Tag Archives: Working Class Grant

Pixel Scroll 9/4/24 Oh Mr Pixel, Send Me A Scroll

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(1) PUFNSTUF FOR BREAKFAST. [Item by John King Tarpinian.] The ninety-nine-year-old Los Angeles Breakfast Club hosted a breakfast for Sid Krofft today.  At age ninety-five Sid was very gregarious, and still does a Sunday podcast.  Special guests included H.R. Pufnstuf and Johnny Whittaker. 

Sid talked about his career as a puppeteer, starting at age 15 in Burlesque. People that crossed his path, from Mae West and Liberace to Jim Nabors and the Queen of England. We forget that along with his psychedelic kids show he and his brother also produced Donnie & Marie.

The Pufnstuf costume was made by a cosplayer, a young lady. [Click for larger images.]

H.R. Pufnstuf banner
Sid Krofft.
H.R. with John King Tarpinian and Silvia Mancini
John King Tarpinian, Johnnie Whittaker, and Sylvia Mancini. Whittaker’s credits include Krofft’s “Sigmund and the Sea Monsters” series.

(2) BEWARE ‘HOUSE OF THE DRAGON’ SPOILER. Like, stop before you read this Variety headline!! “George R.R. Martin Calls Out ‘House of the Dragon’ Changes, Maelor Cut”. Martin wrote – then deleted – a Not A Blog post titled “Beware the Butterflies” detailing his criticism of a change to his story made by the House of Dragons series. The Google cache file is still available.

…It is a bloody, brutal scene, no doubt.  How not?  An innocent child is being butchered in front of his mother.

I still believe the scene in the book is stronger.  The readers have the right of that.   The two killers are crueler in the book.  I thought the actors who played the killers on the show were excellent… but the characters are crueler, harder, and more frightening in FIRE & BLOOD.   In the show, Blood is a gold cloak.   In the book, he is a former gold cloak, stripped of his office for beating a woman to death.    Book Blood is the sort of man who might think making a woman choose which of her sons should die is amusing, especially when they double down on the wanton cruelty by murdering the boy she tries to save.    Book Cheese is worse too; he does not kick a dog, true, but he does not have a dog, and he’s the one who tells Maelor that his mom wants him head.   I would also suggest that Helaena shows more courage, more strength in the book, by offering her own own life to save her son.   Offering a piece of jewelry is just not  the same.

As I saw it, the “Sophie’s Choice” aspect was the strongest part of the sequence, the darkest, the most visceral.   I hated to lose that.   And judging from the comments on line, most of the fans seemed to agree.

When Ryan Condal first told me what he meant to do, ages ago (back in 2022, might be) I argued against it, for all these reasons.    I did not argue long, or with much heat, however.   The change weakened the sequence, I felt, but only a bit.   And Ryan had what seemed to be practical reasons for it; they did not want to deal with casting another child, especially a two-year old toddler.  Kids that young will inevitably slow down production, and there would be budget implications.   Budget was already an issue on HOUSE OF THE DRAGON, it made sense to save money wherever we could.   Moreover, Ryan assured me that we were not losing Prince Maelor, simply postponing him.   Queen Helaena could still give birth to him in season three, presumably after getting with child late in season two.   That made sense to me, so I withdrew my objections and acquiesced to the change.

I still love the episode, and the Blood and Cheese sequence overall.   Losing the “Helaena’s Choice” beat did weaken the scene, but not to any great degree.  Only the book readers would even notice its absence; viewers who had never read FIRE & BLOOD would still find the scenes heart-rending.   Maelor did not actually DO anything in the scene, after all.   How could he?  He was only two years old.

There is another aspect to the removal of the young princeling, however.

Those of you who hate spoilers should STOP READING HERE.

(3) RUSHDIE’S LATEST AWARD. “Iceland: Salman Rushdie Wins Halldór Laxness Literary Prize” reports Publishing Perspectives.

Iceland’s biennial Halldór Laxness International Literary Prize is to be awarded to Salman Rushdie on September 13.

This is a €15,000 prize (US$16,598) designed to highlight internationally recognized authors whose work contributes to “narrative art, echoing the rationale of the Swedish Academy when Halldór Laxness received the Nobel Prize in Literature in 1955.”…

…In its rationale for the selection of Rushdie as the awards fourth recipient, the jury writes that the author’s books are “captivating, philosophical, and enlightening stories for readers willing to explore new worlds.

“For readers around the world, Rushdie’s image—having continued to write his novels despite the fatwa issued by the Iranian clerical regime following the publication of The Satanic Verses and the assassination attempt he faced in the United States two years ago—has become a symbol of courage and unyielding will.”…

(4) APPLY FOR SLF WORKING CLASS WRITERS GRANT. The Speculative Literature Foundation will be accepting applications for the 2024 Working Class Writers Grant from September 1 through September 30, 2024. Full information at the SLF website.

Since 2013, the $1,000 Working Class Writers Grant has been awarded annually to speculative fiction writers who are working class, blue-collar, financially disadvantaged, or homeless, who have been historically underrepresented in speculative fiction due to financial barriers which make it hard to access the writing world. Such lack of access might include an inability to purchase a computer, books, and tuition, or to attend conventions or workshops. Often, these writers, many of whom work more than one job, have less time to write. The SLF seeks to bring more of these marginalized voices into speculative fiction.

Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.

(5) SCRIBES BACK HOTEL BOYCOTT. “Hollywood Writers Join Union Boycott of Beverly Hills Hotels” – The Hollywood Reporter tells why.

Around 40 Hollywood writers have joined a hotel union boycott of two Los Angeles hotels, the Cameo Beverly Hills by Hilton and the Beverly Hills Marriott.

The Good Place creator Mike Schur, Emily in Paris writer and co-executive producer Grant Sloss, The Simpsons writer and executive producer Ian Maxtone-Graham and Abbott Elementary supervising producer and writer Brittani Nichols are among the scribes that joined the campaign, spearheaded by the major Los Angeles-area hospitality union Unite Here Local 11. One Day at a Time co-showrunner Mike Royce, Halt and Catch Fire writer and executive producer Angelina Burnett and Two Sentence Horror Stories writer Liz Alper also joined the boycott on Labor Day weekend.

Unite Here Local 11 initiated the campaign against the two Remington Hospitality-operated properties last month after the Cameo’s existing union contract expired and the union and employer were unable to come to an agreement. (The Cameo was formerly the Mr. C Beverly Hills.) In early August the union also filed a wage theft complaint with the California Labor Commission, alleging that housekeepers were performing unpaid work prior to their shifts starting and that workers were not able to take mandated rest breaks due to the volume of work….

(6) VISITORS TO A SMALL PLANET. [Item by Steven French.] Tony Milligan of King’s College University of London, summarizes his recent paper on alien visitations: “Belief in alien visits to Earth is spiralling out of control – here’s why that’s so dangerous” at The Conversation.

The idea that aliens may have visited the Earth is becoming increasingly popular. Around a fifth of UK citizens believe Earth has been visited by extraterrestrials, and an estimated 7% believe that they have seen a UFO.

The figures are even higher in the US – and rising. The number of people who believe UFO sightings offer likely proof of alien life increased from 20% in 1996 to 34% in 2022. Some 24% of Americans say they’ve seen a UFO.

This belief is slightly paradoxical as we have zero evidence that aliens even exist. What’s more, given the vast distances between star systems, it seems odd we’d only learn about them from a visit. Evidence for aliens is more likely to come from signals from faraway planets.

In a paper accepted for publication in the Proceedings of the International Astronomical Union, I argue that the belief in alien visitors is no longer a quirk, but a widespread societal problem….

… All this is ultimately encouraging conspiracy theories, which could undermine trust in democratic institutions. There have been humorous calls to storm Area 51. And after the storming of the Capitol in 2021, this now looks like an increasingly dangerous possibility.

Too much background noise about UFOs and UAPs can also get in the way of legitimate science communication about the possibility of finding microbial extraterrestrial life. Astrobiology, the science dealing with such matters, has a far less effective publicity machine than UFOlogy….

(7) IMAGINARY PAPERS. [Item by Steven French.] Some interesting essays on futures, world building and the imagination: Imaginary Papers, Issue 19, a quarterly newsletter from Arizona State University Center for Science and the Imagination. Philipp Kürten discusses For All Mankind. Chinelo Onwualu recalls pop culture’s “Reality Crisis in the 1990s”. Christopher Cokinos describes taking part in a simulated Moon mission.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Xena: Warrior Princess (1995)

Twenty-nine years ago Xena: Warrior Princess first aired in syndication by MCA TV (which did it for the first two years of this followed by Universal Television Enterprises doing so for a year and Studios USA Television Distribution doing so for the rest of the run).  Before ending its six years run, there would be one hundred and thirty-four roughly forty-eight minute episodes.

It was created by John Schulian and Robert Tapert. Schulian’s previous genre credits included writing for Tremors. Tapert, of course, created Hercules: The Legendary Journeys that same year, along with Christian Williams. Busy year for New Zealand series production, eh? 

The executive producers were R.J. Stewart and Sam Raimi. The former, other than co-creating Xena, just created Cleopatra 2525; Raimi of course has a long list including directing the Tobey Maguire Spider-Man trilogy and the Evil Dead franchise. 

The real reason watching was and is now if you catch it on the streaming services now, Xena as performed in that amazing leather outfit by Lucy Lawless, and companion Gabrielle as played by Renee O’Connor. Their adventures episode in and episode out were always worth watching. 

A number of fascinating secondary cast were here as well. Bruce Campbell, Karl Urban, Kevin Smith, Alexandra Tydings — all these performers were fun.

NBC announced a reboot, but the Gods were merciful, and it got cancelled. 

(9) COMICS SECTION.

(10) REUBEN AWARDS. The winners of the National Cartoonists Society’s 78th Annual Reuben Awards were announced on August 24.

Reuben Award for 2023 NCS Cartoonist of the Year

  • Hilary B. Price

2023 Divisional Reuben Award-Winners

  • Advertising/Product Illustration – Chuck Dillon
  • Book Illustration – Tom Richmond
  • Comic Book – Jay Stephens
  • Editorial – Michael De Adder
  • Gag Cartoon – Dan Misdea
  • Graphic Novel – Sarah Bollinger
  • Magazine/Newspaper Illustration – Nick Galifianakis
  • Newspaper Comic Strip – Tauhid Bondia
  • Newspaper Panel – Wayno
  • Online Comic Long Form – Evan Dahm
  • Online Comic Short Form –  Sarah Andersen
  • Variety Entertainment – Chuck Dillon

(11) LEGENDARY REVIVAL Boing Boing has learned “A ‘long lost’ 70s superhero comic is finally being published”.

As the name suggests, The Legendary Lynx is the stuff of legends—a 70s feminist superhero classic whose pages were long believed to be lost in a labyrinthine conspiracy of murder, drugs, and intellectual property theft.

Or at least, that’s how the fictional comic book is framed in the pages of Secret Identity, Alex Segura’s pulpy crime thriller about the 70s comic book industry. The book’s twisty noir plot centers around a queer Latina woman working as a secretary at a comic book company who has to hide her identity to order to get recognized as an actual writer with her book, The Legendary Lynx. But a few behind-the-scenes betrayals cause more complications for poor Carmen Valdez, leaving her comic pages and identity unknown for years (in the story’s world, anyway.)

Real-life author Alex Segura has teamed up with artist Sandy Jarrell to create a metafictional “reprint” of the “long lost” issues of The Legendary Lynx from within the world of Secret Identity. 

“…THE LEGENDARY LYNX was created by writer Harvey Stern and artist Doug Detmer, two creators who died under mysterious circumstances before and shortly after the series was first published. Though originally credited solely to Stern as the writer, diligent research has uncovered that Stern co-created the script and story to the Lynx’s seminal debut by renowned novelist and writer Carmen Valdez. For the first time ever, she is given proper credit in this volume.

“(But in reality, ‘The Legendary Lynx’ is no reprint. Crafted by LA Times Book Prize-winning novelist Alex Segura in his 2022 work, ‘Secret Identity’ – a story that continues in the follow-up, ‘Alter Ego,’ – and brought to life by artist Sandy Jarrell’s masterful artwork, this series blurs the lines between fiction and reality in the best way possible – the remastered pages of this forgotten gem, restored to its former glory and presented anew for readers hungry for adventure.)…”

(12) MCMURTRIE Q&A. Shelf Awareness for Wednesday, September 4, 2024 “Reading with… John McMurtrie”:

Favorite book when you were a child:

The Chronicles of Narnia by C.S. Lewis. In my childhood brain, little had as much magical allure as the wardrobe through which four young siblings travel in these stories. And I can still conjure the taste of my own version of Turkish Delight; I didn’t know that the stuff actually existed until years later, and its flavor was far more disappointing than what my mind had imagined.

Book you’ve faked reading:

Any Harry Potter book. Easier than admitting the truth and having fellow parents at bygone kiddie parties look at me aghast, shocked that I was not a member of the J.K. Rowling cognoscenti.

Book you’re afraid to read again for fear that it’d be a letdown:

Dune by Frank Herbert. As a child, I was taken in by the sandworms and magical spice and political intrigue–the earnest gloom and doom of it all. Perhaps best left undisturbed, frozen as a memory from long ago.

(13) FUNGAL BOOGIE. This isn’t exactly the “Mushroom Dance” from Fantasia. “Engineers Gave a Mushroom a Robot Body And Let It Run Wild” at ScienceAlert.

Nobody knows what sleeping mushrooms dream of when their vast mycelial networks flicker and pulse with electrochemical responses akin to those of our own brain cells.

But given a chance, what might this web of impulses do if granted a moment of freedom?

An interdisciplinary team of researchers from Cornell University in the US and the University of Florence in Italy took steps to find out, putting a culture of the edible mushroom species Pleurotus eryngii (also known as the king oyster mushroom) in control of a pair of vehicles, which can twitch and roll across a flat surface.

Through a series of experiments, the researchers showed it was possible to use the mushroom’s electrophysiological activity as a means of translating environmental cues into directives, which could, in turn, be used to drive a mechanical device’s movements.

“By growing mycelium into the electronics of a robot, we were able to allow the biohybrid machine to sense and respond to the environment,” says senior researcher Rob Shepherd, a materials scientist at Cornell….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day korydg.]

Deirra Clyburn Wins SLF 2023 Working Class Writers Grant

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Deirra Clyburn

The Speculative Literature Foundation is pleased to announce Deirra Clyburn as the winner of the 2023 Working Class Writers Grant.

Clyburn’s winning piece is called “A Second Skin.” Deirra Clyburn is a writer and illustrator based in Richmond, Virginia. In her writing, diversity is a driving force and inspiration. She loves to explore themes of estrangement, found family and romantic love through a speculative and supernatural lens. She is a recipient of the 2016 silver key in the Scholastics art and writing award. She is currently working on her first novel, Nova. Learn more at 2023 Working Class Writers Grant.

Since 2013, the Working Class Writers Grant has been awarded annually to speculative fiction writers who are working class, blue-collar, financially disadvantaged, or homeless, who have been historically underrepresented in speculative fiction due to financial barriers which make it hard to access the writing world. Such lack of access might include an inability to purchase a computer, books, and tuition, or to attend conventions or workshops. Often, these writers, many of whom work more than one job, have less time to write. The SLF seeks to bring more of these marginalized voices into speculative fiction. Visit speculativeliterature.org/grants for more information.

Launched in January 2004 to promote literary quality in speculative fiction, the Speculative Literature Foundation addresses historical inequities in access to literary opportunities for marginalized writers. Our staff and board are committed to representing racial, gender, and class diversity at all levels of our organization. This commitment is at the heart of what the Speculative Literature Foundation stands for: equal access to create and advance science fiction, fantasy, and horror literature. We strive to enable writers at any stage of their career and of any age, any ethnicity, any gender expression, from any location and of any economic or social status, who want to learn about, or create within, the speculative arts. For more information, visit speculativeliterature.org.

The SLF is a 501(c)3 non-profit, entirely supported by community donations. If you’d like to be involved with our efforts, please consider joining us as a member for $2/month, at speculativeliterature.org/membership.

The Speculative Literature Foundation is partially funded by the Oak Park Area Arts Council, Village of Oak Park, Illinois Arts Council Agency, National Endowment for the Arts and Oak Park River Forest Community Foundation.

[Based on a press release.]

Submissions Period Opens for Speculative Literature Foundation 2021 Working Class Writers Grant

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The Speculative Literature Foundation is now accepting applications for the Working Class Writers Grant. Applications will be open through September 30, 2021.

The $1,000 Working Class Writers Grant is awarded annually to assist working class, blue-collar, poor, and homeless writers who have been historically underrepresented in speculative fiction, due to financial barriers. Grant funds can be used as each writer determines will best assist his or her work. For more information about the Working Class Writers Grant, or to apply, click here.

Each grant is intended to support the SLF’s mission of promoting literary quality in speculative fiction. Grants are awarded by a jury of SLF staff on the basis of merit. Additional information about all of the SLF’s grants, including specific application guidelines, can be found at speculativeliterature.org/grants. Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.

Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers. For more information, visit speculativeliterature.org.

The SLF is a 501(c)3 non-profit, entirely supported by community donations. To become involved as a member, see speculativeliterature.org/membership.

The Speculative Literature Foundation is partially funded by a grant from the Oak Park Area Arts Council, Village of Oak Park, Illinois Arts Council, National Endowment for the Arts and Oak Park River Forest Community Foundation.

Pixel Scroll 8/25/21 Helen O’Loy And The Scrollcrank Redemption

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(1) BLACK STARS. SYFY.com offers a preview of a Black Stars story plus comments by series editor Nisi Shawl: “Amazon Original Stories Black Stars: Read an excerpt by Chimamanda Ngzoi Adichie”.

…Titled Black Stars, the collection showcases some of the biggest names writing science fiction today, highlighting their visions of what the future might look like for the human race and the issues we might have to tackle. The six authors forming this all-star lineup include Chimamanda Ngozi Adichie (We Should All Be Feminists), C. T. Rwizi (Requiem Moon), Victor LaValle (The Changeling), Nnedi Okorafor (Binti), Nalo Hopkinson (The House of Whispers), and Nisi Shawl (Everfair), who also edited the entire collection, along with co-editor Latoya Peterson. 

“Freedom is the overarching theme among the stories,” Shawl tells SYFY WIRE, while discussing the throughline that connects all six stories. “Freedom to explore new star systems, to develop new economies, to break away from stale stereotypes.” 

Part of what makes Black Stars so special is the fact that it is showcasing speculative science fiction from Black authors from around the world.

“I want readers to take away the dazzling diversity that is the Black experience,” Shawl says. “I want us all to realize how our dreams and fantasies, our supposings and nightmares and aspirations are so very varied. Blackness is not a monolith! I’ve learned this, and I want to share with our readers the enormous wealth that is Black heritage and the many possible Black futures.” …

(2) YORK SOLAR SYSTEM. NickPheas, inspired by Ingvar’s photos of Sweden’s epic model, shot photos of the solar system model running for ten miles south of York, UK. Twitter thread starts here.

(3) STAR TREK EXPLORER. If you aren’t getting enough Star Trek news, Titan Comics promises to fix that for you when Star Trek Explorer – The Official Magazine Issue #1 hits stores on November 2.

EXPLORER is the no. #1 destination for everything Star Trek – filled with in-depth interviews and features taking you behind-the-scenes of all your favorite shows and movies.

The new-look EXPLORER magazine also includes two brand-new exclusive Star Trek short stories, and a bonus 16-page themed supplement bound inside each issue.  The hotly anticipated premier issue features a definitive guide to Captain Kirk!

Subscribers of STAR TREK EXPLORER – THE OFFICIAL MAGAZINE will also receive an exclusive digital magazine, direct to their inbox with every quarterly issue. Each digital magazine will feature bonus short stories, printables, activities and much more!

(4) SLF NEEDS GRANT JURORS. The Speculative Literature Foundation is looking for grant application readers.

The Speculative Literature Foundation needs jurors to help read applications for the Working Class Writers’ Grant Ideally, we’re looking for people who are well read in speculative fiction, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work.

If interested, please send a brief note to Catherine Lin ([email protected]) with the subject line: JUROR.

Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.

(5) AMAZING STORIES RETRENCHES. Following the announcement “Amazing Stories Special All Canadian Issue Now Available” comes a statement that “Amazing Stories has had a rough past year, mostly owing to the fact that our former Licensee – NBC/Universal Television – has failed to meet their contractual obligations” and how their publishing program is changing in response:

…Beyond denying you a regular issue of the magazine up till now, in order to continue publishing the magazine we have had to take the following steps as well:

Owing to the previously stated, Amazing Stories must change the way it produces issues, while at the same time attempting to do what is right by our subscribers. These are necessary, budget-related changes that represent our only option for keeping the magazine in publication. Those changes are as follows:

First, Amazing Stories will be changing to an annual format, producing one (over-sized) issue per year rather than quarterly (four) issues per year.

Second, we are eliminating the print edition as a regularly available option. Print copies of each issue will remain available as a separately purchased Print On Demand (POD) product.
All current print subscriptions will be converted to Electronic Editions moving forward. In addition, former print subscribers may select one of the Amazing Select titles, electronic edition, for each year of subscription that is being converted.

Please know that we are not happy with having to make these changes, but following long discussion, we believe that these changes offer us our best chance of moving forward. Those with questions, please feel free to get in touch with the publisher, Steve Davidson, via Steve (at) amazingstories (dot) com.

(6) RATIONALIZATIONS. James Davis Nicoll was able to think of “Five Ludicrous Reasons for Not Reading a Perfectly Good Book”. How about you?

There are perfectly legitimate reasons not to have read works widely regarded as science fiction and fantasy classics. Perhaps the most compelling is that the field is far too large for any one person to have read all of it, even if they were to limit themselves to works other readers enthusiastically recommend. However, there are other reasons, some quite silly, to have left promising books unread. Here are five of my stupidest reasons for not having read a widely-praised book cover to cover….

(7) STORIES THAT ARE THE FOUNDATIONS FOR RPG. Goodman Games, an RPG publisher, occasionally features interesting articles on their site. Here are two:

 Ngo Vinh-Hoi, co-host of the Appendix N Book Club podcast, profiles Andrew J. Offutt: A “Adventures in Fiction: Andrew Offutt”.

Appendix N of the original Dungeon Masters Guide has become a Rosetta Stone for the study of the literary roots of D&D. One figure carved on that stone is Andrew J. Offutt, who is cited not for his own writing, but for editing the Swords Against Darkness heroic fantasy anthology series. Oddly, only the third volume of the five-book series is singled out and none of the other four books are even mentioned. Who then is Andrew Offutt, and why is he enshrined with the other Appendix N luminaries? …

Pulp scholar Jason Ray Carney talks about dehumanising violence and compassion in “Red Nails”, Robert E. Howard’s final Conan story: “Dehumanizing Violence and Compassion in Robert E. Howard’s ‘Red Nails’”.

Robert E. Howard’s sword and sorcery tale “Red Nails,” published as a three-part serial in Weird Tales in 1936, tells the story of the city of Xuchotl, the enduring, blood-soaked war between the Tecuhltli and the Xotalanc, and the dehumanizing effect of sustained hatred and violence. “Red Nails” engages with several ancient literary tropes, but the one that centers “Red Nails” is what I term “the stalemate war.” By focusing on the stalemate war between the murderous Tecuhltli and insane Xotalanc, I hope to bring into focus a surprising facet of Robert E. Howard’s most famous sword and sorcery character, Conan of Cimmeria: the way the barbarian maintains his humanity through compassion….

(8) A KEY INVENTION. The Typewriter Revolution exhibit can be seen at the National Museum of Scotland through April 17, 2022. Or you can view photos of over 100 typewriters in their connection at the website.

The impact of the typewriter has been much wider than simply speeding up the way we write. It helped revolutionise the world of work and change the lives of working women in particular. Typewriters helped them launch their own businesses at a time when female employers were rare and became a vital weapon in the fight for the vote. 

The typewriter’s social and technological influence is revealed in this new exhibition and looks at its role in society, arts and popular culture. It traces the effect and evolution of typewriters across more than 100 years, from weighty early machines to modern style icons. And despite being erased from many offices by the rise of computers, the typewriter has remained a beloved design icon that is still in use today.

Drawing on our outstanding typewriter collection, the exhibition features a range of machines, including an 1876 Sholes and Glidden typewriter which was the first to have a QWERTY keyboard; a 1950s electric machine used by Whisky Galore author Sir Compton Mackenzie; and the 1970s design icon, the Olivetti Valentine.

(9) ON THE RADIO, Listen to “Black Sci-Fi: Stories from the End of the World” at BBC Radio 4.

Writer, activist and broadcaster Walidah Imarisha presents the untold story of black sci-fi and its vital role in redefining the present and imagining the future.

This documentary explores the power – and the rich history – of speculative, visionary fiction by black authors in the UK, USA and Africa, and how activists around the world have been inspired by science fiction as they strive to build new worlds. Walidah Imarisha unravels the idea that all organisation and activism is a form of “science fiction” – and how bringing new realities into being is itself a creative act.

Interviewees include multidisciplinary artists Moor Mother and Rasheedah Philips, Nigerian-American writer Nnedi Okorafor, and British feminist writer and researcher Lola Olufemi.

(10) DAVIN Q&A. The collection of “Science Fiction Author Interviews” linked at the Middletown Public Library, conducted by the Science Fiction Club Facebook group, has a new addition this month — “Interview with Eric Leif Davin (Aug. 2021)”.

Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote “Pioneers of Wonder: Conversations with the Founders of Science Fiction.” as well as “Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965.”

John Grayshaw: What is the Gernsback era?

[Davin] Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s

(11) SPACED OUT LIBRARIAN. David Nickle offers a personal tribute: “In the orbit of Lorna Toolis – 1952-2021”.

…In the late 1980s when I first met Lorna, the Spaced Out Library was on the second floor of the Boys and Girls House at Beverly and College Streets. Not climate-controlled. Not accessible. As ad-hoc a library as its name might suggest.

I’d come in as a journalist, ostensibly working with another writer on an article about the Canadian science fiction community for a local alternative paper – but really, dipping my toe into a world that I very much wanted to enter.

Lorna helped me do both. First, she gave me a who’s-who rundown of sources I might speak to, suggested I hit Ad Astra, the local science fiction convention to find those sources in one place.

Those sources included Judith Merril herself, who after a very professional interview, told me very candidly, about a writer’s workshop that might be looking for members – and introduced me to one of the founding members, Michael Skeet. Lorna’s husband….

(12) MEMORY LANE.

  • 2007 – Fourteen years ago today, Masters of Science Fiction, an anthology science fiction series, finished its very brief run on ABC. And I do mean brief as only four of its six episodes actually aired. It was presented by Stephen Hawking which is why when it broadcast later on the Science Channel in its entirety that it was called Stephen Hawking’s Sci-Fi Masters. The six stories were all by SF writers, to wit John Kessel, Howard Fast, Robert Heinlein, Harlan Ellison, Walter Mosley and Robert Sheckley. The few critics that actually noticed it liked it. Like so many similar short-run series, it has no Rotten Tomatoes audience rating. The trailer is up here. (Several YouTubers attempted to host the videos, however, they aren’t available as, of course, the series is under copyright.) 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.)
  • Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? (Died 1973.)
  • Born August 25, 1930 — Sir Sean Connery. Best film overall? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (Died 2020.)
  • Born August 25, 1940 — Marilyn Niven, 81. She was a Boston-area fan who lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • Born August 25, 1955 — Simon R. Green, 66. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. He’s got three active series now of which the Ishmael Jones and the Gideon Sable series are the best. 
  • Born August 25, 1958 — Tim Burton, 63. Beetlejuice is by far my favorite film by him. His Batman is kind of interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Not really true to the source material though. 
  • Born August 25, 1970 — Chris Roberson, 51. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and is publisher with his wife Allison Baker of Monkey Brain Books which has twice been nominated for World Fantasy Awards. He won two Sidewise Awards for Alternate History, for his novella O One (2003), and novel The Dragon’s Nine Sons (2008).
  • Born August 25, 1987 — Blake Lively, 34. She was Adaline Bowman in The Age of Adaline, a neat mediation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven. 

(14) SMALL WONDER. The biggest hit sci-fi movie of 1966 (to date, anyway) – read the raves at Galactic Journey: “[August 24, 1966] Fantastic Voyage lives up to its name!”

It’s finally here! And it was worth the wait. Fantastic Voyage has reached the big screen, and it’s spectacular.

Fantastic Voyage may be the most advertised science fiction film ever made, with intriguing articles in Life and Look, a novelization published in The Saturday Evening Post and about a zillion articles in Famous Monsters in Filmland. And despite this endless campaign – or maybe because of it – I’m delighted to tell you this audacious film deserves its media ubiquity.

(15) YOU’LL SHOP HERE SOONER OR LATER. A business in LA’s Echo Park neighborhood has the fascinating name Time Travel Mart. Here are just a few of the items they sell there.

Portable Wormhole

(16) INSTANT CLASSIC. Joe H. contributed a fine verse to yesterday’s comments:

As we go filing, filing
In the pixel of the scroll
We climb our Mount Tsunduko
And we make our series whole

Our shelves shall not be emptied
From birth until life closes
Eyes starve as well as bodies
Into books we’ll stick our noses

(17) A LOOK BACK. Cora Buhlert has posted a new Retro Review: “’More Than Shadow’ by Dorothy Quick” about a 1954 Weird Tales story. Spoiler warning!

…Just to make sure that she isn’t imagining things, Mona calls over Ellen, the maid, and asks her what she sees in the puddle of spilled water. Ellen confirms that the puddle looks like a dog, but not just any old dog either, but the little dogs on which the leprechauns ride on moonlit nights. For Ellen just happens to be Irish and therefore a fount of Irish folklore…..

(18) IT CAUSES ME TO TINGLE. Not only is love real, so is Chuck.

(19) R.L. STINE REMEMBERS. [Item by Martin Morse Wooster.] I listened to this podcast that Leonard and Jessie Maltin did with R.L. Stine. “Maltin on Movies: R.L. Stine”. The Maltins began by remembering how they would chat with Stine in the Los Angeles Times Book festival green room, where they would also say hello to Ray Bradbury and Harlan Ellison.  Stine then explained how he, born in 1943, was first influenced by radio comedians (remember Mortimer Snerd?) He also loved E.C. comics and after his parents refused to let him buy the comics he made sure to get a haircut every Saturday because the local barbershop had a plentiful supply.  Stine then worked his way up at Scholastic Books, and became a YA horror author because an editor got mad at Christopher Pike and they wanted someone to write YA horror novels.  Stine said he was a hands-on producer of the Goosebumps TV series, which “gave every child actor in Canada a job” including 11-year-old Ryan Gosling.  Stine also explained that he had kids come up to him and say they learned how to use typewriters because they saw Jack Black use a typewriter playing Stine in the Goosebumps movie.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Monster Hunter Stories” on YouTube, Fandom Games says Monster Hunter Stories is a dinosaur-fighting game that has gone through “Pokemonification,.” and includes a scene here you fight a dinosaur with a bagpipe and another where a talking cat spends too much time explaining how she enjoys donuts.

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Fallis Wins SLF 2021 Working Class Grant

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Jackie Fallis

The Speculative Literature Foundation has awarded Jackie Fallis the 2021 Working-Class Writers Grant for their submission “A is for Amiable.”

Jackie Fallis is from Ontario, California. They write speculative literature as well as essays on disability and sci-fi. Recently they’ve had a short-short published by Doug Weller, and they have an essay in ATB Publishing’s upcoming book on Star Trek: Deep Space Nine. Their favorite (but most stressful) writing experience is the 48 Hour Film Festival which they’ve developed scripts for the last eight years in a row. Jackie has a BA in Creative Writing from the University of Central Florida.

The $1,000 Working Class Writers Grant is awarded annually to assist working class, blue-collar, poor, and homeless writers who have been historically underrepresented in speculative fiction, due to financial barriers. Grant funds can be used as each writer determines will best assist his or her work. For more information about the Working Class Writers Grant, or to apply, click here.

Each grant is intended to support the SLF’s mission of promoting literary quality in speculative fiction. Grants are awarded by a jury of SLF staff on the basis of merit. Additional information about all of the SLF’s grants, including specific application guidelines, can be found here. Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.

Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers.

The Speculative Literature Foundation is a 501(c)3 non-profit, entirely supported by community donations.

[Based on a press release.]

Submissions Period Is Open for the Speculative Literature Foundation’s 2020 Working Class Writers Grant

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The Speculative Literature Foundation is accepting applications for the Working Class Writers Grant. Applications through December 31, 2020.

The $1,000 Working Class Writers Grant is awarded annually to assist working class, blue-collar, poor, and homeless writers who have been historically underrepresented in speculative fiction, due to financial barriers. Grant funds can be used as each writer determines will best assist his or her work. For more information about the Working Class Writers Grant, or to apply, click here.

Each grant is intended to support the SLF’s mission of promoting literary quality in speculative fiction. Grants are awarded by a jury of SLF staff on the basis of merit. Additional information about all of the SLF’s grants, including specific application guidelines, can be found here. Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.

Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers.

The Speculative Literature Foundation is a 501(c)3 non-profit, entirely supported by community donations.

[Based on a press release.]

Pixel Scroll 11/2/20 Come And Listen To The Scroll Of An Earthsea Wizard Named Ged

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(1) FOUR CENTURIES OF ANSIBLE. Congratulations to David Langford on publishing his four hundredth issue of Ansible. In addition to all the sff news in every issue, there’s always a grateful balance provided by departments like “Thog’s Masterclass.” One of the classic quotes from #400 is —

When Relativity Goes Bad. ‘The ship trembled, twisted, shuddered as full mass returned with the disruption of the field. Mass flooded back into the vessel, titanic mass, mass impossible to contain, it transformed into sheer energy, blasted through the nulgrav generator and poured from there into outer space.’ (Volsted Gridban, Planetoid Disposals Ltd., 1953) [BA]

(2) ZOOMING TO EURCON. Marcin Klak, Polish fan and past GUFF winner, has written up the virtual Eurocon: “Futuricon – The Future is Now”.

…There were a few interesting items to watch during Futuricon. I managed to visit some of them and  a hmissed some others… The ones I was especially happy to attend were Alison’s Virtual GUFF Trip talk treating about this year’s GUFF delegate’s (Alison Scott) virtual foray to Australia and New Zealand. I was also fascinated by the great talk by Cheryl Morgan – Worldbuilding with Sex and Gender. It was a short introduction to how sex and gender look in nature. It was so interesting that I decided to buy one of the recommended books to read more about the topic.

(3) SLF GRANT OPENING. The Speculative Literature Foundation is accepting applications for the Working Class Writers Grant through December 31.

This grant is awarded annually to assist working class, blue-collar, poor, and homeless writers who have been historically underrepresented in speculative fiction, due to financial barriers. We are currently offering one $1000 working class grant annually, to be used as the writer determines will best assist his or her work. This year, we will accept applications October 1, 2020 through December 31 2020.

(4) LONG REACH. This English-language article from the German foreign broadcast service Deutsche Welle spotlights how the Chinese government is exerting pressure on foreign publishers: “Chinese censors target German publishers”. Tagline: “As China tries to expand its influence abroad, it’s going beyond politics and business to target literature and publishing. German publishers are among those that have been targeted by censors, as DW has learned.”

…When DW contacted Phoenix Juvenile and Children’s Publishing, the publisher in Nanjing which ordered the changes to Dragonfly Eyes, the employee who spoke with Frisch said the changes had been requested by the author.

But communication between the two publishers suggests a different story. In these messages, seen by DW, the Phoenix employee told the German publisher that “relevant departments” had given negative feedback on the book and that the issue was “sensitive.” She then reminded Frisch several times that she had to state publicly that the novel was a work of fiction, that it was “made up, not real.”

In the Chinese edition however, the author clearly writes in his foreword that the story was based on the memories of somebody he had met. 

Later, the Phoenix employee told Frisch to stop all promotion of the book “in the interest of the author and the state.” She added that “because the story concerns the Cultural Revolution and because it is the anniversary year, you cannot not publish the book for the time being.”

This exchange took place at the end of October 2019, when the People’s Republic of China had just celebrated its 70th anniversary. By that point, the publisher’s tone had become slightly menacing. “Listen to our advice,” the employee said. “This will also protect the interest of your own publishing house.”

The licensing contract seen by DW does not mention any vetting of the final edition. “The deal is I get a text and I translate it,” Frisch said. “I don’t want to be used in political games.”…

(5) IMMOVABLE OBJECTIONS. Far Out explores “The reason why Stanis?aw Lem was furious about Andrei Tarkovsky’s adaptation of his novel ‘Solaris’”.

…Although Tarkovsky’s adaptation wasn’t the first (a 1968 television movie of Solaris by Boris Nuremburg), it is certainly the most famous and has been immortalised for its contribution towards a better understanding of the cinematic medium. More than the science fiction elements in the film, Tarkovsky was interested in the human problem. This fundamental difference between their respective approaches contributed to the dispute between Lem and Tarkovsky.

In October of 1969, Lem met Tarkovsky and literary expert Lazar Lazarev at the Peking Hotel in Moscow to discuss the script. Lem was not receptive to the changes that Tarkovsky had envisioned for his adaptation and could not understand why Lazarev was present. The writer maintained that his novel already had everything needed for a film, ignoring Tarkovsky’s efforts to convince Lem that he knew what he was doing as a filmmaker. When Lazarev asked if Lem would like to watch one of Tarkovsky’s films, the writer coldly answered: “I don’t have the time for that.”

However, the meeting was ultimately fruitful because Lem gave in and allowed them to go ahead with the project. The writer said that it was a matter of principle to not forbid anything but apart from that, he was openly against Tarkovsky’s vision. Insisting that he did not write the book about “people’s erotic problems in space”, Lem recalled the meeting between the two creative geniuses: “Tarkovsky and I had a healthy argument. I sat in Moscow for six weeks while we argued about how to make the movie, then I called him a ‘durak’ [‘idiot’ in Russian] and went home.”

(6) A FOOLISH CONSISTENCY IS THE HOBGOBLIN. “Little, Big: Talking with John Crowley” at Mythaxis Review.

DH: As someone who reads and watches are broad range of things, that resonates. Obviously, authors, film-makers, and other creatives have a similar freedom to experiment to see what works for them. However, the prevailing advice for achieving commercial success (at least as an author) is to pick a niche and stick to it. Do you have any advice for authors and filmmakers who want to succeed in multiple areas?

JC: I think the crux is how a writer – and his readers – define success. It certainly has long been the case in certain parts of the US literary world, and probably in that of other nations as well, that rapid production of new versions of successful books is the best way to high sales, and certainly most publishers are happy to facilitate that. But there’s a divide that ought to be noted: My most recent book was sent in MS to some twenty editors; some were entirely uninterested, but a small number thought the book was great. But because the publisher didn’t see profits from such an oddity it was refused, until at length one editor with a private label within a big house took it. If that’s the common route now, I would tell writers that they may as well write whatever they like, and make it entirely different every time, and trust that someone will take it even if it doesn’t match market expectations. (I’m quite sure that my last three or four novels, if read without my name attached, would not be recognized as by the same author.) About films I know less, though I’d guess the quandary – and the approach – would be similar.

(7) FLAME ON. From the inaugural virtual Ring of Fire Convention (ROFCON), a video of the panel on modern publishing featuring Alexi Vandenberg (M), Toni Weisskopf, Shahid Mahmud, Kevin Anderson, and Eric Flint.

(8) CONRAD OBIT. Roxanne Conrad (1962-2020), who published thriller, sff and YA under the name Rachel Caine, died of cancer on November 1 at the age of 57. More tribute from her husband and associates here.

Roxanne Conrad, aka Rachel Caine. Roxanne lost her fight with a rare and aggressive cancer, soft tissue sarcoma, on November 1, 2020.

Roxanne was known worldwide as thriller, science fiction, and young adult writer Rachel Caine. With over 56 books in print and millions of copies sold, she was a popular guest at conventions in the United States and around the world. Her popular book series include the young adult Morganville Vampires novels, the Great Library series, and the #1 bestselling Stillhouse Lake novels in adult thrillers.

(9) MEDIA ANNIVERSARY.

  • November 2, 1988 — The first part of Doctor Who’s “The Happiness Patrol” aired. Written by Graeme Curry, it was intended (by him and the other writers) to be a parody of Thatcherism, with Helen A representing Margaret Thatcher herself. Starring Sylvester McCoy as the Seventh Doctor, Sophie Aldred as Ace and Shelia Hancock as Helen A. with David John Pope as Kandy Man. Rowan Williams, the Archbishop of Canterbury, referred to this story in his 2011 Easter sermon, on the subject of happiness and joy. Really. Truly. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 2, 1913 — Burt Lancaster. Certainly being Dr. Paul Moreau on The Island of Doctor Moreau was his most genre-ish role but I like him as General James Mattoon Scott in Seven Days in May. And, of course, he’s really great as Moonlight Graham in Field of Dreams. (Died 1994.) (CE)
  • Born November 2, 1927 — Steve Ditko. Illustrator who began his career working in the studio of Joe Simon and Jack Kirby during which he began his long association with Charlton Comics and which led to his creating the Captain Atom character. Did I mention DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of Spider-Man and Doctor Strange. For Charlton and also DC  itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove.  He been inducted into the Jack Kirby Hall of Fame and into the Will Eisner Award Hall of Fame. (Died 2018.) (CE)
  • Born November 2, 1928 – the Usual Don Fitch, 92.   So he has long signed his name and referred to himself.  But his usual is quite wonderful. Long-time helpful member of LASFS (L.A. Science Fantasy Society), earning its Evans-Freehafer service award in 1970.  Fanzine From Sunday to Saturday in many apas, e.g. FAPA, SAPS, TAPS, The Cult, N’APA, ANZAPA, APA-L.  Fan Guest of Honor at Minicon 28.  [JH]
  • Born November 2, 1941 – Ed Gorman.  Three dozen novels, ten dozen shorter stories for us; comics; a dozen anthologies with Martin H. Greenberg; detective fiction (Life Achievement Award from Private Eye Writers of America), Westerns; nonfiction in NY Times, Redbook.  Interviewed A.J. Budrys in SF Review.  Fanzine Ciln.  Won a short-story contest sponsored by Scribner’s, invited by an editor to expand into a mainstream novel, quit after six months saying “I was bored out of my mind.”  (Died 2016) [JH]
  • Born November 2, 1942 – Sue Francis, 78.   Co-chaired DeepSouthCon 24 (with Ken Moore).  With husband Steve Francis, mainstays of Rivercon for twenty-five years.  Their reminiscence of NorthAmeriCon ’79 the 2nd NASFiC (N.Am. SF Con, since 1975 held when the Worldcon is overseas) here. Together Fan Guests of Honor at ConTact 6, Phoenixcon 5, MidSouthCon 10, DeepSouthCon 33, InConJunction XX, Con*Stellation XX; Rebel and Rubble Awards; DUFF (Down Under Fan Fund) delegates, report Sue & Steve’s Excellent Adventure in Australia; Big Heart (our highest service award).  [JH]
  • Born November 2, 1942 – Carol Resnick, 78.  A founder of Windycon.  Noted costumer and judge of our Masquerade costume competition.  Widow of Mike Resnick, who throughout his pro career (4 Hugos, 1 Nebula; Galaxy’s Edge magazine) remained also a fan; together Fan Guests of Honor at Rivercon VI, Pro Guests of Honor at Contraption 5.  [JH]
  • Born November 2, 1942 — Stefanie Powers, 78. April Dancer, the lead in The Girl from U.N.C.L.E. which lasted just one season. Did you know Ian Fleming contributed concepts to this series and The Man from U.N.C.L.E. as well?  She would play Shalon in the crossover that started on The Six-Million Man and concluded on The Six-Million Woman called “The Return of Bigfoot”. (CE)
  • Born November 2, 1949 — Lois McMaster Bujold, 71. First, let’s note she’s won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo. Quite impressive that. Bujold’s works largely comprises three separate book series: the Vorkosigan Saga, the Chalion series, and the Sharing Knife series. She joined the Central Ohio Science Fiction Society, and co-published with Lillian Stewart Carl StarDate, a Trek fanzine in which a story of hers appeared under the byline Lois McMaster. (CE)
  • Born November 2, 1969 — Lucy Hawking, 51. Daughter of Stephen Hawking. Children’s novelist and science educator. With her father, she wrote the George’s Secret Key series which may or may not be genre. Anyone here from Britain who’s actually seen them? (CE)
  • Born November 2, 1972 – Masayoshi Yasugi, 48.  (Personal name last, Japanese style.)  Japanese SF New Face Award for The Dreaming Cat Sleeps in Space (2003); three more novels, a dozen shorter stories.  [JH]
  • Born November 2, 1983 – Ádám Gerencsér, 37.  Edits Sci Phi Journal (with Mariano Martin Rodríguez), two short stories there.  “When … I wanted to read a comprehensive guide to Hungarian alternate history and realised that it didn’t exist, I wrote one (in English, Journal Hélice vol. III no. 6).”  [JH]

(11) COMICS SECTION.

  • The Far Side visits the beach as two figures pass each other with the day’s catch.

(12) DRACULA FOR ALL THE SENSES. Print Magazine admires the work done by Beehive Press in “Designing the Ultimate Dracula Experience”. This amazing collection will be out next year. Many photos at the link.

Last year, Philadelphia-based boutique publisher Beehive Books launched a Kickstarter to bring literary lovers an interactive Dracula experience like never before: “You are not a passive observer. You are a scholar exploring this supernatural archive.” When it’s released in 2021, Dracula: The Evidence will deliver a briefcase full of letter correspondence, photographs, diaries, newspaper clippings, phonograph records and more, that make the saga of the centuries-old vampire more real than ever.

… When the finished project is delivered, readers will be able to unfold a map of London and track the characters as they move through the story. Letters and photographs will give them a chance to become “supernatural archeologists.” Blueprints and additional maps will turn them into amateur detectives.

All told, from the aged briefcase that holds all of the documents to the beautifully bound journals and framed photos, the planned design is downright dazzling.

(13) HEAR ME. STEAL ME. “Star Wars: The Mandalorian Created A New Form Of Sign Language For The Tusken Raiders” – let SYFY Wire fill you in.

For many moons, Star Wars fans have written off the Tusken Raiders as savage Sand People that bray like donkeys whenever they go on the offensive. Thanks to The Mandalorian, acolytes of the galaxy far, far away can now view Tatooine’s desert nomads in a new light. In Season 1, the bounty hunter known as Din Djarin (Pedro Pascal) proved that one can actually make physical contact with the Tuskens and live to tell the tale. The Season 2 premiere took that dynamic to an entirely new level as Djarin forged a shaky alliance between the Sand People and the citizens of Mos Pelgo.

But before the show could have its titular hero communicating with the indigenous folk of Tatooine, it needed a new language through which they could speak to one another. That’s where Troy Kotsur came in; the deaf actor was hired to come up with a sign-based vocabulary for the Tusken Raiders and it wasn’t just a matter of bringing American Sign Language to the Great Dune Sea.

(14) TOWERS OF BABEL. In the Washington Post, Christian Davenport says what NASA engineers are worried about the software in the giant Space Launch System rocket, since the rocket has parts made by Lockheed Martin, Aerojet Rocketdyne, Northrop Grumman, and the United Launch Alliance and it’s not clear if the software can integrate equipment made by these different companies: “NASA’s new rocket would be the most powerful ever. But it’s the software that has some officials worried.”

… Computing power has become as critical to rockets as the brute force that lifts them out of Earth’s atmosphere, especially rockets like the SLS, which is really an amalgamation of parts built by a variety of manufacturers: Boeing builds the rocket’s “core stage,” the main part of the vehicle. Lockheed Martin builds the Orion spacecraft. Aerojet Rocketdyne and Northrop Grumman are responsible for the RS-25 engines and the side boosters, respectively. And the United Launch Alliance handles the upper stage.

All of those components need to work together for a mission to be successful. But NASA’s Aerospace Safety Advisory Panel (ASAP) recently said it was concerned about the disjointed way the complicated system was being developed and tested.

At an ASAP meeting last month, Paul Hill, a member of the panel and a former flight and mission operations director at the agency, said the “panel has great concern about the end-to-end integrated test capability and plans, especially for flight software.”

(15) KITTY LITERATURE. The Guardian interviews a philosopher about his latest study: “John Gray: ‘What can we learn from cats? Don’t live in an imagined future’.

…One impulse for this book was a conversation with a fellow philosopher, who assured Gray that he “had taught his cat to be vegan”. (Gray had only one question: “Did the cat ever go out?” It did.) When he informed another philosopher that he was writing about what we can learn from cats, that man replied: “But cats have no history.” “And,” Gray wondered, “is that necessarily a disadvantage?”

Elsewhere, Gray has written how Ludwig Wittgenstein once observed “if lions could talk we would not understand”, to which the zookeeper John Aspinall responded: “He hasn’t spent long enough with lions.” If cats could talk, I ask Gray, do you think we would understand?

“Well, the book is in some ways an experiment in that respect,” he says. “Of course, it’s not a scientific inquiry. But if you live with a cat very closely for a long time – and it takes a long time, because they’re slow to trust, slow to really enter into communication with you – then you can probably imagine how they might philosophise.”

Gray believes that humans turned to philosophy principally out of anxiety, looking for some tranquillity in a chaotic and frightening world, telling themselves stories that might provide the illusion of calm. Cats, he suggests, wouldn’t recognise that need because they naturally revert to equilibrium whenever they’re not hungry or threatened. If cats were to give advice, it would be for their own amusement.

(16) AND I SWEAR THAT IT’S ALL TRUE. A whale of a tale.

(17) WARP DEED. “Tenacious D” covers the “Time Warp.” Vocals by Jack Black and Kyle Gass. Cameo appearances by Eric Andre, Ezra Miller, George Takei, Ilana Glazer, Jamie Lee Curtis, John Heilemann, John Waters, Karen O, King Princess, Mayor Pete Buttigieg, Michael Peña, Peaches, Phoebe Bridgers, Reggie Watts, Sarah Silverman, Senator Elizabeth Warren, and Susan Sarandon.

It’s astounding… time is fleeting… and the 2020 election is here. Time to ROCK-Y THE VOTE! And remember: it’s just a jump to the LEFT, and not a step to the right!

(18) VIDEO OF THE DAY. In “Twilight Breaking Dawn Pitch Meeting” at Screen Rant, Ryan George summarizes both the fourth and fifth Twilight movies in one meeting because, unlike the last Harry Potter meeting, there really isn’t enough plot in the last Twilight novel for two movies.

[Thanks to Rob Thornton, Mike Kennedy, Andrew Porter, Danny Sichel, James Davis Nicoll, Michael Toman, John King Tarpinian, JJ, John A Arkansawyer, Cora Buhlert, Cat Eldridge, John Hertz, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Carrie Callahan Receives SLF’s 2019 Working Class Grant

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Carrie Callahan

The Speculative Literature Foundation has awarded its 2019 Working Class Writers Grant to Carrie Callahan.

The $1,000 Working Class Grant is intended to assist working class, blue-collar, poor, and homeless writers who have been historically underrepresented in speculative fiction due to the financial barriers that have made it much harder for them to access the writing world. SLF created the annual grant in 2013.

Callahan received the grant for her short story “The Zombie in the Yard.” She is also the recipient of a 2019 Writers of the Future Award for her short story “Dirt Road Magic,” which appears in Writers of the Future Volume 35.

Callahan has described her writing as Dirt Spec, or speculative fiction about people who are economically disadvantaged, inspired by her own background. She says that she “strives to portray these people with nuance even amid space wars, zombie invasions, and magical school graduations.”

[Based on a press release. Via Locus Online. Note: Two different award years are given in the press release. The SLF grant winners list indicates this is the 2019 grant.]

Pixel Scroll 2/14/20 Requires Much More Work Before It Can Be Submitted

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(1) VOTE ON BOOK SUPER LIST. A bit of genre seasons the stew: “British Book Awards 2020: Nibbies unveils #30from30 super list” at The Bookseller. [Via Locus Online.]

Books by J K Rowling, E L James, Peter Kay, Stephenie Meyer, Philip Pullman and Zadie Smith will battle it out to be crowned the overall book of the past 30 years at this year’s British Book Awards (a.k.a. the Nibbies), as part of a unique celebration of the three decades of publishing championed at the annual awards, which were founded in 1990.

The longlist of titles—from Brick Lane to Longitude to Dreams From My Father—is made up of past winners at the British Book Awards, the book and trade awards founded in 1990 by Publishing News, and run since 2017 by The Bookseller. The longlist makes for a compelling history of the book trade and 30 years of successful publishing, with books such as Harry Potter and the Philosopher’s Stone by Rowling, The Gruffalo’s Child by Julia Donaldson and Axel Scheffler, Northern Lights by Pullman, and The Da Vinci Code by Dan Brown going on to become huge backlist bestsellers, and spawning many imitators.

See the full list and ballot here.  The winner will be announced May 18, 2020.

The Bookseller now invites readers and the trade to share their memories of these books, make the case for titles to make it through to the next round, and suggest wildcard entries. A shortlist of ten will be announced in March. The winning author will be invited to the British Book Awards on 18th May to pick up their prize.

Which 10 books would make up your shortlist?

Vote below, tweet using #30from30 or email [email protected] and share your memories of the longlist.      

(2) IT JUST GOT STRANGER. Netflix has dropped a trailer for Season 4 of Stranger Things.

(3) WHEN GREEN KNIGHTHOOD WAS IN FLOWER. [Item by Dann.] Corey Olsen is an English professor with at PH.D. in medieval literature. His classes cover a broad range of medieval mythologies; including Arthurian legends and faerie stories. His course offerings include the obvious children of those mythos; J.R.R. Tolkien’s The Lord of the Rings. He has adopted the sobriquet of The Tolkien Professor.

In addition to his work in academia, Professor Olsen has also participated in many cons and symposiums (symposia?) focused on LOTR and medieval literature. He currently serves as the president of Signum University; an online university.

Back in 2011, Professor Olsen recorded a series of classes at Washington University on the original Sir Gawain and the Green Knight. It may be useful to listen to some of his earlier classes on faerie in medieval literature to acquire a broader context of faeries within that period.

There are one, two, three, four episodes covering the Green Knight story.

(4) SLF TAKING GRANT APPLICATIONS. The Speculative Literature Foundation is accepting applications for the 2020 Older Writers Grant and A.C. Bose Grant for South Asian Speculative Literature through March 31st, 2020.

The $1,000 Older Writers Grant is awarded annually to a writer who is fifty years of age or older at the time of grant application, and is intended to assist such writers who are just starting to work at a professional level. Grant funds can be used as each writer determines will best assist his or her work. For more information about the Older Writers Grant, or how to apply, click here.

The $1,000 A.C. Bose Grant for South Asian Speculative Literature, co-sponsored by the SLF and DesiLit, is awarded to a South Asian or South Asian diaspora writer developing speculative fiction. The grant is named in memory of Ashim Chandra Bose, a lover of books, especially science fiction and fantasy, and was founded by his children, Rupa Bose and Gautam Bose. For more information about the A.C. Bose Grant, or to how to apply, click here.

The SLF is also currently accepting applications for the 2019 Working Class Grant until February 29, 2020.  For more information, or how to apply, click here. 

(5) SLF HONORS ART. Sofiia Melnyk’s “Sir Spacediver 3020” is the Speculative Literature Foundation’s 2020 Illustration of the Year.

The Speculative Literature Foundation has chosen its 2020 Illustration of the Year, for a piece of artwork that combines elements of science fiction and fantasy as well as incorporating the SLF’s literary focus. The 2020 Illustration of the Year, entitled “Sir Spacediver 3020, is by artist and animator Sofiia Melnyk. Melnyk has a degree in animation from the Animationsinstitut of the Filmakademie Baden-Württemberg. Melnyk’s winning piece is now featured n the Speculative Literature Foundation’s website and will be on its social media and marketing material throughout 2020. 

(6) FANDOM IN THE SHADE. The Rite Gud podcast has posted Part 2 of their discussion — “The Dark Side of Fandom Part 2: Friendship Simulator”. It’s all about parasocial relationships.

Why do people love the Disney corporation? Why do people watch other people play video games? Can fans influence creatives’ work for the worse? Does the mainstreaming of geek culture represent a triumph for social outcasts, or is it all just a capitalist plot?

In part two of our discussion on the dark side of fandom, RS Benedict talks to Tim Heiderich about parasocial relationships, Twitch streamers, Nazis, Pink Floyd’s The Wall and fans who want to watch their idols burn.

(7) TODAY IN HISTORY.

  • February 14, 1963 — The Day Mars Invaded Earth premiered. Directed by produced and directed by Maury Dexter, it stars Kent Taylor, Marie Windsor, and William Mims. Dexter named the film in hopes it’d remind film goers of The Day The Earth Stood Still. The storyline is merging of the story lines in The War of the Worlds and Invasion of the Body Snatchers. Strangely enough, it was the bottom half of a double feature with the Elvis Presley‘s Kissin’ Cousins. The NYT critic at the time  called it a “pallid, pint-sized exercise” and the audience score at Rotten Tomatoes is a rather poor 18%.  You can see the film here.
  • February 14, 1986 — Terrorvision premiered. It was directed by Ted Nicolaou, produced and written by Albert and Charles Band. It starred  Diane Franklin, Gerrit Graham, Mary Woronov, Chad Allen and Jonathan Gries. Wiki notes that “several songs (including the movie’s theme) were contributed by Los Angeles art rock band The Fibonaccis. TerrorVision was hoped to bring more attention to the group, but the movie (and ultimately the soundtrack) failed.” Pop Matters called TerrorVision “a truly wretched movie.”  It holds a decent 43% audience rating at Rotten Tomatoes. Of course you can judge the film by seeing it here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 14, 1919 — David A. Kyle. He chaired the 1956 Worldcon, was a leader in First Fandom, and wrote innumerable fanhistorical articles for Mimosa. Along with Martin Greenberg, he founded Gnome Press in the late Forties. He also penned two illustrated SF histories, A Pictorial History of Science Fiction and The Illustrated Book of Science Fiction Ideas and Dreams. He wrote three novels set in the Lensman universe: The Dragon Lensman, Lensman from Rigel and Z-Lensman. So has anybody read these? (Died 2016.)
  • Born February 14, 1925 — J. T. McIntosh. Scottish writer at his best according to Clute in his early work such as World Out of Mind and One in Three Hundred. He’s deeply stocked at the usual digital sources at very reasonable rates. (Died 2008.)
  • Born February 14, 1942 — Andrew Robinson, 78. Elim Garak on Deep Space Nine. He wrote a novel based on his character, A Stitch in Time, and a novella, “The Calling,” which can be found in Prophecy and Change, a DS9 anthology edited by Marco Palmieri. Other genre credits include Larry Cotton in Hellraiser, appearing in The Puppet Masters as Hawthorne and playing John F. Kennedy on the The New Twilight Zone.
  • Born February 14, 1951 — John Vornholt, 69. I was musing on the difference between fanfic and profic (if such a word exists) when I ran across this writer. He’s written in a number of media properties with the most extensive being the Trek ‘verse where he’s written several dozen works, but he’s penned works also in the Babylon 5, Buffyverse, Dinotopia, Earth 2, Marvel metaverse… Well you get the idea. All authorized, but really no different than fanfic on the end, are they? Other than they pay a lot better. 
  • Born February 14, 1952 — Gwyneth Jones, 68. Interesting person the she is, let’s start with her thoughts on chestnuts. Just because I can. Now regarding her fiction, I’d strongly recommend her Bold As Love series of a Britain that went to pieces as it now certainly is, and her twenty year-old Deconstructing the Starships: Science, Fiction and Reality polemic is still worth reading.
  • Born February 14, 1963 — Enrico Colantoni, 57. Any excuse to mention Galaxy Quest is one I’ll gladly take. He played a delightful Mathesar on that film and that was his first genre role, lucky bastard. Up next for him was A.I. Artificial Intelligence as The Murderer followed by appearing in the most excellent animated Justice League Dark as the voice of Felix Faust where his fate was very, very bad. He had an amazing role on Person of Interest as Charlie Burton / Carl Elias. Not genre, but his acting as Sgt. Gregory Parker on Flashpoint, a Canadian police drama television series is worth noting.
  • Born February 14, 1970 — Simon Pegg, 50. Best known for playing Montgomery Scott in the new Star Trek franchise. His first foray into the genre was Shaun of the Dead which he co-wrote and had an acting role in. Late genre roles include Land of the Dead where he’s a Photo Booth Zombie, Diary of the Dead where he has a cameo as a Newsreader, and he portrays Benji Dunn in the ongoing Mission: Impossible franchise.
  • Born February 14, 1975 — M. Darusha Wehm, 45. New Zealand resident writer who was nominated for the Nebula Award and won the New Zealand Sir Julius Vogel Award for The Martian Job novel. She says it’s interactive fiction. You can read the standalone prequel novella, Retaking Elysium, on her website which can be found here.

(9) DEMONSTRATING APPLIANCES. That doesn’t mean what it used to. “Why ‘Star Trek’ Star Jeri Ryan Had a Tough Time Returning for ‘Picard'” — The Hollywood Reporter found out. BEWARE SPOILERS, dammit.

“The scale of the show. The scale of these sets, the costumes, it’s crazy. It’s like you’re doing a feature film every week.” Ryan says with a big smile. What impressed her most was the advances in set design and tech from her days on Voyager. 

“In one of my scenes, where I had to go in and work a console, we go in for the first rehearsal and I had to touch buttons and the screen actually does something! And I totally flipped out, like: ‘Oh my god, actually having buttons that work!” 

There was another change from working on Voyager that surprised her.

“What’s funny is that they actually added time to my ready time. They made [Seven’s] prosthetics more complicated to put on. So now I actually do have prosthetic makeup to add, outside of the full Borg suit and makeup, that I didn’t have on the old show.” (And yes, fans, she still has Seven’s original facial appliances somewhere in her house. “Though it’s pretty crunchy at this point,” she says. She also got to keep her first new set of appliances from Picard.)

(10) UNMAKING BOOK. Publishers Weekly reports “In 2021 Budget Proposal, Trump Once Again Seeks to End Federal Library Funding”.

For a fourth straight year, the Trump administration has once again proposed the permanent elimination of the federal Institute of Museum and Library Services (IMLS), and with it virtually all federal funding for libraries.

…In a statement, IMLS officials confirmed the Trump Administration will once again propose the elimination of the agency, with $23 million reportedly proposed in the 2021 budget proposal to wind the agency down.

The good news for library supporters: for the last three years, the library community has not only successfully countered the administration’s proposal to axe the IMLS—the agency through which most federal library funding is distributed in the form of grants to states— but IMLS has actually seen increases in each of the last three years. The FY2020 budget, which Trump signed in January, included a $10 million increase to the IMLS budget, including $6.2 million for the Library Services and Technology Act (LSTA), the largest increase in LSTA funding in over a decade.

(11) FAKIN’ BACON. FastCompany tells how they’re doing it: “This bacon looks like the real thing as it sizzles—but it’s made from fungus”.

Most fake meat products get protein from a small group of plants. In the case of the Beyond Burger or Nestle’s Awesome Burger, the main ingredient is pea protein; the Impossible Burger gets protein from soy and potatoes. Kellogg’s “Incogmeato” line is made with soy. But one new Bay Area startup relies on fungus instead—specifically, koji, the fungus used to make sake.

The startup, called Prime Roots, launched limited sales of its first product—a fungi-based bacon—online today. Bacon “is a very underserved meat alternative,” says Prime Roots cofounder Kimberly Le. “There’s a lot of ground beef out there. But there isn’t as much in the way of whole-muscle meat or a more formed product like bacon or chicken breast, which is something that koji does really well at replicating.”

(12) ALONG CAME JONES. Harrison Ford is making the rounds to promote the next Indy film. The Hollywood Reporter got an article out of his appearance on Ellen: “‘Indiana Jones 5’ Will Begin Filming This Summer, Harrison Ford Says”.

The 77-year-old actor told host DeGeneres that filming would begin late this summer. 

“it’s going to be fun,” Ford said. “They are great fun to make.” 

The upcoming film’s title has yet to be revealed. 

Ford has a TV interview about the production that will air on Sunday – here’s a teaser.

In this preview of a conversation with correspondent Lee Cowan to be broadcast on “CBS Sunday Morning” on February 16, Harrison Ford, the actor who has played iconic characters in the “Star Wars” and Indiana Jones franchises, talks about returning to familiar roles.

(13) I’VE BEEN THINKING. Maltin on Movies visited with Craig Ferguson.

Craig Ferguson is one of the funniest men on the planet, as he proves yet again in his multi-episode web series Hobo Fabulous, a hybrid of stand-up comedy and documentary on the Comedy Dynamics network. It’s no surprise that the former late-night host is a master of conversation, leaving Leonard and Jessie to marvel at his rapid-fire mind. He has significant film credits, as well, not the least being his voice-over work in the How to Train Your Dragon animated features. Be sure to listen if you’re in need of cathartic laughter.

(14) VIDEO OF THE DAY. “Hair Love–Oscar Winning Short Film” on YouTube is the animated feature by Matthew A. Cherry that won this year’s Oscar for best short animated film.

[Thanks to John King Tarpinian, Cat Eldridge, JJ Chip Hitchcock, Andrew Porter, Mike Kennedy, Martin Morse Wooster, and Michael Toman for some of these stories. Title credit belongs to PJ Evans with an assist from Anna Nimmhaus.]