By Joel Zakem: I just finished watching Tom Thurman’s nearly hour long documentary “Walter Tevis: A Writer’s Gambit”. It was produced for KET, Kentucky’s state wide Public Television (PBS) network. It is a very interesting look at Tevis’s life (he lived and taught in Kentucky for a time) and work. While Tevis is probably best known, and the film devotes more time, to his more mainstream work, especially The Hustler (his first novel) and The Queen’s Gambit (his last novel), there are also segments devoted to Tevis’s SF work, notably The Man Who Fell To Earth and Mockingbird. Half of Tevis’s six novels, The Man Who Fell To Earth, Mockingbird and The Steps of The Sun are Science Fiction, and some of the stories in his collection Far From Home come from genre magazines.
The film reveals that a childhood disease kept Tevis from participating in athletics, but he loved the competition he found in pool and chess. I also learned from the documentary that Daniel Keyes (“Flowers For Algernon”) taught at Ohio University at the same time as Tevis, and that Keyes spoke at Tevis’s funeral in 1984.
For those in or near Kentucky, “Walter Tevis: A Writer’s Gambit” is being broadcast on various KET outlets throughout this month. Hopefully, it will be picked up by other PBS outlets and/or a streaming service.
First Fandom members have until May 15 to vote on the candidates for the organization’s annual awards.
The names of the winners will be announced at DisCon III, this year’s Worldcon, in Washington, D.C.
Here are the fans up for the three awards along with brief excerpts from their candidate bios.
FIRST FANDOM HALL OF FAME
The First Fandom Hall of Fame, created in 1963, is a prestigious achievement award given to a living recipient who has made significant contributions to Science Fiction throughout their lifetime.
Candidate: William F. Nolan
…Among his many accolades, Nolan has twice won the Edgar Allan Poe Award from the Mystery Writers of America. He was voted a Living Legend in Dark Fantasy by the International Horror Guild in 2002, and in 2006 was bestowed the honorary title of Author Emeritus by the SFWA. In 2010, he received the Lifetime Achievement Bram Stoker Award from the HWA. In 2013 he was a recipient, along with Brian W. Aldiss, of the World Fantasy Convention Award. In 2014, Nolan was presented with another ram Stoker Award, for Superior Achievement in Nonfiction. In 2015, he was named a World Horror Society Grand Master.
POSTHUMOUS HALL OF FAME AWARD
The Posthumous Hall of Fame was created in 1994 to acknowledge people in Science Fiction who should have, but did not, receive that type of recognition during their lifetimes.
Richard & Pat Lupoff
…With Pat, he edited the SF fanzine Xero which they unveiled at the 1960 Worldcon in Pittsburgh. A regular feature of Xero was a nostalgic look at Golden Age comic books called “All in Color for a Dime” that later resulted in two books of essays: All in Color for a Dime (1970) and The Comic Book Book (1973), both of which Lupoff co-edited with fellow fan Don Thompson. Dick and Pat appeared at Pittcon, the 1960 Worldcon, dressed as the popular comic book characters Captain Marvel and Mary Marvel for the con’s masquerade event. Their picture as the two superheroes has been widely circulated in SF and comic book fandoms. Xero won the 1963 Best Fanzine Hugo Award. A collection, The Best of Xero, published in 2004, edited by the Lupoffs — and with an introduction by film critic Roger Ebert – was nominated for the 2005 Best Related Book Hugo. In addition, Dick edited other popular genre anthologies, including the What If? SF series (1980 – 1984)….
,,,Resnick won five Hugo Awards (nominated for 30+), a Nebula Award (nominated for 10+), and was GoH at Chicon 7 in 2012. He was one of the founders of ISFiC, the organization that runs Windycons. He was also a long-time member of the Cincinnati Fantasy Group (CFG)…
…Among his works were several SF books, including The Man Who Fell to Earth (1963), Mockingbird (1980), Far from Home (1981), and The Steps of the Sun (1983). Far from Home was a collection of his short SF, most of which had originally been published in popular genre magazines of the time such as Galaxy, The Magazine of Fantasy & Science Fiction, If, and Omni.
…Hugo Award for Best Dramatic Presentation (1977) for The Man Who Fell to Earth; Nebula Award Nomination (1981) for Mockingbird; Locus Award Nomination for Best Short Story (1980) for “Rent Control” (originally published in the October, 1979, issue of Omni Magazine)…
SAM MOSKOWITZ ARCHIVE AWARD
Sam Moskowitz Archive Award was created in 1998 to recognize not only someone who has assembled a world-class collection but also what has actually been done with it.
Candidate:Kevin L. Cook
…As a teenager in the 1970’s Kevin kept reading in many places that no one knew more about SF than Sam Moskowitz. He had some questions. Why ask a lesser authority? Therefore, Kevin wrote to Mr. Moskowitz with his questions. Sam answered of course. That act impressed Kevin. If Sam Moskowitz was willing to share a bit of his vast knowledge with someone, should he not pass along the torch if he ever obtained knowledge of his own? With that thought in mind Kevin has provided many publishers in the field with photocopies, scans and even the actual loan of books and magazines…
For more than 25 years has continued to dispense information through his quarterly apazine for The Pulp Era Amateur Press Society (PEAPS). When he obtains a letter from a famous author such as A. Merritt or an interesting inscription in a book, he provides photocopies for the PEAPS members, which also includes people beyond since a copy of all PEAPS mailings are housed in the Popular Culture Library of Bowling Green University. That effort of sharing his knowledge through the collection he has gathered is why Kevin L. Cook is a candidate for the Sam Moskowitz Archive Award for 2021.
(1) EVADING DUTIES. Richard Garriott’s announcement that he secretly hid some of James Doohan’s ashes on the ISS inspired Steven H Silver’s post “A Brief History of Space Smuggling” for Amazing Stories.
…The first mission to orbit the moon was the Apollo 8 mission on December 24 and 25, 1968. Knowing that the crew would be in orbit around the Moon on Christmas, NASA wanted to make sure that they had an appropriate Christmas dinner and provided dehydrated versions of the appropriate foods. Deke Slayton went a step further, and despite an official no-alcohol policy, he slipped in three mini bottles of Coronet Brandy for the crew to enjoy. William Borman, however, confiscated the bottles explaining that if there was any subsequent problem with the space craft, it would be blamed on the men drinking the brandy. In a 2019 article, space writer Jeffrey Kluger claimed that all three men (it is the only Apollo crew with all its members still alive) still have their unopened bottle of brandy….
(2) JP: COLLECT ‘EM ALL. [Item by James Bacon.] Journey Planet: Collector’s Edition is all about collectors, collections, and collecting! Our contributors share their treasure troves, which range from Prince records to nerdy paintings to Leia merchandise. What makes their collections special to them? Why did they start collecting them in the first place? Where do they keep all that stuff?
There’s also a very special interview with Seanan McGuire, My Little Pony collector extraordinaire! Take a tour of her “Pony Room”, meet her favorite Ponies, and hear why collecting them brings her so much joy. We hope that reading her story and the others breathes new life into your enjoyment of your own collection, whatever that may be.”
Co-edited by Sarah Gulde the issue can be found free to download here.
(3) THE NIGHT HAS A THOUSAND BOOKS. “Library of 1000 Believes You’ve Read Less Than 10 of These Books”. The Library may have a thousand, but there are only 150 titles in this challenge. Cliff submitted the link along with a confession: “I scored two. I could maybe give myself half a point for Raymond Feist’s Magician, but it was so terrible I couldn’t bring myself to finish it.” Whereas I scored 5 — big whoopee!
The Science Fiction universe saw the return of two seminal modern series this year, as Ernest Cline finally followed up his pop-culture packed cult favourite Ready Player One and Suzanne Collins took us all back to Panem and the backstory of the future President Snow in her prequel to The Hunger Games trilogy. Meanwhile, the realms of Fantasy saw the contemporary fiction debuts of Young Adult titans, Sarah J. Maas and Veronica Roth. Elsewhere, we defended a future New York with N.K. Jemisin, traded our souls for immortality with V.E. Schwab and learned to live side by side with bunnies thanks to Jasper Fforde. Where will we boldly go in 2021?
This unique standalone is set in a fantasy world reminiscent of Korea during the Japanese occupation of the early 1900s. The Ministry of Armour hires nonbinary artist Jebi to paint magic sigils onto masks for the government’s automata. Their sister hates the conquering government, but Jebi, who doesn’t consider themself political, needs the cash and doesn’t see another way of acquiring it. Jebi is oblivious to anything that isn’t art. At the armory, Jebi befriends a pacifist dragon automata, and their political reluctance slowly begins to shift. As their friendship strengthens and Jebi sees more of the inner workings of The Ministry of Armour, they decide they’ll do whatever it takes to keep the dragon from becoming a weapon. I loved the way queerness is normalized in the social structure of the world Yoon Ha Lee builds, as well as the focus on art and pacifism, and Jebi’s slow character arc. Phoenix Extravagant is a fantastic standalone.
(7) MEDIA BIRTHDAY.
December 27, 1904 — J. M. Barrie’s Peter Pan ; or, the Boy Who Wouldn’t Grow Up premiered at the Duke of York’s Theatre, London. Nina Boucicault, daughter of playwright Dion Boucicault, was the title role. Barrie continued to revise the play for years after its debut until publication of the play script in 1928.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 27, 1888 — Thea von Harbou. She penned the novel Metropolis based upon her uncredited screenplay for husband Fritz Lang on that film. She also collaborated with him on other projects, none of which save her Phantom and Dr. Mabuse the Gambler screenplays appear to be genre. (Died 1954.) (CE)
Born December 27, 1917 – Ken Slater. Fan and bookseller. Ran Operation Fantast, then eventually Fantast (Medway) Ltd. “Something to Read” six years in Nebula. Founding member of BSFA (British SF Ass’n). Fan Guest of Honour at Eastercon 10; with wife Joyce, at Conspiracy ’87 the 45th Worldcon. Co-founded OMPA; in FAPA too. When Forry Ackerman won the “No. 1 Fan Personality” Hugo – the only time we’ve given it – he left it onstage saying it should have gone to KS. Doc Weir Award (U.K., service), Big Heart (our highest service award). Note by Our Gracious Host here. (Died 2008) [JH]
Born December 27, 1931 – Perdita Boardman. Long-time hostess of the Lunarians (New York); ran the Hospitality Suite at their annual Lunacon; Fan Guest of Honor with husband John Boardman at Lunacon 41. Made a WSFS banner (but not this one). Earlier married to Ray Nelson inspiring poetry, hello Ray. (Died 2017) [JH]
Born December 27, 1943 – Diane Stanley, age 77. A dozen novels, three covers for us; sixty books all told; particularly applauded for children’s biographies, many illustrated by herself, e.g. Cleopatra; Charles Dickens, the Man Who Had Great Expectations (CD wrote Great Expectations and was a social reformer); Joan of Arc; Mozart the Wonder Child, a Puppet Play in Three Acts; Saladin, Noble Prince of Islam; Shaka, King of the Zulus. With an M.A. in medical illustration she has done that too; graphic designer for Dell; art director for Putnam’s. Shaka was a NY Times Best Illustrated Book. Orbis Pictus Award. Boston Globe – Hornbook Award and Golden Kite Award, twice each. Washington Post – Children’s Book Guild Award for body of work. Here is her cover for the May 88 Cricket. Here is Lost Magic. Here is The Silver Bowl. Here is an interior for Cleopatra. [JH]
Born December 27, 1945 – Fred Lerner, Ph.D., age 75. Doctorate in library science, Modern SF and the American Literary Community based on his dissertation. Co-founded the Beaker People Libation Front. NESFA (New England SF Ass’n) Press published A Bookman’s Fantasy, essays; put his “Silverlock” Companion in its ed’n of Silverlock; also for NESFA Press he edited Jack Speer’s memoir Fancestral Voices. Special Guest at Boskone 32 (which has no Fan Guest of Honor). His Lofgeornost (last word of Beowulf, “desirous of fame or renown”) for FAPA circulates widely, won a FAAn (Fan Activity Achievement) Award last year. [JH]
Born December 27, 1951 — Charles Band, 69. Exploitation film maker whose here because some of his source material is SFF in origin. Arena was scripted off the Fredric Brown “Arena” short story which first ran in the June 1944 Astounding, and From Beyond which was based on H P Lovecraft’s short story of the same name which was first published in June 1934 issue of The Fantasy Fan. (CE)
Born December 27, 1960 — Maryam d’Abo, 60. She’s best known as Kara Milovy in The Living Daylights. Her first genre role was her screen debut in the very low-budget SF horror film Xtro, an Alien rip-off. She was Ta’Ra in Something Is Out There, a miniseries that was well received and but got piss poor ratings. Did you know there was a live Mowgli: The New Adventures of the Jungle Book? I didn’t. She was Elaine Bendel, a recurring role in it. (CE)
Born December 27, 1969 — Sarah Jane Vowell, 51. She’s a author, journalist, essayist, historian, podcaster, social commentator and actress. Impressive, isn’t she? Ahhh but she gets Birthday Honors for being the voice of Violet Parr in the Incredibles franchise. I say franchise as I’ve no doubt that a third film is already bring scripted given how successful the first two were. (CE)
Born December 27, 1972 – Igor Posavec, age 48. Covers for Perry Rhodan 2436-39: here is The Immaterial City (in German); here is People for Stardust (in German). Note that P Rhodan, co-created by our own Walter Ernsting, has appeared weekly since 1961; its first billion of worldwide sales came in 1986. More recently IP has been doing digitals; here is Do Machines Dream of Electric Sheep? (with Sven Sauer; I haven’t seen the untranslated title so don’t know if this is a deliberate variation on P.K. Dick’s Do Androids…). Website. [JH]
Born December 27, 1977 — Sinead Keenan, 42. She’s in the Eleventh Doctor story, “The End of Time” as Addams but her full face make-up guarantees that you won’t recognize her. If you want to see her, she’s a Who fan in The Five(ish) Doctors Reboot. Her final Who work is a Big Finish audio drama, Iterations of I, a Fifth Doctor story. And she played Nina Pickering, a werewolf, in Being Human for quite a long time. (CE)
Born December 27, 1986 – Mirelle Ortega, age 34. As she says, “Illustrator for kidlit and animation”. Animation! prize at Ideatoon. Three covers for Linda Chapman’s Mermaids Rock stories; here is The Ice Giant. Here is A Dash of Trouble from Love Sugar Magic. MO’s Website is full of swell images; someone better with Electronicland than I may be able to tell which have been used and which merely proposed. [JH]
Born December 27, 1987 — Lily Cole, 33. Been awhile since I found a Who performer and so let’s have another one now. She played The Siren in the Eleventh Doctor story, “The Curse of The Black Spot”. She’s also in some obscure film called Star Wars: The Last Jedi as a character named Lovey. And she shows up in the important role of Valentina in The Imaginarium of Doctor Parnassus. Not mention she’s in Snow White and The Huntsman as Greta, a great film indeed. (CE)
Dragons, sexy maidens, and epic sword fights are getting the fine-art treatment in Masterpieces of Fantasy Art, Taschen’s new 532-page illustrated tome celebrating the genre.
Lest you think fantasy art is nothing more than a lightweight endeavor, the massive volume weighs a hefty 16 pounds. Tracing the evolution of the genre from 1400 to the present, it showcases the works of Old Masters Jan Van Eyck and Hieronymus Bosch as well as contemporary heavy-hitters like H.R. Giger, Frank Frazetta, and Boris Vallejo.
“Since fantasy art is largely created as work for hire, no matter how talented the artist,” author Dian Hanson writes, “it has always been accessible, displayed prominently on the newsstand, to its advantage and curse.” The genre’s predilection for provocative, sexualized scenes has also hurt its credibility among the art-world cognoscenti—not to mention that the mass-produced fantasy books were literally printed on cheap pulp paper in the 20th century.
Hanson amassed more than 100 superlative examples of this oft-misunderstood form for the book. The compilation speaks to the genre’s considerable appeal—which has also translated into impressive art-market success. Original Frazetta oil paintings have sold for as much as $5.4 million. The book’s cover image, Frazetta’s Princess of Mars (197), fetched $1.2 million at Dallas’s Heritage Auctions in September….
Like the other monoliths that have mysteriously appeared across America and the world in the waning weeks of 2020, the one that popped up on a California hilltop on Christmas Day seemed to come out of nowhere.
Also like the others, it was tall, three-sided and it rapidly attracted crowds of curious visitors before an untimely destruction.
Unlike the others, this monolith was made of … gingerbread.
In 2020, NASA made significant progress on America’s Moon to Mars exploration strategy, met mission objectives for the Artemis program, achieved significant scientific advancements to benefit humanity, and returned human spaceflight capabilities to the United States, all while agency teams acted quickly to assist the national COVID-19 response.
George Clooney stars in this space parable that starts out well, then goes adrift. Set in the stereotypically bleak near-future, the story focuses on a defeated scientist who chooses to stay behind in the Antarctic, knowing his days are numbered, while his colleagues get the hell out of there. But when he discovers that he has company—a silent 7-year-old girl—his priorities shift completely…
The wildly popular Netflix series “The Queen’s Gambit” has done for chess what Julia Child once did for French cooking. Chess set sales have skyrocketed; enrollment in online chess classes has surged. The series has been the subject of hundreds of articles and interviews. The novel that inspired the show, first published in 1983, has been on The New York Times’s trade paperback best-seller list for five weeks.
Yet little attention has been paid to Walter Tevis, the author whose creation has stirred all the commotion.
…Born in 1928, Tevis wrote six novels, a surprising number of which made high-profile leaps to the screen: “The Hustler,” about a young pool shark played by Paul Newman; “The Man Who Fell to Earth,” starring David Bowie as a lonesome alien; and “The Color of Money,” a follow-up to “The Hustler,” which won Mr. Newman his first Oscar. Tevis’s 1980 science fiction book, “Mockingbird,” a commentary on humanity’s dwindling interest in reading, has long had a modest cult following.
Despite the hype – good and bad – surrounding Netflix’s announced adaptation and the impressive list of names who will feature on the creative team, the production of The Three-Body Problem is still in its early days. Writers and producers might be signed up, but there have been no casting reveals yet and, crucially, no release date announced. The Covid-19 pandemic has undoubtedly delayed progress, but fans of the books might expect further details next year.
Keep watching the end credits roll and you’ll see Flash Gordon and Ming the Merciless among the names that scroll by. Though it never made the final cut, the credits for an additional fantasy sequence in which Ralphie and his trusty firearm help Flash Gordon face off against Ming remain.
Michael Toman sent the link with this enthusiastic intro: “Am sure that I’m not the only Filer who would appreciate the opportunity to see ‘an additional sequence in which Ralphie and his trusty firearm help Flash Gordon face off against Ming.’ Has anyone considered adapting this movie as a Graphic Novel?”
…And of course, even they adore Santa Claus. I love it. What a perfect family.
[Thanks to Mike Kennedy, Michael Toman, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, John Hertz, James Bacon, Cliff, Contrarius, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
… For someone with Ord’s interests, living through a pandemic is an opportunity to contemplate alternate histories. What might have happened in a world in which covid-19 didn’t exist, or was handled differently? What if the virus had been more deadly? Ord’s book reckons with these divergences on a grand scale, considering both the grim futures that await us if existential threats to humanity aren’t addressed and the far more promising outcomes that become possible if they are. Ord has given the name “the precipice” to our current phase of history, which, he writes, began at 11:29 a.m. Coördinated Universal Time, on July 16, 1945—the moment of the Trinity test, when the first nuclear bomb was detonated. It will end, he suggests, with either a shared global effort to insure humanity’s continued survival or the extinction of our species.
Ord places the risk of our extinction during the twenty-first century at one in six—the odds of an unlucky shot in Russian roulette. Should we manage to avoid a tumble off the precipice, he thinks, it will be our era’s defining achievement. The book catalogues many possible catastrophes. There are the natural risks we’ve always lived with, such as asteroids, super-volcanic eruptions, and stellar explosions. “None of them keep me awake at night,” Ord writes. Then there are the large-scale threats we have created for ourselves: nuclear war, climate change, pandemics (which are made more likely by our way of life), and other novel methods of man-made destruction still to come. Ord is most concerned about two possibilities: empowered artificial intelligence unaligned with human values (he gives it a one-in-ten chance of ending humanity within the next hundred years) and engineered pandemics (he thinks they have a one-in-thirty chance of bringing down the curtain). The pandemic we are currently experiencing is the sort of event that Ord describes as a “warning shot”—a smaller-scale catastrophe that, though frightening, tragic, and disruptive, might also spur attempts to prevent disasters of greater magnitude in the future….
(2) TEVIS ON TAP. Brick’s rediscovered“Interview with Walter Tevis” is based on a 1981 radio show appearance where the late Richard Lupoff was one of the trio of interviewers.
[Richard A. Lupoff]: Norman Spinrad called The Man Who Fell to Earth a single-entry novel into the science fiction genre by a so-called mainstream novelist. He also referred to you as an SF novice. In view of the fact that The Man Who Fell to Earth was published in 1963, if you had been publishing stories in Galaxy, If and Fantasy and Science Fiction since 1957, how do you feel about the appellation of SF novice?
WT: I was pissed, and I thought he was wrong. You know, maybe he didn’t know about those stories. Some of them had dwelled in obscurity for several years, and the thing I was mainly known for at the time I did The Man Who Fell to Earth was The Hustler, which is . . . which everybody thinks, anyway, is pretty far from science fiction. . . . I’ve worked both sides of the street for some time. Still am, you know, and that was a long time ago, and right now in my life I’m not sure whether I’m a science fiction writer or not, but I think I’ve written enough science fiction that, you know, willy-nilly, I am….
…The top screenplay, “Graveyard Girl,” was written by Sixa Monmarché, a first-time screenwriter from Gilbert. The screenplay is a paranormal thriller that creates an engaging story with fully-realized characters in 12 pages, a press release said.
The festival, held virtually from Nov. 7-9 due to the pandemic, featured more than 50 short films. A workshop on writing comedy, “Creating Comedy from the Ordinary,” was presented by Pat Battistini, the Audience Choice winner from the 2019 festival.
“Moving Day,” a comedy with puppets, was this year’s Audience Choice winner. It was directed by Jonason Pauley and Jesse Perrotta of Mesa.
The Best High School film, “Hackers: The Misfit Superheroes,” provided insights into hackers and how they operate. Written and directed by Ethan Wilk from Scottsdale, the film explains how hackers counterattack malicious large-scale hacking.
The Best College film, “Sami” directed by Eden Bailey, is a sci-fi film about a credible future world with a sidekick robot to a scientist living on a desolate planet. The engaging film included CG.
(4) WINDS OF WINTER. George R.R. Martin gave fans a progress report earlier this month in “Back to Westeros”:
Sometimes I do get the feeling that most of you reading my posts here care more about what is happening in Westeros than what is happening in the United States.
So let me assure you that, when not sweating out election returns or brooding over other real world problems, I have continued to work on THE WINDS OF WINTER.
…I was really on a roll back in June and July. Progress has continued since then, but more slowly… I suffered a gut punch in early August that really had me down for a time, and another, for different reasons, in early September. But I slogged on, and of late I am picking up steam again….
(5) THE ****S IN THE SKY. Yesterday, Rachel Bloom was on NPR’s Ask Me Another. John A. Arkansawyer listened to the 18-minute segment and says “She was very funny. I normally tune that show out if it starts–I’m moderately fond of the one before it, and something they benefit–but when I heard she was their guest, I left it on that long. They created her a contest which you’ll love.” “Rachel Bloom: I Want To Be Where The Normal People Are”.
On shooting the “**** Me, Ray Bradbury” music video:
Actually, when we shot that video, we shot it in an old Catholic school in Brooklyn that since has closed for film shoots, but I paid $400 to get this entire Cathlic school for a day. But, it was still connected to the Catholic church, and so there would be a priest wandering around. And so I told everyone, “Don’t let the priest know the title of the video we’re filming.” And I actually recorded a separate clean version of the song to play in case the priest came in, so at the very least we could keep filming if he wanted to stay and watch for a while. But it replaced all the expletives with sound effects like boi-oi-oi-oi-oing or one of them was a baby crying like “Wah!” I also told the dancers, “If the priest comes in, cover up.” Just because we were very scantily-clad.
…Hired by legendary actress/producer Lucille Ball in 1964 to revive her production company, Desilu Studios, after her divorce from Desi Arnaz, Solow began developing several series pitched to the company, including Mission: Impossible, Mannix, and a new sci-fi series that Roddenberry was formulating.
Solow initially pitched the show, called Star Trek, to CBS, which turned it down because the network already had Lost in Space (ironically, CBS now owns the entire Star Trek library of shows and movies).
Solow then turned his efforts to NBC, where he had once worked. With Ball’s support, the network was convinced to commission a pilot called “The Cage.” The network wasn’t pleased with the product, but took the unusual step of asking for a second pilot featuring a heavily revamped cast. That one, called “Where No Man Has Gone Before,” convinced NBC to pick up the series and premiere it in September 1966.
According to the book These Are The Voyages, Solow was just one of two executives at Desilu who championed Star Trek when the rest of the board warned Ball that it was a financial and creative risk that could sink the production company.
… The exec later left Desilu and went to work for MGM, where he developed series such as Medical Center and The Courtship of Eddie’s Father. He also went on to produce the sci-fi series Man from Atlantis, as well as a number of motion pictures.
Of course, anybody who’s watched enough episodes of original Trek has his name etched in memory because of this iconic credit slide:
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 21, 1903 – Isaac Bashevis Singer. Four novels, ninety shorter stories for us, many others of each outside our field. Fantastic elements recur; so does a sense of humor which has been called melancholy. His work may be of most interest to SF fans who have no connection with eastern Europe nor with Judaism. The beacon of SF is Minds as good as you but different; and he was given the Nobel Prize in Literature for “his impassioned narrative art which, with roots in a Polish-Jewish cultural tradition, brings universal human conditions to life.” (Died 1991) [JH]
Born November 21, 1924 — Christopher Tolkien. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR and his father invited him to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. I’ll leave to this august group to discuss their merit as I’ve got mixed feelings on them. (Died 2020.) (CE)
Born November 21, 1937 — Ingrid Pitt. Performer from Poland who emigrated to the UK and is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the true version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles twenty years apart in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.) (CE)
Born November 21, 1942 – Jane Frank, Ph.D., 78. Leading art collector, agent, and author; so much so that she was made Agent Guest of Honor at Chicon 7 the 70th Worldcon. On particular artists she and husband Howard Frank have produced The Art of Richard Powers and The Art of John Berkey; from J & H’s own holdings, The Frank Collection and Great Fantasy Art Themes from the Frank Collection; more generally Paint or Pixel and the biographical dictionary Science Fiction and Fantasy Artists of the Twentieth Century. [JH]
Born November 21, 1945 – Vincent Di Fate, 75. This giant among our pro artists has the rare ability not only to make superb art but also to discuss. His Infinite Worlds, a comprehensive history of SF art, published in 1997, remains indispensable: artists arrive and leave but, to take over an old saying, Life is short, art is long. His own artbook The SF Art of Vincent Di Fate. Four hundred covers, five hundred fifty interiors. Here is To Your Scattered Bodies Go. Here is the Sep 87 SF Chronicle. Here is the Jan 95 Galaxy. Here is the Nov 09 Analog. A Hugo, a Skylark, a Chesley for Life Achievement, SF Hall of Fame. His Website is headed Science • Art • Imagination. A note by me on Infinite Worlds is here. [JH]
Born November 21, 1946 – Tom Veal, 74. Chaired Windycon X, in many other years its Treasurer. Oversaw the Business Meeting, site selection, Hugo balloting at MagiCon the 50th Worldcon; then chaired Chicon 6 the 58th Worldcon. Dauntless and reliable. Curator of the Christine Valada Portrait Project. Big Heart (our highest service award). [JH]
Born November 21, 1950 – Evelyn Leeper, 70. Co-founder of the Mt Holz (MT Middletown, HO Holmdel, LZ Lincroft, New Jersey) SF Society; co-editor of The MT Void (weekly, since 1978). Twelve-time Hugo finalist for Best Fanwriter. Twenty years a judge of the Sidewise Award (alternative history). With husband Mark Leeper, Fan Guests of Honor at Contraption 5, Windycon XXIX. [JH]
Born November 21, 1953 — Lisa Goldstein, 67. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. The quite excellent Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog which is one of the better ones I’ve read. (CE)
Born November 21, 1965 — Alexander Siddig, 55. Sudanese born English actor whose full name is amazing: Siddig El Tahir El Fadil El Siddig Abdurrahman Mohammed Ahmed Abdel Karim El Mahdi. His best remembered role is as Dr. Julian Bashir on Deep Space Nine. He also had the recurring role of Doran Martell in Game of Thrones, on Da Vinci’s Demons, he was Al-Rahim, and he played Philip Burton on Primeval. More recently he had the juicy role of Ra’s al Ghul on Gotham. (CE)
Born November 21, 1971 — Greg Bechtel, 49. Canadian writer who’s one of those rare genre writers whose entire output is short fiction. You can find most of these in Boundary Problems which is available from the usual digital suspects. And he and Rhonda Parrish co-edited Tesseracts Twenty-One: Nevertheless, the Canadian SF anthology. (CE)
Born November 21, 1978 – Mary G. Thompson, 42. Four novels. Practicing lawyer for seven years including five in the U.S. Navy, then a librarian. Invented Pipe Men and the Wuftoom. [JH]
Born November 21, 1982 — Ryan Carnes, 38. He was in two Tenth Doctor stories, “Daleks in Manhattan” and “Evolution of the Daleks in which he played Laszlo. He played Kit Walker / The Phantom in the miniseries of the same name, and has the lead as Chris Norton in Beyond the Sky, an alien abductee film. (CE)
A colossal Batman statue based on the Batman: Hush character design by DC artist, publisher, and chief creative officer Jim Lee has been placed in Burbank’s AMC Walkway pedestrian area.
The “Visit Burbank” organization in partnership with DC brought the bronze statue to the area. Lee’s design from his 2002 Batman comics run was reimagined in 3D form by digital sculptor Alejandro Pereira Ezcurra at Burbank’s American Fine Arts Foundry and Fabrication. The final statue measures seven-and-a-half feet tall and weighs 600 pounds.
…This is the story of How the Multiverse Got Its Revenge, followup to How Rory Thorne Destroyed the Multiverse.
The narrative voice is a strong point of the novel and a real highlight that carries over from the first book. Voice and tone and grounding the reader into an immersive and distinctive voice is a way for a novel to center and be grounded, I think, especially given the gonzo weirdness of an unabashedly science fantasy universe. This is a novel, a world, a series that only puts the lightest of foundational touches to align the SFnal and Fantasy elements and it likes it that way. So tone and narrative voice carry the reader even as they wonder just how fairies, otherwise unexplained even as aliens, line up with spacecraft, space stations, and the magical art of arithmancy. Having recently watched the She-Ra reboot, I saw this sort of sensibility at work in a visual medium, and people who dig that science fantasy feel in She-Ra are going to like and accept that feel in the first novel, and here in the second novel as well….
(11) TINGLE TUESDAYS. They’re coming. So to speak.
(12) OVERDUE. Mental Floss lists “13 Unbelievable Unfinished Projects”. The Gilbert Stuart portrait of Washington used on the dollar bill is one of them. And it turns out that The Canterbury Tales has been unfinished for a lot longer than Last Dangerous Visions.
Employees at a Minnesota library found an unusual item in a return bin — an 8mm film that was 40 years overdue.
Dan Buckanaga, an employee at the Duluth Public Library, said he was emptying a return bin when he spotted what he initially thought was a CD audiobook, but a closer examination revealed to be an 8mm movie on a reel.
The film reel, a copy of classic silent film A Trip to the Moon, was accompanied by a Post-it note reading: “Sorry, checked this out when I was 14 and we moved. It is 40 years overdue but better late than never.”
Randall Brody, 54, came forward as the man who returned the film. He said he found it in a box in his garage earlier this year and remembered he and his brother had checked it out of the library Sept. 2, 1980, shortly before their family moved to North Dakota.
[Thanks to Andrew Porter, Frank Olynyk, John Hertz, JJ, James Davis Nicoll, Cat Eldridge, Mike Kennedy, Michael Toman, John King Tarpinian, Michael J. Walsh, StephenfromOttawa, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]