Category Archives: Pixel Scroll

Pixel Scroll 7/26/24 With All These Scrolls, There Must Be A Pixel Here

Posted on by
Reply

(1) FIRST CONTACT — WITH SF. New Science Fiction & Fantasy Hall of Fame inductee Nicola Griffith tells how at the age of nine she started to work out the meanings of “Identity and SF”.

Scientific theory and fiction are both narrative, stories we tell to make sense of the world. Whether we’re talking equation or plot, the story is orderly and elegant and leads to a definite conclusion. Both can be terribly exciting. Both can change our lives.

I was nine was I realised I wanted to be a white-coated scientist who saved the world. I was nine when I read my first science fiction novel. I don’t think this is a coincidence, though it took me a long time to understand that.

For one thing, I had no idea that the book I’d just read, The Colors of Space, an American paperback, was science fiction: I had no idea that people divided books into something called genres. In my world, there were two kinds of books: ones I could reach on the library shelves, and ones I couldn’t. My reading was utterly indiscriminate. For example, another book I read at nine was Gibbon’s History of the Decline and Fall of the Roman Empire, dragged home volume by volume. (Obviously, at nine, much of it went over my head but it fascinated me nonetheless.) But my hands-down favourite at that time wasn’t a library book, it was an encyclopaedia sampler….

(2) UNCANNY PERSEVERES. Lynne M. Thomas and Michael Damian Thomas explain to Black Gate readers, “The Space Unicorn Was Caitlin”.

…Now Caitlin’s adventures here are over. There is an unfillable hole in the center of our lives. Nobody we know would have faulted us for shutting down Uncanny Magazine under these circumstances (not to mention due to the issues over the last few years: the Large Online Retailer trying to destroy periodicals, AI nonsense, and the splintering of social media).

Except Caitlin wouldn’t have wanted that. She believed in the Space Unicorn community — the community that showed us and her so much love and support. She believed in the power of art and stories and beauty. Caitlin, like us, felt that Uncanny is important and needed in this magnificent community….

(2) EATING THE FANTASTIC. Scott Edelman tells listeners “It’s time for tea and scones with Chuck Tingle” in Episode 231 of the Eating the Fantastic podcast.

Chuck Tingle

Chuck Tingle, who first came to prominence with such erotica of the fantastic as Pounded by President Bigfoot and Taken by the Gay Unicorn Biker, work which eventually led to two Hugo Award nominations. The USA Today bestselling novel Camp Damascus — his first traditionally published horror novel — was a Bram Stoker Award finalist this year, and his second horror novel, Bury Your Gays, was released earlier this month on July 9th. Both books were published by Tor Nightfire.

Here’s how he describes himself: “He is a mysterious force of energy behind sunglasses and a pink mask. He is also an anonymous author of romance, horror, and fantasy. Chuck was born in Home of Truth, Utah, and now splits time between Billings, Montana and Los Angeles, California. Chuck writes to prove love is real, because love is the most important tool we have when resisting the endless cosmic void. Not everything people say about Chuck is true, but the important parts are.”

We discussed how existing is an arrogant act against the forces of the infinite, why it’s horror rather than comedy which warms his heart, how he used social media to find a publisher for Camp Damascus (and why that technique probably won’t work for you), how to write horror about a gay conversion camp without retraumatizing in an already traumatizing world, the differences between cathartic horror and grueling horror (and why he’s more interested in the former), the intriguing comment his copyeditor made about a reference to Superman, which comics subgenre occupies the most space on his bookshelves, the five creators who’ve most influenced him (and my encounter with one of them during the ’70s), how art is more than what’s between the covers of a book or within the frame of a painting, what most people get wrong about the term “high concept,” and much more.

(3) TURF MEETS SURF IN SAN DIEGO. “Doctor Who spin-off ‘The War Between the Land and the Sea’ officially announced” reports Cultbox.

At Hall H at San Diego Comic Con on 26 July, showrunner Russell T Davies officially announced the five part Doctor Who spin-off The War Between the Land and the Sea….

…Leading the five-part series is Russell Tovey (Feud, American Horror Story: NYC) and Gugu Mbatha-Raw (Surface, Loki, Doctor Who). The series will also see the return of UNIT alumni Jemma Redgrave (Doctor Who, Grantchester) who will reprise her role as UNIT Chief Scientific Officer Kate Lethbridge-Stewart and Alexander Devrient (Doctor Who, Ted Lasso) as Colonel Ibrahim….

…As rumoured, the spin-off will feature Sea Devils. When the fearsome and ancient species emerges from the ocean, dramatically revealing themselves to humanity, an international crisis is triggered. With the entire population at risk, UNIT step into action as the land and sea wage war.

(4) THE FIRST WORLDCON KERFUFFLE. It’s already sold, but for a brief and shining moment people had the opportunity to bid on the pamphlet that triggered the Exclusion Act at the first Worldcon in 1939: “A Warning! Important! Read This Immediately! –July 2, 1939”.

A Warning! Important! Read This Immediately! –July 2, 1939 [Rare Evidence of A Famous Science Fiction Worldcon Scandal, 1939]

6” x 4.5” Two stapled yellow leaves, creating a 4 pp. pamphlet + cover, stapled somewhat off center, faintly dust-soiled with a couple light dings and creases, still very good.

This is a rare copy of a pamphlet produced and smuggled into the 1939 Worldcon by Dave Kyle, but that was blamed on six members of the New York Futurian Society and led to them being barred from the convention. The Futurians were Donald A. Wollheim, Robert A. W. Lowndes, Cyril Kornbluth, Lois Gillespie, Frederik Pohl and John Michel (who co-wrote the pamphlet), and these are well-known names in the history of science fiction….

Here are a couple of sample pages:

(5) RWA NOT QUITE READY FOR AUTOPSY. The New York Times explains “The Collapse of Romance Writers of America” (link bypasses the Times paywall).

Romance novels are dominating best-seller lists. Romance bookstores are multiplying. And romance writers, who often self-publish and come with a devoted fan base, are changing long-entrenched dynamics in the publishing industry.

And yet, even as the genre is reaching new highs, the Romance Writers of America, a group that called itself “the voice” of romance writers, has suffered an enormous drop in membership — 80 percent over the past five years — and has filed for bankruptcy.

This year’s annual gala and awards ceremony, slated to begin on July 31 in Austin, Texas, was first canceled, then rescheduled for October.

The organization’s collapse comes after internal accusations of discrimination and exclusion — systemic problems that have divided the group for decades, said Christine Larson, author of “Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success.”

“The group’s foundation was cracked,” Larson said. “When you’re catering to one dominant group, you don’t see, or maybe care, about the needs of the marginalized.”…

… The group has included some of the most popular writers in the industry, including founding member Nora Roberts (“Montana Sky”) and Julia Quinn (the “Bridgerton” series). At its peak, it had more than 10,000 members….

… When [LaQuette] Holmes joined the organization’s New York City chapter in 2015, however, she found herself “one of very few Black people in the room,” she said. “I was very welcomed. But even when people were welcoming, they still didn’t really understand my plight as a Black woman writing Black women in romance.”…

(6) ARK-OLOGY. From Paul Weimer: “Book Review: Suyi Davies Okungbowa’s Lost Ark Dreaming” at Nerds of a Feather.

Yekini has a problem. She is a midder, working and living on the middle levels of the Pinnacle, the last of the Fingers, the last of an ark/arcology built off of the Nigerian coast. She has by luck and dint of effort escaped her lower class origins. Or so she has thought, until an assignment sends her with the higher class administrator Ngozi down undersea, to the levels of the Pinnacle underneath the waves. There Ngozi and Yekini will confront a threat to the Pinnacle itself, a threat from outside the tower, in the deep waters that surround this last bastion of humanity. Something called the Children…

So one finds the narrative in Suyi Davies Okungbowa’s Lost Ark Dreaming…

… Like Snowpiercer, the setting is evocative and memorable even if it probably does not hold up to strong “hard science fiction” scrutiny as a viable and complete ecosystem. A remnant of humanity stuck in a single building poking out of the ocean? The logistical problems of keeping this population alive are as insurmountable as the ones in Snowpiercer, but the novella successfully manages to deflect the reader thinking about that until well after the novella is done. And, honestly, a rigorous setting would be in the end be beside the point. This is not a novella about the realpolitik logistics of how an ark like this would work, it is about story, and people in that arcology and the story of these three characters and their pivotal roles in that story….

(7) UK READING REPORT. The Reading Agency’s statistics show “The British Reader is in Decline as The Reading Agency Reveals Half of UK Adults Don’t Read Regularly”.

…Half (50%) of UK adults don’t regularly read and almost one in four (24%) young people (16-24) say they’ve never been readers, according to research released by The Reading Agency today.

Findings from its groundbreaking ‘Reading State of the Nation’ nationwide survey on adult reading in the UK, reveal a stark drop in reading for pleasure among adults.

This means that more than 27 million UK adults are missing out on the physical, mental and financial benefits that have been proven to come from reading more. Evidence shows that per capita, incomes are higher in countries where more adults reach the highest levels of literacy proficiency. Studies also indicate clear wellbeing impacts, with those who read for pleasure reporting higher levels of self-esteem and ability to cope with difficult situations and non-readers being 28% more likely to report feelings of depression.

The new data from The Reading Agency reinforces this, with the nation’s regular readers experiencing a range of health benefits such as higher wellbeing and fewer feelings of loneliness than both lapsed and non-readers.

Other key findings include:

  • Only 50% of UK adults now read regularly for pleasure, down from 58% in 2015.
  • 15% of UK adults have never read regularly for pleasure, an 88% increase since 2015.
  • 35% of UK adults are “lapsed readers” who used to read but have stopped.
  • Young UK adults (16-24) face the most barriers to reading, with 24% saying they’ve never been regular readers.

The nationally representative survey of over 2,000 UK adults, the widest conducted since 2015, highlights several barriers to reading, with lack of time (33%) reported and the distraction of social media (20%) cited as the primary obstacles for many…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 26, 1945 – M John Harrison, 79.

By Paul Weimer: M John Harrison taught me about the joy of inconsistent and contradictory worldbuilding.

For most writers of fantasy, for most works of fantasy, I am always looking for the consistency and the power of the worldbuilding. Inconsistent and worse, lazy and weak worldbuilding can catapult me right out of a story or a novel, permanently. This has happened for me as a reader just this month with a brand-new novel.

M. John Harrison

M John Harrison is the exception to that for me. My reading of his work is almost exclusively Viriconium. But it is precisely in Viriconium, Harrison’s carved out territory in the Dying Earth subgenre, that I learned that worldbuilding is not the be all and end all of fantasy writing. The contradictions, the inconsistencies, the lack of cohesion is part of the point of the dying world of Viriconium. Not being able to rely on previous stories and novels in the sequence to understand what is happening in a particular work is something that Harrison relies on, and it is something that I learned to accept, and even expect in the Viriconium stories.

Really, Viriconium’s world building is beside the point, and that is why Harrison writes it in a way that you can’t rely on it. Instead, to use modern parlance, Viriconium is much more all about the “vibes”, and what vibes!  Vance and Wolfe may have perfected Dying Earth as a subgenre, but Harrison gives it a feel that few authors have managed to hit ever since. There are few authors I’ve read that have managed to embody the vibe of the subgenre they are writing in as well as M John Harrison has. And with such language and writing. On a sentence by sentence level, Harrison is one of the most talented writers I’ve ever read, of any genre.

A singular talent.

(9) COMICS SECTION.

  • Bliss introduces a superhero who shouldn’t talk.
  • Broom Hilda learns not to copy.
  • F Minus demonstrates conflict for an author.
  • Reality Check compares super songs.
  • The Argyle Sweater inaugurates a monstrous religion.
  • Loose Parts adds an unnecessary scene.
  • B.C. shows somebody who’s either going to be late for the Paris Olympics, or early for the Mordor Olympics.

(10) TIME VARIANCE AUTHORITY RETURNING. Launching in December, Katharyn Blair and Pere Perez’s TVA assembles a new team of heroes to protect all timelines.

The Time Variance Authority is under new management! This December, behold the adventures of the agency tasked with upholding the timestream in TVA! Just announced by Marvel Studios’ President Kevin Feige and Marvel Comics Editor-in-Chief C.B. Cebulski at the Marvel Fanfare Panel at San Diego Comic-Con, TVA will be a five-issue limited comic book series written by Marvel Studios’ Loki writer Katharyn Blair and drawn by acclaimed Marvel artist Pere Perez (Carnage, Edge of Spider-Verse).

 The series will represent an evolution for the Marvel Comics’ version of the TVA as its blended with its Marvel Cinematic Universe counterpart, as depicted in the Disney+ series Loki series and Deadpool & Wolverine. The series will mark the Marvel Comics debut of various MCU characters, including breakout Loki star Miss Minutes. The mysterious all-knowing entity who keeps the TVA ticking like clockwork will recruit a new band of heroes charged with monitoring and regulating all realities and timelines. Join Ghost-Spider and other universe-displaced entities including Captain Cater, a heartbroken Remy Lebeau, and more as they’re sent throughout the multiverse on vital missions to repair wild temporal anomalies and keep reality itself from shattering!

(11) POPCORN TIME. Variety is on hand when “Ryan Reynolds, Hugh Jackman Surprise Comic-Con With ‘Deadpool & Wolverine’ Screening”.

“Deadpool & Wolverine” may have finally been released in theaters, but stars Ryan Reynolds and Hugh Jackman saved their biggest press tour stop for last.

The pair rolled into San Diego Comic-Con, alongside co-star Emma Corrin, director Shawn Levy and Marvel chief Kevin Feige to present the Hall H audience with a surprise screening of the film on the same day that it hits the big screen around the world. Warning: spoiler-talk below.

The special event, dubbed “The Ultimate Deadpool & Wolverine Celebration of Life,” came at the end of a particularly busy day for Reynolds, Jackman and Levy, who jetted to San Diego from Los Angeles following Feige’s Walk of Fame Ceremony earlier in the day….

…Then, after conjuring up those happy memories, Reynolds cued up a clip of co-star Leslie Uggams (in character as Blind Al) saying, “Can we skip the bullshit and just show the damn movie?”

The crowd (a full house of 6,500) erupted at the announcement and suddenly the souvenirs they’d been awarded for lining up outside Hall H — those highly-coveted (and hilariously sexual) Wolverine-head popcorn buckets — made even more sense. As the lights went down in the auditorium-turned- makeshift movie theater, ushers passed around popcorn and Reynolds, Jackman, Feige and co. settled into the folding chairs in the audience.

Throughout the 2-hour runtime, the crowd reacted raucously to all the major moments, but especially the Easter eggs and in-jokes. However, nothing played more electrically than the movie’s surprise cameos. With each reveal, the audience erupted into cheers which painted a huge grin on Feige’s face as he took it all in….

(12) MUNCHING FOR DOLLARS. And speaking of Wolverine-head popcorn buckets, NPR has a report on the marketing phenomenon: “’The Indicator from Planet Money’: The curious rise of novelty popcorn buckets”.

…ADRIAN MA, BYLINE: Movie theaters want to sell you more than just the ticket and snacks these days, and in the last few years, that’s meant souvenir popcorn buckets as tie-ins with major releases.

WAILIN WONG, BYLINE: Nels Storm is vice president of food and beverage strategy for AMC Theaters. Nels says a lot of these vessels, as the industry calls them, are basically movie props that you can put popcorn in – well, maybe.

NELS STORM: Yes, it has to hold popcorn, but it’s not – we’re not designing around a tub.

MA: Nels says AMC aims to sell out of the buckets during the film’s first weekend. That maximizes the hype around the release, and it ensures theaters aren’t stuck with a whole inventory of unsold buckets when the next blockbuster lands.

STORM: We want to make sure to make every “Despicable Me 4” guest happy and then move on to “A Quiet Place: Day One” and then move on to “Twisters,” and then move on to “Deadpool & Wolverine,” and so we want to keep the wheels turning.

MA: Despite this trend, these novelty objects are still a small part of the movie theater business. In 2023, merchandise sales totaled $54 million for AMC, and that is just 3% of the total food and beverage revenues for the year. But these collectibles are increasingly an important part of the competition between movie theaters….

(13) PRIME VIDEO TIME. “’The Boys’ Prequel Series With Jensen Ackles Ordered By Prime Video” – Deadline is on top of the story.

The Boys universe is expanding in a BIG way with its first spinoff featuring actors from the hugely popular Prime Video superhero series. Jensen Ackles and Aya Cash are set to headline and produce Vought Rising, a prequel to mothership series, in which they will reprise their characters from The Boys, Soldier Boy and Stormfront, respectively.

The news is about to be unveiled by Jensen (in person) and Cash (via video) at The Boys Comic-Con panel for what is certain to be one of the biggest TV announcements at the convention….

(14) NEW SEASON OF INVINCIBLE ANNOUNCED. “Invincible Renewed for Season 4 at Prime Video” says Variety.

Another season of Prime Video’s “Invincible” is on the way.

“Invincible” creator Robert Kirkman made the Season 4 announcement at San Diego Comic-Con on Friday at Prime Video’s adult animation panel. He was joined by “Hazbin Hotel” creator Vivienne Medrano, “The Legend of Vox Machina” executive producer and star Travis Willingham and “Sausage Party: Foodtopia” co-creator Kyle Hunter for the panel. Prime Video also renewed “Hazbin Hotel” and “Sausage Party: Foodtopia” for sophomore seasons.

During the panel, Kirkman revealed the new, blue-and-black costume for Steven Yeun’s Invincible coming in Season 3. In the comics, Mark Grayon, aka Invincible, enters a darker, more violent era in the middle issues of the superhero comic. The new costume, a stark shift from his yellow-and-blue spandex, is a fan-favorite from the comics….

(15) LOOKS FAMILIAR. “NASA’s Perseverance Mars rover finds possible signs of ancient Red Planet life” reports Space.com.

NASA’s Perseverance rover may have found signs of ancient life in a rock on Mars; the mission team’s scientists are ecstatic, but remain cautious as further analysis is needed to confirm the discovery. 

The rover has come across an intriguing, arrowhead-shaped rock that hosts chemical signatures and structures that could have been formed by microbial life billions of years ago, when Mars was significantly wetter than it is today. Inside the rock, which scientists have nicknamed “Cheyava Falls,” Perseverance’s instruments detected organic compounds, which are precursors to the chemistry of life as we know it. Wisping through the length of the rock are veins of calcium sulfate, which are mineral deposits that suggest water — also essential for life — once ran through the rock.The rover also found dozens of millimeter-sized splotches, each surrounded by a black ring and mimicking the appearance of leopard spots. These rings contain iron and phosphate, which are also seen on Earth as a result of microbe-led chemical reactions….

(16) SCIENCE OF SF FILM TWISTERS. [Item by SF Concatenation’s Jonathan Cowie.]  This week’s Nature takes a look at the latest film in the Twisters franchise and how good (or not) the science is.  The first film, Twister (1996), got a lot of the science wrong, but it seems as if the makers have upped their game for Twisters especially in noting that climate change is intensifying tornadoes as well as increasing the area of ‘tornado alley’  in the US. “What Twisters gets right — and wrong — about tornado science” (open access).

…Meteorologists love to nitpick the original Twister film’s scientific errors. Although it drew inspiration from extreme-weather researchers at the Norman lab, it placed entertainment above scientific accuracy, scientists say. For instance, researchers often point sarcastically to scenes that used radar readings of clear skies, when audiences were supposed to be looking at data from a tornado’s swirling heart.

The new film is much more accurate, says Kevin Kelleher, a meteorologist who is retired from the Norman lab and consulted on both Twister films. For the 2024 version, “if they could change things and make it a bit more scientifically correct, they did”, he says. Kelleher credits that accuracy to the director of Twisters, Lee Isaac Chung, who has been fascinated by thunderstorms ever since growing up on a farm near the Oklahoma border…

Twisters stars with director.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Chris Garcia, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 7/25/24 Dentist Savage, The Man Of Fluoride, By Les Doctor

Posted on by
27

(1) CHRIS GARCIA ANALYZES THE AGENDA. In Claims Department 74 – “2024 Business Meeting”, Chris Garcia will be happy to tell you what he thinks about every proposal or amendment up for ratification at Glasgow 2024.

Welcome to another Claims Department, and this one is hella SMoFish, so if you got loins, you might wanna gird them….

There are things Chris is for, things he’s against, even one thing “I’m all the damn hell crap balls of the way for!” There’s another he disapproves of because “It’s clear to me that some people just hate fun”. And one piece of business he writes down with, “It’s garbage.”

However, all the commentary is substantial and well-informed.

The issue also includes a six-page Q&A session with Business Meeting Presiding Officer Jesi Lipp. For example, Lipp says about the items which are going to be confined in an Executive Session:

…I want to clarify a few misunderstandings that I’ve seen. First, if you are an attending member of WSFS, you don’t have to leave the room. Second, the rules around divulging what happens in executive session only apply to non-members. Any member at the meeting is free to discuss what happened with other WSFS members (so long as they do so in a way that does not also divulge the proceedings to non-members) because they also have an interest in the happenings of the society. Third, minutes are still recorded in executive session, they just don’t become a part of the publicly available minutes, but they will be retained and could be read at a future meeting (if that meeting was itself in executive session)…

There is no misunderstanding that the idea is to keep the transactions of the Executive Session from becoming known to the general public.

(2) HUGO BALLOT STORY HAS LEGS.  The Worldcon’s announcement covered here as “Glasgow 2024 Disqualifies Fraudulent Hugo Ballots” has been picked up by some mainstream news and popular culture sites:

(3) VINTAGE SAFETY. “Can a flight safety video be hilarious?” asks Abigail Reynolds. “Yup, especially if you like Bridgerton, Outlander, Pride & Prejudice, or Downton Abbey!” Will some of you be seeing this en route to the UK and Glasgow? “British Airways | Safety Video 2024 | May We Haveth One’s Attention”.

(4) TOXIC SPINES. “Old books can be loaded with poison. Some collectors love the thrill” – Yahoo! finds literary tastes can be a hazard.

As a graduate student in Laramie, Wyo., in the 1990s, Sarah Mentock spent many weekends hunting for bargains at neighborhood yard sales. On one of those weekends, she spotted “The Lord of the Isles,” a narrative poem set in 14th-century Scotland. Brilliant green with a flowery red and blue design, the clothbound cover of the book – written by “Ivanhoe” author Walter Scott and published in 1815 – intrigued Mentock more than the story.

“It was just so beautiful,” she says. “I had to have it.”

For the next 30 years, “The Lord of the Isles” occupied a conspicuous place on Mentock’s bookshelf, the vivid green sliver of its spine adding a shock of color to her home. Sometimes she’d handle the old book when she dusted or repainted, but mostly she didn’t think too much about it.

Until, that is, she stumbled upon a news article in 2022 about the University of Delaware’s Poison Book Project, which aimed to identify books still in circulation that had been produced using toxic pigments common in Victorian bookbinding. Those include lead, chromium, mercury – and especially arsenic, often used in books with dazzling green covers.

“Huh,” Mentock thought, staring at a photo of one of the toxic green books in the article. “I have a book like that.”

Mentock shipped the book – tripled-wrapped in plastic – to Delaware. It wasn’t long before she heard back. The red contained mercury; the blue contained lead. And the green cover that captivated Mentock all those years ago? Full of arsenic.

“Congratulations,” the email she received said, “you have the dubious honor of sending us the most toxic book yet.”…

(5) ACTORS UNION STRIKES AGAINST TOP VIDEO GAME PUBLISHERS. “SAG-AFTRA Calls Strike Against Major Video Game Publishers” Variety tells why.

SAG-AFTRA will go on strike against major video game publishers, the actors union announced Thursday, following more than a year and half of negotiations, with the main sticking being protections against the use of artificial intelligence.

“Although agreements have been reached on many issues important to SAG-AFTRA members, the employers refuse to plainly affirm, in clear and enforceable language, that they will protect all performers covered by this contract in their A.I. language,” SAG-AFTRA said.

The strike was called by SAG-AFTRA national executive director and chief negotiator Duncan Crabtree-Ireland and the Interactive Media Agreement Negotiating Committee. It will go into effect July 26 at 12:01 a.m….

The video game companies included in the strike are: Activision Productions Inc., Blindlight LLC, Disney Character Voices Inc., Electronic Arts Productions Inc., Formosa Interactive LLC, Insomniac Games Inc., Llama Productions LLC, Take 2 Productions Inc., VoiceWorks Productions Inc., and WB Games Inc….

“We’re not going to consent to a contract that allows companies to abuse A.I. to the detriment of our members,” SAG-AFTRA president Fran Drescher said. “Enough is enough. When these companies get serious about offering an agreement our members can live — and work — with, we will be here, ready to negotiate.”…

(6) WE ARE NOT AT THE SINGULARITY. [Item by SF Concatenation’s Jonathan Cowie.] Nature’s cover story this week “Garbage Out” looks at artificial intelligence.  Apparently artificial intelligences (AIs) are really easy to induce to hallucinate if the AIs are trained by computer-generated data. One definition of a Singularity is that it is the point in time in which technology itself creates technology: such as robots building the computers and the computers programming the robots and themselves.  Such a singularity was popularized by the  mathematician and SF author Vernor Vinge….  The good news from this research is that humans are still key… (For now.)

The explosion in generative artificial intelligence (AI) tools such as large language models has been powered by the vast sets of human-generated data used to train them. As these tools continue to proliferate and their output becomes increasingly available online, it is conceivable that the source of training data could switch to content generated by computers. In this week’s issue, Ilia Shumailov and colleagues investigate the likely consequences of such a shift. The results are not promising. The researchers found that feeding AI-generated data to a model caused subsequent generations of the model to degrade to the point of collapse. In one test, text about medieval architecture was used as the starting point, but by the ninth generation the model output was a list of jackrabbits. The team suggests that training models using AI-generated data is not impossible but that great care must be taken over filtering those data — and that human-generated data will probably still have the edge.

The open access research is here.

(I do warn folk that the machines are taking over, but nobody ever listens…)

(7) DONATE TO DEB GEISLER AWARD. In honor of the late Deb Geisler, who died in March, her husband Mike Benveniste has established the Deb Geisler Award for Journalistic Excellence Fund at Suffolk University (where she taught) “to provide an annual stipend to a deserving student in the Communication, Journalism, & Media Department.”

Donations to the fund can be made online or by check: Link to give online: https://Suffolk.edu/Summa. By mail: Suffolk University, Office of Advancement, 73 Tremont Street, Boston, MA 02108. Attn: Kathy Tricca

(8) TOGETHER FOR A LUNCH “TREK” WITH THE FABULOUS NICK MEYER! [Item by Steve Vertlieb.] Together with the wondrous Nicholas Meyer on July 24, 2024. In addition to having directed the definitive “Star Trek” film … Star Trek: The Wrath of Khan, as well as the last motion picture with the original television crew, Star Trek: The Undiscovered Country, Nick also directed the unforgettable romantic sci-fi fantasy, Time After Time, directed The Day After, the controversial telefilm predicting the devastating consequences of nuclear war, composed the screenplay for Star Trek: The Voyage Home, the teleplay for The Night That Panicked America (concerning Orson Welles radio production of “The War of the Worlds”) and authored The Seven Percent Solution.

He is a brilliant raconteur and conversationalist, as well as a charming and most delightful lunch companion. His newest Sherlock Holmes novel, Sherlock Holmes and the Telegram from Hell, from the Reminiscences of John H. Watson, M.D. is enjoying critical success and brisk sales.

Had the pleasure of chatting with Nick once more on Sunday afternoon following a screening of Star Trek: The Undiscovered Country at the Aero Theater, and spent an absolutely delightful two hours over lunch this afternoon, enjoying more quality time with this sublimely gifted artist who I’m honored to think of as my friend.

Nicholas Meyer and Steve Vertlieb

(9) SHINING MEMORIES. IndieWire cues up the trailer for Shine On — The Forgotten ‘Shining’ Location”, a new Kubrick documentary.

Few movie sets in Hollywood history have generated more interest than the Overlook Hotel from Stanley Kubrick‘s “The Shining.” The fictional Colorado hotel provides the backdrop for Jack Torrance’s (Jack Nicholson) descent into madness, and Kubrick devotees have spent countless hours analyzing symbolism in the production design and the disorienting effects created by the hotel’s impossible floor plan. The hotel sets, hailed by many as some of the defining craftsmanship of Kubrick’s filmmaking career, now get their moment in the spotlight in a new documentary set to be released on the late director’s birthday.…

…The film will see the collaborators revisiting some of the last remaining studio sets from “The Shining,” which were thought to have been destroyed years ago….

“There have been so many rumors about some of the sets from ‘The Shining’ still existing at Elstree Studios, but to actually find them and walk around them was like discovering a holy grail of film history,” [Paul] King said in a statement announcing the film…

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 25, 1973 — Mur Lafferty, 51.

By Paul Weimer: The Mighty Mur Lafferty, to be truthful. Back in the early days of the modern SFFnal internet, when before even blogs were quite a thing, there was Mur Lafferty, doing audio versions of stories, doing her podcast (I should be writing) and being one of the early adopters and early heralds of the SFFnal internet. I came into the SFFNal internet not long after, and thus discovered her work, and her podcast, just when I was getting my own start in writing reviews and such (this was in 2008 or so).  I started with her Afterlife series and followed her career along. In those days, self-published work “didn’t count” for publication, which is why she managed to be a 2013 John C. Campbell  Award nominee and then winner (now the Astounding Award) for Best New Writer, which was odd, because I’d been reading her for half a decade.

Mur Lafferty in 2017.

And it is heartwarming that she remembers me from those early halcyon days.

But besides the Afterlife novellas, and the Shambling Guides, and her fun twitter threads of pretending to watch minor league Baseball in the guise of a lady of Westeros come to North Carolina, I’ve been listening to her podcast, interacting with her on social media, meeting her at cons for a good long time. She’s played the long game in honing her skills, craft and writing abilities. Mur Laffery is simply the embodiment of the “10,000 hours” school of writing, getting better by writing and writing and writing. Mur proves the grind can work.

I think her Midsolar Murders novels (starting with Station Eternity) are probably the best place to begin with her work. I find her voice as a writer quirky, comfortable, and relentlessly entertaining, Although Six Wakes, which really marks the start of her more recent career (and a Hugo finalist) is a good single novel to take the measure of Mur’s work, if you want to try it.

And yes, Mur, yes, as you say, I should be writing. Happy birthday my friend.

(11) COMICS SECTION.

(12) POEM BY ROB THORNTON.

Greenwish

The city blooms
Solar flowers drink life
Unwood towers soar

The city glistens
Buffalo browse in
shade Commuters
step carefully

The city works
Nests of mage-makers
shape great info-dreams

The city pauses
Crowds shimmer
rainbow
Talk lazily in siesta

The city eats
Trini-Hunan tofu
and gorgeous greens

The city sleeps
Inhales waste
Exhales air and water

The city awakes and sighs

“Christ, what an imagination I’ve got.”

(13) WHO’S WATCHING? The BBC says they like the numbers the show is pulling: “Doctor Who praised by BBC in annual report as ratings continue to grow” at Radio Times.

The BBC’s annual report has praised the impact of Doctor Who – as ratings for the recently concluded season 14 continue to grow on BBC iPlayer.

The beloved sci-fi series was mentioned several times throughout the report, which spotlighted it as one of the shows driving the corporation’s “huge audiences”, while also mentioning its “economic impact” in Wales and across the UK….

… The 60th anniversary specials were also mentioned as one of the year’s “content highlights” alongside Eurovision coverage and the third season of Planet Earth.

The latest figures for the new season, as reported by The Times, now make it the highest-rated drama for young viewers (under 35s) across the BBC this year.

Overnight ratings for the season had been lower than is typically the case due to the show’s new release strategy – which saw each episode debut on BBC iPlayer at midnight on Fridays, several hours before the BBC One broadcast on Saturday evening.

But a spokesperson for the show explained that this had always been the expectation, saying: “Overnight ratings no longer provide an accurate picture of all those who watch drama in an on-demand world.

“This season of Doctor Who premiered on iPlayer nearly 24 hours before broadcast, and episode 1 has already been viewed by nearly 6 million viewers and continues to grow.”

(14) BY NO MEANS A DREAD PIRATE. “SpongeBob SquarePants Rings in 25 Years; Mark Hamill Joins Next Movie” and Variety is there for the announcement.

To celebrate a quarter century of “SpongeBob SquarePants,” Nickelodeon pulled out all the stops at this year’s San Diego Comic-Con, starting with an epic Hall H panel.

Mark Hamill made a surprise appearance to reveal that he’d be voicing The Flying Dutchman in the upcoming fourth SpongeBob film, “The SpongeBob Movie: Search for SquarePants,” out in 2025. “He’s the most fearsome goofball pirate you’ve ever seen. The movie is more cerebral. It’s more thoughtful, intellectually challenging. No, I’m just yanking your chain. It’s inspired silliness from start to finish.”…

(15) NOT EXACTLY AN EXTENDED VACATION. “NASA says no return date yet for astronauts and troubled Boeing capsule at space station” – Yahoo! has the update.

Already more than a month late getting back, two NASA astronauts will remain at the International Space Station until engineers finish working on problems plaguing their Boeing capsule, officials said Thursday.

Test pilots Butch Wilmore and Suni Williams were supposed to visit the orbiting lab for about a week and return in mid-June, but thruster failures and helium leaks on Boeing’s new Starliner capsule prompted NASA and Boeing to keep them up longer.

NASA’s commercial crew program manager Steve Stich said mission managers are not ready to announce a return date. The goal is to bring Wilmore and Williams back aboard Starliner, he added.

“We’ll come home when we’re ready,” Stich said.

Stich acknowledged that backup options are under review. SpaceX’s Dragon capsule is another means of getting NASA astronauts to and from the space station.

(16) IN SPACE, NO ONE CAN HEAR YOU. [Item by Steven French.] Maybe aliens are already nearby — they’re just small and quiet! “The Fermi Paradox May Have a Very Simple Explanation” according to Scientific American.

… The absence of evidence for aliens could be because they don’t exist or because our sampling depth is inadequate to detect them—a bit like declaring the entire ocean free of fish when none appear in a scooped-up bucket of seawater. Sampling depth refers to how thoroughly and keenly we can conduct a search. Fermi’s question is valuable because it narrows the possibilities down to two: either aliens are not present near Earth, or our current search methods are insufficient….

…From our privileged position in history, we know that advances in energy use often come with increases in efficiency, not simply increases in size or expansiveness. Think of the modern miniaturization of smartphones versus the mid-20th-century trend of computers that filled up whole rooms. Perhaps we should be looking for sophisticated and compact alien spacecraft, rather than motherships spewing misused energy….

(17) EYE ON AN EXOPLANET. “Webb images nearest super-Jupiter, opening a new window to exoplanet research” from Max-Planck-Gesellschaft.

Using the James Webb Space Telescope (JWST), a team of astronomers led by the Max Planck Institute for Astronomy imaged a new exoplanet that orbits a star in the nearby triple system Epsilon Indi. The planet is a cold super-Jupiter exhibiting a temperature of around 0 degrees Celsius and a wide orbit comparable to that of Neptune around the Sun. This measurement was only possible thanks to JWST’s unprecedented imaging capabilities in the thermal infrared. It exemplifies the potential of finding many more such planets similar to Jupiter in mass, temperature, and orbit. Studying them will improve our knowledge of how gas giants form and evolve in time….

What do we know about Eps Ind Ab?

“We discovered a signal in our data that did not match the expected exoplanet,” says Matthews. The point of light in the image was not in the predicted location. “But the planet still appeared to be a giant planet,” adds Matthews. However, before being able to make such an assessment, the astronomers had to exclude the signal was coming from a background source unrelated to Eps Ind A.

“It is always hard to be certain, but from the data, it seemed quite unlikely the signal was coming from an extragalactic background source,” explains Leindert Boogaard, another MPIA scientist and a co-author of the research article. Indeed, while browsing astronomical databases for other observations of Eps Ind, the team came across imaging data from 2019 obtained with the VISIR infrared camera attached to the European Southern Observatory’s (ESO) Very Large Telescope (VLT). After re-analysing the images, the team found a faint object precisely at the position where it should be if the source imaged with JWST belonged to the star Eps Ind A.

The scientists also attempted to understand the exoplanet atmosphere based on the available images of the planet in three colours: two from JWST/MIRI and one from VLT/VISIR. Eps Ind Ab is fainter than expected at short wavelengths. This could indicate substantial amounts of heavy elements, particularly carbon, which builds molecules such as methane, carbon dioxide, and carbon monoxide, commonly found in gas-giant planets. Alternatively, it might indicate that the planet has a cloudy atmosphere. However, more work is needed to reach a final conclusion.

(18) ATOMIC CLUBHOUSE. [Item by Steven French.] “‘Every 14-year-old boy’s dream’: Cumbrian nuclear bunker goes to auction” in the Guardian. A must-have for the budding tech billionaire:

…It’s a property with no windows, no running water and no mod cons except for a phone line. But there is parking, the countryside is phenomenal and when Armageddon happens it could be perfect.

This week will bring the rare sale of a 1958 nuclear bunker in the Cumbrian Dales near Sedbergh…

(19) VIDEO OF THE DAY The YouTube channel Grammaticus Books has released another vintage SF video as part of the multi-YouTube-channel, Rocket Summer, event. This time his 9-minute review looks at the Robert Heinlein novel Tunnel in the Sky.

Tunnel in the Sky (1955).  Arguably not his best book – it is a young adult coming of age story – it does though reveal some of the themes that recur in a number of his works including societal structure.  This one has a bit of a Lord of the Flies feel: that novel came out the previous year. Grammaticus does pick up on something Heinlein does not openly convey but does hint at in a few places, is that the main protagonist is from an ethnic minority: remember, this novel was published in 1955 USA.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Paul Weimer, Rob Thornton, Steve Vertlieb, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “DD Not DDS” Dern.]

Pixel Scroll 7/24/24 Be Careful Of The Tale You Scroll, Pixels Will Listen

Posted on by
17

(1) SURVIVING THE TIMES. N.K. Jemisin tells Esquire readers “We Need Speculative Fiction Now More Than Ever” in this commentary excerpted from her introduction to Authority, by Jeff VanderMeer.

…Enter the Southern Reach books. At the time I first read Annihilation—during the run-up to the 2016 election—it was a welcome breath of fungal, fetid air. Other fiction of the time seemed determined to suggest there was no need for alarm, things couldn’t be so bad, anything broken could be fixed. Could it, though? As I watched my country embrace a stupid, incompetent, and blatantly criminal fascist while insisting that his spiteful, privileged sycophants somehow had a point…well. When you’re already queasy, sweet smells make the feeling worse.

It helped to read instead about the smells—and sights, and horrors, and haunting beauty—of Area X. It helped me to imagine that creeping, transformative infection, warping body and mind and environment and institution, because that was the world I was living in. It helped to meet the twelfth expedition’s nameless women, who were simultaneously individuals with selfish motivations and archetypes trapped in their roles: the biologist, driven by the loss of her mate and the need to integrate into a new ecosystem; the psychologist, a human-subjects ethics violation in human(?) flesh. We are dropped into danger with these women, immediately forced to confront an existential threat with courage and perseverance…and this, this, was what I needed from my fiction. The second book, Authority, was even more of what I needed. As we watched Control slowly realize he’s never been in control, and that things were a lot worse than his complacency allowed him to see, it just resonated so powerfully. His over-reliance on procedure and the assumed wisdom of his predecessor, his dogged refusal to see the undying plant in his office as a sign of something wrong… There was nothing of 2014’s politics overtly visible in the book, yet they were all over it, like mold….

(2) ALEX TREBEK FOREVER. “Late ‘Jeopardy!’ host Alex Trebek memorialized on new stamp”. The USPS issued the stamp on July 22. Good Morning America has the story.

The U.S. Postal Service is honoring late “Jeopardy!” host Alex Trebek with a new forever stamp and celebrated the pop culture icon in a dedication ceremony Monday.

The new stamps will be available in a set of 20 designed to resemble a “Jeopardy!” game board with its eye-catching, signature blue video screens. Each stamp features a clue, prompting collectors and letter-senders with the query, “This naturalized U.S. citizen hosted the quiz show ‘Jeopardy!’ for 37 seasons.” Its answer, “Who is Alex Trebek?” also appears underneath the clue in upside-down print….

(3) THE ATOMIC WAY. [Item by Jim Janney.] Ars Technica has a long article on the new NASA/DARPA combined research project for nuclear powered space ships, and includes a history of previous efforts starting in the 1950s. “We’re building nuclear spaceships again—this time for real”.

One of the plot points of Miss Pickerell Goes To Mars is that the crew member responsible for navigating the ship, and doing the essential calculations, gets left behind. They muddle through anyway, with the help of some sensible advice from Miss Pickerell and because, as one of the crew cheerfully says, “Don’t have to worry about that. Using atomic fuel.” Reading that in 2024 caused me to roll my eyes a little (and the question of reaction mass is never discussed), but it’s more plausible than I realized.

Phoebus 2A, the most powerful space nuclear reactor ever made, was fired up at Nevada Test Site on June 26, 1968. The test lasted 750 seconds and confirmed it could carry first humans to Mars. But Phoebus 2A did not take anyone to Mars. It was too large, it cost too much, and it didn’t mesh with Nixon’s idea that we had no business going anywhere further than low-Earth orbit.

But it wasn’t NASA that first called for rockets with nuclear engines. It was the military that wanted to use them for intercontinental ballistic missiles. And now, the military wants them again….

…DARPA’s website says it has always held to a singular mission of making investments in breakthrough technologies for national security. What does a nuclear-powered spaceship have to do with national security? The military’s perspective was hinted at by General James Dickinson, a US Space Command officer, in his testimony before Congress in April 2021.

He said that “Beijing is seeking space superiority through space attack systems” and mentioned intelligence gathered on the Shijian-17, a Chinese satellite fitted with a robotic arm that could be used for “grappling other satellites.” That may sound like a ridiculous stretch, but it was enough get a go-ahead for a nuclear spaceship.

And the apparent concern regarding hypothetical threats has continued. The purpose of the Demonstration Rocket for Agile Cislunar Operations (DRACO) project, stated in its environmental assessment, was to “provide space-based assets to deter strategic attacks by adversaries.” Dickinson’s worries about China were quoted in there as well.

“Let’s say you have a time-critical mission where you need to quickly go from A to B in cislunar space or you need to keep an eye on another country that is doing something near or around the Moon, and you need to move in very fast. With a platform like DRACO, you can do that,” said DARPA’s Dodson….

(4) OFFENSIVE CHOICE? [Item by Ersatz Culture.] The Bookseller’s article “Hugo awards disqualifies hundreds of ‘fake votes’ cast for finalist” is essentially a rerun of Glasgow 2024’s press release, but the image they used to represent the Hugos may raise some eyebrows —

(5) HISTORIC BLOCH PHOTOS. The Robert Bloch Official Website has announced a big update: an entirely new, second gallery page. All photos supplied courtesy of Robert Unik, Elly Bloch’s great nephew. “Gallery 2”.

(6) FOR THE COAL BITERS AMONG US. [Item by Danny Sichel.] When he was in graduate school, earning his doctorate in Scandinavian Studies, Jackson Crawford took the time to compile a work called “Tattúínárdǿla saga”: Star Wars as an Icelandic saga. True, this was in 2010, but if you haven’t seen it, then it might as well be new.

…Tattúínárdǿla saga tells of the youth of Anakinn himingangari, beginning with his childhood as a slave in Tattúínárdalr, notably lacking the prolonged racing scene of the MHG version, and referring to the character of “Jarjari inn heimski” only as a local fool slain by Anakinn in a childhood berserker rage (whereas in the MHG version, “Jarjare” is one of “Anacen’s” marshals and his constant companion; Cochrane 2010 suggests that this may be because the MHG text is Frankish in origin, and “Jarjare” was identified with a Frankish culture hero with a similar name). After this killing, for which Anakinn’s owner (and implied father) refuses to pay compensation, Anakinn’s mother, an enslaved Irish princess, foresees a great future for Anakinn as a “jeði” (the exact provenance of this word is unknown but perhaps represents an intentionally humorous Irish mispronunciation of “goði”). This compels Anakinn to recite his first verse…

[Translation] “My mother said/ That they should buy me/ A warship and fair oars,/ That I should go abroad with Jedis,/ Stand up in the ship’s stern,/ Steer a magnificent X-Wing,/ Hold my course till the harbor,/ Kill one man after another.”

The etymology of “xwingi” (nom. *xwingr?) is unknown; numerous editors have proposed emendations, but none is considered particularly plausible. It is likely to be another humorous Irish mispronunciation of a Norse word….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 24, 1895 – Robert Graves. (Died 1985).  

Robert Graves

By Paul Weimer: Graves for me has always sat at the intersection of myth, mythology and ancient (secret) history. I first came across his work, although I didn’t know that he was the ultimate author of it, when I watched the BBC adaptation of his novel I, Claudius, which purports to tell the “True” story of Claudius and his ancestors from the perspective of the titular character. It gave me a somewhat distorted opinion, as well as a great appreciation, of the strangeness and wild nature of the Julio-Claudian dynasty and helped cement my interest in Ancient Rome for good. It would be a decade before I read the actual novel   It took me years, after reading the book, to come to a better and more balanced opinion of Livia than what Graves inadvertently taught me.  In similar fashion, his Count Belisarius gave me a skewed but interesting perspective on the titular Byzantine General. This novel once again (a bad theme in his work) gave me a skewed opinion and view of Belisarius’ wife Antonia. It’s well written (just like I, Claudius and Claudius the God) but is it good history?  No, no it is absolutely not. The novels (all of them) should be taken with a huge heaping of salt. 

Where Graves hits science fiction circles more directly is The White Goddess and his interest in Celtic spiritualism, myth and mythology. It’s most certainly a response and extension of Frazer’s The Golden Bough.  By the time I came across The White Goddess (when I was studying all sorts of myth and mythology), I had had enough grounding in Graves and his work to be able to read it critically. Is it history? Is it at all accurate and represents real belief systems and systems of thought? 

No.

Instead, The White Goddess, I felt, is an individualistic and idiosyncratic, and poetic and mythopoetic point of view on this Celtic flavored belief and spirituality. It has no actual value in exploring the real belief systems of the past, it’s not quite a fantasy so much as a demonstration of how one can construct and use belief systems. In that sense, it functions to show how one could go about worldbuilding a belief system for a secondary world fantasy setting based on iconography and interpretation and imagery. In that sense, as a tool for thinking about spirituality and how it might be created, The White Goddess is far more successful, and is on far firmer ground, than an actual depiction of ancient beliefs in any way whatsoever. I think the strong poetic writing of Graves, the keenness of word choice and imagery, here and elsewhere, gives his work a power that still resonates. 

(8) COMICS SECTION.

(9) MARS IN POPULAR CULTURE ONE-DAY SPECIAL. [Item by David Goldfarb.] LearnedLeague is at it again, with a One-Day Special quiz about “Mars in Popular Culture”. You can find the questions by following this link. As you might expect from the subject, it has a great deal of SFF content. I got 9 of the 12 questions right, and somewhat unusually for me, managed to pick the five questions that would play the toughest and so got the best possible score given those 9.

(10) KEEP THOSE DOGIES ROLLING. [Item by Daniel Dern.] (With a tip of the hat to the Firesign Theatre), “And there’s hot dogs [or perhaps, for scansion, “frankfurters”] all over the highway!” “Oscar Mayer Wienermobile rolls in crash on Chicago-area highway” at AP News.

An Oscar Mayer Wienermobile got into a pickle on a Chicago highway.

The hot-dog shaped Wienermobile hit a car Monday morning along Interstate 294 and its driver lost control and overcorrected, causing it to roll onto its side near the Chicago suburb of Oak Brook, Illinois State Police said.

No injuries were reported after the crash, which prompted the closure of the right lane of northbound I-294 for more than an hour, officials said.

(11) DOPEST SHARKS IN THE WORLD. “Sharks test positive for cocaine near Rio de Janeiro, Brazil” says NPR.

Scientists in Brazil have come up with the first evidence that sharks are being exposed to cocaine.

Rachel Ann Hauser Davis, a biologist who worked on the study at Brazil’s Oswaldo Cruz Foundation, told NPR that they dissected 13 wild sharpnose sharks caught near Rio de Janeiro. All tested positive for cocaine in their muscles and livers.
 
“The key findings of the study are the presence of cocaine in sharks,” Hauser Davis says. “The actual high levels of cocaine detected in muscle is indicative of chronic exposure.”
 
Narcotraffickers being chased in the high seas often toss bales of cocaine overboard. But Hauser Davis says it’s more likely the sharks in the study were exposed to Rio de Janeiro wastewater contaminated with the drug.

“Probably the main source would be human use of cocaine and metabolization and urine and feces discharge, and the second source would be from illegal refining labs,” she says….

(12) WATER, WATER, EVERYWHERE. [Item by Steven French.] “Inventors on hunt for way to make clean water on moon” says the Guardian. One of the ‘contestants’ is the British Interplanetary Society whose former Chair was of course the inimitable Arthur C!

 Inventors hope to crack how to create a reliable clean water supply on the moon – and it may involve a microwave oven from Tesco.

The goal to set up a crewed lunar base was launched many moons ago but has yet to come to fruition. With reliance on water supplies from Earth risky and expensive, one of the many challenges is how to extract and purify water from ice lying in craters at the lunar south pole.

Such a supply would not only provide a resource for drinking and growing crops, but the water could also be split into hydrogen, for use as rocket fuel, and oxygen for residents to breathe.

Now the UK Space Agency has announced that it is awarding £30,000 in seed funding, with expert support, to each of 10 UK teams who are vying to solve the problem….

(13) ABOUT THAT DEBRIS. “NASA Sponsors New Research on Orbital Debris, Lunar Sustainability” – a NASA announcement.

As part of NASA’s commitment to foster responsible exploration of the universe for the benefit of humanity, the Office of Technology, Policy, and Strategy (OTPS) is funding space sustainability research proposals from five university-based teams to analyze critical economic, social, and policy issues related to Earth’s orbit and cislunar space.

The new research awards reflect the agency’s commitment identified in NASA’s Space Sustainability Strategy to ensure safe, peaceful, and responsible space exploration for future generations, and encourage sustainable behaviors in cislunar space and on the lunar surface by ensuring that current operations do not impact those yet to come.

Three of the five awards will fund research that addresses the growing problem of orbital debris, human-made objects in Earth’s orbit that no longer serve a purpose. This debris can endanger spacecraft, jeopardize access to space, and impede the development of a low-Earth orbit economy. 

The remaining two awards focus on lunar surface sustainability and will address key policy questions such as the protection of valuable locations and human heritage sites as well as other technical, economic, or cultural considerations that may factor into mission planning. ….

A panel of NASA experts selected the following proposals, awarding a total of about $550,000 to fund them: 

Lunar surface sustainability 

  • “A RAD Framework for the Moon: Applying Resist-Accept-Direct Decision-Making,” submitted by Dr. Caitlin Ahrens of the University of Maryland, College Park 
  • “Synthesizing Frameworks of Sustainability for Futures on the Moon,” submitted by research scientist Afreen Siddiqi of Massachusetts Institute of Technology 

Orbital Debris and Space Sustainability 

  • “Integrated Economic-Debris Modeling of Active Debris Removal to Inform Space Sustainability and Policy,” submitted by researcher Mark Moretto of the University of Colorado, Boulder 
  • “Avoiding the Kessler Syndrome Through Policy Intervention,” submitted by aeronautics and astronautics researcher Richard Linares of the Massachusetts Institute of Technology 
  • “Analysis of Cislunar Space Environment Scenarios, Enabling Deterrence and Incentive-Based Policy,” submitted by mechanical and aerospace engineering researcher Ryne Beeson of Princeton University 

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Jim Janney, Ersatz Culture, Rich Lynch, Danny SIchel, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 7/23/24 I’m Pixel, This Is My Brother Scroll, And This Is My Other Brother Scroll

Posted on by
15

(1) HAPPENING AT GLASGOW 2024. Sunyi Dean announced this on Bluesky. Click for larger images.

(2) GEOFFREY LANDIS PROFILE. “A NASA Engineer Spent Years Writing Fiction About Venus. Now He Wants to Send a Mission There For Real” at Cleveland Scene.

In writer Geoffrey Landis’s short story “Cloudskimmer,” a pair of astronauts in the near future gaze down at planet Venus from their idling spacecraft. Hired by some unnamed government backer, the two, Zara and Sanjay, begin a loose debate after one decides to—for the sake of better research!—travel to Venus’s surface himself. Why? Zara asks.

“Same reason Mallory climbed Everest,” Sanjay says. “Because I can.”

“What are we going to tell our backers?” she tells Sanjay later in the story. “They’re paying us for science, not for stunts.”

Sanjay makes the trip personal. “Humans see different things than drones do,” he says.

The vision and risk in Landis’s science fiction, like in that 2022 short story, are barely contained to the realm of make believe. Landis, besides being an award-winning novelist and fiction writer, is an aerospace engineer at NASA Glenn, which has gifted the now 69-year-old a reciprocal gift in by-day and by-night lives: interplanetary research that feeds into his writing; writing that foreshadows his research….

(3) WRITER’S COUNTRY. “Unravelling the Mystery of Agatha Christie’s Country Retreat” at CrimeReads.

A ceramic skull, grinning at visitors from a side table in the entry hall, offers a clue to the identity of the former owner of this grand home perched above the banks of the River Dart in Devon. 

You don’t need Hercule Poirot’s little grey cells or the observational skills of Jane Marple to solve this mystery. Who else but the Queen of Crime would display such a macabre ornament? 

Welcome to Greenway, the country retreat of Agatha Christie. This compact Georgian mansion, faced in white stucco that gleams in England’s rare bursts of spring sunshine, was her refuge from the demands of being the world’s most famous and beloved crime writer. It’s secluded – accessible only by boat or via a long, narrow driveway – and set on more than thirty acres of gardens and woodland. Her dream home, she called it, “the loveliest place in the world.”

Each year thousands of Christie fans make the pilgrimage to Greenway, which opened to the public fifteen years ago….

…Staff members circulate through the house, answering questions and offering insights and anecdotes. The doll a bored-looking, four-year-old Christie clutches in a portrait housed in the morning room? Her name is Rosie and, 130 years later, she’s propped up in a nearby chair. Ask about the cuneiform tablet embedded in an outside wall – Mallowan brought it back from Iraq in the 1930s – and a staff member hands over a printout explaining it dates from 600 BCE and is a plea to the Assyrian god Nabu. The black gown with gold trim hanging in a bedroom closet? Christie wore it to the 1952 premiere of The Mousetrap, her record-setting play that has been performed in London’s West End more than 29,000 times and is still going strong…

(4) DAVID BRIN ON FIRST CONTACT. The Science in Fiction podcast hosted David Brin after they talked to Avi Loeb. So “first contact scenarios, Fermi Paradoxf and plausible types of alien probes in the Solar System all came up.” “David Brin on First Contact in ‘Existence’” at Spotify.

Marty and Holly speak with David Brin, science fiction icon, scientist, futurist and civilizational optimist.  We discuss his particular view of first contact with extraterrestrial intelligence, as portrayed in his 2012 novel ‘Existence’, along with his predictions about how artificial intelligence and virtual reality will change our world in the near future.  We discuss the UFO phenomenon (a sophisticated form of cat lasers for us to chase) and the unspeakably rude behaviour of these hypothetical silvery teaser punks.  David speaks directly to the artificial intelligences and possibly alien intelligences who may be inveigled in our internet.  We talk about Cixin Liu’s ‘The Three Body Problem’ (there is no three body problem), the likely prevalence of life in the universe (90% of star systems), the Fermi Paradox, SETI, METI, and various forms that first contact with alien civilizations may take, among them Von Neumann machines and artificial alien intelligences stored in ‘envoy eggs’ orbiting our planet for millions of years. David tells us how to make the most powerful telescope in the universe, by turning the Kuiper Belt into a solar system sized lens.  Finally, he implores us to fight back against the ingrate habit of cynicism and pessimism rotting our global civilization today, and declares “I’m proud as hell and nothing can stop us! … Be citizens of wonder, help save a good civilization.”

(5) RARE CODEX. The Folio Society’s illustrated edition of A Canticle for Leibowitz can be yours for $600.

Explore a world of feudal futurism in the beloved classic A Canticle for Leibowitz, a post-nuclear masterwork featuring 12 full-page pieces of original artwork by premier fantasy artist Elliot Lang. Folio presents Walter M. Miller Jr’s Hugo-award winning novel as never before seen. This vital chapter in the canon of 20th century science fiction takes place in a scorched earth in which an order of monks is dedicated to recovering the remnants of scientific knowledge lost to nuclear war. Evocative, complex and gently funny, A Canticle for Leibowitz most recently provided direct inspiration for the Fallout games and TV show, and has been one of Folio’s most consistently requested titles. Having recommended the book himself, Pulitzer Prize-winning literary essayist Michael Dirda provides an illuminating introduction, while Elliot Lang’s brilliant designs and illustrations create a truly immersive reading experience. Along with medieval-style historiated chapter initials, scrollworked part-titles, ingenious endpaper design, an illustrated cover and slipcase, Lang also contributes an exclusive afterword that tells the uncanny story of his own personal connection to this timeless work of spiritual wonder and post-apocalyptic terror. 

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 23, 1947 – Gardner Dozois. (Died 2018).  

By Paul Weimer: I mentioned Dozois recently in my birthday appreciation of James E Gunn.  And like Gunn, Dozois has both fictional and non-fictional elements to his oeuvre, but for Dozois that balance is even more on the nonfictional side.

Gardner Dozois

But the piece of Dozois fiction I want to mention before his editorial work is near and dear to me — his “Counterfactual”.  It is an alternate history story of the metafictional kind, as someone who is in an alternate history (where the Civil War went very differently) and is trying to write a story about a world where the South lost, and not hitting the mark of our own world, but coming up with a complete and different variant. Since I had read The Man In the High Castle by the time I came across “Counterfactual”, I saw immediately what Dozois was doing, and was delighted he was going for that approach, too. 

But really, Dozois as an anthologist is really what his bread and butter is. The Year’s Best SF collections were bread and butter to me, and once I got into Hugo nominations and voting regularly, they served as a guidepost as to help inform my choices. Those volumes not only had a great set of stories every year, but the gigantic editorial/field review essay Dozois provided gave a perspective as to what he thought the field was doing, where it had been and where it was going. I didn’t always agree with his assertions and ideas (once I had enough feet under me to do so) but I found his arguments and perspective fascinating. And that essay always included a whole additional set of recommendations of stories (and novels!) that he could not anthologize in that volume.  I could set up a good half year’s reading just from one of those Year’s Best volumes and working my way through his recommendations.

Aside from the Year’s Best, I always found a new original or reprint anthology of Dozois’ to command my attention, and my wallet. And the sheer variety of the subgenres and topics he anthologized showed his Renaissance Man-like knowledge of the field. From The Good Old Stuff, to One Million AD, to The Book of Swords, Dozois provided endless reading of short fiction carefully curated and collected for particular tastes. One of my favorite of this was among his last.  Ever since I read A Princess of Mars, Mars in its dying civilization mode has always fascinated me as a setting. So his collection Old Mars, with many stories in that vein, was a particular favorite. And with a kickass set of authors including Michael Moorcock, Ian McDonald and Melinda Snodgrass, the reputation of Dozois meant that when he cast for an anthology of new stories, authors jumped at the chance.  

While there are plenty of year’s best and other anthologies since, no one, IMHO, has quite shown the power and magic of a collector of stories, be it reprints or original fiction, quite like Gardner Dozois did.

(7) COMICS SECTION.

(8) COMIC-CON SCOUTING REPORT. “San Diego Comic-Con 2024: Pre-Show News, Must-Go Panels, and More” at Publishers Weekly. The piece ends with a roster of their picks for the top programs.

It wouldn’t be San Diego Comic-Con without a little drama, some big questions, and a lot of hype. Just 24 hours before this year’s show floor opens at the San Diego Convention Center, it appears that the con will deliver all that and more—including some terrific programming set to begin on Thursday and Friday’s Eisner Awards ceremony. And with downtown San Diego abuzz with comics fever, some companies are ramping up their presence at the show while others are leaving the playing field.

(9) HOPE SPRINGS ETERNAL. “Could Star Trek’s Wesley Crusher Get His Own Spinoff? Wil Wheaton Has Thoughts” at CinemaBlend. It was only as long ago as 1988 that I ran a convention program called “Solving the Wesley Problem”. My 1988 self would be surprised to hear I like this solution.  

Star Trek: Prodigy gave Wesley Crusher the story he’s deserved for decades while also providing Wil Wheaton with the experience of watching his voiceover performance, one that made us both emotional talking about it. I think it’s a given at this point that fans would love to see more of him, potentially via his own upcoming Trek spinoff, but is that a realistic hope hold onto? Wil Wheaton had some thoughts.

As the host of The Ready Room (available to stream with a Paramount+ subscription) and someone who is around the Star Trek fandom and its creatives quite a bit, Wil Wheaton has a definite read on the franchise. If anyone would know rumblings about what is and isn’t possible, it’s probably him. So I decided to get his thoughts on the probability of a Wesley Crusher spinoff happening down the road, noting that Star Trek rarely produces projects centered around non-Starfleet characters (Prodigy being the first). When I asked whether a spinoff was a realistic hope or just a pipe dream, he told me:

“Well, if there’s one thing that we have learned through like 60 years of Star Trek, It’s that anything is possible. Like no one’s ever really gone. Things are constantly in flux, and when you have a character who can manipulate spacetime and thought to kind of do anything and go anywhere, sure, you could put him any place. As an audience member, as a fan of the characters and Prodigy, and as a fan of the actors who play them, I would love to see more. I am fascinated by stories in the Star Trek universe that do not take place inside of Starfleet. I’ve always been fascinated by that. I’ve always wanted to know what it is like. What is this universe that Starfleet is kind of like looking after? What goes on on these planets before and after the Federation shows up?”…

(10) SMILE, YOU’RE ON X-RAY CAMERA. “NASA releases never-seen-before images of Peacock galaxy” at Yahoo!

NASA is celebrating the 25th anniversary of its Chandra X-ray Observatory launch by sharing never-before-seen photos of the largest known spiral galaxy in the universe.

The Chandra X-ray observatory was launched on July 23, 1999. Since then, it has scoured the universe to look for X-ray emissions from exploded stars, clusters of galaxies and more, according to NASA. The observatory returns data to the Chandra X-ray Center at Harvard University’s Smithsonian Astrophysical Observatory.

Since its launch, the observatory has captured images of the aftermath of exploded stars, photographed the supermassive black hole that exists at the center of the Milky Way, and helped scientists learn more about dark matter, dark energy and black holes….

… The observatory captured thousands of images of the spiral galaxy, known as NGC 6872, since its launch. The galaxy, located in the Peacock constellation of the universe, is over 522,000 light-years across, or more than five times the size of the Milky Way, according to NASA…

(11) COSMIC EYEBALL. Ars Technica tells how “Mini-Neptune turned out to be a frozen super-Earth”.

Of all the potential super-Earths—terrestrial exoplanets more massive than Earth—out there, an exoplanet orbiting a star only 40 light-years away from us in the constellation Cetus might be the most similar to have been found so far.

Exoplanet LHS 1140 b was assumed to be a mini-Neptune when it was first discovered by NASA’s James Webb Space Telescope toward the end of 2023. After analyzing data from those observations, a team of researchers, led by astronomer Charles Cadieux, of Université de Montréal, suggest that LHS 1140 b is more likely to be a super-Earth.\

If this planet is an alternate version of our own, its relative proximity to its cool red dwarf star means it would most likely be a gargantuan snowball or a mostly frozen body with a substellar (region closest to its star) ocean that makes it look like a cosmic eyeball. It is now thought to be the exoplanet with the best chance for liquid water on its surface, and so might even be habitable.

Cadieux and his team say they have found “tantalizing evidence for a [nitrogen]-dominated atmosphere on a habitable zone super-Earth” in a study recently published in The Astrophysical Journal Letters….

(12) JOKER TRAILER. When you’re smiling, the whole world smiles with you. Joker: Folie À Deux in theaters and IMAX, October 4.

(13) PRIME VIDEO. “Amazon Prime Video’s next big sci-fi spy thriller gets action-packed teaser” reports T3.

…The next in the line-up is Italian-language Citadel: Diana, which will tell a completely fresh story when it arrives on 10 October, and will have little overlap with the main series, other than the fact that it’ll involve the mysterious Citadel agency. 

Diana herself is played by Matilda De Angelis, who’s been making quite a name for herself in Italian productions, and looks suitably big-budget and high-concept, fusing the same sci-fi aesthetic as the first season of Citadel did….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, Mark Roth-Whitworth, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 7/22/24 Or The Pixel May Learn To Scroll

Posted on by
25

(1) HAS DARK REGIONS PRESS REACHED THE END? Dark Regions Press is a small press founded by Joe Morey in 1985, specializing in horror and dark fiction. His son, Chris, is the current owner.

Their business website is down and one of their published authors William Meikel is calling it the “End Of The Line At Dark Regions Press”.

… With them also taking on the Dark Renaissance books when that venture folded, Dark Regions Press ended up as home to a lot of my material – more than fifteen books in total, and I was always happy to see it there, given the tremendous production values that the company put into their products, particularly the hardcovers…

So, from a purely selfish viewpoint, I’ve been mostly happy there.

But over the years there have been many rumblings of discontent, from both authors and customers, and it’s been getting increasingly hard for me to ignore them. I’ve pulled some of my work for them in recent years, and just last month was asking them to release rights back to me on some others… maybe my spidey-senses were tingling just enough to try to tell me something.

And now there’s the current shitshow.

The website is down, the company is up for sale (although my books are still being sold on the online sites), and Chris Morey, the owner, is incommunicado. I’ve seen reports of customers being over $1000 in the hole on preorders, and of people waiting for many years for books that now look like they’ll never arrive. I can’t begin to imagine how much money is owed, given the number of people I see complaining over the past few days. It’s turned into one of the all time great small press publishing clusterfucks.

Right now I’m trying to get in contact with them to find out exactly what’s going on, but I think this is the end of the line for me there whatever happens to them now.

Brian Keene remembers reporting issues with that publisher before:

Bev Vincent on X.com shared this link showing Dark Regions Press announced in April it was for sale: “Profitable online business with 17,000 customers for sale – in business since 1985 — Dark Regions Press”.

Weird House Press shared what they know in a Facebook post on July 20.

It has come to our attention that Dark Regions Press has gone dark and their site has come down with no word to customers. We are aware that DRP owes a lot of books to a lot of customers. While Weird House is a separate entity from Dark Regions, many of you know that Chris at DRP is Joe’s son and that Joe used to own Dark Regions over a decade ago. As such, we feel compelled to make a statement and share what we know.

Some of you may be aware that Joe at Weird House was helping Dark Regions to fulfill some of the books they were behind on, including Transmissions from Punktown and Wolf Hunt 3. Weird House lent some of its resources to Chris to finish these books and fulfill orders. Small press is a tough business however, and we could only afford to help out so much. We had hoped that with the aid we lent to Chris and DRP the company could recover and make good on their commitments to customers. Unfortunately, Dark Regions seems to have needed more help than Weird House could afford to give.

As for what is happening with DRP, we honestly don’t know at the moment. We at Weird House were unaware of Dark Regions taking down their site. We only became aware of this when it was brought to our attention by a reader. Chris at DRP didn’t inform Joe or anyone else at Weird House of his intention to take down the site. At this point, we still don’t know the status of the company.

We wish that there was more we could do, but the truth is, Joe left Dark Regions many years ago. While we sympathize with those impacted by the actions of DRP, Chris and Dark Regions are responsible for their unfulfilled orders. We simply can’t afford to pay for the failings of another business because of a shared last name.

We will continue to share any information as it comes to us. Feel free to reach out to us via email or facebook messenger if you have any questions or concerns.

(2) THE SECOND SHALL BE FIRST. ScreenRant says there are “8 Book Trilogies Where The Second Book Is The Best”.

Book trilogies often suffer from second-book syndrome, with the middle installment feeling like a slow and unnecessary bridge between the opening and conclusion — though there are a few lucky trilogies where the second book is the best. Trilogies tend to struggle when it comes to balancing their stories, and when this happens, the middle typically suffers. This is why so many book trilogies peak with the first installment, though some manage to make a comeback during the finale, even after a lackluster second novel.

Then there are the rare trilogies that successfully navigate their second books, using them to raise the stakes and move the story forward ahead of the final chapter. In some cases, the middle novel is even the best of the series, as endings don’t always stick the landing….

At the top of their list:

1. The Farseer Trilogy By Robin Hobb (1995-1997)

Second Book: Royal Assassin

Robin Hobb’s Farseer Trilogy is considered a fantasy classic, and while all three books deserve their reputations, Royal Assassin stands out as the best. The Farseer Trilogy tells the tale of Fitz, and it continues well beyond this series. But this trilogy sets the stage for the rest of the Elderlings books, and it does a compelling job of it. Assassin’s Apprentice is a great start, but the later books surpass it. Again, the first book in any trilogy bears the burden of introducing characters and world-building elements that make it slower and more difficult to get into.

(3) BE ON THE LOOKOUT. Crypt Keeper taken from The Mystic Museum this weekend in Burbank, CA.

(4) MEANWHILE, BACK IN SCOTLAND. [Item by Steven French.] No, not that Glasgow festival!! “Glasgow’s independent game festival: an anarchic showcase of Scotland’s thriving virtual world” in the Guardian.

Walking through the doors of this boutique video game festival, you are immediately greeted by a bullet hell shoot-em-up with a painterly twist. In ZOE Begone!, you dodge and unleash attacks at blistering speed before the game erupts into a euphoric shower of pointillist colour, dazzling the eyes and punishing the thumbs. Next to it sits Left Upon Read; at first glance, a dark-fantasy Quake clone, but one that gives you the bizarre task of checking text messages on a smartphone as you slice your way through a dungeon. These are subversive games, taking well-worn design tropes and breaking them in witty, playful ways.

Rule-breaking is a major theme of Glasgow independent game festival, the latest iteration of an event previously known as Southside games festival. It took place last weekend at Civic House, nestled in the shadow of the M8, the concrete eyesore that carves through Glasgow and connects the city with the wider central belt. On display are more eccentric and smaller-budget games than those you see on shelves, all made by developers who either live within Glasgow or a short train ride away….

(5) GOING FOR THE BIGGEST BANGS. “’We pursued it to the point where we got a solid no’: Harrison Ford and Sandra Bullock Were Far from the Biggest Star Who Flat Out Rejected The Big Bang Theory Request” – Fandomwire has the story.

The Big Bang Theory wasn’t just a ratings juggernaut—it was a casting magnet for big names. But even the biggest magnets have their limits, as the show discovered with a few near misses that would have sent fan theories into overdrive….

…Forget the whispers of Harrison Ford as Professor Proton or Sandra Bullock as a mystery love interest. Big Bang almost landed a true legend: Ringo Starr (Richard Starkey). In an interview with TV Line, creator Chuck Lorre revealed his dream casting for the absentee Howard Wolowitz Sr.—Howard’s mysterious father….

(6) DEBORAH P KOLODJI (1959-2024). The Science Fiction and Fantasy Poetry Association today announced the passing of its former president, Deborah P Kolodji, on July 21.

Deborah P. Kolodji

She was an integral part to the growth and continuance of the speculative poetry community and the SFPA. A lifelong champion and educator of short form poetry, Debbie was well-respected through many writing communities. Her influence, talent and passion will be missed. She was the creator of the Dwarf Stars Award, and we believe she remains a giant in the cosmos.

She was the inaugural recipient of SFPA President’s Lifetime Service Award in 2023. The citation told about her many career highlights:

[She was] the moderator of the Southern California Haiku Study Group, the California Regional Coordinator for the Haiku Society of America, and a member of the board of directors for Haiku North America. She has given hundreds of haiku workshops over the past 15 years and recorded two Poetry Pea videos, one on “Exaggerated Perspective” in haiku (which referenced scifaiku) and one on speculative haiku.

She has long been an advocate for speculative haiku and scifaiku, writing several articles for mainstream haiku journals, including one in Terry Ann Carter’s book, Lighting the Global Lantern: A Teacher’s Guide to Writing Haiku and Related Literary Forms. She presented a talk on scifaiku at the 2007 Haiku North America in Ottawa as well as being on a haiku panel at the 2007 WorldCon in Montreal. She has given several scifaiku workshops at ConDor as well as participating in a scifaiku slam in San Diego.

The Dwarf Stars Award came out of Kolodji’s advocacy for short form poetry, and she edited several volumes of the Dwarf Stars anthology, including the first one.  As SFPA president, she created Eye to the Telescope with Samantha Henderson, and co-edited the first issue.  The Vice President position was added to the SFPA board under her administration, and the SFPA also held its first poetry contests. 

A native Californian, she has a degree in mathematics from the University of Southern California. With over 1,000 published haiku to her name, her first full-length book of haiku and senryu, highway of sleeping towns, from Shabda Press, was awarded a Touchstone Distinguished Book Award from The Haiku Foundation. Her e-chapbook tug of a black hole won 2nd Place in the Elgin Awards from the Science Fiction and Fantasy Poetry Association. Her new book, Distance, was co-authored with Mariko Kitakubo of Tokyo. This book was written in a collaborative form called “Tan-ku,” a conversation in tanka and haiku, where the tanka were written by Mariko and the haiku by Deborah….

(7) MEMORY LANE.

[Written by Paul Weimer.]

1974 – A Midsummer’s Tempest by Poul Anderson.

By Paul Weimer: Shakespeare, no surprise, is extremely popular and common to reference, allude and outright steal from by science fiction and fantasy authors. And why not? The Bard’s work is immortal, after all, and while most of his work is not genre as we understand it, plenty of it touches upon or outright waltzes into fantasy.  But what if everything that Shakespeare wrote was true, especially the fantastic bits. What if Shakespeare’s work were history, not fantasy and quasi-history?  Faeries, wizards, ghosts and more were all established facts in the world?

That’s the conceit of Poul Anderson’s A Midsummer’s Tempest, fifty years old this year.

The setting is the early 17th century in this alternate world, and we are in the midst of the English Civil War. The Roundheads and the Cavaliers are in deadly contention. Charles the First is on the edge of defeat. Prince Rupert, in our timeline, is one of the most interesting characters of the period with a varied career ranging from Cavalry officer to colonial governor, and cousin to several English Monarchs. In this world and timeline, in the course of the book, he teams up with the ward of his captor (love, true love, friends) and together they go through a whirlwind set of plots involving Titania and Oberon, the books of Prospero, and a lot more in their efforts to try and preserve Charles I as king of England. Chases, escapes, magic, romance and much more.

And if you like cinematic universes and multiverses, this novel is also for you. This novel features The Old Phoenix, an inn that connects to multiple worlds in Anderson’s verse, and Rupert meets characters from other Anderson universes in the process. A decade before Heinlein tried it in Number of the Beast, the appearance of the Old Phoenix in A Midsummer’s Tempest helps knit together a lot of the fantastic verses and worlds of Anderson’s worlds.

Oh, and did I mention the characters speak in blank verse, and sometimes outright poetry, in the bargain, with plenty of allusions to a slew of Shakespeare’s plays in the bargain?

This is one of the lighter, funnier and confectionary of Anderson’s oeuvre. Some of his work can be fraught with doom, dark destiny and a vision of fighting against fate bravely but in vain.  A Midsummer’s
Tempest is the exception that proves the rule. The protagonists win, true love prevails, and the book ends in a proper marriage, Shakespeare style.

About the only other novel that even tries to come close to Anderson’s approach here is John M Ford’s The Dragon Waiting, which is pretty good company for A Midsummer’s Tempest to share.

(8) COMICS SECTION.

(9) SCIENCE FICTION HOMEWORLDS ONE-DAY SPECIAL ON LEARNEDLEAGUE. [Item by David Goldfarb.] An SFF-related One-Day Special quiz appeared on LearnedLeague over the past weekend: Science Fiction Homeworlds. I got 8/12, which was good for 95th percentile since some of the ones I knew were relatively obscure to the LL community. (I didn’t do better because it branched out into media and video game franchises that I haven’t followed.)

(10) HE DID “PAY THE WRITER”. “Ryan Reynolds Paid Deadpool Writers From His Own Salary to Be on Set” he told Variety.

Ryan Reynolds recently spoke to The New York Times ahead of the release of “Deadpool and Wolverine” and remembered the humble beginnings of his R-rated superhero franchise. The actor said the first “Deadpool” movie finally got off the ground at 20th Century Fox after he’d already spent a decade trying to get it made. Reynolds even paid out of pocket for his screenwriters Rhett Reese and Paul Wernick to be on set because the scrappier production was not that of a normal comic book tentpole.

“No part of me was thinking when ‘Deadpool’ was finally greenlit that this would be a success,” Reynolds said. “I even let go of getting paid to do the movie just to put it back on the screen: They wouldn’t allow my co-writers Rhett Reese and Paul Wernick on set, so I took the little salary I had left and paid them to be on set with me so we could form a de facto writers room.”…

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, David Goldfarb, Anne Marble, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 7/21/24 Did I Ever Tell You About The Man Who Taught His Pixel To Scroll?

Posted on by
18

(1) FRANKENSTEIN UNBOUND. [Item by SF Concatenation’s Jonathan Cowie.] We have had an SFnal real treat over here in Blighty with a fresh take on the Frankenstein mythos in the form of a three-part audio drama, and through the wonders of the world-wide interwebby thingy, you can enjoy it too.  Brian Aldiss constantly told us that the novel Frankenstein was the first true SF novel (with everything genre-related before that being ‘proto-SF’).  And now BBC Radio 4 have aired a three-part audio drama that is a post-modern and an ultra-SFnal revamp of the story.

It is set in the future here a researcher creates an artificial intelligence (AI) based on the Frankenstein author’s (Mary Shelley’s) mother, Mary Wollstonecraft. Mary Wollstonecraft was herself well known for her book A Vindication of the Rights of Woman hence the title of this audio play, A Vindication of Frankenstein’s Monster.

Starting with Mary Wollstonecraft’s ground-breaking feminist text, A Vindication of the Rights of Woman (1792), and moving into a radical re-imagining of Mary Shelley’s Frankenstein (1818), through to the contemporary world of Artificial Intelligence, Linda Marshall Griffiths’ drama asks what would happen if a woman created a woman?

In the first episode of this three part drama, Lizzie walks through Mary Wollstonecraft’s world at the end of the 18th Century and she has questions.  Tracing Wollstonecraft’s extraordinary life, she is challenged by her bravery, her incredible mind and her capacity to fall in love with the wrong men. But this is not time-travel, Lizzie is creating a Virtual Reality world at the centre of which is Mary Wollstonecraft. But as the ‘AI’ Wollstonecraft comes to life, trapped in her virtual world, she begins to question exactly what has changed for women more than two hundred years after the publication of her manifesto – have women achieved equality and freedom? And Lizzie, pregnant and recently diagnosed with an aneurysm, must decide whether to allow her life to be constrained by her health, her lover Max, her impending motherhood or whether to complete her work, following Wollstonecraft’s journey to Norway…

You can download all three episodes:

(2) WHO TAKES. Charlie Jane Anders’ June newsletter Happy Dancing has “11 Hot Takes About Doctor Who”. Here’s the first one.

1) Doctor Who has wasted some great story seeds from “Genesis of the Daleks”

Steven Moffat has mined this 1975 classic for story ideas at least twice: in “The Magician’s Apprentice”/”The Witch’s Familiar” and more recently in “Boom.” But there’s still some great material that nobody has touched. In particular: the Doctor’s suggestion that “many future worlds could become allies” because of the threat of the Daleks, and that something good could come of the Daleks’ evil… this is something I’d love to see dramatized on screen. (When Terry Nation wrote this line, the memory of Stalin, Roosevelt and Churchill joining forces against the Nazis was somewhat fresh, but of course that alliance didn’t exactly last.) Also, I’ve long been tantalized by the bit at the very beginning where a Time Lord warns the Doctor about a possible future where the Daleks have won — becoming the only surviving life form in the universe. It would be fascinating to visit that alternate future and perhaps see the Daleks trying to establish it as the main timeline.

(3) A PLUS FOR PHYSICAL BOOKS. “BookTok’s Latest Craze: Books With Sprayed Edges!” at Yahoo!

If you’ve stepped into a bookstore or scrolled Bookstagram and BookTok recently, you’ve likely noticed an increasing number of books with beautiful sprayed edges, or as book lovers call them, “spredges.” This is a design feature where the edges of the book pages are beautifully embellished with color or intricate designs. Sprayed edges might sound like a fun new bookish trend, but they’ve actually been around for centuries. Dating back to the 10th Century, books and sometimes Bibles often had detailed scenes painted on their edges. This practice was called fore-edge painting and now it’s having a renaissance! In recent years, books with sprayed edges have started adorning shelves everywhere, and their immense popularity is only growing. We talked to book pros about why readers are so drawn to this trend, what makes sprayed edges so special and more….

(4) SEE YOU IN THE FUNNY PAGES. The L.A. Breakfast club will host “Tales from the Comic Book Crackdown with Ben Dickow & Company” on August 14 from 7:00 AM – 9:00 AM. Tickets at the link.

Ben Dickow’s new musical Tales From the Comic Book Crackdown brings to life the dramatic Senate hearings on Juvenile Delinquency of April 21, 1954, which were designed to bring down the comic book industry as a whole. These hearings resulted in years of censorship and repression of the comic book industry.

One man stood up for comics and free expression: 32-year-old Bill Gaines, the most successful comic book publisher of his day, was the sole witness to come forward and testify on behalf of comic books. Despite his best efforts, the authorities carried the day, and Bill almost lost everything.

Mr. Beaser: Is there any limit you can think of that you would not put in a magazine because you thought a child should not see or read about it?

​Mr. Gaines: My only limits are the bounds of good taste, what I consider good taste.

​Sen. Kefauver [alluding to the cover illustration for Crime SuspenStories #22]: This seems to be a man with a bloody ax holding a woman’s head up which has been severed from her body. Do you think that is in good taste?

​Mr. Gaines: Yes, sir, I do, for the cover of a horror comic….

You can listen to the music online: “Comic Book Crackdown”.

(5) THOUGHT EXPERIMENT. Sterling Ulrich asks “What if Faramir Joined the Fellowship in The Lord of the Rings?” at CBR.com.

One of the biggest additions to the extended edition of Peter Jackson‘s The Lord of the Rings: The Two Towers film was a flashback to the moment before Boromir set out for Rivendell. Denethor learned about the upcoming Council of Elrond and wanted to send a representative to ensure that the One Ring was used for the benefit of Gondor. Faramir offered to travel to Rivendell, but Denethor had no faith in his younger son and dispatched Boromir instead….

…On the surface, it seems Faramir’s presence at Amon Hen would have been beneficial. However, the Fellowship’s failures at the Battle of Amon Hen in The Lord of the Rings had consequences that were instrumental to Sauron’s eventual defeat. Merry and Pippin only met the Ents because they ran into Fangorn Forest after escaping their Uruk-hai captors. Likewise, Aragorn, Legolas, and Gimli only met Éomer because they crossed paths with him while chasing after the Uruk-hai. Without these chance occurrences, Saruman would have had free rein over Rohan, leaving Gondor without help from its neighboring kingdom in the Siege of Minas Tirith….

(6) SUNDAY MORNING TRANSPORT. “Father Ash” by Rachel Hartman is July’s third free read from Sunday Morning Transport.

Remember, this month, we’re running an annual membership drive of epic proportions — so if you haven’t already, please consider signing up, and if you are signed up, please share this link with your friends.

(7) LYUBOMIR NIKOLOV–NARVI (1950-2024). [Item by Valentin D. Ivanov.] The Bulgarian speculative fiction community lost its doyenne Lyubomir Nikolov–Narvi (1950-2024) on Jul 20. He translated the famous trilogy of J. R. R. Tolkien into Bulgarian and gave the readers many pleasant hours. Nikolov translated from seven languages all together.

He was also an excellent writer on his own – The Tenth Righteous Man (1999) won the fandom award for the best Bulgarian book of the decade – that is, of the last decade of the twentieth century. This amazing novel describes a singularity of sorts – a sudden change in the physical constants gives every person immeasurable destructive power. Will the society survive this challenge?

Nikolov was active until recently – his latest novel appeared in 2022. Ne was known for introducing the game-books in Bulgarian – many kids have learned to read on them. He won an EuroCon (1987), a SotsCon (1989) and many other accolades.

Right now he is probably smoking a pipe in the writers section of Paradise, discussing the fate of Middle Earth with some other esteemed fellows.

More about him here (in Bulgarian, but Google is your friend).

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 21, 1948 – Garry Trudeau, 76.

By Paul Weimer: Trudeau as a cartoonist and as a creator has a number of wide ranging credits: Alpha House, where Republican Senators share a house, and hilarity ensues. Tanner, a satirical look at a fake presidential campaign. And many columns in many publications.

But you’re here, and I am here, for Doonesbury. 

Cartoonist Garry Trudeau, the fifth Rathbun Visiting Fellow, delivers “Harry’s Last Lecture on a Meaningful Life.” By Linda A. Cicero / Stanford University News Service.

Doonesbury had been a fixture of comic strips in newspapers for as long as I was reading physical newspapers, from the 70’s all the way to around 2000 when I moved to California and finally stopped reading physical newspapers on a regular basis. (I would soon just read Doonesbury online)  It felt scandalous, even transgressive for me to read and enjoy the comic, once I was old enough to figure out just what the comic was about, because its politics were very much to the left of the politics of my family.  I suppose if my parents had paid more attention, they might have decried the comic’s politics, but they didn’t pay attention, and so I could read it in peace. 

I was way too young for the Watergate series in Doonesbury, which of course was its first high water mark.  Where I remember Doonesbury hitting a height for me was in 1989 and Tiananmen Square. I remember conversations with my older brother, who was enthusiastic that “China is going to become a Democracy!” in exultation.  I was far more realistic, even pessimistic, and I have Doonesbury to thank for helping me get parallax, perspective and point of view on the events happening in Beijing that year. (And I remember that when the protests turned violent, the strip went into re-runs, and that really helped bring home to me how serious it all was).

Ever since, I’ve paid attention to when people complain or try to get strips of Doonesbury pulled or show anger against it. That’s when I know that such a venerable comic strip, from such a talented and abiding creator as Trudeau, has once again hit a sensitive mark. And his influence and inspiration to multiple generations of political cartoonists cannot be underestimated. 

(9) COMICS SECTION.

(10) CLOSER TO THE SKY. If you’re ever near Cusco, Peru, Atlas Obscura says you shouldn’t miss: “Area 21 Cusco – Cusco, Peru”.

AREA 51 MIGHT BE BARRICADED by barbed wire and military guards, but this open-air exhibit welcomes all intrepid travelers. Signs that say Abducción Gratis (“Abduction Free”) and the looming figure of a crashed UFO greet visitors, encouraging guests to meet ET’s distant relatives. Situated atop a hill on the outskirts of Cusco along a winding path, visitors can pose with an assortment of extraterrestrials of all shapes, sizes, and home planets.

However, this is more than a kitschy roadside attraction or opportunity for an Instagram photo-op. The interactive art compilation, crafted by Tupaq Kamariy Candia, perfectly melds Peruvian culture and science fiction, illuminating Peru’s rich history with the cosmos….

(11) I’M DREAMING OF A WHITE CHRISTMAS. Buffalo NASFiC guests of honor Kaja and Phil Foglio took a stroll outside the convention.

(12) REBEL MOON PODCAST PREQUEL. “Zack Snyder’s Rebel Moon Announces Surprising Spinoff” at Comicbook.com.

Zack Snyder’s Rebel Moon is getting a prequel. Netflix has announced The Seneschal, an upcoming narrative fiction podcast that will take audiences 500 years before the events of Rebel Moon to explore the origins of the robot knights, the Jimmys. The new podcast is set to debut with its first episode on July 29th with five additional episodes dropping weekly wherever you listen to podcasts.

“Now that you’ve met the Jimmys in the movie, I want to tell their story, their creation, and how they came to be,” Snyder said in a video teaser for the podcast. “I can’t wait for you to listen.”

The Seneschal will star Fallout‘s Ella Purnell as the voice of Raina, Naveen Andrews as Grigory, Alfred Enoch as Adwin, Peter Serafinowicz as Bartholomew, and Jason Isaacs as King Ulmer. You can check out the official description of The Seneschal below.

(13) ROSSEAU, LEWIS AND L’ENGLE. The Science Fiction Makers is free to view on YouTube.

The Science Fiction Makers: Rosseau, Lewis and L’Engle is a feature documentary that examines three integral writers who over the past century wrote within the Christian Science Fiction genre. Through interviews with scholars and current writers, reenactments, archival materials and excerpts from their works, we explore a genre that has been counterculture since its beginning. They were outsiders within the larger Sci-Fi genre and they would face harsh criticism, dismissal, and even hostility from all sides for putting their faith and imagination into their writing. In the end, Victor Rosseau, C. S. Lewis, and Madeleine L’Engle were pioneers of a sub-genre that would doggedly survive and continue to influence popular culture to this day.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Valentin D. Ivanov, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 7/20/24 There’s A Barsoom On The Right

Posted on by
21

(1) HELLO FROM CHINA. The Hugo Book Club Blog has a guest post from Chinese fan RiverFlow: “Guest Post: Unite Sci-Fi Fans Around The World”.

Hello science fiction fans attending the 2024 World Science Fiction Convention in Glasgow. First of all, have you heard of Chinese sci-fi fandom? If so, what examples can you give?

Science fiction fans in China were excited when Zero Gravity News won the Hugo Award for Best Fanzine last year. See “Introducing Chinese sci-fi fanzine Zero Gravity News” to learn more about the fanzine.

Yes, in fact, there is a very large group of science fiction fans in China, but few people have collected and collated their materials. I have been working on this since 2020, and have written some articles to introduce the collection.

The earliest Chinese Fanzine was born in 1988. In the 1990s, many science fiction fans were employed and writing in their leisure time, but in the 21st century, these contributions were mainly completed by students. Because workers are busy with their lives and families, it is difficult to find time to organize related activities. So I wrote a book, History of Chinese University Science Fiction Association, to introduce Chinese science fiction fans to the rest of the world. The thousands of photos and hundreds of thousands of words are enough to prove the rich history of this group….

(2) LOCAL GROUP FOCUS – NORTHUMBERLAND HEATH SF. [Item by SF Concatenation’s Jonathan Cowie.] This is the Northumberland Heath SF’s group meet recently when a Mandalorian visited. 

This is just half its regular membership of a score or so who turn up to at least two or three meets a year: work shift rotas, familial and other commitments, etc., mean that it is rare that all regulars attend the same meet.  In addition, the group’s Facebook has some 260 followers of which half are local, but 120 of these have never physically attended a meet. (Is this typical of other local groups?) Of the non-local remainder FB followers, a good proportion are familiar names on some Worldcon registrant lists. Some of its members belong to other specialist regional and national SF groups and one of its members is the daughter of a former Worldcon fan GoH.

The group is only several years old but has some heritage connection with the former NW Kent SF group of the 1980s and ’90s that used to meet in nearby Dartford.  N. Heath SF is located in southeast London, on its border in Kent, which means that in addition to local social gatherings and cinema outings, it is easy to have trips to central London events, such as the annual Sci-Fi London film fest, or one-offs, such as the Loncon 3 Worldcon. It meets the second Thursday of each month so as not to clash with the first Thursday London SF Circle (as it used to be called) gathering.

EDITOR’S NOTE: Jonathan adds, “I for one would be interested to see potted summaries of local SF groups across different countries” and I enthusiastically second the idea. I’d love to run people’s introductions to the sf groups they’re in.

(3) DOWNLOAD THE 2019 GUFF TRIP REPORT. Simon Litten’s 2019 GUFF Trip Report Visiting Nearly Kiwiland has been published. Copies can be downloaded at the Australian Fan Funds website.

There’s no charge to download the report but interested fans may wish to make a donation to GUFF (via PayPal to [email protected]).

(4) THE SELF-PUBLISHING BUSINESS. Dave Dobson offers a deep dive into the numbers in his “Anatomy of a free BookBub featured deal”. A lot to learn here about Amazon, free book campaigns, and ratings.

Also, the intangibles – the sales rank, the visibility, the (I hope) new fans, the glut of new ratings and reviews – all of those are things I’d gladly have paid a couple hundred bucks pursuing. So, I’m going to call this a clear win, and I’d do it again in a heartbeat.

(5) OCTOTHORPE. In episode 114 of Octothorpe, “Tastemaker Batty”, John Coxon, Alison Scott and Liz Batty discuss the Hugo Awards. Uncorrected transcript is available here.

We cover all the categories except Best Novel, which we covered in a previous episode. The deadline is today (20 July 2024 at 21:17 Glasgow time). Don’t forget to vote beforehand. 

The value for “today” is a now-expired deadline. But that comes to us all sooner or later.

”Octothorpe 114” is at the top, and the word ”Octothorpe” is written on a series of lottery balls. Below that, a bingo card, and below that, the words ”Worldcon Community Group Bingo Card". The items on the card are as follows: - Can I convert pounds to Scottish money? - Does anyone have any opinions on...? - Do you know my Scottish cousin? - This list is too long to read so can someone... - Is the programme out yet? - Can I swim in the Clyde? - Can I visit Stonehenge for the day? - Asks question answered in PR5 - Does Glasgow Zoo have live haggis? - Volunteering is the best way to have fun - What's with all the armadillos? - Shouldn't the subway be a Digital Orange now? - Free! - Is the con organising an aurora viewing? - Is it too late to get on the programme? - Will Nessie be doing a signing? - Mention of Glasgow, England - Can anyone go to the Hugo Awards? - Why don't we do this the way we did in 1956? - Can I fly from Glasgow to Edinburgh? - Will there be any authors there? - Can I bring my Emotional Support Moose? - Are tartan and/or kilts compulsory? - What I reckon... - Mention of deep-fried Mars Bar

(6) PLUTO STILL NOT ONE OF THE COOL KIDS. “Astronomers Propose New Criteria to Classify Planets, but Pluto Still Doesn’t Make the Cut” in Smithsonian Magazine.

Nearly two decades after Pluto got kicked out of the planet club, astronomers are proposing an updated way to define “planet” based on more measurable criteria. The current definition is “problematic” and “vague,” they write in a paper published Wednesday in The Planetary Science Journal.

Unfortunately for fans of the dwarf planet, however, Pluto would remain excluded, even if the proposal is approved….

… “Jupiter’s orbit is crossed by comets and asteroids, as is Earth’s,” Gladman points out in a university statement. “Have those planets not cleared their orbit and thus, aren’t actually planets?”

In a bid to correct for this ambiguity, Gladman and his two colleagues propose a more measurable definition. According to their model, a celestial body is a planet if it: orbits one or more stars, brown dwarfs or stellar remnants; is more massive than 1023 kilograms (a size big enough to clear its orbit of debris); and is less massive than 2.5 x 1028 kilograms (equivalent to 13 Jupiter masses).

Pluto’s mass is 1.31 x 1022 kilograms, so it would remain excluded—but our current eight planets would retain their classification….

New Horizons photo of chaos region on Pluto.

(7) TOP SCI-FI MOTORBIKES. SlashGear praises “10 Of The Coolest Motorcycles In All Of Science Fiction”.

…When making this list, we looked at motorcycles that specifically had a sci-fi bent to them. The 1990 Harley-Davidson Fat Boy in “Terminator 2: Judgement Day” is definitely cool, but that’s a bike that already exists. We wanted motorcycles that pushed the boundaries of transportation in the future and perhaps even inspired folks to design their own bikes that look similar in real life. These are the sci-fi motorcycles that show that while society might change in the future, riding around on a cool motorcycle never gets old. …

The list includes —

Kaneda’s bike in Akira

Kaneda’s bike in “Akira,” one of the most influential anime films of all time, isn’t just cool-looking — it inspired the famous “Akira Slide,” which has entered meme status and has been referenced in a wide range of projects, from “Batman: The Animated Series” to Jordan Peele’s “Nope.” Even when it’s not sliding, the bike is beautifully drawn. 

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 20, 1938 – Dame Diana Rigg. (Died 2020.)

By Paul Weimer:

I was introduced to Diana Rigg thanks to Roger Zelazny’s Amber.

It’ll make sense, trust me.

As you know, I am and have been an enthusiastic player of the Amber Diceless Roleplaying Game, set in the endless multiverse of the novels.  Lots of players and GMs like to import ideas from other books, shows and series. (I am no exception in that regard, mind you).

Diana Rigg

One of these GMs I played with was a big enthusiast of The Steed and Peel Avengers series from the 1960’s. I was not yet familiar with the series, but after playing a session where Steed turned out to be a secret Amberite, I had to know more! Who was Steed and who was the mysterious Mrs. Peel he was looking for (as part of the plot)?  (She did not actually appear on screen). The GM encouraged me to seek out The Avengers.

And thus, I discovered the original Avengers TV series, and thus, Diana Rigg. I was enchanted immediately, of course, by a beautiful kick-arse actress with skill, verve, and action. I avidly watched all the episodes of The Avengers, finding Rigg the best of the partners for McNee by a long way. The DNA of some notable action heroines with skill, verve, intelligence and independence definitely can be traced back to Rigg’s Mrs. Peel.

Later on, she was proven delightful in things such as Game of Thrones (Olenna Tyrell was a great major character for her late in her career) and, when I discovered, the weird and wonderful steampunk movie The Assassination Bureau.

But in the end, yes, for me Diana Rigg IS Mrs. Peel.  Now, if only Moorcock could confirm that Peel is actually an aspect of the Eternal Champion…

(9) COMICS SECTION.

(10) MONSTERPIECE THEATRE. “Godzilla Takes on the Great Gatsby in Monsterpiece Theatre Comic” at The Wrap. Cover art and preview pages at the link.

Godzilla’s been on a resurgent streak, from the MonsterVerse franchise and “Godzilla Minus One” in theaters to “Monarch” on Apple TV+. Now, TheWrap can exclusively share that acclaimed writer and artist Tom Scioli is delivering comic book “Godzilla’s Monsterpiece Theatre” from IDW, with the giant lizard taking on figures from throughout literary history — including the Great Gatsby, Sherlock Holmes, H.G. Wells’ Time Traveller and a mystery man with vampiric fingers and a “D” on the back of his cape (want to take a guess?).

The three-issue series is set in 1922, with one of Jay Gatsby’s legendary parties luring the attention of the giant lizard himself. Rather than being able to woo Daisy Buchanan, he has to deal with Godzilla absolutely demolishing his estate. Gatsby follows up on the destruction by teaming with the aforementioned 20th century literary icons to take his revenge….

(11) POINT OF NO RETURN? [Item by SF Concatenation’s Jonathan Cowie.] Bad news in this week’s Science editorial: “Go/no-go for a Mars samples return”.

Last month’s return to Earth of China’s lunar lander Chang’e-6 with samples from the far side of the Moon is a reminder that there are “firsts” in robotic space exploration still to be achieved. Unfortunately, this year has seen a major set-back for the prospects of an even more extensive plan to collect samples from Mars. In April, the US National Aeronautics and Space Administration (NASA) made clear that the ballooning cost for the US Mars Sample Return mission to around $11 billion was too much and the 2040 return date was too distant. NASA has been told to look for ideas to lower costs and shorten the timeline. Shock and anger are palpable in the astronomy community.

The challenge of an exploratory robotic mission to Mars to collect samples and return them to Earth for study dates back to the post-Apollo era, 50 years ago. Twenty-five years ago, a breakthrough occurred when France and the US announced a joint Mars sample return program. Sadly, that foundered on financial grounds. Fifteen years ago, the goal of a joint project between NASA and the European Space Agency (ESA) was vetoed at a high level in NASA, possibly an echo of the previous experience.

Nonetheless, the last two US National Academy of Sciences planetary science decadal surveys gave the Mars Sample Return mission a high priority, thereby encouraging federal agencies to fund it. Then, last year, after the critical design phase and external review, the program’s price turned out to be way above expectations, leading NASA to apply brakes to the project…

The figures quoted for cost escalation of the Mars Sample Return mission are a reminder that NASA’s JWST project grew from less than $1 billion to around $10 billion. However, most of the JWST cost increases came after the design phase, the point where the Mars project is now caught. The sub[1]sequent steady growth in the cost of JWST was due to a different cause— namely, the year-by-year NASA budget negotiation in Congress. Once the design phase is completed, a large development team is formed. European collaborators watched in frustration as the annual US budget, cycle after cycle, drip-fed just enough money to sustain the JWST mission’s team but not enough to allow efficient progress. The multiyear funding of the ESA Science Programme by member states mitigates this.

NASA is now told to look for a solution to the Mars Sample Return mission, but the agency is likely caught at a tricky crossroads. A quicker, cheaper swoop to grab Mars dust and get it back to Earth could win the exploration “first,” but that will not satisfy the US National Academy decadal goals….

(12) FARM ROBOTS. [Item by Mark Roth-Whitworth.] “Could robot weedkillers replace the need for pesticides?” in the Guardian. I’m sure they will, and I expect smaller ones for gardens.

On a sweltering summer day in central Kansas, farm fields shimmer in the heat as Clint Brauer watches a team of bright yellow robots churn up and down the rows, tirelessly slicing away any weeds that stand in their way while avoiding the growing crops.

The battery-powered machines, 4ft (1.2 metres) long and 2ft (0.6 metres) wide, pick their way through the fields with precision, without any human hand to guide them….

His Greenfield agricultural technology company now builds and programs its robots in a shed behind an old farmhouse where his grandmother once lived….

…Farmers have been fighting weeds in their fields – pulling, cutting and killing them off with an array of tools – for centuries. Weeds compete with crops for soil moisture and nutrients and can block out sunlight needed for crop growth, cutting into final yields. Over the last 50-plus years, chemical eradication has been the method of choice. It is common for farmers to spray or otherwise apply several weedkilling chemicals on to their fields in a single season.

But as chemical use has expanded, so has scientific evidence that exposure to the toxic substances in weedkillers can cause disease. In addition to glyphosate’s link to cancer, the weedkilling chemical paraquat has been linked to Parkinson’s disease. Another common farm herbicide, atrazine, can be harmful to reproductive health and is linked to several other health problems.

Weedkilling chemicals have also been found to be harmful to the environment, with negative impacts on soil health and on pollinators and other important species. 

… North Dakota-based Aigen Robotics has raised $19m to date. Its compact robots are powered by solar panels fixed to the top of each machine and are designed to work autonomously, sleeping and waking up on farm fields….

… Still, many farmers and academic experts are skeptical that farm robots can make a substantial difference. They say that there is simply too much farmland and too many diverse needs to be addressed by robots that are costly to make and use. The better path, many say, is for farmers to work with nature, rather than against it.

The model of regenerative agriculture – using a variety of strategies focused on improving soil health, including limiting pesticides, rotating crops, planting crops that provide ground cover to suppress weeds and avoiding disturbing the soil – is the better path, they say….

(13) ELEMENTARY. According to ScienceAlert, “Curiosity Cracked Open a Rock on Mars And Found a Huge Surprise”.

A rock on Mars has just spilled a surprising yellow treasure after Curiosity accidentally cracked through its unremarkable exterior.

When the rover rolled its 899-kilogram (1,982-pound) body over the rock, the rock broke open, revealing yellow crystals of elemental sulfur: brimstone. Although sulfates are fairly common on Mars, this is the first time sulfur has been found on the red planet in its pure elemental form….

“But do they smell like rotten eggs?” asks John King Tarpinian.

(14) SF IN 1958. [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books has continued his deep dive into some golden age editions of SF pulps. This time he looks at a1958 edition of Fantasy & Science Fiction that saw Heinlein’s “Have Spacesuit Will Travel” which if memory serves was short-listed for a Hugo. There’s also a Richard Matheson in the mix…

(15) VIDEO OF THE DAY. [Via Cat Rambo.] “We Didn’t Start the Fire (Bardcore|Medieval/Renaissance Style Cover)” from Hildegard von Blingin’.

There are many covers of Billy Joel’s We Didn’t Start the Fire that adapt it to different times, but we wanted to give it the bardcore treatment. *Unlike the original, the list is not chronological, and jumps around in time a lot. It very loosely spans from around 400 to 1600, and is from a rather Eurocentric point of view. Thank you to my brother, Friar Funk, for devising the lyrics and providing the majority of the vocals. Many thanks as well to his new wife and our dad for joining us in the chorus at the end.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “CCR” Dern.]

Pixel Scroll 7/19/24 The Doors Of His Cats, The Lamps Of His Reading Table

Posted on by
14

(1) DRAMA. “JK Rowling Edinburgh Trans Rights Play ‘TERF’ Primed For Protests” reports Deadline. The play will be presented during the Edinburgh Fringe next month.

…Penned by Joshua Kaplan, a Hollywood writer whose credits include HBO’s Tokyo Vice, TERF imagines a confrontation between Rowling and the stars of Harry Potter over her views on transgender rights.

The production is topical given Rowling’s near-daily pronouncements and hardened rhetoric on how trans rights have come into conflict with women’s rights. Her posts on X (once Twitter) have put her further at odds with Daniel Radcliffe, Emma Watson, and Rupert Grint in recent months, and Kaplan sees TERF as a “family conversation” between loved ones with differing views.

In the real world, there have been public exchanges between Rowling and the Harry Potter stars as recently as this year. In April, Rowling accused Radcliffe and Watson of being “cosied up to a movement intent on eroding women’s hard-won rights.” Radcliffe told The Atlantic that he was saddened by Rowling’s stance.

Staged by veteran Edinburgh Festival Fringe producers at Civil Disobedience, TERF (an acronym for trans-exclusionary radical feminist usually deployed in a pejorative context) had to change venue from Saint Stephens Theatre to the Assembly Rooms amid concerns over the controversy the play was attracting.

Barry Church-Woods, the co-founder of Civil Disobedience, said that the team is now putting security and other measures in place for protests. He told Deadline that they anticipate audience members could attempt to disrupt the play as it is performed.

“We expect that most people, if they’re intending on disrupting what we’re doing, that will happen in the auditorium of the theatre. We have processes in place that are going to deal with that,” said the producer, who has previously worked on Edinburgh shows with the likes of RuPaul’s Drag Race star Courtney Act….

(2) GLASGOW 2024 PUBLISHES FINAL PROGRESS REPORT. This week the Worldcon published its sixth electronic Progress Report, which due to there having been a PR #0 is numbered Progress Report 5. Download the PDF here. Cover by Sara Felix.

PR5 includes news from all areas including:

  • A final update from Convention Chair Esther MacCallum-Stewart
  • A list of our 6,000+ registered members and ticket holders
  • Membership statistics and demographics, with 33 countries represented from around the globe
  • Practical information to help attendees arrive in and enjoy their time at the convention, from site maps to badge collection arrangements and discounted local travel passes
  • Full details and timings for our Special Events – including the Hugo Award Ceremony, Masquerade, Opera, Orchestra, theatrical performances, concerts, and dances
  • Updates on Volunteering, Accessibility and Childcare Services, as well as our approach to Sustainability
  • Our updated Code of Conduct, which all members and ticket holders are expected to abide by when attending the convention in person or online.

(3) DOCTOR WHO REPORT CARD. “’Doctor Who: Disney Deal, Ncuti Gatwa & Russell T Davies In Spotlight” reports Deadline.

Those lucky enough to attend May’s Disney‘s upfronts at the North Javits Center were treated to clips, teases and appearances from some of the world’s biggest stars.

In the spotlight from the Bob Iger-led Mouse House were hits from the Disney stable including The Acolyte, Welcome to Wrexham, Abbott Elementary and a wealth of ESPN sports shows. The combined budget must have been astronomical.

But almost completely absent from the upfront festivities was Doctor Who, the iconic British sci-fi series that Disney+ now co-produces with the BBC following what was undoubtedly one of the biggest global TV show deals of the past decade. Doctor Who was handed a minor bit of real estate at the North Javits, but its lack of front-and-center placement may spin a yarn about the series’ position in the Disney priority log nearly three years on from the deal being struck.

… Following the conclusion of the the first Disney-BBC Doctor Who season several weeks ago, Deadline has taken the opportunity to analyze its performance both locally and across the pond, its critical reception and just what the future has in store for the deal. Noises that it may not last beyond its initial two seasons are already reverberating around international TV circles, and one source close to the production tells us that they feel its future hangs in the balance already. Disney, the BBC, and co-producers BBC Studios and Bad Wolf all declined Deadline’s interview requests for this article….

(4) DOROTHY VAUGHAN DEDICATION. “NASA Johnson to Dedicate Building to Dorothy Vaughan, Women of Apollo”.

NASA’s Johnson Space Center in Houston will recognize legendary human computer Dorothy Vaughan and the women of Apollo with activities marking their achievements, including a renaming and ribbon-cutting ceremony at the center’s “Building 12,” on Friday, July 19, the eve of the 55th anniversary of the Apollo 11 Moon landing.

At 9 a.m. CDT, NASA Johnson Director Vanessa Wyche will begin with a discussion about the importance of Vaughan and the women of Apollo’s contributions to the agency’s lunar landing program and their significance to today’s Artemis campaign. Other highlights include a poetry reading, a recital by Texas Southern University’s Dr. Thomas F. Freeman Debate Team, and a “Women in Human Spaceflight” panel discussion….

…Following the program, the ribbon-cutting ceremony will begin at Building 12, which will thereafter be named the “Dorothy Vaughan Center in Honor of the Women of Apollo.” The dedication is a tribute to the people who made humanity’s first steps on the Moon possible.

(5) CAGE MATCH. “’Spider-Noir’: Li Jun Li Cast In Amazon’s Marvel Series” – Deadline has the story.

 Li Jun Li (Wu Assassins) is set as a series regular opposite Nicolas Cage in Spider-Noir, the upcoming MGM+ and Prime Video live-action series based on the Marvel comic Spider-Man Noir.

From executive producers/co-showrunners Oren Uziel and Steve Lightfoot and Sony Pictures Television, Spider-Noir tells the story of an aging and down-on-his-luck private investigator (Cage) in 1930s New York who is forced to grapple with his past life as the city’s one and only superhero.

Li will play a singer at the premier nightclub in New York. In addition to Cage, she joins previously cast Lamorne Morris as Robbie Robertson….

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 19, 1969 – Kelly Link, 55.

By Paul Weimer: Genius Grant recipient. Small Press Owner, Small Beer Press. Anthologist.

Oh, and just perhaps the best short fiction fantasist of our age. 

 No biggie, right? I think of her work, be it ”Magic for Beginners”, “The Faery Handbag” or “The Hortlak” or any of the numerous other stories she’s written, as being in an overlapping series of subgenres that are centered in magic slipstream realism. To this core central subgenre, Link ably adds elements of urban fantasy, horror, mystery, into this basic dough and bakes rather tasty treats of stories that linger in the mind and in the soul. 

Kelly Link

 I think of Link as a magic realist counterpart to Ted Chiang: her actual output of stories is not actually all that massive. She is careful with word choice and writing, shaping words and sentences to sublime effect. Link’s stories are never to be skimmed over, ever. You will, in the end, regret it.  Her work needs and demands attention, and sometimes, like the work of Liz Hand, I feel like as a reader I am “not in her league” and don’t always grok what she is doing in a story. (To be fair the kind of fantasy Link writes is stuff I do not commonly read besides her fabulous work.

But that’s really wrongheaded of me to make her seem inaccessible. In fact, like Chiang, I think of Link as an excellent ambassador for genre fiction in the worlds of literary fiction, luring readers from outside the genre into it, hopefully to stay. Certainly “Magic for Beginners” is probably the one story I would hand to someone who hasn’t read much or any contemporary fantasy and wanted to give it a try.

(7) COMICS SECTION.

(8) WHAT IF? Check out the next trio of covers in the monthly Disney What If? variant cover series, celebrating the 60th anniversary of the Avengers and X-Men.

The new covers see Goofy, Donald, and Daisy fill in for Wolverine, Captain America, and Black Widow for their iconic team-up in Uncanny X-Men #268; Mickey, Minnie and more enter the X-Men’s revolutionary Krakoan age that kicked off in House of X #1, and the gang assembling for one of the Avengers’ most pivotal moments, the “Disassembled” storyline, in Avengers #500. For more information, visit Marvel.com.

AMAZING SPIDER-MAN #59 DISNEY WHAT IF? VARIANT COVER BY GIADA PERISSINOTTO

AMAZING SPIDER-MAN #61 DISNEY WHAT IF? VARIANT COVER BY PAOLO MOTTURA

AMAZING SPIDER-MAN #63 DISNEY WHAT IF? VARIANT COVER BY FRANCESCO D’IPPOLITO

(9) REMEMBERING H.R. PUFNSTUF. The LA Breakfast Club will host “Sid Krofft: 55 Years of Weird” on September 4. Tickets at the link.

CELEBRATE ALL THINGS KROFFT, INCLUDING PUFNSTUF’S ANNIVERSARY! On September 6, 1969, the world was introduced to the series H.R. PufnStuf and with it, the zany genius of brothers Sid and Marty Krofft! In the decades that followed, Sid & Marty continued to innovate TV, films, live shows and even theme parks with their signature style of puppetry, visuals and storytelling.

Join us on September 4th to witness Sid Krofft’s honorary initiation into The LA Breakfast Club! We’ll then join Sid on a rollicking discussion about the beloved projects that define his groundbreaking career.

Sep 04, 2024, 7:00 AM – 9:00 AM

The Los Angeles Breakfast Club, 3201 Riverside Dr, Los Angeles, CA 90027, USA

(10) IN A HOLE IN THE GROUND THERE LIVED… “A newly-discovered dinosaur may have spent part of its life underground” NPR has learned.

…Now there is a new dinosaur species on the paleontology block, Fona herzogae.

HAVIV AVRAHAMI: Small plant-eating dinosaurs – they were bipedal. If you took, like, a Komodo dragon tail and attached it to the back of an ostrich, that’s kind of what Fona would have looked like.

ARI SHAPIRO, HOST:

That’s Haviv Avrahami. He’s a Ph.D. student at North Carolina State University and was part of the team that identified this new dino. They published their research in the scientific journal The Anatomical Record this month.

AVRAHAMI: It was a small dinosaur. It was about 7 feet long, so probably would have been as long as Shaq would have been if he was laying down….

(11) HORRIFYING HUMOR. From Twilia’s Art: “Peter Lorre & Vincent Price being a chaotic duo”.

Vincent Price and Peter Lorre were in 3 Roger Corman films together, and the two shone as a hilariously odd couple. I would gladly watch their chemistry in any film! So here’s a compilation of all my favorite bits of them.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/18/24 Pixel Furry, Credential of S.C.R.O.L.L.

Posted on by
31

(1) DOCTOR WHO’S SHORE THING. “Doctor Who spin-off gets update as ‘filming start date revealed’” notes RadioTimes. (It’s actually a short series.)

The long-rumoured Doctor Who spin-off, The War Between the Land and the Sea, is set to start filming in September, it’s been reported…

The information comes from the end of a long Deadline article about the series: “’Doctor Who: Disney Deal, Ncuti Gatwa & Russell T Davies In Spotlight”.

…All eyes now on the upcoming season, which is in the can and due to launch next year, along with a long-rumored set of spin-offs that comprise the new ‘Whoniverse’ including The War Between the Land and the Sea. Fans were delighted when this spin-off was alluded to in the ’73 Yards’ episode of the latest season and Deadline is told that shooting will commence in September.

One of our sources close to the production believes Disney will “need to make a decision” on its future relationship with the show soon after The War Between the Land and the Sea wraps, and this could have a bearing on how long the in-demand Gatwa — who will lead a West End production of The Importance of Being Earnest at the end of this year — remains Doctor. Although the next season has wrapped, this source predicts the final episode has been left open-ended, with the possibility remaining that Gatwa could regenerate into his successor if he chooses to exit. Gatwa’s agents hadn’t responded to Deadline’s request for comment by press time.

(2) WHAT’S THE MATTER. “Constellation and Dark Matter: the TV series that could change your view of quantum mechanics” in the opinion of Physics World.

… A fundamental principle of the many-worlds interpretation is that any contact between the different worlds is impossible. But a fundamental principle of popular culture is that it’s not, physics be damned. The beauty of using parallel worlds in fiction is that it can neatly exploit our human anxiety over the consequences of taking and having taken actions. In a sense, it reveals the God-like, world-shaping power of the human ability to choose and the depth of our innate desire to live our lives again.

As Brit Marling, co-author and star of Another Earth, told an interviewer: “Sometimes in science fiction you can get closer to the truth than if you had followed all the rules.”…

…Quantum-inspired fictional worlds are back in the spotlight after featuring in two Apple TV+ dramas this year – Constellation and Dark Matter. Both use superposition as a device for allowing characters to take forking paths. The former was cancelled after one season, while the latter finished its season in June. The two shows illustrate what’s problematic about the genre….

(3) JMS DEFENDS THE DISCLAIMER. J. Michael Straczynski says he’s gotten sharp criticism for beginning the new edition of Harlan Ellison’s Greatest Hits with this disclaimer.

“Harlan Ellison’s work epitomized and reshaped the speculative, science fiction, and horror genres across decades. Ellison’s stories and novellas have been an inspiration to subsequent writers, and his impact can still be seen in contemporary television, culture, and literature.

“However, while these stories are outstanding works across multiple genres, they may contain outdated cultural representations and language. We present the works as originally published. We hope that you enjoy discovering, or rediscovering these stories.”

The other day in a public comment on Facebook’s Harlan Ellison group JMS defended that choice (and others) in a long post of which this is an excerpt:

Several folks here have used terms like “disgraceful” and “shameful” to discuss the disclaimer at the front of Harlan Ellison’s Greatest Hits, and the decision not to use the original computer tape images in I Have No Mouth. Let me address these frankly, and in that order.

When the disclaimer was first brought up by the publisher, I bristled at it. (And that part is literally just one sentence inside of one paragraph.) But it was explained to me that having that one sentence in that one paragraph meant that nothing in the stories themselves would have to be changed or edited. The book could go out without so much as a misplaced comma. Just as importantly, it meant the book could be sold into high school and college bookstores, school and public libraries, and curricula without impediment.

The fellow who did the YouTube video posted twice here made the observation, on this topic, that he basically didn’t give a shit if the book was available to high schools and universities, even though most everyone reading this discovered Harlan’s work at around that age. All he cared about was having the book of stories he’d already read and owned be readily available in a bookstore so he could buy one more edition of it, new readers be damned. (And it’s nearly impossible to get enough copies into print to be in stores without being able to sell the book into schools, libraries and the like.) So yes, I pulled the trigger on that, and I’d do it all over again given how this has worked out.

Jumping to the computer tape issue…what folks need to understand is that while Greatest Hits is certainly a wonderful opportunity for fans to collect some of Harlan’s best work in one place, that’s not the primary target of this book. Everybody reading this already has all or most of those stories, in the original books and in some cases even the original magazines. It’s not one more fan service compilation.

Greatest Hits is a primer of Harlan’s work for newcomers. As such, the whole point is to make the book as accessible as possible to new readers, many of whom had never previously even heard of Harlan Ellison. It’s not so much that I wanted folks to want to buy the book, I wanted to make sure there was nothing that could prompt them to *not* buy the book.

The disclaimer was part of that decision. So was removing the computer tape image and substituting the actual words themselves, especially given the current technological state of things. Corollary: You’re watching the latest Dune movie, and one of the main characters goes to a highly sophisticated computer system to give it instructions on the next issue by loading in a mountain of 3 inch floppy disks. It would get a laugh.

Computer tapes, *outside of their original historical context* (about which more in a second), would have the same effect on a modern reader. It’s being offered as a story right now to a modern readership, at a time when such tapes aren’t used anymore, and folks either wouldn’t know what it was (and some say “well, let them do their homework” but that’s a self-defeating line of reasoning when the whole point is to get the work out to that new readership) or they would know and it would break the illusion and be considered laughable.

So yes, I pulled the trigger on that as well. Because again: this is a primer, by definition an accessible introduction to a writer’s work.

As a result of all this, at a time when so many writers are having their words altered, softened or otherwise bastardized in order to be allowed into the marketplace, Harlan’s stories went out intact.

…The first print run of the regular edition Greatest Hits sold out before it was even formally published. There was another print run of that edition, and two print runs of the exclusive edition.

As I write these words, there are now roughly *sixty thousand copies of Harlan Ellison’s Greatest Hits in print*….

(4) HELLO, DALI! “You can now ask Salvador Dali questions (sort of), as part of an AI installation” at NPR.

…The surrealist artist Salvador Dali was known for art featuring melting clocks, bizarre landscapes and dreamlike imagery. He died in 1989, but visitors at the Dali Museum in St. Petersburg, Fla., can ask him questions about his art or anything else. NPR’s Chloe Veltman reports that Ask Dali uses generative AI to bring the artist back to life.

CHLOE VELTMAN, BYLINE: The question – why are the clocks in your paintings melting? – provokes a long, poetical response from Ask Dali. Here’s a snippet.

(SOUNDBITE OF ARCHIVED RECORDING)

AI-GENERATED VOICE: (As Salvador Dali) My dear questioner, think not of the clocks as merely melting. Picture them as a vast dream caressing consciousness.

VELTMAN: Museum visitors just pick up the lobster-shaped receiver on a replica of Dali’s famous telephone sculpture to speak with him. The museum says the artificial intelligence Dali has responded to well over 30,000 questions since the installation launched in mid-April. People ask about things like the artist’s famous curling moustache…

(5) BEAR MAKEOVER. “’Drunk’ Disney bear cancelled over ‘derogatory and offensive’ name” reports Yahoo!

A drunk animatronic bear who was a Disney World fixture for over 50 years has reportedly been cancelled over concerns he could offend alcoholics.

Liver Lips McGrowl did not make an appearance when the “Country Bear Jamboree” – one of the final attractions designed by Walt Disney before his death – returned on Wednesday following a seven-month refurbishment.

The attraction, which features 18 animatronic bears performing country-style Disney songs, first opened its doors in 1971 and has been a mainstay of the theme park for decades.

Disney decided to cancel the character because the phrase “liver lips” could be offensive to alcoholics, according to the Disney Inside the Magic blog.

“The decision to remove Liver Lips McGrowl was driven by concerns over the character’s name. The term “liver lips” is considered derogatory and offensive,” it reported….

… The bear has been replaced by Romeo McGrowl, who looks identical to his predecessor – including his protruding lips – but sports a sky-blue jumpsuit and blonde quiff….

(6) BOB NEWHART (1929-2024). [Item by Mike Kennedy.] The one and only Bob Newhart is gone. A quick glance at his credits on IMDb might give the impression that his contributions to entertainment were modest. That would be utterly false. 

If you’re young enough to be unfamiliar with his work, I urge you to investigate not only his genre appearances, but his entire body of work. So much of it has what might be called sfnal sensibilities. For instance, the entire run of Newhart (his 1982–90 TV show) was just skew enough to our mundane world that you could be convinced it was deliberately set in an alternate reality. So, too, were many of the standup comedy routines he was beloved for before he ever set foot on a soundstage. 

His contributions to specifically genre media were also significant. They include: On a Clear Day You Can See Forever, The Rescuers and The Rescuers Down Under, The Simpsons (as himself), Rudolph the Red Nose Reindeer: The Movie, Elf, The Librarian(s) series (3 TV movies & a TV series), and two appearances on Svengoolie (one as himself).

Rolling Stone’s tribute is here: “Bob Newhart, Groundbreaking Stand-Up Comic and TV Sitcom Legend, Dead at 94”.

…Understated in his delivery and physically small of stature — he looked like the former accountant that he was — Newhart nonetheless left a sizable footprint on comedy. His first album, 1960’s The Button-Down Mind of Bob Newhart, was a blockbuster; featuring his trademark one-sided conversations, the album won multiple Grammys including Album of the Year and achieved the commercial success of a huge pop album….

…Some of his most popular bits — marketing executives advising Abraham Lincoln, the Wright Brothers and a harried driving instructor — were included on The Button-Down Mind. (“What’s the problem?” Lincoln’s publicist is overheard saying to him before the Gettysburg Address. ” … You’re thinking of shaving it off? … Um, Abe, don’t you see that’s part of the image?”)…

…He gained a new legion of fans after appearing as Will Ferrell’s tiny North Pole dad in Elf and he guest-starred in several episodes of The Big Bang Theory as Professor Proton, the host of Leonard and Sheldon’s childhood-favorite TV science show. Those appearances led to Newhart finally winning an Emmy in 2013 (for “Outstanding Guest Actor”) after seven previous nominations….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 17, 1967 – Paul Cornell, 57.

By Paul Weimer: I came to Cornell different.  Not thanks to all of his excellent and groundbreaking work with Doctor Who (his DW novels were and are groundbreaking, and elements of those novels have made their way into multiple episodes of the rebooted shot. Nor was it for all of his work in television, from Coronation Street to Robin Hood, and much more. I didn’t even come to Cornell thanks to his extensive work in comics, from Captain Britain to Wolverine to Demon Knight. I was not aware of any of that vast oeuvre…at first.

Paul Cornell

I came to Cornell’s work first thanks to the SF Squeecast. SF Squeecast was one of the high-water marks of professionals being fans and doing fannish things that was a major source of controversy back in the early 2010’s. I remember the discussions at Loncon in 2014, whether such productions such as Squeecast should really be “eligible” for fan awards, since they were “Stacked with pros”.  But I knew, and personally knew, some of the people on the SF Squeecast, so I began listening to it, and discovering the work of people I didn’t know.  

Just like Paul Cornell.

So I got in on the ground floor when Cornell announced his Shadow Police novel, London Falling, and I gave it a try (and even managed to get an ARC). I enjoyed it highly. It was part of a trend of Magical London novels out at that time — Ben Aaronovich, and others explored this as well. I highly enjoyed London Falling, and its two sequels, and so my reading of Cornell began in earnest.  I started reading his Doctor Who work (The Discontinuity Guide in particular, was a revelation) and have continued to read him ever since. 

Cornell’s wide oeuvre and styles continue to amaze. I also particularly like his switch from urban London to the more pastoral rural fantasy of the Witches of Lychford novellas. And again here, like the London novels, he has counterparts in work such as that of Juliet McKenna. I like to think of Cornell’s work as an amplifier and booster of themes and subgenres and ideas, adding his voices to a chorus and making his work, and the subgenre he works in, stronger and better. 

Oh, and one last bit. For a number of years, Cornell came to Convergence, a local big con here in Minneapolis. Every year, Cornell had a special panel, where he would go out to a parking lot and teach us poor Americans how cricket works. These demonstrations were fun, entertaining, and I always came away feeling that I better understood the game. His absolute fun and joy in showing us the game is the takeaway and mental image I have of Paul.

(8) COMICS SECTION.

(9) WHAT HAPPENED TO THE BATTLE OF ENDOR’S MOST COURAGEOUS WARRIORS? This October, Steve Orlando, Álvaro López, and Laura Braga’s Star Wars: Ewoks tell a new saga set directly after the events of Return of the Jedi. For more information, visit Marvel.com.

This year marks the 40th anniversary of the Ewoks’ continued adventures beyond the Star Wars films. The Ewok Adventure, also known as Caravan of Courage, followed up on the popularity of the adorable—but formidable—creatures who secured the Rebellion’s victory during the Battle of Endor in Return of the Jedi. To celebrate the anniversary and the Ewok’s mighty legacy, they’ll star in a new 4-issue limited comic series this October—STAR WARS: EWOKS!

A team of Imperial-led bounty hunters and scavengers arrive on the Forest Moon of Endor searching for a secret cache of Imperial weaponry! Are they prepared to face off against the battle-ready Ewoks who took down so many of their ranks? Who is the mysterious new warrior Ewok returning to Bright Tree village, and what is their connection to Wicket W. Warrick?

STAR WARS: EWOKS #1 (OF 4): Written by STEVE ORLANDO; Art by ÁLVARO LÓPEZ & LAURA BRAGA

COVER BY PETE WOODS

VARIANT COVER BY DAVID LOPEZ

ACTION FIGURE VARIANT COVER BY JOHN TYLER CHRISTOPHER

(10) UNHAPPY LANDING. “Halo Canceled At Paramount+ After 2 Seasons” reports Deadline.

Paramount+ has cancelled Halo.

The news comes a few months after Season 2 of the live-action video game adaptation premiered on the streamer in February. Amblin Television, Xbox and 343 Industries are currently shopping Halo in hopes of finding it a new home, Deadline understands….

(11) THE BUCKET WARS CONTINUE. [Item by Mike Kennedy.] Red fuming nitric acid, um I mean popcorn “butter” is optional. Gizmodo says, “Step Aside, Deadpool & Wolverine, the Real Heir to the Dune Popcorn Bucket Is Here”.

(12) BACK IN THE CAN. Rather like what Warner Bros. has done to a couple of finished movies, NASA has done to a moon rover: “NASA cancels $450 million VIPER moon rover due to budget concerns” at Space.com.

NASA has cancelled its VIPER moon rover program due to rising costs. 

VIPER, short for Volatiles Investigating Polar Exploration Rover, was a robotic mission intended to land near the moon’s south pole and spend 100 days scouting for lunar ice deposits. The rover was slated to launch in 2025 to the moon aboard an Astrobotic Griffin lander as part of NASA’s Commercial Lunar Payload Services initiative (CLPS). Now, it appears VIPER will be scrapped for parts or potentially sold to industry. The decision to axe the VIPER mission was announced today (July 17) in a teleconference; cancelling the program is expected to save the agency an additional $84 million in development costs. NASA has spent about $450 million on the program so far, not including launch costs.

…At the time of its cancellation, the car-sized VIPER was completely assembled and undergoing environmental testing to ensure the rover could handle the physical stresses of launch and the harsh environment of space. 

NASA is now looking to “potentially de-integrate and reuse VIPER scientific instruments and components for future moon missions” Kearns said today, but will first ask both U.S. and international industry partners for any interest in using the rover as-is….

(13) YOU NEVER KNOW. “Signs of two gases in clouds of Venus could indicate life, scientists say” in the Guardian.

Hot enough to melt metal and blanketed by a toxic, crushing atmosphere, Venus ranks among the most hostile locations in the solar system. But astronomers have reported the detection of two gases that could point to the presence of life forms lurking in the Venusian clouds.

Findings presented at the national astronomy meeting in Hull on Wednesday bolster evidence for a pungent gas, phosphine, whose presence on Venus has been fiercely disputed.

A separate team revealed the tentative detection of ammonia, which on Earth is primarily produced by biological activity and industrial processes, and whose presence on Venus scientists said could not readily be explained by known atmospheric or geological phenomena.

The so-called biosignature gases are not a smoking gun for extraterrestrial life. But the observation will intensify interest in Venus and raise the possibility of life having emerged and even flourished in the planet’s more temperate past and lingered on to today in pockets of the atmosphere….

(14) BONES AWAY! “Stegosaurus skeleton, nicknamed ‘Apex,’ sells for record $44.6M at Sotheby’s auction” reports Yahoo!

A nearly complete stegosaurus skeleton sold at a Sotheby’s auction in New York on Wednesday for a record $44.6 million — the most ever paid for a fossil.

The dinosaur, nicknamed “Apex” — which lived between 146 and 161 million years ago in the Late Jurassic Period — was originally expected to sell for between $4 million and $6 million, according to the auction house.

Sotheby’s has said Apex is the “most complete and best-preserved Stegosaurus specimen of its size ever discovered.”

(15) KEEP WATCHING THE SKIES. “Rare ‘daytime fireball’ spotted as meteor falls to Earth over New York City” at Space.com.

A meteor crashed into Earth’s atmosphere over New York City yesterday (July 16), putting on quite the show for spectators throughout the region. 

The meteor created a rare daytime fireball that traveled west into New Jersey at speeds of up to 38,000 mph (61,000 km/h) according to NASA Meteor Watch.The American Meteor Society received several reports of a daytime fireball on July 16, 2024 over New York, New Jersey, Connecticut, Delaware, Maryland, Rhode Island and Pennsylvania. Dramatic fireball footage was captured over Wayne, New Jersey and Northford, Connecticut….

(16) VIDEO OF THE DAY. Ryan George lets us eavesdrop on the “Independence Day: Resurgence”. As a commenter says, “Forgetting this movie existed was super easy, barely an inconvenience.”

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “he’s a marvel” Dern.]

Pixel Scroll 7/17/24 Night At The Space Opera

Posted on by
27

(1) FANAC.ORG LOOKING FOR FANZINES TO SCAN AT WORLDCON. Joe Siclari, Mark Olson and Edie Stern say FANAC.org will be travelling to Glasgow next month.

We have arranged with the 2024 Glasgow Worldcon (August 8-12) to have a scanning station at the con, to scan and digitally archive more fanzines. This has been exceptionally helpful and successful at past conventions.

What you can do to help: Please help us grow this digital archive of fandom. If you’re a fanzine editor, bring your old fanzines to the fan table area at the con. If you have convention publications not already online, bring them too (fanac.org/conpubs/). We will scan them onsite and be able to give them back to you at con. Bring memorable and worthwhile fanzines by other editors as well. We will reach out to them for permission before we put them online.

We do have to unstaple and restaple the zines to scan them, and if they are perfect-bound, we may not have time at con.

If you can, please drop us a note (to [email protected]) telling us what you are bringing so we can be prepared.

Stop by and say hello: Even if you don’t have fanzines or other pubs to scan, stop by the table and say hello, and pick up your history ribbon. We’d like to see you!

How big is it? The archive has over 24,500 fanzines, 5,000 convention pubs and more than 5,000 photos. It’s over half a million pages and grows every week!

(2) PARADIGM SHIFT? In The New Yorker, Anthony Lane reviews Chris Nashawaty’s new book The Future Was Now (Flatiron): “1982 and the Fate of Filmgoing”

…So, what is it with this fateful eight? Well, Nashawaty has a solemn case to make. He writes:

“During the eight weeks spanning between May 16 and July 9, Hollywood’s major studios would release eight sci-fi/fantasy films that would not only go on to become cornerstones in the pop culture canon four-plus decades on, they would also radically transform the way that the movie industry did—and continues to do—business, paving the way for our current all-blockbusters-all-the-time era.”

That is quite a claim. Nashawaty is by no means sure that he likes the result—“what should have been a new golden age of sci-fi and fantasy cinema became a pop-culture beast that would devour itself to death and infantilize its audience”—but he proposes that, for most of us, going to the cinema is now “one endless summer,” which is much less sunny than it sounds. Like it or not, we live in a Conanistic world.

Whether or not you buy into this notion of 1982 as a red-letter year, it’s worth asking when the redness first began to dawn. Does Nashawaty, in his soothsaying capacity, even have the right decade? Note the elaborate tribute that he pays not only to Spielberg’s “Jaws” and George Lucas’s “Star Wars”—the first released in May, 1975, the second in June, 1977—but also to another summer hit, Scott’s “Alien,” from 1979, which seemed like a suppurating antidote to the antisepsis of “Star Wars.” (I still don’t comprehend how you can love both of those movies equally. You make your choice, and you stick to it.) Clamp the three together, top them with “Raiders of the Lost Ark” (1981), which bore the imprint of Lucas and Spielberg, and there, I suggest, you have the precursor of 1982, and a more compelling template for so much that has blazed and crawled across our screens ever since.

Viewed from that perspective, what the filmmakers were doing, when they created the eight works that are covered in “The Future Was Now,” was not crunching through barriers or setting fresh trends. They were cashing in. This is not a lowly skill, or an easy one; indeed, in some respects, it is the raison d’être of the movie trade. But let’s not pretend that Hooper, Lisberger, Meyer, and the rest of the guys were a movement, conjoined by a common iconoclastic purpose.

(3) X MARKS A NEW SPOT. According to Deadline, “Elon Musk Is Moving SpaceX And X From California To Texas”

Elon Musk is moving the headquarters of social media platform X and rocket ship maker SpaceX from California to Texas, blaming a new law   that bars school districts in the state from requiring that parents be notified of changes in their child’s gender identification.

Gov. Gavin Newsom signed the law, the of its kind in the nation, on Monday. It says school staff can’t be required to disclose a student’s gender identity or sexual orientation to any other person without the child’s permission, with some exceptions.

It also requires the California Department of Education to develop resources for families of LGBTQ+ students in grade 7 through high school….

(4) GET READY. “A Tale of Two Sulus: An Evening with George Takei and John Cho” will be hosted at UCSD’s Epstein Family Ampitheater on Tuesday, July 23 at 7:30 pm. Reserved seating $25-$75. Tickets at the link.

Join us for a captivating evening as we bring together two iconic actors who have both portrayed the legendary character Sulu in the Star Trek universe. “A Tale of Two Sulus” features George Takei and John Cho in a dynamic conversation that delves into their shared legacy as Starfleet’s esteemed helmsman. Beyond their roles in Star Trek, Takei and Cho are celebrated authors of graphic novels and passionate advocates for social justice. This event promises an engaging exploration of their diverse careers, creative endeavors, and the impactful contributions they have made to important causes. Don’t miss this unique opportunity to hear from two trailblazing artists whose work continues to inspire and resonate across generations.

George Takei and John Cho. Moderated by Michael Giacchino

(5) COLLISION AWARDS. Animation Magazine has the list of “Animation and Motion Design Winners for the Inaugural Collision Awards”.

[The] Collision Awards, which honor animation across all disciplines (marketing and communications, commercials, TV, film, experimental, game and XR), were announced this morning. The awards honor work by studios, production companies, brands, agencies and individuals with a varied list of categories specifically focused on the intersection of creativity and technical skills unique to this community and inclusive of everyone working in the medium of animation and motion design.

The “Collision Awards 2024 Winner Reel” doesn’t identify what works the various clips come from, but it’s fun to watch.

(6) COMING TO FILM FESTIVALS. “Impressive Full Trailer for ‘Escape Attempt’ – A Cerebral Sci-Fi Short” explains FirstShowing.net.

“We’re here to help them survive. We’re here to free them.” Aggressive has revealed an official trailer for an indie sci-fi short film creation called Escape Attempt, from filmmakers Dan Shapiro & Alex Topaller. This is a full-on, 30 minute hard sci-fi film, which is also being pitched a series pilot. It already premiered at the 2023 Sitges Film Festival last year and won a Navigator Pirx Award for Best Sci-Fi Film at the Tallinn Black Nights Film Festival. No idea when it will be out in full to watch, but it’s showing at the Fantasia Film Fest in Montreal next this summer. A soldier escapes from a WWII concentration camp. Once he is out, he finds himself on an unknown planet in an unknown future controlled by a homicidal alien race….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 17, 1954 – J. Michael Straczynski, 70.  

By Paul Weimer: For all the trouble the series had in getting produced, and getting aired, and me finding it on the dial when it was moved yet again, J. Michael Straczynski’s Babylon 5 is one of the defining SFF series in my science fiction diet and education.  

Is it a perfect show? No, and part of that is the capricious nature of television and the “unexpected” fifth season which leaves that season weaker than the others. And frankly, I do like Bruce Boxleitner much better as Captain Sheridan than I do Michael O’Hare in the first season as Commander Sinclair. I can kind of see where Straczynski was going to possibly go with Sinclair had he been allowed to do so and he gets it most of the way there (my theory: Babylon Squared would have been a fifth season show, and so Sinclair ends his time here by going back and becoming Valen, after defeating the Shadows). But what we got is pretty darned special to me. I’m on my third iteration of having physical media of the shows (four if you count me trying to videotape episodes back in the 90’s). 

The post Babylon 5 series Straczynski works are of course a mixed bag. The movies are a mixed bag to be sure. Crusade had some interesting ideas but never got a chance to actually do its thing.  I did highly enjoy the animated Babylon 5 movie, The Road Home. I honestly don’t think it works except for deep Babylon 5 fans, but that’s me, so it did feel like coming home. 

Of course, one can’t talk about Straczynski without mentioning his huge impact on a number of different comic runs. I suspect that for a lot of fans, Babylon 5 is off to the side, forgotten. Instead, his fans can talk endlessly about his numerous comic projects and runs. It is his runs with Squadron Supreme, Spiderman, Superman, and a number of others (mostly recently, a new take on Captain America) that for a whole slew of fans defines what Straczynski is a writer. 

I only found out years later after the fact that he was a writer on a weird cartoon I watched in the 1980’s. No, not He-Man, although he wrote for them and was one of the minds behind the original She-Ra.  No, the strange and weird and wondrous Jayce and the Wheeled Warriors, which had the titular character fight malevolent plant creatures…in SPAAACE.  What can I say, the 1980’s were weird, man.  But it goes to show the wide breadth and interests of Straczynski’s work.

(8) COMICS SECTION.

  • Speed Bump warns that the picture has left the attic.
  • Wizard of Id knows people have heard this motif before!

(9) WHATCHAMACALLIT. “’Alien: Earth’: FX’s ‘Alien’ Series Gets Official Title” – Variety has the story.

FX‘s upcoming “Alien” series has a new title, according to network boss John Langraf and showrunner Noah Hawley: “Alien: Earth.”

… “Alien: Earth” serves as a prequel to Ridley Scott’s 1979 film “Alien,” which kicked off a franchise that is now comprised of eight films. Alongside Hawley’s series, a new film titled “Alien: Romulus” is set to debut later this summer….

(10) POSTER CHILDREN. Collider presents “All 11 ‘Star Wars’ Movie Posters, Ranked”.

…Not counting the animated Clone Wars movie, there have been 11 movies in the Star Wars series to date: nine encompassing the Skywalker Saga, and two spin-off movies. The posters for all of those are ranked below, based partly on how well they tie to the film they’re attached to, but based mostly on how visually striking they look overall. To those who might disagree, too bad, because “I am the Senate” and have “unlimited power.”

Collider says the worst poster is the one for Star Wars: The Rise of Skywalker (2019).

There’s a horse on the poster for Star Wars: The Rise of Skywalker, but no room was given to Carrie Fisher, even though she was rather confusingly first billed, owing to prior footage of her being incorporated into the movie. Princess Leia still plays a part in the film, and was likely to be given a bigger one had Fisher not sadly passed away. Han and Luke were featured prominently on other sequel trilogy movie posters, but maybe there was a good reason not to feature Leia here.

There’s a goofy blaster round visible, thanks to Poe (a running theme across the two worst Star Wars posters), Zorii Bliss is featured way too prominently for a character who does basically nothing, and even the apparent clashing of two lightsabers looks clunky. Kylo Ren’s helmet is there, and presumably another Kylo Ren is holding that red lightsaber? And the placement of the Millennium Falcon between Rey and Kylo looks dreadful. This one’s pretty bad overall; a lackluster poster for a lacking (and overlong) movie.

(11) KEEP IT UP. “Former Space Agency Leaders Horrified by Plan to Destroy Space Station, Say It Would Be Easier to Save It” reports Futurism.

…The aging orbital outpost’s demise has been in the works for years now, with NASA hoping to destroy it by 2030, marking the end of three decades of peaceful international cooperation in Earth’s orbit.

And not everybody’s happy with the plan. Jean-Jacques Dordain, who was the director general of the European Space Agency when the station was being built, and former NASA administrator Michael Griffin say its life should be extended instead, giving future scientists a chance to continue studying outer space.

“As two among many builders of ISS, we recommend to those in charge to consider other options than destroying” the station, Dordain told Forbes in an interview.

Instead, he argued, the ISS should be transferred “to future generations… leaving them to decide” its fate, he added.

To do it, Dordain and Griffin argue SpaceX’s deorbit vehicle should be used to rescue the station, not destroy it. Such a rocket would increase the ISS’s altitude, not lower it, allowing it to enter a stable orbit much farther from the Earth.

In an open letter published by SpaceNews earlier this month, the two space agency legends argued that boosting the ISS “from its present 400-kilometer altitude to an 800-kilometer altitude circular orbit requires a boost of about 220 meters per second, about the same as required for precise deorbit control.”…

(12) WE HAVE TOUCHDOWN! [Item by Mike Kennedy.] This student has designed and built a model rocket using standard Estes solid fuel rocket motors that can takeoff and land vertically. He designed a two-axis gimbal so that he would have thrust vector control plus the microcontroller and software to integrate sensor data and drive the gimbal to keep the rocket vertical. Separate Estes motors were used for ascent and decent. He also designed landing gear to absorb the shock of any slight off-vertical landing. “High School Student Makes Model Rocket That Can Land Vertically, Like A Falcon 9 Booster” at IFL Science.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Andrew (not Werdna), Jeffrey Smith, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day (and night) Daniel Dern.]