Bradbury Art Makes Headlines

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(1) ENGINE 451. The Chicago Tribune ran photos — “New Waukegan train mural honors author Ray Bradbury”.

Pedersen said his work includes lots of trains, “but I had to have a design that was simple and would have an impact. I designed it so you could see what it was from 50 yards away.”

“It’s a universal image, everyone will recognize it’s a train,” Pedersen said. “I drew up the sketch and they liked it.”

Pedersen, who recently moved to Waukegan, said he enjoys the other murals around the city. He said he was walking down Sheridan Road when he noticed the wall and thought, “that would look a lot better with a mural.”

As a tribute to Waukegan author Ray Bradbury, Pedersen numbered the old engine 451 in honor of Bradbury’s book Fahrenheit 451.

(2) WALK IN WAUKEGAN. Bradbury’s birth city plans a walking tour and history exhibit next weekend.

Ray Bradbury Twofer

(3) FATHER ELECTRICO. On Facebook, director John Sasser made a quick progress report about the documentary Father Electrico: Ray Bradbury Lives Forever, starring Ray Bradbury and sculptor Christopher Slatoff.

Today we completed the final edit of the film! Next up is to get the score complete and then it should be ready to start entering in film festivals.

 

(4) LETTER FROM IRELAND. For sale at Captain Ahab’s Rare Books, Ray Bradbury’s two-page TLS to Dolph Sharp, December 10, 1953.

Bradbury, Ray. TWO-PAGE TLS TO DOLPH SHARP, DECEMBER 10, 1953.Dublin: S.i., 1953. Letter typed on both sides of a single 5″ x 7″ sheet of blue gray stock; 48 lines (approx.300 words); signed “Ray” (in ink) next to the author’s small self portrait. Folded once, with tiny staple holes at margins; Near Fine. Offered together with the original, roughly-opened mailing envelope.

A wonderful early and revealing letter from a young Ray Bradbury to Dolph Sharp, written from the Royal Hibernian Hotel in Dublin, Ireland and mailed shortly after from Paris, France. Sharp was an author and long-time friend of Bradbury’s who ran a writers group which met in his Hollywood Hills home. Sharp’s daughter E.E. King recalls that shortly after 1948, “Ray Bradbury, Sanora Babb, Wilma Shore, Joseph Petracca, Elliott Grennard and Ben Maddow convened at our home in the Hollywood Hills and shared their stories over pastrami on rye…for over 30 years, they came to Blair Drive…Gathering around the coffee table, they would read their works and comment on one another’s projects. There were drinks and smokes and laughter…always laughter. I remember hearing Ray read the drafts of The Halloween Tree, which started as a painting, then became a short story, then a screenplay and finally a novel. Ray loved words. He was drunk on language. For thirty years, these were always the best of times in our house” (see: http://inkubate.com/history-of-the-writer-as-a-young-girl-2/). Bradbury presses Sharp for details on any progress or successes regarding his work and that of his fellow group members; “There were so many good stories coming there for a time, one after another; certainly one of them must have sold!” He goes on to relay his own progress at writing the script for John Huston’s adaptation of Moby Dick (1956); “I’ve written some 150 pages in order to finished [sic] 77 pages of useable script…Huston seems very happy with the work. Gregory Peck is coming over next Sunday for a visit; he’ll be Ahab, you know. Leo Glenn will be Starbuck.” Perhaps the most revealing passage relates to Bradbury’s disappointment at the reception of his first novel, which was released just two months in advance of this letter: “Will look forward to your opinion on FAHRENHEIT 451 when you have the time. It didn’t make the splash I rather hoped it might. But then – things never do work out quite as planned. I’m damn lucky anyway.” A charming and intimate letter, rich in detail, to a significant individual in the author’s creative circle; scarce thus.           $1,950.00

Bradbury TLS p 2

(5) THE BIG READ. In LA, The Big Read continues to celebrate the author of Fahrenheit 451.

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  • 25 June, Saturday – 1:00 -4:00 PM

F451 TYPE-IN

Community celebration of creative typewriting, the process employed by Ray Bradbury to write his science fiction masterpiece, Fahrenheit 451. Louise Marler in partnership with THE BIG READ LA brings the F451 Type-In to Beyond Baroque again. The Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest. With multi-disciplinary arts and activities involving typewriters, all are welcome to bring their own typewriter, use one provided, write interactive poem, type thank you letters, etc. The afternoon will be full of inspired Reading, Writing, and Typing.

For more information visit organizer Louise Marler’s website here.

  • 25 June, Saturday – 4:00 PM to 6:00 PM

THE BIG READ PRESENTS: FAHRENHEIT 451

The Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest.

www.NEABigRead.org Local writers and poets read selections from Ray Bradbury’s science fiction masterpiece, Fahrenheit 451. Featuring: Carlye Archibque, Greg Cope White, Anna Urena & more TBA! Free to all.

  • 25 June, Saturday – 6:00 – 9:00 PM

F451 OPENING ART RECEPTION

A curated group of visual artists whose work centers on literature, language and typewriters will be on display simultaneously. In salute of the author’s work, Marler’s “Ray Bradbury TypOwriter” mixed media art is featured.

Bradbury’s 1947 Royal KMM typewriter art features a blazing writing machine surrounded by burnt text, inspired by “Fahrenheit 451.” This stunning work as well as the giclée limited-edition is offered for sale at the event with a portion of the sales being donated towards journalism scholarships through the Jim Murray Memorial Foundation.

Select Mexican students, inspired by reading “Fahrenheit 451,” artwork will be included with national and regional known artists. Free to all.

(6) ICE CREAM SUIT. South Pasadena will host a showing of The Wonderful Ice Cream Suit.

Screening of Ray Bradbury’s “The Wonderful Ice Cream Suit”, a Disney film, will be presented on Thursday, June 23 at 7:00 p.m. The Fantasy/Comedy/Drama stars Edward James Olmos, Joe Mantegna, Esai Morales, and Sid Caesar. Joe Mantegna will be on hand to introduce the film with his personal tribute to Ray Bradbury who helped start his professional acting career when he hired him for the theatrical version at the Organic Theatre in Chicago in 1974. Mantegna is currently the star of the popular, long-running CBS TV series “Criminal Minds.” Robert Kerr, from the Ray Bradbury Pandemonium Theatre Company, will offer his reflections of his experiences performing the play “The Wonderful Ice Cream Suit” at the Fremont Centre Theatre in South Pasadena with Bradbury in attendance. The Community Room, located at 1115 El Centro Street, will open at 6:30 p.m. The film is rated PG and is presented by the South Pasadena Public Library, the South Pasadena Arts Council (SPARC), and the Friends of the South Pasadena Public Library. Refreshments will be provided and no tickets or reservations are necessary. Special thanks to the Friends of the Rialto Theatre, David Marchan, John King Tarpinian, and David Lyons/Pro Outdoor Movies

Ice cream suit at SP Lib

(7) THOSE WERE THE DAYS. In February 2010, Mystery & Imagination Bookshop hosted the Bleeding Edge Signing, and the notables present that day can be seen in this video.

William F. Nolan stalks the aisles at 0:25. Earl Hamner Jr. arrives around 1:50. The first Bradbury sighting comes about 2:04. George Clayton Johnson at 2:30.

Norman Corwin sits to the right of Bradbury. Also in there: John Shirley, James Robert Smith, Cody Goodfellow, Lisa Morton, Earl Hamner, John Tomerlin, Dennis Etchison, John Skipp, Paul J. Salamoff, and Pete Atkins.

Pixel Scroll 6/14/16 The Scroll Above The Port Was The Color of a Pixel, Encoded in a Dead Website

(1) BIG CON BUSINESS. At ICv2 Rob Salkowitz analyzes “Three Convention Trends We Could Do Without”, art scammers, pay to (cos)play and –

Indifference to fan experience. The rising prominence of cons means more and more families and individuals plan vacations and big-ticket trips around these experiences. The expectations are higher, and more at stake for the business in delivering great experiences.

Naturally, each year, there are always a few bad cons, and bad moments at good cons. These are complex events to organize, and well-meaning folks can get in over their heads. I find it’s best to never attribute to malevolence what can adequately be explained by incompetence.

But as the industry becomes more competitive and conventions become more templated, it’s easy to see how organizers can get so focused on the “best practices” for separating fans from their money that they lose sight of the big picture: that this whole business is built on fun and passion.

The more shows become dependent on tightly-booked celebrities, the more likely that some fans will get the runaround. It’s already astounding to me how much some fans will put up with – and spend – to get a few seconds and a photo with a famous media personality. But when cons lose control of this process, either because they are not following through on little details like whether the photos actually came out properly, or because they are having a behind-the-scenes business dispute with their talent, as happened at Houston’s Space City Comic Con a few weeks ago, it’s the fans who suffer.

(2) THREE BODY. Carl Slaughter delivers another awesome interview: “Liu Cixin, The 3 Body Problem, and the Growth of SF in China”. Where? Here!

CARL SLAUGHTER: Why was science fiction not taken seriously in China until several years ago?

LIU CIXIN: Actually, the 80s was a peak period for Chinese science fiction.  Some books during that period sold as many as 4 million copies.  When public officials deemed parts of science fiction socially unhealthy, publishers went through a slump.  In the 21st century, science fiction in China made a comeback.  This might be related to China’s modernization.  Modernization focuses people’s attention on the future.  They see the future as full of opportunities, as well as crisis and challenges.  This set the stage for the development of science fiction and an interest in this literary form.

(3) GAMER. In “Guest Post: Better Sci-Fi Through Gaming, by Yoon Ha Lee”, the author talks about growing up gaming, for the B&N Sci-Fi & Fantasy Blog.

Not that I needed writing a novel an excuse to play games, mind you. But it made for useful background. One of the major characters in the novel basically is a game designer; he comes  from the Shuos faction, which likes using games and game design in its pedagogy. It’s something I can trace back to my excellent 8th grade teacher Mr. Capin, who taught social studies and made use of simulations. I’ll never forget the Middle East sim, in which the class was divided up into different nations. I was assigned to “Israel.” Mr. Capin also played the role of the USA, and from time to time, the “USA” would drop “foreign aid” on us. The other groups hated us instantly. Another time, we did the “Roman Senate,” with Mr. Capin playing the role of “Julius Caesar.” He gave me the opportunity to try to stop him, so long as I didn’t spoil what was to come. I was insufficiently persuasive, and he assassinated me. (I have never been prouder to have a teacher announce, “Senator Yoon is dead.” God knows, that’s the closest I’ll ever come to a government position!) It was very visceral, and I’ve never forgotten how vivid the lessons became in that format.

(4) GHOSTBUSTED. “Doc” Geressey, a fixture at cons in NC, SC, and VA for several years, known for having a very exact Ghostbusters replica vehicle and dressing up as a Ghostbuster with friends, has been charged with soliciting a child on social media.

The Gaston Gazette reports:

Michael “Doc” Robert Geressy, 36, of South New Hope Road, has been charged with soliciting a child for sex act by a computer and appearing to meet a child.

Detectives with the Lincolnton Police Department conducted an undercover sting operation involving Geressy. An officer posed as a 14-year-old child on social media. Geressy reportedly discussed meeting to engage in sexual activity.

When Geressy arrived at the predetermined location and was arrested, he was wearing a black suit, tie and sunglasses, police said, like characters in the movie, “Men in Black.” Geressy showed up driving a 1987 Ford Crown Victoria that is a replica of the car used in the movie, according to reports. The vehicle had emergency light equipment as well as after-market toggle switches to replicate the car seen in the movie, police say.

Another member of The Carolina Ghostbusters told the reporter that the group disbanded a year ago, however, they were advertised as appearing at XCON World in Myrtle Beach last month.

carolina_ghostbusters

(5) MESZAROS OBIT. Michu Meszaros, an actor who brought the titular alien in ’80s sitcom “Alf” to life, has died reports Variety. He was 76.

I had no idea – I thought Alf was a puppet….

(6) TEMERAIRE. Kate Nepveu reviews the series finale: “The Temeraire Series Sticks the Landing: Non-Spoiler Review of League of Dragons”, at Tor.com.

Let me put the conclusion up front: League of Dragons sticks the landing, and if you like the series overall, you should read it. It handles gracefully the general challenges of concluding a long series, and it has lots of the best parts of the series to date, and not that much of the worst.

The general challenges are, by this point, fairly well known. The final book of a long series has to address long-standing problems, without being boringly obvious; surprise the reader, without being unfair; maintain continuity, without letting past decisions unduly constrict the story; and give the reader a satisfying sense of where the important characters wind up, without overstaying its welcome.

I think League of Dragons does well on all these fronts.

(7) A PG-RATED DRAGON. Disney dropped the official trailer for Pete’s Dragon today.

(8) TODAY IN HISTORY

  • June 14, 1938 — The first Superman comic book — Action Comic No. 1 — was published

(9) TODAY’S BIRTHDAY BOYS

  • June 14, 1909 – Burl Ives, the voice of Gepetto in a Pinocchio TV movie, and Sam the Snowman in Rudolf the Red Nose Reindeer, who also had a role in an episode of Night Gallery.
  • June 14, 1949 – Harry Turtledove

(10) WHY WAIT FOR THE MOVIE? Based on viewing the trailer, BBC popular culture writer Nicholas Barber gives the Ghostbusters remake a thumb’s-down, but only for the “right” reasons: “Why the sexists get Ghostbusters wrong”.

Fast-forward 32 years, and it doesn’t look as if much of that innovation and counter-cultural grubbiness has made it into the new film. From what we have seen of it so far, Feig’s version will be a slavish copy of Reitman’s – right down to the cameos by Slimer and the Stay-Puft Marshmallow Man – except with bright and shiny CGI replacing practical effects, and all-for-one togetherness replacing cynical opportunism. But the one thing it has got right is its casting. After all, the Ghostbusters were always meant to be unconventional underdogs. They were meant to be the last people you would expect to save the world from demonic forces – just as the film as a whole was meant to challenge your preconceptions of what a summer blockbuster could be. And one ingenious way to give both the new film and its protagonists that pioneering freshness is to have women in the lead roles.

(11) RADIANCE. Speculiction hosts Jesse Hudson’s “Review of Radiance by Catherynne M. Valente”.

Working with the art of filmmaking, the relationship between the fictional and the real, and Hollywood of old, Radiance is a novel that possesses every ounce of Valente’s literary awareness and fervor for language. Paul Di Filippo calls it “uncategorizable fantastika,” which is, in fact, a shortcut from Valente’s own more complex but accurate description: “a decopunk pulp SF alt-history space opera mystery.” Dynamic to say the least, the milieu is never allowed to desiccate into simple retro-pulp homage, going further to tell a rich, multi-faceted tale of one woman’s life and legacy in Hollywood’s Golden Age—or what it would have been were the solar system alive with humanity.

(12) MONEY IN HAND. Buy a first edition of Logan’s Run, signed and decorated by Bill Nolan, from Captain Ahab’s Rare Books.

  1. Nolan, William F. and George Clayton Johnson. LOGAN’S RUN – INSCRIBED TO HERB YELLIN. New York: The Dial Press, 1967. First American Edition. First Printing. Octavo (23cm); red pebbled paper-covered boards, with titles stamped in black on spine; dustjacket; [10], 134pp. Inscribed by the author to his long-time friend and publisher on the half-title page: “A GEN-U-INE LOGAN 1ST!! / To Herb, with hand, and with friendship, Bill Nolan / June 4, ’80.” At the center of the page Nolan has drawn an open hand with crystal disc in red, blue, and black ink; he has also tipped a typed 41-line bio of himself (measuring 2.75″ x 3.5″) onto the opposite page. Pinpoint wear to spine ends and corners, with upper rear board corner gently tapped (though still sharp); very Near Fine. Dustjacket is unclipped (priced $3.95), lightly shelfworn, with a few short tears, shallow loss at crown, with a few small chips along edges of front panel; an unrestored, Very Good+ example.

Nolan’s best-known work, a novel which takes place “after a strange act of nuclear terrorism, forcing the remaining population into underground keeps; a youth culture takes over, instituting the dystopian rule that all those over twenty-one must be killed to combat overpopulation” (Encyclopedia of Science Fiction). Basis for Michael Anderson’s Oscar-nominated 1976 film, starring Michael York and Farrah Fawcett. Sargent, p.144.             $1,750.00

Logans Run nolan auto

(13) SIMAK FAN. The Traveler at Galactic Journey is excited about this recently-completed serial: “[June 14, 1961] Time is the simplest thing… (The Fisherman, by Clifford Simak)”.

If you’re a fan of Cliff’s, you know that he excels at writing these intensely personal stories, particularly when they have (as this one does) a rural tinge.  The former Fisherman’s transformation into something more than human is fascinating.  Blaine’s voyage of self-discovery and self-preservation is an intimate one, a slow journey with a growing and satisfying pay-off.  The pace drags a little at times, and Simak adopts this strange habit of beginning a good many of his sentences with the auxiliary words “for” and “and,” which lends an inexorable, detached tone to the proceedings.

Still, it’s an unique book, one that I suspect will contend for a Hugo this year.  It single-handedly kept Analog in three-star territory despite the relative poor quality of its short stories and science articles.

I won’t spoil things for The Traveler by blabbing about what else came out in 1961 if you won’t….

(14) THE SPY WHO SLAGGED ME. James Bond vs Austin Powers – Epic Rap Battles of History – Season 5.

[Thanks to Laura Haywood-Cory, Chip Hitchcock, Hampus Eckerman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 6/7/16 Pixel Sally, Guess You Better Scroll That Pixel Down

(1) THE WAY TO LIVE IN FANDOM. In “A few post-Wiscon thoughts on being an ally” Sigrid Ellis covers several topics, and this segment speaks to fans far beyond the environs of WisCon.

Here’s the thing: if the fates are kind, all of us will one day be old in fandom. Two, three, four generations will pile in after us, building on what we have fostered. We, too, will be pushed to the margins and passed by.

Yet my heart and head are with the youth. With the future. I cannot bring myself to condemn change that spreads power among more people. I cannot argue against hearing more people tell their own stories. I cannot stand against representation, inclusion.

And yet, and yet, and yet …

What I want, what a crave, is for people to LISTEN to each other. To empathize. I want the young’ns to thank those who came before for their victories, however incremental. I want the founders and established folks to respect the anger and impatient demands for change. I want the next generation to not throw out everything just because it was done before. I want the previous generation to avoid “because we always do it this way” as a reason.

When I hear some Old Fart say something dismissive and intolerant, I wince. I want to prevent my respected elders from showing their ass in public, I want to cover for them, I want to protect them from being overheard.

When I hear some Young Turk calling to burn it all to the ground and start again, I wince. I want to run interference, I want to soften their demands, I want to compromise and meet them halfway.

(2) WHAT IT’S ABOUT. In a piece for Bloomberg, “’Star Wars’ Is Really About Feminism. And Jefferson. And Jesus”,  Cass Sunstein has excerpts from his book The World According to Star Wars.

….Like a great novel or poem, Star Wars doesn’t tell you what to think. You can understand it in different, even contradictory ways. Here are six of those ways.

Feminism

From the feminist point of view, is Star Wars awful and kind of embarrassing, or actually terrific and inspiring? No one can doubt that “The Force Awakens” strikes a strong blow for sex equality: Rey is the unambiguous hero (the new Luke!), and she gets to kick some Dark Side butt. Just look at the expression on her face when she has a go at Kylo Ren.

By contrast, the original trilogy and the prequels are easily taken as male fantasies about both men and women. The tough guys? The guys. When you feel the Force, you get stronger, and you get to choke people, and you can shoot or kill them, preferably with a lightsaber (which looks, well, more than a little phallic — the longer, the better).

But there’s another view. Leia is the leader of the rebellion. She’s a terrific fighter, and she knows what she’s doing. She’s brave, and she’s tough, and she’s good with a gun. By contrast, the men are a bit clueless. She does wear a skimpy costume, and she gets enslaved, kind of, by Jabba the Hutt. But isn’t everything redeemed, because she gets to strangle her captor with the very chain with which he bound her? Isn’t that the real redemption scene in the series?

(3) SISMAN OBIT. Publisher and novelist Robyn Sisman (1955-2016) died May 20 of cancer reports The Bookseller.

She began her career in publishing at Oxford University Press where she worked her way up to become an editor.

She later became an editorial director at J M Dent and created two publishing imprints – Everyman Fiction, a list of contemporary fiction; and a classic crime line, which included writers such as Nicholas Blake (Cecil Day-Lewis), Margery Allingham, and Kingsley Amis.

Malcolm Edwards believes she commissioned the first Interzone anthology at Dent.

Sisman then joined Hutchinson, part of the Random House group, via a stint at the newly established UK arm of Simon & Schuster.

She oversaw publication of Robert Harris’ wartime novel Fatherland, but also such books as Kim Newman’s The Night Mayor and Brian Stableford’s Empire of Fear brought to her attention by an sf advisor.

Sisman’s career as a writer began with her debut novel, Special Relationship, published in 1995 by Heinemann. She wrote five other romantic comedies, Just Friends (Penguin), Perfect Strangers (Penguin), Weekend in Paris (Penguin), A Hollywood Ending (Orion) and The Perfect Couple? (Orion).

She was married to author Adam Sisman.

(4) TOP DRONE. I don’t know what Luke will go shooting womp-rats with now – “The U.S. Air Force May Have Just Built Its Last Fighter Jet” reports The Daily Beast.

In the direst scenario, Air Force fighters simply won’t survive over enemy territory long enough to make any difference during a major war. In that case, the penetrating counterair system, or PCA, might not be a fighter jet as we currently understand it.

Instead, it could be a radar-evading drone whose main job is to slip undetected into enemy air space and use sophisticated sensors to detect enemy planes—and then pass that targeting data via satellite back to other U.S. forces. “A node in the network,” is how the strategy document describes the penetrating system’s main job.

The Air Force could start work on the penetrating counterair system in 2017, according to the new air-superiority plan. The document proposes that this possible stealth drone could team up with an “arsenal plane”—an old bomber or transport plane modified to carry potentially hundreds of long-range missiles

(5) AERIAL SNACKAGE. Richard Foss was up early to guest on a TV show called Food: Fact or Fiction and wrote a great post about his experiences.

One segment was about the history of food aboard commercial aircraft, the other about food in space, and each had their humorous moments. As part of one I had to eat some airline peanuts, and unfortunately they had brought the sweet kind that I detest. I managed to fake enjoyment when the camera was on, but must have made an interesting face as soon as it stopped, because the cameraman asked if I was choking. When I told him the situation, he complimented me on my acting, because he had thought I loved peanuts as long as the camera was on. The annoying part? They had to shoot the scene three times, so I ate a whole bag of the nasty things.

(6) UP THE AMAZON. John Scalzi delivered “A Tweet Spree on Amazon Authors and Envy” — 17 tweets and a kitten picture. Here’s number 6.

(7) AUGUST BRADBURY SHINDIG. Steven Paul Leiva signal boosted a call for submissions for this summer’s Ray Bradbury Read in LA.

On August 22, 2016, in celebration of the ninety-sixth anniversary of the birth of American and Angeleno literary great Ray Bradbury, the Ray Bradbury Read will take place in downtown Los Angeles from twelve noon to three p.m.

The Ray Bradbury Read will feature three hours of short readings from the works of Ray Bradbury; from his short stories, novels, poems, and essays…

The readers of Bradbury’s work will be members of the public selected by the process described below. There will also be guest celebrity readers….

To be considered as a reader you must submit a proposal for a reading of a five-minute-or-under excerpt from one of Bradbury’s many works. The excerpt can come from any of Ray’s published prose and verse writings and should have a central theme, coherence, and completeness about it. More than one excerpt or poem can be read, as long as their reading time does not exceed five minutes. Excerpts from plays and screenplays will not be accepted.

Ray Bradbury Read 8 22

(8) WALK THROUGH MGM. Marc Scott Zicree, Mr. Sci-Fi, visits the former MGM, where Twilight Zone was shot.

(9) DO ANYTHING ELSE IF YOU CAN. William F. Nolan wrote on Facebook:

A major misconception: that all famous, successful writers find it easy to bring in vast amounts of money and have always enjoyed big bucks, right from the start of their fabled careers. Nothing could be farther from the truth. Stephen King had his phone cut off for non-payment and had to use a gas station phone to receive calls while sweating for low pay in an industrial laundry. Ray Bradbury lived on tomato soup for years as his stories were rejected. Charles Beaumont had to hock his typewriter for food. Richard Matheson nearly starved trying to live on random, penny-a-word sales. Just a few examples from many. It takes talent, hard work and a LOT of years to “make it big” as a writer. And most writers never do. A tough game, people. Very, very tough indeed. Write if you must — but ONLY if you must.

(10) NOT A STRANGER. ScienceFiction.com shares “Strange Opinion: Bob Gale Of ‘Back To The Future’ Is Not Happy About ‘Doctor Strange’”.

In a recent interview with MoviePilot, Bob Gale let his opinion be known about Marvel’s upcoming ‘Doctor Strange’ movie, a film that he is not looking forward to. While you might think “Who the hell is Bob Gale?” and “Why does his opinion matter on this?” let me tell you, I had similar thoughts. I knew he was a writer/producer on the ‘Back to the Future‘ movies back in the 80?s (and has done little else since, except for ‘Back to the Future’ video games and promos, and the ride at Universal Studios), and I thought it was very strange that years later the man would pop up again with comments on a Marvel movie. However, Bob Gale having an opinion on the matter is not as strange as I originally thought, as it turns out that back in the 80s (at the height of his relevancy) the man wrote a screenplay for ‘Doctor Strange,’ which unfortunately never got made. Apparently Bob Gale is a huge ‘Doctor Strange’ fan and an expert on the character, which is why he tried to get his movie made, and also why he feels so strongly about Marvel’s upcoming film featuring the character.

Of course I’d listen to Bob Gale’s opinion. He majored in film at USC. More important, that’s how he happened to take me (a fellow USC student) to the first LASFS event I ever attended, the club’s 1970 anniversary dinner, where Harlan Ellison read aloud “Beast That Shouted Love at the Heart of the World.” He can say anything he likes about Doctor Strange as far as I’m concerned. 😉

(11) FANTASY TOURISM. The B&N Sci-Fi & Fantasy Blog has “Rough Guides to Getting Around Single-Climate Planets”.

Ursa Beta Minor (The Restaurant at the End of the Universe, by Douglas Adams) Introduction: The Pleasure Planet Ursa Beta Minor was designed, manufactured, and terraformed to be the ultimate vacation destination. The planet is comprised completely of warm oceans and thin strips of beach front. It is always Saturday afternoon, and the bars are always open. In fact, as you read this, you’re wondering why anyone would travel to any other single-climate planet, and frankly we have to agree with you.

Where to Go: Aside from the beaches and the bars, there is only one other destination: Light City, the capital city. While in Light City, visit the headquarters of the Hitchhiker’s Guide to the Galaxy, which will be very disappointing, but afterwards you can stroll down Life Boulevard and walk past the shops that literally no one is wealthy enough to afford.

Getting There and Getting Around: You’ll need a ship equipped with some sort of Infinite Improbability Drive, or at least a Bistromatic Drive. Once in orbit, you can only arrive by air, as the owners really want you to see Light City from up there, or else the whole trip is a waste.

(12) APPERTAIN YOURSELF A LIBATION. Stoic Cynic in a comment:

Apropos of nothing in this thread (yet), and with apologies to Johnny Mandel, Mike Altman, the cast of MASH, and various posters toasting world peace:

Through early morning fog I see
Another troll post on the screen
Their words that are meant to rile me
I realize and I can see

That scrolling past is painless
It brings on many changes
And I can take or leave it
If I please

Games of trolls are a loss to play
Not gonna feed it today
That losing card I’ll some day lay
But right now though I have to say

That scrolling past is painless
It brings on many changes
And I can take or leave it
If I please

Their words are time we’ll not see again
It doesn’t hurt when it begins
But engage and get all drawn in
The loss grows stronger, watch it grin

Scrolling past is painless
It brings on many changes
And I can take or leave it
If I please

Sea Lions once demanded me
To answer questions they thought key
Is it to be, or not to be?
And I replied, oh why ask me?

Scrolling past is painless
It brings on many changes
And I can take or leave it
If I please

And you can do the same thing
If you please

[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, Stoic Cynic, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 4/14/16 I’m Sure That Was Polite On Some Planet

(1) GOOD NEWS. The Guardian reports — “Good Omens: Neil Gaiman to adapt Terry Pratchett collaboration for TV”.

Neil Gaiman, the author and longtime friend of Sir Terry Pratchett, has announced he will be writing the adaptation of their co-authored novel Good Omens for the screen.

Gaiman had previously said he would not adapt their 1990 fantasy novel about the end of the world without Pratchett, who died in March 2015 from a rare form of Alzheimer’s disease. Before his death, Gaiman wrote a BBC Radio 4 adaptation of Good Omens, which broadcast in 2014 and included a cameo from Pratchett; at the time, Gaiman said he had agreed to adapt it because: “I want Terry to be able to enjoy this while he’s still able to.”

But Gaiman, who flew into London on Thursday night for a memorial event for Pratchett at the Barbican, announced to whistles and cheers that he would be personally adapting the book for television. He said he had been spurred to change his mind when he was presented with a letter from Pratchett, intended to be read after his death….

But Wilkins revealed to the audience that Pratchett had left a letter posthumously for Gaiman. In the letter, Pratchett requested that the author write an adaptation by himself, with his blessing. “At that point, I think I said, ‘You bastard, yes,’” Gaiman recalled, to cheers.

“How much are we allowed to tell them?” Gaiman teased, before he was hushed by Wilkins. “Are we allowed to tell them it is a six-part television series?”

(2) GOOD VIEWS. Andrew Liptak explains how The View from the Cheap Seats Offers a Revealing Look into the Corners of Neil Gaiman’s Mind” at B&N Sci-Fi & Fantasy Blog.

…I’ve done all of these things, and yet somehow, it took the release of his new collection, The View from the Cheap Seats, to realize [Neil Gaiman’s] nonfiction is as compelling as the stories that have bewitched our imaginations.

The book assembles the best of Gaiman’s essays, introductions, speeches, and other musings. They’re generally brief—a couple of pages—but each speaks to his unique worldview so exactly, you can’t help but hear his distinctive voice in your head as you read. Each offers an enlightening peek into his unusual life and his passion for books and writing, from his close friendship with Tori Amos, to the genius of Gene Wolf and Harlan Ellison, to the value of libraries.

(3) HE HAS TWO LITTLE LISTS. Nick Mamatas points out that he made both Vox Day’s “Rampaging Puppies” slate of Locus Awards recommendations (for Hanzai Japan: Fantastical, Futuristic Stories of Crime From and About Japan, Nick Mamatas & Masumi Washington, eds.) and more recently, The Complete List of SJWs.

(4) THEY LIKE LEATHER. Well, Chauncey, there’s something I never expected to see. What’s that, Edgar? A leather-bound edition of Logan’s Run by William F. Nolan and George Clayton Johnson. From the Easton Press.

(5) THE POWER OF FIVE. Samantha Mabry discusses “Five Books That Carry Curses” at Tor.com.

The Brief Wondrous Life of Oscar Wao by Junot Díaz (2007)

“Because no matter what you believe, fukú believes in you.” The opening pages of Díaz’s novel are dedicated to explaining the curse that perpetually plagues the Wao family. This particular curse, otherwise known as fukú, apparently originated in Africa and traveled across the Atlantic to sink its fangs into the modern-day Dominican Republic. It’s tied to ancient history and a more recent bad man, and it’s carried through generations (sorry, Oscar). It’s inescapable, rears its head during all stages of Oscar’s short life, causing him all manner of personal turmoil, and can certainly be tied to his eventual demise.

(6) FANTASTIC BEASTS. Missed this one over the weekend — “Wizards Take Manhattan in New ‘Fantastic Beasts’ Trailer”.

But in the new trailer, revealed during the MTV Movie Awards on Sunday night, we get the full story of his coming to America and 1920s New York, including a stop at Ellis Island, where he uses some crafty magic to hide a title Beast from customs. (Watch the clip above.)

A voiceover notes “just like your suitcase, there’s much more than meets the eye” and then reveals Scamander’s backstory: Kicked out of Hogwarts for his beastly experiments, he still has the support of none other than future headmaster Albus Dumbledore himself.

(7) ACCORDING TO CUSTOM. Lawyer Lawrence M. Friedman perked right up when the litigation hit the screen — “Batman v. Superman and Import Licenses” at Law and the Multiverse.

Heading into Batman v. Superman: Dawn of Justice, I had some trepidation mixed with anticipation. You’ll have to judge the movie for yourself. My short review is that it is filled with great fan service and universe building, but continues to mistreat Superman as a character. To make up for that, Wonder Woman is great and Ben Affleck is perfectly good in the cowl and cape. That’s all I will say on the quality of the movie. What about the legal issues?

Very early in the movie, it becomes clear that Lex Luther and Lexcorp could use my professional help. Explaining why requires at least a minor spoiler. Consider yourself warned.

Following the events of Man of Steel, it becomes obvious to Lex Luther that kryptonite might be a useful tool to combat Superman and potentially other Kryptonians. One of his scientific henchmen, listed in the credits as Emmet Vale, finds a sizeable chunk in the Indian Ocean. As a side note, the existence of a potential “Professor Vale” in this universe is not good news for Superman. As a plot device, Luther realizes that he needs an import license and begins lobbying a Senator played by Holly Hunter for permission to import the kryptonite.

As a customs and trade lawyer, I may have been the only person in the theater to sit up just a little when I heard that. I lost the next couple minutes wondering to myself whether that would, in fact be true. Would Lexcorp, or any other legally compliant importer, need any kind of license to import a chunk of Kryptonite?…

(8) DAVID PROWSE GUESTS. SFFANZ spotted the new episode of web series Mission Backup Earth:

The series follows the struggle of humanity to colonize a habitable exoplanet.

In the near future, a cosmic catastrophe hits the Earth without warning. Unforeseen by any scientist, the Sun transits rapidly into a red giant. Having no choice, mankind must escape the solar system. The survivors become space nomads, seeking a viable replacement for Earth.

David Prowse has given a guest appearance in the new Episode and plays the scientist who develops the mission to save human kind from extinction.

 

(9) TEACHING WRITING. SF Site News has the story: “Julia Elliott Wins Shared World Residency”.

Julia Elliott has won the Shared World 2016 Amazon Writers-in-Residence. She will attend the Shared World Writers Workshop for teens at Wofford College in South Carolina, where she will meet with the aspiring authors and help teach and guide them in conjunction with the workshop’s other authors.

(10) TUNE CARRIER. John Scalzi sounds like the “stone soup” of vocalists – add a few ingredients and what a singer he’ll be!

(11) COURT SAYS DEITY IS NOT. The Register has the verdict: “Flying Spaghetti Monster is not God, rules mortal judge”.

A United States District Court judge has ruled that Pastafarianism, the cult of the Flying Spaghetti Monster (FSM), is not a religion.

Stephen Cavanaugh, a prisoner in the Nebraska State Penitentiary, brought the case after being denied access to Pastafarian literature and religious items while behind bars. Cavanaugh argued that he is an avid Pastafarian, has the FSM tattoos to prove it, and should therefore be allowed “the ability to order and wear religious clothing and pendants, the right to meet for weekly worship services and classes and the right to receive communion” while on the inside.

Prison officers denied his requests on grounds that Pastafarianism is a parody religion.

Judge John M. Gerrard agreed with the prison officers’ argument, noting that Pastafarianism was cooked up as a response to Intelligent Design being taught in the State of Kansas. The decision to teach Intelligent Design was justified as it being one of many widely-held religious beliefs about the origins of the Earth. Activist Bobby Henderson devised Pastafarianism Flying Spaghetti Monster as a riposte, claiming that it, too, was a widely-held belief and that it should also be taught in Kansas’ schools….

Judge Gerrard was not impressed by those offshore cases, quickly deciding that FSMism is a parody, not an actual religion. Nor was he impressed by Cavanaugh, who had a rather poor grasp on Pastafarianism’s key texts, which the judge took the trouble to read….

(12) GARETH THOMAS OBIT. Star of a TV series that gained a cult following, Gareth Thomas (1945-2016), who played Roj Blake on Blake’s 7 died Wednesday reports the BBC.

Yet he remains best known for Blake’s 7, which ran on BBC One from 1978 to 1981.

At its peak, the series was watched by 10 million viewers and was sold to 40 countries.

Thomas claimed never to have watched a single episode of the show, which was derided by some for its shaky sets and basic special effects.

The show also had a distinctly pessimistic tone – typified by the final episode, in which all the main characters were apparently killed off.

(13) TODAY IN HISTORY

(14) TODAY’S BIRTHDAY GIRLS

  • Born April 14, 1936 Arlene Martel
  • Born April 14, 1977 — Sarah Michelle Gellar

(15) TODAY’S BIRTHDAY BOY

(16) PLOWING SEASON ON TATTOOINE. The Hollywood Reporter says the dirt is flying — “Disney Breaks Ground on Star Wars Land in California and Florida”.

Disney SW land screen_shot_2016-04-14_at_9_17_11_am COMP

“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney.

Disneyland has taken its first steps into a larger world.

On Thursday, the California and Florida theme parks broke ground on their highly anticipated attraction: Star Wars Land.

“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney. “Star Wars-themed lands will be the largest-ever single-themed land expansions at Disneyland Resort and Walt Disney World Resort.”

Along with the update, Disney posted a 360-degree photo from the 14-acre construction site at Disneyland.

The opening date for the attractions has yet to be announced.

(17) NOT A BILL THE GALACTIC HERO REFERENCE. A comic book has the answer to this question.

Star Wars: The Force Awakens left us with a lot of burning questions, but one of the more peculiar ones is about C-3PO: Why did he have a red arm? Today in Star Wars Special: C-3PO #1 from Marvel Comics, written by James Robinson with art by Tony Harris, we got the answer in a story that takes place before the events of Force Awakens.

Warning: beware of full spoilers for Star Wars Special: C-3PO #1!

(18) WITH EXTRA ADDED AVATAR. “James Cameron Announces Four ‘Avatar’ Sequels” says a Hollywood Reporter article. Too bad it isn’t five – then it would be okay to laugh…

Fox ended its Thursday CinemaCon presentation with a surprise guest: James Cameron.

He announced that there will be four Avatar sequels, not the three previously planned. “We have decided to embark on a truly massive cinematic process,” he said.

Cameron said as he was planning the three sequels, he found it limiting. “We began to bump up against the limitations for our art form,” he said, explaining that he decided he would need more sequels to tell the whole story.

He said each of the four sequels will be able to stand alone, but will together create a saga. His goal is to release Avatar 2 at Christmas 2018 and the a new film in 2020, 2021 and 2022.

“I’ve been working the last couple of years with a team of four top screenwriters,” he said, “to design the world of Avatar going forward: The characters, the creatures, the environment, the new cultures.”

(19) X BERATED. Not everyone is sanguine about the company’s chance of handling Star Wars with kid gloves – consider the faux“Disney/Pixar’s X-WINGS Movie Trailer” from Big Bee Studio.

What happens when the people who made Cars & Planes get their hands on Star Wars? X-Wings. That’s what happens.

 

[Thanks to John King Tarpinian, Steven H Silver, David K.M. Klaus, Chip Hitchcock, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 3/6/16 Life During Scrolltime

(1) MODERATE TO HEAVY PUPPIES. Standback contributes “A Moderate Conversation Re: Sad Puppies”.

So to some extent, this is a sufficient answer to Stephanie’s question. Why is there so much vitriol against the Puppies? Because we’re on the internet, where it doesn’t take a whole lot to escalate an argument over Best Brand of Pasta into virtual knifings…..

To start things off: I would say I understand the core Puppy complaints, and agree with many of them (to varying extents).

I definitely see a shift in the “focus” of the genre, even if I’d be hard-pressed to nail it down to a definition (not unreasonable, in a genre still best-defined as “what we point to when we say it”). The disproportionate influence of particular groups and fandoms has been raised and enthusiastically argued over in the past (e.g. [1] [2] [3]). And I think there’s been a lot of snubbing, condescension and ad-hominem attacks coming from non-Puppies. Which they often don’t notice, or consider justified. (Scott Alexander’s I Can Tolerate Anything Except the Outgroup springs to mind, as it so often does.)

I won’t go over the Puppy grievances one by one, but I think I can see where all of them are coming from.

(2) DAN SCHNEIDER VIDEO INTERVIEW #68. Steven H Silver says, “Yesterday, Terry Bisson and I were interviewed for a podcast about Alternate History. If you want to hear what I would sound like recording on an Edison cylinder, I imagine this is pretty much it.”

(3) EATING THE FANTASTIC. Scott Edelman’s third episode of his Eating the Fantastic podcast is now live, with guest Bill Campbell.

BillCampbellEatingtheFantastic-300x300

Bill opened up about many things, including the genius of Samuel R. Delany, how Rosarium’s first book Mothership: Tales from Afrofuturism and Beyond gave birth to a new publishing company, the challenges of crowdfunding creative projects, why he was once blacklisted at a convention, and many other topics which I hope you’ll find as fascinating as I did.

Episode four, coming in two weeks, will feature writer Tom Doyle.

(4) REQUESTING MORE CONTENTS, FEWER TABLES. Black Gate continues its Hartwell tribute with “The Books of David G. Hartwell: Visions of Wonder and The Science Fiction Century”. I’m all in favor of paying tribute to Hartwell, I’d just like to see more in these posts than the reprinted tables of contents of his collections.

(5) NAMING CONVENTIONS. Michael J. Walsh observes what a well-Cultured sense of humor Elon Musk displayed in naming his ships.

By January 2016, a total of three ASDSs have been refitted. The first ASDS, named Just Read the Instructions (JRtI), was converted from a barge in late 2014 and was deployed in January 2015 during the CRS-5 cargo resupply mission to the International Space Station in order to provide a landing platform for a test flight of the returning booster stage. It was used for two landing tests through April 2015, and by June 2015, was retired as an ASDS.[1] The second ASDS, named Of Course I Still Love You (OCISLY), was converted from a much-newer deck barge and became operational in June 2015 to support a landing test on the CRS-7 mission.

(6) CRADLE OF SF’S GOLDEN AGE. Robert A. Heinlein’s birthplace in Butler, MO has been listed for sale. The asking price is $97,500.

Geo Rule says “The Heinlein Society will gladly accept a six figure donation to purchase it and turn it into a museum, if you’re feeling generous as well. Well, maybe seven figure to turn it into a museum…”

 

Lou Antonelli takes a selfie at Heinlein's birthplace.

Lou Antonelli takes a selfie at Heinlein’s birthplace.

(7) STATHOPOULOS EXHIBITION. Rejects! The Good, The Bad, and The Ugly, a retrospective of portraits by famed Australian painter Nick Stathopoulos , runs March 28-April 15 at Project 504 Studio in St. Leonards (Sydney). Stathopoulos is a 10-time Ditmar Award winner, who also was a 1999 Hugo nominee in the Best Professional Artist category.

rejects stathopolous

(8) NANCY REAGAN OBIT. Former First Lady Nancy Davis Reagan died today, March 6, at the age of 95. Like her spouse, she had an acting career prior to living in the White House, which included a role in the genre movie Donovan’s Brain. The movie was based on a 1942 horror novel by Curt Siodmak who, showing what a small world it is, lived in those days not far from Robert A. Heinlein’s home on Laurel Canyon.

(9) TODAY’S BIRTHDAY BOYS

  • Born March 6, 1906 — Lou Costello. “Abbott and Costello Meet…  have to be some of the best monster movies,” says John King Tarpinian.
  • Born March 6, 1928 – William F. Nolan
William F. Nolan, Forrest J Ackerman, and Ray Bradbury.

William F. Nolan, Forrest J Ackerman, and Ray Bradbury.

(10) ACE OF HORROR. SF Signal has “5-Time Bram Stoker Winner Jonathan Maberrry on His Prolific Career”

CARL SLAUGHTER: Which of your novels is being adapted by hollywood?

JONATHAN MABERRY: I’m fortunate to have several of my projects in development for film and television. My Joe Ledger thrillers are being developed by Lone Tree Entertainment and Vintage Picture Company as a possible series of movies, likely beginning with Extinction Machine, the 5th in the series. And my vampire apocalypse series, V-Wars, is headed to TV, with a brilliant script by former Dexter head writer, Tim Schlattmann. Several other properties, including Rot & Ruin, The Pine Deep Trilogy, and others, are being discussed.

CS: How long and how hard is the journey to the screen?

JM: Like most writers I’ve coasted the edges of the Hollywood experience for years. There are some frustrations, of course, but that’s part of the game. For example, back on 2007 I co-created a show for ABC-Disney called On the Slab, which was a horror-sci fi-fantasy news program. Disney paid us to develop it and write a series bible and sample script; and then there was a change of management in the department that purchased it. Suddenly the project was orphaned and therefore dead in the water. Another time producer Michael DeLuca (Blade, Magnolia) optioned the first Joe Ledger novel, Patient Zero, on behalf of Sony, who in turn took it to ABC, who hired Emmy Award-winning TV writer Javier Grillo-Marxuach (Lost) to write a pilot. Then after we’d gone a long way toward seeing it launch they decided instead to focus on the reboot of Charlie’s Angels, which flubbed badly. That’s Hollywood. I don’t take this stuff personally, though. And I never lost my optimism.

(11) FRIENDSHIP CALCULUS. Adam-Troy Castro explains “How To Remain My Friend When You Really Hate My Friend”.

I guarantee you, if I am close to Friend X, I know that “Asshole” is part of his Venn Diagram. As it is part of mine. As it is part of yours. I have clearly already made my personal calculations and decided that his other aspects are more important. I may someday change my mind. But it is my mind to change, based on whatever passes between me and Friend X; possibly even depending on what I see Friend X do to Friend Y. But you, who have had a different experience with Friend X, and therefore a different reaction, cannot win this argument with me using words, no matter how eloquently you express everything you find objectionable about him. It is, however, very possible for you to lose it. You can become a bore. You can become a scold. You can just become the distasteful person who always feels obligated to piss on my pal; the guy who gives me the impression that nothing will satisfy him until I start pissing on my pal too. That makes YOU the shithead.

(12) VIRUS WITH A LIBRARY. Nature reports “CRISPR-like ‘immune’ system discovered in giant virus”.

Gigantic mimiviruses fend off invaders using defences similar to the CRISPR system deployed by bacteria and other microorganisms, French researchers report. They say that the discovery of a working immune system in a mimivirus bolsters their claim that the giant virus represents a new branch in the tree of life.

Mimiviruses are so large that they are visible under a light microscope. Around half a micrometre across, and first found infecting amoebae living in a water tower, they boast genomes that are larger than those of some bacteria. They are distantly related to viruses that include smallpox, but unlike most viruses, they have genes to make amino acids, DNA letters and complex proteins.

(13) TO BOLDLY BUILD WHAT NO MAN HAS BUILT BEFORE. Collider explains why “NASA Has Designed a Warp Ship Inspired by ‘Star Trek’s Enterprise”.

When does science-fiction become science fact? Throughout various mediums over the last few centuries, we’ve seen early versions of concepts that would eventually become a reality. Sometimes these portrayals are pretty far off base (still waiting on those flying cars), while other times they feel downright prescient. But in the case of Star Trek and one particular engineer at NASA, science-fiction actually informed science fact, with NASA engineer and physicist Harold White now actively working on a space ship that would allow travel faster than the speed of light—or, for the Star Trek inclined, warp speed.

White announced this idea a few years ago, with the concept seeking to allow travel faster than the speed of light by literally expanding space-time behind the object and contracting space-time in front of it. In reality, the object doesn’t “go fast,” but instead takes advantage of Albert Einstein’s theory of relativity to move between space-time.

If your head has yet to explode, sit tight—in concert with White, designer Mark Rademaker has now created a CGI design concept of the ship that would operate using this theory, which they have aptly named the IXS Enterprise. Per Rademaker in an interview with the Washington Post, the idea behind the concept art serves two purposes: to visualize their idea, and to inspire burgeoning young scientists

(14) PAGING HUGO NOMINEES. George R.R. Martin knows it’s “Nomination Time”. His short fiction recommendation is a needle in a small Venusian haystack.

Last year, however, these three categories were among those most impacted by Puppygate. The slates dominated all three, sweeping the board and shutting out all other work. In the novelette category, a disqualification allowed one non-Puppy nominee to squeeze onto the ballot, and that story ultimately won. In novella and short story, fans unhappy with the choices presented them voted No Award. Understandably, IMNSHO… still, it was not a happy ending. There was some wonderful and powerful work published in these categories in 2014, and it was a shame that none of it could be recognized. (I was proud and pleased to present Alfie Awards to Ursula Vernon for “Jackalope Wives” in short story, and to Patrick Rothfuss for “The Slow Regard of Silent Things” in novella… but we all know that an Alfie is not a Hugo, and in an ordinary year both Vernon and Rothfuss would surely have been contending for a rocket).

That’s last year, however. No amount of rehashing can change what happened. The important thing is to see that it does not happen again. And to that end, it behooves all of us to nominate the short stories, novelettes, and novellas that we enjoyed most last year… to share our thoughts with our friends… to shout our recommendations from the rooftops. Let’s make sure this year’s shortlists truly represent the best of what was published in 2015.

As to my own recommendations…

Ah, there I hit a problem. I am not making any recommendations in these categories. Problem is, I have a conflict of interest. As a writer I did not publish any original short fiction in 2015, true. As an editor, however… well, Gardner Dozois and I co-edited an anthology called OLD VENUS that came out last year, and in my (admittedly less than objective) view, that book contained several stories that are worthy of Hugo nominations, and one that is so bloody brilliant that I think it stands right up there with any story that ever won the Hugo.

I really can’t tell you which one it is, however. Or the names of the other stories in the book that I think worthy of consideration. Look, Gardner and I liked all the stories we included in OLD VENUS. If we hadn’t, we would not have purchased them (and we do reject stories for every one of our anthologies). But we’d be lying if we said we liked all of them equally. There are stories Gardner liked more than I did; there are stories I liked more than Gardner did; there are stories both of us loved, loved, loved. As editors, however, it would be unethical for us to say which were which in public. Just as parents need to maintain devoutly that they love all their children equally and have no favorites, it behooves the ethical editor to take a similar stance toward the stories they purchase and publish.

(15) GIVING KATE A HELPING PAW. Steve Davidson hated to let go to waste the effort he invested on a comment I deleted here the other day. It now has manifested as “Puppy See, Puppy Do-Do” at Amazing Stories.

Kate Paulk recently closed the comments (at the beginning of March) so that they could be compiled and a final list composed.

It’s a little late in the game, especially considering that nominators are kinda expected to read and be familiar with works they’re going to recommend (but that isn’t necessarily an impediment for organized voting), so we’ve decided to help them out a bit and give them a hand up.

We started with one of the most visible categories – Best Novel. The following list contains all of the individual works mentioned in the comments. We did not verify eligibility (although most, if not all of the works seems to meet that criteria). When judging whether or not someone recommended something, we took “Plus 1” and “Me Too” to count for a “vote”. If someone talked about a work but didn’t expressly indicate that it was something they were going to nominate, we didn’t count it.

If a “top ten” is going to be compiled, it’s pretty obvious from the counts below what we should see on the Sad Puppy IV Slate. It will be interesting to see how the final list compares.

(16) HAMMER EMCEE RAPPED. Marie Porter has some feedback for masquerade emcees, triggered by a recent bad example of the art.

I want to talk about Emcees for convention ?#?cosplay masquerades.

It feels like almost every masquerade we’ve competed in, judged, or watched – with maybe 1-2 exceptions – has had an emcee that behaves in a manner that I find disrespectful to the competitors.

As a general thing, it usually comes in the form of trying to be “entertaining”, and basically comes off like this emcee has an audience, that they are the STAR of the show, and the competitors are basically props to them. They feed off the laughs, which they try to obtain by any means necessary.

A lot of the time, it happens by cracking rude and unnecessary jokes while introducing the competitor, as the competitor leaves the stage, etc.

When it happens, it feels like the emcee has lost sight of what the show is actually about – showcasing the hard work of the competitors. It’s not the “emcee show”, no matter how much they would like to think it is.

Tonight, a few things happened that still have me mad, so let me describe it to demonstrate what I’m saying.

A friend of mine was competing in the beginner category, in a costume she SLAVED over – a Steampunk Lady Thor. I watched her build progress – she put a ton of work into it, and she had every reason to be proud of it.

As she was on stage – being judged, mind you – the emcee talked *over her provided audio* to say – and I quote

“She could hammer me any time”.

She looked horrified, and – quite frankly – like she wanted to murder the guy. Rightly so, IMHO. She basically had all of her hard work diminished into a sexual joke. It was degrading and objectifying, and had no place happening. SHE WAS COMPETING, during PERFORMANCE judging. Can you imagine being shocked by something like that, after all that work?

This is a Facebook link to video of the emcee’s “hammer” line. You can see it for yourself.

(17) UNLOOTED LOOT? Nile Magazine wonders if someone blabbed: “It is full of treasures… the discovery of the 21st century”.

Tantalising news about the ‘secret chamber’ in Tutankhamun’s tomb.

“We do not know if the burial chamber is Nefertiti or another woman, but it is full of treasures.” – Egypt’s Tourism Minister, Hisham Zaazou.

It seems that some secrets are too good to keep. Is this a phenomenal leak about what lays beyond the false wall in Tutankhamun’s tomb? Is it speculative wishful thinking? Or is this a clever boost for badly-needed tourism?

Mr. Zaazou claims that the announcement of what lays inside the secret chamber will be made in April. “It will be a ‘Big Bang’ – the discovery of the 21st century.”

To be honest, I’m not sure what to make of the news that has wafted out of Egypt via Spain in the past 24 hours. The Spanish national daily newspaper, ABC, claims that Egypt’s Tourism Minister, Hisham Zaazou, who was in Spain a few weeks ago, confirmed that there is “treasure” in Tutankhamun’s tomb.

(18) OLD NEWS IS GOOD NEWS. Shortly after Ray Bradbury died in 2012, Jessica Allen wrote a retrospective for Maclean’s about the Bradbury stories Maclean’s had published, in “Here’s to you, Ray Bradbury”. Her article was adorned with photos of the title page art, including a notable typo in the credit for his contribution to Maclean’s September 15, 1948 edition.

Bradbury MacLeans the long years

[Thanks to John King Tarpinian, Michael J., Walsh, Steven H Silver, Lis, Andrew Porter, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]

George Clayton Johnson Tribute in Hollywood 2/26

George Clayton Johnson

George Clayton Johnson

“A Tribute To George Clayton Johnson” is scheduled at the Egyptian Theatre in Hollywood on Friday, February 26 at 7:30 p.m.

Tributes to Those Who Inspired Us

A TRIBUTE TO GEORGE CLAYTON JOHNSON

This program is free to the public – first come, first served – with a suggested donation of $8 to our nonprofit to help cover expenses.

George Clayton Johnson (July 10, 1929 – December 25, 2015) penned some of the most memorable science fiction scripts of the 1960s and ’70s, including the first episode of “Star Trek” and seminal episodes of “The Twilight Zone,” as well as co-writing the novel Logan’s Run. Join us for an evening celebrating Johnson’s life and career, including classic moments from his TV work and remembrances from colleagues. There will be a panel discussion and a performance by members of Ray Bradbury’s Pandemonium Theatre Company.

To rsvp on Eventbrite click here. It is free to rsvp.

Panel discussion follows with biographer Vivien Cooper, LOGAN’S RUN co-writer William F. Nolan, writers Dennis Etchison, Mark Scott Zicree and Wendy All and producers Jason and Sunni Brock, moderated by George’s son Paul Johnson. There will also be a performance by members of Ray Bradbury’s Pandemonium Theatre Company.

The event will run approximately 150 min.

[Thanks to John King Tarpinian for the story.]

We Are ALL SF Con Is Moving Forward

We Are ALL Science Fiction ribbonThe guest list for the first We Are ALL SF convention, November 4-6, currently includes: Jennifer Brozek, Drew Hobson, David Gerrold, Keaton Weimer, Mike Resnick, Chaz Kemp, Beth Meacham, Jody Lynn Nye, Jeffrey Veregge, Nancy Kress, William F. Nolan, Elizabeth Ann Scarborough, James Gunn, Raven Oak, Scott Hungerford, Angela Korra’ti, Dara Korra’ti, Sunni Brock, Sebby Aguilar, Jamie Mason, Greg Smith, Donna Barr, Carolyn Kay, Elizabeth Guizettui, Pam Binder, Dr. Vicka Rael Corey, Duane Wilkerson, Jason V. Brock, and Alaina Capoeman.

Karen Junker wants fans to know that work continues on We Are ALL SF Con 2016 although it did not hit the target with its first crowdsourced funding campaign.

Thanks for the mention on File 770 about the Indiegogo campaign for We Are ALL SF Con 2016.

Just an update…we raised 490 of the 9000 we had as our goal.  Indiegogo does fund even if you do not reach your goal, so we will go ahead and do other campaigns soon, as well.

Someone at a party the other day said “Oh, too bad about your con!” and when I asked what they were talking about they explained that they thought that if our campaign did not fund we were cancelling. But we are not.

We are looking for support from fans and the SFF community to help defray expenses. Some of the costs will be covered by Memberships, donations, and sponsors. But the con will not be cancelled. We’ve got our venue already, and I am paying for that as a donation. We have a budget which is graduated to add stuff to the event when we reach certain amounts in our coffers. But even if we don’t, we will be able to cover the costs by personal donations if we need to. We are just hoping that the news will spread and we will get even more support and people will come to the coast and have a great time making history at our con!

So, to dispel any rumors, we’re good. Some of our Guests of Honor and other presenters are paying their own way just so they can be there for our first. They volunteered for this, we did not ask them. It’s going to be one fantastic party, if nothing else — and kids/teens/families will be especially welcome.

The convention website is up and online registration is live.

The con plans to launch the Torus Awards, a juried award whose longlist will be nominated by convention members. The Torus Award categories will be:

  • Art
  • Costume
  • Games
  • Media (TV, Movies, Podcasts)
  • Music
  • Writing

The winners in each category will be selected by an “Academy of Judges” made up of a Guest of Honor in the field and six convention members chosen at random from those who have volunteered to serve as judges in that category.

Pixel Scroll 1/2 Sacrificing Poisoned Pixels While Dancing Naked in the Scrolls

(0) APOLOGY TENDERED. Greg van Eekhout is quite right to be displeased —

I was so struck with the association sparked between two posts about not having a book out in 2016 that I quite insensitively plowed over the real life causes he was relating. I apologize for making light of his situation.

(1) HOW TO IMPROVE. Sherwood Smith’s post “Beginning Writer Errors” at Book View Café shares the distilled wisdom she found in an old set of notes taken during a Loscon panel by that name.

I think these lists interesting mostly because they reveal writerly process at least as much as they do beginner errors. Some of the best discussion arose out of what some considered no error at all, and others considered advice for revision, not for first draft errors, and what the difference was.

For pants writers (those who sit down and let the tale spin out through their fingers before going back to see what they have) one set of rules might be helpful and another useless; for plotters and planners, a completely different set….

Panelist’s Three’s list suggests to me that that writer works by a completely different process:

  1. Ending every chapter on a transition.
  2. Letting the narrative voice tell readers what to think.
  3. Long, clumsy sentences.

To number one, half the panelists disagreed. Note: “transitions are natural chapter breaks.” The writer defended it: “this pattern reads artificial.”

(2) HELP HELPS. “Joe Hill Calls Bullshit On The Crazy Artist Cliché” by Hayley Campbell at Buzzfeed.

“I was just really paranoid and really depressed and really unhappy and full of really nutty ideas. I would call my dad with my latest crazy ideas and he would patiently listen. He was the only person who could listen to me. And he’d talk me through and explain why my latest idea about being pursued and prosecuted and persecuted was irrational.”

Hill wouldn’t go into what he calls his “terrible, lunatic notions”, because he doesn’t like revisiting them. But eventually his dad suggested that seeing someone professionally could help him out – an idea Hill had resisted because he was convinced the paranoia and “lunatic ideas” were connected to his creativity. “I thought if I got help, I wouldn’t be able to write any more.”

It all goes back to another cliché: the crazy artist. But as a crazy artist, he got no actual work done. The three novels he couldn’t finish are testament to that cliché being bullshit.

“I got into therapy and I got on a pill, and what I discovered was getting help didn’t make me less creative. What was making me less creative was being a depressed crazy person. Figuring out how to be happy and have fun with the kids again, how to have fun with my life and work, actually made me a better writer, not a worse writer.”

(3) BEST SF FILMS OF 2015. JJ says Brian Merchant’s “The 11 Sci-Fi Films That Defined 2015”at Motherboard is “A ‘Best SF Films’ list that isn’t just a re-hash of other lists.” Part of the proof – The Martian ranks ahead of The Force Awakens – and three other movies rank above them.

The major themes that bubbled up in the year’s science fictional slipstream included income inequality, artificial intelligence, transgender rights, and the power and necessity of the scientific endeavor itself. Young adult dystopias showed signs of flagging, while classic-mold sci-fi mega franchises boomed (with one exception). There were not one but two great feminist-leaning SF films; one a bona fide blockbuster hit, another a powerful, slow-burning indie. There was an already-beloved animated short about our possible futures.

(4) THE HEISENBERG CERTAINTY PRINCPLE. Jonathan M is right, however, it is equally clear that when no one was paying attention to them, they were not starved out of existence for lack of it.

(5) STEAMING PILE. Just one person’s opinion, but I think this logo (first posted last April) isn’t that different from the real 1988 Hugo Award base.

1988 Hugo Award base by Ned Dameron

1988 Hugo Award base by Ned Dameron

(6) TODAY’S BIRTHDAY BOY

  • BORN January 2, 1920 – Isaac Asimov

(7) JASON WINGREEN OBIT. Yahoo! News reports actor Jason Wingreen passed away January 1.

The Brooklyn native appeared in three episodes of The Twilight Zone, most notably portraying the real train conductor in the 1960 episode in “A Stop at Willoughby.” …[He] died a memorable death as Dr. Linke on the 1968 Star Trek episode “The Empath.”

… On The Empire Strikes Back (1980), Wingreen auditioned for the part of Yoda. He didn’t get that role (Frank Oz did), but he was given four lines of dialogue spoken by the masked Boba Fett, the feared bounty hunter who captures Han Solo (Harrison Ford).

“I think the actual work, aside from the hellos and goodbyes and all that, could have been no more than 10 minutes,” he said. He received no credit for his work (it didn’t become publicly known that the voice was his until about 2000)…

(8) MEADOWLARK LEMON OBIT. Meadowlark Lemon, who passed away December 27, starred in a few Saturday morning outings (animated, and otherwise) as James H. Burns recalls in an appreciation written for the NY local CBS affiliate website.

In 1979, there was yet another Globetrotters cartoon, The Super Globetrotters, in which they became super heroes, but Lemon was not part of that mix. That same year, though, he co-starred in the fantasy comedy theatrical feature film, The Fish That Saved Pittsburgh (along with Julius Erving (Doctor J!), Debbie Allen and Stockard Channing). According to some sources, the movie–about a failing professional basketball team, saved by stocking its roster according to the players’ astrological signs–has developed something of a cult following….

(9) FIFTH! “Indiana Jones 5 Confirmed By Disney” is the headline. Tarpinian’s suggestion for the movie title is “Indiana Jones and the Rocking Chair of Gold.”

Speaking to Yahoo earlier in 2015, Spielberg said he’ll likely work on the film and that it would star Harrison Ford. Bradley Cooper and Chris Pratt were rumoured to play a younger version of the archeologist.

He said: “Now I’ll probably do an Indy 5 with Harrison, [so] it’ll be five for Harrison, four for Tom [Hanks].”

In a separate interview with French radio RTL, Spielberg said: “I am hoping one day to make it to an Indiana Jones V. I would hope to make it before Harrison Ford is 80 and I get much older.”

Spielberg’s quotes suggests that both he and Harrison Ford are on board for the sequel, though neither has officially said as much.

(10) FIRST! While you’re waiting for the new Indy film, Open Culture recommends you click on “Great ‘Filmumentaries’ Take You Inside the Making of Spielberg’s Raiders of the Lost Ark & Jaws.

Even casual filmgoers will recognize these movies, and they’ll feel, shortly after pressing play on [Jamie] Benning’s Inside Jaws and Raiding the Lost Ark, as if they’ve just settled in to watch them again, though they’ll see them as they never have before. Serious film fans will, as the form of the filmumentary emerges, recognize the basis of the concept. Described as “visual commentaries,” these productions take the concept of the commentary track and step it up considerably, overlaying the original film’s soundtrack with the words of a veritable chorus of those who worked on it — actors (even some not ultimately cast), crew members, designers, producers, hangers-around — sourced and sometimes even recorded by Benning.

 

(11) LOGAN’S RUN AND AUTHOR APPEARANCE. William F. Nolan, co-author of Logan’s Run, will be on hand when the Portland Geek Council presents the film Logan’s Run on January 17.

(12) TWU WUV.  “Jared Weissman Made Harry Potter Fictional Wizard’s Broomstick For Girlfriend”. With DIY photos taken as he made a copy of the Nimbus 2000.

“Shelby has been obsessed with Harry Potter for a long time now and about a year ago decided she wanted to start collecting prop replicas,” Weissman told Mashable in an email. “We went to the Wizarding World of Harry Potter this past summer where she bought the Sorcerer’s Stone, Tom Riddle’s diary, and a plaster scroll that says Dumbledoor’s Army with 6 wands mounted on it (Harry, Ron, Hermoine, Luna, Neville, and Ginny).”

From that point on, it was pretty clear to Weissman what the perfect Christmas gift for Shelby would be.

(13) FROSTY PERSONALITY. The Game of Thrones parody “Winter Is Not Coming” is a French commercial from Greenpeace about climate change.

(14) IMPERIAL TRAILER PARK. If you’re not burnt out on Star Wars stuff, Mark-kitteh recommends a fan-made trailer for Empire Strikes Back, deliberately aiming for a modern trailer style. Mark adds,

For reference, I found a vid of the 1979 original as well. It’s an interesting contrast – the original has a fun high-energy vide, but is a bit too breathless (and spoiler-filled!) for modern tastes.

 

[Thanks to Mark-kitteh, Will R., JJ, Nigel, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

George Clayton Johnson (1929-2015)

One of the most fan-friendly pros ever, George Clayton Johnson passed away at 12:46 p.m PST on December 25 from cancer. He had been in hospice care in his final days and there were many premature reports of his death.

Born in Cheyenne, Wyoming, Johnson wrote that he loved reading the pulps “while surviving an Okie upbringing, a broken home, an alcoholic mother and institutional lockstep in a state orphanage with an occasional escape into a public library or a movie house.”

He briefly served as a telegraph operator and draftsman in the Army. Using his benefits under the G.I Bill he enrolled in an Alabama college, then dropped out to travel, supporting himself as a draftsman.

On coffee breaks working as a draftsman detailing wind-tunnels for U.S. Steel, and later the boss of my own drafting service in Van Nuys designing ticky tacky for the San Fernando Valley, and later still while hanging out, a beatnik-wild bird, faced with foreclosure and crab-grass in my G.I. home in Pacoima, trying to be a writer, I drove myself and all who met me into a frenzy over the question, “What is a story?”

Those who taught him the answer included members of “The Group,” also referred to as “The Southern California School of Writers,” among them Charles Beaumont, William F. Nolan, John Tomerlin, Richard Matheson, OCee Ritch, and Chad Oliver.

He began to sell. Alfred Hitchcock Presents developed one of his submissions into the 1959 episode “I’ll Take Care of You.”

Then the script he wrote with Jack Golden Russell, bought “blind” as a vehicle for Frank Sinatra’s “Rat Pack”, became Ocean’s Eleven (1960). However, it was heavily rewritten and earned them only a story credit.

That same year he connected with The Twilight Zone series, which bought his story “All Of Us Are Dying.” Rod Serling turned it into the 1960 episode “The Four Of Us Are Dying.”

Johnson would go on to write four episodes of The Twilight Zone, such as “Kick the Can”, “Nothing in the Dark” featuring a very young Robert Redford, and “A Game of Pool” with Jonathan Winters and Jack Klugman. Two others were based on his stories, and one more was done from his story under a pseudonym.

Accepting an Emmy for Outstanding Writing Achievement in Drama for The Twilight Zone in 1961, Rod Serling thanked the “three writing gremlins who did the bulk of the work: Charles Beaumont, Richard Matheson, and George Clayton Johnson.”

George created some monumental tv and film stories, though he didn’t always enjoy paydays worthy of his efforts. The Wikipedia relates —

In 1960, George Clayton Johnson submitted a story to The Twilight Zone called “Sea Change” which was purchased by Rod Serling. The premise of the story was, “Off the coast of California, there’s a man in a boat. Through an accident his hand is cut off. Miraculously, he re-grows a new hand. But what he doesn’t realize is that out there in the kelp beds, the hand is re-growing a new man…”

Serling planned to produce “Sea Change” for the 1960 season, but General Mills, a sponsor for The Twilight Zone at the time, rejected it for being too violently graphic. Serling was then forced to call Johnson and ask him to buy the story back (for $500.00),

In 1962, Johnson convinced Ray Bradbury to let a short film be made from Ray’s story “Icarus Montgolfier Wright.” Johnson wrote the screenplay. Joseph Mugnaini created the images and Ross Martin (later of Wild Wild West) voiced the narration. Although it screened for only twelve days at a theater in Westwood, the film wound up being nominated for an Oscar.

George Clayton Johnson and Ray Bradbury watch restored "Icarus Montgolfier Wright"

George Clayton Johnson and Ray Bradbury watch restored “Icarus Montgolfier Wright” at the Motion Picture Academy in 2008.

Johnson also wrote episodes of Honey West, Kentucky Jones, Kung Fu, The Law and Mr. Jones, Mr. Novak, and Route 66.

On the print side, he sold stories to Rogue editor Frank Robinson, and William F. Nolan at Gamma.

Johnson also had six credits as an actor. The first was as a Coast Guard officer in a 1961 episode of Sea Hunt. His last role was as Father Time, in a soon-to-be-released film by Gabe Bartalos titled Saint Bernard. Look for it in 2016.

Johnson and William F. Nolan appeared in The Intruder (1962), which they call the only Roger Corman movie to have lost money at the box office.

“I loved being an actor, and between Bill and me we set up a couple of very archetypal evil guys,” Johnson remembered. “It all came about because the people we were hiring on the spot [in Missouri] to read for these parts…could not say lines.”

Nolan and Johnson liked to tell how they made make funny faces when standing behind the lead actor, William Shatner, as he spoke his lines.

Johnson went from making fun of Shatner’s lines to writing them, scripting the first aired episode of Star Trek, “The Man Trap” (1966), in which he also coined Dr. McCoy’s iconic line, “He’s dead, Jim.”

His next big splash was co-writing with William F. Nolan the cult classic Logan’s Run. As Nolan tells it, “George wanted to immediately create a screenplay, but I felt strongly that it should be a novel first. George acquiesced, and we rented a motel room to remove distractions and for three weeks we took turns at the typewriter. The rest is history.”

They sold the novel to Dial Press, and the screen rights to MGM for $100,000. Although they despaired of the movie ever being made as the project passed through the hands of various producers and directors, it finally came out in 1976.

Logan's Run collaborators William F. Nolan and George Clayton Johnson in 2009.

Logan’s Run collaborators William F. Nolan and George Clayton Johnson in 2009.

The first time I met George Clayton Johnson was in the 1970s when I was student living at home Sylmar. I learned he lived in nearby Pacoima and went over to his house to drop off a copy of my crudely mimeographed fanzine. He and his wife, Lola, were very kind to me on that quick visit.

I also saw him speak at a LASFS meeting in 1972 when he was freshly returned from teaching at the Clarion SF Workshop. One of his statements I have never forgotten. He said everyone has one story in them – their own. And if they pay close attention when they write that first story, they may be able to write another, and another. Otherwise, they never become writers.

Johnson was known to everyone as a gracious, accessible and friendly individual, and continued to be celebrated down the years by all his colleagues and readers. John King Tarpinian helped organize Johnson’s annual birthday celebration at Mystery & Imagination Bookshop in Glendale, where Johnson often did signings and gave talks, many of them reported here on File 770.

For George Clayton Johnson’s 86th birthday, L.J. Dopp did a wonderful painting titled “The Fictioneer,” with images from George’s most famous TV and movie work. The only reward Dopp wanted was the thrill of seeing the expression on George’s face when he saw it for the first time.

GCJ tribute by LJ Dopp

Johnson would say that he always wanted to “leave his footprints in the sand,” and that he did.

He is survived by his wife, Lola Johnson, daughter Judy Olive, and son, Paul B. Johnson. Paul says in around 30 days he will announce a “lifetime celebration” party that will be held in his memory.

Nolan Named World Horror Society 2015 Grand Master

William F. Nolan

William F. Nolan

William F. Nolan has been voted the World Horror Society’s 2015 Grand Master for his significant achievements as a professional in the horror field. He will be presented with the award at the World Horror Convention in Atlanta over the May 7-10 weekend.

Nolan is the author of dozens of novels, short stories, and non-fiction studies, including the classic post-apocalyptic tale “Small World,” recently adapted into comics form in Evil Jester Presents #1.

As a screenwriter, his work includes the 1976 adaptation Burnt Offerings and the television movie Trilogy of Terror co-written with Richard Matheson.

Nolan co-authored Logan’s Run with George Clayton Johnson and wrote the sequels Logan’s World and Logan’s Search.

He has been recognized as a Living Legend in Dark Fantasy by the International Horror Guild in 2002, Author Emeritus by the Science Fiction and Fantasy Writers of America (2006), and Lifetime Achievement Award winner from the Horror Writers Association (2010).

His recent releases are Like a Dead Man Walking and Other Shadow Tales (Centipede Press) and the Bram Stoker Award-winning nonfiction work Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction (Hippocampus Press).