Upon funding, Apex Magazine promises stories from a star-studded cast of award-winning genre writers such as Jordan Kurella (I Never Liked You, When I Was Lost), Suyi Davies Okungbowa (Son of the Storm, Warrior of the Wind), Christopher Rowe (These Prisoning Hills, The Navigating Fox), Sarah Hollowell (A Dark and Starless Forest), Sara Tantlinger (To be Devoured, Not All Monsters), and Aurelius Raines II (Luminescent Threads: Connections to Octavia Butler, Black Power: A Superhero Anthology).
Apex Magazine is an industry leader in the science fiction and fantasy literary magazine world and is headed by co-editor-in-chief Jason Sizemore and his new co-editor-in-chief Lesley Conner. Marissa van Uden, Rebecca Schibler, ZZ Claybourne, and Maurice Broaddus work as additional editors for the bi-monthly publication.
Apex Magazine is an online and digital zine of fantastical fiction publishing works over the last eleven years that is available in three forms: an every-other-month ebook edition, a free serialization of the issue’s content over a two-month period on their website, and a monthly podcast of narrated original short fiction.
“Uncanny features passionate SF/F fiction and poetry, gorgeous prose, and provocative nonfiction, with a deep investment in our diverse SF/F culture. We publish intricate, experimental stories and poems with verve and vision, from writers from every conceivable background. With the hard work of the best staff and contributors in the world,Uncanny Magazine has delivered everything as promised (or is in the middle of delivery) with our Years One, Two, Three, Four, Five, Six, Seven, and Eight Kickstarters. This year, the magazine has been recognized as a Hugo Award finalist, six stories have been recognized as Hugo Award finalists, five stories have been recognized as Nebula Award finalists (with one winning), and two stories plus the editors-in-chief have been recognized as World Fantasy Award finalists. We are deeply honored and grateful,” nine-time Hugo Award-winner Lynne M. Thomas says.
“We couldn’t have done all of this without the amazing support of our Kickstarter community, who we call the Space Unicorn Ranger Corps after our logo mascot. This is also their magazine; their support makes it possible for us to make all of this amazing content available for free on our website. We still feel Uncanny‘s mission is important, especially in these times. And hopefully, we will meet the stretch goals and be able to create a double-sized milestone 50th issue,” six-time Hugo Award-winner Michael Damian Thomas adds.
For the special double-sized milestone 50th issue, Uncanny has solicited original short fiction from Hugo, Nebula, Locus, and World Fantasy Award-winning and nominated authors and bestselling authors including: Aliette de Bodard, Christopher Caldwell, P. Djèlí Clark, A.T. Greenblatt, Mary Robinette Kowal, Ken Liu, Sarah Pinsker, Catherynne M. Valente, Fran Wilde, John Wiswell, Caroline M. Yoachim, and E. Lily Yu. (There will also be numerous slots for unsolicited submissions in the other 5 issues.) For the special double-sized milestone 50th issue, Uncanny has also solicited original essays by Javier Grillo-Marxuach, Sam J. Miller, Annalee Newitz, Diana M. Pho, Elsa Sjunneson, Arley Sorg, and Michi Trota, and solicited poetry by Betsy Aoki, Elizabeth Bear, Neil Gaiman, Theodora Goss, Brandon O’Brien, Terese Mason Pierre, Abu Bakr Sadiq, Sonya Taaffe, and Ali Trotta.
Uncanny Magazine issues are published as eBooks (MOBI, PDF, EPUB) bimonthly on the first Tuesday of that month through all of the major online eBook stores. Each issue contains 5-6 new short stories, a reprinted story, 4 poems, 4 nonfiction essays, and 2 interviews, at minimum.
Material from half an issue is posted for free on Uncanny’s website (built by Clockpunk Studios) once per month, appearing on the second Tuesday of every month (uncannymagazine.com). Uncanny also produces a monthly podcast with a story, poem, and original interview. Subscribers and backers will receive the entire double issue a month before online readers.
Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…
I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.
This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.
And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.
I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.
And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.
Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…
When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?
LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.
One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….
Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.
Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain.
ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:
“We found Dr. Seuss stories, once thought to be lost, that we’re bringing to you at a reasonable cost. Some tales are familiar, though not quite this way, but all fine examples of Seuss’s wordplay! We spruced them all up, and now are good times to rediscover his artwork and rhymes. We filled up a book to put on your shelf So that you can at last read them for yourself!” OY
Dr. Seuss Enterprises declined to comment on the story.
Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….
(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.
(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)
(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.
(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.
Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.
McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”
(9) MEMORY LANE.
1999 – [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons.
It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)
The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed companion back. Yes, both the cat and the princess are either immortal or of the undead.
The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF.
Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD.
However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.
I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.”
I think I’ll leave it there.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 11, 1930 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
Born May 11, 1936 — Gordon Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
Born May 11, 1952 — Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureaudidn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward.
Born May 11, 1976 — Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange Horizons, F&SF, and elsewhere.
(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.
Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.
You would be wrong.
For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.
…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.
The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”
The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”
The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…
(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.
BECCON was a series of biennial conventions in the 1980s: 1981; 1983; 1985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).
Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….
Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….
These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….
6. DOCTOR WHO’S TARDIS
WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).
Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.
“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”
Its properties are bizarre, but its time-travel abilities are appealing to real scientists.
“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”
Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.
“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.
(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!
Category: Sci-Fi Trilogies
Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.
No one could ask, What is T-2?
Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.
No one could ask, What is ‘The 3-Body Problem”?
(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.
Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….
It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.” Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”
[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
(1) PRESSING ON. Apex Book Company is seeking $6,200 to publish a print compilation anthology of all the original genre short fiction that appeared in their digital publication, Apex Magazine, during the 2021 calendar year. Their Kickstarter project, “Apex Magazine 2021 Compilation Anthology by Apex Publications”, at this writing has raised $2,376. The appeal runs through April 22.
Apex Magazine had an exceptional 2021. Seven of the zine’s stories made the Locus Magazine Suggested Reading List. The zine placed a story on the Nebula finalist list and won a Stabby Award. In October 2021, we published an issue dedicated to Indigenous authors. In December 2021, we dedicated an issue to international authors.
The anthology will include 48 stories from a diverse group of new and established writers and will feature the Apex Magazine Readers’ Choice Award-winning artwork “Entropic Garden” by Marcela Bolívar on the cover.
(2) SFWA STORYBUNDLE. The Science Fiction and Fantasy Writers of America (SFWA) has released its newest StoryBundle, Magic Awakens, for a limited time only, from April 6 to April 28. This StoryBundle offers a large selection of ebooks from independent and small press fantasy writers, and can be purchased at https://storybundle.com/fantasy.
If a smooth sea never made a skilled mariner, then a tranquil world never forged a powerful hero: Meet fourteen budding sorceresses, wizards, and magic wielders of all ages and types as they face horrible threats that force them to confront their nascent abilities and to strengthen their powers and themselves. Then join each character on their own thrilling adventure once the Magic Awakens!
SFWA StoryBundles are curated collections of ebooks offered at a steeply discounted price. Readers who purchase Magic Awakens will gain a rich collection of fantasy fiction and can opt to donate part of their purchase price to support SFWA’s ongoing work to promote and support speculative fiction genres and writers.
Readers may choose what price they want to pay for the initial four books, starting at $5. Spending $20 unlocks ten more books that they can receive with their purchase. Once April 28 passes, this particular collection will never be available again! Further details about how StoryBundle operates are available at https://storybundle.com/faq.
(3) CSI SPARKLE SALON. The second episode of the Science Fiction Sparkle Salon has been released by the Center for Science and the Imagination. It features sff authors Malka Older, Annalee Newitz, Arkady Martine, Amal El-Mohtar, and Karen Lord, and scientist Katie Mack, discussing a wide range of topics
Prime Minister Justin Trudeau’s government introduced legislation on Tuesday that would require companies like the parents of Google and Facebook to pay Canadian media outlets for allowing links to news content on their platforms.
Canadian publishers, many of which are struggling financially, have long pushed the government for such a measure, arguing that the advertising revenue that previously was the foundation of their businesses has overwhelmingly migrated to global online giants.
“The news sector in Canada is in crisis,” Pablo Rodriguez, the minister of Canadian heritage, said at a news conference. “This contributes to the heightened public mistrust and the rise of harmful disinformation in our society.”
Mr. Rodriguez said that 450 media outlets in Canada closed between 2008 and last year….
Thirty-seven years ago, Gary Colabuono saw his first ashcan. “And I did not know what they were,” he says now, decades after he began collecting, preserving and promoting these cheaply made, stapled-together black-and-white mock-ups made to secure a comic book title’s trademark and meant to be tossed into the trash.
Step into the world of Alan Moore’s incredible imagination and learn from the mastermind behind comics like From Hell, The League of Extraordinary Gentlemen and Swamp Thing, and novels including the modern literary classic Jerusalem. Learn about Alan Moore’s writing process and how he combines character, story, language and world-building to create the tales that have won him fans the world over. Ideal for aspiring fiction writers, this online course includes downloadable course notes to guide you on your own creative journey.
(9) NEHEMIAH PERSOFF (1919-2022). A prolific actor with over 200 screen and TV credits, Nehemiah Persoff died April 5 at the age of 102.
His first genre role was playing Ali Baba in an episode of Shirley Temple’s Storybook (1958). He worked constantly, with many appearances in other sff TV series: The Twilight Zone (“Judgment Night”; 1959), Voyage to the Bottom of the Sea, The Time Tunnel, The Man from U.N.C.L.E., Off to See the Wizard (voice), The Wild Wild West, Mission: Impossible, Land of the Giants, The Magical World of Disney, The Six Million Dollar Man, The Invisible Man, Wonder Woman, Logan’s Run, The Bionic Woman, Supertrain, Battlestar Galactica, Fantasy Island, Star Trek: The Next Generation, and he voiced Papa Mousekewitz in 1986’s An American Tail and two video sequels.
My dear Father, Like all really nice people, you have a weakness for detective stories, and feel that there are not enough of them. So, after all that you have done for me, the least that I can do for you is to write you one. Here it is: with more gratitude and affection than I can well put down here.
— A. A. Milne in his preface to The Red House Mystery
A century ago today, A.A. Milne’s The Red House Mystery was published by Methuen in the United Kingdom. This is his only mystery and it’s a most splendid Manor House mystery, one of the best ever written if I must so myself which I will. Milne tells the story of the mysterious death of Robert Ablett inside the house of his brother, Mark Ablett, while there was a party taking place. It’s a whodunit that’s wonderfully told.
That was written prior to Winnie the Pooh and was an immediate success with the reading public and critics alike. Alexander Woollcott of the New Yorker at the time called it “one of the three best mystery stories of all time” though he himself would later be judged harshly by Raymond Chandler who also disliked British mysteries in general. (Ahhh feuds among critics. Lovely things they are.) It has stood nicely the test of time and is still considered a splendid mystery.
It is now in the public domain so you can find it at the usual suspects for free though there are also copies being sold by publishers as well. Audible has four versions of the novel including a full cast production. I really should listen to that version.
If you interested in acquiring a first British edition, dig deep into your bank account as that will set you back, assuming that edition is on the market, at least thirteen thousand dollars currently.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 6, 1926 — Gil Kane. Artist who created the modern look and feel of Green Lantern and the Atom for DC, and co-created Iron Fist with Roy Thomas for Marvel. I’m going to single him out for his work on the House of Mystery and the House of Secrets in the Sixties and Seventies which you can find on the revamped and stripped-down DC Universe app. (Died 2000.)
Born April 6, 1935 — Douglas Hill. Canadian author, editor and reviewer. For a year, he was assistant editor of Michael Moorcock’s New Worlds magazine. I’m going to admit that I know more of him as a decidedly and to be admired Leftist reviewer than I do as writer, indeed he held the same post of Literary Editor at the socialist weekly Tribune as Orwell earlier did. Who here is familiar with fiction? He was quite prolific indeed. (Died 2007.)
Born April 6, 1937 — Billy Dee Williams, 85. He is best known for his role as Lando Calrissian in the Star Wars franchise, first appearing in The Empire Strikes Back. Other genre appearances include being Harvey Dent in Batman and voicing Two Face In The Lego Batman Movie. He also co-wrote with Rob MacGregor two SF novels, PSI/Net and Just/In Time which are available from the usual suspects.
Born April 6, 1938 — Roy Thinnes, 84. Best remembered for his role of David Vincent in The Invaders. He was also in The Horror at 37,000 Feet, The Norliss Tapes, Satan’s School for Girls, Battlestar Galactica, Dark Shadows (recurring role as Roger Colins) and Poltergeist: The Legacy.
Born April 6, 1942 — Anita Pallenberg. It’s not a long genre resume but she was in Barbarella as, I kid you not, Black Queen, Great Tyrant of Sogo, the chief villainess. Over forty years later, she had a minor role as Diana in a Grade B film 4:44 Last Day on Earth. Now I’m going to expand this Birthday by crediting her as the muse of the Rolling Stones which is surely genre adjacent, isn’t it? She was the lover of Brian Jones, and later, from 1967 to 1980, the partner of Keith Richards, with whom she had three children. Of course she appeared in that documentary about the Rolling Stones, Sympathy for the Devil. (Died 2017.)
Born April 6, 1944 — Judith McConnell, 78. Here for being in Star Trek’s “Wolf in the Fold” as Yeoman Tankris. Need I say what happened to her? Well you’d be wrong as she survived. (I looked it up to be sure as the body count was high.) She also during this time appeared on Get Smart in “The King Lives” as Princess Marta, and she’d much later be in Sliders for several episodes.
Born April 6, 1977 — Karin Tidbeck, 45. Their first work in English, Jagannath, a short story collection, made the shortlist for the Otherwise Award and was nominated for the World Fantasy Award. The short story “Augusta Prima”, originally written in Swedish, was translated by the author into English and won a Science Fiction & Fantasy Translation Award in the Short Form category.
(12) COMICS SECTION.
Bizarro really should be more impressed with The Mildly Surprising Spider-Man.
Mainly featuring heroes and villains in colorful costumes, comic book covers have succeeded in catching readers’ attention, but these covers are truly the best of the best. These are the 15 Greatest Covers in All of Comics.
(14) SKILL TREE. The latest episode of CSI Skill Tree series on video games, storytelling, worldbuiding, and futures thinking is now live, with SF author Ken Liu and video game designer Liz Fiacco discussing the 2020 game Cloud Gardens, a 2020 game about using plants to overgrow and transform abandoned post-industrial landscapes. This episode is presented in collaboration with Orion Magazine, a quarterly publication working at the convergence of ecology, art, and social justice. All nine Skill Tree episodes are available to view at this playlist.
…Dionysos: The New God is the last of O’Connor’s Olympians, a series of graphic novels he’s been writing and illustrating for the last 12 years. Each book retells the ancient Greek myths through the lens of one of the gods or goddesses, from Athena, goddess of wisdom, to Hephaistos, god of the forge.
O’Connor’s illustrations are bursting with action, humor and lots of details. He researched the ancient myths in order to get as close as possible to the original stories. That means his gods and goddesses are fierce, but also voluptuous, mischievous and even snarky. To him, the Olympians are a family of distinct individuals. “There’s certain personality traits that come to the fore,” he said….
(16) WILSON HONORED AT BOOKFEST. Author and musician Shane Wilson won two book awards at The BookFest this past weekend for his novel, The Smoke in His Eyes. The book placed second in Contemporary Fiction and third in Coming-of-Age Literary Fiction.
The Bookfest Awards honors authors who create outstanding works of fiction and nonfiction. Books are judged in categories based on genre, theme, and aesthetics. Books published in the past five years are eligible. Entries will be vetted by an initial team, then the final places will be determined by an elite team of experts in the literary and entertainment world.
Here’s what The Smoke in His Eyes is about:
When TJ—a musical prodigy—witnesses a traumatic event as a child, his senses are overrun with intense hallucinations. Over the years, his visions increase in frequency and intensity, but he hides them from those he is closest to, including his best friend and musical partner, Lila, who challenges TJ to reject formulaic creation in order to create something beautiful and unique. But when Lila signs a record deal, TJ feels left behind and alone with his art and his visions.
That’s when TJ meets an artist named Muna. In his eyes and visions, Muna is made of smoke, and as this magical woman helps him learn how to manage his visions and how to translate what he sees and hears into music and lyrics, she begins to disappear. His journey into Muna’s past is a journey to discover where inspiration originates and what happens to an artist when that inspiration is gone.
….Now, ten years later, Caiden and the Azura are legends, a one man, one ship, and one young Nophek crew doing good across the multiverse, staying ahead of the forces of Unity led by Abriss Centre, and dreading what will happen if her equally dangerous brother escapes his imprisonment. It’s getting harder for Caiden to escape Abriss’ traps, especially when Abriss has a trump card up her sleeve, one guaranteed to slow down Caiden enough to capture him and his remarkable ship…his long lost sister.
Welcome to Azura Ghost, the second Graven book from Essa Hansen….
In the first novel of this series, A History of What Comes Next (which I reviewed for this blog last year), we learned that the progress of science on this planet has always been secretly guided by the Kibsu, a humanlike species of superstrong, supersmart aliens whose genetic line split at some point in antiquity, with the female line dedicated to developing mathematics and teaching it to humans, and the male line sworn to hunting down their female counterparts as punishment for some supposed treason no one remembers anymore. For centuries, these aliens have been spreading both knowledge and death as each lineage pursues their mission while hiding in plain sight among us. The title of the series is Take them to the stars, but in that first novel the full meaning is revealed as Take them to the stars before we come and kill them all.
The newly released continuation, Until the Last of Me, displays the hallmark signs of Middle Book Syndrome: the plot gets a bit repetitive in the early chapters, feels a bit directionless toward the middle, and is suddenly hijacked at the end by the need to put all the pieces in position for the upcoming final confrontation….
Gowing up in the 80s and 90s, while a big fan of sci fi and fantasy, there weren’t a lot of female characters to identify with. The females typically lacked depth, didn’t have a lot of agency, or simply were there as a romantic interest. As I started developing my fantasy trilogy, I wanted to create a cast of female characters who were all different. They made jokes, made mistakes, got angry, got frustrated, weren’t always the ‘bookish smart’ one. I wrote because I wanted greater depth of characters for young girls reading these genres so that they could picture themselves in these worlds without having to be ultrasmart or beautiful or aggressively assertive…
Now through Inklings Publishing, she’s authored Descendants of Avalon (2018), Lost Daughters of Avalon (2019), and Prophecy of Avalon (2021). Her short story “The Girl from the Haunted Woods,” won second place in the “Journey into the Fantastical” Anthology contest.
Here’s the précis about Lost Daughters of Avalon (Awakenings Book 2):
After not hearing anything from their knights in Avalon for weeks, the horrible Questing Beast breaks through into the world and attacks Genie, Beth, Mei, and Whit. Their magic stirs to stop the monster, but Beth’s attempts fail. Help from Avalon arrives just in time to remove the curse and reveal a woman inside the beast who claims to be Genie’s biological mother.The four friends learn their knights had gone missing, along with one of Avalon’s queens, Viviane. An ancient evil runs amok in Avalon and the people blame the four friends, claiming they released Merlin to destroy their world. To clear their name and rescue their knights, the four friends must once again risk the dangers of Avalon. Genie, Beth, Mei, and Whit must pull together and learn to combine their powers of air, water, earth, and fire to rebalance the world they might have thrown into chaos. If they fail, the worlds of Avalon and Earth could destabilize and end life as they know it.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Stranger of Paradise: Final Fantasy Origin,” Fandom Games says that in this Final Fantasy spinoff you play Jack, “a character so edgy that he makes Jared Leto’s Joker seem like a birthday clown.” Jack’s the sort of character who responds to a demon saying, “I am” and interrupts him to say, “I don’t care who you are,” and starts punching the creature out. In fact, this game is so edgy that “it’s like a Monster energy drink come to life.”
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Joey Eschrich, Jason Sizemore, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
…Virago has pre-empted the first and only authorised biography of acclaimed science and speculative fiction author Ursula K Le Guin. It is written by Julie Phillips.
Rose Tomaszewska, editorial director at Virago, acquired UK & Commonwealth rights from Will Francis at Janklow & Nesbit on behalf of Melissa Flashman in the US.
Hearing of an auction to acquire the book in the US, the Virago team acted swiftly to pre-empt it, securing rights ahead of the US, which closed with Thomas Gebremedhin at Doubleday. Publication is slated for 2026.
Phillips is the award-winning author of James Tiptree, Jr (Picador) and The Baby on the Fire Escape (WW Norton & Co). After Phillips interviewed Le Guin for her biography of Tiptree (the pseudonym of science fiction author Alice B Sheldon), Le Guin invited Phillips to “rescue me from the vultures”.
Agreeing with Le Guin that the biography should be posthumous, Phillips spoke to her in-depth over several years and frequently visited her at her home in Portland, Oregon. …
(2) YOU BE THE JUDGE. [Item by SF Concatenation’s Jonathan Cowie.] 2000AD are not bad at running conventions. Their 40th anniversary convention in 2017 was quite something. And now, this past weekend, they held their 45th anniversary event — but on-line due to on-going CoVID concerns. Unlike many SF cons providing online content, 2000AD have made much of theirs easily accessible to the world at large. There is simply too much to report, but check out their YouTube channel for over a score of zarjaz videos. Nonscrots and thrill suckers go hide. Splundig.
Adopting the use of they is far from the last change we’re going to make in the language and none of what’s being said right now is going to be the last word on gender. Pay attention.
And no, you don’t get an exemption on account of age. Getting old doesn’t mean getting stuck in your rut. If you’re still writing or working or dealing with people in the world, you’re not too old to pay attention to the important changes around you.
Trust me on this one.
(4) ABOUT ALOPECIA. Will Smith’s violent response to Chris Rock’s joke about Jada Pinkett Smith’s baldness is being discussed everywhere, even in comments here. And I was personally surprised to see my daughter’s former dance teacher Alison Hooper Keslake being interviewed by the local ABC 7 News station about her experience with alopecia and her thoughts about the joke. I haven’t seen Alison for probably six years, which was just before she began dealing with the malady. She now goes bald, too. Video of her remarks can be seen on Facebook.
…When the final Harry Potter installment was published on July 21, 2007, bookstores across the U.S. celebrated with midnight release parties — some with booze, befitting a series whose earliest readers were now in their 20s. These parties took place at thousands of bookstores at a time that was, in retrospect, Peak Bookstore.
“That era, 1997 to 2007, was truly a sweet spot for readers,” Jenna Amatulli reminisced in HuffPost in 2017. “They watched the fandom bloom from nothing, lined up willingly outside of a physical store — oftentimes without a celebrity-sighting incentive — and read without the fear of a push-alert or Twitter spoiler.”
Even so, that HuffPost story, now five years old, may have played taps for the chain bookstore too soon.
Plenty of Millennials who grew up with a Waldenbooks, a Crown or a Borders have the same nostalgia for those chains that they feel for the malls that once contained them. At the same time, Gen Z is taking to TikTok to talk about books — driving billions of views as well as sales for authors’ backlists — and staging those videos at Barnes & Noble. B&N’s green-and-cream decor persists as an accessible symbol for books and, in a country recently starved for social interaction, a place where one day we will browse together again. Trends may come and go, but wooden shelves and squishy chairs will always mean, “Curl up with a book.”
In the early 1970s, Dave Goelz was an industrial designer working for Hewlett-Packard by day and obsessing over the puppets on Sesame Street in his spare time. Fifty years later, Goelz still has the dream job he left Silicon Valley to pursue. He’s the Muppet performer bringing life to Gonzo, Dr. Bunsen Honeydew, Waldolf, Zoot and others. We’ll talk about the creative alchemy of Jim Henson’s Muppet universe with Goelz as well as Henson’s biographer and the curator of Imagination Unlimited, an exhibit about Henson which opens this week at the Contemporary Jewish Museum in San Francisco.
Captain’s log. Using the light-speed breakaway factor, the Enterprise has moved back through time to the 20th century. We are now in extended orbit around Earth, using our ship’s deflector shields to remain unobserved. Our mission – historical research. We are monitoring Earth communications to find out how our planet survived desperate problems in the year 1968.
Fifty-four years ago on this evening, Star Trek’s “Assignment: Earth” first aired on NBC as part of the second season. Guest starring Robert Lansing as Gary Seven and Terri Garr as Roberta Lincoln, our crew which has time-travelled to 1968 Earth for historical research encounters an interstellar agent and Isis, his cat, who are planning to intervene in Earth history.
It was directed by Marc Daniels whose firsy break in the business was directing the first thirty eight episodes of I Love Lucy. (Remember where Trek was produced.) This was one of fifteen Trek episodes he’d direct. He won a Hugo at NYCon 3 with Gene Roddenberry for Best Dramatic Presentation for “The Menagerie”.
The story by Art Wallace and Gene Roddenberry. Wallace, who also did the teleplay, is best remembered for his work on the soap opera Dark Shadows. Oh and he did some scripts for Tom Corbett, Space Cadet.
It was intended as a pilot for an Assignment: Earth series that Gene Roddenberry planned but that never happened. That is interesting story as though Roddenberry’s intent was that Lansing and Garr would continue in the series if it was commissioned, but since NBC was not involved in casting the backdoor pilot, it could and well might have been that NBC would insisted on changes or even completely recast the series had it picked up.
Interesting note: The uncredited human form of Isis was portrayed by actress, dancer, and contortionist April Tatro, not Victoria Verti, actress (in Rosemary’s Baby under the name of Angela Dorian) and Playboy Playmate of the previous year, as would become part of Trek lore. Her identity was unknown until 2019 when The Trek Files podcast cited a production call sheet for extras dated the fifth of January for the year of broadcast.
For decades now, fans had believed that the very briefly seen human form of the cat Isis was portrayed by actress Victoria Vetri. Many articles and websites treat that belief as revealed truth. Recently Vetri herself confirmed that she was not in the episode. No idea why the rumor started.
Barbara Babcock, best remembered as Grace Gardner on Hill Street Blues, a most excellent series, was the Beta 5 computer voice (uncredited at the time) and she did the Isis’ cat vocalizations as well. Speaking of that cat, it was played by Sambo as you can see by this NBC memo. Interestingly Lansing though would later contradict that claiming that there were actually three black cats involved. I can’t confirm his claim elsewhere.
Though this back door pilot did not enter production as a television series, both Seven and Roberta were featured in multiple stories and they were spun-off into a comic book series from IDW Publishing, Star Trek: Assignment: Earth by John Byrne. And there was the excellent novelization of the episode that Scott Dutton did for Catspaw Dynamics. I’ve read it and it’s quite superb.
In addition, according to Memory Alpha, the source for all things Trek, “Seven and Lincoln have appeared in several Star Trek novels (Assignment: Eternity and the two-volume series, The Eugenics Wars: The Rise and Fall of Khan Noonien Singh by Greg Cox) and short stories (“The Aliens Are Coming!” by Dayton Ward in Strange New Worlds III, “Seven and Seven” by Kevin Hosey in Strange New Worlds VI and “Assignment: One” by Kevin Lauderdale in Strange New Worlds VIII).”
The plot concept of benevolent aliens secretively helping Earthlings was later resurrected by Roddenberry for The Questor Tapes film. That film was one of a series of television movies in which Roddenberry was involved — Genesis II, Planet Earth, Strange New World and Spectre. Need I say none made it past the stage of the initial television movie which served as a pilot?
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 29, 1943 — Eric Idle, 79. Monty Python is genre, isn’t it? If not, I know that The Adventures of Baron Munchausen, Yellowbeard, Monty Python and the Holy Grail (nominated at MidAmericaCon), Quest for Camelot, Shrek the Third and Nearly Departed, an updated version of Topper, which he all had a hand in certainly are. And it turns out he’s written a witty SF novel, The Road to Mars: A Post-Modern Novel, which involves an Android, comedy and interplanetary travel.
Born March 29, 1947 — Patricia Anthony. Flanders is one damn scary novel. A ghost story set in WW I, it spooked me for nights after I read it and I don’t spook easily. Highly recommended. James Cameron purchased the movie rights to her Brother Termite novel and John Sayles wrote a script, but the movie has not been produced. Cold Allies was a Compton Crook Award finalist for best first novel. (Died 2013.)
Born March 29, 1950 — Val Mayerik, 72. “Aw, clam up, bud! You don’t even know the meaning of the word! Finding yourself in a world of talking hairless apes–Now that’s absurdity!” —Howard the Duck. Mayerik is best known as the co-creator along with Steve Gerber of Howard the Duck. He first appeared in Adventure into Fear #19, a horror comic published by Marvel. However he was not Howard the Duck there as he had no name at all at this point – they named him later.
Born March 29, 1955 — Marina Sirtis, 67. Counselor Deanna Troi in the Trekverse. Waxwork II: Lost in Time as Gloria is her first true genre film role followed shortly by a one-off on the The Return of Sherlock Holmes series as Lucrezia. And then there’s her mid-Nineties voice acting as Demona on Gargoyles, quite possibly her best role to date. Skipping some one-offs on various genre series, her most recent appearance was on Picard where she and Riker are quite happily married.
Born March 29, 1956 — Mary Gentle, 66. Her trilogy of Rats and Gargoyles, The Architecture of Desire (an Otherwise nominee), and Left to His Own Devices, is a stunning work of alternate history with magic replacing science. Ash: A Secret History is superb, it won both a BSFA and a Sideways Award as well as being a finalist for a Clarke and a Campbell Memorial.
Born March 29, 1957 — Christopher Lambert, 65. He became famous by playing Tarzan in Greystoke: The Legend of Tarzan, Lord of the Apes. I however best remembered him as Connor MacLeod in Highlander in which he had one of the worst Scottish accents ever attempted. He’s the villain in the Ghost Rider sequel Ghost Rider: Spirit of Vengeance, but do we really have to mention that film? And I absolutely refuse to admit that the first Highlander film spawned a series of sequels. Shudder!
Born March 29, 1957 — Elizabeth Hand, 65. Not even going to attempt to summarize her brilliant career. I will say that my fav works by her are the Shirley Jackson Award winning Wylding Hall, Illyria and Mortal Love. And let’s by no means overlook Waking the Moon which won both a Mythopoeic Award and an Otherwise Award. Her only Hugo nomination was at Renovation for her “The Maiden Flight of McCauley’s Bellerophon” novella.
Born March 29, 1968 — Lucy Lawless, 54. Xena in Xena: Warrior Princess and Hercules: The Legendary Journeys, cylon model Number Three D’Anna Biers on that Battlestar Galactica series. She also played Countess Palatine Ingrid von Marburg, the last of a line of Germanic witches on the Salem series. Her most recent genre role was Ruby Knowby, one of the Dark Ones, on the Ash vs Evil Dead series. Though not genre, she was Lucretia in Spartacus: Blood and Sand, its prequel Spartacus: Gods of the Arena and its sequel Spartacus: Vengeance.
(10) AUDIOBOOK KICKSTARTER. Student Loans Paid in Blood is joined by The Cursed Apps, the second volume in the “Hardboiled Magic” series for a two audiobook set, currently funding on Kickstarter.
“You know how everyone threatened to write a book during COVID?” asks author Todd Allen. “I actually did and returned to the Hardboiled Magic series. I’ve been away for too long.”
The audiobooks are performed by Erik Braa, known as the voice of Draven in the League of Legends series.
The campaign runs through Wednesday, April 27. Todd Allen encouraged us to link to the over 60 minutes of sample chapters available on the campaign page.
What does an occult detective do when a mad god owes him money? Follow the trail into a world of student loans paid off by ritual blood sacrifice, of industrial espionage that comes from beyond the grave and where urban renewal leaves a trail of corpses.
Here’s the book’s inciting incident, in its entirety:
In a desperate bid to prevent being ousted from his own company, a startup founder accidentally draws the attention of necromancers looking to protect their secrets. Occult attention spills over from the founder to his shady investor, whose entire portfolio becomes infested as a food delivery app delivers vampires, a dating app transmigrates souls and a social media influencer’s video game creates literal zombie followers. Are the apps cursed or is something else in play? It’s tale of death and revenge set against a sardonic look at the tech world and venture capital.
…The dog-like robot is the latest in a series of technologies used as part of a broader project to better manage the archaeological park since 2013, when Unesco threatened to add Pompeii to a list of world heritage sites in peril unless Italian authorities improved its preservation….
A four-legged robot called Spot has been deployed to wander around the ruins of ancient Pompeii, identifying structural and safety issues while delving underground to inspect tunnels dug by relic thieves.
The dog-like robot is the latest in a series of technologies used as part of a broader project to better manage the archaeological park since 2013, when Unesco threatened to add Pompeii to a list of world heritage sites in peril unless Italian authorities improved its preservation.
Spot, made by the US-based Boston Dynamics, is capable of inspecting even the smallest of spaces while “gathering and recording data useful for the study and planning of interventions”, park authorities said.
The aim, they added, is to “improve both the quality of monitoring of the existing areas, and to further our knowledge of the state of progress of the works in areas undergoing recovery or restoration, and thereby to manage the safety of the site, as well as that of workers.”
(12) THUMBS UP, THUMBS OUT. [Item by Martin Morse Wooster.] Douglas Adams talks about So Long And Thanks For All The Fish and chats about a “forthcoming” Hitchhikers film that never appeared in his lifetime in this clip from the David Letterman Show in 1985.
(13) A MOMENT OF PEACE. Peter Capaldi in 2016 reads a letter by British Captain Reginald John Armes to his wife about the Christmas Truce of 1914 during World War I.
On Christmas Eve of 1914, five months into World War I, something amazing happened: thousands of British and German troops on the Western Front decided to put down their weapons and greet each other peacefully. For the next few days, 100,000 men, British and German, chatted, exchanged gifts, sang carols, played football. They also, without fear, were able to buried their dead. On the evening of December 24th, the first day of the truce, Captain ‘Jack’ Armes wrote to his wife and described this incredible occurrence.
(14) THAT’S THE SPIRIT. Ghostbusters: Spirits Unleashed is a new game. Here’s the Official Reveal Trailer.
(15) VIDEO OF THE DAY. Fanac.org has posted video of Rich and Nicki Lynch’s Mimosa 3.5 – a “live fanzine” done as a panel at Chattacon XIII on January 16, 1988. (You also can read the script in the PDF copy of Mimosa 4 hosted by the FANAC archive.)
Beginning with Doug Chaffee drawing the “cover” on camera, and ending with WAHF (“We Also Heard From”) excerpts from letters of comment, this recording really is Mimosa Live. Mimosa, edited by Rich and Nicki Lynch, was nominated for the Best Fanzine Hugo 14 times between 1991 and 2004, and won 6 times.
Articles in Mimosa 3.5 are read/performed by Chattacon guests Ron Goulart (who also draws another cover), Jack Chalker and Maurine Dorris. Julius (Julie) Schwartz makes an appearance with “The Amazing Flying Wollheims”. You’ll also see a very young Pat Malloy, Eva Chalker and others.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, David K.M. Klaus, SF Concatenation’s Jonathan Cowie, Todd Allen, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) THIS IS WILD. Brandon Sanderson invites you to watch as “We Back Every Publishing Kickstarter*”. As one commenter said, “Never thought I would watch a 30+ minute video of someone funding Kickstarters.” I had to watch the whole thing myself!
Today we are going to do something awesome. The Kickstarter has been successful beyond my wildest dreams, so I got my team together and I said what can we do to give back a little to this community that has supported us so well? So we are going to back every single Kickstarter in the publishing category. This is going to be awesome. …And indeed, some of these we’re going to pull out and we’re going to talk about why we’re backing them and what’s cool about them and so we’re going to do a time lapse for you and you can watch in real time as we back these all…
In the middle of this, the Sanderson team tripped over a previously unknown-to-them Kickstarter function which sends all of their own backers an email every time they back another one. After a load of emails had gone out Kickstarter locked up their account! The team had to open a new account to keep going. (At first they worried that — doing the multiplication – they had unintentionally generated nine million emails. They soon learned it was a lot less – the emails only go to those who opt-in to receive such notices.)
(2) ELDEN RING. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews FromSoftware’s release The Elden Ring.
Here is the DNA which defines a FromSoftware game: difficulty which borders on masochism; finely-tuned combat that rewards patience; and storylines told through text that necessitates elucidation in YouTube explainers. Elden Ring continues the tradition, weaving the classic ingredients through a storyline written with the assistance of Game of Thrones author George RR Martin. You are ‘a Tarnished,’ tasked with venturing across the decaying ‘Lands Between to reunite pieces of a broken ring and become the ‘Elden Lord.’
It doesn’t matter. For most players, the plot will come a distant second in a bold change in the FromSoftware formula: a vast open world of great beauty where almost everything wants to kill you. While the graphics look dated by current standards, the design is stunning: misty forests, golden cities, and rotting red deserts you race past on your trusty spirit-horse, Torrent.
Russian premier Vladimir Putin has delivered a TV address in which he claimed the West is “trying to cancel” his country.
During a deranged-sounding rant, translated and broadcast by Sky News, Putin at one point said that Harry Potter author JK Rowling had been similarly cancelled “just because she didn’t satisfy the demands of gender rights”….
JK Rowling has hit back at Vladimir Putin, after the Russian president cited her in a wide-ranging speech that saw him criticise “cancel culture”.
At a televised meeting on Friday, Mr Putin compared recent criticism of the Harry Potter author to that faced by pro-war Russian composers and writers.
In response, Ms Rowling denounced the invasion of Ukraine in which she said Russia was “slaughtering civilians”.
Rowling has been criticised for her views on transgender issues.
“Critiques of Western cancel culture are possibly not best made by those currently slaughtering civilians for the crime of resistance, or who jail and poison their critics,” the Harry Potter author wrote on Twitter.
In the lengthy speech, which was given to the winners of various cultural prizes, President Putin claimed Russian composers and writers were being discriminated against.
By large majorities, American say they oppose recent efforts to remove books from schools and libraries, and say they trust in librarians to make appropriate collection decisions. The news comes from a national poll commissioned by the American Library Association, released this week at the Public Library Association conference in Portland, Ore.
Amid a proliferation of new legislation in some states and an uptick in efforts to ban books nationwide, the ALA poll found that 71% of voters oppose efforts to remove books from public libraries, including majorities of voters across party lines. Furthermore, 74% of parents of public school children expressed “a high degree of confidence” in school librarians to make good decisions about which books to make available to children. The poll also found librarians to be held in high in their communities….
(5) COVER REVEAL. [Item by Bence Pintér.] Valancourt Books unveiled the cover for Attila Veres’s debut collection in English: The Black Maybe. Attila is the top Hungarian weird/horror author, I am really glad to see him published in the US. The book will be released in October.
…This volume collects ten of his best tales in English for the first time, ranging from weird fiction like ‘In the Snow, Sleeping’, in which a couple’s vacation to a health spa erodes into a surreal nightmare, to folk horror like ‘Return to the Midnight School’, in which the things that emerge from the soil in one rural farming community are bizarre and horrific, to Lovecraft-inspired tales like ‘Multiplied by Zero’, written as a wry travelogue in which a man sets out on a deadly holiday tour to explore Lovecraftian landscapes. And in the title story ‘The Black Maybe’, which Steve Rasnic Tem calls ‘one of the weirdest tales I’ve read in years’, a girl and her family escape the bustling city to experience farm life, only to discover with unimaginable horror the truth of what is really being harvested there….
(6) ESSAY: FRITZ LEIBER’S HUGOS. [Item by Cat Eldridge.] I recently listened to one of the audio versions of Fritz Leiber’s The Big Time, the one narrated by Suzanne Toren, which was his first Hugo win for Best Novel or Novelette at Solacon (1958). It would be the first of six Hugos and two Retro Hugos that he would garner in a long and distinguished career. (A movie based on one of his books also won.) So let me recount these.
After the win for The Big Time, he next picked two nominations at Detention (1959), one for a novelette, “A Deskful of Girls” and one for a short story, “Rump-Titty-Titty-Tum-TAH-Tee” (and may I say that I really, really love that title?); another short story, “Scylla’s Daughter”, was nominated at Chicon III (1962), the same year he picked a Special Award for “The Use of SF in Advertisements”. Anyone care to tell me about this award pretty please?
At the first DisCon (1963) he picked up a short story nomination for “The Unholy Grail”. Also nominated for Best Dramatic Production that year was Burn, Witch, Burn, also known as Night of the Eagle, which as you know is based off Leiber’s Conjure Wife,
Loncon II (1965) saw The Wanderer novel pick up a Hugo, and “Stardock” was a finalist at Tricon (1966) as a short story nominee. “Gonna Roll Them Bones” picked up the Novelette Hugo at Baycon (1968) with “Ship of Shadows” garnering the Best Novella at Heicon ’70.
The first Noreascon (1971) would see his “Ill Met in Lankhmar” novella win a Hugo. (I truly love those stories, one and all.) And then the first Aussiecon (1975) would see his “Midnight by the Morphy Watch” novelette nominated for a Hugo and the next year at MidAmeriaCon (1976), his “Catch That Zeppelin!” short story won a Hugo.
That’s it for Hugos, though there’s the matter of Retro Hugos too. L.A. Con III (1996) would see his Destiny Times Three novel nominated and Millennium Philcon saw the “Coming Attraction” short story likewise. Another short story, “The Sunken Land”, got nominated at Worldcon 76 (2018). At Dublin 2019, where two of his novels were on the Retro Hugo ballot, Conjure Wife outpolled Gather, Darkness for Best Novel, while his “Thieves’ House” novelette was also a finalist.
His last Retro Hugo was CoNZealand (2020) for Best Fan Writer. He’d also get a nomination that year for Best Related Work for The Works of H. P. Lovecraft: Suggestions for a Critical Appraisal.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 25, 1927 — Sylvia Anderson. Film producer, writer, voice actress and costume designer, best known for her collaborations with husband Gerry Anderson on such Supermarionation series as Thunderbirds, Supercar, Fireball XL5 and Stingray. She was responsible for much of the actual shows and the characters on them, in particular creating the iconic characters of Lady Penelope and Parker in Thunderbirds. (Died 2016.)
Born March 25, 1920 — Patrick Troughton. The Second Doctor, of course. Troughton had a long genre resume starting with Hamlet and Treasure Island early on before proceeding to such works as Scars of Dracula and Frankenstein and the Monster from Hell later on. Telly-wise, I see him on R.U.R. Radius playing a robot, on a Fifties Robin Hood show being that character, and later on in The Feathered Serpent, a children’s series set in pre-Columbian Mexico where he starred as the scheming High Priest Nasca. H’h (Died 1987.)
Born March 25, 1939 — D. C. Fontana. You know that I’m not going to be able to give her complete précis here? She’s that complex a writer and producer, so I’m sticking to her writing side here. She’s first of all a script writer and story editor, best known for her work on the original Trek franchise but she was also involved on Logan’s Run, The Six Million Dollar Man, and Buck Rogers in the 25th Century. She was a story editor on the short-lived Fantastic Journey, and so many revisions made to her script for Battlestar Galactica’s “Gun on Ice Planet Zero” that her name is nowhere near it. Oh, and she created the story that became “Encounter at Farpoint”. Impressive that. My absolute favorite work by her is “The War Prayer” episode for the first season of Babylon 5, based on a idea by Straczynski. She even wrote an episode of the series Reboot! (Died 2019.)
Born March 25, 1942 — Richard O’Brien, 80. He wrote The Rocky Horror Show forty-nine years ago which has remained in almost continuous production globally. He also co-wrote the screenplay of The Rocky Horror Picture Show film which came out just two years later. He appears in the film as Riff Raff. He’s in Casino Royale as a stunt performer and in the 1980 Flash Gordon as Fico. The Robin of Sherwood series had him in a recurring role as Gulnar.
Born March 25, 1942 — Jacqueline Lichtenberg, 80. She was nominated at the second DisCon for Best Fan Writer, the year Susan Wood won, and Neffy (National Fantasy Fan Federation Speculative Fiction Award) for Fan of the Year thirty-four years later. She’s written a number of Trek works and more fiction in the Sime/Gen ‘verse which I hadn’t known existed until now. If you’re so interested in the latter, she’s extremely well stocked at the usual suspects.
Born March 25, 1947 — Paul Levinson, 75. “The Copyright Case” novelette would garner him a much deserved HOMer Award. It was the first work in a series of novels and short stories featuring the fascinating NYPD forensic detective Dr. Phil D’Amato who first appeared in Levinson’s “The Chronology Protection Case” novelette. You can purchase it from the usual digital sources.
Born March 25, 1964 — Kate DiCamillo, 58. She is one of only six people to win two Newbery Medals for her novels The Tale of Despereaux and Flora & Ulysses. I’m not familiar with the latter work, but the former is a wonderful read that got turned into a remarkably good film as well, something that but rarely happens alas.
We’re pleased to offer collectors nearly 400 lots of Prince Valiant artwork from the estate of John Cullen Murphy, the man handpicked by creator Hal Foster to continue Val’s epic journey of adventure, romance and bravery. Never before have so many lots of original Prince Valiant art been available at auction, ranging from preliminary sketches by Hal Foster, to full-page strips by John Cullen Murphy from the 1970s to 2000s. The result is a feast for the eyes and heart, the grand illustrations that Prince Valiant is known for, coupled with the characters and tales that have captivated millions of fans the world over.
Over the decades, part of what has made the Star Wars franchise so interesting to its fans is the slew of questions that have arisen from the films. While some of them were answered in future movies and TV shows, others remained largely unanswered or unexplored in any form of media. However, that doesn’t mean that there may not be some history to it in some way, and a great example of that fact can be found in C-3PO’s silver leg from the Original Trilogy.
In an interview with Threepio actor Anthony Daniels, he explained the various changes and updates to his suits over the years and how they’ve adapted over time. For example, when he reached The Empire Strikes Back, he discussed how his shin was never gold but a shade of silver. While it was easy to see on the action figures, most of A New Hope and The Empire Strikes Back made it far more challenging to see. But Daniels also explained some clever behind-the-scenes reasons as to why the leg appeared gold on camera….
The fearsome boa constrictor (Boa constrictor) lives up to its name. Whenever it’s hungry, the 4-meter-long snake wraps itself around rodents, birds, or even pigs, literally squeezing the life out of them. So why don’t boas collapse their own lungs in the process?
To find out, scientists strapped a blood pressure cuff (like the one your doctor uses) around the midsections of eight boas in their lab….
… Through the Guide to the Farroe Islands website, fans of Ian Fleming’s legendary creation can now book what’s being called “the official James Bond tombstone tour.” On this seven hour excursion, a guided tour will take participants through the sights and sounds of Kalsoy island, where No Time To Die filmed its sequences involving the evil lair of Rami Malek’s Safin. The main attraction is the very spot where James Bond stood in his last moments, as that is now the spot of a tombstone honoring the man himself….
First came the rhinestone-encrusted rotary. Then the cherry-red lips. After that, the cheeseburger.
By last summer, Chanell Karr had amassed a collection of six landline phones. Her most recent, an orange corded model made as a promotional item for the 1986 film “Pretty in Pink,” was purchased in June. Though she only has one of them — a more subdued VTech phone — hooked up, all are in working order.
“During the pandemic I wanted to disconnect from all of the things that distract you on a smartphone,” said Ms. Karr, 30, who works in marketing and ticketing at a music venue near her home in Alexandria, Ky. “I just wanted to get back to the original analog ways of having a landline.”
Once a kitchen staple, bedside companion and plot device on sitcoms such as “Sex and the City” and “Seinfeld,” the landline phone has all but been replaced by its newer, smarter wireless counterpart….
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Spider-Man–Best Picture Summary,” the three Spider-Men make fun of the Best Picture nominees. With The Power Of The Dog, they say, “You want Dr. Strange acting like a jerk? We have that!”
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Melanie Stormm, Chris Barkley, Rob Thornton, SF Concatenation’s Jonathan Cowie, Bence Pintér, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]
Multiple resignations from the editorial departments at two big houses caused an online reckoning on Friday. Four editors, Angeline Rodriguez and Hillary Sames at Orbit, Erin Siu at Macmillan Children’s, and Molly McGhee at Tor all announced their resignations, leading to a discussion about the workload of junior and mid-level employees and the difficulty of advancement across the industry. The online exchange brought into the open the frustrations of increased workload, burnout and turnover that have been brewing as the pandemic continues. Those feelings are intensified as big publishers report record sales and earnings, even as multiple people report on Twitter they believe their employers are not sufficiently reinvesting those proceeds in additional staff, systems and raises.
At the heart of the discussion was McGhee’s resignation letter which she posted on Twitter….
… On March 11, McGhee joined a group of junior and midlevel employees who exited the publishing industry, blaming low pay, unrealistic workloads and burnout. For context: It is extremely difficult, if not impossible, to live in or near New York City (epicenter of bookmaking) on an entry-level publishing salary. Add school loans, subtract a second job or additional subsidy and you risk being factored out of a career in letters before the ink on your college diploma has had a chance to dry.
“As some of you may have heard, today is my last day at Tor Books,” McGhee wrote in the resignation letter she shared on Twitter. “My promotion request was denied, and as such I am leaving as my first acquisition (the marvelous THE ATLAS SIX by Olivie Blake) debuts at number three on The New York Times Bestsellers List.” She goes on, “Making the NYT is a career high for an editor. It is rare for an assistant to do so and, by all accounts, this should be ‘a great beginning’ and not a heartbreaking end.”
McGhee also cites “the invisibility of the junior employee’s workload” as one of her reasons for leaving Tor. As Blake writes in her novel, “We are the gods of our own universes, aren’t we?” Indeed we are. But gods cannot live on ramen alone….
(2) ESA AND ROSCOSMOS BREAKUP. The European Space Agency has suspended the ExoMars rover after Russia’s invasion of Ukraine. The ESA ruling council “acknowledged the present impossibility of carrying out the ongoing cooperation with Roscosmos on the ExoMars rover mission with a launch in 2022” – “ESA – ExoMars suspended”.
As an intergovernmental organisation mandated to develop and implement space programmes in full respect with European values, we deeply deplore the human casualties and tragic consequences of the aggression towards Ukraine. While recognising the impact on scientific exploration of space, ESA is fully aligned with the sanctions imposed on Russia by its Member States.
ESA’s ruling Council, meeting in Paris on 16-17 March, assessed the situation arising from the war in Ukraine regarding ExoMars, and unanimously:
acknowledged the present impossibility of carrying out the ongoing cooperation with Roscosmos on the ExoMars rover mission with a launch in 2022, and mandated the ESA Director General to take appropriate steps to suspend the cooperation activities accordingly;
authorised the ESA Director General to carry out a fast-track industrial study to better define the available options for a way forward to implement the ExoMars rover mission.
Following the decision by Roscosmos to withdraw their personnel from Europe’s Spaceport in French Guiana, all missions scheduled for launch by Soyuz have been put on hold. These concern essentially four institutional missions for which ESA is the launch service procurement entity (Galileo M10, Galileo M11, Euclid and EarthCare) and one additional institutional launch.
Consequently, the ESA Director General has initiated an assessment on potential alternative launch services for these missions, which will include a review of the Ariane 6 first exploitation flights. A robust launch manifest for ESA missions’ launch needs, including for spacecraft originally planned for launch by Soyuz from Kourou, will be submitted to Member States.
… The strife is impacting otherworldly missions as well: Consider Russia’s nascent Venera-D mission, a proposed orbiter and lander meant to blast off for Venus in 2029. The U.S. had been considering allowing NASA to collaborate on Venera-D, perhaps by contributing scientific instruments. But, citing retaliatory sanctions, Russia’s space leadership deemed continued U.S. participation in the project “inappropriate.”…
Stacey Abrams just boldly went where no Georgia gubernatorial candidate has gone before.
Abrams, the Georgia politician who’s running for governor of the state this year, had a surprise cameo in the latest episode of Star Trek: Discovery, appearing as the president of United Earth.
A scene at the end of the season four finale, “Coming Home,” introduces the United Earth president, and Abrams gets several lines, announcing that “United Earth is ready right now to rejoin the Federation, and nothing could make me happier than to say those words.” She also has a discussion with Discovery‘s main character, Michael Burnham (Sonequa Martin-Green), about Earth rejoining the Federation, and this scene closes the episode….
Sky has released the official teaser trailer for Steven Moffat’s adaptation of The Time Traveler’s Wife, which will air on Sky Atlantic and NOW in May.
… The six-episode series is the second major adaptation of Audrey Niffenegger’s popular novel of the same name, following the 2009 film starring Rachel McAdams and Eric Bana, once again telling the story of a marriage that threatens to be torn apart by time travel. Alongside Leslie and James, the cast also includes Desmin Borges, Natasha Lopez, Kate Seigel and Michael Park.
Of course, it’s not Moffat’s first time dealing with time travel – following his hugely successful stint as Doctor Who showrunner between 2009 and 2017 – but he’s been on record to explain that the two shows share little in common beyond that superficial similarity.
(6) I’VE SEEN THAT FACE BEFORE. [Item by Olav Rokne.] Well, this will certainly be out of the price range of us mere mortals… Virgil Finlay’s “Portrait of Robert A. Heinlein” will be up for auction on April 15. “This lot is accompanied by a letter signed by the artist and dated August 5, 1953.”
(7) MEDIA BIRTHDAY.
2006 — [Item by Cat Eldridge]Doctor Who ended back in 1989 when the Seventh Doctor as played by Sylvester McCoy had his final story, “Survival.” No indication was given beforehand that the show was being cancelled.
A year after the BBC revived by the show in the UK, Doctor Who returned in the U.S. “Rose” was broadcast in the States on March 17, an episode named for the Billie Piper character who was the first modern companion. Christopher Eccleston played the Ninth Doctor. Briefly. Note that there is no regeneration scene here. Of course as we know there were other Doctors between the Seventh Doctor and this Doctor. Indeed the numbering is suspect, isn’t it?
So how was the reception for this new Who? The New York Times liked it: “In most previous versions of the show, so little was going on between the Doctor and his female companions that fans took to making up sex scenes on the Internet, much the way ‘X-Files’ buffs tried to fantasize a little action between Scully and Mulder. But between the Doctor and Rose there is genuine, old-fashioned chemistry, and their interaction, which occasionally takes on the aspect of screwball comedy, is much the best thing in the show.”
And Radio Times succinctly put it, “Think big. Think bold. Think fantastic! For the very first time, Doctor Who achieves a perfect blend of big screen and small screen.”
Season One over at Rotten Tomatoes holds a near perfect ninety-six percent rating among audience reviewers.
The entire new series is streaming on HBO Max. The older series is on a number of streaming services of a British nature.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 17, 1846 — Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin, Rosa Mulholland’s Puck and Blossom and Bret Harte’s Pirate Isle. (Died 1901.)
Born March 17, 1906 — Brigitte Helm. German actress, Metropolis. Her first role as an actress, she played Maria and her double, the Maschinenmensch, plus several uncredited roles as well. She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and antisemitic. (Died 1996.)
Born March 17, 1945 — Tanya Lemani, 77. Iranian-born actress who is one of the victims of Star Trek’s “Wolf in the Fold” as the dancer Kara. She has appeared on the original Fantasy Island, Get Smart, I Dream of Jeannie, The Bionic Woman, and The Man from U.N.C.L.E. in one-offs.
Born March 17, 1933 — Penelope Lively, 89. I’ve actually mentioned her before as Catherine Butler did a work in part on her, Four British fantasists: place and culture in the children’s fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper. She’s here because I’m very fond of one of her novels, The Wild Hunt of Hagworthy, having a great liking for fiction about that story. She’s won the Booker Prize for Moon Tiger and the Carnegie Medal for British children’s books for The Ghost of Thomas Kempe.
Born March 17, 1941 — Paul Kantner. A founder of Jefferson Airplane which would become Jefferson Starship. The Dragonfly album, particularly “All Fly Away” and “Hyperdrive” is very genre as well as much of the Jefferson Airship output is genre. “Hyperdrive” would be used in the opening ceremonies at MidAmeriCon (1976). (Died 2016.)
Born March 17, 1947 — James Morrow, 75. Author of the most awesome Godhead trio whose first novel, Towing Jehovah, won a Nebula and a World Fantasy Award and was nominated for a Hugo at Intersection. I’m also impressed by The Last Witchfinder as it’s told by a sentient book, Isaac Newton’s Principia Mathematica!
Born March 17, 1948 — William Gibson, 74. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. He won a Hugo at Aussiecon Two for Neuromancer, his only such win, though he had other nominations including for the other two novels in the Sprawl trilogy.
Born March 17, 1951 — Kurt Russell, 71. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good and he’s fantastic in it.
Featuring celebrity fans and legendary creators, The Galaxy’s Greatest will stream online and for free on 26 and 27 March on 2000 AD’s social media channels and YouTube, and Rebellion’s dedicated Twitch stream.
The two-day show will feature top flight guests on more than a dozen panels, all discussing the impact of 2000 AD on comics and culture over almost half a century, as well as announcements and new merchandise.
… The event will throw a spotlight on the people who have helped make 2000 AD the galaxy’s greatest comic, with creators both new and legendary sharing their stories and insights on the comics-making process — including a feature interview with the co-creator of Judge Dredd and Strontium Dog, John Wagner, as well as panels with Garth Ennis (The Boys, Preacher), Rob Williams (Suicide Squad), Alex de Campi (Archie vs Predator), Sean Phillips (Criminal), Anna Morozova (Judge Anderson), John McCrea (Hitman), Dan Cornwell (Rok of the Reds), Aleš Kot (Zero), and more to be announced.
The next 45 years of 2000 AD will also be discussed with owners and publishers Chris Kingsley OBE and Jason Kingsley OBE, and current editor Matt Smith – now the longest serving editor in 2000 AD history….
…The Donna Noble star has been heavily linked with a return to the sci-fi show in recent months, with rumours that she might rejoin the cast for the upcoming 60th anniversary special.
And she addressed those rumours during an appearance on The One Show to promote her new film The Nan Movie, telling Jermaine Jenas that she “probably started a lot of them” herself.
“What can I tell you? No, I wish it was [true],” she said. “Well, no one’s been in touch.”
But she added: “I’m on the same number, I’d just like to say. So, if you’ve got the money, I’ve got the time.”
(12) OCTOTHORPE. John Coxon has COVID, Alison Scott wanted to do a podcast, and Liz Batty had no better offers. So it’s a short episode of the hosts answering Cora Buhlert’s questions. Listen to Octothorpe 53 here: “It Was John’s Idea”.
…We were at Zuma Beach on the kind of warm March afternoon that New York readers would surely prefer I not dwell on, and Villeneuve’s Oscar-nominated sound editors Mark Mangini and Theo Green were nearby, pouring cereal into the sand. This wasn’t meant to provoke any sea gulls; Mangini and Green wanted to demonstrate the sound-gathering techniques they used to enliven Arrakis, the desert planet where the “Dune” hero Paul Atreides (Timothée Chalamet) discovers his destiny.
“One of the most compelling images in the film is when Paul first steps foot onto the planet,” Mangini said. Since the sand on Arrakis is laced with “spice,” a valuable and hallucinogenic substance, the sound designers had to find an audible way to convey that something special was underfoot.
By way of explaining it to me, Mangini ground his work boot into the soft patch of sand that he had dusted with Rice Krispies. The sand produced a subtle, beguiling crunch, and Villeneuve broke out into a big smile. Though he’d heard it plenty of times in postproduction, he had no idea what the sound designers had concocted to capture that sound.
“One of the things I love about cinema is the cross between NASA kind of technology and gaffer tape,” Villeneuve said. “To use a super-expensive mic to record Rice Krispies — that deeply moves me!”…
(14) FLY LIKE AN EAGLE. [Item by Mike Kennedy.] Time keeps on slippin’, slippin’, slippin’ into the future… At least that’s what the Steve Miller Band assured me in their 1976 hit Fly Like an Eagle. Perhaps they assured Elon Musk the same thing (though he’d only have been 5 at the time).
In 2016, Musk told us that humanity would land on Mars by 2024. In late 2020, he revised the landing date to 2026. Now he’s telling us 2029. This is hardly the first time that Musk has been forced to change projections for one of his ventures. Nor is it the first time a targeted date for anyone’s space launch has slipped.
To me, 2029 still seems ambitious given where we are. But, if Musk (or someone else) does manage to hit that date, it’ll be 60 years after the Eagle landed on the Moon. Assuming I live that long (and am still compos mentis), it’d be extraordinary to witness both landings in one lifetime. “Elon Musk Has New Estimate for When Humans Might First Step on Mars” at CNET.
… Starship, which SpaceX is designing to take astronauts to the moon for NASA and eventually to Mars, has made some successful high-altitude flights, but has yet to make it to space.
Musk has made noise over the past two years about federal launch regulations slowing the process of reaching Mars and recently even floated the specter of bankruptcy if SpaceX isn’t able to produce Starship’s raptor engines more rapidly.
Unsurprisingly, getting to Mars takes planning. As Mars and Earth move around the sun, the two planets move closer to one another and then farther away again. To take advantage of the times when the trip between the two worlds is shortest requires launching during certain windows. The ideal Mars launch windows for this decade are later this year, late 2024, late 2026 and late 2028/early 2029.
It’s looking as though Musk’s initial ambitions may have been overly optimistic. If his target date slips much further, into the 2030s, it will be more in the ballpark of when NASA has always been aiming in terms of sending the first astronauts to Mars….
(15) BEHIND THE LINES. Enjoy “Greener Grass” a Star Wars short film made with Unreal Engine 5.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Prisoner of Azkaban Pitch Meeting” Ryan George says in the third Harry Potter movie, Voldemort isn’t around but Dumbledore still gets to give his annual address on the many ways Hogwarts students can die. And when asked why Hogwarts could produce a book of monsters that is an actual monster, the writer answers, “It’s clear wizards don’t have any consumer protection laws.”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Rich Horton, Gary Farber, Olav Rokne, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]
… If the past is any indication, however, these big Kickstarters increase the people who watch the category and, to use the cliched phrase, they will become the rising tide that will lift all boats.
That’s the small picture.
The larger one? Smart traditionally published bestsellers should be looking closely at this. Smart unpublished writers should use this as a wake-up call.
Traditional publishing will never pay its writers tens of millions for unnamed projects. Traditional publishing can barely afford the million-dollar advances these days.
And please, remember, the Kickstarter numbers are only the beginning of the earnings on these books. These books will live for decades. Brandon will earn money on them for decades—without licensing any of the copyright to some gigantic corporate entity that does not have his best interest at heart.
Also, remember that this Kickstarter is advertising. It’s introducing millions of readers to Brandon Sanderson. These new readers are asking Who is this guy and why is he getting so much money? What are these new readers going to do? Why, they’re going to buy a backlist book and try to read it before the Kickstarter ends.
His published book sales are going to increase dramatically. So the tens of millions he’s earning on the Kickstarter does not count the other ways this Kickstarter is benefitting him financially. Nor is it counting the promotion value that he’s getting from projects that he felt inspired to write.
There’s a lot more to unpack—from some of the innovations he’s doing to the impact on the fantasy and science fiction field. But for the moment, I’m stopping here.
If you’re one of the sour grapes people, perhaps you should ask yourself why you’re being so very negative. Are you jealous? Or scared?
The rest of you should watch what happens next. This is a very big deal. For all of us.
(2) KDP WTF. Philip Beaufoy, author of the Lochwood Series, is another casualty of a sudden and unexplained Kindle Direct Publishing account closure.
… I see romance everywhere, on all levels, and it makes me love the books I read even more. There are books without romance, that don’t need romance, and readers that are perfectly happy without it. But borrowing from the romance genre can strengthen a story and the readers’ connection to the characters.
We all want to craft memorable characters, and the strong ones can become more enduring with a partner—two are stronger than one, as the adage goes. Princess Leia and Han Solo from Star Wars—closely followed by Ben and Rey. Paul and Chani from Dune. Nahri and Ali from S.A. Chakraborty’s Daevabad Trilogy. K and Chloe from Terry Miles’s Rabbits. Euthalia and Conrí from Jeffe Kennedy’s Forgotten Empires series. Niko and Petalia from Cat Rambo’s You Sexy Thing. Some of those names may strike a romantic chord within you?…
Shortly after Disney CEO Bob Chapek spoke out publicly against Florida’s so-called “Don’t Say Gay” bill today, a very pointed response began circulating internally at the studio. A letter signed by “The LGBTQIA+ employees of Pixar, and their allies” took Chapek to task. It refuted, point by point, an internal memo Chapek sent to employees on Monday and also criticized the fact that the company “did not take a hard stance in support of the LGBTQIA+” at the shareholder meeting.
“Monday’s email, ‘Our Unwavering Commitment to the LGBTQ+ Community,’ rang hollow,” read the LGBTQIA+ letter. It said Chapek’s communication “began with the claim that Disney has a long history of supporting the LGBT community, but Disney Parks did not officially host Pride until 2019, in Paris alone. Disney has a history of shutting down fan-created Pride events in the parks, even removing same-sex couples for dancing together in the 1980’s.”
The letter goes on to say the corporation is “capitalizing on Pride” through merchandising, specifically The Rainbow Mickey Collection.
“It feels terrible to be a part of a company that makes money from Pride merch when it chooses to ‘step back’ in times of our greatest need, when our rights are at risk,” the letter asserts.
The “step back” bit is likely a reference to Chapek’s assertion at a shareholders’ annual meeting today that “we chose not to take a public position on [the bill] because we felt we could be more effective working behind the scenes, engaging directly with lawmakers on both sides of the aisle.” It later came out that Chapek had only reached out to Florida Gov. Ron DeSantis very recently….
… Finally, the letter damningly addresses Chapek’s repeated insistence that the best way for Disney to make change is through creating “powerful content that changes hearts and minds.”
It reads [in part]:
“We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were. Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”
(5) CALL TO REMOVE A 2023 WORLDCON GOH. SF² Concatenation has tweeted the link to an editorial comment ahead of its next seasonal edition (slated for April). Read it here.
Science fiction is far more than a genre, it enthuses science and warns of possible futures, among much else. More, many of its aficionados are part of a community: a community that crosses nations. Sometimes that community needs to nail its colours to the mast. Now, at this moment in time, due to circumstances up-to-now unthought-of in the early 21st century, those colours are blue and yellow….
On Wednesday, 2nd March (2022), the UN moved to condemn Russia’s war on Ukraine. 141 nations supported that call: only Belarus, Syria, North Korea and Eritrea supported Russia, while China, Cuba and Venezuela abstained. And here’s the thing, if China is abstaining then arguably the 2023 SF Worldcon should dis-invite Sergei Lukyanenko as a Guest of Honour: Lukyanenko has repeatedly and publicly proclaimed his support for his nation’s war against Ukraine…
In particular, there is one person in the west who is currently due to share the platform at the 2023 Worldcon with Lukyanenko. Is that something he really wants to do?…
Christoper Priest: Before I wrote and published my first novel I had already written several amateurish book reviews. I was young and inexperienced, unguided, learning slowly as I went along. I was writing for fanzines published by Peter Weston and Charles Platt, and others. It was a way of writing something and seeing it in print—or at least, typed out by someone else, which at the time felt almost as good because after the process of being retyped, with bits cut out or changed or just got wrong, it looked different. By looking different it made me read it again and look at it with some objectivity. Overall, it was much easier and quicker to write an opinion piece on a new book by Brian N. Ball or Ken Bulmer than write a novel of my own. None of this counted in the long run, of course, although I still think for a beginning writer it was a good way to learn.
Paul Kincaid: Personally, I can’t remember a time when I didn’t read reviews. This goes back to a time when newspapers used to publish things like book reviews and film reviews. But I never thought about writing them until I started getting involved in fandom….
The panelists for the titular panel were: Ada Palmer, Aparna Verma, Elle E. Ire, Nancy Kress, and Patricia A. Jackson, with Delia Sherman as moderator.
The panel description was as follows:
Do you even need chapters? How long should they be? Should you title your chapters or just number them? Where do you break a chapter, and how do you write a good cliffhanger? How do you write chapters with multiple character points of view? So much to discuss for such a small topic!
While the panelists didn’t address all of these, they shared some valuable tips.
… News of Hitchcock’s sci-fi project broke in October 1926, a month after The Lodger was first shown to the press. P.L. Mannock of the Kinematograph Weekly, who had spoken to Hitchcock about his “film laid in the future”, wrote that “If we except ‘Metropolis,’ it will be the first screen forecast of days to come,” the last words being a deliberate reference to a novella by one of Lang’s inspirations, H.G. Wells. “Television will be used dramatically, and Sir Alan Cobham will probably be consultant on big episodes of the air.”…
(9) MEDIA BIRTHDAY.
1964 — [Item by Cat Eldridge]
“My specialty is wisdom. Do you know what wisdom is?””- Dr. Lao
“No sir.” – Mike
“Wise answer.” – Dr. Lao
Fifty-eight years ago, 7 Faces of Dr. Lao premiered. It was George Pal’s last directorial effort. As you well know, it’s based off of Charles G. Finney’s The Circus of Dr. Lao. (There is now a Kindle edition of The Circus of Dr. Lao though it won’t be mistaken for a Meredith Moment.) It was nominated for a Hugo at Loncon II, the year Dr. Strangelove won.
The screenplay was by Beaumont, who wrote twenty-two Twilight Zone episodes which given he died at 38 is quite astonishing, and Ben Hecht (originally uncredited), whose most notable work was Alfred Hitchcock’s Spellbound and Notorious, though he did have a genre credit writing The Thing from Outer Space, an early Fifties film. He also did uncredited work on Casino Royale.
Tony Randall played myriad roles in the 7 Faces of Dr. Lao including of course Dr. Lao, the Mysterious Visitor. And if you look carefully, you spot Randall simply as himself sans any makeup as a silent audience member. He also voices the Serpent, a stop-motion animated snake which has the face of another actor. Quite a performance indeed.
Pal originally wanted Peter Sellers for the role of Dr. Lao and Sellers very much wanted to do the role. However, MGM had Randall under contract who was far cheaper than Sellers would’ve been.
Pal also saved quite a bit of money here by reusing footage from Atlantis, the Lost Continent and The Time Machine. The Woldercan spectacular that Dr. Lao does as his grand finale of his circus is drawn entirely from the former.
Pal has stated that it’s only film that he lost money on. It made just one million and I can’t find any mention of how much the production costs were but they were obviously higher than the very small box office was.
So how was it received? The Hollywood Reporter at the time said Randall’s performance was “a dazzling display of virtuosity, in some stunning makeup created by Bill Tuttle.” Audience reviewers at Rotten Tomatoes give a very strong rating of seventy-eight percent.
I don’t believe it’s streaming anywhere but you can rent it pretty much everywhere. Or you can buy it for little more than a Meredith Moment.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 10, 1891 — Sam Jaffe, His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.)
Born March 10, 1905 — Richard Haydn. Actor who appeared in a number of genre undertakings including voicing the Caterpillar in the early Fifties Alice in Wonderland, Professor Summerlee in the early Sixties version of The Lost World and Herr Falkstein in Young Frankenstein. I’d be very remiss not to note his appearance on The Twilight Zone as Bartlett Finchley in the chilling “A Thing About Machines”. And he had one offs on Bewitched, Shirley Temple’s Storybook and The Man from U.N.C.L.E., in the “The Mad, Mad Tea Party Affair” an unusual episode as it takes place almost entirely within U.N.C.L.E headquarters. (Died 1985.)
Born March 10, 1918 — Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed theirs and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller.” Having not read these, I’ve no idea, what this details, but I’m betting one of y’all know. (Died 1987.)
Born March 10, 1921 — Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock Presents, Voyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
Born March 10, 1938 — Marvin Kaye. Editor of Weird Tales, he also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He wrote the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (Died 2021.)
Born March 10, 1938 — Ken Sobol. New to our Birthday honors list. I will single him out for having personally received Astrid Lindgren’s personal blessing to write the Pippi Longstocking series which he worked on with puppeteer Noreen Young. He also contributed scripts to Batman, Curious George, G.I. Joe, George of the Jungle, Hardy Boys, Highlander, Superman, and Wizard of Id, and that’s hardly a complete listing. He also wrote one of the best works done on baseball, Babe Ruth and the American Dream. (Died 2010.)
Born March 10, 1951 — Christopher Hinz, 71. His Liege Killer novel, the first in his most excellent Paratwa Saga, won the Compton Crook Award, the BSFS Award for the Best First Novel. (And yes, there is a prequel, Binary Storm, which was written much later.) He was nominated for an Astounding Award for Best New Writer.
Born March 10, 1956 — Robert Llewellyn, 66. He plays the mechanoid Kryten in the Red Dwarf series. His It2i2 which was a television show about AI depicting fictional events but presented as a documentary. And he played a gryphon in the oh-so-superb MirrorMask.
The Black Feminist Futures Series features programs highlighting the powerful and long-standing relationship between Afrofuturism and Black feminism in genres ranging from literature, film, art, fashion, and community organizing. Planting for the Future, a virtual conversation on Black women’s participation in Afrofuturism through literature, film, art, fashion, and community organizing. The program features Dr. Andrea Hairston (author of Master of Poisons), Sheree Renee Thomas (author of Nine Bar Blues), Tananarive Due (author of The Between: A Novel), and Tanaya Denise Fields (founder of Black Feminist Project & Black Joy Farm, and author of “Dirty Business: The Messy Affair of Rejecting Shame” in the book You Are Your Best Thing). Moderated by Dr. Chesya Burke.
(12) GAIMAN MIRACLEMAN REPRINT. Following the herald of his return in Timeless #1 and the announcement of an all-new omnibus, Marvel Comics continues to mark the 40th anniversary of Miracleman’s modern era with a new printing of award-winning writer Neil Gaiman and artist Mark Buckingham’s redefining work on the character.
Arriving in October, Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will collect the first six issues of Gaiman and Buckingham’s groundwork to give a legendary super hero a fascinating future —a future that will now come to pass! Available for the first time in paperback, the Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will give fans a chance to revisit this beloved era of Miracleman ahead of the exciting plans Marvel has in store for the iconic character later this year.
Atop Olympus, Miracleman presides over a brave new world forged from London’s destruction. It is a world free of war, of famine, of poverty. A world of countless wonders. A world where pilgrims scale Olympus’ peak to petition their living god, while miles below the dead return in fantastic android bodies. It is an Age of Miracles — but is humankind ready for it? Do we even want it? Is there a place for humanity in a world of gods? Gaiman and Buckingham delve into the lives of lonely idealists, rebellious schoolchildren and fracturing families, exploring the human constant in a changing world of gods and miracles.
…Fans of the Star Wars franchise can relate to Padmé Amidala, a character from the Star Wars prequel trilogy played by Natalie Portman, for a multitude of reasons, from her troubled romance with Anakin Skywalker to her desire to do her best to protect her people.
“We, the undersigned, are 77 fan content creators, podcasters, YouTubers, TikTokers, artists, writers and cosplayers who have joined together to use our limited platforms to stand in solidarity with our trans siblings and their families in Texas,” a GoFundMe site for the Amidala Initiative states. “No child should fear that their teachers will report their parents to the government for allowing them to live as their true gender. No parent should fear criminal charges for supporting their transgender child and helping them seek therapeutic and medical support to treat their gender dysphoria … this is something we refuse to stand by silently for.”…
…However, according to the latest comments from The A Word star, there’s seemingly no chance he would return for a 60th anniversary team-up special currently rumoured for 2023.
He told crowds at Australian convention Supanova: “I’ve never been a fan of multi-Doctor stories. When I worked on the series, I had really strong ideas about what works and what doesn’t, and I always think that multi-Doctor stories are a bit of a cash-in, and a bit of exploitation.
“Creatively, they never worked for me. I looked at the script for the 50th anniversary and I felt as soon as I said I wasn’t doing it it got better because, well, if I’m not in it, it’s better. The creation of the War Doctor introduced a whole new facet to the canon.”
Interestingly though, a later comment from Eccleston suggested he would consider returning to Doctor Who in live-action for a solo storyline following the Ninth Doctor.
He added: “The Ninth Doctor, in particular, is a one-man band. Definitely. So he doesn’t work with other Doctors. If you want me back, you’d get me on my own.”
(15) HEAR FROM EDITORS. Space Cowboy Books will host an online panel discussion “Beyond the Submission Guidelines” on March 29 at 6:00 p.m. Pacific. Register for free here.
Join us for an online panel discussion with editors of SF/F magazines. Learn about the behind the scenes of running science fiction and fantasy magazines with editors: Arley Sorg (Locus & Fantasy Magazines), F.J. Bergmann (Mobius & Weird House), Rob Carroll (Dark Matter Magazine), and JW Stebner (Hexagon Magazine)
(16) PREDICTING THE PAST. [Item by SF Concatenation’s Jonathan Cowie.] Inscriptions provide an invaluable insight into the ancient world. But over the centuries, many inscriptions have been damaged and exist in fragmented or semi-legible forms, making the job of reading and interpreting them extremely difficult. In this week’s issue of Nature, “Restoring and attributing ancient texts using deep neural networks”, Yannis Assael, Thea Sommerschield and their team introduce Ithaca, a deep neural network designed to help historians restore and understand ancient Greek inscriptions. Working alone, Ithaca is able to restore damaged texts with a 62% accuracy, but when historians use Ithaca, their accuracy on the same task rises to 72%. Ithaca can also determine the original geographical location of inscriptions with 71% accuracy, and can date them to within 30 years from the date ranges proposed by historians. The researchers say that such cooperation between artificial intelligence and historians could help transform studies of the ancient world.
(17) SOUNDTRACK OF SPACE. NASA’s Chandra X-Ray Observatory page hosts a “Sonification Collection” – maybe there is a “music of the spheres.”
…By translating the inherently digital data (in the form of ones and zeroes) captured by telescopes in space into images, astronomers create visual representations that would otherwise be invisible to us.
But what about experiencing these data with other senses like hearing? Sonification is the process that translates data into sound, and a new project brings the center of the Milky Way to listeners for the first time. The translation begins on the left side of the image and moves to the right, with the sounds representing the position and brightness of the sources. The light of objects located towards the top of the image are heard as higher pitches while the intensity of the light controls the volume. Stars and compact sources are converted to individual notes while extended clouds of gas and dust produce an evolving drone….
English science-fiction writer Arthur C. Clarke discusses the on-going research in astronomy into discovering new planets and how he believes there is life on other planets, although we don’t know it yet.
[Thanks to Michael Toman, Cat Eldridge, rcade, Phil Nichols, mlex, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
“Star Trek” actor George Takei’s tweet asking Americans to endure paying a little more for food and gasoline as a result of sanctions President Biden imposed on Russia since its invasion of Ukraine caught fire on Twitter Saturday — and that fire is as hot-headed as you probably suspected.
“Americans: We can endure higher prices for food and gas if it means putting the screws to Putin,” Takei tweeted Friday. “Consider it a patriotic donation in the fight for freedom over tyranny.”
Twitter users flocked to Takei’s tweet to express their opinion of his suggestion, with many bashing his perceived wealth in a “HE can endure higher prices” but the average working-class American cannot kind of way. On the opposite side of the argument, Takei’s supporters pointed out that he and his family were sent to Japanese internment camps in Arkansas and California during WWII, so he knows the repercussion of people remaining silent when they should be speaking up…
(2) EXQUISITE TIMING FOR CROWDFUNDING. It’s a good week to launch a Kickstarter, don’t you think? Not that Edward Willett is any newcomer to the idea, with a track record of two previous successes. Willett opens his latest Kickstarter campaign at noon Eastern on March 8 to fund Shapers of Worlds Volume III, the third annual anthology featuring top writers of science fiction and fantasy who have been guests on his podcast, The Worldshapers (www.theworldshapers.com).
Shapers of Worlds Volume III will feature new fiction from Griffin Barber, Gerald Brandt, Miles Cameron, Sebastien de Castell, Kristi Charish, David Ebenbach, Mark Everglade, Frank J. Fleming, Violette Malan, Anna Mocikat, James Morrow, Jess E. Owen, Robert G. Penner, Cat Rambo, K.M. Rice, and Edward Willett; poetry from Jane Yolen; and additional stories by Cory Doctorow, K. Eason, Walter Jon Williams, and F. Paul Wilson.
Backers’ rewards offered by the authors include numerous e-books, signed paperback and hardcover books (including limited editions), Tuckerizations (a backer’s name used as a character name), commissioned artwork, original poetry (from Jane Yolen), audiobooks, opportunities for online chats with authors, short-story critiques, and more.
The Kickstarter campaign can be found here. The campaign goal is $12,000 CDN.
Most of those funds will go to pay the authors, with the rest going to reward fulfillment, primarily the editing, layout, and printing of the book, which will be published in both ebook and trade paperback formats by Willett’s publishing company, Shadowpaw Press (www.shadowpawpress.com). The special Kickstarter edition for backers will be followed by a commercial release this fall. Stretch goals are simple: for every $5,000 over the goal the campaign raises, the authors will be paid one cent a word more.
(3) BREAKING UP ISS HARD TO DO. [Item by Mike Kennedy.] The head of Roscosmos is, as seems usual for him, talking loudly and carrying a big shtick. The Russian space agency has released a video showing cosmonauts waving goodbye to astronauts and splitting the Russian part of the International Space Station from the rest. They then “set sail” and depart from the ISS’s orbit with an impressive (and equally improbable) delta V for such a large mass. “Russia Releases Bizarre Video of Space Station Breaking Apart” at Futurism.
We’re not exactly sure what Russia’s space agency head Dmitry Rogozin is threatening the US with, but he certainly seems to be alluding to… something. A bizarre new video posted by state controlled media RIA Novosti showed the International Space Station breaking apart in an artist rendering after Russian cosmonauts bid adieu.
… Why should SFF fans in general and Hugo voters in particular read this book?
This book isn’t necessarily the kind of thing you’d read in one sitting by the fire (though you definitely could!). Rather, it’s the kind of book that you’d read to learn about SF from different source languages. You might read the Finnish chapter if you’re interested in Sinisalo or Krohn. Then, if you’ve picked up a work of Japanese space opera at a bookstore, you could turn to the relevant section to learn about that language’s wide variety of hard-science-fiction subgenres. You could even use the index to find themes that span the different SFTs and compose reading lists for your book club. Also, that cover is gorgeous (the people at UIP picked it), so it would be a lovely display for your coffee table….
… While many of the novels are good, it’s in the two short story collections, Spell of the Witch World (1972) and Lore of the Witch World (1980) that Norton really kills it. The stories range from straight sword-and-sorcery to horror to the aforementioned fairy tales. Her writing in these is tighter and often even darker than in the seven novels I’ve read. Several of them dig into a regular theme of the series; the place of women in a pre-industrial world. Where physical strength is the determinant of power, Norton makes it clear that women will often be at the mercy of men. It’s not easy and finding some sort of agency, whether with sword or spell, is an often brutal task. I cannot recommend these two collections enough….
(6) MEDIA BIRTHDAY.
1992 — [Item by Cat Eldridge] Thirty years ago, The Lawnmower Man premiered. It is not based off the story by Stephen King by that name and King sued successfully to get paid damages and his name removed from any association with the film. He won further damages when his name was included in the title of the home video release. Some production companies never learn their lesson, do they?
The film is from an original screenplay called “CyberGod” written by Brett Leonard and Gimel Everett. The latter would later be involved in Virtuosity which like this film was lauded for its groundbreaking computer animation and visual effects.
It had a rather decent cast in Jeff Fahey, Pierce Brosnan, Jenny Wright and Geoffrey Lewis. None of which would be back for the sequel, Lawnmower Man 2: Beyond Cyberspace which is probably good as no one, and I mean no one, liked that sequel.
So how was the reception for it? Well it made thirty million against costs of ten million, so quite good there. (The sequel bombed at box office. Really bombed.) Now however most, though not all, critics hated it. The Spectator summed it up succinctly as “Gratuitously offensive” and the Washington Post reporter didn’t update his review later: “So loosely based on a Stephen King short story as to constitute fraud, The Lawnmower Man goes right to the bottom of a growing list of failed King adaptations.”
Now it is worth noting that audience reviewers at Rotten Tomatoes really, really didn’t like it as they gave it a quite poor thirty-one percent rating.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 6, 1918 — Marjii Ellers. Longtime L.A. fan who was active in the LASFS. Her offices in the LASFS included Registrar and Scribe. She was known for her costumes at cons. Indeed, she received a Lifetime Achievement Award in 1990 from the International Costumers’ Guild. An avid fanzine publisher and writer, some of the fanzines she edited were Masqueraders’ Guide, More Lives Than One, Nexterday, One Equal Temper, Thousands of Thursdays, and Judges’ Guide. (Died 1999.)
Born March 6, 1928 — William F. Nolan. Author of the long running Logan’s Run series (only the first was written with George Clayton Johnson). He started out in fandom in the Fifties publishing several zines including one dedicated to Bradbury. In May 2014, Nolan was presented with another Bram Stoker Award, for Superior Achievement in Nonfiction; this was for his collection about his late friend Ray Bradbury, called Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction. He’s done far too much writing-wise for me to sum it him up. He was inducted into the First Fandom Hall of Fame Award. (Died 2021.)
Born March 6, 1937 — Edward L. Ferman, 85. Son of Joseph W. Ferman, the publisher and sometime editor who established F&SF in 1949. He took over as editor in 1964 and continued until 1991. For one year (1969), he edited and published a related magazine called Venture Science Fiction Magazine. Winner of a stellar eight Hugos mostly for Best Professional Magazine.
Born March 6, 1942 — Dorothy Hoobler, 80. Author with her husband, Thomas Hoobler, of the Samurai Detective series which is at least genre adjacent. More interestingly, they wrote a biography of Mary Shelley and her family called The Monsters: Mary Shelley and the Curse of Frankenstein which sounds absolutely fascinating. Note to ISFDB: no, it’s not a novel. Kindle has everything by them, alas Apple Books has only the biography.
Born March 6, 1942 — Christina Scull, 80. Tolkien researcher and married to fellow Tolkien researcher Wayne Hammond who all her books are co-authored with. Their first was J. R. R. Tolkien: Artist and Illustrator, and I’ll single out just The J. R. R. Tolkien Companion and Guide and The Art of The Lord of the Rings as being worth your time seeking out.
Born March 6, 1957 — Ann VanderMeer, 65. Publisher and editor, and the second female editor of Weird Tales. At Anticipation, Weird Tales, edited by her and Stephen H. Segal, won the Hugo Award for Best Semiprozine. She is also the founder of The Silver Web magazine, a periodical devoted to experimental and avant-garde fantasy literature. Her TheBig Book of Modern Fantasy (with Jeff VanderMeer) won a World Fantasy Award for Best Anthology.
Born March 6, 1972 — K J Bishop, 50. Australian writer who I really like, author of The Etched City which was nominated for the Aurelias, the International Horror Guild Award and World Fantasy while winning the Ditmar Award. Impressive. She also won the latter for Best New Talent. She’s also written a double handful of short stories, many collected in the Ditmar-winning That Book Your Mad Ancestor Wrote.
Born March 6, 1979 — Rufus Hound, 43. Ok, I admit it was his name that got him here. He’s also had the good fortune to appear as Sam Swift in “The Woman Who Lived”, easily one of the best Twelfth Doctor stories. He’s also played Toad twice in The Wind In The Willows, a musical written by Julian Fellowes, first in an out-of-town premiere in 2016, then in the West End in 2017.
My Super Hero Is Black will trace how these and other characters moved from the margins to the mainstream thanks to the work of creators like Billy Graham, Christopher Priest, Reginald Hudlin, and Ta-Nehisi Coates, among others. The book will also feature accounts from prominent Black creators and luminaries about their personal relationships with Marvel heroes….
(10) NOW AT BAT. In the Washington Post, Michael Cavna and David Betancourt rank the six actors who have played Batman in films, saying that in their view Robert Pattinson does a good job but Michael Keaton remains the best Batman. (And I guess no spoiler warning is required when they put the result in the headline) “Best Batman actors ranked, from Robert Pattinson to Michael Keaton”.
… The comic-book Bat-world first created by Bill Finger and Bob Kane in the ’30s has spawned an entire tireless industry of screen adaptations, from mid-century movie serials to ’60s TV camp to animated titles — with Kevin Conroy and Will “Lego” Arnett especially shining as the voice of Gotham’s odd nocturnal knight.But for the sake of fair comparison, let’s rank the actors who have portrayed a live-action Batman in Warner Bros./DC’s modern film franchise since 1989. Without getting so serious, here is our freewheeling assessment of the Dirty Half-Dozen…
Interestingly, both surveys came up with the same number one.
(11) KSR NON-SFF. Publishers Weekly interviews Kim Stanley Robinson about his book The High Sierra: A Love Story in which he shares his admiration of the Sierras.
…What was the hardest part of putting your decades of experience hiking the Sierras into a book?
Memoir. I’ve never done it. I think it’s suspect, and hard in and of itself. It’s a fiction, memoir. You make your past self into a character, and you summarize things that took years, and you’re judging your earlier self. So that was hard.
You’re best known for your science fiction. What impact did the Sierras have on your novels?
My Sierra experience has been crucial to my science fiction because I’ve written science fiction that is aware that we are part of a biosphere, and that planets are actors in the story. They determine societies and individuals and consciousness. I felt that in myself because of my Sierra experiences. I’ve always been writing about planets changing, and my Mars trilogy could be seen as a gigantic climate change novel. So my work hangs together, intellectually, and also emotionally by way of this Sierra anchoring point….
(12) BAUM’S AWAY. A contestant on Friday night’s episode of Jeopardy! guessed wrong. If it hadn’t been about a work of fantasy, Andrew Porter would have let it slide. However….!
Category: The Elements of Literature
Answer: In a work by L. Frank Baum, the Scarecrow & this character are captured by a female giant & turned into a bear & an owl
Wrong question: What is the Cowardly Lion?
Correct question: What is the Tin Man?
(13) OVER HERE. While looking for articles about the claim of lunar ownership registered by the Bay Area’s Elves’, Gnomes’ and Little Men’s Science Fiction, Chowder, and Marching Society, Bill found this Oakland Tribune clipping about their meeting with Arthur C. Clarke during his first visit to America. In July 1952 the club held a banquet where they presented Clarke with the Invisible Little Man award – “a trophy which consists of the base of a statue with no statue, just a pair of mysterious footprints above the inscription…” The newspaper interview quotes Clarke’s hopes for a chain of communications satellites in geosynchronous orbits.
(14) PAWS FOR REFLECTION. [Item by Martin Morse Wooster.] Saturday Night Live explains that it’s a really bad idea to fire your police and fire fighters and replace them with the Paw Patrol!
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This Austin McConnell video is about the fake 1956 novel I, Libertine which was turned into a real novel by Theodore Sturgeon. I didn’t realize that the broadcasts of Jean Shepherd survive. “This Best-Selling Novel Was A Total Hoax!”.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Bill, Jeffrey Smith, Cora Buhlert, Daniel Dern, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
(1) HUGO NOMINATING DEADLINE IS MARCH 15. There are ten days left to submit a Hugo nominating ballot. Those eligible to vote are the members of DisCon III and members of Chicon 8 who registered by January 31, 2022. More information at the link.
…When Kickstarter (and book Kickstarter in particular) was just starting out, those of us looking to run projects were hungry for crowdfunding advice. A lot of it didn’t even apply to publishing, because we’ve always been seen as a tiny fraction of what crowdfunding is for.
And what advice we got, we used. What we learned, we shared. Here’s a really useful bit of Kickstarter advice that I, and Twelfth Planet Press, and other publishing-crowdfunding friends have often shared: you have to have a big ticket item at the top. Something cool & exclusive.
You don’t want to rely on one person shelling out $500 or $1000 for your little publishing Kickstarter, but you want to give them the option. Having something awesome and ambitious at the top end makes everyone excited about the project, EVEN IF IT NEVER FILLS UP.
Sanderson’s top tier is $500. (Last time I had a $500 tier on a Kickstarter I hand-made a quilt) It’s an all formats extravaganza — 4 hardcovers, ebooks, audiobooks, plus the 8 swag boxes. And over 10,000 people have pledged to it. TEN THOUSAND.
This is where Sanderson’s Kickstarter is groundbreaking — not just in the numbers it’s attracted, but in the average pledge pulled in from those fans….
… Isn’t is cool that Kickstarter is newsworthy again??? Feels like forever since there’s been a huge positive creator success story, and that it’s a BOOK project makes it even better. In the 2 hours or so since I started this tweet thread, they made another million $. FOR BOOKS.
… More recently, critics of the industry have demanded that publishers invest in more titles by authors of diverse identities. Since Sanderson’s Kickstarter made headlines, there’s been, unsurprisingly, some grousing on social media about whether such an already commercially successful author needs that kind of money….
(4) BEHIND THE SCREAMS. Ellen Datlow is a guest on Episode 13 of the Let the Cat In podcast, “Herman”, hosted by Canberra-based authors Kaaron Warren, Aaron Dries and J. Ashley-Smith.
The Cat gets technical as unparalleled horror editor Ellen Datlow joins the show from NYC, bringing behind-the-scenes insights into the conceptualising, compiling, editing and introduction of her (then) latest anthology, Screams From The Dark. While Joseph gets lost in a Borgesian labyrinth of shoes, Kaaron discovers the smells of the past, and Aaron takes a drubbing for his failure to correctly identify an alpaca. Ellen endorses cannibalism (of one’s own stories) and shares anecdotes from her time in Tehachapi Prison. The heart of a story is discussed, as are stories that never quite translate to the page. Also sparks, themes, and those horrible fuck ups, the Greek gods. While the viability of various shoes (and their stories) is considered, Jack the Jerk lurks on the couch.
(5) WHAT KIDS ARE READING ANNUAL REPORT. There’s a lot in the news about politicians’ efforts to control the shelves of school libraries. So if you wonder about what kids are reading, every year, the edtech company Renaissance Learning issues a comprehensive “What Kids Are Reading” report. Frank Catalano tweeted the 5th and 10th grade graphics from their results.
…Each year, the WKAR report lists the most popular books at every grade level, and also provides new understanding of K–12 students’ reading practice. The report is uniquely illuminating because it draws from two Renaissance programs: Accelerated Reader, which records the books students are actually reading, not just buying or checking out from libraries, and myON, which provides students with instant access to thousands of digital titles for online or offline reading.
The 2022 report uses the data of 4.5 million students in 22,749 US schools who read 128 million books, revealing insights into students’ reading comprehension and the characteristics of what they choose to read, such as word count and text difficulty….
…The real money, of course, is not in intergalactic billboards or short space trips: it’s in plundering space for resources. Apparently, the race to privatize the moon is on. Of course, many people who are starry-eyed about space mining would balk at the idea that they’re suffering from the avariceeffect: they’d argue that it’s all for the good of mankind. Take, for example, the forward-thinking folk at the Adam Smith Institute (ASI), an influential thinktank that champions free markets. To achieve peace and prosperity on Earth, we need to sell off pieces of space, “with a particular focus on plots of moon land”, the ASI recently declared in a paper.
What’s the logic behind this? Well, they reckon that, as long as you’re not too bothered by the fact that global inequality contributes to the death of one person every four seconds, per Oxfam, untrammeled capitalism has done the world a lot of good. “Property rights play a key role in boosting living standards, innovation and human dignity here on Earth,” Daniel Pryor, head of research at the Adam Smith Institute, says. “The same would be true if we applied this logic to space, which presents a unique opportunity to start afresh when designing effective rules of ownership.”
This ASI report, titled Space Invaders: Property Rights on the Moon, may seem a little out there but it is very on-brand for the UK-based thinktank….
The fact is, they’re way behind fandom. Get the lowdown from File 770’s 2008 post “Who Owns the Moon?”
…the Bay Area Elves’, Gnomes’ and Little Men’s Science Fiction, Chowder, and Marching Society…, in 1951, filed a claim for mining rights to 2,250 sq. mi. of the Moon. Their claim was widely reported in the media – even by Time magazine….
From the sublime and magical to the stirring and steamy, storylines centering BIPOC and LGBTQIA+ characters are flourishing in the romance and speculative genres. Zen Cho, S. A. (Austin) Chant, C. L. Polk, KJ Charles, and L. Penelope tackle the nuance of building romance into the plot vs. romance as the plot, the role of the HEA or HFN in representation, and the future of the fantastic in romance in this panel moderated by Rashida J. Smith.
(8) UPCOMING CLARION WEST ONLINE CLASSES. There is still space for those interested in one of these classes coming up in the next two weeks. Register at the link.
Worldbuilding is not just an academic exercise separate from character development or plot; discover how your fictional world exerts pressure on your characters and creates opportunities for plot.
Like a god, you get to invent a world. Maybe several. But how do you make worlds that readers want to visit? How do you make worlds that readers never want to leave? Explore how to create unforgettable environments, creatures, and cultures.
Note: While the course is designed from a place of enjoyment of speculative fiction, the strategies discussed are also applicable across varied genres.
A one-hour and one-session free class teaching writers the importance of working intentionally on both their craft and career. We’ll cover what it means to work intentionally at something as nebulous as writing; how to connect with our own intentions periodically and during times of conflict; and how to work within the parameters of our intentions in a way that sustains us.
This class will be great for writers of all levels who want to connect with their writing, careers, and stories in a deeper way that aligns more with who they are, what they want, and how they wish to create.
(9) NESFA SHORT STORY CONTEST. The results of the NESFA Short Story Contest 2021-22 were announced at Boskone 59 in February.
Honorable Mention: Shira Hereld, of Pennsylvania for the story “What Feels Good”
Honorable Mention: Olga Werby of California for the story “Floaters”
Honorable Mention: Alex Evans, of France for the story “First Blood”
Honorable Mention: M.A. Florin, of Romania for the story “The Last Choice of Isabel”
NESFA’s Past Winners page explains, “based on the number and quality of contest entries, some years have no winners or no honorable mentions.” Contest administrator Steven Lee adds, “Alas, based on the Judging, this year none of the finalist stories were considered outstanding, unlike the last two years. These four were judged ‘almost.’”
(10) MEDIA BIRTHDAY.
1954 — [Item by Cat Eldridge] Sixty-eight years ago, Creature from the Black Lagoon first cast its horrifying visage upon us. It was produced by William Alland who had produced It Came from Outer Space the previous year and directed by Jack Arnold who had directed the same film.
It was written by Harry Essex and Arthur Ross. Essex who (surprise) was the screenwriter for It Came from Outer Space. Ross, though, had nothing to do with it, but he did write Satan’s School for Girls which amazingly got remade twice, once as a Shannon Doherty vehicle.
Creature has a large cast but I’m only really interested in three performers here. The first is Julia Adams who played Kay Lawrence who gets snatched by the Creature from the Black Lagoon aka Gillman. And the other two are performers that you never saw. Ben Chapman was the Creature for all the on land scenes whereas Ricoh Browning did all the underwater scenes. Ricoh would return for the two sequels, but the Creature was played by Tom Hennesy for the on land scenes in the second film (which Clint Eastwood appears in), and played by Don Megowan for the on land scenes in the third.
So how was the reception? The Hollywood Reporter review at the time said, “Creature From the Black Lagoon is a good piece of science-fiction of the beauty and the beast school, the beast in this case being a monstrous combination of man and fish. It makes for solid horror-thrill entertainment.”
A review recently by Empire magazine was equally positive: “Directed by sometimes-inspired journeyman Jack Arnold (The Incredible Shrinking Man), this is one of the best-loved monster movies of the ‘50s. Whereas many of its rivals drag until the monster shows up and turn ridiculous afterwards, this establishes an atmosphere of unease and magic in the early stretches, as the monster is glimpsed as a 3-D clutching hand accompanied by its memorable blaring theme tune.” The music was composed by Henry Mancini.
I’ve no idea what the production costs were but the box office was one point three million, not bad for the early Fifties.
It would spawn two sequels: the 3D Revenge of the Creature and The Creature Walks Among Us. Each of the sequels would return just over just a million at the box office. Neither of the sequels is considered nearly as great as the first film was.
The Creature Walks Among Us is considered to be the last film in the Universal Classic Monsters series.
It rates a healthy seventy-four percent rating among audience reviewers at Rotten Tomatoes. Neither of the sequels cracks thirty percent.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 5, 1907 — Martti Löfberg. Finnish author who did some genre novels including Osiriksen Sormus and Viiden minuutin ikuisuu which were both time travel affairs, and his long running newspaper reporter Kid Barrow series has been favorably compared to Tintin. (Died 1969.)
Born March 5, 1936 — Dean Stockwell. You’ll no doubt best remember him as Al the hologram on Quantum Leap. He had one-offs on Mission Impossible, The Night Gallery, A Twist in The Tale, Orson Welles’ Great Mysteries and The Twilght Zone. His first genre role was in I think The Boy with Green Hair, a 1948 film. It might be fantasy or not as there’s no explanation for the central thesis of the film. Anything I’ve overlooked? (Died 2021.)
Born March 5, 1942 — Mike Resnick. Damn, losing him hurts. It’s worth noting that he has been nominated for thirty-seven Hugo Awards which is a record for writers and won five times. Somewhat ironically nothing I’ve really enjoyed by him has won those Hugos. The novels making my list are his John Justin Mallory detective novels, The Red Tape War (with Jack L. Chalker & George Alec Effinger, and, yes, it’s not genre, Cat on a Cold Tin Roof. True story: Kristine Kathryn Rusch tells me he’s responsible for her Spade / Paladin series. When I interview her, I intend to ask her why. (Died 2020.)
Born March 5, 1952 — Robin Hobb, 70. Whose full legal name is the lovely Margaret Astrid Lindholm Ogden hence her two pen names. (I think.) I reasonably sure the first thing I read and enjoyed by her was Wizard of the Pigeons, but The Gypsy with Steven Brust which is now available from the usual suspects was equally enjoyable and had the added bonus of a Boiled in Lead soundtrack. Really it does and Jane Yolen financed it.
Born March 5, 1959 — Howard V. Hendrix, 63. Empty Cities of the Full Moon is damn impressive as the Labyrinth Key duology. He’s done an amazing amount of quite excellent short fiction, the latest collection being The Girls With Kaleidoscope Eyes: Analog Stories for a Digital Age.
Born March 5, 1972 — James Moran, 50. Here for his scriptwriting on Doctor Who where he wrote Tenth Doctor story, “The Fires of Pompeii”, Torchwood where he contributed two stories, “Sleeper” about a terrorist attacking on Cardiff whose filming got halted by a terrorist attack on Glasgow, and “Day Three” of the Children of Earth series. He also wrote some of the episodes for Primeval.
Born March 5, 1975 — Jolene Blalock, 47. Best known for playing T’Pol on Enterprise. Genre wise, she’s also been in Jason and the Argonauts seriesas Medea, Stargate SG-1 as Ishta, Starship Troopers 3: Marauder as Captain Lola Beck and as the Legend of the Seeker as Sister Nicci.
Born March 5, 1989 — Jake Lloyd, 33. He portrayed the young Anakin Skywalker in The Phantom Menace. Ok, every fan site I encounter was full of bile his performance. I’ve not seen the film, so tell why these fans were so upset at this actor? Was it because it was a child actor portraying this character?
(12) RETURN TO THE VOID. [Item by David Doering.] As we zoom past $23 million on Brandon Sanderson’s campaign (!!), there’s more good news from Utah. The Covid-shuttered VR venture “The Void” is relaunching, hurrah! You may recall that their secret sauce was having Tracy Hickman as writer, making it far more engaging than other special effects ladened VR attempts. Let’s cheer them on as well. “VR Arcade Pioneer The VOID is Making a Comeback” at Road to VR.
… As reported by MIXED, it appears pioneering out-of-home VR destination The VOID is getting ready to reopen.
Before The Void closed up shop—or was rather summarily kicked out of its dozen-or-so locations after it defaulted on loans back at the beginning of the pandemic—it was a premiere mixed reality destination that promised a real taste of immersion. Starting back in 2015, it combined warehouse-scale VR and realistic 4D effects that brought to life some of the most well-known franchises worldwide: Ghostbusters, The Avengers, Star Wars, Jumanji, and more.
Due to COVID-19 safety measures, The Void suffered immediate losses in revenue which were further outstripped by its inability to secure additional funding. The company’s last video before its website went dark featured a pop-up in Westfield San Francisco Center… back in April 2020.
Then, nearly a year and a half later, a report by Protocolbroke the news that The Void’s patents and trademarks has been acquired by Hyper Reality Partners, a company headed by Adrian Steckel, a previous investor and board member of The Void. At the time, it was reported that Hyper Reality Partners has already raised $20 million to get The Void back on its feet.
Now The Void’s website is back up, with its creators saying that it will include “upgraded VR technology,” and “a flexible platform designed to evolve with the latest in innovation.”
(13) A WHALE OF A SECOND CENTURY TALE. [Item by Martin Morse Wooster.] In this video, Austin McConnell explains that Lucian of Samosata invented the space opera in the second century AD. He explains that back then Romans enjoyed reading travelogues about distant places and debates about philosophical topics, so he decided to make fun of both of them with this tale about a trip to the Moon, a battle between Moon people and Sun people with bonus fighters from the Milky Way and all sorts of creepy imaginary places, including the years Lucian purportedly spent inside a 180 mile-long whale! Of course he called his novel A True Story, and McConnell shows how truly weird this book is–but hey, it’s the first sf novel!
…But on one of the infinite earths out there in the DC Extended Universe, there’s a planet where Bill Murray and Eddie Murphy played Batman and Robin on the big screen.
Actually… that was very nearly this Earth. In the early 1980s, the late Ivan Reitman planned to cast the Saturday Night Live stars as the Dynamic Duo in a never-made Batman feature film. “I talked to Eddie Murphy about it, and Eddie wanted to play Batman,” Murray tells Yahoo Entertainment in a recent interview for the latest installment in our video series The Never-Weres. “That’s as far as that conversation went.” (Watch the video above.)
If Murphy wanted to be the Caped Crusader so badly, would Murray have willingly taken on the role of Robin? Holy negatory, Batman! “I don’t wanna be the Boy Wonder to anybody,” the Ghostbusters star says. “Maybe much earlier when I was a boy. But it was too late for that by the ’80s. Also, I couldn’t do the outfit. Eddie looks good in purple, and I look good in purple. In red and green, I look like one of Santa’s elves. There was just a lot of vanity involved in the production. It wasn’t gonna happen.”…
How much do real life technologies impact your fictional writing?
I feel we’ve reached a plateau in terms of the development of new technologies. Remember I’ve lived through the information revolution: I was born before computers were a thing, and now computers interpenetrate shape our lives absolutely. The changes between the 1960s and now have been immense. It’s interesting: the SF of the 1950s assumed the next big leap in human development would be space travel, colonising distant worlds: but they were wrong—the next big leap was computing. I often wonder what the next next big thing will be, and how far it will change our lives and our world. I’ll probably guess wrong: but that doesn’t matter. SF isn’t about accurate prediction, it’s about the eloquence and wonder of our ideas, our imaginings.
(16) BOOKSELLER CONVERGENCE. [Item by Cora Buhlert.] Waterstones, the only remaining UK bookstore chain (back when I was studying in London, there were three or four bookstore chains) has acquired Blackwell’s, the largest independent bookseller in the UK: “Waterstones acquires Blackwell’s, the UK’s biggest independent bookseller”. Blackwell’s is mainly known for its amazing selection of academic books, though they also have a good SFF section. At any rate, this is sad news, since I fear that Blackwell’s will now be selling more celebrity memoirs and fewer academic books.
…Along with Waterstones’ acquisition of the UK book chain Foyles in 2018, it marks a further contraction in the book retail market.
The acquisition will be viewed by some as a regrettable end to the family ownership of a cherished independent and academic bookseller. To others, it will be heralded as a turbo-boost for real-world bookshops in the battle for dominance with their online rival Amazon.
(17) SFF CRAFT. The Glasgow in 2024 Worldcon bid shares a cool craft project. Crochet the solar system. It’s a wheelchair spoke cover, but it would also make a nice pillow case or doily. “Crochet Solar System Wheelchair Spoke Cover”.
Today I’m sharing a pattern for a crochet wheelchair spoke cover I recently made!
I took a basic pattern for a doily, altered the dimensions slightly and included a sun at the centre. I didn’t want the middle of my crochet piece to be rubbing against the centre of the wheel, so I took rings from old keychains and crocheted around them.
(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Dying Light 2″ Fandom Games says this video game is filled with parkour to “recreate the typical commute of the average Frenchman.” But the narrator notes that if you wanted to become fitter and more athletic like the characters in this game, “You wouldn’t be playing video games all day!”
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Steven Lee, Errolwi, Cora Buhlert, Frank Catalano, David Doering, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]