Never Mind The News – File 770’s Best Feature Articles of 2022

People writing about the issues they care about is what keeps this community going. It’s a gift and privilege for me to be continually allowed to publish so many entertaining posts rich in creativity, humor, and shared adventures. Thanks to all of you who contributed to File 770 in 2022!

FEATURES

Melanie Stormm — Emails From Lake Woe-Is-Me: Links To Every Installment

Stormm continued her humorous series about the misdirected emails she gets from Writer X throughout 2022, braiding together comedy, horror, and the pitfalls of being a writer.

Jeffrey Smith — A Bibliography of Jules Verne Translations

…Thinking about Jules Verne, with the new TV version of Around the World in Eighty Days about to start, I just bought the Wesleyan edition of Five Weeks in a Balloon, translated by Frederick Paul Walter – after researching what the good modern translations of Verne are. Verne has been abysmally translated into English over the years, but there’s been a push to correct that….

Joel Zakem Religious Aspects of DisCon III’s Opening Ceremonies

…  It was on FaceBook where I first saw friends’ posting about Opening Ceremonies. According to what was posted, some of the musical selections performed by students from the Duke Ellington School spotlighted the religious aspects of the Christmas holiday.

My immediate reaction was that this was not an appropriate part of Opening Ceremonies, especially since, as far as I know, the religious aspect of the performance was not contained in the descriptions in any convention publication. The online description of Opening Ceremonies says, in its entirety: “Welcome to the convention. We will present the First Fandom and Big Heart awards, as well as remarks from the Chair.” The December 9, 2021, news release about the choir’s participation did not mention that there would be a religious component to the performance….

Walt Boyes Grantville Gazette Publishes 100th Issue

Whew! We made it. We made it to Issue 100 of the Grantville Gazette. This is an incredible feat by a large group of stakeholders. Thank you, everyone.

I don’t think Eric Flint had any idea what he’d created when he sent Jim Baen the manuscript for 1632. In the intervening two-plus decades, the book he intended to be a one-shot novel has grown like the marshmallow man in Ghostbusters to encompass books from two publishing houses, a magazine (this one, that you are holding in your metaphorical hands) and allowed over 165 new authors to see their first published story in print. The Ring of Fire Universe, or the 1632 Universe, has more than twelve million words published….

Anonymous Note from a Fan in Moscow

This message was written by a fan in Moscow 48 hours ago. It is unsigned but was relayed by a trustworthy source who confirms the writer is happy for it to be published by File 770. It’s a fan’s perspective, a voice we may not hear much….

Borys Sydiuk SFWA Rejects Call to Join Boycott of Russia: A Guest Post by Borys Sydiuk

Right now, when I’m sitting at my desktop and writing this text, a cannonade nearby doesn’t stop. The previous night was scary in Kyiv. Evidently, Russians are going to start demolishing Ukrainian capital like they are doing with Kharkiv, Sumy, Chernihiv, Mariupol.

The Ukrainian SFF Community joined the efforts to isolate Russia, the nazi-country of the 21st century, to force them to stop the war. The boycott by American authors we asked for is also doing the job. Many leading writers and artists of the great United States already joined the campaign.

We appealed to SFWA to also join the campaign, and here is what they replied…

(Two days later the organization issued a SFWA Stands With Ukraine statement.)

Daniel Dern Reading Daily Comic Strips Online

Fortunately, comic-carrying newspapers are, of course, all (also or only) online these days, but even then, some require subscriptions (fair enough), and to get all the ones you want. For example, online, the Washington Post, has about 90, while the Boston Globe is just shy of a paltry one-score-and-ten. And (at least in Firefox), they don’t seem to be visible in all-on-one-page mode, much less customize-a-page-of.

So, for several years now, I’ve been going to the source — two  “syndicates” that sell/redistribute many popular strips to newspapers….

Michaele Jordan Squid Game and Beyond

There’s been a lot of excitement about Squid Game. Everybody’s talking about how clever, original, and utterly skiffy it is. I watched it, too, eagerly and faithfully. But I wasn’t as surprised by it as some. I expected it to be good. I’ve been watching Korean video for ten years, and have only grown more addicted every year.  And yet I just can’t convince many people to watch it with me….

Rich Lynch A Day at the Museum

Let me tell you about my favorite building in Washington, D.C.  It’s the staid old Arts and Industries Building, the second-oldest of all the Smithsonian Institution buildings, which dates back to the very early 1880s and owes its existence to the Smithsonian’s then urgent need for a place where parts of its collection could go on public display….

Mike Glyer What the Heinleins Told the 1950 Census

When we last left the Heinleins (“What the Heinleins Told the 1940 Census”), a woman answering the door at 8777 Lookout Mountain – Leslyn Heinlein, presumably — had just finished telling the 1940 census taker a breathtaking raft of misinformation. Including that her name was Sigred, her husband’s was Richard, that the couple had been born in Germany, and they had a young son named Rolf.

Ten years have passed since then, and the archives of the 1950 U.S. Census were opened to the public on April 1. There’s a new Mrs. Heinlein – Virginia. The 8777 Lookout Mountain house in L.A. has been sold. They’re living in Colorado Springs. What did the Heinleins tell the census taker this time?…

John A Arkansawyer Laser Cats

“In the future, there was a nuclear war. And because of all the radiation, cats developed the ability to shoot lasers out of their mouths.”

On this dubious premise, Laser Cats was founded. By its seventh and final episode, the great action stars and directors of the day had contributed their considerable talents to this highly entertaining, yet frankly ridiculous enterprise. From James Cameron to Lindsey Lohan, Josh Brolin to Steve Martin, Laser Cats attracted the best in the business.

Being part of Saturday Night Live undoubtedly helped….

Oghenechovwe Donald Ekpeki Announcing the Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction

The Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction aims to award disability in speculative fiction in two ways. One, by awarding a writer of speculative fiction for their representation or portrayal of disability in a world of speculative fiction, whatever their health status; and two, by awarding a disabled writer for a work of speculative fiction in general, whatever the focus of the work may be….

Bill Higgins Two Vain Guys Named Robert

Robert Osband, Florida fan, really loves space. All his life he has been learning about spaceflight. And reading stories about spaceflight, in science fiction.

So after NASA’s Apollo program was over, the company that made Apollo space suits held a garage sale, and Ozzie showed up. He bought a “training liner” from ILC Dover, a coverall-like portion of a pressure suit, with rings at the wrists and neck to attach gloves and helmet.

And another time, in 1976, when one of his favorite authors, Robert A. Heinlein, was going to be Guest of Honor at a World Science Fiction Convention, Mr. Osband journeyed to Kansas City.

In his suitcase was his copy of Heinlein’s Have Space Suit, Will Travel—a novel about a teenager who wins a secondhand space suit in a contest—and his ILC Dover suit.

Because if you wanted to get your copy of Have Space Suit, Will Travel autographed, and you happened to own a secondhand space suit, it would be a shame NOT to wear it, right?…

Rich Lynch Remembering Bruce Pelz

… I’m sure that our first face-to-face meeting was in 1979, when my job in industry took me from Chattanooga all the way out to Los Angeles for some much-needed training in electrochemistry.  I didn’t really know anybody in L.A. fandom back then but I did know the address of the LASFS clubhouse, so on my next-to-last evening in town I dropped in on a meeting.  And it was there that I found Bruce mostly surrounded by other fans while they all expounded on fandom as it existed back then and what it might be like a few years down the road.  It was like a jazz jam session, but all words and no music.  I settled back into the periphery, enjoying all the back-and-forth, and when there eventually came a lull in the conversations I took the opportunity to introduce myself.  And then Bruce said something to me that I found very surprising: “Dick Lynch!  I’ve heard of you!”…

Rich Lynch It’s About Time

It was back in 2014 that a student filmmaker at Stephen F. Austin State University, Ricky Kennedy, created an extraordinary short movie titled The History of Time Travel.  Exploration of “what ifs” is central to good storytelling in the science fiction genre and this little production is one of the better examples of how to do it the right way.

Dale Skran Reforming the Short Form Hugo: A Guest Post by Dale Skran

 For a long time, I’ve felt the Short Form Hugo for Best Dramatic Presentation was not properly organized to give an award to the best “Television” SF of the previous year….  

Paul Weimer Review: Neom by Lavie Tidhar

Lavie Tidhar’s Neom is a stunning return to his world of Central Station, twinning the fates of humans and robots alike at a futuristic city on the edge of the Red Sea…. 

Mike Glyer Iron Truth Review

… It is through Joy and Cassimer’s eyes we experience S.A. Tholin’s Iron Truth, a finalist of the Self-Published Science Fiction Competition. If there was ever a case of the cream rising to the top this book is one….

Lis Carey Review of Rocket to the Morgue

… A couple of odd things, though. He had $300 on him, that wasn’t stolen, and an unusual rosary, with what seems to be the wrong number of beads. It’s a puzzle….

Mike Glyer Review: In the Orbit of Sirens

In T. A. Bruno’s In the Orbit of Sirens, a Self-Published Science Fiction Competition finalist, the remnants of the human race have fled the solar system ahead of an alien culture that is assimilating everyone in reach. Loaded aboard a vast colony ship they’re headed for a distant refuge, prepared to pioneer a new world, but unprepared to meet new threats there to human survival that are as great as the ones they left behind.

Mike Glyer Review: Monster of the Dark

On the morning of Carmen Grey’s sixth birthday an armed team arrives to take her from her parents and remove her to the underground facility where Clairvoyants — like her — are held captive and trained for years to access their abilities. So begins Monster of the Dark by K. T. Belt, a finalist in the Self-Published Science Fiction Competition….

Jonathan Cowie Jurassic World Dominion Ultra-Mini-Review

Jurassic World Dominion is another breathless, relentless Hollywood offering: the action and/or special effects never let up…. 

Mike Glyer Review: Duckett and Dyer: Dicks for Hire

G.M. Nair begins Duckett and Dyer: Dicks for Hire by making a surprising choice. His introductory scene explicitly reveals to readers the true nature of the mysterious events that the protagonists themselves uncover only very slowly throughout the first half of the book. The introduction might even be the penultimate scene in the book — which would make sense in a story that is partly about time travel loops. Good idea or bad idea?…

Rogers Cadenhead Review: Captain Wu: Starship Nameless #1

… What sounds like Firefly also describes the SPSFC finalist novel Captain Wu: Starship Nameless #1, a space opera by authors Patrice Fitzgerald and Jack Lyster. I love Firefly so it wasn’t a big leap to climb aboard this vessel….

Olav Rokne Hugo Voting Threshold Reform Proposal

…. It would be exceptionally embarrassing for a Worldcon to have to explain why a finalist would have won the Hugo except for — oops! — this bit of outdated fine print. The best course of action is to eliminate that fine print before such a circumstance arises….

Mike Glyer Review: A Star Named Vega

The social media of the 30th century doesn’t seem so different: teenagers anonymously perform acts of civil disobedience and vandalism to score points and raise their ranking in an internet app. That’s where Aster Vale leads a secret life as the Wildflower, a street artist and tagger, in A Star Named Vega by Benjamin J. Roberts, a Self-Published Science Fiction competition finalist…..

Paul Weimer Review: Babel

R F Kuang’s Babel is an audacious and unrelenting look at colonialism, seen through the lens of an alternate 19th century Britain where translation is the key to magic. Kuang’s novel is as sharp and perceptive as it is well written, deep, and bears reflection upon, after reading, for today’s world….

Paul Weimer Inside the New Uncle Hugo’s: Photos by Paul Weimer 

Paul Weimer went to donate some books at Don Blyly’s new location for Uncle Hugo’s and Uncle Edgar’s bookstores. While he was inside Paul shot these photographs of the bookshelves being stocked and other work in progress.

Michaele Jordan Jordan: Comments on the 2022 Best Novel Hugo Finalists: Part 1 and Jordan: Hugo Finalists for Best Novel, Part 2

Rob Thornton A World of Afrofuturism: Meet Nicole Michell’s “Xenogenesis Suite” (Part I) and A World of Afrofuturism: Creating Nicole Michell’s “Xenogenesis Suite” (Part II)

… Another contributor to the Afrofuturist tradition is Nicole Mitchell, a noted avant-jazz composer and flutist. She chose to take on Octavia Butler’s most challenging works, the Xenogenesis Trilogy, and create the Xenogenesis Suite, a collection of dark and disturbing compositions that reflect the trilogy’s turbulent and complicated spirit….

J. Franklin March Hidden Talents: A Story

Anna carefully arranged the necessary objects around her desktop computer into a pentagon: sharpened pencils, a legal pad, a half-empty coffee cup, and a copy of Science Without Sorcery, with the chair at the fifth point. This done, she intoned the spell that would open the channel to her muse for long enough to write the final pages of her work-in-progress. Then she could get ready for the convention….

Nicholas Whyte Whyte: Comments on the 2022 Hugo Awards Study Committee Report

… In the last five years, the [Hugo Awards Study Committee] [HASC] has changed precisely two words of the Constitution. (Since you asked: adding the words “or Comic” to the title of the “Best Graphic Story” category.) The HASC’s defenders will complain that we had two years of pandemic, and that the committee switched to Discord rather than email only this year, and that there are lots of proposals this year. But the fact remains that so far the practical impact has been slower than I imagined when I first proposed the Committee…..

Michaele Jordan Jordan: 2022 Hugo Finalists for Best Novella

In Michaele Jordan’s overview, she comments on the novellas by Aliette de Bodard, Becky Chambers, Alix E. Harrow, Seanan McGuire, Adrian Tchaikovsky, and Catherynne M. Valente that are up for the 2022 Hugo.

John Hertz Tim Powers Makes Stolen Skies Sweet

… Once we had a lot of science fiction, little fantasy; lately we’ve had a lot of fantasy; so Powers’ writing fantasy does not seem particularly defiant.

His fantasy has generally been — to use a word which may provoke defiance — rigorous. Supernatural phenomena occur, may be predicted, aroused, avoided, as meticulously — a word whose root means fear — as we in our world start an automobile engine or put up an umbrella. Some say this has made his writing distinctive….

Mike Glyer Will E Pluribus Hugo Survive Re-Ratification?

The day of reckoning is here for E Pluribus Hugo.  The change in the way Hugo Awards nominations are counted was passed in 2015 and ratified in 2016 to counter how Sad and Rabid Puppies’ slates dictated most of finalists on the Hugo ballots in those years. It came with a 2022 sunset clause attached, and E Pluribus Hugo must be re-ratified this year in order to remain part of the WSFS Constitution….

Michaele Jordan They’re Back!

Who’s back?” you ask. Spear and Fang, of course! But perhaps you have not heard of Genddy Tartakovsky’s Primal?…

Rich Lynch The Fan Who Had a Disease Named After Him

… His name is Joel Nydahl, and back about the time of that Chicon he was a 14-year-old neofan who lived with his parents on a farm near Marquette, Michigan.  He was an avid science fiction reader and at some point in 1952 decided to publish a fanzine.  It was a good one….

Melanie Stormm Supercharge Your SFF Career With These Ten Tips from Writer X

[Infographic at the link]

Borys Sydiuk Guest Post: Ukrainian Fandom At Chicon 8 [PIC Borys-Sydiuk-584×777]

Friends, on behalf of the Ukrainian Fandom I would like to thank everyone who supports us at this time…

Lis Carey Review: What Abigail Did That Summer (Rivers of London #5.83), by Ben Aaronovitch

… Abigail Kamara, younger cousin of police constable and apprentice wizard Peter Grant, has been left largely unsupervised while he’s off in the sticks on a case. This leaves Abigail making her own decisions when she notices that kids roughly her age are disappearing–but not staying missing long enough for the police to care….

Michaele Jordan Review: Extraordinary Attorney Woo

Friends, let me tell you about one of my favorite TV shows. But I must admit to you up front that it’s not SF/F. Extraordinary Attorney Woo is, as I assume you’ve deduced from the title, a lawyer show. But it’s a KOREAN lawyer show, which should indicate that is NOT run of the mill…. 

Lis Carey Review: Romance of the Grail: The Magic and Mystery of Arthurian Myth by Joseph Campbell

Joseph Campbell was a professor of literature at Sarah Lawrence College, and wrote extensively about comparative mythology. His “hero’s journey” theory has been extremely influential….

Lee Weinstein Gene Autry and The Phantom Empire

The Phantom Empire, a twelve-chapter Mascot serial, was originally released in February, 1935. A strange concoction for a serial, it is at once science fiction film, a Western, and strangely enough, a musical. It was the first real science fiction sound serial and its popularity soon inspired other serials about fantastic worlds….

Kevin Standlee Guest Post: Standlee on the Future of Worldcon Governance

… I find myself explaining the changes to membership in the World Science Fiction Society (WSFS) and the conditions for attending the World Science Fiction Convention that were ratified this year in Chicago (and thus are now in effect, because this was the second vote on the changes)…

Tammy Coxen How the Chicago Worldcon Community Fund Helped People Attend Chicon 8

Chicon 8’s Chicago Worldcon Community Fund (CWCF) program offered both memberships and financial stipends. It was established with the goal of helping defray the expenses of attending Chicon 8 for the following groups of people:

    • Non-white fans or program participants
      • LGBTQIA+ fans or program participants
      • Local Chicago area fans of limited means…

Lis Carey The Furthest Station (Rivers of London #5.5), by Ben Aaronovitch

The London Underground has ghosts. Well, the London Underground always has ghosts, but usually they’re gentle, sad creatures. Lately there’s been an outbreak of more aggressive ghosts….

Sultana Raza Utopias

As environmental problems caused by industrialisation and post-industrialisation continue to increase, the public is looking for ecological solutions. As pandemics, economic crises, and wars plague our society in different ways, thoughts turn to the good old times. But were they really all that good? People are escaping increasingly into fantastical stories in order to find a quantum of solace. But at what point was there a utopia in our society. If so, at what or whose cost did it exist? Whether or not we ever experience living in a utopia, the idea of finally finding one drives us to continue seeking ideal living conditions….

Rich Lynch Three Weeks in October

… Capclave appeared to be equally star-crossed in its next iteration. It was held over the weekend of October 18-20, 2002, and once again the attendees were brought closer together by an event taking place in the outside world. The word had spread quickly through all the Saturday night room parties: “There’s been another shooting.” Another victim of the D.C. Sniper….

Michaele Jordan My Journey to She-Hulk, Attorney at Law

… Why such mixed feelings? On the one hand, I am a huge admirer of Tatiana Maslany. On the other hand, I truly loathe The Hulk….

Daniel Dern — Stephen King’s Fairy Tale: Worth The Read. Another Dern Not-Quite-A-Review

… In Fairy Tale, his newest novel, Stephen King delivers a, cough, grimm contemporary story, explicitly incorporating horror in the, cough, spirit of Lovecraft (King also explicitly namedrops, in the text, August Derleth, and Henry Kuttner), in which high-schooler Charlie Reade becomes involved in things — and challenges — that, as the book and plot progress, stray beyond the mundane….

Lee Weinstein Review: Across the Universe: Tales of Alternative Beatles

The idea of an anthology of science fiction and fantasy stories about the Beatles seems like a natural. I’ve been told the two editors, each unbeknownst to the other, both presented the idea to the publisher around the same time…

Jonathan Cowie SF Museum Exhibition  

The Science Museum (that’s the world famous one in Kensington, London) has just launched a new exhibit on what Carl Sagan once mused (though not mentioned in the exhibit itself) science fiction and science’s ‘dance’. SF2 Concatenation reprographic supremo Tony Bailey and I were invited by the Museum to have a look on the exhibition’s first day. (The exhibition runs to Star Wars day 2023, May the Fourth.) Having braved Dalek extermination at the Museum’s entrance, we made our way to the exhibition’s foyer – decorated with adverts to travel to Gallifrey – to board our shuttle….

Mark Roth-Whitworth KSR and F. Scott Fitzgerald

I was at the 2022 F. Scott Fitzgerald Literary Festival in Rockville, MD today. If you’re wondering why the festival is there, that’s where Fitzgerald and his wife are buried. Now, I’d never read any of Fitzgerald`s writing, so I spent the evening before reading the first three chapters of The Great Gatsby (copyright having expired last year, it’s online). So far, I’ve yet to find anyone in it that I want to spend any time with, including the narrator.

However, the reason I attended was to see Kim Stanley Robinson, who was the special guest at the Festival. The end of the morning’s big event was a conversation between Stan and Richard Powers. Then there was lunch, and a keynote speaker, then Stan introducing Powers to receive an award from the society that throws the annual Festival….

Jonathan Cowie How Long Does It Take an SF Award to Reach Its Recipients?

A recent possible record could be the SF2 Concatenation’s website 2012 Eurocon Award voted on by those at the European SF Society’s convention which, that year, was held in Croatia….

Lis Carey A Night in the Lonesome October by Roger Zelazny: An Audiobook Review

 Snuff is our narrator, here, and he’s a smart, interesting, likable dog. He’s the friend and partner of a man called Jack, and they are preparing for a major event….

A.K. Mulford The Hobbit: A Guest Post by A.K. Mulford

…As a child, I kept a notebook filled with my favorite quotes. (How did I not know I was going to be an author?) The first quote? “Not all who wander are lost.” There was everything from 90s rom com lines to Wordsworth poems in that notebook, but Tolkien filled the most pages….

Lis Carey Review: The October Man by Ben Aaronovitch

This entry in Rivers of London is, for variety, set in Germany, and involves a German river. Or two. And river goddesses….

Lis Carey Review: Ringworld Audiobook

Louis Wu is 200 years old, and he’s bored. It’s his 200th birthday, and he’s using transfer booths to extend the celebration of it for a full twenty-four hours, and he’s really bored….

Michaele Jordan Korean Frights

How can Halloween be over already? We barely had time to watch thirty horror movies –and those mostly classics, which are less than half our (horror) collection!

Paul Weimer Review: The Spare Man

There is a fundamental implausibility to easy manned interstellar (or even interplanetary) space travel that nonetheless remains a seductive idea even in our wiser and more cynical and weary 21st century. …

Lis Carey Review: Alif the Unseen

Alif is a young man, a “gray hat” hacker, selling his skills to provide cybersecurity to anyone who needs that protection from the government. He lives in an unnamed city-state in the Middle East, referred to throughout simply as the City. He’s nonideological; he’ll sell his services to Islamists, communists, anyone….

Ahrvid Engholm Bertil Falk: From “A Space Hobo” to “Finnegans Wake”

Journalist, author, genre historian (and fan, certainly, from the 1940s and on!) Bertil Falk is acclaimed for performing the “impossible” task of translating Finnegans Wake to Swedish, the modernist classic by James Joyce, under the title Finnegans likvaka….

Lis Carey Review: Isle of the Dead / Eye of Cat, by Roger Zelazny

The protagonist of the first short novel in this omnibus — which is in fact Eye of Cat — is William Blackhorse Singer, a Navajo born in the 20th century, and still alive, and fit and healthy, almost two centuries later…. 

Lis Carey Review: Whispers Under Ground (Rivers of London #3)

One fine Monday morning, Peter Grant is summoned to Baker Street Station on the London Underground, to assess whether there was anything “odd,” i.e., involving magic, about the death of a young man on the tracks…. 

Michaele Jordan Again, with the Animé?

…If you’re not a fan, then there’s a real chance you have no idea how much range animé encompasses. And I’m not even talking about the entire range of kid shows, sit-coms and drama. (I’m aware there may be limits to your tolerance. I’m talking about the range within SF/F. Let’s consider just three examples….

Daniel Dern What’s Not Up, Doc (Savage)?

While I subscribe to the practice that, as a rule, reviews and review-like write-ups, if not intended as a piece of critical/criticism, should stick to books the reviewer feels are worth the readers reading, sometimes (I) want to, like Jerry Pournelle’s “We makes these mistakes and do this stuff so you dont have to” techno-wrangling Chaos Manor columns, give a maybe-not-your-cup-of-paint-remover head’s-up. This is one of those….

Rich Lynch Remembering Roger Weddall

It’s been 30 years since the passing of my friend Roger Weddall.  I doubt very many of you reading this had ever met him and I wouldn’t be surprised, actually, if most of you haven’t even heard of him.  Thirty years is a long time and the demographics of fandom has changed a lot.  So let me tell you a little bit about him….

Lis Carey Review: Broken Homes (Rivers of London #4)

Peter Grant and partner Lesley May are at the Folly practicing their magic skills and researching an Oxford dining club called the Little Crocodiles….

Mark Roth-Whitworth Artemis I: A Hugo Contender?

I expect a lot of File 770’s readers watched, as we did, as the Orion capsule returned to Terra. I’m older than some of you, and it’s been decades since I watched a capsule re-entry and landing in the ocean. What had me in tears is that finally, after fifty years, we’re planning to go back… and stay….

Lis Carey Review: The Complete Psychotechnic League, Volume 1

Poul Anderson began writing his own “future history” in the 1950s, with its starting point being that there would be a limited nuclear war at some point in the 1950s. From that point would develop a secret effort to build a new social structure that could permanently prevent war….

Rich Lynch A Genre-Adjacent Essay Appropriate for Today

As the Peanuts cartoon in the newspaper reminds us, today is Ludwig von Beethoven’s birthday…. 

Craig Miller Review: Avatar: The Way of Water

…As with AvatarAvatar: The Way of Water is a visual feast. Unlike the first film, there aren’t long sweeping pans lingering over beautiful, otherworldly vistas. The “beautiful” and the “otherworldly” are still there, but we’re seeing them incorporated into the action and storytelling….

Rich Lynch Remembering Harry

Today we celebrate what would have been the 100th birthday of Harry Warner, Jr., who was perhaps the best-known stay-at-home science fiction fan of all time….

Melanie Stormm On Rambo’s Academy For Wayward Writers (Feat. A Trip in Melanie’s Time Machine)

… I took two classes at The Rambo Academy For Wayward Writers this week, and I’d like to do something a little different.

You see, I’ve got things on my mind that I think you might identify with. You may find it helpful. 

I’d like to tell you exactly why you need to jump over to Cat Rambo’s Patreon & website and sign up right away for everything that looks shiny….

Lis Carey Review: Juniper Wiles and the Ghost Girls

…But having learned that she can see and talk to ghosts, and that they all have unresolved problems they want to solve, she can’t always say no when they ask her for help…. 

Lis Carey Review: Red Scholar’s Wake, by Aliette de Bodard

…Xich Si is a tech scavenger, living in Triệu Hoà Port, and scavenging tech to sell and support herself and her daughter, when she’s captured by pirates. ….

CHRIS BARKLEY

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #63

My 2022 Hugo Awards Nomination Ballot for the Best Dramatic Presentation Long and Short Form Categories 

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #65

… When I was growing up, children like myself were taught, no, more like indoctrinated, to think the United States was the BEST place to grow up, that our country was ALWAYS in the right and that our institutions were, for the most part, unassailable and impervious to criticism from anyone, especially foreigners.

I grew up in Ohio in the 1960’s and despite what I was being taught in a parochial Catholic grade school (at great expense, I might add, by my hard-working parents), certain things I was experiencing did not add up. News of the violence and casualties during the Vietnam War was inescapable. I remember watching the evening network news broadcasts and being horrified by the number of people (on all sides of the conflict) being wounded or killed on a daily basis.

As the years went on, it became harder to reconcile all of the violence, terrorism, public assassinations and the racism I was experiencing with the education I was receiving. The Pentagon Papers and the Watergate break-ins coincided with my high school years and the beginnings of my political awakening.

When I look back on those formative days of my life, I see myself as a small child, set out upon a sea of prejudice and whiteness, in a boat of hetero-normaltity, destination unknown….

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #66

Interrogatives Without Answers: Mercedes Lackey and Stephanie Burke     

Barkley — So Glad You (Didn’t) Ask #68: Two 2022 Hugo Award Finalists Walk Into a Bookstore…

… After I introduced myself to Mr. Weir and Mr. Bell, I said, “You and I have something in common.”

“Oh really? What’s that?”

“You and I are the only 2022 Hugo Award nominees within a hundred-mile radius of this bookstore.” (I stated that because I know that our fellow nominee, Jason Sanford, lives in Columbus, Ohio, hence the reference to the mileage.)…

Barkley — So Glad You (Didn’t) Ask #69

Fandom and the Pendulum: The Astronomicon 13 Fan Guest of Honor Speech

Barkley — So Glad You (Didn’t) Ask #70

Black Panther: Wakanda Forever, A (Spoiler Free) Review 

JAMES BACON

Cosmonaut Solidarity

Despite some very harsh comments from Dmitry Rogozin, the director general of Roscosmos, threatening that “If you block cooperation with us, who will save the ISS from an uncontrolled deorbit and fall into the United States or Europe?” spacefarers seem to have a different perspective and understanding of the importance of international cooperation, respect and solidarity. This appears to have been demonstrated today when three cosmonauts arrived at the International Space Station….  

45 Years of 2000AD

Forty-five years ago or thereabouts, on February  26, 1977, the first ‘prog’ of 2000AD was released by IPC magazines. The second issue dated March 5 a week later saw the debut of Judge Dredd. Since then, Rogue Trooper, Nemesis the Warlock, Halo Jones, Sláine, Judge Anderson, Strontium Dog, Roxy and Skizz, The ABC Warriors, Bad Company and Proteus Vex are just some of the characters and stories that have emanated from the comic that was started by Pat Mills and John Wagner. Some have gone on to be in computer games, especially as the comic was purchased by Rebellion developments in 2000, and Judge Dredd has been brought to the silver screen twice. 

Addictive and enjoyable stories of the fantastic, written and drawn by some of the greatest comic creators of the latter part of the 20th century, they often related to the current, utilizing Science Fiction to obscure issues about violence or subversiveness, but reflecting metaphorically about the now of the time…. 

Fight With Art

“Fight With Art” is an exhibition of Ukrainian Contemporary Art created under exceptional circumstances taking place now in Kraków at the Manggha Museum until April 30. 

We reached out to curator Artur Wabik to learn more of this topical exhibition…

Steve Vertlieb, William Shatner, and Erwin Vertlieb.

STEVE VERTLIEB

The Greatest Motion Picture Scores Of All Time

Traditionally, the start of a new year is a time when film critics begin assembling their lists of the best films, actors, writers, composers, and directors of the past year. What follows, then, while honoring that long-held tradition, is a comprehensive compilation and deeply personal look at the finest film scores of the past nearly one hundred years….

“Don’t Look Up” …Down …Or Around

The frenzy of joyous controversy swirling over director Adam McKay’s new film Don’t Look Up has stirred a healthy, if frenetic debate over the meaning and symbology of this bonkers dramedy. On its surface a cautionary satire about the impending destruction of the planet, Don’t Look Up is a deceptively simplistic tale of moronic leadership refusing to accept a grim, unpleasant reality smacking it in its face. 

Remembering Veronica Carlson (1944-2022)

What follows is truly one of the most personally heartfelt, poignant, and heartbreaking remembrances that I’ve ever felt compelled to write.

Veronica Carlson was a dear, close, cherished friend for over thirty years. I learned just now that this dear sweet soul passed away today. I am shocked and saddened beyond words. May God rest her beautiful soul.

“The Man Who Would Be Kirk” — Celebrating William Shatner’s 91st Birthday

After interviewing William Shatner for the British magazine L’Incroyable Cinema during the torrid Summer of 1969 at “The Playhouse In The Park,” just outside of Philadelphia, while Star Trek was still in the final days of its original network run on NBC, my old friend Allan Asherman, who joined my brother Erwin and I for this once-in-a-lifetime meeting with Captain James Tiberius Kirk, astutely commented that I had now met and befriended all three of our legendary boyhood “Captains,” which included Jim Kirk (William Shatner), Flash Gordon/Buck Rogers (Larry “Buster” Crabbe), and Buzz Corry (Edward Kemmer), Commander of the Space Patrol….

King Kong Opens in Los Angeles on March 24, 1933

Today is the 89th anniversary of the “Hollywood Premiere” of King Kong in Los Angeles on March 24, 1933…

Elmer Bernstein at 100

… The first of the most important music modernists, however, in the post war era and “Silver Age” of film composers was Elmer Bernstein who would, had he lived, be turning one hundred years old on April 4th, 2022.  Although he would subsequently prove himself as able as classic “Golden Age” composers of writing traditional big screen symphonic scores, with his gloriously triumphant music for Cecil B De Mille’s 1956 extravaganza, The Ten Commandments….

R.M.S. Titanic … “A Night To Remember”

… She was just four days into her maiden voyage from Southhampton to New York City when this “Unsinkable” vessel met disaster and finality, sailing into history, unspeakable tragedy, and maritime immortality. May God Rest Her Eternal Soul … the souls of the men, women, and children who sailed and perished during those nightmarish hours, and to all those who go courageously “Down to The Sea in Ships.”  This horrifying remembrance remains among the most profoundly significant of my own seventy-six years….

Seth Macfarlane and “The Orville: New Horizons”

… It is true that Seth MacFarlane, the veteran satirist who both created and stars in the science fiction series, originally envisioned [The Orville] as a semi-comedic tribute to Gene Roddenberry’s venerable Star Trek. However, the show grew more dramatic in its second season on Fox, while it became obvious that MacFarlane wished to grow outside the satirical box and expand his dimensional horizons and ambitions….

A Photographic Memory

…  I was born in the closing weeks of 1945, and grasped at my tentative surroundings with uncertain hands.  It wasn’t until 1950 when I was four years old that my father purchased a strange magical box that would transform and define my life.  The box sat in our living room and waited to come alive.  Three letters seemed to identify its persona and bring definition to its existence.  Its name appeared to be RCA, and its identity was known as television….

I Sing Bradbury Electric: A Loving, Personal Remembrance 

He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction….

Celebrating “E.T.” On His 40th Birthday

On June 11, 1982, America and the world received the joyous gift of one of the screen’s most beloved fantasy film classics and, during that memorable Summer, a young aspiring television film critic reviewed a new film from director Steven Spielberg called E.T….

Steve Vertlieb is “Back From The Suture”

…Before I realized it, tables and chairs were being moved and I felt the hands of paramedics lifting me to the floor of the restaurant. Les was attempting to perform CPR on me, and I was drifting off into unconciousness. I awoke to find myself in an ambulance with assorted paramedics pounding my chest, while attempting to verbally communicate with me. I was aware of their presence, but found myself unable to speak….

Rhapsodies “Across The Stars” …Celebrating John Williams

After nearly dying a little more than a decade ago during and just after major open heart surgery, I fulfilled one of the major dreams of my life…meeting the man who would become my last living life long hero. I’d adored him as far back as 1959 when first hearing the dramatic strains of the theme from Checkmate on CBS Television. That feeling solidified a year later in 1960 with the rich, sweet strains of ABC Television’s Alcoa Premiere, hosted by Fred Astaire, followed by Wide Country on NBC….

Reviving “The Music Man” On Broadway

…When Jack Warner was casting the film version of the smash hit, he considered performers such as Cary Grant, James Cagney, or Frank Sinatra for the lead. Meredith Willson, the show’s composer, however, demanded that Robert Preston star in the movie version of his play, or he’d withdraw the contracts and licensing. The film version of The Music Man, produced for Warner Brothers, and starring Robert Preston and Shirley Jones, opened to rave reviews on movie screens across the country in 1962. Robert Preston, like Rex Harrison in Lerner and Lowe’s My Fair Lady, had proven that older, seasoned film stars could propel both Broadway and big screen musicals to enormous artistic success….

Remembering Frank Sinatra

On the evening of May 14, 1998, following the airing over NBC Television of the series finale of Seinfeld, the world and I received the terrible news of the passing of the most beloved entertainer of the twentieth century. It has been twenty-four years since he left this mortal realm, but the joy, the music, and the memories are as fresh and as vital today as when they were born….

Dr. Van Helsing And Victor Frankenstein: A Peter Cushing Remembrance

I had the honor and distinct pleasure of both knowing and sharing correspondence with British actor Peter Cushing for several years during the late Sixties and early Seventies….

“12 O’clock High” Legendary Soundtrack Release By Composer Dominic Frontiere

Very exciting news. The long awaited CD soundtrack release of 12 O’Clock High is now available for purchase through La-La Land Records and is a major restoration of precious original tracks from Quinn Martin’s beloved television series….

Remembering Camelot’s Prince

That terrible day in Dallas, Texas on November 22, 1963 remains one of the most significantly traumatic days of my life. I was just seventeen years old. I was nearing the end of my high school classes at Northeast High School in Philadelphia when word started spreading through the hallways and corridors that JFK had been shot. I listened in disbelief, praying that it wasn’t true … but it was….

Vertlieb: I Am A Jew!

I recently watched a somber new three part documentary by film maker Ken Burns that is among the most sobering, heartbreaking, and horrifying indictments of humanity that I have ever encountered. It was extremely difficult to watch but, as an American Jew, I remain struck by the similarities between the rise in Fascism in the early nineteen thirties, leading to the beginnings of Nazism in Germany, and the attempted decimation of the Jewish people in Europe and throughout the world, with the repellant echoes of both racial and religious intolerance, and the mounting hatred and suspicion of the Jewish communities and population residing presently in my own country of birth, these United States….

Remembering Hugo Friedhofer

I’ve read with interest some of the recent discussions concerning the measure of Hugo Friedhofer’s importance as a composer, and it set my memory sailing back to another time in a musical galaxy long ago and far away. I have always considered Maestro Friedhofer among the most important, if underrated, composers of Hollywood’s golden era….

“The Fabelmans” — A Review Of The Film

…Steven Spielberg’s reverent semi-autobiographical story of youthful dreams and aspirations is, for me, the finest, most emotionally enriching film of the year, filled with photographic memories, and indelible recollections shared both by myself and by the film maker….

A Magical Philadelphia Christmas Tradition

These photographs are of an annual Christmas tradition at American Heritage Federal Credit Union located at Red Lion and Jamison Roads in Northeast Philadelphia…. 

Remembering Frank Capra

…This was the man who brought such incalculable joy and hope to so many millions of filmgoers with his quintessential Christmas classic, It’s A Wonderful Life. …

Martin Morse Wooster

MARTIN MORSE WOOSTER

Review of Moonfall

My friend Adam Spector tells me that when Ernest Lehman was asked to write the script for North by Northwest, he tried to turn out the most “Hotchcocky” script he could, with all of Hitchcock’s obsessions in one great motion picture.

Moonfall is the most “Emmerichian” film Roland Emmerich is made.  Like his earlier films, it has flatulent melodrama interlaced with completely daft science.  But everything here is much more intense than his earlier work.  But the only sense of wonder you’ll get from this film is wondering why the script got greenlit….

Review of Becoming Superman

… Having a long career in Hollywood is a lot harder than in other forms of publishing; you’ve got to have the relentless drive to pursue your vision and keep making sales.  To an outsider, what is astonishing about J. Michael Straczynski’s career is that it has had a third act and may well be in the middle of a fourth.  His career could have faded after Babylon 5.  The roars that greeted him at the 1996 Los Angeles Worldcon (where, it seemed, every conversation had to include the words, “Where’s JMS?”) would have faded and he could have scratched out a living signing autographs at media conventions….

Review of “The Book of Dust” Stage Play

When I read in the Financial Times about how Britain’s National Theatre was adapting Sir Philip Pullman’s La Belle Sauvage, the first volume of his Book of Dust trilogy, I told myself, “That’s a play for me!  I’ll just fly over to London and see it!  OGH is made of money, and he’ll happily pay my expenses!”

Fortunately, I didn’t have to go to London, because the theatre came to me, with a screening of the National Theatre Live production playing at the American Film Institute.  So, I spent a pleasant Saturday afternoon seeing it….

Review: A Monster Calls at Kennedy Center

… Stories matter more in the theatre than in film because far more of a play is in our imagination than in a film.  Stripped of CGI and rewrites by multiple people, what plays offer at their best is one person’s offering us something where, if it works, we tell ourselves, “Yes, that was a good evening in the theatre,” and if it doesn’t, we gnash our teeth and feel miserable until we get home…

Review of “Under The Sea With Dredgie McGee”

As Anton Ego told us in Ratatouille, the goal of a critic today is to be the first person to offer praise to a rising artist. It’s not the tenth novel that deserves our attention but the first or second. In the theatre, the people who need the most attention are the ones who are being established, not the ones that build on earlier successes.

So I’m happy to report that Matthew Aldwin McGee, author, star, and chief puppeteer of Under the Sea with Dredgie McGee is a talented guy who has a great deal of potential.  You should be watching him….

Review: Maple and Vine

I once read an article about a guy who was determined to live life in 1912.  He lived in a shack in the woods, bought a lot of old clothes, a Victrola, and a slew of old books and magazines.  I don’t remember how he made a living, but the article made clear that he was happy….

TRIGGER SNOWFLAKE

By Ingvar

CATS SLEEP ON SFF

OBITUARIES

[date of publication]

Untreed Reads Courts Ring of Fire Press Authors

Walt Boyes and Joy Ward have joined Untreed Reads as editors of a new line of Science Fiction/Fantasy/Alternate History books, and are recommending the publisher as a place for Ring of Fire Press authors to land following the company’s shutdown.

[Permission to quote their letter was subsequently withdrawn, therefore the rest of the post has been redacted.]

Grantville Gazette Publishes 100th Issue

The Grantville Gazette has reached its milestone hundredth issue. The alternate history series created by a vast community of writers began over 20 years ago. Eric Flint can tell you about the beginnings of the 1632 story, and current Grantville Gazette editor Walt Boyes brings us up to date in “The Story So Far”, which he shares with File 770 in the following excerpt.


THE STORY SO FAR . . . by Walt Boyes: Whew! We made it. We made it to Issue 100 of the Grantville Gazette. This is an incredible feat by a large group of stakeholders. Thank you, everyone.

I don’t think Eric Flint had any idea what he’d created when he sent Jim Baen the manuscript for 1632. In the intervening two-plus decades, the book he intended to be a one-shot novel has grown like the marshmallow man in Ghostbusters to encompass books from two publishing houses, a magazine (this one, that you are holding in your metaphorical hands) and allowed over 165 new authors to see their first published story in print. The Ring of Fire Universe, or the 1632 Universe, has more than twelve million words published. The Grantville Gazette is bi-monthly, publishing six times a year. To do this requires a dedicated group of editors and proofreaders, authors, and artists. Later in this issue, you can read interviews with Eric Flint and Paula Goodlett about the early days of the Grantville Gazette.

From the Grantville Gazette’s unique beginning, we knew it would be a different magazine. Growing as it did out of the writing group from Jim Baen’s Universe, it was always dedicated to finding and grooming new writers–writers who had oftentimes never published anything before, or who had published only non-fiction for their entire careers. We set up the conferences in Baen’s Bar that we still use today as a permanent floating crit group where you could post your story, get comments and criticism, rewrite and repost your story until the editor bought it. There wasn’t another crit group like it anywhere–the prize was, “We bought your story.”

I am the third editor of the magazine, and with my right-hand man, Bjorn Hasseler, we continue to build the legacy of this wonderful magazine and its crit groups on Baen’s Bar. We are always looking for new authors, and we keep finding them. Bethanne Kim, Sarah Hayes, Joy Ward, and others have been looking at the 1632 Universe from a woman’s perspective, so it isn’t all about hillbillies in Germany. Joy and others have written about LGBTQ issues in the seventeenth century. Robert Waters, Griffin Barber, and Iver Cooper have written about the collisions between 20th-century mindsets and South America, India, Japan, and the Native Americans on the West Coast of the United States. The canvas of the 1632 series is utterly vast–an entire world! Garrett Vance, who is our Graphic Designer, has also written about saving the Dodo, the thrust toward a balanced ecology, the Japanese diaspora, and the Time Spike universe. These are just the tip of the iceberg of authors and visions and topics and themes. These are only a few of the authors who have collaborated with Eric Flint’s world as he built it. As an homage to Jim Baen’s Universe magazine, we have kept a portion of the Gazette we call the Universe Annex, to publish really good science fiction from great authors, just not in the 1632 Universe.

The theme of this issue is the Committees of Correspondence set up by the Americans in the first novel, 1632. Based on the committees formed in the American Revolution, the Committees of Correspondence (CoCs) have been dedicated to improving the lives of the downtrodden in the Early Modern Era, They teach and organize on every subject from sanitation and hygiene to spreading democracy and tumbling over-reaching Adel. Above all, the CoCs are literal death to anti-Semitism and witch-burning. 

We have selected twelve stories about the CoCs, including one by Eric Flint himself. It is called “1632: The Wrecking Crew” and is about Harry Lefferts and the CoC getting started. Another look at the beginnings of the CoC is from Bethanne Kim called, “Freedom Arches.” Terry Howard, one of the Gazette’s most prolific authors, gives us two stories in this issue, “Like the Mad Men of Munster,” and “Funding the CoC.” Virginia DeMarce talks about killing witch-burners in “If You Want to Write a Play with Witches.” Marc Tyrell takes a different look at the CoC killing witch-burners in “Advocatus Angeli.”  In “Be Happy Now, My Enemies,” A.P. Davidson asks what happens when the Adel start fighting back. Can the CoC’s new political consciousness win against centuries of noble skulduggery? 

Joy Ward returns with “It’s Only Rock and Roll, But…” showing another side of the Committees of Correspondence as a place where teenage misfits can rock out on rhythm and blues without getting in trouble, and where a young gay boy can make friends in the name of music. In “Aftermath,” Bjorn Hasseler shows that the CoC can fight and beat Swedish regulars during the rebellion of Axel Oxenstierna, and show graciousness and nobility when the fighting is over. In Michael Lockwood’s “What Price an Adel?” the story of one man’s political journey in the Magdeburg CoC is told.Edith Wild’s “Leftovers” lets us see what happens after a CoC action when a son dives in front of his father’s assassin.  In “Slamfire!” by Bjorn Hasseler and Walt Boyes, a young Welsh gunsmith’s new political consciousness leads him to create a special design of shotgun cheap enough to equip all the Committees of Correspondence in Europe and North America. In the only piece of non-fiction in this issue, we present Kristine Katherine Rusch on 100 issues of the Grantville Gazette.

 In the two-plus decades since Eric wrote 1632, nearly 200 people have contributed to the success of the Universe directly, and many more indirectly by reviewing and buying the books and magazines. Time passes in the original timeline, and some of those people have passed away. We want to acknowledge them and their wonderful contributions to the story:

  • Leonard Hollar
  • Eva Musch
  • Cheryl Detweiler
  • John Zeek
  • Karen Bergstralh
  • Pam Poggiani
  • John Johnson
  • Nick Lorrance
  • Kevin Evans
  • Karen Evans
  • Rick Boatright

…Finally, I want to point out that the 100th issue of the Grantville Gazette is the first that will be issued in POD as a trade paperback on Amazon. Going forward, all issues will be done this way, and we are going to go back toward the beginning issues as we can scrape up the time to do it. Eventually, the entire backlist of the magazine will be available in hard copy as well as in multiple format ebook editions.

So once again, I ask you to strap on your seat belt, keep your arms and legs inside the car, and get ready to ride the 1632 rollercoaster! Welcome aboard!

1632 Universe Milestone – Submissions Open for Grantville Gazette #100

Congratulations to the Grantville Gazette – the March issue will be their 100th. Editor Walt Boyes says, “We are really excited that we have come so far. Starting with 1632, Eric Flint’s ‘standalone’ novel, we have now over 6 million words in print or in electronic form and have published 40+ novels from Baen Books and from Ring of Fire Press. We have had more than 200 authors write in the series, many of whom sold us their first professional publication.” The Grantville Gazette is a SFWA-approved venue that pays eight cents per word.

In honor of issue 100, Boyes has put out his —  

CALL FOR STORIES FOR GRANTVILLE GAZETTE 100!

The next issue of the Grantville Gazette is number 100, March 2022. That’s a remarkable feat in genre publishing, and specifically for an online magazine that is dedicated to a single series: the 1632 Universe.

So, for Gazette 100, we are issuing a call for stories. The topic is “Tales of the CoC” and should be within the bounds of the 1632 Universe and have something to do with the Committees of Correspondence, the CoCs.

Stories must not exceed 5000 words. Payment is 8 cents per word. Stories are due not later than midnight January 31, 2021.

If you have questions, please contact Bjorn Hasseler ([email protected]1632.org) or Walt Boyes ([email protected]).

Pixel Scroll 3/26/21 Good Pixels Make For Good Scrolls

(1) SHOULD GEORGIA BILL HAVE IMPLICATIONS FOR DRAGON CON? Georgia has passed a controversial voting bill reports CNN. Some think Dragon Con should take a stance, a few say they won’t attend while the law is in effect.

The new law imposes new voter identification requirements for absentee ballots, empowers state officials to take over local elections boards, limits the use of ballot drop boxes and makes it a crime to approach voters in line to give them food and water.

“It’s like the Christmas tree of goodies for voter suppression,” Democratic state Sen. Jen Jordan said on the Senate floor as lawmakers prepared to vote on the nearly 100-page bill Thursday.

Republicans cast the measure, dubbed The Election Integrity Act of 2021, as necessary to boost confidence in elections after the 2020 election saw Trump make repeated, unsubstantiated claims of fraud.

By Thursday evening, a lawsuit challenging the new law had already been filed by a trio of voting rights groups: the New Georgia Project, the Black Voters Matter Fund and Rise Inc.

Editor Walt Boyes raised some possible implications for Dragon Con, held annually in Atlanta, in the following statement sent for publication. (Boyes adds: “I am speaking for myself, not for Ring of Fire Press, and I haven’t talked to anybody at Dragon Con.”)

In the last 24 hours, the Republicans of the state of Georgia passed a draconian set of voter restrictions, the like of which has not been seen since the Jim Crow laws. It is clear why they have restricted voting, even to the point of making giving water to people on line to vote illegal. They know that the Republican Party cannot win in a standup fair contest and they are trying one more thing to stack the deck against black and brown voters and progressives of all stripes.

If Dragon Con has any respect for democracy, I would hope they would use their huge footprint and buying power to suggest that the State Legislature rethink their voter restrictions, and if the Legislature doesn’t, Dragon Con should leave Georgia. This is a major, essential moral choice.

Several people have tweeted comparable thoughts:

It would be interesting to learn whether Dragon Con leadership has influence beyond the purely economic that could be brought to bear on the situation. As to their economic leverage, looking at the communications Dragon Con has been putting out, they’re still in suspense whether they can do an in-person con in 2021. If social media pressures the committee to pre-emptively threaten not told hold an event that’s already in jeopardy, then what happens next?

(2) ACHIEVEMENT UNLOCKED. N.K. Jemisin shared a joyful milestone with Twitter followers:

(3) CORY DOCTOROW ON AUDIO RIGHTS. [Item by Daniel Dern.] From the current issue of Locus, the premier trade journal/news magazine/site for the sf, fantasy & horror etc. book-etc. industry, this interesting article on why Cory eschewed Amazon for his audiobooking: “Cory Doctorow: Free Markets”. He “buries the news lede” ~12 paragraphs down:

…2020 was a hard year, but for me, it had a bright spot: In September, I launched and executed the most successful audiobook crowdfunding cam­paign in history. I made $267,613. In the space of a month, I went from worried about my family’s finances to completely secure about our ability to pay our mortgage and taxes and add a good chunk to our retirement ac­counts. It was an extraordinary month.

But I wish I hadn’t had to do it….

(4) ECCLESTON, THAT’S WHO. Nerdist sets the frame for the “New Trailer for Christopher Eccleston’s Return to DOCTOR WHO” – audio adventures from Big Finish.

Even though 16 years have come and gone since Eccleston regenerated into David Tennant, he doesn’t sound like he’s aged a day. Good for a Time Lord, to be honest. There’s still the excitement, the swagger, the kind of dopey optimism hiding deep trauma that was present in 2005. We only had an all-too brief 13 episodes with the Ninth Doctor, but with Big Finish’s Ninth Doctor Adventures line, he’s basically going to double that….

(5) GOLDEN AGAIN. [Item by rcade.] In “Cyborg Ghosts, Space Dragon Boats, and the Deep Roots of Chinese Sci-Fi” at Sixth Tone, the translator and writer Xueting Christine Ni argues that Chinese science fiction has entered another golden age:

During China’s first two sci-fi booms, in the 1950s and 1970s, respectively, writers tended to focus on technological utopias and issues such as international politics, scientific ethics, and extraterrestrial encounters. Currently, however, we can see a general movement in the arts, whether conscious or not, to reestablish a link with China’s cultural heritage. …

 After decades of looking primarily to Western writers for inspiration, whether Isaac Asimov, Ray Bradbury, or William Gibson, Chinese authors’ fascination with the interaction between old customs and new technology reflects a society-wide revival of interest in Chinese traditional culture and cultural pride.

… But when kehuan authors connect their work to these traditions, they’re not simply reveling in the past — China’s bookshelves are already groaning under the weight of all the works dedicated to that particular pastime. Rather they’re acknowledging that China and its people are still intrinsically linked to its traditions and its history, and that collective experience and belief will remain important in the future. Whether this heritage is a net positive or negative depends on how it is used: Some writers see in it the potential for exploitation, while others choose to portray the past as the key to saving our shared humanity.

(6) BREAKTHROUGH IN HUNGARIAN WEIRD. [Item by Bence Pintér.] Horror small press Valancourt Books is going to publish a short story collection by the best Hungarian horror/weird author and screenwriter Attila Veres. Veres first published his dark, grotesque, and darkly humorous short stories at Lovecraftian fanzine The Black Aether. After this he debuted at professional publisher Agave Books in 2017 with the weird apocalyptic novel Odakint sötétebb, which became an overnight sensation. In 2018 he followed this up a short story collection, Éjféli iskolák, which is widely read outside usual genre circles also. His short story ‘The Time Remaining’ was included in The Valancourt Book of World Horror Stories anthology in 2020. 

Horror and weird is a novelty in Hungary, especially books which are dealing with Hungarian realities. Veres started the trend with his deeply imaginative, frightening and personal stories, in which political questions are often there in the background. In these short stories Hungary is reflected in a distorted, often shattered mirror, portrayed with a touch of black humor. 

(You can read more about his books in English here: “Discover The Old Continent: Ninety Remarkable European Speculative Books From The Last Decade”.)

The collection will be published by Valancourt in 2022, and it will include ten stories: seven will be translated from Éjféli iskolák, and there will be three new ones from his next collection. This is also huge news for Hungarian speculative fiction generally, since this will be the first Hungarian speculative book (I know about) to be published in translation in the US since…ever? (I say this with a nod to Hugo winner Bogi Takács – who writes mostly in English.) I hope this will start a trend! 

The original announcement is here on Facebook.

(7) RETURN OF HARLEY QUINN. Warner Bros. Pictures dropped a restricted trailer for The Suicide Squad. View it on YouTube.

(8) THE RELEVANCE OF DOOMSDAY BOOK. The NoCo Optimist profiles a local literary lion: “Renowned science fiction author and Greeley resident, Connie Willis, sees ‘Doomsday Book’ come to life amid pandemic”.

… The funny thing is, she loves history, even more than science fiction. As a result, she’s read shelves of books. That’s why, in “Doomsday Book,” you have an assistant in modern times who worries about the college running out of orange juice as people come down with a mysterious and deadly infection, and an old woman in the 1300s who believes the plague is a punishment from God, and a group of bell ringers from America who are more worried about their rights to perform being taken away under a quarantine than keeping others safe. 

Does all this sound familiar? 

People, in other words, worry about dumb things as the world collapses around them, Willis said. There are many examples of that in “Doomsday Book,” even though she wrote the book in 1992, when people would think “pandemic” was the name of yet another grunge band inspired by Nirvana….

(9) EATING THE FANTASTIC. Scott Edelman invites listeners to “Bite into BBQ with Zig Zag Claybourne” in Episode 141 of his Eating the Fantastic podcast.

My guest this time around is Zig Zag Claybourne, the author of The Brothers Jetstream: Leviathan and its sequel Afro Puffs Are the Antennae of the Universe. His other works include By All Our Violent GuidesNeon LightsIn the Quiet Spaces, and the short story collection Historical Inaccuracies. His fiction and essays have appeared in  in ApexGalaxy’s EdgeGigaNotosaurusStrange Horizons, and other venues.

We discussed how creators can self-define their success to avoid jealousy and despair, why he’s always preferred Marvel to DC, how he’d annoy his family with his love of the original Star Trek, the two professors who showed him he could be a writer, why the title is the soul of a story, the most important pointer he received after reaching out to romance writer Beverley Jenkins for advice, why he does some of his best writing in the bathtub, how dialogue reveals character, whether his wild duology will ever become a trilogy, how to survive toxic fandoms, and much more.

(10) BEVERLY CLEARY OBIT. The great children’s book author Beverly Cleary died March 25 at the age of 104 reports HarperCollins.

… By the third grade she had conquered reading and spent much of her childhood with books from the public library. A teacher suggested that she should write for boys and girls when she grew up, and the idea appealed to her. But after graduating from the University of California at Berkeley (where a dormitory is named in her honor) she specialized in librarianship at the University of Washington, Seattle (which today honors her contribution to Northwest literature with the Beverly Cleary Endowed Chair for Children and Youth Services).

Her early dream of writing for children was rekindled when “a little boy faced me rather ferociously across the circulation desk and said: ‘Where are the books about kids like us?’” Henry Huggins, his dog, Ribsy, and the gang on Klickitat Street, including Beezus and her younger sister, Ramona, were an instant success with young readers. The awards came later, beginning with a Newbery Honor in 1978 for Ramona and Her Father and one in 1982 for Ramona Quimby, Age 8. She received the 1984 John Newbery Medal for Dear Mr. Henshaw, which was inspired by letters she’d received from children.

Mrs. Cleary has also been honored with the American Library Association’s 1975 Laura Ingalls Wilder Award, the Catholic Library Association’s 1980 Regina Medal, and the University of Southern Mississippi’s 1982 Silver Medallion, all presented in recognition of her lasting contribution to children’s literature. In addition, Mrs. Cleary was the 1984 United States author nominee for the prestigious international Hans Christian Andersen Award.

In 2000, to honor her invaluable contributions to children’s literature, Beverly Cleary was named a “Living Legend” by the Library of Congress; in addition, she was awarded the 2003 National Medal of Art from the National Endowment for the Arts….

(11) MEDIA BIRTHDAY.

  • March 26, 1989 — On this day in 1989, Quantum Leap premiered. Created by  Donald P. Bellisario (Tales of The Golden MonkeyAirWolf), it starred Scott Bakula as the  time-travelling Sam Beckett and Dean Stockwell as his holographic contact from the future, Admiral Al Calavicci. The series would air on NBC for five seasons gaining a large following after a mediocre start. It has a stellar 97% rating by the audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 26, 1850 Edward Bellamy. Looking Backward: 2000–1887 is really the only work that he’s remembered for today. It’s interesting if more than a bit stilted in its language style. He wrote two other largely forgotten works, Dr. Heidenhoff’s Process and Miss Ludington’s Sister: A Romance of Immortality. (Died 1898.) (CE) 
  • Born March 26, 1907 – Betty MacDonald.  So well known for The Egg and I that e.g. Los Angeles had an omelette-restaurant-and-art-gallery called “The Egg and the Eye”.  For us, two dozen stories about a magical Mrs. Piggle-Wiggle; as a boy I thought them jolly fun, re-reading later I saw they were about bad children who through magic got their comeuppance.  (Died 1958) [JH]
  • Born March 26, 1928 – G. Harry Stine.  Two dozen novels, a score of shorter stories; two dozen “Science Fact” columns in Analog, ten dozen of “The Alternate View”; essays, letters, reviews there and in DestiniesFar FrontiersOmni.  Nonfiction e.g. Rocket Power and Space FlightHandbook of Model RocketryThe Third Industrial RevolutionHalfway to Anywhere.  Founded Nat’l Ass’n of Rocketry.  Chaired Nat’l Fire Protection Ass’n Technical Committee on Pyrotechnics.  (Died 1997)
  • Born March 26, 1929 – David Lake.  Ten novels, eight shorter stories.  Ditmar Award.  Guest of Honour at Quasarcon.  Introduction to Oxford Univ. Press ed’n of Wells’ First Men in the Moon.  Often seen in FoundationSF Commentary.  (Died 2016) [JH]
  • Born March 26, 1931 Leonard Nimoy. I really don’t need to say who he played on Trek, do I? Did you know his first role was as a zombie in Zombies of the Stratosphere? Or that he did a a lot of Westerns ranging from Broken Arrow in which he played various Indians to The Tall Man in which at least his character had a name, Deputy Sheriff Johnny Swift. His other great genre role was on Mission: Impossible as The Great Paris, a character whose real name was never revealed, who was a retired magician. It was his first post-Trek series. He of course showed up on the usual other genre outings such as The Twilight ZoneThe Man from U.N.C.L.E.The Outer LimitsNight Gallery and Get Smart. And then there’s the matter of “The Ballad of Bilbo Baggins” which due to a copyright claim I can’t show you him performing. (Died 2015.) (CE) 
  • Born March 26, 1945 – Rachel Holmen, age 76.  Editor at Locus; at Marion Zimmer Bradley’s Fantasy Magazine.  “Quilter, knitter, folk musician/singer … bad gardener … girl geek … used to be part of TeamB.”  [JH]
  • Born March 26, 1950 K. W. Jeter, 71. Farewell Horizontal may or may not be punk of any manner but it’s a great read. Though I generally loathe such things, Morlock Night, his sequel to The Time Machine , is well-worth reading. I’ve heard good things about his Blade Runner sequels but haven’t read them. Opinions please. (CE) 
  • Born March 26, 1952 – Gary Mattingly, age 69.  Co-founded Kansas City SF Society.  First President of Metro Detroit SF Society, Inc., sponsor of AutoClave; co-chaired AutoClave 1.  Co-chaired Ditto 2 (Ditto, a brand of spirit duplicator).  Special Guest at Corflu 4 (corflu = mimeograph correction fluid).  AutoClave, so far as I know, the first fanziners’ con; Ditto, Corflu followed.  [JH]
  • Born March 26, 1953 Christopher Fowler, 68. I started reading him when I encountered his Bryant & May series which though explicitly not genre does feature a couple of protagonists who are suspiciously old. Possibly a century or more now. The mysteries may or may not have genre aspects (some such as Seventy Seven Clocks are definitely genre) but all are wonderfully weird. Other novels by him which I’d recommend are Roofworld and Rune which really are genre, and Hell Train which is quite delicious horror. (CE) 
  • Born March 26, 1979 – A. Igoni Barrett, age 42.  One novel for us.  Outside our field, two collections of shorter stories.  Won BBC World Service short-story competition.  Charles Dickens Award.  “My best ideas come from south of my head.  So whatever a reader asserts I was doing in my stories is probably right.  Or possibly wrong.  Each day I keep discovering myself in others’ reading of my work….  The only thing I set out to do was to show my head that I could write from my gut.”  [JH]
  • Born March 26, 1985 Keira Knightley, 36. To my surprise and this definitely shows I’m not Star Wars geek, she was Sabé, The Decoy Queen., in The Phantom Menace.  Next up for her is Princess of Thieves, a loose adaptation of the Robin Hood legend. Now I didn’t see that but I did see her in Pirates of the Caribbean: The Curse of the Black Pearl as Elizabeth Swann. I saw her as Guinevere, an odd Guinevere indeed, in King Arthur. Her last role I must note was as The Nutcracker and the Four Realms in which she was the Sugar Plum Fairy!  (CE) 

(13) ADLER. File 770 will be the penultimate stop on Titan Comics’ Adler blog tour next week. Adler is written by Lavie Tidhar.

(14) DOORS OF PERCEPTION. Michael Dirda tells Washington Post readers: “Muriel Jaeger, a trailblazing science fiction author, deserves a new look”.

Somewhat surprisingly, London’s venerable British Library has emerged as a major player in the reissuing of early-20th-century popular fiction. After immense success with a line of Golden Age mysteries, it recently added imprints devoted to classic weird tales, women’s novels from before World War II and early science fiction. The BL’s trade paperbacks are uniformly handsome, well printed, augmented with illuminating introductions and priced around $12.50. Some titles are issued in the United States by Poisoned Pen Press, while the others can be ordered online or through your favorite bookstore. Nearly all are worth seeking out.

Consider, for example, “The Question Mark” and “The Man With Six Senses,” both by Muriel Jaeger. Originally published in 1926 and 1927 by Leonard and Virginia Woolf’s Hogarth Press, the two novels are H.G. Wellsian works of technological, political and social extrapolation. The first depicts a socialist utopia of the 22nd century, and the second tracks the life of a flawed “superman” and the effect of his powers on himself and those closest to him. In both, action is subordinated to argument, as the characters converse about society, class, sex and marriage, religious belief and human evolution….

(15) BRUTAL HUMOR. From The Onion: “Woman Relieved She No Longer Has To Support Closed Bookstore”. (Too short to excerpt.)

(16) IT BUGS HIM. Leonard Maltin covers a nonfiction film with fannish appeal: “Curiosity Is The Key”.

Attack of the Murder Hornets sounds like the title of a cheesy 1950s science-fiction film. It is, instead, a droll documentary about a very real threat to the Pacific Northwest that could have spelled disaster for the already depleted bee population of North America. Michael Paul Stephenson, whose resume includes Girlfriend’s Day and Best Worst Movie keeps a straight face, so to speak, as he documents the discovery of these winged invaders by a working-class beekeeper and his family, who count on the revenue they derive from home-made honey to supplement their monthly budget. They join a motley band of government scientists, researchers, and do-gooders to form a posse that is determined to locate and eradicate these murderous insects from Japan. All the participants are earnest, some a bit quirky, but Stephenson allows us to judge them for ourselves as this amusing, low-key suspense yarn unfolds….

(17) JENNINGS WINS KAYMAR AWARD. The National Fantasy Fan Federation announced that Bob Jennings was unanimously voted as winner of the Kaymar Award.

Three cheers for Bob! The Kaymar Award is traditionally given in April every year, supposedly because the N3F was organized in the month of April. We’re a bit early for once. The selection is made by a committee, consisting of previous winners who are still in the club, from nominations submitted by members. The award, unlike other awards in fandom, can be awarded only once. It is not given for talent or for popularity, but for work — work for the benefit of the club and its members. The award is a memorial to K. Martin Carlson [1904-1986], who originated, maintained, and financed it for 25 years. Carlson was a long-time N3F member who held many positions in the club, including club historian. He went by the fan name of Kaymar. 

(18) BE THE GAME. The Verge’s Sam Byford shares the experience of visiting Universal Studios Japan’s new park-within-a-park: “Super Nintendo World review: sensory overload”.

… The experience of stepping through the pipe and into Super Nintendo World is honestly amazing. The architecture is so complete, and your view of it so well-directed, that it really does feel like you stepped into another world. I love that the designers went for a blocky, 2D-esque style for much of the environment — it would have been easy to go with something more conventional given that there are now a lot of 3D Mario games, but this approach is much more evocative. Rather than attempt to replicate a particular Mario game, the mashed-up style just screams “Nintendo.”

… The Mario Kart ride is the most ambitious attraction I’ve ever seen at a theme park. It’s essentially an AR action game set on a go-kart track, where you’re drifting through the virtual course and firing virtual shells at virtual opponents — as the kart moves through the track in real life.

The ride is located inside a re-creation of Bowser’s castle, with lots of well-crafted Mario Kart paraphernalia to look at as you line up. (The queue was fast-moving on my visit and took about half an hour in total, though I imagine wait times will be a lot longer when the park is at full capacity.) Inside you’re given a plastic Mario hat that fits onto your head with an adjustable disc, a little like a PlayStation VR headset….

(19) DRAGON A TRAILER. In “Honest Trailers:  Raya & The Last Dragon” on YouTube, the Screen Junkies say the film has nothing to do with the 1985 kung-fu cheesefest The Last Dragon, and that the film has an evil baby “who feels like an exchange student from the Boss Baby franchise” and a waterfall that seems so real “it looks like a water deepfake.  If I were real water, I’d be worried!”

(20) VIDEO OF THE DAY. A 2016 post from Petapixel about a video on Vimeo: “This Animation Was Created Using Old Photos from the Early 1900s”. I may have run this remarkable short at the time, but it’s making the rounds again and will be new to some of you.

Here’s an amazing short film titled “The Old New World” by photographer and animator Alexey Zakharov of Moscow, Russia. Zakharov found old photos of US cities from the early 1900s and brought them to life.

The photos show New York, Boston, Detroit, Washington, D.C., and Baltimore between 1900 and 1940, and were obtained from the website Shorpy.

It’s a “photo-based animation project” that offers a “travel back in time with a little steampunk time machine,” Zakharov says. “The main part of this video was made with camera projection based on photos.”

[Thanks to John King Tarpinian, John Hertz, JJ, rcade, Bence Pintér, Walt Boyes, Mike Kennedy, Cat Eldridge, Rob Thornton, Michael Toman, Martin Morse Wooster, PJ Evans, Daniel Dern, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Walt Boyes on the Consequences of Taking Down Baen’s Bar

[Editor’s Introduction: Walt Boyes, Editor, the Grantville Gazette and Editor in Chief, Eric Flint’s Ring of Fire Press, emailed this letter of comment on February 17. I did not realize it was intended for publication until I saw his comment on Eric Flint’s Facebook page. Here it is:]   


Walt Boyes: I regret that Jason Sanford says he is being harassed. Nobody should do that, under any provocation.

However, one thing I believe that Jason Sanford did wrong is to lump all the conferences on Baen’s Bar together.

As Eric Flint noted, the conferences he oversees (oversaw) are heavily moderated (I am one of them, though not a Bar Moderator) and we do not allow the kinds of behavior that Mr. Sanford reports. I don’t go to Politics or Blazes because I know what’s there. Do not want to do that.

But since Mr. Sanford decided to throw the baby out with the bath water, Science Fiction has (at least temporarily,I hope) lost a very important resource. The1632Tech and 1632Slush conferences and the UniverseSlush conferences have provided a great resource to beginning (or otherwise) writers. We have been doing this for over 20 years. We critique and workshop beginning writers’ work, and at the end of the process, often buy the stories for the Grantville Gazette (www.Grantvillegazette.com). These stories can be in the 1632Universe, or just really good science fiction or fantasy, because we kept the Baen’s Universe crit group going, and we publish one or two stories from there every issue.

These conferences have produced millions of published words, paid at SFWA professional rates (currently $0.08/word) and at least one Nebula nominated author (Kari English). Over 150 authors have made their first professional sale through those conferences. Several have become NYT and Amazon Best Sellers.

There is no politics in these conferences. There is no violence or discussion of violence other than as it relates to the 1632 series.

So, because Mr Sanford didn’t do all the research that an investigative reporter should (I too am a member of SPJ and have done investigative reporting for decades), our writers who were working on their stories, as they have done for 20 years, are now out in the cold.  We have even, at least temporarily, lost the archives of the conferences, which are irreplaceable. Instead of editing the 94th issue of the Gazette, I am now trying to save the conferences we have used to create it.

I am not saying that Mr. Sanford did the right thing, or the wrong thing. But actions have consequences, and what he has done has challenged the careers of many beginning writers, because he didn’t ask anybody who knew anything what was going on.

Best regards,

Walt Boyes, Editor, the Grantville Gazette; Editor in Chief, Eric Flint’s Ring of Fire Press


Ring of Fire Con Rescheduled
to October

The inaugural virtual Ring of Fire Convention (ROFCON) has been rescheduled to October 8-11. The change from the originally announced mid-September dates has also allowed the organizers to add a day to the virtual event.

Walt Boyes, Editor, Grantville Gazette and Ring of Fire Press explained:

We were looking at the schedule and realized that we want to provide the best experience for everyone coming. To do that the RoF team discussed the technical requirements and opportunities for doing ROFCON later than announced. Since ROFCON will be virtual it has presented us with the opportunity to do more with a bit of extra time and investment. Postponing a virtual convention presents much less of a problem for guests, since there are no travel or hotel expenses or reservations involved, so we decided to be ambitious.

The announced guests include: Steven Barnes, David Brin, DJ Butler, Eric Flint, Charles Gannon, Cecelia Holland, Tom Kidd, Mercedes Lackey, Jody Lynn Nye, Christopher Ruocchio, Tom Smith, David Weber, and Toni Weisskopf.

Attendance at the convention is free but you need to register to attend. Register at the link.

Pixel Scroll 8/26/20 Down To Starseeds And STEM Again

(1) ROFCON 2020. Eric Flint and Ring of Fire Press will host the inaugural Ring of Fire Con (RoFCon I), a virtual convention, from September 11-13, with panels, guests, and signing opportunities. Attendance is free – register at the link.

Among the guests attending will be: Steven Barnes, David Brin, DJ Butler, Eric Flint, Charles Gannon, Cecelia Holland, Tom Kidd, Mercedes Lackey, Jody Lynn Nye, Christopher Ruocchio, Tom Smith, David Weber, and Toni Weisskopf.

Walt Boyes, Editor, Grantville Gazette and Ring of Fire Press adds:

Not only do we have a great guest list, but we are also teaching marketing for authors, how to get published, and recruiting new authors. We have dealt with issues of race, sex, gender, and nationality and prejudice around the world. We are looking for authors to write in the 1632 Universe who are non-traditional. We encourage women, LGBTQ+, and Persons of Color to look at writing for us. We publish bimonthly, The Grantville Gazette, which is a SFWA approved venue that pays SFWA professional rates.

(2) BRADBURY CENTENNIAL RECORDING STILL PLAYING. You can hear last Saturday’s Ray Bradbury Read-A-Thon of Fahrenheit 451 anytime through September 5.

Readers from across the United States will join William Shatner (actor), Neil Gaiman (author), Marlon James (author), Marjorie Liu (author), P. Djèlí Clark (author), Dr. Brenda Greene (author), Alley Mills Bean (actress), James Reynolds (actor), Tananarive Due (author), and Steven Barnes (author) to bring this relevant work to social media. Susan Orlean (author) provides an afterword. 

(3) ONLINE BRADBURY EXHIBIT. The South Pasadena Public Library provides a virtual tour of its Bradbury holdings in “Ray Bradbury: Celebrating 100 Years”.

…Bradbury, in his later years, was a frequent visitor to South Pasadena. In fact, Bradbury chose the South Pasadena Public Library as the location of his 90th Birthday Celebration. In 2010 South Pasadena City Council declared August 22nd Ray Bradbury Day….

In 2013 the South Pasadena Public Library named the conference room in honor of the late Ray Bradbury, for his work as lifelong advocate for public libraries. The Ray Bradbury Conference Room currently hosts a collection of Bradbury books and artifacts, including ephemera, photographs, artwork, and first edition prints. On the walls of the Conference Room hang a brick from Ray Bradbury’s home in Los Angeles (now demolished) and a portion of drywall from Bradbury’s home office, where much of his writing was conducted….

(4) 2020 HINDSIGHT. Few fans really expect science fiction writers to predict the future. But what about mainstream authors who can’t even predict the present? Consider this Amazon customer review of Honeysuckle Season by Mary Ellen Taylor.

This novel is set in Virginia during two time periods: the early 1940’s, and the summer of 2020. Chapters alternate between the two time periods. The story was enjoyable, but every time I came to a chapter set in 2020, I asked myself, “when is the author going to say something about Covid-19?” The answer is — never. I found that very disturbing and distracting. The author apparently wrote the book before the pandemic, and made the assumption that summer 2020 would be just like other summers, with large wedding parties, no social distancing, etc. Bad assumption.

(5) WORLDCON PUBLICATION ARCHIVE. Fanac.org is making the move to a different interface for accessing Worldcon Publications. (And it looks very good!)

If you’ve been paying attention to recent newsletters and flashes, Mark Olson has put together a new, easier-to-love format for Worldcon pubs. All the worldcon pubs are searchable PDFs and you’ll also find bidding material, and even ephemera. You can find it all at http://fanac.org/conpubs/Worldcon/.

The format and the link for photos and audio stay the same for now, and over the next few days (or maybe weeks) we will migrate completely to the new approach. For a little while, worldcon pubs may be available the old way as well, but one by one those will be cleared out. If you have any worldcon pubs bookmarked, then please be aware that those bookmarks will not be valid for too much longer. All hail Mark Olson, king of the Worldcon pubs! And most seriously, a heartfelt thanks to Mark from a webmaster who really didn’t want to start coding again. (Aug 22)

(6) EVERMORE ASKS FOR HELP. Yesterday’s Scroll reported Utah’s Evermore Park is in financial straits. The owners have launched a GoFundMe appeal: “Helping Evermore Park Through COVID-19”. It’s raised $13,693 of the $100,000 goal in the first 24 hours.

Evermore Park is small business in Pleasant Grove, Utah that creates an immersive experience that exists purely to allow everyone who enters to discover their own imagination. We aim to tell unique stories that inspire, educate, and allow guests to escape–even just for a little while–to a world that allows you to be the hero. We need your help to keep this project going during COVID-19.

We opened our doors in September of 2018. From the moment the doors were officially opened, we have been creating magic and allowing guests to interact with our characters and park in ways that few other businesses have even come close to attempting…. 

(7) POST-APOCALYPTIC HOLLYWOOD. “A World Like This Deserves Contempt: Adapting Harlan Ellison’s A Boy and His Dog in Bright Lights Film Journal is Stephen Harris’ fine-grained and thoroughly disturbing study of the story’s evolution to a film by L.Q. Jones.

…Alternately humorous, disturbing, satiric, violent, tender, vicious, somber, fantastic, and familiar, A Boy and His Dog and its adaptations have become the most referenced and influential landmarks of a sub-genre that has often been disregarded as escapist, clichéd, and one-dimensional. In order to understand how the text became so important, the history of Ellison’s original story and its film adaptation must be traced and explicated. In this article, I will compare and contrast Ellison’s definitive novella, L. Q. Jones’s early screenplay draft, and his final film adaptation and its promotional campaign to show how content is transformed, often radically, once it leaves the hands of its creator, and how certain differences in these texts come to exist. 

(8) MEDIA BIRTHDAY.

  • August 26, 1953 War of The Worlds premiered. It was produced by George Pal, and directed by Byron Haskin. It starred Gene Barry and Ann Robinson with narration by Sir Cedric Hardwicke. The Martian war machines were designed by Al Nozaki, and the sizzling sound effect would be used again as the first Trek phaser sound. (You know what novel it was adapted from.) The film was both a critical and box office success with its earnings making it the top SF film of the year. Audience reviewers at Rotten Tomatoes currently give it a 71% rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 26, 1901 – Earle Bergey.  A hundred sixty covers for us, a handful of interiors; much more, thousands all told, adventure, aviation, detective, sports, Western.  He was a prominent – hmm – “pin-up” artist; but look at this cover for Zane Grey’s Spirit of the Border.  This famous cover for Gentlemen Prefer Blondes may arouse – ahem – indignation now, but is very funny if you’ve actually read the book, and if I may, suggests – sorry – the question “Who’s exploiting whom?” and the realization that we heterosexual men have more to be ashamed of than we thought.  He could also do this.  (Died 1952) [JH]
  • Born August 26, 1904 Christopher Isherwood. I’ll first note, though not genre, that he wrote Goodbye to Berlin, the semi-autobiographical novel which was the inspiration for Cabaret. Genre wise, he co-wrote Frankenstein: The True Story with Don Bachardy, The Mortmere Stories with Edward Upward, and one short story in the Thirties, “I am Waiting”. (Died 1986.) (CE) 
  • Born August 26, 1904 Peter Lorre. I think his first foray into genre was in the Voyage to the Bottom of the Sea film as Comm. Lucius Emery though he was in Americanized version of Casino Royale which an early Fifties episode of the Climax! series as Le Chiffre. (James Bond was called Jimmy. Shudder!) Other genre roles were in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.) (CE)
  • Born August 26, 1911 Otto Oscar Binder. He’s  best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.) (CE)
  • Born August 26, 1911 – Gerald Kersh.  He has been described as “hammering out twenty novels, twenty collections of short stories and thousands of articles”.  Harlan Ellison wrote, “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.”  The Secret Masters is ours, as are a hundred seventy shorter stories.  (Died 1968) [JH]
  • Born August 26, 1926 – Thomas Clareson, Ph.D.  Edited Extrapolation 1960-1987; essayist, correspondent, there and elsewhere, AnalogThe Magazine of Fantasy & Science FictionNY Rev SFRiverside Quarterly.  Bibliographic studies, critical anthologies.  First President of the SF Research Ass’n; its Clareson Award, named for him, began 1995.  Pilgrim Award.  Robert Silverberg’s Many Trapdoors may be the title of the year for 1992.  (Died 1993) [JH]
  • Born August 26, 1949 – Fred Levy Haskell, 71.  Involved at the start, therefore a Floundering Father of Minn-stf (stf from Hugo Gernsback’s word scientifiction, pronounced “stef” or “stiff”, the latter funnier since false) though he later said he was out getting a sandwich at the time.  Fanziner, chaired Corflu 6 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable).  Fan Guest of Honor at LepreCon 4, Archon7 (which for years I’ve been saying should be pronounced Arch on, but what do I know?), Minicon 22.  Note his two-part unhyphenated surname.  Recently, see here.  [JH]
  • Born August 26, 1949 Sheila E Gilbert, 71. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and has received Hugos by herself for Best Professional Editor (Long Form). (CE)
  • Born August 26, 1958 Wanda De Jesus, 62. She’s Estevez in Robocop 2, a film that had its moments but rarely, and she has two other film genre roles, Lexie Moore in Captain Nuke and the Bomber Boys, and Akooshay in Ghosts of Mars. Series wise, she has a number of one-offs including Babylon 5Tales from The DarksideSeaQuest DSVHappily Ever After: Fairy Tales for Every Child and voicing a character on one of the Spider-Man series. (CE) 
  • Born August 26, 1965 – Elizabeth Isaacs, 55.  Four novels for us.  Runs an authors’ group Writers, Etc. going between writers and motion pictures.  Master’s degree magna cum laude (and Phi Beta Kappa) from Austin Peay State U., studied classical opera.  Ranks Great Expectations about the same as The Time Machine, both below Nineteen Eighty-Four; fear not, all three below Blueberries for Sal.  [JH]
  • Born August 26, 1970 Melissa McCarthy, 50. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m much more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Naomi Kritzer’s Hugo Award winning “Cat Pictures Please” premise.  (And we are not talking about The Happytime Murders in which she was involved.) (CE) 
  • Born August 26, 1993 – Nancy Yi Fan, 27.  First novel at age 12, NY Times Best Seller.  Oprah Winfrey said this showed NYF was smart, which misses the point, but Errors in the direction of the enemy are to be lightly judged.  A prequel and sequel followed.  Her pets, suitably, are birds.  [JH]

(10) COMICS SECTION.

(11) MUSIC FOR THE SPHERES. Pitchfork invites readers to “Meet the Man Who Used Kraftwerk, Fela Kuti, and Other Fascinating Music to Try to Lure Aliens to Earth”.

When NASA launched the Voyager spacecrafts to explore the cosmos in 1977, they sent along the Golden Record—and with it, music from around the world—as a snapshot of humanity, should intelligent lifeforms ever find it. But what if the aliens tuned in to the radio instead?

From 1971 to 1998, a man named John Shepherd probed that hypothetical question with astonishing dedication. Aiming for interstellar contact, he beamed everything from reggae to Steve Reich straight from his grandparents’ living room in rural Michigan, broadcasting between six to eight hours every day. He then expanded his operation—called Project STRAT—into a separate building on his grandparents’ property, complete with scientific equipment of his own design. Though Shepherd eventually ended the radio arm of Project STRAT due to the high cost of maintenance, he is now the subject of a touching new short film, John Was Trying to Contact Aliens, which recently arrived on Netflix

(12) CANON CAN NOT. Aidan Moher seeks to obliterate the very idea — “Personal Canons: There Is No Universal Canon”.

I am not the same person I was yesterday, and tomorrow I will be a new me.

Over time, my personal SFF canon has changed and evolved as I’ve grown older, discovered new writers, and pushed myself into corners of the genre that I would never have experienced if not for my involvement in the broad and diverse SFF community. As time flows, we’re changed by our experiences, our values adapt to encompass new thoughts and emotions, and so canon is always evolving to envelop who we are becoming….

Even canon lists generally accepted at the time they’re published become defunct just a few years later, and, as the genre adapts, new works draw on new influences. Just go look at some old lists of “SFF canon” from earlier decades, or even 11 years ago on the web. I haven’t even heard of half those books, let alone read them. If SFF canon looks like a reading list for a History of Science Fiction 101 course, it’s missing the point of how the genre is a conversation with itself and the outside world of politics, sociology, and humanity.

As DongWon Song said, “The idea of the canon is outdated, colonialist, racist, sexist, and anti-queer. It’s easy to say that this is only true because old stuff is colonialist, racist, sexist, and anti-queer, but that’s a bullshit cop out.”

There is no universal SFF canon.

(13) SOUTH ASIAN SFF. “What South Asian sci-fi can tell us about our world” is an unsigned 2019 article attributed to the Asian News Network.

My first encounter with a work of desi science fiction was very much by accident.

During my undergraduate studies at the English department at Karachi University, while idly browsing through a professor’s personal collection on her desk, I came across Rokeya Sakhawat Hossain’s Sultana’s Dream, a English-language short story set in a feminist utopian world written by a Bengali Muslim woman in 20th century colonial India.

Up until then, my study of literature had been mostly white, mostly male authors, an unsurprising fact when we take into account the (Western) literary canon’s inherent whiteness and maleness, as well as the institutional history of English departments as tools of the colonial project — teaching works of English literature in the British Empire’s overseas colonies was originally part of the overarching goal of “civilising the natives.” In the words of 19th century British politician Thomas Macaulay, “a single shelf of a good European library is worth the whole native literature of India and Arabia” (gotta love that British sense of entitlement and arrogance).

… This dismissal of the genres of science fiction and fantasy (SFF) as low-brow, trashy or pulp or, at the very least, unimportant, is not just a desi stance, although it might be a bit more pronounced here. The snobbish attitude towards SFF has historically been prevalent in academic and literary circles (although things seem to be changing in the West now), even as popular culture is filled with beloved works of science fiction and fantasy films and television shows.

But the dismissal of the SFF genre, or the broader umbrella of speculative fiction, has excluded from the South Asian literary discourse a rich tradition of desi works of science fiction and fantasy, as well as the fascinating speculative fiction words being written by contemporary South Asian writers today. This makes conversations about South Asian literature woefully homogenous and, frankly, much more uninteresting than they might otherwise be.

(14) LUCRATIVE FAILURES. Sarah A. Hoyt, who often has bad things to say about traditional publishing, added some more today in “Docking Author’s Tails” at Mad Genius Club.

…But why would publishers want properties that aren’t selling that well? Why not just give the IP back, after they set the book up to fail? Why set the book up to fail at all?

Ah.  Because of the long tail.  In the era of ebooks, which you don’t need to store in warehouses, and which you can have out in unlimited numbers with no additional cost, the more books you have in your catalogue, no matter how little each of them sells, the more money you make.

Say you have 50k books in your catalogue, some of them so old you’re interpreting ebook rights from penumbras and emanations, and each sells two copies a month, and makes you $4 apiece….  You’re getting a very healthy income.

Heck, it’s better than having a mega bestseller.  Because a mega bestseller might get uppity and sue. But if each of those books is making under $5 a month, chances are you don’t even need to send out a statement.

Honestly, ponzi scheme architects go in awe of traditional publishers in the era of ebooks.

And, you know, when I realized that, everything fell into place: why careers keep getting shorter and shorter. Why, even with indie competition, writers are treated worse and worse.  Why some publishers are buying the things they are (well, you know, if you don’t mean each book to make a lot of money, you might as well promote your comrades. Besides, they need publishing credits, so they can get teaching jobs.)

Is my insight necessarily true?  I don’t know. It fits my experience and that of other midlisters. And — if the older authors I heard are right — it explains why bother setting books up to fail.

(15) THIS SCOTTISH DINOSAUR DID NOT HAVE A KILT. “Dinosaur fossil dating back 166 million years found by academic on remote Scottish island”Yahoo! News has the story.

A stegosaurian fossil dating back 166 million years was stumbled upon by an academic as she ran along a remote island beach, proving dinosaurs roamed further in Scotland than first thought.

Scientists say the 19-inch fossil found on the Isle of Eigg is “hugely significant” as it is the first unearthed outside the Isle of Skye, a neighbouring island in the Inner Hebrides.

The object is believed to be the limb bone of a stegosaurian dinosaur, such as a stegosaurus, which are known for their plate-backed appearance and herbivore diet…

(16) WON’T WALK AWAY FROM THIS ONE. “Tenet:  Behind The Scenes” on YouTube is a promotional feature that lets people know that when a 747 crashes into a building in the film, it’s an actual 747.

John David Washington is the new Protagonist in Christopher Nolan’s original sci-fi action spectacle “Tenet.”

Armed with only one word—Tenet—and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Not time travel. Inversion.

[Thank to Cat Eldridge, JJ, John Hertz, John King Tarpinian, Martin Morse Wooster, Dan’l Danehy-Oakes, Michael Toman, Mike Kennedy, Lise Andreasen, Walt Boyes, rcade, David Doering, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Eric Flint Hospitalized During Spikecon

Eric Flint

Eric Flint was taken ill with a bout of pneumonia while attending the NASFiC/Westercon/1632 Minicon in Layton UT last weekend as one of the guests of honor.

Walt Boyes informed Facebook readers on July 7:

He is in the hospital, getting antibiotics and oxygen but he’s doing well and expects to get out and go home in a couple of days. He was able to do Snerking the Plots by Skype from his hospital bed. He’s going to be fine, so no worries, but good thoughts would be appreciated.

Best wishes to him for a full and rapid recovery.

When The Puppies Come Marching Home 8/28

(1) Steve Rzasa on Speculative Faith“Puppies v. Trufans: Civil War”

My short story Turncoat, set in the Quantum Mortis sci-fi universe and written with a very specific aim, was nominated this way: Last spring, Vox Day approached me about writing a short story for the Riding the Red Horse anthology. He saw it as a successor to Jerry Pournelle’s There Will be War. Since I had a genuinely good time writing the Quantum Mortis books, I agreed. Over the next few months, I brainstormed concepts, and wrote Turncoat in July.

Fast forward to December 2014 and Turncoat was released as part of Riding the Red Horse. The first I learned of the Rabid Puppies thing was when I saw Turncoat on Vox’s slate or list or helpful suggestions round-up — whatever you want to call it — in February. I thought that was nice to be considered for such an award, and vaguely read over what Rabid Puppies’ aim was. Frankly, I didn’t think they had a snowball’s chance. But then again, I knew next to nothing about the Hugos and absolutely zero about the previous Sad Puppies efforts.

Whatever the goals of both Puppy groups are/were, they were not, from my perspective, pursued with Christian views in mind. The campaigning on both sides was, in one word, brutal. Even supposing the Puppy groups were correct that they were persecuted and disregarded when it came to science fiction awards, the whole fracas is in direct violation of Paul’s admonitions in Romans 12: Bless those who persecute you; bless and do not curse them… Repay no one evil for evil, but give thought to do what is honorable in the sight of all. If possible, so far as it depends on you, live peaceably with all.”

The Puppy vs. Trufan war was not conducted in this fashion. There were some on both sides who conducted themselves well, but name-calling and threats dominated. I’m sure a lot of people outside the debate now think there’s a ton of crazy people reading sci-fi and fantasy.

But don’t kid yourself: this showdown was not about faith. It was about message.

(2) Sarah A. Hoyt on According To Hoyt – “Fauxtrage”

Mary Three Names, whom I don’t mean to impugn, because it’s becoming clear to me that she has an impairment that prevents her from understanding written language but has nonetheless managed to win three Hugos, leapt to a conclusion probably caused by her impairment and decided “Chicom” was a racial insult.

Now, I understand some of the younger people and those who didn’t grow up in Europe during the cold war might NOT know that Chicom is a contraction of Chinese and Communist.  Not a racial slur under any way or form, but a way of specifying these were CHINESE communists, you know, not Russian Communists or Feminist Communists (you know, Mary, Femcoms, you might know some) or any other form of the repulsive ideology.

 

(3) True dat.

(4) Vox Day on Vox Popoli“Directly over the target”

And wait, there’s more! The SJWs are also engaged in a charity drive so that John Scalzi will read it for the audio version.

As you can see, this is a masterful rhetorical response that totally proves the falsity of the Second Law of SJW: SJWs Always Double Down. One of my friends sent me an email last night that I think aptly describes the situation. “WTF, are you PAYING these people or something?” And just to ice the crazy cake, we’ve now officially gone meta as there are now fake fake reviews being posted. And while I’m not surprised by the nature of the reaction of the science fiction SJWs to the book, I am amazed by the vehemence behind it. They are absolutely furious to see that a book unmasking them was not only published by me, but is riding the very wave of media attention that they themselves created to success. That’s the importance of the parody in their minds; if it can become even more popular than SJWs Always Lie, that will disqualify it and render it harmless, thereby relieving the stress they are presently feeling.

(5) Dave Langford in a comment on Whatever at 1:39 a.m.

$50. I’m too deaf for audiobooks but will imagine this one in my head. WITH SOUND EFFECTS.

You rock Dave!

(6) Walt Boyes on Facebook

[This is a long post, as is the Burnside post that follows. All the excepts can do is suggest why I found them of interest.]

I am neither a Puppy nor a Puppy Kicker. But as a working editor, I am appalled that an award in which nearly all the professional categories requires the services of an editor to be a successful work, something like 2400 votes were cast in opposition to ALL the editor nominees. There were several worthy nominees who were beaten by NO AWARD, in my opinion, unfairly. One comment I have seen repeated several times was that if they were worthy, they’d have won. Maybe they’ll get nominated again sometime. That’s bullshit. They WERE worthy, and they got shat upon. All you have to do is to notice that Toni Weisskopf got four times the number of votes that the winner has in the last five years to see that. Mike Resnick had the same experience in the Best Editor-Short Form category…..

Revenge attempts won’t work, and in the long run, counter-revenge attempts like the slate voting of NO AWARD (Yes, it was a slate, and there is proof that is widely available). In fact, nothing will work. The Hugos are legally owned by the WSFS Trust, and they don’t want the rest of us.

They. Don’t. Want. Us.

I don’t think the Hugos can be saved. At least, I don’t think that the puppies movement will change things. WSFS owns the Hugos. Legally, to change the Hugo system you have to change WSFS. I don’t see that happening.

At Kansas City, amendments to the WSFS constitution will be proposed (please don’t ask me how I know) that will make it even harder to inject an outside nominee into the Hugos than the amendments passed in Spokane do. The Spokane amendments will almost certainly be ratified in Kansas City, as WSFS works to make it harder to “steal” their awards. The amendments made in Kansas City will be ratified in Helsinki, at what will may possibly be a very small Worldcon. Note how few people attended the WSFS business meeting in Spokane. And only people who attend the business meeting have the right to vote on the constitution. No Award will always win in a contest of wills. It isn’t right, but it is the way the rules are rigged. Remember, WSFS _owns_ the Hugo Awards outright. It IS their football.

What is going to happen, basically, is the WSFS Hugo Committee will be given the power to reject any ballot for “wrong think” of any kind. If the puppies campaign in 2016 has legs, WSFS will react by making their control tighter. They will create a “nominating committee” which will prepare a slate (I know, Irony, thy name is WSFS) of nominees for the ballot, from a “suggestion list.”

The SMOFs, the Nielsen-Haydens, and the other PuppyKickers have the numbers and the staying power to do this. The puppies, I am afraid, do not. In order to change this, and keep it from happening, the puppies will have to deliver 300-500 committed puppy voters to Kansas City and Helsinki, in person. $50 supporting memberships won’t help here. You have to have an attending membership, and then you have to show up for the business meetings. There were on the order of 300 people attending the WSFS business meetings in Spokane at some point in the proceedings. This year, the outsiders couldn’t deliver enough votes to take the Hugos. They certainly aren’t going to be able to deliver actual butts in chairs at two successive Worldcons.

The other thing that happened this year, and will happen again, is that the PuppyKickers controlled the media. This is not because of some gigantic left wing media conspiracy. That’s bullshit. Something like six companies, all led by conservatives, and 277 conservative executives control nearly all of the media outlets in the United States. If you don’t think so, look at how comparatively right wing CNN and MSNBC have gotten in the past six months. It’s because of the fact that Nielsen-Hayden and friends knew how to issue a freakin’ press release, and did so regularly. You can see the evidence for this in the fact that all the articles online and in print kept using the same phrases and sentences over and over. That’s because they got press releases, and used them as source material. To my knowledge, the puppies didn’t issue any. They waited for the media to come to them, and by the time they did, what passed for objectivity was the Wired article last weekend….

After the money, it is all about the culture war. There are people who believe honestly and strongly that women, minorities, and sexual issues are not being addressed to their satisfaction in science fiction and fantasy. They believe that there is too much white colonialism in science fiction. Folks, the way to change people’s minds is to understand where they are, be sympathetic to their position, and slowly move them to where you want them to be. It is way too late to do that. There is a crop of writers, mostly women, some women of color, and quite a few men, both white and non-, who are committed to changing what they see as bias toward white only culture.

This is not necessarily wrongthink. Nor is it necessarily the gods’ own truth. Stop telling these young writers they are wrong, or dismissing them as some sort of weird Marxists. Some of them are amazingly gifted writers. The ones that are, write brilliant stories where their bias against white colonialism culture really doesn’t show—it is about the story, and their bias isn’t the plot, and it certainly doesn’t affect the action….

One of the puppy kickers has regularly said, “Go start your own awards.” Despite the snark and the down-nose-looking deprecation, it really is good advice.

I fully expect to be run out of here on a rail for what I’ve said.

It is hard to be neutral in this thing. My sympathies lie with both sides, but my efforts lie in getting good writing, regardless of politics, and writing well myself. I got the trebuchet from David Gerrold after the awards, because I mildly pointed out that I didn’t support, “applause is okay, booing is not.” And I mean mildly. And Gerrold and I go back a ways. I am sure there are more people on the other side (Mike Glyer for one) who think I am an unmitigated Puppy asshole. I am not, and never have been, a Puppy.

Just a note: Walt Boyes has never been mentioned in a post on File 770 before, and only in two comments, neither of which expressed any opinion about him at all.

(7) Ken Burnside – “How the Hugos Crashed, aka: ‘The Diary of a Self-Deploying Human Sandbag In The Culture War”

I went to the INB Theater, sat in the front row and waited.  The long discussion of the Official Hugo Asshole Disks led things off.  The Sasquan chair reminded people that “No Award” was an option.  David and Tananarive did a lovely job, and covered for a few gaffes from script pages not turning, and tried to keep it fun.  I’ve been a master of ceremonies; I’m not going to rag on them for it.

Best Related Works came up.  It went to No Award; I expected that.  I didn’t expect the loud and raucous cheering, which, frankly, pissed me off.

Then Best Short Story came up.  It also went to No Award.  The cheering was even louder.

Then Best Editor, Short Form went to No Award and the cheering was deafening. There were several people who said “Fuck this…that’s not right…” when that happened, down in the nominee area.  David heard it; he quickly looked over the orchestra pit to see what was going on.

Then Best Editor, Long Form went to No Award, and the cheering made the floor tremble. Several people (myself included) started booing.  David said “booing is not appropriate” and I came about a half-second away from standing up and jumping on the stage to grab the mic.  Bryan Thomas Schmidt DID get up and curse loudly.  Toni Weisskopf apparently never went to the ceremony at all; per Bryan the two of them commiserated for a few hours after the ceremony.

Best Novelette went to an actual winner, best Novella got No Awarded (but with less cheering), and Best Novel got a Hugo.  I made a point of personally congratulating all of the Hugo winners when I found them on Sunday.

Words cannot describe how furious I was at the outcome at the time.  I sat in the theater after the lights came up.  I had a brief conversation with political pundit (and fabricator of the Hugo Asshole Disks) Jim Wright.  He agreed with why I was angry: Cheering for No Award (and cheering loudly) was beyond the bounds of acceptable behavior.

For a ceremony that promised to be about inclusion and “we’re all fandom,” having the master of ceremonies feed off the cheering for No Award?  That’s very easy to take as hypocrisy of the first order.  I’ve also been told, multiple times that SF readers are NOT FANDOM…and that’s part of the problem. Seeing “No Award” blow out candidates who were clearly meritorious, like Mike Resnick and Toni Weisskopf?  With cheers that rattled the rafters and made the floor rumble?

I felt so very included in Fandom then.  Really.

(8) Meg Frank discusses why she resigned as a Sasqan committee member in response to the handling of the Antonelli letter to the Spokane cops and what he wrote about Carrie Cuinn.

It is common knowledge at this point that Lou Antonelli wrote a letter to the Spokane PD. It is also known that he went on Sarah Hoyt’s podcast and bragged about it. While many were rightly focused on David Gerrold’s reaction, the simple fact is that he wasn’t the only person harassed and intimidated, and he wasn’t the only one to report it. As the Co-Director of the Hugo Ceremony I reported my fear directly to my superiors. I did so several times – initially rather timidly because I didn’t want to make a fuss, but later rather firmly in a way that could not be misunderstood. One of the vice-chairs, Glenn Glazer, attempted to guilt me into not pursuing the complaint, and one of the Operations Division Heads, Robbie Bourget told me flat out that I hadn’t been harassed. When I pointed this out to them, I was told that I hadn’t ever made an official harassment complaint and lots of sarcasm that wasn’t in any way close to appropriate.

Senior members of the Sasquan committee responded to a member reporting harassment and asking for help with guilt trips, denial, victim blaming, sarcasm and dismissal.

In the interest of avoiding a he said/she said situation, I have PDFd all of the emails in this conversation and placed them in a Google Drive folder here:

https://drive.google.com/open?id=0B-XkKq2NGWUZV21ubUpYOVhtOHM

[Frank has since created an alternate address because people said they could see all the emails — https://drive.google.com/folderview?id=0B-XkKq2NGWUZfkEzMlNwMGl3amVndzZ1MmxmakhHUHpEdzJRNG1BOVNRYlBJZEZsd1dPT00&usp=drive_web.]

After a fair bit of crying, some time spent on the phone with Jill, and lunch with a good friend, I decided to resign. I cannot ever in good conscience support a committee that treats its members this way. Any member, including committee members and staff, should feel able to report violations of the code of conduct and be taken seriously.

(9) Cat Valente sets the record straight in a comment on File 770:

I can knock this one down:

>I saw George R.R. Martin declare that all Puppies were Rabid at his party, and hoped that his alternate awards would’t be needed in the future, and more or less cheered for fandom holding off the barbarians. You know, people like me.

I was at the party, and as usual there is a tiny bit of truth in the wreckage of honesty on display.

George did indeed talk at length in the lead up to his announcing the Alfies. Most of it was on the history of the Hugo rocket as a hood ornament and the early days of the Hugo Losers Party that, you know, he invented. When it came time to say something about why he went and dug up old hood ornaments to make awards out of, he did say that he hoped the awards would be the first and last Alfies given out–because he hoped that next year would be a normal Hugos with a fair ballot. He absolutely did not say “all Puppies are Rabid” or anything of the kind. And he did not “more or less” praise fandom for holding off barbarians. You can tell by the “more or less” that this part is complete bullshit.

George Martin has advocated against No Award since day one of this mess. He was sad and hurt and astonished by the vitriol like we all have been, but he in no way presented the No Award result as a victory, (why would he, since he didn’t want No Award to take the night) nor the Alfies as the “real award” in any way. Rather, he emphasized that this was all his opinion and his party and his decision, his “grand and futile gesture.” His exact words were: “And yes, there are committee awards, but I am the committee.”

(10) This sounds terrifying.

(11) Gary K. Wolfe in the Chicago Tribune – “Hugo Awards: Rabid Puppies defeat reflects growing diversity in science fiction”

Following the official awards ceremony, Martin hosted a huge party in a landmark mansion, during which he presented his own “Alfie Awards,” named after science fiction writer Alfred Bester, to several candidates who, according to the final vote tallies, would have been on the Hugo ballot but were bumped by the Puppy slates. The Alfies, made from actual old automobile hood ornaments (which earlier Hugo trophies were said to resemble), also went to Puppy-slate authors who had withdrawn their own nominations, giving up a chance at a Hugo rather than being associated with the Puppies and with slate voting, and to Eric Flint, a novelist who — although he is popular among many Puppies — had posted insightful critical commentary on the controversy during the summer.

Martin clearly viewed the Hugo results as a dramatic victory for fandom and for the science fiction community at large, and made the point, shared by many in the aftermath of the awards ceremony, that in the end the controversy—inevitably dubbed “Puppygate” — represented not a divided science fiction community, but rather a surprisingly united one, and one which chooses to celebrate diversity rather than to view it as a conspiratorial threat. The Puppies themselves — some of whom have since claimed victory simply by forcing the “no awards” votes — may or may not return next year, when Worldcon is in Kansas City. But some estimates have them at no more than 10 percent to 20 percent of this year’s voting, and since the huge membership of the Spokane Worldcon — over 11,000, including non-attending members — provides an enormous base for next year’s nominations, it likely will be more of an uphill battle against a broader community that has already rejected them once and that will not as easily again be taken by surprise.

The final irony in all this is that the Hugo Awards, while more diverse and international in recent years, have never really disdained the kind of adventure fiction that the Puppies claim to champion. I met the winning novelist, Cixin Liu, when he was in Chicago earlier this year, and he made it clear that his idols are classic writers like Robert A. Heinlein and Isaac Asimov. “The Three-Body Problem” itself concerns communications with an alien race, the Trisolarans, whose plan is to invade the Earth as a refuge for their own endangered civilization — surely one of the oldest plots in science fiction. John Scalzi, who became one of the chief targets of Puppy vituperation, is a white male who won the Hugo in 2013 for “Redshirts,” a space opera adventure with knowing references to “Star Trek.” Among the novellas bumped off the ballot this year by the Puppy slate was Nancy Kress’ “Yesterday’s Kin,” a well-written tale that begins with an alien spaceship parking itself over New York harbor.

The problem, I suspect, is that none of these works are only about revisiting these favored old tropes. Sometimes they satirize them (as with Scalzi). Sometimes they introduce political themes (as with Cixin Liu, whose novel opens with a harrowing account of China’s Cultural Revolution). Sometimes they focus on character and family relationships (as with Kress). What seems to threaten the Puppies is not that science fiction has forsaken its origins (which it clearly hasn’t), but that readers have come to expect more and to welcome different voices. The old-fashioned modes of space adventure and military science fiction still have substantial markets, but it’s probably true that such works show up less on Hugo or Nebula award ballots than their supporters would like.

(12) Olivia Geng on the Wall Street Journal – “Cixin Liu Becomes First Asian to Win Hugo Award for Science Fiction”

Chinese author Cixin Liu last weekend became the first Asian to win the Hugo Award for best science fiction or fantasy novel. Yet to hear the Shaanxi native tell it, making history pales in comparison to the importance of ensuring science fiction’s future in China.

“I don’t really have any special feeling about it,” Mr. Liu said by phone from his hometown in Yangquan, Shaanxi province, when asked about becoming the first Asian to win the prize in its 62-year history.

“The Hugo Awards are not well-known in China,” he added. “It still cannot change the recent receding popularity of science fiction in China. All I can do is try my best and write as many good sci-fi works as I can.”

(13) R. S. Benedict on Unicorn Booty – “Sorry, Sad Puppies: Science Fictuion Has Always Been Political”

If Mary Shelley was science fiction’s mother, its father was probably H. G. Wells. His many works have been imitated, copied and adapted over and over again. Were H. G. Wells alive today, the Sad Puppies would probably despise him. He was a socialist who believed in racial diversity — a very controversial view in the 19th century.

But, the Sad Puppies might argue, as long as he kept his politics out of his writing, it wouldn’t be a problem. The problem with sci-fi writers is that they insist in letting their politics shape their stories.

Bad news, guys: H. G. Wells’s works were all about politics.

The War of the Worlds was Wells’s reaction to Western imperialism. Unlike many of his countrymen, he believed that Great Britain did not have a God-given right to invade and conquer other nations in Africa and the Pacific. The War of the Worlds was his way of saying to England, “How would you like it if someone did that to you?” He explicitly spells out his point in the novel: ….

(14) Aya de Leon – “The Hugo Awards, Social Justice, and the Psychoanalytics of Genre”

In many ways, the Hugo battle has been inevitable. It’s been coming since the US ended the era of legal racial segregation and began to question strict gender roles. In the latter case, young women have historically been pressured to read materials that reinforced their domestic roles. They weren’t supposed to be concerned with what happened outside their door in this world, let alone be concerned about what was happening in other worlds. But in the 70s and 80s, women SFF writers have developed a strong body of work in the genre and beyond, exploring issues of gender and developing wide readership.

For people of color, prior to integration, SFF was for white people. However, in the 70s and 80s, an early vanguard of black SFF writers began to integrate the genre. During that time, a relatively small number of people of color would read SFF (sometimes—prior to the internet—they were completely unaware of the POC who were writing it). The readership was primarily those of us with white friends, at white schools, or in white communities. Not surprising that SFF themes of alienation or actual aliens spoke to many of us.

(15) jaythenerdkid on The Rainbow Hub – “The Hugo Awards Controversy and Sci-Fi’s Diversity Problem”

The Sad Puppy vision for the Hugo Awards is one where nominations are a meritocracy (where people who write innovatively about gender, sexuality, race and other social issues are considered without merit). The Sad Puppy method of achieving this vision involves harassing everyone who doesn’t agree with them, because their arguments can’t actually stand on merit. They’ve even run afoul of George R. R. Martin, who is about as establishment as it gets in contemporary fantasy (I mean, one of his heroines is a literal white saviour in a land full of brown savages, yikes!), which means they’re now very much persona non grata in the SF/F community, something they’ve decided is a badge of honour rather than a damning condemnation of their beliefs and tactics.

That’s all well and good, but the fact that the Puppies got as far as they did – completely rigging five categories so that the only nominees were of their choosing, and skewing several others so there were very few choices who weren’t theirs – says a lot about a community that’s always inhabited a curious place halfway between insular and inviting, inflexible and innovative. It’s strange to think that the Hugo Awards, which have honoured legends like Ursula K. LeGuin and Octavia Butler, were turned into a farcical man-child temper tantrum by a bunch of jilted former nominees who wanted to ruin everyone else’s fun. At the same time, it makes perfect sense coming from a community that can accept the War of the Roses with dragons, but not making a fictional god female. There’s always been this element in the fandom of people – mostly men, mostly cis, mostly straight, mostly white, mostly middle-class, mostly college-educated – who think escapism and adventure stop being fun once politics that don’t agree with their own are introduced. (They’re fine, of course, with the hard-right libertarian politics of works like Ender’s Game or the oeuvre of Terry Goodkind.) The internet has enabled these squeaky wheels, giving them wider platforms and the ability to organise their bullying and harassment.

(16) Joe Vasicek on One Thousand and One Parsecs – “The Decline and Fall of Fandom and the Hugo Awards”

Can the Hugo Awards be saved? I seriously doubt it. The “truefans” will jealously clutch it to their chests until they die, and with the graying of fandom, that will probably be accomplished fairly soon. But just as the Renaissance rose from the long-cold ashes of the Roman Empire, so too I hope that something good will eventually come out of all of this. Because really, there is a place in fandom (lower-case f) for everyone, and that has never changed.

(17) Creative Bloq – “Hugo Award-winning artist reveals her secrets to success”

Here, Elizabeth reveals her top tips for fantasy and sci-fi artists who want to get noticed…

01. Community

Search out art communities, locally and web-based.  We are a reasonably small set of artists in the grand scheme of things and it becomes really easy to see all of the connections and overlaps.

Personally, I highly recommend ArtOrder.  Jon Schindehette is a huge advocate for artists in general and ArtOrder is his baby.

02. Professionality

Be professional.  Always, always, always make deadline.  READ YOUR CONTRACTS.

03. Exceed Expectations

Strive to make your art director look awesome through giving them great work. One of the bits of advice I follow is do not create illustration you feel simply reflects your payment.

Always try to exceed their expectations.  It may only be a $100 contract, but your work should look like you were paid $500.  The internet is forever.  Your work is you.

(18) Natalie Luhrs on Pretty Terrible – “No More Memory Holes”

So remember how Sasquan decided that even though Lou Antonelli violated their Code of Conduct they weren’t going to enforce the Code of Conduct because David Gerrold didn’t want them to?  Turns out that Gerrold wasn’t the only one feeling harassed and intimidated–and he wasn’t the only one to report it.

Meg Frank, the Events Deputy Division Head also reported same against Lou Antonelli and was told by the head of operations, Robbie Bourget, that she had not been harassed and one of the vice-chairs, Glenn Glazer, attempted to guilt her into backing down.  Instead of backing down, Meg Frank resigned a week before the convention.  Frank has provided a PDF of emails to back up her assertions.

I wish I could say I was surprised, but I’m not.  Here are a some screencaps from the Journeymen of Fandom group on Facebook in which it is clear that Robbie Bourget sees the rehabilitation of offenders back into community as a higher priority than attendee safety….

(19) Juliette Wade on TalkToYoUniverse“My new SF/F Reading Journal for next year’s Hugos”

I have been inspired by this year’s Hugos.

It’s become clear to me, as perhaps it has to many others, that entrusting my opinions of the latest genre works to others to nominate for awards is not enough any more.

One might ask: why haven’t I done the active, thorough job I wanted on nominating? Easy: life. The biggest factor in my failure is my faulty, distracted, non-eidetic memory.

Therefore, I’m starting a reading journal.

Essentially, I am a very busy person (as many are), and I can’t always call to mind every story I’ve read in a year, even the good ones. From now on, every time I read a story in the field, or a brilliant article, etc. I’ll be writing down title, author, and publication

(20) Cat Rambo on The World Remains Mysterious – “My Report from Sasquan: Mostly Glorious and So Many Thank Yous”

Met up with Mike Resnick, who has appeared on the Hugo ballot a breathtaking 37 times, winning 5, after the panel. We ventured out into the hazy afternoon along the riverwalk to talk about some SFWA stuff and came out of that excited about some prospects. I’m a longtime fan of Mike’s, not just of his excellent work, but of the way he helps newer writers, consistently extending a hand by collaborating with or publishing them. As SFWA President, I’m trying to make sure that the org’s moving forward in a way that makes (almost) everyone happy, so I wanted to talk about how we could use some of SFWA’s new marketing resources to help with the committee that Mike has ably headed for so long, the Anthology Committee. I’m looking forward to working with him on the SFWA projects we discussed.

[Thanks to Mark Dennehy, Ann Somerville, and John King Tarpinian for some of these links.]