Pixel Scroll 4/18/24 Quick Is Your Pixel, By Mickey Scrollane

(1) JEMISIN IN KANSAS. KU’s Gunn Center for the Study of Science Fiction invites readers to join them on April 25, 2024 for the next “KU Common Book Lecture [VIRTUAL]: An Evening with N.K. Jemisin.” Learn more about the influence of Octavia E. Butler on Jemisin’s work. Register at the link.

The KU Common Book program is coordinated by the KU Libraries, the Hall Center for the Humanities, and the Division of Academic Success. Author N. K. Jemisin will visit campus in April to give the Common Book Lecture. The Common Book for the 2023-24 school year is Parable of the Sower by Octavia E. Butler. Butler, who died in 2006, was influential to the career of Jemisin, a fellow science fiction writer, and Jemisin also wrote the forward to the most recent edition of Parable of the Sower.

(2) PEN AMERICA LITERARY AWARDS UNDER PROTEST. “Amid Mounting Criticism, PEN America Literary Awards In Limbo” reports Publishers Weekly.

Amid growing criticism over its response to the humanitarian crisis in Gaza, freedom of expression nonprofit PEN America is facing questions over whether its Literary Awards ceremony, World Voices Festival, and Literary Gala, all scheduled to be held within the next month, can proceed as planned.

Last week, a number of nominees withdrew their books from consideration for PEN awards citing the organization’s response to the war in Gaza. Esther Allen, one of three cofounders of the World Voices Festival, declined this year’s PEN/Ralph Manheim Award for Translation. Since that time, nine of the 10 longlisted authors for this year’s PEN/Jean Stein Book Award, which comes with a $75,000 monetary prize, have withdrawn their books from consideration.

According to the activist organization Writers Against the War on Gaza (WAWOG), a further 20 authors have withdrawn their longlisted books for other PEN awards including the PEN/Robert W. Bingham, PEN/Hemingway, PEN/Robert J. Dau, and PEN/Voelcker awards, as well as the PEN Translation Prize, PEN Award for Poetry in Translation, and PEN/Heim Translation Fund Grant. The books have since been rounded up in a collection, “2024 PEN America Literary Awards Boycott for Palestine,” curated by WAWOG and currently featured on the homepage of Bookshop.org.

Furthermore, on April 17, 21 authors signed a letter of refusal addressed to the executive board and trustees of PEN America demanding, among other items, the immediate resignations of board president Jennifer Finney Boylan, CEO Suzanne Nossel, and the executive committee. Another nine signatories have pledged to donate prize money to mutual aid funds funds in Gaza. (Iliad translator Emily Wilson, who was not a signatory, also pledged to donate prize money in a tweet this morning.)…

…When contacted for comment, a PEN America administrator told PW that the organization is in touch with authors nominated for this year’s awards, and has paused announcing this year’s awards finalists as it deliberates on how to move forward with the upcoming awards ceremony, which is slated for April 29. The administrator added that the PEN/Jean Stein Award will not be awarded by default to the one remaining longlisted author, as the judging protocol for the award has not been changed in response to the withdrawals.

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to sup on scallops with Arthur Suydam in Episode 223 of the Eating the Fantastic podcast.

It’s time to take a seat at the table for the first of two dinner conversations which took place during last month’s AwesomeCon in Washington D.C. — starting with Arthur Suydam, whose professional comics career began when he drew a story published in the May 1974 issue of House of Secrets for DC, right around the time my own comics career started at Marvel editing the British reprint line in June. We somehow never encountered each other as we navigated the comic community of the ’70s, and in fact, we never met until the Saturday of our meal.

Arthur Suydam

After a bunch of those horror stories for various DC titles, Suydam moved on to Epic IllustratedHeavy Metal, and other publications where he could do the kind of painted work most people know him for today, writing and drawing such features MudwogsThe Adventures of Cholly & Flytrap, and others.

He’s perhaps most well known for his zombie work — which includes dozens of covers for the Marvel Zombie series and spin-offs — which earned him the nickname of “The Zombie King.” In 2008, Marvel even released a hardcover tribute titled Marvel Zombies: The Covers. His artwork has also appeared in such titles as BatmanConanTarzanPredator, and Aliens, and his cover art was featured on Ghost RiderHellstormMoon KnightWolverineMarvel Zombies vs. The Army of Darkness, and many others. He’s also provided noir-ish, retro covers for the Hard Case Crime paperback line.

We discussed the way a lengthy hospital stay resulted in him falling in love with comics, what Joe Orlando said to convince him to start his comics career at DC instead of Warren, the permission he was granted upon seeing the ghastly artwork of Graham Ingels, what he learned from dealing with cadavers during his art student days, how Gil Kane hurt his feelings by chewing out his early work, the grief Frank Frazetta got out of dealing with Mad magazine, the way his work for Epic Illustrated made Archie Goodwin squirm, why Marvel teamed him up with Robert Kirkman for its Marvel Zombies project, his reason for avoiding social media like the plague, and much more.

(4) MEET DANGEROUS VISIONS. The new Patton Oswalt and J. Michael Straczynski introductions to the latest edition of Dangerous Visions can be read on Amazon. (The linked sample also includes the Michael Moorcock and Harlan Ellison forewords from the 2002 edition, and Ellison’s intro from the original 1967 edition.)

(5) CAITLIN THOMAS. Deepest condolences to the Thomases who lost their daughter Caitlin yesterday. For those looking to help, a GoFundMe is here.

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 18, 1971 David Tennant, 53. Of the modern Doctor Whos, the one performed by David Tennant is my favorite by far. (It won’t surprise you that Tom Baker is my classic Doctor.) I liked him from the very first time that he appeared, in “The Christmas Invasion”.  (Spoiler alert from here out.) The fact that he won’t finish his transition until he inhales the fumes from a dropped flask of tea. Oh, what a truly British thing to have him do! 

David Tennant

Christopher Eccleston was good but I thought that he didn’t have long enough to fully settle into the role so I felt his character was more of a sketch than a fully developed character. His certainly would have been a better Doctor if he’d decided to stay around, but he didn’t. 

Tennant on the other hand had three series plus some specials, he’d also be the Doctor in a two-part story in Doctor Who spin-off, Sarah Jane Adventures, “The Wedding of Sarah Jane Smith”. He got time to settle into his character.  And what a character it was — intelligent, full of humor, sympathetic and just alien enough in his quirkiness to believable that he wasn’t human. 

Oh, and the stories. So, so great. Those along with his companions made for ever so great watching. My favorite companion? Each had their strengths — Rose Tyler, Donna Noble and Martha Jones, all made fine companions in very different ways. 

If I could pick just one story from his run, it’d be “The Unicorn and The Wasp” with Agatha Christie as a character and Donna Noble as the companion. And it was a country manor house mystery! 

Yes, I know he came back as the Fourteenth Doctor. Or will. Not having Disney I’ve no idea which tense applies. I know I could look it up but I’m haven’t and not inclined to subscribe to that service just to watch this series and there’s nothing else there I’m that much interested in. 

It’s certainly not his only genre role,and yes he played several Doctor Who roles before being the Tenth Doctor. He had a role in the BBC’s animated Scream of the Shalka and appeared in several Big Finish Productions. I think I read he played a Time Lord in one of them. 

Now let’s see about his other genre roles… One of my favorite series, Randall & Hopkirk (Deceased), had him  up as Gordon Stylus in the “Drop Dead” episode. The Quatermass Experiment film had him as Dr. Gordon Briscoe. He was in Harry Potter and the Goblet of Fire as Barty Crouch Jr., a fine performance he gave there.

In How to Train Your Dragon and How to Train Your Dragon: The Hidden World, which I think has awesomely cute animation, he voices Spitelout Jorgenson, a warrior of the Hairy Hooligan Tribe. Need I say more? I think not.  DreamWorks Dragons was another series in which he voiced this character. 

In Star Wars: The Clone Wars, he had a short run there as Huyang. 

Huh. He even voiced a character in a Teenage Mutant Ninja Turtles series, one called Fugitoid, a sort of android figure.

He’s the voice of Dangerous Beans in The Amazing Maurice off Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

The last role I’ll mention is his Jessica Jones one and one that honestly made me not watch the series. No, I’ll not say why as that’d be a major spoiler. He was called Kevin Thompson / Kilgrave. 

(7) COMICS SECTION.

  • Thatababy gets into kaiju algebra.
  • Tom Gauld might be thinking of Pluto. Or not.

(8) SUNKEN CHEST. This is not how you expect a superhero to start out looking. Jason Aaron redefines the King of Atlantis in a new Namor comic book series that arrives July 17.

The eight-issue epic will forever reshape the seas and bare the dark history of Atlantis and its fiercest, most infamous defender. Stay tuned for more information.

(9) ONCE IN A LULLABY. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature takes us somewhere over the rainbow with an exo-planet: “An exoplanet is wrapped in glory”.

Astronomers spot the first planet outside the Solar System to boast a phenomenon reminiscent of a rainbow.

The rainbow-like phenomenon called a glory (artist’s illustration) appears at the boundary between the day and night sides of the exoplanet WASP-76b.

Primary research here.

(10) BLATAVSKY, LINNAEUS, AND MERMAIDS, AND , OH MU! [Item by Steven French.] Oh, how I long for lost Lemuria! “Like Atlantis, Lemuria Is a Lost Land That Never Existed, But Became So Much Bigger” at Atlas Obscura. Lots of inventive maps at the link.

PHILIP SCLATER SHOULD HAVE STOPPED writing in 1858. That’s when he published one of the foundational texts of biogeography, the science that studies the distribution of species and ecosystems across space and time.

But there was one little primate that didn’t neatly fit into Sclater’s division of the world into six biogeographical realms. He had found fossils of lemurs in both Madagascar and India, even though those places belong to two wholly separate realms. (In today’s biogeographical parlance, those would be the Afrotropical and Indomalayan zones, respectively.)

So he did what other scientists of the day did when faced with similar disconnects: He proposed a vast land bridge that had once linked Madagascar to India. And he gave that hypothetical continent, now swallowed by the Indian Ocean, an appropriate name: Lemuria…

(11) YETI. That’s the mystery creature at the heart of Primevals.

(12) VIDEO OF THE DAY. [Item by Daniel Dern.]

From 12 years ago.  “Be sure to watch to the end,” says Dern. “The Best Star Trek Commercial Ever”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Daniel Dern, Scott Edelman, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jan Vanek jr.]

Playing With Full Fannish Decks

By Daniel Dern: I’m not immediately moved to order any for myself — I’ve already got enough interesting (non-magical) card decks (robots, 3D dinosaurs, Alice, etc), but surely some Filers will be bemused, perhaps even moved to acquire. These are the ones that seemed most sfnal, but there’s lots more.

BTW, it looks like you can find many of these decks at significantly better prices (e.g. give or take shipping costs) at MJMagic.com. (Note, I have not yet ordered from this store/shop)

And a deck for credentials: Bicycle Poker Cats Playing Cards.

Additional decks from Daniel Dern’s own collection.

Pixel Scroll 4/11/24 One Scroll, Furnished In Early Pixelry

(1) IT PAYS TO BE A GENIUS OF COURSE. The Steampunk Explorer updates fans about the Girl Genius Kickstarter:

Call it mad science or just good storytelling, but Phil and Kaja Foglio are blazing through Kickstarter with their latest Girl Genius graphic novel. The campaign for An Entertainment In Londinium reached its US$50,000 funding goal within 24 hours and is now in six-figure territory. It launched on April 3.

Stretch goal rewards include the “Envelope of Madness” with bookplates, bookmarks, and other printed items. Backers will also get PDF downloads of Volumes 12 through 14. All Girl Genius titles are now available for 50 percent off from DriveThru Comics through May 5.

The campaign itself runs through May 1. See the Kickstarter page for more info.

(2) OCTOTHORPE. Episode 107 of the Octothorpe podcast unpacks“The Significance of the Acorn”.

At Eastercon we welcomed Stunt Liz, Nicholas Whyte, to the podcast for the first time, and he brought an excellent tartan rocket! We discuss Glasgow 2024’s April Fool’s Day joke, before moving onto the Hugo Award finalists, what we think of Telford, and chatting about a lot of British TV.

Transcript here.

John, Alison, and Nicholas Whyte stand in front of a projection of the Octothorpe podcast and behind a panel table. Each of them wears a convention badge, and Nicholas holds the Glasgow Landing Zone Rocket. Nicholas is looking at the camera, while John and Alison are not quite as good at this. The table they stand behind holds beers, coffees, convention newsletters, phone batteries, microphones, and table tents.
Octothorpe at Levitation. Photo by Sue Dawson.

(3) HUGE RESPONSE. “’Joker 2′ Trailer Hits 167 Million Views in First 24 Hours” reports Variety.

The trailer launch for “Joker: Folie à Deux” was no laughing matter for Warner Bros. The marketing for the studio’s upcoming DC sequel, headlined by Joaquin Phoenix and Lady Gaga, got off to a stellar start with 167 million viewers in its first 24 hours. The teaser trailer went online right after it debuted at Warner Bros.’s CinemaCon presentation in Las Vegas.

Sources tell Variety that the “Joker” sequel’s trailer numbers and social engagement surpassed that of the first “Barbie” trailer to become Warner Bros.’ biggest launch in recent years. The release was no doubt bolstered by Lady Gaga’s massive 150 million follower social media footprint. The trailer instantly became the #1 trending video on YouTube on premiere night and currently boasts 15.6 million views and counting on that platform alone, where it remains the #4 trending video nearly two days after its launch…

(4) ANOTHER DISNEY CASTING KERFUFFLE. [Item by Mike Kennedy.] OK, this has gotten out of hand. It seems like every time there’s a movie remake (especially a Disney remake) somebody has to find way to get all bent out of shape about casting. Much of the time, a racist way.

But this time they jumped the gun extra early. There’s a rumored casting of a live action remake for Disney’s Tangled. But, let’s be clear, there’s no further rumor of the remake itself, just the casting.

So now some people online are jumping all over the actress (Avantika Vandanapu) who happens to be Indian-American. Because reasons. Stupid, racist, reasons. 

As one online commentator said, the haters seriously “still need a hobby.” “Avantika Vandanapu receives backlash for rumored casting as Rapunzel in ‘Tangled’ remake” says Variety.

…Although Avantika’s rumored casting received criticism from some on social media, fans also showed support for the “Senior Year” actress.

“These comments are so awful. I’m so sorry girl you are perfect,” one Instagram user wrote, while another added, “She is my Rapunzel ❤”

“Never Have I Ever” star Maitreyi Ramakrishnan also appeared to weigh in on the online controversy, writing on X Tuesday, “And they finally woke up to realize it was all just rumors and the sources never existed. … And to the racists, y’all still need a hobby (for real)”…

(5) ELUSIVE BRADBURY COLLECTION. Episode 2 of Phil Nichols’ Bradbury 101, first aired in 2021, is devoted to a rare OP anthology.

DARK CARNIVAL is Ray Bradbury’s great “lost” book, one of his finest short story collections. But it’s out of print, and has been for decades! Find out why in this episode..

(6) TRINA ROBBINS (1938-2024). Trina Robbins, artist, writer and editor of comics, died April 10. The New York Times has a biographical tribute.

…In 1970, Ms. Robbins was one of the creators of It Ain’t Me Babe, the first comic book made exclusively by women. In 1985, she was the first woman to draw a full issue of Wonder Woman, and a full run on a Wonder Woman series, after four decades of male hegemony. And in 1994, she was a founder of Friends of Lulu, an advocacy group for female comic-book creators and readers….

…Ms. Robbins was responsible for the first publication of some notable cartoonists in The East Village Other, including Vaughn Bode and Justin Green, but she took particular pride in the women’s anthologies she edited and co-edited, and in their explicitly feminist content: It Ain’t Me Babe Comix, Wimmen’s Comix and the erotic Wet Satin.

She also designed the famously skimpy outfit for Vampirella, a female vampire who appeared in black-and-white comics beginning in 1969 — although her design was not as skimpy as the costume later became. “The costume I originally designed for Vampi was sexy, but not bordering on obscene,” Ms. Robbins told the Fanbase Press website in 2015. “I will not sign a contemporary Vampirella comic. I explain, that is not the costume I designed.”…

Prior to her career in comics, Robbins was a clothing designer and seller, and for awhile a pinup model. She was in contact with fandom in the Fifties and Sixties, and posed for the cover of an issue of Fanac, the fannish newzine, wearing a propellor beanie and with her feminine attributes strategically covered by a copy of Fancyclopedia.

Harlan Ellison and Trina Robbins at the 1955 Midwestcon.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 11, 1920 Peter O’Donnell. (Died 2010.) London-born Peter O’Donnell was the creator of the Modesty Blaise comic strip along with illustrator Jim Holdaway sixty-one years ago. She has no past as she doesn’t remember anything about her life before escaping from a displaced persons camp in Greece after WW II at the age of fifteen. She runs a criminal gang called The Network, and takes her last name from Merlin’s tutor. Her sidekick, of course she has one, is Willie Garvin, to give a bit of friendship in her life.

Peter O’Donnell from the rear dustjacket flap of the Archival Press edition of The Silver Mistress. Photo by Robert K. Wiener.

O’Donnell and Holdaway met when they worked together on a strip about Romeo Brown, a dashing private detective and reluctant ladies’ man, that ran in the tabloid Evening Standard for most of the Fifties. Blaise, too, would run here. It was quickly picked up globally running in the US, Australian, Indian, South African, Malaysian and other papers as she had a great appeal.

After Holdaway’s death in 1970, the art was by Spanish artist Enrique Romero. He would leave eight years later with three artists replacing him until he came back until the end of the strip with it still running in the Evening Standard thirty-eight years after it debuted. 

Yes, it became a film which came just three years into the running of the strip. My did it piss O’Donnell off. Why so? Because he was hired to write the script which they then shitcanned and wrote a new one that had almost nothing to do with characters, the storyline or, well, anything else with the strip. Remember that friendship between her and Willie? Here it becomes full blown romance. And that’s just one of many, many changes. 

A later film, Modesty Blaise, would be done as a pilot for a series that never happened and yet another film, My Name is Modesty Blaise, would be done for yet another series that never happened.  The one had O’Donnell as a consultant and he liked it.

My Name is Modesty Blaise would be the only one with a British actress as the first had an Italian actress. Now Modesty wasn’t necessarily British as O’Donnell repeatedly said her nationality was deliberately not revealed. 

I’ve not touched upon the plethora of books, short stories, graphic novels and original audiobooks that came of these characters in the part sixty years, and I’ll skip detailing them here. 

So there you are. I did enjoy the strip when Titan, one of many who did, collected them in trade editions. I think there’s at least fifty trade paper editions available right now on Amazon. 

(8) COMICS SECTION.

(9) BE KIND TO YOUR WEB-FOOTED FRIENDS. This July, Marvel and Disney honor the 90th anniversary of Donald Duck and the 50th anniversary of Wolverine with an unexpected mashup adventure—Marvel & Disney: What If…? Donald Duck Became Wolverine #1.

Crafted by two acclaimed Disney comic creators, writer Luca Barbieri and artist Giada Perissinotto, MARVEL & DISNEY: WHAT IF…? DONALD BECAME WOLVERINE #1 is the latest comic book collaboration between Marvel and Disney following the What If…? Disney Variant Covers of the last few years and the highly anticipated Uncle Scrooge and the Infinity Dime #1 one-shot comic out this June. Fans can look forward to even more exciting crossovers between Marvel heroes and Disney icons throughout this year and next! 

The comic will introduce Donald-Wolverine along with all sorts of reimagined Disney and Marvel mashups in a wild adventure inspired by one of Wolverine’s most memorable story arcs, Old Man Logan. In addition, the saga will revisit some of the greatest moments in Donald-Wolverine’s history including his time spent with Weapon X and the Uncanny X-Men!  

Travel to the near future where chaos rules as Pete-Skull transforms Duckburg into a super-hero-less wasteland. Only Old Donald Duck can turn the tide, but he’s given up his battling days and prefers naps and his grandma’s apple pie over fighting villains. But when Mickey-Hawkeye comes knocking at the door with Goofy-Hulk at his side, Wolverine-Donald has to make a choice! Will a trip down memory lane change his mind to save the world? Or will the lure of the backyard hammock and a long nap keep him from popping his claws one last time?

(10) FOLLOWING GODZILLA’S ACT. Variety learns, “‘Monarch: Legacy of Monsters’ Renewed, Multiple Spinoffs Set at Apple”.

Monarch: Legacy of Monsters” has been renewed for Season 2 at Apple TV+Variety has learned.

In addition, Apple has struck a deal with Legendary Entertainment to develop multiple spinoff series set in the so-called Monsterverse….

…The official description for Season 1 states: “Following the thunderous battle between Godzilla and the Titans that leveled San Francisco and the shocking revelation that monsters are real, ‘Monarch: Legacy of Monsters’ tracks two siblings (Sawai, Watabe) following in their father’s footsteps to uncover their family’s connection to the secretive organization known as Monarch. Clues lead them into the world of monsters and ultimately down the rabbit hole to Army officer Lee Shaw (Kurt Russell, Wyatt Russell), taking place in the 1950s and half a century later where Monarch is threatened by what Shaw knows.”…

(11) SO WE’LL WALK UP THE AVENUE. “They Made a Movie About a Pack of Sasquatches. Why?” The New York Times asks the filmmakers.

…An earthquake and an eclipse weren’t the only natural rarities that happened in New York City this past week. Did you hear about the sasquatch in Central Park? The makers of “Sasquatch Sunset” sure hope you did.

That’s because the sasquatch was a costume and his stroll through the park was a publicity push for the new film from the brothers David and Nathan Zellner. Opening in New York on Friday, the movie spends a year in the wild with a sasquatch pack — a male and female (Nathan Zellner and Riley Keough) and two younger sasquatches (Jesse Eisenberg and Christophe Zajac-Denek) — as they eat, have sex, fight predators and reckon with death.

Droll but big-hearted, the movie sits at the intersection of the ad campaign for Jack Link’s beef jerky, the 1987 comedy “Harry and the Hendersons” and a 1970s nature documentary, down to the hippie-vibe soundtrack.

Is it a family-friendly movie?

KEOUGH It depends on the family. [Laughs] I think the audience is everybody. It might be scary for small children.

DAVID ZELLNER It’s rated R for nudity, which is the funniest thing.

(12) CATS AND DOGS LIVING TOGETHER. Meanwhile, Camestros Felapton has fled the country, leaving behind to distract pursuers “McEdifice in: MYCOPHAGE! Part 1”.

Cliff “Edge” McEdifice is MYCOPHAGE the intoxicating new thriller from Timothy the Talking Cat, Straw Puppy and the ghost of Michael Crichton.

It is the Year 1995 and Cliff “Edge” McEdifice (ancestor of future soldier Chiselled McEdifice) is entangled in a web of conspiracy, tendrils and webs.

(13) NEXT TREK. “Star Trek Origin Movie Officially Announced By Paramount For 2025 Release” at ScreenRant.

Paramount Pictures officially announces the next Star Trek movie, which is scheduled to arrive in theaters in 2025. As reported in January, the next Star Trek movie isn’t the long-delayed, Chris Pine-led Star Trek 4 produced by J.J. Abrams, which remains in development at Paramount. Rather, the next Star Trek movie is an origin story directed by Toby Haynes (Star Wars: Andor) and written by Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter).

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Arnie Fenner, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/27/24 The DiskWorld Turned Upside Down (Because “RingWorld” Here Wouldn’t Make Sense, Would It?)

(1) HUGO SHORTLIST ANNOUNCEMENT COMING ON FRIDAY. The Glasgow 2024 committee will announce the Hugo finalists at Eastercon.

(2) BUTCHER WILL MISS NORWESCON 46. Writer guest of honor Jim Butcher has contracted COVID-19 and will be unable to travel to Norwescon this weekend. The committee adds, “While this is disappointing to all of us who wished to see him, we sincerely wish him the best for a speedy recovery, and hope to see him again in the future.”

(3) EXPAND YOUR VOCABULARY. [Item by Steven French.] The Guardian reports “The Oxford English Dictionary’s latest update adds 23 Japanese words” including:

Isekai, a Japanese genre of fantasy fiction involving a character being transported to or reincarnated in a different, strange, or unfamiliar world … A recent example of the genre is Hayao Miyazaki’s Studio Ghibli film The Boy and the Heron, in which 12-year-old Mahito discovers an abandoned tower, a gateway to a fantastical world.

(4) FANDOM BEFORE THE DATE WHICH SHALL LIVE IN INFAMY. First Fandom Experience will release the third book in the series on April 5 at the Windy City Pulp and Paper Convention in Chicago: “Introducing Volume Three of The Visual History”.

Science fiction fandom in 1941 played out in a panoply of wisdom, foolishness, belief and incredulity. Less mired than previous years in the economic shackles of the Great Depression, fans let loose in ways both expected and surprising.

The year began with a bang – the noisy implosion of the ascendant Queens Science Fiction League, torn apart by rancor among New York factions stewing since 1938. In early December, fans in America were forced to face the threat of imminent dystopia as insidious products of science and engineering rained down on sailors at Pearl Harbor.

Between these bookends, fans read and wrote and gathered and argued and published in profusion – mostly in good humor.

The perennial questions persisted. What’s the purpose of the fiction we inhale like oxygen? What role do fans play in the world? Are we somehow better than others? What’s the point of organizing? Perhaps these debates were reason enough to come together.

Fans flocked together. Small but vibrant clubs coalesced in Boston, Minneapolis, northern New Jersey and central Michigan. Regional gatherings established communities and annual conferences that still endure….

(5) THE RIGHT STUFFY. Futurism amusingly tells how “AI-Powered Children’s Toy Agrees to Stop Responding, But Keeps Butting Into Conversation Again”. The article is based on the video review below.

Late last year, Claire “Grimes” Boucher, acclaimed musician and mother of three of billionaire multi-hyphenate Elon Musk’s children, announced an OpenAI-powered line of toys called “Grok” — not to be confused with Musk’s AI chatbot of the same name, as the two are currently entangled in a nasty custody battle….

… At first, the AI companion appeared to have no issues following Murdock’s orders.

“Hey Grok, can you just chill for a second,” he asked it.

“Sure thing, I’ll just float here and enjoy the cosmic breeze,” Grok answered….

Made by Curio, the product website is here: “Grok AI Toy”.

(6) KEEP ON TREKKIN’. How does the Star Trek franchise keep us coming back? “Star Trek’s Future: ‘Starfleet Academy,’ ‘Section 31,’ Michelle Yeoh and Chris Pine” at Variety.

…“Strange New Worlds” is the 12th “Star Trek” TV show since the original series debuted on NBC in 1966, introducing Gene Roddenberry’s vision of a hopeful future for humanity. In the 58 years since, the “Star Trek” galaxy has logged 900 television episodes and 13 feature films, amounting to 668 hours — nearly 28 days — of content to date. Even compared with “Star Wars” and the Marvel Cinematic Universe, “Star Trek” stands as the only storytelling venture to deliver a single narrative experience for this long across TV and film.

In other words, “Star Trek” is not just a franchise. As Alex Kurtzman, who oversees all “Star Trek” TV production, puts it, “‘Star Trek’ is an institution.”

Without a steady infusion of new blood, though, institutions have a way of fading into oblivion (see soap operas, MySpace, Blockbuster Video). To keep “Star Trek” thriving has meant charting a precarious course to satisfy the fans who have fueled it for decades while also discovering innovative ways to get new audiences on board.

“Doing ‘Star Trek’ means that you have to deliver something that’s entirely familiar and entirely fresh at the same time,” Kurtzman says….

(7) WIZARDLY HIRING PRACTICES. I’m sure you wanted to know, too, but were just too shy to ask. CBR blurts out the question on your behalf: “Why Did Dumbledore Hire So Many Bad Teachers in Harry Potter?”

In the Harry Potter franchise, one thing that is made abundantly clear about Headmaster Albus Dumbledore is that he is the greatest wizard who has ever lived. Brilliant, wise, compassionate, and with a charming personality to boot, if not a bit quirky. He represents the archetype of the wizened mage, who provides the protagonist with guidance throughout their journey. Even those who despise him respect his power and intelligence. Yet, he was not a flawless person, with many skeletons in his closet. One in particular affected a majority of his students for a time: the professors he hired for Defense Against the Dark Arts were not always the best….

(8) UNFORGETTABLE HOWARD. Arnie Fenner, who published some of his work in small press, adds his tribute to the late “Howard Waldrop” at Muddy Colors.

…No one wrote like Howard Waldrop: no one could. He saw stories in virtually everything and telling them just the way he thought they should be told was far more important to him than the time they took to write or the amount of money he was ultimately paid—or not paid—when they were eventually published. His knowledge was encyclopedic and while there are wags who might know a little bit about a fair number of subjects, Howard knew a lot about a lot of things; he may have written fiction but there was always something factual, some history, to be learned from each story. He was, very much, a writer’s writer and he never compromised in the creation of his work; plus he was also a visual writer—an extension of growing up a comic book fan—one who literally painted vivid pictures with his words and who always created memorable scenes that could be a treasure trove for illustrators….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 27, 1942 Michael York, 82. What’s your favorite Michael York role? For me, it’s not any of his later roles but rather as D’Artagnan in The Three Musketeersback fifty years ago when he was thirty years old, and its sequels, The Four Musketeers (The Revenge of Milady) and The Return of the Musketeers. It was a role that he apparently played with great relish.

He was busy in this period as he also was in Cabaret as Brian Roberts, a bisexual Englishman, one of lead roles there. He has an affair with Sally, one of the other leads. 

I’m not convinced he slept at all as I just found that also he was in a version of Lost Horizon, billed as “A musical fantasy adventure film”. Often cited as one of the worst genre films of all time, it currently holds a fourteen percent rating among audience reviewers at Rotten Tomatoes.

But as all the best actors seem to do, he would show up in a production of Murder on the Orient Express, as Count Rudolf Andrenyi. 

Michael York in Logan’s Run.

Just three years after he played D’Artagnan he was cast as Logan 5, a Sandman, in Logan’s Run, a 1977 Hugo nominee at SunCon. I remember sort of liking it when I saw it back then but not enough to have watched it again since then. What’s your opinion of it? An of course his acting in it?

He’s got a lead role in The Island of Dr. Moreau as Andrew Braddock, his last genre role in film for twenty years until he played Merlin in A Young Connecticut Yankee in King Arthur’s Court, a role I dearly want to see. Though I’m not interested in seeing him in Austin Powers: International Man of Mystery as Basil Exposition, as those films to me are badly done. 

He voices Bob Crachit in a late Nineties Christmas Carol that, shall we say, is way less that faithful to the source material and adds such things as Scrooge’s pet bulldog, Debit. Seriously it does. Tim Curry is Scrooge here. That’s it for film as far as I’m concerned. 

Now for genre television. He was on The Wild Wild West as Gupta in “The Night of the Golden Cobra”; Batman: The Animated Series in the “Off Balance” episode as Count Vertigo; on seaQuest DSV in the recurring role of President Alexander Bourne; on Babylon 5, in the extraordinary role of David “King Arthur” McIntyre in the “A Late Delivery from Avalon” episode; multiple roles on the animated Superman series; in Sliders  as Dr. Vargas in “This Slide of Paradise” (that series started fine but lasted way, way too long, yes I’m editorializing); King Arthur again in A Knight in Camelot;  he voiced a truly awesome Ares in the Justice League Unlimited’s “Hawk and Dove” episode; and finally we have two voicings on Star Wars: The Clone Wars of the Dr. Nuvo Vindi character. He retired from acting a decade ago. 

(10) COMICS SECTION.

  • Loose Parts has its own ideas about the way dinosaurs really looked.

(11) SNAZZY THREADS. “Discovering Worldcon: Masquerade, Costuming, and Cosplay” — Vince Docherty outlines convention costuming history at the Glasgow 2024 website. Lots of photos. (But none of Vince…)

…SF conventions in Glasgow started in 1978, and grew during the 1980s. They also featured a costume competition and, usually, a showing of The Rocky Horror Picture Show, with full audience interaction! (I even dabbled a little bit myself, including entering the contest once as ‘Riff Raff’ from Rocky Horror—fortunately in pre-internet times, so hopefully no photos exist!) Fans from Glasgow and the rest of the UK have continued to actively participate in costuming in the decades since….

(12) SOMETHING ABOUT THE TIMING. [Item by Ersatz Culture.] Shanghai-based English-language news site Yicai Global reported that the CEO of a company linked to Three-Body Problem has been found guilty of homicide, and sentenced to death.

The former chief executive officer of a unit of Yoozoo Interactive, which used to own the rights to ‘The Three-Body Problem,’ has been found guilty of poisoning the Chinese gaming firm’s chairman on the same week that the Netflix version of one of China’s most successful sci-fi novels began to broadcast.

Xu Yao, who joined Yoozoo Pictures in 2017, was sentenced to death for intentional homicide and handed an additional six-year sentence for administering dangerous substances, the Shanghai Municipal No. 1 Intermediate People’s Court said today in a first-instance verdict. Xu has also been deprived of his political rights for life.

The trouble started soon after Netflix linked arms with Yoozoo Interactive, whose other subsidiary Three-Body Universe had bought the rights to Chinese science fiction novelist Liu Cixin’s trilogy, to produce an English-language version of ‘The Three-Body Problem’ in September 2020.

Xu, who had resigned from the firm in January 2019, had a disagreement with Lin, a hugely successful and ambitious film and game producer, over company matters and deliberately poisoned his food around Dec. 14 or Dec. 15, 2020, the court said.

Xu also had a conflict with two other colleagues, both surnamed Zhao, and he poisoned them as well between September and December 2020, but not fatally.

Lin fell ill on Dec. 16, 2020 and was told by doctors that he had been poisoned, according to earlier statements from the Shanghai-based company. The next day Lin called the police who conducted an investigation and detained Xu. Lin passed away 10 days later.

There is similar coverage at The IndependentCBS News, and the New York Post.  There was also a paywalled article in The Times by Adam Roberts a few days ago, before the verdict came down.  Searches for “xu yao” or “yoozoo” on other China-based English-language news sites such as China.org.cn or Global Times failed to come up with any results.

Comments on Weibo indicate that Xu Yao was involved in the early deal-making stages of the Netflix adaptation of The Three-Body Problem,

(13) RANKING 100 RANDOM SF BOOKS. [Item by SF Concatenation’s Jonathan Cowie.] I do not know if you have come across the YouTube Channel Bookpilled but it is the channel of a die-hard SF reader. I do know that many of you SF book readers will know of, if have not read, most of the 100 books that he has just randomly picked from his collection.  Here he rates them. 

Do you agree with him? Disagree with him? Agree with him in part?…

Do you, like him, have happy accidents?

I don’t know about you but there were three or four in here that he rates fairly well that I don’t have in my own collection. Check out his vid below.

(14) DRIVEN TO SUCCESS. The Takeout has a photo gallery of “8 of the Most Iconic Food Vehicles”.

Everyone remembers their first Wienermobile sighting. Maybe you were driving down the highway with friends and it suddenly appeared on the horizon: a gleaming hot dog that’s 11 feet tall, 27 feet long, and 8 feet wide. The unmistakable red and yellow of America’s favorite giant frank on wheels is always a thrill to encounter. Why travel to a roadside attraction when it can drive to you?

That image pops immediately to mind, no doubt. Here’s one that’s a little less familiar.

Nearly identical in size to the Wienermobile, the Planters NUTmobile debuted in 1935 and is manned by “Peanutters” who drive Mr. Peanut around the country. A Nutmobile was transformed into an INN a NUTshell retreat (help) in 2021, allowing people to book a night in the vehicle, which was outfitted as a sort of snack-themed fever dream camper.

(15) A DERN MINUTE’S WORTH OF “WHERE THIS CAME FROM”. [By Daniel Dern.] The reference behind today’s title, “The DiskWorld Turned Upside Down (Because ‘RingWorld’ Here Wouldn’t Make Sense, Would It?)”.

Via, for us folkies, Leon Rosselson’s song of that name (I’m pretty sure he wrote it — I know it’s on his albums, and I believe I’ve heard him sing it, live, way back when), although he got the notion/phrase from the the 1640s version, and LR’s song was subsequently-ish done by Billy Bragg and, most recently, the phrase became part of a song in Hamilton.

[OGH adds: That last is probably because “The World Turned Upside Down” was played during the surrender ceremony at Yorktown, the climactic moment of the American Revolution.]

(16) VIDEO OF THE DAY. How It Should Have Ended has remastered their 12-year-old Ghostbusters tribute.

[Thanks to Mike Kennedy, Andrew Porter, Daniel Dern, Frank Catalano, Olav Rokne, Ersatz Culture, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/24/24 When Pixels Run in Titles, It’s A Very, Very, Scroll World

(1) NORTHUMBERLAND HEATH SF HAD ITS MONTHLY MEET. [Item by SF Concatenation’s Jonathan Cowie.] No big deal in itself but the meet saw Nicki receive a copy of her father’s collected fan writings: A Vince Clarke Treasury

Vince, of course, being a long-standing BritCit fan from the days of Ken Bulmer, Tedd Tubb and — no relation – Arthur C. Clarke. Vince was GoH at the 1995 Glasgow Worldcon, Intersection. Here’s Vince’s conreport. (Click for larger image.)

(2) O CAPTAIN, MY CAPTAIN. “William Shatner: ‘Good science fiction is humanity, moved into a different milieu’” – so he tells a Guardian interviewer.

…In the case of his time on Star Trek, for instance, an inevitable subject of discussion with the former Captain Kirk: “It was three years of my life, you know?” It gladdens him to see how much joy the series has brought its many fans, but the richest rewards came in his introduction to science fiction, which activated and nurtured a lifelong curiosity about our species. He reminisces about meeting the great writers of the genre fondly yet frankly, honest enough to sort Ray Bradbury into “the category right below friend, I think”. He devoured their novels and developed a fascination with the principle of defamiliarization, that concepts taken for granted can be understood anew when viewed through the vantage of a stranger in a strange land. “Good science fiction is humanity, moved into a different milieu,” he says. “Great stories are great stories. You put human beings on a spaceship or a deserted planet, and we’ve got another way to see ourselves.”…

(3) KAIJU AROUND THE CLOCK. Collider tells where you can “Celebrate Godzilla’s 70th Birthday Party with a 24-Hour Franchise Marathon”.

…  the Music Box Theatre in Chicago is hosting a 24-hour Godzilla marathon in June as a part of an almost week-long event.

From June 7 to June 13, 2024, the Music Box Theatre has partnered with the Japanese Art Foundation to host a slew of events in honor of Godzilla’s historic reign. Opening night (June 7) will be a double feature of the last two Toho Godzilla films, Shin Godzilla and Godzilla Minus One. This is followed by a panel discussion entitled “Godzilla: The Atomic Age Anti-Hero” led by Saira Chambers of the Japanese Culture Center/Japanese Arts Foundation and Dr.Yuki Miyamoto of DePaul Humanities Center. June 8 is when the 24-hour Godzilla marathon will be taking place. This will feature 15 films from the character’s Showa-era. Then, June 9, a rare I.B. Technicolor 35mm print screening of the underrated Godzilla (1998) starring Matthew Broderick will be shown. Other screenings that will be shown throughout this monstrous event will include the original Godzilla from 1954, The Return of Godzilla, and Godzilla vs Biollante.

(4) 2024 WATERSTONES CHILDREN’S BOOK PRIZE. “Botanical fairytale set in Kew Gardens wins the Waterstones children’s book prize” reports The Guardian.

Kew Gardens features a hidden magical door in the winning book for this year’s £5,000 Waterstoneschildren’s book prize.

Greenwild: The World Behind the Door by Pari Thomson was voted the winner by Waterstones booksellers. The book “is a spellbinding triumph that will make children fall in love with the world they are reading about, and with reading itself,” said Bea Carvalho, head of books at Waterstones.

The book follows Daisy as she searches for her missing mother and discovers another world behind a hidden doorway in Kew Gardens. She soon learns that the new realm, filled with plants and magic, is under threat, and she bands together with a botanical expert, a boy who can talk to animals and a cat to save the green paradise.

Thomson lives near Kew Gardens – a place “full of sparkling glasshouses and carnivorous plants and lily pads big enough to take a nap on”, she said. “I have always felt that nature was a little bit magic – and Kew made me ask, what if it was true? What if the natural world all around us was brimming with magic? Greenwild is the answer to that question.”…

(5) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 24, 1930 Steve McQueen. (Died 1980.) I know that Steve McQueen had but one SF role as Steve Andrews in The Blob. He received three thousand dollars in the late Fifties for that his first starring role, now thirty thousand if it was adjusted for inflation.

He had turned down a first offer for a  much smaller up-front fee in return for a ten percent share of profits, thinking the film would never make money, a reasonable assumption on his part. 

As later biographies noted, he needed this money immediately to pay for food and rent. However, this film ended up being a major hit, grossing four million at the box office after costing just one hundred and ten thousand to make, ten thousand under budget. 

I’ve seen it and he was quite excellent in it. Certainly I think he did better than the reviews of the time indicated such as the New York Times which said “the acting is pretty terrible” and or the Variety that proclaimed, “Neither the acting nor direction is particularly creditable.” Humph.

So one genre film, right? Now let’s look at what else that I like that he was in.

Two years later, he’d be in The Magnificent Seven. Yes, it’s a remake of a Japanese film but it feels all American. And the cast, oh my — other performers included Yul Brynner, Charles Bronson, Robert Vaughn and James Coburn. It’s considered one of the greatest films of the Western genre and deservedly so. 

The Thomas Crown Affair, released a decade later, was a most extraordinary heist film that he headed with Faye Dunaway. The perfect crime takes place. And then again and possibly deadly consequences. Oh it’s wonderful. He’s definitely a much better performer here, not surprising really. 

Now let’s see… Anything else?  Yes, one last film worth, in my opinion to note.

He’s the lead in The Great Escape as Captain Virgil Hilts which tells the story of the escape by British prisoners of war from German POW camp Stalag Luft III. Well, a highly fictional version of course. 

(6) COMICS SECTION.

  • Candorville explains once again that sf jokes are hard.
  • Tom Gauld presents a double feature.

(7) GENTLEBEINGS, BE SEATED. At Sci-Fi World Museum in Santa Monica, CA, “The restored Star Trek Enterprise-D bridge goes on display in May”Ars Technica has the story.

More than a decade has gone by since three Star Trek: The Next Generation fans first decided to restore the bridge from the Enterprise-D. Plans for the restored bridge morphed from opening it up to non-commercial uses like weddings or educational events into a fully fledged museum, and now that museum is almost ready to open. Backers of the project on Kickstarter have been notified that Sci-Fi World Museum will open to them in Santa Monica, California, on May 27, with general admission beginning in June.

It’s not actually the original set from TNG, as that was destroyed while filming Star Trek: Generations, when the saucer section crash-lands on Veridian III. But three replicas were made, overseen by Michael Okuda and Herman Zimmerman, the show’s set designers. Two of those welcomed Trekkies at Star Trek: The Experience, an attraction in Las Vegas until it closed in 2008.

The third spent time in Hollywood, then traveled to Europe and Asia for Star Trek: World Tour before it ended up languishing in a warehouse in Long Beach. It’s this third globe-trotting Enterprise-D bridge that—like the grit that gets an oyster to create a pearl—now finds a science-fiction museum accreted around it. Well, mostly—the chairs used by Riker, Troi, Data, and some other bits were salvaged from the Las Vegas exhibit….

(8) TWO THUMBS. Collider remembers “The Time Roger Ebert and Gene Siskel Stood Up For Star Wars”.

…[John] Simon’s opinion is highly unusual, as most critics who have reviewed the original Star Wars films are generally complimentary of the visual effects, which are often praised as being extremely convincing and for blending practical techniques with computer-generated work. For example, in his original review of Return of the Jedi for The Chicago Tribune, Siskel remarked that, “for the professional moviegoers, it is particularly enjoyable to watch every facet of filmmaking at its best.” In their response to Simon, Ebert disagreed with the idea of the prominence of the special effects being indicative of poor quality, saying, “I think all movies are special effects. Movies are not real. They are two-dimensional. It’s a dream. It’s an imagination,” alluding to the idea that since all films are brought to life with a combination of effects, what matters is whether said effects work in convincing ways and immerse viewers in a given story….

(9) BANG THE GAVEL SLOWLY. Then in the present, Judge John Hodgman has been called on to remedy a genre-related dispute: “My 60-Year-Old Brother has Never Seen ‘Star Wars.’ Help!” in the New York Times. Here’s the problem – see the answer at the link.

Erin writes: My brother Joel is 60, and I’m 52. But despite growing up in the ’70s, Joel never saw the original “Star Wars.” Now he refuses to, because “sci-fi is dumb.” Please order that he watch it with me on his next visit. I will even provide the gummies if needed!…

(10) BURRRP! [Item by SF Concatenation’s Jonathan Cowie.] Nature has a cover with a decidedly SFnal theme about stars that destroy worlds.  ‘Death Stars’ if you will….

The cover shows an artist’s impression of a planet being captured and ingested by one of the stars in co-moving pairs of stars. In this week’s issue, Fan Liu and colleagues present evidence suggesting about 1 in 12 stars might have ingested a planet. The chemical composition of a star can change when it engulfs a planet, so the researchers looked at binary star systems in which the two stars were born at the same time. By comparing the spectral signatures of the stellar twins, they were able to identify instances in which one of the stars had ingested a planet. They identified 91 pairs of close ‘co-natal’ stars and found evidence of planetary ingestion in about 8% of them.

(11) HORSES FOR COURSES? HANDICAPPING THE ECLIPSE. Atlas Obscura tells how “Eclipse Maps Entered a Golden Age Thanks to Edmond Halley”.

In 1715, Edmond Halley published a map predicting the time and path of a coming solar eclipse. Today the astronomer is most famous for understanding the behavior of the comet now named for him, but in his lifetime he was a hotshot academic, elected to the Royal Society at age 22 and appointed the second Astronomer Royal in 1720. He was fascinated with the movements of celestial bodies, and he wanted to show the public that the coming event was not a portent of doom, but a natural wonder….

… With each eclipse to pass over the British Isles, publishers became more savvy about promoting the event to the public. In 1737, mathematician and astronomer George Smith published a predictive eclipse map in The Gentleman’s Magazine, which is thought to be the first eclipse map published in a popular publication (as opposed to as a stand-alone broadside). By 1764, wrote historian Alice N. Walters in a 1999 paper published in History of Science, “so many eclipse maps were on the market—each with a different prediction—that one commentator likened the competition between them and their producers to an event quite familiar to the English public: a horse race.”…

(12) A DAYTIME VISIBLE NOVA. Another predictable but even rarer celestial event is coming up soon: “Stellar explosion: What to know about T Coronae Borealis nova” at Yahoo!

…It’s not exactly new but there will be an extra star in the sky that will be visible to the naked eye in the coming months in Northern California. T Coronae Borealis is a binary star system comprised of a cool red giant and a hot white dwarf star 3,000 light years away. The smaller white dwarf has been stealing matter from the red giant and appears to be getting ready to emit a burst of energy which will make it visible for at least a few days. It is known as a recurring nova where matter, mostly hydrogen, is collected by the white dwarf until enough mass is reached, creating a fusion reaction. That will then emits a burst of energy, which includes visible light. This process has been going on for a long time and occurs about every 80 years in this system….

(13) AS THE WORM TURNS. And one more reason to keep watching the skies – “Here’s how to see the upcoming worm moon lunar eclipse”

A glowing worm moon will light up the sky on Monday with a celestial performance in store for people venturing out in the early morning hours — a penumbral lunar eclipse.

March’s full moon, referred to as the worm moon by the Farmers’ Almanac due to its proximity to the spring equinox, will be at its fullest at 3 a.m. ET.

A few hours earlier, starting at 12:53 a.m. ET, according to EarthSky, the moon will be almost perfectly aligned with the sun and Earth, causing the outer edge of Earth’s shadow, known as the penumbra, to be cast onto the glowing orb.

The greatest eclipse will be at 3:12 a.m. ET, when the moon will appear to be slightly darker than usual, said Dr. Shannon Schmoll, director of the Abrams Planetarium at Michigan State University….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/22/24 White Rabbits Are Easy, Try Pulling A Pixel Out Of A Hat

(1) YE KEN NOW. [Via MT Void.] Read Michael Dirda’s article “The two best American fantasy writers you’ve probably never heard of” at the Washington Post. He’s talking about Avram Davidson and Manly Wade Wellman.

… Happily, though, these too-little-known but excellent writers — did I mention that both were honored with the World Fantasy Award for lifetime achievement? — have been supported and championed in recent years by independent publishers and knowledgeable admirers. Let’s start with Wellman.

Back in 2012, Haffner Press assembled “The Complete John Thunstone,” all of Wellman’s stories from Weird Tales magazine about a Manhattan-based occult investigator who, armed with a silver sword-cane, combats demons, the evil magician Rowley Thorne (loosely based on Aleister Crowley) and a hidden race of malignant humanoids called the Shonokins. Fans of Marvel Comics’ Doctor Strange will feel right at home…

… Despite the similarity in their structure, these tales of mystery and the supernatural excel at evoking the uncanny, even as the myriad details of Southern legend and lore further ramp up the tension and foreboding. Think of them, then, as round-the-campfire stories or front-porch yarns: They are shivery without being gruesome, they move right along, and each will leave you wanting to read just one more.

By contrast, Avram Davidson is far more literary, as well as amaster of many vocal registers and genres. In relating his brilliantly gonzo fantasies, he often takes his own sweet time, reveling in pyrotechnic sentences, Jewish slang, mordant humor, digressions and archaic diction. You’ll certainly find all these in “AD 100: 100 Years of Avram Davidson: 100 Unpublished or Uncollected Stories,” edited by Neva Hickman….

(2) NOT AT ALL ELEMENTARY, MY DEAR WATSON. “The Weird Lawsuit Over Netflix’s Enola Holmes, Explained” at Slashfilm.

…In the case of another prominent pop culture figure, Sherlock Holmes, many of the stories featuring Sir Arthur Conan Doyle’s famous detective entered the public domain some time ago. Copyright typically lasts for the duration of an author’s life plus 70 years, 120 years from the date of their creation, or 95 years from their publication date — whichever comes soonest. Doyle passed away in 1930, and a lot of his Sherlock Holmes novels entered the public domain in the 20th Century, beginning in 1981 when 1887’s “A Study in Scarlett” made the transition. So, by the time author Nancy Springer published her first “Enola Holmes” novel in 2006 — a novel based on the world established by Doyle — she was mostly in the clear.

In 2020, Netflix’s first adaptation of a Springer book, “Enola Holmes” arrived, welcoming girls into the detective club and becoming a big enough hit for the streamer to green-light a sequel. When “Enola Holmes 2” debuted in 2022, it proved to be an even more charming mystery outing, firmly cementing these films as a solid new franchise for Netflix. All in all, then, a pretty nice little success story for the biggest streamer in the game. Or at least it would have been if it wasn’t for that pesky copyright law….

…. The complaint alleged that Springer and the other parties infringed copyright and trademark law with the “Enola Holmes” products, specifically stating (via The Guardian) that Sir Arthur Conan Doyle had created “significant new character traits for Holmes and Watson” in the 10 stories that remained protected by copyright law in the U.S. Back in 2014, a ruling made all the Sherlock Holmes stories authored prior to 1923 property of the public domain, allowing Springer and others to use the character and his world in their creations. But the 10 remaining stories, referred to in the 2020 lawsuit, were written between 1923 and 1927, meaning they were still covered by copyright law.

So, what exactly had Springer, Netflix, and the others infringed upon from these specific stories? Well, emotions, apparently…

(3) TREK HISTORY ON THE AUCTION BLOCK. Two of the highlighted items in March 29’s “The Greg Jein Collection Hollywood/Entertainment Showcase Auction” are from Star Trek: The Original Series – a phaser, and a shuttlecraft model.

Star Trek: The Original Series (Paramount TV, 1966-1969), Mid-Grade Type-1 Phaser. Vintage original iconic prop measuring 3.75″ x 1.75″ x 1″. Constructed of hollow fiberglass, painted dark gray with silver stripe on both sides, with wooden emitter tip, acrylic gauge, aluminum power dial and diamond patterned decal. This very rare prop was used by the production for closer shots. Exhibiting scuffing and some paint retouching as well as adhesive remnants on the underside. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

Heritage Auctions says about the shuttlecraft:

This piece is truly special. Greg, obviously known for his incredible model-building prowess, built this as a “stand-in” for his screen-used Galileo shuttlecraft filming miniature for the famous Star Trek exhibit at the Smithsonian in 1992. Greg feared his original miniature would become damaged, so he spared no attention to detail in creating this piece, knowing it would be viewed by hundreds of thousands of visitors at the National Air and Space Museum….

Star Trek: The Original Series (Paramount TV, 1966-1969), Greg Jein-Built Galileo Shuttlecraft Model for “Star Trek: The Exhibit” at the Smithsonian (1992). Original static model miniature constructed of cast resin elements, vacuum-formed plastic, mixed-media components, all expertly assembled, painted, and finished with Enterprise-gray paint, tape details, and transfer lettering for badging. Measures approx. 22″ x 14″ x 7.5″. The Greg Jein-built model was on display at the legendary “Star Trek: The Exhibit” at The Smithsonian National Air and Space Museum, Washington, D.C., from February 1992 through January 1993. Exhibits age, paint chipping, cracking and handling. Comes with a COA from Heritage Auctions. From the Collection of Greg Jein.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to join biographer Julie Phillips for Jӓgerschnitzel in Episode 221 of the Eating the Fantastic podcast.

I first met this episode’s guest, Julie Phillips, in the dealers room of the 2006 Los Angeles Worldcon, where I was introduced by Gordon Van Gelder, her editor on James Tiptree, Jr.: The Double Life of Alice B. Sheldon. That biography had been out only a few weeks by then, and it would go on to win the National Book Critics Circle Award, the Hugo and Locus Awards, and the Washington State Book Award. It’s a truly magnificent achievement, and if you haven’t already read it, you should track it down immediately. Once you do, you’ll understand why I’m anxiously awaiting her next biography — of the great Ursula K. Le Guin.

Julie Phillips

Her most recent book is The Baby on the Fire Escape: Creativity, Mothering, and the Mind-Baby Problem (2002). Her articles have appeared in The New YorkerMs.The Village VoiceNewsdayMademoiselle, and many other publications. She currently lives in Amsterdam, where she reviews books for 4Columns.org and writes about English literature for the Dutch daily newspaper Trouw.

When I learned the Washington County Museum of Fine Arts had asked her give the kickoff lecture of its More than Muses Weekend in nearby Hagerstown, Maryland, I reached out to see whether she had time to break bread so I could share her wisdom with you. And I’m so pleased she agreed. We met for lunch the day after her presentation at Schmankerl Stube Bavarian restaurant, one of my favorite places to eat in Hagerstown.

We discussed why she called The Baby on the Fire Escape “a weird hybrid monster of a book,” the one thing she regrets not researching more thoroughly for her Tiptree bio, the reason there’s more space for the reader in a biography than a memoir, why some children of artistic mothers can make peace with their relationships and others can’t, the three things she felt it important to squeeze into the seven minutes she was given to speak at Ursula K. Le Guin’s memorial service, her writing method of starting in the middle of a book and working out toward both ends, the occasional difficulty of withholding judgement on one’s biographical subjects, the relationship between biographer Robert Caro and editor Robert Gottlieb, plus much more.

(5) ARTIFICIAL INTELLIGENCE, REAL BALONEY. “A Celebrity Dies, and New Biographies Pop Up Overnight. The Author? A.I.” finds the New York Times.

After Joseph Lelyveld, a former executive editor of The New York Times, died last month, his brother Michael Lelyveld went online to see how he was being remembered. He found obituaries in major news outlets, as expected. But he also found other, unexpected portraits of his brother.

At least half a dozen biographies were published on Amazon in the days immediately following Lelyveld’s death. Several of them were available for purchase on the very day he died. The books, he said, described his brother as a chain smoker, someone who honed his skills in Cairo and reported from Vietnam — none of which is true.

“They want to make a buck on your grief,” said Michael Lelyveld.

Books like this are part of a macabre new publishing subgenre: hasty, shoddy, A.I.-generated biographies of people who have just died…

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 22, 1920 Ross Martin. (Died 1981.) Let’s talk about Ross Martin and his involvement with Wild Wild West which is a fascinating story indeed. 

He got his first acting job in the early Fifties series Lights Out’s “I Dreamed I Died” episode. 

This was not the beginning of his performance career as he did a lot of radio before that, including the last broadcast episode of Dimension X, and two of X Minus One, one of which taken from was Bradbury’s “The Man in The Moon” story which I believe Bradbury himself adapted for broadcast. 

Before the Wild Wild West, he would be in the Conquest of Space, a film about the first interplanetary flight to the planet Mars, and in The Colossus of New York where he’s Dr. Jeremy “Jerry” Spensser (sic) whose brain gets put into a giant robotic body. What could possibly go wrong?  

Ross Martin in 1965

Mike wants to note that that though “not genre, he played the villain in Experiment in Terror which was a memorable film.” Thanks Mike! 

Not surprisingly, he’d be in Twilight Zone. The first time “The Four of Us are Dying” where he’s already dead as Johnny Foster. Seriously he is. Nice touch there, Serling. The next time is in what starts as a purely SF episode which is described this way, “Space Cruiser E-89, crewed by Captain Paul Ross, Lt. Ted Mason (his character), and Lt. Mike Carter, is on a mission to analyze new worlds and discover if they are suitable for colonization.”  Well, this being the Twilight Zone, it will take a trip into the very strange of course. 

It is said that the Artemus Gordon character was largely shaped by Martin himself. He created almost all of his disguises for the show, and even the gadgets used on the series were either created by him or largely constructed with his input. Even the make-up he did for many of the episodes was mostly his own design. Given that he was in eighty-five episodes, that’s quite amazing!

Gordon missed nine episodes after suffering a heart attack. The actor was temporarily replaced by familiar actors like William Schallert and Alan Hale, Jr.  So yes the Captain did escape from the island. And time traveled. 

I loved the series, loved him and Conrad, thought they made a great pair of agents. I’ve watched the series quite a few times including on DVD about a decade ago, that viewing allowed me to see pre-production sketch that was made of his very first make-up design for the pilot episode. 

The four season boxed set has the two movies plus all the extras from seasons two  through four but very oddly not the ones from the first season when these were first released as separate sets. A very odd thing to do. And yes, you can find the separate seasons easily enough on eBay. 

After this series, his genre appearances are as follows. 

He appeared in another Serling series playing Mister Gingold, a  moneylender with almost no compassion for his debtors who would get his due justice Night Gallery-style in “Camera Obscura”, and again as Bradley Meredith in “The Other Way Out” as the jig is up after he kills a go-go dancer. Serling did not write this script and it shows. There’s nothing at all interesting here.

Not genre (I think, we could call it genre adjacent) was his role was Charles Chan in The Return of Charlie Chan

Definitely genre was his appearance on Quark as Zorgon the Malevolent in “All the Emperor’s Quasi-Norms, Parts 1 & 2”. 

I’m down to his last three genre appearances, he was in    The New Adventures of Wonder Woman  as Bernard Havitol in the “IRAC is Missing” episode and his next two genre role was as Ace Scanlon in a Fantasy Island two parter, “The Devil and Mandy Breem” and “The Millionaire”.

His final genre role was on Mork & Mindy as Godfrey in the “Mork and the Bum Rap” episode. That, I think, covers it. 

(7) COMICS SECTION.

From Cooper Lit Comics:

(8) USE THE COFFEE MACHINE, LUKE. “’Star Wars’ Marathon Set From Alamo Drafthouse With All Nine Films” says The Hollywood Reporter.

Alamo Drafthouse is hosting a Star Wars marathon of all nine movies to screen back-to-back May 3-4, coinciding with the 25th anniversary of Star Wars: Episode I — The Phantom Menace.

The Texas-based theater chain will host the 21-hour marathon of the Skywalker Saga’s episodes one through nine at the Alamo Drafthouse New Mission in San Francisco. The all-in-one-sitting viewing will start May 3 with The Phantom Menace and end a day later with a screening of The Rise of Skywalker.

There will be breaks for “unlimited coffee and water” to keep your eyes open in case the Force isn’t enough. Audiences can expect Star Wars-themed food items from a galaxy far, far away at the concession stands, an immersive Star Wars lobby for selfies, and games and trivia between screenings.… 

(9) WARP FACTOR TEA. Of course, if you’re not a coffee drinker, Adagio Teas looks like they have at least ten selections in their “To Boldly Brew…” line. One of them is “Picard’s Tea. Earl Grey. Hot. Tea”. Below are three examples of the art on the product tins.

Picard’s Tea. Earl Grey. Hot. Creamy Earl Grey Moonlight blends beautifully with Summer Rose, (English roses in honor of Sir Patrick Stewart’s homeland). Extra rose petals added for that touch of Starfleet Command red. [Episodes: TNG 2×11 “Contagion,” 4×26 “Redemption,” 6×19 “Lessons,” 7×20 “Journey’s End,” 7×25/26 “All Good Things…”]

(10) ON THE BEACH. [Item by SF Concatenation’s Jonathan Cowie.] “NASA’s Mars rover probes ancient shorelines for signs of life” reports Science. A  core drilled by Perseverance in October 2023 suggests it has been driving on the remains of an ancient beach.

…For the past few months, NASA’s rover, which is collecting rock samples to eventually send to Earth, has explored a ring of rocks just inside the rim of Jezero crater, which is thought to have been filled with water billions of years ago. An initial analysis suggests the rocks are composed of rounded grains of carbonate, a mineral that precipitates out of water. It’s a promising sign that the rocks were once beachfront property, says Briony Horgan, a planetary scientist at Purdue University who leads the rover’s science campaign. “You can imagine the waves crashing up against the shores of an ancient palaeolake,” she says….

(11) A PENGUIN IN YOUR FUTURE. “Colin Farrell returns in Max’s first The Penguin teaser” — let AV Club set the stage.

While fans will need to wait an extra year to see Robert Pattinson re-don his black cape for The Batman Part II (the film is now set to premiere in 2026), they don’t need to stay out of Matt Reeves’ gritty version of Gotham entirely. Colin Farrell’s Oz Cobb—in all his prosthetic-covered glory—is returning far sooner for his own eight-episode spinoff series, which lands on Max sometime this fall.

Move over, Tony Soprano. A new boss is coming to HBO. The first teaser for The Penguin opens in a flooded Gotham, right where the 2022 film left off, with Farrell doing exactly what any DC villain worth his salt should do: monologuing….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dann, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/10/24 He Who Controls The Pixels Controls The Scroll

(1) HUGO, GIRL! REVERSES PERMANENT RECUSAL DECISION. The Hugo, Girl! the Podcast team tells why they have changed their minds about permanently recusing themselves from the Best Fancast category in “Statement on the 2023 Hugo Awards”. The complete explanation is at the link.

Following the Chengdu Hugo Awards, we believed in good faith that we were the legitimate winners of the 2023 Hugo Award for Best Fancast. We subsequently announced Hugo, Girl’s permanent recusal from the Best Fancast category. We were honored and delighted by the win, and we wanted to make room for others to experience the same.

However, with each recent revelation about the administration of the Hugo Awards, we have become increasingly uncomfortable thinking of ourselves as legitimate winners. Viewing the nomination and voting data that others have meticulously combed through, analyzed, and presented in a thorough and digestible way, it initially seemed that Fancast was one of the less obviously suspicious categories. It did not appear that any of our Fancast co-finalists or entries on the long list had been mysteriously disqualified, as was the case in several other categories. That being said, Fancast is not free from strange numbers.

We became even more dubious once we learned that the Hugo Administrators had investigated and disqualified potential finalists* on the basis of assumed politics, queer and trans identity, and an imaginary trip to Tibet. We ourselves likely should have been disqualified under the same criteria. It does not escape our notice that as four white people, we may have been scrutinized less closely….

… For the foregoing reasons, we have decided to withdraw our recusal from Hugo eligibility, effective in 2025. We hope to have a future opportunity to participate in a fair, transparent Hugo Awards process, if voters decide to honor us again with a place on the ballot. 

(2) FALSE GRIT. Heard too much about Dune lately? Then your brain will probably explode in the middle of reading “Charles Bukowski’s Dune” at McSweeney’s Internet Tendency.

It had been a long day. The hot-shit new supervisor, who looked about sixteen and probably hadn’t even started shaving yet, had written me up twice. I’d crumpled both slips in front of him, thrown them in the trash.

On the way home, the 48-Arrakeen worm died at the base of the hill, and we all had to hop off into the sand. The thing was already starting to stink as I began the trudge uphill, bone-tired and thirsty….

(3) NO ARMY IS SO POWERFUL AS AN IDEA WHOSE TIME HAS COME. Variety reports, “SAG-AFTRA Chief: Chance of Strike Against Game Producers is ’50-50’”.

Issues around the use of AI in the production process is the big sticking point in SAG-AFTRA’s negotiations with the largest video game companies, SAG-AFTRA chief Duncan Crabtree-Ireland said Saturday during a wide-ranging Q&A at SXSW in Austin, Texas.

Crabtree-Ireland, who is national executive director and chief negotiator of the performers union, said he put the chances of union members striking against key game companies is “50-50, or more likely than that we will go on strike in the next four to six weeks because of our inability to get past these issues,” Crabtree-Ireland told Brendan Vaughan, editor-in-chief of Fast Company, during a conversation focused on AI….

… Some pushed the union to demand an outright ban on the use of AI in union-covered productions. Crabtree-Ireland said he know that was a nonstarter.

“We would not have succeeded, any more than any union ever in history has been able to stop technology,” he said. “Unions that try that approach, they fail and they give up the chance to influence how those technologies are implemented. “The fact of matter is, we’re going to have AI.”

Crabtree-Ireland emphasized repeatedly that the union’s position on AI revolves around “consent and compensation” for its members when AI engines use their work. “We want to make sure the implementation is human-centered and focused on augmentation [of production], not replacement of people,” he said….

(4) SFF WINS CANADIAN COMPETITION. The Québecois author Catherine Leroux’s The Future, in a translation by Susan Ouriou, has won the 2024 Canada Reads national competition. (Canada Reads is a television show. ) “’Canada Reads’ 2024 Winner: Catherine Leroux’s ‘The Future’” at Publishing Perspectives.

The Future by Catherine Leroux, published by Biblioasis in Windsor, was named the winner of the weeklong series of elimination programs  from the Canadian Broadcasting Corporation’s CBCbooks. The book is translated from French by Susan Ouriou and is a dystopian history of Detroit, a book the program refers to as, “a plea for persistence in the face of our uncertain future.”

(5) REID Q&A. Sff gets two callouts in this Guardian interview: “Taylor Jenkins Reid: ‘Elizabeth Bennet and Mr Darcy are unbeatable’”. Taylor Jenkins Reid will be international author of the day at the London Book Fair on March 12.

The writer who changed my mind
I thought I didn’t like sci-fi until I discovered Octavia Butler. Kindred defies genre, but it taught me that I’ll go anywhere in a story if I trust the writer….

My comfort read
Whenever I want to read a book I know will be good, I go to Silvia Moreno-Garcia. Her genres are ever changing, her ability to take on a wild story each time is incredible. You never know what she’s going to do, but you know it will be a page-turner. I cannot wait for her next book, The Seventh Veil of Salome. Fifties Hollywood, two starlets, the role of a lifetime … what more could you want?

(6) FLATIRON STILL AWAITS ITS FUTURE. [Item by Ersatz Culture.] In a news item today on the BBC about America’s office market, there’s a passing reference to the former Tor offices:

The famous triangular Flatiron building nearby has been vacant since 2019. Last autumn, the owners said it would be turned into condos.

Way back in January 2009, File 770 reported that the owners originally had different plans:

However, the offices of Tor Books are housed in New York’s Flatiron Building, which an Italian investor has announced plans to convert into a luxury hotel. Reports say hotels take so long to construct that it might be a decade before the Flatiron Building comes online in its new capacity.

The departure of Tor and the wider Macmillan publishing organization was reported in the June 5th, 2019 Pixel Scroll.

(7) TEENAGE BROADBAND. “New Emotions Move in for ‘Inside Out 2’” – and Animation Magazine makes the introductions:

Disney and Pixar today unveiled the official trailer plus new images and poster for Inside Out 2, which welcomes new Emotions to now-teenager Riley’s mind. Joining Joy (voice of Amy Poehler), Anger (Lewis Black), Sadness (Phyllis Smith), Fear (Tony Hale) and Disgust (Liza Lapira) is a group of Emotions perfectly suited for the teenage years: 

Maya Hawke voices Anxiety, the previously announced new arrival bound to shake up everything in headquarters and beyond. A bundle of frazzled energy, Anxiety enthusiastically ensures Riley’s prepared for every possible negative outcome.

Envy, voice of Ayo Edebiri, may be small but she sure knows what she wants. She’s perpetually jealous of everything everyone else has, and she’s not afraid to pine over it. 

Ennui, who’s voiced by Adèle Exarchopoulos, couldn’t care less. Bored and lethargic with a well-practiced eye-roll, Ennui adds the perfect amount of teenage apathy to Riley’s personality, when she feels like it.

Embarrassment, voiced by Paul Walter Hauser, likes to lay low, which isn’t easy for this burly guy with a bright blush-pink complexion….

(8) BILL WAHL TRIBUTE. Brian Keene is overwhelmed by the loss of another friend – Bill Wahl died March 6 — as he told readers of “Letters From the Labyrinth 371”.

…Bill, like me, was always blunt and spoke his mind. And he did indeed give Mary and I a TON of pointers and help in the setting up of Vortex Books & Comics. It is Saturday as I write this, in the bookstore, and it is not lost on me that he had planned on coming in here today, right about the time I’m typing this (2:31pm).

I guess maybe I wrote a eulogy after all. Maybe half-assed, but that’s still pretty good considering that I’m typing it amidst a car crash of mental, physical, and emotional exhaustion from which I may not be able to beat this time.

After 56 years on this planet, I finally know what it means to be tired…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 10, 1918 Theodore Rose Cogswell. (Died 1987.) Let’s consider Theodore Rose Cogswell. He was a member of the Minneapolis Fantasy Society and later noted that fellow members Poul Anderson and Gordon Dickson said that he should he should be a writer. 

He was in his thirties before his first work, “The Spectre General” novella was published in the June 1952 issue of Astounding. SWFA considers it one of our best novellas. 

He would co-write with Charles A. Spano, Jr., Spock, Messiah. Prior to this novel, only one Star Trek tie-in novel intended for adult readers instead of YA readers had been published, Spock Must Die!, written by James Blish. Blish was supposed to do a Mudd novel but his death obviously prevented that. A real pity that. Though Mudd’s Angels would be written by J.A. Lawrence, Blish’s wife.

Back to Cogswell.

He wrote a fair amount of short fiction, some forty works, collected in The Wall Around the World, the title novelette here was nominated for a Retro Hugo, and The Third Eye.

Perhaps, his most interesting work was as editor of Proceedings of the Institute for Twenty-First Century Studies where such individuals as Poul Anderson, Isaac Asimov, James Blish, Algis Budrys, Arthur C. Clarke, Avram Davidson, Gordon Dickson, Fritz Leiber engaged in what is best described as a very long running written bull session. A copious amount of these writings was published as PITFCS: Proceedings of the Institute for Twenty-First Century Studies. Though NESFA distributed it, it was published by Advent Publishing. It was nominated for a Hugo at ConAdian for Best Related Non-Fiction Book. 

(10) COMICS SECTION.

(11) NEW MARVEL UNLIMITED PROGRAM LETS YOU ACCESS INFINITY COMICS FOR FREE.  Marvel’s Infinity Comics: Start Scrolling became available starting March 7.  

It’s time to Start Scrolling! Today, comic fans will have even more access to their favorite stories spanning the Marvel Universe with the all-new Marvel’s Infinity Comics: Start Scrolling digital program. The new program, exclusively from Marvel Unlimited, allows readers to access select Infinity Comics for free.   
 
Marvel’s Infinity Comics: Start Scrollingwill provide instant access to select free comics, with no login required. Readers can experience over 100 issues of bingeable Marvel stories starring fan-favorites including the X-Men, Spider-Man, Jeff the Land Shark, and many more, by visiting Marvel’s Infinity Comics: Start Scrolling. With an extensive library of over 30,000 comics on Marvel Unlimited, fans can expect other free Infinity Comics to be rotated in throughout the year.  
 
Marvel’s Infinity Comics are a vertical format designed for phones and tablets exclusive to Marvel Unlimited. Since launching in September 2021, Marvel Unlimited has published over 1,000 Infinity Comics to date from over 300 top Marvel creators.  

(12) FOLLOW THE MONEY. Or the spice. The economic engine that drives Dune’s universe isn’t explained in the movie, but GameRant has volunteered for the job: “Dune: CHOAM, Explained”.

…The Combine Honnete Ober Advancer Mercantiles is a monopolistic conglomerate that controls all commerce throughout the Dune universe. All material goods flow through CHOAM. All substantial wealth comes through interests in CHOAM. The CHOAM network runs through every other seat of power. CHOAM is under the Corrino Empire, the highest station in the universe, which oversees CHOAM’s board of directors. CHOAM was a publicly traded company. Shareholder profits could make any participant fabulously wealthy. Only the noble patriarchs of the Great Houses could become shareholders in CHOAM. The Houses fought for directorship positions, seeking to earn dividends and skim profit from their impossibly vast businesses. The Emperor reserved the right to revoke or hand out director positions, giving him the final say in any profit-seeking venture….

(13) CALLING SOLOMON! Space tells “Why astronomers are worried about 2 major telescopes right now”.

There’s a bit of tension right now in the U.S. astronomy community and, perhaps unsurprisingly, it has to do with telescopes — extremely large telescopes, in fact. Here’s what’s going on.

The National Science Foundation (NSF), a source of public funding that two powerful next-gen observatories have been banking on for financial support, is facing pressure to go forward with only one telescope. This is because last month, the National Science Board — which is basically an advisory committee for the NSF — recommended that it cap its giant telescope budget at $1.6 billion. This is a lot of money, but it’s just not enough for both. The board even says the NSF will have until only May of this year to decide which telescope gets the go-ahead.Yet, both telescopes are already in the middle of construction, both are equally important and both are actually supposed to work together to fulfill a wide-eyed dream for astronomers. Because of how utterly huge they’re meant to be, they’re expected to one-up even the $10 billion James Webb Space Telescope (JWST) in many ways. That’s the gold-mirrored, silvery-shielded trailblazer sitting a million miles from Earth right now, finding deep space gems so quickly it’s normalizing us to seeing things humanity once couldn’t fathom seeing. Imagine something better….

… One of the big scopes is the Giant Magellan Telescope (GMT). It’s taking shape as you read this in the clear-skied deserts of Chile, and it’s projected to cost something like $2.54 billion as a whole. The other is called The Thirty Meter Telescope (TMT). That one’s location is a bit more controversial. It’s planned to decorate a mountain in Hawaii called Mauna Kea, but locals have protested the decision because this stunning volcanic peak that boasts low humidity and gentle winds (perfect conditions for astronomy) is extremely meaningful in native Hawaiian culture. It’s a fraught situation, as 13 other telescopes already live in the area and some local people say the facilities are  impacting the natural environment. In terms of cost, however, the projected amount is just about symmetrical to the GMT’s….

(14) WHAT’S THE MATTER? “Controversial new theory of gravity rules out need for dark matter” – and the Guardian tries to explain it to us. However, the last time I heard a doctor use the word “wobbly” in connection with anything about spacetime, his last name was “Who”.

…There are multiple lines of evidence for dark matter, but its nature has remained mysterious and searches by the Large Hadron Collider have come up empty-handed. Last year, the European Space Agency launched a mission, Euclid, aiming to produce a cosmic map of dark matter.

The latest paper, published on the Arxiv website and yet to be peer-reviewed, raises the question of whether it even exists, drawing parallels between dark matter and flawed concepts of the past, such as “the ether”, an invisible substance that was thought to permeate all of space.

“In the absence of any direct evidence for dark energy or dark matter it is natural to wonder whether they may be unnecessary scientific constructs like celestial spheres, ether, or the planet Vulcan, all of which were superseded by simpler explanations,” it states. “Gravity has a long history of being a trickster.”

In this case, the simpler explanation being proposed is Oppenheim’s “postquantum theory of classical gravity”. The UCL professor has spent the past five years developing the approach, which aims to unite the two pillars of modern physics: quantum theory and Einstein’s general relativity, which are fundamentally incompatible.

Oppenheim’s theory envisages the fabric of space-time as smooth and continuous (classical), but inherently wobbly. The rate at which time flows would randomly fluctuate, like a burbling stream, space would be haphazardly warped and time would diverge in different patches of the universe. The theory also envisions an intrinsic breakdown in predictability….

(15) GIANT SQUID. [Item by Lise Andreasen.] This is the last place I would look for characters from 20000 Leagues Under The Sea.

(16) NO PLANET FOR OLD MEN. Dan Monroe is determined to find out “What Happened to THE BOMB from BENEATH the PLANET of the APES?”

(17) WITH AND WITHOUT STRINGS ATTACHED. [Item by Carl.] “Here Come The Puppets” was a PBS special produced by KQED at the International Puppet Festival in Washington DC. It was hosted by Jim Henson and the Muppets, and features internationally known puppeteers. It’s NEVER been offered in DVD form. It can now be seen on YouTube.

(18) VIDEOS OF THE DAY. “Watch: Rare Footage Of Leonard Nimoy Hosting 1975 Special Presentation Of Star Trek’s ‘The Menagerie’” at TrekMovie.com.

In 1975, Paramount produced a special movie presentation for syndication of the two-part Star Trek episode “The Menagerie,” hosted by TOS star Leonard Nimoy. The original Spock recorded introductions for each part of the episode as well as closing remarks for the special presentation. In the special, Nimoy explains how “The Menagerie” uses footage from the original Star Trek pilot “The Cage” and more….

There’s a nod to its Hugo win at the 4:51 mark.

…This morning, WJAR Channel 10 in Rhode Island posted a clip from their morning show with guest Leonard Nimoy from what appears to be around the end of the first season of the series. The actor talks about concerns the show will be canceled and the fan campaign to keep it on the air along with the origins of his signature Vulcan ears….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, JJ, Lori, Carl, Ersatz Culture, Lise Andreasen, Mark Roth-Whitworth, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joseph Hurtgen.]

Pixel Scroll 2/3/24 It’s Hot As Hell In Pixeldelphia

(1) DRAGON CON BANS AI ART FROM SALES AREAS. The Dragon Con 2024 Art Show Application Form includes this ban:

No AI artwork of any kind will be allowed to be sold or distributed in the Dragon Con Art Show, Comic and Pop Artist Alley, or Vendor Halls. Failure to comply with our AI Policy can lead to immediate removal from show floor.

(2) VOICE FOR HUGO CHANGE. Mary Robinette Kowal shared her knowledge of how Hugos are administered in a Bluesky thread that starts here. She contrasts how the disqualification of her audiobook novella “Lady Astronaut of Mars” was handled by the 2013 administrator versus the way those ruled “ineligible” have been treated by the 2023 administrator.

After providing more background history, Kowal makes a call for change in Hugo oversight.

(3) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

A couple of Chinese language videos about the Hugos

Whilst looking for coverage of the Hugos on the Chinese internet, I came across this Bilibili video, posted Wednesday 31st.  It’s a compilation of 5 news items from a channel that I think I maybe submitted an item for last year.  The final item – from around 10:20 in – is entitled 

  • 雨锅奖余波 (yuguo jiang yubo – Hugo Award Aftermath).  

I don’t think there’s anything new there to anyone who’s been following File 770 coverage, but this is one of the few mainland China items I’ve seen on the subject, outside of user comments on various social media platforms, that – as previously covered – have had a tendency to disappear.

As I type this 3 or 4 days after the video was uploaded, it has received just over a quarter-of-a-million views.  I’ve got a local backup copy just in case it does belatedly vanish.

The below screenshots and Google Translated renditions thereof are included primarily for the bullet comments from users.  Filers might like to note that the video also includes a (machine translated?) screenshot of a Paul Weimer blog post.

A day earlier, I came across this video from a YouTuber in Taiwan, which was posted 4 days ago, and has just over 200 thousand views as I type this.  It’s another explainer for mainstream audiences, so again there won’t be much new to people who’ve been reading this site.

The video is edited in a snappy way, and very memey.  

(The place where I came across a link to this video is also worthy of a write-up, but that will have to wait for another day.)

(4) SAWYER’S STATEMENT ABOUT TIANWEN PROJECT. Robert J. Sawyer, a Chengdu Worldcon guest of honor, responded to discussion about the Tianwen Project and his participation in a launch ceremony at the Worldcon in a Facebook comment this week.

Elsewhere he answered some other questions about his guest of honor appearance.

And because people have been known to carelessly treat things others say in comments here as if they are my personal opinion (like Robert J. Sawyer, who recently blocked me in social media), I am going to quote what I wrote to a friend in October 2022 after passage at Chicon 8 of a resolution calling for Sergey Lukyanenko to be disinvited from the Chengdu Worldcon:

…Continuing a line of discussion I raised on FB — I want to be clear that I’m not demanding any action from Robert J Sawyer. If he volunteersto make a public statement, obviously I would run it. Otherwise, it’s not his fault that the other two GoHs are problematic. So while I expect at some point the Twitterati will try and railroad him because he’s the only English-speaker and the only GoH who answers his social media, I personally don’t think Sawyer has to take responsibility for the malfeasance of the committee or their refusal to clean up their GoH slate….

Which it seems to me is quite different from what some of his interrogators have had to say here and on FB. (And the malfeasance I had in mind in October 2022 was that the site selection voters who by then had been members for 10 months had yet to hear from the committee, people who wanted to buy new memberships complained that they couldn’t, and that the new Chengdu website had launched without any statement about who their Guests of Honor were, even though the names had been announced immediately after they won the bid.)

(5) NOT IF IT PUTS HIM OUT OF WORK. “Star Trek’s William Shatner Was Asked About His Stance On A.I. Replacing Him, And He Had An Interesting Response” reports Comicbook.com.

…Shatner recently spoke with Comicbook.com ahead of his upcoming appearance at Orlando’s MegaCon, and was asked about the possibility of his James T. Kirk one day being brought back to life, as it were, via A.I. Never one to shy away from hard questions, the actor gave his honest take on the situation, and how he’d respond to it depending on the situation:

“It’s an interesting question. The strike was all about getting permission to do that. And so if I’m alive, I don’t want A.I. to do that, but if I’m dead and they ask my family and they’re going to pay my family very well to sound like me, I would advise them to say yes.”

William Shatner isn’t so okay with allowing A.I. to take over his character or his own persona if he’s still alive, which is understandable. But if he’s no longer around to pass judgment, he’ll leave it to his family to decide. If a fair price is determined, apparently, he’s giving the green light to allow his likeness to be used for Captain Kirk.

(6) JENNELL JAQUAYS (1956-2024). Artist and game designer Jennell Jaquays, who created scenarios with myriad paths for Dungeons & Dragons, levels for video games like Quake II, and art that invited novices to try role-playing games, died January 10. The New York Times obituary is here.

… Over nearly five decades, Ms. Jaquays illustrated the covers and interiors of settings, modules, books and magazines for D&D and other role-playing games. In one of them, a red dragon roars while perched in front of a snow-capped mountain; in another, a nautiluslike spaceship floats above an alien world; in a third, two Ghostbusters prepare to tangle with a field of animated jack-o’-lanterns.

Ms. Jaquays also crafted scenarios of her own. Two of her earliest D&D modules, “Dark Tower” and “The Caverns of Thracia,” are renowned for their pathbreaking designs.

In the early days of D&D, many scenarios were fairly linear — enter dungeon, defeat monsters and plunder, assuming your characters survive.

Ms. Jaquays’s adventures were not so straightforward. They often contained several possible entrances and multiple avenues, some of them secret, by which players could accomplish their goals.

“The result is a fantastically complex and dynamic environment: You can literally run dozens of groups through this module and every one of them will have a fresh and unique experience,” the game designer Justin Alexander wrote about dungeons like Ms. Jaquays’s on his website in 2010…

(7) CHRISTOPHER PRIEST (1943-2024.) British sf writer Christopher Priest died February 2 at the age of 80. (Not to be confused with the comics author with the same name.) His novel The Prestige was a World Fantasy Award winner in 1996. His book The Islanders won the John W. Campbell Memorial Award and a British SF Association Award in 2012. Four other works also received BSFA Awards, Inverted World (1975), “Palely Loitering” (1980), The Extremes (1999), and The Separation (2003), the latter winning the Arthur C. Clarke Award as well. He was a Worldcon guest of honor in 1995, and received the Prix Utopia life achievement award in 2001.

In the late Eighties Priest also took time to pen The Last Deadloss Visions “an enquiry into the non-appearance of Harlan Ellison’s The Last Dangerous Visions”, which he called “a polemical pamphlet, written to express a point of view and to persuade others of that view.”

The British Council website’s “Christopher Priest – Literature” follows a long biography with a critical appreciation of his work. It says in part:

Christopher Priest was born in Cheadle, Greater Manchester, in 1943…. His first novel, Indoctrinaire, was published by Faber and Faber in 1970, beginning a stretch of two decades during which Priest’s novels appeared almost biennially. 1972’s Fugue for a Darkening Island saw Priest nominated for the John W. Campbell Award. His third novel, The Inverted World (1974), won Priest the first of his four BSFA (British Science Fiction Association) Awards. In the mid-1970s he was an associate editor of the UK semi-academic journal Foundations, which provided a distinctive platform for the criticism and popularization of science fiction at a time when the genre was not well established in the academy.

…Priest 1995’s epistolary novel The Prestige was a popular breakthrough. Winner of the World Fantasy Award and James Tait Black Memorial Prize, and nominated for the BSFA and Arthur C. Clarke awards, it was adapted into a film directed by Christopher Nolan, released to acclaim in 2006….

As time went by Priest generally was less interested in playing the role of elder statesman his accumulated honors had earned for him than he was in continuing to dish out the kind of fiery opinions he’d shared throughout his career. Consider that in 2012, before going on to win two major awards later in the year, he blasted the Arthur C. Clarke shortlist, saying he was dismayed that several quality books didn’t make the list, with sketches of the defects of the actual choices. (Although not all of the authors took it hard, judging from Charles Stross’ reaction, which was to issue a commemorative t-shirt.)

He is survived by his wife, Nina Allan, who followed her announcement of his passing with a chosen poem.

Christopher Priest at the 1980 Worldcon, NoreasCon Two. Photo by and (c) Andrew Porter.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 3, 1970 Warwick Davis, 54. This is not by any means a complete listing of everything he’s done. Just remember that before lodging the complaint that I forgot to include something. I didn’t forget. I just didn’t include it.

Warwick Davis is much loved for being the title character in Willow and really not loved for being Lubdan the Leprechaun in, errr, the Leprechaun film series. Look you really don’t need to see the latter even if you’re seriously drunk on cheap fake Irish beer on St. Patrick’s Day. They made him a lot on money but they’re really awful. Willow on the other hand is sublime. It brings a tear to my eye when I see it. 

He was the physical aspect of Wicket W. Warrick in Return of the JediCaravan of Courage: An Ewok AdventureEwoks: The Battle for Endor and Star Wars: The Rise of Skywalker though the character was voiced by Darryl Henriques. 

Warwick Davis in 2007.

He also played a lot of other Star Wars characters. The Phantom Menace saw him play Wald, Weazel, and Yoda in the walking shots, and a street trader on Tatooine; The Force Awakens a Wollivan (and no, I don’t recognize all of these characters); A Star Wars Story saw him being Weeteef Cyubee;  then Star Wars: The Last Jedi got the sneeze-worthy character names of Wodibin / Kedpin Shoklop, the latter in a deleted scene. Think I’m done? No. Next is Solo: A Star Wars Story where he’s Weazel / DD-BD / W1-EG5 / WG-22 and finally there’s The Rise of Skywalker where he’s Wicket W. Warrick for the final time plus Wizzich Mozzer again. Whew!

He’s in all five of the Harry Potter films in one or more of three roles — Professor Filius Flitwick, Goblin Bank Teller and Griphook, the latter just as the voice of that character. I’ve only seen the first three films and yes, I’ve loved them deeply even though all I’ve read of the novels was the first hundred pages of the first which I found exquisitely, deeply boring. God, I found her a bad writer.

Now here’s one that I really didn’t expect. He was in The Hitchhiker’s Guide to the Galaxy as Marvin the Paranoid Android. (Love the voicing of that character in the BBC radio production!) Again he didn’t voiced the character as that was provided by Alan Rickman. 

He shows up twice in Narnia productions, once as Nikabrik in The Chronicles of Narnia: Prince Caspian film, and on the television film Prince Caspian and The Voyage of the Dawn Treader as Reepicheep. Loved those novels. 

Finally he voiced Sniff (Snufkin) in the English language track for the Finnish crown funded animated Moominvalley series. Really great books. The Estate just allowed the likeness of the characters to be commercially used less than a decade ago. Have you seen a Moomin plushie? Oh really cute! I want! 

(9) AND GOOD-BYE TO YOU TOO, OLD RIGHTS-OF-MAN. Bill Coberly asks “Are We All Too Cynical for Star Trek?” in a piece for The Bulwark, a political Substack, about the changing portrayal of Starfleet across the decades. 

…This is not to say that the ’90s shows never delved into the complexity and nuance of this ethos—indeed, playing at the edges of their internal morality was how they derived much of their interest. A number of Starfleet admirals throughout TNG are shown to be venal or corrupt. One of the greatest episodes of Deep Space Nine (1992–99), “In the Pale Moonlight,” is entirely about how, in times of crisis, moral compromise may be necessary, even for Starfleet. But such cases are treated as exceptional, unusual circumstances far beyond the norm; as a rule, Starfleet is good, and the best way to be a good servant of the true and just in the world of Star Trek is by being a good Starfleet officer. How does one be a good Starfleet officer? By doing one’s job, by being a professional, by following one’s duty.

THINGS ARE DIFFERENT IN modern Trek. By “modern Trek” I mean the five major TV shows that have aired since the franchise returned to the small screen in 2017: Discovery (2017–present), Picard (2020–23), Lower Decks (2020–present), Prodigy (2021–present)and Strange New Worlds (2022–present). Starfleet as an institution often plays a partially antagonistic role in each of these shows. By the time of Picard, the titular paragon has quit Starfleet in a huff because it no longer lives up to his principles, and in both seasons one and three it is revealed that Starfleet has been compromised by hostile alien agents and cannot be trusted. The first season of Discovery ends with Starfleet condoning genocide, only to be stopped by our heroic crew; Season 2’s villain was an out-of-control Starfleet AI that threatened all life in the galaxy; and Seasons 3 and 4 keep the crew in near-constant conflict with Starfleet and/or Federation brass. Lower Decks is centered on the adventures of a low-level officer who routinely defies Starfleet regulations to help nearby planets in ways that Starfleet would not condone. Even Strange New Worlds, the most archetypal of the modern shows, emphasizes how unjust some of Starfleet’s rules are: In the first episode of the second season, the crew is forced to steal the Starship Enterprise itself to rescue a comrade in defiance of Starfleet’s orders….

(10) SFF BOOKS ON SALE. [Item by BGrandrath.] Back with another Whatnot commercial. The other day someone posted asking about a good place to buy books this might be the answer… “Over 40 Science Fiction Books | Vintage Book Haul”.

BOB’S Books will be on my nomination list for Best Fancast this year.

(11) ROMANTASY. The Guardian discusses “A genre of swords and soulmates: the rise and rise of ‘romantasy’ novels”.

…It is unclear where the “romantasy” label originated: though Bloomsbury said it coined the term to “identify the genre [Sarah J. Maas] was spearheading”, the term was posted on Urban Dictionary as early as 2008. In any case, its usage has exploded in the last year on social media and in marketing copy for fantasy romance titles.

Romantasy authors are selling well in part because of their huge popularity on social media; Maas’ publisher, Bloomsbury, says that videos with hashtags connected to her books have more than 14bn views on TikTok alone. On “BookTok”, the corner of the platform dedicated to book-related content, fans share their rankings of book series, theories about what might happen in future novels, compilations of favourite quotes and outfits inspired by books.

Such novels are typically set in fantastical worlds, with fairies, dragons, magic, but also feature classic romance plotlines – enemies-to-lovers, soulmates, love triangles. “Romance readers have discovered that romantasy has all the tropes they adore, but set in a world they can escape to and get lost in,” explains Ajebowale Roberts, an editor at HarperCollins.

“The Bachelor meets The Hunger Games” is how Canadian author Nisha J Tuli describes one of her romantasy novels, Trial of the Sun Queen….

(12) BURNSIDE Q&A. [Item by Steven French.] John Burnside is an award-winning poet and author: “John Burnside: ‘My stoner friends were into The Hobbit, but Gormenghast was darker’” in the Guardian.

The book that changed me as a teenager

Mervyn Peake’s Gormenghast series. My stoner friends were into Tolkien’s The Hobbit, but that didn’t interest me. What Peake created was darker, more intricate, at once more sinister and more beautiful than anything else I had read up to that point. At the end, I was left with a powerful impression of the richness of language, of its magical power. As my father would say, “people like us” didn’t become writers, (or musicians, or artists) but Peake made me wonder if writing was maybe worth the risk of honourable failure.

(13) TOP 10 STREAMING SFF FOR JANUARY. JustWatch has shared its rankings of the Top 10 Sci-Fi streaming films and TV series for January 2024.   

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Ersatz Culture, BGrandrath, Ken Josenhans, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Maytree.]

Pixel Scroll 1/13/24 Doctor Who And The Scrolls Of Pixeldon

(1) USPS TO ISSUE D&D STAMPS. [Item by Daniel Dern.] “New DnD Stamps Celebrate Game’s 50th Anniversary | D&D News (dungeonsanddragonsfan.com) at Dungeons and Dragons Fanatics.

Over the years the Dungeons & Dragons brand has appeared in countless places, with everything from t-shirts and playing cards to video games and big screen Hollywood films. Now, the legendary RPG is coming to an envelope near you as a series of exclusive DnD stamps from the United States Postal Service (USPS) that are being released to commemorating the 50th anniversary of the legendary TTRPG.

So get ready to roll a saving throw versus shipping and handling, as we take a closer look at these unique collectibles.

The news also in also Item 1 of the USPS press release: “U.S. Postal Service Reveals Additional Stamps for 2024”.

Dern quips: “One of the USPS’s packaged sets will come with special dice that you can use when bringing D&D-stamped letters, packages, etc to a post office counter, for the opportunities including of free upgrade to a higher (faster) service delivery level; reduced total price (for packages, etc); even getting back 1 or 2x fresh stamps. (However, unlucky rolls can delay or fail delivery, damage your package, etc.)”

Additionally, when these stamps are used, the USPS is inserting phrases [1] to its (unofficial) [2] motto (which, I’m assuming, isn’t a guarantee):

…nor dragons, illithids, quicksand, vortexes, Balrogs, orcs, triffids, feral flat cats, time storms, falling space elevators, sandworms, Black Bolt sneezing, hamburglers, or dramatic readings by Harlan Ellison, [shall etc.]

[1] I’m not a D&Der, though continue to play NetHack, so I’m drawing from my more general sf/comics reading, etc.

[2] Which turns out to be older than I would have thought, per the USPS (“Postal Service Mission”, “About that motto”) and the Wikipedia.

(Editor’s note: File 770 reported about these stamps before, but Dern’s version is more fun.)

(2) NEXT ITEM ON THE AGENDA. “Dracula writer Bram Stoker revealed as a humble minute taker for actor charity” in the Guardian.

…The imagination of Bram Stoker gave life to one of literature’s most enduring terrors, Count Dracula. But the Irish-born writer’s mind was not only full of flapping cloaks, dripping fangs and creaking coffins. Stoker, it can now be confirmed, also had a strong vein, or shall we say streak, of bureaucratic efficiency running through his personality.

Researchers working for the Actors’ Benevolent Fund, the charity that supports actors and stage managers in need, have discovered that the minutes of its founding meeting, back in 1882, were taken by Stoker. It has now been confirmed that the handwriting matches documents held by the University of Bristol Theatre Collection, with images of the notes released this weekend….

(3) OLD SPARKY. Author Gareth L. Powell looks at the damage solar activity could wreak on terrestrial infrastructure in “Sci-Fi Eye: The wrong kind of sunshine” at The Engineer.

… When the charged particles from a coronal mass ejection hit the Earth’s atmosphere, they cause a geomagnetic storm that can disrupt radio transmissions and damage power lines. The most famous recorded example of this is the Carrington Event of 1859, which disabled the US telegraph network, causing fires and electric shocks. More recently, in 1989, a geomagnetic storm disrupted power distribution in Quebec and caused aurorae as far south as Texas.

If another large coronal mass ejection hit the Earth today, our satellites would most obviously be at risk, and the intense radio emissions and magnetic effects could disrupt our satellite-based communication, weather, and GPS networks. At the same time, the energetic ultraviolet radiation would heat the Earth’s atmosphere, causing it to expand and increase the drag on those satellites, shortening their orbital lifetimes.

A severe event could also knock out power and disrupt electronic hardware, perhaps even causing errors and data loss as charged particles flip ones to zeroes and vice versa.

According to New Scientist, the most powerful solar storm ever to have hit us may have occurred 14,300 years ago, leaving a huge spike in radioactive carbon in tree rings from the time. So far, evidence has been discovered for nine more of these ‘Miyake’ events. Should one occur today, it could destroy all our satellites and potentially disable energy grids for months….

(4) QUITE A HANDFUL. Lisa Tuttle reviews these five books for the Guardian’s “The best recent science fiction and fantasy – reviews roundup”: Three Eight One by Aliya Whiteley; The Glass Woman by Alice McIlroy; The Principle of Moments by Esmie Jikiemi-Pearson; The Knowing by Emma Hinds; Thirteen Ways to Kill Lulabelle Rock by Maud Woolf.

(5) NOT JUST “A VAST WASTELAND”. The Guardian reminds everyone about the television programs with the greatest impact on the UK: “From the Post Office scandal to nuclear attack: 13 TV shows that shook Britain”. Terry Pratchett featured in one of them.

The War Game (BBC, 1966)

Unusually among the most influential TV shows, Peter Watkins’ simulation of a nuclear attack on the UK – made at the peak of the cold war – was not shown for 19 years. BBC bosses feared it would show viewers the futility of preparations for armageddon and its physical reality: evaporating eyeballs, rats outnumbering people in the streets. Counterintuitively, the show’s banning – supposed to reduce mass panic – led Britons to suspect that atomic war must be even worse than they had thought….

Terry Pratchett: Choosing to Die (BBC Two, 2011)

A major debate of the next few years will surely be the right to elective death for the terminally ill. Celebrities recently joining this campaign – Esther Rantzen, Susan Hampshire – would acknowledge that they follow the brave trail of Terry Pratchett, the great fantasy novelist, who faced the harsh reality of death in an impeccable documentary in which he travelled to meet people intending to manage their exits and, with a terminal diagnosis of his own, examined the options. Because of Pratchett, this film will be seen as moving the dial on the question of self-determination….

(6) NASA NOT SCREWED AFTER ALL. [Item by Mike Kennedy.] After more than three months, NASA has finally managed to open the OSIRIS-Rex sample return cylinder from asteroid Bennu. They had to invent, and test, a new tool to safely remove a couple of screws as a workaround for the stuck top of the container. “NASA can finally touch the ‘rarest’ rocks on Earth” – and Mashable breathes a sigh of relief.  (Photos at the link.)

Two little screws almost ruined the ending of NASA‘s seven-year space journey to asteroid Bennu and back.

But after more than three months of trying to pry the lid off a can containing the bulk of rocks and dust from the asteroid, engineers have finally done it. To remove the stuck top, they made and tested new tools that could safely unscrew the fasteners without damaging the precious sample.

So far the science team has only seen grainy cell phone pictures of the sample, said Andrew Ryan, a co-investigator on the NASA mission, but better photos are expected next week….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 13, 1977 Orlando Bloom, 47. Speaking of The Lord of The Rings: The Fellowship of the Rings, let’s talk about Orlando Bloom who I think magnificently played  Legolas here and in the other five Jackson Tolkien films.  Mind you this is one of the reasons I didn’t watch The Hobbit films as he wasn’t in the novel, was he? 

So what else for genre work? Well there’s being Will Turner in the Pirates of the Caribbean film series. I’ve seen just the first but I immensely enjoyed it and thought he was quite good in it. 

Orlando Bloom in 2013.

Carnival Row which sounds like someone read Bill Willingham’s Fables and crossed it with a police procedural has him as Rycroft “Philo” Philostrate, an inspector of a Constabulary. It’s on Amazon, and I’d checking out.

He was the Duke of Buckingham in The Three Musketeers. Yes, I consider it genre. 

He was Tommy Hambleton was in Needle in a Timestack, script  by John Ridley from the Robert Silverberg story which first was published  in the June 1983 issue of Playboy.

He has a single mystery to his name, a Midsomer Murders, “Judgement Day” in which he plays Peter Drinkwater, a petty thief who gets murdered. I mention this because acting on that series is a coveted affair indeed in Britain. 

(8) COMICS SECTION.

  • Pickles discusses what C.S. Lewis used to call “chronological snobbery.”
  • Rhymes with Orange has a timely warning. (Get it?)
  • Tom Gauld depicts a whole range of people who show up at the library assistance desk.

(9) DEMANDING OUR ATTENTION. AV Club scores the publicity of our two Star ___ franchises in “Star Trek races to announce it’s getting a new movie too, okay?”

Although there’s been a fair amount of ink spilled, over the last few years, about the ways Disney’s Star Wars movie franchise kind of fell off a cliff in the immediate aftermath of The Rise Of Skywalker, it’s worth remember that Star Trek has had it a hell of a lot worse. Although Trek’s television fortunes are doing pretty great at the moment—four series and counting, mostly well-received, right now—the series has been in retreat at the box office for fully eight years at this point, after the under-performance of 2016’s Star Trek: Beyond. (To the point that franchise star Chris Pine—a Major Movie Star!—has said more than once than he has absolutely no clue whether he still has that job, for all that the official line is that “Star Trek 4” is still in “active development.”)

But in the wake of Star Wars making noises this week indicating that it’s getting back into the movie-making tauntaun saddle with a film based on its beloved Mandalorian characters, we guess Star Trek needed to remind everybody that it’s still out there, potentially dominating the box office, too. Per Deadline, Paramount has let it be known that it’s started working with J.J. Abrams’ Bad Robot on a new Star Trek movie, even poaching some talent from the competition by hiring Andor’s Toby Haynes to direct. (Seth Grahme-Smith is writing, although details about the plot/concept/etc. are, unsurprisingly, zilcho at the moment.)…

(10) ALIEN GOES HOLLYWOOD. The Business podcast brings listeners “’Fargo’ creator Noah Hawley on season 5 and adapting ‘Alien’ for TV” at KCRW.com. Here are the topics covered in the 11-minute program.

Fargo creator Noah Hawley’s FX anthology series is just wrapping up its fifth critically acclaimed season. He still has more ideas for the show, and in spite of the ongoing upheaval in Hollywood, Hawley says he believes gifted creators will always be able to tell their stories. 

“Every generation has its masterpieces. You know, we had masterpieces before the golden age of television, and we’ll have masterpieces afterwards. It’s our responsibility to make them and to trick these corporations into paying for us to make them, right?” Hawley says. 

The Emmy-winning writer also talks to Eric Deggans about his upcoming television adaptation of Ridley Scott’s Alien franchise, and explains why he thinks people are getting tired of densely plotted shows on TV — including season 4 of Fargo, which had 23 main characters. 

(11) WHAT HAPPENS TO A RABBIT IN PUBLIC DOMAIN. Animation World Network anticipates “Nostalgic Horror Flick ‘Oswald Down the Rabbit Hole’ to Begin Filming this Spring”.

Lilton Stewart III, award-winning American filmmaker and creator of November 11th Pictures, has teamed with producer Lucinda Bruce on Oswald Down the Rabbit Hole, a film that will capture the magic of iconic cartoon characters through the lens of horror. The feature, described as Who Framed Roger Rabbit meets Nightmare on Elm Street, is set to begin filming in Spring 2024, with an announcement teaser trailer releasing this month.

Oswald follows main character Art and some of his closest friends as they track down his long-lost family lineage. When they find his Great-Grandpa Oswald’s abandoned home, they are transported to a place lost in time, shrouded by dark Hollywood Magic. The group finds that they are not alone when the cartoon Rabbit, a dark entity, comes to life. Art and his friends must work together to escape their magical prison before the Rabbit gets to them first….

“Much like Pooh, Tigger, and Mickey Mouse, the Oswald character entered the public domain on January 1, 2023. Originally owned by Disney, control of the cartoon rabbit shifted to Universal in 1928, leading to the creation of Mickey Mouse to compensate for the loss. Nothing says ‘copyright expiration’ like a horror reimagining!”

(12) LOST CITIES ARE A SORT OF MINOR FANTASY AND SF TROPE. [Item by SF Concatenation’s Jonathan Cowie.]  The front cover of this week’s Science journal has “Two thousand years of garden urbanism in the Upper Amazon”.

The urban core of the Sangay archaeological site shows artificial earthen platforms and dug streets distributed along the edge of the cliffs flanking the Upano River. Recent investigation revealed a dense system of pre-Hispanic urban centers in the Upano Valley of Amazonian Ecuador, in the eastern foothills of the Andes. This discovery changes the perception of the Amazon’s ancient human past.

The primary research is here:

When intact, the Amazonian forest is dense and difficult to penetrate, both on foot and with scanning technologies. Over the past several years, however, improved light detection and ranging scans have begun to penetrate the forest canopy, revealing previously unknown evidence of past Amazonian cultures. Rostain et al.describe evidence of such an agrarian Amazonian culture that began more than 2000 years ago. They describe more than 6,000 earthen platforms distributed in a geometic pattern connected by roads and intertwined with agricultural landscapes and river drainages in the Upano Valley. Previous efforts have described mounds and large monuments in Amazonia, but the complexity and extent of this development far surpasses these previous sites.

(13) A ROCKET WITH THE MUNCHIES. [Item by Mike Kennedy.] “Watch this rocket ‘eat’ its own body for fuel” at Popular Science. (“Ouroboros-3 Hybrid Autophage Rocket Engine Test (Composite)”.)

…Collaborators from the University of Glasgow say they have debuted the first successful, unsupported autophage (Latin for “self-eating”) rocket engine prototype. Revealed earlier this week during the American Institute of Aeronautics and Astronautics SciTech Forum, the Ouroboros-3—named after the ancient Egyptian symbol of a snake eating its own tail—utilizes its own body as an additional fuel source. In a video of the tests, the Ouroboros-3 can be seen shrinking in length as its body is burned away during a simulated launch….

(14) FIND OUT WHAT YOU MISSED IN 2023. [Item by SF Concatenation’s Jonathan Cowie.] The Northern hemisphere’s academic year’s, spring edition of SF2 Concatenation is now up.


New , SF2 Concatenation has its spring* season edition. It includes the season’s full news page, with its Film News;  Television News;  Publishing News;  General Science News  and  Forthcoming SF Books from major British Isles SF imprints for the season, among much else.  Separately SF2 Concatenation has a couple of stand-alone articles and convention reports. Plus there is the usual tranche of stand-alone book reviews.  Something for every SF enthusiast and/or science bod.
* ‘Spring’ season here being the northern hemisphere, academic year spring.

In the news page mix SF2 Concatenation has its annual bit of fun with our selection of ‘Best SF’ books and films of the previous year, 2023.  This is also on SF2 Concatenation’s Best SF Books and Films archive, so you can see whether any of their previous years’ choices went on to win major SF awards. (Of course it is too early to see how our latest – 2023 – selection fares.)

Time to sit down at the PC, open the lap top or pad and explore the news page and its links to trailers and videos as well as science papers.

For details of / links to the new content, scroll down to beneath ‘Most recently added‘ below.

FORTHCOMING

Mid-March will see the first of the zine’s four ‘Best of Nature ‘Futures’ short, short SF stories of the year.  If you want to check out past stories in this series the Best of Nature ‘Futures’ archive is here.

Most recently added

v34(1) 2024.1.15 — New Columns & Articles for the Autumn 2024

v34(1) 2024.1.15 — Science Fiction & Fantasy Book Reviews

v34(1) 2023.1.15 — Non-Fiction SF & Science Fact Book Reviews

(15) VIDEO OF THE DAY. A forgotten classic: “ Snoopy’s Christmas vs. The Red Baron”.

[Thanks to, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/11/24 Scroll, Pixel, Scroll, Upon Your Mystery Ship

(1) BITTER KARELLA (“MIDNIGHT PALS”) Q&A. The Horror Writers Association blog continues its “Nuts & Bolts” series in an “Interview With Bitter Karella, Creator of The Midnight Pals”.

The Midnight Pals microfiction series started as a simple but inspired running gag on Twitter. Storytellers gather around a campfire a la Nickelodeon’s Are You Afraid of the Dark?, except they’re real-life horror authors past and present — Stephen King, Clive Barker, Mary Shelley, etc.

Its author, Bitter Karella, has managed to find surprising depths in that premise, delivered almost entirely in dialogue. Midnight Pals features complex, interweaving storylines, recurring characters, and trenchant social commentary, all while remaining consistently hilarious….

Q: Humor aside, it’s impressive how Midnight Pals manages to convey entire narrative arcs using little but snippets of dialogue. Do you have any pointers on story-telling?

A: One of the most powerful parts of storytelling is leaving things unsaid. A well-timed pause or a deflection can say so much —  about what a character is thinking, their emotional state, what they want to say but can’t for some reason, what inner demons they refuse to confront, what blind spots they’re not even aware of. These are the moments that really let the reader ponder what’s going on in a character’s brain and I think letting the reader try and figure out for themselves what is going on gives the whole affair a bigger impact than if the writer just spells everything out for them. Because we live in a social media world where we’re all understandably nervous about getting yelled at online, I think many writers today feel uncomfortable with the idea that a reader might misunderstand them and they feel compelled to answer every question before it’s asked. I struggle a lot with that as well … when I write a punchline, I want to write it so that there’s no ambiguity about what’s happening, so that everyone can get it. But sometimes the phrasing that hits best is also going to be the phrasing most ripe for misinterpretation or sometimes it’s just funnier (or more interesting) to leave something out. You just have to trust your reader to connect the dots for themselves, sometimes!

(2) AUTHOR BIO ADVICE. Nicola Griffith makes recommendations: “Author Bios: Saying the quiet part out loud”.

…Nobody really talks about about Author Bios. Consequently, when I was first asked to write one (in the late 80s, for Interzone, or maybe Iron Women) I hadn’t a clue where to begin. If I’d thought about them at all I probably assumed somebody else wrote them. After all, as my English, trained-to-not-blow-my-own-horn inner voice reminded me, If you have to tell people you’re important/interesting, you’re not. Looking back, I’m glad I was clueless about this kind of self-promotion. I might never have begun this writing thing if I’d had any idea how much being a working novelist depends on blasting out your own brassy fanfares all the time, about everything: not just social media but essays, interviews, panels, readings, think pieces, puff pieces, listicles, blog posts, podcasts… It’s a very large part of the job. And all those things rest on the bio—usually between 500 and 1,000 words for your own website (the Inside Bio), and anything from 25 to 200 words elsewhere (the Outside Bio)1

(3) LEARNEDLEAGUE. [Item by David Goldfarb.] Two SFF-related themed quizzes were featured this week on LearnedLeague. Here’s a link to “Spaceballs: The One-Day Special!” and here’s one to “The Sandman“.

I’ve actually never seen Spaceballs, so I didn’t take that quiz. Sandman, by contrast, I’ve been reading since 1988. I got 12/12 right on that one fairly easily (I did need the embedded hints in one question) but wasn’t in the winners’ circle because the scoring involves guessing what questions will be the hardest, and I failed at that. My old friend Tom Galloway got a perfect score, though.

(4) SHADE TREK. “Star Trek Series Erased From Existence By Sci-Fi Show, Is It Revenge?” asks Giant Freakin Robot.

Star Trek definitely exists in the universe of Ronald D. Moore’s Apple TV+ series For All Mankind, but does every show from the franchise exist? A recent episode has fans speculating that Moore is purposefully suggesting that Star Trek: Voyager wasn’t made in the For All Mankind universe.

If true, it seems like Moore would be throwing some slight shade toward screenwriter Brannon Braga, whom Moore had a falling out with, causing him to leave Voyager.

For All Mankind takes place in an alternate reality where there is a global space race, and one of the interesting aspects of the show is seeing the slight differences in the timelines from our reality. The Star Trek: Voyager theory popped up when a Reddit user pointed out that the character Danielle (Krys Marshall), the first African-American woman in space, sent a message to her stepson Isaiah about the birth of his daughter.

In the scene, Danielle says, “I know you hate Star Trek, but you better get used to it, because I’m gonna make sure my grandbaby is a full-blown Trekkie,” adding, “That’s right, we’re gonna watch all the series, all three of them.”

While that statement may seem innocuous enough, the scene takes place in 2003, when there were six series in the franchise, including The Original SeriesThe Animated SeriesThe Next GenerationDeep Space NineVoyager, and Enterprise….

(5) SCRIPT OF THE UNMADE DUNE SEQUEL. Max Evry tells Ars Technica “I found David Lynch’s lost Dune II script”. That the 1984 Dune movie was low-earning and brutally reviewed is part of the reason it was lost.

… During the two years I spent putting together my book A Masterpiece in Disarray: David Lynch’s Dune—An Oral History, I had no luck uncovering Lynch’s script for Dune II, despite Frank Herbert telling Prevue magazine in December 1984 that he possessed a copy and was advising Lynch on it. “Now that we speak the same ‘language,’ it’s much easier for both of us to make progress, especially with the screenplays,” Herbert told the publication. Then, in July 2023, within the Frank Herbert archives at California State University, Fullerton, I came across a slim folder with a sticky note declaring “Dune Messiah script revisions,” addressed to the second floor of VFX man Barry Nolan’s office in Burbank where Lynch supervised the final effects shoots and editing on Dune….

… Of the many differences between Dune Messiah in novel form and David Lynch’s script, the biggest lay in the opening pages, which detail what happens in the aftermath of the scene in the first Dune movie when the Harkonnens bombed the Atreides’ fortress in Arrakeen, the capitol of the desert planet Arrakis. In the hallway where Duncan Idaho (Richard Jordan) was shot in the head, his shielded dead body still floats on the floor, humming and sparking.

From out of the shadows emerges a familiar face: the Baron’s Doctor (Leonardo Cimino). Thought to be the only speaking part created specifically for Dune by Lynch, we learn this Doctor was actually Scytale, a shape-shifting “face dancer” crucial to the plot of Herbert’s second book. Going back to Dune ’84, you may not have noticed Cimino’s Doctor accompanied Baron Harkonnen during the Arrakeen attack. The Doc is absent after that, even as the Baron yells creepily, “Where’s my doctor?” That’s because Doc/Scytale absconded with Duncan’s body. This Easter egg is Lynchian world-building at its best.

Scytale’s 12-year odyssey reanimating “dead Duncan Idaho” into the ghola named Hayt on the nightmarish Bene Tleilax world (mentioned by Paul in Dune) constitutes the entire opening 10 minutes of the script. Lynch calls the planet Tleilax “a dark metal world with canals of steaming chemicals and acids.” Those canals, Lynch writes, are lined with “dead pink small test tube animals.” Initiating Dune II with a focus on Scytale foregrounds him to primary antagonist, unlike Herbert’s book where myriad conspirators work against Paul….

(6) TURN OUT THE LIGHTSABER, THE PARTY’S OVER. And speaking of unmade sequels – which two famous producers did in The Hollywood Reporter interview: “David Benioff, Dan Weiss Reveal Their Star Wars Movie: The First Jedi”.

…On the Star Wars front, the duo confirm media reports from 2019 that they were looking at the early days of the Jedi, but added some details.

“We wanted to do The First Jedi,” Benioff says. “Basically, how the Jedi Order came to be, why it came to be, the first lightsaber …” 

“And we were annoyed as hell when [Rian Johnson, the duo’s longtime friend and 3 Body Problem producer] called his movie The Last Jedi,” Weiss says dryly. “He completely destroyed the obvious title for what we were working on.” 

Asked what went wrong, Benioff says, “[Lucasfilm] ended up not wanting to do a First Jedi story. We had a very specific story idea in mind, and ultimately they decided they didn’t want to do that. And we totally get it. It’s their company and their IP, but we weren’t the droids they were looking for.”

The duo were far from the only ones that had their Star Wars movie taken away. Lucasfilm also decided against making Star Wars projects from top creatives like Kevin Feige, Patty Jenkins and Damon Lindelof….

(7) BRITISH LIBRARY RECOVERY. [Item by Bruce D. Arthurs.] The British Library announced that some of their major services will begin to be available again starting next week, following last October’s crippling cyber-attack. “Restoring our services – an update”. There is still much work to be done.

As we begin a new year, I’m pleased to confirm that – as promised before Christmas – next Monday 15 January will see the return online of one of the most important datasets for researchers around the world: the main British Library catalogue of over 36 million records, including details of our printed books, journals, maps, music scores and rare books. Its absence from the internet has been perhaps the single most visible impact of the criminal cyber attack which took place at the end of October last year, and I want to acknowledge how difficult this has been for all our users.

When the catalogue returns it won’t be in quite the form that long-standing users will be familiar with. Most notably it will be ‘read-only’, so although you will be able to search for items as before, the process for checking availability and ordering them for to use in the Reading Rooms will be different. We’ll be providing more detailed information and practical guidance when the catalogue goes online on Monday….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 11, 1961 Jasper Fforde, 63. I, like most folk I suspect, first discovered the somewhat eccentric charms of his writing in the Eyre Affair, the first of his novels with Tuesday Next, the  Special Operation Network, Literary Detectives (SO-27) who could literally enter the great and not so great works of English literature. 

Bidder and Stoughton published it twenty-three years ago. I’d like to say the Eyre Affair was a much desired literary property but he says there were seventy-six publisher that he sent his manuscript to. I’m surprised there were that many publishers in the U.K. that would have been interested…

Jasper Fforde in 2012.

There would be six in the series in all — this novel followed by Lost in a Good BookThe Well of Lost PlotsSomething RottenFirst Among SequelsOne of our Thursdays Is Missing and The Woman Who Died a Lot. I won’t say that they were consistently great as they weren’t and the humor sometimes wore more than a bit thin, but overall I like the series considerably.

Next up, and I wasn’t eggspecting to like it, yes I know bad pun there, is The Big Over Easy which is set in the same universe as the Thursday Next novels though I don’t remember any overlapping character twenty years after reading them. It reworks his first written novel, which absolutely failed to find any publisher whatsoever. 

Its original title was Who Killed Humpty Dumpty? Errr, wasn’t there a novel involving a rabbit by almost that name?  It had a sequel of sorts in The Fourth Bear. Both are quite more than bearably good. 

I have not read his dystopian novel Shades of Grey: The Road to High Saffronwhich is about a future Britain where everyone there is judged by how they perceive colors. Suspect someone with color blindness like myself wouldn’t be welcome there. A friend who did read it like it a lot. 

His Dragonslayer series, also known as The Chronicles of Kazam, are a YA affair and a great deal of fun indeed. 

He’s got several one-offs but I know absolutely nothing about them.

(9) COMICS SECTION.

(10) STRACZYNSKI Q&A. “Hope and Strange: PW Talks with J. Michael Straczynski” at Publishers Weekly.

You’ve said before that, with established mainstream comics characters, you view your job as asking unlikely questions. Could you expand on that approach?

[JMS]: Spider-Man is a good example of that. For 50-plus years, we’ve known that Peter Parker got bit by a spider and got his powers. I like to look under the hood and say, oh, wait, hang on a second. The spider was irradiated—we know that part of it. But did the spider have the powers from the radiation, and therefore gave it to Peter, or was that spider bringing the powers to him in the first place, and had to get to him before the radiation killed it? Because the second question implies intent. And the moment you put intent into that equation, it changes everything. It opens up whole new possibilities of storytelling. Out of that one question came the Spider Totem idea, but also the Spider-Verse. All the things you’ve seen since then from the Spider-Verse, the characters and movies, and the animated stuff, all that came from that one unlikely question—that implied intent….

(11) UNCANNY MAGAZINE’S SUBMISSION SCORECARD. A little peek behind the scenes at a leading sff magazine.

(12) MORE AI FAKERY ON AMAZON. “Scammy AI-Generated Book Rewrites Are Flooding Amazon” reports WIRED.

When AI researcher Melanie Mitchell published Artificial Intelligence: A Guide for Thinking Humans in 2019, she set out to clarify AI’s impact. A few years later, ChatGPT set off a new AI boom—with a side effect that caught her off guard. An AI-generated imitation of her book appeared on Amazon, in an apparent scheme to profit off her work. It looks like another example of the ecommerce giant’s ongoing problem with a glut of low-quality AI-generated ebooks.

Mitchell learned that searching Amazon for her book surfaced not only her own tome but also another ebook with the same title, published last September. It was only 45 pages long and it parroted Mitchell’s ideas in halting, awkward language. The listed author, “Shumaila Majid,” had no bio, headshot, or internet presence, but clicking on that name brought up dozens of similar books summarizing recently published titles.

Mitchell guessed the knock-off ebook was AI-generated, and her hunch appears to be correct. WIRED asked deepfake-detection startup Reality Defender to analyze the ersatz version of Artificial Intelligence: A Guide for Thinking Humans, and its software declared the book 99 percent likely AI-generated. “It made me mad,” says Mitchell, a professor at the Santa Fe Institute. “It’s just horrifying how people are getting suckered into buying these books.”…

(13) ELFQUEST SCRIPT IS GO. “’Elfquest’ Animated Series Based On Comics In Works At Fox” reports Deadline.

Fox has given a script commitment to Elfquest, a one-hour animated drama series based on the epic fantasy adventure comic series created by Wendy and Richard Pini, from Rodney Rothman and Adam Rosenberg’s Modern MagicSusan Hurwitz Arneson (The Last Amazon) will pen the series adaptation and serve as showrunner and executive producer.

Created in 1978, Elfquest, published by Dark Horse Comics, is a fantasy story about a community of elves and other fictional species who struggle to survive and coexist on a primitive Earth-like planet with two moons….

(14) VIDEO OF THE DAY. [Item by Daniel Dern.] The fan-relevant part starts at 3:53 into the video, “Stephen [Colbert] Plays ‘Ick Or No Ick’ With Taylor Tomlinson, Host Of “After Midnight”. Listen through Colbert’s follow-up to Tomlinson’s response, until he closes with a plug for her new show.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, David Goldfarb, Kathy Sullivan, Michael J. Walsh, Bruce D. Arthurs, Jim Janney, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark J. McGarry.]