Tag Archives: Paul Weimer

Pixel Scroll 4/26/24 A Pixel Lives Forever, But Not So Files And Scrolls

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(1) NOBODY’S HOME. [Item by Steven French.] Extract from a new book in that old chestnut, where is everybody? Smithsonian Magazine asks “Where Is Everybody in Our Universe?”

…There is no doubt that the simplest answer to the questions “Why the Great Silence? Why don’t we hear any SETI signals?” is that we don’t hear signals because no one is sending them. There are a number of other explanations that have been put forward, and we can look at them briefly before taking William of Ockham seriously. Basically, the explanations can be divided into three categories:

1. They really are out there, but they’re not interested in us.

2. They really are out there, but they’re protecting us.

3. They really are out there, and we’re going to get it unless we mend our ways.

An example of the first category would be a race of extraterrestrials living in a Dyson sphere, happy as clams with their star’s energy and supremely uninterested in anyone else. Another possibility would be extraterrestrials on a rogue planet who can’t imagine a planet near a star being inhabitable. An example of the second item in the list is seen in the Star Trek series, where spacefarers obey the Prime Directive, which forbids them from interfering with the development of other life forms. The last category is portrayed in the classic 1950s film The Day the Earth Stood Still, in which an extraterrestrial visitor warns that Earth will be destroyed unless we control our use of atomic weapons:

Klaatu barrada nikto!” …

[Excerpt condensed for print from Exoplanets: Diamond Worlds, Super Earths, Pulsar Planets, and the New Search for Life beyond Our Solar System © 2017 by Michaels Summers and James Trefil]

The authors’ conclusion makes for grim reading: there is no one out there and that’s because evolution produces warlike, aggressive species that use their newly developed scientific expertise to wipe themselves out, a fate that awaits us too.

(2) SIMULTANEOUS TIMES. Space Cowboy Books has posted episode 74 of the Simultaneous Times podcast with Eric Fomley & Tonya R. Moore. Stories featured in this episode:

  • “Control” by Eric Fomley; with music by Phog Masheeen
  • “Halfway House” by Tonya R. Moore; with music by Patrick Urn
    Theme music by Dain Luscombe

(3) SHORT OF PERFECTION. [Item by Steven French.] When you’re looking for a disappointing utopia … “The Illustrated Map of America’s Worst Utopias” at Atlas Obscura.

THERE ARE MANY WHO WANT to believe that a utopia—a perfect society, an ideal world—can exist. Even in America.

Yet, as quickly as leaders eagerly build utopias, they often crumble in a glorious heaping mess. Some fall to sex scandals, others toil in hunger, while many are struck with bad luck. From nudist colonies to bioterrorist cults, we map and explore six of the most disappointing and unfortunate utopias in the United States.

(4) CORA BUHLERT VISITS 1969. Here are links to Cora Buhlert’s recent contributions to Galactic Journey, the blog that keeps track of the latest in science fiction – 55 years ago.

She reviewed The Face in the Frost by John Bellairs and Slaughterhouse Five by Kurt Vonnegut. Cora says, “I lobbied for the Slaughterhouse Five review, considering I actually knew people who survived the bombing of Dresden”: “[March 14, 1969 ] (March 1969 Galactoscope)”.

Cora also wrote an article about the non-Conan Robert E. Howard works that came back into print in the late 1960s in the wake of the huge success of the Conan reprints: “[March 28, 1969] Life Beyond Conan: The Other Heroes of Robert E. Howard”.

(5) GEORGE LUCAS, REAL ESTATE TYCOON. “Chicago’s Most Expensive Condo Being Constructed By Director George Lucas” at Chicago YIMBY.

“Star Wars” creator George Lucas, have expanded his real estate portfolio with the purchase of a $11.2 million 66th-floor penthouse in Streeterville’s 800 N Michagan Avenue building from Citadel founder Ken Griffin. They plan to merge this penthouse with their existing 65th-floor condo, bought in 2015 for $18.75 million, to create a 16,000-square-foot duplex penthouse. The total cost for this project is estimated at $33.5 million, setting a new record for Chicago’s most expensive condo. Architect Scott Fortman of Gibbons, Fortman & Associates is overseeing the design, which includes adding two new interior staircases and upgrading electrical and mechanical systems as reported by the Chicago Tribune.

(6) JUBILEE CHO (1998-2024). SFWA today posted “In Memoriam – Jubilee Cho”, honoring the author of the upcoming middle grade fantasy novel Wishing Well, Wishing Well who died on March 6 at the age of 25.

Cho grew up near Disneyland, enamored with stories of fantastical princesses. Yearning to see herself included in such tales, she wrote her own to help give new generations of children something she’d needed to create for herself. Cho planned a long writing career and wanted to use her platform to foster awareness about disability and mental health, and to share the beauty of trans joy with the world.

Author Kwame Mbalia who had reached out as a mentor says, “In the briefest of moments that I was able to interact with Jubilee, her desire to not only write, but to write for young readers about drawing upon their own identity and sharing that with others, was an inspiration. She is an inspiration, and her light is gone too soon, though its glow will live on in the hearts of those who knew her.”

Author E.D.E. Bell said, “Jubilee was a princess who wanted everyone to know that they too can be included in stories, in joy, in femininity, in Pride, in gathering, in any magic they desired. I hope children will find their own spirit in her lovely, hopeful story, and let it lift them to soar.”

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 26, 1945 – M. John Harrison, 79.

Paul Weimer wrote this Birthday.

M John Harrison taught me about the joy of inconsistent and contradictory worldbuilding.

For most writers of fantasy, for most works of fantasy, I am always looking for the consistency and the power of the worldbuilding. Inconsistent, and worse, lazy and weak worldbuilding, can catapult me right out of a story or a novel, permanently. This has happened for me as a reader just this month with a brand-new novel. 

M. John Harrison

M John Harrison is the exception to that for me. My reading of his work is almost exclusively Viriconium. But it is precisely in Viriconium, Harrison’s carved out territory in the Dying Earth subgenre, that I learned that worldbuilding is not the be all and end all of fantasy writing. The contradictions, the inconsistencies, the lack of cohesion is part of the point of the dying world of Viriconium. Not being able to rely on previous stories and novels in the sequence to understand what is happening in a particular work is something that Harrison relies on, and it is something that I learned to accept, and even expect in the Viriconium stories. 

Really, Viriconium’s world building is beside the point, and that is why Harrison writes it in a way that you can’t rely on it. Instead, to use modern parlance, Viriconium is much more all about the “vibes”, and what vibes!  Vance and Wolfe may have perfected Dying Earth as a subgenre, but Harrison gives it a feel that few authors have managed to hit ever since. There are few authors I’ve read that have managed to embody the vibe of the subgenre they are writing in as well as M John Harrison has. And with such language and writing. On a sentence by sentence level, Harrison is one of the most talented writers I’ve ever read, of any genre. 

A singular talent.

(8) COMICS SECTION.

  • Free Range has a guest who’s forgotten it’s a talk show.
  • Close To Home has an ethical use of a time machine.
  • Off the Mark shows that patience is not unlimited.
  • Bizarro launches an alternate astronaut/
  • Macanudo might be a Zelazny reference. Or if not, then certainly Bradbury.
  • Rhymes with Orange discovers something about homemade phones.

(9) WOULD YOU LIKE TO BE MY NEIGHBOR? Eh, maybe not: “How Scientists Are Preparing for Apophis’s Unnervingly Close Brush With Earth” at Gizmodo.

In about five years’ time, a potentially hazardous asteroid will swing by Earth at an eerily close distance of less than 20,000 miles (32,000 kilometers). During this rare encounter, Apophis will be ten times closer to Earth than the Moon and scientists want to take full advantage of its visit….

…Private space companies like Blue Origin and startup Exploration Labs, or ExLabs, have come up with proposals for missions to rendezvous with Apophis before its anticipated flyby, SpaceNews reported. During a recent workshop at a European Space Agency center in The Netherlands, the companies pitched their mission concepts in an effort to learn more about the asteroid and other space rocks that could pose a potential risk to Earth….

…NASA’s OSIRIS-APEX spacecraft, formerly known as OSIRIS-REx, is already on its way to study Apophis and observe changes the asteroid may endure from its close encounter with Earth. After dropping off samples from the Bennu asteroid in the Utah desert, the spacecraft was repurposed for a new errand, having to carry out close passes to the Sun, as well as three Earth gravity assists, to reach Apophis in five years….

(10) NASA BRINGS HOME THE HARDWARE. “NASA Wins 6 Webby Awards, 8 Webby People’s Voice Awards”.

NASA was recognized [April 25] by the 28th Annual Webby Awards with six Webby Awards and eight Webby People’s Voice Awards, the latter of which are awarded by the voting public. The Webbys honors excellence in nine major media types: websites and mobile sites, video, advertising, media and public relations, apps and software, social media, podcasts, games, the metaverse, and virtual and artificial intelligence (AI).

Full List of NASA’s 28th Annual Webby Award Wins

NASA.gov
Webby Winner, People’s Voice Winner
Websites and Mobile Sites-General Desktop & Mobile Sites | Government & Associations
This is the fifth Webby Award and the 12th People’s Voice Award for the agency’s website

NASA’s Curious Universe: Suiting Up for Space
Webby Winner, People’s Voice Winner
Best Podcasts-Individual Episodes | Science & Education

NASA’s Immersive Earth
Webby Winner, People’s Voice Winner
Artificial Intelligence (AI), Metaverse & Virtual-General Virtual Experiences | Science & Education

NASA: Message in a Bottle
NASA Jet Propulsion Laboratory
Webby Winner, People’s Voice Winner
Advertising, Media & PR-PR Campaigns | Best Community Engagement

OSIRIS-REx Asteroid Sample Return (Official 4K NASA Live Stream)
People’s Voice Winner
Video-General Video | Events & Live Streams

NASA’s First Asteroid Sample Return Mission
Webby Winner, People’s Voice Winner
Social-Social Campaigns | Education & Science

NASA+ Streaming Service
Webby Winner
Websites and Mobile Sites-General Desktop & Mobile Sites | Television, Film & Streaming

Annular Solar Eclipse
People’s Voice Winner
Social-Social Campaigns | Events & Live Streams

Hubble’s Inside the Image
NASA, Origin Films
People’s Voice Winner
Video-Video Series & Channels | Science & Education

(11) CLIPPING SERVICE. Here’s a Heinlein photo from the San Pedro CA News Pilot, dated August 14, 1948.

(12) VIDEO OF THE DAY. Ryan George shares footage of “The Focus Group That Gave Us The Internet”.

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, Paul Weimer, Bill, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/21/24 Alright, You Heard A Selkie Bark!

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Cartoon by Teddy Harvia

(1) FREYDIS MOON IDENTITY CHALLENGED. [Item by Anne Marble.] There are allegations that author Freydis Moon is really an alias for Taylor Barton, Taylor Brooke, and Jupiter Wyse — who were problematic. Freydis Moon is a nonbinary autistic author of horror and fantasy plus paranormal romance. The author was also claiming to be Latine. (The author won an award for Best Latine Representation from Indie Ink.) But the allegations say that this author is actually white — and that they were caught being racist against BIPOC in the past. There is a lengthy and detailed thread by Elle Porter on X.com that begins here: “In this thread you’ll find a walkthrough of evidence that shows a direct link between Freydís Moon and Taylor Barton/Taylor Brooke/Jupiter Wyse.”

There is so much information that there is a Google Docs file.

This document contains evidence that links Jupiter Wyse, one of the many pen names of Taylor Barton, to Freydís Moon, despite Freydís’s frequent claims they do not know Taylor Barton or any of their aliases.

Evidence compiled in this document was a dual effort between a long-time peer of Freydís Moon and someone who was close to Taylor Barton/Taylor Brooke/Jupiter Wyse during their active periods. The latter has chosen to remain anonymous at the time of this document’s creation, so names and emails have been censored to protect that person’s identity.

All screenshots include a link to the image hosted on a public google drive….

For more about earlier accusations against Taylor Barton, there is an article from 2021: “Fake Names & Brownface: Why Queer Fantasy Author ‘Taylor Barton’ Has Been Accused of Catfishing” [at Fanficable].

Freydis Moon was on Twitter, Instagram, etc. But the Twitter account seems to be gone, and their @freydismoon Instagram account is now private.

The author published a number of books under the Freydis Moon name: Freydís Moon (Author of Heart, Haunt, Havoc) at Goodreads.

The author also helped edit Spectrum: An Autistic Horror Anthology. The publisher has responded to this and removed Freydis Moon’s presence from the anthology:

(2) BRAND WISDOM. Here’s Charlie Jane Anders’ advise about “How To Build Your Online ‘Brand’ Without Burning Out” at Happy Dancing.

…I suspect that our ideas of what is possible on social media got heavily skewed by a few outliers who were good at both creative pursuits and also being an influencer. For most of us, I feel like there’s a law of diminishing returns: the more followers you have, the smaller the percentage of those followers will actually support your work instead of just enjoying the free entertainment of your online antics.

So here are some possibly helpful tips for having a personal brand, without burning out…

The first of seven tips is:

1) Keep surprising people

The essence of a brand is predictability and consistency — but we love people who surprise us. Don’t let the brand thing force you to get stuck in a rut. You should contain fucking multitudes!

Another tip is:

5) Don’t try to go “viral”

Instead of trying to do whatever the algorithm wants you to do, focus on doing stuff that actually makes your community happy — even if you go less “viral,” people might appreciate you more and be more likely to support you in the future. Oftentimes, “going viral” means amusing people who will never give a shit about you.

(3) THE BOTS ARE ALRIGHT. “How Stories About Human-Robot Relationships Push Our Buttons” in The New Yorker; Annie Bot and Loneliness & Company reviewed.

… As modern dating has evolved into an online-first activity, artificial intelligence has found its match in a generation of users for whom tech-assisted romance is the default mode. The Kinsey Institute revealed in this year’s “Singles in America” survey that fourteen per cent of Gen Z-ers admit to using A.I. to optimize their dating lives. Volar is just the latest company to leverage the new technology in the love space. For help crafting seductive dating-app profiles, love-seekers don’t need Cyrano de Bergerac—they can simply download Cyrano, one of countless “rizz generator” apps (“rizz” being Gen Z slang for charisma). When love dies, there are such apps as Texts from My Ex, which lets A.I. scan messages from a former flame for signs of incompatibility. A woman fresh from a breakup with a jerk named Cesar let A.I. perform an autopsy on their correspondence; she posted her results to Reddit, writing, “I let AI examine our text messages = validation at last.”

Others, tired of kissing frogs like Cesar to find a prince, have started asking A.I. to make them a knight in the shining armor of a titanium-encased smartphone….

(4) THE PAST OF CAPTAIN FUTURE (AND OTHER FUTURES). Alter Ego # 187 has recently gone on sale with Glen Cadigan’s biography of Edmond Hamilton, and it even includes a free preview online which can be read here. Cadigan adds:

As often happens with these things, there was material that didn’t make it into the finished product, and I ran a lot of it in my most recent Substack newsletter. “Is This Thing On? XVIII”. I also included bonus material in previous newsletters, such as quotes from Ray Bradbury about his friend and mentor, as well as a poem by then-seventeen year old Mortimer Weisinger, Hamilton’s future agent and editor, which originally ran in the November, 1932 issue of Astounding Science Fiction, extolling his virtues. All of these can be found (and linked to) at glencadigan.substack.com.

(5) TOP MEN. Listverse picks “The Ten Greatest Engineers in Science Fiction History” – a list obviously put together by someone who never read a book. Only two women, though they are ranked first and second. (And #9 — “Buckaroo Bonsai”?!)

In first place is —

1 Bulma

Wife of the irritable Saiyan Prince, Vegeta Bulma is quietly the most interesting character in the entire Dragon Ball series. She built a Dragonball detector from scratch. She also invented a portable shrinking machine, a time machine, and a generator that allowed Vegeta the hyper-training necessary to become a Super-Saiyan.

She’s constantly creating cool gadgets and hacking any technology she comes across. She created a universal translator to decipher alien languages and can use it to speak to animals. The list of her accomplishments goes for light years, making her the greatest engineer in all of science fiction

(6) LEANE VERHULST (1969-2024). Conrunner Leane Verhulst died April 20 at the age of 54. Aware that she was in the late stages of cancer, a group of friends gathered at the Chicago-area convention Capricon in February in hopes of encouraging her, as Chris Barkley wrote in “So Glad You (Didn’t) Ask #81”.

The family obituary is here and begins —

Leane Verhulst, 54 of Spring Valley, died Saturday, April 20, 2024 at Rock River Hospice and Home in Sterling.

Leane was born on June 25, 1969 in Sterling, the daughter of John and Phyllis (Gluesing) Verhulst. She graduated from Newman Central Catholic High School in 1987. She then continued her education at North Central College where earned a double Bachelor’s Degree in Mathematics and Computer Science. Leane worked as a computer programmer for the US Dept. of Veterans Affairs (1991-1994), Northwestern Medical Center (1995-2003), Advocate Health Care (2003-2006), and most currently, as an independent custom programmer for Verhulst Consulting working through Blackhawk Consulting in Chicago. She enjoyed going to Science Fiction Conventions, playing board games, traveling, and reading. She was a part of the Science Fiction Outreach Program and would donate books to those in need….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 21, 1954 — James Morrison, 70. So which cancelled series are on your list that you wish had definitely been finished? On mine is Space Above & Beyond with James Morrison as Lt. Col. Tyrus Cassius “T. C.” McQueen (USMC, In Vitro), whose Birthday is today. As played by Morrison, Lt. Col. McQueen was a completely believable military officer, not a caricature of one as seen in far too many SF shows. He, like every character, was a believable real being.

James Morrison in 2014.

Likewise the series itself was stellar, both the ship and the universe it traveled being quite believable. The Chigs made an interesting enemy being linked to Earth life — something not noted until the last two episodes of the cancelled series. They had small black eyes set deeply in the head, pale pink skin, an almost missing nose, a protruding upper jaw, something that might be gills. As the Chigs got as close in Jupiter, the question is how far out did the War start? Was this a compact war fought with a few star systems?  There’s no way to know as, like all SF series that deal with interstellar flight, it deals with such distances badly. Just my opinion of course.

Ok, so what else is Morrison do? His other long term character was on 24. Is it genre? I think so, or at genre adjacent. Buchanan during the Day 4 story was the Director of CTU Los Angeles. Before taking command of CTU LA, he was a Regional Division Director at CTU. He was initially sent to CTU Los Angeles by Division Command to oversee the exchange of Jack Bauer for Behrooz Araz in that story. He role would develop over a number of stories. He’d be in thirty-five episodes, one of the longest running characters. 

Not surprisingly he had a Twilight Zone appearance, though given his age it was on the new series. He was in “The Blue Scorpion” episode where a strange here now, gone then gun effects an anthropology professor who’s going mad. He is the voice of JEFF. I won’t say more just in case someone here hasn’t seen it. 

He plays a major a role in the X-File episode, “Theef”: Dr. Irving Thalbro is staying the night with his daughter and her family including Dr. Robert Wieder (Morrison) when in the middle of the night, Irving finds a pile of dirt shaped like a man in his bed. Irving is eventually discovered by Robert hanging from the ceiling with the word “theef” painted in Irving’s blood on the wall.’”

(8) COMICS SECTION.

  • Tom Gauld – wow, this is like The Hunger!

(9) DOIN’ WHAT COMES NATURALLY. [Item by Mike Kennedy.] About 2.2 billion years ago, an archaea absorbed a bacteria and eventually “tamed” it as an organelle called a mitochondria. Adding this new capability allowed the evolution of all eukaryotes (cells with membrane-bound sub parts) and eventually multicellular life.

About 1 million years ago, a more advanced cell absorbed a cyanobacteria which eventually became an organelle called a chloroplast. Thus began the evolution of plant life.

Now there’s evidence that about 100,000 years ago, a single-cell algae absorbed a bacteria capable of directly fixing nitrogen from the air. And some of those scientists believe we may be witnessing the creation of an organelle they dub a nitroplast. “For the first time in one billion years, two lifeforms truly merged into one organism” at Popular Science.

… In the paper published in Cell, a team of scientists show that this process is occurring yet again. They looked at a species of algae called Braarudosphaera bigelowii. The algae engulfed a cyanobacterium gives it a bit of a plant superpower. It can “fix” nitrogen straight from the air and combine it with other elements to form more useful compounds. This is something that plants normally can’t do….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Anne Marble, Hampus Eckerman, Lise Andreasen, JeffWarner, Glen Cadigan, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel (reference explained here) Dern.]

Pixel Scroll 4/20/24 Was Cheops A Very Large Cat? Only The Builders Know

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(1) UKRANIAN WOMEN IN SF. Michael Burianyk’s English-language roundtable interview with Ukrainian Science Fiction and Fantasy writers Daria Piskozub, Svitlana Taratorina, Iryna Hrabovska, Natalia Matolinets and Nataliya Dovhopol has just been published in the British Science Fiction Association blog, Vector: “Ukrainian Women in SF: A Roundtable Conversation”. The wide-ranging discussion, on Ukrainian Science Fiction and Fantasy, literature and culture, language and translation, women’s writing, is insightful and often touching and even harrowing at times.

…There is a strong trend of more Ukrainian SFF being published. Why did you think this was happening?

Nataliya It’s mainly about escapism. After spending the night in a bomb shelter and doom scrolling all day, one needs something less traumatic. Yet, SFF can also help to cope with feelings, to project one’s own experiences on those in the stories. Then the ban on book imports from Russia and a growing interest in Ukrainian culture has created more of a demand for domestic literature….

(2) HORROR UNIVERSITY OPEN FOR ENROLLMENT. StokerCon has announced the 2024 Horror University Online workshop schedule. From May 30 to June 1, they will present nine live, in-person workshops at StokerCon 2024 in San Diego, CA. See items at the link.

HORROR UNIVERSITY is designed for horror writers interested in refining their writing, learning new skills and techniques, exploring new writing formats, or better understanding the genre. These workshops are taught by some of the most experienced voices in horror. Full descriptions and registration information for our STOKERCON 2024 Workshop Schedule is available in the Horror University School on Teachable: https://horror-university.teachable.com/courses/category/stokercon-2024.

REGISTRATION IS OPEN NOW!

Registration for each workshop is $65 for non-HWA-members. HWA members receive a 15% discount on individual courses or a 20% discount on registration for five or more courses. Log into the Members Only area of www.horror.org and check the discounts page for codes. General registration for StokerCon does not include Horror University programming; additional registration is required so that the Con is able to compensate each instructor for their workshop and support the cost of the program.

(3) FIVE FOR YOUR MT TBR. Lisa Tuttle’s roundup of “The best recent science fiction, fantasy and horror” for the Guardian reviews Calypso by Oliver K. Langmead; Someone You Can Build a Nest In by John Wiswell; The Familiar by Leigh Bardugo; The Underhistory by Kaaron Warren; and The Universe Delivers the Enemy You Need by Adam Marek.

(4) GAY FURRY HACKERS. Them reports“Gay Furry Hacker Group SiegedSec Breached Far-Right Media Outlet Real America’s Voice”.

The gay furry hacker group SiegedSec has done it once again, this time claiming responsibility for leaking the data from a far-right media outlet.

In a Monday post to its Telegram channel, the group announced that it had hacked the app for Real America’s Voice, a right-wing media outlet founded in 2020 that regularly features far-right activists like Steve Bannon and Charlie Kirk. The outlet also frequently platforms conspiracy theories and transphobic rhetoric.

As part of SiegedSec’s ongoing hacktivism campaign OpTransRights, the group said they released the personal information of over 1,200 users on the app, including their full names, phone numbers, and email addresses. The group also said they “went poof on their files,” wiping user data from the app’s API and its cloud storage.

“[T]hroughout our attacks on transphobic entities, we have received concerns that our attacks will be used to label the LGBTQ+ community as ‘terrorists’ and ‘criminals,’” the group wrote in a Telegram message. “[T]he thing is, these types of people will blame the LGBTQ+ community regardless of what we do. they will look for a reason to hate, they won’t listen to reason, they want to spread lies to shun people different than them.”…

(5) COPYRIGHT’S WOBBLY LEGAL LINE. “Author granted copyright over book with AI-generated text—with a twist” reports Ars Technica.

…The novel draws from Shupe’s eventful life, including her advocacy for more inclusive gender recognition. Its registration provides a glimpse of how the [Copyright Office] is grappling with artificial intelligence, especially as more people incorporate AI tools into creative work. It is among the first creative works to receive a copyright for the arrangement [emphasis added] of AI-generated text.

“We’re seeing the Copyright Office struggling with where to draw the line,” intellectual property lawyer Erica Van Loon, a partner at Nixon Peabody, says. Shupe’s case highlights some of the nuances of that struggle—because the approval of her registration comes with a significant caveat.

The USCO’s notice granting Shupe copyright registration of her book does not recognize her as author of the whole text [emphasis added] as is conventional for written works. Instead she is considered the author of the “selection, coordination, and arrangement of text generated by artificial intelligence.” This means no one can copy the book without permission, but the actual sentences and paragraphs themselves are not copyrighted and could theoretically be rearranged and republished as a different book. [emphasis added]

(6) GLASGOW 2024 NEWS. The Glasgow 2024 Worldcon “In Memoriam” list is being constantly updated by Steven H Silver. They ask of you know of someone you believe should be included, please let us know.

(7) DUNE MUSICAL AT WORLDCON. Glasgow 2024 also invites members to “Prepare for a unique twist on Frank Herbert’s masterpiece with Dune! The Musical. Solo artist Dan Collins will take you on a whimsical one-hour journey across Arrakis with humour and song.” There will be a performance at the Worldcon.

A memoir in song by the Earl of Caladan, trusted adviser to the Padisha Emperor and beloved troubadour-warrior, the bard Gurney Halleck.

Following the success of his work on “A Child’s History of Muad’Dib” Gurney will perform hits from his back catalogue and introduce never-before-heard songs from his time among the Fremen.

Sing along with little Paul Atreides on his journey to Sietch Tabr; can he tame the worm, save the world and get the girl?

Forget everything you know about Arrakis and get ready for Dune! The Musical…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 20, 1939 — Peter S. Beagle, 85. [By Paul Weimer.] It’s Rankin and Bass’ fault that I got into the work of Peter S. Beagle.  As a voracious young reader, I saw The Last Unicorn in the library and somehow, even given my small “c” catholic tastes in SFF, saw that it was somehow not going to be for me. So I didn’t pick it up. I passed it by.

Fast forward to the mid-1980’s. NYC’s Channel 11, an independent TV station, aka “New York’s movie station”, introduced me to a gigantic swelter of movies.  

One of them, by accident, was the 1982 animated version of The Last Unicorn. I remember not remembering at the time or realizing at the time that it was based on the Beagle novel, but after I was transported and transformed by the adaptation, I went and sought out the original novel.  As fine and charming as the movie is, the novel truly gave me a sense of the power and lyric nature of Beagle’s work.

I was hooked.

Peter S. Beagle

I came across my favorite Beagle, The Innkeeper’s Song, in the mid 90’s. I was in a strong fantasy vein at the time and was interested in a variety of narrative forms. The Innkeeper’s Song, with its multiple first-person narration, was a revelation in escaping the usual multiple third-person points of view that were the norm at the time. Even today, Innkeeper’s Song feels fresh and unique in its approach to narrative, point of view, and literary interest. Even before Gene Wolfe, I think Beagle’s fantasy was my first real immersion into what one might call literary fantasy.

But even more than literary talent or line by line skill, what Beagle’s work does to me, from the Last Unicorn to today, is make me feel. I think his shorter fiction is where the distillation of his skill, craft, mood and the ability to evoke emotion is at its best in the short form.  “Two Hearts”, a sequel to The Last Unicorn, is a particular favorite, because Griffins. His TNG written episode “Sarek” is one of the most moving pieces of Star Trek to this day. And yes, to this day, The Last Unicorn, the movie, brings tears to my eyes.

(9) COMICS SECTION.

(10) CLOSING WORDS. GiantFreakinRobot discusses “The Last Essay Ray Bradbury Wrote Before He Died”.

…At points, he describes how his librarian would get upset with him because he’d check out so many books when she didn’t think he’d read them all. But he did, he read every word he could get his hands on. As Bradbury explains, books “are the building blocks, the DNA, if you will, of you.”

Reading fed Ray Bradbury’s appetite for knowledge and his curiosity, which led to his understanding of writing and imagination. He expressed his love for books throughout his work, including, famously, in his 1953 novel Fahrenheit 451, which describes a future world where books and reading is against the law.

Having his last essay be about the art of reading in general is more than a little fitting for Ray Bradbury. It acts as something of a career summation, an explanation for why literature and the act of reading are just so very important for us as humans. There really is no better sendoff for the writer, an inspiration for all us.

(11) BLUEY. Chris Barkley assures me sff fans will want to know this news: “’Bluey’ Drops Surprise New Episode on Disney” at The Hollywood Reporter. I’m guessing Chris knows this show exists because he has kids in his life. When my daughter was young I knew about Blue’s Clues and Mister Rogers Neighborhood in detail. Now kids’ TV is an undiscovered country for me.

… The new episode comes a week after “The Sign,” a special, 28-minute installment of the beloved kids’ show debuted (most Bluey episodes run under 10 minutes). The special drew waves of critical praise for its emotional storyline centering on the Heeler family possibly selling their home and moving to another city where dad Bandit would take a new job, as well as a wedding between the Heelers’ Uncle Rad and Frisky.

Coupled with the preceding episode, “Ghostbasket,” the special spawned widespread speculation that Bluey was ending. While the long-term future of the show, originally commissioned by Australia’s ABC and the BBC in the U.K. hasn’t been decided — “the BBC has asked for me never to talk about the kids’ voices or the future of Bluey,” creator Joe Brumm told The Hollywood Reporter in 2023 — “Surprise” ensures that “The Sign” isn’t the last episode of the series.

Bluey has been a breakout hit for Disney+ in the United States. It’s the most streamed show in the country this year in terms of total viewing time, according to Nielsen’s streaming ratings, after ranking second in 2023 and sixth in 2022….

(12) LESSONS FROM THE UKRAINE. The New York Times asks “Do Tanks Have a Place in 21st-Century Warfare?”

… Despite their power, tanks are not impenetrable, and they are most vulnerable where their heavy plated armor is the thinnest: on the top, the rear engine block and the space between the hull and the turret. For years they were mainly targeted with land mines, improvised explosive devices, rocket-propelled grenades and anti-tank guided missiles, like “shoot and scoot” shoulder-fired systems. These were widely used early in the Ukraine war because they could strike tanks from above and hit them up to 90 percent of the time.

The drones that are now being used against tanks in Ukraine are even more accurate. Known as first-person view drones, or FPVs, they are equipped with a camera that streams real-time images back to their controller, who can direct them to hit tanks in their most vulnerable spots. In several cases, the FPVs have been sent in to “finish off” tanks that had already been damaged by mines or anti-tank missiles so that they could not be retrieved from the battlefield and repaired, Colonel Reisner said.

Depending on their size and technological sophistication, the drones can cost as little as $500 — a paltry investment for taking out a $10 million Abrams tank. And some of them can carry munitions to boost the impact of their blast, said Colonel Reisner. These could be rocket-propelled grenades, he said, or self-forging warheads known as explosively formed penetrators, or EFPs, that were widely used in roadside bombs during the war in Iraq. Colonel Reisner has collected videos of tanks in Ukraine being chased down by the drones or drones flying into their open turrets.

“Welcome to the 21st century — it’s unbelievable, actually,” said Colonel Reisner, a historian and former armor reconnaissance officer who oversees Austrian forces’ training at the Theresian Military Academy….

(13) MILITARY AI. “’Machines set loose to slaughter’: the dangerous rise of military AI” – a 2020 article from the Guardian.

The video is stark. Two menacing men stand next to a white van in a field, holding remote controls. They open the van’s back doors, and the whining sound of quadcopter drones crescendos. They flip a switch, and the drones swarm out like bats from a cave. In a few seconds, we cut to a college classroom. The killer robots flood in through windows and vents. The students scream in terror, trapped inside, as the drones attack with deadly force. The lesson that the film, Slaughterbots, is trying to impart is clear: tiny killer robots are either here or a small technological advance away. Terrorists could easily deploy them. And existing defences are weak or nonexistent.

Some military experts argued that Slaughterbots – which was made by the Future of Life Institute, an organisation researching existential threats to humanity – sensationalised a serious problem, stoking fear where calm reflection was required. But when it comes to the future of war, the line between science fiction and industrial fact is often blurry. The US air force has predicted a future in which “Swat teams will send mechanical insects equipped with video cameras to creep inside a building during a hostage standoff”. One “microsystems collaborative” has already released Octoroach, an “extremely small robot with a camera and radio transmitter that can cover up to 100 metres on the ground”. It is only one of many “biomimetic”, or nature-imitating, weapons that are on the horizon…

(14) NO SIRENS ON TITAN. “Dragonfly: NASA Just Confirmed The Most Exciting Space Mission Of Your Lifetime” enthuses Forbes.

NASA has confirmed that its exciting Dragonfly mission, which will fly a drone-like craft around Saturn’s largest moon, Titan, will cost $3.35 billion and launch in July 2028.

Titan is the only other world in the solar system other than Earth that has weather and liquid on its surface. It has an atmosphere, rain, lakes, oceans, shorelines, valleys, mountain ridges, mesas and dunes—and possibly the building blocks of life itself. It’s been described as both a utopia and as deranged because of its weird chemistry.

Set to reach Titan in 2034, the Dragonfly mission will last for two years once its lander arrives on the surface…

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Nearly 200,000 views and not even out for two days…. Matt O’Dowd over at PBS Space Time wonders “Why Is The World Rushing Back To The Moon?”

The Moon has been one of the most important theoretical stepping stones to our understanding of the universe. We’ve long understood that it could also be our literal stepping stone: humanity’s first destination beyond our atmosphere.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Michael Burianyk, Francis Hamit, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Three: This Mortal Mountain

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Review by Paul Weimer: This Mortal Mountain is the third of the six-volume NESFA collection of the work of Roger Zelazny.

 Again, to get an overview of the project in progress and my thoughts on it, I commend you to comments in my first two reviews, of Threshold, Volume One, and Power and Light, Volume Two.

Volume Three brings us from the late 1960’s into the early 1970’s. Once again, Christopher Kovac’s literary biography, toward the end of the book, gives the framework for the man whose stories and works we read in the course of the volume. I noticed the switch from lead to back matter between the first and second volumes. It feels like an evolution in the series, now that Zelazny is on stage, to let the works talk first, and then discuss the context of his life. Although, as always, the copious noting and footnoting of the stories and poems often reveal parts of Zelazny’s life and career, as well as the more usual literary models.

This is a transitional part of Zelazny’s career and it gets play from a couple of angles.  Before we dive in, the book acknowledges that for a spectrum of fans, by this point, after Lord of Light, Zelazny has seen his best work come out and he will never hit those highs again. It is true the number of awards and award nominations does fall away at this point.  It is also true as Kovacs details:

By 1972 Zelazny had largely dropped mythology from his writing. “Science fiction has pushed ahead and left some things behind. In changing, the science fiction world has changed me. I did sort of have to get rid of my gods. When I reached self-parody of myself, I had to stop.

“I have not resolved in my own mind the manner in which I will deal with mythological material in the future. I would have to find a different way of using it.

“My mythological material has been invaded by the light

It’s true. The furious and highest use of mythology in Zelazny’s work diminishes at this point (Creatures of Light and Darkness, of which I will say more shortly, being that final signpost). The Zelazny of the 1970’s and on would use Mythology more sparingly, rather than dumping the bag of contents into the blender, baking the dough and seeing what comes out of the oven. It wouldn’t be the end of mythology in Zelazny’s work, but it definitely marked a change in what he was doing. 

And while many seem to feel that meant Zelazny’s work diminished in quality after the work covered in the first two volumes, critic David Hartwell, in a piece at the front of the volume, disagrees:

A lot of people in the sf community felt that Roger Zelazny’s literary career began to decline at the end of the 1960s as his commercial reputation grew. Nine Princes in Amber, a hard-boiled adventure fantasy, sold well but was compared unfavorably to his best early work by most genre commentators… In spite of all the profound impact of his sixties work, his body of short fiction contains more masterpieces from later decades than from that first flowering.”

And so here we are, in the 1970s. A future fan writer (me) was born in 1971. Zelazny may have moved past the high mythology of Lord of Light, but his most successful series, the Amber Chronicles, was to take hold of his writing life.

And yes, like Banquo in Hamlet, The Ghost of Nine Princes of Amber is one that does haunt this book, and its publication does correspond with the other pieces that we find here in this volume. I admit freely that Amber is where I first encountered Zelazny (I think that is probably fairly well known in fandom at this point), and my love of his work grew from there. So the period in this volume, then, is prime material for me as a reader, since it shows Zelazny working and developing his craft in a period and a style and a level I had first come to him in. 

Let’s dig in.

It emerges that some of my favorite Zelazny pieces are collected in this volume. 

Let’s start with “The Game of Blood and Dust”, first published in 1975. It is a pinnacle of Change War sort of time travel stories, as history is changed by two beings again and again in a game. In a short space of a few pages, we get to see the blossoming of ideas of alternate worlds and jonbar points that could fill a Kevin Kulp Timewatch game. There is a playfulness and a pathos at the ending, as we figure out the changes the two beings have wrought have ended in our world…and that they are about to play again, and change our existence utterly.  There is a meta-thrill to that idea and it makes it one of my favorite Zelazny stories of any era.

I’ve never been a fan of the full novel Damnation Alley, and the movie, even with George Peppard fighting “killer cockroaches”, is too much camp for me. But the shorter novella story of Hell Tanner’s run across the United States to deliver medicine to Boston on time is a much more effective piece. You don’t have to like Hell Tanner much, but he gets the job done. I could see a bit of Snake Plissken in Hell Tanner, for certain, especially the raised-finger sort of ending that Tanner gives as a coda. It does occur to me that in an endless set of remakes that Hollywood seems to want, Damnation Alley hasn’t been touched…yet. Maybe The Walking Dead and the like has dried up the market.  Although, maybe if you had someone like Rhona Mitra or Millie Rae Brown play a genderflipped Hell Tanner, THAT could be fun. Hollywood, call me!

Anyway, moving on.

“Corrida” is a very dark and intense short story, inspired by Zelazny attending bullfights.  The utter confusion of the man thrust into the ring makes it a short and chilling piece. It’s not what you normally think of Zelazny — but the use of imagery, detail and sense and focus are absolutely all that.

Again, unusual for Zelazny, perhaps are a pair of stories, “Here Be Dragons” and “Way Up High”. They are, in fact children’s stories, that capture wonder, happiness, magic, and ultimately pushing back the boundaries of the unknown. “Here Be Dragons” is a story about cartography and maps and the titular warning and what happens when actual exploration and necessity hits the reality of what was formerly just blank map space and the unknown. 

“Way Up High”…well, reading that always makes me cry as we follow the story of Suzi as she meets and develops a friendship with  Herman, the pterodactyl.  Yes, a pterodactyl.  The last pterodactyl? Well, that would be telling but you can probably guess where this story goes. It’s a story of wonder, and sadness at the end of wonder. 

More typical and on brand for Zelazny is an excerpt from Creatures of Light and Darkness as Horus meets and encounters The Steel General. This volume reveals that the Steel General, in fact, was the initial seed for the book and things grew out from a being that would fight endlessly throughout history, even if utterly destroyed. Zelazny’s style of book writing, no surprise, was very much what we would call a Pantser, and in the case of Creatures of Light and Darkness, he started with The Steel General as a character and went from there. The “Agnostic’s Prayer” from this book appeared in the previous volume.

And then there is “The Man Who Loved the Faioli”. It is true that death, or immortals who defy death, are a common theme in Zelazny’s work. Some might say that most of Zelazny’s protagonists run around these two themes to a greater or minor key. “The Man Who Loved the Faoli” goes with the former. Again, we have an artist as the protagonist, and a very strange relationship between the dying artist and the creature come to witness his death. Or so the story should go. This being Zelazny, it takes a left turn at Albuquerque, in a sad and melancholy mood and key.

This book also covers the era where Zelazny started some more collaborations with other writers. There is “Come to Me Not in Winter’s White”, a collaboration with Harlan Ellison® that reminds me a bit of Time travel romances, and, it will make sense in context, The Pirate Planet in Doctor Who.  

 Although there are no excerpts from Zelazny’s novel length collaboration with Philip K Dick directly (Deus Irae), Dick, too, haunts the pages of this volume. In the non-fiction, we find the funny story of Zelazny and Dick at a SF festival in Metz, France (as it so happens, Ellison was there as well). We also get a poem from Zelazny on Dick, and we also get a story, new to me, written with Dannie Plachta, called “The Last Inn on the Road”. This story feels like it could almost be in the world of Deus Irae and I agree with the editor that it seems to have influenced that collaboration. 

There are some additional interesting curiosities as well.  

There is the “Deleted sex scene” between Corwin of Amber and Dara from the second Amber volume, The Guns of Avalon. Although I had heard about this scene, I had never read it before now.  Frankly, by the standards of today, if I were to write it and show it to say, Kit Rocha, I am pretty sure Bree and Donna would return it asking for at least some heat to the scene. 

Other curiosities include a couple of previously unpublished stories, a few GOH speeches, and of course, always the poetry. I was particularly intrigued by Bridge of Ashes, an outline for a book that, sadly and tragically, gets little coverage even from Zelazny’s most ardent fans (of which I am one).  Frankly, the 30,000 foot level outline here might, I think, be somewhat more effective in conveying matters than the book was when I read it. It does illuminate how ideas can go from outline to novel in ways that one does not entirely expect, or perhaps even want. I may owe myself a re-read of Bridge of Ashes, now.  There is also an outline of Doorways in the Sand, a more successful novel from Zelazny on every level, and a favorite of mine. And, especially given our economy and the problems of student debt, the idea of a student desperately trying to remain one forever to keep a trust paying room board and tuition feels awfully modern, doesn’t it?

Once again, in an excellent volume, NESFA has captured the soul and art of Roger Zelazny and in the period of work I first came to know it. I look forward to what comes next, in Volume Four: Last Exit to Babylon.

Pixel Scroll 3/14/24 I Am The Go-Captain Of The Pixelfore

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(1) LIBBY BOOK AWARDS. Congratulations to Martha Wells and Rebecca Yarros, two of the 17 winners of the inaugural Libby Book Awards, chosen by a panel of 1700 librarians worldwide.

  • Fiction: The Heaven & Earth Grocery Store, by James McBride
  • Nonfiction: The Wager, by David Grann
  • Young Adult: Divine Rivals, by Rebecca Ross
  • Audiobook: I Have Some Questions for You, by Rebecca Makkai
  • Debut Author: The House in the Pines, by Ana Reyes
  • Diverse Author: Camp Zero, by Michelle Min Sterling
  • Comic Graphic Novel: The Talk, by Darrin Bell
  • Memoir & Autobiography: Pageboy, by Elliot Page
  • Cookbook: Start Here, by Sohla El-Waylly
  • Mystery: Vera Wong’s Unsolicited Advice for Murderers, by Jesse Q. Sutanto
  • Thriller: Bright Young Women, by Jessica Knoll
  • Romance: Georgie, All Along, by Kate Clayborn
  • Fantasy: Fourth Wing, by Rebecca Yarros
  • Romantasy: Iron Flame, by Rebecca Yarros
  • Science Fiction: System Collapse, by Martha Wells
  • Historical Fiction: Let Us Descend, by Jesmyn Ward
  • Book Club Pick: Yellowface, by R. F. Kuang

(2) BOOK BANS SURGED IN 2023. “American Library Association reports record number of unique book titles challenged in 2023” at ALA.org.

Stack of books background. many books piles

The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship. 

ALA’s Office for Intellectual Freedom documented 1,247 demands to censor library books, materials, and resources in 2023. Four key trends emerged from the data gathered from 2023 censorship reports: 

  • Pressure groups in 2023 focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92 percent over the previous year; school libraries saw an 11 percent increase.
  • Groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time, drove this surge.  
  • Titles representing the voices and lived experiences of LGBTQIA+ and BIPOC individuals made up 47 percent of those targeted in censorship attempts. 
  • There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.

“The reports from librarians and educators in the field make it clear that the organized campaigns to ban books aren’t over, and that we must all stand together to preserve our right to choose what we read,” said Deborah Caldwell-Stone, director of ALA’s Office for Intellectual Freedom. “Each demand to ban a book is a demand to deny each person’s constitutionally protected right to choose and read books that raise important issues and lift up the voices of those who are often silenced.  By joining initiatives like Unite Against Book Bans and other organizations that support libraries and schools, we can end this attack on essential community institutions and our civil liberties.”…

(3) PNH’S NEW POST AT TPG. “Patrick Nielsen Hayden to Become Editor-at-Large for TPG” reports Publishers Weekly.

Patrick Nielsen Hayden has assumed the title of editor-at-large for the Tor Publishing Group. Hayden has been with TPG for 35 years and most recently served as v-p, associate publisher, and editor-in-chief.

During his tenure, he has published the debut novels of authors such as Charlie Jane Anders, Corey Doctorow, John Scalzi, and Jo Walton, and has received three Hugo Awards and a World Fantasy Award for his editorial work. In 2020, he founded our Tor Essentials imprint, which highlights a new generation of SFF classics. 

As editor-at-large, he will continue to edit such authors as Scalzi, Doctorow, and Walton, and will continue to select and oversee the Tor Essentials. 

In announcing Hayden’s new role, TPG president and publisher Devi Pillai added that the company “will not be replacing Patrick in his previous position—he is one of a kind.”

Patrick Nielsen Hayden in 2013. Photo by Scott Edelman.

(4) WICKED WORLD’S FAIR FOLLOWUP. “Eventbrite Refutes Mach’s Claims About WWF Payouts, Hints at Possible ‘Actions’” at The Steampunk Explorer. The linked post adds a great deal more coverage after this introductory item:

Amid the fallout from the Wicked World’s Fair (WWF), show organizer Jeff Mach has repeatedly blamed Eventbrite, the online ticketing and event management platform, for his inability to cover the event’s expenses. But in a statement provided Wednesday to The Steampunk Explorer, Eventbrite refuted key aspects of his claims.

WWF was held Feb. 23-25 at the SureStay Plus hotel in Bethlehem, Pennsylvania. Mach used Eventbrite to manage ticket sales, as well as sales of vendor spaces. During the event, as a sound crew was awaiting payment and vendors were requesting refunds, he told them that Eventbrite had frozen his account, preventing use of the platform’s payout features.

In the weeks that followed, Mach continued to blame Eventbrite for payment issues at WWF. “I had repeated assurances from Eventbrite that the money would be forthcoming,” he remarked in one statement to The Steampunk Explorer. “Why Eventbrite had the account locked down, but refused to tell us, I don’t know.”

This was the company’s response on Wednesday: “Eventbrite offers, but does not guarantee, multiple ways to request funds ahead of the event date. Due to an error on the organizer’s end, we can confirm that a few of these advance payouts were delayed. This was quickly remedied, and the organizer received much of his payout ahead of the event and has now been paid out in full.”…

(5) I NEVER WANTED TO GO DOWN THE STONEY END. [Item by Danny Sichel.] Last month, Doug Muir did a piece about the impending death of Voyager 1, originally launched in 1977. “Death, Lonely Death” at Crooked Timber.

…Voyager has grown old.  It was never designed for this!  Its original mission was supposed to last a bit over three years.  Voyager has turned out to be much tougher than anyone ever imagined, but time gets us all.  Its power source is a generator full of radioactive isotopes, and those are gradually decaying into inert lead.  Year by year, the energy declines, the power levels  relentlessly fall.  Year by year, NASA has been switching off Voyager’s instruments to conserve that dwindling flicker.  They turned off its internal heater a few years ago, and they thought that might be the end.  But those 1970s engineers built to last, and the circuitry and the valves kept working even as the temperature dropped down, down, colder than dry ice, colder than liquid nitrogen, falling towards absolute zero.  

(Voyager stored its internal data on a digital tape recorder.  Yes, a tape recorder, storing information on magnetic tape.  It wasn’t designed to function at a hundred degrees below zero.  It wasn’t designed to work for decades, winding and rewinding, endlessly re-writing data.  But it did.)…

… We thought we knew how Voyager would end.  The power would gradually, inevitably, run down.  The instruments would shut off, one by one.  The signal would get fainter.  Eventually either the last instrument would fail for lack of power, or the signal would be lost.

We didn’t expect that it would go mad.

In December 2023, Voyager started sending back gibberish instead of data.  A software glitch, though perhaps caused by an underlying hardware problem; a cosmic ray strike, or a side effect of the low temperatures, or just aging equipment randomly causing some bits to flip.

The problem was, the gibberish was coming from the flight direction software — something like an operating system.  And no copy of that operating system remained in existence on Earth….

But all is not lost. Well, probably. But not necessarily. At the link you can read the rest of the story about the people trying to put the smoke back in the system from fifteen billion kilometers away.

(6) WEIMER GUESTS ON WORLDBUILDING FOR MASOCHISTS. Paul Weimer joins hosts Marshall Ryan Maresca, Cass Morris, and Natania Barron for  episode 124 of the Worldbuilding for Masochists podcast, “Worldbuilding in Review”.

We spend a lot of time thinking about how to work with worldbuilding as writers — but how does a reviewer approach the topic when they’re reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they’re for (hint: it’s not the authors!).

In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers — since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding — and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?

(7) ENTRIES SOUGHT FOR BALTICON SHORT FILM FESTIVAL. Balticon Sunday Short Science Fiction Film Festival has been revised and is looking for talented filmmakers. Full guidelines here: “Short Film Festival”. Entries must be submitted by April 10 2024.

In 2024, the Balticon Sunday Short Science Fiction Film Festival (BSSSFFF) will take place on Sunday evening at 7:00pm. We will thrill festival attendees with independently produced short films from around the region and across the globe. BSSSFFF features live action and animated films in the science fiction, fantasy, and horror from some of the best independent filmmakers this side of the Crab Nebula.

Awards will be given in both the Live Action and Animation category based upon audience preferences. Some of the history of this film festival can be found on the BSFS website.

(8) TRY SUNDAY MORNING TRANSPORT. Mary Robinette Kowal has posted a link valid for a 60-day free trial of Sunday Morning Transport.

(9) ONE SUPERHERO ACTOR CONS ANOTHER. “Simu Liu was scammed by a Hollywood Boulevard Spider-Man” at Entertainment Weekly.

Simu Liu is reflecting on an enemy he made during his first visit to Los Angeles: a not-so-friendly neighborhood Spider-Man.

During an interview with Jesse Tyler Ferguson on Dinner’s On Me, the Shang-Chi and the Legend of the Ten Rings actor recalled an unfortunate encounter with a swindling web-slinger on Hollywood Boulevard. “I remember I was taking photos of the Chinese Theater and a Spider-Man came up to me and was like, ‘I’ll help you!’” the actor remembered.

Alas, Liu’s spider-sense didn’t alert him to the insidious plot that was about to unfold. “And then he took a bunch of photos of me, and then he took some selfies of himself, and then he was like, ‘That’ll be $20!’” the actor said. “And that was mortifying for me, because I didn’t have $20 to give him. Core memory, clearly.”

(10) INTELLECTUAL (?) PROPERTY. Jon Del Arroz tagged me on X.com about this. I clicked through and was fascinated to learn he has declared Sad Puppies is a movement “owned and led by JDA!”

OFFICIAL Sad Puppies merch is now live on the store! Show your allegiance to this great movement which is owned and led by JDA!

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 14, 1933 — Michael Caine, 91. On my list of favorite British performers of all time, Michael Caine is near the top of that list. Both his genre and non-genre performances are amazing. So let’s take a look at those performances.

Caine portrayed Alfred Pennyworth in Christopher Nolan’s Batman trilogy. He was quite stellar in this role. And he was in The Prestige, a truly great film, as John Cutter, in Inception as Stephen Miles, Professor John Brand in Interstellar and Sir Michael Crosby in Tenet.

Did you see him in as Ebenezer Scrooge in The Muppet Christmas Carol? If not, go see it now. He’s wonderful and The Muppet take on the Dickens story is, errr, well actually touching. Really it is.

Definitely not genre is The Man Who Would Be King, based off the Kipling story, which starred him with Sean Connery, Saeed Jaffrey and Christopher Plummer. The two primary characters were played by Sean Connery — Daniel Dravot — and Caine played the other, Peachy Carnehan. A truly fantastic film. 

Michael Caine and Sean Connery in The Man Who Would Be King.

In the Jekyll & Hyde miniseries, he’s got the usual dual role of Dr Henry Jekyll / Mr Edward Hyde. He was nominated for a Golden Globe Award for Best Actor – in a Miniseries. He did win a Globe for Best Actor for playing Chief Insp. Frederick Abberline in the Jack Ripper miniseries airing the same time.

Nearly thirty years ago, he was Captain Nemo in a 20,000 Leagues Under the Sea miniseries. 

He’s in Austin Powers in Goldmember, third film in the franchise. He’s Nigel Powers, a British agent and Austin and Dr. Evil’s father. Can someone explain to me the appeal of these films? 

In Children of Men, he plays Jasper Palmer, Theo’s dealer and friend, Theo being the primary character in this dystopian film. 

He’s Chester King in Kingsman: The Secret Service. That’s off the Millarworld graphic novel of Kingsman: The Secret Service by Mark Millar and Dave Gibbons.

I’m reasonably sure that’s all I need to mention about his career.

(12) COMICS SECTION.

  • Blondie anticipates tomorrow’s celebration of World Sleep Day.
  • Frazz figures out the anatomy involved in scientific advancement.
  • Does F Minus depict the dream of some File 770 commenters?
  • Non Sequitur imagines the earliest days of streaming.
  • Carpe Diem has a new origin story.

(13) OCTOTHORPE. In episode 105 of the Octothorpe podcast, John Coxon watches movies, Alison Scott walks on the Moon, and Liz Batty has special bonds. Listen here: “Scorching Hot Month-Old Takes”.

In this episode, we talk through your letters of comment with diversions into Zodiac podcasts, poetry collections, and Scientology. We discuss the BSFA Awards shortlist and return to the Hugo Awards for another round of head-scratching and bewilderment.

A famous photograph of Margaret Hamilton standing beside printed outputs of the code that took the Apollo spacecraft to the Moon, overlaid with the words “Octothorpe 105” and “Liz has finished reading the latest Hugo Award exposés”.

(14) OUTSIDE THE BOX — AND INSIDE THE SHELVES. Harlan Ellison’s Greatest Hits can already be found in some bookstores, ahead of the official release date.

(15) GLIMPSE OF BLACK MIRROR. “Black Mirror Season 7 Will Arrive in 2025 With a Sequel to One of Its Most Beloved Episodes” – IGN has the story.

Netflix’s long-running bleak anthology series, Black Mirror, is coming back for Season 7 next year, and it’s bringing a sequel to fan-favorite episode USS Callister with it.

The streaming platform announced the news during its Next on Netflix event in London (via The Hollywood Reporter), later bringing public confirmation with a cryptic message on X/Twitter. The post contains a video teasing the six episodes, and judging by the familiar logo that appears, it sounds like the third will be the one to give us our USS Callister sequel.

(16) THE GANG’S ALL HERE. “Doctor Who’s Russell T Davies and Steven Moffat unite to support Chris Chibnall” – Radio Times cheers the gesture.

Doctor Who writers past and present have shared a photo together after Russell T Davies and Steven Moffat attended a performance of Chris Chibnall’s new play.

Recently returned showrunner Davies posted the image to his Instagram page alongside the caption: “A marvellous night out in Salisbury to see Chris Chibnall’s wonderful new play, One Last Push.”

And he added: “Also, we plotted Zarbi vs Garms”, referencing two classic Doctor Who monsters…

(17) TRUE OR FALSE? Radio Times reviews evidence supporting story that “Doctor Who’s Steven Moffat ‘returns to write 2024 Christmas special’”.

More than six years after his final episode of Doctor Who aired, it appears that former showrunner Steven Moffat may be returning to write a new episode of the sci-fi.

While the news has not yet been confirmed, it was picked up on Tuesday 12th March that producer Alison Sterling’s CV had been updated to note she had worked on the show’s 2024 Christmas special.

Underneath this, it was noted that the director of the episode is Alex Pillai, while it was stated that the writer is one Steven Moffat. The notes regarding the writer and director of the episode have since been removed….

One factor which may throw doubt on the idea that Moffat has written the special, is that Russell T Davies previously said that he himself was writing it back in 2022.

(18) STARSHIP HITS SOME MARKS. “SpaceX celebrates major progress on the third flight of Starship” – ArsTechnica has details.

… The successful launch builds on two Starship test flights last year that achieved some, but not all, of their objectives and appears to put the privately funded rocket program on course to begin launching satellites, allowing SpaceX to ramp up the already-blistering pace of Starlink deployments.

“Starship reached orbital velocity!” wrote Elon Musk, SpaceX’s founder and CEO, on his social media platform X. “Congratulations SpaceX team!!”

SpaceX scored several other milestones with Thursday’s test flight, including a test of Starship’s payload bay door, which would open and shut on future flights to release satellites into orbit. A preliminary report from SpaceX also indicated Starship transferred super-cold liquid oxygen propellant between two tanks inside the rocket, a precursor to more ambitious in-orbit refueling tests planned in the coming years. Future Starship flights into deep space, such as missions to land astronauts on the Moon for NASA, will require SpaceX to transfer hundreds of tons of cryogenic propellant between ships in orbit.

Starship left a few other boxes unchecked Thursday. While it made it closer to splashdown than before, the Super Heavy booster plummeted into the Gulf of Mexico in an uncontrolled manner. If everything went perfectly, the booster would have softly settled into the sea after reigniting its engines for a landing burn.

A restart of one of Starship’s Raptor engines in space—one of the three new test objectives on this flight—did not happen for reasons SpaceX officials did not immediately explain.

Part rocket and part spacecraft, Starship is designed to launch up to 150 metric tons (330,000 pounds) of cargo into low-Earth orbit when SpaceX sets aside enough propellant to recover the booster and the ship. Flown in expendable mode, Starship could launch almost double that amount of payload mass to orbit, according to Musk….

Space.com has a video at the link: “SpaceX launches giant Starship rocket into space on epic 3rd test flight (video)”.

(19) FAILURE TO LAUNCH. Elsewhere, some bad news from Japan: “Space One’s Kairos rocket explodes on inaugural flight” reports Reuters.

Kairos, a small, solid-fuel rocket made by Japan’s Space One, exploded shortly after its inaugural launch on Wednesday as the firm tried to become the first Japanese company to put a satellite in orbit…

(20) TALKING TO NUMBER ONE. In Gizmodo’s opinion, “This New Robot Is So Far Ahead of Elon Musk’s Optimus That It’s Almost Embarrassing”.

As if Elon Musk needed yet another reason to hate OpenAI. Figure, a startup that partnered with OpenAI to develop a humanoid robot, released a new video on Wednesday. And it’s truly heads above anything Tesla has demonstrated to date with the Optimus robot.

The video from Figure, which is available on YouTube, shows a human interacting with a robot dubbed Figure 01 (pronounced Figure One). The human has a natural-sounding conversation with the robot, asking it to first identify what it’s looking at….

(21) MILLION DAYS TRAILER. “A Million Days” is available on Digital Platforms 18 March.

The year is 2041 and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sowing the seeds of distrust between Anderson, and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise, will change humanity forever.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Daniel Dern, Kathy Sullivan, Scott Edelman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Journey Planet Call for Submissions: “Be The Change”

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Paul Weimer joins James Bacon and Christopher J. Garcia in a forthcoming issue of Journey Planet that focuses on the future of the Hugo awards, looking at realistic and achievable solutions to prevent a recurrence of what occurred in 2023.  

Button created by Brad Templeton’s ClariNet the day after a mixup in announcing a 1992 Hugo winner.

Paul is one of a number of people who were treated appallingly by the Chengdu Worldcon, whose valid nomination was arbitrarily made ineligible by Dave McCarty under Ben Yalow, in the disastrous Chengdu Hugo Awards corruption of 2023

This fanzine considers what next, looking forward, looking at solutions, looking to rebuild trust, honesty, respectfulness and democracy.

The editors welcome hearing from fellow fans who are keen to see through changes. To be part of the change, to help see it through. 

This issue will work to bring together ideas, and imaginative but manageable proposals that other fans can galvanise around.  

We know many fans already have thrown themselves into considerable amounts of work, ensuring the Hugo’s are spectacular, transparent and democratic with check points and if they have time, we will see what they too think, as well as seeking input from experienced practitioners, who are like ourselves appalled, but may have views on workloads and feasibility. 

Making the argument now is important, to ensure there is support, as fans will be at Glasgow in person, or have representatives, to speak for and vote on motions.    

There has been much hot air, obfuscation and silence. Figuring things out with the people who will have to work to deliver on any changes is vitally important. Moving notions and ideas forward needs the engagement and the views of those by all stakeholders directly impacted while welcoming all who from the community who wish to be part of the solution.  

While many parts of Fandom have had vast amounts of activity, discussion and engagement, we hope we can create a focus point for distilling these into potential motions and suggestions.  Contributions will have limitations in length, (1,200 words) and also contributors will be asked to state if they will be at Glasgow willing to put forward their argument. 

We will work to connect common ideas, to see if consensus can be formed, while also seeking an understanding of the mechanics required from a parliamentary perspective. We have planned with Mike Glyer to then publish the articles in order on File 770 for broader consideration and looking to galvanise consensus.

Paul wants to focus on  “What is to be Done”, a more productive approach than speculation on the whys and wherefores, and how important it is to “be part of the change” and we welcome that. 

Contributors are welcome to contact [email protected] 

Pixel Scroll 2/16/24 The Worm Pixelscrollus

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(0) Short scroll today because I need to hit the road. Am driving up to my brother’s for a birthday party – mine! Toot your party horn, or leave your own news links in comments….

(1) LACEY LEAVES CANSMOFS. Diane Lacey has announced her resignation from CanSmofs on Facebook. CanSmofs is a Canadian sf convention running group now bidding for the 2027 Worldcon. 

I wish to announce my resignation from the board of CanSmofs. I can not effectively represent the board given today’s revelations about the Hugos and my part in it. I want to emphasize that nobody has requested this. It is of my own volition, and I wish them and the Montreal bid well.

Lacey shared 2023 Hugo administration team emails Chris M. Barkley and Jason Sanford for use in “The 2023 Hugo Awards: A Report on Censorship and Exclusion”, and discussed her own work on the Hugos in an open letter.

(2) MORE HUGO REPORT COVERAGE.

NBC News interviewed Paul Weimer for its post “Science fiction authors were excluded from awards for fear of offending China”.

…Among the reasons cited for excluding Weimer was his supposed previous travel to Tibet, a Chinese region where Beijing is also accused of abuses.

“The funny thing is that I didn’t even go to Tibet. I was in Nepal. They didn’t get basic facts right about me,” he said.

Weimer, whose display name on X had as of Friday been changed to “Paul ‘Nepal is not Tibet’ Weimer,” said the vetting went against the spirit not only of the Hugo Awards but of science fiction itself.

“Censoring people based on what you think that a government might not like is completely against what the whole science fiction project is,” he said….

Vajra Chandrasekera has a very good thread on Bluesky which starts here. One thing they discuss is the Science Fiction World recommendation list:

Zionius has a post “2023年雨果奖审核情况初探” at Zion in Ulthos. It’s in Chinese; they dropped an English excerpt into comments here yesterday.

…Content censorship does seem to have an impact on the final shortlist, but the greater impact is likely to be from invalid votes. The opinions of the censors are neglected most of the time (though here we can only see detailed opinions from Western censors), whereas with like 1000 votes declared invalid, the shortlist can be completely changed. None of the top 5 best novels in initial shortlist got through to the final shortlist. In the initial shortlist of the five print fiction categories, 2/3 works are from China, the final shortlist has only 2/15 Chinese works.

The items suffered most from invalid votes basically come from two Chinese publishers, Qidian and Science Fiction World. SFW’s recommendation list is almost identical to the initial shortlist in the Chinese part, which might be the reason why the Hugo team decided to remove most votes related to SFW and Qidian. Slates in thousands is beyond the capacity of EPH.

Last but not the least, the “invitation list” mentioned so many times in “Validation.pdf” appears to have huge impact on the final shortlist. It appears to be a separate ranked list. 5 works on invitation list were not among the top 10 of the initial shortlist, yet still they made it to the final shortlist (Spare Man, Nona the Ninth, Kaiju Preservation Society, DIY, Stranger Things 404). OTOH, 3 works on the initial shortlist were marked as “disappeared on invitation list” (Upstart, Hummingbird, Sandman 106), then they disappeared on the final shortlist….

Publishers Weekly leads with Esther MacCallum-Stewart’s statement in “Glasgow Worldcon Chair Vows Transparency Following Chengdu Hugos Censorship”.

(3) VANDEMEERS SUFFER VANDALISM. Ann and Jeff VanderMeer are reporting their streetside mailbox was intentionally wrecked.

(4) IT’S NEVER TOO LATE FOR THE NEW WAVE. “The 2024 Met Gala theme has been announced — along with four superstar co-chairs” at CNN.

Fashion’s biggest night of the year is just around the corner, and the Met Gala red carpet theme has finally been announced — along with superstars Zendaya, Jennifer Lopez, Bad Bunny and Chris Hemsworth as this year’s co-chairs.

Organizers announced today that the official dress code for the event, which will take place on May 6, is “The Garden of Time.” The theme takes its title from a 1962 short story written by British author J. G. Ballard, set (as its title suggests) in a garden filled with translucent, time-manipulating flowers….

Ballard, who is closely associated with New Wave science fiction, often set his searingly relevant dystopian stories in eras of ecological apocalypse or rising dissenting technologies.

(5) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 16, 1954 — Iain M Banks. (Died 2013.) There are deaths that are sad, there are deaths that are just ones you just don’t want to hear about and then there are deaths like that of Iain M. Banks in which, and this is the only way I can express this, what the hell was the Universe thinking when it did this to him? 

Of course the more rational part of me sadly knows that very bad things randomly do happen to very good people that we care about and so that happened here. 

Iain M. Banks

I was just editing the review of his epic whisky crawl when he announced that he was dying. So though not genre, let’s start off with Raw Spirit: In Search of the Perfect Dram. It’s about single malt whisky, good food and his love of sports cars. Specifically the one he bought with the advance for this work. Nice, dry nice.

Of course, I’ve read every novel and even the few short works in The Culture series. My favorites? Certainly The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas are also my favs. 

Now “The State of the Art” novella about a Sixties Culture mission to Earth is out on the usual suspects. He’s only written nine pieces of genre short fiction and eight are here. No idea why the ninth isn’t.

Of his one-offs, I think The Algebraist is fascinating but the best of these novels by far is Against a Dark Background, the story of a heist that goes terribly wrong. 

(6) THE SOUND OF A SOLAR ECLIPSE? Maybe in space they can’t hear you scream… “NASA Urges U.S. Public To Listen During April 8’s Total Solar Eclipse” reports Forbes.

April 8’s total solar eclipse will not only be something you see—it will be something you experience on many levels. Part of that is the sights and sounds of how insects, animals and nature react to sudden totality. At many of the eclipses I’ve witnessed, I’ve seen cows return to the barn as the light levels gradually fall, cicadas build to a cacophony then fall silent during totality, and birds panicking as “night” begins when they least expected it.

Sound Of Eclipses

“Eclipses are often thought of as a visual event—something that you see,” said Kelsey Perrett, communications coordinator with the NASA-funded Eclipse Soundscapes Project. “We want to show that eclipses can be studied in a multi-sensory manner, through sound and feeling and other forms of observation.”

April 8 is an opportunity like no other. On that day, over 30 million people in the U.S. already live within the path of totality—the track of the moon’s shadow as it sweeps across the planet—despite it being just 115 miles wide. That’s compared to 12 million people that lived within the path during the last total solar eclipse in the U.S. in 2017. Cue a large-scale citizen science project, which will seek to collect the sights and sounds of a total solar eclipse as recorded by members of the public. The end result will be, scientists hope, a better understanding of how an eclipse affects different ecosystems….

(7) FOR THE BOOKS NEXT DOOR. Amazon is one place to buy the “Bookend Magic House Building kit”. 1488 pieces – holy cats!

This bookend is carefully assembled from 1400+ blocks, presenting the unique charm of the classic magical house building in the film, every detail shows the high quality of production workmanship.

Compared with traditional bookends, our block bookends incorporate the magic elements of the film, which instantly fills your bookends with the charm of the wizarding world, giving a brand new visual experience and making the reading time more fun, it will add a chic and unique to your bookshelf…

(8) YOU CAN’T FIGHT IN THE WAR ROOM! TechCrunch tells how “Bluesky and Mastodon users are having a fight that could shape the next generation of social media”. Because of course they are.

People on Bluesky and Mastodon are fighting over how to bridge the two decentralized social networks, and whether there should even be a bridge at all. Behind the snarky GitHub comments, these coding conflicts aren’t frivolous — in fact, they could shape the future of the internet.

Mastodon is the most established decentralized social app to date. Last year, Mastodon ballooned in size as people sought an alternative to Elon Musk’s Twitter, and now stands at 8.7 million users. Then Bluesky opened to the general public last week, adding 1.5 million users in a few days and bringing its total to 4.8 million users.

Bluesky is on the verge of federating its AT Protocol, meaning that anyone will be able to set up a server and make their own social network using the open source software; each individual server will be able to communicate with the others, requiring a user to have just one account across all the different social networks on the protocol. But Mastodon uses a different protocol called ActivityPub, meaning that Bluesky and Mastodon users cannot natively interact.

Turns out, some Mastodon users like it that way….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Two: Power & Light

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The Collected Stories of Roger Zelazny, Volume Two: Power & Light. Edited by David G. Grubbs, Christopher S. Kovacs and Ann Crimmins. Cover art by Michael Whelan. (NESFA Press, 2009)

Review by Paul Weimer: Power and Light is the second of the six-volume NESFA collection of the work of Roger Zelazny.

 Much of what I said in my review of the first volume, Threshold, stands and is built upon, here. (Read the review of Threshold at the link). This volume, like it’s first, covers a slice of Zelazny’s work, and is full of biographical detail, strange and unusual pieces never seen before, and continues the device of putting most of the words under exegesis, untangling references common and oblique alike, giving a full view of the mythopoetic work that Zelazny was creating. Once again, we get a variety of poetry, incorporating whimsy, humor, and mythological themes alike.

This volume, whose slice concentrates on works from the mid 60’s, is much more about the meat and drink of his career, or to use the stellar metaphor I used previously, this is when the nova began to truly shine.  You’ll find the original Divlish the Damned stories here, for example, and having them together helped me appreciate him as a somewhat neglected icon of Sword and Sorcery. But there is plenty more: “Lucifer” and “For a Breath I Tarry”, “Auto-Da-Fe”, and a number of others you will likely recognize if you’ve read any SF from the period. I’ve loved and enjoyed many of these stories before, but I’ve never before had the context and positioning these stories are given here with other Zelazny works. The works involving vehicles, for example, a motif in this volume, all seem to stem from a serious auto accident he was involved in. Adding insult on top of injury, Zelazny’s father died while his then-girlfriend was recuperating from the injuries. That sort of biographical detail really helps contextualize these stories and give them additional meaning and insight.

 And I think that it helps make the individual stories and works stronger, and deeper and paradoxically harder to hurtle through, to take at speed. It seems that for me as a reader, and perhaps this is a warning to you, too, that Zelazny at the height of his powers is a strong draught of whatever spirit you want to name, or perhaps just a very strong tea if you do not. Reading, savoring and enjoying these stories was something I could not do for hours on end, for they invoked such imagery and power as to leave me giddy with delight, and the endless clouds of grey clearing to allow me to see the green field realms of myth and story beyond the glass barrier between the world. I took this book in stages, and every time I gave myself space to turn away and then return, the power of the words came flowing into me once again.  

 The volume claims that his shorter works contain his best writing, and certainly, in this second volume, that seems to be entirely the case for me, even given my longstanding and well known love of the longer forms of the Amber Chronicles and other novels he wrote.

 Some of these stories, though, were new and unheralded delights for me, too. For example. “Comes Now the Power”, which I have missed reading until this time even though it was a 1967 finalist for Best Short Story at the Hugos. It’s a short, sharp story about a telepath who is blocked, cannot use his power, and has not been able to for a couple of years now. A world that would not believe that he had such a power. And, then, he contacts someone else who has the same spark.  It feels like a brief antecedent by several years to Robert Silverberg’s novel Dying Inside, and in a weird timey wimey way giving an answer to Selig’s problems in a short few pages. Did Silverberg read the story and get inspired to write Dying Inside? I don’t know, and I would love to ask Silverberg if that was the case. Psionics and telepaths were certainly “in the water” in the 60’s and 70’s, but telepaths having problems with their powers are a much less common story motif. In any event, the two works feel like they are in dialogue with each other.

Or take his 1966 story “Love is an Imaginary Number”. Doing what Zelazny does best, diving into the world of myth, here he makes an interesting connection and junction I had never considered before.  What if you had a character who melded aspects of two mythological characters who are famous for being bound and tormented. Prometheus, and Loki. And, add to that, our protagonist can shift and change realities. Yet another idea that he would eventually take into later and longer works. 

 The real star of the volume, though, I think, even beyond his sizzling and scintillating stories, and even his poetry (recall what I said in the first review regarding his poetic nature) is the two parts of “…And Call me Conrad” aka This Immortal. This Immortal was an extraordinary work (it tied for Best Novel with a little known SF novel called Dune) and I want to talk about it. I had read it about a year ago for a podcast, and so I came to the story relatively fresh. So, instead of this being a read for me that was trying to cover ground I had read last years ago, I came to the reading of This Immortal with a strong and specific eye for detail.

And the detail I found. I completely missed in previous readings, intuited here, and was confirmed in the end notes the strong theory that Conrad is not just several hundred years old, but is indeed the Immortal of the title, and may just simply be the god Pan. The book is crammed with mythological motifs and ideas, and I see it as a waystop for him to develop ideas that he would later carry into things like Jack of Shadows, and the Amber series.  His dog, Bortan, the Hellhound, such a good and loyal dog. Prince Julian of Arden would be proud to have a dog like Bortan as part of his hounds, for certain. The subtlety of Conrad’s plan to deal with the Vegans, the emigres and everything else shows the patience of someone who lives a long time, but that circumstances and chance can upset even the most well layed plans. I had missed the detail about the deconstructing pyramid gambit in that former bit. And the story renewed my as yet unfulfilled desire to see Greece and Egypt. 

Overall, by this now second volume, I can see how the short fiction of Zelazny is definitely his work at its highest concentration, ideas and mythological concepts and motifs in their purest and most undiluted form. Neil Gaiman is quoted:  “Nobody else makes myths real and valuable in the way Roger Zelazny could”.  And he is absolutely right.

But to be sure, there is some nonfiction here, too. Zelazny was becoming a Big Deal at this time, his star burning bright. And so we get his Guest of Honor Speech from Ozarkon 2. This is an amazing piece because it shows how Zelazny thinks, how much he incorporated mythological themes and ideas into all of his writing, as he discusses the motif of the dying and resurrected god. The volume makes clear a lot of these speeches, with all of their value and humor, have NOT been collected; I am very glad this one survived, and is included in this volume, as well as the several other similarly formatted speeches and talks that are in this volume. 

Once again, in an excellent volume, NESFA has captured the soul and art of Roger Zelazny. I look forward to what comes next, in Volume Three, The Mortal Mountain.

Pixel Scroll 1/28/24 Intergalactic Antiques Road Show

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(1) GALAXY QUEST FUNKOS. Slashfilm rejoices: “Cool Stuff: By Grabthar’s Hammer, Galaxy Quest Funko POPs Have Arrived!”

… Funko has revealed three new POP vinyl figures of Jason Nesmith (Tim Allen) as Commander Peter Quincy Taggart, Sir Alexander (Alan Rickman) as Dr. Lazarus, and Fred Kwan (Tony Shalhoub) as Tech Sergeant Chen. They’re all given the classic look from the original “Galaxy Quest” TV series, though they’re not intended to be the classic versions of their characters. If they were, Tim Allen’s hair mold would probably look more retro. However, they did depict Fred Kwan with that semi-squinted expression in his eyes, which only really happened when he was fully in character on the show. Personally, I’d like to have a series of “Galaxy Quest” Funko POPs with them looking disheveled, such as Sir Alexander with hair poking out of his torn alien headpiece.

What’s a little disappointing is the lack of the rest of the original crew, with no figures for Gwen DiMarco (Sigourney Weaver) as Lt. Tawny Madison and Tommy Webber (Daryl Mitchell) as Laredo in sight. Seems like quite an oversight to exclude both the woman and the Black cast members from the movie/series, especially since the packaging for the other figures indicates that there are two other “Galaxy Quest” Funko POPs on the way…

(2) AFTER ACTION REPORT PART II. {By Steven French.] [Part I was in a previous Scroll.] It wouldn’t be a fantasy exhibition in Leeds without *some* mention of JRR! Leeds Central Library’s Fantasy: Realms of Imagination included a couple of displays with Tolkien-related material including one with a photo of his and Edith’s house in West Park, out on the edge of the city, as well as two of his poems that were published in the university student magazine The Gryphon. One, ‘Iumonna Gold Galdre Bewunden’ not only features a dragon on its hoard but also makes mention of a ring (!). The other, ‘Light as Leaf on Lindentree’ , from 1925, eventually became the Song of Beren and Lúthien which Strider recited to the hobbits on Weathertop. 

(3) AFTER ACTION REPORT PART III. [By Steven French.] And finally (honest!), no fantasy exhibition would be complete without a dragon or two and Fantasy: Realms of Imagination at Leeds Central Library had its fair share, including this fine example:

Plus an egg or two:

But my favourite was this little fellow, made by the Bermantofts Pottery of east Leeds:

(Bermantofts Pottery also made the ox-blood faïence (glazed terracotta tiles) for the facades of such London Underground stations as Covent Garden and Russell Square)

Even the reading room, with its magnificent ceiling, took part in the spot-the-dragon competition (can you see it?!):

Fun for kids of all ages!

(4) ABOUT THOSE SMOFCON VIDEOS. Ersatz Culture advanced this “Modest Proposal” about the Chengdu panels at SMOFcon:

He’s also posted this at Mastodon, where Cheryl Morgan gave a response that can be read at the link.

(5) TIANWEN. The “Tianwen” project was announced in Chengdu last October with the cooperation of representatives of several professional writers groups and Hugo Award Administrator Dave McCarty. This puff piece encompasses what we know so far: “Tianwen: Unveiling China’s Diverse Science Fiction to the World” at News Directory 3. While the publicity seeks to associate a new literature prize with the Hugo brand, it does not appear to claim a formal connection to the WSFS award.

The announcement and unveiling of the “Tianwen” project at the first Industrial Development Summit of the World Science Fiction Conference is set to revolutionize the Chinese science fiction scene. This global project, launched by the Chinese Authors Association and the Organizing Committee of the World Science Fiction Conference, aims to discover new talents, support science fiction works, and promote the integrated development of the industry.

The project was unveiled by Alai, Vice Chairman of the Chinese Writers Association, Hiroshi Osawa, Chairman of the Japan Science Fiction Writers Association, and Dave McCarty, head of the Hugo Award Selection Committee. Alai expressed his hope that “Qu Yuan’s romanticism and idealism will be better publicized in ‘Tianwen’”, while Osawa emphasized the impact of the project on shaping the future generation.

The “Tianwen” plan includes the establishment of the Tianwen Global Science Fiction Literature Prize, which will be awarded annually from 2024. This prize aims to encourage new and young writers, focusing on their innovative literary works and expression of new cultural fields. It will serve as an important supplement to the prestigious Hugo Awards and contribute to the diversity of the Hugo culture.

Additionally, the “Tianwen” project will host various activities to promote the integrated development of the global science fiction industry. These include sub-forums, award ceremonies, promotion conferences, creation salons, exhibitions, and industry roadshows.

Liang Xiaolan, the chairman of the World Science Fiction Conference Chengdu 2023, emphasized that “Tianwen” is not only an award and program, but also a platform for the industrial development of national science fiction culture. This initiative aims to elevate Chinese science fiction to a global level and promote exchange and collaboration between China and foreign countries.

With the inclusion of Chinese works in the selection process of the Hugo Awards for the first time, “Tianwen” will play a crucial role in showcasing Chinese science fiction to a wider audience. Dave McCarty views “Tianwen” as a valuable platform for international science fiction exchange, leading the way for the global science fiction industry….

(6) LESS PAIN, MORE GAIN. [Item by Mike Kennedy.] The Directors Guild of America–the most prominent Hollywood Guild that did not strike last year—has now gotten a bump in several contract areas to more closely match their sibling guilds. You know, the siblings who did walk the picket lines. “DGA, the Guild That Didn’t Strike, Gets Improved Contract Terms” in Variety.

The Directors Guild of America, the Hollywood union that did not strike last year, told members Thursday that it has won additional gains, including a viewership bonus for streaming shows.

DGA members will get a 50% residual bump for work on the most-watched shows on streaming platforms, matching the terms won by the Writers Guild of America.

The DGA also got increases in several other areas, including a .5% increase in pension and health contributions in both the second and third year of the contract.

The DGA agreed to a three-year deal with the major studios on June 3, about a month into the WGA strike. At the time, DGA negotiators did not seek a viewership-based bonus, instead choosing to focus on a 21% increase in streaming residuals to account for the growth in foreign subscribers.

The Alliance of Motion Picture and Television Producers was not obligated to reopen the terms of that deal, which was ratified by 87% of the members. But by doing so, and matching the streaming residual terms obtained by the WGA, the AMPTP helps DGA leadership make the case to its members that they were not disadvantaged by refusing to strike….

(7) BACK TO THE MOON. Maya St. Clair praises Samantha Harvey’s novel in “ORBITAL Review: the stars look very different today” at News from the Orb.

…When literary authors cross over into science fiction, they often do so as enlightened homesteaders, equipped with notions of the field’s backwardness and confidence that their own innovative ideas will reform the backwaters of tropey sci-fi for the better. (Remember when Ian McEwan — in A. D. 2019 — told sci-fi writers that they’d better start “actually looking at the human dilemmas” that would arise with high-level AI?)

Samantha Harvey falls into a different camp, in that she’s not attempting what we might consider “science fiction” — not exactly. I initially found Orbital (2022) because it was displayed the sci-fi section of my library; however, Harvey has described it as “space realism”: a rendering of life in space as humans currently experience it. Orbital takes place in the near future, on an international space station (the ISS in all but name), wherein six astronauts live and work, sheltered from the black void by its narrow walls. Their daily tasks are structured and mundane, and nothing happens in the novel (spacewalks, toilet repairs, floating dinners served in bags) that hasn’t happened in real life. No speculative elements, except a new manned mission to the moon, are introduced.

That being said, sci-fi fans would do themselves a disservice in skipping Orbital. Although it has no aliens or new technology, it’s one of the most inventive and immersive novels I’ve read in a long time.

(8) A HIGH WIRE ACT. That’s what Paul Weimer says readers are witnessing in his review of the final volume of a trilogy by Kevin Hearne, A Curse of Krakens: “Seven Kennings Trilogy and the Power of Story” at Nerds of a Feather.

…Right at the start, we find that this novel, and this trilogy is about the telling of story. A bard with the power of a Kenning, in particular the magical ability to project his voice, begins to tell the war-weary city of the war that they themselves are suffering privation under.  We are in medias res of the Giant’s War, and the bard, we soon learn, has been sent to tell the story of the Giants War and prepare the populace for what is to come next.

But it’s not a simple linear narrative. This is not a simple recitation of facts. The bard has collected and (with his flawless memory) organized a raft of stories from, ultimately, twenty or so points of view. This sounds absolutely unwieldy and unsustainable and it is a high wire act that Hearne works at through the books. Hearne manages it by telling the stories of these characters through the bard in a narratively interesting and engaging order, which is not a straight up order by dates. And by having the bard tell the stories, we can use present day events in Pelemyn itself as a breather and a buffer from the stories he tells. 

What’s more, this ambitious three volume out of order narrative drives plot right up to the “present”…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 28, 1981 — Elijah Wood, 43. In Elijah Wood, we’ve an actor that I always enjoy watching. Best known here and in the greater film community for being Frodo Baggins in The Lord of the Rings trilogy and The Hobbit: An Unexpected Journey, he has a much more extensive film career.

Elijah Wood in 2011. Photo by Gage Skidmore.

He makes his debut in a blink and you’ll miss it performance as Video Game Boy #2 in Back to the Future Part II; he next has a significant genre role as Nat Cooper in Forever Young, the screenplay being written by J. J. Abram from his story named “The Rest of Daniel”. 

He next shows up as the young Mike Marshall (primary version) in Radio Flyer with Tom Hanks playing, uncredited the older version and the film narrator.  Fantastic film that. 

Then he’s Huck in, well, The Adventures of Huck Finn. Haven’t seen it, but the usual suspects at Rotten Tomatoes who did see this Disney Production did like it and gave it a seventy-three rating.  I know it’s not genre, but I like the story. A lot. 

Elijah Wood in 2019. Photo by Gage Skidmore.

Next is SF in Deep Impact where he plays, let me see my notes, Leo Biederman, a teenage astronomer who discovers the Wolf–Biederman comet . Oh look they cast a teenager as a teenager!

Now we have an adult role for him in one of my favorite films — he’s Patrick Wertz in Eternal Sunshine of the Spotless Mind. Good role, wonderfully executed by him. 

Can we skip Sin City pretty please? Yes, I know, and do forgive me here.

He’s got a minor role in, depending in how you frame it, the reboot or new version or remake of The Toxic Avenger. I personally see no reason for such a perfectly trashy film to be made again, do you?

To quote Porky Pig, that’s it folks. 

(10) COMICS SECTION.

  • Frazz has a question about lunch.
  • Candorville shares an interesting collection of filk lullabies.
  • Tom Gauld has more about the life of books.

(11) GRAND PRIX. “Graphic novelist Posy Simmonds wins prestigious French comics award” reports the Guardian.

The graphic novelist Posy Simmonds has won the Grand Prix at France’s Angoulême International Comics festival – the first time a British artist and author has been awarded the world’s most prestigious prize for lifetime achievement in comics.

Simmonds’s satirical observations on modern British society, interweaving detailed illustration with long literary texts, are held to have redefined the graphic novel genre.

She said of the award: “I was gobsmacked – époustouflée, as you would say in French … It’s extraordinary because if you’re writing or drawing, you work in a room on your own, and it’s then very extraordinary when the book, or your work, or you are given a lot of exposure.”…

(12) FREE READ. Sunday Morning Transport has another free story – “The Empty Throne” by Benjamin C. Kinney – to encourage new subscribers.

For the final free-to-read story of January, Benjamin C. Kinney takes us to 19th century Budapest, where a young woman wrestles with her father’s angels. Note: Should you be inclined towards tremendous footnotes, the author has linked one at the end of the story for you to peruse.

(13) SQUISHMALLOWS. [Item by Mike Kennedy.] This Entertainment Weekly article recommends these as Valentine’s Day gifts. Hmpf. Perhaps for one’s young nephew, or niece, but it might be just a little bit ick (or EW) to give an adult love interest a squishy pillow-shaped plush styled after an underage tween/teen. “Harry Potter Squishmallows are available at Amazon just in time for Valentine’s Day”.

… Your wish has been granted with no wand-waving needed, as Harry Potter Squishmallows now exist. The lovable main character has been reimagined into a poofy, cozy plush toy that will delight any HP fan come Valentine’s Day. The Gryffindor legend has his glasses, Hogwarts house robe, and trademark lightning bolt scar all in an ultra-huggable material. 

If you’re interested in snapping up the OG trio, Ron Weasley is also available, and Hermione Granger can be preordered now, too, with the official launch date set for February 13….

(14) THUNDERBOLT FANTASY. A new episode of the Anime Explorations Podcast is up today, where they discuss the second season of the Taiwanese Wuxia Puppet series Thunderbolt Fantasy, with special guest Tom Merritt of the Daily Tech News Show and Sword & Laser Podcast. “Anime Explorations Podcast: Episode 16: Thunderbolt Fantasy Season 2”.

(15) BASKETBALL MOANS. I don’t know. Maybe you can figure it out: “Tyra Banks Nets, Furries Clip Goes Viral” at Buzzfeed.

…The clip that began picking up steam was Tyra on the Jumbotron, covering her eyes with her hands as the two furries leaned over her to caress one another….

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Daniel Dern, Lis Carey, Kathy Sullivan, Alexander Case, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Hugo Controversy Hits Mainstream News; A Chengdu Vice-Chair Comments in Social Media

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By Ersatz Culture.

IN THE GUARDIAN.The Guardian’s report “Science fiction awards held in China under fire for excluding authors” includes quotes from Xiran Jay Zhao and Paul Weimer.

…No reason was given for the exclusions, which were only revealed on 20 January when the Hugo awards published the full nomination statistics for last year’s prize. Certain titles were listed as having been given votes, but were marked with an asterisk and the words “not eligible”, with no further details given….

…Concerns have been raised that the authors were targeted for political reasons, connected to the fact that the ruling Chinese Communist party exerts a tight control on all cultural events that take place inside its borders.

Dave McCarty, the head of the 2023 Hugo awards jury, wrote on Facebook: “Nobody has ordered me to do anything … There was no communication between the Hugo administration team and the Chinese government in any official manner.”

McCarty did not respond to a request from the Guardian for comment, but shared what he said was the official response from the awards administration team on Facebook: “After reviewing the constitution and the rules we must follow, the administration team determined those works/persons were not eligible.” He declined to elaborate on what the rules were.

“I can only guess to why I was excluded, but it probably has something to do with my critical comments about the Chinese government in the past,” said Xiran. “You would think that as a big, powerful country, China would be graceful about criticisms, but they in fact take it very personally, and doubly so when it’s from Chinese diaspora.”…

…In an Instagram post published on 22 January, Kuang wrote: “I wish to clarify that no reason for Babel’s ineligibility was given to me or my team. I did not decline a nomination, as no nomination was offered … I assume this was a matter of undesirability rather than ineligibility.”

Paul Weimer, a hobbyist sci-fi writer, discovered last week that he was excluded from the best fan writer category, despite receiving enough nominations to be shortlisted. “I had the highest of hopes for Chengdu,” said Weimer, who has been nominated for Hugos in previous years. “I thought it was amazing that a number of Chinese fans had got together to get this bid together.”

The organising committee of Chengdu Worldcon did not respond to requests for comment….

The Bookseller posts about the Hugo controversy; seemingly removes the post shortly afterwards

Around 1:20pm UK time on Wednesday, I noticed that the website of The Bookseller trade magazine had posted a piece about the Hugos, covering material that should already be very familiar to File 770 readers.

Perhaps more interestingly, by around an hour later, the post seemed to be no longer available, or shown on their homepage, instead presenting a visitor with a login prompt,  The Bookseller does operate a system where you can only read one article a month without creating a (paid) account, but the usual workaround of opening the link in an incognito window or clearing cookies did not work.  (As I write this up several hours later, a generic “topics” index page is instead returned.)

Fortunately, Google has a cached copy. (Click for larger image.)

Bizarre post from Chengdu Worldcon Vice-Chair and Hugo finalist/nominee La Zi

拉兹 (La Zi, aka Raz aka Lattsep) is – per his Weibo bio, as rendered by Google Translate – ‘Deputy Editor-in-Chief of Science Fiction World, Chief Editor of “Science Fiction World”‘.  (I think one of those is in reference to the general SFW company, and the other to the SFW print magazine.)  The Chengdu Worldcon site lists him as one of eleven Vice Chairs of the con.  He was co-editor of the Best Fanzine finalist 中文科幻学术速递 (Chinese Science Fiction Express), placed tenth in the Best Editor, Short Form nominations.  He also co-edited the 2022 bilingual Galaxy Awards 1 anthology, the English translations therein being the means by which the older Chinese stories “Color The World”, “Upstart”, “Turing Food Court”, “Fogong Temple Pagoda”, “Resurrection”, “Tongji Bridge” and “2039: Era of Brain Computer” appear in the Novelette and Short Story nominations lists, although only Resurrection was a finalist, with “Color the World” and “Fogong Temple Pagoda” both being marked as “Not eligible”.  (The former being excluded because the translation had previously appeared in a 2021 anthology; the issue with the latter is still unknown.)

His most recent Weibo post from Tuesday 23rd reads as follows:

烂事早晚发酵，我阻拦还被泼一身屎，搞得某人跟我断交。希望现在知道我为什么阻拦了，阻拦是因为看到了某些位子底下埋了雷，坐上去就是死路一条，却被背后传小话的小人污蔑为夺人名利。好意或许被栽赃，问心无愧便无所谓。

Google Translate renders the text as follows:

Sooner or later, the bad things started to get worse. I got shit thrown at me when I tried to stop him, which made someone break up with me. I hope I know now why I blocked it. I blocked it because I saw that there were mines under certain seats. Sitting on them meant you would die, but you were slandered by the villains who gossiped about you for taking fame and fortune. Good intentions may be framed, but it doesn’t matter if you have a clear conscience. 

If that makes “the rules we must follow” look like the model of clarity, bear in mind that of the six (as I write this up) user comments, three are variants of “what are you talking about?”, so it’s no more comprehensible to many Chinese users than those reading the translation.

Below is a screengrab of the post along with an alternative English translation from the Alibaba Cloud functionality built into Weibo.

China cracks down on publishing of false data

On Monday, Reuters (via MSN) published a short piece entitled “China vows to punish officials for falsifying economic data“.  Selected paragraphs from the story:

BEIJING, Jan 22 (Reuters) – China will investigate and punish officials for falsifying economic data, the National Bureau of Statistics said on Monday, amid scepticism about the reliability of Chinese data….

“Statistical fraud is the biggest corruption in the field of statistics, which seriously violates the statistics law, seriously affects the quality of statistical data, obstructing and even misleading macro decision-making,” the official said…

There has long been scepticism about the reliability of Chinese data, especially as the government has sought to defuse market concerns about a protracted slowdown in the world’s second-largest economy.