CanSmof Inc. will provide up to two scholarships for convention runners to be used towards the cost of attending SMOFCon 38, to be held in Montreal, Canada, December 2-4, 2022.
SMOFCon is the annual convention about organizing Science Fiction conventions.
The first Scholarship, of up to 500 CAD is open to a Canadian citizen or resident living outside of Quebec or Southern Ontario involved in running conventions with a preference for those who have not previously attended a SMOFCon.
The second scholarship of up to 1000 CAD is open to anyone involved in running conventions with a preference for those who have not previously attended a SMOFCon.
All scholarships come with an attending membership to SMOFCon 38, graciously donated by Smofcon 38.
Applicants will automatically be considered for any and all scholarships for which they are eligible. Preference will be given to fans who have not previously attended a SMOFCon, but this is not necessary to be an applicant. The submission deadline is October 5th, 2022, 23:59 SST (UTC-11). We reserve the right to not award any or all scholarships.
…The lead-up to the debut of the channel was marked with intriguing, somewhat ominous promos warning of “an invasion” that was “coming for you.” As the date drew closer, a countdown clock ticked down the seconds until the Sci-Fi Channel made its debut on a reported 10 million of the United State’s then-56 million cable-owning households. (In New York City, Star Trek’s Leonard Nimoy was the Master of Ceremonies at the launch party, which was held in the Hayden Planetarium.) The first official broadcast of the Sci-Fi Channel was a sad one, dedicating it to Roddenberry and Asimov, both of whom had died before the Sci-Fi Channel launched.
The dedication was followed by a nifty little faux news report from the year 2142….
James Earl Jones – one of the most distinctive voices in the history of film – appears to have made steps to step back from voicing the Star Wars character, Darth Vader, after nearly 40 years in the role.
“He had mentioned he was looking into winding down this particular character,” Wood told Vanity Fair. “So how do we move forward?”…
(3) THE HUGO HAS LANDED. It took awhile for Cora Buhlert’s Best Fan Writer Hugo to arrive. So naturally – as fan writers do — she got a good blog post out of it! “2022: A Hugo Odyssey”. However, the ending is not that happy – it arrived with the base broken.
…By Tuesday, there was still no change and no answer to my e-mail either, so I called FedEx Germany customer service and explained my problem.
“Did you order this?” the lady at the other end of the line asked me.
I said, “No, I did not order it, I won it.”
“Are you aware this might be a scam?” the lady asked.
I explained to her that no, it’s not a scam, that the Hugo is a legitimate award and that I won it, that she can google it, if she doesn’t believe me and that I’d really like my trophy now….
(4) TWO STEPS FORWARD, ONE STEP BACK. The new Chengdu Worldcon website, which launched without any reference to who its Guests of Honor are, or even having any, has now progressed to (1) a placeholder graphic and (2) a link to Guests of Honor that only goes to the About page. I think we’re all looking forward to reading what they have to say about Sergey Lukianenko.
Doctor Who is back for another season, and let me tell you: we’re off to a promising start. The Cybermen are back, we’ve got a new companion, and Patrick Troughton continues to impress in his role. Let’s take a look at Doctor Who in The Tomb Of The Cybermen….
About three years ago I was incredibly lucky: I was diagnosed with pancreatic cancer. Lucky? One of the most lethal forms of cancer, how on earth was that lucky? Well, because it was found incredibly early. No, not before lunchtime, but before it had gone anywhere…
The Hedgehog is among the many absurdist roles that Monty Python’s Eric Idle, who was unmasked this week on The Masked Singer Season 8’s premiere, was perhaps born to play. “The Hedgehog was perfect for me, because I’m prickly, and when I’m attacked, I curl up into a ball,” he jokes to Yahoo Entertainment the day after his big reveal. On the show, Idle actually pointed out that going on The Masked Singer was one of the more normal things he’d ever done in his career, and he tells Yahoo, “Yes, being silly and dressing up in silly animal costumes is not strange to me. When they asked me, and it was out of the blue, I thought, ‘Well, this is in my wheelhouse.’”
But there was a serious reason why the 79-year-old British comedy legend accepted Fox’s invitation: to make a comeback and test himself after his secret, against-all-odds pancreatic cancer battle, and to spread awareness for his new Bright Side Fund partnership with Stand Up to Cancer. Idle revealed the news about his 2019 diagnosis shortly after his Masked Singer episode aired.
Below, Idle discusses his cancer recovery; how he convinced Paul McCartney to let him cover “Love Me Do” on The Masked Singer despite the Beatle’s previous grudge over Idle’s Fab Four parody band the Rutles…
4 November HARRY POTTER PREMIERE. 6.30pm The film should only be seen on a big screen. It acquires a scale and depth that matches the hideous score by John Williams. Party afterwards at the Savoy is much more fun….
23 May NEW YORK. 4pm Harry Potter 3. World Premiere.
Arriving at Radio City was like being a Beatle. Thousands of fans screamed as we got out of cars. Mostly for Daniel Radcliffe but a rush for everyone. Not to mention walking out on to the stage to 6,000.
Alfonso has done an extraordinary job. It is a very grown-up movie, so full of daring that it made me smile and smile. Every frame of it is the work of an artist and storyteller. Stunning effects that are somehow part of the life of the film, not show-off stunts. Later back to the hotel w. Ariel Dorfman, who takes egomania to utterly charming heights. He just loves being him…
20 July [PUBLICATION DAY OF THE LAST HARRY POTTER.] 11.15pm Tunbridge Wells and Waterstones. I had guessed at 20 or 30 people waiting for midnight. Probably 300-400. And a queue moving slowly. One hour in the queue and it was time for action. Went to friendly security man. “Have you read the books?” No. “Have you seen the films?” One of them. “I’m in them.” Oh yes! There will be mayhem if I go into the queue. “I’ll get the manager.”
(Manager arrives.) “Oh! Hello!”
(8) A SLAP IN THE FACE OF OUTER SPACE. Zapf.punkt #15, edited by Filer Mlex, reviews the French science fiction novel, Metro to Hell (1962), by Validimir Volkoff, which features half-human zombies called Necrozones.
Then there’s a brief tour of the British paperback houses: Consul, Corgi, and Compact, in a review of Steve Holland’s Mushroom Jungle: A history of postwar paperback publishing (1993)
(9) LOUISE FLETCHER (1934-2022). Actress Louise Fletcher died September 23. She won an Oscar as Nurse Ratched, but she also played Bajoran religious leader Kai Winn Adami for 14 episodes of Deep Space Nine, and had appearances Invaders from Mars and the Ray Bradbury Theater.
… “I knew from the movies,” she would say, “that I wouldn’t have to stay in Birmingham and be like everyone else.”
(10) MEDIA BIRTHDAY.
1995 – [By Cat Eldridge.] So what’s the best televised SF series ever done? Max Headroom? Farscape? Babylon 5? The original Trek? May I put in a vote for a series that lasted just one season twenty-seven years ago? That would be of course Space: Above And Beyond. A series with strong overtones of Robert Heinlein in it.
It was created and written by Glen Morgan and James Wong who would collectively write many of the X-Files scripts.
It originally had been planned as a five season story, but only ran for one season, due largely to low ratings. The cast, I submit, of Lanei Chapman, Kristen Cloke, Joel de la Fuente, James Morrison (sexiest actor alive I say), Rodney Rowland and Morgan Weisser was absolutely stunning in their roles as members of the United States Marine Corps 58th Squadron of the Space Aviator Cavalry fighting the methane breathing Chigs.
Trivia: though humanoid, they were named after a species of fleas.
Just in case there’s a soul here who’s not seen it yet though I find that extremely unlikely, I’ll not do spoilers at all. It’s perhaps the best depiction of a military campaign in space that we are likely to see. Think of it as the complete and absolute antithesis of Starship Troopers. No breasts in the showers here. No almost Nazi references. No hotshot pilots.
It ran a mere twenty-three episodes, and depending on your viewpoint, wrapped its storyline, or didn’t. The writers certainly thought they did. I’ve actually heard it argued both ways by its fans.
The producers have said it is not Starship Troopers that was their main influence but rather was The Forever War. (Good choice I say. A stellar book that very much deserved the Hugo it won at MidAmeriCon.)
Interesting note: if the sound effects later sound familiar to you, it was because they were reused on Futurama.
It’s not apparently streaming anywhere.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 24, 1922 — Bert Ira Gordon, 100. He not only wrote but directed such films as Serpent Island, King Dinosaur, The Amazing Colossal Man, Earth vs. the Spider, Village of the Giants and Empire of the Ants. Forrest J Ackerman nicknamed him “Mr. B.I.G.” a reference to both his initials and his films’ tendency to feature super-sized creatures.
Born September 24, 1934 — John Brunner. My favorite works by him? The Shockwave Rider, Stand on Zanzibar which won a Hugo at St. Louiscon and The Sheep Look Up. I’m also fond of The Squares of The City which was nominated for a Hugo at Tricon. That was easy. What’s your favorite works by him? (Died 1995.)
Born September 24, 1936 — Jim Henson. As much as I love The Muppet Show, and I’ve watched every show at least twice, I think The Storyteller is his best work. That’s not to overlook Labyrinth, The Witches and The Dark Crystal and the first two Muppets films which are also excellent. Warning note: the three newest takes done on The Muppets suck beyond belief. Disney should be ashamed. (Died 1990.)
Born September 24, 1945 — David Drake, 77. Writer with his best-known solo work being the Hammer’s Slammers series of military science fiction. He has also written the Royal Cinnabar Navy series which are space operas inspired by the Aubrey–Maturin novels. He has also drafted story ideas that were then finished off by co-authors such as Karl Edward Wagner, S.M. Stirling, and Eric Flint. He’s very, very well stocked at the usual suspects.
Born September 24, 1945 — Ian Stewart, 77. Mathematician and writer. He makes the Birthday Honors for the four volumes in The Science of Discworld series he wrote with Jack Cohen and Terry Pratchett. It was nominated for a Hugo at Chicon 2000. Each of the books alternates between the usually absurd Discworld story and serious scientific exposition. (All four volumes are available from the usual suspects.) He would write a number of genre novels, none of which I’m familiar with. Anybody here read his works?
Born September 24, 1951 — David Banks, 71. During the Eighties, he was the Cyberleader on Doctor Who in all the stories featuring the Cybermen — Earthshock (Fifth Doctor story), The Five Doctors, Attack of the Cybermen (Sixth Doctor story), and Silver Nemesis (Seventh Doctor story). In 1989, he played the part of Karl the Mercenary in the Doctor Who: The Ultimate Adventure stage play. There were two performances where he appeared as The Doctor as he replaced Jon Pertwee who had fallen ill.
Born September 24, 1950 — Harriet Walter, 72. I knew I recognized her — she shows up in Star Wars: The Force Awakens as Kalonia, in A Dorothy L. Sayers Mystery as Harriet Vane for the entire run, and the Thirteenth Doctor story, “Revolution of the Daleks” as the Prime Minister. And that’s not mentioning the many appearances on mysteries that she’s made!
Born September 24, 1965 — Richard K. Morgan, 57. The Takeshi Kovacs novels are an awesome series which are why I haven’t watched the Netflix series. His fantasy series, A Land Fit For Heroes, is on my TBR, well my To Be Listened To pile now. And yes I read Thin Air, the sequel first and it’s quite excellent.
Netflix has settled a copyright lawsuit that it had filed against the creators of “The Unofficial Bridgerton Musical.”
The streaming service dismissed the suit on Friday against Emily Bear and Abigail Barlow, the creators of the musical. Though the court filing did not say so, a source confirmed that the suit was in fact settled. The pair had earlier canceled a performance of the musical at Royal Albert Hall in London, which was to take place this week.
Netflix sued in July, alleging that Barlow and Bear had infringed on its copyrights by putting on a for-profit stage show at the Kennedy Center in Washington, D.C. The service argued that their conduct “stretches ‘fan fiction’ well past its breaking point.”…
Star Wars composer John Williams is reported to have been made one of Her Majesty Queen Elizabeth’s very last knights, with the honor one of the final awards approved by the late monarch before her death a fortnight ago.
British press reports that the veteran composer’s name is on the final list of honorary awards for foreign nationals.
Ex-Disney chief executive Robert Iger has also reportedly been awarded an honorary KBE for services to UK-US relations…
…VanderMeer hoped that, one day, native plants and the insects they supported could sustain birds visiting his backyard. In the meantime, he laid out an avian buffet. This included at least three types of seed feeders (hopper, tube, thistle sock), along with suet cakes in squirrel-proof cages and abundant globs of bark butter. The spread attracted dozens of species. There were Pine Siskins and Rose-breasted Grosbeaks and Yellow-rumped Warblers, which he called “adorblers.” He learned to recognize their calls. VanderMeer noticed that the Blue Jays uttered a certain warning cry if a cat ambled into the ravine. Whenever he heard it, he ran outside to shoo the cat away. He liked to think they were fighting this predator together. “It’s the least I can do for the community,” VanderMeer deadpanned.
… Even without help from his imagination, ShadowVale could be bracingly strange. One morning a raccoon rang his doorbell at 5 a.m. (The glowing buzzer was unusually low to the ground and paw prints revealed the culprit.) Another time the mailman pleaded with him not to eradicate a patch of invasive grass, calling it “Larry” and arguing “he’s been here 10 years longer than you.” (In the spirit of compromise, VanderMeer gave Larry a haircut instead.) On the east side of the house, he sometimes heard a shriek when he plunged his shovel into the dirt. (The former site of a dog run, it was mined with squeaky toys.)
Apart from such oddities, VanderMeer also had neighbors to contend with. Some doused their lawns with pesticides that could leach into the ravine. Others had solar lamps that ran from dusk till dawn, emitting a constant, low-level light pollution that might disorient nocturnal creatures. He worried about the neighbors’ attitudes toward local wildlife; one insisted, somewhat defensively, that an armadillo had “bared its fangs” at his dog. (Around that time, VanderMeer adds, one of two armadillos frequenting the ravine appeared to go missing.)….
(16) NORDIC LARP. [Item by Martin Morse Wooster/] In WIRED, Jason Anthony discusses “Nordic LARP,” the Scandinavian variant of LARPs which focuses on recreating realistic events rather than engaging in fantasy adventure. Anthony spent $300 to take part in a weekend “gay conversion camp” where psychologists are supposed to make gay people straight. One of the “staff psychologists” in the game is revealed to be Swedish sf writer Karin Tidbeck.
…I’m sharing a silly groove with Walker. The slicked-back bob is gone. The polyester suit is packed away, and now it’s pants and a shirt with a genderqueer pride pin. After a while the two of us duck over to the dining hall, where the group congregates around a few cases of Tuborg beer.
Walker’s transformation is dramatic. They are now Karin Tidbeck, an icon of Swedish science fiction who counts the late Ursula K. Le Guin as a fan. Their novel Amatka described a world constantly created and destroyed through language, and I can’t help but think how much that describes Nordic Larp. Tidbeck looks drained but happy, a beer in their hand….
(17) VERY WEIRD VIDEO OF THE DAY. [Item by Martin Morse Wooster.] I have NO idea what this one by John Butler is about. But there’s a Bradbury reference in it! “The Avant Garde”.
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Mlex, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
By Kevin Standlee.[Note: This was originally posted on my Dreamwidth journal and my Facebook page, as a reaction to debate on other people’s pages and elsewhere. I feel comfortable discussing it because it seems unlikely to me that such a set of changes would be introduced at the 2023 WSFS Business Meeting, where I have been announced as the Deputy Chair. It seems to be that the earliest such proposals could come before the Business Meeting is 2024.]
I find myself explaining the changes to membership in the World Science Fiction Society (WSFS) and the conditions for attending the World Science Fiction Convention that were ratified this year in Chicago (and thus are now in effect, because this was the second vote on the changes). I think some people assume that I’m 100% in favor of them or that I even authored them, neither of which are true.
The Non-Transferrability Amendment
The 2022 WSFS Business Meeting ratified a change to the WSFS Constitution that renamed the existing Supporting Membership of Worldcon as a “WSFS membership” and the existing Attending membership as the “Attending supplement.” It was Item E.5 of the 2022 WSFS Business Meeting agenda. This is the proposal that first passed as item F.6 of the 2021 WSFS Business Meeting. (See minutes here. The 2021 minutes includes the makers’ original supporting arguments. Video recordings of the debates in 2021 and 2022 are available from the YouTube Worldcon Events channel.)
The effect of the change is that what was the Supporting membership is now your membership in the World Science Fiction Society, and that WSFS memberships cannot be transferred to other people. What was an Attending Membership is now a WSFS membership + an Attending Supplement. You can transfer an Attending Supplement to someone; however, they can only use it to attend Worldcon if they also have a WSFS membership. Worldcon is the annual meeting of WSFS, and therefore you have to be a member of WSFS to attend it. If you have a WSFS membership, you can use your WSFS voting rights (nominate/vote for the Hugo Awards, participate in Site Selection), and if you have a WSFS membership + Attending Supplement, you can also attend Worldcon and also participate in the WSFS Business Meeting held at Worldcon. If you have an Attending supplement without a WSFS membership, you cannot attend Worldcon because you have to have a WSFS membership as well.
This change has agitated and confused many people. Some people think it is selling a Worldcon admission on its own, which is not quite true because you still have to have a WSFS (old supporting) membership to go with it in order to use it. As Dave Howell put it in debate this year, the Attending Supplement is like an expansion package to an existing game; you can’t play the expansion by itself — you have to have the game.
It seems that this change has caught a lot of people, including people who attend many Worldcons and who have attended the Business Meeting, by surprise. Some appear to consider themselves blindsided by the change, even though it has gone through the full process of two consecutive years’ meetings and is now the rule of WSFS. When it was ratified, I heard many people saying, “Well, we’ll just have to try and vote it down next year,” and they seemed highly surprised that it had already had first passage. Now I think part of this comes from those people who opposed the change not doing a very good job of communicating what the change was. It passed both years, but not overwhelmingly so. First passage passed 35-22, and ratification passed 46-40.
How WSFS is Governed
Every year, after each Worldcon, we hear many people complaining about some action the Business Meeting took, and it seems that every year people start talking about changing how the WSFS rules are changed. Maybe I’m wrong, but most of them seem to be versions of “Let people vote by proxy” or “Have a gigantic zoom call so everyone can participate.”
Personally, I think the governance structure of WSFS is not fit for purpose anymore. Currently, WSFS is governed by the WSFS Business Meeting, a “town meeting” form of government under which any WSFS member who can attend Worldcon may attend, propose changes, debate, and vote on those changes. I think a membership organization that has had upwards of 10,000 members (many of whom cannot attend the annual meeting) is not well served by this system. Indeed, I was not surprised to read that there are people who assume that there is a WSFS Board of Directors that makes all of the Real Decisions anyway.
My preferred solution would be to replace the “town meeting” governance with an elected representative government model that I call the Council of WSFS. I suggest 21 members (roughly the cube root of 10,000; Google “cube root rule” for why I think it’s a good number). All of the members of WSFS, including the non-attending members, could elect members to this Council. We would elect 7 members each year, for three-year terms.
Initially, I would replace all of the “Business Meeting” references with “Council of WSFS.” That is, the Council would meet at Worldcon, and it would be the body that initiates changes to the WSFS Constitution. However, instead of two consecutive years’ Council meetings at Worldcon being necessary to change the Constitution, I would require that changes passed by the Council in Year 1 be put to a vote of members of WSFS of the Worldcon in Year 2, run in parallel with (but not on the same ballot) as the Hugo Awards Final Ballot. The results of ratification votes would be announced in advance of the Worldcon in Year 2. Yes, this does mean that only people who join WSFS before the Hugo/Ratification voting deadline could participate in the election.
This is not WSFS Inc. And even if it was, it wouldn’t run Worldcons.
WSFS WOULD NOT SELECT SITES. WSFS WOULD NOT BE THE LEGAL ENTITY RUNNING WORLDCONS. I stress this because I’ve already seen people assuming that this new governance model would be the World Science Fiction Society, Incorporated., with a full-time professional paid staff, and that it would be the operating entity of all Worldcons. That would be foolish. WSFS doesn’t operate Worldcons now; it (in effect) licenses the right to hold them to operating committees, and I see no reason to change this.
WSFS’s Intellectual Property
The World Science Fiction Society owns service marks (“Worldcon,” “The Hugo Awards,” and others). Technically, WSFS (an unincorporated literary society) owns the marks in the USA only, as that is how it’s registered by the US Patent & Trademark Office.
In places that do not recognize unincorporated associations as entities that can hold title to service marks — in practice, everwhere except the USA — there is a legal entity: Worldcon Intellectual Property (WIP). WIP is a California public benefit non-profit 501(c)(3) corporation whose board of directors is by definition the members of the WSFS Mark Protection Committee, plus when necessary a non-voting member resident of California when none of the MPC members are California residents. (The WIP bylaws require at least one Californian on its board.) This would not change under a Council of WSFS as proposed here. The Council would still elect members to the MPC. Worldcons and NASFiCs would still appoint members to the MPC. The MPC would still continue to manage and protect WSFS’s intellectual property.
Now we could actually shadow-implement part of this soon: Have Worldcons conduct a non-binding poll of their members in parallel with their final Hugo Award voting, with the results published before Worldcon. That doesn’t require any constitutional changes, and would not be binding upon the existing Business Meeting, but would at least give the non-attending members (and those attending Worldcon who can’t/won’t attend hours of Business Meetings a change to express their opinions.
Proxies and Remote Participation
I am deeply opposed to proxy voting, and think that trying to run a remote-participation meeting that could have thousands of attendees is impractical, even if you could conceivably set up a multi-thousand person Zoom call to try and do it. Direct democracy is very difficult to implement when you get that large, and besides, most of the existing members of Worldcon do not want to invest that much of their time into that level of governance anyway. At most, they want to vote on things without being bothered with all of that tedious debate and rules neepery. I think we as a society would be better served by implementing a way for all of our members to have some voice in the process without forcing anyone who really wants to make any difference give up a large proportion of their Worldcon to do so.
“This evening isn’t merely about a simple name change. It’s about the kind of change that Octavia believed should begin with education, change that could be ignited by dedicated teachers and fueled by a school community. Ultimately, it’s about change that I know will come from all the amazing kids who see Octavia as a role model and can learn from her legacy,” said Dr. Brian McDonald, Superintendent of Pasadena Unified School District.
Octavia E. Butler began some of her early novels at the former Washington Junior High School. She graduated from John Muir High School in 1965 and went on to achieve the highest honors in the field of science fiction writing.
The school originally opened in 1924. Students who attended there include Jack Parsons (1926), one of the principal founders of the Jet Propulsion Laboratory, and Jackie Robinson (1935). In 2020 the school library officially became the Octavia E. Butler Library, and it subsequently was decided to rename the school in her honor.
The ceremony was attended by students, teachers, parents, and elected officials. Dr. Shannon Malone, PUSD Senior Director of K-12 schools and former Octavia E. Butler Magnet Principal, read a letter that Octavia E. Butler wrote in 2000 to President Bill Clinton in response to his request of some of our country’s “greatest thinkers” to predict the vision for our future. In it, she says education can change everything:
“Mr. President: Education, of course, is the key to any hope we have for a comfortable, prosperous future… Education at its best teaches us to go on learning and thus to deal with whatever the future brings… What we become depends very much on what we do now and how we educate the poorest and apparently least promising among us.”
The Critics Awards were judged by a select group of book critics from NPR, The Boston Globe, the Associated Press, CNN and The Wall Street Journal.
Seeing Razorblade Tears by S.A. Cosby win another award, Cora Buhlert said, “I haven’t seen such a sweep since Ancillary Justice.”
Razorblade Tears by S. A. Cosby (Flatiron Books)
The Dark Hours by Michael Connelly (Little, Brown and Co.)
The Low Desert by Tod Goldberg (Counterpoint)
These Toxic Things by Rachel Howzell Hall (Thomas and Mercer)
Dream Girl by Laura Lippman (William Morrow)
1979 by Val McDermid (Atlantic Monthly)
BEST DEBUT NOVEL
Bullet Train by Kōtarō Isaka, Translated by Sam Malissa (Harry Abrams)
Who Is Maud Dixon? by Alexandra Andrews (Little, Brown and Co.)
The Other Black Girl by Zakiya Dalila Harris (Atria Books)
Lightseekers by Femi Kayode (Mulholland Books)
Velvet Was the Night by Silvia Moreno-Garcia (Del Rey)
All Her Little Secrets by Wanda M. Morris (William Morrow)
LIFETIME ACHIEVEMENT AWARDS
PUBLISHER OF THE YEAR AWARD
The NoirCon Awards, ordinary presented in alternate years, were last given in 2016 because the 2018 convention was cancelled, and there was no 2020 NoirCon, either, due to the COVID-19 pandemic. This year’s event is catching up on the missed 2018 awards, and has already announced the 2022 winners as well.
David Goodis Award: Walter Mosley
Anne Friedberg Award for Contributions to Noir and its Preservation: Dana Polan
Kogan Award For Excellence: Geoffrey O’Brien and Max Rudin
David Goodis Award: Megan Abbott
Anne Friedberg Award for Contributions to Noir and its Preservation: Sarah Weinman
Kogan Award For Excellence: Marcia Muller and Bill Pronzini
Edgar Allan Poe autograph letter signed, with dramatic content regarding his famous feud with poet and playwright Thomas Dunn English. Poe writes to John Bisco, publisher of the defunct ”Broadway Journal”, which Poe had once edited. Poe asks Bisco to call upon an attorney in relation to ”attacks made upon me” by Mr. English. This is the first time since 1941, when it was sold by Parke-Bernet, that this letter has been at auction.
Although the public feuding between Poe and English was not new – with both men trading veiled barbs in various publications over the years, English raised the stakes when he wrote a letter published in the 23 June 1846 edition of the ”New York Evening Mirror.” Not only did English accuse Poe by name of being a forger, drunk, deadbeat, and scoundrel for besmirching a lady’s honor, but also, perhaps most unforgivable, a serial plagiarist. Poe likely got advance notice of the article as this letter is dated 17 July 1846, only six days before the publication. However, although Poe couldn’t stop the article from running, he was successful in suing the ”Mirror” for libel, collecting $225.06 in damages a year later, likely more than Poe made during his lifetime from writing.
(2) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down with Wesley Chu in episode 181 of his Eating the Fantastic podcast, the first of six recorded at Chicon 8.
Chu’s debut novel, The Lives of Tao, earned him a Young Adult Library Services Association Alex Award and a Science Fiction Goodreads Choice Award Top 10 slot, and was followed by three other books in that universe — The Deaths of Tao (also in 2013), The Rebirths of Tao (2015), and The Days of Tao (2016). He’s also published two books in his Time Salvager series — Time Salvager (2015) and Time Siege (2016). His novel Typhoon, set in The Walking Dead universe, was published in 2019.
He’s also the coauthor of the Eldest Curses series with Cassandra Clare, the first book of which — The Red Scrolls of Magic (2019) — debuted at #1 on the New York Times bestseller list, and was followed by The Lost Book of the White in 2020. His latest novel, The Art of Prophecy (2022), released in August, is the first book in The War Arts Saga. He was a finalist for the John W. Campbell Award for Best New Writer in 2014, and won the following year. But that’s not all! He’s also an accomplished martial artist and a former member of the Screen Actors Guild who has acted in film and television, worked as a model and stuntman, and summited Kilimanjaro.
We discussed why his new novel The Art of Prophecy has him feeling as if he’s making his debut all over again, the reason his particular set of skills means he’s the only one who could have written this project, why creating a novel is like trying to solve a 1,000-piece jigsaw puzzle without the picture on the box as reference, the heavy lifting a well-written fight scene needs to accomplish, why you’ll never get to read his 180,000-word first novel, how to make readers continue to care when writing from the POV of multiple characters, the benefits and pitfalls of writing bigger books, why he decided to toss 80,000 words from the second book in his series, the ways in which environments are also characters, and much more.
(3) WHAT PROFESSIONALISM MEANS IN SFF. Morgan Hazelwood shares notes and comments about another Chicon 8 panel, “Publishing As Collaboration”, at Morgan Hazelwood: Writer In Progress.
If you want to be a published author, a little professionalism goes a long way.
Bookshelves are packed with volumes about how to properly submit your manuscripts, but how does professionalism function in real-world publishing relationships? Moreover, what defines professionalism from culture to culture? Agents and editors share their best examples of what works best, and how to get back on track if your interactions go off the rails.
The titular panel at WorldCon 80 — otherwise known as ChiCon8 — had moderator Holly Lyn Walrath, with panelists Emily Hockaday, Joey Yu, and Joshua Bilmes.
Hazelwood also presents her comments in this YouTube video.
…Wells’ debut novel, The Element of Fire, appeared in 1993. To put that in terms grognards might better understand, by this point in their careers, Poul Anderson had just published A Knight of Ghost and Shadows, while Lois McMaster Bujold was about to publish Penric’s Demon.
This is, of course, good news! If you are only familiar with Well’s Murderbot books, know that there are plenty more Wells books to read. Allow me to suggest five Martha Wells books that Murderbot fans might like….
(5) THEY, THE JURY. Meanwhile, James Davis Nicoll has assigned the Young People Read Old SFF panel John Varley’s 1979 story “Options”.
This month’s Hugo Finalist is John Varley’s Options. First published in 1979, Options was both a Hugo1 and Nebula2 finalist. Options was popular with both fans and Varley’s peers. It might then seem a pretty safe bet to win the hearts and minds of the Young People.
The second last Eight Worlds (phase one) story published, Options examines the impact of cheap, convenient gender reassignment. By the era most Eight Worlds stories were set, body modification was a common and uncommented upon aspect of the proto-transhumanist setting. Options is set just as the technology becomes available….
Top congressional Democrats are preparing to address a wave of bans and restrictions on school library materials Thursday with new resolutions that call on local governments “to protect the rights of students to learn,” according to lawmakers and a draft copy of the legislation.
The moves represent urgent statements of concern from President Joe Biden’s party about ongoing controversies that affect as many as 4 million U.S. schoolchildren, according to one recent estimate. The congressional response has won endorsements from the American Federation of Teachers and National Education Association labor unions as well as prominent literary and left-leaning educational interest groups….
Both the House and Senate resolutions will face an uncertain path to a vote.
Alarmed Democratic lawmakers have nevertheless convened hearings this year over political organizing and state restrictions against books and curriculum that address gender identity and race. A group of party pollsters and strategists have also sought to draw voter attention to the controversies during fall’s midterm elections as they attempt to depict conservative-led campaigns as extremist and at odds with a significant share of public opinion.
(7) AUTHOR MAY NEED AROUND-THE-CLOCK CARE. “Rachel Pollack needs your help!” — a GoFundMe appeal has been launched for the American science fiction author, comic book writer, and expert on divinatory tarot.. The goal was $15,000, and at this writing 666 donors have given over $36,000.
As many of you know Rachel is in the ICU.
If she is able to go home, she will need 24-hour care. Up to now, we haven’t needed your help. It is time now. If we are wrong, your pledge will not be collected. We love and honor you …. But you already know that. Keep up the prayers, rituals and love too. All is real and appreciated.
(8) MEDIA BIRTHDAY.
1962 – [By Cat Eldridge.] Sixty years tonight in prime time on ABC, The Jetsons debuted its very first episode, “Rosey the Robot”. Yes, a SF cartoon would start on in network television as a primetime series and would be the first program broadcast in color on ABC.
Following its primetime run of three years and seventy-five episodes of roughly twenty to thirty minutes, the show aired on Saturday mornings for decades. It started on ABC for the 1963–64 season and then on CBS and NBC as it was syndicated after the first season.
The series was considered by some critics to be a sort of antithesis of The Flintstones being set in whimsical future approximately a century from now. Naturally William Hanna and Joseph Barbera were the creators, executive producers and producers (along with a long list of other folk) as it was a property of Hanna-Barbera Productions.
It had a very extensive voice cast befitting the number of characters — George Jetson was voiced by George O’Hanlon, Jane Jetson by Penny Singleton, Elroy Jetson by Daws Butler, Judy Jetson, Rosey by Jean Vander Pyl, and Cosmo Spacely by Mel Blanc. No, that’s not a complete cast.
In 1963, Morey Amsterdam and Pat Carroll each filed $12,000 suits against Hanna-Barbera for breach of contract. They had been cast and signed to the roles of George Jetson and Jane Jetson, respectively. But someone didn’t like their work and fired them after the first episode work was done. (That voice work wasn’t used.) They were paid the five hundred dollars owed and showed off the lot. They claimed they were promised the entire first season, but they had no contract for this hence losing the Court case.
It’s worth noting that this series had devices that did not exist at the time but subsequently are now in usage such as computer viruses, digital newspapers, flatscreen television and video chat to name but a few.
It’s streaming on Amazon and HBO Max.
Audience reviewers at Rotted Tomatoes give it seventy percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for his role in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work, in Voyage to the Bottom of the Sea as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. (Died 1984.)
Born September 23, 1908 — Wilmar House Shiras. Her story “In Hiding” was published in 1948 in Astounding Science Fiction, followed by a pair of sequels over the next two years, “Opening Doors”, and “New Foundations”. The three stories would become the first three chapters in the novel, Children of the Atom. Almost twenty years later she had three more short stories published in Fantastic. (Died 1990.)
Born September 23, 1928 — John S Glasby. English writer who wrote a truly amazing amount of pulp fiction of both a SF and fantasy under quite a few pen names that included John Adams, R. L. Bowers, Berl Cameron, Max Chartair, Randall Conway, Ray Cosmic, John Crawford, J. B. Dexter, John Glasby, J. S. Glasby, Michael Hamilton, J. J. Hansby, Marston Johns, Victor La Salle, Peter Laynham, H. K. Lennard, Paul Lorraine, John C. Maxwell, A. J. Merak, H. J. Merak, R. J. Merak, John Morton, John E. Muller, Rand Le Page, J. L. Powers and Karl Zeigfried. It is thought but not confirmed that he produced more than three hundred novels and a lot of short stories in a twenty year period that started in the early Fifties. (Died 2011.)
Born September 23, 1920 — Richard Wilson. A Futurian, and author of a number of sff short stories and novels, his really major contribution to fandom and to Syracuse University where he worked as the director of the Syracuse University News Bureau was in successfully recruiting the donation of papers from many prominent science fiction writers to the Syracuse University’s George Arents Research Library. The list of those writers includes Piers Anthony, Hal Clement, Keith Laumer, Larry Niven and Frederik Pohl. And, of course, himself. It has been called the “most important collection of science fiction manuscripts and papers in the world.” (Died 1987.)
Born September 23, 1948 — Leslie Kay Swigart, 74. Obsessions can be fascinating and hers was detailing the writings of Harlan Ellison. Between 1975 and 1991, she published Harlan Ellison: A Bibliographical Checklist plus wrote shorter works such as “Harlan Ellison: An F&SF Checklist“, “Harlan Ellison: A Nonfiction Checklist“ and “Harlan Ellison: A Book and Fiction Checklist”. Her George R. R. Martin: A RRetrospective Fiction Checklist can be found in the Dreamsongs: GRRM: A RRetrospective collection.
Born September 23, 1957 — Rosalind Chao, 65. She was the recurring character of Keiko O’Brien with a total of twenty-seven appearances on Next Generation and Deep Space Nine. In 2010, a preliminary casting memo for Next Gen from 1987 was published, revealing that Chao was originally considered for the part of Enterprise security chief Tasha Yar.
Born September 23, 1959 — Frank Cottrell-Boyce, 63. Definitely not here for his sequels to Chitty-Chitty-Bang-Bang. He is here for such writing endeavors as Goodbye Christopher Robin, his Doctor Who stories, “In the Forest of the Night” and “Smile”, both Twelfth Doctor affairs, and the animated Captain Star series in which he voiced Captain Jim Star. The series sounds like the absolute antithesis of classic Trek.
Born September 23, 1956 — Peter David, 66. Did you know that his first assignment for the Philadelphia Bulletin was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1—The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel , Wolverine and Young Justice.
ONE HUNDRED AND SEVEN years ago, Woodrow Wilson hosted the first-ever film screening at the White House. It was for D. W. Griffith’s adaptation of Thomas Dixon Jr.’s The Clansman, which was published originally as a novel but made famous as a stage play that traces the lives of a white family through the Civil War and Reconstruction. Griffith called it The Birth of a Nation. “It’s like writing history with lightning,” the president is reported to have said when he walked out of the East Room. “My only regret is that it is all so terribly true.”
In the century since its release, The Birth of a Nation has become shorthand for a specific, and specifically virulent, kind of early-20th-century American racism that was obsessed with relitigating that war and the legislation that came out of it (a shorthand so enduring, in fact, that Nate Parker’s 2016 The Birth of a Nation, about Nat Turner and the rebellion by enslaved people he led in 1831, was very plausibly greenlit because of its title’s provocation)…. Birth also invented whole swaths of cinematic language still in use today. It is likely — probably inevitable — that other filmmakers would have, on their own, in time, devised dramatic close-ups on actors’ faces, tracking shots to follow action as it moved, cross-cutting between different sequences, or fade-outs to exit scenes. But no one had done so before Griffith. The late critic Pauline Kael wrote that “[o]ne can trace almost every major tradition and most of the genres, and even many of the metaphors, in movies to their sources” in his work. The Los Angeles Times called Birth “the greatest picture ever made.”
And yet Woodrow Wilson was not talking about cross-cutting when he called Griffith’s movie “so terribly true.” Aside from sympathizing with its Klan-agitprop politics, the president, who grew up in Virginia and codified Jim Crow laws within the federal government, was apparently engrossed by the film’s other great technical achievement: its intricate battle sequence, where Griffith skips between disorienting close-ups, wide vistas, and the literal fog of war — gun smoke choking the camera.
This footage was not filmed on the ground of old battlefields. It was captured on arid land across Los Angeles County and edging into the Inland Empire….
… In Nope, the Haywoods exist on the fringes of the industry that drives this imagination. But these are, truly, the fringes: Agua Dulce, practical in the age of computer-generated imagery, horse handlers when superheroes have replaced cowboys. The land that the studios have found to be such a convenient stand-in for the moon, Mars, and beyond — the land that is meant to support them as they support the city, unseen until needed — has turned, if not hostile, something just short….
Beyond the traditional routes to fame — sports, entertainment, even politics — Nope hints at a morbid dovetail between its twin focuses on race and film. Though its protagonists are motivated by profit, it’s difficult to watch without thinking, at least in passing, of the way police brutality was disbelieved or minimized before the broad dissemination of videos depicting it — or of the way those videos are in turn reduced over time by cable news and political pundits to mere spectacle….
(12) ON THE RIGHT TRACKS. Paul Weimer makes you want to read this book in “Microreview: Last Car to Annwn Station” at Nerds of a Feather. “Last Car to Annwn Station takes what is now a famous trope in Urban Fantasy –the presence of Faerie in the Twin Cities, and puts his own, Welsh mythological spin. Oh, and Streetcars.”
… Faerie in Minneapolis has been a thing ever since Emma Bull introduced the Faerie to Minneapolis with War for the Oaks, and permanently highlighted the Twin Cities as a hotbed of Faerie activity for games like Changeling the Dreaming, and other stories and novels taking up the cause. A modest but not overwhelming city on the edge of Prairie and forest,plenty of lakes, a vibrant cultural scene that punches above its weight, and much more make the Twin Cities a logical place to set stories like this….
(13) HOW WELL DO YOU SPORCLE? Surely a national trivia convention in Washington D.C. is fandom-adjacent? SporcleCon runs September 23-25. Here is the schedule of events.
A truism of the internet, central to the work of researchers who study the spread of dangerous trends and misinformation, holds that attempting to discourage bad behavior can, if clumsily handled, reinforce the bad behavior by amplifying it to people who would have otherwise never considered it.
Which leads us to the NyQuil chicken.
In recent weeks, some people on TikTok, Twitter and other sites discovered years-old videos and images of people pouring blue-green NyQuil, a nighttime cold medicine, over chicken breasts in a pan or pot. It was, to be clear, a dangerous idea that no one should do — it could lead to consuming unsafe levels of the product, and over-the-counter medicines should be used only as directed….
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Bill, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]
The Horror Writers Association (HWA) held its annual election in September for the offices of President, Secretary, and to fill three open Trustee positions. The winners are:
President: John Edward Lawson
Secretary: Becky Spratford
Trustees: Linda Addison, James Chambers, and Ellen Datlow.
Lawson, who succeeded John Palisano as President, and Spratford ran unopposed.
The elected officers shall hold their respective offices for terms of two years, beginning on October 31 at midnight.
The members of the HWA Election Committee were Lisa Marie Wood, Rhonda Jackson Joseph, and Nicole Kurtz; Ballot Master: Angel Leigh McCoy; Verifiers: Lila Denning and Shawnna Deresch; and administrator: Brad Hodson.
The award is named for SFPA founder Suzette Haden Elgin, and is presented in two categories, Chapbook and Book.
Field Guide to Invasive Species of Minnesota by Amelia Gorman (Interstellar Flight Press, 2021)
Tug of a Black Hole by Deborah P Kolodji (Title IX Press, 2021)
Visions at Templeglantine by John W. Sexton (Revival Press, 2020)
Can You Sign My Tentacle? by Brandon O’Brien (Interstellar Flight Press, 2021)
Tortured Willows: Bent. Bowed. Unbroken. by Christina Sng, Angela Yuriko Smith, Lee Murray, and Geneve Flynn (Yuriko Publishing, 2021)
Unquiet Stars by Ann K. Schwader (Weird House Press, 2021)
There were 14 chapbooks nominated and 45 full-length books; 62 SFPA members voted.
2022 Elgin Chair Jordan Hirsch writes speculative fiction and poetry in Saint Paul, Minnesota. Her work has appeared with Apparition Literary Magazine, The Dread Machine, Daily Science Fiction, and other venues.
Fantastic Books, a Brooklyn-based small press of speculative fiction, has announced a new crowd-funded project of Jewish science fiction stories called Jewish Futures. In its first day of crowdfunding on Kickstarter, the project raised about two-thirds of its $6,000 goal, demonstrating the high interest in the idea.
“There hasn’t been an anthology of all-new science fiction stories with a Jewish theme for a long time,” said Ian Randal Strock, publisher of Fantastic Books. “We wanted to explore the possible futures our writers could imagine. What will Jews be up to fifty years from now? A hundred? A thousand? Will the Jewish people still be mostly living where they are now? Will Judaism still be recognizable in the many forms in which it exists today? Will there be Jewish aliens? Jewish robots? Our writers will imagine it all.”
Strock is no stranger to crowd-funded anthologies, having successfully run Kickstarter campaigns which resulted in the publication of the themed anthologies Release the Virgins and Three Time Travelers Walk Into… (both edited by Michael A. Ventrella), and Across the Universe (an alternate Beatles anthology edited by Ventrella and Randee Dawn).
The editor tapped to select the stories for “Jewish Futures” is Michael A. Burstein, a multiple Hugo and Nebula finalist and winner of the Campbell/Astounding Award for Best New Writer. Burstein, who lives in the Boston area, is the author of previous Jewish-themed science-fiction stories, including “Kaddish for the Last Survivor” and “The Great Miracle.” Burstein enlisted a group of high-level writers for the book, including award winners and finalists such as Leah Cypess, Esther Friesner, and Steven H Silver.
“I’ve always been interested in the intersection of Jewish fiction and science fiction,” Burstein said. “I remember the Wandering Stars anthology Jack Dann put together in the 1970s and 1980s. Those books were great but mostly contained reprinted stories. I wanted to see what today’s authors could create if given a chance to envision a Jewish future.”
Fantastic Books will be running the Jewish Futures Kickstarter over the next month, coinciding with the fall Jewish holidays. The book is planned for a July 2023 release.