
A Long Time Ago, At A Convention Far, Far Away…STAR WARS!
By Chris M. Barkley: If you are a hardcore cinephile like myself, I have no doubt that you remember when a film burned itself into your memory bank so hard that you vividly remember exactly when and where you were when that magical moment happened.
For instance, I saw It’s A Mad, Mad, Mad, Mad World in the early 1970’s in a now extinct theater that nowadays is a popular skating rink.
I had the privilege of seeing 2001; A Space Odyssey during a seven-day limited run in August 1974 at the now defunct Carousel Theater in all of its 70mm glory.
I first viewed Casablanca during exam week at the University of Cincinnati in 1975 in the Tangeman Student Center auditorium.
I saw Citizen Kane for the first time in a very small viewing room of the Cincinnati and Hamilton County Main Library one winter morning during the same period.
I somehow missed the first run of The Matrix in the spring of 1999 but by the time August rolled around it was in a second-run, two dollar movie house in Norwood, Ohio near the hotel Midwestcon was held for many years. I was so dazzled by the story, characters, music and visual effects I went back and saw it two more times before it left town for good.
But there was one particular, unforgettable film that I remember above all others.
Forty-eight years ago, on the evening of May 27th – 28th 1977, I first encountered George Lucas’ monumental and epic movie, Star Wars (as it was simply called until 1981, when it was permanently dubbed “A New Hope”.
And while my first viewing of Star Wars during the spring of 1977 was inevitable, I can say in hindsight that my initial time was not only incredibly fortuitous but historic as well.
In May of that year, I was eleven months into my journey in sf fandom, which, in itself was also highly coincidental; I and my best friend Michaele had the good luck to stumble upon a legendary science fiction convention called Midwestcon (the 27th gathering that year) hosted by the Cincinnati Fantasy Group, who had hosted the 7th World Science Fiction Convention, Cinvention, in 1949.
In those ancient days before the internet, any word of a noteworthy sf fan activity, books, art or films was generally spread by word of mouth, magazines, radio, print newspapers or, on rare occasions, television.
As far as I was concerned, anything about Star Wars was well off my radar. If I had attended the 34th Worldcon in Kansas City in 1976 (which I could ill afford to go to at the time) I would have seen a spectacular exhibit sponsored by Lucasfilm Limited, laden with costumes, models, props teasing what the film was all about. Also present was a then little known actor named Mark Hamill, who reportedly lamented the fact that he had starred in this fantastic movie that no one had heard of or will see until next year.
Of course, Hamill, his castmates, the production crew and George Lucas himself had no idea of what they were about to unleash upon the world.
Lucas, who had some first-hand knowledge of sf fandom himself, knew instinctively that if other fans got behind this effort and spread a viral word of mouth campaign, there was a chance this might be a successful film.
This is not to say I was totally unaware of the movie; over the winter Del Rey/Ballantine Books had issued the novelization of Star Wars, which I saw and for the most part ignored because I had no idea what it was all about and looked like dozens of other space opera novels of that period.
(It should be duly noted that those first edition paperbacks, published in December of 1976 with a cover illustrated by Star Wars concept artist Ralph McQuarrie and ghost written by Alan Dean Foster, go for A LOT of pretty pennies nowadays.)
That spring, I heard from other members of the CFG of another well known science fiction convention in Washington D.C. called Disclave, which was that area’s premiere fan events. Several people from the Cincinnati group attended on a regular basis and I decided to go as well.
I was twenty years old at the time and I wanted, for the first time in my life, to plan my own trip and travel alone. I booked a train ticket through the national rail system, AMTRAK and a hotel room at the sprawling Sheraton Park Hotel on Connecticut Avenue.
After a splendid overnight trip, I arrived at the hotel on a beautiful Friday afternoon and the first thing I heard about from friends and fans alike was about the film playing up the street at the Uptown Theater, Star Wars. I also heard that showings were sold out that day so I was not inclined to go see it initially.
Little did I know at the time that the Uptown was one of ONLY thirty-two theaters in America that had premiered Star Wars two days earlier on May 25th. Before the end of that weekend the number would grow to forty-four.

By Saturday morning, I had heard enough so I decided to find out what all of the hullabaloo was all about myself. Setting out early that afternoon, I started walking up Connecticut Avenue.
The Uptown Theater was approximately 3/4 miles away from the hotel. As I got closer, I began to see that there were a great number of people gathered in the distance. When I reached the site I was astonished to see that the line of people stretched from the box office ticket window, south down the sidewalk and up Newark Street N.W., and astoundingly, past the urban neighborhood houses.
I have never seen a longer line for a film since then.

There were a great deal of people milling about the theater. As I surveyed this swirl of humanity a miracle occurred; as I was standing there a man and a woman were profusely apologizing to another man, who was holding two red tickets.
As the couple left, he turned, saw me and held up the two tickets. “They couldn’t make the midnight show. Would YOU like to buy them?”
Well, of course I said, “SURE!”
He explained that he was one of the Uptown managers and was outside basically for customer service and to handle the crowd.
“How much?” I asked eagerly.
“Three dollars each.”
And with that I handed over a five and a single dollar bill to witness history.
I walked back to the hotel somewhat surprised at my luck. I gave away one ticket upon my return but for the life of me I cannot remember who the lucky recipient was.
The rest of the day went by in a blur; I can’t remember a single thing I did between then and attending the film.
I returned to the theater by 11:30 p.m. to ensure I got a good seat. There were only a few dozen people ahead of me. Since the Uptown seated 850 people per showing, I was wise to turn up early.


When the doors opened, I hustled and quickly snagged a seat right towards the middle of the fifth or sixth row from the back of the theater.
When midnight came, the lights went down and there were no preview trailers. The audience spoke in low murmurs. I had no idea of what I was about to see.
I sat back as Alfred Newman’s familiar 20th Century Fox theme tolled. And after this evening, I would forever associate it with this particular film.
A long time ago, in a galaxy far, far away…the Star Wars logo burst into existence for the very first time!
With an incredible clash of instruments, composer John Williams, doing the opposite of what he did two summers ago with his masterful and epic score for Jaws, had a stranglehold on my imagination immediately.
Next came the serial-like expositional screen crawl followed by the camera panning down to the planet of Tatooine and came the first of many splendors; Princess Leia’s cruiser under fire from Darth Vader’s Star Destroyer, which thundered over our heads with astounding effect. With the four-track Dolby sound system, it seemingly put everyone there seemingly in the middle of the space battle!
And then, a cacophony of thrills; the deserts of Tatooine, the Jawas and their transport, the captive robots, the twin suns, the lightsaber, Mos Eisley spaceport, the Millenium Falcon going into hyperspace, the dreaded Death Star utterly obliterating Alderaan, the rebel’s escape and the climactic battle…
And two hours and one minute later it was all over.
The crowd rose in unison to applaud and scream their approval. A majority of them stayed for the credits as they rolled, something else I had NEVER seen before! For the record, I had no intention of leaving either. There was a very enthusiastic cheer for the Dolby sound system credit as well.
And so, with the last note of Williams magnificent score ringing in our ears, we exited the hall. I stood outside on the sidewalk, still quite stunned at what I just witnessed. The crowd was abuzz with many animated conversations and wildly exaggerated hand gestures.
And then I turned and saw one of my new fannish friends, a Baltimore area fan named Michael Walsh (who went on to become the Chair of ConStellation, the 41st Worldcon in 1983), in a similar state of mind.
We locked eyes, spontaneously joined our hands together and began to dance like two madmen.
(I also have the satisfaction of personally conveyed that scene to C3PO actor Anthony Daniels as he signed my copy of his book I Am C3PO, during his 2019 book tour. He gave me a generous, wide eyed smile in return.)

And the rest, as they say frequently, is history. For the most part, I’ve enjoyed many of the series’ spin offs and sequels (with the possible exception of the Ewoks) and especially after the now concluded prequel series Andor, which I rank among the best of all of the iterations.
As far movie going experiences go, there are very few fantastic or transforming experiences as seeing Star Wars for the very first time on a 70mm screen in a full house of unsuspecting moviegoers.
I haven’t forgotten that evening and I’m willing to bet that very few of those who were there haven’t either.
Reference Links:
- ‘Star Wars’ fans line up in DC for new movie, bursting with dedication – WTOP News
- An Oral History of the Uptown Theater – Washington City Paper
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I really do hate being pedantic (honestly!) but the Washington Post calls it “intergalactic.” It isn’t intergalactic dammit! “Interstellar,” yes, “interplanetary,” of course–even just plain old “galactic” is right there! Isn’t galactic enough?
Anyway. I know I saw it in a theater because I remember the aftereffects, but I have no memory whatsoever of the movie. Maybe some VFX PTSD that never got resolved (I was five).
Thanks Chris. Movies will never be exhibited in this manner again. It’s nice to remember. I wish I had seen 2001 in 70mm.
Loved this writeup, Chris, it really transported me. Especially with all the little details about your fandom experience at the time, that must have been absolutely magical to be a part of.
Oh, yes, what a memory! I saw it with my boyfriend at the West Wood theatre. We were both students at UCLA. We’d heard some vague buzz about a new sf film, and we both liked SF, so we went down to Westwood to catch the flick.
Ho! The line went on forever. I think we waited well over an hour to get into the theatre. We got crankier and crankier as time went on, and by the time we took our seats, we were grumbling and grousing at each other. This kept going…
And then suddenly with a great tidal-wave of music, the movie started! On came that now legendary opening sequence. The two of us went utterly silent, utterly enthralled, our argument utterly forgotten, then and forever. It was one of the most spectacular movie events I’ve ever experienced. Part of that came from the complete surprise. Neither of us had expected it, but it swept us away.
I’ll never forget that experience, back then when I was a wide-eyed kid at UCLA.
Thanks, Chris, for reviving old memories!
I saw “Star Wars” on opening night in Phoenix, in company with Gail Barton (my future wife). There were several other Phoenix fans who were there that night. Gail and I were blown away by the film AND its music.
I was unsure of the movie prior to seeing it, as I’d read the book (I still have the copy I’d bought the winter before). I thought the book was decent space opera, but I was unsure of the author–I’d never heard of this “George Lucas.” I figured that if he got in some more practice, he might have some hope of approaching Doc Smith or Jack Williamson. I did fear that, since he was a novice author, the movie makers might totally trash his story. The final run on the Death Star read like the climactic scenes from the 1950s British movie “The Dam Busters,” which I’d seen in childhood. The “Star Wars” movie gave me the same positive impression.
Many years later, I was able to get a DVD of “The Dam Busters,” and that reinforced my initial impressions of “Star Wars.” Interestingly, the wife of Barnes Wallis (the inventor of the Dam Buster bomb) wore her hair in a pair of buns, one on each side of her head, although hers were considerably smaller than Princess Leia’s.
I saw Star Wars at the Astor-Plaza in New York City a few days after the film opened and after returning from MediaWest*Con in Lansing, Michigan. I went with friends who had also returned from that convention. It was mind-boggling, and all we could talk about. The Astor-Plaza would walk through the theatre and throw everyone out between showings, which was something new. (Normally, in those days, you could sit through a film a second time if you wished.) I saw Star Wars 14 times in that same theatre, and even once hid in the bathroom, so I could watch it again.
The line was blocks long in Albuquerque. For some reason people there thought it was a “kids” movie and a very large percentage of the people in line were in the 7 to 12 year old range. I went with my amigo, Alan Z., both us us teenagers and die-hard sff fans. I’d already attended the first StarTrek con in New Mexico where I met A.E. VanVogt and Jack Williamson. Alan Z. was more into sword and sorcery, Zelazny, Fritz Lieber, Cimmerian magic. And if you know Albuquerque culture, you can bet we were baked to perfection on some heavy sinsemilla. we enjoyed every overwhelming second of the movie and staggered out into the street. The one thing I remember thinking when I looked at the horde of kids with their eyes dilated and shouting excitedly was: “Oh hell, now the whole world will be sf fanatics! it won’t be our little gang of edgy freaks anymore.”
@Robert: I suppose since the story takes place in a galaxy far, far away, we received it on Earth via some intergalactic means…
My parents were busy planning a move, and I had no other means to get to see the movie, so I didn’t see Star Wars (that’s its name) until its rerelease in 1979 (at a drive-in) after I had read the book, (and Splinter) and seen the Holiday special (!). Still worth it!
Thanks for this, Mr Barkley. An excellent memory.
The first time I heard of Star Wars was a day or two after it had, apparently, been released. I was in the about-to-open “The Other Change of Hobbit” bookstore, in Berkeley, where I bought, yes, a book, and co-owner Tom Whitmore gave me the nod.
“Star Wars is great,” he said, and then explained what he was talking about.
It was a week before I got to see it, at the wonderful old Century — 22A, according to that ad — in San Jose. We (myself, my then-girlfriend, and a few Mythopoeic friends) stood in that long line, smelling the distinctive smell of, um, let’s just say something I had only smelled so openly outside a theater before at a 1968 showing of 2001.
I think it fair to say that I was amazed. If someone had told me what was going to be on that screen, I would have guffawed. You could not possibly do that. Point of fact: Lucas and his team reinvented what could be done in a science fiction movie, much as Kubrick had done almost a decade earlier (and again, in a very different way, in 1972).
Only, unlike the cold and emotionless Kubrick, Lucas brought the thrills not only of the old serials (which, to be honest, I’d never seen at that point) but of pulp science fiction.
It’s easy today to see the flaws in Star Wars. Hecky-darn, it was easy to see a lot of them in 1977. It was just that I didn’t care, and still don’t.
Final note: the following weekend I conned my father into going over to the Century with my brother and I. After the movie, Dad said, “He’s Luke’s father, you know.”
“You mean Obi-Wan?”
“No, I mean Darth Vader. His name is a bit of a giveaway, isn’t it? ‘Dark Father?'”
Well played, Dad.
I saw it with friends, the weekend right after it had opened. I’d already heard it was good – one of my college teachers had seen it the first day! – so standing in line for a couple of hours in the sun was…worth it.
IIRC, it ran for a full year at that theater. (Yes, dan’l, it was the Century complex, next to the Winchester house.)
I first saw Star Wars, with no line, with a free pass from the Cincinnati Fantasy Group. My memory is fuzzy on the timing, but I would imagine this was part of the pre-release publicity campaign. I can’t easily imagine, however, why Chris wouldn’t have seen it on the same expedition that I did. Perhaps the releases were staggered by city and Chris had seen it in DC already but saw it again on that CFG expedition? Possibly Chris or Michaele Jordan remembers better than I do. Anyway, I was naturally blown away, and remember being particularly impressed at how lived-in the universe looked. Vehicles were actually dirty, even. But I also remember thinking, “Yeah, but if they can make a mindless space opera look this good, why not do the same for something with some content to it?” I think I even suggested Starship Troopers as an example, by which I decidedly did not have in mind the hatchet job of the Starship Troopers dramatization that eventually came along.
Great article, Chris.
I was too young to see Star Wars a.k.a. A New Hope in the theatre, considering I was only four years old at the time. But I did get to see Return of the Jedi at the late lamented Europa Theater in Bremen, which has been operating as an operetta theater since 1907 and as a movie house since 1926. The building was badly damaged in WWII and the theater where I saw Return of the Jedi and so many other memorable movies (e.g. Indiana Jones and the Temple of Doom and The Last Crusade) dated from 1950. The Europa was one of only two theatres in town which still had handpainted marquees.
I did get to see the theatrical re-releases of the original Star Wars trilogy at the Europa in the 1990s and I even got to see The Phantom Menace at the Europa, before it closed in 1999 to make way for – I kid you not – a Rossmann drugstore. So I had to watch the remaining two prequels at the U.T. Theater, which sadly also closed, kicked out by the DGB, the head organisation of German trade unions, who own the building where the theatre was located.