls Are Doomed To Re-File Them

Posted on April 30, 2022 by Mike Glyer

(1) CAT RAMBO AT FUTURE TENSE. The new entry from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives. Cat Rambo’s “The Woman Who Wanted to Be Trees” at Slate.

“For someone like me,” Nefirah’s client said, “it’s not a question of whether or not I’ll be remembered. The question is precisely how.”…

Tamara Kneese, an expert on the digital afterlife, delivers a response in her essay “Is a Lasting Digital Memorial to a Dead Person Even Possible?”

I’m a death scholar and a sustainability researcher at a major tech company, so Cat Rambo’s “The Woman Who Wanted to be Trees” hit home. In the story, a death care worker is asked to memorialize clients in innovative ways, using cutting-edge technologies to blur the boundaries between life and death, and between humans and the natural world. For the past 15 years, I have been researching how people use technology to remember and communicate with the dead. My forthcoming book, Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond, explores the fundamental incompatibility between dreams of technologically mediated life extension and the planned obsolescence of material technologies….

(2) AUTHOR MAGNET. The inaugural Santa Fe Literary Festival will take place May 20-23, at the Santa Fe Community Convention Center in Santa Fe, NM. The authors who are scheduled to appear include Margaret Atwood, Sandra Cisneros, John Grisham, Joy Harjo, Anne Hillerman, Craig Johnson, Phil Klay, Jon Krakauer, Emily St. John Mandel, George R.R. Martin, N. Scott Momaday, James McGrath Morris, Douglas Preston, Rebecca Roanhorse, Bob Shacochis, Colson Whitehead and Don Winslow.

Besides author readings and book signings, the festival will feature meals during which chefs and food writers will talk about the food they’ve prepared, their work and their books; Walk & Talks, during which attendees and authors will together explore parts of Santa Fe; and Tea & Tequila, featuring tea and tequila tastings. On Monday, the last day of the festival, attendees will be able to go on literary day trips in Santa Fe and nearby areas in northern New Mexico.

(3) FRESH VIEWPOINT. Artists & Climate Change’s “Wild Authors: Oghenechovwe Donald Ekpeki” is a Q&A with a 2022 double-Hugo-nominee and editor of The Year’s Best African Speculative Fiction (2021).

In your short story “Mercy of the Wild,” you wrote from the viewpoint of a lion. What inspired that story?
“Mercy of the Wild” was a point of experimentation for me. I love to experiment with forms and styles or speculative fiction, and that was one such experiment that I was delighted to follow up on. The story was inspired by an almost childlike, wide-eyed curiosity about what goes on in the minds of the creatures we share the planet with. What if we heard their story, from the horse’s mouth so to speak. Or as the Igbo proverb says, “Until the lion learns to tell its story, the hunt will always glorify the hunter.” This got me wondering, what if the roles were reversed? Its telling impresses on me the need for people of diverse cultures to champion and find spaces for their stories to thrive in the world of today.

(4) GREAT LEAP FORWARD. Cora Buhlert was a guest on the Dickheads podcast (as in Philip K. Dick) and discussed “‘The Big Jump’ – Leigh Brackett” with Grant Warmack and host David Agranoff.

In the first episode of this podcast, Solar Lottery, David said he would someday do this episode. So four years later, in January of this year, he sat down with a couple of colleagues and discussed the lesser-known novel The Big Jump by Leigh Brackett. The pair of talents he was privileged to have here are newcomer to Leigh Brackett writer/music manager/tarot reader Grant Wamack and long time ‘Bracketteer’ teacher/translator/writer and three time Hugo nominee Cora Buhlert. Enjoy.

(5) S&S: Here is more about the nascent New Edge sword and sorcery movement: “New Edge S&S Guest Post: Oliver Brackenbury” at Scott Oden’s blog.

[Scott Oden:] I put out the call, a few days ago, for a few guest posts relating to the New Edge of Sword & Sorcery. And here is our first victim . . . er, participant. Oliver is a podcaster, a screenwriter, and a novelist; he’s also one of the organizers of the whole New Edge movement. Oliver, you have the floor . .
[Oliver Brackenbury]: …I’ve been in conversations like that before, in other scenes and settings, and I thought “Wouldn’t be nice if all this energy was directed at really changing the situation?”. So I proposed an open, yet specific question – “What could we do to get more young people into this genre we all love?”.

Now, I can take credit for asking the question, but I cannot take credit for the incredible amount of energy I unwittingly tapped into by asking it. The conversation that took off was galloping and enthusiastic and good-natured and productive and WOW!

Scott Oden’s own thoughts about the movement appear in “Putting a NEW EDGE on an Old Blade”.

A genre can grow dull. The accretion of old social mores — the misogyny, racism, and homophobia of bygone eras — can oxidize a genre, making it seem as graceless as a barnacle-encrusted hunk of metal drawn from the sea. A genre’s founders can (and will) die, leaving less-invested imitators to tease out only the surface tropes while its deeper meanings are lost to the ages. And, over time, that genre starts to become irrelevant to the world at large.
In today’s fiction market, this is largely the fate of sword-and-sorcery. Mainstream publishers are loath to market a work as S&S because they consider it a dead end market. Readers less concerned with genre labels use the term nowadays to describe any book with swordplay and magic, from Tolkien to Pratchett — and they’re unaware that it has (or had) a very specific meaning. In short, the term sword-and-sorcery has lost its edge. It has rusted, and is stuck in a very old and problematic scabbard.
There is, however, a nascent movement that has started in the small press sphere to remove that blade from its sheath, to clean the rust from it, sharpen it on a grinding wheel, and fashion a new scabbard — one free from the old problems of the genre. That movement is called the NEW EDGE of S&S….

(6) SUBGENRE GETS NEWSLETTER SOURCE. There’s now also a free weekly sword and sorcery newsletter with the delightful name “Thews You Can Use” from Sword & Sorcery News. It just started.

This week’s Roundup will be a little different—not that you’d know, since it’s the first. Rather than covering the week in S&S news, I’ll go back over the last couple months. Here’s a quick roundup of S&S news from February through April….

(7) MURDERBOT AND POLICY. The New America website will hold a gathering of its Science Fiction/Real Policy Book Club to discuss All Systems Red on June 1 at 6:00 p.m. Eastern. Register here.

Science fiction can have real policy impacts, and comes rife with real-life commentary. For the next, we have selected All Systems Red by Martha Wells.

The novel explores a spacefaring future in which corporate-driven exploratory missions rely heavily on security androids. In Wells’ engaging – at times funny – tale, one such android hacks its own system to attain more autonomy from the humans he is accompanying. The result is a thought-provoking inquiry into the evolving nature of potential human-robot relations.
Join Future Tense and Issues in Science and Technology at 6pm ET on Wednesday, June 1 to discuss the novel and its real-world implications. The book club will feature breakout rooms (they’re fun and stress-free, we promise) where we can all compare notes and share reactions, even if we didn’t finish the book (though we picked a short one this time!).

(8) SPACE FORCE OFFICIALLY GROUNDED. I hadn’t realized the show wasn’t already canceled. Well, it is now: “Netflix cancels Steve Carell sci-fi comedy ‘Space Force’” reports SYFY Wire.

…In addition to Carell as General Mark Naird, the show also starred an A-list supporting cast of John Malkovich (Dr. Adrian Mallory), Ben Schwartz (F. Tony Scarapiducci), Tawny Newsome (Captain Angela Ali), Lisa Kudrow (Maggie Naird), and Diana Silvers (Erin Naird).
That group is chock full of talent, which may have been part of its downfall — according to THR, the show’s large budget was reportedly in part because of the actors’ salaries, with Carell getting over $1 million per episode. That much built in spending, along with mixed reviews for both seasons, apparently resulted in a failure for Space Force to (ahem) launch into a third season….

(9) MEDIA BIRTHDAY.

1938 — [Compiled by Cat Eldridge.] Not his official appearance as Bugs Bunny that will happen in “A Wild Hare” on July 27, 1940. But a preliminary version of the character we now know as him first showed up in “Porky’s Hare Hunt” eighty-four years ago today. The Looney Tunes cartoon was directed by Ben “Bugs” Hardaway (do note his name) and an uncredited Cal Dalton. It stars Porky Pig as a hunter whose quarry is a rabbit named Happy. Yes, Happy.

Oh, I well know that most Bugs Bunny fans will tell you that July 27 is the day that he was created as that is the anniversary of the 1940 debut of the familiar rabbit and his adversary, Elmer Fudd. In that July debut people also heard for the first time Bugs’s famous line, “What’s up, Doc?”

But today is the real anniversary of the creation of this character. He first appeared on the theater short called as I noted above “Porky’s Hare Hunt.” Perhaps the reason people don’t recognize, or indeed want to credit him as that rabbit, is Bugs in that early cartoon was credited as Happy Rabbit. And admittedly it really looks pretty much like any rabbit save the smirking face, doesn’t it? Or does he?

It’s been uploaded to YouTube so go watch it. It may not look like him but it acts like him and it sounds like him. Several sources state that Mel Blanc voiced him here but the cartoon itself has no credits.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 30, 1930 — Bill Buchanan. A musician who was not a filker but might have been. Really. Truly. His most famous composition took place in 1956, when he and Dickie Goodman created the sound collage “The Flying Saucer”. They then did “The Flying Saucer Goes West” which is a lot of fun. A short time later, they would do “The Creature (From A Science Fiction Movie)” / “Meet The Creature (From A Science Fiction Movie)”. With other collaborators, he did such works as “Frankenstein Of ’59/Frankenstein Returns”. Checking iTunes, quite a bit of what he did is available. (Died 1996.)
Born April 30, 1938 — Larry Niven, 84. One of my favorites author to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version as you know since I wrote an essay on them. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I, “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me.
Born April 30, 1968 — Adam Stemple, 54. Son of Jane Yolen. One time vocalist of Boiled in Lead. (Which I just discovered has not released a recording in a decade. Damn.) He was the lead vocalist for Songs from The Gypsy which was based on The Gypsy, the novel written by Steven Brust and Meghan Lindholm. A truly great album. With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are well worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as quite engaging.
Born April 30, 1973 — Naomi Novik, 49. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won her the Astounding Award for Best New Writer. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novelwhich won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. She has a number of Hugo nominations starting at Nippon 2007 for His Majesty’s Dragon, then next at MidAmericaCon II for Uprooted, The Temeraire series at Worldcon 75. No wins yet which really, really surprises me. She’s twice been a finalist for Lodestar Award for Best Young Adult Book with A Deadly Education at DisCon III for and this year at Chicon 8 for The Last Graduate.
Born April 30, 1982 — Kirsten Dunst, 40. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
Born April 30, 1985 — Gal Gadot, 37. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production Death on the Nile which is quite lovely but not genre adjacent, but I really don’t mind as they’re lovely mysteries. Oh, and she’s playing The Evil Queen in the forthcoming Snow White film.
Born April 30, 2003 — Emily Carey, 19. Yes, nineteen years old. She has had a lot of roles for her age. First she played the twelve-year-old Diana in Wonder Woman followed by playing the fourteen-year-old Lara in the rebooted Tomb Raider. And then she’s in Anastasia: Once Upon a Time in the lead role of Anastasia. She’s Teen Wendy Darling in the forthcoming The Lost Girls. She was in the genre adjacent Houdini and Doyle as Mary Conan Doyle, and finally she’s in the not-yet-released G.R.R. Martin’s House of the Dragon series as the young Alicent Hightower.

(11) COMICS SECTION.

The Argyle Sweater – is this rap or robotic claptrap?

(12) CHALK AROUND THE CLOCK. The Pasadena Chalk Festival returns June 18-19 at The Paseo.

The Pasadena Chalk Festival began in 1993 after a summer intern at the Light Bringer Project attended a street painting festival in Paris and brought back her amazing pictures and observations. The first “Chalk on the Walk” took place at Centennial Square at Pasadena City Hall with over 150 visual artists participating in the first Los Angeles-area event. All proceeds went toward community arts programs and HIV/AIDS resources.
In 2010, The Pasadena Chalk Festival was officially named the largest street painting festival by the Guinness World Record, welcoming more than 600 artists using over 25,000 sticks of chalk and drawing a crowd of more than 100,000 visitors in one weekend.

Below is an hour-long video of last year’s Chalk Festival. And here is File 770’s roundup of sff art from the 2019 festival via Twitter.

(13) DON’T SAY PAY. The Florida legislature’s move to punish Disney for publicly opposing the “Parental Rights in Education” bill, also known as the “don’t say gay” bill fails to conform to other requirements of state law says the corporate giant: “Disney’s special tax district suggests its repeal is illegal” in the Miami Herald.

As Florida legislators were rushing through passage of a bill to repeal the special district that governs Walt Disney World last week, they failed to notice an obscure provision in state law that says the state could not do what legislators were doing — unless the district’s bond debt was paid off. Disney, however, noticed and the Reedy Creek Improvement District quietly sent a note to its investors to show that it was confident the Legislature’s attempt to dissolve the special taxing district operating the 39-square mile parcel it owned in two counties violated the “pledge” the state made when it enacted the district in 1967, and therefore was not legal. The result, Reedy Creek told its investors, is that it would continue to go about business as usual.
The statement, posted on the website of the Municipal Securities Rulemaking Board on April 21 by the Reedy Creek Improvement District, is the only public statement Disney has supplied since lawmakers unleashed their fury over the company’s vocal opposition to the “Parental Rights in Education” law, also known as the “don’t say gay” bill. The statement, first reported by WESH 2, quotes the statute which says, in part, that the “State of Florida pledges…it will not limit or alter the rights of the District…until all such bonds together with interest thereon…are fully met and discharged.”
… In essence, the state had a contractual obligation not to interfere with the district until the bond debt is paid off, said Jake Schumer, a municipal attorney in the Maitland law firm of Shepard, Smith, Kohlmyer & Hand, in an article for Bloomberg Tax posted on Tuesday and cited in a Law and Crime article.
The law passed by the Republican Legislature on a largely party-line vote, and signed into law by the Republican governor, either violates the contract clause of the Florida Constitution, or is incomplete, Schumer told the Herald/Times on Tuesday. If the Legislature wants to dismantle the Reedy Creek Improvement District, it has more work to do.

(14) FLY YOU FOOLS! J. Michael Straczynski would like to tell you about the worst musical he ever saw. Thread starts here.

The worst musicals I've ever seen were The Ten Commandments (with Val Kilmer as Moses) which was so Disneyfied and wrongly flashy that it closed almost at once, and the Toronto version of Lord of the Rings (all in one play) that sent audiences fleeing during intermission.
— J. Michael Straczynski (@straczynski) April 30, 2022

It was horrific. The cast had zero chemistry/personality ("Hi, I'm Gandalf, I'll be your waiter), the songs were terrible, instead of going to blackout to cut to new locations they had the cast sing and run over risers that came out of the floor, which was interesting the first– https://t.co/jB2hhGpcmh
— J. Michael Straczynski (@straczynski) April 30, 2022

— poor actor playing Gandalf is acting his heart out, yelling at this black sheet of paper, "You shall not pass!" then just as the curtain drops you see, underneath, the Balrog finally ignite. People fled at intermission to keep the memory of the movies/books unsullied.
— J. Michael Straczynski (@straczynski) April 30, 2022

In this case, that's a little like blaming the temperature of the water for the sinking of the Titanic. https://t.co/ClJvGviQEI
— J. Michael Straczynski (@straczynski) April 30, 2022

If I recall correctly, there were three acts…god help us…. https://t.co/aXbeLrlpVp
— J. Michael Straczynski (@straczynski) April 30, 2022

Quite true…usually the stage door area is crowded with people waving papers to be autographed…in the case of the LoTR musical, the papers being waved around were requests to cease-and-desist…. https://t.co/nQz9DAKyga
— J. Michael Straczynski (@straczynski) April 30, 2022

(15) DO TOUCH THAT DIAL. Tor.com’s Robert Repino beggars the imagination by reminding readers about “Six Bizarro Made-for-TV SFF Movies That Actually Exist”. Such as —

Gargoyles (1972)
Not to be confused with the prematurely canceled ’90s cartoon of the same name, Gargoyles starred B-movie tough guy Cornel Wilde (from The Naked Prey). The opening voiceover raises the stakes pretty high: In the aftermath of the war between God and Satan, a race of creatures climbs out of hell to terrorize mankind every few centuries. In the modern age, the gargoyles are relegated to myth and statues, leaving humans completely unprepared for their next onslaught.
Whoa. That sounds serious. Until you notice that the gargoyles reemerge in a desert that is surely within driving distance of the studio. And it takes only a handful of armed townsfolk to quell the apocalyptic uprising. But those minor details aside, this movie remains a guilty pleasure for my generation, in part because of the Emmy-winning makeup wizardry of Stan Winston. The gargoyles aren’t that scary, but they look pretty darn cool, and some of them even fly. And by “fly,” I mean “slowly lift off the ground with a barely concealed cable.”

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King meets the evil emperor, who wonders why the people don’t love him!

What do you do when you’ve seized power and/or purchased a large social media company? You monologue.

[Thanks to Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 3/1/22 I Claim This Pixel In The Name Of Mike! Isn’t That Lovely, Hmm?

Posted on March 1, 2022 by Mike Glyer

(1) AUTHORS AND PUBLISHERS RESPOND TO INVASION OF UKRAINE. Shelf Awareness did a roundup of industry statements of support, and announcements of stronger actions.

PEN International released a letter signed by more than 1,000 writers worldwide, expressing solidarity with writers, journalists, artists and the people of Ukraine, condemning the Russian invasion and calling for an immediate end to the bloodshed.
“We, writers around the world, are appalled by the violence unleashed by Russian forces against Ukraine and urgently call for an end to the bloodshed,” the letter stated. “We stand united in condemnation of a senseless war, waged by President Putin’s refusal to accept the rights of Ukraine’s people to debate their future allegiance and history without Moscow’s interference.
“We stand united in support of writers, journalists, artists, and all the people of Ukraine, who are living through their darkest hours. We stand by you and feel your pain.
“All individuals have a right to peace, free expression, and free assembly. Putin’s war is an attack on democracy and freedom not just in Ukraine, but around the world.
“We stand united in calling for peace and for an end to the propaganda that is fueling the violence. There can be no free and safe Europe without a free and independent Ukraine. Peace must prevail.”

The Chartered Institute of Library and Information Professionals issued a statement of solidarity and support for librarians, archivists and information professionals in Ukraine, noting: “We are gravely concerned at the threat posed by this action to the safety of the Ukrainian people, their heritage and identity, as well as to the security of our professional colleagues.

A statement of support, signed by Juergen Boos, director of the Frankfurt Book Fair, responded to a joint public appeal from the Baltic cultural organizations representing book creators, publishers and other professionals to end all cooperation with institutions of the Russian Federation.
“The organizers of the Frankfurt Book Fair strongly condemn Russia’s attack on Ukraine ordered by President Putin,” Boos wrote. “Against the backdrop of the Russian Federation’s invasion of Ukraine, a violation of international law, the Frankfurt Book Fair is suspending cooperation with the Russian state institutions in charge of organizing the Russian collective stand at Frankfurter Buchmesse. The Frankfurt Book Fair assures the Ukrainian publishers’ associations of its full support.”
The appeal was signed by the Lithuanian Culture Institute, the Latvian Literature/the International Writers and Translators house, the Estonian Literature Centre, Publishers Associations and Writers Unions in all three counties, the Lithuanian, Latvian, and Estonian sections of the International Board on Books for Young People (IBBY), and the Estonian Children’s Literature Centre.

Publishers Weekly adds this news: “Ukraine Update: Bologna Blocks Russia, Ukrainians Call for Global Boycott”.

Today, the organizers of the Bologna Children’s Book Fair announced that, following Russia’s invasion of Ukraine, the Fair has, “with immediate effect,” suspended cooperation with all Russian state institutions in charge of organizing the Russian collective stand for the upcoming fair, which is scheduled for March 21-24. Last week, Bologna officials condemned the Russian attack, but had stopped short of blocking Russian participation in the fair.

(2) RUSSIAN SFF WRITER WHO OPPOSES THE WAR. An anti-war and pro-Ukraine article by Russian sff author Dmitry Glukhovsky has been published in Die Zeit, a major German weekly paper: “Ukraine: Antirussland”. If you’re willing to take your chances on a machine translation from German to English, a copy can be downloaded here.

… I have visited Ukraine many times, both before and after 2014. With each passing year, the difference between our two countries has become more and more clear to me. Ukraine was and remains a very free country. A country whose social and political life has always been characterized by chaos. It bears a strong resemblance to the Russia of before Vladimir Putin took office, and the longer Putin was in power, the clearer the differences became. From year to year in Russia order increased and freedom decreased. Today the difference to Ukraine is enormous. Russia is a police state with an almost dictatorial order. And there is almost as much freedom left here as in a dictatorship. Ukraine, on the other hand, has actually become a kind of anti-Russia: despite the chaos and total corruption, it is an example of a functioning democracy. During the elections, power shifted from one political-financial conglomerate to the other. When one of the parties tried to usurp power, people took to the streets demanding justice. In contrast, no real opposition has been admitted to the Russian elections for 20 years….

(3) TRACKULA. BBC Radio 4 has reprised “The Trainspotter’s Guide to Dracula”, a 2017 production. Listen at the link.

“3 May. Bistritz. Left Munich at 8:35 P. M, on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late.”
The first line of Bram Stoker’s Dracula makes it clear what the novel will be about: trains. As the book begins, the English solicitor Jonathan Harker is travelling across Europe by train, en route to meet his mysterious new Transylvanian client, complaining all the way about the late running of the service. “It seems to me that the further East you go the more unpunctual are the trains. What ought they to be in China?”
In the Trainspotter’s Guide to Dracula, Miles Jupp uses Bram Stoker’s novel as it has never been used before, as a train timetable, following its references to plot a route across Europe by rail to Dracula’s castle in Transylvania.
Will Miles be able to reach Dracula’s castle more quickly than Harker did, or will his journey be dogged by discontinued services, closed lines and delays?

(4) YOUNG AT ART. At Young People Read Old SFF, James Davis Nicoll subjects his panel to a Fritz Leiber story that merges sff with chess.

This month’s selection is SF stalwart Fritz Leiber’s Midnight by the Morphy Watch, which as it happens I have not only read but read recently. I was not much impressed by the anthology that contained this story but I did like the Leiber….
However, if there is one thing I’ve learned from the nearly seven years I’ve been curating Young People, it is that the overlap between my opinions and the Young People’s is often well short of one hundred percent. Let’s see what they thought.

(5) FOURTH STEP. Brandon Sanderson says “It’s Time to Come Clean”. “This is because something irregular has happened in my career lately, and I need to let you know about it.”

(6) KICK STEP. Sanderson’s confession leads into this Kickstarter – “Surprise! Four Secret Novels by Brandon Sanderson by Dragonsteel Entertainment” – which has already exceeded its $1 million goal and has raised almost $8 million with 30 days remaining.

Over the last two years, a group of ideas wormed their way into my brain and I found I couldn’t let them go. Despite all of my other obligations, I had to write these stories. So I squeezed them in during moments of free time, crafting four brand new novels. I’m extremely proud of them, as each represents some new aspect of storytelling that has forced me to grow in an interesting way. Each also takes you to someplace new, original, and vibrant. Three of these are Cosmere books taking place on new worlds, and the other one is something completely different.

(7) FOCUS ON RELATED WORK. Cora Buhlert has posted the next Non-Fiction Spotlight and interview with Abraham Riesman, author of True Believer: The Rise and Fall of Stan Lee.

Tell us about your book.
It’s the first complete and unvarnished look at the life of the man born Stanley Martin Lieber. You know him as Stan Lee, the writer/editor who brought Marvel Comics to the world, changed global popular culture, and became an unmistakeable icon. But beyond those broad strokes, most of what the world knew about Stan Lee was false….
…It’s a story of overreach; of a man who achieved so much, yet always boasted of more. It’s a story of obsession; of the birth of modern fandom and its ripeness for manipulation. Above all, it’s a story of ambiguity; of the fact that certain moral judgments and factual assertions can never be made with certainty. Living with that ambiguity is the great challenge of understanding the life and impact of Stan Lee.

(8) LOST AND FOUND. James Davis Nicoll draws a bead on “5 Classic SF Stories About Lost Home Worlds” at Tor.com.

The End of Eternity by Isaac Asimov (1955)
In one sense, Andrew Harlan knows exactly where Earth is. Although he and the other agents of Eternity live outside time, they can and do visit Earth almost any time they care to. Literally. The Eternals monitor and shape Earth’s history over a 70,000 century span. This paradoxically means Harlan can never return to the Earth he grew up on, because Eternity’s incessant tweaking of history to bring about a perfect, stable world means that version of Earth has long since been overwritten.
Harlan knows he can never go home. What he can do is allow himself to be drawn into an ill-fated romance with Noÿs Lambent, who is beautiful, irresistible, and as far as the skilled Eternal can ascertain, slated to be erased from history as an unintended but unavoidable side effect of Eternal tampering. Harlan is determined to save the woman he loves at any cost. Any cost may mean the very existence of Eternity itself…

(9) FOR YOUR VIEWING. [Item by Cora Buhlert.] Matt Davis reviews The Spine Of Night, a 2021 fantasy film that deserves more attention, at Grimdark Magazine.

I’ve just come back from a trip. It wasn’t entirely long, but it was certainly very strange, and I won’t be forgetting it any time soon. The Spine of Night is a surreal, blood-soaked fever dream of epic proportions that recalls esoteric animated classics like 1981’s Heavy Metal Ralph Bakshi’s animated adaptation of Lord of the Rings. It unfolds a fantastical and outrageously violent saga throughout the course of its runtime, a story that touches on at times deeply philosophical themes of truth, knowledge, and the futility of existence. At times, The Spine of Night is even profoundly nihilistic—but also beautiful, and thoughtful….

(10) SMITH OBIT. Jeff Smith – the North Carolina fan, not the Filer – died February 28 after a short battle with liver cancer. He was a 2019 Rebel Award winner who chaired numerous StellarCon and MACE gaming conventions.

(11) MEDIA BIRTHDAY.

1989 — [Item by Cat Eldridge] Thirty-three years ago this evening on CBS, the Hard Times on Planet Earth series first aired. It was one of those ubiquitous midseason replacements that networks are so fond of doing when a series they started the season with was a failure. This one had an alien soldier who rebelled against his empire doing penance in a human body (surprise). Originality wasn’t really a thing here even though Michael Piller was involved for three episodes.

The cast was Elite Military Officer (yes that’s how he’s named in the credits) played by Martin Kove, and Control, voiced by Danny Martin, and depicted as a small floating robot.

It was created by the brother Jim and John Thomas who previous has written the screenplays for Predator and Predator 2, though they would later write the Wild Wild West. Ooops. Reception for this was hostile to say the lies with People Magazine critic saying of this particular Disney product, “About 20,000 RPM—that’s how fast I reckon Walt Disney must be spinning in his grave with shows like this on the air.” And the Sun Sentinel reviewerreally hated it: “The youngest Nielsen demographic starts at 2-year-olds. Even the slowest of developers would be too sophisticated at 24 months for Hard Time on Planet Earth. There hasn’t been a more insultingly stupid, utterly worthless series since Misfits of Science.”

Normally I’d give you its rating on Rotten Tomatoes but apparently it has gotten even a dedicated fan base or CBS has kept it locked away deep in their digital vaults since its initial airing.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 1, 1915 — Wyman Guin. Ok, occasionally doing these Birthdays results in me being puzzled and this is one of those times. In 2013, he was named as recipient for the Cordwainer Smith Rediscovery Award at ReaderCon 24. When I look him up, I find that he wrote a single novel and seven stories according to the folks at ISFDB. I’ve not read him. So, was he that good? Should I seek out his novel, The Standing Joy, and add it to my reading list? His short stories are available at the usual digital publishers, but the novel still isn’t. (Died 1989.)
Born March 1, 1918 — Roger Delgado. The first Master in the Doctor Who series and still my favorite. The role was written especially for him. He would appear only with the Third Doctor as he died in car crash in Spain. Other genre appearances were Quatermass II, Danger Man, The Mummy’s Shroud and First Man into Space. (Died 1973.)
Born March 1, 1930 — Eddie Hice. New to the Birthday list for being one of the original Red Shirts on Star Trek. He appeared in two episodes, first as a Red Shirt in “The Day of The Dove” and then having the same role in “Wink of an Eye”. I don’t recall either episode well enough to remember his fate in those stories. He had an extensive genre history showing in Batman twice, including once playing The Riddler, he was in Get Smart nine times, six as an actor and three as stunt double (his career as a stunt double was much longer and extensive than his acting career), The Beastmaster and voice work on the animated Lord of The Rings. (Died 2015.)
Born March 1, 1938 — Michael Kurland, 84. The Unicorn Girl which he pennedis the middle volume of the Greenwich Village trilogy by three different authors, the other two being by Chester Anderson and T.A. Waters. Kurland has also written other genre novels including Ten Little Wizards and A Study in Sorcery, set in the world of Garrett’s Lord Darcy. His other genre novels are Ten Years to Doomsday (written with Chester Anderson), Tomorrow Knight, Pluribus and Perchance. All three of the Greenwich Village trilogy are available from the usual suspects.
Born March 1, 1946 — Lana Wood, 76. She’s best remembered as Plenty O’Toole in Diamonds Are Forever. She was in The Wild Wild West as Vixen O’Shaughnessy in “The Night of the Firebrand” and as Averi Trent in “The Night of the Plague” episodes. She was in both of the CBS televised Captain America films playing Yolanda, and she was still active in the genre as little five years ago playing a character named Implicit in Subconscious Reality. Be very suspicious that all the Amazon reviews of the latter are five stars. Though it does get a fifty three percent rating among audience reviewers at Rotten Tomatoes.
Born March 1, 1950 — David Pringle, 72. Pringle, with Malcolm Edwards and Ian Watson, edited Foundation: The Review of Science Fiction from the late late Seventies through the mid Eighties. He helped found Interzone, and the 2005 Glasgow Worldcon committee gave Pringle a Special Award for his work on the magazine. Besides his various guides to the genre such as The Ultimate Encyclopedia of Fantasy, I see early on that he did a lot of work on J.G. Ballard such as Earth Is the Alien Planet: J. G. Ballard’s Four-Dimensional Nightmare and J. G. Ballard: A Primary and Secondary Bibliography.
Born March 1, 1952 — Steven Barnes, 70. Co-writer with Larry Niven of the Dream Park series. I read the first two when they came out thirty years ago, not bad at all. Their Heorot series isn’t bad either. I’ve not read him on his own so cannot say how he is as a solo writer. I see he’s got a lot of series writing having done work for The Outer Limits, Andromeda and Stargate SG-1.

(13) COMICS SECTION.

Brewster Rockit has some guy humor. You’ve been warned!

(14) BEHIND CLOSED DOORS. Bob Byrne’s series about how the famous detective spent his time during the plague year continues at Black Gate: “Nero Wolfe’s Brownstone: Stay at Home – Day 38”.

…I know a lot of people, staying at home all day, every day, are eating a lot more then they normally do. But since Nero Wolfe rarely leaves the house, there hasn’t been a change in his habits. Sometimes he wants more beer than he should have, but that’s got nothing to do with the pandemic. I’ve made sure to get my walk in at least every other day, since Fritz’ cooking hasn’t fallen off a bit. I don’t need my pants size to go up during all this….

(15) THAT’S A SPACY MEATBALL. [Item by Martin Morse Wooster.] In the Washington Post, John Kelly interviews NASA “multimedia liaison for film and TV collaboration” about the rules the agency has for working with film and television projects. The agency “was heavily involved” with Hidden Figures, First Man, and The Martian, but refused to work with Life, a 2017 movie about an alien space bug that attacked astronauts. The agency will also not approve use of its circular “meatball” (designed by James Modarelli in 1959) on “alcohol, food, cosmetics, tobacco, underwear, or technology.” “These days, everyone from filmmakers to fashionistas want to collaborate with NASA”.

… That’s where I saw him wearing what NASA-philes call the “Meatball,” the distinctive blue, star-filled circle, with a red swoop and a dot orbiting the letters “NASA.”That symbol seems to be cropping up everywhere. I saw characters wearing it in recent Spider-Man movies, in the new film “Don’t Look Up,” on various TV shows. What gives? The National Aeronautics and Space Administration is just another government agency headquartered in Washington. So is the National Archives and Records Administration, but you hardly ever see anyone wearing a NARA T-shirt in a blockbuster film….

(16) WHAT IT MEANS. [Item by Cora Buhlert.] The always excellent Rogues in the House podcast hosts a roundtable about the future of sword and sorcery: “Sword and Sorcery Round Table: Making sense of the S&S label.”

Sword-and-sorcery can be a confusing label, but the Rogues are determined to make sense of it. In the latest episode, they’re joined by experts of the genre – Scott Oden, Howard Andrew Jones, and Brian Murphy – for a roundtable discussion.

(17) BRINGING SHECKLEY TO THE SCREEN. The Take Me to Your Reader podcast, which discusses cinematic adpatations of SFF stories and novels, discusses the two adaptations of Robert Sheckley’s “The Prize of Peril.” Cora Buhlert has a brief guest appearance, talking about the brilliant West German adpatation from 1970: “Shot With a Happy Ending (The Prize of Peril, by Robert Sheckley)”.

This time, the guys take on some Robert Sheckley in non-English adaptations, namely the 1970 German TV film Das Millionenspiel and the 1983 French film Le Prix Du Danger. Both of these films were adapted from Sheckley’s 1958 short story “The Prize of Peril.”
Of course, we engaged a couple of our friends who were native speakers to help break down the movies. So huge thanks to Cora Buhlert for her excellent breakdown of the German movie, and Emmanuel Dubois for helping us with the French movie.

(18) THE COMING FURY. Tor.com’s Vanessa Armstrong tells readers “Here’s What We Know About the Furiosa Movie So Far”.

… Making Furiosa something other than a non-stop action movie has the benefit of letting us get to see and experience other parts of the Max Max world, including locales that were only mentioned in passing in the 2015 film. “When I started reading [the Furiosa script], I couldn’t put it down,” unit production manager Dan Hood says in Buchanan’s book. “It is going to be really, really good. You get to see Gas Town. You get to see the Bullet Farm. It’s exciting to be able to build that stuff.”
That’s right—you only have to wait a little over one-and-a-half years to see Miller’s vision of Gas Town and the Bullet Farm, places that young Furiosa undoubtedly frequented before she became the Charlize Theron version we saw in Fury Road….

(19) MAKING MEMORIES. Lisa Morton recently asked readers of her newsletter Every Day Is Halloween, “Did you know that several of the best horror movies of the 1940s were written by a woman?” Her name is Ardel Wray.

…One of the reasons you’ve likely never heard of Wray is that she fell victim to the scourge of McCarthyism – she refused to work with investigators to name suspected Communists in the film industry and so was “gray-listed,” meaning her career as a screenwriter was essentially over….

Bright Lights Film Journal profiled her: “Ardel Wray: Val Lewton’s Forgotten Screenwriter”.

During the wartime years of the 1940s, RKO Pictures produced a series of low-budget B-movie chillers that have since become classics of the genre, celebrated for their subtlety and intelligence despite the lurid titles imposed by the studio. Produced by Russian émigré Val Lewton, the films effectively kick-started the careers of venerated directors Jacques Tourneur, Mark Robson, and Robert Wise. Other well-known industry names such as writer DeWitt Bodeen also found fame as a result of their association with Lewton’s B unit, affectionately nicknamed “The Snake Pit.”
However, Ardel Wray, whose credits include I Walked with a Zombie, The Leopard Man, and Isle of the Dead, remains largely unrecognized, despite contributing to more Lewton projects than any other single writer and despite being the only female writer on his team. In addition, she co-wrote what is arguably the best of the RKO “Falcon” thriller series, and wrote the original screenplay for the unproduced Boris Karloff/Val Lewton historical mystery Blackbeard the Pirate….

(20) AND THEN THE OTHER SHOE DROPPED. Yesterday, Disney announced it would not open some new movies in Russia due to the Ukranian situation, but the industry thought it was too late to expect Warner Bros. to halt this week’s opening of The Batman. But no! “’The Batman’ Pulls Russia Release” says The Hollywood Reporter.

Warner Bros. has pulled The Batman from its Russian release calendar at the eleventh hour. The decision comes as Russia continues its invasion of Ukraine and follows Disney’s move to pause its upcoming releases in the country.
“In light of the humanitarian crisis in Ukraine, WarnerMedia is pausing the release of its feature film The Batman in Russia,” a WarnerMedia spokesperson said in a statement. “We will continue to monitor the situation as it evolves. We hope for a swift and peaceful resolution to this tragedy.”…

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Book of Boba Fett,” the Screen Junkies note that Boba Fett only had four lines in the first three Star Wars movies. But in this show we learn Boba Fett is a bald fat guy who takes a lot of naps, spends way too much time in the bathtub, has many, many “space meetings” and has a gang led by people on space Vespas. Thankfully, in chapter 5 the Mandalorian shows up to kick down doors and make a chain mail shirt for Baby Yoda. But there is a scene where we see what happens when you get a Wookie drunk and give him brass knuckles!

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Rich Lynch, Chris Barkley, Cora Buhlert, Giant Panda, Jennifer Hawthorne, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

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Tag Archives: sword & sorcery

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