Tag Archives: artificial intellgence

Pixel Scroll 9/26/23 One-Eyed, Once-Scrolled Flying Purple Pixel Eater

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(1) HEAR JEMISIN ON WORLDBUILDING. N. K. Jemisin’s lecture at Cornell on October 4 will be livestreamed: “N. K. Jemisin to speak on imagining a better future” in the Cornell Chronicle.

N. K. Jemisin

N. K. Jemisin, award-winning fantasy author and critic, will give the Bartels World Affairs Lecture on Wednesday, October 4, at 5:30 p.m. in the Rhodes-Rawlings Auditorium.

The campus community is invited to join an in-person livestream watch party in Klarman Hall and attend a reception and book signing with Jemisin in the Groos Family Atrium after the event. A free watch party ticket is required. General admission is sold out. The lecture will also be livestreamed by eCornell.  

In this Bartels World Affairs Lecture, fantasy author N. K. Jemisin will share how she learned to build unreal worlds by studying our own — and how we might, in turn, imagine a better future for our world and reshape it to fit that dream.

Join us for Ms. Jemisin’s lecture and a discussion featuring a panel of distinguished Cornell faculty to kick off “The Future,” a new Global Grand Challenge at Cornell. We invite thinkers across campus to use their imaginations to reach beyond the immediate, the tangible, and the well-known constraints. How can we use our creativity to plan and build for a future that is equitable, sustainable, and good?

(2) FOOLS’ NAMES AND FOOLS’ FACES. [Item by “Orange Mike” Lowrey.] I will be appearing this coming Sunday as a special guest star in a lecture/presentation called Depths of Wikipedia Live, at the Majestic Theatre in Madison, WI. Ticket information at the link:

Join Depths of Wikipedia creator Annie Rauwerda on a journey through Wikipedia’s most interesting corners. You’ll have the time of your life [citation needed]…

(3) SALT LAKE CITY BOOKSTORE THREATENED. The King’s English Bookstore in Salt Lake City, UT was temporarily shut down by a bomb threat on Sunday morning targeting a drag queen story hour. Salt Lake City police heard of a “suspicious circumstance” around 9:30 and, after determining it was a bomb threat, evacuated the store to search for explosives, clearing it to reopen around 11. Tara Lipsyncki has hosted that drag queen story hour for five months. “Salt Lake City bookstore cleared after receiving bomb threat” – Fox13Now has the story.

…Salt Lake City Police said they learned of a “suspicious circumstance” at the King’s English Bookshop, located at 1511 S. 1500 East, around 9:30 a.m. They later determined that it was a potential bomb threat and evacuated the building.

…The threat came in an hour and a half before “Sunday Storytime” with drag queen Tara Lipsyncki.

She’s been reading children’s books at the shop on the last Sunday of every month for five months now. She said she was heading to the King’s English when the co-owner, Calvin Crosby, called her to say the store had received a bomb threat.

“The parents and the queer kids that need this event and need to be seen, I feel for them,” she said….

Salt Lake City Mayor Erin Mendenhall posted to X, “I cannot say this strongly enough, EVERYONE belongs in Salt Lake City. The actions today to cause fear at @KingsEnglish around a drag story time event are not welcome here. We’re looking forward to working with King’s English so this event can happen at a future date for all those who wanted to be there today.”

Sad Puppy Brad R. Torgersen joined others piling on the mayor with slurs about pedophilia.

Lipsyncki wrote in an Instagram post:

(4) WGA WEST AND EAST BOARDS VOTE TO LIFT STRIKE. A membership ratification vote comes next. “Writers Strike Is Over: WGA Votes to End Work Stoppage” reports Variety.

The Writers Guild of America (WGA) strike is officially over.

On the 148th day of the work stoppage, the board of the WGA West and council of the WGA East voted unanimously on Tuesday to lift the strike order as of 12:01 a.m. PT on Wednesday. following a tentative agreement on a new contract with the Alliance of Motion Picture and Television Producers (AMPTP). That means writers can go back to work as of Wednesday even before the final ratification vote.

The ratification vote will be held from Oct. 2-Oct. 9. The WGA will hold member meetings on both coasts this week in person and on zoom to discuss the details of the contract. Given the enthusiastic endorsement of the WGA negotiating committtee, it is expected to be easily ratified by strike-weary members.

(5) TOYS’R WHO? “57 Years Later, A Forgotten Sci-Fi Villain is Making an Unexpected Comeback” – Inversefills in his dossier.

…With the release of the action-packed trailer for all three Doctor Who 60th-anniversary specials, airing this November, BBC confirmed that Neil Patrick Harris is playing the Toymaker. The name seems obvious — when he’s not donning a tuxedo and top hat, the character is dressed like a sinister Gepetto, and constantly surrounded by toys. But there’s more to him than just a toy-making gimmick: the Toymaker, also known as the Celestial Toymaker, is one of the oldest villains of Doctor Who, first appearing in a serial that aired 57 years ago.

Originally played by Michael Gough, the Toymaker made his debut in the 1966 serial “The Celestial Toymaker,” as a cosmic adversary to the Doctor who forced the Doctor’s companions to play a series of seemingly childish but deadly games. Think Squid Games but everyone is dressed in questionably oriental-looking robes (the Toymaker’s nickname was also “the Mandarin” — it was the ’60s). The Toymaker trapped his victims in a kind of pocket universe called the Celestial Toyroom, which he could manipulate to his whim. If his victims lost the games, they would become the Toymaker’s playthings forever, but if the Toymaker lost, the Toyroom would be destroyed and he would be forced to build another. The Toymaker also appeared to only be able to exist within his pocket universe, and couldn’t — or wouldn’t — leave it. But in the upcoming Doctor Who anniversary special, it seems that the Toymaker has made it into the main universe, and he’s pulled Donna Noble (Catherine Tate) into his schemes….

(6) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]

This is one I stumbled across, it was posted on February 9th, although the video title mentions January 5th, which was perhaps when it was filmed?  (Which would be two weeks before the venue and date change was officially announced.)

What is the progress of the main venue of the World Science Fiction Convention? Cover anchor takes you on a tour of the “Nebula” main venue (January 2023, 1)

(7) RILEY ON THE COVER. Although the story by David A. Riley initially accepted by F&SF was turned down after social media raised the issue of Riley’s history of having once been part of the UK’s National Front (see “F&SF Will Not Publish Riley Story”), a different work by the author has been announced as part of the lineup of Rogue Rocket Press’ Best of Lovecraftiana. (Lovecraftiana is a quarterly.) Riley also announced it on his blog: “The Best of Lovecraftiana Magazine will include The Psychic Investigator”.

The Best of Lovecraftiana Magazine will include my story The Psychic Investigator, which is likely to be the last of my Grudge End tales as it brings them to a post-apocalyptic end. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 26, 1869 — Winsor McCay. Cartoonist and animator who’s best remembered for the Little Nemo strip which ran between The Wars and the animated Gertie the Dinosaur film which is the key frame animation cartoon which you can see here. He used the pen name Silas on his Dream of the Rarebit Fiend strip. That strip had no recurring characters or theme, just that a character has a nightmare or other bizarre dream after eating Welsh rarebit. What an odd concept. (Died 1934.)
  • Born September 26, 1872 — Max Erhmann. Best remembered for his 1927 prose poem “Desiderata” which I have a framed copy hanging here in my work area. Yeah big fan. Genre connection? Well calling it “Spock Thoughts”,  Nimoy recited the poem on Two Sides of Leonard Nimoy, his 1968 album.  Who here has actually heard it? (Died 1945.)
  • Born September 26, 1888 — T. S. Eliot. He’s written at least three short poems that are decidedly genre, “Circe’s Palace” “Growltiger’s Last Stand” and “Macavity: The Mystery Cat”. Then there’s his major work,  “The Waste Land” which is genre as well.  It’s worth noting that Lovecraft intensely hated the latter and wrote a parody of it called “Waste Paper: A Poem of Profound Insignificance”. (Died 1965.)
  • Born September 26, 1935 — Juan Zanotto. An Italian-born Argentine comic book artist whose Italian Yor series was used as the basis of the 1983 Yor, the Hunter from the Future film. It has a fourteen percent rating over at Rotten Tomatoes. Who’s seen it? And he drew the Marvel Comics War Man graphic novel which was written by Chuck Dixon. (Died 2005.)
  • Born September 26, 1946 — Louise Simonson, 77. Comic editor and writer. She started as editor on the Creepy, Eerie, and Vampirella titles at Warren Publishing. Working for DC and Marvel, she created a number of characters such as Cable and Doomsday, and written quite a few titles ranging from Doomsday, Wonder Woman, Conan the Barbarian and X-Terminators. She’s written a Star Wars title for Dark Horse. 
  • Born September 26, 1957 — Tanya Huff, 66. Her Confederation of Valor Universe series is highly recommended by me.  And I also give a strong recommendation to her Gale Family series. I’ve not read her other series, so I’ll ask y’all what you’d recommend. Oh and her Blood Books series, featuring detective Vicki Nelson, was adapted for a television series as Blood Ties. And yes, it was, like Forever Knight, filmed and set in Toronto.  It’s streaming pretty much everywhere. 
  • Born September 26, 1959 — Ian Whates, 64. The Noise duology, The Noise Within and The Noise Revealed, are space opera at its finest. And his City of a Hundred Rows steampunk urban fantasy series sounds damn intriguing. As an editor, he’s put together some forty anthologies of which I’ll note only one of the most recent, London Centric: Tales of Future London, as it’s a quite amazing collection. 

(9) AD ASTRA INSTITUTE WORKSHOP. The Ad Astra Institute‘s new speculative-fiction workshop “Writing in (& about) the Age of Artificial Intelligence” led by Christopher McKitterick will run from October-December. Outline below; full information at the link.

The format differs from prior workshops in that it’s a Science, Technology, & Society course blended into our “Science into Fiction” low-intensity writing workshop structure – our first pro workshop with a syllabus that includes weekly readings and viewings for discussion to inspire and inform participants. We hope people enjoy it and get a lot out of the experience.

This third SiF course takes place over the course of about two months, so it’s much lower-intensity than our residential summer workshops – suitable for people with day-jobs. But if you want high-intensity, it can be as intense as you like by getting more involved in Discord discussions, write-ins, reading and watching more stuff and talking with the others about it, playing around with chatbots, and so forth.

The developmental and brainstorming weekend takes place October 21-22, and after six weeks of drafting a new story (and one week to critique one another’s work) we’ll hold our critique weekend on December 9-10. We’ll host both workshop weekends in hybrid format (in-person in Lawrence, KS, plus on our Discord channel), so there’s no need to come to LFK unless you want to rub elbows with the small in-person cohort.

Workshop leader (and Ad Astra director) McKitterick is getting married this week and will be away while everyone is getting starting reading and watching, but will check in while on the road. Soon after he gets back to LFK in October, we’ll begin hosting discussions and write-ins.

Registration is now open! There are only a few spots left, so check it out soon if you’d like to participate. Alums are eligible for a small AdAstranaut scholarship right off the bat, plus – thanks to generous donors and attendees who pay full price – we can offer a few further scholarships, as well. So don’t let cost be a barrier to participating if you’d like to join.

Ready to take a deep-dive into AI and write a new story this fall? It needn’t be about AI, and you won’t get an “F” for failing to read and discuss enrichment materials, but hopefully the’ll inspire and get you writing.

(10) WHERE THE CORPSE FLOWER GROWS. On October 27-28, The Huntington Library in Pasadena, CA will roll out some events, entertainments, and displays in the Halloween spirit for “Strange Science at The Hauntington”. Full details and tickets at the link.

Join us for an evening of chills and thrills! Witness spirited performances and special displays of rarely seen objects from our vaults. Hear spine-tingling stories, learn weird scholarly facts, and experience twisted fantasies on the dance floor.

(11) PRESENT AT THE CREATION. Frankenstein 1930 at the Long Beach (CA) Playhouse between now and October 21 – full details and tickets at the link.

Just in time for the Halloween season, FRANKENSTEIN 1930 harkens back to the Universal monster movies of the 1930s in a stage homage that features all the elements we love and remember from those films: the stone walled laboratory, the crazed scientist, angry villagers, a swooning yet determined heroine, a fearful storm, and the hideous but sympathetic creature with its confused mind and powerful, undisciplined body. Can Victor Frankenstein and his fiancée Elizabeth subdue his deadly creation, or will the final confrontation be the end of them all?!?

(12) RIGS IN SPACE. [Item by Steven French.] Space drugs are coming soon! “Building in zero gravity: the race to create factories in space” in the Guardian.

… For some startups, the most pressing questions in manufacturing right now are: how do you build computer parts, harvest stem cells or produce pharmaceuticals while in space?

A group of founders say it’s already happening, at least at the research level. Nasa has given a $2m grant to scientists who want to see if zero-gravity conditions can help produce new stem cell and gene therapies. The defense company Northrop Grumman partnered with a startup that aims to produce semiconductors in space. By the end of this decade, one expert says, we’ll be using items that contain some element that was built off of Earth.

Why go through the trouble of “off-planet manufacturing”? Jeff Bezos told CBS’s Gayle King that heavy manufacturing and air-polluting industries could operate away from Earth. “This sounds fantastical … but it will happen,” Bezos said.

Advocates say that certain conditions in space, including the lack of gravity, low temperatures and near-perfect vacuum, mean that certain ingredients, such as crystals, can be made at a better quality than on land….

(13) A VERY BIG DESERT ISLAND. Nature says “This is what Earth’s continents will look like in 250 million years”. It will take true grit to survive this.

…Up to 92% of Earth could be uninhabitable to mammals in 250 million years, researchers predict. The planet’s landmasses are expected to form a supercontinent, driving volcanism and increases to carbon dioxide levels that will leave most of its land barren.

“It does seem like life is going to have a bit more of a hard time in the future,” says Hannah Davies, a geologist at the GFZ German Research Centre for Geosciences in Potsdam. “It’s a bit depressing.”

Earth is currently thought to be in the middle of a supercontinent cycle1 as its present-day continents drift. The last supercontinent, Pangaea, broke apart about 200 million years ago. The next, dubbed Pangaea Ultima, is expected to form at the equator in about 250 million years, as the Atlantic Ocean shrinks and a merged Afro-Eurasian continent crashes into the Americas.

…If humans are still around in 250 million years, Farnsworth speculates that they might have found ways to adapt, with Earth resembling the 1965 science-fiction novel Dune. “Do humans become more specialist in desert environments, become more nocturnal, or keep in caves?” he asks. “I would suspect if we can get off this planet and find somewhere more habitable, that would be more preferable.”…

(14) A LITTLE TOUCH OF HARRY IN THE NIGHT. Unlike King Kong, Harry Potter will not be climbing the building as part of this celebration: “Empire State Building to light up in Harry Potter’s Hogwarts house colors Wednesday to mark 25th anniversary” at AMNY.

The Empire State Building will light up in the four Hogwarts house colors on Wednesday, Sept. 27 to mark the 25th anniversary of the first Harry Potter book published in the U.S.

With a flick of the wand and a “Lumos,” the Tower Lights will shine in Gryffindor red, Hufflepuff Yellow, Ravenclaw blue, and Slytherin green at sunset.

A magical pop-up cart with free copies of “Harry Potter and the Sorcerer’s Stone” and bottled Butterbeer will be given to guests who purchase tickets to the 86th floor Observatory from 2 p.m. to 5 p.m., while supplies last.

The Empire State Building, Wizarding World franchise partners, and Scholastic collaborated to organize the anniversary event, which all Muggles are also invited to come. 

(15) A TARTAN FOR OGRES? It’s Nice That tells how “You can now book a stay at Shrek’s swamp for free on Airbnb”. It’s in Scotland!

Shrek is giving Barbie a run for its money. After Barbie’s Malibu DreamHouse recently returned to Airbnb (this time hosted by Ken), the holiday rental platform has listed Shrek’s Swamp on its site. Located in the Scottish Highlands, the property is a real-life recreation of the homestead built by everyone’s favourite ogre.

According to Airbnb, anyone can request to book. One lucky group of three will be chosen for a two-night stay from 27-29 October, where they’ll experience all the luxuries of Shrek’s swamp – from “earwax candlelight” to the ogre’s iconic outhouse. The property was designed exclusively for this campaign, and is independently owned and operated by Ardverikie Estate….

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Steven French, “Orange Mike” Lowrey, Remco van Straten, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day John Lorentz.]

Pixel Scroll 9/25/23 It Was The Filer In The Scroll With The Candlestick

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(1) PKD COMING TO THE STAGE. “Minority Report drama to feature in Lyric Hammersmith’s ‘really bold’ spring lineup” reports the Guardian. Olav Rokne says, “All I want is for this to be a musical.”

A female-led adaptation of the science fiction blockbuster Minority Report is among a new season of works at London’s Lyric Hammersmith theatre, announced on Monday, placing women at its centre.

Steven Spielberg’s film, about a predictive near-future criminal justice dystopia, was based on a Philip K Dick story and starred Tom Cruise as the pre-crime chief who becomes a fugitive. The play, however, makes the hunted hero a female neuroscientist called Dame Julia Anderton. Set in 2050 and adapted by David Haig, it is produced by the Olivier award-winning team behind Life of Pi, and directed by Max Webster.

The theatre’s artistic director, Rachel O’Riordan, says the play, opening in April, will use “the most cutting-edge technology there is” for its visual effects and ambitious design concept….

(2) YOUR GO BAG. Colulmnist Emma Beddington poses a question in the Guardian: “What’s in your go bag for the apocalypse?”

The author Lauren Groff has become a prepper. “I think everyone should have a go bag right now,” she told National Public Radio (NPR) in the US. “I think every household should have enough food to last through at least two weeks. This is just logical at this point.”

Groff lives in Florida, where dangerously extreme weather has become a fact of life – we’re lucky enough to be spared that in the UK, at least for now. But as a semi-professional catastrophist – one apocalyptic sandwich board short of full doom-monger status – am I missing a trick? Should I have a go bag and what should go in it?…

(3) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]

These include more mundane images of what I assume is the surrounding area, including a light rail station and signage.

It’s not completely clear to me what exactly this is – it seems that several of the organizations involved in the behind-the-scenes promotion of the con are doing some interviews with science and SF people from around the world.  When these interviews might appear, and whether they’ll be text articles, videos, or something else, doesn’t seem to be stated.

Perhaps it’s also worth noting that this is the second Worldcon related article I’ve seen in as many days that namechecks Xi Jinping…

(4) HWA LATINX Q&A. The Horror Writers Association blog continues its “Latinx Heritage in Horror” series in “Interview with Luisa Colón”.

What has writing horror taught you about the world and yourself?

Writing horror has really brought me to a place of peace and acceptance of myself that I’ve never had before. There is a tendency for a lot of people to suppress pain, dark thoughts, and traumatic experiences, both in themselves and in others. “Try not to dwell on it,” “Don’t be so morbid,” “Why do you want to put depressing stuff out into the world?” I’ve heard it all, and it all boils down to “Don’t be yourself because being yourself is the wrong way to be.” Talk about chronic invalidation! Now suddenly I feel like I have a place in this world where I belong, where it’s okay to be me—more than okay. And that has taught me something not just about myself but about the world around me.

(5) UPDATED ASIMOV BIBLIOGRAPHY. Steven Cooper has released a revised version of his “An Annotated Asimov Bibliography”.

The files linked below are the end result of a project I have been working on at intervals since July 2017, with the object of compiling as complete an account as possible of the works of Isaac Asimov (1920-1992). The original edition (running to 676 pages) was released just before what would have been his one-hundredth birthday: January 2, 2020. The reaction from others was gratifyingly positive, but comments from my correspondents also highlighted a number of inaccuracies, missing items, and various other deficiencies that prevented the bibliography from being quite as definitive as I had hoped. A minor update was made in March 2020 in response to some of this feedback, but the larger issues remained unaddressed. These, along with the uncovering of a great deal of further information that was not available to me earlier, clearly showed the need for a thorough revision.

Three and a half years later, the revision is finally complete, resulting in a new edition nearly a third longer than the original. Of course, not all of this increased page count represents items that were missed in the original edition, though there are several dozen such additions, and hundreds of previously unknown reprint publications have been added. The index of periodical publications (Part IV) is now expanded to include newspaper publications as well as magazines, and the provision of new page-based indexes throughout fixes a serious shortcoming of the original edition. The format of the individual catalogue entries has also been improved, notably in the documenting of alternate titles, excerpts and abridgements, and non-Asimov variants (there is also a new introductory section providing a detailed description of the catalogue entries’ format and features). Finally, the addition of running section headings and PDF bookmarks should significantly enhance the usability of the new edition….

(6) TRAINED ON STOLEN BOOKS. Today authors have been using a searchable database at The Atlantic to see if their books are part of the Books3 collection used to train AI. Although this gift link will take you to the article, neither of the browsers I used to read it would bring up the search tool. Don’t ask me why. “These 183,000 Books Are Fueling the Biggest Fight in Publishing and Tech”. But here are a couple of responses authors have posted to X.

(7) WE CONTROL THE VERTICAL. GoldDerby’s Susan King celebrates as “’The Outer Limits’ turns 60”.

Where were you Sept. 16, 1963? If you were a self-respecting baby boomer, sci-fi nerd or an intellectual intrigued by the subject matter, you probably were in front of the television to watch the premiere of ABC’s thought-provoking and often terrifying anthology series “The Outer Limits.”…

As a matter of fact, that’s exactly where I was that night.

… The series was especially meaningful to writer Joseph Stefano, who is best known for his screenplay for “Psycho,” who produced the first season of “The Outer Limits,” as well as penning 12 episodes…

…I talked to Stefano about my favorite episode “The Man Who Was Never Born,” starring Landau and Knight in which a transmuted human of the future travels back to 1963 to stop the birth of a scientist who creates a bacterium that will turn humanity into mutants. While on earth he uses hypnosis to transform into a handsome, perfectly normal human. He soon finds himself in love with the young woman who will become the mother of the scientist. “”The Terminator’ was taken from that,” Stefano noted. “Anthony Lawrence wrote that. It was one of the most beautiful shows we did. I had a trick of saying, ‘let’s do a haircut’ on something, like let’s do a haircut on ‘Beauty and the Beast.’  Landau loved the part, he noted, because he got to be the horrendous mutant “and at the same time look very handsome and be loved.”…

(8) DAVID MCCALLUM (1933-2023). Actor David McCallum, known especially for his work on The Man From U.N.C.L.E. and NCIS, died September 25 reports The Wrap.

David McCallum

[McCallum], who played Dr. Donald “Ducky” Mallard on CBS procedural “NCIS” and Illya Kuryakin on ’60s series “The Man From U.N.C.L.E,” has died at 90….

After moving to America in 1961, he was cast in the role of Russian agent Illya Kuryakin in “The Man from U.N.C.L.E,” a role that earned him two Emmy Award nominations and a Golden Globe nod. He went on to star in films including “The Greatest Story Ever Told,” “The Great Escape,” “Billy Budd,” “Freud” and “A Night to Remember.”

In the ’70s, he headlined the series “The Invisible Man,” later appearing in the BBC Mystery! “Motherlove,” as well as episodes of “The Outer Limits,” “Law & Order” and “Sex and the City.”…

And The Hollywood Reporter reminds us:

…McCallum also starred opposite Joanna Lumley for four seasons on the 1979-82 British sci-fi series Sapphire & Steel (she was Sapphire, he was Steel) — a show many see as a precursor to The X-Files …

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 25, 1919 — Betty Ballantine. With her husband Ian, she created Bantam Books in 1945 and established Ballantine Books seven years later. They won one special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant et al for The High Kings which is indeed an amazing work. ISFDB list one novel for her, The Secret Oceans, which I’ve not read. Anyone here done so? (Died 2019.)
  • Born September 25, 1930 — Shel Silverstein. Yes we’ve decided in previous Scrolls that he’s genre. I’m fond of his poetry collection Where the Sidewalk Ends and The Giving Tree. (No, I don’t think the relationship between them is abusive.) I’ll also note here A Light in the Attic if only because it’s been on “oh my we must ban it now attempts” all too often. Oh, and I’d be remiss not to note he wrote Cash’s “A Boy Named Sue”. Why would I be remiss? Just because. (Died 1999.)
  • Born September 25, 1932 — J. Hunter Holly. Her various book dedications showed she had a strong love of cats. I’ve not encountered her novels but she wrote a fair number of them including ten genre novels plus The Assassination Affair, a novel in The Man from U.N.C.L.E. franchise. Only The Flying Eyes novel by her is available from the usual digital suspects. (Died 1982.)
  • Born September 25, 1946 — Felicity Kendal, 77. She plays Lady Clemency Eddison in the the Tenth Doctor story, “The Unicorn and The Wasp”, one of my favorite Who tales which I reviewed at Green Man here. She played Baroness Ortsey in the Pennyworth series. And though it’s definitely really not genre, I’m noting her role in Shakespeare-Wallah, story of a family troupe of English actors in India, just because it’s a fascinating story.
  • Born September 25, 1951 — Mark Hamill, 72. I’ll confess that my favorite role of his is when he voices The Joker in the DC Universe. He started doing this way back on Batman: The Animated Series and has even doing on other such series as well. Pure comic genius! Oh, and did you know he voices Chucky in a Child’s Play film? Now that’s creepy.
  • Born September 25, 1952 — Christopher Reeve. Superman in the Superman film franchise. He appeared in the Smallville series as Dr. Swann in the episodes “Rosetta” and “Legacy”. His Muppet Show appearance has him denying to Miss Piggy that he’s Superman though he displays those superpowers throughout that entire episode. (Died 2004.)
  • Born September 25, 1961 — Heather Locklear, 62. Her first genre role was Victoria ‘Vicky’ Tomlinson McGee in Stephen King’s Firestarter followed by being Abby Arcane in The Return of Swamp Thing. She was also Dusty Tails in Looney Tunes: Back in Action. She’s had one-offs in Tales of the Unexpected, Fantasy Island, Muppets Tonight and she voiced Lisa Clarkson in the “Prophecy of Doom” episode on Batman: The Animated Series.
  • Born September 25, 1977 — Clea DuVall, 46. A long genre history if we include horror (and I most gleefully do) — Little Witches, Sleeping Beauties, Ghosts of Mars and How to Make a Monster. Series appearances include Buffy the Vampire Slayer, a main role on Carnivàle as Sofie Agnesh Bojakshiya (loved that series), a recurring role as Audrey Hanson on Heroes, and though we didn’t see it, she was in the unsold television pilot for the never to be Virtuality series as Sue Parsons, she had a recurring role in American Horror Story: Asylum as Wendy Peyser, and finally another recurring role in The Handmaid’s Tale as Sylvia.

(10) COMICS SECTION.

(11) SCORSESE Q&A. “Martin Scorsese: Christopher Nolan Can Combat Comic Book Movies” says the director in a Variety interview.

In a sprawling new profile with GQ, director Martin Scorsese discussed comic book and franchise culture, a topic which he has spoken out about at length in the past.

When asked about those blockbusters, Scorsese said that their omnipresence could be negative to audiences who aren’t well-versed in other types of film.

“The danger there is what it’s doing to our culture,” he said. “Because there are going to be generations now that think movies are only those — that’s what movies are.”

When the interviewer posited that audiences might already believe that, Scorsese agreed.

“They already think that,” he said. “Which means that we have to then fight back stronger. And it’s got to come from the grassroots level. It’s gotta come from the filmmakers themselves. And you’ll have, you know, the Safdie brothers, and you’ll have Chris Nolan, you know what I mean? And hit ’em from all sides. Hit ’em from all sides, and don’t give up. Let’s see what you got. Go out there and do it. Go reinvent. Don’t complain about it. But it’s true, because we’ve got to save cinema.”…

(12) CLICK ALONG. Entertainment Weekly must not have gotten the memo from Scorsese because they’re eager for you to click through their gallery “Every Marvel Cinematic Universe movie ranked”. The 2008 Incredible Hulk is at the bottom of the list.

The Marvel Cinematic Universe just keeps growing. It’s been more than a decade since Robert Downey Jr. donned a metal suit and introduced the world to Iron Man in 2008, and since then, the MCU has become one of the biggest and most successful film franchises in history. Part of what makes the series so much fun to follow is its constant evolution: Installments range from moody character studies to gleefully zany space operas, stretching from distant worlds to the down-to-earth streets of Queens. Here, EW takes on the Hulk-sized task of ranking each entry….

(13) POPULAR PINK PIRACY. [Item by Mike Kennedy.] Barbie, but apparently not Barbenheimer, is paying an unofficial visit to Russia. Behind a paywall in The Times (UK): “Proud to be pink: Russians rush to see bootleg Barbie”.

On the streets of Russian towns there are no posters for the Barbie movie. There was no official release. The owner of the screening rights, Warner Bros, swiftly left Russia after President Putin’s invasion of Ukraine and did not give permission for distribution here.

Nevertheless, “Barbiemania” took Russia by storm long before the film arrived in cinemas and Greta Gerwig’s vivid monument to American capitalism has become the film of the year. It finally appeared in cinemas on September 14, two months after the world premiere.

This summer more and more people started wearing pink on the streets of Moscow, while restaurant guides started publishing their top picks of places with pink food for those wishing to eat out “Barbie style”. Russian Instagram turned pink — even though Meta is officially an “extremist resource” in Russia. Instagram users made themselves up as Barbies or Kens and flooded social media. Pink nails and blonde hair are back on trend.

A 250 sq ft “House of Barbie” has popped up in Moscow’s Kuntsevo shopping centre. In the pink pavilion you can take photos of yourself for an hour for 500 roubles (£4.25). The manager tells me it is busiest at the weekend, when entertainers dressed as Barbie and Ken put on a soap-bubble show for children.

Since the war began, Russia has yet to come up with a legislative framework for the “parallel release” of western films. When the first bootleg versions of the Barbie film turned up in June, it was a DCP (digital cinema package) file from Kazakhstan. That supply line was soon closed. Now Russian venues are showing a digital version designed for streaming platforms, not cinemas.

I opt to watch the film in one of Moscow’s “Kinomax-XL” theatres. It is advertised as a “pre-session service” before the supposed main event: Sclerosis, a Russian short film released in 2021 about a female pensioner fooled by telephone scammers.

This means that officially you are not buying a ticket to see Barbie. On cinema timetables, Barbie is nowhere to be seen; Sclerosis accounts for half the show listings….

(14) HOIST AWAY. “Solar sails could reach Mars in just 26 days” according to at article at Phys.org.

A recent study submitted to Acta Astronautica and currently available on the arXiv preprint server explores the potential for using aerographite solar sails for traveling to Mars and interstellar space, which could dramatically reduce both the time and fuel required for such missions.

This study comes while ongoing research into the use of solar sails is being conducted by a plethora of organizations along with the successful LightSail2 mission by The Planetary Society, and holds the potential to develop faster and more efficient propulsion systems for long-term space missions.

“Solar sail propulsion has the potential for rapid delivery of small payloads (sub-kilogram) throughout the solar system,” Dr. René Heller, who is an astrophysicist at the Max Planck Institute for solar system Research and a co-author on the study, tells Universe Today. “Compared to conventional chemical propulsion, which can bring hundreds of tons of payload to low-Earth orbit and deliver a large fraction of that to the moon, Mars, and beyond, this sounds ridiculously small. But the key value of solar sail technology is speed.”…

(15) GOOD NIGHT MOON LANDER. [Item by Mike Kennedy.] The Lunar lander/rover combo from India that touched down near the Moon’s south pole last month operated just fine for the first fortnight or so. After being put to sleep for the Lunar night, however, it failed to re-awaken at Lunar dawn as hoped.  “Hope fades for India’s moon lander after it fails to wake up” (paywalled in The Times (UK).)

Extreme temperatures at the moon’s south pole may have damaged India’s spacecraft which landed there last month, raising doubts over whether communication can be re-established.

Scientists at the Indian Space Research Organisation (Isro) have been trying to contact both the Vikram lander and the Pragyan rover from the pioneering Chandrayaan-3 mission since putting them into “sleep” mode earlier this month.

The probes had previously been deployed and gathering data as planned but now scientists fear that the temperatures during the lunar night — which can drop to between minus 200C and minus 250C — may have cut off contact….

[Thanks to Mike Kennedy, Andrew Porter, Ersatz Culture, John King Tarpinian, Olav Rokne, Kathy Sullivan, Lise Andreasen, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/22/23 Brand New Pixels Right Off The Cosmic Assembly Line

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(1) FINALLY! MAX TO RUN FINAL HALF-SEASON OF DOOM PATROL. [Item by Daniel Dern.] According to Gizmodo, the long-overdue final half of the final season (Season 4) of Doom Patrol on MAX (aka HBO MAX, originally on DC’s streaming platform, yeesh) — the first half finished showing back in January — with, according to Gizmodo, “two episodes October 12, followed by a weekly drop through November 9.”

(While this is the first time actual drop dates have been announced, I’ll believe this is real only after I’ve seen ’em.)

Doom Patrol has been among my short-list favorites for comics-based live-action superhero/sf shows/movies:

  • Reason 3, history: I’ve been a DP fan since the group debuted back in June 1963, in DC’s My Greatest Adventure #80, for the modest price of twelve cents.

While I missed some issues/runs during the 1970s (when I thought I was done reading comics), I de-gafiated in time for fabulous mind-blowing runs starting with Grant Morrison, followed by Rachel Pollack, and others.

(Here’s the cover.)

The initial team consisted of Rita “Elastigirl” Farr, Larry “Negative Man” Trainor, and Cliff “Robotman” Steele, led by doctor/scientist-in-a-wheelchair Niles “The Chief” Calder.

(As opposed to Marvel’s X-Men, who started in their eponymous comic dated September 1963. (Reminder, comic issue dates often weren’t the same as “when released.”) (The DP Wikipedia page discusses some of the “plagiarism? coincidence” questions.)

  • Reason 2, respectful faithfulness to canon, versus teeth-gnashing gratuitous/disrespectful changes. The characters and plots come from all eras, heroes (and villains), and plots arcs, going back to Mento, Beast Boy, General Immortus, the Brain & Monsieur Mallah, and Garguax, through Flex Mentallo, Crazy Jane, Danny The Street, Coagula, and Casey “Space Case” Brinke.

That said, the creators haven’t hesitated to explore and extend characters’ backstories and development. Our heroes (and villains) bring a lot of baggage, and it gets unpacked.

  • Reason 1, this is a mind-blowingly great show. Plots, acting, visuals, ideas, and dialogue. A lot of heart. And a great cast, including Timothy Dalton, Alan Tudyk, Matt Bomer, Brendan Fraser, Diane Guerrero (to name the ones I’m familiar with).

Note, a fair amount of “adult language.” (Not at the level of The Boys, though.) Given the predicaments, all justified.

Plus the flying vampire butts, who we’ve previously seen singing/performing “Shipoopi” (from The Music Man).

I’m excited.

(2) CHENGDU WORLDCON UPDATES. [Item by Ersatz Culture.]

I think this needs someone more versed than me in Chinese culture/cuisine/promotional merchandise to fully explain…  As far as I can tell, for 158 yuan – around $21 USD – you get a gift box containing two jars of different types of bean paste, a mecha-panda figurine, a mobile phone ring holder (?) and 2 ribbons.

The branding is mainly associated with “the 6th Chengdu International SF Convention”, which seems like it was due to be held in November 2021, but got cancelled due to the pandemic, and hasn’t been rescheduled.  However, the packaging does also say “A Tribute to the 2023 Chengdu World Science Fiction Convention” and “Originating from the 2023 Chengdu World SF Convention site”, but I don’t think that it’s official Worldcon merchandise.

Estimated shipping date is 10th October; there’s a link to a purchase page at the Weibo link.

  • Two posts about the SF-themed tunnels that lead to the SF museum/con venue

One of these was mentioned in the 2023-09-15 Scroll, but it turns out there are three newly constructed SF-themed tunnels leading to the con venue, although currently only one is open to traffic, with the other two due to open in October.  

Red Star News has a couple of posts about them; yesterday they had an article going into detail about them [Chinese only], and today they posted a video: “Red Star Video: In Chengdu Drive into the ‘tunnel’ and look up at the ‘starry sky’”.

(3) TRIO OF WARNINGS. At Writer Beware, Victoria Strauss posts three “Cautions: Babelcube, Barnes & Noble Book Order Scams, Audiobook Order Scam (Featuring a Fake Non-Profit)”. Here’s an excerpt of the third warning:

Audiobook Order Scam (Featuring a Fake Non-Profit)

This one comes courtesy of 20/Twenty Literary Group, a fake literary agency with a roster of imaginary agents that does all the things that real agencies don’t, and none of the things they do.

Its latest gambit: an audiobook order scam.

The author is contacted by one of 20/Twenty’s imaginary agents with an offer to re-publish the author’s book–for a fee, naturally. Shortly afterward…surprise! The author gets a call from a Jennifer Lim, who claims to represent a society for the blind. Jennifer wants to order 5,000 audiobooks to be distributed to the society’s members! Naturally, 20/Twenty can oblige. The cost is steep–but oh, those royalties!…

(4) IS THEIR LOVE REAL? “Is The Creator the best science fiction movie of 2023 – or is AI controlling the hype?” – the Guardian’s Ben Child raises suspicions.

…Ahead of any official reviews of the AI-centric piece, studio 20th Century has allowed select critics to tweet their opinions, and the consensus seems to be that this could be the discerning sci-fi fan’s movie of the year. To reach that level for me, Edwards would have to deliver a film on a par with Neill Blomkamp’s District 9 (2009), Alex Garland’s Ex-Machina (2014) or Grant Sputore’s I Am Mother (2019). These films were full of vim and verve and imagined future worlds so rich and detailed that you can imagine never-ending sequels spinning off into infinity – perhaps the mark of all great celluloid sci-fi….

…Are studios using artificial intelligence to handpick journalists who are statistically more likely to provide positive hype? If it’s not happening already, it almost certainly will be soon. In the meantime, let’s hope Edwards’ film really is the zeitgeist-defining AI flick we’ve all been waiting for. If mankind is going down, the least we can expect is to do so while drinking in the finest tech-inspired entertainment human civilisation has ever delivered….

(5) GENRE CONTENT INDEED. Fascinating article: “I’m a fake brand, in a fake world: The secrets behind designing a great fictional brand for TV and film” at It’s Nice That.

Duff Beer, Dunder Mifflin Paper, Wonka Candies, Barbie merchandise… We’ve seen countless made-up brands transcend seamlessly from the screen into the real world. So what’s the key to their success? We chat to the graphics team behind the Barbie film, Wes Anderson’s go-to graphic designer, motion designer and 3D artist Lorenzo Bernini, and Adult Swim’s president Michael Ouweleen….

…When it comes to the make-up of fictional brands, Erica notes how, if done correctly, they can make the stylised world feel like a real place, and can become a playground for the characters to fully express themselves within the storyline. In Asteroid City, for instance, all of the roadside cafes have menus written on the facade, because cars don’t have time to stop for a menu. “The cafe is the canvas of the menu board,” she says. Additionally, one of the characters named Shelly constantly carries a book entitled Invisible Spectrum Elemental Surface Atomic Spectroscopy. There’s also a Girl Scout character who’s always walking around with her Jam Krispies. “Often the brands have a purpose for existing in the script. It’s about understanding what the purpose of that action prop is, and what they’re trying to say about a particular character.”…

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to join Hildy Silverman for a Georgian feast in Episode 207 of the Eating the Fantastic podcast.

My guest this time around is Hildy Silverman, perhaps best known for having been the Editor-in-Chief of Space and Time Magazine from 2005 through 2018. But she’s also a writer of science fiction, fantasy, horror, and the interstitial spaces between. Her short stories have appeared in such anthologies as The Dystopian States of America, Bad Ass Moms, Release the Virgins, Baker Street Irregulars, and most recently, Three Time Travelers Walk Into.

Hildy Silverman

In 2013, her short story “The Six Million Dollar Mermaid,” which appeared in the anthology Mermaids 13: Tales from the Sea, was a finalist for the WSFA Small Press Award. In 2020, she joined the Crazy 8 Press authors collective, which publishes novels and anthologies by its membership. She is a past president of the Garden State Speculative Fiction Writers and has frequently pontificated with me on the science fiction convention circuit.

We discussed the kindergarten incident which taught her all she ever wanted to do was write, how to keep writing when the whole world is telling you to stop, what she learned early on from such literary lions as Sue Miller and Jayne Anne Phillips, the lunch that changed her life, why she loves writing for themed anthologies (and how to do it right), what made her decide to take over as editor and publisher of Space and Time magazine, how to beat the odds of the slush pile, the ways being an editor helped her become a better writer, how she’s managed to collaborate without killing her writing partner, and so much more.

Scott Edelman is raising money to upgrade his podcasting equipment. Between auctions and listener donations, he’s at about the 60% mark. Plenty of fun stuff still up on eBay here.

(7) TENTACLED TEASER. Variety fills readers in about the forthcoming series: “Squid Game The Challenge Trailer; Netflix Sets November Premiere”. November 22, to be precise.

…“Squid Game: The Challenge” will see 456 contestants from around the world battle it out through various challenges based on the Korean game show in the scripted series, as well as introducing some new games.

Only one winner will take home the $4.56 million cash prize….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.)
  • Born September 22, 1939 — Edward A. Byers. Due to his early death, he has but two published novels, both space operas, The Log Forgetting and The Babylon Gate. EOFSF says “Byers was not an innovative writer, but his genuine competence raised expectations over his short active career.” There’s no sign his double handful of stories was collected, though his two novels are in-print. (Died 1989.)
  • Born September 22, 1954 — Shari Belafonte, 69. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance. 
  • Born September 22, 1957 — Jerry Oltion, 66. His Nebula Award-winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000
  • Born September 22, 1971 — Elizabeth Bear, 52. I’m only going to note the series that I really like but of course you will add the ones that you like. First is her White Space series, Ancestral Space and Machine, which I’ve read or listened to each least three times.  Next up is the sprawling Promethean Age series which is utterly fascinating, and finally The Jenny Casey trilogy which came out at the usual suspects several years ago.
  • Born September 22, 1982 — Billie Piper, 41. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North. 
  • Born September 22, 1985 — Tatiana Maslany, 38. Best known for her superb versatility in playing more than a dozen different clones in the TV series Orphan Black which won win a Hugo for Dramatic Presentation (Short Form), for its “By Means Which Have Never Yet Been Tried“ episode, She received a Best Actress Emmy and more than two dozen other nominations and awards. She’s playing She-Hulk in a Marvel series. 

(9) COMICS SECTION.

  • Bizarro illustrates a tangled legal phrase.
  • Dork Tower shows us the kind of letter a warrior writes, just before a big battle. Big franchise alert.
  • The Argyle Sweater finds a crew member with a complaint about a Star Trek photo booth.

(10) EPIC COSPLAY PHOTOS. Bored Panda arrays “105 Of The Best Cosplay Costumes We’ve Ever Seen”. See photos at the link.

Includes an example of extreme dedication – the black plastic suit of “#7 My Catwoman Cosplay From 1992 ‘Batman Returns’”.

SaintElena added: “I experience almost everything the same as Michelle [Pfeiffer], unfortunately. If I spend more than 2 hours in this suit actively moving, then I can get heat stroke. If I’m not moving very actively, then I can break the stay in the suit up to 4 hours.”

(11) POLICE ROBOTS IN NYC ARE NOW A REALITY. [Item by Francis Hamit.] This isn’t what Asimov envisioned when he wrote the Three Laws but it’s close.  I invested in Knightscope in 2017 for several reasons.  Reading science fiction led me to make Robotics one of my beats as a trade magazine journalist.  I was once the West Coast Editor for ROBOTX News.  Economic circumstances made me transition from Real Estate broker to Security Captain, a temp gig that became a 20 years career while also continuing to be a professional writer.  So I understood instantly what Knightscope’s robots could add to the equation.  They extend the range and presence of human guards.  Security has never been a well-respected business, sort of the Rodney Dangerfield of corporate life but that’s changing because of all of the flashmob thieving and mass shootings.  It has evolved to a very serious part of corporate life with a strong moral center, led by a new generation of military and police veterans.

Knightscope is now a public company and trades under KSCP on the NASDAQ.  The share price has been under attack by trolls and short sellers for most of that time.  That gave me the opportunity of increasing my shares by a factor of ten at a very low price this year. So I’m not claiming to be objective.  It’s a very high risk investment but this NYPD trial is a tipping point.

(12) FEAR REVERED. The Chicago Sun-Times’ Richard Roeper looks back to the beginning: “‘The Exorcist’ at 50: Some things to look for in the classic that elevated horror”.

…When I’m asked about the scariest movie I’ve ever seen, there’s no asterisk, no hesitation, no wavering: It’s “The Exorcist.” I’ve never been as mesmerized, as terrified, as ain’t-no-way-you’re-sleeping-tonight shocked, as I was when I first saw William Friedkin’s demonic, head-turning, supernatural horror film at the Dolton Theater in the spring of 1974. (Warner Bros. actually released the film on Dec. 26, 1973 — the day after Christmas, how about that — but I had to wait for a second-run showing with the more user-friendly $1 admission price.)…

“The Exorcist” became the first pure horror film to be nominated for the best picture Oscar and continues to be a major influence on the genre to this day.In memory of Friedkin’s death last August and in anticipation of the 50th anniversary of the film, we’re getting a theatrical re-release and a 4K Ultra HD Blu-Ray and Digital edition of “The Exorcist” that includes the Original Theatrical Version and the Extended Director’s Cut, which incorporates 11 extra minutes of footage and ends with a certain exchange that offers a slightly more hopeful note.

(13) TRAIN UP ON THIS TOOL FOR WRITERS. “Decoding the Submission Grinder” is a $20 course offering at Reach Your Apex. Scheduled for Saturday, September 23 at 2:00 p.m. Eastern.

This class will show you how to use The Submission Grinder—the donation-supported web app for writers—to enhance your submission process. Find new publishers for your work that meet your criteria, track your submissions, track your income and expenses, set reminders for yourself, and more.  This course will help beginners and intermediate users get the most out of the tool to enhance their submission process. This course will be taught by David Steffen; co-founder, owner, data administrator, and developer of The Submission Grinder.

(14) WHO HYPE. “Doctor Who shares new pics of David Tennant’s Doctor reunited with Donna” – Radio Times makes sure we don’t miss them.

…The BBC has released some exciting new stills from the upcoming Doctor Who 60th-anniversary specials – showing David Tennant’s Doctor reunited with Catherine Tate’s Donna Noble….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Daniel Dern, Ersatz Culture, Lise Andreasen, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/16/23 Hush Little Pixel, Mama’s Going To Buy You A Scroll

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(1) DOCTOROW ON FABLES TABLE-FLIP. Cory Doctorow’s Pluralistic post “Bill Willingham puts his graphic novel series ‘Fables’ into the public domain (15 Sept 2023)” assesses many IP rights issues triggered by Willingham’s announcement.

…It’s been 21 years since Bill Willingham launched Fables, his 110-issue, wide-ranging, delightful and brilliantly crafted author-owned comic series that imagines that the folkloric figures of the world’s fairytales are real people, who live in a secret society whose internal struggles and intersections with the mundane world are the source of endless drama.

Fables is a DC Comics title; DC is division of the massive entertainment conglomerate Warners, which is, in turn, part of the Warner/Discovery empire, a rapacious corporate behemoth whose screenwriters have been on strike for 137 days (and counting). DC is part of a comics duopoly; its rival, Marvel, is a division of the Disney/Fox juggernaut, whose writers are also on strike.

The DC that Willingham bargained with at the turn of the century isn’t the DC that he bargains with now. Back then, DC was still subject to a modicum of discipline from competition; its corporate owner’s shareholders had not yet acquired today’s appetite for meteoric returns on investment of the sort that can only be achieved through wage-theft and price-gouging….

…Rather than fight Warner, Willingham has embarked on what JWZ calls an act of “absolute table-flip badassery” – he has announced that Fables will hereafter be in the public domain, available for anyone to adapt commercially, in works that compete with whatever DC might be offering.

Now, this is huge, and it’s also shrewd. It’s the kind of thing that will bring lots of attention on Warner’s fraudulent dealings with its creative workforce, at a moment where the company is losing a public relations battle to the workers picketing in front of its gates. It constitutes a poison pill that is eminently satisfying to contemplate. It’s delicious.

But it’s also muddy. Willingham has since clarified that his public domain dedication means that the public can’t reproduce the existing comics. That’s not surprising; while Willingham doesn’t say so, it’s vanishingly unlikely that he owns the copyrights to the artwork created by other artists (Willingham is also a talented illustrator, but collaborated with a who’s-who of comics greats for Fables). He may or may not have control over trademarks, from the Fables wordmark to any trademark interests in the character designs. He certainly doesn’t have control over the trademarked logos for Warner and DC that adorn the books….

It is also interesting to read that Bill Willingham, praised today by Cory Doctorow for striking a blow against corporate IP abuse, attended BasedCon last weekend.   

(2) FANTASY REQUIRES A GOOD MAP. [Item by Bruce D. Arthurs.] Interesting piece at Mapping As Process about a 1917 map of Fairyland by artist Bernard Sleigh, with references to many stories in folklore and fable. There’s a link to a high-resolution image that can be zoomed in on: “An Anciente Mappe of Fairyland”.

…In December 1917, the British artist and wood engraver Bernard Sleigh (1872–1954) published a six-foot long, panoramic map of Fairyland in three sheets. Its style was that of the Arts and Crafts movement, an aesthetic championed by William Morris (1834–1896) in the second half of the nineteenth century, in reaction to the apparent destruction of individual skills and traditional designs by mass industrialization. Arts and Crafts generated intricately detailed designs and a retrogressive appeal to folk aesthetics. Sleigh, trained by one of Morris’s followers, cultivated a stylized mediaevalism in both the design and the subject matter of his drawings, prints, murals, and stained glass (Cooper 1997)….

(3) VOCAL COMPLAINT. Behind a paywall at Fortune: “Actor Stephen Fry says his voice was stolen from the Harry Potter audiobooks and replicated by AI—and warns this is just the beginning”. Wealth of Geeks has this report about what is in the article: “Actor Stephen Fry Claims AI Replicated His Voice from ‘Harry Potter’ Audiobooks”.

…Actor Stephen Fry claims that producers used AI to replicate his voice from the Harry Potter audiobooks without his permission. AI has become a central point of contention of both the WGA and SAG-AFTRA strikes.

As reported by Fortune, Fry told an audience at a London festival, “I’m a proud member of [SAG-AFTRA], as you know we’ve been on strike for three months now. And one of the burning issues is AI.”

At the festival, Fry played a clip of AI mimicking his voice as the narrator of a historical documentary. “I said not one word of that—it was a machine. Yes, it shocked me,” he said. “They used my reading of the seven volumes of the Harry Potter books, and from that dataset an AI of my voice was created and it made that new narration. What you heard was not the result of a mash-up, this is from a flexible artificial voice, where the words are modulated to fit the meaning of each sentence.”…

(4) DON’T BE A SUCKER. Victoria Strauss gives Writer Beware readers the “Anatomy of a Fake Film Company Scam: The Greendot Films / Better Bound House”.

…Here’s how it works. A film company–with a website and everything–calls or emails out of the blue with a tempting offer: your book has the potential to be made into a movie/TV series! And they want to represent you to studios/pitch you to producers/take you to a major conference where scores of film people will be present! Just one requirement: you need a screenplay/a pitch deck/a storyboard/some other product. Don’t have those things? No problem–they know a reputable and expert company that can create them for you…for a fee.

It’s a classic bait-and-switch setup. The “film company” is a front for the service provider, which in turn is owned by a parent company overseas. And that initial service that was pitched to you as absolutely essential? It’s just the start. By paying, you’ve marked yourself as fair game for escalating sales pressure and fraudulent offers involving large upfront payments. And the sales reps who staff the scams–who earn a commission on every dollar you spend–will take every opening you give them, and won’t stop unless you stop them.

This post takes a look at a real-life example, thanks to an author who has given me permission to share their experience.

Dramatis Personae

The fake film company: The Greendot Films. Its website includes a slideshow of movies Greendot is hoping you’ll assume they were responsible for creating, along with a fake history claiming that they’re a successor to two defunct production companies. The Greendot name itself has been “borrowed” from yet another defunct film company, Green Dot Films….

(5) BARRIERS TO FANDOM. Pocket reposts a 2021 Teen Vogue article which asks, “Who Actually Gets to ‘Escape’ Into Fandom?” and discusses antiracism resources.

… Escapism isn’t actually possible for everyone because of the nature of both fandom and the world around us. The best-worst example of the limits of fandom escapism? Racism.

Racism is global, and it infiltrates everything that we do; it’s close to inescapable offline, and it’s just as common online. Fandom is no exception.

In 2019, Dr. Rukmini Pande did an interview with Henry Jenkins about her book Squee From The Margins: Fandom and Race. “I found that while it is certainly possible for fans of color to ‘pass’ within online fan spaces, their modes of escapism are mostly contingent – I can enjoy a source or fan text until it gets racist,” Pande said in the interview. “Other fans articulated the importance of finding networks of fellow non-white fans so that they could curate their experiences to be safer. In all cases, fandom certainly isn’t a space where these fans can escape from race/racism even if it is not something that is engaged with publicly or vocally.”

It makes sense that people would resort to fandom escapism following natural disasters, or to have something to do other than overthink their local government’s COVID-19 response. But what about the times we’ve seen people talk about fandom being their “safe space” from them dealing with or seeing viral video recordings of Black people being killed, as we saw in the summer of 2020? What about people in the U.S. delving into fandom so they don’t have to think about American politics?

No matter the fandom, fans of color can’t reliably escape into fandom, because people don’t stop being racist just because they like the same things that people of color do. There’s always a racist person in fandom. There are always racist fanworks. There are always racist creators. There’s always racism in the source material that people will defend in your mentions for days….

(6) NM-AZ STATE BOOK AWARD SHORTLIST. The finalists for the 2023 New Mexico-Arizona Book Awards include these science fiction books:

  • 3VE by Jason DeGrey
  • Mountain Knight by Avery Christy
  • Planet Quest by Kate Harrington
  • The Yewberry Way by Jack Gist

(7) NO, THERE IS ANOTHER. “C.I.A. Discloses Identity of Second Spy Involved in ‘Argo’ Operation” reports the New York Times.

In the midst of the 1979 Iran hostage crisis, the C.I.A. began what came to be noted as one of the spy agency’s most successful publicly known operations: the rescue of six American diplomats who had escaped the overrun U.S. Embassy — using a fake movie as the cover story.

“Argo,” the real-life 2012 movie about the C.I.A.’s fake movie, portrayed a single C.I.A. officer, Tony Mendez, played by Ben Affleck, sneaking into Tehran to rescue the American diplomats in a daring operation.

But in reality, the agency sent two officers into Tehran. For the first time on Thursday, the C.I.A. is releasing the identity of that second officer, Ed Johnson, in the season finale of its new podcast, “The Langley Files.”

Mr. Johnson, a linguist, accompanied Mr. Mendez, a master of disguise and forgery, on the flight to Tehran to cajole the diplomats into adopting the cover story, that they were Canadians who were part of a crew scouting locations for a science fiction movie called “Argo.” The two then helped the diplomats with forged documents and escorted them through Iranian airport security to fly them home.

Although Mr. Johnson’s name was classified, the C.I.A. had acknowledged a second officer had been involved. Mr. Mendez, who died in 2019, wrote about being accompanied by a second officer in his first book, but used a pseudonym, Julio. A painting that depicts a scene from the operation and hangs in the C.I.A.’s Langley, Va., headquarters, shows a second officer sitting across from Mr. Mendez in Tehran as they forge stamps in Canadian passports. But the second officer’s identity is obscured, his back turned to the viewer.

The agency began publicly talking about its role in rescuing the diplomats 26 years ago. On the agency’s 50th anniversary, in 1997, the C.I.A. declassified the operation, and allowed Mr. Mendez to tell his story, hoping to balance accounts of some of the agency’s ill-fated operations around the world with one that was a clear success.

But until recently, Mr. Johnson preferred that his identity remain secret….

 (8) CINEMATIC HISTORY MADE HERE. “George Lucas’ former Marin Industrial Light and Magic studio closing, some employees vow to save it” reports ABC7 San Francisco.

In the North Bay, it’s the end of an era of movie-making magic.

The original soundstage and production facility in San Rafael for Industrial Light and Magic, founded by George Lucas, is going away. Lucas moved his campus to the Presidio in San Francisco almost 20 years ago.

The facility’s new owners are retiring, but one employee would like to save the studio’s history and legacy.

It may be a surprise to know hundreds of other films were created inside the nondescript building on Kerner Blvd. in San Rafael.

Now home to 32TEN Studios, this is the former campus of Lucas’ Industrial Light and Magic.

“Right after the success of ‘Star Wars,’ George Lucas wanted to remove himself from the Hollywood system, so he moved the ILM shop from Van Nuys up here,” said House.

House is a longtime model shop supervisor, and says many props and models from movies are still there. That includes the Millennium Falcon, an anchor from “Pirates of the Caribbean,” even a model of Chewbacca’s head.

Lucas relocated his campus to the Presidio in 2005 and he took the original door with him, which is now on display….

(9) BACK IN PORT. Having finished a series detailing her experiences aboard Disney’s Star Wars-themed Starcruiser, Cass Morris analyzes why it works in “The Stars Have Come Alive” at Scribendi.

As promised, this post is my attempt to analyze, for myself and for other interested parties, how the Starcruiser creates such an exceptional experience, and why it works so very well as it does.

I feel quite confident in the base assertion that it does, and has, because I’ve seen it in action on people who aren’t as deeply invested in the IP as I am. I’ve watched videos of influencers who are only surface-level conversant with Star Wars be moved to tears by Yoda’s holocron. I’ve seen parents who thought they were only their for their kids get wrapped up in the experience. I’ve seen people who arrived in civilian clothes buy garments on the ship or in Batuu so they could feel more a part of things.

And I’ve seen people who were already Star Wars fans go absolutely feral. In a good way! But the response that this experience has from people who fully give themselves over to it is astonishing.

So. It works. The Starcruiser is a phenomenal example of what immersive experiences can be. Now: Let’s unpack how and why…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1898 — Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.)
  • Born September 15, 1932 — Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the ever so delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 15, 1952 — Lisa Tuttle, 71. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Lovers collection. Her latest novel is The Curious Affair of the Witch at Wayside Cross.
  • Born September 15, 1954 — Howard Weinstein, 69. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic video affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.” 
  • Born September 15, 1955 — Amanda Hemingway, 68. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are. Oh and she invented this wonderful as noted on her Twitter site: “Schroedinger’s Cake: you don’t know it it’s been eaten until you open the tin.”
  • Born September 15, 1960 — Kurt Busiek, 63. Writer whose work includes The Marvels limited series, Thuderbolts, Superman, his own outstanding Astro City series, and a very long run on The Avengers. He also worked at Dark Horse where he did Conan #1–28 and Young Indiana Jones Chronicles #1–8. 
  • Born September 15, 1960 — Mike Mignola, 63. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) COMICS SECTION.

  • Reality Check shows the results of a mixed message in Gotham.
  • Bliss explains the source of this superhero’s bliss.

(12) FEAST YOUR EYES. The Bristol Board has a wild gallery of “Basil Wolverton artwork for ‘Weird-Ass Tales of The Future’”, splash panels from Basil Wolverton’s science-fiction tales.  

(13) LOOKS WEIRD. Gizmodo delivers a “Weird Tales 100 Years of Weird Illustrated Anthology First Look”. There’s a slideshow of art at the link.

Weird Tales—which delivers exactly the kind of freaky, spooky stories you’d expect—marks its 100th anniversary this year, and is celebrating with the release of illustrated anthology Weird Tales: 100 Years of Weird. It’ll include entries from authors like Ray Bradbury and H.P. Lovecraft, as well as contemporary writers….

(14) ALL ABOARD. GameRant calls these the “Best Sci-Fi Board Games Of All Time”.

…This shared love of science fiction has led to a plethora of sci-fi-themed board games that use the themes and aesthetic of sci-fi to create immersive, unique experiences on the tabletop. The following examples provide a broad and varied selection of games, both old and new, that use science fiction as their theme to great effect.

Ranked in first place:

1. Twilight Imperium

This sci-fi space opera from Fantasy Flight Games was originally produced back in 1997. Now in its fourth edition, Twilight Imperium is grand strategy on an epic scale, tasking players with controlling the burgeoning empires of various alien races.

Each race in Twilight Imperium encourages a different playstyle, making for a broad and replayable experience. The game is mainly focused on building and positioning fleets, as well as engaging in diplomacy with fellow players. Twilight Imperium is a huge game, and not necessarily accessible, not only because it takes roughly six hours to play depending on the player count, but because it requires a heavy amount of strategizing. However, Twilight Imperium is a dramatic and immersive experience that fans of sci-fi space operas are sure to love.

(15) BUDGET BREAKER? Science explains why “Mars Sample Return risks consuming NASA science”. “Forthcoming cost estimate for budget-busting mission could lead to strict caps from Congress.”

…The cost of the mission may become altogether too mighty, however. The most recent official figure now puts it at some $6 billion, up from some $4 billion, and a leaked report suggests that, in one scenario, it could exceed $8 billion. Cost overruns for MSR and a few other large missions have already forced NASA to squeeze or delay other science missions, and calls to rethink—or even kill—Mars Sample Return  have grown. When an independent review of the project delivers a fresh cost estimate later this month, advocates are praying it stays well below $10 billion, which has emerged as a sort of red line for the mission. “It’s fair to say that the future of Mars Sample Return lives and dies with the recommendations of that panel,” says Casey Dreier, chief of space policy at the Planetary Society….

(16) WE’LL GO AT NIGHT. PBS Space-Time wonders “What NEW SCIENCE Would We Discover with a Moon Telescope?”

In order to see the faint light from objects in deepest space, astronomers go to the darkest places on the planet. In order to listen to their quite radio signals, they head as far from any radio-noisy humans as possible. But there’s nowhere on the earth, or even orbiting the Earth, that’s far enough to hear to the faint radio hum from the time before stars. In fact, we may need to build a giant radio telescope in the quietest place in the solar system—the far side of the Moon.

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at YouTube’s Media Death Cult, has a new 10-minute video filmed appropriately, in sand dunes, on “How DUNE Became The Biggest Science Fiction Book In The Universe”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Bruce D. Arthurs, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/15/23 I Can Scroll Up Pixels From The Vasty Deep

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(1) TOP HORROR AUTHORS OFFER FREE CONVENTION. “Christopher Golden’s House of Last Resort Weekend” will be held January 18-21 in Portsmouth, NH. Admission is FREE with weekend hotel room reservation.

Spend a weekend with your favorite scary authors in a unique, intimate setting! This one-time-only event features Christopher Golden, Brian Keene, Mary SanGiovanni, Victor LaValle, Owen King, Gretchen Felker-Martin, Eric LaRocca, V. Castro, Cynthia Pelayo, Ronald Malfi and many more.

If you’d like to join us at the convention hotel, see below and book your room at a discounted rate. Whether or not you will be staying with us, please click [on the link above] to register for the event.

(2) CHENGDU ADDS TO HUGO VOTER PACKET. Ersatz Culture reports the two missing voter packet categories – Fanzine and Fan Writer — have been added to the downloads on the Worldcon site.

(3) CHENGDU SCIENCE FICTION MUSEUM CONSTRUCTION VIDEO. [Item by Ersatz Culture.] This link to another video of the Chengdu Worldcon venue shows the current under-construction state of the interior. The post on Xiaohongshu rather than Weibo, an Instagram-like site. The date of the video is not apparent from a machine-translation of the post. There is untranslated Chinese text in the video which may say more.

There’s also a very short video posted to Weibo by 云上深夜快递 — which seems to be a Chengdu TV and radio station — about the “sky tunnel” that leads to the convention center. They highlight that the roof has some sort of lighting effect to look like the night sky, although it doesn’t really come across in the video.  It looks like the tunnel is for vehicles only, not pedestrians.  

The Starry Sky Tunnel simulates the “starry sky” through decorative lights on the top of the tunnel, such as swimming in the vast Milky Way, the starry sea and the brilliant universe in the dome will provide citizens with a beautiful immersive landscape experience. The reporter saw at the scene that at present, the lights and streamers in the tunnel have entered the final commissioning and acceptance work. After the tunnel is officially opened to traffic, it will further narrow the distance between the main urban area of Pidu and the main venue of the science fiction convention

(4) NATIONAL BOOK AWARDS FICTION LONGLIST. The 2023 National Book Award Fiction Longlist includes one work of genre interest, Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah.

(5) CORN EXCHANGE HOSTS A COMIC-CON. James Bacon reviews “NICE 2023 – an amazing comic con!” for Downthetubes.net.

There’s a lovely welcoming atmosphere at NICE in Bedford and I got that feeling of regret… Why did I not go to this amazing comic con in previous years? NICE is, actually, really blooming… er, nice!

The promise of a good weekend began in a nearby bar as fans, professionals and dealers gathered on Friday for the weekend. There was great chat, laughter and the meeting of old friends, and the opportunity to meet new people. It’s been a few years for some, and this was evident, but also it was friendly – and I got the chance to meet established writers and artists for the first time. 

This spirit continued to the queue outside the cracking venue in the heart of Bedford, the Corn Exchange, a traditional hall that was filled with tables, all about comics. There were quite a number of dealers selling a lot of comics: a great variety from 50p and £1 boxes, to key Silver Age and some really lovely to see Golden Age comics. 

The range of writers and artists was just impressive….

(6) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released episode 67 of Simultaneous Times, a monthly science fiction podcast. This one is done in collaboration with Radon Journal. Theme music by Dain Luscombe,

Stories featured in this episode:

  • “Hello This is Automatic Antigrief” by Jenna Hanchey; with music by Fall Precauxions; read by Zara Kand
  • “Lost in Transcription” by Abigail Guerrero; with music by Phog Masheeen; read by Mark Soden Jr., Pedro Iniguez, Jean-Paul Garnier, and Zara Kand.

(7) ROBERT BLOCH WEBSITE. Robertbloch.net announced its Non-Fiction page has been significantly expanded to now include interviews, introductions/forewords/etc., and more.

(8) BEWARE SPOILER. Watch out, the spoiler is in the headline:“DC Comics Blue Beetle Ted Kord Has Died Four Times — Does It Matter Anymore?” at CBR.com

Writer Josh Trujillo just blindsided fans in the newest Blue Beetle comic series by killing off the fan-favorite second Blue Beetle, Ted Kord, when the mysterious new supervillain ‘Blood Scarab’ made his debut and impaled the hero in his lab. As shocking as this is, Ted Kord is no stranger to death.

Each time a superhero dies, it matters a little less. Ted Kord has died numerous times in DC Comics. While Kord’s latest demise is obviously meant to bring some emotional weight to the new Blue Beetle series, it’s hard for it to really matter after Maxwell Lord killed him in 2006. Comic book deaths are always associated with diminishing returns. When a supposedly carefree hero like Blue Beetle has died so many times, it makes it hard for fans to care….

(9) IT WILL CHANGE YOUR WORLD! ALLEGEDLY. The Hollywood Reporter unpacks the “Monsters of California Trailer: Aliens Exist in Tom DeLonge Film”.

DeLonge, the Blink-182 rocker and noted champion of UFO research, helmed and co-wrote the film that Screen Media launches theatrically and on-demand Oct. 6….

Monsters of California centers on Dallas (Samson) and his outcast group of high school friends attempting to shed light on a paranormal conspiracy in Southern California that the political powers that be have kept under wraps….

“They don’t want you to know anything,” Kind says ominously in the footage. “This is going to shatter any idea you have about reality.”

The trailer shows Dallas working to use his father’s clandestine research to help shed light on the family’s mysterious past. “I’m literally about to find out what happened to Dad after all these years,” he exclaims. “I’m this close.”…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1890 — Agatha Christie, or to give her full name of Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller). I’m here to praise her for my favorite work by here which is Murder on The Orient Express but anything involving the fussy little Belgian detective is worth reading. The best use of her in genre fiction is the Tenth Doctor story, “The Unicorn and The Wasp” with her involved in a Manor House mystery. (Died 1976.)
  • Born September 15, 1940 — Norman Spinrad, 83. I’ll admit that the only novel I’ve read by him is Bug Jack Barron which I really do like. My bad. And I was fascinated to learn he wrote the script for Trek’s “The Doomsday Machine” episode which is an amazing story. So how is that he’s never won a Hugo? 
  • Born September 15, 1943 — John M. Faucette. He published five novels and one short story. He left seven unpublished novels in various states of completion at his death. Two of his novels; Crown of Infinity and Age of Ruin, were published in the Ace Doubles series. None of his works are in print in digital or paper format currently including his Black Science Fiction anthology which he as an African-American SF writer was very proud of. (Died 2003.)
  • Born September 15, 1946 — Howard Waldrop, 77. I think that the The Texas-Israeli War: 1999 which he wrote with Jake Saunders is my favorite work by him. His short fiction such as “The Ugly Chickens” which won The World Fantasy and Nebula Awards is most excellent. A generous selection of his short fiction and novellas are available at the usual suspects.
  • Born September 15, 1952 — Loren D. Estleman, 71. You’ll have noticed that I’ve an expansive definition of genre and so I’m including a trilogy of novels by this writer who’s better known for his mainstream mysteries featuring Amos Walker. These are set in the Sherlock Holmes Metaverse, and are Sherlock Holmes vs. Dracula, Dr. Jekyll and Mr. Holmes and The Devil and Sherlock Holmes. I think it was Titan Book that maybe a decade ago republished a lot of these Holmesian pastiches of which there are more than I want to think about. ISFDB lists two other novels by him as genre, Journey of the Dead and The Eagle and the Viper.
  • Born September 15, 1956 — Elton T. Elliott, 67. Editor, publisher, reviewer. His solo fiction debut was “Lighting Candles on the River Styx” in Amazing (March 1991). His early novel-length work appeared in the 1980s in collaboration with Richard E. Geis under the pseudonym Richard Elliott. He edited Science Fiction Review from 1990 to 1992 which, yes, I remember reading at the time. 
  • Born September 15, 1962 — Jane Lindskold, 61. My first encounter with her was the Zelazny novel she finished, Donnerjack. It’sexcellent though how much is Zelazny is open to vigorous debate. Of her own novels, I recommend The Buried Pyramid, Child of a Rainless Year and Asphodel as being very good. 

(11) COMICS SECTION.

  • The Far Side might be described as saying “we come in peace”, but not loudly enough.

(12) EXCEPTIONAL COLLECTIBLES. Scott Edelman is auctioning off some rarities to fund new equipment for his Eating the Fantastic podcast. One of them is his personal DC Comics baseball jacket circa 1980, the back of which is decorated with the iconic bullet icon from that period. Scott says, “I’ve never seen one on the secondary market.” Here’’s the direct link. Another dozen or so items up there can be seen at his eBay store link.

(13) THIS JUST IN 55 YEARS AGO. CBR.com tells “How Lord of the Rings Inspired Led Zeppelin”.

…Led Zeppelin was formed in 1968 with Robert Plant as the lead singer and lyricist. Plant was also a known Lord of the Rings fan. Thanks to his influence as a songwriter, many of Led Zeppelin’s songs had themes of mythology and mysticism, which are prominent within The Lord of the Rings series. Over time, the band’s songs began to reflect more of Plant’s life and experiences, such as lost romance and political protests. In a few select songs, Plant weaves his interest in Lord of the Rings with details of his life as a treat for the series’ fans among the Led Zeppelin audience. Some of LOTR‘s key moments and iconic characters lend themselves well to Led Zeppelin’s unique and otherworldly storytelling….

Here’s one example:

The song Ramble On was released in 1969 on the album Led Zeppelin II. The song mentions Gollum and Sauron hiding in Mordor and stealing Plant’s girl.

Mine’s a tale that can’t be told, my freedom I hold dear

How years ago in days of old, when magic filled the air

‘Twas in the darkest depths of Mordor, I met a girl so fair

But Gollum and the Evil One crept up and slipped away with her

Ultimately, this song is about a man finding his perfect girl and traveling the world to find her. However, some fans have theorized that this song is actually about Aragorn having to choose between staying with Arwen or searching for Gollum before Sauron finds him. Others theorize the song references Frodo’s journey to destroy the One Ring; the girl in the song is the Ring. Plant was quoted in an interview as embarrassed by the LOTR reference since Mordor has no beautiful women, and Gollum wouldn’t even be interested in them if they were.

(14) POP QUIZ. [Item by SF Concatenation’s Jonathan Cowie.] Apocalyptic fiction is an established trope of SF. So arguably of interest to us know-it-all fans is Nature’s challenge, “Do you really know the way the world is heading? Take this quiz on plans to save humanity.”

The United Nations has ambitious aims to end poverty and clean up the planet by 2030. See whether you know how the world is faring…

(15) AI: WHO CARES? [Item by Mike Kennedy.] The BBC Global News Podcast (updated several times a day) has created a special episode on Artificial Intelligence with opinions and analysis from different perspectives including the public. “Special Edition – Artificial Intelligence – who cares?“

What is AI? What can it do and what are its current limitations? A tool for good – or should we be worried? Will we lose our jobs? Are we ready to be cared for by machines? Our Tech Editor, Zoe Kleinman, and a panel of international experts explore AI’s impact on healthcare, the environment, the law and the arts in a special edition recorded at Science Gallery London.

(16) VIDEO OF THE DAY. Here’s the final trailer for The Creator, coming to theaters September 29.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Rich Lynch, Lise Andreasen, Scott Edelman, Ersatz Culture, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]

Pixel Scroll 9/12/23 For Us, the Scrolling

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(1) MICHAEL CHABON SUES META OVER AI COPYRIGHT INFRINGEMENT. At The Hollywood Reporter:“Meta, OpenAI Class Action Lawsuit: Novel Authors Claim Infringement”.

Michael Chabon and other decorated writers of books and screenplays sued Meta on Tuesday in California federal court in a lawsuit accusing the company of copyright infringement for harvesting mass quantities of books across the web, which were then used to produce infringing works that allegedly violate their copyrights. OpenAI was sued on Sept. 8 in an identical class action alleging the firms “benefit commercially and profit handsomely from their unauthorized and illegal” collection of the authors’ books. They seek a court order that would require the companies to destroy AI systems that were trained on copyright-protected works.

…As evidence that AI systems were fed authors’ books, the suit points to ChatGPT generating summaries and in-depth analyses of the themes in the novels when prompted. It says that’s “only possible if the underlying GPT model was trained using” their works.

“If ChatGPT is prompted to generate a writing in the style of a certain author, GPT would generate content based on patterns and connections it learned from analysis of that author’s work within its training dataset,” states the complaint, which largely borrows from the suit filed by [Paul] Tremblay.

And because the large language models can’t operate without the information extracted from the copyright-protected material, the answers that ChatGPT produces are “themselves infringing derivative works,” the lawsuit against Meta says….

(2) CHENGDU PROGRAM PARTICIPANTS. File 770 asked Chengdu Worldcon committee member Joe Yao for a list of the people who have been added as Worldcon guests since the recent offer of help went out. No names were provided, however, Yao made this statement:

We kept inviting guests from both China and abroad, and now we have about 500 guests confirmed to come. They will attend some key events including the opening ceremony, Hugo ceremony and the closing ceremony, and they will also participate in programs as either guests or speakers. My team is working closely with the overseas team on programs and we have drafted a mastersheet of the programs. It will be confirmed and released soon.

(3) BARRIERS TO TRAVEL. Oghenechovwe Donald Ekpeki commented on Facebook about the challenges of getting a visa.

Nigerian passport & visa issues. Recently found out the Italian visa app has more requirements than US. Then I thought maybe China’s. Someone just told me that’s harder than the US’s. Germany might not give you visa even on their chancellor’s request. Is there any one that’s easy (possible) for a Nigerian?

When I was in the US, anytime Africans saw I was on a b1-b2 visa they used to be shocked out of their skulls. Like you find someone with the complete infinity gauntlet and stones. So for all these to be harder, Lol.

It’s really something to be a Nigerian that isn’t chained down and utterly grounded. Meanwhile what it took to get my US visa & the price I had to and still pay for it gifted me PTSD and damage I might never be able to afford treatment for. But hey, na me wan dream. Lol

(4) NASFIC MINUTES AVAILABLE. [Item by Kevin Standlee.] The minutes of the NASFiC WSFS Business Meeting at Pemmi-Con are now published on the WSFS Rules page here. (Scroll down to “MINUTES of the 2023 WSFS Business Meeting of the 15th NASFiC”.)

(5) ABRAHAM AND FRANCK Q&A. Award-winning sci-fi writers Daniel Abraham and Ty Franck talk with Meghna Chakrabarti about the world they created in The Expanse and what they’re working on next. “’The Expanse’ authors on ‘the importance of complicating people’” at WBUR.

(6) INTERNET ARCHIVE APPEALS TO HIGHER COURT. “Internet Archive Files Appeal in Copyright Infringement Case” – Publishers Weekly has details.

As expected, the Internet Archive this week submitted its appeal in Hachette v. Internet Archive, the closely watched copyright case involving the scanning and digital lending of library books.

In a brief notice filed with the court, IA lawyers are seeking review by the Second Circuit court of appeals in New York of the “August 11, 2023 Judgment and Permanent Injunction; the March 24, 2023 Opinion and Order Granting Plaintiffs’ Motion for Summary Judgment and Denying Defendant’s Motion for Summary Judgment; and from any and all orders, rulings, findings, and/or conclusions adverse to Defendant Internet Archive.”

The notice of appeal comes right at the 30-day deadline—a month to the day after judge John G. Koeltl approved and entered a negotiated consent judgment in the case which declared the IA’s scanning and lending program to be copyright infringement, as well as a permanent injunction that, among its provisions, bars the IA from lending unauthorized scans of the plaintiffs’ in-copyright, commercially available books that are available in digital editions.

“As we stated when the decision was handed down in March, we believe the lower court made errors in facts and law, so we are fighting on in the face of great challenges,” reads a statement announcing the appeal on the Internet Archive website. “We know this won’t be easy, but it’s a necessary fight if we want library collections to survive in the digital age.”…

(7) GARETH EDWARDS VIRTUAL CONVERSATION. MIT Technology Review will hold an online event “Humanity and AI: A conversation with the director of ‘The Creator’” at LinkedIn on Thursday, September 14, 2023, at 2:30 p.m. Eastern. Appears that LinkedIn registration is required.

As many today try to imagine the future of our world with artificial intelligence, MIT Technology Review’s senior editor of AI, Melissa Heikkilä, speaks with Gareth Edwards, director of the upcoming sci-fi epic “The Creator,” about the current state of AI and the pitfalls and possibilities ahead as this technology marches toward sentience. The film, releasing September 29th and starring John David Washington and Gemma Chan, imagines a futuristic world where humans and AI are at war and fundamentally explores humanity’s relationship with AI, what it means to be human, and what it means to be alive.

(8) THE HEINLEIN SOCIETY. These are the new Officers for The Heinlein Society:

The Board of the Society voted [September 11] for its new leadership & Executive Committee effective immediately:

  • President & Chairman: Ken Walters
  • Vice President: Walt Boyes
  • Treasurer: Geo Rule
  • Secretary: Betsey Wilcox

Congratulations to all of them! 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 12, 1897 — Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the first and main writer of the pulp character The Shadow with The Living Shadow published by Street & Smith Publications in 1933 being the first one. Using the pen-name Maxwell Grant, he wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
  • Born September 12, 1921 — Stanisław Lem. He’s best known for Solaris, which has been made into a film three times. The latest film made off a work of his is the 2018 His Master’s Voice (Glos Pana In Polish). The usual suspects have generous collections of his translated into English works at quite reasonable prices. (Died 2006.)
  • Born September 12, 1940 — John Clute, 83. Critic, one of the founders of Interzone (which I avidly read) and co-editor of the Encyclopedia of Science Fiction (with Peter Nicholls) and of the Encyclopedia of Fantasy (with John Grant) as well as writing the Illustrated Encyclopedia Of Science Fiction. All of these publications won Hugo Awards for Best Non-Fiction. And I’d be remiss not to single out for praise The Darkening Garden: A Short Lexicon of Horror which is simply a superb work.
  • Born September 12, 1942 — Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” short garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye” novella. “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”. Both iBooks and Kindle have decent but not outstanding selections of his works including a few works of Oxrun Station, his core horror series. (Died 2006.)
  • Born September 12, 1952 — Kathryn Anne Ptacek, 71. Widow of Charles L. Grant. She has won two Stoker Awards. If you’re into horror. Her Gila! novel is a classic of that genre, and No Birds Sings is an excellent collection of her short stories. Both are available from the usual suspects. She is the editor and publisher of the writers-market magazine The Gila Queen’s Guide to Markets. 
  • Born September 12, 1952 — Neil Peart. Drummer and primary lyricist for the prog-rock, power-trio band Rush. Neil incorporated science fiction and fantasy elements into many of Rush’s songs.  An early example is “By-Tor and the Snow Dog” from the Album “Fly By Night”.  The entire first side of the 2112 album (back when albums had sides) was the 2112 suite telling the dystopian story of a man living in a society where individualism and creativity are outlawed.  Neil is a genre author having co-written The Clockwork Angels series with Kevin J. Anderson.  (Died of glioblastoma, 2020.) (Dann Todd) 
  • Born September 12, 1965 — Robert T. Jeschonek, 58. Writer for my purposes of both genre and mysteries. He’s written short fiction set in the Trek universe. He’s also written fiction set in the Battletech, Captain Midnight, Deathlands, Doctor Who, Starbarian Saga and Tannhauser universes. We really need a concordance to all these media universes. Really we do. 

(10) COMICS SECTION.

  • Candorville is where an author claims to focus on the positive. But does he?

(11) WESTERCON 75 ANNOUNCEMENT. Arlene Busby, chair of the cancelled Westercon 75, announced today that all membership refunds have been issued. Also, the transfers have been completed for all those members who requested that their membership monies be transfer to Loscon 49.

Similarly, refunds have been issued to all Dealers who requested them. And transfers have been completed for Dealers who requested their fees be transferred to Loscon 49.

Busby adds, “We thank everyone for their support and patience in getting all these transactions processed. If you have any questions please contact me at [email protected].”

(12) TREK THEME PERFORMED IN CHINA. From the Beijing Star Trek Day event mentioned in the September 9 Scroll comes this a video of the Michael Giacchino Star Trek theme performed on traditional Chinese instruments – see it on Weibo

(13) PULITZER PRIZE ELIGIBILITY UPDATED. “Pulitzer Board Expands Eligibility for Authors” reports Publishers Lunch.

Beginning with the 2025 awards, which opens for submissions in spring 2024, the Pulitzer Prize board has changed the eligibility requirements for the books, drama and music awards to include “US citizens, permanent residents of the United States,” and authors for whom “the United States has been their longtime primary home.” Previously, only US citizens were eligible for the awards, with the exception of authors of history books, who could be of any nationality if their book was about US history. “For the sake of consistency,” the prize board said, history books must be written by US authors according to the new guidelines.

Books still must be “originally published in English in the United States.”

In “Pulitzer Prizes expand eligibility to non-U.S. citizens”, the Los Angeles Times amplifies how the change was brought about.

…Following an August petition on the literary sites Literary Hub and Undocupoets to reconsider the U.S. citizenship requirements for the arts prizes, the Pulitzer board addressed the issue….

The petition, which was signed by many prominent authors, was created in part because of the passionate case that author Javier Zamora made against the Pulitzer’s U.S. citizen requirements in a De Los opinion piece titled “It’s time for the Pulitzer Prize for literature to accept noncitizens.”…

(14) GREG JEIN COLLECTION TO AUCTION. Model and miniature-maker Greg Jein, who died last year, had an extraordinary collection of iconic sf props and costumes, which are now going under the hammer: “’Star Wars’ Red Leader X-Wing Model Heads A Cargo Bay’s Worth Of Props At Auction” at LAist.

…The intricately made starfighter brought millions of people along for the ride as a group of plucky Rebel pilots assaulted the Death Star. Now the Star Wars scale model is being sold at auction, with bids starting at $400,000.

The “Red Leader” (Red One) X-wing Starfighter from 1977’s Star Wars: A New Hope is “the pinnacle of Star Wars artifacts to ever reach the market,” says Heritage Auctions, which is handling the sale as part of a trove of science fiction props, miniatures and memorabilia.

The X-wing tops the auction list, but it’s far, far from alone: It was found in the expansive collection of Greg Jein, an expert craftsman who was as skilled at bringing futuristic stories to life as he was devoted to preserving the models and props used to bring strange new worlds to TV and film.

…More than 550 items from Jein’s collection are now heading to auction, from Nichelle Nichols’ iconic knee-high boots and red tunic as Lt. Uhura to Leonard Nimoy’s pointy ears as Spock. A hairpiece for William Shatner’s Captain Kirk and Lt. Sulu’s golden tunic are also up for sale….

There’s more information in the Heritage Auctions press release: “Mother Lode From the Mothership: Model-Making Legend Greg Jein’s Collection Beams Up to Heritage”.

…Jein also preserved Spock’s ka’athyra, the Vulcan lute strummed in a handful of Original Series episodes, including “Amok Time ” and “The Conscience of the King “; the ray generator called into duty during several Original Series episodes; and the Universal Translator that Kirk used to talk to the Gorn in “Arena. “ There’s something for fans of nearly every episode of The Original Series, from the ahn-woon of “Amok Time “ to the agonizer used in “Mirror, Mirror” to The Great Teacher of All the Ancient Knowledge intended to restore “Spock’s Brain.” The Trek offerings in The Greg Jein Auction are nearly as vast as the final frontier itself….

(15) IN THE SPIRIT OF PHILIP K. DICK. A discussion with 81st Worldcon Chair He Xi and multidisciplinary sci-fi artist Yin Guang, “HUGO X: 2”, a Chengdu Worldcon Talkshow, closes with the jolly speculation that carbon-based life will be the scaffolding for silicon-based life – artificial intelligence – and when that building is built, “you’ll be torn down.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Kevin Standlee, Ersatz Culture, Daniel Dern, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 9/11/23 Pixels Are A Scroll’s Best Friend

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(1) USE THESE EMAILS FOR SUBMISSIONS TO WSFS BUSINESS MEETING. Donald Eastlake III, Presiding Officer of the 2023 WSFS Business Meeting, announced that if anyone is having trouble sending email to businessmeeting (at) chengduworldcon.com, there is an alternative email address available for the submission of new business: ChengduNewBusiness (at) pobox.com.

The general deadline for new business is September 19, Chengdu time.

(2) GET IA TO TAKE DOWN YOUR BOOKS. From the Authors Guild: “Update: How to Tell Internet Archive to Remove Your Books”. “The court’s decision in the Open Library lawsuit made it clear that making full-text copyrighted books available for free without permission is copyright infringement. Here’s how any author can demand the Internet Archive take down any titles that are still on its website.”

In March, four major publishers scored a resounding victory in their copyright lawsuit against Internet Archive and its so-called Open Library program. The court decisively ruled that Internet Archive’s practice of scanning books and making them freely available on its website is copyright infringement and does not constitute fair use. While the Authors Guild was not a party to the lawsuit, we supported the publishers throughout the litigation and welcomed the court’s clear rejection of Internet Archive’s “Controlled Digital Lending” theory.

Following the decision, the court directed the parties to propose specific steps that Internet Archive must take to remedy its infringement. The parties agreed, in a proposed consent judgment, that Internet Archive should be subject to a permanent court-ordered injunction barring it from making the publishers’ books available online. We have heard from some authors who are concerned that the injunction is limited to books in which the four publisher plaintiffs hold copyrights and does not cover books whose copyrights are owned by the author or a smaller publisher. Unfortunately, this case was not a class action, and therefore only the actual parties in the case can be bound by the court’s order. We were surprised and disappointed, however, that the court adopted Internet Archive’s proposal to limit the injunction to books that the publishers have made available in electronic form. As we explained, limiting the injunction in this way fails to recognize that the author has the right to decide in what formats they wish to make their books available, and that the market for a print book can be harmed by an unauthorized electronic edition as easily as the market for an ebook can.

But regardless of the scope of the injunction, the court’s decision on the main legal issue remains in place: Making full-text copyrighted books available for free on the open internet without permission is copyright infringement. That is just as true for books owned by self-published authors and micro publishers as it is for the books owned by the publishers in this case.

We therefore expect Internet Archive to comply with demands by authors who hold copyrights in their books (e.g., self-published authors and where rights are reverted) to take down any titles that are still on its website….

A model takedown letter and full directions are at the link.

(3) IT MEANS MORE THAN SIMPLY NAMING A CRATER. BBC Radio 4 program “Seek the Light, Out of the Shadows” is available online for the next few weeks.

Singer, story teller and seven-times Radio 2 Folk Awards winner, Karine Polwart brings together her love of science, history and the natural world.

Karine looks up into the dark for a story of discovery, diversity and the righting of a historical wrong.

When young geologist turned planetary scientist Annie Lennox surveyed the night sky of her Aberdeenshire home, little did she realise that one day she’d be giving names to landmarks on our closest neighbours in the solar system. In 2021, while studying for her PhD, Annie discovered an enormous 50km wide crater near Mercury’s southern pole. An area that had never been seen in sunlight until until the Messenger mission of 2015.

The crater’s distinctive spectral colour and shape caught her eye. As the first person to see it, Annie has the honour of naming it. An accomplished singer and harpist, Annie named it ‘Nairne’ after the 17th-century Scottish poet and songwriter Lady Carolina Nairne.

All the craters of Mercury are named after famous artists, Burns and Pushkin are there along with Bach and Boccaccio. And it was this dominance of white men that Annie wanted to challenge. The International Atstonomical Union’s naming conventions around new discoveries have proven themselves inherently sexist and exclusionary and Annie felt compelled to do waht she could to rebalance it. In her lifetime, Lady Carolina Nairne was responsible for such staples of Scottish folk singing as ‘Charlie is my darlin’ and ‘Caller Herrin’, yet she’s largely unknown, publishing much of her work anonymously or under pseudonyms. Now there is a corner of the universe that will forever be a testament to her talents.

(4) MAXIMUM PEEVATION. James Davis Nicoll actually got paid to tell Tor.com readers about his “Five Readerly Pet Peeves (That Have Nothing To Do With Storytelling)”

…A bugaboo I discovered when I began collecting the books published by the otherwise exemplary Haikasoru imprint has to do with the orientation of the book’s title on the spine of the book with respect to the text inside the book. In short, if the title on the spine is right way up, I expect the words on the page to be right way up when I open the book. Opening the text to discover I am holding it upside down kicks me out of the reading experience. Haikasoru eventually stopped orienting their titles in an idiosyncratic way, yay…but until then it was a distraction.

Don’t let that stop you from running out and buying every book in the Haikasoru line. The works themselves earned their places on my shelves….

(5) PUBLISHER FUNDRAISING AUCTION. “Award-Winning Indie Publisher Hosts Auction To Stay Open Amid Book Bans Targeting Poc, LGBTQ+ Youth Lit” at The Mary Sue.

Award-winning indie publisher Levine Querido is hosting an auction to stay open as book banning takes a toll on publishers. Unfortunately, Levine Querido is exactly the type of publisher most likely to be badly impacted by the rise of book banning across the United States. This isn’t only because it’s an independent publisher with less support and resources than major publishers like HarperCollins or Penguin Random House. It also has to do with the kinds of books LQ specializes in, which feature marginalized writers and artists….

The full list of auction items is here.

(6) PROPOSED LAW ABOUT CLOTHING IN CHINA. The New York Times reports “China May Ban Clothes That Hurt People’s Feelings. People Are Outraged.” Andrew Porter wonders how such a law would affect cosplay.

…Now the government is proposing amendments to a law that could result in detention and fines for “wearing clothing or bearing symbols in public that are detrimental to the spirit of the Chinese people and hurt the feelings of Chinese people.” What could be construed as an offense wasn’t specified.

The plan has been widely criticized, with Chinese legal scholars, journalists and businesspeople voicing their concerns over the past week. If it goes into effect, they argue, it could give the authorities the power to police anything they dislike. It would also be a big step backward in the public’s relationship with the government.

Under the rule of China’s top leader, Xi Jinping, the government has been fixated on control — how people think, what they say online and now, what they wear.

In July, an older man on a bus berated a young woman, on her way to a cosplay exposition — where people dress up as a characters from movies, books, TV shows and video games — for wearing a costume that could be considered Japanese style. A security guard at a shopping mall last month turned away a man who was dressed like a samurai. Last year, the police in the eastern city of Suzhou temporarily detained a woman for wearing a kimono.

These episodes were related to anti-Japanese sentiment instigated by the Chinese government. But the confrontations go beyond that.

Last month in Beijing, security guards cracking down on expressions of gay pride stopped people dressed in rainbow-themed clothes from entering a concert featuring the Taiwanese singer Zhang Huimei, better known as A-Mei. Also in August, people filed complaints about a concert by the Taiwanese singer Jolin Tsai because her fans displayed rainbow lights and some of the male fans dressed in what was described as “flamboyant” female clothing. Just last week the police in Shenzhen scolded a man who was livestreaming in a miniskirt. “A man wearing a skirt in public, do you think you’re positive energy?!” the police yelled at the man.

If the proposed amendments, which are open to public comment until Sept. 30, are approved by the national legislature, such incidents could result in fines of up to $680 and up to 15 days in police custody.

“The morality police is on the verge of coming out,” a lawyer named Guo Hui wrote on Weibo. “Do you think you can still make fun of Iran and Afghanistan?” People posted photos last week of Iranian and Afghan women wearing miniskirts and other Western-style clothes in the 1970s, before their countries were taken over by autocratic religious rulers.

Many people are concerned that the proposal doesn’t specify what would constitute an offense. The language it uses — clothing or symbols that are “detrimental to the spirit of the Chinese nation and hurt the feelings of the Chinese people” — tracks expressions the foreign ministry and official media use to voice their displeasure at Western countries and people. No one knows exactly what they mean.

Without a clear definition, enforcement of the law would be subject to the interpretation of individual officers….

(7) LOSCON 49 SPECIAL GUEST. Loscon 49 welcomes Robert J Sawyer as a Special Guest. The convention will be held at the LAX Marriott from November 24-26.

Rob is one of only eight writers in history — and the only Canadian — to win all three of the world’s top Science Fiction awards for best novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award. A prolific author, his most recent release is The Oppenheimer Alternative.

(8) DISNEY’S LATEST WAY TO EMPTY YOUR WALLET (OR MAYBE YOUR BANK ACCOUNT). [Item by Mike Kennedy.] Disney has announced they are releasing a Blu-ray + digital box set of 100 films. What’s the price, you ask? Well, if you ask, maybe you can’t afford it. Pre-orders start at Walmart.com later this month at a cool $1,500. “Disney will release a 100-film Blu-ray collection that includes Pixar movies” at The Verge.

Disney is releasing a 100-film Blu-ray collection on November 14th called the Disney Legacy Animated Film Collection (via The Wrap). Preorders will start on September 18th at Walmart.com, and we regret to inform you it will cost $1,500, according to The Wrap.

The collection includes movies from both Disney and Pixar, all crammed into three volumes of discs that span Disney’s entire feature film history from 1937’s Snow White and the Seven Dwarves to this year’s Elemental.

What’s really impressive is how little filler this package seems to have. Scrolling through the list that The Wrap published, it has every single movie I’d have wanted to see, like all of the Toy Story movies, both of The Incredibles, The Black Cauldron, Frankenweenie, and Robin Hood, but very few of the mediocre direct-to-video snoozers the company produced so many of over the years…

The Wrap’s coverage includes the complete list of films.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 11, 1856 — Richard Ganthony. Playwright of A Message from Mars: A Story Founded on the Popular Play by Richard Ganthony which is a genre version of Dicken’s A Christmas Carol. Really, it is. Published in 1912, it was filmed twice, both times as A Message from Mars (1913 and 1921) and I’m assuming as silent movies given their dates. It would be novelized by Lester Lurgan. (Died 1924.)
  • Born September 11, 1929 — Björn Nyberg. A Swedish writer known largely for his Conan stories which given that he wrote just one non-Conan story makes sense. His first book in the series was The Return of Conan which was revised for publication by L. Sprague de Camp. Likewise, they later did Conan the Avenger, Conan the Victorious, Conan the Swordsman and Sagas of Conan. The latter two are available at the usual suspects. (Died 2009.)
  • Born September 11, 1930 — Jean-Claude Forest. He became famous when he created Barbarella, which was originally published in France in V Magazine in 1962.  In 1967 it was adapted by Terry Southern and Roger Vadim and made into 1968 film of that name featuring Jane Fonda, with him acting as design consultant.  It was considered an adult comic by the standards of the time. (Died 1998.)
  • Born September 11, 1941 — Kirby McCauley. Literary agent and editor, who as the former who represented authors such as Stephen King, George R.R. Martin and Roger Zelazny. And McCauley chaired the first World Fantasy Convention, an event he conceived with T. E. D. Klein and several others. As Editor, his works include Night Chills: Stories of Suspense, Frights, Frights 2, and Night Chills. (Died 2014.)
  • Born September 11, 1951 — Michael Goodwin, 72. Ahhh — Alan Dean Foster’s Commonwealth series. I know that I’ve read at least a half dozen of the novels there and really enjoyed them, so it doesn’t surprise that someone wrote a guide to it which is how we have Goodwin’s (with Robert Teague) A Guide to the Commonwealth: The Official Guide to Alan Dean Foster’s Humanx Commonwealth Universe. Unfortunately, like so many of these guides, it was done once and never updated.
  • Born September 11, 1952 — Sharon Lee, 71. She is the co-author with Steve Miller of the Liaden universe novels and stories which are quite excellent reading with the latest being Neogenesis. The authors have won Edward E. Smith Memorial Award for lifetime contributions to science fiction, and The Golden Duck (the Hal Clement Young Adult Award) for their Balance of Trade novel.  They are deeply stocked at the usual digital suspects.
  • Born September 11, 1965 — Catriona (Cat) Sparks, 58. She’s manager and editor of Agog! Press with her partner, Australian horror writer Rob Hood. Winner of an astounding sixteen Ditmar Awards for writing, editing and artwork, her most recent in 2021 for Best Collected Work for Dark Harvest. She also collected one for The 21st Century Catastrophe: Hyper-capitalism and Severe Climate Change in Science Fiction. She has just one novel to date, Lotus Blue, but has an amazing amount of short stories which are quite stellar. Lotus Blue and The Bride Price are both available at the usual suspects. 
  • Born September 11, 1970 — Colson Whitehead, 53. Winner of the Arthur Clarke C. Award for The Underground Railroad. Genre wise, he’s not a prolific writer, he’s written but two other such works, The Intuitionists and Zone One. He’s written but one piece of short genre fiction, “The Wooden Mallet”. However he’s written seven other works including John Henry Days which is a really interesting look at that legend, mostly set at a contemporary festival. 

(10) IT PAYS TO PAY ATTENTION. [Item by Daniel Dern.] Even when it’s not something plot-essential, a lot can go by if you aren’t listening carefully (and know the territory).

Here’s an addition to the two callouts I caught in the final two episodes of The Flash (see Item 10 in the June 17, 2023 scroll)…

In the trailer for Gen V, the upcoming spinoff of The Boys, as potential supers (in a looks-like-Professor X’s School for Mutants) suggest power-related names, one student suggests “Coagula”. Which is the cape-name (or whatever we call these) of one of the late Rachel Pollack’s characters for her run on DC’s The Doom Patrol comics (after Grant Morrison’s run). (Here’s Coagula’s Wikipedia entry.)

(11) LOOK FOR IT ON STAR TREK DAY. “Paramount Teams with Kid Cudi on ‘Star Trek: Boldly Be’ Campaign” — Animation World Network has the story.

In celebration of “Star Trek Day,” Scott Mescudi, AKA Kid Cudi, is joining forces with Star Trek in a one-of-a-kind collaboration reflecting the “optimistic and inclusive spirit of adventure, discovery, imagination, and most importantly, hope, at the heart of the cultural phenomenon.” The collaboration will launch Star Trek’s new “Boldly Be” campaign.

Mescudi lends his lens to music with an original song inspired by Star Trek, an interactive gaming component, and a bold fashion collaboration that will launch in October. More details will be announced later….

(12) THERE’S PLENTY GOOD MONEY TO BE MADE SUPPLYING THE TOOLS OF THE TRADE. [Item by Steven French.] A company previously known for making chips for games is now making billions from AI: “How savvy trillion-dollar chipmaker Nvidia is powering the AI goldrush” in the Guardian.

It’s not often that the jaws of Wall Street analysts drop to the floor but late last month it happened: Nvidia, a company that makes computer chips, issued sales figures that blew the street’s collective mind. It had pulled in $13.5bn in revenue in the last quarter, which was at least $2bn more than the aforementioned financial geniuses had predicted. Suddenly, the surge in the company’s share price in May that had turned it into a trillion-dollar company made sense.

Well, up to a point, anyway. But how had a company that since 1998 – when it released the revolutionary Riva TNT video and graphics accelerator chip – had been the lodestone of gamers become worth a trillion dollars, almost overnight? The answer, oddly enough, can be found in the folk wisdom that emerged in the California gold rush of the mid-19th century, when it became clear that while few prospectors made fortunes panning for gold, the suppliers who sold them picks and shovels prospered nicely.

We’re now in another gold rush – this time centred on artificial intelligence (AI) – and Nvidia’s A100 and H100 graphical processing units (GPUs) are the picks and shovels. Immediately, everyone wants them – not just tech companies but also petro states such as Saudi Arabia and the United Arab Emirates. Thus demand wildly exceeds supply. And just to make the squeeze really exquisite, Nvidia had astutely prebooked scarce (4-nanometre) production capacity at the Taiwan Semiconductor Manufacturing Company, the only chip-fabrication outfit in the world that can make them, when demand was slack during the Covid-19 pandemic. So, for the time being at least, if you want to get into the AI business, you need Nvidia GPUs….

(13) TIM BURTON ON AI. “Tim Burton on Seeing His Animation Style Imitated by AI: ‘It’s Like a Robot Taking Your Humanity’” at Yahoo!

…“They had AI do my versions of Disney characters!” he exclaimed in response. “I can’t describe the feeling it gives you. It reminded me of when other cultures say, ‘Don’t take my picture because it is taking away your soul.’”

Some of the AI-generated examples included Elsa from Frozen with a pale white face and wearing a black dress while standing in what appeared to be a haunted forest, as well as Aurora from Sleeping Beauty with a similar colored face but with stitches across her cheeks and lying in a long, dark dress.

While Burton acknowledged that some of the creations were “very good,” it didn’t take away from the less-than-enjoyable feeling he got from seeing his creative style imitated.

“What it does is it sucks something from you,” he explained. “It takes something from your soul or psyche; that is very disturbing, especially if it has to do with you. It’s like a robot taking your humanity, your soul.”…

(14) THE FLIP SIDE. Guillermo del Toro is positively glib by comparison. “Guillermo del Toro Talks Artificial Intelligence: ‘I’m Worried About Natural Stupidity’” at Yahoo!

Oscar-winning director Guillermo del Toro isn’t much worried about artificial intelligence and its impact on making entertainment content.

It’s people that keep him up at night, evidently. “People ask if I’m worried about artificial intelligence, I say I’m worried about natural stupidity. It’s just a tool, right?” the Pinocchio and Shape of Water director said during a keynote address at the Toronto Film Festival on Friday.

“If anyone wants movies made by AI, let them get it immediately. I don’t care about people who want to be fulfilled and get something shitty, quickly,” he said, arguing that AI would succeed or die based on what people did with it creatively to bring a personal vision to a screen.

“Otherwise, why not buy a printer, print the Mona Lisa and say you made it,” del Toro said during his appearance in Toronto, which was part of the TIFF Visionaries program sponsored by The Hollywood Reporter….

(15) A GIF TO HUMANITY. Here’s a Godzilla teaser. You can watch the complete commercial on Facebook.

(16) VIDEO OF THE DAY. J. Michael Straczynski pointed Facebook followers to this is a dramatization of the Amazing Spider-man #36 that is about the terrorist attacks in New York on 9/11/2001: The Black Issue 9/11.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Steven French, William S. Higgins, Daniel Dern, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/10/23 The Scroll Goes Ever On And On, Far From The File Where It Began

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(1) GETTING COVERS BACK OUT FRONT. Entrepreneur assesses “Why Book Covers Are Making a Comeback”.

…Driven by visual social media and digital reading innovations, book cover design is reclaiming significance. Publishers are investing more in illustrated covers over text-dominant designs. Authors are regaining control over cover direction. Book cover reveals have become standalone social media events driving buzz. In many ways, we are witnessing a renaissance in the aesthetics and art of book covers. Let’s examine the forces driving this comeback.

…. Another paradoxical force spurring the comeback of print-style covers is the rise of e-books. With e-readers like Kindle gaining adoption, publishers feared print covers would lose significance. But an unexpected opposite effect occurred.

E-readers triggered innovations in e-book cover design that looped back to influence print covers. Interactive e-book covers came to life through animation and video. Digital-first elements like neon textures or holographic finishes became popular. E-book-first series that went viral, like ambitious illustrated covers for epic fantasy novels, crossed back over to print.

Reading ecosystem convergence is also elevating covers. Services like Amazon Matchbook give e-book copies of print purchases, keeping hardcover artwork relevant. Companies popularized custom dust jackets as consumable cover accessories. Display-worthy book boxes and monthly subscription book packages rely on striking cover reveals….

(2) STINKERS ALSO EDUCATE THE PALATE. “Legendary writer Alan Moore explains why it’s important to read ‘terrible’ books not just good ones” at Upworthy.

…“As a prospective writer, I would urge you to not only read good books. Read terrible books as well, because they can be more inspiring than the good books,” Moore says in a clip taken from his BBC Maestro online storytelling course.

“If you are inspired by a good book, there’s always the danger of plagiarism, of doing something that is too much like that good book,” Moore says in the video. “Whereas, a genuinely helpful reaction to a piece of work that you’re reading is, ‘Jesus Christ, I could write this sh*t!’ That is immensely liberating — to find somebody who is published who is doing much, much worse than you.”

Moore also believes that being exposed to bad writing can help you learn from other writers’ mistakes. Knowing why something doesn’t work can be as valuable as understanding why something succeeds….

(3) BLAZING THE WAY. Slashfilm documents “How Twilight Zone’s Rod Serling Pioneered The Sci-Fi Genre For Years To Come”.

…On the PBS website for American Masters, several notable artists were put on the record as to their fandom of Serling’s show. One might easily guess that Jordan Peele was a fan of “The Twilight Zone” as he served as executive producer and narrator for the 2019 revival. It will also shock no one to learn that Stephen King and Guillermo delt Toro are massive fans. King said in Marc Scott Zicree’s sourcebook “The Twilight Zone Companion” that he was inspired by Matheson in particular, while del Toro, although a “Twilight” fan, was more fond of Serling’s follow-up series “Night Gallery.”

One might be a little more surprised to learn that comedian Mel Brooks was a fan. Brooks, of course, had taste in entertainment that extended far beyond the comedies he was known for writing, as the maker of “Blazing Saddles” also produced films like “The Elephant Man” and “The Fly.” Brooks clearly had a thing for the unusual and the macabre and was impressed by Serling’s mastery over his production. In Mark Dawidziak’s 2020 book “Everything I Need to Know I Learned in the Twilight Zone: A Fifth-Dimension Guide to Life,” Brooks offered the following observation:

“The greatest lesson I learned is that you need to reserve judgment and seriously buy into the creation and design of the filmmaker. You’ve got to give it all up and go along with the magic. Every time I watched ‘The Twilight Zone,’ I was completely ready to surrender to it. That’s what the mystery of creation is all about. Give yourself over to that wonderful, wonderful mystery.”…

(4) CAPED FUN. A small-town gathering uses superheroes to raise money for childhood cancer research: “Superhero day kicked off in Athens to raise money for childhood cancer” on WAFF in Athens, Alabama.

Every child wishes they could be a superhero, right? On Saturday, kids had the opportunity to take part in the action, as part of Eli’s Block Party.

Children were inspired and had some fun with superhero characters for the free family-friendly event hosted by Athens-Limestone Tourism for childhood cancer research.

The special day was established in 2011 for Eli Williams, who fought medulloblastoma for almost six years. In 2017 Williams passed away and his mother, Kristie Williams remains a vital part of keeping his memory alive through the organization, Eli’s Block Party.

“The goal for Superhero Day is to honor this decade-long annual event by preserving it and continuing it,” said Tina Morrison, Athens-Limestone County Tourism Association Event Coordinator. “This kids event makes a positive change for children by providing a fun, free environment for all kids of all economic backgrounds. While having fun, they will also learn the importance of serving in their community, the importance of saving and donating money, and the opportunity to inquire with caring, professional adults about becoming community leaders when they grow up.”…

(5) A RED LETTER DAY. The date of next year’s LA Vintage Paperback Show has been set: Sunday, March 17, 2024.

(6) SURPASSING THE MASTER. ScreenRant stands behind “The Orville & 10 Other Sci-Fi Parodies As Good As The Franchises They’re Based On”.

Even though they’re often mocking their source material, sci-fi parodies can be as good as the franchises they’re based on. The Orville is better than modern Star Trek to some fans, and similar series have actually contributed to the genre as a whole with fun plots, memorable characters, and engaging visuals, with a moral lesson or two for good measure. Far from spoofing George Lucas’s original Star Wars trilogy, movies like Spaceballs actually elevate it, making its rich lore and world-building come across as even more distinct and iconic within the pop culture zeitgeist.

Unexpectedly in first place:

1. Star Trek: Lower Decks

Star Trek: Lower Decks focuses on the goings-on of the lower decks of Starfleet’s USS Cerritos, an unimportant vessel often called upon to engage in extraordinary adventures despite the mediocre nature of its crew. This animated series is actually a part of Star Trek canon but does an ingenious job of subverting it with humor. Everything fans have made fun of about the franchise for years is lovingly incorporated into jokes about cleaning bodily fluids from the holodeck, and this sci-fi parody is now touted as one of the best new Star Trek series of the last ten years.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 10, 1914 — Robert Wise. Film director, producer, and editor. Among his accomplishments are directing The Curse of The Cat People, The Day the Earth Stood Still, The Haunting, The Andromeda Strain and Star Trek: The Motion Picture. Though not at all genre, he also directed West Side Story and edited Citizen Kane, two exemplary accomplishments indeed. (Died 2005.)
  • Born September 10, 1952 — Gerry Conway, 71. Writer who’s best known for co-creating with John Romita Sr. and Ross Andru the Punisher character and scripting the death of Gwen Stacy during his long run on The Amazing Spider-Man. (ThePunisher comic is far, far better than any the three films is. I broke my vow of not watching anything I like and deeply regret it. I really mean that.) I’m also fond of his work on Weird Western Tales at DC. A truly odd and deeply entertaining series.  At DC, he created a number of characters including Firestorm, Count Vertigo and Killer Croc. Not genre at all, but he wrote a lot of scripts for Law and Order: Criminal Intent, one of my favorite series.
  • Born September 10, 1953 — Pat Cadigan, 70. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she co-wrote with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love. In many ways, it was better than the damn series is which I’ll discuss with anyone here. 
  • Born September 10, 1955 — Victoria Strauss, 68. Author of the Burning Land trilogy, she should be praised for being founder along with AC Crispin for being founder of the Committee on Writing Scams. She maintains the Writer Beware website and blog. 
  • Born September 10, 1958 — Nancy A. Collins, 65. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative.  She also wrote Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile.
  • Born September 10, 1964 — Chip Kidd, 58. Graphic designer. And isn’t that an understatement. He did Batman: Death by Design which was illustrated by Dave Taylor, and there’s his amazing homage to Plastic Man with Art Spiegelman, Jack Cole and Plastic Man: Forms Stretched to Their Limits. He also created the Tyrannosaurus rex skeleton design for the original Jurassic park novel which was later carried over into the film franchise. Neat. Really neat.
  • Born September 10, 1968 — Guy Ritchie, 55. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked, and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently is quite excellent as audience reviewers at Rotten Tomatoes give it a seventy percent rating. 

(8) COMICS SECTION.

  • In case you wondered, Tom Gauld shows it’s harder to find the right book than the right porridge.

(9) WEAK AND OTHER AI. Rich Horton reviews “Machinehood, by S. B. Divya” at Strange at Ecbatan.

…The novel is told primarily from the POV of Welga Ramírez, with a number of chapters from the POV of her sister-in-law Nithya. It is set in 2095, and its themes are stated to some extent in extracts from the Machinehood Manifesto, a document issued during the action of the novel. The first two declarations from the manifesto we see are: “All forms of intelligence have the right to exist without persecution or slavery.” and “No form of intelligence may own another.” We are quickly aware that this is a significant issue in this future, as the society is heavily reliant on bots of various forms — a fairly obtuse vendor bot is immediately introduced — and by WAIs, or “weak artificial intelligences”, such as Welga’s personal aide Por Qué. A key issue, clearly, is “what is intelligence?” (The Machinehood defines it very expansively.) Another issue, already fraught for this future society, is labor rights — the economy is largely a gig economy, and humans have struggled to compete for jobs as many jobs are performed by bots or WAIs….

(10) FOCUSED HISTORY. From Paul Weimer at Nerds of a Feather: “Review: The Lion House: The Coming of a King by Christopher de Bellaigue”.

…I have been speaking in terms as if this were a historical novel rather than an actual piece of non fiction, and I do think that this book really does borrow a lot from the novel tradition. The tradition expansive and sometimes dry history book of the past that turned off as many or more readers than they drew in is not so much a thing in modern history and non fiction. The rage these days is for the microhistory, for the history of sometimes not even just a particular person, but a moment in time, a decision, a small aspect of the world that can be illuminated, described and brought to life. Capturing Suleyman the Magnificent at the beginning of his reign, when he rising to his power and the crest of his reign (and arguably the height of the entire Ottoman Empire) is definitely in that microhistorical frame….

(11) ANOTHER SIDE OF TOM GAULD. In “Microreview: Mooncop” at Nerds of a Feather, Alex Wallace shows “Tom Gauld has more up his sleeve than just funny cartoons.”

…Mooncop is a slim volume; I read it in a single sitting, and I think most people could do it in a rather short amount of time. It is, in a sense, exactly what it says on the tin, being about a policeman on a lunar colony sometime in the not-too-distant future. Even the title feels like Gauld, in some way, with a bluntness that only obscures the greater depths of the work with a seeming irreverence towards standard titles….

(12) AND COME OUT FIGHTING. The Guardian referees the “Battle of the AIs: rival tech teams clash over who painted ‘Raphael’ in UK gallery”.

…Both studies used state-of-the art AI technology. Months after one study proclaimed that the so-called de Brécy Tondo, currently on display at Bradford council’s Cartwright Hall Art Gallery, is “undoubtedly” by Raphael, another has found that it cannot be by the Renaissance master.

In January, research teams from the universities of Nottingham and Bradford announced the findings of facial recognition technology, which compared the faces in the Tondo with those in Raphael’s Sistine Madonna altarpiece, commissioned in 1512.

Having used “millions of faces to train an algorithm to recognise and compare facial features”, they stated: “The similarity between the madonnas was found to be 97%, while comparison of the child in both paintings produced an 86% similarity.”

They added: “This means that the two paintings are highly likely to have been created by the same artist.”

But algorithms involved in a new study by Dr Carina Popovici, a scientist with Art Recognition, a Swiss company based near Zurich, have now returned an 85% probability for the painting not to be painted by Raphael….

(13) PLANKING THE SCRIPTURES. Thanks to AI you can own the Pirate Bible: The Whole Bible in Pirate Speak.

The Pirate Bible is a full translation of the Bible (including Old and New Testaments). It was translated using a complex algorithm and artificial intelligence to create a realistic translation of the Holy Book while striving to maintain content accuracy. We hope it inspires you to engage with the Bible in new and meaningful ways.

What’s the difference? Compare how the King James Version and the Pirate Bible render this verse:

Matthew 6:3 (KJV)

But when thou doest alms, let not thy left hand know what thy right hand doeth:

Matthew 6:3 (Pirate Bible)

But when ye scuttle booty, let not yer port hand know what yer starboard hand be doin’!

(14) VIDEO OF THE DAY. Ryan George plays the entire Solar System when “The Planets Hold An Intervention For Earth”. I mean, the Earth is just crawling with you-know-whats!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 9/8/23 Pixel? I Don’t Need A Pixel, My File Is On The Bandstand, My Scroll Is On The Floor

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(1) ATTACKING THE KILLER TOMATOES. “The most overrated metric in movies is erratic, reductive, and easily hacked,” says Vulture, nevertheless, “Rotten Tomatoes Still Has Hollywood in Its Grip”.

…“The studios didn’t invent Rotten Tomatoes, and most of them don’t like it,” says the filmmaker Paul Schrader. “But the system is broken. Audiences are dumber. Normal people don’t go through reviews like they used to. Rotten Tomatoes is something the studios can game. So they do.”

In a recent interview, Quentin Tarantino, whose next film is reportedly called The Movie Critic, admitted that he no longer reads critics’ work. “Today, I don’t know anyone,” he said (in a translation of his remarks, first published in French). “I’m told, ‘Manohla Dargis, she’s excellent.’ But when I ask what are the three movies she loved and the three she hated in the last few years, no one can answer me. Because they don’t care!”

This is probably because Rotten Tomatoes — with help from Yelp, Goodreads, and countless other review aggregators — has desensitized us to the opinions of individual critics. Once upon a time, Gene Siskel and Roger Ebert turned the no-budget documentary Hoop Dreams into a phenomenon using only their thumbs. But critical power like that has been replaced by the collective voice of the masses. A third of U.S. adults say they check Rotten Tomatoes before going to the multiplex, and while movie ads used to tout the blurbage of Jeffrey Lyons and Peter Travers, now they’re more likely to boast that a film has been “Certified Fresh.”…

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on a monstrous fish sandwich with Michael Bailey in Episode 206 of his Eating the Fantastic podcast.

Michael Bailey

This might be my most horrific conversation yet! Not merely because of my guest — but because certain scenes from Night of the Living Dead were shot in the basement of our chosen venue, The Original Oyster House!

Michael Bailey is an award-winning writer and editor, having been nominated for a Bram Stoker Award nine times, winning once for the anthology The Library of the Dead, and a four-time Shirley Jackson Award nominee. His novels include Palindrome Hannah (2005) and Phoenix Rose (2009). His short stories have appeared in numerous anthologies, including Birthing Monsters: Frankenstein’s Cabinet of Curiosities and Cruelties, Lost Highways: Dark Fictions from the Road, Canopic Jars: Tales of Mummies and Mummification, and most recently Hybrid: Misfits, Monsters and Other Phenomena.

Many of these stories have been gathered in the collections Scales and Petals (2010), Inkblots and Blood Spots (2014), Oversight (2018), and The Impossible Weight of Life (2020). He’s the owner of the small press Written Backwards, which has published many excellent anthologies, and I’m not calling them excellent simply because my own short stories have appeared in many of them. He’s currently the screenwriter for the documentary series Madness and Writers: The Untold Truth. Maybe?, which all of us in the horror community are looking forward to seeing.

We discussed his Stoker Award-nominated poetry collaboration with Marge Simon (and how they managed not to kill each other during the writing of it), how he knows when a poem is a poem and not a short story, what reading other anthologies taught him that made his own anthologies better, the economics of small press publishing, how to lose awards gracefully, the way getting an early story torn apart by Douglas E. Winter at Borderlands Boot Camp gave him the boost he needed, why his novel Psychotropic Dragon took 16 years to transform from an idea into a book, how one of the joys of writing is never knowing the end until you get there, his new obsession of making chocolate from fruit to bar, our shared love of revising continually, and so much more.

(3) SAAVIK JUSTICE WARRIOR. Charlie Jane Anders is back with “7 Hot Takes About Star Trek” at Happy Dancing. I second this motion:

4. We need a Saavik TV show or movie.

I understand why Jean-Luc Picard became the first Star Trek character to headline a TV series — because after all, Patrick Stewart is a beloved figure, even to extremely casual Trek fans. But when I think about Star Trek characters who both need and deserve to be explored further in long-form storytelling, my mind goes to Saavik. Even in a film as overstuffed with goodness as Star Trek II: the Wrath of Khan, Saavik stands out as one of the most interesting characters: an ambitious young Vulcan who looks up to Spock while also striving to embody the Starfleet values that Kirk often overlooks (because they come in the form of regulations.) Later, there are hints that she’s half-Romulan. The treatment of Saavik after Wrath of Khan is one of the worst travesties in Star Trek history: first, she helps the rejuvenated but rapidly-aging Spock through a slew of pon-farrs, then she’s tossed aside. Saavik is basically transformed into one of many plot devices in a clunky movie that only exists to bring Leonard Nimoy back to the franchise he’d been so eager to escape. Saavik was supposed to return in Star Trek VI as a traitor to the Federation, but she was replaced by Valeris. I have so many questions about this character: Does she have Spock’s baby? Why didn’t she go with Kirk and the others in Star Trek IV? How does she approach her return to the Federation after everything she went through? Justice for Saavik!

(4) DRAWN THAT WAY. BBC Culture analyzes “The legacy of Star Trek: The Animated Series, 50 years on”.

On a remote planet, the Guardian of Forever sits, a passageway through time to other realities, locations, dimensions. All of a sudden, Captain Kirk comes through the portal, with Spock close behind him, fresh from an adventure observing the beginnings of the Orion civilisation. There’s just one problem: Dr Bones McCoy has no idea who Spock is – and neither does anyone else on the starship USS Enterprise.  

This scene, from an episode called Yesteryear, doesn’t feature in any of the five core Star Trek series. The Original Series, The Next Generation, Deep Space Nine, Voyager, and Enterprise are modern classics that contain unending nostalgia for fans, but there’s another early Star Trek show that many people overlook – Star Trek: The Animated Series. It ran for just 20 episodes. Its status, and specifically whether it’s considered part of the “canon”, is uncertain. But it has an important legacy, bringing animation in as a key part of the franchise as well as keeping Star Trek in people’s minds during an in-between era, much like the one we’re entering now….

(5) BAD REVIEWS. Mark Roth-Whitworth’s “Bad reviews, good and bad” is about what make a bad review poorly written — it’s not about the review, it’s about style and form.

…I’ve always heard that any publicity is good publicity, but that’s not always the case… and not all bad reviews are equal….

…A legitimate bad review follows the kind of review that most are, dealing with things like writing, worldbuilding, etc. The bad review I looked at violated two basic rules…

(6) DEEP DIVE ON AI AND COPYRIGHT. “Potential Supreme Court clash looms over copyright issues in generative AI training data” at VentureBeat.

… The question is: How did we get here? How did the trillions of data points at the core of generative AI become a toxin of sorts that, depending on your point of view and the decision of the highest judicial authority, could potentially hobble an industry destined for incredible innovation, or poison the well of human creativity and consent?…

… But whether AI researchers creating and using datasets for model training thought about it or not, there is no doubt that the data underpinning generative AI — which can arguably be described as its secret sauce — includes vast amounts of copyrighted material, from books and Reddit posts to YouTube videos, newspaper articles and photos. However, copyright critics and some legal experts insist this falls under what is known in legal parlance as “fair use” of the data — that is, U.S. copyright law “permits limited use of copyrighted material without having to first acquire permission from the copyright holder.”… 

… However, the concept of “fair use” is based on a four-factor test — four measures that judges consider when evaluating whether a work is “transformative” or simply a copy: the purpose and character of the work, the nature of the work, the amount taken from the original work, and the effect of the new work on a potential market. That fourth factor is the key to how generative AI really differs, say experts, because it aims to assess whether the use of the copyrighted material has the potential to negatively impact the commercial value of the original work or impede opportunities for the copyright holder to exploit their work in the market — which is exactly what artists, authors, journalists and other creative professionals claim. 

“The Handmaid’s Tale” author Margaret Atwood, who discovered that 33 of her books were part of the Books3 dataset, explained this concern bluntly in a recent Atlantic essay: 

“Once fully trained, the bot may be given a command—’Write a Margaret Atwood novel’—and the thing will glurp forth 50,000 words, like soft ice cream spiraling out of its dispenser, that will be indistinguishable from something I might grind out. (But minus the typos.) I myself can then be dispensed with—murdered by my replica, as it were—because, to quote a vulgar saying of my youth, who needs the cow when the milk’s free?”…

(7) MISSION IMPERTURBABLE. Here are links to four more installments of Cass Morris’ diary from her adventures on Disney’s Star Wars-themed Starship Halcyon.

…Noah and I started at Weapons, which was simple but very satisfying: I was aiming, Noah was firing. I really can’t overstate how cool it is to play the game on that enormous viewport. It’s very easy to forget you’re not actually in space, firing lasers. From there we moved to Shields (I think; I may have steps 2 and 3 backwards in my brain), which is essentially playing Pong, but it’s also so satisfying. We both liked this station best — which apparently is an unusual choice? But we were very good at it. (This would be important later). Loaders was a bit like weapons, with one of us moving and the other grabbing cargo out of space. Then Systems was the hardest by far — but I think my second-favorite station. The display tosses up a sequence of positions that the console’s various dials, buttons, and toggles need to be in, and you have to match it as fast as possible to keep the ship in good repair. That station was manic. There are so many buttons. It was genuinely hard to keep track of them! But hard in a fun way….

Followed by —

(8) EXERTING A SPELL. The one book that makes the £50,000 Wolfson Prize Shortlist worth noting here is Portable Magic A History of Books and their Readers.

Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us. Gathering together a millennium’s worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books’ physical form – their ‘bookhood’ – that lends them their distinctive and sometimes dangerous magic. From the Diamond Sutra to Jilly Cooper’s Riders, to a book made of wrapped slices of cheese, this composite artisanal object has, for centuries, embodied and extended relationships between readers, nations, ideologies and cultures, in significant and unpredictable ways.

Exploring the unexpected and unseen consequences of our love affair with books, Portable Magic hails the rise of the mass-market paperback, and dismantles the myth that print began with Gutenberg; it reveals how our reading habits have been shaped by American soldiers, and proposes new definitions of a ‘classic’-and even of the book itself. Ultimately, it illuminates the ways in which our relationship with the written word is more reciprocal – and more turbulent – than we tend to imagine.

(9) BROOKLYN SCIFI FILM FESTIVAL. The 135 short and feature length films selected for screening at this year’s Brooklyn SciFi Film Festival are listed at the link above. The festival runs October 9 through the 15, and fans from around the world are welcome to join this one-of-a-kind event as all films will be made available online for streaming and rating through Brooklyn SciFi’s Netflix style festival platform. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 8, 1925 — Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are genre. Of course, he had the tour de force acting experience of being Group Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. He also took multiple roles (even the Queen) in The Mouse That Roared. Amusingly he was involved many folk tale productions in various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
  • Born September 8, 1937 — Archie Goodwin. Comics writer and editor with a very long career. He was the writer and editor of the horror Creepy and Eerie anthologies, the first writer on the Iron Man series, wrote comic book adaptations for Marvel of the two Star Wars sequels and edited the Star Wars line for them. For DC, he edited Starman which Robinson said he was inspiration for. (Died 1998.)
  • Born September 8, 1945 — Willard Huyck, 78. He’s got a long relationship with Lucas, first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom before being the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest rated on Rotten Tomatos Lucasfilm production ever at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm.  
  • Born September 8, 1952 — Linda D. Addison, 71. First Black winner of the Stoker Award which she has won five times which is rather amazing. Equally amazing, the first two awards were for her poetry collections Consumed, Reduced to Beautiful Grey Ashes and Being Full of Light, Insubstantial. Indeed all five of her Awards were to be for poetry collections. She also is the author of the story “Shadow Dreams”, published in the Black Panther: Tales of Wakanda anthology.
  • Born September 8, 1954 — Mark Lindsay Chapman, 69. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI, but the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, The New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances.
  • Born September 8, 1965 — Matt Ruff, 58. I think that his Sewer, Gas & Electric: The Public Works Trilogy is his best work to date though I do like Fool on The Hill a lot. Any others of his I should think about reading? And of course there is the adaptation of Lovecraft Country which I’ve not seen as I don’t have HBO. He won an Otherwise Award for Set This House in Order: A Romance of Souls, and an Endeavour Award for The Lovecraft Country.
  • Born September 8, 1975 — C. Robert Cargill, 48. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film if ever happens, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards Outstanding Script for a Television Anthology script. 

(11) COMICS SECTION.

  • The Flying McCoys shows the doctor is surprised by results of Dracula’s medical test.

(12) THREE PINTS OF PLOT IN A TEN GALLON HAT. The Guardian’s Stuart Heritage is not an Ahsoka fan: “Oh dear, George Lucas! Why the Star Wars universe is going from bad to worse”.

It must be very complicated being George Lucas. On the one hand, you get to wake up inside a vast Scrooge McDuck money vault every morning. On the other, you have to live with the absolute mess Disney has made of your life’s work. To be George Lucas must be to know that you are indirectly responsible for allowing something as soggy and aimless as Ahsoka to seep into the world.

Ahsoka has now reached its halfway point, with four of its eight episodes aired, and it’s fair to say that literally nothing has happened. We know what’s going to happen, because the characters won’t stop talking about it – they’re going to meet a new baddie who has been banished to a different galaxy and represents an enormous existential threat – but the show is plodding towards it so glacially that it feels as if we may never actually get there. It’s almost (almost!) as if Star Wars realises it has spread itself too thin and is doling out plot one measly quarter-portion at a time….

(13) FILL UP THE THIRD. Simultaneous Times Vol.3, a science fiction anthology, is now available from Space Cowboy Books. Edited by Jean-Paul L. Garnier, with cover art by Austin Hart (Critters Award Winner).

Sixteen wonderous stories of science fiction by authors from all over the world! From alien invasions to sentient plants to intergalactic travelers, this book has it all. Featuring stories from the 2023 Laureate Award winning, and two-time Hugo Award longlisted podcast Simultaneous Times, as well as stories appearing for the first time, this collection spans multiple generations of award-winning science fiction authors and covers a wide variety of SF styles and themes.

Stories by: Jonathan Nevair (Indie Ink Award Finalist); F. J. Bergmann (Writers of the Future Winner); Brent A. Harris (Sidewise Finalist); Gideon Marcus (Hugo Finalist); A. C. Wise (Sunburst Winner); Tara Campbell (Robert Gover Story Prize Winner); David Brin (Hugo Winner); Robin Rose Graves (Laureate Award Finalist); Renan Bernardo (Argos & Utopia Award Finalist); Christopher Ruocchio (Manly Wade Wellman Winner); Toshiya Kamei; Todd Sullivan; Susan Rukeyser; Ai Jiang (Nebula Finalist); Cora Buhlert (Hugo Winner); Michael Butterworth (Laureate Award Winner).

(14) THE TWO-EDGED SWORD OF TRUTH. Talya Zax introduces readers to “The Woman Who Reimagined the Dystopian Novel” in The New Yorker.

…The world of the Swedish writer Karin Boye’s little-known 1940 novel, “Kallocain,” is a close cousin to those depicted in “We” and “Brave New World.” Like Zamyatin’s and Huxley’s dystopias, Boye’s underground World State is a centralized authoritarian society whose inhabitants’ lives are tightly controlled. And, as in these earlier novels, Boye’s closed state is destabilized by the experience of awe. That wonder, however, is sparked by a contact not with the unpredictable and ungovernable external world but with the equally unpredictable and ungovernable reality of human experience—and, specifically, female experience. The women characters in many classic twentieth-century dystopias tend to be flat, mere foils to male protagonists. But in “Kallocain” it is the inner lives of women that come to illustrate both the state’s power over its citizens and their own power to resist….

… Dystopias weaponize what they fear. The World State of “Kallocain” fears truth, and therefore weaponizes truth. It fears familial bonds, so it weaponizes them, too. In her description of that process, Boye articulates a deceptively simple idea: when the state creates a weapon that requires human coöperation, it opens the door to that weapon being used against it….

(15) NOT JUST MOURNING COLORS. “To dye for: why Victorian Britain was more colourful than we think” explains the Guardian.

…A decade earlier, the flamboyant purple dresses made fashionable by the style leader Empress Eugénie of France were the preserve of the fabulously wealthy. Yet in just a few years, colours once made with expensive vegetable dyes were being industrially produced cheaply, thanks to an accidental discovery by an 18-year-old chemistry student William Henry Perkin. While attempting to synthesise quinine from aniline, a derivative of coal tar, Perkin realised the intense purples this colourless chemical produced could be used as a dye. He quickly established a factory for his new “mauveine”, as he called this early synthetic dye and chemists across Europe soon followed suit, expanding the synthetic colour palette. “The modern world of ubiquitous colour begins at this point,” says Winterbottom. “London’s streets and train stations are covered in brightly printed posters. People wear brightly coloured clothes. Everything from books to postage stamps becomes colourful.”

This rainbow transformation affected the entire social spectrum, from a working class who were now able to afford bright colours to members of the social elite rethinking their wardrobes. “Women asserted a more emboldened identity through colour,” says Winterbottom. In addition to loud dresses, ankles sporting coloured and striped stockings could be flashed thanks to newly swinging steel-hooped crinoline petticoats, which replaced the layers of fabric that previously helped to fill out skirts….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Francis Hamit, Jeff Smith, Mark Roth-Whitworth, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Smith.]

Pixel Scroll 8/31/23 Scroll, Scroll, Scroll That Novelette

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(1) CLARION WEST WORKSHOP FACULTY. Earlier this month Clarion West announced their 2024 Six-Week Summer Workshop Instructors:

The Clarion West 2024 Six-Week Summer Workshop will take place from June 16 – July 27, 2024. Applications for the 2024 Six-Week Workshop are planned to open in early December 2023. As of right now, Clarion West has tentatively booked a new location, fully ADA accessible, in Seattle to host the workshop in person.

(2) KEEP WATCHING THE SKIES. From September 2-6 we’ll jump in the Worldcon Wayback Machine and celebrate the 30th anniversary of the ConFrancisco Worldcon of 1993. There will be a series of posts drawing on my conreport for File 770, Evelyn C. Leeper’s report for MT Void, and the reports of party mavens Scott Bobo and Kurt Baty.

(3) GLASGOW 2024 BURSARY FUND. Next year’s Worldcon just put out Progress Report #2 which includes news about their fund to assist people in attending and an appeal for donations.  

(4) EDELMAN COLLECTIBLES ON BLOCK TO FUND PODCAST TECH PURCHASES. Scott Edelman needs to fund the purchase of new podcasting equipment for Eating the Fantastic, so he’s putting up for auction some of the memorabilia he’s collected over the years. Edelman has listed three items on eBay so far — autographed Babylon 5 trading cards, a Russian edition of A Game of Thrones signed by George R. R. Martin, and a promotional replica of Rick Grimes’ gun from The Walking Dead. More items will be added soon.

(5) TIMOTHY’S APPENDIX N. “How to play Dungeons and Dragons” at Camestros Felapton.

Our resident game expert Timothy the Talking Cat will take you through the basics of some of the world’s most popular games.

…One of my favourite games is Dungeons and Dragons. You can spend a lot of money on books about Dungeons and Dragons but the basic game is very simple. …

Timothy knows all the inside info, like what “DM” stands for.

… The DM can send you messages on your phone (aka “direct messages”, hence the name) for extra clues….

(6) HORROR AROUND THE GLOBE. Here are two more links to the Horror Writers Association’s month-long World of Horror series.

Is there a horror tradition in your country, in your culture? A taste for horror, a market? Not necessarily literature; perhaps oral tradition too.

In Italian culture there are many horror traditions, different for each region. They all came to life from superstitions and syncretism between Christianity and paganism, handed down for generations, especially in small towns. Many of them have oral and rural origins, in the form of stories told by the elderly, with a metaphorical meaning, or as warnings. Italian folklore is rich in this sense, having been a crossroads of peoples and traditions, including ghosts, demons, creatures, witches (many of them linked to the processes of the Inquisition), incarnations of nightmares and revenge, or demiurges of events such as earthquakes, famines, epidemics. Italian horror writers have a lot of material of this kind for their stories, to make known the peculiarities of our territories, with myths and legends capable of telling the dark imaginary of our country.

Do you make a conscious effort to include characters and settings from your country in your writing and if so, what do you want to portray?

All my writing is based in India, and I always ensure that characters and settings that portray my culture and socioeconomic situation form the baseline of my stories. My intention is to expose the audience to the horror while ensuring that they can actually imagine the setting and characters from their day-to-day lives.

(7) STAND BY FOR ISSUE 100 OF THE DARK. Sean Wallace, editor / publishers of The Dark, shared a peek at the cover of its hundredth issue, arriving soon.

(8) SOME TRILOGIES NEED A FOURTH BOOK.  “’It’s equal parts exciting and terrifying’: how authors are being influenced by their fans” in the Guardian. SF author Marie Lu responds to fans’ dismay over ending her Legends trilogy by making it a quartet:

…“Six years after Champion, I wrote a fourth book, Rebel, a real conclusion to the story that I had once thought finished. I realised that I wasn’t ready to let it go yet, and that I needed to know that my characters were going to be all right. I don’t think I would have known that had it not been for my readers. There is something special, even sacred, about the link between the writer and the reader, and about how we learn from each other, collaborators in our own way on a shared story.”…

(9) TERROR INITIATIVE AIMED AT LIBRARIES. Book Riot reports “There Have Been Several Public Library Bomb Threats This Week”.

Stochastic terrorism continues this week, following the numerous bomb threats made in Chicago-area libraries over the past month. Last week’s book censorship news roundup included a look at six different libraries in the Chicago suburbs which received bomb threats, followed by two more bomb threats at an Oklahoma school district and a Davis, California, public library. Several of those libraries received not just one bomb threat, but several over the course of the week.

What used to make headline news, though, now hardly gets a blip on the radar.

This week, there have been numerous bomb threats called into public libraries across the country. These threats are, no doubt, connected to the right-wing rhetoric around libraries and librarians. The rise of stochastic terrorism is what emerges when a political movement chooses to label a group “groomers” or “indoctrinators,” and through these bomb threats, they create terror for library workers and users alike….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. (Died 1984.)
  • Born August 31, 1932 — Robert Adams. He’s best remembered for the Horseclans series which became his overall best-known works though he wrote other works such as the Castaways in Time series.  While he never completed the series, he wrote 18 novels in the Horseclans series before his death. (Died 1990.)
  • Born August 31, 1949 — Richard Gere, 74. Lancelot in First Knight starring Sean Connery as King Arthur. And was Joe Klein in The Mothman Prophecies. That’s it. First Knight for me is more than enough to get Birthday Honours!  And there’s Chicago which though not genre is absolutely stellar. 
  • Born August 31, 1958 — Julie Brown, 65. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s also been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in TV’s Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink. 
  • Born August 31, 1969 — Jonathan LaPaglia, 54. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in a really bad film called Gryphon which aired on the Sci-fi channel, that’s his entire genre history as far as I can tell unless you count the Bones series as SF in which he’s in “The Skull in the Sculpture” episode as Anton Deluca. 
  • Born August 31, 1982 — G. Willow Wilson, 41. A true genius. There’s her amazing work on the WorldCon 75 Hugo Award winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list as should Alif the Unseen which remarkably some call cyberpunk. Oh, and the Cairo graphic novel with its duplicitous djinn is quite excellent as well. I’ve not yet read her Wonder Women story but will soon. She also got a nomination at Discon III for Invisible Kingdom, vol 2: Edge of Everything. Am I missing anything I should be reading? 
  • Born August 31, 1992 — Holly Earl, 31. English actress who was Kela in Beowulf: Return to the Shieldlands, and Agnes in Humans. She also played the young Kristine Kochanski in Red Dwarf in the “Pete, Part One” as well as Lily Arwell in the most excellent Eleventh Doctor story, “The Doctor, the Widow and the Wardrobe.“ She was Céline in the “Musketeers Don’t Die Easily” episode of Musketeers, and played Hermia in the ‘18 A Midsummer Night’s Dream film.

(11) COMICS SECTION.

  • The Far Side.  No, this is not that guy from The Hitchhiker’s Guide to the Galaxy. For all we know, this guy only did it once.

(12) TANA Q&A. “Sci-Fi Noir Detective Saga ‘eJunky’ Explores the Risks and Consequences of Relying on Technology – An Interview with Nicholas Tana” at the Los Angeles Science Fantasy Society website.

Where did you get the idea for eJunky?

Like many good stories, it started with a nightmare. I woke up sweating after dreaming that I had been abducted by aliens. They appeared like thin humans with extra large heads and big eyes, shadowy figures, in the distance—like moving trees creeping toward me from the dark corners of my bedroom.
As they came within a few feet, I could see that they were dressed in spandex one-piece outfits, midnight black, which later glowed various neon colors, a rainbow array.

There was a sense that I bore witness to their emotions changing, almost like those 1980s mood rings. It was not unlike seeing auras, I would imagine. Their visors and clothes kept changing colors according to their mood.

Soon I was forced to wear one of their visors, too. Immediately, I got the sense that this served a serious purpose of survival, a way of protecting us from each other, as if we needed to know how we were feeling in order to keep from killing each other. My fear quickly changed to calmness for a moment. Until I started to watch as they dissected my body. There was a flicker of fear, but it was swept away with complacency, too.

Then, I woke up.

(13) OCTOTHORPE. Episode 91 of the Octothorpe podcast is now up. Listen here! “O— O— O—“

John Coxon, Alison Scott and Liz Batty discuss the Clarke Award winner, the Hugo Voter Packet, and site selection at Chengdu, before getting really quite digressive about GUFF and some fairly outlandish fundraising ideas… Finally, we do picks, as Alison is building LEGO, John has played the Spiel des Jahres shortlist, and Liz has read arguably TOO MANY books.

(14) BALMS AWAY. ‘Scent of eternity’: scientists recreate balms used on ancient Egyptian mummy” and the Guardian takes a sniff.

…“Senetnay’s mummification balm stands out as one of the most intricate and complex balms from that era,” said Barbara Huber, the first author of the research from the Max Planck Institute of Geoanthropology.

Writing in the journal Scientific Reports, the team say Senetnay lived around 1450BC and was a wet nurse to Pharaoh Amenhotep II.

Senetnay’s canopic jars – vessels in which the deceased’s mummified organs were stored – were discovered in a tomb in the Valley of the Kings in 1900 by Howard Carter, the British archeologist who would later become famous for his role in discovering the tomb of Tutankhamun.

Huber and colleagues analysed six samples of residues of the mummification balms from inside two jars that that had once contained Senetnay’s lungs and liver, as indicated by hieroglyphic inscriptions.

The team found the balms contained a complex mix of ingredients, including fats and oils, beeswax, bitumen, resins from trees of the pine family, a substance called coumarin that has a vanilla-like scent, and benzoic acid, which can be found in many plant sources including cinnamon and cloves….

(15) IT’S A THEORY. “Our Human Ancestors Very Nearly Went Extinct 900,000 Years Ago, Genetics Suggest” – Smithsonian Magazine has the story.

… The study, published Thursday in Science, analyzed the genetic lineages of 3,154 modern humans to trace their characteristics backward in time and model the population patterns likeliest to have produced their existing genomes. Wangjie Hu, of the Chinese Academy of Sciences, and colleagues suggest that between 813,000 and 930,000 years ago the population of ancient humans that would eventually give rise to our own species, Homo sapiens, experienced what geneticists call a “bottleneck.” For unknown reasons, perhaps difficult environmental conditions, their numbers plunged dramatically to a point where our lineage was within a whisper of total extinction. Based on the study’s estimates, some 98.7 percent of our human ancestors were wiped out.,,,

… Population fluctuations, even those hundreds of thousands of years ago, leave signatures that can be identified in modern humans’ genomic sequences. To analyze them, a team of researchers led by Chinese geneticists developed a new tool called FitCoal. The researchers used the tool on more than 3,000 living individuals from 10 African populations and 40 non-African populations. FitCoal computations traced the populations’ many genetic mutations and their probabilities of occurring backward in time to arrive at estimates of population sizes that existed at various moments in evolutionary history.,,,

…Amazingly, the study suggests that our ancestors managed to survive in precariously small numbers for an extremely long time—an estimated 120,000 years. But when conditions again became conducive to human habitation, whether through beneficial climate shifts or, as the authors theorize, technological advances like human control of fire, our ancestors bounced back swiftly. By around 813,000 years ago, all ten African populations in the study appear to have increased by a factor of 20 times.

The Natural History Museum’s Stringer notes that, like other methods of reconstructing past populations, FitCoal relies on some assumptions and simplifications of factors like mutation rates. Since the authors have made FitCoal available to scholars, he adds, its accuracy will be further tested, and researchers may use it to investigate populations through other genomes like those of Neanderthals and Denisovans….

(16) DEMAND IN UK FOR AI LEGISLATION. BBC News reports “Pass AI law soon or risk falling behind, MPs warn”.

…The report also highlights twelve “challenges” that the UK government must address, including:

  • Bias: For example AI employment tools might associate women’s names with traditionally female roles
  • Privacy: AI tools can be used to identify people in ways that are controversial. For example, police use of live facial recognition systems that scan faces and compare them to watchlists of suspects
  • Employment: AI systems will replace some jobs and the economic impact of this will need to be addressed

The use of copyrighted material to train AI systems is also one of the challenges.

So-called generative AI systems can now create new works in the style of famous artists, actors and musicians.

But to pull off this feat AI is trained on huge amounts of copyrighted material. Many authors, actors, artists and musicians argue that AI should not be trained on their works without permission and compensation.

There are already steps to develop a voluntary agreement that would allow AI firms access to copyrighted works, while at the same time supporting artists, the report notes.

A planned exemption to copyright for AI firms was abandoned by the government in February….

(17) VIDEO OF THE DAY. While covering all the other “Barbenheimer” inspired creativity this summer I may have overlooked Ryan George’s “Barbenheimer Pitch Meeting”. But it’s not too late!

Once in a while, the internet goes absolutely nuts for something seemingly random. Recently, the concept of a Barbenheimer double feature emerge, and what seemed like just an internet meme translated into actual, real-world, box office dollars. Take that, Morbius! Barbenheimer definitely raises some questions. Like how did this insane pairing of films come to be? What do these movies have in common? Why is every single word in Oppenheimer underscored with epic music? Why did Barbie keep driving its message home long after it was clear what it was trying to say? To answer all these questions, check out the pitch meeting that led to Barbenheimer!

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, John Coxon, Jeffrey Smith, Lise Andreasen, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge, for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who knows a smokin’ idea when he has one.]