Whenever I go on book tour, I like to write up a short story to read at the events; a thank you, as it were, to the people who show up, who get to hear me read something no one else has gotten to yet. …
… This year, the short story I wrote (which I performed first on the 2022 edition of the JoCo Cruise) is called “Grizzly Bear Conflict Manager,” and it comes with a backstory, which is, there’s an actual job with the US National Park Service called a Grizzly Bear Conflict Manager. This job was pointed out to me by a friend who works with the park service; they were going to go into detail about the job actually entailed, but I stopped them before they could do so. “No, no,” I said. “I want to write a story about this job, and I do not want it sullied by mere facts.”
Thus, this story is a fanciful interpretation of what I imagine a Grizzly Bear Conflict Manager does, which I am almost entirely certain has nothing to do with what someone with this job actually does…
(2) PRECIOUS MOMENTS. Andy Serkis returns as Gollum in the new audiobook of J.R.R. Tolkien’s The Lord of the Rings.
Award-winning actor Andy Serkis (The Lord of the Rings, The Hobbit) returns to Middle-earth this September in the brand new unabridged audiobook of J.R.R. Tolkien’s masterpiece, The Lord of the Rings. In this scene, he reprises his role as Gollum.
…Certain topics are perennial. The Tudors, for example, seem always in fashion. So, too, the Romans. The latter are split into two camps: the pulpier sword-and-sandal novels of war and great deeds, emperors and kings, and the “quieter” histories that also bear some resemblance to romance novels. Scottish books are still holding steady, with their shirtless Highlanders and fiery gingers. Civil War novels have all but vanished, and there are a few Revolutionary era out there. I’ve seen more set in medieval India that I’d previously noticed.
Discordant to me, the Sixties have edged into historical fiction. The 1960s. The decade of my birth. This reminds me I’m slowly fossilizing ….
…FRANKENSTEIN, published in 1818, established Mary Shelley’s monster as a permanent icon of horror, and is considered by many to be the first true science fiction novel. Yet The Mummy! A Tale of the Twenty-Second Century, published nine years later, has a much stronger claim to that position. It was also the first work of fiction to feature an Egyptian mummy restored to life, but it was too far ahead of its time to become the foundational text for the later wave of horror featuring vengeful mummies.
Despite some Gothic flourishes, The Mummy! is not strictly a tale of horror. It does not deal in ancient curses or dark magic, and if at first the mummy of Cheops appears as a grim, imposing figure with flashing eyes and an eerie laugh, striking terror into the hearts of all who see him, he turns out to be a strangely helpful Machiavellian operator as he swiftly involves himself in political machinations following the death of Queen Claudia in twenty-second century London….
(5) IF YOU WANT OGRES.The Hugo Book Club Blog reviews Adrian Tchaikovsky’s Ogres in “Monstrously Wealthy”. Maybe you’d like to read it, too? They have three copies to give away. Here’s what you need to do.
(6) Q&A WITH NOMMO NOMINEES. The BSFA interviews past nominees for the Nommo Awards: Innocent Chizaram Ilo; Tlotlo Tsamaase; Oghenechovwe Donald Ekpeki; Tochi Onyebuchi; NIkhil Singh; Stephen Embleton.
Spiner has played several characters on “Picard” in Season 1 and 2 (which is currently streaming), including his original role of the android Data; Frakes and Sirtis appeared in one memorable episode of “Picard” in Season 1 as William T. Riker and Deanna Troi. And Whoopi Goldberg reprised her role as Guinan in the Season 2 premiere. But this will be the first time the main “TNG” cast — including Burton as Geordi La Forge, Dorn as Worf, and McFadden as Dr. Beverly Crusher — has performed on screen together since the 2002 feature film “Star Trek: Nemesis.”
(8) MEDIA BIRTHDAY.
1974 — [Item by Cat Eldridge.] Forty-six years ago, the Golden Voyage of Sinbad premiered in the United States on this day. It was based as these things are somewhat loosely upon on Sinbad the Sailor from One Thousand and One Nights, better known as the Arabian Nights.
It was directed by Gordon Hessler, previously known for his long association with the Alfred Hitchcock Presents series. It was scripted by him from a story by himself and Ray Harryhausen who of course did the special effects here. Harryhausen and Charles Schneer, whose career was spent mostly working with Hartyhausen, produced it.
It has a cast of John Phillip Law, Tom Baker, Takis Emmanuel, Caroline Munro, Douglas Wilmer and Martin Shaw. Munro was given the female lead, though they had to hew to a G rating here. And it is said that Baker’s performance in this film was what landed him the role of the Fourth Doctor, because the show’s producer, Barry Letts, was impressed with his performance here.
So how was the reception at the time for it?
Well, Time magazine (remember them?) rather liked it though Baker they did not: “The movie is short on talk, except for the windbag wizard (Tom Baker) who plays the villain, and long on action, quite the proper proportion for entertainments like this. Sinbad is light, silly fun, and kids will probably appreciate both the skillful technique of the fantasy and the fact that the film makers have had the good sense not to include a single—yecchh!—kissing scene.”
And Variety was likewise impressed: “As with producer Charles H. Schneer’s Jason and the Argonauts, Ray Harryhausen encores as coproducer and special effects collaborator. Among his creations: an animated ship’s figurehead, a grotesque centaur, a many-armed religious idol and swordplay adversary, and a couple of small bat-like creatures performing intelligence duty for the black artsy heavy of the piece. Good enough conjuring tricks to impress the kids. Neither story nor running time are belabored under Gordon Hessler’s capable direction. And the play-acting is up to snuff for this kind of throwback, in which John Phillip Law impersonates Sinbad with appealing understatement.”
Currently it holds decent though not outstanding sixty-four percent rating among audience reviewers at Rotten Tomatoes. You can purchase or rent it pretty much anywhere.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 5, 1909 — Albert Broccoli. American film producer responsible for all the Bond films up to Licence to Kill, either by himself or in conjunction with others. He also was the producer of Chitty Chitty Bang Bang, and executive produced The Gamma People which is in the public domain, so you can see it here. (Died 1996.)
Born April 5, 1916 — Bernard Baily. A comics writer, editor and publisher. Best remembered as co-creator of The Spectre and Hourman. For DC Comics precursor National Comics, Baily co-created and drew the adventure feature “Tex Thomson” in Action Comics #1 (June 1938), the landmark comic book that introduced Superman. In 1943, he founded his own studio. Among the artists who started out in the industry there were Frank Frazetta, Carmine Infantino and Gil Kane. (Died 1996.)
Born April 5, 1917 — Robert Bloch. His Wiki page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode, one of three Trek episodes he did. His Night of the Ripper novel is highly recommended. And I know “That Hellbound Train” which won him first Hugo at Detention is the piece by him that I’ve read the most. He received a special committee award at L.A. Con II, where they were honored him for fifty years as SF professional. Impressive indeed. And yes, he’s a member of First Fandom as he should be. (Died 1994.)
Born April 5, 1926 — Roger Corman, 96. Ahhhh, popcorn films! (See popcorn literature for what I mean.) Monster from the Ocean Floor in the early Fifties was his first such film and Death Race: Beyond Anarchy was his final film just a few years back. He’s a man who even produced a film called, errr, Munchies. A Worldcon guest of honor in 1996. A very, very long career.
Born April 5, 1933 — Frank Gorshin. To my amazement, I’ve not written him up before! He of course played The Riddler eleven times on The Batman counting the film. And he appeared on Star Trek playing Bele in “Let That Be Your Last Battlefield”, though I’ll be damn if I remember which of the two he was. He had one-offs on The Munsters, Wonder Woman, Buck Rogers in the 25th Century (well a two-parter there), Monsters, Are You Afraid of the Dark, The Ren & Stimpy Show (voice role), Black Scorpion and coming full circle finally voicing Professor Hugo Strange on The Batman. One of the figure companies is doing a one-sixth scale figure of his Riddler this Autumn. (Died 2005.)
Born April 5, 1950 — Anthony Horowitz, 72. He wrote five episodes of Robin of Sherwood, and he was both creator and writer of Crime Traveller. He’s also written both Bond and Holmes novels. If you can find a copy, Richard Carpenter’s Robin of Sherwood: The Hooded Man is a very nice fleshing out of that series in literary form.
Born April 5, 1950 — A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton. Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.)
Born April 5, 1965 — Deborah Harkness, 57. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which are an amazing experience. Highly recommended as Harkness tells a remarkable story here with lots of Library-related material. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense. I’ve not seen the series made from the novels.
Science Fiction and Other Suspect Ruminations maps the varied landscape of SF produced during the turbulence of the post-WWII to the mid-1980s world. I am fascinated by the ways authors responded to the advent of nuclear weapons, the rise of 50s suburbia and commercialism, the Civil Rights movement, the Counterculture and radical student politics, the Vietnam War, and the 1970s political backlash. I chart what’s produced in a specific time and territory to understand the people who dwelled at that moment—their dreams for the future, their fears of the present, and all the manifestations of estrangement and elation generated by a rapidly transforming world. Science fiction is a fantastic way to get at the zeitgeist of an era.
I am particularly receptive to New Wave science fiction of the late 60s and early 70s that attempted to tackle our oblique interiors via radical structure/politics, non-standard characters and perspectives, and experimental prose. Sometimes it’s beautiful. Sometimes it doesn’t work. But it’s all fascinating.
(13) CUT-AND-PAST. The 2014 trailer for graduate film student Ricky Kennedy’s feature length film “The History of Time Travel” is news to me!
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Ghost Rider 1 and 2,” the Screen Junkies say the two Ghost Rider movies “Feel like going on a 48-hour Coke bender with Nick Cage. They’re a bad idea, but still pretty fun.” The two films are “loud, fun, and barely make sense. They’re dumb, but comic books are dumb.”
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Chris Barkley, Cora Buhlert, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
In response to Texas Rep. Matt Krause’s published list of 850 books on race and sexuality that he targeted for their subject matter —many of which were pulled from school library shelves—a group of Texas school librarians has decided to push back. Last November, they orchestrated #FReadom Fighters, a social media campaign with the goal of supporting authors, teachers, librarians, and students in their pursuit of intellectual freedom. In a matter of months, the organization’s work has amassed thousands of supporters, both at the state level and across the country, and incited other likeminded groups to take action.
… On launch day, November 4, 2021, #FReadom Fighters garnered 13,000 tweets, much to the organizers’ surprise. “We had planned all this in secret, so we were amazed that this was happening even before starting a Twitter account,” Foote said. “We saw ourselves as a guerilla effort, serving as a rapid response team.” The @FReadomFighters Twitter account and website soon followed, updated with weekly and monthly action plans to support fellow librarians in their day-to-day operations. Ideas for #FReadom Fridays varied, from inviting authors to show letters they had received from readers about why their books were so powerful, to asking people to share books that had had an impact on them. A more recent prompt focuses on celebrating wins: sharing success stories of books that have been put back on shelves….
(2) THE BUZZ. Lightyear opens June 17.
“Lightyear” is the definitive origin story of Buzz Lightyear—the hero who inspired the toy—follows the legendary Space Ranger on an intergalactic adventure. “Buzz’s world was always something I was excited about,” said director Angus MacLane. “In ‘Toy Story,’ there seemed to be this incredible backstory to him being a Space Ranger that’s only touched upon, and I always wanted to explore that world further. So my ‘Lighytear’ pitch was, ‘What was the movie that Andy saw that made him want a Buzz Lightyear toy?’ I wanted to see that movie. And now I’m lucky enough to get to make it.”
(3) BRADBURY’S SUPER BOWL CONNECTION. A newspaper pitched Ray to contribute to its Super Bowl XXXV (2001) special section. Did he do it?
(4) HORROR THEATER 3000. Ursula Vernon livetweeted her experience watching the horror movie Midsommar. Thread starts here.
Hawking’s daughter, Lucy, said it was “wonderful to see my father’s working environment recreated.”
“It was such a unique and fascinating environment, and I am delighted his office has been recreated in order to inspire scientists of the future,” she saidin a statement.
The blackboard in the exhibit illustrates Hawking’s playful sense of humor and was used during a “Superspace and Supergravity” conference in 1980. Delegates covered it in equations, cartoons and jokes about one another. Hawking had the souvenir framed and hung in his office.
Because even small vibrations could cause the blackboard to lose chalk, Juan-Andres Leon, curator of Stephen Hawking’s Office, said in an email, “the museum applied a starch-based material to stabilise the chalk dust and enclosed it in a frame.”
The bigger news first: the Saul Zantz company has owned most of the rights to Tolkien’s works since the 1970s. Almost everything that has been made based on the books in the fields of “film, video games, merchandising, live events and theme parks” has had to be negotiated and paid for accordingly. Variety reported this week though that the company is moving to sell those rights, for a sum that’s expected to be around the $2 billion mark, with Amazon expected to be front of the line to make the purchase, which seems like an absolute worst-case scenario.
So it’s weird, then, that given the timing of that sale, Warner Bros.—who currently licenses the rights to Lord of the Rings video games—have chosen February 2022 to go after a prominent and highly-anticipated mod for the Total War series called Rise of Mordor.
… As I discuss it in detail here, it is a shocking beginning for the unprepared. Who is Screwtape? Who is Wormwood? Why is Wormwood being commended for encouraging connections with materialists (atheists? naturalist? worldly people?)? Why is he rebuked for using argument as a foundation for action?
The original Screwtape Letters were an extreme use of in medias res with the potential to leave the reader completely befuddled. We all “get” Screwtape now because the genre of demonic epistolary fiction is something we might expect. It is part of pop culture. Back then, though, it was entirely new. While the editor’s little note may prepare regular readers to expect a Christian academic, readers not expecting a new, satirical genre may well be surprised….
… I don’t know anyone who has catalogued the breadth of influence that Screwtape has had within popular culture as a whole. That Monty Python’s John Cleese narrated a Grammy-nominated audiobook of The Screwtape Letters is some indication of its impact….
This anthology features twenty-four of our favorite original stories published on the site in the past year.
Of course, you can always read these—and all other—Tor.com stories for free whenever you’d like, but starting today they will be available world-wide as a single, easy-to-read, FREE ebook, available from all your favorite vendors.
(9) MEDIA BIRTHDAY.
1970 — [Item by Cat Eldridge] Fifty-two years ago, Hammer Films’ Frankenstein Must Be Destroyed premiered. It was the fifth Hammer film that featured Baron Frankenstein. It was directed by Terrence Fisher from the screenplay by Bert Batt as taken from the story written by Anthony Nelson and Batt. It starred Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward.
Critics say that it is one of the better Hammer films in quite some time with Variety saying that it had “a minimum of artless dialogue, good lensing by Arthur Grant and a solid all round cast”, and Slant Magazine holding it to be “One of the finest of the seven entries in Hammer’s Frankenstein cycle.”
It holds a sixty-eight percent rating among the nearly three thousand who rated it over at Rotten Tomatoes. You can watch it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 11, 1908 — Tevis Clyde Smith, Jr. He did several short stories with Robert E. Howard — “Diogenes of today”, “ Eighttoes makes a play” and “Red Blades of Black Cathay”. Donald M. Grant would publish them together in the Red Blades of Black Cathay collection. The title story originally appeared in Oriental Stories, an offshoot of Weird Tales. (Died 1984.)
Born February 11, 1910 — L. T. C. Rolt. English writer whose enthusiasm for heritage railways is writ large in his 1948 Sleep No More collection of supernatural horror stories which tend to be set in rural railways. (Simon R. Green may be influenced by him in his Ghost Finders series which often uses these railways as a setting.) Some of these stories were adapted as radio dramas. Sleep No More is available from the usual digital suspects. (Died 1974.)
Born February 11, 1926 — Leslie Nielsen. I know, the comic, bumbling fool who delighted generations of film goers. But his first starring role was as Commander John J. Adams in one of the finest SF films of all time Forbidden Planet. I am most decidedly not a fan of his later films, but I think he’s brilliant here. (Died 2010.)
Born February 11, 1939 — Jane Yolen, 83. Jane Yolen loves not-so-dark chocolate, so I send her some from time to time. She wrote me into a novel as a character, an ethnomusicologist in One-Armed Queen to be precise, in exchange for finding her a fairytale collection she wanted. Don’t remember now what it was other than it was very old and very rare. My favorite book by her is The Wild Hunt which she’s signed a copy for me, and I love that she financed the production of Boiled of Lead’s Antler Dance which Adam Stemple was lead vocalist on.
Born February 11, 1948 — Robert Reginald. He’s here because of two Phantom Detective novels he wrote late in his career which are mostly popcorn literature. (The Phantom Detective series started in 1936 so he used the Robert Wallace house name.) He has two series of some length, the Nova Europa Fantasy Saga and War of Two Worlds. Much of what he wrote is available from the usual digital sources. (Died 2013.)
Born February 11, 1950 — Alain Bergeron, 70. He received an Aurora Award for Best Short Story for “Les Crabes de Vénus regardent le ciel” published In Solaris number 73, and a Sideways Award for Alternate History for “Le huitième registre” (translated in English as “The Eighth Register” by Howard Scott).
Born February 11, 1953 — Wayne Hammond, 69. He’s married to fellow Tolkien scholar Christina Scull. Together they’ve done some of the finest work on Tolkien that’s been done, including J. R. R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion, The Adventures of Tom Bombadil and Other Verses from the Red Book and The J. R. R. Tolkien Companion and Guide.
Born February 11, 1982 — Natalie Dormer, 40. Best known as being in Game of Thrones as Margaery Tyrell, though I’m more interested in the fact that she was in Elementary over three seasons as both Jamie Moriarty and Irene Adler. Anyone here watch this series? I’ve not but this sounds fascinating!
(11) TRIVIAL TRIVIA. Thomas Edison was born this day in 1847. Edison’s film company produced the very first known feature adaptation of Mary Shelley’s Frankenstein.
The James Webb Space Telescope has finally captured its first image of a star — or rather, images. NASA has shared a mosaic of pictures (shown above) of a star taken using the primary mirror’s 18 segments. It looks like a seemingly random collection of blurry dots, but that’s precisely what the mission team was expecting. The imagery will help scientists finish the lengthy mirror alignment process using the telescope’s Near Infrared Camera, or NIRCam. The first phase is nearly complete as of this writing.
What better time to zip into a happily unfamiliar realm? The DIY History project at the University of Iowa Library, which invites people to help transcribe digitized objects from the library’s special collections and other holdings, could use your help with its massive trove of science-fiction zines. Some date back to the 1930s; all were collected by the late James L. “Rusty” Hevelin. More than 10,780 pages of the Hevelin Fanzines collection have been transcribed so far, but there are still around 500 left to go. If you need a mental break from this planet and its familiar troubles, pop into this project and spend a little time somewhere else.
David Doering was one of the volunteers, so I checked with him and this is what I learned:
We completed the transcription of Rusty’s collection about two years ago. I don’t see any new additions to that collection. (And the numbers match what this article says: There’s 11285 pages transcribed. Which is 500 more than the articles 10,780.)
To be fair, there were pages that were not transcribed because the pages were (almost) unreadable due to mimeo ink fading. I tried to noodle out the contents and made some progress, but some I just couldn’t get enough of an image to read the text. So if there’s someone out there who has great image restoration skills, there are probably a couple of hundred pages that were skipped due to readability.
Unfortunately, the software the U of Iowa used for this project would count a page as transcribed even if you wrote the obligatory note “Not transcribed due to legibility issues.” So all the zines show 100% transcribed when some were not.
(14) FYI. Behind a paywall, WIRED presents “Ada Palmer and the Weird Hand of Progress”: “The sci-fi author writes about the 25th century and teaches college students about the 15th. The past we think we know is wrong, she says—and so is the future.”
(15) ATTENTION SJW CREDENTAL OWNERS. Andrew Porter witnessed Jeopardy! contestants stumped by a science fictional item on tonight’s episode.
Category: I’m too sexy: a lyrical potpourri
Answer: …for this animal “who walks through walls” in a Robert A. Heinlein title.
(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trallers: Tom Clancy’s Ranbow Six Extraction,” Fandom Games notes that this series is sf, because special forces are blasting “alien goo-boys.” And if the going gets tough, the narrator reminds us that “There may be no ‘I’ in ‘team’, but there is an i in ‘I’m departing from this field immediately.’”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Cliff, Hampus Eckerman, David Doering,Bonnie Warford, Daniel Dern, Michael J. Walsh, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
“In the past, we used to have an assumption: that if humanity was faced with a collective threat, people would throw away their differences, unite, join forces and overcome the crisis together,” Cixin told the WSJ. “Now I realize that might have been too perfect of a wish. Looking back at the past two years, the pandemic has pushed nations toward more divisions.”…
(2) NEXT FANHISTORY ZOOM SESSION. British fanhistory is highlighted in the next FANAC FanHistory Zoom, set for October 23 at 2:00 p.m. Eastern (7:00 p.m. London).
Keith Freeman and British fan historian Rob Hansen provide a first-hand look at some of the landmark moments of British fandom, from the inside. Keith has been a science fiction fan since the 50s – he was a member of the Cheltenham Circle, a founder of the Reading Science Fiction Club, and is credited with reviving the Order of St. Fantony. He’s a fanzine fan (still active!), a past officer of the British Science Fiction Society (BSFA), and the 1977 winner of the Doc Weir Award.
Among his considerable fannish accomplishments, interviewer Rob Hansen is well known as a historian of British fandom, having published the definitive history Then — Science Fiction Fandom in the UK: 1930-1980. Join us for this interview/discussion and find out about Brumcon, St. Fantony, the SF Society of Great Britain, the Eastercon relationship with BSFA, and more, including perhaps what it’s like to watch an H-bomb explode.
…The deal for the new contract – called the Basic Agreement – is now in the books, but negotiations with the AMPTP will continue for IATSE members who work under the similar Area Standards Agreement in major production hubs such as New Mexico, New York, Illinois, Georgia and Louisiana.
More details are to come, but deal points include “improved wages and working conditions for streaming,” 10-hour turnaround times between shifts, MLK Day is now a holiday, “Diversity, Equity and Inclusion Initiatives,” increased funding of the health and pension plans and a 3% rate increase every year for the duration of the yett-to-be approved contract, among other changes. The AMPTP had wanted to settle the rate increase at around 3% for the first year and then shift it down to 2.5% or even less for the subsequent two years of the contract….
In the 203 years since Mary Shelley’s Frankenstein helped shape the horror genre as we know it today, there have been dozens of interpretations of Frankenstein’s Monster. For most of us, the version of the character that immediately comes to mind is the one from Universal’s classic 1931 film: Big green guy with a flat head and bolts in his neck who isn’t much of a talker—which is a far cry from the yellow-skinned, chatty creature Shelley imagined. But if our popular idea of the Monster’s appearance was dictated by a black-and-white movie, why is Frankenstein’s Monster so often depicted as being green?
Spain‘s literary world has been thrown into chaos after a coveted book prize was awarded to “Carmen Mola” — an acclaimed female thriller writer who turned out to be the pseudonym of three men.
Television scriptwriters Agustín Martínez, Jorge Díaz and Antonio Mercero shocked guests, who included Spain’s King Felipe and Queen Letizia, at the Planeta awards Friday when they took to the stage to pick up the prize money and reveal the celebrated crime author did not actually exist.
On the website for Mola’s agent, the writer — who has been compared to Italy’s esteemed novelist Elena Ferrante — is described as a “Madrid-born author” writing under a pseudonym in a bid to remain anonymous. The description for Mola on the website also contains a series of photographs of an unknown woman looking away from the camera….
The news stunned many fellow literary figures — and not everyone is thrilled about the news. Beatriz Gimeno, who describes herself as a writer and a feminist — and who was once the director of the Women’s Institute, a key national equality body in Spain — took to Twitter to criticize Martínez, Díaz and Mercero.
In a tweet, Gimeno said: “Beyond using a female pseudonym, these guys have spent years doing interviews. It’s not just the name, it’s the fake profile they’ve used to take in readers and journalists. Scammers.”…
(6) DATA POINTS. In the Washington Post, Donald Lievenson interviews Brent Spiner about his fictionalized memoir Fan Fiction. Spiner explains why his memoir is fictionalized and how the pandemic had him writing much more than he would if there was no pandemic (where his book would be an “as told to” book.( “Brent Spiner, Data from ‘Star Trek,’ discusses his book”.)
Q: It’s a mixed blessing to be associated with a popular character. Leonard Nimoy famously wrote a book, “I am Not Spock,” then years later wrote another, “I am Spock.” Did writing your book help you in coming to terms with your relationship to Data?
A: It is a double-edged sword. The larger part of that sword has been very positive. It’s been a great job. On the other hand, what I was trained to do was to play as many different things as possible, so it has been limiting sort of in that way. I think there are times maybe I haven’t gotten a job because I am so identified with the character. I, frankly, like to think I’ve been typecast as the reason when I don’t get jobs, because the alternative is that I’m just lousy (laughs). But all that being said with relation to character, if I had to have one character that I had to be typecast as, it would be this character. There is a feeling of trust people have in the character that he’s incapable of hurting them. The confusion has been that I am that as well, and clearly, I’m not. But also, because I also got to play so many different things on the show as him, I got to try on the skin of all kinds of different types of humanity. I got to play his brother, his father, his uncle, his ancestors. It turned out to be a role that I was actually able to stretch a bit.
The group was unsurprisingly called 20BooksTo50K and by 2017 Anderle and Martelle were running a 20BooksTo50K conference in Las Vegas to help aspiring authors make money from self-publishing….
By 2019 the Facebook group had over 26,000 members and was running conferences internationally….
In November 2018 Jonathan Brazee posted a message to the 20BooksTo50K Facebook group encouraging eligible members to take part in the SFWA’s Nebula Awards. At the end of the post was a long list of titles by 20BooksTo50K members that might be suitable works to add. Brazee was quite clear that this was not intended to be a slate but just a means to encourage participation and maybe improve the number of independently published works on the SFWA reading list.
… The post had stated that it wasn’t a slate but the difference between Brazee’s asterisked list and a slate was minimal. In addition four of the six authors from the slate that had ended up being Nebula finalists had also been published recently by LMBPN including Jonathan Brazee, Richard Fox, A.K. DuBoff, R.R. Virdi and Yudhanjaya Wijeratne. Blogger Aaron Pound looked further into the Brazee’s original list and found that 15 of the authors had listed had appeared either in a LMBPN anthology series called The Expanding Universe or had appeared in a non-LMBPN anthology series called Sci-Fi Bridge…
(8) FERGUSON OBIT. BBC producer Michael Ferguson died October 4 at the age of 84. He worked on and directed episodes of Doctor Who, including the first episode to feature the Daleks, shortly after the series began in 1963.
…Working on his first programme as an assistant floor manager – while also holding an actors’ union Equity card – he waved the first Dalek “sucker” arm, resembling a sink plunger, to be seen as it threatened the Time Lord’s companion Barbara Wright (Jacqueline Hill). The Daleks’ “bodies” were not revealed until the next part of the story.
Then, he became one of the few directors to work with all of the Time Lord’s first three incarnations: William Hartnell, battling a self-thinking computer in The War Machines (1966); Patrick Troughton, taking on the Ice Warriors in The Seeds of Death (1969); and Jon Pertwee, in both The Ambassadors of Death (1970) and The Claws of Axos (1971).
Ferguson gained a reputation for being adventurous and inventive, with angled, “point of view” and silhouetted shots, “jump” ones that ramped up the tension, and characters filmed from below to show them looking down.
Frazer Hines, who played the Doctor’s companion Jamie in the second of Ferguson’s serials, recalled that he would challenge actors in rehearsal to perform a “speed run”, delivering their lines as fast as possible to ensure they knew them thoroughly. “It’s very good for the old brain cells,” added Hines….
(9) MEMORY LANE.
1980 – Forty-one years ago at Noreascon Two, Alien would win the Hugo for Best Dramatic Presentation. It was directed by Ridley Scott from the screenplay by Dan O’Bannon off the story by O’Bannon and Ronald Shusett. This would the second Hugo nomination for O’Bannon who was nominated earlier at MidAmeriCon for Dark Star. He’d would win his second Hugo several years later for Aliens at Conspiracy ’87, and be later nominated at Chicon V for Total Recall and Alien 3 at ConFrancisco. A half million audience reviewers at Rotten Tomatoes give it a horrifyingly great ninety-four percent rating.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 17, 1914 — Jerry Siegel. His most famous creation was Superman, which he created in collaboration with his friend Joe Shuster. He was inducted (along with the previously deceased Shuster) into the comic book industry’s Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993. I see he edited a magazine called Science Fiction according to ISFDB for two issues in 1932 which was definitely genre. (Died 1996.)
Born October 17, 1917 — Marsha Hunt, 104. Performer who appeared in both the original versions of the Twilight Zone and the Outer Limits, also appeared in Star Trek: The Next Generation’s “Too Short a Season” as Anne Jameson, Shadow Chasers and Fear No Evil. She is also the oldest living member of the Academy of Motion Pictures Arts and Sciences. She was blacklisted by Hollywood in the Fifties during McCarthyism.
Born October 17, 1921 — Tom Poston. One of his acting first roles was The Alkarian (uncredited at the time ) in “The Mystery of Alkar” episode of Tom Corbett, Space Cadet in 1950. He much later had the recurring role of Mr. Bickley in Mork & Mindy. He also showed up on Get Smart! in the “Shock It to Me! Episode as Doctor Zharko. (Died 2007.)
Born October 17, 1926 — Julia Adams. Her most famous role no doubt is being in the arms of The Creature from Black Lagoon. She’s also been on Alfred Hitchcock Presents three times, The Girl from U.N.C.L.E. The Night Gallery, Kolchak: The Night Stalker, The Incredible Hulk and Lost all once. Signed photos of her in her swimsuit on location for Creature are highly collectible and rather expensive these days going by high prices on eBay currently. And the movie poster is rare. (Died 2019.)
Born October 17, 1934 — Alan Garner, 87. His best book? That’d be Boneland which technically is the sequel to The Weirdstone of Brisingamen and The Moon of Gomrath but really isn’t though I can’t say why as that’d be a massive spoiler. Oh, and The Carnegie Medal-winning The Owl Service is amazingly superb! There’s a video series of the latter but I’ve not seen it. He’s garnered a World Fantasy Award for Lifetime Achievement.
Born October 17, 1946 — Bruce McAllister, 75. He’s a superb short story writer as you can see in The Girl Who Loved Animals and Other Stories that Golden Gryphon published originally and which Cemetery Dance has now in an ePub edition along with his three novels. His Dream Baby novel is an interesting if brutal take on the Vietnam War with a definite SF take to it. His Dream Baby novelette was nominated for a Hugo at Nolacon II, and his “Kin” short story was nominated at Nippon 2007.
Born October 17, 1968 — Mark Gatiss, 53. English actor, screenwriter, director, producer and novelist. Writer for Doctor Who with Steven Moffat, whom Gatiss also worked with on Jekyll. He also co-created and co-produced Sherlock. As an actor, I’ll note he does Vogon voices in The Hitchhiker’s Guide to the Galaxy, and is Mycroft Holmes in Sherlock. And he played Tycho Nestoris in Game of Thrones.
Born October 17, 1971 — Patrick Ness, 49. Best known for his books for young adults, including the Chaos Walking trilogy and A Monster Calls. He’s also the creator and writer of the Doctor Who spin-off Class series. And he’s written a Doctor Who story, “Tip of the Tongue”, a Fifth Doctor story. He won The Otherwise Award for The Knife of Never Letting Go, and his Monster Calls novel won both a Carnegie and a Kitschie as well being nominated for a Stoker and a Clarke.
(11) COMICS SECTION.
Tom Gauld in The Guardian.
(12) LEVAR’S NEXT JOB. Kenan Thompson plays new NFL coach LeVar Burton in Saturday Night Live’s cold open. I didn’t think it was that funny (although all the points they were making are true enough). The LeVar Burton characterization comes at the 7-minute mark if you want to jump to it.
…I’m sorry, but I just don’t understand the storytelling choices this show makes. Like I’ve said before, I accept that a literal adaptation of the original stories isn’t possible, because stories of people sitting around and talking would not make for very thrilling TV. However, the shows pads out the lean narrative of the original stories with a lot of stuff that’s at best irrelevant and at worst contradicts the story. The show also deals with the fact that the Foundation series takes place over a long period of time (500 years for the original trilogy with the sequels and prequels spanning an even longer period of time) by inserting yet more unnecessary time jumps….
The news was shared by “Y: The Last Man” showrunner Eliza Clark through her Twitter on Sunday. In her post, Clark thanks FX and the show’s creative team for their partnership on the project. She also expresses hope that “Y: The Last Man” will be able to continue its run at a different network.
“We have learned that we will not be moving forward with FX on Hulu for Season 2 of ‘Y: The Last Man.’ I have never in my life been more committed to a story, and there is so much more left to tell,” Clark wrote. “‘We had a gender diverse team of brilliant artists, led by women at almost every corner of our production… It is the most collaborative, creatively fulfilling and beautiful thing I have ever been a part of. We don’t want it to end.”
The movie will tell the story of a surgeon, played by Peresild, who has to operate on a sick cosmonaut in space, portrayed by Novitskiy, because the cosmonaut’s medical condition prevents him from returning to Earth to be treated. Filming for the movie continued during the crew farewells and hatch closing.
The film is being made under a commercial agreement between Roscosmos and Moscow-based media entities Channel One and studio Yellow, Black and White.
(16) WHO INSPIRED. [Item by Ben Bird Person.] Illustrator Elizabeth Fijalkowski did this piece on the Robert Holmes Doctor featured in the 1976 Doctor Who serial “The Brain of Morbius”. Design based on comic artist Paul Hanley!
(17) BAT TRAILER. Warner Bros. dropped a new trailer for The Batman.
Matt Reeves’ “The Batman,” starring Robert Pattinson in the dual role of Gotham City’s vigilante detective and his alter ego, reclusive billionaire Bruce Wayne.
A fossilized trilobite dating back 390 million years has revealed some unnerving secrets about the large marine arthropods – they had eyes unlike any other animal ever discovered. What looked to be two distinct eyes, like scientists would expect, were actually large systems of hundreds of individual lenses that all formed their own mini-eyes. That is to say that these animals had hundreds and hundreds of eyes.
Behind each lens were a series of facets anchored by photoreceptors and a network of nerve cells, capturing the light from each before sending it down a central optical nerve to the brain, creating what can only be assumed as an entirely unique way of seeing the world. The research was published in the journal Scientific Reports. …
(19) BREAKTHROUGH, WE CAN NOW DETECT SMALL EXOPLANETS. [Item by SF Concatenation’s Jonathan Cowie.] Small exoplanet, as well as a possibly habitable super-Earth, detected. Large planets orbiting other stars outside our Solar system (exoplanets) are easier to detect than smaller exoplanets. Also large planets around small stars are easier to detect than large planets around large stars: large stars are less affected by the gravity of planets than small stars and one way of detecting exoplanets is to look at the way stars wobble as their planets orbit. But the detection limits have improved and a few years ago we began to detect the first Earth-sized exoplanets.
Now, a collaboration of mainly mainland continental Europeans using the European Southern Observatory, have detected a planet half the mass (about a quarter the size) of Venus orbiting a (small) Red Dwarf (L 98-59) some 34.5 light years away.
If this were not enough, the collaboration has also detected a super-Earth in the system’s habitable zone. More good news, this system lies within the field of view of the forthcoming James Webb telescope and so it is likely we will soon learn more about these exoplanets. (See Demangeon, O. D. S., et al. (2021) https://www.aanda.org/articles/aa/pdf/2021/09/aa40728-21.pdf Warm terrestrial planet with half the mass of Venus transiting a nearby star. Astronomy & Astrophysics, vol. 653, A41.)
An enormous amount of gravity from a cluster of distant galaxies causes space to curve so much that light from them is bent and emanated our way from numerous directions. This “gravitational lensing” effect has allowed University of Copenhagen astronomers to observe the same exploding star in three different places in the heavens. They predict that a fourth image of the same explosion will appear in the sky by 2037. The study, which has recently been published in the journal Nature Astronomy, provides a unique opportunity to explore not just the supernova itself, but the expansion of our universe.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge,Joe Siclari, Chris Barkley, Ben Bird Person, Daniel Dern, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
(1) CLARKE AWARD CEREMONY. The Arthur C. Clarke Award winner will be announced September 27. Award Director Tom Hunter adds, “Long-time subscribers may remember back to pre-pandemic times when we used to announce our winner in July rather than September, but as with last year we’ve been committed to going one step at a time across our announcements and judging process as things continue to evolve. Hopefully 2022 will allow us to return to our usual scheduling. In the meantime, as with 2020, we have decided to forego a public ceremony event this year, but I am delighted to share that this year’s winner will be revealed live by presenter & science fiction fan Samira Ahmed on BBC Radio 4’s Front Row.”
… Lai believes that Howard first came to the attention of Cannell in 1933. After the publication of his “Worms of the Earth” in the November 1932 issue of Weird Tales, Christine Campbell Thomson included the story in her collection Keep on the Light (Selwyn and Blount, 1933). The book was the ninth in a series of collected tales of horror and the supernatural titled Not at Night. Howard had previously appeared in the eighth volume of the series with “The Black Stone,” and that anthology was titled Grim Death (Selwyn and Blount, 1932); that was also REH’s first ever appearance in a hardcover book. So taken with Howard’s Bran Mak Morn story, Cannell incorporated “Worms of the Earth” into his Gees series, the fifth book, making it a sort of sequel. The version I read came from Ramble House and, despite the poor cover, the story appeared to me to be a good reprinting of the story….
Mary Shelley was just 18 when she dreamed up her story of a “pale student of unhallowed arts” and the “hideous phantasm of a man” he created. Now a first edition of her seminal classic of gothic horror, Frankenstein; or, The Modern Prometheus, has set a world record for the highest price paid for a printed work by a woman, after selling at auction for $1,170,000 (£856,000)….
As soon as he crossed the border into Italy, Tennessee Williams found his health was “magically restored”. “There was the sun and there were the smiling Italians,” wrote the author of A Streetcar Named Desire in his memoirs. Now a previously unpublished short story by Williams describes his protagonist experiencing similar feelings – although the Italians do not feel quite so warmly towards him….
(5) BEFORE HE WAS A BESTSELLER. [Item by Cora Buhlert.] G.W. Thomas has a three part post about the lengthy writing career of John Jakes and that he wrote so much more than just historical family sagas. I actually knew that he wrote fantasy in the 1960s, but I didn’t know that he wrote in pretty much every genre and every venue:
… Did the fledgling Pulp writer (by night) and ad man (by day) have any inkling what lie ahead? Probably not, but to John’s credit he always wrote what interested him, what offered him a challenge, shifting between genres and venues. If the Pulps hadn’t died, he could have spent his entire career writing Westerns. Or Space opera. Or hard-boiled. But he did all of these, and well, before moving onto bigger things…
John Jakes, after five years in the Pulps, moved on to writing for magazines and novels. His story output slowed a little but he produced at least two novels most years, sometimes under his own name, sometimes under pseudonyms. For historical adventure he used the name Jay Scotland. He used his own name for the hard-boiled detective series starring Johnny Havoc but also wrote the last three Lou Largo novels as William Ard. The 1960s saw John writing tie-ins for Mystery television. This would later lead to him writing for The Man From U. N. C L. E. and The Planet of the Apes novelizations in the 1970s. He also sold the first (and best) Brak the Barbarian stories to Cele Goldsmith at Fantastic….
John Jakes finished the 1960s writing television tie-ins along with other paperbacks. The first collections of Brak appeared alongside his best Science Fiction novels. But in 1974 everything would change with the arrival of The Kent Family Chronicles. John had several paperback novels on the bestsellers list at one time. From 1974 on he would be known not as a SF, Sword & Sorcery or Mystery writer but as a bestseller….
(6) TWO ORBIT AUTHOR Q&A’S. Orbit Live invites everyone to this pair of author conversations.
SEPTEMBER 28: Andy Marino and M.R. Carey will discuss their books and what it’s like writing supernatural thrillers. Register here.
Andy Marino is the author of The Seven Visitations of Sydney Burgess, a new supernatural horror and thriller novel. Marino has previously written several books for young readers. The Seven Visitations of Sydney Burgess is his debut book for adults.
M.R. Carey is the author of several books including The Girl With All the Gifts, the acclaimed and bestselling supernatural thriller, and The Rampart Trilogy, which began withThe Book of Koli. Carey has also written a number of radio, TV, and movie screenplays.
OCTOBER 12: Django Wexler and Melissa Caruso talk about their new books, creating fantasy worlds, and writing the middle book of a fantasy trilogy. Register here.
Django Wexler (he/him) is the author of the several adult and young adult fantasy series. Blood of the Chosen, the second book of his Burningblade & Silvereye trilogy, releases October 5.
Melissa Caruso (she/her) is the author of the Swords and Fire trilogy, which began with The Tethered Mage. The Quicksilver Court, the second book of her Rooks and Ruin trilogy, releases October 12.
(7) ZOOM INTO FANHISTORY. Fanac.org has Zoom history sessions scheduled through the end of the year. To RSVP please send a note to email@example.com
September 25, 2021 – 2PM EDT, 11AM PDT, 1PM CDT, 7PM London, 4AM Sydney Juanita Coulson
October 23, 2021 – 2pm EDT, 7PM London, 11AM PDT St. Fantony, BSFA, Brumcon and more – British Fan history with Keith Freeman and Rob Hansen.
December 4 (US) and December 5 (Australia), 2021 – 7PM Dec 4 EST, 4PM Dec 4 PST, 11AM Dec 5 Melbourne AU Wrong Turns on the Wallaby Track:: Australian Science Fiction Fandom to Aussiecon – Part 1, 1936 to 1960, with Leigh Edmonds and Perry Middlemiss
(8) MEDIA BIRTHDAY.
1962 – Fifty-nine years ago this date in prime time on ABC, The Jetsons premiered. It was created by William Hanna and Joseph Barbera who had previously produced such series as the Quick Draw McGraw and the Yogi Bear Show. The primary voice cast was George O’Hanlon, Penny Singleton, Janet Waldo, Daws Butler and Mel Blanc. The latter voiced Cosmo Spacely, George’s boss. It would last three seasons for seventy-five roughly half-hour episodes. A number of films, reboots and one truly awful idea, The Jetsons & WWE: Robo-WrestleMania, followed down the years.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for being in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work being in Voyage to the Bottom of the Sea as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. The Mask of Sheba in which he was Dr. Max van Condon is at genre adjacent. (Died 1984.)
Born September 23, 1908 — Wilmar H. Shiras. Also wrote under the name Jane Howes. Her most famous piece was “In Hiding” (1948), a novella that was included in The Science Fiction Hall of Fame anthology. It is widely assumed that it is the inspiration for the Uncanny X-Men that Stan Lee and Jack Kirby would shortly release. (Died 1990.)
Born September 23, 1936 — Richard Wilson, 85. He played Doctor Constantine in “The Empty Child” and “The Doctor Dances”, two Ninth Doctor stories. He played Gaius, Camelot’s court physician, in the entire of Merlin. And he’s was in Peter Pan as Mr Darling/Captain Hook at the Royal Festival Hall, Southbank Centre.
Born September 23, 1956 — Peter David, 65. Did you know that his first assignment for the Philadelphia Bulletin was covering was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1: The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel, Wolverine and Young Justice.
Born September 23, 1959 — Elizabeth Peña. Ok, these notes can be depressing to do as I discovered she died of acute alcoholism. Damn it all. She was in a number of genre production s including *batteries not included, Ghost Whisperer, The Outer Limits, The Invaders and even voiced Mirage in the first Incredibles film. Intriguingly she voiced a character I don’t recognize, Paran Dul, a Thanagarian warrior, four times in Justice League Unlimited. (Died 2014.)
Born September 23, 1967 — Rosalind Chao, 54. She was the recurring character of Keiko O’Brien with a total of twenty-seven appearances on Next Generation and Deep Space Nine. In 2010, a preliminary casting memo for Next Gen from 1987 was published, revealing that Chao was originally considered for the part of Enterprise security chief Tasha Yar. Now that would have been interesting.
Born September 23, 1967 — Justine Larbalestier, 54. Writer, Editor, and Critic. An Australian author of fiction whose novels have won Andre Norton, Carl Brandon, and Aurealis Awards, she is probably best known for her comprehensive scholarly work The Battle of the Sexes in Science Fiction which was nominated for a Hugo at Torcon 3. Her Daughters of Earth: Feminist Science Fiction in the Twentieth Century, an anthology of SFF stories and critical essays by women, won The William Atheling Jr. Award.
Born September 23, 1971 — Rebecca Roanhorse, 50. Her “Welcome to Your Authentic Indian Experience™“ which was first published in the August 2017 of Apex Magazine won a Hugo as best short story at Worldcon 76. (It won a Nebula as well.) She also won the 2018 Astounding Award for Best New Writer. Rebecca has five published novels: Trail of Lightning, its sequel Storm of Locusts; Black Sun; Race to the Sun (middle grade); and a Star Wars novel, Resistance Reborn. Black Sun is nominated for a Hugo this year.
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(12) HOPEPUNK. Mythic Delirium Books contends that readers who are looking for hopepunk will find it in Dark Breakers the new collection of short fiction from World Fantasy Award-winning author C. S. E. Cooney which will be released in February 2022. Its two previously uncollected novellas, “The Breaker Queen” and “The Two Paupers,” and three new stories, “Salissay’s Laundries,” “Longergreen” and “Susurra to the Moon” — take place in three parallel worlds, one inhabited by humans, one ruled by the Gentry (not unlike the Fae of Earthly legend) and one the realm of goblins. The heroines and heroes of these adventures confront corruption and the threat of tyranny armed with their own wits and the life-changing power of art. Pre-orders are activating now, with e-book pre-orders widely available and Barnes & Noble allowing advance purchases of all three editions.
Apple has released the official trailer for its ambitious new sci-fi series, Invasion, starring Jurassic Park’s Sam Neill.
The three-episode premiere of Invasion will be available to stream on Apple TV+ on Friday, October 22, 2021. Invasion comes from the minds of X-Men and Deadpool producer Simon Kinberg, as well as The Twilight Zone’s David Weil. The series follows the events of an Alien invasion through the lens of several characters spread across multiple continents.
(14) PROPRIETIES OBSERVED. [Item by Todd Mason.] The second episode of Have Gun, Will Travel repeated this morning on the H&I Network begins with the protagonist Paladin riding his horse in rocky country.As he passes an outcropping, a woman slips out of the shadows and cocks her rifle while leveling it at his back.
Closed Captioning as presented by H&I: “(sound of woman XXXXing rifle)”
As the Jimmy Kimmel Live show used to enjoy playing with, “Today in Unnecessary Censorship,” making the tampered-with/censored bit seem much more blue than simply letting it be would…
Traces of primordial form of the substance hint at why the cosmos is expanding faster than expected.
Cosmologists have found signs that a second type of dark energy — the ubiquitous but enigmatic substance that is pushing the Universe’s expansion to accelerate — might have existed in the first 300,000 years after the Big Bang….
(17) KALLING ALL KAIJU KOLLECTORS. [Item by Michael Toman.] This Deep Dive into Godzilla movie commentaries, including the two which met with disapproval from Toho and were pulled, not to mention the ones which are only available to Japanese speakers, might be of interest to Other Filer G-Fans?
(18) VIDEO OF THE DAY.[Item by Martin Morse Wooster.] In “Honest Game Trailers’ No More Heroes 3” on YouTube, Fandom Games, in a spoiler-filled episode, says that the third adventure of assassin Travis Touchdown has him fighting aliens. It is a “weird (bleeping) game for weird (bleeping) gamers,” features every bad Power Ranger villain, and includes as a character director Takashi Miike, the Japanese goremaster.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Todd Mason, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
(1) THE TROUBLE WITH KIBBLES. With Camestros Felapton 63 chapters into Debarkle, a chronicle of how the Sad/Rabid Puppies were the sff genre’s reflection of broader right-wing movements, John Scalzi shares his own retrospective “Thoughts on the ‘Debarkle’” at Whatever.
1. It really does seem like so long ago now. The nonsense the Sad/Rabid Puppies (henceforth to be referred to as “the Pups”) perpetrated is largely contained in the years of 2014 – 2016, and while that’s not actually all that long ago — a mere five years since MidAmericon II, where new Hugo nomination rules were ratified to minimize slate nominating, and NK Jemisin won the first of her three consecutive Best Novel Hugo Awards — it feels like a distant memory now, a kind of “oh, yeah, that happened,” sort of event.
There are reasons for that, but I think the largest part has to do with the fact that the Pups, simply and bluntly, failed at every level that was important for their movement. The bifurcated goals of the Pups were to champion science fiction with a certain political/cultural point of view (i.e., largely white, largely conservative), and to destroy the Hugos by flooding the nominations with crap. They did neither very well. Toward the former, the material they slated was largely not very good, and with respect to the latter, the Hugos both still persist and remain a premier award in the field.
Their strategy was bad because it was addressing a problem that largely did not exist and was arrived at in a backward fashion, and their tactics were bad because they exploited loopholes and antagonized everyone who was not part of their clique, activating thousands of dormant Hugo voters against them. They were routed through a simple mechanism for which they had not accounted (“No Award”), and once their slating tactic was blunted by a nomination rule change, they flounced entirely.
When your only track record is that of complete failure, it’s not surprising you don’t have much of an impact….
John Lorentz says in a comment there:
As the 2015 Hugo Administrator, I can tell you that five years (or six years since it affected me directly), is not nearly enough to for me to forget it.
I used to enjoy administering the Hugos (I’ve done it four times)–2015 was a shit show that destroyed any joy I had regarding the Hugos. in the long run, the Puppies didn’t affect the field, but they sure affected me.
It was, however, the only thing I’ve ever been involved with that has show up both as a question on Jeopardy and a song on Doctor Demento.
…Like that original story, and like the other stories in that anthology by other authors, the central characters in the universe that Jennings has constructed here and the central characters are women (and note the name of Velocity’s ship). Given the preponderance of men as leads of a lot of space opera to this day, Jennings’ work is a refreshing rebalancing of that. The novel is a two-hander, with Velocity Wrachant, captain and owner of the Susan Calvin, and Brontë, a young woman who is far more than she first appears.
The story’s point of view focus on both Velocity and Brontë, although we do not see the latter’s point of view until her hijacking, and even then, it is initially months in the past. I didn’t like her at first: after all, she HAD hijacked Velocity’s ship, and I thought at first that the flashbacks from her point of view were merely to flesh her out and give us perspective and point of view to sympathize with her, however grudgingly so. As the back half of the narrative continued to build and events in the present continued, I saw the careful crafting of plot, and the central mystery at the heart of Fault Lines….
During her 30 years of working for a range of campaigning bodies and NGOs, my wife, Judith Hanna, who has died aged 67 of liver cancer, saw concern about the environment go from a fringe issue for community activists to a mainstream subject with a professionalised career structure.
Her life and career embodied the principle of “being the change you want to see”, through such local activities as organising annual seed swaps, promoting community gardens, calling for traffic calming measures in residential streets and, at national level, working for nuclear disarmament and better public transport. In her final role, as a social evidence principal specialist at Natural England, she promoted the now widely accepted health benefits of everyday contact with the natural world….
That day, the Guardian published a remarkable interview with Frank Oz, Jim Henson’s longtime collaborator and the puppeteer behind Fozzie Bear, Miss Piggy, and other classic Muppets. Oz hasn’t been involved with the Muppets since 2007, three years after Disney purchased the franchise. He tells the Guardian: “I’d love to do the Muppets again but Disney doesn’t want me, and Sesame Street hasn’t asked me for 10 years. They don’t want me because I won’t follow orders and I won’t do the kind of Muppets they believe in. He added of the post-Disney Muppet movies and TV shows: “The soul’s not there. The soul is what makes things grow and be funny. But I miss them and love them.” As a lifelong Muppets fan, I have to agree: There were delightful moments in the Muppet reboots of recent years, but they were a little too pale, the chaos and the order a little too calculated.
But I think that there’s a way to bring the Muppets back, one that could also—and here comes the Future Tense agenda—help spark smart discussions about scientific ethics, especially around what it means to be human and how to approach innovation responsibly. We need Frank Oz to helm a Muppet Frankenstein….
“When you realize you are mortal,” the poet, painter, and philosopher Etel Adnan wrote while regarding a mountain, “you also realize the tremendousness of the future.” A decade earlier, shortly before a heart attack severed her life-time, Hannah Arendt observed in her superb Gifford Lectures lectures on the life of the mind that our finitude, “set in an infinity of time stretching into both past and future, constitutes the infrastructure, as it were, of all mental activities.” While Arendt was composing these thoughts and silent cells were barricading one of her arteries, Ursula K. Le Guin was composing her novelistic inquiry into what it means to live responsibly, observing: “If time and reason are functions of each other, if we are creatures of time, then we had better know it, and try to make the best of it.” A generation before her, Borges had formulated the ultimate declaration of our temporal creatureliness, declaring: “Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire.”…
(6) SCANNERS IN VAIN. Tony Lewis, reporting on behalf of the NESFA Press in Instant Message #979, told about some problems encountered with their republication of Zenna Henderson’s Ingathering: The Complete People Stories collection.
An Amazon customer who bought our Ingathering ebook reported 58 typos in it. Amazon took down the book, which had been on sale for a year, until we could fix the typos. A number of NESFA Press proofers have spent the past three weeks going over the Ingathering ebook. We have found more than 400 typos, nearly all caused by unproofed OCR used to create the ebook. We also found that approximately 20 of those 400+ typos existed in the original hardcover. This proofing project is expected to be finished the week after the August Business Meeting.
(7) MEMORY LANE.
1976 — Forty-five years ago at MidAmeriCon where Wilson Tucker was the Toastmaster, Roger Zelazny would win the the Best Novella Hugo for “Home is The Hangman”. It was published in Analog Science Fiction/Science Fact, the November 1975 issue. The other nominated works were “The Storms of Windhaven” by George R. R. Martin and Lisa Tuttle, “ARM” by Larry Niven, “The Silent Eyes of Time” by Algis Budrys and “The Custodians” by Richard Cowper. It would also win a Nebula Award. It’s in one of the three stories in My Name is Legion which is available from the usual digital suspects.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 12, 1897 — Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the main writer of the pulp character The Shadow. He used the pen-name Maxwell Grant, wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
Born September 12, 1914 — Desmond Llewelyn. He’s best known for playing Q in 17 of the Bond films over thirty-six years. Truly amazing. Live and Let Die is the only one in the period where Q was not in it. He worked with five Bonds, to wit Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan. Other genre appearances include The Adventures of Robin Hood, the Strange Case of Dr Jekyll and Mr Hyde, The Curse of the Werewolf and Chitty Chitty Bang Bang. (Died 1999.)
Born September 12, 1921 — Stanislaw Lem. He’s best known for Solaris, which has been made into a film three times. The latest film made off a work of his is the 2018 His Master’s Voice (Glos Pana In Polish). The usual suspects have generous collections of his translated into English works at quite reasonable prices. (Died 2006.) [Note: In three instances “L” has been substituted because WordPress doesn’t support the correct special character.]
Born September 12, 1922 — John Chambers. He’s best known for designing Spock’s pointed ears, and for the prosthetic make-up work on the Planet of the Apes franchise. Some of those character creations, including Cornelius and Dr. Zaius from the Planet of the Apes series, are on display at the Science Fiction Museum. He worked on the Munsters, Outer Limits, Lost in Space, Mission Impossible, Night Gallery and I-Spy along with uncredited (at the time) prosthetic makeup work on Blade Runner. (Died 2001.)
Born September 12, 1940 — John Clute, 81. Critic, one of the founders of Interzone (which I avidly read in digital form) and co-editor of the Encyclopedia of Science Fiction (with Peter Nicholls) that I use every day for these Birthdays, and of the Encyclopedia of Fantasy (with John Grant) as well as writing the Illustrated Encyclopedia Of Science Fiction. All of these publications won Hugo Awards for Best Non-Fiction. And I’d be remiss not to single out for praise The Darkening Garden: A Short Lexicon of Horror which is simply a superb work.
Born September 12, 1942 — Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” story garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye novella. It would also be nominated for a Hugo at SunCon. And the “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”. The usual suspects have an outstanding selection of his works including Nightmare Seasons and Shadows, another excellent collection. (Died 2006.)
Born September 12, 1952 — Kathryn Anne Ptacek Grant, 69. Widow of Charles L. Grant. She has won two Stoker Awards. If you’re into horror. Her Gila! novel is a classic of that genre, and No Birds Sings is an excellent collection of her short stories. Both are available from the usual suspects.
Born September 12, 1962 — Mary Kay Adams, 59. She was Na’Toth, a Narn who was the aide to G’Kar in the second season of Babylon 5, and she would show up as the Klingon Grilka in the episodes “The House of Quark” and “Looking for par’Mach in All the Wrong Places” in Deep Space Nine. Her first genre role is actually an uncredited role in The Muppets Take Manhattan. No idea what it is.
(10) SHORTS SUBJECT. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna has a piece about the “masterpieces” John Oliver is lending to museums in return for a $10,000 grant. He talks to the heads of the Judy Garland Museum and the Cartoon Art Museum and how the Garland Museum said they could only accept the paintings if the mousehood of the “vermin-love-watercolor-on-paper” drawing by Brian Swords of nude cartoon mice was covered up. “John Oliver is helping museums through the pandemic — by lending them rat erotica”.
Melanie Jacobson was on the hunt for covid-relief cash in October when she happened to flip to HBO. As fortune would have it, “Last Week Tonight” host John Oliver was announcing a contest to offer financial help to museums in need. The catch was, they had to be willing to exhibit his freshly acquired collection of three “masterpiece” paintings: a still-life of ties,a portrait of TV host Wendy Williams eating a lamb chop, plus— his “pièce de résistance” — amorous rats in the buff.Jacobson is a board member for theJudy Garland Museum in Grand Rapids, Minn. — right where a star was born. Her catch was, the institutionshares a building with the very G-rated Children’s Discovery Museum, which meant that “I knew we would not be able to show the rat painting with certain private parts,” she said by phone this week.
So with blessing from board leadership, Jacobson submitted a proposal to the “Last Week Tonight” contest with one stipulation, she recalled: “I’m going to have to put pants on the rat.” ….
The soft serve insider took to the video-sharing platform with the chain’s hush, hush Butterbeer Blizzard, which boasts vanilla syrup, butterscotch syrup, Butterfinger pieces, and a healthy swirl of whipped cream topping, mirroring the fan-favorite beverage from the books….
…But Nick Pope, a former UFO investigator for the Ministry of Defence, is not convinced and thinks that Godfrey is genuine. “He had a lot to potentially lose by coming out with this and yet stuck to his guns.”
Doesn’t a hallucination explain what he saw? “I get that people do have hallucinations, but they tend to be the result of either mental illness or some sort of hallucinogenic substance, and this guy was on duty and was, by all accounts, rational. And so those explanations don’t seem to apply – I’m stumped when it comes to that particular case. Ask yourself: how many times have you been tired and come to the end of a long day? We’ve all been in that situation, and we don’t suddenly construct bizarre narratives about spacecraft and aliens.”
Is it time to start taking these stories more seriously? “I’m not saying that I believe it’s literally true that these are alien spaceships,” says Pope. “But at the very least, these people who were previously disbelieved and ridiculed should be listened to and given a hearing….
I started my blog, Stuff I Like, nearly eleven years ago with a plan of writing about swords & sorcery. When I reviewed “The City of Madness” by the late and greatly-missed Charles Saunders, I discovered he had co-edited a new story collection called Griots (2011). I bought it and found it to be one of the best batches of fantasy stories I’d read in years. It introduced me to the term sword & soul, as well as some very good writers, such as Carole McDonnell, P. Djeli Clark, and Milton Davis himself….
(14) CLASH OF THE TITANS. In the Washington Post, Christian Davenport says the battle between Elon Musk and Jeff Bezos over NASA contracts is getting increasingly personal, with Musk’s SpaceX ahead on technical issues but Bezos fighting back not only on NASA contracts awarded to Space X but also trying to block Space X’s plan to build thousands of small satellites for Internet communications. “Elon Musk is dominating the space race. Jeff Bezos is trying to fight back”.
For years, Jeff Bezos and Elon Musk have sparred over the performance of their rockets and space companies in a simmering feud that flared during a fight over who could use a NASA launchpad and which company was the first to successfully land a rocket.
But now the two billionaires, among the world’s richest men, are waging an increasingly bitter battle that pits two enormous business empires in clashes that are playing out in the courts, the Federal Communications Commission and the halls of Congress in what’s become one of the greatest business rivalries in a generation….
…Boston Dynamics has uploaded videos like this for more than a decade, cataloging the progress of its creations as they grow more lifelike, and more unsettling. One of its models is a robotic dog called Spot, with four legs and, sometimes, a “neck” topped with a camera “head” — an android’s best friend.
Although the company maintains that its creations are research projects, it does sell Spot and has leased one to the N.Y.P.D. It could have been used to accomplish tasks too risky for a living being, such as delivering food in a hostage situation or checking areas with high amounts of radiation. But its appearance accompanying police officers during an arrest in public housing sparked enough public backlash for its trial to be prematurely terminated. People found the robodog both wasteful and chilling, especially in the possession of the institution most likely to use force against them. It surely didn’t help that the robodog looked quite similar to the horrific killer machines in an episode of the show “Black Mirror” called “Metalhead” — probably because the show’s creator Charlie Brooker, who wrote the episode, was inspired by previous Boston Dynamics videos.
We can ask the same question of the Atlas: What is it for? The video only shows us what it can do. For now, the robots don’t want anything; apart from not falling over, they await a reason for being. The company says the goal is to create robots that can perform mundane tasks in all sorts of terrain, but the video contains no such tasks; we see only feats of agility, not the routine functions these robots would be back-flipping toward. Through this gap enter the tendrils of sinister speculation…..
(16) BOOKS IN SIGHT. Marie Powell’s adventures in castle-hopping across North Wales resulted in her award-winning historical fantasy series, Last of the Gifted.Spirit Sight (Book 1) and Water Sight (Book 2). An omnibus volume of the two books is coming out in October. And the audiobook of Spirit Sight is available from Kindle, Amazon.ca, Audible, and Apple.
Two siblings pledge their magic to protect their people from the invading English, with the help of the last true Prince of Wales—after his murder.
Welsh warrior-in-training Hyw can control the minds of birds and animals.
His sister Catrin can see the future in a drop of water.
Now Hyw and Catrin must stretch their gifts to stand between their people and the ruthless army of Edward I (a.k.a. Longshanks). When the prince is slain, Hyw’s gift allows him to meld with the prince’s spirit, to guide them in fighting back against the English invaders.
This award-winning medieval fantasy combines magic, mythology, and historical legends with the realities of 13th Century Wales.
[Thanks to Martin Morse Wooster, JJ, Michael Toman, Joyce Scrivner, Cora Buhlert, Ruth Berman, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]
The San Diego Convention Center hosted about 135,000 visitors two years ago for Comic-Con, the four-day celebration of comic books and pop culture.
…But even when state restrictions lift, experts acknowledge, it may be a year or more before California convention centers host the kind of mega-crowds that flocked to Comic-Con, NAMM and E3 in past years.
“We anticipate that shows will be smaller starting off and getting back up to speed hopefully next year,” said Ellen Schwartz, general manager of the Los Angeles Convention Center. “As we get into the last quarter of this calendar year and start the new year, we’re hopeful that the business will come back to closer to where it was before the pandemic.”
Among the reasons for the smaller events: State officials say COVID-19 protocols for large-scale indoor events will still require testing or vaccination verifications, which could exclude some would-be attendees. The state has yet to release details of those requirements.
Also, surveys show that many business travelers still don’t feel safe meeting face to face indoors with thousands of strangers. Some elements of future events are likely to be conducted via streaming video, accommodating virus-cautious attendees who want to stay home.
Rachel “Kiko” Guntermann, a professional costume maker who previously attended five or six conventions a year, including Comic-Con, said she would not feel safe returning to a large convention even though she has been fully vaccinated against COVID-19.
“Conventions were a center of my life for a while, and now the idea of being in a vendor hall with that many people makes me want to dry heave,” she said….
(2) FRANKENSTAMP AND FRIENDS. A set of Classic Science Fiction stamps will be issued by Great Britain’s Royal Mail on April 15. Preorders are being taken now.
A collection of six Special Stamps celebrating the imagination and artistic legacy of classic science fiction.
The issue coincides with the 75th anniversary of the death of HG Wells and the 70th anniversary of the publication of The Day of the Triffids.
Each stamp features a unique interpretation by a different artist illustrating a seminal work by a classic British science fiction author
Two First Class, two £1.70 and two £2.55 stamps presented as three horizontal se-tenant pairs.
A. T. Greenblatt’s short fiction has appeared in Strange Horizons, Uncanny, Beneath Ceaseless Skies, Clarkesworld, Fireside, Lightspeed, and other magazines. She won the 2019 Nebula Award for Best Short Story for “Give the Family My Love,” and is also on the current Nebula Awards ballot for her novelette “Burn or The Episodic Life of Sam Wells as a Super.” She was also a Nebula finalist for 2018. She has also been a Theodore Sturgeon Award finalist as well as a Parsec Award finalist. She is a graduate of the Viable Paradise and Clarion West workshops, and has been an editorial assistant at the flash fiction magazines Every Day Fiction and Flash Fiction Online.
We discussed the writing workshop-induced panic which caused her to begin writing her latest Nebula Award-nominated story, how the Viable Paradise workshop helped kick her writing up a notch, why she prefers Batman to Superman, the importance of revisions, critique groups, and community, what’s to be learned from rereading one’s older work, why she’s a total pantser, her love of Roald Dahl, something she wishes she’d known earlier about the endings of stories, how much of writing is being able to keep secrets and not explode, and much more.
(4) 2021 SFPA POETRY CONTEST AND JUDGE ANNOUNCED. The 2021 Science Fiction & Fantasy Poetry Association (SFPA) Speculative Poetry Contest will be open for entries from June 1 through August 31, with Sheree Renée Thomas serving as guest judge of the contest. Full guidelines here.
Sheree Renée Thomas is an award-winning fiction writer, poet, and editor. Her work is inspired by myth and folklore, natural science and Mississippi Delta conjure. Nine Bar Blues: Stories from an Ancient Future (Third Man Books) is her first all prose collection. She is also the author of two multigenre/hybrid collections, Sleeping Under the Tree of LIfe and Shotgun Lullabies (Aqueduct Press) and edited the World Fantasy-winning groundbreaking black speculative fiction Dark Matter anthologies (Hachette/Grand Central).
Sheree is the associate editor of the historic Black arts literary journal, Obsidian: Literature & the Arts in the African Diaspora and editor of The Magazine of Fantasy & Science Fiction.
The 2021 SFPA Speculative Poetry Contest is open to all poets, including non-SFPA-members. Prizes will be awarded for best unpublished poem in three categories: Dwarf (poems 1–10 lines [prose poems 0–100 words]); Short (11–49 lines [prose poems 101–499 words]); Long (50 lines and more [prose 500 words and up]). Line count does not include title or stanza breaks. All sub-genres of speculative poetry allowed in any form.
Prizes in each category (Dwarf, Short, Long) will be $150 First Prize, $75 Second Prize, $25 Third Prize. Publication on the SFPA website for first through third places. Winners will be announced and posted on the site October 1.
Wrath James White is a former World Class Heavyweight Kickboxer, a professional Kickboxing and Mixed Martial Arts trainer, distance runner, performance artist, and former street brawler, who is now known for creating some of the most disturbing works of fiction in print. His books include The Resurrectionist, Succulent Prey, and The Teratologist with Edward Lee.
(6) PLUCKED OFF THE SLUSHPILE. [Item by rcade.] Though many novelists would tell the story of how they first became published as a heroic triumph of talent and perseverance over rejection and adversity, the science fiction author Stephen Palmer credits something else entirely in a new interview with SFFWorld: “Interview with Stephen Palmer”.
My route to publication was the one too few people talk about – pure chance. Random luck is a far larger player in getting published than most people realize, partly because writers don’t want to believe they have little or no agency in their own success, and partly because the odds against success are so huge nobody wants to face them. I was plucked off the slush pile because I sent in the right novel at the right time. Tim Holman remembered it when he and Colin Murray were seeking new British writers, and he contacted me. But it could have been so different. In December 1993 me and my then wife were about to move house, and for reasons too unpleasant to detail here we weren’t going to leave a forwarding address. A few days before we departed a letter popped through the letterbox. It was from Tim Holman, writing back to me a full year after I’d sent him an extract of Memory Seed, telling me he wanted to read more. If I’d moved a week earlier I might not be an author now…
Palmer’s debut novel Memory Seed is being republished by Infinity Plus. He got the rights back from Orbit for that book and Glass nine years ago but the original files were lost. He bought copies, removed the pages and did the OCR scanning himself.
This has been one of the longest running legal battles in anime and I never thought I would see it resolved in my lifetime….
As to the details of what this agreement entails, this is what the official press statement has to say:
“Tokyo based BIGWEST CO.,LTD. and Los Angeles based Harmony Gold U.S.A. announced an agreement regarding the worldwide rights for the legendary Macross and Robotech franchises. This expansive agreement signed by both companies on March 1, 2021, ends two decades of disagreements and will allow Bigwest and Harmony Gold to chart a new path that will unlock the great potential of both the Macross and Robotech franchises worldwide. The landmark agreement immediately permits worldwide distribution of most of the Macross films and television sequels worldwide, and also confirms that Bigwest will not oppose the Japanese release of an anticipated upcoming live-action Robotech film. The agreement also recognizes Harmony Gold’s longstanding exclusive license with Tatsunoko for the use of the 41 Macross characters and mecha in the Robotech television series and related merchandise throughout the world excluding Japan. Moving forward, both parties will cooperate on distribution regarding future Macross and Robotech projects for the benefit of both franchises.”
French police say they are building a case against an international gang of toy thieves specialising in stealing Lego – and they have warned specialist shops and even parents to be aware of a global trade in the bricks.
The alert comes after officers arrested three people – a woman and two men – in the process of stealing boxes of Lego from a toy shop in Yvelines, outside Paris, last June. Under questioning, the suspects, all from Poland, reportedly admitted they were part of a team specialising in stealing Lego sought by collectors.
“The Lego community isn’t just made up of children,” one investigator told Le Parisien newspaper. “There are numerous adults who play with it; there are swaps and sales on the internet. We’ve also had people complaining their homes have been broken into and Lego stolen.”
Van Ijken cited a Cafe Corner Lego set that cost €150 when it was released to shops in 2007 selling in its original box for €2,500 last year.
Lego looting appears to be a global business, according to reports in the US, Canada and Australia, where numerous thefts have been reported over the last five years. In 2005, San Diego police arrested a group of women found to have €200,000 worth of Lego.
(9) THE UNKINDEST CUT. [Item by rcade.] The acclaimed weird fiction author Jeff VanderMeer is sickened by the actions of one of his new neighbors in Tallahassee, Florida:
Someone bought a house a few streets down and just cut down 30 mature pine trees — in the spring. I wonder if they know there’s little they could do in their lives to make up for the wildlife they just slaughtered. I know we’ll be getting survivors in the yard for weeks to come.
I’m planting two sycamores and some river birch, mayhaw next week and then also seeking out some of the pine saplings to protect them. We have 8 mature pines in the yard and not a damn one is getting cut down. …
Developers are trying to eat this city alive and we have, purportedly 55% canopy, although I imagine it’s a lower percentage after the predation of the past few years.
A Florida law enacted in 2019 made it much harder for cities and counties to stop property owners from removing trees. Tallahassee and the surrounding county have 78 miles of roads shaded by oak, hickory, sweet gum and pine trees and the city’s tree canopy coverage is among the largest in the U.S.
[From the Introduction] A scroll through Jeff VanderMeer’s Twitter account yields all manner of birds, flowers, trees, bird feeders, backyard wildlife, and the occasional portrait of his housecat, Neo. By and large, it seems such joyous, benevolent content that it’s surprising it comes from the same hands as one of the most subversive, experimental, apocalyptic, and politically daring fiction writers at work in America today.
…Another of his passions involves his ongoing project of “rewilding” his half-acre yard on the edge of Tallahassee. In order to combat natural-habitat destruction, VanderMeer has reintroduced native plants and trees to encourage the return of local wildlife. The fruits of VanderMeer’s tweets spring directly from the myriad animals, insects, organisms, and flowering flora that have returned to his homegrown micro nature-preserve. (“Right now, during migration season,” he reports, “we have about 300 yellow-rumped warblers in the yard and another 400 pine siskins, along with ruby-crowned kinglets, Baltimore orioles, orange-crowned warblers, hermit thrushes, cedar waxwings, etc.”) Will VanderMeer save our planet? Can it even be saved at this point? These are the real mysteries of our era….
MACHADO: It’s a bit like watching this pandemic unfold. We’re botching it all up, and you can’t help but feel like it doesn’t have to be this way. Do you think you’re a cynic about wildlife and the climate crisis?
VANDERMEER: I think that fixing the climate crisis should be more ingrained in our discussions and it’s not. Even in fiction, I see a lot of green-tech solutions that are totally divorced from actually dealing with what’s going on in the landscape. The other day I saw that Elon Musk had gone from chastising the oil industry to being like, “We need to mine for our SpaceX platform so that we have energy for our rockets.” Those are the kinds of things that get to me. One reason I push so hard for wildlife and for habitat is that I just don’t think we can make it through without them. We can’t just green-tech our way into some kind of solution. We have to change how we actually interact. And I do think we can all make small changes in how we do things that can really help us. In that way, I’m not cynical. People ask about hope all the time, which in a very absurdist way cracks me up because there’s always this question of, “Is it too late?” And it’s like,
“Well, what are you going to do if it’s too late? You really have no choice but to try to do the best things possible to get out of this.” Next cheery question!
We received some truly incredible stories from 60 different countries this season.
Make sure to save the date for May 22 if you want to experience exciting new sci-fi stories, chat with competition participants from around the world, and hear our celebrity guest readers!
(12) HUMMEL OBIT. The Washington Post has an obituary for Joye Hummel by Harrison Smith. Hummel was hired by William Moulton Marston as a secretary and then went on to write Wonder Woman scripts until 1947. Historians credit her as being the first woman to write scripts for Wonder Woman. She died April 5. “Joye Hummel, first woman hired to write Wonder Woman comics, dies at 97”.
In March 1944, shortly before Joye Hummel graduated from the Katharine Gibbs secretarial school in Manhattan, she was invited to meet with one of her instructors, a charismatic psychologist who had been impressed by her essays on a take-home test.
Over tea at the Harvard Club, professor William Moulton Marston offered her a job — not in the classroom or psych lab, but in the office of his 43rd Street art studio. He wanted Ms. Hummel to help him write scripts for Wonder Woman, the Amazonian superhero he had created three years earlier and endowed with a magic lasso, indestructible bracelets, an eye-catching red bustier and a feminist sensibility.Ms. Hummel, then 19, had never read Wonder Woman; she had never even read a comic book. But Marston needed an assistant. His character, brought to life on the page by artist H.G. Peter, was appearing in four comic books and was about to star in a syndicated newspaper strip. He was looking for someone young who could write slang and who, perhaps most importantly, shared his philosophy and vision for the character. “You understand that I want women to feel they have the right to go out, to study, to find something they love to do and get out in the world and do it,” Ms. Hummel recalled his saying. She was “astonished and delighted” by the job offer, according to historian Jill Lepore’s book, “The Secret History of Wonder Woman,” and soon began writing for the comic. “I always did have a big imagination,” she said.
Ms. Hummel worked as a Wonder Woman ghostwriter for the next three years, long before any woman was publicly credited as a writer for the series. As invisible to readers as Wonder Woman’s transparent jet plane, she was increasingly recognized after Lepore interviewed her in 2014. Four years later, she received the Bill Finger Award, given to overlooked or underappreciated comic book writers at the Eisner Awards….
(13) MEDIA BIRTHDAY.
April 9, 1955 — On this date in 1955, Science Fiction Theatre first aired in syndication. It was produced by Ivan Tors and Maurice Ziv. It ran for seventy eight episodes over two years and was hosted by Truman Bradley who was the announcer for Red Skelton’s program. The first episode “Beyond” had the story of a test pilot travelling at much faster than the speed of sound who bails out and tells his superiors that another craft was about to collide with his. It starred William Lundigan, Ellen Drew and Bruce Bennett. You can watch it here.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 9, 1906 – Victor Vasarely. Grandfather of op art, like this, and this (Supernovae, 1961). Here is The Space Merchants using some of VV’s Folklore Planetario for the cover. (Died 1997) [JH]
Born April 9, 1911 — George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s ended when Campbell’s wife left him for Smith whom she married. Later stories were on Thrilling Wonder Stories, Galaxy, Super Science Stories and Fantastic to name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.) (CE)
Born April 9, 1913 — George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet. You can see “The Birth of The Galaxy” which he scripted for the first show here as it is in the public domain. (Died 1975.) (CE)
Born April 9, 1915 – Charles Burbee. One of our best fanwriters, of the brilliant but biting type (if you like that, as well as admiring it, you can change but to and). Fanzine, Burblings; co-edited Shangri L’Affaires awhile. Fan Guest of Honor at Westercon 27. You can see The Incompleat Burbee here (part 1) and here (part 2). Burbeeisms still circulate, like AKICIF (All Knowledge Is Contained In Fanzines) – sometimes without his mocking tone, a neglect he would have mocked. (Died 1996) [JH]
Born April 9, 1937 – Barrington Bayley. A dozen novels, fourscore shorter stories, some under other names (“Michael Barrington” for work with Michael Moorcock). Two collections. Interviewed in Interzone, Vector; on the cover of V223 for a Mark Greener article. (Died 2008) [JH]
Born April 9, 1937 — Marty Krofft, 84. Along with Sid, his brother, are a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea Monsters, Land of the Lost and Electra Woman and Dyna Girl. (CE)
Born April 9, 1949 — Stephen Hickman, 72. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Art Work at ConAndian in 1994. (CE)
Born April 9, 1954 — Dennis Quaid, 67. I’m reasonably sure that he first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it. (CE)
Born April 9, 1972 — Neve McIntosh, 49. During time of the Eleventh Doctor, She plays Alaya and Restac, two Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter. She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She’s Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, who together form a private investigator team. Big Finish gave them their own line of audio adventures. (CE)
Born April 9, 1980 – Jill Hathaway, age 41. Two novels. Teaches high-school English, bless her. Has read Cat’s Cradle, Tender Is the Night, Native Son. [JH]
Born April 9, 1981 – Vincent Chong, age 40. Two hundred twenty covers, sixty interiors. Artbook Altered Visions. Here is Shine.Here is the Gollancz ed’n of Dangerous Visions. Here is G’s Left Hand of Darkness.Here is Ghost Story. [JH]
Born April 9, 1990 – Megan Bannen, age 31. Two novels, one just last year. “An avid coffee drinker and mediocre ukulele player…. in her spare time, she collects graduate degrees from Kansas colleges and universities.” Or so she says. [JH]
Grant Snider’s “Hopscotch” is not genre. You might like it anyway – we did!
(16) PRINCE PHILIP RIP. The Cartoon Museum in London noted the passing of its Patron HRH Prince Philip, the Duke of Edinburgh.
Prince Philip, the Duke of Edinburgh has been Patron of The Cartoon Museum in London for over 20 years. In 1949 he and the young Princess Elizabeth attended the Royal Society of Arts and listened to a speech by the great British cartoonist H. M. Bateman, calling for a national museum of cartoons.
He has given the museum continuous support and with his great love of humour he admired the genre of British cartooning. In 1994 he opened the museum’s exhibition on Giles, who drew for the Daily and Sunday Express from 1943 – 1991. The Duke of Edinburgh owned several Giles cartoons in his private collection; Giles was his favourite cartoonist – he admired his social observations, gentle humour, and depictions of the Royal Family.
The monarchy have been a persistent (and easy) target of cartoonists and caricaturists for 300 years, from Gillray and Beerbohm to Scarfe, Bell, Rowson and Peter Brookes – but the Duke of Edinburgh could always see the funny side in any situation, and took humorous depictions of himself in his stride. In 2002 Prince Philip opened an exhibition of cartoons on the Kings and Queens (300 Years of Cartoons about the Monarchy), and in 2006 he opened London’s first museum of cartoons.
The Cartoon Museum, its Trustees, Staff, and the cartooning community are saddened to hear Prince Philip has passed away, and send their deepest condolences to H. M. The Queen and his family.
Star Trek is bolding coming back to the big screen… two years from now. Paramount Pictures confirmed Friday that a brand-new Trek film will hit theaters on June 8, 2023. While the project is currently untitled and plot details are non-existent, we suspect this is the movie currently being written by The Walking Dead alum, Kalinda Vasquez.
…Written and illustrated by the Locke & Key creative team of writer Joe Hill and artist Gabriel Rodriguez, with the blessing of The Sandman co-creator Neil Gaiman, Hell and Gone is set in 1927, during the opening sequence of The Sandman in which Morpheus, the King of Dreams, is held captive by the human sorcerer Roderick Burgess. Mary Locke, an ancestor of the Locke children who populate the main Locke & Key story, reaches out to Burgess to see if his occult society can help her save her brother’s soul from hell….
GABRIEL RODRIGUEZ: I started buying Sandman from the newspaper stand near my house once they started selling the Spanish edition here in Chile. They started publishing from the eighth issue, in which they introduce Death, and from then on they did the entire run. I remember reading that very first issue and was immediately hooked by the storytelling. And then when we get into the Doll’s House story line, I immediately realized it was going to be something really big and cool, and I ended up collecting the entire series. At the time I was reading Sandman, I was just daydreaming about eventually making a comic book myself, but living in such a small country where we don’t have a huge publishing industry, especially back then, it felt impossible.
(19) UNSOUND EFFECTS. “2021 Oscar-Nominated Short: “Yes-People'” on YouTube is an Icelandic animated film, directed by Gisli Darri Hallsdottir, that is an nominee for best short animated film, and is presented by The New Yorker.
“Yes-People” follows several Icelanders as they navigate minor daily conflicts—on their way to work, or to school, or while grocery shopping.
…The gastroliths were found in Jurassic-aged mudstones in a rock formation called the Morisson. A rainbow of pinks and reds, the Morisson formation brims with dinosaur fossils, including those of sauropods, such as Barosaurus and Diplodocus, as well as meat-eaters such as Allosaurus.
But the rocks, which are similar to gastroliths dug up elsewhere, were found on their own without any dinosaur remnants. To get a clue as to how they had ended up in modern-day Wyoming, the team crushed the rocks to retrieve and date the zircon crystals contained inside, a bit like studying ancient fingerprints.
“What we found was that the zircon ages inside these gastroliths have distinct age spectra that matched what the ages were in the rocks in southern Wisconsin,” said Malone, now a doctoral student studying geology at the University of Texas at Austin. “We used that to hypothesize that these rocks were ingested somewhere in southern Wisconsin and then transported to Wyoming in the belly of a dinosaur.
“There hasn’t really been a study like this before that suggests long-distance dinosaur migration using this technique, so it was a really exciting moment for us.”
A fossil of a skunk-like mammal that lived during the age of dinosaurs has been discovered in Chilean Patagonia, adding further proof to recent evidence that mammals roamed that part of South America a lot earlier than previously thought.
A part of the creature’s fossilized jawbone with five teeth attached were discovered close to the famous Torres del Paine national park.
Christened Orretherium tzen, meaning ‘Beast of Five Teeth’ in an amalgam of Greek and a local indigenous language, the animal is thought to have lived between 72 and 74 million years ago during the Upper Cretaceous period, at the end of the Mesozoic era, and been a herbivore…
(22) JUST IN TIME. The sixth season of DC’s Legends of Tomorrow premieres Sunday, May 2.
The Legends continue their new mission to protect the timeline from temporal aberrations – unusual changes to history that spawn potentially catastrophic consequences. When Nate, the grandson of J.S.A. member Commander Steel, unexpectedly finds himself with powers, he must overcome his own insecurities and find the hero within himself. Ultimately, the Legends will clash with foes both past and present, to save the world from a mysterious new threat.
[Thanks to John King Tarpinian, Michael J. Walsh, Frank Olynyk, Martin Morse Wooster, JJ, rcade, Daniel Dern, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, James Bacon, Scott Edelman, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender, with an assist from rcade.]
…Speaking in a YouTube interview with Guardian columnist Owen Jones, the Welsh actor said he handed back an Order of the British Empire (OBE) that he received in 2009 for services to drama.
He quietly returned the honor in 2017 after conducting research on Wales’ relationship with England as part of delivering the Raymond Williams Society lecture. He referenced his unease with practices such as handing the Prince of Wales title to the heir to the throne, despite that individual being English.
…One recent Sunday, though, Jérôme Callais made €32. And there was a day that week when he made €4: a single paperback, he can’t even recall which. It has not, Callais said, sheltering from driving rain on an all but deserted Quai de Conti, been easy.
Not that anyone ever became a bouquiniste for the money. Even in non-pandemic times, small-scale, secondhand bookselling in the era of smartphones, e-readers and Amazon is never going to be much of a money-spinner….
(4) PIXEL ADJACENT. [Item by Daniel Dern.] Learned by having just watched 10 Things You Didn’t Know About ‘A Christmas Story.
(The movie based on Jean Shepherd’s stories from his collection In God We Trust, All Others Pay Cash, which many folks of my greying years listened to Shep read on his radio show over the years):
1, One of the 8,000 kids who auditioned for the role of Ralphie (Shep’s younger self) was Wil Wheaton. (This fact makes it sufficiently sf-adjacent to be a Scroll item.)
2, One of the auditioners for the role of the father was Jack Nicholson.
(5) THOMAS ON BRADBURY. This is from an interview with new F&SF editorSheree Renée Thomas in the December Locus:
I really loved Ray Bradbury because he often wrote about small towns. Even though I’ve lived in New York, I don’t really think of Memphis as a small town–it’s a big city with lots of different little towns in it–but I liked that Bradbury wasn’t patronizing and dismissive. He recognized, like so many other writers, that in these places great complexity, mystery, and human drama can be found. He had some problematic things in his work, but he was more progressive than some of his peers at the time. I loved his language and his characters,
There’s a big excerpt of the interview at the link (although this paragraph admittedly isn’t part of it.)
(6) STAGING FRANKENSTEIN. The New York Times revisits “A ‘Frankenstein’ That Never Lived”. Tagline: “On Jan. 4, 1981, the effects-heavy production opened and closed on the same night. Forty years later, the creators revisit a very expensive Broadway flop.”
… The show’s human stars included John Carradine, in what would be his last stage role, as the blind beggar.
GIALANELLA Carradine had been doing such crap — B movies, commercials. He was an old man, but he still had that deep, rich, whiskey voice. During previews, Joe rented a screening room and showed us “Frankenstein” and “Bride of Frankenstein” [from 1935, in which Carradine had an uncredited bit part]. Someone turned to him and said: “That’s such a great film. What’s your memory of it?” He stood for a minute and said, “Two days’ work.”
CARRIE ROBBINS, costume designer His hands were so riddled with arthritis he could not dress himself. I had a lovely small-of-stature dresser who was able to hide in the “fireplace” of the old man’s hut and help him out.
The role of Victor Frankenstein went to William Converse-Roberts, a recent Yale Drama School graduate who would be making his Broadway debut. After extensive auditions of other actors, the part of the Creature went to Keith Jochim, who had originated the role in St. Louis.
GIALANELLA Nobody was nailing it. I went to Joe and said, “You’ve got to bring in Keith.” They didn’t want to do it. They wanted someone with at least New York credibility.
MARTORELLA Keith’s audition was incredibly moving. We had 10 minutes, and he ended up reading for a half an hour. Then he came back in the afternoon in the makeup he had designed [for St. Louis]. I wrote in my diary, “He had totally transformed himself into a heap of horror.” I can still see the faces of Tom, Joe and Victor. They were in awe.
The show, began loading in at the Palace on Oct. 23, 1980. The crew started with 15 stagehands, which quickly swelled to three dozen. The start of previews was delayed by the complexity of Douglas Schmidt’s sets, which rotated on a giant turntable, and by issues with effects like the Tesla coil, whose full intensity was ratcheted up over the course of rehearsals.
JOHN GLOVER, actor The first time [the Tesla coil] went off, it scared the crap out of me. Instead of falling into the orchestra pit, I jumped all the way over it.
Gilligan’s Planet is based on the premise that the Professor had managed to build an operational interplanetary spaceship to get the castaways of the original series off the island. This series creates a different timeline for the Gilligan franchise, rendering the two Universal Television film sequels necessarily in a different continuity, as those films had integrated the cast back into society….
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 30, 1865 — Rudyard Kipling. Yea Kipling. He’s written enough of a genre nature such as the Just So Stories for Little Children stories like “How the Camel Got His Hump“ and “The Cat That Walked By Himself“ being wonderful stories with a soupçon of the fantastic in them that he deserves a Birthday. Or there’s always The Jungle Book which runs to far more stories than I thought. Yes, he was an unapologetic Empire loving writer who expressed that more than once but he was a great writer. (Died 1936.) (CE)
Born December 30, 1869 – Stephen Leacock, Ph.D. Forty short stories for us; he called some “nonsense novels”, but as to their length that is numerically nugatory. Lorne Pierce Medal. Governor General’s Award. Mark Twain Award. Eponym of the Leacock Memorial Medal. Admirer of Robert Benchley, admired by Groucho Marx and Jack Benny. A complicated conservative, a consummate comic. Let us at his left write so well. (Died 1944) [JH]
Born December 30, 1935 – David Travis, Ph.D. Bowler and mathematician. Five stories. Correspondent of Amazing, SF Review, Starship, hello Andy Porter. (Died 2011) [JH]
Born December 30, 1931 – Ilene Meyer. Artist Guest of Honor at Rustycon 3. Here is the Norwescon 8 Program Book. Here is the Jul 88 Magazine of Fantasy & Science Fiction. Here is the May 90. Here is the Jan 94. Here is Vance’s Chateau D’If. Here is the Fenners’ artbook on her. Covers for six volumes of P.K. Dick’s letters; here is 1980-1982. Here is The World Below; she did not live to complete The World Above. (Died 2009) [JH]
Born December 30, 1950 — Lewis Shiner, 70. Damn his Deserted Cities of the Heart novel was frelling brilliant! And if you’ve not read his Wild Cards fiction, do so now. He also co-wrote with Bob Wayne the eight-issue Time Masters series starring Rip Hunter which I see is on the DC Universe app. Yea! Anyone here that’s read the Private Eye Action As You Like It collection of PI stories I see listed on usual suspects with Joe Lansdale? It looks interesting. (CE)
Born December 30, 1951 – Avedon Carol, age 69. TAFF (Trans-Atlantic Fan Fund) delegate and thus Fan Guest of Honour at Eastercon 34, whereupon she married Rob Hansen (see her report here) and both were Fan Guests of Honour at Eastercon 40. AC also FGoH at Wiscon 11, Corflu 32 (fanziners’ con; corflu = mimeograph correction fluid; the FGoH is determined, um, idiosyncratically). Many fanzines, see here. [JH]
Born December 30, 1952 – S.P. Somtow, age 68. Thirty novels, ninety shorter stories, many interwoven, interdependent, international. Forty poems; a hundred essays (thirty in Fantasy Review), letters, messages, reviews, introductions to introductions – I’m not making this up, he is. Here is his cover for The Other City of Angels. Campbell Award (as it then was) for Best New Writer. Locus Award. World Fantasy Award. Composer, conductor (Golden W from the Int’l Wagner Society), founder of performing companies, and in fact a prince of a man. In person I last saw him playing piano four-hands with Laura Brodian Kelly-Freas (as she then was). Website. [JH]
Born December 30, 1959 — Douglas A. Anderson, 61. The Annotated Hobbit, for which he won the Mythopoeic Award, is one of my favorite popcorn readings. I’m also fond of his Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction which has a lot of great short fiction it, and I recommend his blog as it’s one of the better ones on fantasy literature out there: Tolkien and Fantasy (CE)
Born December 30, 1976 — Rhianna Pratchett, 44. Daughter of Terry who now runs the intellectual property concerns of her father. She herself is a video game writer including the recent Tomb Raider reboot. For her father, she’s overseen and being involved several years back in The Shepherd’s Crown, the last Discworld novel. She’s a co-director of Narrativia Limited, a production company which holds exclusive multimedia and merchandising rights to her father’s works following his death. They of course helped develop the Good Omens series on Amazon. (CE)
Born December 30, 1980 — Eliza Dushku, 40. First genre role was Faith in the Buffyverse. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One which is quite well done and definitely worth watching. She done a fair of other voicework, one of which I’ll single out as of note which is the character of Holly Mokri in Torchwood: Web of Lies. (CE)
Born December 30, 1986 — Faye Marsay, 34. Shona McCullough In a Twelfth Doctor story, “The Last Christmas”. She also was on A Game of Thrones for several seasons as The Waif. (Who that is I know not as I didn’t watch that series.) She also played Blue Colson in Black Mirror’s “Hated in the Nation” tale. Her theater creds include Hansel & Gretel, Peter Pan and Macbeth — all definitely genre. (CE)
Born December 30, 1993 – Kaley Bales, age 27. Visual artist. Illustrations for Michael Ezell, Peter Madeiros. Here is Why She Wrote. “My biggest sources of inspiration are the Pacific Ocean coastline, fresh produce, and any mainstream media made before the 1970s.” [JH]
…“God bless us, every one! A decade on, A Christmas Carol is still the Doctor Who festive special liable to turn even the greatest TV Scrooge into a true Christmas convert,” said Huw Fullerton, RadioTimes.com’s Sci-Fi and Fantasy Editor.
“Filled with Who-letide cheer, adventure, flying sharks and even a Katherine Jenkins solo, this episode really does have it all. Is it any wonder it’s still at the top of any Whovian’s Christmas list?”
Also starring Michael Gambon, Karen Gillan and Arthur Darvill alongside Smith and Jenkins, the Steven Moffat-penned episode sees Smith’s Doctor try to evoke Charles Dickens’ classic tale to warm the heart of an old miser (Gambon), whose greed and apathy threaten the lives of countless people.
…Interestingly, the poll also recorded a high result for William Hartnell festive one-off The Feast of Steven (1965), which was actually the seventh part of the Daleks’ Master Plan serial, and saw the First Doctor break the fourth wall to wish everyone at home a Merry Christmas.
Considering this episode was irretrievably lost soon after broadcast and very few will have been able to see it, it seems likely fans were intending to show a general support for Hartnell’s Time Lord, and note his often-overlooked status as the first Doctor (and the only for 40 years) to have a Christmas special.
A Christmas Carol (2010) 13 per cent
The End of Time (2009/10) 11 per cent
The Christmas Invasion (2005) 10 per cent (higher vote)
The Feast of Steven (1965) 10 per cent
Resolution (2019) 8 per cent (higher vote)
The Husbands of River Song (2015) 8 per cent
Voyage of the Damned (2007) 8 per cent
Twice Upon a Time (2017) 7 per cent
The Runaway Bride (2006) 6 per cent
The Time of the Doctor (2013) 5 per cent
Last Christmas (2014) 5 per cent
The Snowmen (2012) 3 per cent (higher vote)
The Next Doctor (2008) 3 per cent
The Doctor, the Widow and the Wardrobe (2011) 2 per cent
The Return of Doctor Mysterio (2016) 1 per cent
(11) GETTING READY FOR DISNEY+’S WANDAVISION SERIES. [Item by Daniel Dern.] This alone is enough to have me ready to subscribe to Disney+ (Yes, Loki also looks interesting, and as long as I (will) have a subscription, I will no doubt dip a mutant-clawed iron-armored toe into the other Marvel series). (And we’ll finally watch Hamilton: The Movie.)
Here’s the trailers. Yes it looks like it’s going to be a hopefully long strange trip.
In case you aren’t already sold, here’s a bit of background etc: (I assume there’s no spoilers, but can’t guarantee it.)
The show takes place after Avengers: Endgame (during which Vision died).
It takes (some of its) inspiration from Marvel’s House Of M event/story line (where W & V have young kids), and from Tom King’s superlative, heart-wrenching Vision 12-issue (2-15-2016) comic mini-series.
(King also, among other things, wrote the recent equally but differently moving Mr Miracle mini-series, for DC.)
And here’s several ways to get/read King’s series — worth doing for its own sake.
1, Buy the individual issues, or “graphic novels” (issues collected into book format), either The Vision (all 12 issues), or the done-in-two collections:
The Vision. 1, Little worse than a man (1-6)
The Vision. 2, Little better than a beast (7-12)
2, Read via Marvel’s Unlimited comics streaming service (https://www.marvel.com/unlimited). (All twelve issues are there — on the mobile app, easy to find via BROWSE/SERIES/VISION. I’m having trouble finding it via the web interface.)
(FREE) 3, Digital borrow from HooplaDigital.com (well, 2 borrows), assuming your library offers Hoopla as one of its digital services.
…Despite facing coronavirus-related setbacks, researchers made profound discoveries and helped people understand some startling realities. NASA’s OSIRIS-REx probe grabbed a piece of an asteroid, and the Japan Space Agency’s Hayabusa2 spacecraft returned samples of another asteroid to Earth. Scientists found signatures of water on the moon and nearby space rocks, and an obscure gas on our celestial neighbor, Venus. Meanwhile, other scientific endeavors—like climate change research at the poles—faced a freeze as the pandemic brought “normal” life here on Earth to a halt.
(14) VIDEO OF THE DAY. In “Honest Trailers 2020,” the Screen Junkies say last year was “a live action version of The Book of Revelation, featuring fires, famine, rain, and other signs of the End Times.” Special Guest Patton Oswalt adds to the mirth.
[Thanks to JJ, Mike Kennedy, Daniel Dern, Cat Eldridge, Michael Toman, John Hertz, John King Tarpinian, Martin Morse Wooster, Bill, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]
(1) NASFIC FAN FUND AUCTION. Michael J. Lowrey makes a last-minute appeal: We still need items for auction pretty desperately: books, fanzines, tuckerizations, fannish memorabilia, whatever, for the Virtual FanFund Auction at the virtual NASFIC on Facebook.” Post items there. The auction starts Friday. Lowrey says —
An auction item post should include the following:
Item Name Description Minimum Bid
Please note that if your Fan Fund Auction Donation requires shipping, you are expected to pay for that shipping as an additional donation. If you wish to restrict shipping to your home country, say so up front.
This is a Silent Fan Fund Auction, to be held on behalf of TAFF (the Trans-Atlantic Fan Fund, http://taff.org.uk/), GUFF (the Get Up-and-over Fan Fund, https://taff.org.uk/guff.html), DUFF (the Down Under Fan Fund, https://downunderfanfund.wordpress.com/), and LAFF (The Latin American Fan Fund). These funds serve to enable fans to travel to other countries and continents to attend their major conventions and meet the local fans, people they may know only from letter columns, email, or chatty websites. And to get it all done, the funds depend on contributions of fans like you… and, of course, benefit auctions.
This is your chance to pick up any number of interesting things… art, books, fanzines, pulp magazines, t-shirts, things that somehow involve cats… the opportunity to be “Tuckerized” into a work of fiction… or other peculiar or “fannish” stuff.
Donations for the fan fund auction will be accepted via posts to this event, and we also accept monetary donations via paypal to firstname.lastname@example.org. If you would like the proceeds from your auction donation to go to a particular fan fund, indicate that in your post. The proceeds from donations without designations will be evenly split between the fan funds.
Now allegedly suffering from dementia, Nichelle Nichols, 87, who played Uhura on the original “Star Trek” in the late 1960s, is embroiled in an ongoing legal battle involving her manager, Gilbert Bell. Alleging Bell took advantage of Nichols over the last decade, Nichols’ family has taken to GoFundMe to help raise money for the icon’s legal battle.
The most recent court action came earlier this month, when Kyle Johnson, Nichols’ son, filed a cross complaint against Bell. The complaint is in response to a 2019 lawsuit filed by Bell against Johnson, where Bell alleges that it is Johnson’s actions that are harming Nichols — while Bell has always had her best interests in mind.
Johnson has denied Bell’s allegations of wrongdoing against him. Bell has not yet responded in court to Johnson’s allegations. IndieWire has reached out to lawyers for Johnson, Bell, and a representative for Nichols….
…There’s also the contention that Science Fiction is a continuum, an on-going, centuries old dialogue of call and response, writers reacting to published works and offering up variations, counter-arguments, expansions in response. “We stand on the shoulders of giants” is an expression often used to acknowledge that without the work perfomed by previous generations of authors, editors, publishers, artists and fans, contemporary SF would not be where it is today.
That latter is often negatively receieved these days, and it shouldn’t be. Much is made about contemporary SF rejecting the all white heterosexual european male colonialist based SF of the 40s, 50s and 60s – but of course without the existence of such a body of work, there would be nothing to react to or reject. Call it a benign correction as the field expands to incorporate diverse voices or call it a war against patriarchy, in both estimations there is something that is being addressed and re-evaluated (if not pushed back against and excoriated).
Is there an SF Canon? Yes. But is it a moving scale? Is it inviolate? Is it mandatory?
No, no and no.
(4) CASTING THE CANON. And Doris V. Sutherland cannot resist trying to answer the question for another genre, “What is the Horror Canon?”
…Picture a bookshelf, completely empty and ready to have a tidy set of volumes lined up on it. Now imagine that someone has decided to fill it with the canonical works of horror literature. What would they start with? Frankenstein and Dracula would be obvious choices. These may well be followed with reasonably-sized collections of Poe and Lovecraft stories. Next, let’s add the complete ghost stories of M. R. James.
Now pause for thought. That’s five books – and already we’ve covered a pretty substantial chunk of the most influential horror fiction in the English language. Regardless of what else we put on the shelf – and it’s easy enough to think of further titles, from The Strange Case of Dr. Jekyll and Mr. Hyde to The Exorcist – it’s hard to deny that those above five books will cover a pretty big percentage of whatever horror canon we end up with.
Now try to imagine a bookshelf with the science fiction canon. It’s a taller order: off the top of my head, we’d have at least four books if we wanted to represent Isaac Asimov alone (I, Robot and the Foundation trilogy). When we factor in Verne, Wells, Heinlein, Clarke, Bester, Ellison, Le Guin… well, let’s just say we’re going to end up with more than five books.
So, the horror canon is smaller than the science fiction canon – or, to phrase that differently, more tightly-focused. Thinking about it, this makes sense. Horror is a genre where less is more – look at how many classics of horror fiction are short stories rather than novels, for one. And when I look back at our hypothetical bookshelf of canonical horror, I have to wonder if those books might be better described not as a horror canon, but as a set of horror archetypes.
The dimwitted bigot brigade finally came across my piece about the Science Fiction canon from a couple of weeks ago and had a predictable spasm about it, asserting how it was evidence that (I’m paraphrasing from various sources, here) a) science fiction and fantasy was dying, b) traditional publishing (the sf/f parts of it anyway) is dying too, c) I’m responsible in some measure for a) and b), despite d) the fact that apparently I don’t actually sell and/or only sell through byzantine sleight of hand by the publishing industry for reasons and also e) I suck, f) which is why I don’t want people to read older works because then they would realize that, and while we’re at it g) modern sf/f is infested with terrible work from people who aren’t straight white dudes, h) which I, a straight white dude, am also somehow responsible for, and so in short, i) everything is my fault, and j) I am simultaneously a nobody and also history’s worst monster.
It’s a lot! I think it must be tiring to be a dimwitted bigot, thinking about me….
…Affleck reportedly got the script for The Flash at the end of last week and agreed to board the project.
“He’s a very substantial part of the emotional impact of the movie. The interaction and relationship between Barry and Affleck’s Wayne will bring an emotional level that we haven’t seen before,” Muschietti tells Vanity Fair who broke the news. “It’s Barry’s movie, it’s Barry’s story, but their characters are more related than we think. They both lost their mothers to murder, and that’s one of the emotional vessels of the movie. That’s where the Affleck Batman kicks in.”
Another reason feature mythology-wise why Affleck’s Batman is coming back to The Flash, and that’s that Miller’s Flash considers him to be the original Dark Knight, the guy he fought alongside in Justice League. Hence, per Muschietti, it was necessary to have Affleck’s Batman as a starting point: “He’s the baseline. He’s part of that unaltered state before we jump into Barry’s adventure…There’s a familiarity there,” he further tells Vanity Fair.
2020 has been a scary year. Like some dark fantasy or horror story. Or a dystopian tale about the end of the world.
Why not embrace that spirit? Show this year from hell that you can take whatever it dishes out, because you know what dark fantasies and horror stories are really like. And you’ve seen more ends of the world than 2020 could even dream of.
…Read about curses and ghosts, about Norse gods on the Canadian prairies and what happens after Ragnarök and the end of the world. Read how life on Earth may end if we don’t stop killing our planet. Read twenty-one tales of personal apocalypses (because someone’s world is always ending), and stories from a very special and very strange bookstore. Read about post-human biopunk and day-after-tomorrow climate change adventure. Read about the boy who is either a scrawny, bullied, neglected son of insane parents or the imprisoned leader of a death cult dedicated to the goddess of discord.
…For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.
Picking Up the Ghost by Tone Milazzo
Wasps at the Speed of Sound by Derryl Murphy
The Door to Lost Pages by Claude Lalumière
Tombstone Blues by Chadwick Ginther
If you pay at least the bonus price of just $15, you get all four of the regular books, plus SEVEN more books, for a total of eleven!
The series will look at the desegregation of the high school and how 14-year-old LaNier and eight other students became the first Black people to attend the all-white school.
In a landmark decision, the U.S. Supreme Court ruled in 1954 that segregated schools were unconstitutional and called for the integration of all schools.
The nine students, along with Daisy Bates, became civil rights icons as they risked their lives to combat the racist school segregation policies in Arkansas.
(9) MEDIA ANNIVERSARY.
This week in 1950, Dimension X aired a story out of Ray Bradbury’s The Martian Chronicles in which a Martian named Eala dreams of a visitor from a planet, Earth, where they know life is impossible. This episode was unusual in that Bradbury hosted it instead of the usual Dimension X host. The story was later renamed “Ylla” which is considered the canonical title for this story but it was first published as “I’ll Not Ask for Wine” in Maclean’s, January 1, 1950. Listen here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text yet more; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. Is there a full, unedited version? (Died 1931.) (CE)
Born August 20, 1906 – Sheila Hawkins. Wrote and illustrated fifty children’s books in the United Kingdom and Australia, many with animals, many fantastic. Here is The Singing Chameleon. Here is Taliesin. Here is an interior for Long Ears. Here is Wish and the Magic Nut, which won Picture Book of the Year. Also landscapes and abstracts. (Died 1999) [JH]
Born August 20, 1909 — André Morell. Best remembered as Professor Bernard Quatermass in the Quatermass and the Pit series, and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles which is quite excellent. It’s also worth noting that he played O’Brien in BBC’s 1954 Nineteen Eighty-Four, opposite Peter Cushing as Winston Smith. (Died 1978.) (CE)
Born August 20, 1915 – Arthur Porges. For us a hundred short stories, some under other names; half a dozen posthumous collections. Many more for others e.g. detective fiction. Translated into Croatian, Dutch, French, German, Italian, Japanese, Russian, Serbian, Spanish. Here he is on the cover of the Sep 60 Fantastic (i.e. his story “The Shadowsmith”; cover artwork by John Duillo). This Website is about AP and his brother Irwin. (Died 2006) [JH]
Born August 20, 1942 – Joe Mayhew, F.N. One of our finest fanartists; two Hugos for that. Five short stories published, in Aberrations, Aboriginal, and Tomorrow; a score of reviews in Absolute Magnitude, more in the Washington Post. A hundred seventy drawings in Asimov’s, Flag, FOSFAX, The Frozen Frog, It Goes on the Shelf, Journey Planet, Mimosa, NY Rev. of SF, PLOKTA, Squiggeldy Hoy, Vojo de Vivo; various Worldcon and other con publications. Radio-style plays for Disclaves and Boskones. Fellow of NESFA (New England SF Ass’n; service award). Chaired the 1987 Disclave. Library of Congress Recommending Officer for SF. Fan Guest of Honor at Novacon II, Albacon 3; Ghost of Honor at Capclave 2001, Balticon 49. Here is his cover for the Nov 98 WSFA Journal (Washington, D.C., SF Ass’n). Here is an illustration from Mimosa 17. (Died 2000) [JH]
Born August 20, 1943 — Sylvester McCoy, 77. The Seventh Doctor and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go. (CE)
Born August 20, 1951 — Greg Bear, 69. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award at L.A. Con II for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. I confess that I’ve not read him over the past few decades. What’s he done as of late that I should consider reading? (CE)
Born August 20, 1961 — Greg Egan, 59. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons? (CE)
Born August 20, 1961 – Jim Clemens, 59. Three dozen novels for us, half a dozen shorter stories, some with Rebecca Cantrell; action-adventure books under another name, some with Grant Blackwood; certified SCUBA (Self-Contained Underwater Breathing Apparatus) diver; Doctor of Veterinary Medicine under yet another name – if he wants to keep these careers separate, why shouldn’t we? Translated into Dutch, French, German, Italian. [JH]
Born August 20, 1962 — Sophie Aldred, 58. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures. (CE)
Born August 20, 1969 – Christina Diaz Gonzalez, 51. Three novels for us, three others. Many awards for historical fiction The Red Umbrella (also in Spanish). Born in Florida to Cuban parents. Took a law degree, practiced law awhile. Lives in Miami with husband, sons, a dog that can open doors. [JH]
Born August 2, 1972 – Carolyn Cohagen, 48. Four novels. Conducts Girls With Pens, creative writing for girls 8-14. Earlier, a stand-up comic in New York, Chicago, London, Amsterdam; studied physical theater at École international de théâtre Jacques Lecoq, Paris. Ranks The Phantom Tollbooth about the same as Slaughterhouse-Five. [JH]
(12) HORRIBLE EXAMPLES. Earlier this month Titan Comics was handed a golden opportunity to publicize their collection of The Best of Hägar The Horrible by Dik Browne.
Joe Biden recently announced his choice of Kamala Harris as running mate, and in the official photograph by Adam Schultz also revealed that he keeps a framed cartoon strip on his desk – from Titan’s own Hägar the Horrible!
Bleeding Cool reported on the story, as well as quoting Biden saying that the strip had helped him through personal tragedies by reminding him “a lot of people are going through a lot worse than you’re going through, and the way they get through it is … they have people reach out, touch them, give them solace.”
This is the strip on Biden’s desk:
And here are some other examples Titan shared in its press kit, several with genre jokes.
(13) NINETEEN MINUTES OF FAME. At least, the nineteen-minute mark is where fame summons James Davis Nicoll in Isaac Arthur’s video The Fermi Paradox: Galactic Disasters. James notes, “He mispronounced my name but I am the Nicoll in Nicoll-Dyson Laser, which can reduce an Earth-sized world to vapour in a week at distances of up to a million light years.”
If anything, this video makes Cixin Liu’s Death’s End sound too cheerful.
(14) THE NAME OF MY LAST BAND. Just released on YouTube today — Live From the Space Stage: A HALYX Story is a full-length documentary.
For one glorious summer, an experimental, sci-fi band rocked Disneyland’s space stage. With a bass-playing Wookiee and an acrobatic frog, the band’s existence is nearly unbelievable, and the story behind its creation is just as incredible.
Possibly the most famous of all of the John Carter of Mars covers by Frazetta, the artist actually painted two versions in 1970, with the first being published as a Doubleday hardback dustjacket cover. Fearing that the original art would not be returned from the publisher, Frazetta immediately painted a version for himself – the stellar painting we’re offering – since he was so proud of the image. Frazetta personally related to Joe and Nadia Mannarino (see below), and presumably others, that he loved this second painting even more than the original (which he actually sold in the early 1970s). We’re showing the two paintings side-by-side online for review. Regardless of which version you prefer, both represent the quintessential heroic fantasy image, with the bold, strong hero, the voluptuous female at his legs, and surrounded by a dangerous alien environment.
…When Frankenstein first appeared in print in 1818, anonymously but with a preface by Percy Bysshe Shelley, plenty of readers assumed that the poet was its author. In Mary Shelley’s introduction to the 1831 edition, she wrote that people had asked her “how a young girl, came to think of, and to dilate upon, so very hideous an idea?” In keeping with the story’s eerie origins – the stormy nights and sunless summer days beside Lake Geneva – she put it down to a kind of visitation, the result of “imagination, unbidden, possessed”. Yet as the manuscript reveals, inky-fingered graft played a big role in allowing the doctor’s monster to evolve into the more tragic, nuanced creature that’s haunted our imaginations ever since. In fact, “creature”, Mary’s initial description, is later replaced by “being”, a being who becomes still more uncannily human thanks to other tweaks such as replacing the “fangs” that Victor imagines in his feverish delirium with “fingers” grasping at his neck.
Sadly, the refusal to believe that a woman barely out of girlhood could possibly have authored this transcendent Promethean fable has never quite gone away, and Percy’s notes on the manuscript have been used to bolster the theory that he at least co-authored Mary’s novel. While he’s certainly an astute line editor, the chief revelation here is domestic: the radical Romantic was a supportive, affectionate partner.
The idea of using a public bathroom with see-through walls may sound like the stuff of nightmares. But a famous Japanese architect is hoping to change that view, using vibrant colors and new technology to make restrooms in Tokyo parks more inviting.
“There are two things we worry about when entering a public restroom, especially those located at a park,” according to architect Shigeru Ban’s firm. “The first is cleanliness, and the second is whether anyone is inside.”
Transparent walls can address both of those worries, Ban says, by showing people what awaits them inside. After users enter the restroom and lock the door, the powder room’s walls turn a powdery pastel shade — and are no longer see-through.
“Using a new technology, we made the outer walls with glass that becomes opaque when the lock is closed, so that a person can check inside before entering,” the Nippon Foundation says.
The group is behind the Tokyo Toilet project, enlisting world-famous architects to create toilets “like you’ve never seen.”
A ninja museum has been raided in Japan, with thieves making off with more than a million yen (£7,100).
The Iga-ryu Ninja Museum in central Japan is dedicated to the history of the famous Iga clan of ninja.
Police were called after an alarm was set off at 01:30 local time on Monday (16:30 GMT on Sunday), the museum said on Thursday.
Officers found the office door had been forced with what is thought to be a crowbar and the 150kg safe was missing.
(19) VIDEO OF THE DAY. Someone with time on their hands turns 2001 into 2020.
2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors.
[Thanks to John King Tarpinian, N., Martin Morse Wooster, John Hertz, Cat Eldridge, Mike Kennedy, JJ, Andrew Porter, Michael J. Walsh, Linda Deneroff, Chip Hitchcock, Paul DiFilippo, John A Arkansawyer, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Simon Bisson.]
(1) MONSTER PRICE. Bernie Wrightson’s original wrap-around cover artwork for
Frankenstein by Mary Wollstonecraft Shelley sold
at auction today for $1 million dollars. The catalog description at the
link claims —
…It can also easily be said that the 1983 Marvel publication of Mary Wollstonecraft Shelley’s Frankenstein is arguably the finest illustrated book of the second half of the 20th century. Originally written in 1818, the novel was later painstakingly illustrated over the course of nearly a decade by pen and ink master Bernie Wrightson. We are proud to offer here, what we consider the finest fantasy ink drawing of the 20th century, if not of all time….
(2) UNCERTAIN FUTURE. Editor Alex Shvartsman’s foreword in Future
Science Fiction Digest issue 5 explains why it contains only about 20% of
the wordage of previous issues – the launch funding from its Chinese partner has
As Future SF enters its second year, we do so without a safety net.
Our first year’s run was sponsored by the Future Affairs Administration. Together we were able to publish a considerable amount of excellent international fiction, and we thank FAA for their help and support as the magazine launched and found its footing. While FAA is still considering their options regarding any future partnerships with us, at this moment they’re not affiliated with the magazine.
So, what does it mean for Future SF going forward? We aren’t going away, but we have to considerably scale back until we secure alternate funding, or follow the path of many other e-zines in our field and slowly build up a subscription and patron base.
I’m currently talking to the FAA, as well as to a couple of other companies, to see if we can work out another sponsorship or partnership. But even if that proves successful, it is a temporary solution. Only a substantial base of subscribers can ensure stable funding in the long term….
(3) IN TIMES THAT CAME. The Bookseller points to a realm of publishing where change is happening almost quicker than it can be predicted: “Voicing a revolution”.
“Voice tech” will be the next revolution. It’s hard to imagine in today’s text- and screen-based society, but voice recognition apps such as search, device control, shopping and social media will replace screens. It’s already here: only five years after inception, half of citizens in the developed world (47%) owns a smart speaker. How odd we were, the next generation will think, for our incessant tapping on little screens. Wearable tech such as Amazon’s Echo Loop (a small ring enabling you to whisper demands into your palm, and cup your ear for Alexa’s answer) gives a glimpse of the shape our future, with virtual assistants always at our disposal. No need to pull out your phone, even for a phone call. Audiobooks will be a beneficiary of the new generation of voice apps as spheres of our lives transition and we get used to the ease and convenience of voice, and brands have to offer aligned products. Audiobooks are part of the fabric of a healthier technology on the go, where screens play a small role.
Every book published will be available as an audiobook. AI-driven Text-to-Speech apps for audiobook production will leap forward. The AI narrator could be a sampled actor, or a “designer voice” to match the book or brand….
Personally, I think that books are the best gifts. And so I gave myself Margaret St. Clair’s latest, when I spotted it in the spinner rack at my local import bookstore, since I enjoyed last year’s Sign of the Labrys a lot. Even better, this book is an Ace Double, which means I get two new tales for the price of one. Or rather, I get six, because one half is a collection of five short stories.
Range of Ghosts, by Elizabeth Bear (2012): Elizabeth Bear is something of a chameleon of a writer. Whether it is near future cyberpunk thrillers, urban fantasy, alternate historical vampire fiction, espionage, space opera, steampunk, a Criminal Minds meets the X-Files mashup, or epic fantasy – Bear can write it all.
Eschewing the trappings of the stereotypical European setting, Range of Ghosts is silk road epic fantasy – meaning that the novel has a more Mongolian flavor and has an entirely different cultural grounding than what is so often considered “traditional epic fantasy”. Bear pulls no punches in delivering a full realized and top notch epic with rich characterization and incredible worldbuilding. The magic and religion and battles of Range of Ghosts is handled with a deft touch and the best thing is that all of this is set up for something far larger. Range of Ghosts is Elizabeth Bear at the height of her considerable powers. (G’s Review) (Joe)
(6) THOSE OLD FAMILIAR HAUNTS. Emily Littlejohn, in “The
Elements of the Haunted House: A Primer” on CrimeReads, says
that haunted house mysteries work if they’re in the right place and have ghosts
who are appealing but who didn’t die too young or too old.
…Of course, not all ghost stories feature a malevolent spirit intent on wreaking havoc on the living; there are some lovely novels that feature ghosts that are sad rather than mad, more unsettled than vengeful. Those books can be enjoyed in the bright light of day, perhaps with a nice sandwich and a glass of lemonade. But if you like your haunted houses a bit darker, a little less safe, read on for this writer’s perspective.
If I were to write a haunted house novel, I know where I would start: the setting. The canon practically demands a stately manor from the pages of a historical register or an architectural study, all turrets and gables and perhaps a few strange windows that seem a little too much like eyes. Long hallways, flickering light from an early electric bulb or a candle, rooms with furniture shrouded in sheets . . . and nooks, so many nooks, to hide in.
Scientists say they have found the oldest known figurative painting, in a cave in Indonesia. And the stunning scene of a hunting party, painted some 44,000 years ago, is helping to rewrite the history of the origins of art.
Until recently, the long-held story was that humans started painting in caves in Europe. For example, art from the Chauvet Cave in France is dated as old as 37,000 years.
But several years ago, a group of scientists started dating cave paintings in Indonesia — and found that they are thousands of years older.
“They are at least 40,000 years old, which was a very, very surprising discovery,” says Adam Brumm, an archaeologist at Australia’s Griffith University. He and his colleagues used a technique called uranium-series analysis to determine the paintings’ age. The oldest figurative painting in those analyses was a striking image of a wild cow.
These works had been known for years by locals on the island of Sulawesi — but Brumm adds that “it was assumed they couldn’t be that old.”
Since that big reveal, Brumm’s team — which he led with archaeologists Maxime Aubert and Adhi Agus Oktaviana — has been searching for more art in these caves. In 2017, they found something breathtaking — the massive hunting scene, stretching across about 16 feet of a cave wall. And after testing it, they say it’s the oldest known figurative art attributed to early modern humans. They published their findings in the journal Nature.
The Indonesian drawing is not the oldest in the world. Last year, scientists said they found “humanity’s oldest drawing” on a fragment of rock in South Africa, dated at 73,000 years old.
…It may not be the oldest drawing, but researchers say it could be the oldest story ever found.
“Previously, rock art found in European sites dated to around 14,000 to 21,000 years old were considered to be the world’s oldest clearly narrative artworks,” said the paper in Nature.
(8) TODAY IN HISTORY.
December 12, 2014 — Bill The Galactic Hero premiered. Directed by Cox and a lot of friends, it likewise had a cast that was rather large. Yes it’s based on Harrison’s novel. Cox got the rights just after Repo Man came out. Costing just over a hundred thousand to produce, it got generally positive reviews and currently is not available anywhere for viewing.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 12, 1893 — Edward G. Robinson. His very last film was Soylent Green in which was he was Sol Roth. He shortly before that played Abraham Goldman in “The Messiah on Mott Street” on Night Gallery, and he shows up uncredited as himself in the “Batman’s Satisfaction” episode of Batman. (Died 1973.)
Born December 12, 1944 — Ginjer Buchanan, 75. Longtime Editor-in-Chief at Ace Books and Roc Books where she worked for three decades until recently. She received a Hugo for Best Editor, Long Form at Loncon 3. She has a novel, White Silence, in the Highlander metaverse, and three short stories in anthologies edited by Mike Resnick. And she’s a Browncoat as she has an essay, “Who Killed Firefly?” in the Jane Espenson edited Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly.
Born December 12, 1945 — Karl Edward Wagner. As an editor, he created a three-volume set of Robert E. Howard’s Conan the Barbarian fiction restored to its original form as it was originally written by Howard. He is possibly best-known for his creation of Kane, the Mystic Swordsman. (Died 1994.)
Born December 12, 1946 — Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other other writer such as Mecedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf. Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago. (Died 2012.)
Born December 12, 1949 — Bill Nighy, 70. Yes he shows up as Dr. Black on Who in an Eleventh Doctor story, “ Vincent and the Doctor”. He’d make a fine Doctor, I’d say. He’s done a lot of other genre performances from the well-known Davy Jones in Pirates of the Caribbean franchise and Slartibartfast in The Hitchhiker’s Guide to the Galaxy, to the blink and he’s gone as he was as the ENT Doc in Curse of the Pink Panther.
Born December 12, 1961 — Sarah Sutton, 58. She’s best known for her role as Nyssa who was a Companion to both the Fourth and Fifth Doctors. She reprised the role of Nyssa in the 1993 Children in Need special Dimensions in Time, and of course in the Big Finish audio dramas. She’s in The Five(ish) Doctors Reboot.
Born December 12, 1966 — Hiromi Goto, 53. Winner of the Otherwise Award for The Kappa Child. She followed that with two more SFF novels, The Water of Possibility and Half World, though it’s been a decade since the latter came out. Systems Fail, the 2014 WisCon Guest of Honor publication, highlighted her work and that of .K. Jemisin. Hopeful Monsters, her collection of early genre short fiction, is the only such work available digitally from her.
Born December 12, 1970 — Jennifer Connelly, 49. Her first genre outing wasn’t as Sarah Williams in Labyrinth, but rather in the decidedly more low-budget Italian horror film Phenomena. She goes to be in The Rocketeer as Jenny Blake, and Dark City as Emma Murdoch / Anna, both great roles for her. I’m giving a pass to the remake of The Day the Earth Stood Still which she was involved in and not saying anything about it. Alita: Battle Angel in which she’s Dr. Chiren scores decently with audiences.
Born December 12, 1976 — Tim Pratt, 43. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine Affliction, Bone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which if you’ve not tried it you should, and I’d recommend Little Gods as a good place to start.
Born December 12, 1981 — C.S. E. Cooney, 38. She won the Rhysling Award for “The Sea King’s Second Bride” and a World Fantasy Award for her Bone Swans collection. She has what appears to be a very short novel out, Desdemona and the Deep, published by Tor.com. The latter and her collection are available digitally on Apple Books, Kindle and Kobo.
LLOYD: Lorraine, you steal thoughts from my head. (Are you Dr. Manhattan?) Yes, “Lost” is what I thought of too, though the apparent randomness of a polar bear on a tropical island was much more interesting than when they got around to an explanation. There’s an effective trickery when it comes to coincidence — they’re always spooky on some level — and “Lost” got a lot of mileage from repeating the same essentially meaningless sequences of numbers all over the damn place. (Fans spent an enormous amount of time puzzling the show out, even as, fundamentally, there was no puzzle.) In “Watchmen” it’s clocks and eggs and such, and a narrative that leans heavily on dark secrets and (not always) amazing reveals for its dramatic effects: X is the Y of Z!
It works on some primal level, yet it still feels more manipulative than meaningful to me. “Watchmen” is a lot tighter than “Lost” was, though; the circular systems have been obviously worked through in advance, where “Lost” was a festival of retconning.
Thirty years ago, the future became passé. When the Berlin Wall fell in late 1989 and the communist regimes that hid behind it collapsed, political scientist Francis Fukuyama called the event “the end of history”. But he also cast it as the finale of the future: the end of imagining how things might be different. The utopian visions driving both communism and fascism had been discredited and defeated. They were to be replaced by an eternal ‘now’ that, in Fukuyama’s words, saw “Western liberal democracy as the final form of human government”.
… Overall, the Futurium succeeds best as a showcase for the shiniest aspects of the present. In this way, it resembles other tech-engagement centres, such as Science Gallery Dublin and its six sister venues around the world, or Tokyo’s National Museum of Emerging Science and Innovation. But it claims to be something more: a place for co-imagining alternative futures. To succeed, it will need to be bolder. Even though the Berlin landscape is dotted with monuments to failed ideologies, such as the Stasi Museum, history did not end when the wall fell. To imagine new futures, this museum must free itself from the conceptual frameworks of the past.
Although the Sun is quite near to us compared with other stars, it has always kept intriguing and fundamental scientific secrets from us. For instance, we still don’t know how the solar corona — the Sun’s outermost atmosphere — maintains temperatures in excess of one million kelvin, whereas the visible surface has temperatures of just below 6,000?K
An 1875 photograph of a family dressed in finery enjoying a day out at Stonehenge may be the earliest such snap taken at the monument.
English Heritage asked people to send in their pictures to mark 100 years of public ownership of the stones.
After sifting through more than 1,000 images historians said they believed the photograph of Isabel, Maud and Robert Routh was the oldest.
It will be part of a new exhibition of personal photos titled Your Stonehenge.
…The exhibition shows how photography has changed – illustrated by “the way that people pose” and how “their faces have got closer to the camera until they are taking a picture of themselves more than they are of Stonehenge”, said Ms Greaney.
The deepest point on continental Earth has been identified in East Antarctica, under Denman Glacier.
This ice-filled canyon reaches 3.5km (11,500ft) below sea level. Only the great ocean trenches go deeper.
The discovery is illustrated in a new map of the White Continent that reveals the shape of the bedrock under the ice sheet in unprecedented detail.
Its features will be critical to our understanding of how the polar south might change in the future.
It shows, for example, previously unrecognised ridges that will impede the retreat of melting glaciers in a warming world; and, alternatively, a number of smooth, sloping terrains that could accelerate withdrawals.
“This is undoubtedly the most accurate portrait yet of what lies beneath Antarctica’s ice sheet,” said Dr Mathieu Morlighem, who’s worked on the project for six years.
…The exploit was actually very simple. Many of these unethical shops use automated bots to scour Twitter and other social media looking for users saying they want a particular image on the t-shirt and then they simply grab the image and produce the t-shirt, site unseen.
The artists exploited this by basically poisoning the well. They created artwork that no reasonable person would want on a shirt sold on their store and convinced the bots to do exactly that.
(17) OPENING A GOOD VINTAGE. Joe Sherry does a fine
retrospective of this Connie Willis book at Nerds of a Feather: “The Hugo Initiative: Doomsday Book (1993, Best Novel)”.
It tied for the Hugo, but Joe, by not saying which of the two books was really
the best, avoids the mistake Your Good Host once made that launched a
thousand ships Jo Walton into orbit. Sherry’s conclusion is:
…The thing about Doomsday Book is that it works. It is a masterful piece of storytelling that perhaps shouldn’t work as well as it does almost three decades later. It’s good enough that I want to read Fire Watch and the other three Oxford Time Travel novels sooner rather than later(though perhaps not specifically for The Hugo Initiative). The novel is a softer form of science fiction that uses time travel in a way that makes sense. No paradoxes, there is risk, and maybe don’t visit a time and place with bubonic plague. And really, who doesn’t want to read a novel where the protagonist is surrounded by bubonic plague and renders as much aid as she can?
(18) VIDEO OF THE DAY. In Vacation on Vimeo, Andrey Kasay looks at vacations that
went out of control.
(19) VIDEO OF SOME OTHER DAY. The Mandalorian CHiPs intro. Think of Ponch and Jon long ago, in a galaxy far, far away.
[Thanks to JJ, Cat Eldridge, Daniel Dern, Martin Morse Wooster,
John King Tarpinian, Mike Kennedy, Contrarius, SF Concatenation’s Jonathan Cowie,
Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Daniel “Houndog” Dern.]
(1) DUBLIN 2019 PARAPHERNALIA. A Filers shows what she
received upon checking in at the Worldcon:
(2) DUELING SFF. Crooked Timber takes Fred Hoyle’s
Ride” as the jumping-off point for a discussion of modern Ireland.
…Hoyle was really responding to the Christian apologist C.S. Lewis, who regularly denounced Hoyle as a secular atheist on radio and had written his own science fiction novel, That Hideous Strength, a decade before. The villain of Lewis’s book was a sinister institute called NICE, which Satanic aliens wanted to impose contraception, lesbianism, secularism and surrealist art on an unsuspecting Britain. Lewis wanted to preserve old Britain against the filthy tide of modernity.
Hoyle riposted with a novel where rational and benevolently ruthless aliens used an organization called ICE to pull the priest ridden republic next door into the technological age. His satirical portrait of Ireland told British readers that the world was being transformed around them, and that even their most backwards seeming neighbor would outstrip them if they didn’t embrace modernity.
The irony of history is that Hoyle’s parody is now the truth….
(3) THEY’RE SMOKIN’. NASA’s Universe Unplugged teaches
about exoplanets with the help of a couple of familiar actors: “The
Habitable Zone: Scorched Earth Enigma”. If you like it, there are several
previous installments in the series.
This new episode follows explorers Cas Anvar & Cara Gee (“The Expanse”) into a planetary danger zone in their quest for another Earth. Can their computer (Parry Shen of “General Hospital”) save them from a nasty fate?
AiPT!: Gwen has really blown up in the time since you have started writing her, too, with Into The Spider-Verse‘s massive success and Oscar win. Did you see the movie? Did it impact how you felt about the character or how you might approach her at all?
McGuire: I hadn’t seen the movie when I got the job, and I chose not to after I got the job, because that’s a different version of Gwen. I didn’t want her seeping in where she didn’t belong. But wow, is it nice seeing all the cosplayers. I keep wanting to tell them “You’re dressed as my girl!” and have to hold myself back from getting creepy.
AiPT!: What do you think sets Gwen apart from Peter or Miles or any of the other Spiders?
McGuire: Death loves Gwen Stacy. She lacks the “with great power…” motivator; hers is “only the right hands.” She has a calling, but it’s not the same as the calling most of the others have shared. She’s also better on the drums than they are.
More than a million fingerprints and other sensitive data have been exposed online by a biometric security firm, researchers say.
Researchers working with cyber-security firm VPNMentor say they accessed data from a security tool called Biostar 2.
It is used by thousands of companies worldwide, including the UK’s Metropolitan Police, to control access to specific parts of secure facilities.
Suprema, the firm that offers Biostar 2, said it was addressing the issue.
“If there has been any definite threat on our products and/or services, we will take immediate actions and make appropriate announcements to protect our customers’ valuable businesses and assets,” a company spokesman told the Guardian.
According to VPNMentor, the exposed data, discovered on 5 August, was made private on 13 August.
Taking place during the events of The Last Jedi, and leading up to The Rise of Skywalker, Season 2 finds our Resistance characters still on the run from the First Order, much like their movie counterparts. But now Supreme Leader Kylo Ren is seemingly taking a hands-on approach in their capture. […]
Check out the new trailer below for a preview of what’s to come:
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 14, 1910 — Herta Herzog. At the Radio Project, she was part of the team of that conducted the groundbreaking research on Orson Welles’ 1938 broadcast of The War of the Worlds in the study The Invasion from Mars. The Radio Research Project was founded in 1937 as a social research project and funded by the Rockefeller Foundation to look into the effects of mass media on society. (Died 2010.)
Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.)
Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. The latter won the fanzine Hugo after her death. She wrote four novels and a handful of short fiction, none of which are in-print. (Died 2007.)
Born August 14, 1940 — Alexei Panshin, 79. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis.
Born August 14, 1953 — James Roy Horner. Composer, conductor and orchestrator of film scores whose work on Star Trek II: The Wrath of Khan is what he’s best remembered for. He also worked on Avatar, Alien, Field of Dreams and Cocoon. (Died 2015.)
Born August 14, 1962 — Tim Earls, 57. Set designer who stated out at Babylonian Productions on Babylon 5 and Crusade. Later worked on the Voyager seriesandBrannon Braga’s short-lived Threshold series as well. Designed sets for the Serenity film, and worked on Terminator 3: Rise of the Machines.
Born August 14, 1965 — Brannon Braga, 54. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes than anyone else has with one hundred and nine to date. He was responsible for the Next Gen series finale “All Good Things…” which won him a Hugo Award for excellence in SF writing, along with Ronald D. Moore. He’s one of the producers of The Orville.
Born August 14, 1966 — Halle Berry, 53. Her first genre was Sharon Stone in The Flintstones followed by being Storm in the X- Men franchiseand Giacinta “Jinx” Johnson in Die Another Day, the twentieth Bond film. She then shows up as the deservedly much maligned lead in Catwoman. She has myriad roles in Cloud Atlas.
(9) JUST WONDERING. The tour of Christ Church Cathedral left
certain questions unanswered:
Automattic, the company behind the longstanding blog platform WordPress, just bought Tumblr from Verizon for a pittance — leaving many of the quirky, beloved social network’s users wondering what comes next.
Axios reported that Automattic purchased Tumblr, which launched in 2007, for “well below” $20 million; Axios business editor Dan Primack added in a tweet that the sale price was in fact below $3 million, and Recode’s Peter Kafka tells Vox that sources say the actual figure is closer to $2 million. That’s a very long way down from Yahoo’s infamous $1.1 billion purchase of the website in 2013. (Verizon subsumed Tumblr when it acquired Yahoo in 2017.)
… At the time that the Yahoo purchase of Tumblr from its CEO and founder David Karp was completed, it was clear that the ancient internet company was looking for something to revitalize it. Cue a community awash in GIFs, memes, fandom, and all other manners of contemporary online culture — a seemingly perfect answer to Yahoo’s question of how to combat its near-irrelevance. But reports soon began to emerge that Tumblr was floundering financially, as Yahoo tried and failed to wrangle the freewheeling blogging platform into a profitable, advertising-friendly brand….
(12) MONSTROUS ISSUES. A Noise Within theater in
Pasadena, CA is producing Nick Dear’s adaptation of Mary Shelley’s Frankenstein.
Dissect the story of Frankensteinwith director Michael Michetti, as well as Michael Manuel (The Creature) and Kasey Mahaffy (Victor Frankenstein), as they talk about the characters of Mary Shelley’s most famous novel.
“The Creature represents anyone who feels like they have been disenfranchised… It’s a really compelling human story that people connect to in a way that is surprising to them.”
(13) THE FAILURE MODE OF CLEVER. Facebook gave Larry Correia a 24-hour time-out. Larry wants you to know how silly it was.
My 24 hour Facebook ban is over. Luckily Big Brother was there to protect us from such dangerous violations of community standards as pretending to be one imaginary country while talking trash about another completely imaginary country….
Long before cats ruled the internet, marketing student Walter Chandoha became a pioneer of feline photography. Not only did Chandoha’s images appear on over 300 magazine covers and thousands of adverts, he elevated feline portraiture to an art form.
In New York in 1949 young marketing student Walter Chandoha found a stray kitten in the snow. Tucking the cat into his coat, he brought it home to his wife. The cat’s wild antics earned it the name Loco, and Chandoha, who had been a combat photographer during the Second World War, began to take pictures of his new subject.
Rather than get a job in marketing Chandoha turned to freelance photography. He considered cats ideal subjects because they were “just naturally expressive”. His images of cats appeared on advertisements, greetings cards, jigsaw puzzles, T-shirts, posters, calendars and pet food packages. They even featured on the giant 18×60-foot Kodak Colorama display in New York’s Grand Central Terminal.
His images combine a genuine affection for the animals with flawless technique. They range from colour studio photography to black and white street photography, images from vintage cat shows and tender pictures of his children with cats.
He published several books, including Walter Chandoha’s Book of Kittens and Cats (1963) and the seminal text How to Shoot and Sell Animal Photos (1986). Before his death in January 2019 at the age of 98, Chandoha had been working on a retrospective book of 300 of his cat photographs.
“The FAA is aware of the recalled batteries that are used in some Apple MacBook Pro laptops. In early July, we alerted airlines about the recall, and we informed the public,” the FAA said in an emailed statement.
“We issued reminders to continue to follow instructions about recalls outlined in the 2016 FAA Safety Alert for Operators (SAFO) 16011, and provided information provided to the public on FAA’s Packsafe website: https://www.faa.gov/hazmat/packsafe/,” it added.
Apple announced in June “a voluntary recall of a limited number of older generation 15-inch MacBook Pro units which contain a battery that may overheat and pose a safety risk.”
Even in the Arctic, microscopic particles of plastic are falling out of the sky with snow, a study has found.
The scientists said they were shocked by the sheer number of particles they found: more than 10,000 of them per litre in the Arctic.
It means that even there, people are likely to be breathing in microplastics from the air – though the health implications remain unclear.
The region is often seen as one of the world’s last pristine environments.
A German-Swiss team of researchers has published the work in the journal Science Advances.
The scientists also found rubber particles and fibres in the snow
(18) VIDEO OF THE DAY. “Date With Duke –1947” on Vimeo is a George Pal Puppetoon, restored by the UCLA Film and Television Archive, featuring Duke Ellington performing the “Perfume Suite.”
[Thanks to Hampus Eckerman, Mike Kennedy, Martin Morse Wooster,
JJ, Eric Wong, John King Tarpinian, Cat Eldridge, Rich Lynch, Chip Hitchcock, Alan
Baumler, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Andrew.]