Pixel Scroll 4/18/24 Quick Is Your Pixel, By Mickey Scrollane

(1) JEMISIN IN KANSAS. KU’s Gunn Center for the Study of Science Fiction invites readers to join them on April 25, 2024 for the next “KU Common Book Lecture [VIRTUAL]: An Evening with N.K. Jemisin.” Learn more about the influence of Octavia E. Butler on Jemisin’s work. Register at the link.

The KU Common Book program is coordinated by the KU Libraries, the Hall Center for the Humanities, and the Division of Academic Success. Author N. K. Jemisin will visit campus in April to give the Common Book Lecture. The Common Book for the 2023-24 school year is Parable of the Sower by Octavia E. Butler. Butler, who died in 2006, was influential to the career of Jemisin, a fellow science fiction writer, and Jemisin also wrote the forward to the most recent edition of Parable of the Sower.

(2) PEN AMERICA LITERARY AWARDS UNDER PROTEST. “Amid Mounting Criticism, PEN America Literary Awards In Limbo” reports Publishers Weekly.

Amid growing criticism over its response to the humanitarian crisis in Gaza, freedom of expression nonprofit PEN America is facing questions over whether its Literary Awards ceremony, World Voices Festival, and Literary Gala, all scheduled to be held within the next month, can proceed as planned.

Last week, a number of nominees withdrew their books from consideration for PEN awards citing the organization’s response to the war in Gaza. Esther Allen, one of three cofounders of the World Voices Festival, declined this year’s PEN/Ralph Manheim Award for Translation. Since that time, nine of the 10 longlisted authors for this year’s PEN/Jean Stein Book Award, which comes with a $75,000 monetary prize, have withdrawn their books from consideration.

According to the activist organization Writers Against the War on Gaza (WAWOG), a further 20 authors have withdrawn their longlisted books for other PEN awards including the PEN/Robert W. Bingham, PEN/Hemingway, PEN/Robert J. Dau, and PEN/Voelcker awards, as well as the PEN Translation Prize, PEN Award for Poetry in Translation, and PEN/Heim Translation Fund Grant. The books have since been rounded up in a collection, “2024 PEN America Literary Awards Boycott for Palestine,” curated by WAWOG and currently featured on the homepage of Bookshop.org.

Furthermore, on April 17, 21 authors signed a letter of refusal addressed to the executive board and trustees of PEN America demanding, among other items, the immediate resignations of board president Jennifer Finney Boylan, CEO Suzanne Nossel, and the executive committee. Another nine signatories have pledged to donate prize money to mutual aid funds funds in Gaza. (Iliad translator Emily Wilson, who was not a signatory, also pledged to donate prize money in a tweet this morning.)…

…When contacted for comment, a PEN America administrator told PW that the organization is in touch with authors nominated for this year’s awards, and has paused announcing this year’s awards finalists as it deliberates on how to move forward with the upcoming awards ceremony, which is slated for April 29. The administrator added that the PEN/Jean Stein Award will not be awarded by default to the one remaining longlisted author, as the judging protocol for the award has not been changed in response to the withdrawals.

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to sup on scallops with Arthur Suydam in Episode 223 of the Eating the Fantastic podcast.

It’s time to take a seat at the table for the first of two dinner conversations which took place during last month’s AwesomeCon in Washington D.C. — starting with Arthur Suydam, whose professional comics career began when he drew a story published in the May 1974 issue of House of Secrets for DC, right around the time my own comics career started at Marvel editing the British reprint line in June. We somehow never encountered each other as we navigated the comic community of the ’70s, and in fact, we never met until the Saturday of our meal.

Arthur Suydam

After a bunch of those horror stories for various DC titles, Suydam moved on to Epic IllustratedHeavy Metal, and other publications where he could do the kind of painted work most people know him for today, writing and drawing such features MudwogsThe Adventures of Cholly & Flytrap, and others.

He’s perhaps most well known for his zombie work — which includes dozens of covers for the Marvel Zombie series and spin-offs — which earned him the nickname of “The Zombie King.” In 2008, Marvel even released a hardcover tribute titled Marvel Zombies: The Covers. His artwork has also appeared in such titles as BatmanConanTarzanPredator, and Aliens, and his cover art was featured on Ghost RiderHellstormMoon KnightWolverineMarvel Zombies vs. The Army of Darkness, and many others. He’s also provided noir-ish, retro covers for the Hard Case Crime paperback line.

We discussed the way a lengthy hospital stay resulted in him falling in love with comics, what Joe Orlando said to convince him to start his comics career at DC instead of Warren, the permission he was granted upon seeing the ghastly artwork of Graham Ingels, what he learned from dealing with cadavers during his art student days, how Gil Kane hurt his feelings by chewing out his early work, the grief Frank Frazetta got out of dealing with Mad magazine, the way his work for Epic Illustrated made Archie Goodwin squirm, why Marvel teamed him up with Robert Kirkman for its Marvel Zombies project, his reason for avoiding social media like the plague, and much more.

(4) MEET DANGEROUS VISIONS. The new Patton Oswalt and J. Michael Straczynski introductions to the latest edition of Dangerous Visions can be read on Amazon. (The linked sample also includes the Michael Moorcock and Harlan Ellison forewords from the 2002 edition, and Ellison’s intro from the original 1967 edition.)

(5) CAITLIN THOMAS. Deepest condolences to the Thomases who lost their daughter Caitlin yesterday. For those looking to help, a GoFundMe is here.

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 18, 1971 David Tennant, 53. Of the modern Doctor Whos, the one performed by David Tennant is my favorite by far. (It won’t surprise you that Tom Baker is my classic Doctor.) I liked him from the very first time that he appeared, in “The Christmas Invasion”.  (Spoiler alert from here out.) The fact that he won’t finish his transition until he inhales the fumes from a dropped flask of tea. Oh, what a truly British thing to have him do! 

David Tennant

Christopher Eccleston was good but I thought that he didn’t have long enough to fully settle into the role so I felt his character was more of a sketch than a fully developed character. His certainly would have been a better Doctor if he’d decided to stay around, but he didn’t. 

Tennant on the other hand had three series plus some specials, he’d also be the Doctor in a two-part story in Doctor Who spin-off, Sarah Jane Adventures, “The Wedding of Sarah Jane Smith”. He got time to settle into his character.  And what a character it was — intelligent, full of humor, sympathetic and just alien enough in his quirkiness to believable that he wasn’t human. 

Oh, and the stories. So, so great. Those along with his companions made for ever so great watching. My favorite companion? Each had their strengths — Rose Tyler, Donna Noble and Martha Jones, all made fine companions in very different ways. 

If I could pick just one story from his run, it’d be “The Unicorn and The Wasp” with Agatha Christie as a character and Donna Noble as the companion. And it was a country manor house mystery! 

Yes, I know he came back as the Fourteenth Doctor. Or will. Not having Disney I’ve no idea which tense applies. I know I could look it up but I’m haven’t and not inclined to subscribe to that service just to watch this series and there’s nothing else there I’m that much interested in. 

It’s certainly not his only genre role,and yes he played several Doctor Who roles before being the Tenth Doctor. He had a role in the BBC’s animated Scream of the Shalka and appeared in several Big Finish Productions. I think I read he played a Time Lord in one of them. 

Now let’s see about his other genre roles… One of my favorite series, Randall & Hopkirk (Deceased), had him  up as Gordon Stylus in the “Drop Dead” episode. The Quatermass Experiment film had him as Dr. Gordon Briscoe. He was in Harry Potter and the Goblet of Fire as Barty Crouch Jr., a fine performance he gave there.

In How to Train Your Dragon and How to Train Your Dragon: The Hidden World, which I think has awesomely cute animation, he voices Spitelout Jorgenson, a warrior of the Hairy Hooligan Tribe. Need I say more? I think not.  DreamWorks Dragons was another series in which he voiced this character. 

In Star Wars: The Clone Wars, he had a short run there as Huyang. 

Huh. He even voiced a character in a Teenage Mutant Ninja Turtles series, one called Fugitoid, a sort of android figure.

He’s the voice of Dangerous Beans in The Amazing Maurice off Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

The last role I’ll mention is his Jessica Jones one and one that honestly made me not watch the series. No, I’ll not say why as that’d be a major spoiler. He was called Kevin Thompson / Kilgrave. 

(7) COMICS SECTION.

  • Thatababy gets into kaiju algebra.
  • Tom Gauld might be thinking of Pluto. Or not.

(8) SUNKEN CHEST. This is not how you expect a superhero to start out looking. Jason Aaron redefines the King of Atlantis in a new Namor comic book series that arrives July 17.

The eight-issue epic will forever reshape the seas and bare the dark history of Atlantis and its fiercest, most infamous defender. Stay tuned for more information.

(9) ONCE IN A LULLABY. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature takes us somewhere over the rainbow with an exo-planet: “An exoplanet is wrapped in glory”.

Astronomers spot the first planet outside the Solar System to boast a phenomenon reminiscent of a rainbow.

The rainbow-like phenomenon called a glory (artist’s illustration) appears at the boundary between the day and night sides of the exoplanet WASP-76b.

Primary research here.

(10) BLATAVSKY, LINNAEUS, AND MERMAIDS, AND , OH MU! [Item by Steven French.] Oh, how I long for lost Lemuria! “Like Atlantis, Lemuria Is a Lost Land That Never Existed, But Became So Much Bigger” at Atlas Obscura. Lots of inventive maps at the link.

PHILIP SCLATER SHOULD HAVE STOPPED writing in 1858. That’s when he published one of the foundational texts of biogeography, the science that studies the distribution of species and ecosystems across space and time.

But there was one little primate that didn’t neatly fit into Sclater’s division of the world into six biogeographical realms. He had found fossils of lemurs in both Madagascar and India, even though those places belong to two wholly separate realms. (In today’s biogeographical parlance, those would be the Afrotropical and Indomalayan zones, respectively.)

So he did what other scientists of the day did when faced with similar disconnects: He proposed a vast land bridge that had once linked Madagascar to India. And he gave that hypothetical continent, now swallowed by the Indian Ocean, an appropriate name: Lemuria…

(11) YETI. That’s the mystery creature at the heart of Primevals.

(12) VIDEO OF THE DAY. [Item by Daniel Dern.]

From 12 years ago.  “Be sure to watch to the end,” says Dern. “The Best Star Trek Commercial Ever”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Daniel Dern, Scott Edelman, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jan Vanek jr.]

Barkley — So Glad You (Didn’t) Ask #70

Danai Gurira and Angela Bassett in a scene from Black Panther: Wakanda Forever.

Black Panther: Wakanda Forever, A (Spoiler Free) Review 

By Chris M. Barkley: (Author’s Note: I wish to state for the record that I, like many others, would have preferred that the role of T’Challa, the King of Wakanda, had been recast for this film. Alas, he was not. But, we do have THIS film to review and I do so gladly and without (too much) bias or reservation. I hope you enjoy it.)

Black Panther: Wakanda Forever (4/4 stars) with Angela Bassett, Letitia Wright, Tenoch Huerta, Lupita Nyong’o, Winston Duke, Danai Gurira, Martin Freeman and Julia Louis-Dreyfus. Screenplay by Ryan Coogler and Joe Robert Cole, Directed by Ryan Coogler. 

Bechdel Test Rating: OFF THE CHARTS!

Since the turn of the current century, I can personally account for only a few films that have transcended being “only a movie” and have been genuine, world changing, cultural events. And most of them have been either genre, or genre-adjacent, films.

My own personal list includes Casino Royale (2006), The Dark Knight (2008), Avatar (2009), The Avengers (2012), Frozen (2013) Mad Max: Fury Road (2015), the Academy Award winning (for Best Original Screenplay) Get Out (2017) and Crazy Rich Asians (2018).

But the last culturally significant film on my list, Black Panther (also released in 2018), was also one of the best. Not only was it the very first superhero film to be nominated for an Academy Award for Best Picture, it was also honored with six other nominations (and winning three, for Costume Design, Production Design and Original Score) and earned almost 1.35 billion dollars at the box office.

But, beyond its many accolades and numerous semi-trailers full of cash, it was a moment where the spotlight shone brightly on creative people of color in the motion picture industry.

And much of the success of Black Panther was due to the efforts of writer/director Ryan Coogler, screenwriter Joe Robert Cole and an astounding supporting cast featuring Andy Serkis, Forest Whitaker, Winston Duke, Dani Guriria, Daniel Kauuya, Angela Bassett, Letitia Wright, Lupita Nyong’o and Michael B. Jordan.

But above all the others, Black Panther was carried on the magnificent shoulders of the late Chadwick Boseman, who died of colon cancer in August of 2020.

The cast and crew of the film and the whole world at large mourned his passing.

Now Coogler and Cole had a big problem; how could they proceed with expanding the story of Wakanda without its emotional and charismatic north star. 

But bravely, and with many, MANY trepidations between themselves and studio executives at Marvel and Disney, they did.

According to Ryan Coogler, the original plan was to have King T’Challa, who was dusted along with half the universe with Thanos’ snap (in Avengers: Infinity War) had returned to Wakanda, trying to make up for the lost time away from his kingdom for five years. Because while he was gone, a new threat had arisen…

In the opening moments of Wakanda Forever, King T’Challa’s absence is dealt in a swift and devastating manner; Shuri (Letitia Wright) is in her laboratory, fervently trying to come up with a treatment for her severely ailing brother. But moments later, her mother, the Sovereign Queen Ramonda (Angela Bassett), sadly announces that the King has joined the ancestors.

A year later, there is still no successor to T’Challa’s Black Panther to protect Wakanda. The Dora Milaje forces, headed up by General Okoye (Dani Gurira) are holding their own against powerful nations, including the United States, who are eager to obtain and exploit the mysterious extraterrestrial mineral vibranium, the source of Wakanda’s strength and security. 

But it turn out that Wakanda is not the only nation state with vibranium; a mysterious flying stranger named Namor (Tenoch Heurta) appears before Ramonda and Shuri, demanding that they help him keep his underwater kingdom of Talokan a secret and their sworn fealty to assist him in case they engage in a war against the surface dwellers he hates and fears. 

And, as he amply, and violently demonstrates throughout the film, Namor will do anything AND everything to protect his people…

Tenoch Heurta as Namor

Namor, also known as the Sub-Mariner of Atlantis to generations of comics fans, was created by writer/artist Bill Everett, appeared in Marvel Comics #1 in August of 1939, was THE first comic book anti-hero. “Namor’s goal wasn’t to rescue kittens or punch criminals — it was to lead an Atlantean army against the air-breathers of America,” stated veteran comics writer Mark Waid to the New York Times in 2019. 

As such, Namor was the prototype of many of the conflicted villains that would be created by Stan Lee, Jack Kirby, Steve Ditko and a host of other Marvel writers and artist creators a generation later.

But Coogler and Cole have repurposed Namor’s origin and those of his people as descendants from the Yucatan region off the coast of Mexico instead of the mythic realm of Atlantis. His fears, of discovery and the threat of exploration and colonization by the surface dwellers, are highly relatable under the circumstances, even more so than Killmonger’s nationalistic motives were in Black Panther

Of particular interest is the introduction of a new character in the MCU, Riri Willams (Dominique Thorne), an M.I.T. student and engineering genius who is a target of Namor’s attention. She’s paired with Shuri for a great deal of the film and although she seems to be in over her head most of the time, she handles herself well and her great chemistry in her scenes with Wright make her the perfect foil to Shuri’s all too sure scientist. (And, rest assured, Williams will be back in her own Disney + show next year!)

Also lurking along the edges of the action are Wakanda’s C.I.A. ally Everett Ross (Martin Freeman) who is saddled with his all too nosy boss, Valentina Allegra de Fontaine (Julia Louis-Dreyfus), a quasi-villainous character who was last seen recruiting disgraced the ex-Captain America/U.S. Agent John Walker (Wyatt Russell) for nefarious purposes in the Marvel +’s tv production of The Falcon and the Winter Soldier. But this all too brief appearance by Fontaine is actually an easter egg that promises a MCU payoff somewhere down the line as well.

And, I can guarantee that there are a few other narrative surprises that will take your breath away.

But of all of the performances in Wakanda Forever, I would be very disappointed if Angela Bassett is not given any consideration by the Screen Actors Guild, the Golden Globes and the Academy Awards next year. Her dual portrait of a grief stricken mother and a political force to be reckoned with is a wonder to behold and should be rewarded as such. She is the heart of Wakanda Forever.

It is my belief that Black Panther: Wakanda Forever is not only the best MCU movie since the first Black Panther, it is also one of the outstanding and entertaining films of 2022.

I went in not knowing what to expect and came out not only pleasantly surprised but immensely pleased that this was not only a brilliant, stand alone sequel but a tearful and loving tribute to the memory of Chadwick Boseman as well.  

This Marvel film has a single, mid-credits scene. And I am not exaggerating when I tell you that it is one of the most unexpected and touching things I have ever seen committed on film.  

Excelsior, Marvel and movie fans.

Dedicated to the 

Memory

of

Chadwick Aaron Boseman (November 29,1976 – August 28, 2020)

and

Kevin Conroy (November 30, 1955 – November 10, 2022)


Here is a helpful article suggesting the chronological order you should view of all THIRTY (and counting) films of the Marvel Cinematic Universe: “Marvel movies in order: How to watch all 30, even ‘Black Panther 2’” at USA Today.

Marvel Heroes Emerge as Hosts of the Phoenix Force In Fiery Covers

“I Am Phoenix!” are words that will take on new life this December when Jason Aaron and Javier Garron’s next Avengers epic, “Enter The Phoenix,” begins.

To anticipate the return of the cosmic chaos-bringer, your favorite Marvel characters will be reborn as Phoenix hosts this November in astonishing variant covers by some of the industry’s top artists including Salvador Larroca, Kris Anka, and Aaron Kuder.

Captain America, Black Panther, and She-Hulk are no longer the heroes you knew as they bond with the Phoenix Force to spread rebirth—or destruction—throughout the Marvel Universe. In the end, only one will be chosen to wield this terrifying and great power when the Phoenix Force chooses a new host. Find out more when “Enter The Phoenix” begins this December but in the meantime, check out the Phoenix Variant covers listed below and keep your eyes peeled for more coming your way in November! 

AVENGERS #38 BLACK PANTHER PHOENIX VARIANT COVER by AARON KUDER with colors by MATTHEW WILSON

CAPTAIN AMERICA #25 CAPTAIN AMERICA PHOENIX VARIANT COVER by SALVADOR LARROCA with colors by FRANK D’ARMATA

DOCTOR DOOM #9 DOCTOR DOOM PHOENIX VARIANT COVER by DECLAN SHALVEY

IMMORTAL HULK #40 SHE-HULK PHOENIX VARIANT COVER by TAURIN CLARKE

FANTASTIC FOUR #26 NAMOR PHOENIX VARIANT COVER by KRIS ANKA

[Based on a press release.]