Pixel Scroll 4/5/24 Scrolling To Filezantium

(1) YES, THE EARTH MOVED FOR HIM, TOO. Andrew Porter felt the “Room shaking, things vibrating” at his place in Brooklyn this morning, effects of a magnitude 4.7 earthquake that struck Central New Jersey around 10:23 a.m. Eastern. “I’m still shaking with adrenaline rush,” he wrote shortly after (a line repeated in the Brooklyn Eagle’s coverage.)

Many in the area’s sff community posted to social media about the experience. Bo Bolander’s tweet is a good example.

(2) TOTAL E-CHIPS. Get ready for our next cosmic disturbance. “Sun Chips eclipse flavors: You will have less than 5 minutes to score limited-edition chips” – details at AL.com.

Sun Chips is releasing a limited-edition flavor of chips in honor of the April 8 eclipse.

The chip brand is releasing Pineapple Habanero and Black Bean Spicy Gouda, a blend of ingredients with a nod to ” sunny skies and bright days ahead while nodding to the moon with a cheesy touch.”

The new flavor will be available on SunChipsSolarEclipse.com and fans can get their hands on the chips beginning at 1:33 p.m. CST on April 8 as supplies last….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to join writer Sunny Moraine for dinner on Episode 222 of the Eating the Fantastic podcast.

What brought us together again this year for our second full-length conversation was the release of their novella Your Shadow Half Remains, a chilling tale which I hope members of the Horror Writers Association will keep in mind next year when it’s once again time to nominate for the Bram Stoker Awards. I loved the book and wanted to get together and discuss what made it tick, so we met for dinner at Commonwealth Indian restaurant, the venue for two of my earlier culinary chats — Paul Kirchner in Episode 109 and Sheree Renee Thomas in Episode 196.

Sunny Moraine

We discussed how the short story version of Your Shadow Half Remains exploded into a novel (and whether either of them would have existed at all without COVID-19), why pantsing is good but can sometimes become a nightmare, the way stories come to them cinematically,  several questions to which I didn’t want to know the answers but only whether they knew the answers, the unsettling demands of Skinamarink, why we both love ambiguity but most of the world doesn’t, how to interpret and when to implement the feedback of beta readers, the writerly gifts given to us by our subconsciouses,  why their short story days seem to be behind them, the two reasons they hate the process of titling their tales, and much more.

(4) NO SWIPING, SWIPER. The Verge heard it from the top: “The Disney Plus password-sharing crackdown starts in June”. Password sharers will be contacted by the Disney+ streaming service to increase signups and revenue.

Disney Plus already has rules in place to prevent subscribers from sharing their passwords — but now we have an idea when it will start making users pay to share them. In an interview on CNBC, Disney CEO Bob Iger says the company plans on “launching our first real foray into password sharing” in June.

… During an earnings call in February, Disney’s chief financial officer, Hugh Johnston, confirmed that subscribers “suspected of improper sharing” will see a prompt to sign up for their own subscription this summer. Subscribers will also be able to add members outside their household for an “additional fee,” but Disney still hasn’t provided any details on how much this will cost.

(5) GENERALS, ADMIRALS, AND VADERS – OH, MY! Perhaps not coincidentally, “Star Wars Announces Surprise New Disney+ Show Releasing Next Month” reports The Direct.

…In a surprise announcement, Lucasfilm confirmed a new Star Wars series will premiere on Disney+ on Saturday, May 4 with Tales of the Empire.

The all-new Disney+ series comes in the style of last year’s Tales of the Jediwith six animated shorts – half of which focussed on the rise of Ahsoka Tano while the other three explored the downfall of Count Dooku.

The announcement came with an official poster featuring Barriss Offee, Morgan Elsbeth, the Grand Inquisitor, General Grievous, Darth VaderGrand Admiral Thrawn, and more icons of the Empire who will appear in the six shorts….

…Episode runtimes for Tales of the Jedi ranged from 13 to 19 minutes including credits, and the same will likely prove true in the dark side-centric second season…

(6) HERE’S ROCK IN YOUR EYE. CBR.com remembers the amusing time “When Superman’s Editor Called Out The Twilight Zone for Ripping Off Bizarro” at CBR.com.

… However, by 1961, it is likely that Mort Weisinger, the famed editor of the Superman family of titles (and the guy who made letter columns a big thing in the late 1950s/early 1960s, well ahead of Stan Lee and Marvel Comics), was perhaps a BIT too confident in the fact that people were copying Superman, as when a fan tried to claim that Rod Serling’s famed science fiction TV series, The Twilight Zone, was copying Bizarro World from the Superman comic books, Weisinger actually agreed!…

…In November 1960, The Twilight Zone aired the sixth episode of its second season, titled “Eye of the Beholder” (interestingly, a guy who made a popular documentary for schoolkids by that name complained, and when the episode was rebroadcast, it was retitled “The Private World of Darkness”). It is about a young woman who requires plastic surgery, because her face is apparently hideous…

The article reminds readers in detail what the Bizarro World was about, then finishes by telling how the very next issue of Superman comics followed with a send-up of Rod Serling.

(7) ONE BIG MISSTEP FOR MANKIND. If you’re feeling too happy today Vox’s Sigal Samuel can help fix that. Just read “3 Body Problem: The Netflix show’s wildest question isn’t about aliens”.

Stars that wink at you. Protons with 11 dimensions. Computers made of rows of human soldiers. Aliens that give virtual reality a whole new meaning.

All of these visual pyrotechnics are very cool. But none of them are at the core of what makes 3 Body Problem, the new Netflix hit based on Cixin Liu’s sci-fi novel of the same name, so compelling. The real beating heart of the show is a philosophical question: Would you swear a loyalty oath to humanity — or cheer on its extinction?

There’s more division over this question than you might think. The show, which is about a face-off between humans and aliens, captures two opposing intellectual trends that have been swirling around in the zeitgeist in recent years.

One goes like this: “Humans may be the only intelligent life in the universe — we are incredibly precious. We must protect our species from existential threats at all costs!”

The other goes like this: “Humans are destroying the planet — causing climate change, making species go extinct. The world will be better off if we go extinct!”

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 5, 1917 Robert Bloch. (Died 1994.) Robert Bloch wrote some thirty novels, hundreds of short stories, countless television scripts including ones for the Alfred Hitchcock HourI SpyThrillerThe Girl from U.N.C.L.E., and, of course Star Trek. I’ll discuss his Alfred Hitchcock Hour and Star Trek work in a moment. 

Robert Bloch

What is the perfect piece by him? Oh that’s easy, it’s “The Hellbound Train” first published in The Magazine of Fantasy and Science Fiction (September 1958) and winner or a Hugo at Detention. It’s definitely the short story I’ve read the most, and I’ve even listened to the audio version made in the Sixties. 

What next? I’m very fond of Night of the Ripper which incorporates not unsurprisingly actual historical personages such as Arthur Conan Doyle into the investigation of Inspector Abberline. I consider it the best fictional look at this real-life mystery. 

Of, if I liked that, I’d would naturally find “Yours Truly, Jack the Ripper” also fascinating. It was first published eighty-one years ago in The Mystery Companion anthology which was edited by A. L. Furman. It was made into an episode of the Boris Karloff-introduced Thriller. It’s in the public domain, so you can watch it here.

Next is The Jekyll Legacy. This was co-written with Andre Norton and meant to be a sequel to The Strange Case of Dr. Jekyll and Mr. Hyde. Young niece, mysterious estate, the matter of her uncle, Dr. Jekyll, possibly still being around. Not really horror, and quite entertaining. 

As I’m not a horror fan, I’m going to skip such an offering as Psycho as a novel but I’ll discuss in media but where I do think he excelled in the writing of short stories. But unfortunately none of his short story collections including the excellent three volume Complete Stories of Robert Bloch made it into the usual suspects yet and their price on the secondary market is frankly obscene. 

Now for his media involvement. Let’s see what’s interesting. 

Psycho is his major genre or genre adjacent work depending on how you want to consider it. Based off his novel, it’s damn scary — I’ve seen it once, which was quite enough. Hitchcock did a great job of filming the Joseph William Stefano script.

His next genre adjacent work was scripting ten episodes of Alfred Hitchcock Presents. They were mysteries verging on thrillers at times with occasionally a bit of horror thrown in. Blochian goulash.  One of those episodes was “The Sorcerer’s Apprentice” which is you can view here as it’s in the public domain.

During this time he also wrote the screenplay for The Cabinet of Caligari which is only very loosely related to the 1920 German silent film. Some sources say that he was not at all happy working on this project. 

He write an episode each for I Spy, “There was A Little Girl” and The Girl from U.N.C.L.E., “The Foundations of Youth Affair”. 

You all know that he penned three scripts for the Trek series, “What Are Little Girls Made Of?”, “Wolf in the Fold”, yet another Jack the Ripper story, and “Catspaw”. I think all three episodes are fine but the latter two are more interesting as stories.

He did two episodes of UK Hammer Films’ Journey to the Unknown series. The episodes were “The Indian Spirit Guide” and “Girl of My Dreams”. 

I’m skipping his Sixties scripting because, after looking up the films and reading reviews of them, I realized how minor and inconsequential they were as films. Torture GardenThe House That Dripped Blood?  Really? 

He wrote an episode of Night Gallery, “Logoda’s Head”; he scripted three episodes each of Tales from the Darkside and MonstersThe Cat Creature that he scripted gives us a mysterious black cat that may or not be be evil; he wrote an episode for The Hunger. So did you know there was a Return of Captain Nemo miniseries? Well Bloch penned one episode,” “Atlantis Dead Ahead” in collaboration with Larry Alexander.

(9) COMICS SECTION.

(10) THE MEDIA PRESERVES THE MESSAGE. Learn about “The Secret Language of a Tube of Paint” at Colleen Doran’s Funny Business.

Many people are confused and intimidated by paints. Alcohol markers are so much easier to use and require no special knowledge to get going. They are convenient for comps and quick original art made for when you don’t have to worry about the longevity of your originals.

I’ve seen many marker works fade badly over time, including mine. Almost every piece I ever owned by my mentor Frank Kelly Freas, some of them dating back to the 1950’s,  was destroyed by time. I am grateful that I stopped trying to do major works with graphic arts tools years ago. Even without exposure to light, they fade or crack. 

Interestingly, cheap markers I had when I was a kid have lasted longer than the expensive designer markers I used as an adult! Price has nothing to do with longevity!

FYI, I have not used alcohol based markers in about ten years. I have seen fading on works that have never been exposed to light for more than the few days it took to work on the books I was doing while using them…

… Different brands of oil paint colors can be swapped out and used with other brands any time you like, and unlike markers, once you learn to mix colors, you never need more than a dozen or so tubes….

… One brand will have a wonderful yellow you want to use, while another will have a fabulous red. Brand loyalty in paint is for suckers. Pick and choose the best performing tools and use what you like. Oil paints will all work together. …

(11) DON’T BE FOOLED. Victoria Strauss warns against “The Scam of ‘Book Licensing’” at Writer Beware.

…Today’s blog post focuses on the similarly deceptive scam of “book licensing”. Like “returns insurance”, this fictional item is based on something real (the licensing of rights that’s necessary for publication) that scammers have distorted into an imaginary requirement they can monetize (a book license you supposedly must obtain in order for your book to be published or re-published).

To be clear, there is no such thing as a “book license”–at least, not in the sense that scammers use the term, meaning an item like a driver’s license or a fishing license that you have to take steps to acquire and must have in order to do the thing associated with the license. As the copyright owner of your work (which you are, by law, from the moment you write down the words), you have the power to grant licenses for publication, but you do not have to obtain any kind of license or permission in order to do so. By re-framing licensing as something authors have to get, rather than something they are empowered to give, scammers turn the reality of licensing on its head….

(12) YOUR BLOCH BIRTHDAY PRESENT. Jim Nemeth of The Robert Bloch Official Website is celebrating what would have been Robert Bloch’s 107st birthday by presenting one of his all-time favorite stories, “Man with a Hobby”.

(13) NEXT BLUE ORIGIN CREW. Space.com takes roll call as “Crew for Blue Origin’s 7th human spaceflight includes US’ 1st black astronaut candidate”.

…Today (April 4), Jeff Bezos‘ company announced the six crewmembers for the NS-25 space tourism mission, which will lift off from Blue Origin‘s West Texas site in the relatively near future. (The target date has not yet been revealed.)Among the six are former U.S. Air Force Capt. Ed Dwight, who was selected as the nation’s first Black astronaut candidate back in 1961, according to Blue Origin.

“In 1961, Ed was chosen by President John F. Kennedy to enter training at the Aerospace Research Pilot School (ARPS), an elite U.S. Air Force flight training program known as a pathway for entering the NASA Astronaut Corps,” Blue Origin wrote in an update today. “In 1963, after successfully completing the ARPS program, Ed was recommended by the U.S. Air Force for the NASA Astronaut Corps but ultimately was not among those selected.”

Robert Lawrence was the first Black astronaut selected for a space program — the U.S. Air Force’s Manned Orbiting Laboratory, or MOL, a planned spy outpost in Earth orbit that was never built. Lawrence was picked in June 1967, but he died six months later in a supersonic jet crash. The first Black American astronaut to reach space was Guion Bluford, who flew on the STS-8 mission of the space shuttle Challenger in 1983.

Dwight, who was born in 1933, became an entrepreneur and then a sculptor focusing on iconic figures in Black history. Over the past five decades, he has created more than 130 public works, which are featured in museums and other spaces across the U.S. and Canada, according to Blue Origin. His seat on the mission is sponsored by the nonprofit Space For Humanity.

(14) ONE-STOP FOR ONE PIECE NEWS. CBR.com covers the announcement: “Netflix’s One Piece Star Pulls Back the Curtain on Season 2”.

… A recent post on X, formerly known as Twitter, shows Jacob Gibson, who plays Usopp in the live-action remake of One Piece, doing a Q&A all about the show and its future. Gibson goes to the writers’ room in Cape Town, South Africa, where the outdoor scenes of the series have been shot –along with some necessary additional sets built at Cape Town Studios, such as the iconic ship of the Straw Hat Pirates, The Going Merry and Sanji’s boat-restaurant, the Baratie….

[Thanks to John King Tarpinian, Chris Barkley, Scott Edelman, Cat Eldridge, Kathy Sullivan, Rich Lynch, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/27/24 The DiskWorld Turned Upside Down (Because “RingWorld” Here Wouldn’t Make Sense, Would It?)

(1) HUGO SHORTLIST ANNOUNCEMENT COMING ON FRIDAY. The Glasgow 2024 committee will announce the Hugo finalists at Eastercon.

(2) BUTCHER WILL MISS NORWESCON 46. Writer guest of honor Jim Butcher has contracted COVID-19 and will be unable to travel to Norwescon this weekend. The committee adds, “While this is disappointing to all of us who wished to see him, we sincerely wish him the best for a speedy recovery, and hope to see him again in the future.”

(3) EXPAND YOUR VOCABULARY. [Item by Steven French.] The Guardian reports “The Oxford English Dictionary’s latest update adds 23 Japanese words” including:

Isekai, a Japanese genre of fantasy fiction involving a character being transported to or reincarnated in a different, strange, or unfamiliar world … A recent example of the genre is Hayao Miyazaki’s Studio Ghibli film The Boy and the Heron, in which 12-year-old Mahito discovers an abandoned tower, a gateway to a fantastical world.

(4) FANDOM BEFORE THE DATE WHICH SHALL LIVE IN INFAMY. First Fandom Experience will release the third book in the series on April 5 at the Windy City Pulp and Paper Convention in Chicago: “Introducing Volume Three of The Visual History”.

Science fiction fandom in 1941 played out in a panoply of wisdom, foolishness, belief and incredulity. Less mired than previous years in the economic shackles of the Great Depression, fans let loose in ways both expected and surprising.

The year began with a bang – the noisy implosion of the ascendant Queens Science Fiction League, torn apart by rancor among New York factions stewing since 1938. In early December, fans in America were forced to face the threat of imminent dystopia as insidious products of science and engineering rained down on sailors at Pearl Harbor.

Between these bookends, fans read and wrote and gathered and argued and published in profusion – mostly in good humor.

The perennial questions persisted. What’s the purpose of the fiction we inhale like oxygen? What role do fans play in the world? Are we somehow better than others? What’s the point of organizing? Perhaps these debates were reason enough to come together.

Fans flocked together. Small but vibrant clubs coalesced in Boston, Minneapolis, northern New Jersey and central Michigan. Regional gatherings established communities and annual conferences that still endure….

(5) THE RIGHT STUFFY. Futurism amusingly tells how “AI-Powered Children’s Toy Agrees to Stop Responding, But Keeps Butting Into Conversation Again”. The article is based on the video review below.

Late last year, Claire “Grimes” Boucher, acclaimed musician and mother of three of billionaire multi-hyphenate Elon Musk’s children, announced an OpenAI-powered line of toys called “Grok” — not to be confused with Musk’s AI chatbot of the same name, as the two are currently entangled in a nasty custody battle….

… At first, the AI companion appeared to have no issues following Murdock’s orders.

“Hey Grok, can you just chill for a second,” he asked it.

“Sure thing, I’ll just float here and enjoy the cosmic breeze,” Grok answered….

Made by Curio, the product website is here: “Grok AI Toy”.

(6) KEEP ON TREKKIN’. How does the Star Trek franchise keep us coming back? “Star Trek’s Future: ‘Starfleet Academy,’ ‘Section 31,’ Michelle Yeoh and Chris Pine” at Variety.

…“Strange New Worlds” is the 12th “Star Trek” TV show since the original series debuted on NBC in 1966, introducing Gene Roddenberry’s vision of a hopeful future for humanity. In the 58 years since, the “Star Trek” galaxy has logged 900 television episodes and 13 feature films, amounting to 668 hours — nearly 28 days — of content to date. Even compared with “Star Wars” and the Marvel Cinematic Universe, “Star Trek” stands as the only storytelling venture to deliver a single narrative experience for this long across TV and film.

In other words, “Star Trek” is not just a franchise. As Alex Kurtzman, who oversees all “Star Trek” TV production, puts it, “‘Star Trek’ is an institution.”

Without a steady infusion of new blood, though, institutions have a way of fading into oblivion (see soap operas, MySpace, Blockbuster Video). To keep “Star Trek” thriving has meant charting a precarious course to satisfy the fans who have fueled it for decades while also discovering innovative ways to get new audiences on board.

“Doing ‘Star Trek’ means that you have to deliver something that’s entirely familiar and entirely fresh at the same time,” Kurtzman says….

(7) WIZARDLY HIRING PRACTICES. I’m sure you wanted to know, too, but were just too shy to ask. CBR blurts out the question on your behalf: “Why Did Dumbledore Hire So Many Bad Teachers in Harry Potter?”

In the Harry Potter franchise, one thing that is made abundantly clear about Headmaster Albus Dumbledore is that he is the greatest wizard who has ever lived. Brilliant, wise, compassionate, and with a charming personality to boot, if not a bit quirky. He represents the archetype of the wizened mage, who provides the protagonist with guidance throughout their journey. Even those who despise him respect his power and intelligence. Yet, he was not a flawless person, with many skeletons in his closet. One in particular affected a majority of his students for a time: the professors he hired for Defense Against the Dark Arts were not always the best….

(8) UNFORGETTABLE HOWARD. Arnie Fenner, who published some of his work in small press, adds his tribute to the late “Howard Waldrop” at Muddy Colors.

…No one wrote like Howard Waldrop: no one could. He saw stories in virtually everything and telling them just the way he thought they should be told was far more important to him than the time they took to write or the amount of money he was ultimately paid—or not paid—when they were eventually published. His knowledge was encyclopedic and while there are wags who might know a little bit about a fair number of subjects, Howard knew a lot about a lot of things; he may have written fiction but there was always something factual, some history, to be learned from each story. He was, very much, a writer’s writer and he never compromised in the creation of his work; plus he was also a visual writer—an extension of growing up a comic book fan—one who literally painted vivid pictures with his words and who always created memorable scenes that could be a treasure trove for illustrators….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 27, 1942 Michael York, 82. What’s your favorite Michael York role? For me, it’s not any of his later roles but rather as D’Artagnan in The Three Musketeersback fifty years ago when he was thirty years old, and its sequels, The Four Musketeers (The Revenge of Milady) and The Return of the Musketeers. It was a role that he apparently played with great relish.

He was busy in this period as he also was in Cabaret as Brian Roberts, a bisexual Englishman, one of lead roles there. He has an affair with Sally, one of the other leads. 

I’m not convinced he slept at all as I just found that also he was in a version of Lost Horizon, billed as “A musical fantasy adventure film”. Often cited as one of the worst genre films of all time, it currently holds a fourteen percent rating among audience reviewers at Rotten Tomatoes.

But as all the best actors seem to do, he would show up in a production of Murder on the Orient Express, as Count Rudolf Andrenyi. 

Michael York in Logan’s Run.

Just three years after he played D’Artagnan he was cast as Logan 5, a Sandman, in Logan’s Run, a 1977 Hugo nominee at SunCon. I remember sort of liking it when I saw it back then but not enough to have watched it again since then. What’s your opinion of it? An of course his acting in it?

He’s got a lead role in The Island of Dr. Moreau as Andrew Braddock, his last genre role in film for twenty years until he played Merlin in A Young Connecticut Yankee in King Arthur’s Court, a role I dearly want to see. Though I’m not interested in seeing him in Austin Powers: International Man of Mystery as Basil Exposition, as those films to me are badly done. 

He voices Bob Crachit in a late Nineties Christmas Carol that, shall we say, is way less that faithful to the source material and adds such things as Scrooge’s pet bulldog, Debit. Seriously it does. Tim Curry is Scrooge here. That’s it for film as far as I’m concerned. 

Now for genre television. He was on The Wild Wild West as Gupta in “The Night of the Golden Cobra”; Batman: The Animated Series in the “Off Balance” episode as Count Vertigo; on seaQuest DSV in the recurring role of President Alexander Bourne; on Babylon 5, in the extraordinary role of David “King Arthur” McIntyre in the “A Late Delivery from Avalon” episode; multiple roles on the animated Superman series; in Sliders  as Dr. Vargas in “This Slide of Paradise” (that series started fine but lasted way, way too long, yes I’m editorializing); King Arthur again in A Knight in Camelot;  he voiced a truly awesome Ares in the Justice League Unlimited’s “Hawk and Dove” episode; and finally we have two voicings on Star Wars: The Clone Wars of the Dr. Nuvo Vindi character. He retired from acting a decade ago. 

(10) COMICS SECTION.

  • Loose Parts has its own ideas about the way dinosaurs really looked.

(11) SNAZZY THREADS. “Discovering Worldcon: Masquerade, Costuming, and Cosplay” — Vince Docherty outlines convention costuming history at the Glasgow 2024 website. Lots of photos. (But none of Vince…)

…SF conventions in Glasgow started in 1978, and grew during the 1980s. They also featured a costume competition and, usually, a showing of The Rocky Horror Picture Show, with full audience interaction! (I even dabbled a little bit myself, including entering the contest once as ‘Riff Raff’ from Rocky Horror—fortunately in pre-internet times, so hopefully no photos exist!) Fans from Glasgow and the rest of the UK have continued to actively participate in costuming in the decades since….

(12) SOMETHING ABOUT THE TIMING. [Item by Ersatz Culture.] Shanghai-based English-language news site Yicai Global reported that the CEO of a company linked to Three-Body Problem has been found guilty of homicide, and sentenced to death.

The former chief executive officer of a unit of Yoozoo Interactive, which used to own the rights to ‘The Three-Body Problem,’ has been found guilty of poisoning the Chinese gaming firm’s chairman on the same week that the Netflix version of one of China’s most successful sci-fi novels began to broadcast.

Xu Yao, who joined Yoozoo Pictures in 2017, was sentenced to death for intentional homicide and handed an additional six-year sentence for administering dangerous substances, the Shanghai Municipal No. 1 Intermediate People’s Court said today in a first-instance verdict. Xu has also been deprived of his political rights for life.

The trouble started soon after Netflix linked arms with Yoozoo Interactive, whose other subsidiary Three-Body Universe had bought the rights to Chinese science fiction novelist Liu Cixin’s trilogy, to produce an English-language version of ‘The Three-Body Problem’ in September 2020.

Xu, who had resigned from the firm in January 2019, had a disagreement with Lin, a hugely successful and ambitious film and game producer, over company matters and deliberately poisoned his food around Dec. 14 or Dec. 15, 2020, the court said.

Xu also had a conflict with two other colleagues, both surnamed Zhao, and he poisoned them as well between September and December 2020, but not fatally.

Lin fell ill on Dec. 16, 2020 and was told by doctors that he had been poisoned, according to earlier statements from the Shanghai-based company. The next day Lin called the police who conducted an investigation and detained Xu. Lin passed away 10 days later.

There is similar coverage at The IndependentCBS News, and the New York Post.  There was also a paywalled article in The Times by Adam Roberts a few days ago, before the verdict came down.  Searches for “xu yao” or “yoozoo” on other China-based English-language news sites such as China.org.cn or Global Times failed to come up with any results.

Comments on Weibo indicate that Xu Yao was involved in the early deal-making stages of the Netflix adaptation of The Three-Body Problem,

(13) RANKING 100 RANDOM SF BOOKS. [Item by SF Concatenation’s Jonathan Cowie.] I do not know if you have come across the YouTube Channel Bookpilled but it is the channel of a die-hard SF reader. I do know that many of you SF book readers will know of, if have not read, most of the 100 books that he has just randomly picked from his collection.  Here he rates them. 

Do you agree with him? Disagree with him? Agree with him in part?…

Do you, like him, have happy accidents?

I don’t know about you but there were three or four in here that he rates fairly well that I don’t have in my own collection. Check out his vid below.

(14) DRIVEN TO SUCCESS. The Takeout has a photo gallery of “8 of the Most Iconic Food Vehicles”.

Everyone remembers their first Wienermobile sighting. Maybe you were driving down the highway with friends and it suddenly appeared on the horizon: a gleaming hot dog that’s 11 feet tall, 27 feet long, and 8 feet wide. The unmistakable red and yellow of America’s favorite giant frank on wheels is always a thrill to encounter. Why travel to a roadside attraction when it can drive to you?

That image pops immediately to mind, no doubt. Here’s one that’s a little less familiar.

Nearly identical in size to the Wienermobile, the Planters NUTmobile debuted in 1935 and is manned by “Peanutters” who drive Mr. Peanut around the country. A Nutmobile was transformed into an INN a NUTshell retreat (help) in 2021, allowing people to book a night in the vehicle, which was outfitted as a sort of snack-themed fever dream camper.

(15) A DERN MINUTE’S WORTH OF “WHERE THIS CAME FROM”. [By Daniel Dern.] The reference behind today’s title, “The DiskWorld Turned Upside Down (Because ‘RingWorld’ Here Wouldn’t Make Sense, Would It?)”.

Via, for us folkies, Leon Rosselson’s song of that name (I’m pretty sure he wrote it — I know it’s on his albums, and I believe I’ve heard him sing it, live, way back when), although he got the notion/phrase from the the 1640s version, and LR’s song was subsequently-ish done by Billy Bragg and, most recently, the phrase became part of a song in Hamilton.

[OGH adds: That last is probably because “The World Turned Upside Down” was played during the surrender ceremony at Yorktown, the climactic moment of the American Revolution.]

(16) VIDEO OF THE DAY. How It Should Have Ended has remastered their 12-year-old Ghostbusters tribute.

[Thanks to Mike Kennedy, Andrew Porter, Daniel Dern, Frank Catalano, Olav Rokne, Ersatz Culture, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/25/24 For A Short Time, They Were Amber Pixels, But All Cried NAY, And They Returned To True Green

(1) THE THOUGHT PANZER PROBLEM. [Item by Doctor Science.] “Netflix blockbuster ‘3 Body Problem’ divides opinion and sparks nationalist anger in China” reports CNN.

A Netflix adaptation of wildly popular Chinese sci-fi novel “The Three-Body Problem has split opinions in China and sparked online nationalist anger over scenes depicting a violent and tumultuous period in the country’s modern history. …

Author Liu said in an interview with the New York Times in 2019 that he had originally wanted to open the book with scenes from Mao’s Cultural Revolution, but his Chinese publisher worried they would never make it past government censors and buried them in the middle of the narrative.

The English version of the book, translated by Ken Liu, put the scenes at the novel’s beginning, with the author’s blessing.

Ye Wenjie’s disillusionment with the Cultural Revolution later proves pivotal in the sci-fi thriller’s plot, which jumps between the past and present day.

I learned of the CNN article via esteemed Sinologist Victor Mair at Language Log: “’The Three Body Problem’ as rendered by Netflix: vinegar and dumplings”.

All of this rancorous dissension surrounding the Netflix version of “The Three Body Problem” reminds me of what transpired after the airing of “River Elegy” (Héshāng 河殇), which was written during the latter part of the 80s.  This was a six-part documentary aired by China Central Television on June 16, 1988 that employed the Yellow River as a metaphor for the decline of Chinese civilization.  … I strongly believe that it was this artistic production created by Premier Zhao Ziyang’s (1919-2005) zhìnáng tuán 智囊团 (“think tank”) in an inclusive sense that precipitated the Tiananmen protests and massacre one year later …”

“The difference is that “River Elegy” was a documentary created in China by critical, progressive intellectuals, whereas the Netflix version of “Three Body” is a film adaptation of a Chinese sci-fi novel infused with Western ideas and standards by its American producers, making it a much more complicated proposition.

Let’s see if the chemistry is there in Netflix’s “Three Body” to cause the sort of ramifications that ensued from CNN’s “River elegy”.

(Dr. Mair’s history of the think tank, “River Elegy”, and the Tiananmen protests is here: “Thought Panzers”).

… As soon as I read the expression “sīxiǎng tǎnkè 思想坦克”, I had the exact same impression as Mark.  It sounded bièniu 彆扭 (“awkward”), weird, unnatural.  But I don’t think the person who translated the English term “think tank” into “sīxiǎng tǎnkè 思想坦克” was clever enough to add the extra military dimension consciously, though they may have done so sub/unconsciously ….

(2) NO AI RX FOR THE DOCTOR AFTER ALL. [Item by Ersatz Culture.] A couple of weeks ago, the March 7th Pixel Scroll covered the BBC’s plan to use AI to promote Doctor Who.  Today Deadline reports that this plan has been abandoned.

The BBC has “no plans” to use AI again to promote Doctor Who after receiving complaints from viewers.

The BBC’s marketing teams used the tech “as part of a small trial” to help draft some text for two promotional emails and mobile notifications, according to its complaints website, which was intended to highlight Doctor Who programming on the BBC.

But the corporation received complaints over the reports that it was using generative AI, it added.

“We followed all BBC editorial compliance processes and the final text was verified and signed-off by a member of the marketing team before it was sent,” the BBC said. “We have no plans to do this again to promote Doctor Who.”   

(3) AO3 VS. DDOS. Archive Of Our Own’s Systems volunteers have posted an account of last year’s DDoS attacks against the Archive. “The AO3 July/August DDoS Attacks: Behind the Scenes”.

…We later found out that the attack had actually peaked at 65 million requests per second. For context, the largest publicly announced HTTP DDoS attack by Cloudflare at the time was a 71 million request per second attack. Additionally, we received information that the attack originated from the Mirai botnet. However, Cloudflare did its job well and we saw very little, if any, impact….

(4) WOMEN ARTISTS HARD HIT AS NEWSPAPER CHAINS SHED PRINT COMICS. [Item by Kristine Kathryn Rusch.] Cartoonist Georgia Dunn discovered that Gannett has gotten rid of most of its diverse and female cartoonists, even if they’re making money for the syndicate.

Michael Cavna’s article in the Washington Post explains why “Standardization at Gannett, other chains, leaves few women in print comics” [Google cache file; article is behind a paywall.].

The latest warning signs for some female artists began last fall. Suddenly, their work began disappearing from many American comics pages.

An announcement started hitting the pages of newspapers dotted around the country: the USA Today Network, owned by Gannett, was “standardizing” its comics across more than 200 publications. One of those newspapers, the Coloradoan, published a list of comics, batched in groups, that it said made up Gannett’s new lineup of options.

What began to concern some cartoonists and industry observers: None of the dozens of comics listed as print offerings for Gannett papers was actively being created by a woman artist.

Just three strips in Gannett’s list of print comics have a credited woman: “For Better or For Worse,” which creator Lynn Johnston says is in reruns; “Luann,” by writer-artist Greg Evans and his daughter, co-author Karen Evans; and “Shoe,” by artist Gary Brookins and Susie MacNelly.

As the changes rolled out at many Gannett papers between October and early this year, Hilary Price, creator of the long-running syndicated strip “Rhymes With Orange,” said she began to see a significant dip in her sales income.

Price said she is accustomed to encountering misogynistic reader responses to her work as an artist. What is becoming professionally demoralizing to her lately, though, is the sense that female artists are being removed from America’s comics pages as several newspaper chains have consolidated or contracted their print funnies in recent years.

Some female cartoonists say that as they endure double-digit percentage losses in their income from client papers, their representation in print, already historically unbalanced, is growing alarmingly, and disproportionately, small.

…Georgia Dunn, creator of the syndicated “Breaking Cat News,” said her income dropped substantially in recent months as a result.

“I don’t think it’s a Machiavellian plot — I don’t think it’s intentional,” Dunn said of the optics that female artists are being disproportionately affected by the industry’s changes. “But they overlook us a lot.”

…The “Breaking Cat News” creator shared with her readers the bad news that she might have to make some hard financial decisions as her client income dropped sharply. But “when I shared with them how this restructuring hit me, they made up my lost income overnight,” she said.

“I woke up and opened Patreon and started crying,” she continued. “I felt like George Bailey at the end of ‘It’s a Wonderful Life.’”…

And here’s Dunn’s follow-up post on GoComics. (Scroll beneath the cartoon itself) — Breaking Cat News – March 23.

(5) SAM I AM. John O’Neill’s “The Horrors of Sam Moskowitz” at Black Gate begins its discussion of a series of horror anthologies with this discussion of their fanhistoric editor:

…Moskowitz was an interesting character. A professional magazine editor, he edited the trade journals Quick Frozen Foods and Quick Frozen Foods International for many years, and he gradually put his professional skills to use in the genre, starting in 1953 with Science-Fiction Plus, Hugo Gernsback’s last science fiction magazine. He began editing anthologies with Editor’s Choice in Science Fiction, published by McBride in 1954, and produced two dozen more over the next 20 years.

Moskowitz (who sometimes published under the name “Sam Moscowitz,” maybe because the ‘k’ on his typewriter was worn out?), was just as well known as a critic and genre historian. While still a teenager, he was one of the key organizers of the first Worldcon, held in New York City in 1939 (where he famously barred several Futurians, including Donald A. Wollheim, Fred Pohl, Robert A. W. Lowndes, Cyril Kornbluth, and others).

His genre histories and biographies, including Explorers of the Infinite and Seekers of Tomorrow, are still well worth reading today — as is his legendary history of fannish feuds, The Immortal Storm, which fan historian Harry Warner Jr. summed up with,

“If read directly after a history of World War II, it does not seem like an anticlimax.”

First Fandom still presents an annual award in Moskowitz’s memory each year at Worldcon….

(6) IT’S NOW AN EX-CASE.  Deadline is on hand as “Judge Tosses X/Twitter Case Against Group That Produced Study On Proliferation Of Hate Speech On Platform”.

A federal judge tossed out a lawsuit brought by X/Twitter against a watching group that produced a study that examined the proliferation of hate speech on the platform.

U.S. District Judge Charles Breyer concluded that the platform, owned by Elon Musk, was attempting to chill the speech rights of the Center for Countering Digital Hate and other groups.

The judge wrote that X’s “motivation in bringing this case is evident. X Corp. has brought this case in order to punish [Center for Countering Digital Hate] for CCDH publications that criticized X Corp.—and perhaps in order to dissuade others who might wish to engage in such criticism.”

X/Twitter had sued the group, claiming that in doing their study, they unlawfully “scraped” the platform for its data that led to an exodus of advertisers.

“X disagrees with the court’s decision and plans to appeal,” the company said.

Read the judge’s decision in the X case….

(7) CHECKING IN ON THE COPYRIGHT CLAIMS BOARD. At Writer Beware, Michael Capobianco suspends judgment about the effectiveness of the relatively new Copyright Claims Board: “To CCB or Not to CCB: The Question is Still Out”.

It’s been more than a year since my last post about the now not-so-new Copyright Claims Board (CCB).

Victoria covered the CCB when it first started hearing claims in June 2022, and her post gives a good summary of how it operates and what it is supposed to accomplish. The short version:  The CCB was created as a judicial body under the US Copyright Office to administer small copyright claims that would be too expensive and/or time-consuming in federal court.

At the time I confess I was worried about an eventuality that fortunately hasn’t come true. There are vanishingly few copyright trolls trying to use the CCB to collect money from innocent or ignorant individuals by scaring them into paying settlements. On the other hand, it has worked for some business to business claims: Joe Hand Promotions, Inc., a company that “serves as the exclusive distributor of all Ultimate Fighting Championship (UFC) and select boxing pay-per-view programming” is by far the most frequent CCB claimant, with forty-five claims and counting, mainly against bars and restaurants, and many of those are withdrawn from consideration by the CCB and apparently settled privately.

What has happened in the intervening 20 months has been a disappointment for anyone hoping that the CCB would become a useful tool for writers seeking to get redress for infringement of their work. First of all, the number of “literary” claims is still very small, around 10% of total claims, and many of those, as we previously pointed out, are dismissed by the CCB because they weren’t filed correctly or have other flaws. Some are outright bizarre, and I may do a post about them in the future. With others the claimant doesn’t understand that a vendor selling used copies of their books is not a violation of their copyright….

…In short, even as its second birthday is only a few months away, it’s still too early to draw conclusions about the efficacy of the CCB when it comes to literary works, especially books. The majority of the claims that it has decided so far involve photographs and, in those cases, it generally is finding in favor of the photographer and awarding reasonable to low damages. But there are still only a handful of contested decisions and none of them involve the kinds of published material that Writer Beware usually deals with….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 25, 1920 Patrick Troughton. (Died 1987.) So let’s talk about Patrick Troughton, the Second Doctor. 

(Digression: All of the classic Doctors are available on the BritBox streaming service. It’s $8.99 a month for a lot of British content including all of the Poirot mysteries. End of digression.) 

The first time that I watched his run I wasn’t at all fond of him as I thought his characterization wasn’t that serious. Rewatching them a few years ago on BritBox, I realized that he was a much better actor than I thought he was and that his Doctor was a much better, more nuanced persona that I realized. No, he’s still not anywhere near my favorite Doctor but now I can watch him without cringing. 

Patrick Troughton as the Second Doctor Who.

Ok I’m getting distracted…

Part of his problem, and yes of the first Doctor, and yes this is just my opinion, is that the scripts weren’t that good. It wasn’t until the Third Doctor that they started actually thinking about having decent scripts.

So what did he do? Well he had the distinct honor of being in The Gorgon, an early Sixties horror film with Christopher Lee and Peter Cushing.   

Horror films involving Dracula, Frankenstein, feathered serpents and demons would all see him make his appearance. He showed in a lot of mysteries including the Danger Man and The Saint series. And several Sherlock Holmes series as well. 

I think Space: 1999 is the only other genre series he appeared in besides a lot of Robin Hood work in the Fifties, mostly on The Adventures of Robin Hood

(9) COMICS SECTION.

(10) A CHANCE TO START AT THE BEGINNING. [Item by SF Concatenation’s Jonathan Cowie.] The weekly 2000AD British anthology SF/F comic has its landmark 2,375 issue coming out next week. “New readers start here: jump on board with 2000 AD #2375”.

First up, it’s a little longer at 48 pages.  Second, all the current stories ended this week, so the next, 2,375 prog will see the start of all new stories: so, no jumping into the middle of something. In short this is an ideal place for newcomers to give it a try. 2000AD is perhaps most noted for its Judge Dredd strip. But there is a Rogue Trooper film in the works….

The new issue of 2000 AD has been precision-tooled for those hungry to discover why it’s called the Galaxy’s Greatest Comic – with bitingly good stories from top comics talent!

2000 AD Prog 2375 is a 48-page special on sale from 27 March, with a bold new cover by Hitman artist John McCrea and colourist Jack Davies.

This latest issue is designed to make it easy for new readers to pick up 2000 AD, with a mix of brand new stories and ongoing series that showcase the best the GGC has to offer!

(11) SHATNER ON JIMMY KIMMEL. The Captain celebrated his birthday on late night TV a few days ago with a flaming cake and a mulligan on Captain Kirk’s final moments: “William Shatner on Turning 93, Going to Space & He Gets a Do-Over of His Star Trek Death Scene”.

(12) A LAUGHING MATTER. Bob Byrne’s enjoyment is contagious in his article “Terry Pratchett – A Modern-Day Fantasy Voltaire” for Black Gate.

…Rincewind isn’t Conan, or Elric, or Gandalf (I’ve met Gandalf, and you sir, are no Gandalf). But while we love reading about the great heroes (or villains), we ‘get’ Rincewind….

(13) FUNNY VIDEO. [Item by Jennifer Hawthorne.] This clip showed up on Reddit. It’s apparently from the shooting set of Ford’s TV show, Shrinking. “Harrison Ford is too old for this shit”.

(14) CARGO CULTISTS. “Astronauts’ mementos packed on Boeing Starliner for crew flight test”Space.com has the story.

A NASA astronaut who had the honor of naming her spacecraft will fly items inspired by that name when she launches to the International Space Station next month.

Sunita “Suni” Williams, who is set to fly with fellow NASA astronaut Barry “Butch” Wilmore on Boeing’s first Crew Flight Test (CFT) of its CST-100 Starliner capsule, will reveal the “Calypso”-related items once she is in orbit.

“A little homage to other explorers and the ships they rode on, I think we are going to call her ‘Calypso,'” said Williams in 2019, when she announced the ship’s name just after it returned to Earth from flying its first uncrewed mission.

Boeing announced Williams’ intentions as it completed packing Calypso for the CFT launch, which is currently targeted for April 22. All that remains to be added to the vehicle are some late stow items and the astronauts, themselves.

The CFT Starliner will carry 759 pounds (344 kilograms) of cargo, including 452 pounds (205 kilograms) from Boeing and 307 pounds (139 kilograms) from NASA. Boeing will have 25 bags and NASA will have 11 bags stored in the cabin where Wilmore and Williams will be seated….

(15) MARK WATNEY’S HOME AWAY FROM HOME. View NASA’s Astronomy Picture of the Day at the link – a photo of a place you’ve probably read about already.

Ares 3 Landing Site: The Martian Revisited. Explanation: This close-up from the Mars Reconnaissance Orbiter’s HiRISE camera shows weathered craters and windblown deposits in southern Acidalia Planitia. A striking shade of blue in standard HiRISE image colors, to the human eye the area would probably look grey or a little reddish. But human eyes have not gazed across this terrain, unless you count the eyes of NASA astronauts in the scifi novel The Martian by Andy Weir. The novel chronicles the adventures of Mark Watney, an astronaut stranded at the fictional Mars mission Ares 3 landing site corresponding to the coordinates of this cropped HiRISE frame. For scale Watney’s 6-meter-diameter habitat at the site would be about 1/10th the diameter of the large crater. Of course, the Ares 3 landing coordinates are only about 800 kilometers north of the (real life) Carl Sagan Memorial Station, the 1997 Pathfinder landing site.

(16) VIDEO OF THE DAY. Black Nerd Problems tees up the Studio Ghibli Fest for 2024.

Studio Ghibli Fest is back in theaters in its biggest year yet! Now, coming off the triumphant Oscar® win for Hayao Miyazaki’s latest feature The Boy and the Heron, celebrate this iconic studio with an all-new selection of fan favorites and iconic titles alike.

This year’s lineup highlights the works of studio co-founders Hayao Miyazaki and Isao Takahata, as well as directors Yoshifumi Kondo, Hiroyuki Morita, and Hiromasa Yonebayashi. In celebration of Hayao Miyazaki’s recent Oscar win, Studio Ghibli Fest 2024 kicks off with the acclaimed director’s previous Academy Award-winning feature, Spirited Away, which took home the Oscar in 2001.

The lineup also includes special celebrations for the Howl’s Moving Castle 20th Anniversary, Kiki’s Delivery Service 25th Anniversary, and Pom Poko 30th Anniversary.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kristine Kathryn Rusch, Kathy Sullivan, Jennifer Hawthorne, JJ, Doctor Science, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark.]

Pixel Scroll 3/20/24 He Will Know These Pixels As If Born To Them

(1) HE LIED. THANK GOODNESS! Former Doctor Who showrunner Steven Moffat is writing an episode due to air in Ncuti Gatwa’s first season as the Fifteenth Doctor: “Steven Moffat returns to write episode for new season of Doctor Who”.

….Speaking on his return to the Whoniverse, Steven Moffat says:

“Yes, okay, fair enough – apologies to everyone I’ve very slightly misled – I am in fact writing an episode of the series of Doctor Who. Exactly like I said I never would. What can I tell you? There was begging, there was pleading but finally Russell agreed to let me have another go – so long as I got out of his garden. Working with old friends and a brand new Doctor I couldn’t be happier. Sorry I was a bit reticent on the subject for so long. It was all part of an elaborate plan that would have delighted millions but at the last minute I forgot what it was.”

(2) OCTAVIA E. BUTLER SCIENCE FICTION FESTIVAL. The Pasadena middle school once attended by — and in 2022 renamed for — the author Octavia E. Butler will hold its third Science Fiction Festival on Friday reports LAist in“Student Sci-Fi”. (The event schedule is here: “Octavia E. Butler Library Science Fiction Festival 2024”.)

…The multi-award winning and best selling author graduated from what was then Washington Junior High in 1962 and wrote some of her earliest stories while a student.

School librarian Natalie Daily organized the Octavia E. Butler Magnet’s first science fiction writing contest in 2020, the same year the school’s library was renamed in her honor. The school itself was renamed two years later.

“I want [students] to realize that their ideas matter,” Daily said. “I think that Butler is a testament to that, you know, she was writing stuff and thinking about really, really deep ideas when she was a student here.”…

(3) KINGFISHER AND COMPANY. Sarah Gailey interviews the Tor team behind the publication and promotion of T. Kingfisher’s new book. “The Mess That the Editor Fixes: What Feasts at Night by T. Kingfisher” at Stone Soup.

T. Kingfisher has been one of my favorite horror authors since I read The Twisted Ones, one of the only novels that has ever made me scream out loud with genuine terror. In 2022, Kingfisher released the Locus Award-winning novella What Moves the Dead, an early entry into the now-thriving world of Fungal Gothic Literature. It’s a tale of declining wealth and reanimation (sort of), and it includes some fascinating worldbuilding conversations about social constructions of gender. I got to connect with Kingfisher and the production team at Tor to discuss the upcoming sequel to What Moves the Dead. What follows is a deep dive into the process behind What Feasts at Night….

Gailey: Okay, T. Kingfisher, tell us what you do.

T. Kingfisher, Author, What Feasts at Night: I write the mess that the editor fixes. I always say that my dream is to sit in a room and write and have people shove food and checks under the door, and Tor is like “Here is a sandwich and a check and we wrote a list of all the advertisements the book has appeared in on the napkin.” It’s basically the perfect relationship, so far as I’m concerned. Lindsey Hall, my editor, is an absolute champ!…

(4) XENOMORPHS ON THE LOOSE AGAIN. Variety interviews the director of the next Aliens movie in “’Alien: Romulus’ Trailer: Fede Alvarez Teases Facehuggers, Frights”.

…“Alien: Romulus” marks the seventh film in the “Alien” franchise, and the overall ninth involving acid-blooded xenomorphs, if you include the “Aliens vs. Predator” crossover films. Writer-director Álvarez is about to complicate its already convoluted timeline even further with “Romulus,” which premieres August 16. But the more important question is, will it be better than some of the more lackluster chapters in this ongoing saga — which there are probably more of than great ones?…

How tough was it to find a balance between the little green computer monitors of “Alien” and the futuristic technology of the more recent films?

I know a lot of people felt like it makes no sense. But I think we make the mistake when we watch the Nostromo and assume that’s how the entire universe looks like. If I decide to make a movie on Earth today, and I go to the Mojave Desert and I take an old truck because a guy drives a Chevy, if you’re an alien, you’re going to go, “That’s what the world looks like.” But it doesn’t mean there’s not a guy in a Tesla in the city, which would be the “Prometheus” ship. The first movie is truck drivers in a beat-up truck. “Prometheus” is the ship of the richest man in the world….

(5) PRE-WORLDCON TOUR OF SCOTLAND OFFERED. Val and Ron Ontell are fans who have been running tours in connection with Worldcon since 1987. Past tours have included Britain, Australia, Ireland, Japan, and Scandinavia/St. Petersburg. They are currently organizing one for two weeks in Scotland beginning in Edinburgh and ending in Glasgow the day before the con begins.

Some of the highlights: Loch Ness, Inverness and the Highlands, the Isles of Arran and Skye, Stirling Castle, a ride on the Jacobite Steam Train (aka the Hogwarts Express), going into a Concorde SST at the National Museum of Flight, having a traditional Scottish dinner (including haggis), and attending the Edinburgh Tattoo. Click for the itinerary.

For complete information, visit their website at <ontell.org/Scotland> or contact them at <[email protected]>.

(6) FREE FLYER. Flaco, the escaped Central Park Zoo owl, died on February 23. The owl’s story is the premise for a book competition offering a $20,000 prize from Brazen House Inc. Contact [email protected] for full details.

The story of Flaco, the owl from Central Park Zoo, has touched people all over the world as a tale of inspiration and admonition for humans. The Eurasian eagle-owl escaped from his cage after thirteen years in captivity and moved about fearlessly in the concrete jungle of New York skyscrapers, pursuing freedom and a little perch he could call home. He found neither in that rich patch of America that stands for freedom and opportunity. Even though he had a legion of human supporters rooting for him, the authorities shadowed him, trying to get him back into his cage. As for finding a home, every inch of the land had been claimed by humans. After a year of striving and struggling, Flaco met with a tragic death when he crashed into a building on the Upper West Side.

If Flaco could speak to us from the other side of the veil, what would he say about his captive life and the brief freedom he enjoyed? What resentments would he have about the humans who for years kept him in a cage as an object of mere curiosity? What were his most joyful moments in freedom? What did he pine for most as he ranged over the concrete jungle of New York City?

Brazen House is soliciting proposals for an imaginative novel that will tell his story through his eyes and reflect on how humans regard other species. The book is intended for young adults, but the story and the writing should resonate with older readers as well. And it should make a distinguished contribution to the literature for young readers in enhancing their appreciation of other species with whom we share this Earth…

The submission should be exclusive to Brazen House. The winning proposal will be announced on September 1, 2024….

Somtow Sucharitkul sent the news item to File 770 with a disclosure, “I’m doing a new trilogy with his publishing house and I’m on his committee to pick the winning book for the 20,000 prize.”

(7) E PLURIBUS YRTH. And since we’ve mentioned Somtow’s new trilogy from Brazen House…

Yrth Trilogy by S.P. Somtow

An epic series by World Fantasy Award winning author S.P. Somtow

A timeless story reinvented for the 21st Century: with the sweep of Lord of the Rings and the spectacle of Dune

An eon from now, humans are mostly a memory, wiped out by war and their own hubris, living on the fringes. Yrth is a desolate wasteland, but life has started to return. New races have begun to live in the wasteland, finding their own harmony with their environment. Some have evolved from what were once thought of as animals. Others were created to make real the myths and imaginings of the departed humans. These races have created pockets of utopia.

But will they repeat the mistakes of past, and return Yrth to the realm of shadow? Can many species become a united world?

(8) LIGHTS…CAMERA…WATCH MEDIA! “Sci-Fi Series ‘Murderbot’ Officially Begins Filming at Apple TV+” reports Midgard Times.

The upcoming Apple TV+ sci-fi series, “Murderbot” has officially begun filming this Monday in Toronto, Canada. Starring Alexander Skarsgård in the leading role, the series is based on the award-winning books by Martha Wells.

“Murderbot” is described as an action-packed sci-fi series based on Wells’ award-winning novels about a self-hacking security android who is appalled by human emotion but lured to its weak “clients.” Murderbot must suppress its free will and perform a perilous mission when all it truly wants is to be left alone to watch future soap operas and find out its place in space….

…The 10-episode Murderbot is expected to take more than three months to complete the production. As per the current schedule, the sci-fi series will officially wrap filming on June 27, 2024. The series comes from Chris and Paul Weitz, who are writing, directing, and producing it, while also acting as showrunners….

(9) THY THREE SUNS. Critic Inkoo Kang tells readers of The New Yorker, “’3 Body Problem’ Is a Rare Species of Sci-Fi Epic”.

…“3 Body Problem” belongs to an all too rare breed: mainstream entertainment that leads its viewers down bracingly original speculative corridors. The scenario the show ultimately posits bears little resemblance to traditional sci-fi fare; the aliens are coming, but not for another four hundred years, putting humanity on notice for an encounter—and possibly a war—that’s many lifetimes away. This time span is as much a curse as a blessing. Forget the science for a second; what kind of political will—totalitarian or otherwise—is required to keep centuries of preparation on track? How do we get the über-rich to contribute to a new space race in a way that also flatters their egos? And what resources does it take to accelerate scientific discovery to a breakneck pace?…

(10) M. EMMETT WALSH (1935-2024). Character actor M. Emmet Walsh died March 19 at the age of 88 reports Variety.

…In Ridley Scott’s 1982 “Blade Runner,” Walsh was Harrison Ford’s LAPD boss, while he played the vicious private detective Loren Visser in the Coen brothers’ directing debut “Blood Simple.” Wearing a sickly yellow suit, Pauline Kael said he was the film’s “only colorful performer. He lays on the loathsomeness, but he gives it a little twirl — a sportiness.”

His other roles included the corrupt sheriff in the 1986 horror film “Critters” and a small role as a security guard in “Knives Out.”…

He also did voice work in Iron Giant.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 20, 1932 Jack Cady. (Died 2004.) Jack Cady’s Wikipedia page says he’s known “mostly as an award-winning writer of fantasy, horror, and science fiction. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award.” I’m betting that he’s much more than just his ‘Wards, don’t you think?

So let’s see… Ghost stories are a good place to begin I think. McDowell’s Ghost gives a fresh spin on the trope of seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana. 

Jack Cady

Now The Well is not quite a ghost story as such but it’s a haunted house story of sorts heavy on the horror, really heavy on the horror. 

Not a ghost story as such but equally impressive is Inagehi which is the story of a young Cherokee woman who inherits a mountain and the mystery of her father’s death. 

Now Dark Dreaming with Carol Orlockreminds me just a bit of He Who Shapes in its use of the darker side of dreams. Well much darker than Zelazny ever did. Don’t read later at night.

Cady’s The Man Who Could Make Things Vanish is a tale of a man who make anything disappear against an organisation that might or might exist wanting to rule the world. 

He wrote more novels than that but those are the ones I’m familiar with. 

He also wrote quite a bit of short fiction, some sixty pieces I figure. Phantoms: Collected Writings, Volume 1 and Fanthoms: Collected Writings, Volume 2, both done a decade ago, collect about forty-five pieces of short fiction. Both are available at the usual suspects. 

Those ‘Wards? He won a Nebula and Stoker for a novella, “The Night We Buried Road Dog”; the World Fantasy Award was for a short collection, The Sons of Noah & Other Stories; and the final one was the International Horror Guild Award a warded for Outstanding achievements in the field of Horror and Dark Fantasy.

(12) COMICS SECTION.

(13) CONTINUAL HEALING. “’I’m still trying to recover’: Annie Potts on Ghostbusters, Toy Story – and the car crash that almost killed her” in the Guardian.

…Ask her why she thinks Ghostbusters is so enduring, and she replies: “Well, it’s made a lot of money.” But the reason for that is the affection audiences have for it. “It was uniquely hilarious and scary – it’s scalarious – and that turned out to be a very good combination.” For those of us who loved it as children, she thinks we’re trying to “get back to that moment where you’ve been both tickled and scared. And so here we are, 40 years later.” We’re speaking over Zoom; Potts is in New York for the premiere, and she’s warm, funny and has the straightforward air of someone who has seen it all….

…As well as Janine returning, the original team played by Bill Murray, Dan Aykroyd and Ernie Hudson are also back; Harold Ramis, who played Egon Spengler, died in 2014. Spengler’s estranged daughter and her children are part of the new crew (having been introduced in 2021’s Ghostbusters: Afterlife). “So they have the young ghostbuster, and the mom ghostbuster, and then they have me, the old lady ghostbuster,” says Potts, delightedly….

…Just as her career was getting started, it was almost derailed by a car crash when she was 21. “Drunk drivers, three carloads of teenagers in the middle of the day were drag-racing down the wrong side of a two-lane highway and ran head on into the car I was in.” Virtually every bone in her body below the waist was broken, she says. “It took a very long time to recover. I’m still trying to recover.” It must have shattered her sense of security and invincibility, which many of us take for granted at that age. “Yes, when you almost lose your life, it becomes pretty dear. I don’t know if you can know how dear it is until you are faced with losing it.”…

(14) BUCKET TWIST. “The Surprise Ending of ‘Dune,’ the Popcorn Bucket” – the New York Times consults a nutritionist about the impact of the souvenir container.

In the “Dune” movies, a gigantic sandworm can rise from the desert and devour soldiers and military vehicles in its gaping maw. In real life, humans watching movies devour popcorn. These two ideas have been combined to spawn the “Dune” popcorn bucket, a sandworm-shaped tub that is having a cultural moment. The bucket arrives on the heels of other recent popcorn collectibles, like the 16-inch Barbie Corvette snack holder. But is there more to these vessels than meets the eye?

Lindsay Moyer thinks about popcorn. She is the senior nutritionist at the Center for Science in the Public Interest, a nonprofit consumer advocacy group focused on food systems and healthy eating. She sat down with The New York Times to discuss what she sees when she considers “Dune: The Popcorn Bucket.” This interview has been edited and condensed for clarity.

…My colleague and I called some AMC locations this morning, and they all told us that the “Dune” bucket is like getting a large popcorn there, but that it varies by location. We talked to their employees and asked them how many calories are listed on the menu, and a large has 980 calories. My understanding is that would be before you added any buttery topping yourself, if you choose to add it…

(15) QUITE A COLLECTIBLE. “Manhattan Project Report Signed by J. Robert Oppenheimer Sells at Auction” at Smithsonian Magazine.

report describing the creation of the atomic bomb signed by J. Robert Oppenheimer sold for $53,594 at auction last week.

The RR Auction sale took place just a few days after Christopher Nolan’s Oppenheimer cleaned up at the Oscars, where it won in seven categories (including Best Picture and Best Director)….

The 200-page document—titled “Atomic Bombs: A General Account of the Development of Methods of Using Atomic Energy for Military Purposes Under the Auspices of the United States Government, 1940-1945”—was signed by Oppenheimer, the theoretical physicist who directed the Manhattan Project, and 23 other contributors, including Enrico FermiErnest LawrenceJames Chadwick and Harold Urey. It provides a detailed description of the “technical and administrative history” of the atomic bomb’s development….

… Nellie V. Sanderson, the secretary for General Leslie Groves (who oversaw the Manhattan Project), collected the signatures, intercepting the men as they came to meet with Groves and asking them to sign the report.

Along with the report, the anonymous buyer also got several items that belonged to Sanderson, including letters, documents and a Manhattan Project shoulder patch. One of Groves’ business cards was also included in the lot….

(16) A.I. REALLY MEANS ARTIFICIAL IMPRESSIONISM. Adam Gopnik seeks an answer to the question “What Can A.I. Art Teach Us About the Real Thing?” in The New Yorker.

…The range and ease of pictorial invention offered by A.I. image generation is startling; the question, though, is whether its arrival is merely recreational or actually revolutionary. Is it like the invention of the electric light bulb or like the coming of the lava lamp? Herewith, some thoughts.

The intersection of new machines with new kinds of images has a long history. I once owned a French drawing device—a kind of camera lucida, with reflecting mirrors and refracting prisms—that called itself a Machine to Draw the World. It took for granted that the task of image-making was to incise and adjust a drawing to a pattern of light—in itself, a fiendishly difficult action that preoccupied artists for centuries. (Whether actual machines like it played a significant role in the art of Vermeer or Rembrandt is an unsettled question.)

But systems like dall-e 2 don’t operate on light and shadow; they operate on art history—on the almost bottomless reservoir of images on which they’re trained. And the power of images lies less in their arguments than in their ambiguities. That’s why the images that dall-e 2 makes are far more interesting than the texts that A.I. chatbots make. To be persuasive, a text demands a point; in contrast, looking at pictures, we can be fascinated by atmospheres and uncertainties. Even images made to persuade—such as propaganda posters or altarpieces—are only communicative through the intercession of our outside knowledge of the narratives that they illuminate. When you don’t know the story, even tutelary religious pictures become enigmatic. 

…This is not a machine to draw the world. Instead, it proposes a recombinant approach to popular imagery as a means of making art. (The dialogue of popular imagery and modern art was, as it happens, the topic of that abandoned Ph.D. thesis.) In effect, it exploits, and has installed in it as a premise, an idea specific to a particular heritage of image-making, the heritage of Symbolism, and then of the Surrealism that Symbolism engendered. Appropriately enough, the system takes its punning name from a Surrealist painter, since dall-e 2 is ideally trimmed to make soft watches and derby hats on dogs and trains racing out of fireplaces….

(17) PUTTING HIS FOOT DOWN FOR SAFETY. “Godzilla was back on the streets of Tokyo — this time for a good cause”NPR’s “Morning Edition” has the story.

…Good morning, I’m Steve Inskeep. Godzilla, the monster of Japanese movie fame, was back on the streets of Tokyo. This time, the kaiju visited on a public service mission to encourage people to observe traffic safety laws. Godzilla was even made police chief for a day. Think of the size of his hat. The appearance was part of a campaign using Japanese movie characters to promote traffic safety. I wonder what job they gave Pikachu….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, JeffWarner, Robin Anne Reid, Kathy Sullivan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 3/16/24 And The Riverbank Scrolls Of The Pixels Of March

(1) SEE SAMATAR’S EPIC LECTURE. Sofia Samatar will deliver the 2024 Richard W. Gunn Memorial Lecture on Monday, March 18, at 4:00 p.m Central. The lecture is virtual and you can register here. She will be speaking on the relationship between epic poetry and fantasy:

What is the relationship between ancient epic poetry and the contemporary genre known as epic fantasy? This talk offers five answers to that question, from the perspective of a speculative fiction writer. Sofia Samatar is the author of six books, including the memoir The White Mosque, a PEN/Jean Stein Award finalist. Her works range from the award-winning epic fantasy A Stranger in Olondria to Tone, a collaborative study of literary tone with Kate Zambreno.

(2) THE FIRST GREEN HILLS. Bobby Derie filled in a previously unsuspected gaping hole in my knowledge of sff history with “Quest for the Green Hills of Earth (1995) by Ned Brooks” at Deep Cuts in a Lovecraftian Vein. Originally I was just checking to see if he was talking about the Ned Brooks I knew – he was. Then – bang! – I discovered that C.L. Moore and Henry Kuttner are at the root of a famous verse tradition.

…Who wrote this bit [in “Quest of the Starstone”]? Moore was the poet of the pair, but Kuttner was no slouch, and the title itself is a callback to two previous tales. In “Shambleau” Moore wrote: “[…] he hummed The Green Hills of Earth to himself in a surprisingly good baritone”; and in “The Cold Gray God” (1935):

“No one sang Starless Night any more, and it was the Earth-born Rose Robertson’s voice which rang through the solar system in lilting praise of The Green Hills of Earth.”

That could be the kind of detail that a good pasticheur like Kuttner would pick up and expand upon. Yet it wouldn’t be surprising if they both had a hand in the final version of this scene….

…However, Sam Moskowitz claims:

“When Robert Heinlein read the story, he never forgot the phrase which became the title of one of his most famous short stories and of a collection, The Green Hills of Earth.”Sam Moskowitz, Seekers of Tomorrow (1967), 312

“The Green Hills of Earth” ran in The Saturday Evening Post for 8 Feb 1947, and provided the title for Heinlein’s 1951 collection of science fiction. Heinlein did not reiterate Moore & Kuttner’s verses, but came up with his own—and attributed it to an author, the blind poet Rhysling….

Ned Brooks later produced a chapbook based on these works:

…This is where Quest of the Green Hills of Earth (1995) comes in. Edited by Ned Brooks and illustrated by Alan Hunter, this is the kind of standalone chapbook that is a hallmark of science fiction and fantasy fandom. It reprints “Quest of the Starstone” in its entirety, Heinlein’s verses from “The Green Hills of Earth,” and three fan-made versions—one by Chuck Rein, George Heap, “and other fans of the 1960s”; one by Don Markstein (“late 60s”), and one by Steve Sneyd (Oct 1992)….

(3) SPIRITED GIVING 2024. Spirited Giving, a horror-themed fundraiser serving as the official kickoff to StokerCon 2024, takes place May 29, 2024 beginning at 3:00 p.m. in the San Diego Central Library. Full details at the link.  

It’s a night of author readings, live performances, meet and greets, and book signings, all while raising funds for the San Diego Library Foundation, particularly the Books Unbanned Initiative.

The event will feature readings from: Clay McLeod Chapman, Jamie Flanagan, Ai Jiang, Vincent V. Cava, Danger Slater, and Bridget D. Brave. And a special one-hour live performance by YouTube Horror Narrator Mr. Creepypasta.

To attend the event, get Spirited Giving Tickets at Eventbrite.

(4) IF NOT NEWS TO YOU, IT WILL BE NEWS TO SOMEONE. At Literary Hub Debbie Berne makes her case — “Not Just Covers, But Every Page: Why Writers Should Talk About Book Design Early On”.

… Interior design is both micro and macro. It involves technical prowess and creativity. There is line-by-line typesetting and there is translation of vibe.

Take, for instance, chapter openers. Most books are divided into chapters and an author has decided if they each have chapter titles or just numbers, or both, or neither, or additional info like a subtitle or time stamp or narrator name or geographic locator or setting-up-an-idea pull quote.

The designer, then, must figure out how to make those pieces of text—many or few—look nice and clear on the page and put forward an aesthetic, bringing visual voice to the writing voice. Which font? How big? How bold? Italic? Centered or no? In a single line, neatly stacked, cascading? Each decision is literal and expressive….

(5) HOW MUCH WAS C-3PO’S HEAD WORTH? Read the answer reported in Friday’s Birmingham (UK) Mail.

(6) SPRINGTIME FOR WONKA. Everyone is going to make money off this disaster except the people who perpetrated it. (Would you have it any other way?) “Viral Willy Wonka Glasgow event to be turned into musical” at BBC.

A new musical satire based on a Glasgow Willy Wonka experience that went viral is in the works.

The show’s lead producer, Richard Kraft, has assembled a team of writers and producers for the project titled Willy Fest: A Musical Parody.

The event in February gained notoriety after angry families, who paid up to £35 to attend, demanded their money back.

Kraft says he hopes people watching the show “won’t be left in tears.”

The creative team working on the musical includes Emmy-nominated actor and comedian Riki Lindhome who tweeted, “I’m so excited,” along with screenshots of an article.

Others attached to the project include Broadway songwriters Alan Zachary and Michael Weiner.

Kraft is known for producing and directing a Willy Wonka and the Chocolate Factory concert at the famed Hollywood Bowl.

He told the BBC it was his idea to turn the Glasgow event into a musical and that the writing team was “assembled in less time than it takes for someone to sing the first verse of ‘Oompa Loompa Doompa-Dee-Do’.”

He hopes to launch the musical later this year….

…Asked why the Glasgow event might be ripe for the musical theatre treatment, Kraft said: “It is about desperate dreamers who actually have fragments of a great idea, just executed beyond their budget and abilities.”

He said he loved shows “about big-hearted flim-flam artists in musicals like The Music Man, The Greatest Showman, and The Producers. At the core they are romantics who get in over their heads.”…

(7) THREE-BODY, BUT NOT JUST ONE PROBLEM. “’3 Body Problem:’ How Netflix’s new sci-fi saga employs the legendary Wow! signal”Space.com is sure you’ll want to know.

The Wow! signal is one of the great astronomy puzzles of the past 50 years, but it’s not so mysterious in the sci-fi universe of “3 Body Problem.”

Netflix’s new eight-episode alien invasion saga “3 Body Problem” uses the famous SETI (search for extraterrestrial intelligence) signal as a prominent plot device in its wild centuries-spanning narrative.

The Wow! signal was an intense narrowband radio signal detected on the night of Aug. 15, 1977 by Ohio State University’s Big Ear Radio Observatory and the North American Astrophysical Observatory (NAAPO) during a standard SETI search. No personnel were on duty at the time, yet the strong 72-second-long signal was recorded by a computer printer….

Beware spoiler:

… “3 Body Problem,” which drops on March 21, puts its own spin on the signal. In the series, Wow! is a real message from intelligent aliens beyond Earth. A Chinese astrophysicist responds to the translated signal by inviting the aliens to visit Earth — to humanity’s detriment, as we later learn….

(8) SIGNING TIME. John King Tarpinian has the Glendale Civic Auditorium all prepared to welcome tomorrow’s influx of dealers to the 2024 LA Vintage Paperback Collectors Show & Sale.

(9) JON STOPA (1935-2024). Longtime Chicagoland fan Jon Stopa died March 4 at the age of 88. See the family obituary in the Kenosha News at the link. (The family obituary spells his first name “John”. In the sff field he was known as “Jon” except for the few instances when he used “John” in the credits for his book cover art for Advent:Publishers).

Jon Stopa

Fancyclopedia 3’s article about Jon records that he made his first sf short story sale to Astounding at age 22, “The First Inch” published in 1957, followed by two more appearances in Campbell’s magazine in 1958. Jon’s fourth and last fiction credit was in 1973 with “Kiddy-Lib” in Eros in Orbit.

He co-founded Advent:Publishers in 1955 with Earl Kemp, Robert Briney, Sidney Coleman, James O’Meara, George Price, and Ed Wood. The company produced nonfiction books about the sf field, the first of which was Damon Knight’s essay collection In Search of Wonder (1956).

A Jon Stopa-designed Advent book cover.

Stopa met Joni Cornell at the 1960 Worldcon (Pittcon). They married in 1962 and lived at Wilmot Mountain, Stopa’s family ski resort in Wilmot, WI, where they began hosting Wilcon, a three-day long invitation-only relaxacon.

Jon appears as a bartender in the video Faans (1983) (around the 18:50 mark) in a scene shot at the lodge at Wilmot Mountain.

Throughout the 1960s, the Stopas entered and won many convention masquerades. In the early 1970s, the couple helped found the conrunning group ISFiC.

The Stopas were Fan GoHs at Chicon V, the 1991 Worldcon.

Jon’s survivors include his grandson, Keanen (Kim) Burns; sister, Diane Reese; great-granddaughter, Kinsley Burns; and nieces: Tiffany and Amanda Stopa. Along with his parents and wife; John was preceded in death by his daughter, Deb Burns; and brothers: Walter Jr. and Conrad (Karen) Stopa.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 16, 1920 Leo McKern. (Died 2002.) Pop culture is wonderful, isn’t it? And Leo McKern was definitely part of it. 

The Prisoner where he was Number Two in three of the seventeen episodes is definitely his best remembered SF role. He played that role more than any of the other seventeen credited actors. That is if you consider The Prisoner to even be SF and not merely a spy series gone very weird. Just tossing that idea out here.

Leo McKern as Number Two in The Prisoner.

Next up is The Adventures of Robin Hood where he was Sir Roger DeLisle, usurper of the Locksley manor and lands, and Herbert of Doncaster, a corrupt moneylender. It was an early Fifties series and his of earliest acting roles. 

Sliding on later in his career is one of my favorite roles by him, Horace Rumpole, a London barrister on Rumpole of the Bailey. He was a great  character to watch, the cases were interesting and the supporting cast was well thought out.

Slipping on over to his radio work, he was the voice of Captain Haddock in the 1992 and 1993 BBC Radio Hergé’s The Adventures of Tintin.

He was “Mac” MacGill in X the Unknown, a Fifties horror SF film from Hanmer Productions; and he’s got a lead role as Bill McGuire in The Day the Earth Caught Fire, an end of the world Sixties film.

The final role I want to mention is in The Adventure of Sherlock Holmes’ Smarter Brother where he gets to be Professor Moriarty. I’m almost certain that I’ve seen it. 

(11) COMICS SECTION.

And we’re overdue to catch up with Tom Gauld!

(12) STAND AND DELIVER. [Item by Steven French.] Sally Wainwright is a national treasure over here in the U.K. so her writing a new fantasy show set in the 18th century (featuring Louisa Harland formerly of Derry Girls as a gender fluid highwaywoman with superpowers!) is a Big Deal: “’I never dreamed I’d get this role!’: Derry Girl Louisa Harland on Sally Wainwright’s thrilling new heroine” in the Guardian.

When Louisa Harland was cast as the lead in the new Sally Wainwright drama, Renegade Nell, the director told her: “Nell needs to be one of those characters, even when she’s on the screen so much, you still want the audience to miss her when she’s not.” It’s quite an ask: Nell is a massive Doctor Who of a role, swashbuckling, always with a new accent or cool pyrotechnics or punch in the face, and Harland fills the screen every second she’s on it. Somehow, though, you do miss her when she isn’t. Meeting the 31-year-old in central London, I can see exactly why she was chosen for Nell, even though almost the first thing she says is “I never in my wildest dreams thought I would get this role. My parents still think it is so random.”

Renegade Nell is a rebel and a chancer, an 18th-century tomboy in a constant life-or-death scenario of some other bugger’s making. The year is 1705, and she’s just lost her husband in a battle that has left her both widowed and superhuman, but only sometimes. The show has a lush period feel and is a closely observed love affair with the British countryside (Harland describes the incredibly precise location scouts combing through forests searching for trees that would have been mature by 1705), but it is powered by mischief – fight scenes, disguises, magic monsters and highway robbery after highway robbery….

(13) JAPANIMATION’S SUICIDE SQUAD. Animation Magazine introduces Warner Bros. Japan LLC’s updated trailer featuring the anime-styled anti-heroes of Suicide Squad ISEKAI.

Synopsis:  In the crime-ridden Gotham city, Amanda Waller, the head of A.R.G.U.S., has assembled a group of notorious criminals for a mission: Harley Quinn, Deadshot, Peacemaker, Clayface and King Shark. These DC Super-Villains are sent into an otherworldly realm that’s connected to this world through a gate. It’s a world of swords and magic where orcs rampage and dragons rule the skies — an “ISEKAI!”

Harley and others go on a rampage after arriving in ISEKAI but are captured by the Kingdom’s soldiers and sent to prison. They only have 72 hours before the bomb on their neck explodes.

The deadline is fast approaching. After negotiations with Queen Aldora, the condition for liberation was the conquest of the hostile Imperial army. They have no choice but to throw themselves head-first into the front line of battle.

They run; they die. They lose; they die. With their lives on the line, can Harley Quinn and The Suicide Squad survive in ISEKAI? Brace yourselves for the pulse-pounding saga of the elite task force known as the “Suicide Squad” as they embark on a jaw-dropping adventure! Let the party begin!

(14) THE HOBBIT DIET EXPLAINED SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] Filers may have noted “(10) NO MICHELIN STARS FOR MORDOR.  CBR.com chronicles ‘Every Meal Hobbits Eat In Tolkien’s The Lord of the Rings’” in “Pixel Would Like A Word With Engineering”. It strikes me that there is a very logical, biological reason for Hobbits requiring more meals than us, larger, humans!

It centres on the fact that scale is size specific: a cube does not have the same spatial properties at any scale – its surface area to volume ration is scale specific. For example, to depart slightly from a simple cube, a single cube might have a volume of one unit and a surface area of six square units: a cube has six sides. However, a cube of volume of two cubic unites only has a surface area of ten square units. (You can easily create a volume of two cubic units by joining two one-cubic-volume cubes together and in the process cover two, one cubic square sides leaving just ten cubic squares as the surface area.)

What this all means is that smaller creatures have proportionally more surface area from which to lose heat.

Hobbits are smaller than humans and so must lose more heat assuming they have the same blood temperature. Proportionally losing more heat means that they must consume proportionally more food, hence require more meals.

Jus’ sayin’.

Second breakfast anyone?

(15) POOR LITTLE MERCURY! Space.com says “Mercury slammed by gargantuan eruption from the sun’s hidden far side, possibly triggering ‘X-ray auroras’”.

A gigantic, fiery eruption around 40 times wider than Earth recently exploded from the sun’s hidden far side. The eruption hurled a massive cloud of plasma into space that later smashed into Mercury, scouring the planet’s rocky surface and potentially triggering “X-ray auroras” on the unprotected world.

The eruption was likely triggered by a powerful solar flare, which occurred around 7 p.m. ET on March 9, Spaceweather.com reported. NASA’s Solar Dynamics Observatory (SDO) spotted a large, partially obscured plasma filament exploding outward from behind the sun’s northeast limb. Based on the amount of visible plasma, the eruption likely spanned around 310,000 miles (500,000 kilometers) across.

SDO data showed that the explosion, which likely left behind a massive “canyon of fire” on the sun’s surface, also released a large coronal mass ejection (CME) — a fast-moving cloud of magnetized plasma and radiation — that collided with Mercury on March 10.

Mercury is often blasted with CMEs due to its proximity to our home star. The small planet has no atmosphere left as a result of this bombardment and is fully exposed to the full force of these solar storms. …

(16) HOT TIMES CLOSER TO HOME. “The Staggering Ecological Impacts of Computation and the Cloud” at The MIT Press Reader. “Anthropologist Steven Gonzalez Monserrate draws on five years of research and ethnographic fieldwork in server farms to illustrate some of the diverse environmental impacts of data storage.” (A full version of this article, as well as a bibliography, can be accessed here.)

…The molecular frictions of digital industry, as this example shows, proliferate as unruly heat. The flotsam and jetsam of our digital queries and transactions, the flurry of electrons flitting about, warm the medium of air. Heat is the waste product of computation, and if left unchecked, it becomes a foil to the workings of digital civilization. Heat must therefore be relentlessly abated to keep the engine of the digital thrumming in a constant state, 24 hours a day, every day.

To quell this thermodynamic threat, data centers overwhelmingly rely on air conditioning, a mechanical process that refrigerates the gaseous medium of air, so that it can displace or lift perilous heat away from computers. Today, power-hungry computer room air conditioners (CRACs) or computer room air handlers (CRAHs) are staples of even the most advanced data centers. In North America, most data centers draw power from “dirty” electricity grids, especially in Virginia’s “data center alley,” the site of 70 percent of the world’s internet traffic in 2019. To cool, the Cloud burns carbon, what Jeffrey Moro calls an “elemental irony.” In most data centers today, cooling accounts for greater than 40 percent of electricity usage….

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd at PBS Space Time this week takes a dive into a decidedly SFnal trope, that of the possible need to hide humanity from aliens as they themselves may be doing so?

Dark Forest: Should We NOT Contact Aliens?

In 1974 we sent the Arecibo radio message towards Messier 13, a globular cluster near the edge of the Milky Way, made up of a few hundred thousand stars. The message was mostly symbolic; we weren’t really expecting a reply. Yet surely other civilisations out there are doing the same thing. So, why haven’t we heard anything? What if the silence from the stars is a hint that we shouldn’t be so outgoing? What if aliens are deliberately keeping quiet for fear that they might be destroyed?

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Steve Green, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 3/9/24 Spacetime Springers Ahead, Nightfallers Back

(1) OTHERWISE AWARD UPDATE. Sumana Harihareswara, Motherboard chair, has shared news about the Otherwise Award in “Our pause and interim plans”.

As has been the case for many volunteer-run organizations, the Otherwise Award has struggled since the start of the pandemic in 2020. Our (volunteer) board and other volunteers have had to juggle many more issues than previously around health, paid work, and caretaking concerns than previously, which has resulted in our falling behind on the administration and maintenance of the Award. We’re sorry that we didn’t communicate about this earlier—that made it hard for readers, authors, and publishers to know what to expect.

Our Motherboard met recently to discuss how to move forward. We remain dedicated to our mission: to celebrate science fiction, fantasy, and other forms of speculative narrative that expand and explore our understanding of gender . But we’re discussing how, as an organization, to continue to pursue that mission in a sustainable way, given our limited resources.

Here are the decisions we’ve made so far.

Most of our programs are paused. This is us acknowledging what’s already been happening. We were later than usual at deliberating and announcing the Awards for work published in 2020 and in 2021, and did not run a Fellowships process in 2021 or 2023. We have not yet convened a jury to consider works published in 2022, 2023, or 2024.

We intend to run the Fellowships this year. We will open applications in several months—August at the earliest, October at the latest.

We may honor 2022 and 2023 work in a different way. We’re exploring various approaches to celebrating work from those years. That celebration may end up taking a very different form than usual.

We’re considering alternative approaches to the Award in the future. It could be that we’ll convene a jury soon to read 2024 work and deliberate towards an Award, but if we do, we may change our practices to reduce the workload on individual jury members and to make our procurement system for recommended works less laborious. Also, we currently rely on volunteer work for almost all of the organization’s labor (exceptions being technological work on our website, and art commissioned to give to Award winners); we may try to find ways to focus more on paid labor.

We’ll be at Readercon. We usually honor the most recent Award winner at WisCon , but this year we have no new award winner, and WisCon is taking a break . So we will instead hold some Otherwise-related events at Readercon (July 11-14, 2024, near Boston, Massachusetts). Specifics to be determined.

(2) GET READY FOR THE OSCARS. Animation World Network has been running a series about this year’s Academy Awards nominees in the animation and effects categories.

Take a deeper look at ‘The Boy and the Heron,’ ‘Elemental,’ ‘Nimona,’ ‘Robot Dreams,’ and ‘Spider-Man: Across the Spider-Verse,’ all vying for the Best Animated Feature Oscar at the 96th Academy Awards coming March 10, 2024.

Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar 

Take a deeper look at ‘Letter to a Pig,’ ‘Ninety-Five Senses,’ ‘Our Uniform,’ ‘Pachyderme,’ and ‘War Is Over! Inspired by the Music of John and Yoko,’ all vying for the Best Animated Short Film Oscar 

(3) MEETING BUTLER. Syrus Marcus Ware delves into memory to bring us “Octavia E. Butler, Remembered”, a 2022 article at Them.

When the novelist Octavia E. Butler entered a room, you felt it. Tall, commanding, yet soft-spoken, the author’s presence inspired as much comfort as attention; you couldn’t help but be enraptured by her. The first and only time I met her was on a rainy afternoon in 2005. She was in Toronto promoting Fledgling, a brilliant novel about a young racialized vampire who challenges the white supremacy of the wider vampire community. I had been granted an hour’s time to interview not only my favorite author, but the dreamer who inspired me to become a speculative fiction writer and artist. What was supposed to be an hour turned into an entire day in her bountiful presence….

(4) BARDS AND SAGES CLOSING. Walter J. Wiese writes, “I seem to have a track record of having publications close right before they’re about to print my work. I had a story due to appear in the April issue of B&SQ.”

Bards and Sages Publishing posted a “Closure Announcement” saying they were shutting down beginning this week.

Effective March 6, 2024, I will begin the process of winding down Bards and Sages Publishing. There is a lot that needs to be unraveled and sorted out before I can formally close everything down. The most immediate impact is the closure of the Bards and Sages Quarterly and ceasing publication of new issues.

If you are an author or artist who was previously published in an issue of the Bards and Sages Quarterly, those issues will remain on sale until the end of 2024. After that, all back issues will be removed from sale, and all rights will revert to their respective authors.

The same is true for back issues of The Society of Misfit Stories and all of our anthologies. These will remain on sale through the end of the year and then unpublished. At that time, all rights will revert back to their respective authors and artists.

I’ve already informed our authors that we have stand-alone publishing contracts with about the decision. I will work with those authors individually to make sure all of their rights revert to them in a timely manner, and provide them with any raw files we have of their books. They will be free to use those files to either self-publish or take to another publisher if they wish.

Regarding our RPG offerings: I own all rights to the RPG materials through work-for-hire agreements. If other publishers are interested in buying the rights to any of our RPG products or properties, I will entertain offers. Email [email protected] to discuss.

With that out of the way, I want to provide the reasons for this decision.

As I have noted previously, I have been struggling with mental health issues for some time now. I am being treated for generalized anxiety and depression, and though my condition has improved, I’m still not where I feel I need to be to properly commit the time and effort needed to being an effective publisher.

At the end of last year, I was diagnosed with additional physical health issues that will require surgery and treatment. While none of them are life-threatening, they are an additional weight that requires my attention.

As most people who have known me a while also realize, publishing has always been my love, but it has never been my primary income source. Like a lot of micro presses, I have a proverbial “day job,” and that day job has become increasingly more complex over the last few years….

All of these issues impacted my decision. However, I also have to confess to what may have been the final straws. AI…and authors behaving badly….

(5) CARR-LICHTMAN CATALOG. Mark Funke Books has posted an online SF Catalog of Terry/Carol Carr and Robert Lichtman Material – see it here: “Science Fiction Archives”. (Click for larger image.)

(6) KUNG FU PANDA PUTS MOVES ON DUNE AT BOX OFFICE. Dune: Part Two could not hold onto first place in its second weekend at theaters reports Deadline: “Box Office: ‘Kung Fu Panda 4’ Kicking Up $55M For Second-Biggest Franchise Debut”.

Universal/DreamWorks Animation’s Kung Fu Panda 4 is coming in higher with a $19.4M Friday (including previews) and $55M, which is the same amount that How to Train Your Dragon: Hidden World opened to back in 2019. Brand animation always opens big. That’s still the second best stateside start for the Kung Fu Panda franchise. CinemaScore is A-, the same grade as the first movie, but a notch down from the As earned on two and three.

Legendary/Warner Bros’ Dune: Part Two earned around $12.3M yesterday for what’s shaping up to be a $44M second weekend, -47%, for a running total of $154.7M. With those two movies leading the pack, it’s shaping up to be a $133.3M weekend, +13% over the same frame a year ago when Scream VI bowed. Wow. It’s been a while since we’ve seen an up weekend.

Lionsgate/Blumhouse’s Imaginary is third with $3.6M yesterday (including previews) at 3,118 theaters for what’s shaping up to be a $9.3M opening. Not shocking to see this movie below its $10M-$14M projection, nor saddled with a C+ CinemaScore and 57% on PostTrak. It is rather slow for a PG-13 horror film and there’s nothing really hip to hook the girls ala M3GAN. But it was cheap to make at $10M. Still more product means depth at the box office….

(7) GROW UP? TO HECK WITH THAT. “Miriam Margolyes Says Harry Potter Fans Should Be Over Films By Now” in an interview with The Hollywood Reporter.

Harry Potter actress Miriam Margolyes has some thoughts about the people who are still superfans of the famous film franchise.

During an interview with New Zealand’s 1News network, Margolyes was asked how Harry Potter and Blackadder fans approach her differently when they see her in public. She explained that fans of the British sitcom that starred Rowan Atkinson usually ask her to say “Wicked child.” But instead of answering the question about Harry Potter, she decided to share how she feels about the fandom.

“I worry about Harry Potter fans because they should be over that by now,” Margolyes said. “It was 25 years ago, and it’s for children,” clarifying, “think it’s for children.

The actress portrayed Professor Pomona Sprout in the film franchise. Her character taught herbology and was the head of the Hufflepuff House. While speaking with the host, Margolyes seemed confused about the fact that those who grew up with the books and movies are still so engrossed in the Wizarding World, despite being adults at this point.

“They get stuck in it,” she explained. “I do Cameos, and people say, ‘We’re having a Harry Potter-themed wedding, and I think, ‘Gosh, what’s their first night of fun going to be?’ I can’t even think about it. No.”

She did note, “Harry Potter is wonderful. I’m very grateful to it” but doubled down on her original thought, which is that “it’s over.”…

(8) IT’S IMPOSSIBLE. One of the audiobooks up for the British Book Awards is Impossible Creatures by Katherine Rundell, narrated by Samuel West (Bloomsbury Children’s Books). Publishing Perspectives reports: “British Book Awards: 2024 Books of the Year Shortlists”.

(9) FIVE TO DRAW TO. Lisa Tuttle’s “The best recent science fiction and fantasy – reviews roundup” for the Guardian covers The Mars House by Natasha Pulley; Annie Bot by Sierra Greer; The Warm Hands of Ghosts by Katherine Arden; Jumpnauts by Hao Jingfang; and Alien Clay by Adrian Tchaikovsky.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 9, 1955 Pat Murphy, 69. What work do I like most that Pat Murphy’s done? Well that’d be There and Back Again, by Max Merriwell if only because it, a) was indeed a lovely and playful take off The Hobbit, and b) shows how bloody obstinate, well I had another phrase in mind, that the Tolkien Estate can be at times which is why it’s no longer in print though copies are available at I think are still reasonably priced rates. 

Pat Murphy. Photo by Scott Edelman.

Of her first two novels, The Shadow Hunter had Neanderthals and time travelling, and oh my!, her second, The Falling Woman, was about an archaeologist who sees the spirits of ancient people while she walks at dusk and dawn. Fascinating. Thirty-six years on, it’s still perfectly readable. And it won a Nebula which it most definitely deserved. 

Now I get to The City, Not Long After, the novel that I love nearly as much for its depiction of an empty magical San Francisco as I do for the characters and the story set there. Don’t get me wrong — both of those are stellar too. I get tingly thinking of this novel, something that I admit is rare.

Let’s me finish off the novels I like by her with Adventures in Time and Space with Max Merriwell about a cruise that gets, shall I say, delightfully improbable near or even within the Bermuda Triangle? Yes, it’s written by the same writer who penned by the story that the Tolkien Estate took umbrage to.

As for her short fiction, it is excellent. Both the “Rachel n Love” novelette and the “Bones” novella that first appeared in Asimov’s Science Fiction Magazine would win a Nebula, the former would also win a Sturgeon — the Award, not a fish. Sorry I couldn’t resist. Her 1990 Points of Departure anthology, which won a Philip K. Dick Award, is a generous sampling of her short work and has the “Rachel n Love” novelette and the “Bones” novella in it. 

She’s hasn’t published anything in five years, so let’s hope something is forthcoming. 

(11) COMICS SECTION.

  • Baldo’s Gracie is an example of many of us.
  • Herman has an unidentified problem.
  • Lio meets some offworld fans.
  • Macanudo points out a problem for Batman.
  • Free Range suggests writing peer pressure goes way back.
  • Non Sequitur has an early editor.

(12) SHE’S A ROCKETGIRL. [Item by Steven French.] Andrew Rovenko, a Ukrainian born photographer now living in Australia was named Australian Photography Magazine’s photographer of the year for this wonderful shot of his daughter in her home-made spacesuit. His photos have been collected in The Rocketgirl Chronicles – see a gallery at the link. Full story at the Guardian: “Rocketgirl on her sixth lockdown: Andrew Rovenko’s best photograph”.

During the pandemic, Melbourne held the world record for the highest number of days spent in lockdown. That’s not really a record you want to have. My family – me, my wife Mariya and our daughter Mia who was four at the time – had done all the standard things: puzzles, daily walks, baked sourdough. By lockdown number six, options for new activities were scarce. But Mia’s obsession with space gave us an idea – to make her a spacesuit. My wife had trained as a costume designer and she thought it might brighten Mia’s day to show her how something can be created from scratch. The best bit was making the papier-mache helmet: they blew up a little balloon and then stuck newspaper cuttings around it.

At the time, we were allowed outside for only two hours each day, and we had to keep within a 5km radius of our home. Having this suit as a prop had a transformative effect on our outings, turning them into space exploration missions. Even as adults, if you put a bold piece of clothing on, you start to play the role of the costume….

(13) JEOPARDY! [Item by David Goldfarb.] The second round of the Jeopardy! Tournament of Champions semifinals featured two questions involving SFF. The very first clue of the game was Literary Awards for $600:

Octavia Butler got the inaugural Infinity Award by the Science Fiction & Writers Association at these star-studded awards

Emily Sands knew this was the Nebula Awards.

Later we had Literary Awards for $1000:

The Hugo Award isn’t named after Victor Hugo, but this Hugo who founded the sci-fi magazine Amazing Stories

Yogesh Raut responded “Who is Luxembourg’s Hugo Gernsback?”

Did you know that Gernsback was from Luxembourg? I did, but only because I had previously learned it from listening to one of Yogesh’s podcasts.

(14) AREA 51 EIGHTY-SIXED. “Pentagon Review Finds No Evidence of Alien Cover-Up” – the New York Times discusses the report.

In the 1960s, secret test flights of advanced government spy planes generated U.F.O. sightings. More recently, government and commercial drones, new kinds of satellites and errant weather balloons have led to a renaissance in unusual observations.

But, according to a new report, none of these sightings were of alien spacecraft.

The new congressionally mandated Pentagon report found no evidence that the government was covering up knowledge of extraterrestrial technology and said there was no evidence that any U.F.O. sightings represented alien visitation to Earth.

The 63-page document is the most sweeping rebuttal the Pentagon has issued in recent years to counter claims that it has information on extraterrestrial visits or technology. But amid widespread distrust of the government, the report is unlikely to calm a growing obsession with aliens.

Maj. Gen. Patrick Ryder, a Defense Department spokesman, said the Pentagon approached the report with an open mind and no preconceived notions, but simply found no evidence to back up claims of secret programs, hidden alien technology or anything else extraterrestrial.

“All investigative efforts, at all levels of classification, concluded that most sightings were ordinary objects and phenomena and the result of misidentification,” General Ryder said in a statement.

While many reports of what the government now calls Unidentified Anomalous Phenomena remain unsolved, the new document states plainly there is nothing to see. The Pentagon’s All-domain Anomaly Resolution Office concluded that if better quality data were available, “most of these cases also could be identified and resolved as ordinary objects or phenomena.”…

(15) VIDEO OF THE DAY. FirstShowing introduces the “Final Trailer for Netflix’s ‘3 Body Problem’ Mind-Bending Sci-Fi Series”.

“I have to tell you something… something insane, but true, about all of us. It started a long time ago. Back in 1977 they detected a sequence…called it the wow signal.” Netflix has revealed their final official trailer for 3 Body Problem, an adaptation of the sci-fi books of same name from Liu Cixin, which many believe are near impossible to adapt. 3 Body Problem is a series inspired by the renowned story about discovering we are not alone in the universe. From the Game of Thrones creators David Benioff and D.B. Weiss. A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes five former colleagues reunite to confront the greatest threat in humanity’s history. 

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Daniel Dern, Walter J. Wiese, David Goldfarb, Jeffrey Smith, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/9/24 The FTL And The Furriest

(1) TOR ACCUSED OF USING AI ART COVER, AGAIN. [Item by Anne Marble.] People strongly suspect that Tor used yet another AI cover for a release by its Bramble imprint. In this case, the book is their hardcover reprint of Gothikana, a dark academia romance by an anonymous author known as RuNyx– an indie book that is both loved and hated. (Both the writing and the “hero” have been criticized.) Tor published this new edition in hardback with sprayed edges and what looked like a gorgeous new cover. Even people who already had the book bought it for the cool presentation. This is an adult hardcover priced around $30. But now, many people are saying that this new cover is probably AI.

Gabino Iglesias has one of the best posts on this:

This is not a first for Tor. In December 2022, File 770 published the news when Tor was caught using AI elements on the cover of an SF novel by Christopher Paolini – “Pixel Scroll 12/20/22 The Filezentian Gate” item #3.

You can see the Tor cover, the Solaris cover, and the indie covers of Gothikana on Goodreads.

Emma Skies devoted a TikTok video to analyzing the artwork: “I’m So Sick Of This”.

@emmaskies

I’M SO SICK OF THIS I really don’t understand why we keep having to have this conversation in *creative* spaces. Stop ???????? using ???????? AI ???????? art ???????? It doesn’t even look good! Frankly this is beyond embarrassing and I’m incredibly disappointed in Tor. This is lazy and it’s insulting to authors, consumers, and artists who should and historically would be getting hired for these jobs, and this is only going to keep getting worse as the publishing industry is obsessed with pumping out more and more work for less money utilizing fewer employees. We are not heading in a good direction. ???? #torbooks #torpublishinggroup #brambleromance #gothikana #runyx #bookcover #aiart #noaiart #romancebooks #darkromance #fantasyromance #booktok #emmaskiesreads #greenscreen

? original sound – emmaskies

BTW I can’t tell whether a cover is AI or not. But when you look at the mysterious gate closely… Ugh. And I persuaded myself to buy this book because of the cool cover and sprayed edges…

More recent posts on Gothikana include Ed Crocker’s thread on X, started to celebrate covers by humans — which is a great response!

By the way, you can see the Solaris cover, which is complete different, in this post:

(2) MEDICAL UPDATE. Kaja Foglio had emergency gall bladder surgery last weekend, and had to be readmitted to the hospital on Monday. Phil Foglio posted the news at Bluesky.

(3) UGANDA WORLDCON BID REPLIES TO SENSITIVE QUESTION. Steve Davidson reported on Facebook that Amazing Stories recently asked the Ugandan Worldcon Bid —

“Given the laws of Uganda regarding LGBTQ+ how are you planning on handling this for attendees?”

The “the official committee stand” responded and I wanted to share their response, the first line of which states:

“This law is in courts of law and we can’t comment about it for fear of prejudice.”

The balance of their statement says:

“However, as a country so far, we have hosted and planning to host major global conventions like the Commonwealth Speakers of Parliament and Presiding Officers, NAM summit, the G77 + China in 2024 all have been completed without incidents consequential from this law and later AFCON in 2027 will be hosted here. We also have seen a successful football World cup in Qatar, the Worldcon has been successfully hosted in China in 2023 some of these parts of the world have more harsh laws against homosexuality. These precedents will help inform Kampcon in planning mitigation measures. The experiences of previous hosts with similar legal challenges will be instructive on how Kampcon approaches this issue in terms of its code of conduct to guide all the operations. In the meantime, we are also involving every stakeholder in the planning of this event right from bidding and we are receiving support of a number of forms from the national convention bureau (MICE Bureau) so we are doing all within means not to have any conflict legal or otherwise with the authorities of the land and the host community. The number one commitment for any host is safety first! This is not different for Kampcon. “

Davidson’s post includes quotes from media coverage about the enforcement of laws against homosexuality.

(4) FIVE BOOKS TO ENJOY. Lisa Tuttle’s new Guardian column reviews The Book of Doors by Gareth Brown; Shigidi and the Brass Head of Obalufon by Wole Talabi; Red Side Story by Jasper Fforde; Past Crimes by Jason Pinter; and The City of Stardust by Georgia Summers. “The best recent science fiction and fantasy – reviews roundup”.

(5) BRISTOW Q&A. A lot of sff mentioned in the Shelf Awareness interview with Su Bristow:

Favorite book when you were a child:

There were so many! But I guess the one I returned to over and over again would have to be The Magician’s Nephew by C.S. Lewis. It’s the origin story of Narnia, and how evil was unintentionally brought in right at the start. It felt important to me, in a way that I couldn’t have articulated at the time.

Your top five authors:

Ursula K. Le Guin. Her Earthsea trilogy had a profound effect on me in my teens. The Taoist philosophy that underpins it, and the idea of equilibrium in nature–and of course in magic–struck me with the force of truth. It still does.

Barbara Kingsolver. Her versatility is extraordinary, and I’ve loved all her books, particularly The Lacuna and Demon Copperhead. I hope there are many more to come.

J.R.R. Tolkien. An obvious choice, maybe, but it’s not the writing so much as the depth and breadth of the world he created. He was aiming to set up a mythology for Britain, and he succeeded; his influence is everywhere.

Alan Garner. A master weaver of language, landscape, and legend. He creates songlines for his corner of the British Isles.

Terry Pratchett. The humanity, humour, and passion in his books is breathtaking, not to mention the immense wealth of detail and unforgettable characters….

(6) LIFE ON THE DEATH STAR? [Item by SF Concatenation’s Jonathan Cowie.] Mimas is the moon of Saturn that famously looks like the Star Wars Death Star. But his week in Nature research reveals that it yet may be another place in our Solar System that might, just might, harbor life… (though personally I think we will just find some interesting pre-biotic chemistry…). “Mimas’s surprise ocean prompts an update of the rule book for moons”.

The shifting orbit of one of Saturn’s moons indicates that the satellite has a subsurface ocean, contradicting theories that its interior is entirely solid. The finding calls for a fresh take on what constitutes an ocean moon.

The detection of liquid water oceans under the icy surfaces of outer Solar System moons suggests that these moons could provide abodes for life under conditions that differ markedly from those on Earth. However, it can be a challenge to detect subsurface oceans directly, so inferences about candidate ocean moons are typically drawn from comparison to moons known to harbour oceans, such as Jupiter’s Europa and Saturn’s Enceladus. These moons have many similarities in terms of both the conditions that sustain their oceans and the way that their surfaces indicate the existence of an internal ocean. If the criteria were set by these moons, the small Saturnian moon Mimas would easily be ruled out as an ocean moon. It therefore comes as a surprise to learn that Mimas must have an internal ocean, according to results reported in this week’s Nature. Primary research paper here: https://www.nature.com/articles/s41586-023-06975-9.pdf 

(7) BODYING THE COMPETITION. “’Three Body Problem’ Coming to Peacock Before Rival Netflix Version” says The Hollywood Reporter.

Now Netflix has a two Body problem.

An adaptation of Liu Cixin’s epic sci-fi novel The Three-Body Problem is going to land on a major U.S. streaming service just weeks ahead of Netflix launching its own version.

Peacock announced Friday it has acquired Tencent’s Three-Body, the Chinese adaptation that was released internationally last year. The streamer will launch all 30 episodes Feb. 10.

While Tencent pegged the release date choice to the Lunar New Year, the launch is also clearly timed to get ahead of Netflix’s big-budget version, titled 3 Body Problem, coming March 21…

…The two adaptations are very different, however. The Tencent version is considered an ultra-faithful adaptation (to the point that some have criticized it as being a bit tedious) that, like the novels, remains squarely focused on characters from China who grapple with an alien invasion. Netflix’s version expands the story to an international cast and takes liberties to adapt the dense and physics-heavy novel for a mainstream audience. Also, while the Tencent version avoids the book’s brutal portrayal of the Chinese Cultural Revolution — a key sequence in the story — the Netflix version was able to be more faithful in that regard….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 9, 1931 Algis Budrys. (Died 2008.) I usually can’t remember the cover art for a novel I read nearly fifty years ago but I remember that for Rogue Moon by Algis Budrys. It was the Equinox / Avon edition of 1974 with the cover illustration by William Maughan. I picked up on some newsstand in those days when newsstands still existed and they had SF novels to purchase along with comics and zines as Amazing and If.  I’ll get nostalgic later…

It was the first work I read by him and I remember that it was quite good. I see it was nominated for a Hugo at Seacon, the year A Canticle for Leibowitz won.  It was by no means his first publication as that goes to “The High Purpose” which been printed in Astounding in 1952, the year he started as an editor and manager for such publishers as Gnome Press and Galaxy Science Fiction. 

Algis Budrys. Photo by and (c) Andrew Porter.

Between 1965 and 1961, he had two short stories, a novelette and two novels nominated for Hugos. None would win.

I’ve read three of his novels in total, the others being Some Will Not Die and Who?, none of the other novels are ones I recognize at all.  Both of these were well worth my reading time as well. I caution that I’ve not re-read any of these in thirty years so I don’t how well the Suck Fairy would react to them now. 

He was extremely prolific with his writing of short stories, penning well over a hundred. I’ve read enough of them to say he had a deft hand at this story length. So after the early sixties, he wrote far less fiction and worked in publishing, editing, and advertising to make a much better living. 

One was the Tomorrow Speculative Fiction magazine from 1993 to 2000. It was nominated for a Hugo at ConAdian and the next year at Intersection. Alas he did not win.

He’s best known I think for his F&SF book columns that ran for almost forty years starting in 1975. I know that I looked forward to them immensely. They’re collected in Benchmarks Continued, Benchmarks Revisited and Benchmarks Concluded. There’s also Benchmarks: Galaxy Bookshelf which collects his columns there. 

And let’s not overlook A Budrys Miscellany: Occasional Writing 1954-2000 which collects some of his fanzine writings. It’s available at the usual suspects.

(9) COMIC SECTION.

(10) REVIEW OF ‘MACHINE VENDETTA’ BY ALASTAIR REYNOLDS. [Item by SF Concatenation’s Jonathan Cowie.] Machine Vendetta by Alastair Reynolds, his latest novel came out a couple of weeks ago and SF² Concatenation has an advance post review ahead of its summer season edition. It sees a return to ‘Revelation Space’ and a Prefect Tom Drefus Emergency. The full review is here.

A terrorist incident, resulting in a conflagration in a large orbiting habitat, was caused by racism species-ism between uplifted pigs (to human sentience levels) and humans. The habitat was one of thousands that formed the Glitter Band orbiting the planet Yellowstone. Humans had arrived at Yellowstone centuries earlier but the planet has an unbreathable atmosphere, so that while some humans established a colony on its surface, others remained in orbit, hence the hundreds of habitats. Each of the habitats was largely self-policed (usually by local constables) but overall, inter-habitat, peace-keeping and the maintenance of democracy (via strictly controlled computer voting) was undertaken by just a thousand prefects operating from Panapoly – an asteroid hollowed out to provide habitation, space docks etc.

Then a prefect – Ingvar Tench – visits Stadler-Kremeniev orbital habitat. Ingvar Tench thinks she has been ordered there for a routine inspection of its voting mechanisms, but back at the Panapoly, the senior prefects are puzzled as no orders had been given Ingvar: what could she be doing visiting a habitat on the prefects’ watch list? Further, they are perturbed that communications with her have been cut… 

Enter senior prefect Tom Drefus who is sent to Stadler-Kremeniev to find out what Ingvar Tench is doing. Alas, he arrives too late and, long story short, she is dead…. 

(11) READY, WILLING, AND ABLE. RadioTimes quotes“Louise Jameson on Doctor Who return: ‘I’d be back in a nanosecond’”.

Doctor Who legend Louise Jameson has insisted she’s game for a return appearance as classic character Leela.

Jameson recently reprised the role in live-action for Leela vs the Time War, a short film made to promote the Doctor Who – The Collection: Season 15 Blu-ray set.

Speaking at a BFI Southbank screening of 1977 story Horror of Fang Rock held to mark the release, Jameson suggested she wouldn’t hesitate if asked to return to the BBC sci-fi series.

“Let’s see… I’d absolutely love to do one,” she said. “I’d be back in a nanosecond.

“Can you just tell Russell [T Davies, Doctor Who showrunner]? Can somebody ask him to watch it [Leela vs the Time War]?”…

(12) THE DOORS OF HIS MOUTH, THE LAMPS OF HIS WHYS. [Item by Steven French.] Not really genre related but so bizarre I couldn’t resist! An Atlas Obscura post from 2017: “Encryption Lava Lamps – San Francisco, California”.

Why use lava lamps for encryption instead of computer-generated code? Since computer codes are created by machines with relatively predictable patterns, it is entirely possible for hackers to guess their algorithms, posing a security risk. Lava lamps, on the other hand, add to the equation the sheer randomness of the physical world, making it nearly impossible for hackers to break through.


While you might think that such an important place would be kept in secret and locked off from the public, it’s actually possible for visitors to witness these lava lamps in person. Simply enter the lobby of Cloudflare’s San Francisco headquarters and ask to see the lava lamp display. 

It may seem bizarre that Cloudflare would allow average people to affect the video footage, but that’s actually intentional. External disturbances like human movement, static, and changes in lighting from the adjacent windows all work together to make the random code even harder to predict. So, by standing in front of the lava lamp display, you add an additional variable to the code, making it even harder to hack. In a way, by visiting Cloudflare’s wall of lava lamps, you can play a role in making the internet more secure…

(13) IRON MAN COSTS PLENTY OF GOLD. Speculative Fiction Collectors will happily sell you the “Iron Man Mark 2 Life-Size Statue” for a mere $12,399 – stand by to torch your credit card!

Paying homage to Tony Stark’s iconic armor from Iron Man (2008), Queen Studios crafted this piece with the utmost precision. Capturing Iron Man’s signature silver suit, he embodies a powerful stance. At a remarkable height of 214cm tall, the statue boasts a detachable breastplate for a customizable display. Dotted with internal lighting located in various components, it includes: the eyes, arc reactor, and palm repulsors. With fitting illumination around the base, this statue is a stunning addition to any collection.

[Thanks to Chris Barkley, Anne Marble, Kathy Sullivan, Cat Eldridge, Daniel Dern, David Goldfarb, Steve Davidson, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/9/24 Our Pixels Now Are Ended, These Our Filers As I Forescrolled You, Were All Fifths

(1) SUBSTACK MANAGEMENT CLAIMS THERE WILL BE ACTION. Casey Newton has told readers of his Substack newsletter Platformer that “Substack says it will remove Nazi publications from the platform”. Apparently that really isn’t so broad an outcome as it sounds — as Robin Anne Reid says in the “fixed that for you” title of her own piece, “Substack will remove [some] Nazi publications”.

Newton’s Platformer post says:

…The company will not change the text of its content policy, it says, and its new policy interpretation will not include proactively removing content related to neo-Nazis and far-right extremism. But Substack will continue to remove any material that includes “credible threats of physical harm,” it said.

In a statement, Substack’s co-founders told Platformer:

“If and when we become aware of other content that violates our guidelines, we will take appropriate action. 

“Relatedly, we’ve heard your feedback about Substack’s content moderation approach, and we understand your concerns and those of some other writers on the platform. We sincerely regret how this controversy has affected writers on Substack. 

“We appreciate the input from everyone. Writers are the backbone of Substack and we take this feedback very seriously. We are actively working on more reporting tools that can be used to flag content that potentially violates our guidelines, and we will continue working on tools for user moderation so Substack users can set and refine the terms of their own experience on the platform.”

Substack’s statement comes after weeks of controversy related to the company’s mostly laissez-faire approach to content moderation.…

McKenzie also wrote that “we don’t like Nazis either” and said Substack wished “no-one held those views.” But “we don’t think that censorship (including through demonetizing publications) makes the problem go away,” he wrote. “In fact, it makes it worse. We believe that supporting individual rights and civil liberties while subjecting ideas to open discourse is the best way to strip bad ideas of their power.”

The statement seemed to be at odds with Substack’s published content guidelines, which state that “Substack cannot be used to publish content or fund initiatives that incite violence based on protected classes.”

In its aftermath, several publications left the platform. Others, including Platformer, said they would leave if the company did not remove pro-Nazi publications.

Meanwhile, more than 100 other Substack writers, including prominent names like Bari Weiss and Richard Dawkins, signed a post from writer Elle Griffin calling on Substack to continue with its mostly hands-off approach to platform-level moderation….

(2) 3 BODY PROBLEM. Netflix dropped the 3 Body Problem official trailer today. The series begins streaming on March 21.

From multiple Emmy Award-winning creators David Benioff and D.B. Weiss (Game of Thrones), and Emmy-nominated Alexander Woo (The Terror: Infamy, True Blood) comes 3 Body Problem, a thrilling story that redefines sci-fi drama with its layered mysteries and genre-bending high stakes. Based on the acclaimed, international bestselling book trilogy, The Three-Body Problem. A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes five former colleagues reunite to confront the greatest threat in humanity’s history.

(3) A CAREER REIGNITED. Vincent DiFate shared the distilled wisdom gained from years as a working artist with Facebook readers:

I’ll second what Bill and David [Passalaqua] had to say about life as a working illustrator, but for me this is, I believe, my 57th year at it. I lost my love for making art almost from the moment my freelance career began–long hours creating art and solving the visual problems for sometimes truly unreadable and non-visual novels (mercifully few of them, though), dealing with editors and art directors with no feel for the SF genre or any visual acumen to speak of; and then there was always the letdown of seeing the personally unsatisfying results of my efforts. But after years of feeling unfulfilled I entered Murray Tinkelman’s graduate program at Syracuse University. I’d been teaching in. the program along such luminaries of the field as Chris Payne, Dave Pasalaqua and, of course, Murray himself, who was my best friend, and I saw how transformative the program could be.

On my first day in Dave Pasalaqua’s drawing class Dave came up to me and he said, Vin, you’ve got the best eye of anyone I’ve ever taught, but you’ve forgotten one thing–you’ve forgotten that making art is supposed to be fun. It was like being struck by lightning. In that moment, with that revelation, it brought me back to the memories of the days when I was a kid and couldn’t wait to get home to pick up the brush and start making art again. Dave’s sage remark was spoken to me some 25 years ago.

The down side is that I’ll never be as good an artist as I’d like to be, but now I look at every commission as a new opportunity to try and meet that goal. And I’ve learned to forgive myself for not being perfect.

(4) TOR.COM WILL REBRAND. “Tor.com To Become Reactor, Debut New Site, On January 23rd the online magazine has announced. And Reactor’s redesigned website will be at this URL: www.reactormag.com on January 23.

Since its founding in 2008, Tor.com has become a leader in coverage of science fiction and fantasy books and popular culture, with over 3 million visits per month. As an online magazine, Tor.com has won countless awards and has been the Locus Award winner for Best Magazine for 7 years running. In addition to its coverage of all things SFF, the site is also home to an award-winning short fiction program, which has published works by Seanan McGuire, E. Lily Yu, N.K. Jemisin, and scores of first-time authors, and which have gone on to win several Hugo Awards, Nebula Awards, and World Fantasy Awards.

The site has been publisher agnostic since its founding, and the new name will reflect its independence from Tor Publishing Group. The short fiction program will continue under the Reactor name, and in addition to the daily commentary on science fiction, fantasy, and related subjects that readers have come to expect, the site will also now cover all aspects of genre, including horror, romance and and more, from a wide range of writers from all corners of the genre world, creating a true pop culture destination.…

(5) BABY YODA, BIGGER THAN EVER. Grogu is getting a movie: “’The Mandalorian & Grogu’ Star Wars Movie Coming From Jon Favreau” reports Variety.

Baby Yoda is headed to the big screen.

Jon Favreau is directing a new “Star Wars” movie, titled “The Mandalorian & Grogu.” It will go into production later this year.

Favreau created the Disney+ series “The Mandalorian,” which follows a helmet-wearing bounty hunter (played by Pedro Pascal) who starts the show on the run to protect a young, adorable alien named Grogu, better known by fans as Baby Yoda. It is unclear where the upcoming film will fit into the timeline of the live-action series, which has aired three seasons and is currently in development on the fourth….

(6) TRACY TORMÉ (1959-2024). TV and film writer Tracy Tormé, son of singer Mel Tormé, died January 4 at the age of 64. The Hollywood Reporter notes he co-created the 1990s series Sliders and was hand-picked by Gene Roddenberry to serve as the head writer on Star Trek: The Next Generation.

…Tormé also was a writer on Saturday Night Live during its eighth season (1982-83); wrote and produced with Travis Walton the fantasy drama film Fire in the Sky (1993), starring D.B. Sweeney and Robert Patrick; and was a consultant on the acclaimed Robert Zemeckis sci-fi drama Contact (1997)….

On the first two seasons (1987-89) of Star Trek: The Next Generation, Tormé wrote the episode “The Big Goodbye,” which went on to receive a Peabody Award — the only episode of any Star Trek series to win one of those — and was instrumental in the use of the Holodeck as the show’s centerpiece. He also served as an executive story editor and creative consultant before departing.

Sliders, which starred Jerry O’Connell, John Rhys-Davies and Cleavant Derricks, revolved around a group of characters who travel (or “slide”) between different Earths in parallel universes. The series, which Tormé created with Robert K. Weiss, ran for five seasons from 1995-2000 on Fox and the Sci-Fi Channel. (He left amid creative differences with network executives during the third season.)…

Tormé also was a writer for the rebooted The Outer Limits in 1998-2002; a writer and producer on the 1992 CBS sci-fi miniseries Intruders, the 2002-04 Showtime sci-fi series Odyssey 5 and the mythological 2003-05 HBO series Carnivàle; and a producer on the 2020 documentary The Phenomenon.

Plus, he wrote the screenplay for Spellbinder (1988), starring Tim Daly and Kelly Preston….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 9, 1931 Algis Budrys. (Died 2008.) I usually can’t remember the cover art for a novel I read some fifty years ago but I remember that for Rogue Moon (1960) by Algis Budrys. It was the Equinox / Avon edition of 1974 with the cover illustration by William Maughan I picked up on some newsstand in those days when newsstands still existed and they had SF novels to purchase along with comics and zines such as Amazing and If.  I’ll get nostalgic later…

It was the first work I read by him. It was quite good. I see it was nominated for a Hugo at Seacon, the year A Canticle for Leibowitz won.  It was by no means his first publication as that goes to “The High Purpose” which been printed in Astounding in 1952, the year he started as editor and manager for such publishers as Gnome Press and Galaxy Science Fiction

Between 1965 and 1961, he had two short stories, a novelette and two novels nominated for Hugos. None would win.

I’ve read three of his novels in total, the others being Some Will Not Die and Who? Both of them were well worth my reading time as well. I caution that I’ve not re-read any of these in thirty years so I don’t how well the Suck Fairy would react to them now. 

He was extremely prolific with his writing of short stories, penning well over a hundred. I’ve read enough of them to say he had a deft hand at this story length. So after the early Sixties, he wrote far less fiction and worked in publishing, editing, and advertising to make a much better living.  He edited morrow Speculative Fiction magazine from 1993 to 2000. It was nominated for a Hugo at ConAdian and the next year at Intersection. Alas he did not win.

He’s best known I think for his F&SF book columns that ran for almost forty years starting in 1975. I know that I looked forward to them immensely. They’re collected in Benchmarks Continued, Benchmarks Revisited and Benchmarks Concluded. There’s also Benchmarks: Galaxy Bookshelf which collects his columns there. 

And let’s not overlook A Budrys Miscellany: Occasional Writing 1954-2000 which collects some of his fanzine writings.

Algis Budrys. Photo by and (c) Andrew Porter.

(8) HAUL DOWN THE FLAG. This ship is headed for mothballs says Variety: “’Our Flag Means Death’ Canceled After Two Seasons at Max”.

Our Flag Means Death” has been canceled at Max.

The pirate comedy aired two seasons at the streamer. The series originally debuted in March 2022, with the second season launching in October 2023….

…The series is said to be very loosely based on the real adventures of 18th century pirate Stede Bonnet, played by Darby. The Season 2 logline reads, “After trading the seemingly charmed life of a gentleman for one of a swashbuckling buccaneer, Stede became captain of the pirate ship Revenge. Struggling to earn the respect of his potentially mutinous crew, Stede’s fortunes changed after a fateful run-in with the infamous Captain Blackbeard (Taika Waititi). To their surprise, the wildly different Stede and Blackbeard found more than friendship on the high seas…they found love. Now, they have to survive it.”

(9) INTERPRETING ANCIENT SCULPTURE. Yes. Absolutely.

(10) ASTRA TV AWARDS. Variety brings us another slate of awards: “’The Boys,’ ‘Succession’ Land Most Honors at Astra TV Awards”. The winners of genre interest follow:

BROADCAST / NETWORK AWARDS

Best Actor in a Broadcast Network or Cable Drama Series: Pedro Pascal – The Last of Us (HBO)

Best Actor in a Broadcast Network or Cable Comedy Series: Utkarsh Ambudkar – Ghosts (CBS)

Best Supporting Actress in Broadcast Network or Cable Comedy Series: Danielle Pinnock – Ghosts (CBS)

Best Guest Actor in a Drama Series: Nick Offerman – The Last of Us (HBO)

Best Broadcast Network or Cable Animated Series or Television Movie: South Park (Comedy Central)

Best Casting in a Comedy Series: Ghosts (CBS)

STREAMING PROGRAM AWARDS

Best Supporting Actress in a Streaming Comedy Series (Tie): Ayo Edebiri – The Bear (FX on Hulu) and Christina Ricci – Wednesday (Netflix)

Best Streaming Movie: Weird: The Al Yankovic Story (Roku)

Best Writing in a Streaming Limited Series or TV Movie: Weird: The Al Yankovic Story – Al Yankovic & Eric Appel (Roku)

Best Streaming Drama Series: The Boys (Prime Video)

Best Actor in a Streaming Drama Series: Antony Starr – The Boys (Prime Video)

Best Supporting Actor in a Streaming Drama Series: Jensen Ackles – The Boys (Prime Video)

Best Directing in a Streaming Drama Series: The Boys – Nelson Cragg, Herogasm (Prime Video)

Best Writing in a Streaming Drama Series: Star Trek: Picard – Terry Matalas, The Last Generation (Paramount+)

Best Streaming Animated Series or TV Movie: Attack on Titan (Crunchyroll)

Best Fantasy or Science Fiction Costumes: Wednesday (Netflix)

Best Stunts: The Boys (Prime Video)

Best Casting in a Drama Series: The Boys (Prime Video)

Best Casting in a Limited Series or TV Movie: Weird: The Al Yankovic Story (Roku)

(11) COME ON DOWN. [Item by Mike Kennedy.] Seeking more tourism, Lexington KY has done the equivalent of erecting a huge See Rock City sign on the highway. The highway to the TRAPPIST-1 star system, that is. “Scientists Have Formally Invited Aliens to Visit Kentucky” in Gizmodo.

The city of Lexington, Kentucky, appears so tired of being overlooked by humankind that it has sent a formal invitation to the next-best thing: alien life that may or may not exist in a nearby star system.

It’s a tourism stunt, but the message is very real. The invitation, beamed out last fall via infrared laser toward the TRAPPIST-1 star system, is a project by the Lexington tourism bureau (yeah, we’re sending ads to aliens now). According to VisitLEX, they worked with engineers, linguists, and the FAA to make it happen. The target star is 40 light-years from Earth, which means any extraterrestrials that are eager to visit the self-proclaimed Horse Capital of the World will know they are invited in 2063.

…We don’t know that any life, much less intelligent life, actually exists in the TRAPPIST-1 system. Last year, data from the Webb Space Telescope revealed that TRAPPIST-1b, one of the exoplanets orbiting TRAPPIST 1, has no atmosphere. Because life as we know it needs an atmosphere to survive, that all but confirmed there is no potential for life on TRAPPIST-1b. Webb followed up that discovery with the finding that there is also no atmosphere—or at most, a thin one—on planet TRAPPIST-1c. Luckily for the VisitLEX team, the TRAPPIST system has five other exoplanets that could theoretically host civilizations capable of interpreting their invitation….

(12) ON YOUR SCREENS. JustWatch has shared its December 2023 rankings for film and TV streaming. (Click for larger image.)

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 12/24/23 I’ve Got 99 Pixels But The Scroll Ain’t Fifth

(1) WHAT HAPPENS IN TRISOLARIS — STAYS IN VEGAS. “Netflix to Stage ‘3 Body Problem’ Immersive Experience at CES 2024”. Variety tells what visitors at the Las Vegas event will encounter.

Next month, Netflix will have a booth on the main CES show floor for the first time — where it will stage an “immersive experience” for the “3 Body Problem,” the sci-fi drama series from “Game of Thrones” duo David Benioff and D.B. Weiss and Alexander Woo.

The streamer’s exhibit space at CES 2024 will be located at the Las Vegas Convention Center’s Central Hall, Booth #17048. Per Netflix’s description of the activation: “An otherworldly headset will transport CES attendees into the mysterious world of ‘3 Body Problem’ in a fun and experiential way, showcasing the series’ genre-bending high stakes.” The experience keys off a key narrative element in the “3 Body Problem” universe, in which a gaming headset is used by characters to transport into an unknown world.

In the wearable-display experience, CES attendees will be able to watch the series trailer for the very first time. And as they watch, Netflix says, “they are transported into an immersive, real-world extension of the series, revealing clues about the nature of the core threat in the ‘3 Body Problem.’”…

(2) BAD BUZZ ABOUT GOODREADS. [Item by Mike Kennedy.] The saga of Cait Corrain, et al., takes the lede in the Guardian story, “’It’s totally unhinged’: is the book world turning against Goodreads?”

For Bethany Baptiste, Molly X Chang, KM Enright, Thea Guanzon, Danielle L Jensen, Akure Phénix, RM Virtues and Frances White, it must have been brutal reading. All received scathing reviews on Goodreads, an online platform that reputedly has the power to make or break new authors.

But the verdicts were not delivered by an esteemed literary critic. They were the work of Cait Corrain, a debut author who used fake accounts to “review bomb” her perceived rivals. The literary scandal led to Corrain posting an apology, being dropped by her agent and having her book deal cancelled.

It also uncovered deeper questions about Goodreads, arguably the most popular site on which readers post book reviews, and its outsized impact on the publishing industry. Its members had produced 26m book reviews and 300m ratings over the past year, the site reported in October. But for some authors, it has become a toxic work environment that can sink a book before it is even published.

“It has a lot of influence because there are so many people now who are not in the New York ecosystem of publishing,” says Bethanne Patrick, a critic, author and podcaster. “Publishers and agents and authors and readers go to Goodreads to see what is everybody else looking at, what’s everyone else interested in? It has a tremendous amount of influence in the United States book world and reading world and probably more than some people wish it had.

Goodreads allows users to review unpublished titles. Publishers frequently send advance copies to readers in exchange for online reviews that they hope will generate buzz. But in October, Goodreads acknowledged a need to protect the “authenticity” of ratings and reviews, encouraging users to report content or behaviour that breaches its guidelines.

Goodreads said: “Earlier this year, we launched the ability to temporarily limit submission of ratings and reviews on a book during times of unusual activity that violate our guidelines, including instances of ‘review bombing’. This kind of activity is not tolerated on Goodreads and it diminishes the community’s trust in people who participate.”…

(3) THE HAUNTENING. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has had a short comedy, thriller. When he gets a gift from his girlfriend, he does not realize that it is a deep fake powered by an artificial intelligence.  But the AI does not take well to criticism and things soon become personal… You can listen to it here. “The Hauntening”.

Travel through the bad gateway in this modern ghost story as writer and performer Tom Neenan discovers what horrors lurk in our apps and gadgets. In this episode, a celebrity birthday message from Joanna Lumley turns into a terrifying gift for Tom

Modern technology is terrifying. The average smartphone carries out three-point-three-six billion instructions per second. The average person can only carry out one instruction in that time. Stop and think about that for a second. Sorry, that’s two instructions – you won’t be able to do that.

But what if modern technology was… literally terrifying? What if there really was a ghost in the machine?

(4) POSTERIZED. Think of it as a start on next year’s shopping. Or simply a well-deserved gift for yourself.  “Star Wars and Other Galactic Funk (Millennium Records, 1977)” at Heritage Auctions. Bidding is only up to $16 at last look.

Star Wars and Other Galactic Funk (Millennium Records, 1977). Very Fine on Linen. All English Language Japanese Record Store Poster (20.25″ X 29.25″) Robert Rodriquez Artwork.

Even though its films take place in a galaxy far, far away, the Star Wars franchise has connected with audiences since the original film’s release in 1977. 20th Century Fox had no idea that the film would resonate so much with fans, so when George Lucas agreed to pass up a $500,000 directing bonus to attain merchandising rights, it seemed safe for the studio to do. However, Lucas, who had seen the merchandising blitz that came with his good friend Steven Spielberg’s Jaws, knew well the power that films had on consumers. George Lucas’ imagination led to a licensing goldmine of action figures, play sets, posters, board games, books, trading cards, costumes, and more. It’s been 45 years since Star Wars hit the screen, and the franchise has raked in over $29 billion in merchandise sales alone. Much more than the Joseph Campbell hero’s journey set in a space opera, the retail and promotional items made in conjunction with this multi-faceted property have brought tremendous joy to fans worldwide and remain coveted among collectors. The characters, the settings, and the galaxy continue to be beloved by Force believers, and here we present an extensive treasure trove of rare items dating from 1977 to today. May the Force be with you!

Offered in this lot is a rare all-English language Japanese record store poster for Meco’s best-selling album Star Wars and Other Galactic Funk, which reworked the Star Wars score into a disco and jazz fusion medley. A restored poster with bright color and a clean overall appearance. Minor touchup and color touchup is applied to several creases. Grades on all restored items are pre-restoration grades.

(5) VISION QUESTS. Deadline studies the rapid advancement in animation effects in “’Across The Spider-Verse’, ‘Nimona’ & ‘TMNT: Mutant Mayhem’ VFX”.

… Since the first Academy Award for Best Animated Feature was awarded in 2002 to DreamWorks’ Shrek, the animation industry has made incredible strides. This awards season, such films are pushing the boundaries of what animation can be, and VFX plays a huge part in infusing new artistic styles into every frame….

Spider-Man: Across the Spider-Verse pushed the animated comic book style of the 2018 film even further with six new, distinct worlds and a visually complex villain. 

Spider-Man: Into the Spider-Verse amazed everyone in 2018 with an interpretation of animated comics, and set a bar for what animation could look like. Spider-Man: Across the Spider-Verse exceeded expectations with the introduction of six new worlds, each with a new style of animation. While these were all challenging in their own way, VFX supervisor Mike Lasker says the most challenging aspect of the film was the new villain, the Spot. 

“This was the culmination of every tool in our toolbox we had created over the course of production,” he says. “We had a lot of great reference paintings of him, and there were all these different, dark and evil sorts of purples and ink splattering off of him as he moved his limbs.” Using 2D tools integrated into the 3D animation software, Lasker’s team was able to add hand-drawn ink lines, paint strokes, distortion, and more to create the final look. “We ended up using the stroke system, ink splatter coming off the layers, heavy compositing, lighting, paint strokes—every area of the pipeline was involved.”

Lasker says look supervisor Craig Feifarek was an essential part of creating the final look of the Spot. “Craig actually lit and composited all of these shots,” he says. “He did a great job, but also the animation department did an amazing job prototyping how the Spot acts in the last shots of the film. They were able to create all these crazy flash frames… I look at this now and I’m still in awe of what they’ve done.”

(6) HERE’S MY NUMBER AND A DIME. Slashfilm says “A Chance Run-In With Ray Bradbury Helped Bring Blade Runner To The Big Screen”.

…Paul M. Sammon’s “Future Noir: The Making of Blade Runner” provides an in-depth look at the genesis of “Blade Runner” and details Fancher’s attempts to seek out [Philip K. Dick] the man behind “Do Androids Dream of Electric Sheep?” Unfortunately, the search was proving fruitless at first, with Fancher claiming “it was just about impossible to learn anything about him.” The writer, eager to get going on a script, took a trip to New York in search of the mysterious author’s agents, who turned out to be unhelpful.

What happened next was complete luck, according to Fancher, who ended up “accidentally” running into an author not dissimilar to Dick: the legendary author Ray Bradbury. The man responsible for sci-fi classics such as “Fahrenheit 451” and “The Martian Chronicles” handed Fancher a lifeline during their chance encounter. Flipping through his address book, he found Philip K. Dick’s home phone number and promptly handed it over to Fancher.

As the future co-writer of the “Blade Runner” script recalled: “the next day, in fact, I called Phil about the book and we set up an appointment to meet in his apartment.” The two spoke at Dick’s Santa Ana home where they are said to have gotten along well despite Fancher sensing some “manic” and “self-reverential” tendencies in the author, who seemed initially wary of any Hollywood treatment of his novels….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 24, 1910 Fritz Leiber. (Died 1992.) Now in Birthdays we come to the matter of Fritz Leiber.

Fritz Leiber. Photo by and (c) Andrew Porter.

Warning: this is my list of favorite works by him, not a definitive look at him. 

I’ll  start with The Big Time as it has long been my favorite work by him, and I must say that it has magnificently held up over the years. No Suck Fairy has dared approach it lest she turn to dust on the winds of the Change Wars. 

First published sixty-two years ago as a novel by Ace Books, The Big Time started out as a two part-serial in Galaxy Magazine‘s in the March and April 1958 issues. It would win the Hugo Award for Best Novel or Novelette at Solacon. 

It was well-received with Algis Budrys liking it but he noted it was more of a play than an actual novel. One set, a small number of actors — perfect to be staged.

There were also the Change War stories, collected in Snakes & Spiders: The Definitive Change War Collection, published by Creative Minority Productions which I can’t say I’ve ever heard of. It is available from the usual suspects. And yes, I just got a copy as I can still read short stories fine even if novels are long beyond me. 

Next up without question are that barbarian and thief duo, Fafhrd and the Gray Mouser. Leiber wrote it as a counterpoint he says in part to such characters as Conan the Barbarian, and I for one like them very much better. I think I’ve read all them, and they’re certainly his most entertaining writing by far.

I really like Conjure Wife which was awarded the Retro Hugo Award at Dublin 2019. A most delicious take on the premise that all women are witches, and told all so well. 

Yes, I like his short stories by I can’t remember which are my favorite ones other than the Change 

That’s my list of favorite Leiber works, what’s yours?

(8) COMICS SECTION.

  • Tom Gauld sends help to those hunting for last-minute gifts.

(9) AFTER THE CALAMITY. [Item by Steven French.] Read Jeff Vander Meer “On Sven Holm’s Novella of Nuclear Disaster” in The Paris Review. The post-apocalyptic story Termush,  originally published in 1967, was reissued earlier this year with a foreword by Vander Meer:

…In its treatment of the aftermath of nuclear war, Termush distinguishes itself from the so-called disaster cozies of the fifties, like the novels of John Wyndham, to occupy more urgent territory. In this genre, the dangers of some calamitous situation become entwined with an almost cheery disaster-tourism tone; more importantly, civilization always wins in the end, even if in an altered form. The militias may hold sway for a while, or the plague lay waste to whole towns, but by the novel’s close, equilibrium and balance, logic and order, always return to human endeavors. Not so much in Termush, which also eludes, through its particular focus and narrative velocity, echoes of Cold War conflict that otherwise might have dated the novella. Instead of a pervading sense of “the other” about to storm the gates, Holm delves into the psychology of the holed-up survivors and the hazards of societal breakdown….

… The right excerpt from Termush could easily have appeared in New Worlds, the seminal sixties magazine for the New Wave…

(10) VIDEO OF THE DAY. Ryan George takes us inside the Wish Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/11/23 Thanks To His Repellatron Skyway, Tom Swift Always Takes The High Road

(1) BESTSELLING WRITERS WILL OPEN BOOKSTORE. [Item by Anne Marble.] Brian Keene and Mary SanGiovanni are opening an indie bookstore in the historic district of Columbia, Pennsylvania. They’re planning to open it in the spring of 2024. They were inspired by indie bookstores such as Mysterious Galaxy, Dark Delicacies, etc.

Brian Keene and Mary SanGiovanni

Here’s their announcement: “New Brick and Mortar Bookstore”.

At the respective ages of fifty-six and forty (mumbles incoherently), Mary and I are planning for our golden years. We have seen too many of our peers struggling to write in their later years, and dependent upon those advances and royalties from book sales. It’s a sobering and frightening prospect, and we’d like a different future, with a second revenue stream so that we can continue to write in our old age….

…We are opening an independent bookstore specializing in Horror, Science-Fiction, Fantasy, Bizarro, and other speculative fiction genres.

Vortex Books & Comics will open Spring of 2024 in the historic district of beautiful Columbia, Pennsylvania — easily and quickly accessible from Baltimore, Philadelphia, Harrisburg, New York City, Washington D.C. and more. We’ll carry a full complement of books from the Big Five, as well as hundreds of books from many cool indie publishers and small presses, and titles in Espanol and other languages. We’ll host weekly signings, readings, workshops, and other events. We know this business, and are intimately familiar with its ups and downs, ebbs and flows. Our goal is to make the store a destination. As our record for the last 30 years shows, we believe that Horror fiction is for everyone, and Vortex will echo that. All are welcome, and all will have a place on our shelves….

And for everyone in the community who wants to help, there’s a GoFundMe: “Brian Keene and Mary SanGiovanni’s Bookstore”.

…If you would like to show your solidarity and support with a donation, it will be put toward further set-up costs such as fixtures, security, inventory, marketing and advertising, signage, etc. thus giving us a bit of breathing room and time to make the store profitable….

(2) AI IN TIMES TO COME. [Item by Cliff.] Very interesting take on ‘AI’ from a number of authors. Two of them reference Italo Calvino, who I guess was ahead of his time in dwelling on this subject.“’It is a beast that needs to be tamed’: leading novelists on how AI could rewrite the future” in the Guardian.

Bernardine Evaristo

… Imagine a future where those who are most adept at getting AI to write creatively will dominate, while we writers who spend a lifetime devoted to our craft are sidelined. OK, this is a worst‑case scenario, but we have to consider it, because ChatGPT and the other Large Language Models (LLMs) out there have been programmed to imagine a future that threatens many creative professions. ChatGPT is already responding to the questions I ask it in seconds, quite reliably. It is an impressive beast, but one that needs to be tamed. We cannot afford to ignore it…

(3) CUT! The Hugo Book Club Blog argues against ratification of two new Hugo categories which received first passage at the Chengdu Worldcon business meeting: “Hugo Book Club Blog: Indie Cinema And The Hugo Of Doom”.

At the 2023 WSFS Business Meeting, a constitutional amendment was passed that would (if ratified at the 2024 Business Meeting) add two new categories to the already long list of Hugo Awards: Best Independent Short Film and Best Independent Feature Film.

The beauty and diversity of global cinema and of independent film is something that should be more celebrated at the Hugo Awards. But despite our love of independent SFF cinema, we are firmly opposed to the creation of a secondary award for a specific type of movie.

… In recent years, sub-par corporate works such as The Hobbit: An Unexpected Journey and Avengers Endgame have received Hugo nods ahead of significantly better independent and foreign movies such as Robot & Frank and Prospect. That does point to problems with the category. But the solution is advocacy. People who care about independent cinema should be working to encourage Hugo voters to check out a wider variety of films, and then giving them the time to watch those movies by WSFS extension of eligibility under rule 3.4.3.

Over the past four years, we have filed extension of eligibility motions (allowing a longer time for Hugo voters to consider nominating) on lower-budget SFF movies like After YangStrawberry MansionNeptune FrostMad GodNine DaysBeyond The Infinite Two MinutesPsycho GoremanThe Color Out Of Space, and Prospect. We are passionate about celebrating and promoting independent SFF movies. However, we do not think that the best way to recognize that is with the creation of new Hugo Award categories, seemingly based on how much money a film makes.

There are a number of problems with the idea of a Hugo Award for independent cinema. The first and most significant to us is that creating these categories positions independent cinema as something other than “real” movies…

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Southern Weekly article

This is a long piece – which can also be found in truncated form here, and partially behind a login barrier here – covering a number of aspects of the convention.  There are some factual errors – for example, stating that the first Worldcon took place in Chicago – but overall it is the most thorough coverage of the con that I’ve seen from a media outlet.

Following are several extracts, via Google Translate with manual edits to the text for style and grammar.  I have reordered and grouped chunks of the text, in order to put related material together.  Note: 南方周末 literally translates as “Southern Weekend”, but images on that page show that they use the English name “Southern Weekly”, so I’ve tried to update all references from the former to the latter.

On the location and date of the con:

The Chengdu Science Fiction Museum, the main venue of the 81st World Science Fiction Convention, is located in the center of a two-kilometer radius area called “Science Fiction Avenue”. When Chengdu’s bid to host the event was successful two years ago, it was still a wilderness. This plot of land in Pidu District, Chengdu, which was originally planned as a “Science and Technology Museum”, was quickly upgraded to become a “Science Fiction Museum”…

It’s already chilly in Chengdu in late October, and the summer vacation period for students is long past. When Chengdu applied to host the World Science Fiction Convention in 2021, many student science fiction fans spent money – around 600 yuan [$80 USD] – to register as members of DisCon III, in order to vote for Chengdu [in site selection], with the expectation that they would attend the science fiction event during their summer vacation…

Co-chair Chen Shi comments:

[Note: He also uses the English name Raistlin Chen – as seen on the video wall at the ceremonies – but most English language material, such as the staff page on the con’s site, uses Chen Shi, so I’ve kept with that.

Pretty much all coverage of the con describes him – and the other members of the concom – as members of the “Chengdu Science Fiction Society” (examples: 12), but an archived copy of the original “Worldcon in China” website shows that he is/was a marketing director at the Chengdu Business Daily news organization, and that several other members of the bid/con team are/were also employees of that company.  Whether people will feel that this context is relevant, YMMV…]

“Its charm is that it is a spirit based on a community of creators. Everyone is both a participant and a creator. This is something given to it by cultural tradition and cannot be replaced or copied casually,” convention co-chair Chen Shi told Southern Weekly reporters…

Chen Shi had also applied for a panel at Chi-Con 8. “I just filled in a form, and the organizing committee told me when and where it would take place. You can just do it yourself, and they won’t bother you,” Chen Shi said.  “Given China’s cultural background, this may not be suitable.”

“The foreign World Science Fiction Convention is very attractive to the fantasy fandom, but within the fandom, their core membership is around 20,000 people. The number of people who come every year does not change much, and it has formed its own community culture. There is a cultural threshold you have to pass in order to enter that community. If we were to completely copy that, it might be very miserable…” When Chen Shi first thought about what kind of World Science Fiction Convention he would hold, he had already decided to take a different path.

[Question: when Chen Shi and/or the Chengdu team were doing presentations at other events, was there any indication that “he had already decided to take a different path”, or what that path might be?]

On the exhibition areas and panels:

The two large halls on the first floor are the divided into the commercial exhibitors, and the science fiction fan tables. Most of the dozens of booths in the corporate exhibition hall are Chinese companies. Some sell science fiction cultural creations, some make projections, and more are engaged in science fiction publishing. The sound and light effects of their booths are eye-catching, which clearly differs from the adjacent fan exhibition area. The corporate exhibition hall is something that has never been seen in previous Worldcons. The support of the government, the participation of enterprises, and the brand promotion of a large number of sponsors have given the event more forms and commercial value.

Compared with the coolness of the corporate exhibition area, the science fiction fan exhibition area looks much simpler.  A table, a flag, an introduction card or a QR code. They come from university clubs, foreign science fiction organizations, and unknown amateur authors… It’s a bit like a recruitment fair for university clubs. On the table of the Tibetan science fiction club, there are Tibetan science fiction works that have been published over the years. A young Tibetan man patiently introduces the history of Tibetan science fiction to curious onlookers. This kind of atmosphere is more like the previous World Science Fiction Conventions. Science fiction literature research scholar Arthur Liu attended the 2019 Dublin Worldcon, and recalls that the atmosphere there was “free and easy”…

There were more than 400 panels registered for the Chengdu World Science Fiction Convention, and more than 230 panels were eventually held…  This time, the Chengdu Organizing Committee invited a total of more than 600 guests, including more than 180 overseas guests – of whom more than 150 people were present at the con – who formed the bulk of the panellists.

On the WSFS Business Meeting:

But old science fiction fans all know that “only by attending business meetings can you have a deep understanding of the organization and participation methods of the World Science Fiction Association and the World Science Fiction Convention, and you will feel some interesting things,” Chen Shi said.

If you have personally experienced the process and debate of the business meeting, it is not difficult to understand why the fandom circle calls this meeting the “Constitutional Amendment Conference.” The business meetings of the Chengdu Worldcon are held in the Meteor Hall of the Science Fiction Hall, which is a small hall independent of the main building. People with [a WSFS] membership can enter to listen, express opinions and vote at any time. …

Comment: regarding “a small hall independent of the main building”, comments I have seen from a couple of different people indicated that it had inaccessibility issues not that far from “Beware of the Leopard” levels.  Certainly, I could never find any reference to the “Meteor Hall” on any of the several interior and exterior maps of the con that came into my possession.  (Anyone who did attend the Business Meetings, please correct me if my impression is incorrect.)

On organizational hassles for smaller entities:

It is not easy for publishers participating in the exhibition to sign and sell their books at this venue.

Xixi (pseudonym) is an editor at a publishing house. This time he brought an author’s science fiction novel to Chengdu and planned a panel. He hoped that science fiction fans could have a good chat with the author themselves, and hold a book signing.  Xixi initially communicated the entire process to the organizing committee, but a few days before the opening, he received a notice that the panel could not be placed together with the signing session. “In normal book fairs, there are book signings after the interaction between authors and readers, but here the two events must be separated in both time and location,” Xixi said. This means that readers who are interested in the author would have to make two trips to get a signed copy.

On the corporate/commercial aspects of the con:

There are various panels, forums, and summits at the World Science Fiction Convention, but in addition to the opening and closing ceremonies and the Hugo Award presentation night, there was also an “Industrial Development Summit”. Almost all the major guests were invited to attend this summit, and the lineup was comparable to the Hugo Awards night.

This was the first time an industry development-related conference has been held at the World Science Fiction Convention. At the meeting, a number of plans related to the development of the science fiction industry were announced, including the “Chengdu Consensus on the Science Fiction Industry”, the Tianwen Program, the “2023 China Chengdu Science Fiction Industry Report”, and there was even a centralized signing ceremony for science fiction industry projects. According to reports, there were 21 signed projects, with a total investment of 8 billion yuan [approx $1 billion USD].

At this “Industrial Development Summit”, Liu Cixin no longer talked about literature, but talked about industrial development: “Chengdu has long planned the layout of the science fiction industry, and related industrial plans, industrial policies, talent policies, etc. have been implemented.”

“Science fiction full industry chain ecosystem”, “IP creation” and “strengthening the image of the science fiction city”: faced with these various new words, Canadian science fiction writer Robert Sawyer said, “I am very shocked to see you turning science fiction into an industry.”  He said that in North America those who do these things may be publishers, and that science fiction is a career that is random, aimless, and without long-term planning. These industry figures were generally not invited to previous World Science Fiction Conventions, and most of the people who came were writers and editors.

The area where the Chengdu Science Fiction Museum is located will also be turned into the science fiction hub of Chengdu.  According to a person close to the local government, we were told that a science fiction industrial park may be built here in the future. “That street is a science fiction themed block, and science fiction companies may move in in the future. This area is said to be a science fiction education base; there will be training camps for science fiction writers, and summer camps for students every year, and the science fiction museum itself is a large-scale consumer and public welfare space. This area will be built into a science fiction themed tourist destination.” …

On how the more traditional aspects of Worldcons fared:

Previous conventions would set up a memorial area, which is a place for middle-aged and elderly science fiction fans to reminisce and reminisce about the past.  In 2017, the British science fiction writer Brian Aldiss [who had previously visited Chengdu, and has several works published in China] passed away. There was a small space at the World Science Fiction Convention that year, displaying his works, and photos from his life, as well as some of his treasure possessions, and a black and white TV playing back interviews with him. In 2023, Aldiss’ daughter Wendy had also come to Chengdu. She told our reporters that the Chengdu Worldcon was originally going to hold an exhibition for those photos, but it was not possible “because of a lack of space.” …

[Double Hugo finalist, CEO of the publisher 8 Light Minutes, and member of the Chengdu concom] Yang Feng originally planned to stage a commemorative exhibition at the convention, in honour of Mike Resnick, the former editor-in-chief of the American science fiction magazine “Galaxy’s Edge”.  After Resnick’s death in 2020, his collection and books were put up for online auction, and 8 Light Minutes bought a large number of items. “Look, this is full of his things,” said Yang Feng, pointing to a glass cabinet.  Initially, the organizers promised an exhibition area of 70 square meters. Worried about missing out, “thousands of yuan [was spent] on freight shipping” the collected items.  However, the exhibition area ended up being occupied by several technology companies, and Yang Feng was only given a glass cabinet.

Fans and authors talk about the changes and clashes in culture at this Worldcon:

In the midst of this sea of noise, a man was dozing on a chair. He had white hair, a cowboy hat on the table, and his eyes were lowered, as if he had entered another world. His name was James Joseph [Styles], and he had come from Australia. He is in his seventies and has been a science fiction fan for nearly fifty years. In 1975, the World Science Fiction Convention was held in Oceania for the first time. He was moved by the atmosphere of science fiction and has attended Worldcons 15 times to date.

James told us that this convention is the most special one he has ever been to. He had never seen so many enthusiastic and young science fiction fans [when he attended cons] in Europe or the United States before…

… Wang Jinkang, another science fiction writer who has stopped writing, also recalled the low ebb of Chinese science fiction in the 1990s. “At that time, Chinese science fiction was wild, and received little attention from society. However, there were also many science fiction fans. When we went to universities to participate in activities, they all I used chalk to write ‘Welcome Mr. Wang Jinkang’ on the blackboard, and that’s how we started to communicate. The simplicity back then had its charm, and I still miss it very much. It is indeed different now.”

“You can vaguely feel a conflict between [different] science fiction cultures in the convention venue,” Zero Gravity News co-editor Ling Shizhen told Southern Weekly reporters, “but I don’t think this is really a conflict. Whether things are harmful or meaningless, this is a necessary process.  If you want to embrace a truly diverse world, this step cannot be escaped.”

Outside of the above extracts, a number of people familiar to Filers, such as Ben Yalow, Kevin Standlee, Donald Eastlake, and Nicholas Whyte are namechecked or interviewed.

(5) HUNGARIAN POLITICAL EFFORTS TO LIMIT LGBTQ BOOKS AND MEDIA. The New York Times tells how “Restrictions on L.G.B.T.Q. Depictions Rattle Hungary’s Cultural World”.

When a far-right member of Hungary’s Parliament invited the media three years ago to watch her shred a book of fairy tales that included a gay Cinderella, only one reporter showed up.

But what began as lonely, crank campaign against “homosexual propaganda” by a fringe nationalist legislator, Dora Duro, has snowballed into a national movement led by the government to restrict depictions of gay and transgender people in Hungary.

The campaign has unsettled booksellers, who have been ordered to shrink-wrap works that “popularize homosexuality” to prevent young readers from browsing, and also rattled one of Hungary’s premier cultural institutions.

The director of the Hungarian National Museum was fired this past week for hosting an exhibition of news photographs, a few of which featured men in women’s clothing, and for suggesting that his staff had no legal right to check whether visitors were at least 18 years old.

The exhibition displayed scores of photos awarded prizes by the World Press Photo Foundation in Amsterdam and had been running for weeks before Ms. Duro went to take a look with a friend and noticed a handful of images showing older gay men in the Philippines that were shot on assignment for The New York Times.

Also upset by explanatory texts that she believed were “indoctrinating” young visitors, she wrote a letter to Hungary’s culture minister, Janos Csak, complaining that photos of men wearing high heels and lipstick violated a Hungarian law that bans the display to minors of content deemed to promote homosexuality or gender fluidity.

The minister ordered the museum to bar anyone under 18 from attending the exhibition.

Tamas Revesz, a Hungarian photographer who has organized the annual show for more than 30 years, said he was aghast to arrive at the museum to find signs at the entrance restricting entry to adults “as if this place were a porn shop.”…

… Hannah Reyes Morales, who took the photographs at the center of the museum furor while on assignment for The New York Times and won a World Press Photo award, said her pictures of a Manila community called Golden Gays “are not dangerous or harmful” but portrayed “warm, kind and loving human beings.”

She said she was “saddened that their story is being kept in a shadow, echoing much of the oppression that the Golden Gays have had to live through over the years.”…

(6) DON’T SAY GAY-LICK. [Item by Anne Marble.] Have you seen this article about the use and abuse of Scottish Gaelic in Fourth Wing? (The article also mentions Holly Black and Sarah J. Maas.) It’s an interesting point — language is more political than people realize. At the same time, with all those Gaelic fantasies out there, I also wonder how many other authors got it wrong and weren’t called out in it. Hmm… “Reader Frustrated Over ‘Fourth Wing’s Gaelic” at The Mary Sue.

Over the summer, Scottish BookToker Muireann went viral on Tiktok for sharing the Scottish Gaelic pronunciation of words from the bestselling adult fantasy novel Fourth Wing by Rebecca Yarros. While she offered mild criticism of the book’s grammatical errors, Muireann spoke out again following a viral interview of Yarros at New York Comic-Con….

…Story-wise, Muireann expressed praise and excitement to see where the series goes. However, regarding the use of Scottish Gaelic, she had mixed feelings. Without spoiling anything, Muireann gave translations and best guesses on non-Gaelic words that looked to be fused with Gaelic ones. It was here she found missing accent marks and misspellings. Also, she found words in the book that, in Gaelic, would be two or three words instead of one. Many commenters appreciated the information and pointed to how different the audiobook was from actual Gaelic.

Muireann said it was cool for the language to be represented in such a popular book. She feels that other Celtic languages like Irish/Gaeilge (what Scots call Irish Gaelic) are more common in contemporary fantasy. Still, she put the onus on the publisher for not hiring a language consultant. That grace dropped off when Muireann heard Yarros speaking about the book.

“It is genuinely laughable to me that American fantasy authors can get away with this. They can use minority languages in such a disrespectful way. They’re just pronouncing them like English speakers. She’s just sprinkling Gaelic words in there to add a bit of spice to her fancy book.”

Veronica Valencia interviewed Rebecca Yarros for Popverse at NYCC 2023, where she asked Yarros to “set the record straight” on pronouncing words. After Popverse shared a video of this to TikTok, Muireann stitched it frustrated. She began by pointing out that Yarros said Gaelic by pronouncing it “gay-lick” which is a different language than the Scottish Gaelic (“gal-lick”). Muireann said most Gaelic words used were mispronounced in the interview. These were small mistakes that showed a genuine lack of care when bringing other cultures into the book…

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 11, 1916 Donald Franson. Longtime fan who lived most of his life in LA. Was active in the N3F and LASFS including serving as the secretary for years and was a member of Neffer Amateur Press Alliance.  Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. (Died 2002.)
  • Born November 11, 1917 Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con. He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius. And I’ve enjoyed his short fiction as well. He’s available at the usual suspects including The Case of the Little Green Men for very reasonable prices. (Died 1983.)
  • Born November 11, 1922 Kurt Vonnegut Jr. The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
  • Born November 11, 1946 Ian Miller, 77. Let’s have one illustrator and an editor this time.  He did the backgrounds for Ralph Bakshi’s Wizards film. Genre wise, he did the cover art and interior illustrations for David Day’s The Tolkien Bestiary, and what I think is one of the weirder covers for Something Wicked This Way Comes. Oh and I did say editor, didn’t I? Well he was. Between 1983 and 1985, he co-edited Interzone along with John Clute, Alan Dorey, Malcolm Edwards, Colin Greenland, Roz Kaveney, Simon Ounsley and David Pringle. 
  • Born November 11, 1947 Victoria Schochet, 76. Wife of Eric Van Lustbader. She co-edited with John Silbersack and Mellisa Singer the most excellent The Berkley Showcase: New Writings in Science Fiction and Fantasy that came out in the Eighties. She worked editorially at Analog as their managing editor and additionally at Harper, Putnam, and as a senior editor at the Berkley Publishing Group, where she co-edited with Silbersack all five volumes of The Berkley Showcase: New Writings in Science Fiction and Fantasy.
  • Born November 11, 1974 Felix Gilman, 49. Two series. The first, Arjun series, started off with the Thunderer novel and has one more novel so far, Gears of the City, earned him a nomination for Astounding Award in both 2009 and 2010. The other series, Half-Made World, is fantasy with a generous dollop of steampunk served warm.

(8) THE OTHER THREE-BODY ADAPTATION. “’3 Body Problem’ Premiere Date, New Trailer From Netflix”The Hollywood Reporter shares them all.

The new sci-fi drama from the creators of Game of Thrones now has a premiere date: 3 Body Problem will launch on Netflix on March 21, 2024. The streamer also released a video with some new footage from the series, which is adapted from Liu Cixin’s Hugo Award-winning trilogy….

…There’s also a new, more specific description of the anticipated show: “A young woman’s fateful decision in 1960s China reverberates across space and time into the present day. When the laws of nature inexplicably unravel before their eyes, a close-knit group of brilliant scientists join forces with an unflinching detective to confront the greatest threat in humanity’s history.”

3 Body Problem is from Emmy-winning Thrones showrunners David Benioff and Dan Weiss along with Emmy-nominated True Blood writer-producer Alexander Woo.

Netflix also released some teaser art to promote the premiere date, which rather cleverly incorporates an element from the story that the novel’s fans will recognize…

(9) NO ONE WAS LEFT HOLDING THE BAG. “Astronauts dropped a tool bag during a spacewalk, and you can see it” says Space.com.

Joining stars, planets, nebulas, and galaxies as a target for skywatchers is now a surprisingly bright tool bag floating through the space around Earth. The bag of tools gave NASA astronauts Jasmin Moghbeli and Loral O’Hara the slip on Nov. 2, 2023, as they were conducting a spacewalk outside of the International Space Station (ISS). 

The tool bag is now orbiting our planet just ahead of the ISS with a visual magnitude of around 6, according to EarthSky. That means it is slightly less bright than the ice giant Uranus, the seventh planet from the sun. As a result, the bag  —  officially known as a crew lock bag  —  is slightly too dim to be visible to the unaided eye, but skywatchers should be able to pick it up with binoculars.

To see it for yourself, first find out when you can find spot the space station over the next few months (NASA even has a new app to help you). The bag should be floating two to four minutes ahead of the station. As it descends rapidly, the bag is likely to disintegrate when it reaches an altitude of around 70 miles (113 kilometers) over Earth….

(10) GET A HEAD START ON SF2 CONCATENATION. [Item by Jonathan Cowie.] SF² Concatenation has published an advance post of an article ahead of its next seasonal edition as it is time sensitive. It is a longer version of the new British Library exhibition on Fantasy that File770 ran the other week. “British Library Fantasy Exhibition 2023”.

Also up is a short 1-page best of Nature ‘Futures’ short story: “’Aleph’ by Lavie Tidhar”. This story came out in 2022 before this year’s (2023) explosion in artificial intelligence (AI). But AI is not ‘General AI’. What would that first conversation be like?

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Anne Marble, Brian Keene, Cliff, Andrew Porter, Ersatz Culture, John King Tarpinian and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]