(1) 2027 WORLDCON RACE HEATS UP. A Montréal in 2027 Worldcon bid was announced this weekend. The committee is led by Worldcon-running veteran Terry Fong, who lives there. Montréal previously hosted the 2009 Worldcon.
Terry Fong and Rebecca Downey were at Boskone today running a bid table – thanks to Lisa Hertel for this photo.
Terry Fong and Rebecca Downey at Boskone. Photo by Lisa Hertel.
According to Kevin Standlee their proposed site, the Palais des Congrès, is scheduled for a major renovation in 2028, so a bid for that year would not be practical.
(2) MEDICAL UPDATE. Kaja Foglio has returned home from the hospital. Phil Foglio posted the good news.
(3) CHTORR GAME IN OUR FUTURE. David Gerrold has told Facebook readers that Dan Verssen Games has licensed the use of one of his Chtorr novels for a version of DVG’s Warfighter games series.
(4) VERSE WANTS TO BE FREE. Bobby Derie in “’A Dracula of the Hills’ (1923) by Amy Lowell” at Deep Cuts in a Lovecraftian Vein looks at the Lowell novel, what Lovecraft thought of Lowell, and how both were influenced by Bram Stoker’s novel.
… Time and experience somewhat mellowed Lovecraft’s attitudes towards free verse and Amy Lowell. While the 1922 publication of T. S. Eliot’s “The Waste Land” prompted Lovecraft to write his own satire in free verse, “Waste Paper.” For all that Lovecraft remained a lifelong devotee of traditional meters and rhyme schemes, continued interaction with poets that used free verse such as Hart Crane and Edith Miniter seems to have led him to a begrudging acceptance of the practice. When Amy Lowell died 12 May 1925, Lovecraft wrote:
“When I say that Miſs Lowell wrote poetry, I refer only to the essential contents—the isolated images which prove her to have seen the world transfigured with poetic glamour. I do not mean to say that the compleat results are to be judg’d as poems in any finish’d sense—but merely that there is poetical vision in the broken & rhythmical prose & disconnected pictorial presentations which she gave us. She is also, of course, the author of much genuine poetry in the most perfect metres—sonnets & the like—which most have forgotten because of the greater publicity attending her eccentric emanations.”
Warners Bros has screened their axed Coyote vs. Acmeto around 12 buyers we hear with a rigid buy price of $70M+; which is how much the animated live-action hybrid movie cost.
Netflix and Paramount put forth bids, which we told you about, but they were lower than the $70M asking price (between $30M-$50M), therefore in Warner’s eyes, rivals didn’t want the feature for what it cost.
What Deadline has received clarity on is that Warner Bros took a $70M writedown on Q3 earnings, not the upcoming Q4. Nonetheless, the movie, which the Burbank, CA lot decided back in early November not to release — remains in purgatory. That said, we hear the door isn’t officially closed on Coyote vs. Acme‘s prospects yet — it’s just that the Coyote could wind up in the cave with Batgirl.
…Phil Lord, whose Lego Movie made Warner Bros. over $471M in addition to spuring a feature franchise, took umbrage with the David Zaslav-run conglomerate on Twitter tonight exclaiming, “Is it anticompetitive if one of the biggest movie studios in the worlds shuns the marketplace in order to use a tax loophole to write off an entire movie so they can more easily merge with one of the bigger movie studios in the world? Cause it SEEMS anticompetitive.”
Lord is among those with Chris Miller, Michael Chaves, Daniel Scheinert and Deadline who’ve seen the movie.
Lord further added in reference to the climax of Coyote vs. Acme, “If you could see Coyote vs. Acme, you’d know how funny it would be for this to end with a congressional hearing.”…
(6) YOU AND YOU AND YOU AND THE MULTIVERSE.[Item by SF Concatenation’s Jonathan Cowie.] We at SF2 Concatenation enjoy diving into the really important questions of life, the Universe and everything, especially those on that fertile boundary between science fact and science fiction, feeling that there are more useful answers there than just a two-digit figure… And so is Becky Smethurst, who has used Rick and Morty as a starting point to explore the concept of the multiverse.
Is there really a parallel universe with an identical you in it? And which multiverse theory does Rick and Morty subscribe to? Indeed, how broad is SF’s approach to the multiverse concept?
Here, Brit Cit astrophysicist Dr. Becky would like to know of any SF story or film that employs the ‘bubble universe’ theory of the multiverse. If you have an example, put it in the comments beneath her 15-minute YouTube video. There’s a challenge for Filers. (Sadly, the end of video the good doctor displays worries that some (just some) of her science colleagues will object vehemently for her use of SF to explore science… There are trolls everywhere, even in science alas.)
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born February 10, 1953 — John Shirley, 71. Did you know that John Shirley has written n historical novel, a western about Wyatt Earp — Wyatt in Wichita? I wonder how many of our sff writers beside him and Emma Bull (whose novel Territory was decidedly not historical) have written novels on this incident and the individuals there?
John Shirley. Photo by Sunni Brock.
I really enjoyed his first novel City Come A-Walkin which I think is a brilliant rendering of a City come to life.
I’ll admit I’m not much at all for grim dystopian SF but I did find his A Song Called Youth trilogy of Eclipse, Eclipse Penumbra and Eclipse Corona fascinating if in a horrifying manner.
His best known script work is The Crow film, for which he was the initial writer, before David Schow reworked the script. I’m not sure he got actually any credit at all. He also wrote scripts for Poltergeist: The Legacy.
I see that to my surprise he wrote an episode of Deep Space Nine, “Visionary” and also wrote three episodes of the ‘12 Teenage Mutant Ninja Turtles series.
He wrote novels in the Aliens, Doom, Halo, Resident Evil, Predators franchise, Borderlands video gaming DC metaverse and Grimm series.
His latest novel which I’ve not read so do tell me about it is SubOrbital 7.
(9) THE FUNGUS AMONG US. [Item by SF Concatenation’s Jonathan Cowie.] Could The Last Of Us fungi be a real risk? The all-party Science Innovation & Technology Committee of the House of Commons Select Committee has held a special one-off session on fungi.
The session explored some of the risks and drawbacks of fungi, which can cause disease in plants and animals including humans. We know that one fungus, cordyceps, can infect and completely “take over” the life functions of insects like ants. But could they really start the zombie apocalypse as depicted in the video game and TV series The Last Of Us? The Daily Mail reported on the meeting:
A fungus called cordyceps, or zombie-ant fungus, is able to control insects’ minds using psychoactive chemicals. It drains their bodies of nutrients before directing them to a high place and releasing spores to infect others. Emmy Award-winning The Last of Us, a post-apocalyptic drama based on a hit video game, shows a world in which cordyceps has spread to humans and wiped out most of humanity. Alarmingly, Professor Fisher said rising global temperatures are causing fungi like cordyceps to evolve and adapt to warmer conditions – which could enable them to colonise human bodies. Dawn Butler MP asked: ‘Is a zombie apocalypse driven by fungal infections a possibility? Professor Fisher said: ‘Well, all the bits exist, don’t they? ‘Fungi can produce strongly psychoactive chemicals, which can influence our behaviour dramatically, and they can also spread and invade humans.
However, don’t take the Daily Mail too seriously, it is not the best of British newspapers.
The meeting also noted that few fungi can flourish in the warmth of the human body, nonetheless with a changing climate there will be more fungi about.
(10) YEAR OF THE DRAGON ON LEARNEDLEAGUE.[Item by David Goldfarb.] Filers might be interested in this One-Day Special quiz: Year of the Dragon at LearnedLeague. It actually has surprisingly little SFF content for a dragon-themed quiz.
(11) JABBA Q&A. Can you guess why this is topical?
The epic Darth Maul vs. Obi-Wan and Qui-Gon Jinn duel. The thunderous Boonta Eve Podrace. The battle of Naboo. Star Wars: Episode I – The Phantom Menace is packed with moments best witnessed on the big screen, spooling back to the very beginning of the Skywalker Saga to depict Anakin Skywalker’s first encounter with the Jedi, the beginnings of the galactic civil war, and the menacing meddling of Palpatine. Well, good news: to mark 25 years since the film first hit cinemas in 1999, it’s coming back to cinemas later this year. Cue the fanfare!
This May the 4th weekend (so, from Friday 3 May), The Phantom Menace will be re-released in cinemas for a limited time, meaning you can revisit all your favourite moments as large and loud as George Lucas intended….
(13) VIDEO OF THE DAY. At first I thought he made this up.
“A watch, especially a finely crafted one, often signifies status and achievement.” pic.twitter.com/insvThain6
But no! I’m stunned to learn this is a real product.
[Thanks to Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(2) NEW VOICE CHIMES IN. There’s a slight changing of the guard at the “Worldbuilding for Masochists” podcast. Marshall Ryan Maresca and Cass Morris will now be joined by Natania Barron, who’s taking over from Rowenna Miller.
Cass Morris made the announcement on her Scribendi newsletter.
There’s been some change and excitement on the Worldbuilding for Masochists podcast! Rowenna Miller, who’s been a co-host since the beginning, is stepping back for reasons of Life And Everything. She’s not disappearing forever; she’s still working on the anthology with us, and we’ll certainly pull her in to be a guest in the future. Marshall and I will miss her, but we’re also very excited to welcome Natania Barron as our new co-host!
Natania is a fantastic person who I first met through, if I’m remembering it correctly, yelling about corsets on Twitter-that-was. She had the popular #ThreadTalk feature there, showcasing her expertise as a fashion historian. She’s also a medievalist and Arthuriana-ist! I got to hang out with her at ConCarolinas a couple of years ago, and she’s as delightful in real life as she is online. Listeners can get to know her a bit in this week’s episode, Passing the Torch.
(3) THE RUNAWAY BRIDE IS RUNAWAY WINNER. When Radio Times finishes counting the votes, “David Tennant bests Matt Smith in Doctor Who Christmas episode poll”. And Cat Eldridge says, “Why we should be in the least bit surprised that David Tennant bested Matt Smith in this particular poll?” He’s been the best loved Doctor of the modern era in almost every poll taken, if not all of the them.
… The first round, in which they were split by Doctor (with the Tenth Doctor getting two separate polls due to the vast number of his specials) saw The Runaway Bride, The End of Time Part 2, A Christmas Carol, The Husbands of River Song and Eve of the Daleks all sail through.
Meanwhile, in the second round, it was just The Runaway Bride and A Christmas Carol which made it through, with the former going on to take the crown, with 53.4 per cent of the final vote, against the latter’s 46.6 per cent….
On December 24, 1920, J.R.R. Tolkien sat down in his study and wrote a letter to his three-year-old son, John, who had recently asked about Father Christmas. In spidery handwriting, in red ink, Tolkien replied as Father Christmas (the English folkloric figure now widely equated with Santa Claus), addressed from “Christmas House, North Pole.”
The accompanying picture that he drew is charmingly Tolkien-esque. A red-coated figure with a long white beard and a rosy red nose walks through the snow. His dome-shaped house glows from a wintery hillside, at the end of a staircase lit with lanterns.
For the next 23 years, every Christmas Eve, Tolkien wrote a letter to his four children from Father Christmas. What began as short, informative letters—“I am just now off to Oxford with a bundle of toys”—evolved into longer tales about life at the North Pole. The 1932 letter begins, “Dear Children, There is alot to tell you. First of all a Merry Christmas! But there have been lots of adventures you will want to hear about. It all began with the funny noises underground … ”
Earlier in the year, Nerdist went on its own epic journey and built LEGO’s Rivendell set. As expected, the results were astounding. The build features all the hallmarks of The Lord of the Rings movies’ elven sanctuary, including the bridge and gazebo where Arwen and Aragorn share a moonlit moment and the Council Ring where our favorite fellowship forms. Not to mention, it comes with 15 Minifigures. In short, it gives you everything you need to recreate sequences from the beloved franchise in LEGO form. And in a gorgeous stop motion video, shared by Warner Bros. itself, DigitalWizardsStudios did exactly that. Watch as LEGO’s The Lord of the Rings Rivendell set transforms into a stop-motion animation masterpiece that reimagines all our favorite cinematic scenes….
Merry Christmas! The three of us are scattered to the four winds this week, so we’ve recorded something to tide everyone over until 2024. We play “If I Ran the Zoo…Con”, a game which models conrunning. Will we succeed in running a great convention? Or will our decisions have dire consequences? Listen here, and we’ll see you next year!
Truth: Harlan Ellison was fired from Disney for imitating Disney characters having sex
Irascible science fiction writer Harlan Ellison once worked for Disney, and according to an autobiographical essay in his 1982 book Stalking the Nightmare, Ellison’s tenure ended after one day at lunch with his co-workers when he jokingly suggested Disney should make a porn movie starring his well-known creations. He then acted out the noises various Disney characters might make in said porn movie. What Ellison didn’t realize was that Roy Disney was at the next table and overheard the whole routine. Roy apparently didn’t find it amusing, and Ellison was terminated.
Yes, it’s true. And Harlan tells the story in full, complete with dialogue and sound effects, in “The 3 Most Important Things in Life” at the Internet Archive.
(8) IN CASE YOU DIDN’T KNOW. [Item by Daniel Dern.] There’s only a few interesting (to me) bits in “10 Things You Didn’t Know About Flash Gordon (1980)” but watching this is enough to add a re-re-watch to my mental list (particularly now that I’m somewhat more attuned to the sound of Queen). Two particular Things to report:
George Lucas originally wanted to make the movie, but that didn’t happen. So instead, he went on to create his own space opera. (The one with the Force and lightsabers etc.)
Music almost done by Pink Floyd rather than Queen. That would have been very different!
Also, there’s several cast overlaps between this movie and Bond movies.
(9) DR. JAMES HOSEK (1964-2023). The SFWA Blog paid tribute to Jim Hosek, who died December 3. “In Memoriam: Jim Hosek”.
Dr. James Hosek (13 October 1964 – 03 December 2023) known to many in the community as Jim, was a writer of veterinary mystery and philosophical humor. Especially proud of his role as Nebula Award Commissioner, his own story “Total Loss” was published in Analog Science Fiction and Fact magazine. He wrote the Dr. At stories about a house call veterinarian who lands in the middle of mysteries, and the novel, A Really Good Day, a lighthearted and humorous story about an underdog golfer whose story of an incredible single day on the course finds an unexpectedly happy ending….
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born December 21, 1937 — Jane Fonda, 86. I know that I saw Barbarella, her seventeenth film, on a large screen but it would been years after it came out so this was one of the arts cinemas, and I’m guessing it was in Seattle. It’s a very impressive looking film though I’m not sure I can say much for the script.
Roger Vadim, the director had attempted to cast other actresses to wit Brigitte Bardot, Virna Lisi and Sophia Loren for this role before choosing Fonda, his wife. I wonder what he’d have done if she turned him down?
So what else for genre roles? Well she’s Countess Frédérique de Metzengerstein in the “Metzengerstein” story of the three stories in Histoires extraordinaires directed by Roger Vadim, Louis Malle and Federico Fellini. It was dubbed in English as Spirits of The Dead.
Next up is Klute which I know as a “neo-noir psychological thriller” isn’t even an associational mystery but I think her role in it is fascinating so I’m including it here.
The Blue Bird in which she played Night being a children’s fantasy is most definitely in our wheelhouse. It was the fifth screen adaptation of the play, following two silent films, the studio’s 1940 version starring Shirley Temple, and a 1970 animated feature.
This was Twentieth Century Fox’s attempt forty-seven years ago at recapturing the magic of the highly successful Temple version. It was a disaster. Interesting note: Elizabeth Taylor who had a lead role here approached David Bowie to star in the film but he turned it down.
In Elena and the Secret of Avalor, she has her first animated voicing gig as Shurkiki. Next in Luck, she’s voicing Babe, a female dragon who is the really cheerful Good Luck CEO. Finally, she voices Grandmamah, the Warrior Queen of the Seven Seas in the Ruby Gillman, Teenage Krakenfilm.
For sci-fi writers, driverless cars have long been a supremely efficient shorthand for dramatic change, an effective way of immediately grounding a story in the future, where things are different. The Czech American physician and author Miles J. Breuer’s 1930 novel, “Paradise and Iron,” is set largely on an island where most technology works without human input. The narrator gets a “queer feeling at the complete absence of wheel and gear-shift levers,” or any person operating them. Sci-fi storytellers have been leveraging that queer feeling ever since, often-in the case of movies-with help from carmakers. Audi helped design the autonomous cars in “I, Robot” (2004) and “Ender’s Game” (2013), which concretize the films’ visions of the future.. But what happens when a long-standing symbol of the future arrives in reality? How do you write about it?
Joanne McNeil’s début novel, “Wrong Way,” is a useful literary bellwether of this shift: a novel about the self-driving-car business that feels less like a vision of the future than a dispatch from the present. The story is told from the perspective of Teresa, a forty-eight-year-old Massachusetts woman who responds to a vague “Drivers Wanted” Craigslist ad posted by a recruiter on behalf of a Google-ish tech conglomerate called AllOver. At her orientation, she’s shown a video advertising an AllOver driverless electric taxi called the CR. But each CR, it turns out, has a human backup operator stashed inside, hidden from passengers, watching the road on a video screen. Teresa is a safety driver, of sorts, but a secret one: her passengers, she’s told, won’t know she’s there….
….What I want is to go out into my backyard on Christmas morning, where I have left the figgy pudding from the night before to congeal in a kiddie pool. I will then strip naked in the cool December air, and submerge myself entirely in the figgy pudding. And I will lie there in wait, for thousands—perhaps millions—of years. At least until a concerned relative comes out to check on me. Then I will leap out from the figgy pudding, roaring like a saurian of old, and pounce upon my in-laws who made the foolish decision of attempting to look out on the backyard Christmas lights in my domain. Dinosaurs are not merciful, and neither am I.
That is why—more than anything in the world—I want La Brea season 3 to arrive as soon as possible. I wish to learn the hunting skills of the dinosaurs of old. I will wait. I am many things, but above all else … I am patient….
…Games Workshop has confirmed that the contract has been signed and Warhammer 40K movies and TV shows are planned for Amazon Prime Video….
…There’s certainly a wealth of stories that can be told within such a massively detailed franchise. Warhammer 40,000 was first created as a tabletop wargame offshoot of the fantasy equivalent Warhammer in 1987. Since then, it has been expanded upon greatly, with hundreds of novels, video games, and rulebook revisions now available.
What made it unique at the time is that it combined the fantasy theme of Warhammer including orcs, goblins, and necromancy, with the high tech, spacefaring tropes of sci-fi. Oh and guns… many, many guns….
…It will certainly make for a visual feast when it finally does make it onto our screens via Amazon. However, don’t expect it anytime soon – Games Workshop warns that it could take years yet: “TV and Film production is a mammoth undertaking. It’s not unusual for projects to take two to three years from this point before something arrives on screen,” it said….
The movie Coyote vs. Acme was set to release this summer featuring characters from the iconic Looney Tunes cartoons. The studio behind the film, Warner Bros. Pictures, had some other ideas. Instead of releasing the completed film, the studio canceled Coyote vs. Acme, with no intention of ever releasing it.
Today on the show, we explain the Hollywood economics behind why Warner Bros. Discovery might not want to release movies that its own studio spent years putting together.
[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, Andrew (not Werdna), Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
It’s not just Netflix that made a bid for Warner Bros.’ scrappedCoyote vs. Acme. Paramount, Apple and Amazon have seen the movie as well. Of those, Paramount has made a bid, and the plus there is a potential theatrical release. The Melrose lot could use it on the 2024 release calendar. Debt-laden exhibitors would want it, too.
Meanwhile, Amazon is mulling, I’m told, with no formal bid made. First, it takes longer over there to conduct business and get decisions through the proper channels. I also hear that marketing execs are trying to get their heads around the picture (seriously — there’s a lot of action scenes in the movie and hysterical jokes that easily could be used in trailers. I’ve seen the movie. Look out for the Porky Pig pant-less joke)….
Sound the trumpets, folks, ring the bells and most importantly crank up that old-fashioned noisemaker that goes “a-rooo-gha” for Danger Sound Klaxon! The Horn That Changed History has blown away the competition to win the 45th The Bookseller Diagram Prize for Oddest Book Title of the Year.
The book, in which author Matthew F Jordan charts the “meteoric rise and eventual fall” of the klaxon automobile horn, never fell out of the love with Diagramistas: it garnered 53% of the ballot, the greatest share since the award went to a public vote in 2000, and joins Is Superman Circumcised? (2022), The Joy of Waterboiling (2018) and Cooking with Poo (2011) as the only winners to ever grab a full majority of votes.
There is something of a wholesomeness to this year’s winner as voters have turned away from the slightly naughty and/or scatological tone of recent winners such as the aforementioned Is Superman Circumcised?, plus 2020’s A Dog Pissing at the Edge of a Path: Animal Metaphors in Eastern Indonesian Society and 2019’s The Dirt Hole and its Variations. And there were certainly those kinds of options to choose from on the 2023 shortlist, but Dry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze was a distant second, while early bookies’ favourite I Fart in Your General Direction: Flatulence in Popular Culture barely caused a stink with voters….
(3) GOODREADS REVIEW BOMBING ANALYSIS. Anne Marble provided a friends link to her Medium post “The Latest Goodreads Review Bombing Scandal” about the controversy at the top of yesterday’s Scroll.
…Every bit of information appalled me. Not only was [Cait] Corrain (“allegedly”) hurting other debut authors — she was also accused of downvoting a book from the same publishing imprint as her upcoming book. And books by authors who were with the same literary agency.
Perhaps the worst revelation of all? Corrain was in chat groups with some of the affected authors. Those authors had to be wondering what they’d shared with her in private. Talk about betrayal!
One of the targeted authors, Black author Bethany Baptiste, kept getting harassed on social media over her posts on this scandal. Why are people targeting her and not Cait Corrain?…
(4) STICK TO THE FACTS. Xiran Jay Zhao today posted a trio of videos with their own roundup about the Corrain news story, which counters some of the claims made about this debacle by some articles.
…In the four years since the initial announcement of the Cybertruck and its release, Musk has doubled down on these comments. He has called the Cybertruck “what Bladerunner would have driven” and “the finest in apocalypse technology”. Press videos released by Tesla show entire MP5 magazines emptied into the doors to drive home the body’s bulletproof nature. Musk’s emphasis that the Cybertruck is an “armored personnel carrier from the future” is likely driven by his belief that “the apocalypse could come along at any moment.”
While Musk is, to say the least, well-known for outlandish statements, he does seem to genuinely believe society is on the precipice of a collapse. Over the past decade during his Tesla-fueled rise to prominence, he’s repeatedly expressed concerns that killer robots will threaten humanity in the near future and called artificial intelligence “our biggest existential threat.” His more recent embrace of right-wing rhetoric seems to have only deepened this belief; during a recent trip to the U.S.-Mexico border, he stated that undocumented immigrants will cause “a collapse in social services,” and he believes that falling birthrates—caused, in his view, by birth control and abortion—are a “much bigger risk to civilization than global warming.”…
(6) AND THE WATER BUFFALO YOU RODE IN ON. Sergey Lukyanenko, now on a make-up trip after skipping the Chengdu Worldcon where he was a GoH, posted this photo taken in Beijing.
Sergey Lukyanenko in Beijing.
His appearances are being covered in Chinese social media. Ersatz Culture collected the following daily links. Click through and you should be able to request a computer translation. However, the dates in the translations are not always accurate – such as those with photos of an event dated four days from now.
Born December 8, 1950 – Rick Baker, 73. He won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. It is one of my favorite horror films bar none.
Rick Baker
The sequel, An American Werewolf in Paris, which until now I didn’t know existed, was not well received by either critics or fans. Audience reviewers at Rotten Tomatoes give it a seven, let me repeat that, a seven percent rating.
So what else is he known for? Oh, I’m not listing everything but let’s look at some of his more extraordinary work.
One of his early gigs in the industry was on The Exorcist where he was an uncredited special effects assistant. That happened to him some early in his career as he’s uncredited as a special makeup effects artist on It’s Alive and uncredited as makeup effects on King Kong. More intriguing, he’s uncredited on The Empire Strikes Back even though he was credited on Star Wars. Interesting.
I think his work on The Incredible Shrinking Woman where he is creator and designer of Sidney, the super-intelligent gorilla, as well as doing the makeup effects and being an actor in it is among his best ever.
Starman. Oh one of my all-time films. He created and did the Starman transformation. May we give him a round of applause for that that feat?
Oh Beauty and The Beast. It was Baker who designed the stellar makeup that was Vincent. He was responsible for Perlman getting hired based on his previous experiences in prosthetics feeling he’d be a good fit for the role and fought hard for his casting.
I see he was special effects supervisor on the second Gremins films but not the first.
Which that brings us to Men in Black, certainly we agree a career highly for him where he listed as special makeup effects and alien makeup effects. Cool indeed.
I’ll finish with his work on Hellboy, which I need not tell you I’ve watched so many times that I’m memorised it. And no, I’m not going to watch the new Hellboy film.
(8) COMICS SECTION.
Hi and Lois is very educational, just not about the assigned lesson.
It looks like Marvel won’t be bringing its battle over the rights to Spider-Man and Doctor Strange into the new year. Attorneys for the company and the estate of Steve Ditko on Wednesday notified the court that they’ve reached an amicable settlement and expect a stipulation of dismissal with prejudice to be filed in the coming weeks.
This all started back in 2021, when Marvel filed a series of lawsuits in response to copyright termination notices from Larry Lieber and the estates of Gene Colan, Steve Ditko, Don Heck and Don Rico. A very long list of characters were at issue, including Iron Man, Captain America, Black Widow, Hulk and Thor. In June, all but one of the matters settled….
(11) AS WITNESSED FROM AUSTRALIA. Bruce Gillespie’s SF Commentary 114 is a free download in both portrait and landscape edition at eFanzines.
Covers by Dennis Callegari. Features Denis Callegari and Jim Burns on the possibilities of AI art; wakes for people much missed (Valma Brown, Lee Harding, and Jenny Bryce); and memories of Helena Binns, who left us recently, including her fannish autobiography. Rich Horton remembers Cordwainer Smith’s first story; C. June Wolf conducts the final interview with Michael G. Coney; and Kim Huett describes the unique problems of SF readers in Australia during World War II. Book reviews are by regular Colin Steele; and Anna Creer joins SFC with her Crime File.
If you missed out on No. 113, it also is at eFanzines.
…In a landmark decision, the Food and Drug Administration Friday approved the first gene-editing treatment to alleviate human illness.
The FDA approved two gene therapies for anyone 12 and older suffering from the most severe form of sickle cell disease, a brutal blood disorder that has long been neglected by medical research.
The decisions are being hailed as milestones for treating sickle cell and for the rapidly advancing field of gene therapy, which is stirring excitement for treatment of many diseases….
… For the CRISPR treatment, which was developed by Vertex Pharmaceuticals and CRISPR Therapeutics, both in Boston, doctors remove cells from each patient’s bone marrow, edit a gene with CRISPR and then infuse billions of the modified cells back into patients.
The edited cells produce a form of hemoglobin known as fetal hemoglobin, restoring normal function of red blood cells. While not a cure for the disease, the hope is the therapy, brand name Casgevy, is designed to be a one-time treatment that will alleviate symptoms for a lifetime.
In data presented to the FDA, the treatment resolved the severe pain crises for at least 18 months for 29 of the subjects — 96.7%. The treatment has produced similar results for patients suffering from a related condition known as beta thalassemia.…
(13) THE TOP 10 MOVIES & TV SHOWS IN 2023. JustWatch finds this year’s movie streaming charts are dominated by titles available on Netflix and Disney+. Netflix secured rank #1 (The Super Mario Bros. Movie) and #2 (Spider-Man: Across the Spider-Verse) while Disney has the most original titles in the Top 10, including The Little Mermaid, Avatar: The Way of Water and Guardians of the Galaxy Vol. 3.
Interestingly, the three major streaming services (Netflix, Prime Video, Disney+) are not represented in the top 3 TV shows. Instead, this year’s podium belongs to MAX (The Last of Us), Peacock (Yellowstone) and AppleTV+ (Ted Lasso). [Based on a press release.]
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Anne Marble, Ersatz Culture, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]
… On Monday, writer, professor, and curator Anaïs Duplan, who goes by the pronouns he/they, posted screenshots on Instagram of an email sent to them from Museum Folkwang director Peter Gorschlüter informing them that the institution had decided to “suspend” their “collaboration.”
The email reads: “We noticed that you shared and commented on a number of posts on your Instagram channel in the light of the current situation in Israel and Gaza. From our perspective some of these posts are unacceptable. These posts do not acknowledge the terroristic attack of [Hamas] and consider the Israeli military occupation in Gaza a genocide.”
Gorschlüter continued that Duplan’s engagement put the museum “in a situation that the museum might be considered to support antisemitic tendencies and voices that question the very right of existence of the state Israel.”
The show, titled “We is Future” and slated to open on November 24, invited artists and curators to propose “historic and current” ideas “for alternative forms of living together” in relation to various social catastrophes: climate change, the housing crisis, late-stage capitalism, among others. The “chapters” of the show listed on its webpage include architectural projects from Bruno Taut and Wenzel Hablik, eco-conscious drawings and paintings by Elisàr von Kupffer, and contemporary works by Eglė Budvytytė, Emma Talbot, and Timur Si-Qin.
Duplan’s chapter was centered on the intersectional potential of Afrofuturism and was set to feature, among others, Brooklyn-based artist Fields Harrington, whose multidisciplinary practice examines the inextricability of race from our social fabric. The description of Duplan’s chapter has since been deleted from the webpage…
…The [Museum Folkwang’s] statement continued: “This decision was made neither for artistic-curatorial reasons nor because of the exhibition’s theme, but solely because the curator personally takes sides with the BDS campaign, which questions Israel’s right to exist. The Museum Folkwang views the developments in Israel and Gaza and the suffering of the civilian population on both sides with great concern. The City of Essen and the Museum Folkwang stand for peace and dialogue between cultures.”…
.. Amid an outpouring of support from professional peers, Duplan wrote in an Instagram post Monday that their priorities were “to ensure that any artists in the future—especially BIPOC artists—who are considering working with [the museum] have full transparency regarding their politics, not just in relation to the war on Palestine, but also their very fraught labor practices.”
Duplan added in a separate post Tuesday: “It should go without saying that Afrofuturism and liberation struggles around the world go hand in hand, as do Afrofuturism and antisemitism, Afrofuturism and islamophobia, and Afrofuturism and all other struggles for collective wellbeing.”…
(2) KEEP THE LIGHTS ON AT THE DARK. Last month Sean Wallace told Facebook readers that “for The Dark the loss of Amazon Newsstand effectively resulted in ten thousand dollars of revenue going poof, for the entire year.” Yesterday he wrote about the budget he’s working with to keep the publication afloat. After you’ve read the screencap, here is the subscription page for The Dark Magazine.
(3) HAS YOUR TROPE LOST ITS FLAVOR ON THE BEDPOST OVERNIGHT? Four-time Stoker Award winner Tim Waggoner has written a fascinating discussion about “61 Horror Clichés and How to Make Them Fresh Again” at Writing in the Dark.
…I can choose one element of horror writing that I think will have the most immediate impact on your fiction to talk about – and that’s avoiding and reworking clichés.
A genre has a collective group of character types (both protagonist and antagonist), setting types, story types, etc. These elements are called tropes, and they’re the shared tools genre writers use in their work. In Horror, an abandoned graveyard is a setting trope. A curious, naïve, and ultimately doomed scholar is a character trope. You get the idea. Tropes are effective when they’re first created/used in a story, but the 3000th time? Not so much. (This is one of the reasons readers can get sick of a genre. When they first start reading in it, all the tropes are new to them, and thus interesting and exciting. But after they read a number of books in the genre, they start to realize that the same old tropes are used all the time, and they get bored.) There’s a word for an overused trope that has lost its power and impact.
Cliché.
This is the reason that old pros like me advise new writers to read widely in their chosen genre and seek out the best, most original work via reviews and word of mouth. (This is one of the most useful functions social media serves – it makes you aware of some really cool shit to check out.)…
Here are two of his many ideas.
…Once you’ve identified overused tropes, you can avoid including them in your work. Better yet, you can transform them into something new and powerful. Allow me to elucidate.
Choose a New Signifier
One of the most common tropes in horror is darkness/shadows as a signifier of evil or a threat. It makes sense, since not being able to use one of our strongest senses puts us at a huge disadvantage in a dangerous situation. But darkness has been used so often in horror that it doesn’t have much power anymore. Maybe you could choose a different sense to indicate evil in your story. How about cicada song? Or a slight stickiness on surfaces in a place tainted by evil? (A stickiness that gets worse the closer you get to the source of the evil.) Corvids are used as harbingers or servants of evil in horror. What if you used hummingbirds instead?
Reverse a Trope
Haunted houses are often portrayed as old and abandoned. Let’s reverse this trope. Older houses are safe from hauntings/demonic infestations because they gain psychic shielding from the long-term presence of living beings inside them. So only new structures are susceptible to hauntings/demonic infestations. In Frankenstein, a living being is fashioned from parts of the dead. Reverse this: an immortal being who can instantly heal any injury seeks death by trying to find a way to permanently disassemble their body….
(4) HELP DECIDE THE DIAGRAM PRIZE. The shortlist for the Bookseller Diagram Prize for Oddest Book Title of the Year 2023 is now open for a public vote on The Bookseller website here. The closes December 1, with the winner revealed on the 8th. Here is this year’s Diagram Prize shortlist:
The 12 Days of Christmas: The Outlaw Carol that Wouldn’t Die by Harry Rand (McFarland & Co)
The author of Rumpelstiltskin’s Secret: What Women Didn’t Tell the Grimms looks at how a raucous drinking song became a festive favourite.
Backvalley Ferrets: A Rewilding of the Colorado Plateau by Lawrence Lenhart (University of Georgia Press)
The “beguiling weasel” at the centre of this book is “more than a charismatic minifauna; it is the covert ambassador of a critical ecosystem,” says the author.
Danger Sound Klaxon! The Horn That Changed History by Matthew F Jordan (University of Virginia Press)
Charts the device’s lifespan from “metallic shriek that first shocked pedestrians” to its use in the trenches in the First World War.
Dry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze by Tawny Lara (Quirk Books)
The only non-academic contender is a “judgement-free” handbook from a podcaster and self-described “sober sexpert”.
I Fart in your General Direction: Flatulence in Popular Culture by Don H Corrigan (McFarland & Co)
“Covers every aspect of abdominal gas” in movies, music and TV, combined with “philosophical positions on colonic expression”.
The Queerness of Water: Troubled Ecologies in the Eighteenth Century by Jeremy Chow (University of Virginia Press)
An interdisciplinary look at classic canonical works and how “sea, rivers, pools, streams and glaciers all participate in a violent decolonialism”.
(5) HWA-THEMED GAME IS ON THE WAY. An officially-licensed party game called “Sudden Acts of Horror” – coming in 2024 – aims to celebrate the Horror Writers Association, the oldest and most respected professional nonprofit organization in the horror genre. The game asks teams of players to act out made-up horror novel titles to score the highest points and ultimately win a mini–Bram Stoker Award® for their efforts.
“Sudden Acts of Horror” is scheduled for release in the second quarter of 2024 and will be available for purchase at www.stopthekiller.com.
…“The @WBD tactic of scrapping fully made films for tax breaks is predatory and anti-competitive,” wrote Castro, who has protested WBD before on antitrust issues.
“As the Justice Department and @FTC revise their antitrust guidelines they should review this conduct,” he continued.
“As someone remarked, it’s like burning down a building for the insurance money,” he added.
…. Several sources have told us that in a cost-cutting, debt-laden environment as Warner Bros Discovery that it’s not CEO David Zaslav to blame here for the axing of the film. Warner Bros. Motion Picture bosses Michael De Luca and Pam Abdy and new animation head Bill Damaschke are the ones who made the decision, this despite the fact that it’s not a production chief’s bandwidth to worry about tax writedowns on a movie. That’s for accounting and finance to sweat over.
The new WBD administration doesn’t want the problem of the previous admin’s greenlights and at $70M, that’s a cost too high for a movie to simply skip theatrical and head to streaming service Max.
While it’s not in production bosses’ nature to worry about tax writeoffs, they realize that there’s a lot of stress over at WBD to win in the wake of having the highest-grossing movie in the studio’s history and YTD with Barbie at $1.4 billion worldwide. A severe financial savings mentality exudes at Warners, and if a film looks too risky to spend marketing on, execs there don’t want to stick their necks out and have a lackluster result and be blamed for a greenlight that wasn’t there….
(7) STARSHIP LAUNCH APPROVED. [Item by Bill.] The FAA and the Fish and Wildlife Service have completed their reviews of SpaceX’s launch plans, issued their final reports, and given approval for the next launch of Starship. The FAA has issued a NOTAM (Notice to Airmen) closing airspace around Boca Chica for Friday November 17. SpaceX appears to be planning for a Friday launch. Gizmodo has further coverage: “SpaceX Granted FAA Permission for Second Starship Test Flight”.
…The FAA’s entire report can be seen here, but in summary, the water deluge system was deemed to be no more threatening to the environment than a summer rain storm:
“…an average summertime thunderstorm at Boca Chica would deposit more water over the landscape than any single or all combined activations of the deluge system. Since the amount of water that is anticipated to reach the mud flats from a maximum operation of the deluge system is expected to be less than an average summer rainfall event, this amount of water would be unlikely to alter water quality.”
With the launch license secured, SpaceX is ready to go. The second launch of Starship is scheduled for Friday, November 17 at 8:00 a.m. ET, with the launch window ending two hours later. Two FAA space TFRs (temporary flight restrictions) are in effect for Brownsville, Texas, one for Friday and a second TFR going into effect at 8:00 a.m. ET on November 18 and ending one hour later….
Andrew Carnegie Medal for Excellence in Fiction 2024 Shortlist
“The Berry Pickers,” by Amanda Peters. Catapult. In 1962, an Indigenous Mi’kmaq family is in Maine to pick summer blueberries when their youngest child, four-year-old Ruthie, disappears. Her six-year-old brother, Joe, saw her last. Told in alternating, first-person chapters from Joe and a narrator called Norma, this braided novel fascinates. While little is easy for Peters’ characters, in the end, for all of them, there is hope.
“Denison Avenue,” by Christina Wong and Daniel Innes. ECW Press. In a mixed-media narrative saturated with a sense of poignancy and grief, Wong Cho Sum navigates the sudden death of her husband by a hit-and-run driver. As an “invisible” elderly observer, she compares the old Chinatown she remembers with this new, slowly gentrifying one. Innes’ detailed and beautiful hand-drawn illustrations are eye-catching complements to Wong’s writing.
“Let Us Descend,” by Jesmyn Ward. Scribner, an imprint of Simon & Schuster, Inc. Sold away from her mother, teenage Annis, daughter of a Black mother and the white man who enslaved them, must endure a grueling march to the slave markets of New Orleans with only her wits and her mother’s ivory awl to help her survive. Ward’s vivid imagery and emotionally resonant prose convey the horrors of chattel slavery in stark, unforgettable detail.
Andrew Carnegie Medal for Excellence in Nonfiction 2024 Shortlist
“The Great Displacement: Climate Change and the Next American Migration,” by Jake Bittle. Simon & Schuster. This multifaceted examination considers numerous communities that have been wiped out by changing weather patterns and foretells a future filled with additional displacements. Environmental journalist Bittle uses a combination of science reporting and individuals’ stories to explain the fates of towns deemed uninhabitable and ends with a plea for comprehensive environmental policy change and urgent action.
“The Talk,” by Darrin Bell. Henry Holt and Company. In 2019, Bell became the first Black editorial cartoonist to win a Pulitzer Prize. In this brilliant graphic memoir, Bell’s growth from a trusting child afraid of dogs to an esteemed, nationally syndicated cartoonist is a marvel to witness through his spectacular panels and pages. A must-read manifesto against racist brutality.
“We Were Once a Family: A Story of Love, Death, and Child Removal in America,” by Roxanna Asgarian. Farrar, Straus and Giroux. Investigative reporter Asgarian’s years of work getting to know the birth families of six children killed by their adoptive parents in 2018 uncovered a devastating web of intergenerational poverty, violence, and wrenching separations. She exposes the tragedy of what happened and the ongoing, insupportable failings of the foster system.
Carnegie Medal winners will each receive $5,000.
(9) MORE FOR MOUNT TBR. TIME Magazine’s list of “The 100 Must-Read Books of 2023” includes several works of genre interest that I recognize, and doubtless others I didn’t which you can name in the comments:
The Future by Naomi Alderman
Lone Women by Victor LaValle
Victory City by Salman Rushdie
Yellowface by R.F. Kuang
(10) MORE ON MICHAEL BISHOP. The family’s Michael Bishop Obituary has been published. It includes details on Bishop’s life and writing career, and funeral plans.
(11) MEMORY LANE.
1950 — [Written by Cat Eldridge.]
We mentioned Mack Reynolds’ The Case of the Little Green Men in a Scroll recently and there it was noted that it was set at a Con, and that’s all it’ll say about it as there might be someone here who hasn’t read it yet. Now I will ask the question, well two questions actually. Was it the first genre novel set at a Con? And what’s your favorite Con set novel? Or more.
So now let’s talk about The Case of the Little Green Men. It was the first novel by him, published seventy-three years ago by the Phoenix Press who ISFDB lists only one other work being published, Will Garth’s Dr. Cyclops. The cover illustration is by Carl W. Bertsch.
Is the novel fun? Oh yes. Is it really a mystery? Well, that depends on how much you want to stretch your idea of what a mystery is. And I’m surprised it hasn’t been nominated for a Retro Hugo. Really surprised.
To my utter surprise, the publication notes for The Case of the Little Green Men at ISFDB, says it was out of print for sixty-one years until Prologue Books did a new edition. It is available from usual suspects on, and no I’m not pulling your tentacles, Richard A. Lupoff’s Surinam Turtle Press. The website for that is here.
And now for our shortest Beginning ever…
The detective isn’t tough and he isn’t even smart and he doesn’t prove the case against the killer. And boy doesn’t get girl, either. Otherwise, this story is just about like a good many others you’ve read. At least it starts the same way.…
We can’t help it if it dissolves into men from Mars, people who believe in spaceships and flying saucers, murders without motive, and heat rays fired by little green men (or were they?).
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 15, 1877 — William Hope Hodgson. By far, his best-known character is Thomas Carnacki, featured in several of his most famous stories and at least partly based upon Algernon Blackwood’s occult detective John Silence. (Simon R. Green will make use of him in his Ghost Finders series.) Two of his later novels, The House on the Borderlandand The Night Land would be lavishly praised by H.P. Lovecraft. It is said that his horror writing influenced many later writers such as China Miéville, Tim Lebbon and Greg Bear but I cannot find a definitive source for that claim. (Died 1918.)
Born November 15, 1933 — Theodore Roszak. Winner of the Otherwise Award for The Memoirs of Elizabeth Frankenstein and the rather excellent Flicker which is well worth reading. Flicker and The Devil and Daniel Silverman is available at the usual suspects, and his only other available fiction is his Japanese folktales. Odd. (Died 2011.)
Born November 15, 1941 — Daniel Pinkwater, 82. His absolutely best work must be without doubt Lizard Music, an sf novel in which a young boy begins seeing musical lizards all around. Lizards opposing an alien invasion. Oh so perfect a novel.
Born November 15, 1942 — Ruth Berman, 81. She’s a writer of mostly speculative poetry. In 2003, she won the Rhysling Award for Best Short Poem for “Potherb Gardening”, and in 2016 for “Time Travel Vocabulary Problems”. She was the winner of the 2006 Dwarf Stars Award for her poem “Knowledge Of”. She’s also written the fantasy novel, Bradamant’s quest. In 1973, she was a finalist for the first Astounding Award for Best New Writer. She brings out the Dunkiton Press genre zine annually — over 30 issues and still going strong. She was nominated for Best Fan Writer Hugo at Baycon (1968).
Born November 15, 1955 — N Lee Wood 68. She was once married to Norman Spinrad. The Mahdi written in 1996 is an interesting take on the situation in the Middle East with AIs thrown into the mix. I’m more fond of her Inspector Keen Dunliffe series of detective novels which are definitely not genre. There’s at least twenty-three to date, and they’ve been adapted for television under the series title of DCI Banks. It’s a most excellent series.
Born November 15, 1982 — Jessica McHugh, 41. Very prolific horror writer who’s also a playwright. IDFDB says she has written eight genre novels and some forty pieces of shorty fiction to date, the latter gathered in three collections. She won an Imadjinn Award for The Train Derails in Boston novel given by the Con of the same name held in Kentucky every year. Her poetry which apparently is on the dark side of things, of which she’s even written more than she has short fiction, has earned two Stoker nominations.
(13) COMICS SECTION.
Lio’slocal library has some strange books. Of course it does.
(14) GONZO AND GAIMAN TOMORROW. Nick Gonzo says, “If you are in Leeds on Thursday and are looking for something cool to do, I am hosting a workshop with Leeds Library about the history of Scifi and Zines. This is obviously a career high point as I’m sharing an event programme with Neil Gaiman.” Program description and ticket information is in the screencaps below.
Through this award, GameRT will highlight and honor the best games for library collections and programming. The Platinum Play Awards — affectionately called The Platys after the platypus mascot on the new award seal — are planned as an annual award and will recognize up to twenty games each year. GameRT will collect nominations from library workers and patrons each year. Once all nominations are in, GameRT members will be able to vote for their top picks, and games that receive at least two votes will move on to the final assessment round, where they will be evaluated by GameRT’s Platinum Play Award Committee. The final award list will be announced each year, starting with a special Platinum Play Classics Hall of Fame in January 2024 that will celebrate classic games like Chess and Go.
In an effort to help libraries find newer games, only games published between two and ten years prior to the awarding year are eligible. Games will be evaluated based on their ability to provide an enjoyable gaming experience in one hour of play. Eligibility for the award is open for games designed for any age range and any number of players. Games that require a system for play will be considered based on the number of platforms available that libraries can access.
…Nominations for the 2024 Awards — for games published between published between 2013 and 2021 — are open now and can be submitted online until March 31, 2024. Library staff, teachers, and gamers of all types should submit their favorite games using the online nomination form. Game publishers and creators that seek to have their games considered should email GameRT Staff Liaison Tina Coleman at [email protected].
What does an old adventurer have to offer a modern world that seems to have moved on?
That’s the existential question posed to Indiana Jones, the beloved archaeologist immortalized by Harrison Ford across four decades, in “Indiana Jones and the Dial of Destiny.” Indy is creaky, retiring and alone when the fifth and latest chapter opens in 1969 — a man out of time.
It was also a question for John Williams, the venerable composer who gave Indy his infectious march beginning with “Raiders of the Lost Ark” in 1981. Williams was no less than Indy’s galloping tempo and his comic, whip-cracking action, his romantic stirrings and his heroic quest for every previous search for some ancient relic.
Now in his 10th decade, Williams had nothing left to prove and no obligation to score a new “Indiana Jones” film. For the first time, his forever-collaborator Steven Spielberg wasn’t even directing. So why get back in the saddle?
“Very frankly,” Williams says, “I thought to myself: Well, I really don’t want somebody else to do that. It was like when I was doing ‘Star Wars,’ you know. I thought: If I can possibly do it, I should try to do it.”
In other words: Just like Harrison Ford, no one else should wear that hat….
(17) THIS PLANET BITES. Camestros Felapton watched “Scavengers Reign (HBO)” and wrote a review that will make you nervous whenever you hear easy-listening music from now on.
…You could probably make a nice edit of the more relaxed landscape scenes that would be quite relaxing. Indeed, musically from the soft opening titles to much of the incidental music the tone is one that emphasizes the sense of wonder in this alien world.
This sense of wonder is coupled with terror though. The beauty of the world comes with plenty of creatures eager to eviscerate the humans (if they are lucky) or infest them (if they are more unlucky) or turn them into monstrous puppets (if they are even more unlucky). Spores, tentacles, stingers, strangling vines and psychic powers are all out to consume the hapless survivors….
(18) ANOTHER BIZARRE PRODUCT. Archie McPhee has done it again with “Bigfoot Basecamp”.
Some say Bigfoot is an interdimensional traveler who disappears when he wants to, but maybe there are no good pictures of Bigfoot because he’s so tiny. The Bigfoot Basecamp has all the things you need to create the scene of a surprised camper trying to snap a picture as Bigfoot approaches. You can take the itty bitty soft vinyl figures, between 1/2″ and 1-3/8″ tall, out of the box and play with them or leave them inside as a desktop display. Comes with eight pieces, everything you need from trees to Bigfoot to a campfire! Figures may come loose during transit but snap easily back into place.
[Thanks to John King Tarpinian, Chris Barkley, Steven French, Hampus Eckerman, Nickpheas, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
The more egregious Hollywood sin with Coyote vs. Acme is that it’s a finished film was intended for a theatrical release, while the other two movies were still in the works.
Of those kicking the tires, even though no deals have been drafted, I hear Amazon is a leading contender given the fact that Courtenay Valenti, the Head of Film, Streaming and Theatrical for Amazon Studios and MGM, was a big champion and linchpin for the movie while she was President of Production and Development at Warner Bros. All of this boils down to Head of Amazon Studios Jen Salke’s signoff, I understand. During the pandemic, Prime Video acquired Sony’s family titles Hotel Transylvania 4 and Cinderella, among other movies. Amazon has been known to take finished films off the table for $100M and turn them into events for Prime Video….
(2) SFPA OFFICER ELECTION RESULTS. The Science Fiction and Fantasy Poetry Association has tallied the votes and announced that starting January 1, 2024, John Philip Johnson will be SFPA Secretary and Jordan Hirsch will be SFPA Treasurer.
Ultraman is one of Japan’s biggest superheroes – both figuratively and literally – but outside of Japan the hero’s popularity hasn’t quite hit fever pitch. Netflix’s newest film could change all that, if the first trailer for Ultraman: Rising is anything to go by, as it looks absolutely incredible.
Netflix released the first trailer for the CG animated film Ultraman: Rising last night, as part of its annual Geeked Week celebrations. The trailer shows off a rebooted Ultraman, a gigantic super-powered hero that’s the powered-up form of baseball superstar Ken Sato.
As the story goes, Ken comes back to Japan to take up his duties as the biggest superhero on the planet, promptly defeating a large, dragon-like kaiju. In the trailer, he retrieves a mysterious orb from the monster, only to discover it’s an egg — and it hatches into the child of his greatest foe…
(4) LEARNEDLEAGUE CALENDAR. [Item by David Goldfarb.] Here are LearnedLeague One-Day Special quizzes scheduled for 2024, that relate to SF and fantasy. Some are specifically SFF-related, some are genre-adjacent. I’ll list both.
SFF-related:
Spaceballs: The One-Day Special! Jan 9
The Sandman Jan 10
The X-Men May 8
Folk Horror Films May 13
Science Fiction Homeworlds Jul 20
Mars in Popular Culture Jul 23
Studio Ghibli Jul 23
Faerie Tale Theatre Aug 6
Brandon Sanderson’s Cosmere Aug 7
Murderbot for Everyone Aug 21
Elemental Masters (probably? Mercedes Lackey has a series with that title, but it could be about something else with a similar name) Oct 7
The Silmarillion Oct 10 (we’ve had 3 quizzes already about The Lord of the Rings, so now we move on to The Silmarillion)
Godzilla Oct 14
Just Audio Horror Pairings Oct 16
Jurassic Park Oct 17
Just Images Portals Oct 28
Romance Novels 3: Super Friendly Monsters Oct 31
Science of Science Fiction 2 Nov 4
Star Trek: The Next Generation Nov 7
Genre-Adjacent:
Polyamory Jan 12
Video Game Weaponry Jan 22
Homestuck Feb 7
Year of the Dragon (possibly? not 100% clear what this one is about) Feb 8
Secret Identities Mar 25
DuckTales Apr 9
Nanotechnology Apr 10
Chemicals I Won’t Work With Apr 13
Asteroids Apr 15
Horror Hosts Apr 15
Fictional Religions May 15 (not clear how this will differ from Fictional Theology)
Science Theater Jul 15
Tintin Comics Jul 18
Hilary Mantel’s Wolf Hall Trilogy Oct 10
Mercury 7 Astronauts Nov 7
I’m particularly looking forward to Cosmere, Homeworlds, Murderbot, and Science of SF. (I was part of a 10-way tie for champion of the first “Science of Science Fiction” quiz.)
Doctor Who’s returning showrunner Russell T Davies has issued a warning to parents about “dark” and “violent” content in the show’s forthcoming episodes.
… Of the three episodes, series opener The Star Beast, which airs on 25 November and centres on a furry creature called a Meep (voiced by Miriam Margolyes), is the most child-friendly, Davies explained.
“It is like a great big Pixar family film, like a bank holiday film – all the family watching, lots of laughs, a funny monster,” he said.
However, the following two episodes will not be appropriate for children, Davies warned. “The second one, Wild Blue Yonder, is darker. Not scary – it’s genuinely weird,” he said.
“We do very scary stuff. Some stuff is quite violent. It’s not for children, it’s about children.”…
Marvel Studios’ season 2 finale of Loki went out with a blast attracting 11.2M global views over three-days, which is +3% from the season 2 first episode 3-day draw of 10.9M.
Loki‘s season 2 kickoff was the second most-watched season premiere this year on Disney+, behind March’s season 3 premiere of The Mandalorian.
The finale of the Marvel Studios series—which concluded last Thursday—was only behind the season three finale of The Mandalorian, which wrapped up its season in April….
DEADLINE: It’s so great to get to talk with you about Loki. You haven’t really been able to talk about your role, due to the actors strike. What have you been waiting to say?
KE HUY QUAN: When I decided to become an actor again, [being part of the MCU] was at the top of my wishlist…They all welcomed me with wide open arms, and I was so happy. I was patiently waiting for the show to come out so we can go and celebrate it and tell the fans. Then, of course, the strike happened. I just want to tell everybody how proud of the show I am. How happy I am with it. And working with Tom Hiddleston, Owen Wilson, the entire Loki family has just been incredible. We made this last year in London. I was there for four months, my wife and I were there. It was one of the best four months of my life. I’ve done a few shows before, and this was the first time where I didn’t want it to end. I was so happy. In fact, I’ll tell you this. We were scheduled for reshoots this February, and I was waiting. My wife and I were looking forward to spending more time in London and with our Loki family. And all of a sudden we were told, ‘Oh, we don’t need any reshoots. It’s all good.’ I was kind of disappointed. I was actually disappointed that we didn’t get to go back because of how much fun we had… So we made history. We make history two times. One is the first series of Marvel getting a second season and the second is the first time a Marvel show didn’t have any reshoots. I’m so proud of that….
(8) MICHAEL BISHOP (1945-2023). Beloved sff author Michael Bishop died November 13, the day following his 78th birthday, after a prolonged stay in hospice care. His daughter made the announcement on Facebook.
…It is with great sadness (and yet relief for my dad) that I post with the news that Daddy breathed his last breath early this morning with my mom by his side. He is at peace and free from pain AND we miss him terribly already….
He made such an immediate and strong impression on the field that he was presented DeepSouthCon’s Phoenix Award for lifetime achievement in 1977, less than a decade after his first work was published.
By the time his career was over, Bishop was a 17-time Nebula finalist, winning Best Novelette for “The Quickening” in 1982 and Best novel for No Enemy But Time in 1983. He was also a 9-time Hugo finalist, though never won.
His versatility was proven by the other awards he received. His short story “The Pile” won a 2009 Shirley Jackson Award. His novel Unicorn Mountain won the Mythopoeic Award for Best Fantasy in 1989. His poem “For the Lady of a Physicist” won a 1979 Rhysling Award. He was also a four-time Locus Award winner.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 13, 1850 — Robert Louis Stevenson. Author of Treasure Island, Strange Case of Dr Jekylland Mr Hyde and the New Arabian Nights collection of short stories. Internet Movie Database gives over three hundred productions that have been based off of his works. What are your favorite ones? And I’m not even going to get into the deeps of genre fiction based off just the Strange Case of Dr Jekyll as I know Theodora Goss was making use of that story in one of her series and Simon R. Green had Hydes in his Nightside series. Not to mention Bugs Bunny… (Died 1894.)
Born November 13, 1887 — A. R. Tilburne. Pulp artist who by 1938 was selling cover illustrations to Short Stories and Weird Tales such as the November 1938 issue of the latter, and in the 1940s he also drew many interior story illustrations for Weird Tales. In 1947 he painted the cover for H. P. Lovecraft’s The Lurking Fear, published by Avon paperback books. (Died 1965.)
Born November 13, 1888 — Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Philip Nowlan working for the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, was contracted to adapt the story into a comic strip. The Buck Rogers strip made its first newspaper appearance on January 7, 1929, but the first appearance of “Anthony Rogers” was actually in Amazing Stories in August of 1928 in the “Armageddon—2419 A. D.” Story there with cover illustration by Frank R. Paul. (Died 1940.)
Born November 13, 1945 — Pierre Pelot, 78. A French writer who wrote fourteen science fiction novels and seven horror novels including space operas. Only But What If Butterflies Cheat? (its English translation title) is available in English so far. It’s part of the might exist The Child Who Walked on the Sky / But What If Butterflies Cheat? omnibus as I failed to find it anywhere including Amazon and any of the places that resell books online. He was nominated for a dozen Grand Prix de l’Imaginaire Awards winning two.
Born November 13, 1955 — Brenda Clough, 68. She was nominated for a Hugo at ConJosé for her “May Be Some Time” novella. I’m very fond of her fantasy Averidan series. Though very much not genre, I recommend her A Most Dangerous Woman, a sequel to The Woman in White by Wilkie Collin. It’s a serial on Realm which you can find at the usual suspects.
Born November 13, 1957 — Stephen Baxter, 66. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth series with Terry Pratchett. I’ve only read the first three but they are quite great SF! Ok I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of awards as well though no Hugos. It’s worth noting that Baxter’s story “Last Contact” was nominated for a Hugo for best short story at Denvention 3 as were The Time Ships as L.A. Con III, “Moon Six” novellette at BucConeer, “On the Orion Line” novellette and “The Gravity Mine” short story at the Millennium Philcon, and finally “The Ghost Pit” short story at ConJosé.
(10) COMICS SECTION.
Speed Bump checks the shelves of an interesting library.
Thatababy has a strange way of getting rid of autumn leaves.
Entangled Publishing said in a statement that it’s working to correct misprints in the new Rebecca Yarros novel Iron Flame that published on November 7. Entangled reportedly indicated the book sold more than half a million copies on its release day, and some of the copies had irregularities including damaged pages, missing pages, upside down pages, and more, which readers catalogued on TikTok.
In a statement to Variety, the company acknowledged that the misprints “have caused disappointment among those who eagerly awaited this release.” They write, “In keeping with our values of quality and responsibility, we are committed to making this right. We are actively working with our distribution partner to create a solution for those who wish to exchange their copy but are unable to do so at their original retailer. Our printing company is also working to produce the additional copies needed to facilitate this process. Entangled Publishing appreciates the patience and support of our readers as we work to swiftly resolve this issue. More details will be available on our social media platforms in the coming weeks.”
At a hearing last week, a federal judge said that he will dismiss part of the lawsuit filed by a group of authors including comedian Sarah Silverman that claims Meta’s Llama AI application infringes their copyrights.
According to Reuters, judge Vince Chhabria said the authors’ allegations that text generated by Llama infringes their copyrights simply doesn’t stand up to scrutiny. “When I make a query of Llama, I’m not asking for a copy of Sarah Silverman’s book—I’m not even asking for an excerpt,” Chhabria observed, noting that, under the authors’ theory, a side-by-side comparison of text generated by the AI application and Silverman’s book would have to show they are similar.
However, the judge said he will not dismiss the case with prejudice, meaning the authors will be allowed to amend and refile their claims. Furthermore, a core claim of the suit—that Meta’s use of unauthorized copies to train its AI model is infringing—remains.
In “Masters of the Universe,” He-Man’s nemesis is the evil wizard Skeletor. In Hollywood, his greatest threat has been a list of studio partners that have sidelined him from the big screen for nearly two decades.
The blond barbarian, based on a popular set of Mattel toys, may finally win the day. Amazon MGM Studios is in serious talks to mount a live-action “Masters of the Universe” movie from Adam and Aaron Nee, the writing and directing team behind “The Lost City,” according to multiple insiders. Conversations are taking place with Amazon after Netflix dropped a planned version of the Nee brothers film in July….
Netflix is giving the Terminator franchise the anime treatment in a new series that’s set to hit the streaming platform “soon.” The company dropped the first teaser for Terminator: The Anime Seriesthis weekend during its Geeked Week event. Details so far are scant, but we do know it’ll be produced by Production IG, the Japanese animation studio behind the original Ghost in the Shell movie and spinoff TV series.
Terminator: The Anime Series will take us back to August 1997, when the Skynet AI becomes self-aware and turns against humans. While there is no information on the cast just yet, Varietyreports the series will feature entirely new characters….
The “Dead Boy Detectives” series is officially set to air on Netflix after originally being set up at Max.
The show, based on characters created for DC by Neil Gaiman and Matt Wagner, was originally ordered to series at Max back in April 2022. However, it was reported earlier this year that it would be moving to Netflix due to the fact it did not fit the new direction for Max-DC content being spearheaded by James Gunn and Peter Safran.
The official description for the eight-episode series states, “Do you have a pesky ghost haunting you? Has a demon stolen your core memories? You may want to ring the Dead Boy Detectives. Meet Edwin Payne (George Rexstrew) and Charles Rowland (Jayden Revri), ‘the brains’ and ‘the brawn’ behind the Dead Boy Detectives agency. Teenagers born decades apart who find each other only in death, Edwin and Charles are best friends and ghosts… who solve mysteries….
Netflix has debuted an explosive new trailer for Zack Snyder‘s “Rebel Moon – Part One: A Child of Fire,” set for a limited one-week theatrical release on Dec. 15 and a wide streaming release on Netflix on Dec. 22.
Snyder’s epic space adventure film stars Sofia Boutella, Ed Skrein, Cleopatra Coleman and Cary Elwes. The story centers on a young woman living on the outskirts of a galaxy who must find a group of warriors to save the galaxy from an invasion from a tyrant. Snyder revealed to Total Film that “Rebel Moon” takes place in the same universe as another Netflix film of his, “Army of the Dead,” though one is set in outer space and the other in apocalyptic Las Vegas….
[Thanks to SF Mike Kennedy, Andrew Porter, John King Tarpinian, David Goldfarb, Kathy Sullivan, Chris Barkley, Cat Eldridge, and Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) WHEN GRAVITY FAILS. [Item by Mike Kennedy.] Chuck Jones’ rules for Coyote cartoons said it works best when gravity is what defeats him. Instead, the change in management at Warner Bros seems to be what has claimed his long-awaited film. The mixed live/animated Coyote Vs. Acme is rumored to have been consigned to the dustbin, despite being a finished product. There it will join Bat Girl and Scoob Holiday Haunt!, both already brought to an ignominious end by the Bros. “‘Coyote Vs. Acme’: Finished Live/Action Animated Pic Shelved Completely By Warner Bros As Studio Takes $30M Tax Write-off” – Deadline has the astonishing story.
In another maneuver by the David Zaslav-run Warner Bros Discovery to kill movies, we hear on very good authority that Warner Bros will not be releasing the live-action/animated hybrid Coyote vs. Acmewith the conglom taking an estimated $30M write-down on the $70M production. We understand the write-down for the pic was applied to the recently reported Q3.
This reps the third time that Zaslav’s Warner Bros has pulled the plug on a movie greenlit by the previous Warner Media administration; the other two being the Max destined Bat Girl and the animated Scoob Holiday Haunt!.
The difference here is that Coyote vs. Acme is a completed movie with very good test scores, 14 points above the family norm. We’re told that the cash-strapped Warners finds that it’s not worth the cost to release theatrically, or to sell to other buyers (and there are parties who are interested for their own streaming services; we hear Amazon kicked the tires). After reporting a mixed third quarter, the best means for Warners money is a tax write-off. At one point, Coyote vs. Acme was dated on July 21, 2023 for theatrical release before getting pulled; that date placed by the ultimate $1.4 billion grossing Warner Bros biggest hit of all-time, Barbie….
… Daniel Abraham and Ty Franck—who write together as James S.A. Corey—have nixed any return to the world of The Expanse, [but] they’re still working on sci-fi projects together, as today’s big announcement attests.
Fans can look forward to the arrival of The Mercy of Gods, a space opera trilogy “that sees humanity fighting for its survival in a war as old as the universe itself,” according to a press release from publisher Orbit. This book will kick off the Captive’s War trilogy, and it will be released August 6, 2024….
Just about every temptation for a hungry writer is here. Big bucks for the winners. Feedback on every submission from distinguished judges–at least, one assumes they’re distinguished, since they’re finalists for important literary awards. Monthly stipends! Consideration by literary agencies! What more could a contest offer, even if it does charge a $15 submission fee?
Well…
You’ll probably already have noticed some…oddities…both in the screenshot above and on the contest page. The mis-spelling of Hemingway, to start (plus, it’s PEN–it’s an acronym–not Pen). The curious absence of judges’ names. Guidelines that fail to state when winners will be announced and how they will be notified. An entry form with a copy-and-paste box for submitting your entry (have fun reading, no-name judges)….
…Black Mirror knock-offs are a scourge of the streaming era, which unfortunately incentivizes dressed-up spins on previous successes over truly cerebral or ambitious imaginations of the future….
(5) JEOPARDY! Last night’s episode of Jeopardy! devoted an entire category to science fictional worlds. Andrew Porter found these responses noteworthy.
Category: At a Loss for Worlds
Answer: Survivors escape to Bronson Beta in the 1933 Philip Wylie & Edwin Balmer novel “When” this happens
Wrong question: What is “When Tomorrow Comes”?
No one could ask, “When Worlds Collide”
Same category: It’s the real name of the planet referred to in the title of a 1965 Frank Herbert novel.
He bet it all, got it wrong: “What is Dune?”
Correct question: What is Arrakis?
Same category: At the end of Arthur C. Clarke’s “Childhood’s End” this world is destroyed.
John Coxon didn’t, Alison Scott would’ve done, and Liz Batty tried. We round up the rest of the news we didn’t talk about in Episode 95, featuring a discussion of how the Chengdu Worldcon went, and the much-anticipated reappearance of THE LIZ BAT. Listen here!
In the U.K., watching retailer John Lewis’ Christmas ad is as much of a festive ritual as decorating the tree or exchanging gifts. This year, with a different agency and marketing strategy, the brand is hoping to cement its role in both old and new holiday traditions.
The new ad, titled “Snapper,” follows the unusual tale of a Venus flytrap. While at a flea market with his family, a boy discovers a seed packet promising to grow into the “perfect Christmas tree.”
Instead, a carnivorous plant emerges from the soil. Though the boy loves Snapper, the mischievous plant causes disruption and is eventually banished outside after it grows too big for the house.
On Christmas morning, the boy leaves his family’s normal tree to bring a gift to the Venus flytrap. Snapper spits out confetti and gifts in return, inspiring the family to embrace an unconventional addition to the festivities. …
Astronaut Frank Borman, who commanded Apollo 8’s historic Christmas 1968 flight that circled the moon 10 times and paved the way for the lunar landing the next year, has died. He was 95.
Borman died Tuesday in Billings, Montana, according to NASA.
Borman also led troubled Eastern Airlines in the 1970s and early ’80s after leaving the astronaut corps….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 9, 1921 — Alfred Coppel. Have I ever mentioned how much I love pulp? Everything from the writers to the artwork to the magazines themselves are so, so cool. And this writer was one of the most prolific such authors of the Fifties and Sixties. That he was also a SF writer is an added bonus. Indeed, his first science fiction story was “Age of Unreason” in a 1947 Amazing Stories. Under the pseudonym of Robert Cham Gilman, he wrote the Rhada sequence of galactic space opera novels aimed at a young adult market. Wiki claims he was writing under A.C. Marin as well but I cannot find any record of this. (Died 2004.)
Born November 9, 1924 — Lawrence T. Shaw. A Hugo Award-winning fan, author, editor and literary agent. In the Forties and Fifties, Larry Shaw edited Nebula, Infinity Science Fiction and Science Fiction Adventures. He received a Special Committee Award during the 1984 Worldcon for lifetime achievement as an editor. His Axe fanzine (co-edited with his wife Noreen) was nominated at Chicon III for a Hugo. (Died 1985.)
Born November 9, 1954 — Rob Hansen, 69. British fan, active since the Seventies who has edited and co-edited numerous fanzines including his debut production Epsilon. And he was the 1984 Trans-Atlantic Fan Fund delegate. His nonfiction works such as Then: Science Fiction Fandom in the UK: 1930-1980, lasted updated just a few years ago, are invaluable.
Born November 9, 1988 — Tahereh Mafi, 35. Iranian-American whose Furthermore, a YA novel about a pale girl living in a world of both color and magic of which she has neither, I highly recommended it. Whichwood is a companion novel to this work. She also has a young adult dystopian thriller series.
Born November 9, 1989 — Alix E. Harrow, 34. Winner at Dublin 2019 of the Best Short Story Hugo for “Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” which also was nominated for a BSFA and Nebula Award. Other Hugo-nominated work: The Ten Thousand Doors of January was nomination at CoNZealand; “A Spindle Splintered” novella and “Mr. death” short story at Chicon 8; and “A Mirror Mended” novella this year. She has three excellent novels to date, The Ten Thousand Doors of January,The Once and Future Witches which was nominated for a WFA and the just released Starling House. She has a double handful of short stories not yet collected anywhere. More’s the pity.
The actor who played C-3PO in Star Wars said “it feels like it is time” to sell the costumes, props and scripts he kept from the iconic films.
Anthony Daniels, 77, is parting company with items from his personal collection via Hertfordshire-based auctioneer Propstore from Thursday.
The famous gold helmet he wore for his character in the first film from 1977 is estimated to sell for up to £1m.
Daniels said he was excited for his collection to “find a good home”.
“I realised I had these items and they’re not unloved but they are unlooked at – we don’t have them crowding the sitting room,” he said, explaining why he has chosen to sell the items now.
“Will I feel sad to part with them? No. I will enjoy the fact people will cherish and display them.”…
(12) FANHISTORY ART ZOOM ON YOUTUBE. Fanac.org’s two-part Zoom with a panel of fanartists now can be viewed on YouTube.
Part 1
Title: Evolution of Art(ists) (Pt 1 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan
Description: In part 1 of this 2-part session, you’ll hear their “origin stories”, their influences, how they found science fiction fandom, and what they perceive as the unique benefits of fandom to young artists. You’ll find out why artists should avoid hecto, and torturous tales of justifying margins by hand. There are intriguing insights into adjusting one’s art to the reproduction medium, and how fandom helped people along, especially towards professional careers. Larger than life figures make their appearance, including several stories of Bill Rotsler.
There’s plenty more, including their views on Carl Barks, why Dan started “Lizard Inn”, Jim’s take on the slippery slope to having a fanzine too big to staple without an industrial stapler, Tim on his deep desire to tell stories, and Grant’s opinion of “Starling”. The fun continues in Part 2.
Part 2
Title: Evolution of Art(ists) (Pt 2 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan
Description: In part 2 of this 2-part session, the fan art discussion continues, with more on professional careers as well. The conversation ranges from Tolkien’s house to Harlan Ellison’s house, from “The Last Dangerous Visions” to Bill Gibson, from Harlan Ellison stories to BNFs that had an impact. There are more Rotsler stories too. You’ll hear about silent jam sessions, “Esoteric Fan Art Tales”, and the impact that conventions had on artists who worked in isolation. A real treat is the slideshow of samples of our panelists’ art, with their live comments on what each piece represents.
Q&A starts about 45 minutes into the video, with comments as well as questions, including Ted White’s discussion of the impact of Mondrian’s work on modern magazine design. Lest you believe that fanzines are a thing of the past, the video wraps up with a plug for an upcoming paper fanzine by faned Geri Sullivan.
“After the alignment, the world will change forever. Everything will start over.” Dark Star Pictures has released an official US trailer for an indie sci-fi action thriller film from France titled The Gravity, made by filmmaker Cédric Ido. This intially premiered at the 2022 Toronto Film Festival last year and it already opened in France earlier this year. Finally set for a US release on VOD starting in November. A mysterious cosmic event upsets the Earth’s gravity and sets the sky ablaze in a red hue, creating chaos in a futuristic Parisian suburb. This French “genre-busting” thriller is more of a story about street culture in the suburbs, following a local band of teenagers and their feud with other residents in the area….
Meantime there five days remain in the Kickstarter to raise funds for “Space Command Forgiveness: Post-Production”. At this time fans have pledged almost $52,000 of the $60,000 goal.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Lise Andreasen, Steven French, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) WHEN ‘THINGS TO COME’ WAS NEW. The videos featuring the musical score of Things to Come linked in the Pixel Scroll for February 13 prompted John L. Coker III to pass along this transcript of a conversation that he had with David A. Kyle about the movie over 20 years ago.
[David A. Kyle:] H.G. Wells’ The Shape of Things to Come was one of the first serious science fiction movies; it considered big problems and big situations, and had a great cast. This is a picture that was full of idealism, with the viewpoint of the future as one world. Fans of science fiction had hoped that mankind would all band together and we would all be Earth people. When we went out to the planets, we would be representing the Earth as a whole, rather than as individual countries.
The picture was socialistic, as H. G. Wells was, and it was rare when a real science fiction picture came out. It dealt with real things, and forecast what was going to happen in Europe. It is set in 1936, when an unidentified enemy bombs England and war starts. The sky is black with airplanes coming over, all quite visionary.
I remember when it first came out. It played in a country theater near my home in Monticello, New York, for three days. Because I was a young newspaper reporter, I could go into a theater anytime I wanted, and I wouldn’t have to pay. The movie was so prophetic, and there was also the great music written by Arthur Bliss. I had recordings of that music at one time, and it was really drummed into my head. It still haunts me.
When I went to New York with some of the science fiction fans in the late 1930s, we went to the Ivory Tower. This was a breeding ground for writers such as Dick Wilson, Donald A. Wollheim and Fred Pohl. As I came out of the subway, and approached the building, I would run through my head the march from Things to Come. Time passed, and in 1939 war broke out in Europe, and we began to see the prophecies coming true.
In 1941, the Japanese bombed Pearl Harbor, and the next year I enlisted. I became an officer and was sent to Northern Ireland. It was midnight and I was by myself in my hut, and had my radio on. Then came the unforgettable music from Things to Come. I remembered scenes such as the bombing of London and suddenly this creepy crawly feeling went up my back. There I was, in uniform, a part of the conflict that was going on around me, and I realized I had become part of the picture. It had come to life.
Six months or so later, I was in London, looking in the publication What’s On. It listed all of the cinemas, and I noticed that Things to Come was playing. How could I resist going to see it, being in London with a war going on?
A few days later I was in the Savoy Hotel with a Canadian officer, and I saw Edmond Chapman, who played the role of Pippin Passworthy, opposite Raymond Massey’s main character. So there he was, in his R. A. F. uniform, and I went over to him to say hello. I told him that I had been intrigued by the film that I saw years ago, and that I had gone again to see it the other night. He had several kind things to say. It was a thrill for me to be there with a character from the film in uniform, in London, during the war. It was as if he had somehow come alive from the movie. It was surreal but so realistic. I was nearly overwhelmed by the experience. I’ll never forget it.
Years later, when I was living in England and attending a Rotary meeting, a man across the table from me who had been an entertainer told me that when he was young, he had visited the studios where they were making Things to Come. He had been an extra on the picture, and appeared in the scene where all of the troops were jumping off of the back of the big ship. He remembered when H. G. Wells would come around and talk with members of the cast about the picture.
Science fiction and the cinema and fannish friends all sort of came together. And, in my time, I was so close to the imaginative world that our writers created that sometimes I felt that I had become part of that world for a short period of time.
1st Lt. David A. Kyle (England, 1943)
(2) IDA KEOGH Q&A. Bob the Alien occasionally takes over author Paul L. Arvidson’s blog and interviews other British SF Association authors. [Via Emily Inkpen.] “Bob the Alien Interviews… Ida Keogh”.
Bob: Well what an interesting specimen we’ve beamed up here. Who are you and why have you got a tail? Other humans don’t seem to.
Ida Keogh : Hi Bob! I’m Ida, creator of words, wrangler of precious metal and occasional mermaid. Thank you for having me. Tails are great, aren’t they? Other humans are missing out.
Bob: Is this mind probe thingy working? It tells me you’re another one of these writer types. What makes you want to do that?
I.K: I have words inside me that need to get out. I love to shape phrases, sculpt paragraphs, stack pages. Sharing my words with other humans makes me glow….
(3) A MARATHON, NOT A SPRINT. [Item by Jennifer Hawthorne.] I was wandering around Reddit (being careful not to step into the pools of muck scattered around there) when I found a very cool post from a guy doing a read-through of ALL Hugo, Nebula, Locus, and World Fantasy Award winners. He’s posting them on his blog as he gets through them, and I am very impressed (and somewhat appalled) at all the work he’s doing. “The Project” at Don’t Forget to Read a Book. The format of the reviews is explained here.
…What is there to say about a book that is just what it is? I was unfamiliar with the ballad of Thomas the Rhymer, but apparently it is, well, a thing. A brief synopsis of the original: Thomas meets the Queen of Elfland, goes with her for seven years, sees many delights, and returns to the mortal world. He is given the gift of prophecy.
This novel version expands upon the story, offering an introduction to Thomas before he goes to Fairy, exploring his time there, and then chronicling his later life after returning. All of this added content is rather tepid. Song of Achilles is a great demonstration of the power of reimagining a well known tale and offering a new perspective. There is none of that here. No pushing of boundaries, no real expansion of the mythos. Kushner fills in the blanks in the same way that most others likely would as well….
Literacy advocate, Star Trek star, and game show hostLeVar Burton wants people, particularly children, to read banned books. The former Reading Rainbow host appeared during a segment about banned books on The Daily Show with Trevor Noah. In the piece, Burton attempts to read some seemingly innocuous books only to get cut off because of a book banning for one contrived reason or another. Eventually, Burton runs away after hearing sirens nearby, but not before encouraging folks to read banned books “because that’s where the good stuff is.” You can watch the entire The Daily Show segment below….
(5) DANGEROUS VISIONS AND NEW WORLDS: RADICAL SCIENCE FICTION. On Saturday, February 26 and Sunday, February 27, City Lights in conjunction with PM Press will present a two-day symposium exploring the radical currents of Science Fiction and celebrating the launch of Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, edited by Andrew Nette and Iain McIntyre.
Featuring an all-star cast of presenters including Samuel Delany, Alexis Pauline Gumbs, Michael Moorcock, Cory Doctorow, Marge Piercy, Maitland McDonagh, Annalee Newitz, Jonathan Lethem, Shelley Streeby, Mike Stax, Karen Joy Fowler, Nick Mamatas, Ann VanderMeer, Matt Bell, adrienne maree brown, Daniel Shank Cruz, Lucy Sussex, Mimi Mondal, Vandana Singh, Rebecca Baumann, Meg Elison, Terry Bisson, Andrew Nette & Iain McIntyre
Free (Registration Required) There are four sessions to register for on Day One, and another four on Day Two.
(6) MCKENNA’S NEW BOOK. The Fantasy Hive conducts an “Interview with Juliet E. McKenna” about The Cleaving, “a feminist retelling of the Arthurian legends follows the tangled stories of four women: Nimue, Ygraine, Morgana, and Guinevere, as they fight to control their own destinies amid the wars and rivalries that will determine the destiny of Britain.” The book will be published by Angry Robots in May 2023.
Can you tell us a bit more about your leading characters, Nimue, Ygraine, Morgana, and Guinevere? They’re such iconic characters, how did you approach recreating them?
[Juliet McKenna] Are they so iconic? Everyone knows Morgana and Guinevere’s names, but I can think of half a dozen very different portrayals of them both. This isn’t a problem though. That variety gives me tremendous freedom to come up with my own take. Nimue? The sources can’t even agree on how to spell her name, or exactly what she does, so I’ve got even more leeway. Ygraine’s barely mentioned in so many versions that I pretty much had a blank page there.
My approach to writing all these women has been to make them fully rounded, believable people. Far too often they’re two-dimensional figures who come and go to serve the plot by doing something or having something done to them. I took a longer view. I thought about the ways their experiences would shape their personalities, and how the people they become will influence the choices they make.
I also looked at the influence they would have on each other. In so many Arthurian retellings women are defined by their relationships to the men at the centre of the story. Their actions only matter when what they do matters to a man. In reality, women have crucial relationships with each other, as mothers, daughters and most of all as friends and allies. There’s no way these women caught up in these events wouldn’t look to each other for support. That opens up these myths in a whole new way….
(7) CELEBRATE FAN ART. 2019 Rotsler Award winner Alison Scott has now got a website to show off her fan art 00 “Alison Scott” at Myportfolio.com. Faneds who would like to use any of this material, or perhaps something made just for them (eventually) should get in touch with Alison. This example was done for DisCon III but fits it perfectly here, don’t you think?
(8) MEAD OBIT. Prolific sff author Melissa Mead, who was born with cerebral palsy, died February 15. Her friend Eliza Ames paid tribute on Facebook.
I’ve struggled all day with how to write something about my friend Melissa Mead. Usually, writing my feelings is not hard, but Missy was a writer too, and a damn good one. Missy was born with Cerebral Palsy. Even that one illness is enough to destroy lives, and it wasn’t the only thing she had to fight her way through. Missy was a fierce fighter, and yet the single kindest person I’ve ever met….
Missy may have been limited by her body, but her imagination knew no bounds. She wrote sci fi and fantasy stories, and they were amazing. Every character felt real and every situation, no matter how fantastic, contained such imagery and forethought that it felt always as if that COULD exist….
Deirdre Saoirse Moen pointed out Melissa Mead’s recent article about disability representation in fiction, “I Don’t Hate Tiny Tim. Really!”, at Stupefying Stories Magazine. It’s brilliant.
Poor Tiny Tim.
I’m not saying that because he has a disability. I’m saying that because everyone, from his readers to his creator, pities him because he has a disability. He doesn’t pity himself, though! He joins in his siblings’ games whenever possible, and they cheerfully take him along with them. And while his father calls him “good as gold,” he’s not a perfect saint. When his father insists that the family drink a toast to his hard-hearted boss, Ebeneezer Scrooge, “Tiny Tim drank it last of all, but he didn’t care twopence for it.”…
(9) MEL KEEFER (1926-2022). Comic book and animation artist Mel Keefer has died at the age of 95. Mark Evanier wrote a tribute at News From ME.
…No one is quite sure how many newspaper strips he worked on but I know of these: Perry Mason, Dragnet, Gene Autry, Mac Divot, Thorne McBride, Willis Barton M.D. and Rick O’Shay. His longest run was with Mac Divot, which ran from 1955 to 1977. A lot of comic strip fans didn’t follow it because it was about golf and newspapers often ran it in the sports section. He ghosted on at least a half-dozen others but the most notable was Bash Brannigan, the strip drawn by “Stanley Ford” (Jack Lemmon) in the movie, How to Murder Your Wife. Mel did all the comic art in the film and when you thought you were seeing a close-up of Lemmon’s hand drawing his character, that was Mel’s hand you were seeing….
(10) MEDIA BIRTHDAY.
1967 — [Item by Cat Eldridge] Fifty-five years ago, Star Trek’s “Space Seed” first aired on NBC. It was the twenty-second episode of the first season and it was directed by Marc Daniel from a teleplay from Gene L. Coon and Carey Wilber. The former was both a major writer and a show-runner on the series; the latter did writing for Captain Video and His Video Rangers, Lost In Space and The Time Tunnel. The story was by Weber.
Yes, this is the episode that introduced Ricardo Montalbán as Khan Noonien Singh. He would of course return in The Wrath of Khan which would be nominated for a Hugo at ConStellation the year that Blade Runner won. From my viewpoint, and I know some of you may beg to differ, the only other guest performer worth noting is Madlyn Rhue as Lt. Marla McGivers.
Director Nicholas Meyer stated in interviews that he wrote McGivers out of his drafts of The Wrath of Khan in order to give Khan more motivation for being pissed off. Anyone remember if Khan made reference to her in the film? I’ve seen it at three times but not in at least twenty years now, so I don’t remember.
James Blish who was working from the yet script drafts at the time used the name Sibahl Khan Noonien in his novella long adaptation for the 1968 Bantam Books’ Star Trek 2 anthology which shows that the name change was a late decision.
Passing references to the events here appear in here will later make it to Deep Space Nine and Enterprise.
Reception at the time of its broadcast was quite positive though the reviewers for Tor.com much later on really didn’t like the relationship between Khan and McGivers saying in their of the episode that it was “really uncomfortable to watch her immediate attraction to him and her easy acceptance of his abusive and controlling behavior”.
I’m am not, repeat, not going to talk about Benedict Cumberbatch portraying Khan in Star Trek Into Darkness. Really, really not going to talk about him doing so.
Greg Cox wrote a very much not canon novel titled To Reign in Hell: The Exile of Khan Noonien Singh which in great detail gave us the romance of Khan and Givers. I can’t say I’ve got much interest in reading it.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 16, 1933 — Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing Stories, Future Science Fiction, Galaxy Science Fiction, If, The Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. EoSF says he has one genre novel, The Contested Earth, whereas ISFDB lists two more, Sex Burns Like Fire and The Man Who Made Maniacs. He’s a member of First Fandom Hall of Fame. (Died 2010.)
Born February 16, 1940 — Angela Carter. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very, very adult in tone. Personally I’d recommend The Curious Room instead,as it contains her original screenplays for the BSFA winning The Company of Wolves which starred Angela Lansbury and The Magic Toyshop films, both of which were based on her own original stories. Though not even genre adjacent, her Wise Children is a brilliant and quite unsettling look at the theatre world. (Died 1992.)
Born February 16, 1951 — William Katt, 71. Ralph Hinkley, the lead of The Greatest American Hero. A series I know I watched and loved at the time. In December 1975, he auditioned for the part of Luke Skywalker. But didn’t get the role obviously.
Born February 16, 1953 — Mike Glyer, 69. Happy Birthday! OGH has won the Hugo Award 11 times in two categories: File 770 won the Best Fanzine Hugo in 1984, 1985, 1989, 2000, 2001 2008, and 2016. He himself has won the Best Fan Writer Hugo in 1984, 1986, 1988, and 2016. The 1982 Worldcon presented him a special award in 1982 for Keeping the Fan in Fanzine Publishing. He even wrote several pieces of genre fiction, “The Six Who Are Boring” and “The Men Who Corflued Mohammed.”
Born February 16, 1954 — Iain M. Banks. I’m certain I’ve read the entire Culture series even though I certainly didn’t read them in the order they were written. My favorites? Certainly The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas are also my faves. And though not genre, I’m still going to make a plug for Raw Spirit: In Search of the Perfect Dram. It’s about single malt whisky, good food and his love of sports cars. And yes, Green Man has reviewed it. How could we not, it being by Banks? (Died 2013.)
“It's a library, only the stupid or the evil are afraid of those.”
Born February 16, 1957 — Ardwight Chamberlain, 65. The voice of Kosh on Babylon 5. And that quite tickles me as I don’t think they credited it during the series, did they? Most of his other voice work is English-dubbing versions of Japanese anime including Digimon: Digital Monsters and The Swiss Family Robinson: Flone of the Mysterious Island.
Born February 16, 1957 — LeVar Burton, 65. Well y’all know what series he was on and what character he played that he’s best known for so I can dispense with that. And yes, that series did win Hugos, “The Inner Light” did at ConFrancisco and “All Good Things” did at Intersection. Other genre appearances include The Supernaturals, a zombie film, as Pvt. Michael Osgood, Superman/Batman: Public Enemies voicing Black Lightning and in another zombie film Rise of the Zombies as Dr. Dan Halpern. Plus his acclaimed reading series.
Born February 16, 1964 — Christopher Eccleston, 58. The Ninth Doctor, who’s my third favorite among the new ones behind David Tennant and Jodie Whittaker. Other genre work includes 28 Days Later, The Seeker, G.I. Joe: The Rise of Cobra (a truly awful film), Thor: The Dark World, The Leftovers, The Second Coming and The Borrowers. He also played Macbeth at the Royal Shakespeare Theatre and the Barbican Theatre.
Not only did his HBO Max series Peacemaker get renewed for a second season, he’s also gotten tapped to star in the upcoming live-action Looney Tunes movie Coyote vs. Acme. The concept is vaguely Space Jam-ish, in that it takes place in a world where humans animated cartoons co-exist. (There’s no basketball this time, though.)
The movie will be directed by Dave Green, whose previous efforts include Earth to Echo and the live-action (with CGI) Teenage Mutant Ninja sequel, Out of the Shadows. The premise is actually based on a 1990 New Yorker article titled “Coyote v. Acme” by Ian Frazier. (You can read it here.) Here are the specifics of the plot, via Deadline:
The film follows Wile E. Coyote, who after ACME products fail him one too many times in his dogged pursuit of the Roadrunner, decides to hires a billboard lawyer to sue the ACME Corporation. The case pits Wile E. and his lawyer against the latter’s intimidating former boss (Cena), but a growing friendship between man and cartoon stokes their determination to win….
Let me ask you about maybe your defining role, your “Star Trek” role. Having experienced discrimination against Japanese Americans during and after World War II, what did it mean to you to as an actor to be able to take a role that didn’t play to the stereotypes of what Hollywood was portraying at the moment?
I immediately recognized that this was a breakthrough opportunity for me. For one thing, it was steady work if it sold. I was just doing guest shots here and there. And secondly, it was a part of the leadership team. A breakthrough opportunity, not only for me, but for the image of Asians and Asian Americans on television. The creator of the show, Gene Roddenberry, was extraordinary. He said the Starship Enterprise was a metaphor for Starship Earth and that it was the diversity of this Earth that the strength of this starship comes from.
Fans snapped pictures of stars David Tennant and Michael Sheen as they prepared to film scenes around the Hippodrome Cinema
They were joined by Dame Siân Phillips, while extras wearing feather-adorned caps and 1920s flapper-style dresses walked around the set….
(16) THE (KAURI) HELMET OF BOBA FETT. [Item by Soon Lee.] New Zealand actor Temuera Morrison, who plays the title character on The Book of Boba Fett, was presented with a carved wooden Boba Fett helmet. “Temuera Morrison honoured in Rotorua with Boba Fett kauri carving” at Newshub.
The carver, Graham Hoete a.k.a. MrG carved it out of native kauri and has shared the video of the gifting.
Exclusive footage (part 1): Presenting the Boba fett Helmet to Temuera Morrison. pic.twitter.com/hBcFpXoZKm
HERE IT IS!????????????????The Final Video just released by @starwars of the FINISHED BOBA FETT helmet i carved for Temuera Morrison. Mauri ora! pic.twitter.com/KNVnpLmbc2
It’s been six years since the last Star Trek movie, but the wait for the next one is coming to an end. J.J. Abrams, director of 2009’s Star Trek and 2013’s Star Trek Into Darkness, announced plans on Tuesday to bring back original cast members for a fourth film.
“We are thrilled to say that we are hard at work on a new ‘Star Trek’ film that will be shooting by the end of the year that will be featuring our original cast and some new characters that I think are going to be really fun and exciting and help take ‘Star Trek’ into areas that you’ve just never seen before,” Abrams said during the Paramount Investors Day Presentation…
(18) RESCUE RANGERS RETURNING. Disney+ will air new episodes of “Chip ‘n Dale: Rescue Rangers” beginning May 20. The lead voice actors will be John Mulaney as Chip, and Andy Samberg as Dale, which is very intriguing casting.
Rescuing the world takes a pair. A comeback 30 years in the making, the hybrid live-action/CG animated action-comedy catches up with the former Disney Afternoon television stars in modern-day Los Angeles. “Chip ‘n Dale: Rescue Rangers” premieres May 20, 2022, exclusively on Disney+.
(19) CAT BURGLAR. [Item by Martin Morse Wooster.] Because this Netflix cartoon is interactive, you can watch this cartoon animal bash-a-thon over and over!
Classic cartoon craziness meets an interactive quiz in CAT BURGLAR. In this Tex Avery inspired toon from the creators of BLACK MIRROR, the viewer helps Rowdy Cat vex Peanut the Security Pup and break into a museum with the goal of making off with a priceless prize. With an average runtime of ten minutes, and over an hour and a half of animation to choose from, the viewer could play CAT BURGLAR a hundred times and never view the same cartoon twice!
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Rob Thornton, Jennifer Hawthorne, Olav Rokne, Soon Lee, Chris Barkley, Michael J. Walsh, John L. Coker III, Steven French, Alison Scott, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]
