Tag Archives: Planet of the Apes

Pixel Scroll 11/24/23 “My Bellona” — Theme Song from Dhalgren: The Musical

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(1) R’LYEH AND PUPPIES. Francis Gooding’s review of The World We Make includes comments placing it in recent genre history: “Slimed It: On N.K. Jemisin” in The London Review of Books.

…The backstory to this battle with Cthulhu was widely covered when The City We Became first appeared. It stretches back to 2011, when the Nigerian American writer Nnedi Okorafor won the World Fantasy Award for her novel Who Fears Death. The prize came with a trophy – an ugly sculpture of Lovecraft’s head – and Okorafor wrote a thoughtful, measured blog post about her conflicted feelings on getting the award, having discovered just how racist Lovecraft was. A petition was drawn up to have the Lovecraft trophy replaced, and there was something of a furore in the sci-fi and fantasy community about what to do with Lovecraft now that, belatedly, his influence and reputation had to be squared with his racism.

The debate that followed had the disheartening outlines familiar from other culture war clashes of the time. A reactionary bitterness at progressive political gains came to the surface, a sure sign of festering prejudice. A few years later, that lurking ressentiment assumed a more active form: a concerted effort by two organised groups of authors and fans (known as the ‘Sad Puppies’ and ‘Rabid Puppies’), to skew the public nomination process for the prestigious Hugo Awards in sci-fi publishing. In response to a perceived bias in favour of the liberal left in all its manifestations – Black and brown people, women, novels with progressive themes (‘boring message fic’), gay writers and so on – the Puppies flooded the nominations with their own picks. Some of the people involved were connected to the then ascendent alt-right, and racist abuse was aimed at Jemisin herself. But though the campaign succeeded in souring the atmosphere, it didn’t achieve its desired result: in 2016, on a slate dominated by the Puppies’ astroturfed nominees, Jemisin won the Hugo for best novel with The Fifth Season, the first book in her Broken Earth trilogy. She was the first Black writer to win the award. Both the book’s sequels, The Obelisk Gate and The Stone Sky, won the Hugo in subsequent years; a fourth Hugo followed in 2019 for the novella Emergency Skin.

The alt-right of the 2000s and early 2010s was preparing the ground for the subsequent radicalisation of the mainstream. The neofascist ideologies that once lurked in the subcultural margins have since become the basis of the ‘war on woke’, as an endless succession of manufactured outrages have bound small-c conservatives ever more tightly to what were once outré far-right positions. The eldritch bullshit that turbo-charged the Trump era wasn’t put back in its box. Jemisin evidently felt there was unfinished business. ‘The City Born Great’ was a knowing literary confrontation with the noisy and reactionary elements in the sci-fi community for whom Lovecraft remains talismanic.

In the novels, New York’s initial scrap with the Enemy expands to take in wider, ongoing struggles. Lovecraft, however, remains elemental. It eventually emerges that the Enemy is the personification of R’lyeh, the lost city from Lovecraft’s ‘The Call of Cthulhu’. Lovecraft’s stories often feature dead, inhuman cities from an unfathomably ancient past. Jemisin’s cities are the opposite, alive and defiantly human – real people, right now. And Jemisin makes sure to embody them in just the sort of people Lovecraft loathed. All the boroughs (bar Staten Island) are Black, Asian or Indigenous; and Manhattan, Queens, the Bronx and New Jersey – later an honorary sixth borough – are gay or queer…

(2) PERSONAL FAVORITE WHO MOMENTS. “’My favourite moment is me … not in a big-headed way!’ Stars share their best Doctor Who memories – part four” in the Guardian.

Neve McIntosh (played Silurians, including Madame Vastra, 2010-2014)

The episode A Good Man Goes to War was so special because they’d killed me off twice before and I was amazed to be asked back, as a goodie not a baddie, with Catrin Stewart as my fabulous kick-ass wife and brand new friend and stunt potato Dan Starkey! The best bit was filming the dematerialisation. The director cries “freeze!”. We are still as statues, two guys from the art department run out and flat-pack the Tardis, then, “action!”, and we all react to the Doctor disappearing off to a new adventure! Of course Madame Vastra is blase about it all but inside I was bursting with delight!

(3) WORKING HER WAY BACK. Writer Kelly Barnhill tells “How a Traumatic Brain Injury Changed Me” in an opinion piece for the New York Times.

[Ms. Barnhill is the author of “The Ogress and the Orphans.” She experienced a traumatic brain injury in 2021.]

I’ve been trying to write this essay for a very long time. Months, I think. Or maybe even longer, before I ever mentioned it to anyone, before I let anyone know that I was even capable of multiple sentences again. When all I could muster writing was a single sentence on a note card. My brain works differently now than it used to, and differently than I feel that it ought to. I told my speech therapist that I was frustrated that I haven’t been able to write fiction since experiencing a traumatic brain injury — which means that I am still, after nearly two years, unable to do my job.

He nodded with practiced care. “That must feel frustrating,” he said. “But maybe it’s important to focus on what you can do.”

Which is fair, I suppose. But I still wanted to clock him.

Healing from any injury is a process of rebuilding cells and tissues and structures — taking that which is broken and making it new again. Healing a brain injury is the process of rebuilding not only tissues and cells and the connections between those cells, but also memory, thoughts, imagination, the fundamentals of language and our very concept of ourselves.

I am rebuilding myself, you see. Right now. Sentence by sentence.

In December 2021, just a few months before the publication of two of my novels, “The Ogress and the Orphans” and “When Women Were Dragons,” I took a colossal spill down the stairs.

My husband heard me holler and found me in an unconscious heap. I remember none of this. It’s strange not remembering the moment that changed my life, that altered my work and vocation, that disrupted the me-ness of me. I think, though, that my body remembers it, even if I do not. A chaos of movement. A scramble through space. A short, sharp knock at the back of my head. And then a thunderous dark….

The piece discusses the many changes to her life and the challenges in recovery, and ends:

…But lately, I’ve had dreams of writing. I wake up in tears. What story was I writing? No idea. But each neuron shoots forth messages into the dark. A small candle. A lighthouse at the edge of a stormy ocean. I exist. I saw this. Felt this. Know this. Am this. Meanwhile, my sentences have grown. I’ve taken to using larger index cards. Sometimes I go as far as a steno pad. A full sheet of paper is too much — my eyes can’t track it very well. I get lost. I need something small and contained, where I can fit pretty words into a pretty sentence and allow them to become more than themselves.

Recently, I wrote a story. Only six sentences long, but a story nonetheless. With a character, a place and the passage of time. An opening, a turn, a conclusion. Such a small thing, a tiny accomplishment. And yet. I stared at the card for a long time, utterly astonished.

(4) DETAILS OF SERGEY LUKYANENKO’S DECEMBER BOOK TOUR IN CHINA. [Item by Ersatz Culture.] Further to the File 770 post on November 12, Sergey Lukanenko’s visit to China in December has now been publicly announced on Chinese social media.  That Weixin/WeChat piece describes him as a GoH of the 2023 Chengdu Worldcon (2023成都世界科幻大会荣誉主宾), despite his non-appearance then.

He will be making four appearances in Chengdu between December 1st and 4th, two in Beijing on the 7th and 8th, and a final one in Shanghai on the 10th.  Three organizations are listed as event co-hosts:

The announcement also indicates a number of people will be appearing alongside Lukyanenko at some of the events:

  • Yao Haijun – deputy editor-in-chief of Science Fiction World, Hugo finalist and member of the Chengdu concom
  • Jiang Zhenyu – member of the Chengdu concom
  • Baoshu – writer of a Three-Body Problem sequel, amongst other works

(5) ILYA SAYS, ‘OPEN CHANNEL BEEB…’ [Item by SF Concatenation’s Jonathan Cowie.] There has been a lot the past week on BBC Radio 4 or the Home Service as I like to call it, of likely interest to Filers (and indeed SF² Concateneers)… 

This month’s Open Book has a substantive section on book banning in the USA (“Bestselling novelist Michael Connelly talks about his response to the ongoing campaigns banning books in American school libraries.”) We do not have this problem to such a degree over here in Brit Cit but, from coverage in File770, it is clearly a substantive issue in the US mega-cities and especially the Cursed Earth. You can listen to the programme here. 

Doctor Who is 60 this year and some of us in Brit Cit remember its first episode, peering out from behind the sofa. Anyway, the BBC has a number of programmes to mark this special anniversary. One of these was Doctor Who: The Wilderness Years that looked at why the original series ended and what happened over the years when the show was not on our screens. 

In December 1989 – after 26 years on TV, 694 episodes and seven different Doctors – Doctor Who, the longest running series in the history of British television, was quietly exterminated by the BBC. It remained off air for 16 years until the series was revived in 2005, quite spectacularly under the auspices of Russell T Davies with Christopher Eccleston as the Time Lord. But the period between 1989 and 2005 was a very special interregnum. Known as the Wilderness Years, they belonged to the true keepers of the flame, Doctor Who fans – and never had a wilderness proved so fertile. 

You can listen to the programme here. 

iPromise was a cyberpunk stand-alone radio play about a hacker hired by not nice people to break into a quantum computer so as to get at cryptocurrency…. 

A quantum cryptocurrency audio heist movie and psychological tech thriller exploring the illusory nature of money itself. Bit – real name Rebecca “Becky” Isobel Troughton, BIT, get it? – is in trouble. Big trouble. She’s only gone and hacked into US mainframes and brought the entire eastern seaboard to a standstill. And now she’s on everybody’s Most Wanted list. But Bit is no hacking ‘gun for hire’. She’s driven by principle and she’s the very best at what she does. So when shady government organisations come knocking in a bid to secure her services, she just sends them packing. Well, sort of. .

You can listen to the play here. 

Spores is a five-part SF series. Mysterious glowing fungi appear in a house. Father and son are exposed to its spores. The father becomes unresponsive and the mother takes it upon herself to get out with her son and go camping. But did they get away in time…? You can listen to episode one here; episode two here; episode three here; episode four here; episode five here.

(6) SF2C EXITS X. [Item by SF Concatenation’s Jonathan Cowie.] I see that a load of folk are leaving Twitter or X or whatever it is these days. Actually, SF² Concatenation left Twitter a few months ago after the Musk takeover. We only used Twitter for site alerts and not chat, and found only a handful of folk signed up to our account. But I had kept it going for those few die-hard followers, sometimes treating them to some early releases before they were announced on our various indices pages. The thing is that that account, @SF2Concat, was set up ages ago using a now defunct e-mail address.

One of the first things Musk did was to insist on strengthening passwords blocking accounts – such as ours – that did not have a password that included a number, symbol and Klingon hieroglyph. To get our account back, I’d have to give Twitter an extant e-mail address. Those that know me are aware that I really hate to sign up to anything (so, for example, for the first time since 1979 I will not be on the science programme of next year’s British Worldcon – Less work for me, so that’s a plus.)

Anyway, seeing the writing on the wall what with Musk’s apparent support of Trump’s ramblings, I decided not to continue with Twitter. The account is still there for future digital archaeologists.

For those wanting alerts, the wonderful Caroline frequently posts something on the BSFA Facebook page (last season edition alert here) which I mention because the BSFA is a worthy page to follow for a plethora of other reasons. And if you are on FB I give a shout out to one of Brit Cit’s local SF group pages North Heath SF.

(7) LET’S FIX THAT RIGHT UP. Artnet analyzes how “A Prankster Used A.I. to ‘Improve’ Edward Hopper’s Classic ‘Nighthawks’”.

The rise of artificial intelligence has created reams of new artworks, many of them generated, controversially, on the backs of artist’s existing pieces. Now, one X (formerly Twitter) user has shown a way that A.I. can offer “improvements” to classic works of art, starting with Edward Hopper’s Nighthawks, and even one of the art world’s most beloved critics may have fallen for the gag.

“Using AI, I was able to take some old painting and make it better,” posted X user Sonch (@soncharm) last week, sharing a jpeg of Edward Hopper’s famous scene of urban ennui, Nighthawks from 1942, how housed in the Art Institute of Chicago. “Where even is this? Who are the people? Huh? You’re too far away to really see the setup. Whole left side blank. Nothing here to grab onto,” Sonch complained….

Click on tweets for larger images.

(8) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 24, 1948 — Spider Robinson, 75. Spider’s an American-born Canadian citizen who’s one of my favorite writers and individuals to boot. 

This is not a complete listing of what he’s written, just my experiences with him and what I think should be commented upon.

I wasn’t surprised to discover that his first sale, “The Guy with the Eyes”, published by Analog in February 1973, was one of his Callahan stories. Four years later, he released Callahan’s Crosstime Saloon, a collection of Callahan short stories. These stories, and the later novels, make frequent reference to the works of mystery writer John D. MacDonald’s Travis McGee stories.

I’m very fond of the Lady Slings The Booze and Booze and Callahan’s Key as these Callahan’s Crosstime Saloon novels allow him to develop the characters at length more than he dies in the short stories. 

It was at this time that he married Jeanne Robinson, with whom he later co-wrote the quite excellent Stardance trilogy. The first, “Stardance”, a novella, won a Hugo at IguanaCon II, and a Nebula as well. 

His first published novel, Telempath, was a reworking of the “By Any Other Name” novella. 

And there’s Variable Star which as you know was based on an outline by Heinlein. I think it was, errr, ok. Not great, not bad, just ok. 

Hugo wise, I mentioned the first “Stardance” novella garnered a Hugo as did his “By Any Other Name” novella at SunCon and “Melancholy Elephants” short story which also got a Hugo at ConStellation. He was an Astounding Award Best Writer as well. And he received a much deserved LASFS Forry Award for Lifetime Achievement. 

He hasn’t published anything since 2008 though he’s been working on a novel, Orphan Stars, for the last decade and is said to be working on his autobiography as well.

He was Toastmaster at MagiCon and Torcon 3.

Spider and Jeanne Robinson at MagiCon. Photo by Lenny Provenzano.

(9) COMICS SECTION.

(10) WORKING FOR THE DOCTOR EVERY NIGHT AND DAY. “’It’s £2m ploughed into Cardiff’: how Doctor Who boosted the Welsh economy” in the Guardian.

…The original Doctor Who series ran from 1963 to 1989 before being mothballed. The report acknowledges that basing the series in Cardiff for its revival at the turn of the century felt like a risk.

But the show, originally starring Christopher Eccleston as the Time Lord and first broadcast in 2005, was an immediate success. Further series were commissioned and the BBC launched the spin-offs Torchwood and The Sarah Jane Adventures.

As well as finding creative people ready to work on the series, the show used settings in and around Cardiff, from the beaches of South Glamorgan to the capital’s castle and museums, prompting a spike in Doctor Who tourism.

The report, by economists within the BBC public policy team using research from the consortium Media Cymru and Cardiff University’s centre for the creative economy, looks at the impact of the show between 2004 and 2021. It estimates that each of the 13 revamped series generated the equivalent of 50 FTE (full-time equivalent) jobs per series in Wales, and 95 within the UK overall. These jobs are in addition to posts for people who directly work on the show.

It describes Doctor Who’s return as a “pivotal moment”, a catalyst for the growth of the Welsh creative industries over the past 15 to 20 years, claiming it paved the way for big BBC-commissioned shows including Merlin, Atlantis and Sherlock. This year, six new dramas have come out of Wales including Steeltown Murders, the story of the serial killer Joseph Kappen, and the thriller Wolf, both of which have won plaudits…

(11) OCTOTHORPE. Episode 97 of Octothorpe, “The Future of Language”  is raring to go!

We fire up the LizBat signal and discuss the Chengdews (John’s new pun; he’s extremely proud of it) including WSFS discussion, before moving onto Glasgow 2024’s online plans and Novacon chat. Then we talk about books and games and stuff. In

(12) BRING ME THE HEAD OF E.T. “An otherworldly auction full of cinematic sci-fi props will land in Beverly Hills” promises NBC Los Angeles.

…[December is] an eye-catching and otherworldly month, in other words, but sci-fi splendor and the heart of the holiday season don’t intertwine all that often, or as often as someone who adores both might wish.

But here’s some good news: That’s changing about a week ahead of Christmas when the “Robots, Wizards, Heroes & Aliens: Hollywood Legends” auction phones home at Julien’s Auctions in Beverly Hills.

Indeed, “phones homes” is a reference to a certain sweet space traveler, so you can bet you’ll spy E.T the Extra-Terrestrial, or rather an animatronic E.T. head, in the collection.

Other iconic additions to the line-up include a “Fantastic Voyage” ship, a Xenomorph head from “Aliens,” a “Back to the Future Part II” hoverboard, and the oh-so-cuddly Muffit II the daggit, a “Battlestar Galactica” favorite; Marvel and Harry Potter treasures will also be in the spotlight….

(13) THE ART IN ARTIFICIAL INTELLIGENCE. Nature tells readers “How AI is expanding art history”. (Don’t worry, nothing in here about “Nighthawks”.)

From identifying disputed artworks to reconstructing lost masterpieces, artificial intelligence is enriching how we interpret our cultural heritage.

Artificial intelligence (AI), machine learning and computer vision are revolutionizing research — from medicine and biology to Earth and space sciences. Now, it’s art history’s turn.

For decades, conventionally trained art scholars have been slow to take up computational analysis, dismissing it as too limited and simplistic. But, as I describe in my book Pixels and Paintings, out this month, algorithms are advancing fast, and dozens of studies are now proving the power of AI to shed new light on fine-art paintings and drawings.

For example, by analysing brush strokes, colour and style, AI-driven tools are revealing how artists’ understanding of the science of optics has helped them to convey light and perspective. Programs are recovering the appearance of lost or hidden artworks and even computing the ‘meanings’ of some paintings, by identifying symbols, for example…

(14) FIRE-AND-FORGET MATING TECHNIQUE. Butts with a mind of their own. Don’t tell me you haven’t seen this in fandom. “Why these sea worms detach their butts to reproduce” at Popular Science.

Bye bye, butt

Some segmented sea worms like the syllid worm go through a reproductive process called stolonization. The stolon is the worm’s posterior organ and it is full of eggs or sperm depending on the worm’s sex. During stolonization, the stolon completely detaches from the rest of the worm’s body for reproduction. 

This detached butt swims around by itself and spawns when it meets another stolon of the opposite sex. This autonomous swimming is believed to protect the original body of the worm from dangers in the environment and help the eggs and sperm travel longer distances. 

In order to swim by themselves, the stolon have to develop their own eyes, antennae, and swimming bristles while still attached to their original body. How this happens has been a mystery. The formation of the stolon itself begins when the gonads near the worm’s butt mature. A head is then formed in the front of the developing stolon, with the eyes, antennae, and swimming bristles following close behind. It develops its nerves and the ability to sense and behave independently before the stolon detaches from the rest of the body….

(15) VIDEO OF THE DAY. John King Tarpinian found this old Tonight Show clip on YouTube: “Paul Williams Arrives Straight From Filming ‘Battle for the Planet of the Apes’”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, Lise Andreasen, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/5/23 Pixelman’s Scroll Is Half-Constructed

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(1) PDA NOW OK. MovieWeb is on hand as “Doctor Who Boldly Overturns Its Outdated Classic-Era Show Policy”.

In the ever-evolving landscape of Doctor Who, the iconic British series has taken a recent turn that spotlights its growth from a stringent past. Known for its gallivanting through space and time, the beloved show is breaking down its own historical barriers, particularly one peculiar rule that harkens back to the 1980s….

…The pivot to emotional resonance is most pointedly realized in new scenes surrounding the omnibus of Earthshock, penned by Davies himself. Here, the Memory TARDIS acts as a vessel more for emotional catharsis than for space-time travel, facilitating a heart-to-heart between the Doctor and Tegan as they process the demise of Adric, a narrative beat scarcely imagined in the show’s earlier format where stiffer upper lips prevailed.

During the 1980s, producer John Nathan-Turner’s tenure was marked by an austere decree: no displays of affection within the TARDIS. Dubbed as the “no hanky panky” mandate, it stretched beyond romantic implications to ban even the simplest of hugs, lest they be misconstrued. This directive cast a chilly pall over the TARDIS, muting the warmth that might have been shared between the Doctor and companions. Davies, with a knowing wink, playfully critiques this through dialogue that bridges the three-decade emotional gap.

It’s through exchanges like the Fifth Doctor‘s quip, “We never really did this sort of thing, did we?” and Tegan’s response, “We do now!” that the series acknowledges its own thaw. This meta-commentary doesn’t just point to a thawing of the ’80s chill; it’s also a tribute to Davies’ contribution to the series’ tonal shift when he revived it in 2005….

(2) A BOOK WITH A JONBAR POINT. “Review: The Dragon Waiting, by John M. Ford” is shared by Rich Horton on Strange at Ecbatan.

…Somewhat miraculously, Isaac Butler, a journalist and new-hatched Ford enthusiast, was able to track down his heirs and untangle the issue, which was apparently largely due to his agent leaving the field approximately as he died. Thus many of his novels have been reprinted, and some more books may be in the offing. The first to be reprinted was The Dragon Waiting….

… I won’t say much more about the plot — perhaps I’ve already said too much. But it is rich and complicated, and there are many more fascinating characters to meet: Richard III, of course (though he’s not yet the king); a Christian Welsh witch named Mary Setright; Anthony Woodville, brother-in-law to King Edward IV, and man regarded as a renaissance man, England’s perfect knight; numerous other intriguers, including for example John Morton, rumored to be a wizard; and of course Edward’s young sons, the famous “Princes in the Tower”. There is lots of action — battles, daring rescues, desperate treks. There is lots of magic — wizardly spells, a remarkable dragon, alchemy. There are acts of wrenching heroism, and of dreadful treachery, and some that might be both at once. The resolution is powerful and moving. 

But most of all there is character. Cynthia’s agony over her acts of violence, in violation of her oath as a doctor. Hywel’s battles with letting is wizardly powers consume him — apparently always a danger. Dimitrios’ attempts to find a man to whom to be truly loyal. And Gregory’s agonized struggle with his vampiric needs. I am no fan of vampire novels, on the whole, but I rank two as truly worthy: George R. R. Martin’s Fevre Dream, and this novel….

(3) THOSE SEVEN-LEAGUE BOOTS. “The business of mining literary estates is booming” reports The Economist.

LORD BYRON intended to publish his memoir, but his literary executor burned it instead. T.S. Eliot is thought never to have wanted songs made about his cats. Terry Pratchett, a British fantasy writer, had imagination: his former assistant honoured Pratchett’s wish to have a steamroller crush a hard drive containing the author’s unfinished stories.

Roald Dahl, author of dark, delightful children’s tales, might have done something equally drastic had he known scriptwriters would conjure up a teenaged Willy Wonka. Dahl, who died in 1990, detested the first film made of his “Charlie and the Chocolate Factory”. It is hard to imagine him cheering its prequel, “Wonka”, which will be released in December. In it, young Willy, played by Timothée Chalamet (pictured), faces off against a chocolate cartel.

Authors have long tried to control what happens to their works after they die—and mostly failed. Yet Dahl’s legacy represents a new twist in the tale. Huge sums paid in 2021 for his estate by Netflix, a streaming service, have helped spur a gold rush to mine dead authors’ estates. Once it was intrusion by snoopy biographers that worried writers most. Today it is the temptation among heirs to monetise every shred of creative output.

Voracious hunger for new content from streaming services and film studios is driving this new interest in old books. Shrewd video producers, faced with bidding wars for hot new titles, have turned to more affordable options: novels written decades ago. The rights for these “backlist” works generally belong to an estate for 70 years after an author’s death. After that, the work enters the public domain, and estates can no longer profit from or control it. Consider “Winnie the Pooh: Blood and Honey”, a film released this year, in which Pooh and Piglet, A.A. Milne’s loveable, nearly 100-year-old characters, become bloodthirsty killers.

Copyright-protected works are ripe for technological transformation. They can be milked in various ways, including selling the rights for translations into new languages, permitting “continuation novels” penned by living authors and making streaming series. For example, “The Queen’s Gambit”, which is best known as a show on Netflix, was actually based on a novel published in 1983.

Traditionally, managing the intellectual property of an author’s estate was a low-key affair left to grand-nephews and harried former agents. The modern era of more actively exploiting rights began 15 years ago, when star agents in America and Britain started vying for the estates of Ian Fleming, Evelyn Waugh and Vladimir Nabokov. The heirs of Agatha Christie and Dahl, meanwhile, set up companies to oversee growing empires….

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Part 4 of Arthur Liu’s con report

Although originally announced as a four-part series, the latest instalment ends on something of a cliffhanger on the night of the Hugos, so there should be a concluding part to follow.  This one is generally much more upbeat than the previous entries, although there are ominous hints about things to come in the final part. Extracts via Google Translate, with minor manual edits:

From this day [Thursday 19th] on, the number of foreign guests increased significantly. Based on my previous experience of attending conventions abroad, it might simply have been that they had just finished listening to panels, and had gone out to take a look around. Most of them were very interested in Chinese science fiction, and they were very happy to hear that there is such a comprehensive reference source as CSFDB. César Santivañez, editor of Future Fiction’s Cuba department, mentioned their books and did some checking with the records in the database; Estonian critic Nikolai Karayev mentioned FantLab when he came over to talk; the founder of the MUFANT Science Fiction museum in Turin David Monopoli bought our association’s journal and asked if he could record a one-minute video to introduce it; Israeli science fiction writer Uri Aviv came over to talk and learned that I like Lavie Tidhar’s works and that I also live near to one of the buildings used on the cover of Central Station. He took out his cell phone and called me over to say hello to Lavie directly.

I got a little tired in the middle of the day, so I sat behind the table to rest. Zixuan happened to pass by and said hello to me. Just behind him came a kind and slightly older foreigner. When I looked, I realized that it was Andreas Eschbach! I had only just asked for his autograph the day before, but I didn’t expect to have the opportunity to meet him in person! His “The Hair-Carpet Weavers” is one of the best science fiction works I have read in the past two years. We exchanged contact information – and not long before writing this, he sent an email. Whilst making some suggestions for the database, he also congratulated me on being shortlisted for the Hugo Award and said that if there was anything I wanted to know about his work, to contact him at any time…

[After having dinner] I returned to my hotel. [Zhong] Tianyi spent a day writing his own story, and he recovered a little, but before dinner, I went to have a midnight snack with him again. From that night on, I began to feel my body temperature intermittently become unstable. However, the local temperature difference was also very large, and as I continued to be in a state of alternating excitement and nervousness, I didn’t pay much attention to it. Now that I think about it, it may be that this is where the disease started off [referring to the severe con crud he suffered after getting back to Beijing, which I mentioned in passing on some of the earlier reports].

At a barbecue shop on the night snack street, he and I discussed some general issues, and then ate grilled locusts for the first time in my life. It is this sort of the novel experience that is closest to the spirit of science fiction at this convention…

Working at the Glasgow Worldcon table was Ann Gry.  She was also one of the guest editors of “Journey Planet”.  It is an amazing thing is that many foreign friends present have participated in the editing of issues of this magazine, and there is a feeling that the world is full of talents. I told her about my plans to attend the con next year, and then exchanged some gifts. She also showed me an interactive narrative game called “Loop” made by her friend. During the exchange, many people came over to take photos and sign autographs – foreigners are really more popular than ever at this conference. I hope to see more Sino-international exchanges in Glasgow next year…

The meeting was coming to an end and everyone had to say a few words. I felt a little sorry for not hearing it clearly. Then the leader said it was okay and we would talk more about it when we came back. Then he asked me if I thought I had a good chance of winning the Hugo Award and gave me his best wishes. Although everyone knew that I was doing something in this area before, in general doing science fiction has always been a kind of double life like Batman for me.  Suddenly breaking out of that [private] circle feels very subtle, or wonderful – kind of like the atmosphere of Hell’s Kitchen or American Idol nearing the season finale…

When we arrived at the [Hugo] reception, we just passed by the group photo of the fan authors, as no one showed up. Officials from the World Science Fiction Convention in Seattle were handing out exclusive pins to the finalists at the entrance. This afternoon, RiverFlow was exhausted again, and had returned to the hotel to rest. We asked if we could pick it up for him, and they said no, they could send it to him later. Later, in an email, I learned that each shortlisted project would receive one, instead of each person receiving only one.

There were very few Chinese finalists at the reception. When we arrived, we only saw Regina Kanyu Wang and her partner. She took us to meet many other foreign finalists, such as Best Fan Artist finalist Richard Man, and Glasgow representative Vincent Docherty.  After a while, a tall man came over, and I recognized him as Chris M. Barkley, another of the Best Fan Writer finalists. Unlike us, he has been writing columns for decades – before the conference, he also advised foreigners to be friendly to the Chinese science fiction fans attending the conference – and he can be regarded as a senior fan, although he does not look old at all!   As soon as he heard that we were also finalists, he enthusiastically took a photo with us. The volunteers at the reception were recruited from nearby international schools. They came up to talk to us in English first, and then switched to Chinese. As the photoshoot was coming to an end, they took us to a nearby display table, where there were cloisonné enamel paintings carefully made by students from the Hua’Ai School [located across the road from the con venue, see Scrolls passim]. Everyone would receive one according to their preference. When receiving the gifts, Regina asked me to take a photo of her and [founder of publisher 8 Light Minutes Culture] Yang Feng. Not long after, the reception ended. Everyone split up into groups and took the shuttle bus back to the venue. The Hugo Awards party was about to begin.

This part also prompted Hugo winner RiverFlow to post another memory of the eventful evening of the Hugo ceremony, which he hadn’t mentioned in his own con report.

A textual representation of the Cixin Liu signing queue outside the venue. ‘人’ is ren/person
With (I think) Zhong Tianyu
WIth Nnedi Okorafor
With Regina Kanyu Wang and Vince Docherty

Purported “news” outlet apparently unable to count up to three

The byline indicates that it may be the Xinhua news agency rather than the People’s Daily that is the source for this English-language travesty, but the bottom of the piece credits a pair of “web editors”, so I feel that they are all equally culpable.

Extracts (my emphasis):

Hai Ya took away the Best Novelette award for “The Space-Time Painter” while well-known computer graphics artist Zhao Enzhe won the Best Professional Artist award…

In addition to the two [Chinese] winners, many other categories at this year’s Hugo Awards also featured Chinese authors and artists.

(Someone on Mastodon reported that they couldn’t access the original link, so I made a backup on archive.org.)

There was a similar, if not quite as blatant, omission in another Hugos writeup from the same agency/website.

Bilibili videos

I hadn’t checked this video sharing site for a few days, but there have been a few items of interest posted.

This one (uploaded by a game developer, I think) in vertical aspect is 13 minutes long, but from about 8 minutes in, it switches to a visit to a panda centre, and later on generic footage of Chengdu.  There’s no dialogue, so there aren’t really any translation issues, but I can’t say I’m a fan of the music they chose to overdub the video with.  I’m not sure when this was filmed; possibly before the con, or on one of the weekdays, given that much of the space seems fairly empty compared to most of the photos and videos we’ve seen.

One of the con’s interpreters posted a 2-minute video with English/bilingual captions.

This 10-minute Chinese-language video from (I think) a voice actor, doesn’t have too much that hasn’t been seen in prior photos or videos, but from around 2:45 she interviews Huawen, whose con reports were featured in a couple of recent Scrolls.  At 5 minutes in, she speaks with Hugo winner Hai Ya.  Warning: her presentational style is very “hyperactive YouTuber”, which some may find grating.

With the Kormo mascot
With Huawen
With Hai Ya
On the themed tram

 (5) IN A POTHOLE IN THE GROUND THERE LIVED… “Mid-Earth Removals Limited” by R.S.A. Garcia is a free story at Sunday Morning Transport to encourage subscriptions.

Public works are extra problematic in the magical realm, as R.S.A. Garcia delightfully proves in this free, first story for the month of November.

(6) I SHOT THE SHERIFF, BUT I DID NOT SHOOT THE CEO. “Mattel’s ‘Barbie’ Script Notes to Greta Gerwig and Noah Baumbach Asked: ‘Does a Mattel Executive Have to Be Shot’ During Beach Battle?” reports Variety.

“Barbie” screenwriters Greta Gerwig and Noah Baumbach recently joined Tony Kushner (“Angels in America,” “Lincoln”) for a discussion about the record-breaking Warner Bros. blockbuster and revealed one of the first notes Mattel gave them on the script: Please don’t have the Mattel exec stand-in characters be shot.

In the third act of “Barbie,” an all-out beach battle takes place between the warring Ken characters. It’s at this moment that Will Ferrell, playing the fictionalized CEO of Mattel, arrives in Barbieland along with his armada of nameless male Mattel execs. At one point one of these execs gets shot with a fake arrow during the ensuing, bloodless mayhem….

(7) A MIRROR TO SOCIETY. The New York Times interviews horror movie columnist Erik Piepenburg, “A Critic With Monsters on His Mind”.

…In an article from this year, you also described “M3gan” as a gay movie. Do you think gay audiences have a special affinity for horror?

Well, I think all horror movies are about one of two things: trauma or gayness. That’s just my queer-theory lens that people can accept or reject. But in horror movies, there’s often this notion of otherness — of the monster existing outside of societal norms. I think queer audiences can align themselves with villains who feel like outsiders, like no one understands their feelings.

I also think queer audiences appreciate the outrageous, camp quality of horror. “M3gan” is a perfect example. The villain is a demon that you kind of want to be friends with. I know people in my life who can be monsters, but I love them anyway.

What trends are you seeing in the horror genre right now?

There’s certainly a lot of Covid-inspired films — movies about being locked up inside and fears about contagions. I would say another trend is the slow-burn horror movie, one that takes time to unfold instead of hitting you over the head with monsters, explosions, ghosts and conventional horror scares. The slow burn delivers tiny moments of unease so that by the film’s end, your entire body has become so tense that it’s hard to shake. Those are some of my favorites….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 5, 1903 — H. Warner Munn. Writer and Poet known in genre for his early stories in Weird Tales in the 1920s and 30s, his Atlantean/Arthurian fantasy saga, and his later stories about The Werewolf Clan. After making two mistakes in his first published genre story, he compensated by becoming a meticulous researcher and intricate plotter. His work became popular again in the 1970s after Donald Wollheim and Lin Carter sought him out to write sequels to the first novel in his Merlin’s Godson series, which had been serialized in Weird Tales in 1939. These novels were published as part of their Ballantine and Del Rey adult fantasy lines. The third novel in the series received World Fantasy and Mythopoeic Award nominations, he himself was nominated three times for the World Fantasy Award for Life Achievement, and he was Guest of Honor at the 1978 World Fantasy Convention. He won the Balrog Award for Poet twice in the 80s, and received the Clark Ashton Smith Award for Poetry. (Died 1981.)
  • Born November 5, 1938 — Jim Steranko, 84. His breakthough series was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. ISFDB says his first genre cover art was for C. C. MacApp’s 1969 Prisoners of the Sky. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
  • Born November 5, 1940 — Butch Honeck, 83. Sculptor and Fan who learned mechanics, welding, machining, and metal finishing as a teenager, then went on to build a foundry and teach himself to cast bronze so he could create shapes that were too complex for welding. His bronze fantasy sculptures, which depict dragons, mythical creatures, wizards, and other fantasy-oriented themes, use the lost wax method with ceramic shell molds and are characterized by intricate details, mechanical components, humor, and surprise. He has been Artist Guest of Honor at several conventions, was named to Archon’s Hall of Fame, and won a Chesley Award with his wife Susan for Magic Mountain, the Best Three-Dimensional Art.
  • Born November 5, 1942 — Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red,  and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” also co-written with Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
  • Born November 5, 1971 — Rana Dasgupta, 52. UK-born author now resident in India. His Tokyo Cancelled, think Tales from the White Hart at least in tone, is fascinating. Equally fascinating though not genre at all is his Capital, the story of the city of Delhi. 

(9) NESFA PRESS RELEASES ZELAZNY SHORT FICTION AS EBOOKS. The NESFA Press’ six-volume series The Collected Stories of Roger Zelazny is now available in eBook format — epub and mobi format.

For many years, the six-volume series, The Collected Stories of Roger Zelazny, has been available in a durable hardcover edition. NESFA Press is delighted to announce the release of these books in eBook format!

This series contains all the short science fiction of Roger Zelazny. Each story is enriched by editors’ notes and Zelazny’s own words, taken from his many essays, describing why he wrote the stories and what he thought about them retrospectively.

Each volume goes for $9.95.

  • Threshold: Volume 1, by Roger Zelazny
  • Power & Light: Volume 2, by Roger Zelazny
  • This Mortal Mountain: Volume 3, by Roger Zelazny
  • Last Exit to Babylon: Volume 4, by Roger Zelazny
  • Nine Black Doves: Volume 5, by Roger Zelazny
  • The Road to Amber: Volume 6, by Roger Zelazny

(10) GOODREADS SAYS IF YOU SEE SOMETHING, SAY SOMETHING. “Goodreads Asks Users to Help Combat ‘Review Bombing’” – Publishers Weekly has the details.

After a spate of criticism and concern over the summer, Amazon-owned Goodreads this week said it is working with users to combat what’s become known as “review bombing,” a practice in which users look to protest an author or book by swamping the book with one-star reviews and negative comments. In an October 30 message to the Goodreads community, officials reiterated the website’s policy to prohibit reviews and comments that “harass readers or authors, or attempt to artificially deflate or inflate the overall rating of books,” and encouraged users to report such behavior.

“Earlier this year, we launched the ability to temporarily limit submission of ratings and reviews on a book during times of unusual activity that violate our guidelines, including instances of ‘review bombing,’” the message states, adding that the site is currently “in the process of removing ratings and reviews” added during periods of “unusual” activity. “If you see content or behavior that does not meet our reviews or community guidelines, we encourage you to report it,” the message continues. “By alerting our team, you’ll be contributing to the overall community and helping keep Goodreads a place where people can come together to share authentic reviews and enjoy interacting with readers and authors of books they’ve loved.”

The message comes after a high-profile incident in June, in which Eat, Pray, Love author Elizabeth Gilbert announced that she was pulling her new novel The Snow Forest, which was slated to be published by Riverhead in February 2024, after more than 500 Ukrainian and pro-Ukrainian users slammed the book with negative comments and one-star reviews expressing concerns that the book—based only on a description, since the book had not yet been published—would “romanticize” Russia. Gilbert’s decision alarmed literary critics and freedom to publish advocates. It’s unclear when, or if, the book will be published. The book is not currently listed on Gilbert’s author page at Penguin Random House….

(11) THEY TORE DOWN PARADISE AND PUT UP A PARKNG LOT. Not so often anymore. Originally Los Angeles was regarded as a place that was too new to have history, let alone historic buildings. That attitude has changed over the past fifty years. “The Woman Who Has Fought to Save L.A. History From Demolition” – a New York Times profile.

…Many of Southern California’s most popular landmarks are still there because Los Angeles rallied. St. Vibiana’s Cathedral downtown, once on the brink of demolition, is now a thriving events center. The gorgeous Julia Morgan building that once housed the old Los Angeles Herald Examiner, where I used to work, is now a satellite Arizona State University campus. There’s a fight to save the bungalow where Marilyn Monroe died — a legend behind a wall in a cul-de-sac on a side street in Brentwood.

In a place with a history as growth-oriented as Southern California’s, the preservation of those properties has not been easy.

Next month, a leading voice in that effort, Linda Dishman, the president of the Los Angeles Conservancy, will pass the torch after 31 years at the organization, a nonprofit group that has been instrumental in saving pieces of Southern California’s past from bulldozers. The conservancy’s senior director of advocacy, Adrian Scott Fine, will succeed her.

Dishman and I chatted not long ago about history and growth in L.A., the nation’s second most populous city. Here is some of our conversation, lightly edited.

Los Angeles was just beginning to realize the value of historic preservation when you became the conservancy’s leader. What has changed since then?

Preservation has really become more of a commonly held value. I think of my first years, when we were fighting to save the Herald Examiner building. Fighting to save the Ambassador Hotel. Fighting to save the May Company. The Herald Examiner was going to be torn down for a parking lot, which seems so strange now. But that’s how little value people placed on these buildings and their history….

(12) BANANARAMA. Nerdist introduces us to the next ape movie: “Kingdom Of The Planet Of The Apes Trailer Teases an Ape Tyrant on the Rise”.

A new entry into the world of Planet of the Apes is coming our way. And it picks up generations after we left Caesar and his tribe living peacefully in War for the Planet of the Apes. Trouble, of course, is brewing, as it naturally does in order for franchises to continue. And we can sense an epic conflict coming our way. The first teaser trailer for Kingdom of the Planet of the Apes sets us up well for the “action-adventure spectacle” that awaits, promising ape tyrants, human friends, lots of danger, but also beauty. You can get your first look at what’s in store below….

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Paul Weimer, Rich Horton, Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 10/5/23 The Fan-Kzin Scrolls

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(1) NICOLA GRIFFITH Q&A. “’Hild’ sequel author Nicola Griffith talks about ‘Menewood’” in the Christian Science Monitor.

When did you first learn about the real Hild?

I love old abbeys, old castles, all that kind of thing. But I had never been to [the ruins of Whitby] Abbey until I was in my early 20s. I crossed the threshold of the abbey, and it was like stepping into Narnia. The world just changed. You know when some people talk about the skin of the Earth being thin in some places, this sense of immanence? It was like that for me. 

I read in a tourist pamphlet about St. Hilda of Whitby, who founded the abbey, and I wanted to learn more, but there were no books about her. 

My question was, why is this woman, from a time when we’re told that women had no power, no influence, no significance whatsoever, still remembered 1,400 years later? Nobody could tell me. I was on fire to find out; I thought what we knew of history must be wrong. This could not have happened if what we think of as history is actually true. So I basically started this enormous controlled experiment. I rebuilt the seventh century. I mean, I researched before I even wrote a word.

I’d been researching that book [“Hild”] for 20 years. I’d been reading everything you could possibly think of, all the medieval plants, everybody’s lists of grave goods. I followed all the archeology magazines and blogs and journals, and I read about the weather. I researched the flora, fauna, jewelry, making textiles. And then the day before my birthday, I thought, I cannot start another year without having done this book. So I sat down and said, I’m going to write one paragraph. And so I did. And there was Hild. And she was 3 years old and sitting under a tree. And I thought, that’s how I’m going to do it. She’s going to learn the world along with the reader.

(2) LE GUIN VIDEOS PART FOUR. The Journey That Matters is a series of six short videos from Arwen Curry, the director and producer of Worlds of Ursula K. Le Guin, a Hugo Award-nominated 2018 feature documentary about the iconic author.

In the fourth of the series, Khadija Abdalla Bajaber introduces “There I Am on the Page,” in which Ursula and other writers—including Nisi Shawl and adrienne maree brown—reflect on Ursula’s decision to make many of her characters people of color. Watch  “Ursula K. Le Guin on Writing Characters of Color” at Literary Hub.

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present David D. Levine and Robert Levy on Wednesday, October 11 at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

DAVID D. LEVINE

David D. Levine is the author of Andre Norton Nebula Award winning novel Arabella of Mars, sequels Arabella and the Battle of Venus and Arabella the Traitor of Mars, and over fifty SF and fantasy stories, some collected in the award-winning Space Magic. His story “Tk’Tk’Tk” won the Hugo, and he has been shortlisted for awards including the Hugo, Nebula, Campbell, and Sturgeon. His latest novel is The Kuiper Belt Job.

ROBERT LEVY

Robert Levy’s novel The Glittering World was nominated for the Shirley Jackson Award and the Lambda Literary Award. Shorter work has appeared in The Magazine of Fantasy & Science Fiction, Nightmare, Black Static, and The Best Horror of the Year. He teaches at the Stonecoast MFA Program, and his collection No One Dies from Love: Dark Tales of Loss and Longing is out now from Word Horde.

(4) NOBEL PRIZE FOR LITERATURE. Jon Fosse has won the 2023 Nobel Prize for Literature “for his innovative plays and prose which give voice to the unsayable.”

(5) LAURIE HALSE ANDERSON DONATES $100K TO PEN AMERICA’S FIGHT AGAINST BOOK BANS. The 2023 Astrid Lindgren Memorial Award laureate, American writer Laurie Halse Anderson, is donating $100,000 of her prize money to PEN America’s fight against book bans.

…Many of Laurie Halse Anderson’s books are frequently found on lists of banned books: books that, in some states or districts in the United States, are not allowed to be read in schools or bought by public libraries because of their subject matter or plot. Earlier this year, Anderson received the Astrid Lindgren Memorial Award, the world’s largest award for children’s and YA literature. The prestigious award comes with a cash prize of SEK 5 million ($452,000).

“Public libraries and schools have a duty to offer a broad range of books to the communities that they serve. People who find a book that they don’t like don’t have to read it. They do not have the right to dictate what books other people, or other people’s children, can read. I am proud to support PEN America and their fight against book banners and others bent on destroying our freedom to read. Remember: censorship is the child of fear and the father of ignorance”, says Laurie Halse Anderson….

(6) THEY WENT APE. Matthew Hays recalls how “50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with Battle for the Planet of the Apes” at Literary Hub.

When Planet of the Apes opened in cinemas in 1968, its box-office success was surprising even to the filmmakers themselves. After all, the film featured an astronaut survivor named Taylor (played by Oscar winner Charlton Heston) facing off against a planet of actors wearing elaborate ape makeup.

The possibility that the film would seem a giant joke to audiences had already crossed the minds of the suits at 20th Century Fox. The studio had set up an audience screening before they greenlit the project. Producer Arthur Jacobs was commissioned to film a 15-minute short film that would include some actors in ape makeup; if one person in the audience laughed, there would be no movie. No one laughed, and a legendary science fiction film was born.

To kids (I first saw the film at age six), Planet of the Apes seemed a basic movie about an astronaut landing on a planet run by a different species. But when the film arrived, many adults got the film’s multilayered jokes and running commentary: screenwriters Rod Serling and Michael Wilson (adapting Pierre Boulle’s novel) packed every imaginable bit of baggage that would fit into their carefully crafted Trojan horse. As New Yorker critic Pauline Kael immediately intuited, Planet of the Apes was a hate letter to America, full of commentary about slavery, manifest destiny, religious fundamentalism, creationism versus evolution, colorism and racism generally. The extensive medical experimentation done on the humans by apes is a clear reference to the Tuskegee Experiments. That some thought the apes were meant to represent Black Americans was a fundamental misreading of the film; the ape society is clearly a parody of American society, with all of its contradictions (especially the purported separation of church and state).

(7) WRITING POEMS, AND WAITING TO BE ARRESTED. [Item by SF Concatenation’s Jonathan Cowie.] With Chengdu Worldcon in mind, it is worth checking out today’s BBC World Service programme on the life of a Uyghur artist (poet, film and documentary maker) in China.

The programme is very Orwellian.

Tahir Izgil is one of the most highly respected living Uyghur poets. Tahir was born near Kashgar, in Xinjiang province, and from an early age he was immersed in the poetry of his culture. When the Chinese state clamped down on the Uyghur community, he lived under constant threat of arrest, and says he couldn’t even perform his poems. So he decided to try and escape his homeland…

You can listen to it here: “Writing poems, and waiting to be arrested”.

(8) 24TH FANTASIC SHORT STORY CONTEST. [Item by Ahrvid Engholm, contest administrator.] Results are in for the “24th Fantastic Short Story Contest” or “Fantastiknovelltävlingen”, probably the oldest running writing contest in Sweden, organized by writing E-mail list SKRIVA. (The term “fantastik” is here often used for sf, fantasy and horror, the “fantastic” genres.)

1st prize: “Der Berliner Underwellen”, by Kristian Schultz

2nd prize: “Cladosporium¨, by Isak Laestander

3rd prize: “The Cleaning Day”, by Kristian Schulz

There also were five “honorable mentions”.

A total of ca €200 is handed out in prize money plus a diploma and a secret prize… The Google English translation version of the result announcement

The winner 2023 Kristin Schultz also grabbed 3rd place, and despite having a German sounding title — it’s set in Berlin — the short story was in Swedish. An edited summary of the jury’s comments, authors P Lindestrand, K Bjällersted-Mickos and N Krog:

“…well-balanced description of a relationship in disintegration…Very eerie environments and Lovecraftian abominations that dwell in dark cellars…exciting and evocative story about…an underground tunnel populated by a hungry monster. The ending is dramatic, well written and classic…Wonderfully well-written and well-thought-out story about a Mathias and Klara who go on group sightseeing in the Berlin underground…Soon total chaos breaks out. The short story is well structured…A pleasure to read.”

Next contest starts in spring 2024. It will be the 25th and a silver jubilee!

(9) FAN HISTORY ZOOM: EVOLUTION OF FAN ART. The Fan History Project has another great FANAC Fan History Zoom session coming up coordinated by webmaster Edie Stern.

  • Evolution of Fan Art with legendary fan artists Grant Canfield, Tim Kirk, Jim Shull and Dan Steffan.

Sunday, October 15, 2023. Time: 4 pm EDT, 1 pm PDT, 9 pm BST (UK) and 7 am (Oct. 16, Melbourne, AU)

To attend, please send a note to [email protected]

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 5, 1945 — Judith Kerman, 78. Can we call her a polymath? She’s a translator, publisher, academic, anthologist and poet.  All of her poetry, collected in Uncommonplaces: Poems of the Fantastic, is well worth your time. She did two non-fiction works of which I’m recommending one, “Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Phillip K. Dick’s Do Androids Dream of Electric Sheep”, as I’ve a Jones for that literature.
  • Born October 5, 1949 — Peter Ackroyd, 74. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein.  I thought Hawksmoor had been turned into a film but it has not. But he has a credit for The Limehouse Golem which is his film work. 
  • Born October 5, 1952 — Clive Barker, 71. Horror writer, series include the Hellraiser and the Book of Art, which is not to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art.  There has been a multitude of comic books, both by him and by others based on his ideas.  My personal fave work by him is the Weaveworld novel.
  • Born October 5, 1959 — Rich Horton, 64. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year, merged into The Year’s Best Science Fiction & Fantasy in 2010. He wrote a review column for Locus for twenty years, signing off this past February. His Strange at Ecbatan blog includes reviews, criticism, and a well-received series that proposes Hugo finalists to fill in the old years when only winners were announced, or even before the award was created.
  • Born October 5, 1971 — Paul Weimer, 52. Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 40 years and exploring the world of roleplaying games for more than 35 years. A three-time Hugo finalist for Best Fan Writer (2020-2022), he is a prolific reviewer for Nerds of a Feather and contributes elsewhere, including Tor.com, The Skiffy and Fanty Show, A Green Man Review, and here at File 770. He also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcasts. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.
  •  Born October 5, 1974 — Colin Meloy, 49. He’s best known as the frontman of the The Decemberists, a band that makes use of folklore quite a bit,  but he has also written the neat and charmingly weird children’s  fantasy Wildwood chronicles which is illustrated by his wife, Carson Ellis.

(11) COMICS SECTION.

(12) GET READY FOR LIFE DAY. Marvel comics will publish four Life Day variant covers in November – in time for the Wookiee celebration of Life Day on November 17.  

Each November, the galaxy far, far away celebrates family, joy, and harmony on Life Day, and this year, Marvel Comics will commemorate this longstanding Wookiee tradition by reflecting these values in all-new variant covers!

 Gracing the covers of STAR Wars, Star Wars: Darth Vader, Star Wars: Doctor Aphra, and Star Wars: Bounty Hunters, the four new Life Day Variant Covers come from artists Mike Del Mundo and Rod Reis and feature characters from throughout various eras of Star Wars storytelling, including nods to the original Star Wars Holiday Special. Fans can enjoy heartwarming moments like young Anakin Skywalker sharing a meal with his mother Shmi, Han Solo and Chewie decorating, Chef Gormaanda whipping up a delicious feast, and Doctor Aphra and Krrsantan reuniting for the season!

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to relive Capclaves past and present during Eating the Fantastic’s lightning-round Capclave Donut Carnival.

I love Eating the Fantastic’s lightning-round donut episodes, for which I park myself in a heavily trafficked area of a con with a dozen donuts and chat with anybody who’s up for trading five minutes of talk for a freebie. It’s a fun contrast to my usual well-researched one-on-one conversations, in that it’s completely spontaneous, since I never know the identities of my guests until their eyes alight on my donuts and they choose themselves.

In 2016, listeners were able to eavesdrop on the Readercon Donut Spectacular, then in 2017 the Balticon Donut Extravaganza, in 2018 the Nebula Awards Donut Jamboree, and in 2019 — before the pandemic forced me to take a break from such things — the StokerCon Donut Spooktacular.

Because Capclave — which ended the day before yesterday as this episode goes live — not only has a patio, but this year, unlike last, had weather warm enough for us to gather there, I was able to bring back that tradition. On Saturday afternoon, I sat down out on the patio with two boxes of donuts from Donut King in Kensington, Maryland, and waited for potential guests to materialize.

So join us during the lightning-round Capclave Donut Carnival, where you’ll hear R. Z. Held and me bond over rejection, David Hacker explain his love of listening to writers read, Michael Dirda recall why Orson Scott Card once kneeled before him on an elevator, James Morrow share his fascination with Charles Darwin, how Katy Lewis found her husband through Dungeons and Dragons, Michael Walsh’s favorite moment as a con chair (which involved Howard Waldrop, Gardner Dozois, and George R. R. Martin), Bill Lawhorn clarify the creation of the bronze dodo, Sarah Pinsker reveal how and why her first science fiction convention was Capclave, Adeena Mignogna explain why space is cool but space travel gets really hot, Mike Zipzer’s memories of Terry Pratchett’s surprise visit, Sarah Mitchell’s arranging of a secret con wedding, Sunny Moraine opine on how the world’s response to COVID-19 changes our ideas of what would happen in a real-world zombie apocalypse, John Pomeranz chat about how the infamous Disclave Great Flood thrust him into being a hotel liaison — and much more!

(14) WOOF 2023. [Item by Rich Lynch.] WOOF(the Worldcon Order Of Faneditors) will have a collation at the upcoming Worldcon in Chengdu.  This year’s Official Editor (OE) is Don Eastlake. 

WOOF is an amateur press association (apa) that has been a feature of Worldcons since 1976 thanks to its originator, the late Bruce Pelz.  For those who will be attending this year’s Worldcon, there will be a WOOF collection box at the Worldcon for printed fanzines.  Alternatively, you can email your WOOFzine as a PDF to <[email protected]>. Your contribution must be received by October 22, Chengdu time. After the deadline passes, the OE will collate all fanzines received into a single PDF document and this assembled mailing will then be made available for download and viewing at efanzines.com, where several previous mailings of WOOF are now archived.  (It’s not yet known if there will be any printed copies.)

(15) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

Procedure for Chengdu bid supporters to be able to enter the lottery — https://weibo.com/5726230680/NmqACu8fo

Following on from recent items, File 770 commenter Adaoli has documented the process that (Chinese?) supporters of the Chengdu site selection bid have to go through, in order to enter the lottery to attend any of the main ceremonies.  (I don’t think this particular quirk was mentioned in those earlier updates, because I didn’t — and still don’t — fully grok all the details.)  In my understanding, anyone who had Chengdu membership through supporting that bid — as opposed to buying a new membership or ticket — doesn’t have the purchase number that is necessary to fill in the lottery application, and so they have to go through this process.  Amongst other things, this involves calling a telephone helpline.

Some initial Weibo comments about the apparent lack of foreign/Western guests

Via Google Translate.  Poster’s identities have been removed, as have the names of authors, which has involved some minor editing for readability.  There are multiple comments from certain posters, so I wouldn’t claim that this is a representative sample of Chinese fandom by any means.

  • Guest of honor Lukyanenko did not appear (understandably). The willingness of foreign science fiction people to participate in the conference is indeed too low (visible to the naked eye).  (I suspect that last bit would be more accurately translated as “invisible to the naked eye”.)
  • Many authors who have been inactive for many years have been brought up to make up the number. Foreign guests invited many cartoonists and artists who are not well-known in China. There were only four well-known foreign writers. Yes, this is really embarrassing.
  • There is no publicity outside. When I helped distribute flyers at the Japan Science Fiction Convention in August, many people who sold doujinshi didn’t know it was held in Chengdu.  (FWIW, this poster has Korean hangul characters in their username, and Weibo indicates they posted that comment from a Japanese IP address.)
  • [In] 1991, there were 45 foreign guests at the WSF conference in Chengdu.
  • Let’s not talk about European and American writers. I didn’t see the writers from neighboring Japan, [Names of 8 Japanese writers omitted.]  It feels not much different from domestic science fiction conventions.
  • I checked that there were probably more than 120 foreign guests attending the event in Yokohama 2007. There were approximately 1,210 foreign participants at that conference (the total number of participants was 2,788) 

At time of submitting this item, I’ve not seen any general reaction to the schedule – although as the announcement on Weibo went out at 22:52 local time, I’m hoping there’ll be more commentary tomorrow.

Video posted showing the interior of the con site — https://weibo.com/6088652407/4952842881735936

Chengdu-based KanDu News posted this 2:42″ video to Weibo, which is the best look yet at the interior of the con venue.  The opening captions indicate it was filmed yesterday (October 3rd), and there’s clearly a lot of interior construction work still underway.

From 0:30 to 0:55 shows the “Hugo Hall”, which is 4000 square meters. The guy talking indicates there’s something special about the video wall; it looks to be translucent and/or visible from both sides?  The area shown between 0:55 – 01:10 is (I think) the area for the press and media, and is 1000 square meters.  

 The structure shown between 1:35 and 2:20 seems like it’s a reproduction of something from the Wandering Earth 2 film, although I haven’t seen that, so I’m unclear what exactly it is. 

That organization also posted a video yesterday composed of night drone shots of the exterior — https://weibo.com/6088652407/NmaFNiigG.

Tibet Airlines magazine interview — https://weibo.com/6045346855/NlSyioyiG

Via the Weibo account of Chengdu SF publisher 8 Light Minutes, (what I assume is) the October issue of the in-flight magazine of Tibet Airlines has a 6-page interview with Best Editor (Short Form) finalist Yang Feng, with various photos relating to the history of Chinese SF and the upcoming Worldcon

(16) WE APOLOGISE FOR ANY INCONVENIENCE. [Item by SF Concatenation’s Jonathan Cowie.] A time-loop, Groundhog Day-type audio play on BBC Radio 4, “We Apologise for Any Inconvenience.”

The being-trapped-in-a-repeating-time-loop trope has an early exemplar film in Groundhog Day (1993) but that was decidedly fantasy.

The SF version was 12:01 (1993) in which the loop was caused by technology. However, the trope’s provenance does not begin there: there was the earlier, Oscar short-listed, short film, 12:01 (1990) which in turn was based on the short story ’12:01 P.M.’ (1973) by Dick Lupoff (who sadly died in 2020).

Alas, challenging Hollywood as to potential plagiarism is arguably hard: it has deep pockets. But you can’t keep a good trope treatment down, and the idea of being stuck in a recurring time loop has been used in a fairly recent Star Trek series as well as an episode of Stargate as well as elsewhere.

And now the BBC has just gotten in on the act with a play on Radio 4 this week: We Apologise for Any Inconvenience, only this time, the principal protagonists are not those actually stuck in the loop themselves but others who happen to encounter the hapless looper that day… 

Sebastian Baczkiewicz’s drama takes us to an anonymous northern station at the heart of the rail network on the day everything grinds to a halt. Hundreds of lives go into limbo but one person claims to have been stuck there longer than anyone else. Will his groundhog day ever end? 

You can listen to it here.

(17) TOP STREAMING. JustWatch lists the top 10 most streamed movies and TV shows for the month of September.

(18) OVER 20K YEARS OLD. A U.S. Geological Survey “Study confirms age of oldest fossil human footprints in North America”.

In September 2021, U.S. Geological Survey researchers and an international team of scientists announced that ancient human footprints discovered in White Sands National Park were between 21,000 and 23,000 years old. This discovery pushed the known date of human presence in North America back by thousands of years and implied that early inhabitants and megafauna co-existed for several millennia before the terminal Pleistocene extinction event. In a follow-up study, published today in Science, researchers used two new independent approaches to date the footprints, both of which resulted in the same age range as the original estimate. 

The 2021 results began a global conversation that sparked public imagination and incited dissenting commentary throughout the scientific community as to the accuracy of the ages. 

“The immediate reaction in some circles of the archeological community was that the accuracy of our dating was insufficient to make the extraordinary claim that humans were present in North America during the Last Glacial Maximum. But our targeted methodology in this current research really paid off,” said Jeff Pigati, USGS research geologist and co-lead author of a newly published study that confirms the age of the White Sands footprints….

In addition to the pollen samples, the team used a different type of dating called optically stimulated luminescence, which dates the last time quartz grains were exposed to sunlight. Using this method, they found that quartz samples collected within the footprint-bearing layers had a minimum age of ~21,500 years, providing further support to the radiocarbon results…

(19) VIDEO OF THE DAY. Ryan George is there when “The Eggplant Emoji Finds Out” what everybody uses it for.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Scott Edelman, Joe Siclari, Rich Lynch, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Marvel Universe Faces A Simian Takeover

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Earlier this year, Marvel Entertainment announced that the Planet of the Apes franchise will return to Marvel Comics with all-new stories starting in early 2023. The legendary science fiction franchise has spanned over five decades with media including comics, books, films, television series, video games, and toys and now it’s the dawn of a new era. To celebrate the launch of the upcoming Planet of the Apes comic series, some of Marvel’s biggest talents have crafted stunning variant covers depicting Marvel super heroes trapped on a world ruled by apes. Just like the groundbreaking film series, these scenes range from action-packed to poignant and will grace the covers of Marvel’s hottest titles throughout February.

 Marvel Comics and Planet of the Apes have a rich history that goes back over 40 years. Marvel first published Planet of the Apes stories in 1974, and in 1975, Marvel published Adventures on the Planet of the Apes, full-color adaptations of the iconic Planet of the Apes films. Now, Planet of the Apes is back at Marvel and ready to take comics by storm!

Check out the first Planet of the Apes variant covers following the jump and stay tuned for details about the upcoming new comic series! For more information, visit Marvel.com.

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Pixel Scroll 6/17/22 Three Scrolls And Three Pixels

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(1) MAKING THE COPYRIGHT CLAIMS BOARD WORK FOR YOU. Victoria Strauss instructs authors how to access “The Copyright Claims Board: A New Option For Copyright Disputes” at Writer Beware.

Taking legal action if your copyright is infringed can be complicated and confusing–not to mention expensive. Suing an infringing party, which must be done in federal court, can rack up enormous legal fees, and take years to resolve. (For instance, the Authors Guild estimates that the average cost of a copyright suit is $400,000–often more than the value of the claim itself.) And there’s no guarantee of success. It’s a situation that, for many creators, renders their rights under copyright essentially unenforceable.

Traditionally in the USA, such suits have been creatives’ only avenue of redress. Now, though, there’s an alternative: the Copyright Claims Board (CCB), which opened for business yesterday.

Established by Congress in 2020 via the CASE Act, the CCB is a small claims court for copyright disputes, where creators can bring lower-dollar infringement claims (monetary damages are capped at $30,000) without having to hire an attorney or make a court appearance (proceedings are conducted entirely online). The CCB is housed within the US Copyright Office, and staffed by a three-person tribunal that oversees proceedings and is the final decision-maker on claims….

(2) ANALOG AWARD DEADLINE EXTENDED. The submission deadline for The Analog Award for Emerging Black Voices has been extended to June 30. Eligible to enter are “Any writer over 18 years of age who customarily identifies as Black, has not published nor is under contract for a book, and has three or less paid fiction publications is eligible.”

Here is what the award winner receives:

With editorial guidance, Analog editors commit to purchasing and publishing the winning story in Analog Science Fiction and Fact, with the intent of creating a lasting relationship, including one year of monthly mentorship sessions. These sessions will be opportunities to discuss new writing, story ideas, the industry, and to receive general support from the Analog editors and award judges.

(3) STAY FROSTY. The Game of Thrones spinoffs continue to multiply. The Hollywood Reporter brings news of another: “‘Game of Thrones’ Jon Snow Sequel Series in Development at HBO”.

The network has entered into early development on its first sequel to its blockbuster fantasy drama: A live-action spinoff series centered on the fan-favorite character Jon Snow, The Hollywood Reporter has learned.

Kit Harington is attached to reprise the role should a series move forward. The actor was twice nominated for an Emmy for his portrayal of an action hero who struggles to uphold his family’s noble values in a brutal world.

In Thrones’ eighth-and-final season, Jon Snow discovered his true name was Aegon Targaryen, a potential heir to the Iron Throne. In the series finale, he was exiled from Westeros and journeyed North of the Wall with the Wildlings to leave his old life behind. 

… The development signals an intriguing new direction in HBO’s handling of author George R.R. Martin’s fantasy universe, a move not unlike Disney+’s management of its Star Wars and Marvel brands where the streamer has found success launching character-focused sequel series such as WandaVision (starring Elizabeth Olsen as Wanda Maximoff) and Obi-Wan Kenobi (with Ewan McGregor reprising his iconic role).

Perhaps most boldly from a creative standpoint, the project would upend Thrones’ final season as the last word on the fates of the surviving characters in HBO’s most popular and Emmy-winning series of all time. In theory, the project could open the door for other surviving characters from the Thrones universe to reappear – such as Arya Stark (Maisie Williams), Sansa Stark (Sophie Turner) and Brienne of Tarth (Gwendoline Christie).

This development news means there are now seven Thrones projects in the works in addition to the upcoming House of the Dragon prequel series, which debuts Aug. 21. 

(4) NEWS TO HER. “’Game Of Thrones’ Star Maisie Williams Thought Arya Stark ‘Was Queer’” reports Deadline.

One of the most memorable Game of Thrones scenes in a final season full of memorable scenes was Arya Stark getting it on with Gendry.

Many were surprised that the hookup took place. Not the least of them was Maisie Williams, who played Arya.

Williams told Teen Vogue she was “surprised” by her character’s choice on the eve of major battle.

“The first time that I was surprised by Arya, I guess, was probably in the final [season] where she whips off her clothes and sleeps with Gendry,” Williams says. “I thought that Arya was queer, you know? So… yeah. That was a surprise.”

(5) PLATONIC IDEAS. Camestros Felapton returns to an intriguing question having done more research: “Does Gandalf Know About Atoms? Part 2 Corpuscular Wizards”.

So my previous post on this topic spun out some theories based on very little at all. I didn’t actually believe that Tolkien himself had any views on the issue. It was only afterwards, and with the addition of more coffee, that I realised the issue is right there in the text of The Fellowship of the Ring…

(6) LIBRARY CENSORSHIP ISSUES. Organizations continue to target certain graphic novels for removal from school libraries. Publishers Weekly says “Comics Librarians Are Up for the Fight”.

…Organizations such as Moms for Liberty claim that award-winning books often push racial agendas or are obscene and demand their removal from shelves and reading lists. Many librarians counter that these concerns arise from the fact the books’ creators are Black or identify as LGBTQ, or that the titles touch on queer themes. Maia Kobabe’s Gender Queer, a memoir about growing up nonbinary, was the most banned book of 2021 and continues to be a flashpoint for controversy. Even acclaimed graphic novels like Art Spiegelman’s Maus (which won a Pulitzer Prize) and Jerry Craft’s New Kid (which won the Newbery) have become targets for removal.

The challenges have left librarians anxious and intimidated. In Texas and Florida, widespread library challenges have become highly politicized, with librarians in one Texas district being harassed and called groomers, heretics, and child pornographers on social media.

The movement to remove books from libraries and schools has affected school board elections, and laws are being passed to change library reporting structures, resulting in highly confrontational board meetings.

“It’s just demoralizing,” says Tina Coleman, membership specialist for the ALA and liaison for ALA’s Graphic Novel and Comics Round Table (GNCRT). “I’ve talked to librarians who have had to deal with the challenges, and even if it’s a relatively straightforward, easy challenge, librarians are getting all of this vitriol and being harassed. And we have to work under the assumption that this is going to be going on for an extended period of time.”

Indeed, the challenges show no signs of letting up—Moms for Liberty just released a fourth list of books it wants removed from libraries, including classics like The Kite Runner, The Perks of Being a Wallflower, and Slaughterhouse-Five (coincidentally adapted into a graphic novel in 2020).

It’s a frightening and exhausting atmosphere for librarians across the country, says Matthew Noe, lead collection and knowledge management librarian of Harvard Medical School’s Countway Library, who is wrapping up his second term as president of the GNCRT. “A lot of this stuff is sheer intimidation, and it’s mind boggling,” he adds. Noe feels that while the challenges were mounting all through last year, the phenomenon didn’t strike a chord in the mainstream news until Maus was removed from a school curriculum in Tennessee. “That seemed to be a wake-up call for a lot of people.”…

(7) WRITING ABOUT DISABILITY. Nathanial White draws from deep experience in this post for Tor.com: “Disturbing the Comfortable: On Writing Disability in Science Fiction”.

Six years ago I shattered my spine in a whitewater kayaking accident. The bone shards of my second lumbar vertebra sliced into my spinal cord, severing communication with the lower half of my body. Surgeons rebuilt my vertebra and scaffolded my spine with four titanium rods. I spent a year in a wheelchair. After hundreds of hours of therapy, my body established new neural connections. I learned to walk again. I’m tremendously grateful, and I know it’s an inspiring story. It’s the story that many want to hear. But it’s not the story I want to tell in my writing.

… I decide I need a more encompassing narrative, one that considers exasperation as well as progress, suffering as well as triumph. One that makes meaning not just from overcoming, but from the ongoing lived experience of pain. Maybe I can even exorcize pain through writing, transmute it into narrative. So I invent Eugene, the protagonist of my novella Conscious Designs. I give him a spinal cord injury. Maybe together we can find some sense in our suffering.

The more I get to know Eugene, the more compassion I feel for him. I consider giving him a shot at escaping his pain, so I send him into a near future where technology might be his savior.

Because I want to take away the visual signifier of his disability, his mobility impairment, I gift him a much more advanced robotic exoskeleton than the one that retrained my nerves. Eugene’s device is so svelte, it can hide under his clothes. He doesn’t even limp like I do, except when the machine fails.

But making Eugene mobile doesn’t make his disability go away. …

(8) MIDDLE-EARTH FASHIONS. [Item by Martin Morse Wooster.] Costume designer Ngila Dickson discusses the 19,000 costumes she made for The Lord Of The Rings in this 2003 clip Warner Bros. released two weeks ago.

(9) YOU’RE INVITED. “NASA Invites Media, Public to View Webb Telescope’s First Images” on July 12.

NASA, in partnership with ESA (European Space Agency) and CSA (Canadian Space Agency), will release the James Webb Space Telescope’s first full-color images and spectroscopic data during a televised broadcast beginning at 10:30 a.m. EDT on Tuesday, July 12, from NASA’s Goddard Space Flight Center in Greenbelt, Maryland.

Released one by one, these first images from the world’s largest and most powerful space telescope will demonstrate Webb at its full power, ready to begin its mission to unfold the infrared universe.

Each image will simultaneously be made available on social media as well as on the agency’s website at: nasa.gov/webbfirstimages

(10) MEDIA BIRTHDAY. 

1960 – [By Cat Eldridge.] Anniversary: Twilight Zone’s “The Mighty Casey”

What you’re looking at is a ghost, once alive but now deceased. Once upon a time, it was a baseball stadium that housed a major league ball club known as the Hoboken Zephyrs. Now it houses nothing but memories and a wind that stirs in the high grass of what was once an outfield, a wind that sometimes bears a faint, ghostly resemblance to the roar of a crowd that once sat here. We’re back in time now, when the Hoboken Zephyrs were still a part of the National League, and this mausoleum of memories was an honest-to-Pete stadium. But since this is strictly a story of make believe, it has to start this way: once upon a time, in Hoboken, New Jersey, it was tryout day. And though he’s not yet on the field, you’re about to meet a most unusual fella, a left-handed pitcher named Casey — opening narration of “The Mighty Casey”

Before you ask, yes, I really do like this series. I think it’s the best fantasy genre series ever done bar none. And when a episode is stellar, it is among the best genre fiction done, period. So it is with “The Mighty Casey” which first aired on CBS sixty-two years ago this evening. 

Obviously the episode title is in homage to the “Casey at the Bat” baseball poem. Now go away if you’ve not seen this episode, go away as SPOILER ALERT I’m going to discuss it now. A really bad baseball team somehow acquires a robotic pitcher (really don’t ask as it makes no sense) but the League says Casey is not human and cannot play. So Casey is, sort of Wizard of Oz-ish given a human heart, which makes eligible Casey to play.  Unfortunately the human heart makes him realise that he shouldn’t be throwing those really fast balls. Oh well.

With the team sure to fold soon without its star robotic pitcher, the creator of that robot gives the manager Casey’s blueprints as a souvenir. Looking at them, McGarry suddenly has a brilliant idea, as he runs off after Dr. Stillman to tell him his idea. Rumors later surface suggesting rather strongly that the manager has used the blueprints to build a world-champion team of Casey robots. END SPOILER ALERT.

The entire production was originally filmed with Paul Douglas in the manager role. (Douglas previously played a baseball team manager in the Fifties film Angels in the Outfield. He died right after it was filmed and Serling decided that it needed to be done again with a new actor. CBS being cheap wouldn’t pay for it, so Serling paid for the entire shoot. 

It was filmed at Wrigley Field, a ballpark in Los Angeles, California that hosted minor league baseball teams for more than thirty years. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 17, 1898 — M. C. Escher. Dutch artist whose work was widely used to illustrate genre works such as the 1976 Harper & Row hardcover of Kate Wilhelm’s Where Late the Sweet Birds Sang, or Berkley Books 1996 cover of Clive Barker’s Damnation Game. (Died 1972.)
  • Born June 17, 1903 — William Bogart. Pulp fiction writer. He is best remembered for writing several Doc Savage novels using the pseudonym Kenneth Robeson. Actually he’s responsible for thirteen of the novels, a goodly share of the number done. It’s suggested that most of his short stories were Doc Savage pastiches. (Died 1977.)
  • Born June 17, 1927 — Wally Wood. Comic book writer, artist and independent publisher, best known for his work on EC Comics’s Mad magazine, Marvel’s Daredevil, and Topps’s landmark and stellar Mars Attacks set. He was the inaugural inductee into the comic book industry’s Jack Kirby Hall of Fame, and was later inducted into the Will Eisner Comic Book Hall of Fame. (Died 1981.)
  • Born June 17, 1931 — Dean Ing. I’m reasonably sure the first thing I read by him was Soft Targets and I know I read all of his Man-Kzin Wars stories as I went through a phase of reading all that popcorn literature set in Niven’s universe. His “Devil You Don’t Know” novelette was nominated for a Hugo at Seacon ‘79. I also liked  his L-5 Community series. (Died 2020.)
  • Born June 17, 1941 — William Lucking. Here because he played Renny in Doc Savage: Man of Bronze. (I know I’ve seen it, but I’ll be damn if I remember much about it other than I like Doc Savage.)  He also had one-offs in Mission: Impossible, The Incredible Hulk, The American Hero, The Quest, Voyagers, X-Files, The Lazarus Man, Millennium, Deep Space Nine and Night Stalker. (Died 2021.)
  • Born June 17, 1953 — Phyllis Weinberg, 69. She’s a fan who was married to fellow fan the late Robert E. Weinberg. She co-edited the first issue of The Weird Tales Collector. She co-chaired World Fantasy Convention 1996. 
  • Born June 17, 1982 — Jodie Whittaker, 40. The Thirteenth Doctor who did three series plus several upcoming specials. She played Ffion Foxwell in the Black Mirror‘s “The Entire History of You”, and was Samantha Adams in Attack the Block, a horror SF film. I like her version of The Doctor a lot with David Tennant being my other favorite modern Doctor. 
  • Born June 17, 1982 — Arthur Darvill, 40. Actor who’s has in my opinion had two great roles. The first was playing Rory Williams, one of the Eleventh Doctor’s companions. The second, and to my mind the more interesting of the two, was playing the time-traveller Rip Hunter in the Legends of Tomorrow, a Time Lord of sorts. (And yes, I know where the name came from.) He also played Seymour Krelborn in The Little Shop of Horrors at the Midlands Arts Centre, and Mephistopheles in Doctor Faustus at Shakespeare’s Globe.  

(12) COMICS SECTION.

(13) PLANET OF THE APES COMICS RETURNING. Marvel Entertainment has announced the Planet of the Apes franchise is coming back to Marvel Comics with all-new stories starting in early 2023. The legendary science fiction franchise has spanned over five decades with media including comics, books, films, television series, video games, and toys. 

Marvel Comics and Planet of the Apes have a history that goes back over 40 years. Marvel first published Planet of the Apes stories in 1974, and in 1975, Marvel published Adventures on the Planet of the Apes, full-color adaptations of the iconic Planet of the Apes films. 

(14) A MEREDITH MOMENT. Peter Roberts once edited a fan newzine (Checkpoint) but he got better. For a few hours more the Kindle edition of his 2014 book The Book of Fungi: A Life-Size Guide to Six Hundred Species from around the World co-authored with Shelley Evans is available for $2.99.

The blurb from Popular Science promises, “The lurid photographs and enticing, offhandedly witty descriptions make the reader want to go out collecting specimens right away.”

(15) JEOPARDY! Andrew Porter did not touch that dial and was rewarded with a “double-stumper” while watching tonight’s Jeopardy! episode.

Category: Sci-Fi Characters

Answer: In an H.G. Wells tale, Griffin, whose face is wrapped in rags, turns out to be this title guy.

Wrong question: Who is the guy in the time machine?

Right question: Who is The Invisible Man?

Answer: Walter M. Miller Jr. won a Hugo Award for penning “A Canticle for” this saint.

No one could ask, “Who is Saint Isaac Leibowitz?”

(16) BUSINESS PLANS TO MAKE A LOT OF DOUGH. [Item by Mike Kennedy.] It’s not so much a pizza-making robot as a pizza-making factory full of several robots & all fitting in a 16-foot box truck.

A start up headed by an ex-SpaceX employee has demonstrated an automated pizza-making machine designed to crank out one 12-inch pie every 90 seconds and to fit in a food truck. The only human would drive the truck, fold boxes, and hand over the goods. Ordering would be via an app. 

The pizzas are estimated to retail from $7-$10 depending on toppings… But first there’s a little matter of convincing the health authorities. CEO Benson Tsai wants to put his first trucks on the road in his home LA market this summer. “SpaceX rocket scientists built a robot that makes $8 pizzas” – the Los Angeles Times has the story.

… “Our vehicle build cost is on the same order of magnitude as building out a Domino’s store,” Tsai said. He declined to give specifics but said that the cost was in the low six figures. Domino’s franchise agreement estimates that, minus franchise fees, insurance, supplies and rent, opening a new location costs between $115,000 and $480,000 to build out.

With lower overhead compared with a store staffed by humans, Tsai says Stellar can drop prices but still maintain the fat profit margins enjoyed by pizza chains. Company-owned Domino’s locations had profit margins of 21% in 2021, according to the company’s annual report, even after 30% of revenue was eaten up by labor costs….

(17) SPEAKING OF LIGHTYEAR. Chris Evans and Taika Waititi chat with BBC One about Lightyear and the problems of doing voice work in this video, which dropped today. “’I have to get off this planet!’ Chris Evans, Taika Waititi on Lightyear and ‘quoting’ Thor Ragnarok”.

(18) VIDEO OF THE DAY. Interstellar Probes over at Isaac Arthur’s Science & Futurism channel.

We continue our discussion of surveying for habitable exoplanets by touring our possible option for interstellar probes, dumb and smart, flyby and protracted orbital.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Moshe Feder, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 7/27/21 Now The Years Are Scrolling By Me, They Are Rocking Pixelly

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(1) 328305 JACKMCDEVITT. SF writer Jack McDevitt has been honored with an asteroid. Here’s the chart –

(2) HUMAN COST IGNORED. Will Slocombe protests that “Militaries Plunder Science Fiction for Technology Ideas, But Turn a Blind Eye to the Genre’s Social Commentary” at Activist Post.

One of the most interesting tools for thinking about future defence technology isn’t big data forecasting and the use of synthetic training environments, but narrative and imagination. And we get this from science fiction.

That might sound fanciful, but many militaries are already engaging with the genre. The US military and the French army use science fiction writers to generate future threat scenarios. The Australian Defence College advocates for the reading of science fiction and, in Germany, Project Cassandra uses novels to predict the world’s next conflict. The Sigma Forum, a science fiction think tank, has been offering forecasting services to US officials for years.

But while science fiction provides military planners with a tantalising glimpse of future weaponry, from exoskeletons to mind-machine interfaces, the genre is always about more than flashy new gadgets. It’s about anticipating the unforeseen ways in which these technologies could affect humans and society – and this extra context is often overlooked by the officials deciding which technologies to invest in for future conflicts….

(3) GET READY FOR BLUECON. [Item by Florrie Frederiksen.]  BlueCon, the 48th French national science-fiction convention, takes place August 19-22. The in-person event will be held on the international campus of the Valbonne University near Nice and the French Riviera. Ugo Bellagamba, president of this project, waxed poetical in his introduction: “Blue is the primary color of imagination, which may be painted in shades of azure, deep blue, or the morning blue which lightens and opens, the color of the skies, of the sea, which both invite to explore the realms beyond the horizon… ”

It is still possible to join the 105 attendees already committed to make this convention a success; panels and meetings and many tables are already being readied. Although the rooms in the center are already filled, the website lists other possibilities for accommodation nearby. Nice is easily reached by train and there is a good sized airport not far away.

(Warnings: this convention does not plan to have virtual elements. All attendees must make sure to have the compulsory valid “passe sanitaire” i.e. QR code proof of full vaccination or at least a negative PCR test dated after August 17. Even then, both vaccinated or non vaccinated people should be wearing masks and some measures of distance and hygiene will be necessary).

The program of the convention has been posted here.

(4) GHOSTBUSTERS AFTERLIFE TRAILER. Ghostbusters: Afterlife is coming to theaters in November.

In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind.

(5) TERRIFICON LINEUP. Joe Stuber interviews David Gerrold for his Comic Book Central podcast: “David Gerrold on Star Trek & Land of the Lost!” Gerrold is on his way to be a guest at Terrificon.

TerrifiCon Week continues with legendary Star Trek writer and creator of Land of the Lost, David Gerrold! David drops by to talk about the origin of his fascination with sci-fi, crafting the most memorable episode of Trek, tackling tales of Tarzan and Superboy, and developing the complex mythology for the 70s Saturday morning sensation, Land of the Lost!

(6) DOOMSDAY BOOKS. James Davis Nicoll homes in on the trouble of that green and ancient land at Tor.com: “Five Speculative Visions of Britain in Chaos”.

The Star Fraction by Ken MacLeod (1995)

Rescued by US/UN intervention from the perils of the United Republic’s radical democracy, Britain is home to a patchwork of micro-states under the umbrella of the restored Hanoverian monarchy. Within sensible limits, each micro-state is free to govern itself as it sees fit, with heavily armed, remotely piloted war robots providing gentle rebukes should anyone overstep the US/UN guidelines.

Although the peace process can be trying from the perspective of the common person in the street, the system provides something the US/UN treasures: stability. However, stability is a chimera. An unseen enemy has been waiting patiently to bring the US/UN regime down. Now, thanks to a mercenary, a fundamentalist teen, and a scientist, the revolution has come.

(7) HAMIT MEDICAL UPDATE. Longtime File 770 contributor Francis Hamit has had two surgeries this week to deal with spinal stenosis. His partner Leigh Strother-Vien reports:

Francis had his first surgery on Friday, the 23rd, and his second yesterday, the 26th. Everything went well; in fact, they decided Friday’s went so well that they combined the second and the planned third surgeries together yesterday, fixing his spine down to the T2. He is in the ICU for at least one more day just to be extra careful, and he’s getting plenty of pain management. He said to let you know that it’s ok to put something in File 770 if you wish.

Before the surgeries Hamit sent me a note which ended:

…So I am going to be out of action and Leigh will be taking care of me.  … I will be “just the writer” for  some time to come.  Fortunately that’s part of my therapy.  So I’m not going anywhere.  Just completed that long novel and my memoir and have other work in progress. (Also need a literary agent). 

…Thoughts, prayers, good wishes etc are welcome of course.  Buying, reading and reviewing my books and stories, (Amazon.com) or dramatic work (Stageplays.com) is also very helpful since it helps out with expenses.  No time left for a fundraiser and too much else to do….

(8) A TRIBUTE TO ANDERSSON. The death of horror writer C. Dean Andersson a.k.a. Asa Drake was reported here the other day. Here is a tribute by his friend Christopher Fulbright: “Rest in Peace Dean Andersson”.

… Looking through old pictures is a little bittersweet. We had such great times together, but you never think about having to say goodbye for the last time. You seldom know what conversation will be your last. If I had to pick a last conversation, the one we had was as close to perfect as one might get—we talked about everything from the meaning of life to God himself. We talked a lot about God. I brought him a book of Robert E. Howard’s Kull stories and a Bible, which I promised had heroes and heroines, swords and sorceresses, dragons, pagan gods, epic battles, and the living dead. He was so grateful, and it was such a good talk. I left Dean’s hospital room a week and a half ago with a promise that I would bring lunch by his house and hang out in a couple of weeks, after he’d had a chance to get settled in again at home. Well … I know I’ll see him again someday, it’s just going to be a longer wait. In the meantime, the world is a bit poorer without him. He would no doubt have some subtle quip to make at that, but I insist it’s true….

(9) LESNIAK OBIT. Jim Lesniak of Voodoo Comics died over the weekend while manning his dealers table at the Gem City Comic Con in Dayton, OH according to numerous reports. No more details are known at this writing.

(10) HENRI VERNES (1918-2021). [Item by Florrie Frederiksen:] Henri Vernes (pen-name of Belgian author Charles-Henri-Jean Dewisme, born in 1918) passed away on July 25 at the age of 102.

He is best remembered for the over 200 French language novels of action, fantasy and science-fiction revolving around the BOB MORANE character, that he published continuously since 1953. Bob Morane also appeared in a 1965 television series, a 1996 animated movie, and a number of comics albums with art by well-known French artists.

The character has been made famous by a line in the 1982 song L’Aventurier by French rock group Indochine (“Et soudain surgit face au vent le vrai héros de tous les temps, Bob Morane contre tout chacal, l’aventurier contre tout guerrier.” Tranlsation: “And suddenly, against the wind appeared the real all time hero: Bob Morane fighting any jackal, the adventurer fighting all warriors…”)

A French science-fiction award has been named for Bob Morane (see here).

(11) MEMORY LANE.

  • July 27, 2001 – Twenty years ago, the Planet of the Apes reboot premiered. Directed by Tim Burton and produced by Richard D. Zanuck, it was the sixth film in the Planet of the Apes franchise, very loosely adapted from Pierre Boulle’s novel and the 1968 film version. The screenplay was by William Broyles Jr., Lawrence Konner and Mark Rosenthal. The primary cast was Mark Wahlberg, Tim Roth, Helena Bonham Carter, Michael Clarke Duncan, Kris Kristofferson, Estella Warren and Paul Giamatti. The critics mostly liked it though Ebert noted the original was much better, and it did very well at the box office ranking among the top ten films of the year. Currently at Rotten Tomatoes, audience reviewers really don’t like it and give it a twenty-seven percent rating. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 27, 1874 — Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940.  The serials themselves were Flash Gordon, Flash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. He does show in the Forties Batman serial as Dr. Hayden and The Phantom serial of the era as Professor Davidson. (Died 1959.)
  • Born July 27, 1938 — Pierre Christin, 83. French comics creator and writer. In the mid Sixties, collaborated with Jean-Claude Mézières to create the science-fiction series Valérian and Laureline for Pilote. Time Jam: Valerian & Laureline, a French animated series was released, and a feature film directed by Luc Besson, Valerian and the City of a Thousand Planets, was released as well. A compilation of the Valerian & Laureline series is on YouTube here.
  • Born July 27, 1938 — Gary Gygax. Game designer and author best known for co-creating  Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels, none of which is currently in print. I’ll admit that I’ve not read any of the many novels listed at ISFDB, so I’ve no idea how he is as a genre writer.(Died 2008.)
  • Born July 27, 1939 — Sydney J. van Scyoc, 82. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Assignment Nor’Dyren is one of her better novels. Over the next twenty years, she published a dozen novels and likewise number of short stories. 
  • Born July 27, 1940 — Gary Kurtz. Producer whose genre credits include Star Wars and The Empire Strikes Back, The Dark Crystal and Return to Oz. He did a late Eighties SF film Slipstream, which reunited him with Mark Hamill. He was the original producer on The Spirit. He was executive producer on Chandler, a PI film which isn’t genre adjacent but worth noting here. (Died 2018.)
  • Born July 27, 1949 — Robert Rankin, 72. Writer of what I’d call serious comic genre fiction. Best book by him? I’d single out The Hollow Chocolate Bunnies of the Apocalypse as the best work he ever did bar none. Hell, even the name is absolutely frelling great. 
  • Born July 27, 1968 — Farah Mendlesohn, 53. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein, The Pleasant Profession of Robert A. Heinlein, whichwon a BSFA. Her Diana Wynne Jones: Children’s Literature and the Fantastic Tradition is also a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. Her only Hugo to date was at Interaction for The Cambridge Companion to Science Fiction. She’s also garnered a BFA for Children’s Fantasy Literature: An Introduction (shared with co-writer Michael Levy) which also got a Mythopoeic Scholarship Award for Myth and Fantasy, and she a Karl Edward Wagner Award winner as well. 
  • Born July 27, 1973 — Cassandra Clare, 48. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series? Interestingly she’s been nominated for myriad Goodreads Choice Awards and won two for City of Fallen Angels and City of Heavenly Fire.

(13) COMICS SECTION.

(14) 30 YEARS IN THE MAKING. Here’s a teaser trailer for Mad God, a feature film directed by Phil Tippett, the world’s pre-eminent stop motion animator. Content Warning: Graphic body horror. Tippett’s career credits include Star Wars, RoboCop, and Jurassic Park.

(15) IT’S FROM AN OLD FAMILIAR SCORE. Vintage News shares some “Twisty Turny Facts About The Classic TV Series ‘The Twilight Zone’”.

Check out some mind-boggling behind-the-scenes facts, as we take you on a trip into Serling’s singularly strange universe…

It has a connection to Marty McFly

Does this building look familiar? As Screen Rant points out, the setting was part of The Twilight Zone’s first ever episode: “Where Is Everybody?”

The story concerns a man who appears to be alone in the world. Yet Courthouse Square, part of Universal Studios, has been anything but deserted over the years.

Lightning bolts and streaks of fire turned the area into an exit route for time travelers Marty McFly (Michael J Fox) and Doc Brown (Christopher Lloyd) in Back To The Future (1985)….

(16) FIELDS OF DREAMS. [Item by Cora Buhlert.] Since we just discussed Lord Dunsany, the fantasy author, here is a profile of his descendant Randal Plunkett, the current Lord Dunsany, who is an eco hippy organic farmer and film maker. His first movie The Green Sea even appears to be genre: “’There have been many death threats, but I’ll never stop’ – Randal Plunkett, Baron of Dunsany, on rewilding his family estate” in The Independent.

…  “After attempting a normal agricultural approach, I stepped back and saw a landscape bleak and exhausted from overgrazing and over-farming,” he explains. “Chemicals injected into the soil and no pause for regeneration or recovery. How does land remain healthy when the cycle of life is ignored?”

The 21st Baron of Dunsany made a radical decision. He removed all grazing animals from the property, gearing towards an overall holistic focus on crops. Pesticides were banned, fertilisers were abandoned and invasive weeds like ragwort and thistle were tackled by hand. “My mum looked at me as if I’d joined a cult.”

Steered by a passionate new advocacy for veganism, Randal — who tradition dictates should be addressed as Lord Dunsany — came upon the concept of ‘rewilding’ seven years ago, a progressive approach to conservation allowing the environment to take care of itself and return to a native natural state. Rather than an experimental litmus test in a quiet corner of the property, he sacrificed 750 acres of a highly profitable 1,700-acre pasture in an unorthodox gamble.

“I wanted to return the land to the wild, not just preserve what little natural habitat remained. So we locked up a huge part of the estate and it was militant. No footfall most of the year, no paths or interference. That’s not to say we abandoned the land, we’re guardians keeping a distant, watchful eye. And the results speak for themselves.”…

(17) FLORIDA MAN. “Florida man washes ashore after trying to ‘walk’ to New York in bubble device” reports The Guardian.

A Florida man startled beachgoers when he washed ashore inside a hybrid bubble-running wheel device.

The man, identified by a local news channel as Reza Baluchi, washed ashore in Flagler county on the east coast of Florida on Saturday.

He was inside a large barrel-type device which appeared to have flotation buoys attached to each end. The Flagler county sheriff’s office posted photos of the strange vessel on Facebook.

“The occupant advised he left the St Augustine area yesterday to head to New York,” the sheriff’s office said, “but came across some complications that brought him back to shore”.

…The Sun-Sentinel reported that Baluchi was forced to turn back after he discovered that some of his safety and navigation equipment had been stolen. The equipment has been recovered, and Baluchi plans to resume his journey once the weather improves, the newspaper said.

(18) THE LATEST MEMES OF 2003. In Honest Trailers:  Space Jam:  A New Legacy, on YouTube, teh Screen Junkies say this movie turns LeBron James into “a joyless grunt who plays boring basketball” and Bugs Bunny into “off-brand Bugs Bunny.”

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, N., Steve H Silver, Cora Buhlert, Florrie Frederiksen, David K.M. Klaus, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 6/14/21 45,000 To 105,000 Characters In Search Of A Novelette

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(1) BIAS IN REVIEW SPACES. In a series of Twitter threads, Silvia Moreno-Garcia has tackled issues of bias in review spaces against marginalized authors, such as through the misuse of trigger warnings.

One thread starts here.

A second thread starts here.

A third thread starts here.

Adiba Jaigirdar check out what reviewers on Storygraph had reported about her book and found this:

(2) DJINN FIZZ. The Odyssey Writing Workshop Blog features a Q&A with one of the genre’s leading new storytellers: “Interview: Guest Lecturer P. Djèlí Clark”.

Some of your work has been described as Lovecraftian horror. What draws you to the genre? How do you create such an atmosphere in your stories?

Cosmic horror is already entrenched so much in genre, it’s hard to not be drawn to it. When I use it in my own stories, I’m often attempting to convey a sense of the strange, the otherworldly, and at times inconceivable. That might be done by translating a bit of folklore through a cosmic horror lens, drawing on a favorite trope but finding a new way to present it, or by adding some well-placed tentacles. You can never go wrong with tentacles.

(3) MOVIES MAKING MONEY AGAIN. A Quiet Place Part II on Friday became the first movie in the pandemic era to cross the $100 million mark domestically upon finishing the day with $101 million in ticket sales: “’Quiet Place II’ Box Office Sets Pandemec-Era Record With $100M” in The Hollywood Reporter.

(4) NOT-SO-SUPER 8. Craig Miller shares an entertaining reminiscence about his visit to the Conquest of the Planet of the Apes set in 1971.

…Nearly 50 years ago. And I was 16 or 17. I was a science fiction fan and a film fan. And I lived just a few miles from the 20th Century-Fox lot.

I no longer remember what prompted me to try this but, for some reason, one evening I decided to drive to the studio. I parked in the studio lot and walked through the gate. It was long before 9/11. Long before security theater took over. You could walk onto any studio lot in town, right past the security guards, as long as you looked like you were meant to be there. And so I did.

What was shooting on the lot that evening were scenes from Conquest of the Planet of the Apes. These were outdoor scenes, not on a sound stage. Not having to sneak into a sound stage, it was especially easy to approach and watch….

(5) FIRST ORBIT. Cora Buhlert’s new Galactic Journey contribution is a review of Damon Knight’s Orbit 1 anthology which had a whopping 50% female contributors – in 1966: “[June 14, 1966] Aliens, Housewives and Overpopulation: Orbit 1, edited by Damon Knight”.

… Of the nine stories in this anthology, four are written by women. If we count Jane Rice and her collaborator Ruth Allison separately, we have five male and five female authors. Of course, women make up fifty-one percent of the Earth’s population, so an anthology with fifty percent male and fifty percent female contributors shouldn’t be anything unusual. However, in practice there are still way too many magazine issues and anthologies that don’t have a single female contributor, so an anthology where half the authors are women is truly remarkable.

(6) HEALTHY APPENDIX. Cora also visited the Appendix N Book Club podcast to discuss the Clark Ashton Smith collection Xiccarph with hosts Jeff Goad and Ngo Vinh-Hoi: “Episode 97 – Clark Ashton Smith’s ‘Xiccarph’ with special guest Cora Buhlert”. And that’s not all they covered, as the conversation ranges afield to —

…German science fiction, pulp magazines, morbid beauty, vampire flower women, Jirel of Joiry, the Dark Eye, foreshadowing, Gary Gygax’s exclusion of Clark Ashton Smith from the Appendix N, Alphonse Mucha, doomed protagonists, the 2022 World Science Fiction Convention, and much more!

(7) MEDIA BIRTHDAY.

  • June 1973 — On this month in 1973, Robert Heinlein’s Time Enough for Love was first published by Putnam. Clarke’s Rendezvous With Rama would beat it out for the Hugo for Best Novel at Discon II. It was later given a Prometheus Hall of Fame Award. It’s the life of Lazarus Long told in exhaustive detail. Really exhaustive detail. Critics including Theodore Sturgeon loved it, and John Leonard writing for the NYT called it “great entertainment”. It’s currently priced at just six dollars and ninety-nine cents at the usual suspects. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 14, 1908 — Stephen Tall. His first published work was “The Lights on Precipice Peak“ in Galaxy, October 1955. Not a prolific writer, he’d do about twenty stories over the next quarter of a century and two novels as well, The Ramsgate Paradox and The People Beyond the Wall. “The Bear with the Knot on His Tail” was nominated for a Hugo. He has not yet made into the digital realm other than “The Lights on Precipice Peak“ being available at the usual suspects. (Died 1981.)
  • Born June 14, 1914 — Ruthven Todd. He’s here for his delightful children’s illustrated trio of Space Cat books — Space Cat Visits Venus, Space Cat Meets Mars and Space Cat and the Kittens. I’m please to say they’re available at all the usual digital suspects. He also wrote Over the Mountain and The Lost Traveller which are respectively a lost world novel and a dystopian novel. (Died 1978.)
  • Born June 14, 1919 — Gene Barry. His first genre role was in The War of the Worlds as Dr. Clayton Forrester. He’d have a number of later genre appearances including several appearances on Science Fiction Theatre, Alfred Hitchcock Presents, The Devil and Miss Sarah, The Girl, the Gold Watch & Dynamite, multiple appearances on Fantasy Island and The Twilight Zone. He’d appear in the ‘05 War of The Worlds credited simply as “Grandfather”. (Died 2009.)
  • Born June 14, 1921 — William Hamling. Author and editor who was active as an sf fan in the late 1930s and early 1940s. His first story “War with Jupiter”, written with Mark Reinsberg, appeared in Amazing Stories in May 1939. He’d write only short stories, some nineteen of them, over the next twenty years. Genre adjacent, his Shadow of the Sphinx is a horror novel about an ancient Egyptian sorceress. He would be the Editor of two genre zines, Imagination for most of the Fifties, and Imaginative Tales during the Fifties as well. He published four issues of the Stardust fanzine in 1940, and contributed to the 1940 Worldcon program. (Died 2017.)
  • Born June 14, 1939 — Penelope Farmer, 82. English writer best known for children’s fantasy novels. Her best-known novel is Charlotte Sometimes, a boarding-school story that features a multiple time slip. There’s two more novels in this, the Emma / Charlotte series, The Summer Birds and Emma in Winter. Another children’s fantasy by her, A Castle of Bone, concerns a portal in a magic shop. 
  • Born June 14, 1949 — Harry Turtledove, 72. I wouldn’t know where to begin with him considering how many series he’s done. I’m fairly sure I first read novels in his Agent of Byzantium series and I know his Crosstime Traffic series was definitely fun reading. He’s won two Sidewise Awards for How Few Remain and Ruled Britannia, and a Prometheus for The Gladiator.
  • Born June 14, 1958 — James Gurney, 63. Artist and author best known for his illustrated Dinotopia book series. He won a Hugo for Best Original Artwork at L.A. Con III for Dinotopia: The World Beneath, and was twice nominated for a Hugo for Best Professional Artist. The dinosaur Torvosaurus gurneyi was named in honor of him.
  • Born June 14, 1972 — Adrian Tchaikovsky, 49. He is best known for his Shadows of the Apt series, and for Children of Time which won an Arthur C. Clarke Award. (He’s also won a BFA for The Tiger and the Wolf, and a BSFA for Children of Ruin.)  The After War series is multi author. He wrote the first, Redemption’s Blade, and Justina Robson wrote the second, Salvation’s Fire. 

(9) IT TAKES A CREW. Den of Geek questions Charlie Jane Anders, Laura Lam and Elizabeth May, and Yudhanjaya Wijeratne about “How Science Fiction’s Ensemble Stories Humanize Space”.

It’s a formula that has been repeated over and over for about as long as there has been science fiction on television—starting with the likes of Star Trek and Blake’s 7, through the boom in “planet of the week” style TV in the 90s and 00s with Farscape and Firefly, to more recent stories like Dark Matter, The Expanse, Killjoys, and the Guardians of the Galaxy films. Most recently Sky’s Intergalactic, and the Korean movie Space Sweepers have been carrying the standard, while last month saw people diving back into the world of Mass Effect with Mass Effect Legendary Edition. While Commander Sheppard is ostensibly the protagonist of the video game trilogy, few would argue that it’s anything other than the ensemble of the Normandy crew that keeps people coming back.

As science fiction author Charlie Jane Anders points out, it’s not hard to see the appeal of a family of likeable characters, kept in close quarters by the confines of their ship, and sent into stories of adventure.

“I love how fun this particular strand of space opera is, and how much warmth and humour the characters tend to have,” Anders says. “These stories have in common a kind of swashbuckling adventure spirit and a love of problem-solving and resourcefulness. And I think the ‘found family’ element is a big part of it, since these characters are always cooped up on a tiny ship together and having to rely on each other.”…

(10) HYPERTEXT PETS. “HTTP Status Dogs” is a collection of photos about “Hypertext Transfer Protocol Response status codes. And dogs.”

It is inspired by “HTTP Status Cats – The original”. Which Daniel Dern said he’d understand if I made that the primary link in this item. Because cats.

(11) CARDS AGAINST VET EXPENSES. Do you need a feel-good story today? Here it is: “8-year-old boy sells beloved Pokémon cards to save severely sick puppy”.

Bryson Kliemann loves his Pokémon card collection, but when he found out his beloved puppy Bruce was sick and might not survive, the 8-year-old did what he could to save his best friend. He set up a stand on the side of the road in Lebanon, Virginia, with a sign: “4 Sale Pokémon.”

…”I’m a realist with my kids,” Woodruff said. “I told him Bruce was sick and said ‘When you get home today from school, he may be at the vet’s office or in heaven.”

When Bryson got off the school bus that day, he showed his mother and stepfather a business plan he created to sell his Pokémon cards and snacks to help raise money to get Bruce the best possible care.

“I told him no, we’ve got this,” Woodruff said. “And then he later asked my husband and we decided to say yes, because this was also an opportunity to teach him responsibility.”

Bryson set up his stand on the side of the road, complete with a colorful umbrella and handmade signed, and started serving customers.

The first day he made $65. Within two afternoons, Woodruff said her son had made $400 and even received some Pokémon cards from kind strangers who wanted to help….

(12) ETCH-A-SKETCH. Wow! Princess Etch (Jane Labowitch) made an Etch-A-Sketch of the ship that blocked the Suez Canal.

(13) WAKANDA IS THE ARENA. Gamebyte is there when “Black Panther And Wakanda Shown Off In New Marvel’s Avengers Trailer”.

The new update is called “Black Panther: War for Wakanda”. You’ll face off against classic Marvel villain Ulysses Klaue in what seems to be a fight over vibranium. That’s the rare metal in the world of Marvel that can only be found in Wakanda.

This will be the first time that the Black Panther has appeared in the Marvel’s Avengers game, so it’s great to see him finally team up with the Avengers.

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Daniel Dern, Ben Bird Person, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 2/8/21 By This Pixel I Scroll

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A short Scroll today because I was out getting my first COVID-19 vaccination shot.

(1) NASA AND BLACK HISTORY MONTH.  NASA will premiere its “The Power of African American Leadership in NASA” video on Facebook tomorrow at Noon Eastern.

Spanning missions from Apollo to Artemis, “The Power of African American Leadership in NASA” will look at how African Americans in leadership roles have influenced change and helped drive mission success through lessons learned and discussions shared by current and past NASA leaders. The panel discussion, moderated by NASA Associate Administrator for Small Business Programs Glenn Delgado, will feature:

  • Brenda Manuel, retired NASA Associate Administrator for Diversity and Equal Opportunity
  • Clayton Turner, center director, NASA’s Langley Research Center
  • Hildreth (Hal) Walker Jr., NASA “Hidden Figure” who led the manufacturing, testing, and operation of the KORAD K-1500 ruby laser system for the lunar laser ranging experiment as part of the Apollo 11 Moon landing
  • Dr. Woodrow Whitlow, retired NASA associate administrator for mission support
  • Vanessa Wyche, deputy center director, NASA’s Johnson Space Center

(2) OUR UNUSED WELCOME MAT. James Davis Nicoll says these books illustrate “Five Possible Reasons We Haven’t Been Visited By Aliens (Yet)”.

Zoo Hypothesis

The aliens are aware of us but prefer for some reason to actively avoid overt contact. Possible reasons:

  • In Anne McCaffrey’s Decision at Doona, a first contact gone horribly wrong has left an interstellar polity with an extreme reluctance to interact with other civilizations.
  • Scientific detachment. Let’s see how these humans develop. No fair contaminating the experiment.
  • Humans are icky.
  • Nature preserve. There’s something interesting about the Solar System and it isn’t us.

(3) SHIELD CARRIERS. Marvel dropped a trailer for The Falcon and the Winter Soldier.

(4) CELEBRITIES LIFT UP AN INDIE BOOKSTORE. On The Late Show with Stephen Colbert, Sam Elliott and Tom Hanks help promote an independent bookstore. (A Kim Stanley Robinson book even gets a split-second of airtime!)

This Super Sunday we want to celebrate one of the many American small businesses that have struggled to stay open in the past year amid extremely challenging conditions. Visit http://www.foggypinebooks.com? to meet the fine folks at Foggy Pine Books on King Street in Boone, North Carolina where every book is an adventure waiting to happen! Foggy Pine Books is endorsed by celebrity customers Sam Elliott and Tom Hanks.

(5) CYBERSECURITY AND MORE. “Professionals Speak: US Election Interference in 2020 and Beyond” on the February 13 installment of Essence of Wonder with Gadi Evron.

Professionals in election security and foreign interference will join Gadi, Karen, and Bryson Bort (CEO & Founder, SCYTHE) for a retrospective on the 2020 Presidential election from a cybersecurity and influence campaigns perspective, as well as discuss how these threats are evolving.

This Saturday, 13 February. 3 PM US Eastern Time.

Joining Bryson for the panel will be:

  • David Imbordino – NSA Elections Security Lead and co-lead for the joint NSA/USCC Election Security Group
  • Matt Masterson – Former Election Security Lead for CISA
  • Harri Hursti – Nordic Innovation Labs
  • Maggie MacAlpine – Nordic Innovation Labs
  • … And we’re happy to welcome back on the show, SJ Terp, a strategist with ThreeT Consulting

(6) MEDIA BIRTHDAY.

  • February 8, 1968 — Planet Of The Apes had its full U.S. wide release after several smaller city-wide openings. It was directed by Franklin J. Schaffner. It starred Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. The screenplay was by Michael Wilson and Rod Serling, and was somewhat based on Pierre Boulle‘s La Planète des Singes. It was not on the final Hugo ballot in 1969 for Best Dramatic Presentation, though it was met with critical acclaim and is widely regarded as a classic film and one of the best films of 1968. Audience reviewers at Rotten Tomatoes give it an 87% rating with over 117,000 having expressed an opinion! 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 8, 1828 — Jules Verne. So how many novels by him are you familiar with? Personally I’m on first-hand terms with Twenty Thousand Leagues Under the Sea, Journey to the Center of the Earth and Around the World in Eighty Days. That’s it. It appears that he wrote some sixty works and a lot were genre. And of course his fiction has become the source of many other fictions in the last century as well. (Died 1905.) (CE)
  • Born February 8, 1918 — Michael Strong. He was Dr. Roger Korby in the most excellent Trek episode of “What Are Little Girls Made Of?” He also showed up in Green Hornet, Mission Impossible, I-Spy (ok I consider even if you don’t), Galactica 1980, Man from Atlantis, The Six Million Dollar Man, Planet of The Apes, Kolchak: The Night Stalker and The Immortal. (Died 1980.) (CE)
  • Born February 8, 1819 – John Ruskin.  Art critic, draftsman, watercolorist, university professor, complicated and at different times highly influential, for us he wrote one novel and a preface to an edition of the Grimm brothers’ Children’s and Household Tales.  Baskin-Robbins ice cream shops have displayed a statement of what is sometimes called the Common law of business balance attributed to him, but scholars have not found it in his voluminous writings.  To further acknowledge the Cosmic Joker, there’s a Baskin-Robbins in Ruskin, Florida (where there was once a Ruskin College); and I used to dine happily at a Japanese-run French restaurant in Los Angeles named “Sesame and Lilies” after a Ruskin book.  (Died 1900) [JH]
  •  Born February 8, 1938 – Ned Brooks.  Exemplary collector not only of fanzines but also typewriters, known for It Comes in the Mail and then It Goes on the Shelf, The Mae Strelkov Trip Report (with Sam Long), and for a while The New Newport News News. He earned the Kaymar, both the Rebel and the Rubble, and the Moskowitz Archive Award.  Two editions of a Hannes Bok Checklist.  Faithful correspondent of Algol, Banana Wings, Broken Toys, Chunga, Flag, The Frozen Frog, Lofgeornost, SF Commentary, Trumpet.  Fan Guest of Honor at Rivercon IV, DeepSouthCon 39.  Our Gracious Host’s appreciation here.  (Died 2015) [JH]
  • Born February 8, 1941 – Tony Lewis, Ph.D., F.N., age 80.  Nuclear physicist, active Boston fan.  NESFA (New England SF Ass’n) long met at his home.  Chaired Boskone 7 & 14, co-chaired 44; chaired Noreascon I the 29th Worldcon, his reminiscence here.  Celebrated auctioneer, one of our ways to raise funds before, during, after.  Coined the name “NASFiC” (North America SF Convention, since 1975 held when the Worldcon is overseas).  A score of stories; fivescore reviews in Locus and Analog; A’s calendar section since 1974; Best of “Astounding”.  Instrumental in NESFA Index to the SF Magazines.  Speaking of instrumentality, long-time Cordwainer Smith fan; Concordance (2nd ed. 2004).  Annotated Bibliography of Recursive SF.  Long-time Hal Clement fan (there’s a range for you), see his appreciation in The Essential Hal Clement vol. 3.  Writer’s guide Space Travel (with Ben Bova), see the 2012 reprint.  Index to “Perry Rhodan” (American Ed’n).  Fellow of NESFA (service award).  Fan Guest of Honor at Windycon VI (with wife Suford Lewis), Lunacon 42, Arisia ’03.  Czar of NESFA Press.  [JH]
  • Born February 8, 1944 — Roger Lloyd-Pack. He was John Lumic in the “Rise of the Cybermen” and “The Age of Steel”, both Tenth Doctor stories. (He was the voice of the Cyber-Controller in these episodes as well.) He was also Barty Crouch, Sr. in Harry Potter and the Goblet of Fire. And he played Quentin Sykes in the Archer’s Goons series. (Died 2014.) (CE) 
  • Born February 8, 1951 – Jim Young.  A Floundering Father of Minn-StF.  Editor of Rune, member of Minneapa, edited the Minneapolis in ’73 Filksong Book.  Two novels, half a dozen shorter stories; poem “The God Within the Stone” and other things in NY Review of SF.  Fan Guest of Honor at Noncon 3, Minicon 40 (he had chaired the first ten or so – certainty is rare in Minneapolis fandom).  OGH’s appreciation here.  (Died 2012) [JH]
  • Born February 8, 1953 — Mary Steenburgen, 68. She first acted in a genre way as Amy in Time After Time. She followed that up by being Adrian in A Midsummer Night’s Sex Comedy which I suppose is sort of genre though I’ll bet some you will dispute that. She shows up next in the much more family friendly One Magic Christmas as Ginny Grainger. And she has a part in Back to the Future Part III as Clara Clayton Brown which she repeated in the animated series. And, and keep in mind this is not a full list, she was also in The Last Man on Earth series as Gail Klosterman. (CE) 
  • Born February 8, 1965 – Maryelizabeth Hart, age 56.  Four books in the Buffyverse.  Appreciation of Octavia Butler in Fantastic Fictioneers vol. 1.  Co-owner awhile of the Mysterious Galaxy bookshop; her perspective from 2011 is here. [JH]
  • Born February 8, 1969 — Mary Robinette Kowal, 52. Simply a stellar author and an even more better human being. I’m going to select out Ghost Talkers as the work by her that I like the most. Now her Forest of Memory novella might be more stellar.  She’s also a splendid voice actor doing works of authors such as John Scalzi, Seanan McGuire and Kage Baker. I’m particularly amazed by her work on McGuire’s Indexing series. So let’s have Paul Weimer have the last words on her: ‘I thought it was Shades of Milk and Honey for a good long while, but I think Calculating Stars is my new favorite.’ (CE) 
  • Born February 8, 1979 — Josh Keaton, 42. He voiced the Hal Jordan / Green Lantern character in the most excellent Green Lantern: The Animated series which is getting a fresh series of episodes on the DC Universe streaming service. Yea! I’m also very impressed with his Spider-Man that he did for The Spectacular Spider-Man series. (CE)
  • Born February 8, 1982 – Tara Fuller, age 39.  Three novels for us.  “I blame my mother….  Halloween was always a spectacle in our house….  strewn with cobwebs, paper skeletons, and motion sensor vampires that screamed at you when you walked past.”  Has read a Poetry of Robert Frost, a Complete Stories & Poems of Poe, The Lord of the Rings and The Silmarillion too.  [JH]

(8) AS ABOVE, SO BELOW. In a Politico newsletter, Ryan Heath leads the analysis with a paragraph about space exploration: “China’s winning. The world’s democrats need a plan”.

MARS POPULATION SET TO EXPLODE: You wait all decade for a space bus, and then three come at once. Of the 20 or so earthly objects that have reached the surface or orbit of Mars since 1971, only a handful are still operating, but all that is set to change over the next week. A United Arab Emirates’ orbiter(think satellite)reaches Mars orbit on Tuesday, China’s combo orbiter-rover is due Wednesday, while NASA’s rover is expected Feb. 18, and will soon after attempt to land, “the first leg in a U.S.-European effort to bring Mars samples to Earth in the next decade.” The Chinese vehicle will attempt a landing in May.

DEMOCRACY DENIED

Haiti, Myanmar, Russia, the United States, Hong Kong and Ethiopia are an unlikely grouping of countries: but they’ve all faced complex challenges to democratic rule in recent weeks. In one it’s an out-and-out coup (Myanmar), in others an insurrection (Haiti and the United States). In Hong Kong an international treaty — the Sino-British Declarationprotecting democracy until 2047 — is violated, in Russia the opposition leader jailed, and in Ethiopia it’s armed conflict over a disputed election. What all six examples show is democracy denied or poisoned, and struggling to breathe.

Increasingly fingers have been pointed at China’s campaign to make the world safe for non-democracy (the International Republican Institute has a new report on Chinese Communist Party tactics here). President Joe Biden isn’t mincing words: on Sunday, he said that after 25 hours of private meetings in recent years with his Chinese counterpart Xi Jinping, he’s confident Xi “doesn’t have a democratic ‘small D’ bone in his body.”

The problem is bigger than China: Freedom House documents in a new report that at least 31 governments are working in 79 countries to physically repress democracy activists: “reaching beyond national borders to silence dissent,” including in the U.S. and U.K….

(9) DO OVER. ScreenRant picks the “10 Best Sci-Fi Movies Under 90 Minutes”. Interesting – they like Westworld better than the movie it lost a Hugo to, Sleeper, also under 90 minutes. 

The busier a person is, the less likely they are to watch long films. Instead, they will most likely stream a TV show – after all, one episode tends to be much shorter than a feature film. However, fans of sci-fi films don’t need to despair. Luckily, there are plenty of brilliant sci-fi films that are fairly short and won’t take more than 90 minutes of time….

3. Westworld (1973): 88 Minutes

Thanks to the mega-successful HBO TV series, this film is mostly forgotten. However, if someone wants to see where the idea originated, Westworld is the perfect chance to do so. Writer Michael Crichton penned the script and even directed the film. It has a fairly simple storyline – people are running from a dangerous robot in a western-themed futuristic amusement park. Despite its straightforward plot, the film still manages to keep the audience intrigued.

(10) MOO AND MOJO. An article about the ancient relationship between magic and cheese at The Conversation: “The spellbinding history of cheese and witchcraft”.

… It’s not entirely clear why cheese is seen to have magical properties. It might be to do with the fact it’s made from milk, a powerful substance in itself, with the ability to give life and strength to the young. It might also be because the process by which cheese is made is a little bit magical. The 12th-century mystic, Hildegard von Bingen, compared cheese making to the miracle of life in the way that it forms curds (or solid matter) from something insubstantial.

In the early modern period (roughly 1450-1750) the creation of the universe was also thought of by some in terms of cheesemaking: “all was chaos, that is, earth, air, water, and fire were mixed together; and out of that bulk a mass formed – just as cheese is made out of milk – and worms appeared in it, and these were the angels.” The connection with life and the mysterious way that cheese is made, therefore, puts it in a good position to claim magical properties….

(11) FUTURE OF SPACE, OR? The Smithsonian National Air and Space Museum invites people to Ignite Tomorrow. They’re also looking for help naming a new exhibit that is part of the ongoing transformation of the Museum in Washington, DC. Learn more about the project.

[Thanks to John Hertz, JJ, John King Tarpinian, Mike Kennedy, Andrew Porter, Michael Toman, Martin Morse Wooster, Rob Thornton, Nicholas Whyte, Gadi Evron, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Cora Buhlert.]

Pixel Scroll 4/3/20 Andy Warhol, Pixel Scroll, Can’t Tell Them Apart At All

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(1) THE CONLINE LIFE. NYC area convention HELIOsphere is running online this weekend. Here’s how to locate the schedule and tap into the programming.

When we had to cancel HELIOsphere 2020 because of the coronavirus, we were sad. And, we were bored. So, this weekend, we bring to you:

HELIOsphere: Beyond the Corona! (a virtual event)

Join us while we all #StayHome! We unfortunately had to cancel our in-person event this year, but that doesn’t mean we can’t still gather together online for some presentations, panels, games, and lots of filk! Check for the latest schedule and Zoom and Discord links. And finally, stay safe and healthy, everyone! We want to see you all in person next year!

(2) NOT MAKING BOOK. Writer and editor Beth Meacham updated Facebook readers with the current struggles of the publishing industry.

I want to talk for a minute about why publishing is in so much trouble right now. It’s way more complicated than most people seem to think.

First, you need to know that the vast majority of our business remains in hardcover and paperback books. Hard copies, physical objects. The second strongest sector has been audio books. Ebooks are a distant third.

Selling books is a very long and complicated supply chain. Ignore editorial — writers and editors can work at a distance and electronically. It really starts with the paper. Storing paper for the big presses takes an enormous amount of warehouse space, which costs money. Printers don’t store a lot — they rely on a “just in time” supply chain so that when a book is scheduled to go to press, the paper is delivered to the printer. Most of that paper is manufactured in China. Guess what isn’t coming from China? Anything, for the last three months. Some of it comes from Canada. Guess what the Trump administration put a big tariff on at the beginning of the year?

So, we don’t have adequate paper supplies. Then consider, big printing plants are not “essential businesses”…. 

(3) RITE GUD. The latest episode of the Rite Gud podcast is up. In it, R.S. Benedict talks to horror writer Gretchen Felker-Martin about Isabel Fall’s controversial story “I Sexually Identify as an Attack Helicopter” and about the need to make space for messy, difficult, transgressive queer fiction. “Transgressive Queer Fiction and the Right to Be Messy”. 

(4) RAILING AGAINST FATE. Prepare to brace…. Snowpiercer, starring Oscar® winner Jennifer Connelly and Tony Award® winner Daveed Diggs premieres May 17.

Set more than seven years after the world has become a frozen wasteland, Snowpiercer centers on the remnants of humanity who inhabit a perpetually moving train, with 1001 cars, that circles the globe. Class warfare, social injustice and the politics of survival play out in this riveting television adaptation based on the graphic novel series and film from Oscar® Winner Bong Joon Ho (Parasite).

(5) LBJ’S WALKERS. [Item by Olav Rokne.] The U.S. National Archives blog Text Message reveals the behind-the-scenes story of how the government tried to build AT-AT style walking war machines in the 1960s. It’s an interesting story, and the images they’ve posted are amazing. “Bringing Sci-Fi to Life: The Walking War Machines of ARPA and G.E.” 

One has only to look to the 1980 movie Star Wars: The Empire Strikes Back to see the relationship between science fiction and scientific research to recognize the surviving creative influence of the ambulating quadruped transporter.

(6) ELUSIVE QUARRY. James Davis Nicoll reads a lot – and there are even more books he’d read, if he could! “SFF Books That Are Hard to Track Down in North America” at Tor.com.

…It can be frustrating to have heard of an interesting book, to want to read that book, and to find that it is available ONLY in an imported edition. Well, at least it’s available (failing a breakdown in global trade networks, and how likely is that)…but it may take longer to get the book and the book may be more expensive.

You may be wondering why I am vexed about this. Allow me to list a few books that I wanted to acquire and that were not available in North American editions, as far as I can tell.

(7) BY THAT SPECIAL GLINT IN THEIR…UM. “Proof of Life: How Would We Recognize an Alien If We Saw One?” Tagline: “Some day, astrobiologists will need to answer that question – if they’re lucky.”

…One thing that sets life apart from nonlife is its apparent design. Living things, from the simplest bacteria to the great redwoods, have vast numbers of intricate parts working together to make the organism function. Think of your hands, heart, spleen, mitochondria, cilia, neurons, toenails – all collaborating in synchrony to help you navigate, eat, think and survive. The most beautiful natural rock formations lack even a tiny fraction of the myriad parts of a single bacterial cell that coordinate to help it divide and reproduce. 

(8) TODAY IN HISTORY.

  • April 3, 1953 — In London, The War Of The Worlds based on the H.G. wells novel had its very first theatrical showing. It was the recipient of a 1954 Retro-Hugo Award at Noreascon 4 in 2004.  It was produced by George Pal, and directed by Byron Haskin. It starred Gene Barry and Ann Robinson. It was deemed culturally, historically, or aesthetically significant in 2011 by the United States Library of Congress and was selected for preservation in the National Film Registry. 
  • April 3, 1968 — Planet Of The Apes had it a full U.S. wide release after several smaller city wide openings. It was directed by Franklin J. Schaffner. It starred Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. The screenplay was by Michael Wilson and Rod Serling, and was somewhat based on Pierre Boulle‘s La Planète des Singes. It was not on the final Hugo ballot in either 1968 or 1969 for Best Dramatic Presentation, though it was met with critical acclaim and is widely regarded as a classic film and one of the best films of 1968. Audience reviewers at Rotten Tomatoes give it an 87% rating with over 117,000 having expressing an opinion! 
  • April 3, 1998 — The rebooted Lost In Space film premiered. Produced by Mark W. Koch, Stephen Hopkins, Akiva Goldsman and Carla Fry, it was directed by Stephen Hopkins from a script by Akiva Goldsman based on ideas by Irwin Allen. It was universally panned by critics on release, it lost enough money to kill the planned sequel and it received a Golden Raspberry Award nomination for Worst Remake or Sequel, but lost to the tied Godzilla, The Avengers and Psycho. Audience reviewers at Rotten Tomatoes give it a 24% rating. 
  • April 3, 1999 — Sir Arthur Conan Doyle’s The Lost World first aired on TNT.  It starred Peter McCauley, Rachel Blakely, William Snow, David Orth, Jennifer O’Dell and Michael Sinelnikoff. Produced in Australia, it would run for three seasons and last for sixty six episodes. The never produced fourth season would have featured guest appearances of two other Arthur Conan Doyle characters, Holmes and Moriarty. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 3, 1927 — Donald M. Grant. He was responsible for the creation of several genre small press publishers. He co-founded Grant-Hadley Enterprises in 1945, Buffalo Book Company in 1946, Centaur Press in 1970 and Donald M. Grant, Publisher, Inc. in 1964. Between 1976 and 2003, he won five World Fantasy Awards and a Balrog Award as well. (Died 2009.)
  • Born April 3, 1928 — Colin Kapp. He’s best remembered  for his stories about the Unorthodox Engineers which originally largely appeared in the New Writings in SF anthologies. I’d also single out his Cageworld series which is set in the future when humanity lives on nested Dyson spheres. Both series are available at the usual digital suspects. (Died 2007.)
  • Born April 3, 1929 — Ernest Callenbach. Ecotopia: The Notebooks and Reports of William Weston was rejected by every major publisher so Callenbach initially self-published it. Ecotopia Emerging is a prequel and sequel as well published later. Yes, I read both. As such fiction goes, they’re ok. Nothing spectacular, characters flat and writing style pedestrian.  If you can find a copy, Christopher Swan’s YV 88: An Eco-Fiction of Tomorrow which depicts the rewilded Yosemite Valley is a much more interesting read. (Died 2012.)
  • Born April 3, 1946 — Lyn McConchie, 74. New Zealand author who has written three sequels in the Beast Master series that Andre Norton created and four novels in Norton’s Witch World as well. She has written a lot of Holmesian fiction, so I’ll just recommend her collection of short stories, Sherlock Holmes: Familar Crimes: New Tales of The Great Detective. She’s deeply stocked at the usual digital suspects. 
  • Born April 3, 1958 — Alec Baldwin, 62. I’ve no idea how many times I’ve see him in Beetlejuice as Adam Maitland since it’s one of my favorite films, period. Despite those who don’t like The Shadow and him in his dual role of Lamont Cranston and The Shadow, I’m quite fond of it. Let’s just skip past any mention of The Cat in the Hat… Ahhhh Rise of the Guardians where he voices Nicholas St. North is quite fantastic. Another go to, feel good film for me. He’s Alan Hunley in some of the Mission: Impossible franchise, a series I think I’ve only seen the first two films of. And here’s a weird one — the US. run of Thomas The Tank Engine & Friends replaced the U.K. narrator, some minor musician no one had ever heard of by the name of Ringo Starr, with him. 
  • Born April 3, 1961 — Eddie Murphy, 59. He’s got a long history in genre starting with The Golden Child and going on to include Wes Craven’s Vampire in Brooklyn, The Nutty Professor films, Mulan, the Dr. Dolittle films, the Shrek franchise and The Haunted Mansion. 
  • Born April 3, 1962 — James R. Black, 58. I’d like to say he’s best known for his leading role as Agent Michael Hailey on The Burning Zone but since it was short-lived and I’m not sure anyone actually watched it on UPN that might be stretching reality a bit. If you like great popcorn viewing, The Burning Zone is certainly worth seeing. Prior to his run on that series, he’s got a number of one-offs including Babylon 5, Deep Space 9, The Sentinel, Space: Above and Beyond with his first genre role being Doctor Death in Zombie Cop.
  • Born April 3, 1970 — Jo Graham, 50. Her first novel, Black Ships, re-imagines The Aeneid, and her second novel, Hand of Isis, features the reincarnated main character of the first novel. If that‘s not enough genre cred for you, she’s written Lost Things, with Melissa Scott and a whole lot of Stargate Atlantis and Stargate SG-1 novels.

(10) HELP IS ON THE WAY. Rick Kovalcik announced the results of the “Help Ben and Ireland Hatcher” GoFundMe on March 31:

Two money orders totaling $1661 (since USPS money orders are limited to $1000) went out by Priority Mail to Ben Hatcher today.

(11) NEW WORLD ORDER. SYFY Wire’s Dana Forsythe talks to people trying to ride out the financial storm: “Comic Cons, Artists, And Fans Search For A Way Forward Amid Coronavirus Cancellations”.

…At the top, many convention organizers were caught between a rock and a hard place after C2E2 seemingly went off without a hitch from Feb. 28 through March 1. Without guidance from local (not to mention the federal) government, con creators were still bound by contract to hold these major events. By March 12, though, tough decisions were made simple as federal and state leaders alike declared emergencies and issued bans on large gatherings. With mandatory shelter in place orders now spreading, what happens now? While comic cons big and small fight to stay afloat, the artists, vendors, and support staff scramble for solutions.

Gary Sohmers is the organizer of the NorthEast Comic Con & Collectibles Extravaganza, which organizes two midsize cons that happen three times a year just outside of Boston. The cons usually attract about 4,000 attendees over three days with the average person spending about $100 on merchandise. Sohmers employs a small staff of 12 to 15 people and then usually hires a handful of service contractors per show. That’s not to mention thousands of dollars in marketing costs, he tells SYFY WIRE.

(12) SXSW 2020 SCREENINGS ONLINE. “Amazon will stream SXSW Film Festival selections for free for 10 days” – Engadget has the story. Date still to be determined.

SXSW was cancelled this year due to COVID-19, but that isn’t stopping organizers from offering a taste of what the Austin event would have offered. They’re partnering with Amazon on an SXSW Film Festival Collection that will stream movies from the festival on Prime Video for 10 days, completely free in the US — you won’t need a subscription. While creators will have to opt in, they’ll receive a screening fee for their trouble. Amazon and SXSW are tentatively looking at a late April timeframe for the virtual festival.

(13) BRAIN-TO-TEXT! [Item by Daniel Dern.] From Slashdot: “Scientists develop AI that can turn brain activity into text”.

Two immediate (media) plot uses:

1, Superman 1, when Lois Lane, while being flown by Supes, is thinking, “Can you hear what I’m thinking”

2, Zoe’s Extraordinary Playlist, for Zoe’s unable-to-speak dad (btw, this show is doing Good-Place-level exploration of Zoe’s ‘superpower’, including one bit, last week, too funny to spoil.)

3, Speechless, for JJ, also unable to talk.

(14) IT’S FREE. [Item by Daniel Dern.] More free watches/reads via io9.

Update: According to TrekCore, CBS All Access has expanded the free trial to 60 days with a second code, ENJOY. Enter both at checkout to get two months free, and if you’ve already done the first one you can extend it by going into My Account and entering ENJOY….

Scribt: In a press release, Scribt announced it’s making book, magazine, and audiobook services free for 30 days—without requiring folks to put down a credit card. All you have to do is visit the website to sign up. There’s a great collection of science fiction and fantasy books on there, as well as some self-help, healthy living, and mindfulness books for folks interested in that as well.

(15) HAPPY DEATH DAY. [Item by N.] Ladyknightthebrave’s video essay on the Happy Death Day movies. I used to dismiss these movies out of hand for their Blumhouse associations but based on the analysis/scenes featured here, they appear to be supremely underrated.

[Thanks to John King Tarpinian, Chip Hitchcock, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, JJ, N., and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 3/3/18 Scrolling Occupants Of Interpixellary Craft

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(1) STRANGE TOY. Robin Sloan offers “Voyages in sentence space”.

Imagine a sentence. “I went looking for adventure.”

Imagine another one. “I never returned.”

Now imagine a sentence gradient between them—not a story, but a smooth interpolation of meaning. This is a weird thing to ask for! I’d never even bothered to imagine an interpolation between sentences before encountering the idea in a recent academic paper. But as soon as I did, I found it captivating, both for the thing itself—a sentence… gradient?—and for the larger artifact it suggested: a dense cloud of sentences, all related; a space you might navigate and explore.

…My project called sentencespace, now public on GitHub, serves up an API that provides two things.

  1. Sentence gradients: smooth interpolations between two input sentences.
  2. Sentence neighborhoods: clouds of alternative sentences closely related to an input sentence.

Sentence neighborhoods are simpler than gradients. Given an input sentence, what if we imagine ourselves standing at its location in sentence space, peering around, jotting down some of the other sentences we see nearby?

Mlex sent the link together with a screenshot of his own experiment with gradients between two sentences: “I put in the opening and closing phrases of Dhalgren and got the output (in the screenshot attached).”

(2) JUKKA WINS. The Finnish Science Fiction and Fantasy Writers Association presented Worldcon 75 chair Jukka Halme with the Cosmos Pen Award, their highest honor.

(3) SPIRIT AWARDS. Get Out won the top two categories at today’s Film Independent Spirit Awards ceremony, Best Feature and Best Director.

The Spirit Awards recognize independent filmmakers. Read the full list of winners here.

(4) SUGGEST CHESLEY AWARD NOMINEES. The Association of Science Fiction and Fantasy Artists is seeking suggestions for 2017 works for consideration for this year’s Chesley Awards in the categories Hardback Cover, Paperback Cover, Magazine Cover, Interior Illustration, Gaming Related Illustration, Product Illustration, Color Work Unpublished, Monochrome Work Unpublished, Three Dimensional Art, Art Director, and Lifetime Artistic Achievement. Anyone can suggest works for consideration, you do not need to be an ASFA member.

The Suggestion form is here: https://goo.gl/v8QuzP

The gallery of works suggested so far is here.

The deadline is March 5.

(5) THESE BOOTS. Will Terry Goodkind get a veto over his next book cover? Although not yet displayed on the Macmillan website, another service is circulating this draft cover art for the third novel in his Nicci Chronicles series. Siege of Stone goes on sale December 31, 2018. Unfortunately, the banner obscures the character’s footwear, one of the things Goodkind criticized in his recent blast about the cover for Shroud of Eternity.

(6) DID PKD EVER COMPLAIN ABOUT HIS COVERS? Alicia Kroell, in “33 of the Weirdest Philip K. Dick Covers We Could Find” at LitHub, has unearthed some truly creepy covers!

(7) ASSEMBLY REQUIRED. Roy Scranton reviews an Iraqi sf novel in New Republic — “A Surreal Story from Baghdad”.

Frankenstein in Baghdad begins with an explosion in Baghdad’s Tayaran Square, the full significance of which doesn’t become clear until later, when the junk dealer Hadi tells his story to a group of journalists at a coffee shop. One, a German documentary-maker, leaves halfway through, laughing off Hadi’s tale as a fable stolen from a Robert De Niro movie. But Mahmoud al-Sawadi, an Iraqi magazine journalist, stays and listens closely, because what Hadi’s telling him is genuinely weird, even for Baghdad: how after the explosion he’d picked up someone’s nose off the street and sewed it onto the face of a corpse he’d been building in his shed. Then how, while he was sleeping, the corpse apparently got up and walked away.

Hadi’s a well-known liar, and a drunk to boot, but as Mahmoud discovers, this time the junk man was telling the truth. His story sparks the plot of Ahmed Saadawi’s brilliant, rueful novel, which won the 2014 International Prize for Arabic Fiction and has recently appeared in a crisp, moving, and mordantly humorous English translation from Jonathan Wright and Penguin Books. Hadi, it turns out, created a monster.

(8) STIERS OBIT. David Ogden Stiers, best known for playing Major Charles Emerson Winchester III on MAS*H, died March 3 at the age of 75. He also appeared in several genre TV shows, and had numerous voice acting roles in animated films.

Stiers was a prolific voice actor, working in eight Disney animated features including 1991’s Beauty and the Beast (in which he played Cogsworth), The Hunchback of Notre Dame (the Archdeacon), Pocahantas (Governor Ratcliffe) and Lilo & Stitch (Dr. Jumba Jookiba). He also voiced Kamaji in the English-dubbed version of Hayao Miyazaki’s Spirited Away.

(9) TODAY’S BIRTHDAYS

  • Born March 3, 1920 — James Doohan, Actor (Star Trek)
  • Born March 3, 1945 — George Miller, Director & Producer (Mad Max franchise)
  • Born March 3, 1958 — Miranda Richardson, Actor (Blackadder, Harry Potter)
  • Born March 3, 1980 — Katherine Waterston, Actor (Fantastic Beasts and Where to Find Them, Alien: Covenant)
  • Born March 3, 1982 — Jessica Biel, Actor (Blade: Trinity, Total Recall)

(10) TODAY’S BIRTHDAY DOMAIN

(11) WAKANDA AND COSPLAY. NPR explores how “‘Black Panther’ Brings New Visibility To Cosplayers Of Color”.

The film “Black Panther” has inspired black cosplayers around the country to be more visible within the cosplay community.

Cosplay, which is short for “costume play,” is when people wear often-handmade costumes to embody fictional characters from comic books and popular movies like Captain America and Star Wars. But black and other non-white cosplayers often feel excluded because non-white characters are rarely featured prominently in the fantasy worlds of comics. They are often relegated to the roles of sidekicks or villains rather than the superheroes.

But Black Panther, which features a black lead and a predominantly black cast, offers a multifaceted depiction of African life where people of color play both the villains and the heroes. These characters are transforming the playing field for non-white cosplayers like Tamara Heredia, a black cosplayer from Houston, Texas. …

(12) ANCIENT SAILORS. Learn Moana’s real history — “DNA sheds light on settlement of Pacific”.

Prof Reich, who is lead author of the study in Current Biology, added that Vanuatu was a “gateway to the remote Pacific islands… through that region of Vanuatu and neighbouring islands, people spread all over the Pacific”.

The first people to arrive in the islands belonged to the Lapita culture, who expanded out of Taiwan between 5,000 and 6,000 years ago, reaching Vanuatu about 3,000 years ago. “They were really talented seafaring people,” said Dr Cosimo Posth, from the Max Planck Institute for the Science of Human History in Jena, Germany. Dr Posth was co-author of the study in Nature Ecology & Evolution.

Their secret was the specialised outrigger canoe, which is characterised by the addition of lateral support floats which stabilise the main hull. This innovation, says Dr Posth, “allowed them to cover immense distances of the ocean”.

(13) BUTLER TALK. The Pasadena (CA) Museum of History will host a lecture, “Telling My Stories: The Pioneering Fiction of Octavia E. Butler”, on March 29 at 6:30. Tickets now on sale.

Join Natalie Russell, Assistant Curator of Literary Collections at the Huntington Library and curator of the recent Huntington exhibition, Telling My Stories: The Pioneering Fiction of Octavia E. Butler, for this lecture in celebration of Womens History Month and in conjunction with the new exhibition Dreaming the Universe. Octavia E. Butler was the first female African American writer to make science fiction her career. A shy, only child from Pasadena, she dreamed of ordinary people in extraordinary worlds, and extraordinary people in ordinary worlds, and put them on the page. Her stories brought the voice of women of color to a genre traditionally dominated by white men. That powerful voice tackled issues, not just about race, but themes that continue to resonate with a wide audience: power, identity, gender, class, the environment, and what it means to be human.

This program is presented in partnership with the Historical Society of Southern California – George A. V. Dunning Lecture Series.

Tickets include light refreshments and entrance to the exhibition Dreaming the Universe: The Intersection of Science, Fiction, & Southern California starting at 5:30 pm. Tickets: Members $10; General $15. Advanced ticket purchase is recommended, visit https://octaviabutlerlecture.brownpapertickets.com.

(14) APPRENTICED TO A PILOT. From 2012, John Hodgman presents “Dana Gould as Maurice Evans as Dr. Zaius as Hal Holbrook as Mark Twain.” And I’ll throw in a twisted Gilbert & Sullivan reference as the headline.

[Thanks to JJ, Chip Hitchcock, Alan Baumler, Mark Hepworth, Cat Eldridge, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]