Pixel Scroll 5/24/16 Bark Side Of the Moon

(1) RELEASE THE MONSTER BALLOT. Jo Lindsay Walton is pleased with the flood of Sputnik Award ballots, and is at least not horrified by one of the suggestions.

Btw: I’ve received some really touching enthusiasm, warmth and wise counsels and offers of support, as well as a pretty significant amount of “eh?” “baroo?” “mph?” “wha-?”, which tbh is also kinda gratifying. One thing I’d love to hear more of is unwise counsel. The best I’ve heard so far is the suggestion that we do the Dungeons of Democracy for real.

Just imagine, ripping it from the Excel and into the streets, playing out the entire vote as a vast LARP, cosplaying Daleky Phoenixes and Hedgehoggy Thing Itselves . . .

(2) WINDLING. Remember, Terri Windling lectures on fantasy at Oxford on Thursday, May 26.

I will be delivering the 4th Annual Tolkien Lecture at Pembroke College, Oxford University this Thursday at 6:30 pm. The Pembroke Fantasy lecture series “explores the history and current state of fantasy literature, in honour of JRR Tolkien, who wrote The Hobbit and much of The Lord of the Rings during his twenty years at the college.”

The lecture I’ll be giving is Tolkien’s Long Shadow: Reflections on Fantasy Literature in the Post-Tolkien Era. Admission is free, but you need to register for a ticket and space is limited. Go here for further details.

(3) LUCAS MUSEUM. Mark Guarino’s Washington Post article “George Lucas’s dream of a Chicago lakefront museum faces choppy waters” even-handedly covers the battle to bring the Lucas Museum of Narrative Art to Chicago, showing the strengths – the vast art collection, and the architecture — and the minuses, chiefly that it will be partially paid with hotel taxes, which raises a question about whether George Lucas really needs to be subsidized by Illinois and Chicago taxpayers.

The Lucases had two real requirements: One, it would be in a prominent location and, two, that it would be near other museums,” he says. “The Lucases are not going to go to another site.”

A new plan approved by Lucas involves reconfiguring an aging extension of the McCormick Place convention center that sits on the lake and partially replacing it with the museum, 12 new acres of parkland, in addition to new convention space. That multipurpose site is more complicated because it involves borrowing nearly $1.2 billion and extending five taxes on hotels and more. Because it is co-owned by the state, approval from Springfield is required. With Illinois in a budget deadlock that is nearing a full year, and the state ranked at the bottom of those with underfunded pensions, the timing could not be worse. Koch says the selling point is long-term revenue in taxes and tourism dollars, as well as that it would add to Chicago’s “meaningful group of museums and cultural assets” that make it globally competitive.

This is both an enormous opportunity to update and modernize McCormick Place,” he says. “It has this element of Lucas, but they are two separate things that would happen to be tied together financially.”

Talks are on hold until the U.S. Court of Appeals for the 7th Circuit rules on a city petition that asks for the lawsuit to be thrown out. Meanwhile, Hobson released a statement calling Friends of the Park “a small special interest group” that has “co-opted and hijacked” the process. “It saddens me that young black and brown children will be denied the chance to benefit from what this museum will offer,” she says.

She added that she and her husband “are now seriously pursuing locations outside of Chicago.” Los Angeles Mayor Eric Garcetti has already said he would welcome the museum in his city.

If the Lucases leave Chicago, it will ultimately discredit the couple’s statements about wanting to help the children there, park advocates say.

“They keep saying how committed they are to the city, but they’re not committed enough to build anywhere but the lakefront,” [Friends of the Park executive director Juanita] Irizarry says.

(4) THIS HAPPENED. N.K. Jemisin started a Patreon campaign less than a week ago and it’s been so successful she can give up her day job.

So, internets. Big changes in Noraland. For the few of you who don’t follow me on Twitter and FB, I Did A Thing. Specifically, last Friday I started a Patreon campaign with the specific goal of breaking free of the 9 to 5 life. I launched it officially at 5:35 pm on Friday afternoon, thinking nobody would much care since Friday News Dump, and thinking that would give me time to fix bugs and work out any kinks in the campaign over the weekend. Instead, to my absolute shock, I hit my baseline goal within 24 hours, and my stretch goal within 48. And it’s still going. People really, really want me to have a retirement plan, apparently.

(5) BEVERLEY OBIT. Jo Beverley passed away on May 23 at the age of 68. Though best known as a romance writer, she also wrote romances with fantasy and magic in them, was a Writers of the Future contest finalist (1988), and published in Songs of Love and Death (2010) edited by George R.R. Martin and Gardner Dozois.

(6) HEARTWARMING WOOKIEE. In “Star Wars’ Favourite Wookiee Goes Back to School”, Lee Costello of the BBC’s Northern Ireland service reports on Chewbacca’s visit to a school in County Kerry.

Chewbacca, Star Wars’ world-famous wookiee, has left pupils at a Republic of Ireland primary school star struck after landing for a visit.

The star is filming the newest instalment of the blockbuster series in County Kerry.

He took a break from the set to visit Scoil Fheirtearaigh National School in Ballyferriter on Monday.

The visit was arranged after some pupils sent impressive artwork to director Rian Johnson.

(7) AND HIS MOM. Meanwhile, Hollywood summoned a viral video maker for 15 more minutes of fame — “J.J. Abrams Surprises Chewbacca Mom”.

Candace Payne, also known as the Chewbacca Mom, took over the Internet this weekend with her Chewbacca mask and infectious laugh. In the video, Candace is sitting in her car, super excited about a purchase she just made: a Star Wars Chewbacca mask with sound. The next few minutes are her trying to contain her infectious laughter. The video broke the all-time total for most views on Facebook Live, and everyone has been talking about the joyful mom from Texas.

James Corden brought Candace out to Los Angeles to appear on The Late Late Show and surprised her with a visit from J.J. Abrams. The trio took a ride in a car, where Abrams gives Candace some notes on how to play Chewbacca, but the best part was her reaction outside of the car when J.J. first surprised her.

Video at the link.

(8) START SPREADING THE NEWS. Looks like this will be no problem in Ireland, but for everyone else IFL Science contemplates “How Do We Tell The World That We’ve Found Alien Life?”

…That’s a topic discussed in a paper from astronomers Duncan Forgan and Alexander Scholz from the University of St Andrews in Scotland (hat tip to Cosmos Magazine for picking it up). They have examined the protocols that are already in place, and have suggested ways that those involved in the discovery should prepare for the media onslaught that would accompany a tentative detection.

“A critical concern for scientists pursuing the Search for Extraterrestrial Intelligence (SETI) is the reaction of the world to the knowledge that humans are not the only technological civilization in the universe,” they write. They suggest that the “culture shock” of such a discovery will put SETI scientists under intense scrutiny, which they must be prepared for…..

“SETI scientists must be prepared to not simply announce a detection via press release, but to be a trusted voice in the global conversation that will begin after the initial announcement,” the authors write. “This will require both pre-search and post-detection protocols to be implemented.”

(9) AWARD JUDGES. In Australia, the 2016 Aurealis Awards judging panels have been selected.

There’s a panel for every category – which means a lot of judges. Scroll down to see the judges’ bios.

(10) TRUER GRIT. Damien Walter believes Dune Deserves A New Film Adaptation”.

Dune’s cinematic qualities have made it a natural target for Hollywood adaptations. But the Lynchian weirdness, followed by a lacklustre mini-series, have left the franchise in a televisual limbo for most of the last two decades. Herbert’s own sequels, while conceptually interesting and widely loved by established fans, lack the storytelling muscle displayed in the first book. A risible series of cash-in prequels have dragged the Dune universe down to the bargain basement of pulp fiction. It’s a sad legacy for such a significant work of fiction.

(11) TROLL HOIST. Death and Taxes did an overview of Chuck Tingle’s Hugo nomination that ends with this paragraph:

Luckily these goons didn’t know who they were dealing with. This is Chuck Tingle, leading author of gay dinosaur erotica, licensed massage therapist, and outspoken enthusiast of hardness and love. Nobody nominates him for a prestigious award and gets away with it.

(12) ANOTHER FINE MESS. There’s reason to be interested in Charlie Jane Anders’ impressions about the field, despite the post ignoring the copious documentation available to answer its strawman question: “One way of looking at the Hugo Awards mess”.

So we’re once again having Hugo Awards drama. It’s confusing, because the people who packed the ballot with their choices have a bunch of vague explanations about why they’re upset. (Ranging from “OMG SJWs” and “affirmative action” to “we just want fun stories.”) They generally keep their grievances vague and nebulous (no pun intended), and it’s hard to pin down what they’re upset about. And this year, they changed tactics slightly, putting more “mainstream” choices on the ballot except for some of the short fiction categories.

So I figure one useful way to look at this issue is to ask: What’s changed? If there’s a group of people who are upset, what recent changes could possibly account for their being upset? Here are a few things that occur to me….

(13) AT WISCON. I see a lot of tweets promoting people’s panel appearances, but rarely one so artistic.

(14) THE SIGN OF THE Z. John Z. Upjohn joined Twitter today. The cause was soon revealed.

Alexandra Erin explained in a GoFundMe appeal update:

And because you all pitched in enough to cover airfare for WorldCon before I head off to my current con, Mr. John Z. Upjohn will be providing live twitter commentary of the event [WisCon]…

Erin also delivered another Sad Puppies Review Books installment once the fundraiser hit $300 (it’s now at $775) – Upjohn’s take on The Cat in the Hat.

The Cat in the HatThe protagonist of the book is a cat who develops games, games that are fun (like all games should be), and who wants nothing but to share them with children who are bored. Not so fast, cat! There is a game critic in the house, a fish who is clearly used to thinking of himself as a big fish in a small pond.

I almost threw this book across the room at one point, because the cat is playing a game and he is clearly having a lot of fun, but the fish says, “NO! THIS ISN’T FUN!” Imagine hating fun so much that you lie about what’s fun in order to ruin a game for everyone else….

(15) PRONOUN STICKERS. WisCon 40 registration will have pronoun stickers available.

Hihi!  I want to take a minute to talk to you about an exciting option we’re offering at Registration this year: pronoun stickers!

We offered them last year and got a lot of reaction, so here’s the explanation:

Pronoun stickers are totally optional to wear. You don’t have to declare anything to anyone. You don’t have to wear the same sticker all weekend. These exist to make it easier for all of us to treat each other respectfully.

If someone IS wearing a pronoun sticker, we expect you will use that pronoun for them. Part of our social contract is kind and respectful treatment of each other, and there are few things that feel as terrible as being misgendered ON PURPOSE. If you make a mistake, just correct yourself and move on…..

 

Options. God bless WisCon. #WisCon

A photo posted by Monica Byrne (@monicabyrne13) on

(16) TOMORROW IS TOWEL DAY. The annual tribute to Douglas Adams, Towel Day, takes place on May 25.

Naturally there are dedicated social media sites– a Facebook page or a Flickr group, and a way to tag videos on YouTube.

There are also hybrid events with in-person and internet components like Lofty Pursuits’ Vogon Poetry Slam. You have only a few hours left to enter online.

If you are in Tallahassee, please come and enter the International Vogon Poetry Slam. It is a contest for the worst possible poem. It happens at 8pm on May 25th as part of our Towel Day celebrations. If you are coming in person DO NOT ENTER ON-LINE. You will get to read your own poem live in front of your victims. The rules are the same….

The Vogon Poetry contest. Rules: The worst original poem will win as judged by us. No appeal is possible.

Sent to vogon@pd.net to be considered for this contest. We must get the poems by midnight on the 24th, Eastern Daylight Time (GMT-5). Late entries will go to the spam folder.

(17) TODAY’S BIRTHDAY BOY

  • Born May 25, 1686 — Polish inventor Gabriel Fahrenheit

(18) NAMING CALLS. Rachel Swirsky considers short story titles in “What should I have titled this essay? (Thoughts on John Joseph Adams’ ‘Zen in the Art of Short Fiction Titling’”).

Titles That Come From the Text

John starts the article by noting several titles that he suggested to authors that he’s published in his magazines and anthologies. He discovered these titles “right there in the text of the stories themselves. When I’m reading or editing a story, I frequently highlight evocative phrases I come across that I can later suggest to the author as a possible alternate title. Sometimes the phrasing isn’t quite right for the title, but it’s something that can be massaged, or combined together with another phrase from elsewhere in the story, that somehow captures the essence of what the story is about.”

I used to do the large majority of my titling this way until I started my MFA program at Mills, where the teacher told me what John Joseph Adams brings up next: “I should note that some writing professors—including notable literary giants—advise against this practice, largely because, they say, doing this puts too much emphasis and meaning on the eponymous phrase when the reader comes across it in the story.”

(19) DON’T CALL ME ISHMAEL. “Moby goes where Brian Eno, and his ancestor Herman Melville, went before” at the LA Times.

As a famously brainy electronic musician — and a descendant of literary royalty — Moby had plenty of lodestars he might have looked to while writing his first book.

There was, for instance, Brian Eno, the pop experimentalist who reflected on his work with U2 and David Bowie in his 1996 volume “A Year With Swollen Appendices.” And the distant ancestor from whom Moby got his nickname: “Moby-Dick” author Herman Melville.

In reality, the DJ and producer best known for 1999’s multi-platinum “Play” album took inspiration from a more unlikely source: Duff McKagan, the tattooed bassist in Guns N’ Roses.

“Honestly, I’d never given much thought to the guy before I read his memoir,” Moby said on a recent morning at home in Los Feliz, referring to “It’s So Easy (and Other Lies),” in which McKagan writes frankly about the excess and the illusions of show business. “But he wrote a book that’s good enough that it transcends the fact that I wasn’t interested in him.”

(20) BLAME OF THRONES. Juliet McKenna has her own tangle of pop culture references to work through — “Sansa Stark’s joined the X-Men? Thoughts on popcultural cross contamination”

I’ve yet to see the X-Men Apocalypse movie, so I can’t comment on Sophie Turner’s performance. Her work on Game of Thrones – especially at the moment (NO spoilers in comments please!) – gives me every reason to expect she’ll do a thoroughly good job.

The thing is, though, this is becoming A Thing for me. An amusement at the moment, rather than a distraction, but definitely A Thing.

I caught a trailer for A Knight’s Tale on the TV last week, which is one of my favourite movies. Now though? That’s the one where Robert Baratheon makes The Joker’s armour while The Vision bigs him up to the crowd…

(21) DISCO SCI-FI. Thomas A. Foster looks back at the Seventies in “Sci-Fi TV of the Disco Era: The Grounded Astronaut” on Pop Matters.

…Another key to understanding the sci-fi of the era: the shrunken profile of space exploration. In the ‘60s, NASA was perhaps the most popular Federal project, partly because fallen leader John F. Kennedy was associated with the “space race”. Television covered every moment leading up to the first moon walk in 1969, and Hollywood pitched in with movies and TV shows (I Dream of Jeannie, Star Trek, the made-in-England 2001: A Space Odyssey). The Jetsons had a dog named Astro, and Houston chose the same name for its new baseball team, which played, of course, in the Astrodome.

As our radio-alarm-clocks flipped to the ‘70s soundtrack, however, the Apollo Program was curtailed by budget cuts and sharply declining interest. The scientific idealism of the ‘60s was victim to chronic civil unrest, distrust of authority, and general exhaustion, as Americans turned to self-improvement (meditation, back-to-the-land/find-your-roots trends); hedonism (swinging, cocaine, disco); and all things para- (the paranormal, paranoia), including persistent rumors that the moon landings had been faked. In keeping with the zeitgeist, most of our TV astronauts of the decade would be lost, passive, or grounded….

[Thanks to John King Tarpinian, Martin Morse Wooster, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/3/16 The Seven Pixel Scrollution

(1) JEOPARDY! Funny how fandom has gone from being the contestants to being the answers…. On the May 3 episode of Jeopardy! one of the answers was —

In A Storm of Swords, he acknowledged “Phyllis, who made me put the dragons in it.”

The correct question would be “Who is George R.R. Martin?” But the clue is Phyllis Eisenstein.

Martin discussed this on a panel at Chicon 7 in 2012.

The dragons were one aspect that I did consider not including. Very early in the process, I was debating, should I do this just as like historical fiction about fake history, and have no actually overt magic or magical elements, but — my friend Phyllis Eisenstein, a wonderful fantasy writer who lives here in Chicago, I happened to be talking to her at very early stage in the process. Phyllis has written some great fantasies herself. She said, “Nah, you have to have dragons. It’s a fantasy, you know!” And I dedicated A Storm of Swords to Phyllis, who made me put the dragons in, and I think that was the right thing to do.

(2) TERMS OF UNDEARMENT. Kukuruyo’s image of Ms. Marvel has been pulled from DeviantArt. And on his own site, the Project Wonderful ads have been pulled on the page that displays the image. Did he violate the Terms Of Service?

(3) OFF THE CHARTS. The map found in illustrator Pauline Baynes’ copy of The Lord of the Rings has a new home reports The Guardian — “Tolkien annotated map of Middle-earth acquired by Bodleian library”.

Here be dragons – and wolves, bears, witches, camels, elephants, orcs, elves and hobbits.

A map of Middle-earth, which to generations of fans remains the greatest fantasy world ever created, heavily annotated by JRR Tolkien, has been acquired by the Bodleian library in Oxford to add to the largest collection in the world of material relating to his work, including the manuscripts of The Hobbit and The Lord of the Rings trilogy.

The annotations, in green ink and pencil, demonstrate how real his creation was in Tolkien’s mind: “Hobbiton is assumed to be approx at latitude of Oxford,” he wrote.

(4) CLIMB EVERY MOUNTAIN. BBC News has a story about a a member of the 501st climbing England’s highest mountain. A Star Wars fan who walked to the tops of Snowdon and Ben Nevis while dressed as a stormtrooper plans to tackle England’s tallest mountain.

Ashley Broomhall hopes to make the trek on Wednesday, the date of which – May the fourth- is often linked to the Star Wars phrase “May the force…”

He will wear his stormtrooper armour for the walk up 3,208ft (978m) Scafell Pike in the Lake District.

(5) AMAZONIAN TOSSER. Heather Rose Jones “tosses a little numbers-geekery” at the question of what it means for a book to have only really really good reviews on Amazon. (Spoiler: She says it means your book isn’t getting out enough.)

You know who has spent a very long time in the top 10 books sold in Historical Fantasy? Diana Gabaldon’s Outlander. Do you know how many one-star reviews Outlander has on Amazon? 749. Seven hundred and forty-fucking-nine one-star reviews (4% of the total). No book is universally beloved.

(6) CHINA BOUND. Martin L. Shoemaker posted his good news on Facebook:

Now that the contract has been signed, I am very honored to announce that “Today I Am Paul” will appear in Science Fiction World, the Chinese science fiction magazine, as part of their new series of Hugo/Nebula nominees.

(7) CROWDFUNDING AEROSPACE HISTORIAN. You can support Dr. Jim Busby by helping fund his travel to Spacefest VII.

Help Us Keep Our Aerospace Heritage Alive

From June 9 – 12 2016 Spacefest VII , a reunion of legendary NASA astronauts, engineers, famous space scientists, authors, astronomers, space artists, and fans produced by Novaspace, will be held in Tucson, AZ.

Dr. Jim Busby Aerospace Historian, educator and board member of Aerospace Legacy Foundation (ALF) in Downey, CA has been invited to be a guest lecturer and to do a memorabilia display. Unfortunately, ALF being a small non-profit organization cannot afford to send Dr. Busby, his wife and other members of the organization to Tucson. That is why we are turning to aerospace enthusiasts to help fund this trip. Dr. Jim Busby’s extensive knowledge of aerospace history has educated many over the years. In 1978 he helped create the world’s first Apollo lunar reenactments and worked at the California Science center for 19 years.

“I enjoy educating children and adults in our long fascination with space exploration,” Busby commented. “Inspiring children when I talk about Apollo lunar exploration is an experience beyond words.”

The GoFundMe has raised $645 of its $2,500 goal at this writing.

(7) JURY DUTY. Mary Anne Mohanraj announced on Facebook that jurors are needed to review grant applications for Speculative Literature Foundation.

JURORS NEEDED: The Speculative Literature Foundation is looking for ten volunteer jurors willing to read applications (a few pages each, including a writing sample) over the space of about a month for our Diverse Writers Grant and our Diverse Worlds Grant. The grant deadline is at the end of July, so you would need to have time available in August to read and discuss. In order to be considered, potential jurors should be writers, editors, teachers, or readers with broad knowledge of the genre, who are capable of judging literary quality in a work.

If interested, please send a brief note to our director, Mary Anne Mohanraj, mohanraj@uic.edu, with the subject line: JUROR. Include a few lines on what your qualifying background would be for serving as a juror. Thank you for your interest, and for your support of science fiction and fantasy!

More information about the Diverse Writers and Diverse Workds grants at the link.

(8) SOUND RETREAT. John C. Wright takes “A Polite Retreat from Combat”.

Mr. George R.R. Martin here (http://grrm.livejournal.com/485124.html) has taken the time out of his busy writing schedule to rebut my comment where I rebuked him for characterizing the Sad Puppies reading list of last year as ‘right-wing’ and ‘weak’, a statement published in the Guardian newspaper.

My reply, humbly enough, was that my work was unweak enough to have sold at least one example to him. He responds by chiding me for being insufficiently humble: as if making a sale to George R.R. Martin were not indeed a matter for pride.

He and I (or so I thought) had an agreement to smooth over our puppy-related sadness.

In the spirit of that agreement, I plead nolo contendere to his allegations, in the hope that if I say nothing but this in reply, he will return to his writing, and tell me and his other fans the final fate of Westeros.

The years fly like autumn leaves, and life too short for such fare. Winter is coming.

(9) RITUALLY UNCLEAN. Sami Sundell calls it “Overemphasizing the Taint”.

…I’ve also seen some more dire messages. For example, Steve Davidson listed nominations sans puppy taint. Matthew M. Foster had an even stricter stance and called the awards Vox Awards. And that’s what really hit my nerve….

So who cares if one of the nominees is Ann Leckie‘s Ancillary Mercy, the final part of the trilogy that started with Hugo winner Ancillary Justice – a book that has been much reviled by the Puppies. Mercy was on Sad Puppies recommendation lists so it’s tainted. Same apparently goes for Uprooted by Naomi Novik.

And Vox Day, apparently all by himself, decided Seveneves by Neal Stephenson is worthy of a Hugo nomination. You know, the multiple award winner Neal Stephenson? And a book that was pre-emptively put into mind blowing science fiction list of io9 in January 2015? Expectations were high, and I’ve seen plenty of reviews saying those expectations were met, and then some.

Same goes for Alastair Reynolds’ Slow Bullets and Lois McMaster Bujold‘s Penric’s Demon. McMaster Bujold has won or been nominated for Hugos more times than I have fingers. Is it really so hard to believe she would write yet another masterpiece?

…No. Saying Day made some OK choices is not surrender. That blog entry is surrender. It gives all the power to Vox Day, it ignores the quality of works, and it claims fans had no say in the nominations. That sounds awfully lot like the arguments we’ve heard from Puppies for several years….

(10) TROLLFIGHTING SPACE KITTEN. Spacefaring Kitten would deal with the ballot this way — “On Fighting Trolls and Going to Have to Ask Kevin Standlee”.

Rule changes are slow, however, so they don’t help in the current situation — where we indeed have a hostile takeover by trolls who have stated explicitly that their intention is to destroy the award. Among the Hugo finalists, there are works that include blatant hate-speech, fat-shaming, misogyny et cetera. Overall, it’s more horrible than last year, when the voters had to mostly just stomach bad writing (this year, the level of writing is probably much higher).

The works I’m referring to here are of course the short story “If You Were an Award, My Love” and the related works SJWs Always Lie, “The Story of Moira Greyland” and “Safe Space as Rape Room” (and maybe the work of the fan artist “Kukuruyo”). These are ugly works manufactured to harass individual members of the SFF community or groups of people that the Rabid Puppies contingency happens to love harassing (women, LGBTI community and so on).

So, what could be done about them? Unfortunately, not much.

After reading the WSFS constitution, I came up with only two things. If I was running the Worldcon (which I’m not, of course), I would:

  1. Not include them in the Hugo voter packet. (There are zero rules about the voter packet, so it would be completely possible for the Worldcon to exclude the works mentioned above.)
  2. Insert onto the online voting form a statement that says “Midamericon II condemns the hate-speech/whatever featured in Finalist X”.

(11) SUTHERLAND CONTINUES. Meanwhile, Doris V. Sutherland is still working on her category-by-category discussion of last year’s results in “2014 Hugos Versus 2015 Sad Puppies: What Could Have Been, Part 1” at Women Write About Comics.

So, let me restate that the works on these longlists are the works that received the highest number of votes during the Hugo nomination process without being on either the Sad Puppies or Rabid Puppies slates. I have seen no evidence to justify suspicion of any conspiracy or wrongdoing on the part of George R. R. Martin or anyone else involved.

That said, I also have to question the claim made by certain Sad Puppies opponents that these longlists show us exactly what the Hugo ballot would been had the Sad Puppies campaign never existed. This interpretation ignores the fact that some of the Puppy picks could quite conceivably have made the final ballot even without the aid of the campaign. Nevertheless, a look at the longlist will at least give us a good idea of how the ballot would have looked without Puppy slating—and an idea is all we can have.

Best Short Story

“Jackalope Wives,” by Ursula Vernon

One of the 2014 nominees in this category was Sofia Samatar’s “Selkie Stories are for Losers,” which riffed on the folkloric motif of the animal bride. Interestingly enough, one of the contenders for the 2015 award plays with the same theme—albeit with very different results.

Ursula Vernon constructs her pseudo-folkloric story from specifically American materials, lending it a folksy tall-tale feel. It takes place in a world where young men periodically go out and hunt for jackalopes—which, in Vernon’s conception, are more than just antlered bunnies. Once they remove their fur, they take on their true forms as beautiful, unearthly women. As per animal bride tradition, any prospective suitor must steal a jackalope’s fur before he can win her as a bride, and burn it to prevent her from changing back and escaping.

So far, so conventional. But while folktales of this type are often told from the point of view of the man, with the bride’s disappearance seen as a sad occurrence, Vernon sheds light on how rotten the scenario must be for the woman. The protagonist of “Jackalope Wives” learns the ugly truth behind the legend when he tries to burn a jackalope’s fur; her resulting screams of pain cause him to have second thoughts, inadvertently leaving the woman trapped halfway between human and animal. The manic pixie dream girl has had her wings cut off.

“Jackalope Wives” is true to its folkloric roots while simultaneously offering a contemporary spin on the age-old material. A deserving contender for Best Short Story.

Sutherland also drew a “salute” to GamerGate Life.

(12) AGAINST HATRED. Jon Tully at GeeksOut tells “How Hatred Is Hurting the Hugos”.

…This year, the Rabid puppies doubled their votes and succeeded in nominating 62 out of 80 stories that they backed. And are these stories that reflect where our culture is headed? Are they stories about inclusivity, empathy, and reflection?

No. They are stories such as “SJWs Always Lie: Taking Down the Thought Police” a story about “social justice warriors” (penned by Beale himself), “If You Were an Award, My Love” by Juan Tabo and S. Harris, (a direct spoof on the gay-affirming “If You Were a Dinosaur, My Love”),  “Safe Space as Rape Room” by Daniel Eness (published by Castalia House) and, my personal (sarcastic) favorite, Space Raptor Butt Invasion by Chuck Tingle, which has all the literary merit the title suggests.

If the judges were willing to deny awards in five categories last year, what is it going to look like this year? Will any awards be given? Will authors begin to gravitate away from the Hugos towards the Nebula or the Locus Awards?

Will this be the death of an institution I love?

As Edmund Burke once said, “The only thing necessary for the triumph of evil is for good men to do nothing.” And while these oft-repeated words can seem passé (and a little too gender-specific), there is, of course, a core of truth. The reason that we’re in this situation is because the various Puppies were able to rally enough hate to their side to be heard.

But the fact that sours my stomach is not that small-minded children were able to throw a tantrum and get their way, it’s that, by doing so, they’re hijacking the narrative of our era. Metaphorically speaking, the Rabid Puppies are wedging their intolerance into a time capsule that future generations will open, and societies not yet born will see and be ashamed of.

(13) WORD BALLOONS. At this link you will find what seems to be popularly regarded as “the best superhero story ever.” And at minimum it’s pretty funny: http://imgur.com/a/czaDD

(14) FLIGHT TO THE FINNISH. Zen Cho can’t resist temptation.

(15) FRED POHL IS HERE. The Traveler from Galactic Journey has the latest ancient prozine news: “[May 3, 1961] Passing the Torch (June 1961, Galaxy, 2nd Half)”.

Fred Pohl came on last year.  He was not officially billed as the editor, but it was common knowledge that he’d taken over the reigns.  Pohl is an agent and author, a fan from the way-back.  I understand his plan has been to raise author rates again and bring back quality.  While he waits for the great stories to come back, he leavens the magazines with old stories from the “slush pile” that happen not to be awful.  In this way, Galaxy showcases promising new authors while keeping the quality of the magazine consistent.

The June 1961 Galaxy is the first success story of this new strategy.

Last issue, I talked about how Galaxy was becoming a milquetoast mag, afraid to take risks or deviate far from mediocrity.  This month’s issue, the first that lists Pohl as the “Managing Editor,” is almost the second coming of old Galaxy — daring, innovative, and with one exception, excellent.

Take Cordwainer Smith’s Mother Hitton’s Littul Kittons, in which an interplanetary ring of thieves tries to steal from the richest, and best defended planet, in the galaxy.  Smith has always been a master, slightly off-center in his style; his rich, literary writing is of the type more usually seen in Fantasy and Science FictionKittons is ultimately a mystery, the nature of the unique (in name and nature) “kittons” remaining unknown until the last.  A brutal, fascinating story, and an unique take on the future.  Five stars.

(16) DABBLING IN THE DEBACLE. Amanda S. Green asks “What do you want?” at Mad Genius Club.

…the Hugo debacle. Yes, debacle. There is no other way to describe it. Whether you support the idea that the Hugos are a fan award (which I do since you buy a membership to WorldCon in order to vote and anyone with the money can do so) or a “literary” award (which, to mean, would require it to be a juried award in some fashion), I think we all can — or at least should — agree that Hugo should not be exclusionary. If you can afford the money for the membership, you should be able to vote and your vote should have the same weight as the next person’s. Until the rules are changed, that is how it should be.

So imagine my surprise yesterday when I was looking through Facebook and came across a post from one of the puppy-kickers — and I am looking straight at you, Mr. Amazing Stories — saying that the committee should go in and look at all the ballots. Any ballot cast by a puppy should be thrown out. (And he even adds to his comment “screw privacy”, which had been one of the concerns last year’s committee had when they were asked to release the voting data.). But that’s not enough for him. He advocates never letting a “puppy” buy a membership to WorldCon again. There’s more but you can go look for yourself — assuming the post is still there. It is dated April 26th and was posted at 7:24 pm.

Needless to say, when I saw this, I didn’t know whether to laugh or cry. Laughter because these sorts of comments show the hypocrisy of those who are “fighting the good fight” against those evil Sad and Rabid Puppies. We are called all sorts of names because, as they claim, we want to exclude message and “marginalized” people from the genre. Yet here one of their most vocal supporters is doing exactly what they claim we are doing. He is saying we should not be allowed into the same room with the Hugos. Note, he is not only saying that we shouldn’t be allowed to vote for their beloved award but tat we should not be allowed to attend WorldCon.

Sounds pretty exclusionary to me. How about you?

(17) HE’S EXCITED. More from Shamus Young about his Hugo nomination in a podcast on his site. The show notes say:

01:08 Shamus is up for a Hugo Award

Here I talk about the fact that I’ve been nominated for a Hugo, and I briefly mention the controversy the Hugos have been having for the past two years. I don’t want to talk about the controversy here. In fact, the no politics post was written specifically in anticipation of this discussion.

If you’re looking for more information: On WIRED there’s this post entitled Sci-Fi’s Hugo Awards and the Battle for Pop Culture’s Soul, which seems to be the one everyone links when trying to bring people up to speed on this. However, like a lot of Wired articles this one feels like the author was paid by the word. It’s long on anecdotes, it takes forever to get to the point, it’s broad and hyperbolic, and for all the words it spends it never feels like it gets down to details.

I found this one much more useful: A Detailed Explanation by Matthew David Surridge, explaining why he declined his Hugo nomination last year. It is also long – I’m afraid you can’t really do the topic justice in a couple of paragraphs – but instead of spending its word count on stories, he just takes up one side and argues for it. In the process he kind of maps out a good deal of both sides[1].

I’m excited to be nominated for a Hugo. I’m excited that videogames are being recognized and encouraged in their pursuit of sci-fi stories. I’m dreading dealing with people who don’t respect my no politics rule and are just looking for an opportunity to unleash the anger they’re hauling around. I think accepting the nomination is the most diplomatic thing to do, and win or lose I’m grateful for everyone who thinks my work has merit.

(18) COUNTING TO ZERO. The Locus Awards navigated around the worst rocks and shoals of the puppy lists only to incur criticism about the composition of the YA Novel finalists.

(19) NEW POPULAR FICTION MFA. Emerson College in Boston is starting a new Masters of Fine Arts in Popular Fiction Writing and Publishing in Fall 2016. It will be a fully online program designed for students who want to pursue a career as a writer of novels in the genres of fantasy, science-fiction, horror, mystery, thriller, or young adult.

The program will enroll a cohort of 12 students in order to provide individual attention and coaching. The two-year accredited MFA program will be housed in Emerson’s nationally known Department of Writing, Literature and Publishing.

The MFA in Popular Fiction Writing and Publishing is one of the first online writing programs to prepare students to write professional-level stories and novels in a variety of fictional genres and provides an opportunity for students to read deeply, think critically, and discuss popular fiction with peers. Students will have the experience of participating in creative workshops and literature courses that focus on the history of various popular genres. Additionally, hands-on publishing courses will teach students how to turn a completed manuscript into a polished, publishable work. Emerson’s publishing faculty will offer insights on the avenues available for students to publish their work, from finding and working with literary agents to self-publishing to reaching a wide readership through trade publishers.

For more information, visit the MFA in Popular Fiction Writing and Publishing web page or contact John Rodzvilla, graduate program director, at john_rodzilla@emerson.edu or 617-824-3717.

(20) PUPPY DISAMBIGUATION. Don’t miss the rollover in Trae’s cartoon “The inevitable outcome”.

(21) UNKNOWN TRAILER. The first trailer for Approaching the Unknown has been released, a movie starring Mark Strong and Luke Wilson.

(22) TOLKIEN TALK. Terri Windling will lecture about Tolkien in Oxford on May 26.

Pembroke Tolkien lecture

(23) PAYING BACKWARD. Rachel Swirsky has a plan for getting through these parlous times which she shares in “Making Lemons into Jokes: ‘If You Were a Butt, My Butt”.

In my family, humor has always been a way of putting crap into perspective. When life hands you lemons, make jokes. And then possibly lemonade, too. It is coming up on summer.

In that spirit, I’m trying a self-publishing experiment. And that experiment’s name is “If You Were a Butt, My Butt.”

If my Patreon reaches $100 by the end of the month, I will write and send “If You Were a Butt, My Butt” to everyone who subscribes. If things go well, I’ve got some stretch goals, too, like an audio version.

I will be donating the first month’s Patreon funds to Lyon-Martin health services. Lyon-Martin is one of the only providers that focuses on caring for the Quiltbag community, especially low-income lesbian, bisexual, and trans people. They provide services regardless of the patient’s ability to pay.

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[And that’s the end! Thanks to John King Tarpinian, James David Nicoll, Mark-kitteh, DMS, Chip Hitchcock, Cat Rambo, Hampus Eckerman, Mike O’Donnell, Glenn Hauman, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]