Tag Archives: Kelly Barnhill

Pixel Scroll 11/24/23 “My Bellona” — Theme Song from Dhalgren: The Musical

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(1) R’LYEH AND PUPPIES. Francis Gooding’s review of The World We Make includes comments placing it in recent genre history: “Slimed It: On N.K. Jemisin” in The London Review of Books.

…The backstory to this battle with Cthulhu was widely covered when The City We Became first appeared. It stretches back to 2011, when the Nigerian American writer Nnedi Okorafor won the World Fantasy Award for her novel Who Fears Death. The prize came with a trophy – an ugly sculpture of Lovecraft’s head – and Okorafor wrote a thoughtful, measured blog post about her conflicted feelings on getting the award, having discovered just how racist Lovecraft was. A petition was drawn up to have the Lovecraft trophy replaced, and there was something of a furore in the sci-fi and fantasy community about what to do with Lovecraft now that, belatedly, his influence and reputation had to be squared with his racism.

The debate that followed had the disheartening outlines familiar from other culture war clashes of the time. A reactionary bitterness at progressive political gains came to the surface, a sure sign of festering prejudice. A few years later, that lurking ressentiment assumed a more active form: a concerted effort by two organised groups of authors and fans (known as the ‘Sad Puppies’ and ‘Rabid Puppies’), to skew the public nomination process for the prestigious Hugo Awards in sci-fi publishing. In response to a perceived bias in favour of the liberal left in all its manifestations – Black and brown people, women, novels with progressive themes (‘boring message fic’), gay writers and so on – the Puppies flooded the nominations with their own picks. Some of the people involved were connected to the then ascendent alt-right, and racist abuse was aimed at Jemisin herself. But though the campaign succeeded in souring the atmosphere, it didn’t achieve its desired result: in 2016, on a slate dominated by the Puppies’ astroturfed nominees, Jemisin won the Hugo for best novel with The Fifth Season, the first book in her Broken Earth trilogy. She was the first Black writer to win the award. Both the book’s sequels, The Obelisk Gate and The Stone Sky, won the Hugo in subsequent years; a fourth Hugo followed in 2019 for the novella Emergency Skin.

The alt-right of the 2000s and early 2010s was preparing the ground for the subsequent radicalisation of the mainstream. The neofascist ideologies that once lurked in the subcultural margins have since become the basis of the ‘war on woke’, as an endless succession of manufactured outrages have bound small-c conservatives ever more tightly to what were once outré far-right positions. The eldritch bullshit that turbo-charged the Trump era wasn’t put back in its box. Jemisin evidently felt there was unfinished business. ‘The City Born Great’ was a knowing literary confrontation with the noisy and reactionary elements in the sci-fi community for whom Lovecraft remains talismanic.

In the novels, New York’s initial scrap with the Enemy expands to take in wider, ongoing struggles. Lovecraft, however, remains elemental. It eventually emerges that the Enemy is the personification of R’lyeh, the lost city from Lovecraft’s ‘The Call of Cthulhu’. Lovecraft’s stories often feature dead, inhuman cities from an unfathomably ancient past. Jemisin’s cities are the opposite, alive and defiantly human – real people, right now. And Jemisin makes sure to embody them in just the sort of people Lovecraft loathed. All the boroughs (bar Staten Island) are Black, Asian or Indigenous; and Manhattan, Queens, the Bronx and New Jersey – later an honorary sixth borough – are gay or queer…

(2) PERSONAL FAVORITE WHO MOMENTS. “’My favourite moment is me … not in a big-headed way!’ Stars share their best Doctor Who memories – part four” in the Guardian.

Neve McIntosh (played Silurians, including Madame Vastra, 2010-2014)

The episode A Good Man Goes to War was so special because they’d killed me off twice before and I was amazed to be asked back, as a goodie not a baddie, with Catrin Stewart as my fabulous kick-ass wife and brand new friend and stunt potato Dan Starkey! The best bit was filming the dematerialisation. The director cries “freeze!”. We are still as statues, two guys from the art department run out and flat-pack the Tardis, then, “action!”, and we all react to the Doctor disappearing off to a new adventure! Of course Madame Vastra is blase about it all but inside I was bursting with delight!

(3) WORKING HER WAY BACK. Writer Kelly Barnhill tells “How a Traumatic Brain Injury Changed Me” in an opinion piece for the New York Times.

[Ms. Barnhill is the author of “The Ogress and the Orphans.” She experienced a traumatic brain injury in 2021.]

I’ve been trying to write this essay for a very long time. Months, I think. Or maybe even longer, before I ever mentioned it to anyone, before I let anyone know that I was even capable of multiple sentences again. When all I could muster writing was a single sentence on a note card. My brain works differently now than it used to, and differently than I feel that it ought to. I told my speech therapist that I was frustrated that I haven’t been able to write fiction since experiencing a traumatic brain injury — which means that I am still, after nearly two years, unable to do my job.

He nodded with practiced care. “That must feel frustrating,” he said. “But maybe it’s important to focus on what you can do.”

Which is fair, I suppose. But I still wanted to clock him.

Healing from any injury is a process of rebuilding cells and tissues and structures — taking that which is broken and making it new again. Healing a brain injury is the process of rebuilding not only tissues and cells and the connections between those cells, but also memory, thoughts, imagination, the fundamentals of language and our very concept of ourselves.

I am rebuilding myself, you see. Right now. Sentence by sentence.

In December 2021, just a few months before the publication of two of my novels, “The Ogress and the Orphans” and “When Women Were Dragons,” I took a colossal spill down the stairs.

My husband heard me holler and found me in an unconscious heap. I remember none of this. It’s strange not remembering the moment that changed my life, that altered my work and vocation, that disrupted the me-ness of me. I think, though, that my body remembers it, even if I do not. A chaos of movement. A scramble through space. A short, sharp knock at the back of my head. And then a thunderous dark….

The piece discusses the many changes to her life and the challenges in recovery, and ends:

…But lately, I’ve had dreams of writing. I wake up in tears. What story was I writing? No idea. But each neuron shoots forth messages into the dark. A small candle. A lighthouse at the edge of a stormy ocean. I exist. I saw this. Felt this. Know this. Am this. Meanwhile, my sentences have grown. I’ve taken to using larger index cards. Sometimes I go as far as a steno pad. A full sheet of paper is too much — my eyes can’t track it very well. I get lost. I need something small and contained, where I can fit pretty words into a pretty sentence and allow them to become more than themselves.

Recently, I wrote a story. Only six sentences long, but a story nonetheless. With a character, a place and the passage of time. An opening, a turn, a conclusion. Such a small thing, a tiny accomplishment. And yet. I stared at the card for a long time, utterly astonished.

(4) DETAILS OF SERGEY LUKYANENKO’S DECEMBER BOOK TOUR IN CHINA. [Item by Ersatz Culture.] Further to the File 770 post on November 12, Sergey Lukanenko’s visit to China in December has now been publicly announced on Chinese social media.  That Weixin/WeChat piece describes him as a GoH of the 2023 Chengdu Worldcon (2023成都世界科幻大会荣誉主宾), despite his non-appearance then.

He will be making four appearances in Chengdu between December 1st and 4th, two in Beijing on the 7th and 8th, and a final one in Shanghai on the 10th.  Three organizations are listed as event co-hosts:

The announcement also indicates a number of people will be appearing alongside Lukyanenko at some of the events:

  • Yao Haijun – deputy editor-in-chief of Science Fiction World, Hugo finalist and member of the Chengdu concom
  • Jiang Zhenyu – member of the Chengdu concom
  • Baoshu – writer of a Three-Body Problem sequel, amongst other works

(5) ILYA SAYS, ‘OPEN CHANNEL BEEB…’ [Item by SF Concatenation’s Jonathan Cowie.] There has been a lot the past week on BBC Radio 4 or the Home Service as I like to call it, of likely interest to Filers (and indeed SF² Concateneers)… 

This month’s Open Book has a substantive section on book banning in the USA (“Bestselling novelist Michael Connelly talks about his response to the ongoing campaigns banning books in American school libraries.”) We do not have this problem to such a degree over here in Brit Cit but, from coverage in File770, it is clearly a substantive issue in the US mega-cities and especially the Cursed Earth. You can listen to the programme here. 

Doctor Who is 60 this year and some of us in Brit Cit remember its first episode, peering out from behind the sofa. Anyway, the BBC has a number of programmes to mark this special anniversary. One of these was Doctor Who: The Wilderness Years that looked at why the original series ended and what happened over the years when the show was not on our screens. 

In December 1989 – after 26 years on TV, 694 episodes and seven different Doctors – Doctor Who, the longest running series in the history of British television, was quietly exterminated by the BBC. It remained off air for 16 years until the series was revived in 2005, quite spectacularly under the auspices of Russell T Davies with Christopher Eccleston as the Time Lord. But the period between 1989 and 2005 was a very special interregnum. Known as the Wilderness Years, they belonged to the true keepers of the flame, Doctor Who fans – and never had a wilderness proved so fertile. 

You can listen to the programme here. 

iPromise was a cyberpunk stand-alone radio play about a hacker hired by not nice people to break into a quantum computer so as to get at cryptocurrency…. 

A quantum cryptocurrency audio heist movie and psychological tech thriller exploring the illusory nature of money itself. Bit – real name Rebecca “Becky” Isobel Troughton, BIT, get it? – is in trouble. Big trouble. She’s only gone and hacked into US mainframes and brought the entire eastern seaboard to a standstill. And now she’s on everybody’s Most Wanted list. But Bit is no hacking ‘gun for hire’. She’s driven by principle and she’s the very best at what she does. So when shady government organisations come knocking in a bid to secure her services, she just sends them packing. Well, sort of. .

You can listen to the play here. 

Spores is a five-part SF series. Mysterious glowing fungi appear in a house. Father and son are exposed to its spores. The father becomes unresponsive and the mother takes it upon herself to get out with her son and go camping. But did they get away in time…? You can listen to episode one here; episode two here; episode three here; episode four here; episode five here.

(6) SF2C EXITS X. [Item by SF Concatenation’s Jonathan Cowie.] I see that a load of folk are leaving Twitter or X or whatever it is these days. Actually, SF² Concatenation left Twitter a few months ago after the Musk takeover. We only used Twitter for site alerts and not chat, and found only a handful of folk signed up to our account. But I had kept it going for those few die-hard followers, sometimes treating them to some early releases before they were announced on our various indices pages. The thing is that that account, @SF2Concat, was set up ages ago using a now defunct e-mail address.

One of the first things Musk did was to insist on strengthening passwords blocking accounts – such as ours – that did not have a password that included a number, symbol and Klingon hieroglyph. To get our account back, I’d have to give Twitter an extant e-mail address. Those that know me are aware that I really hate to sign up to anything (so, for example, for the first time since 1979 I will not be on the science programme of next year’s British Worldcon – Less work for me, so that’s a plus.)

Anyway, seeing the writing on the wall what with Musk’s apparent support of Trump’s ramblings, I decided not to continue with Twitter. The account is still there for future digital archaeologists.

For those wanting alerts, the wonderful Caroline frequently posts something on the BSFA Facebook page (last season edition alert here) which I mention because the BSFA is a worthy page to follow for a plethora of other reasons. And if you are on FB I give a shout out to one of Brit Cit’s local SF group pages North Heath SF.

(7) LET’S FIX THAT RIGHT UP. Artnet analyzes how “A Prankster Used A.I. to ‘Improve’ Edward Hopper’s Classic ‘Nighthawks’”.

The rise of artificial intelligence has created reams of new artworks, many of them generated, controversially, on the backs of artist’s existing pieces. Now, one X (formerly Twitter) user has shown a way that A.I. can offer “improvements” to classic works of art, starting with Edward Hopper’s Nighthawks, and even one of the art world’s most beloved critics may have fallen for the gag.

“Using AI, I was able to take some old painting and make it better,” posted X user Sonch (@soncharm) last week, sharing a jpeg of Edward Hopper’s famous scene of urban ennui, Nighthawks from 1942, how housed in the Art Institute of Chicago. “Where even is this? Who are the people? Huh? You’re too far away to really see the setup. Whole left side blank. Nothing here to grab onto,” Sonch complained….

Click on tweets for larger images.

(8) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 24, 1948 — Spider Robinson, 75. Spider’s an American-born Canadian citizen who’s one of my favorite writers and individuals to boot. 

This is not a complete listing of what he’s written, just my experiences with him and what I think should be commented upon.

I wasn’t surprised to discover that his first sale, “The Guy with the Eyes”, published by Analog in February 1973, was one of his Callahan stories. Four years later, he released Callahan’s Crosstime Saloon, a collection of Callahan short stories. These stories, and the later novels, make frequent reference to the works of mystery writer John D. MacDonald’s Travis McGee stories.

I’m very fond of the Lady Slings The Booze and Booze and Callahan’s Key as these Callahan’s Crosstime Saloon novels allow him to develop the characters at length more than he dies in the short stories. 

It was at this time that he married Jeanne Robinson, with whom he later co-wrote the quite excellent Stardance trilogy. The first, “Stardance”, a novella, won a Hugo at IguanaCon II, and a Nebula as well. 

His first published novel, Telempath, was a reworking of the “By Any Other Name” novella. 

And there’s Variable Star which as you know was based on an outline by Heinlein. I think it was, errr, ok. Not great, not bad, just ok. 

Hugo wise, I mentioned the first “Stardance” novella garnered a Hugo as did his “By Any Other Name” novella at SunCon and “Melancholy Elephants” short story which also got a Hugo at ConStellation. He was an Astounding Award Best Writer as well. And he received a much deserved LASFS Forry Award for Lifetime Achievement. 

He hasn’t published anything since 2008 though he’s been working on a novel, Orphan Stars, for the last decade and is said to be working on his autobiography as well.

He was Toastmaster at MagiCon and Torcon 3.

Spider and Jeanne Robinson at MagiCon. Photo by Lenny Provenzano.

(9) COMICS SECTION.

(10) WORKING FOR THE DOCTOR EVERY NIGHT AND DAY. “’It’s £2m ploughed into Cardiff’: how Doctor Who boosted the Welsh economy” in the Guardian.

…The original Doctor Who series ran from 1963 to 1989 before being mothballed. The report acknowledges that basing the series in Cardiff for its revival at the turn of the century felt like a risk.

But the show, originally starring Christopher Eccleston as the Time Lord and first broadcast in 2005, was an immediate success. Further series were commissioned and the BBC launched the spin-offs Torchwood and The Sarah Jane Adventures.

As well as finding creative people ready to work on the series, the show used settings in and around Cardiff, from the beaches of South Glamorgan to the capital’s castle and museums, prompting a spike in Doctor Who tourism.

The report, by economists within the BBC public policy team using research from the consortium Media Cymru and Cardiff University’s centre for the creative economy, looks at the impact of the show between 2004 and 2021. It estimates that each of the 13 revamped series generated the equivalent of 50 FTE (full-time equivalent) jobs per series in Wales, and 95 within the UK overall. These jobs are in addition to posts for people who directly work on the show.

It describes Doctor Who’s return as a “pivotal moment”, a catalyst for the growth of the Welsh creative industries over the past 15 to 20 years, claiming it paved the way for big BBC-commissioned shows including Merlin, Atlantis and Sherlock. This year, six new dramas have come out of Wales including Steeltown Murders, the story of the serial killer Joseph Kappen, and the thriller Wolf, both of which have won plaudits…

(11) OCTOTHORPE. Episode 97 of Octothorpe, “The Future of Language”  is raring to go!

We fire up the LizBat signal and discuss the Chengdews (John’s new pun; he’s extremely proud of it) including WSFS discussion, before moving onto Glasgow 2024’s online plans and Novacon chat. Then we talk about books and games and stuff. In

(12) BRING ME THE HEAD OF E.T. “An otherworldly auction full of cinematic sci-fi props will land in Beverly Hills” promises NBC Los Angeles.

…[December is] an eye-catching and otherworldly month, in other words, but sci-fi splendor and the heart of the holiday season don’t intertwine all that often, or as often as someone who adores both might wish.

But here’s some good news: That’s changing about a week ahead of Christmas when the “Robots, Wizards, Heroes & Aliens: Hollywood Legends” auction phones home at Julien’s Auctions in Beverly Hills.

Indeed, “phones homes” is a reference to a certain sweet space traveler, so you can bet you’ll spy E.T the Extra-Terrestrial, or rather an animatronic E.T. head, in the collection.

Other iconic additions to the line-up include a “Fantastic Voyage” ship, a Xenomorph head from “Aliens,” a “Back to the Future Part II” hoverboard, and the oh-so-cuddly Muffit II the daggit, a “Battlestar Galactica” favorite; Marvel and Harry Potter treasures will also be in the spotlight….

(13) THE ART IN ARTIFICIAL INTELLIGENCE. Nature tells readers “How AI is expanding art history”. (Don’t worry, nothing in here about “Nighthawks”.)

From identifying disputed artworks to reconstructing lost masterpieces, artificial intelligence is enriching how we interpret our cultural heritage.

Artificial intelligence (AI), machine learning and computer vision are revolutionizing research — from medicine and biology to Earth and space sciences. Now, it’s art history’s turn.

For decades, conventionally trained art scholars have been slow to take up computational analysis, dismissing it as too limited and simplistic. But, as I describe in my book Pixels and Paintings, out this month, algorithms are advancing fast, and dozens of studies are now proving the power of AI to shed new light on fine-art paintings and drawings.

For example, by analysing brush strokes, colour and style, AI-driven tools are revealing how artists’ understanding of the science of optics has helped them to convey light and perspective. Programs are recovering the appearance of lost or hidden artworks and even computing the ‘meanings’ of some paintings, by identifying symbols, for example…

(14) FIRE-AND-FORGET MATING TECHNIQUE. Butts with a mind of their own. Don’t tell me you haven’t seen this in fandom. “Why these sea worms detach their butts to reproduce” at Popular Science.

Bye bye, butt

Some segmented sea worms like the syllid worm go through a reproductive process called stolonization. The stolon is the worm’s posterior organ and it is full of eggs or sperm depending on the worm’s sex. During stolonization, the stolon completely detaches from the rest of the worm’s body for reproduction. 

This detached butt swims around by itself and spawns when it meets another stolon of the opposite sex. This autonomous swimming is believed to protect the original body of the worm from dangers in the environment and help the eggs and sperm travel longer distances. 

In order to swim by themselves, the stolon have to develop their own eyes, antennae, and swimming bristles while still attached to their original body. How this happens has been a mystery. The formation of the stolon itself begins when the gonads near the worm’s butt mature. A head is then formed in the front of the developing stolon, with the eyes, antennae, and swimming bristles following close behind. It develops its nerves and the ability to sense and behave independently before the stolon detaches from the rest of the body….

(15) VIDEO OF THE DAY. John King Tarpinian found this old Tonight Show clip on YouTube: “Paul Williams Arrives Straight From Filming ‘Battle for the Planet of the Apes’”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, Lise Andreasen, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

2023 Mythopoeic Awards

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The 2023 Mythopoeic Award winners were revealed during the Mythopoeic Society’s Online Midsummer Seminar 2023, “Fantasy Goes to Hell”, on August 6.

MYTHOPOEIC FANTASY AWARD FOR ADULT LITERATURE

  • Sacha Lamb, When the Angels Left the Old Country (Levine Querido, 2022)

2023 MYTHOPOEIC FANTASY AWARD FOR CHILDREN’S LITERATURE

  • Kelly Barnhill, The Ogress and the Orphans (Algonquin Young Readers, 2022)

2023 MYTHOPOEIC SCHOLARSHIP AWARD IN INKLINGS STUDIES

  • Paul S. Fiddes, Charles Williams and C.S. Lewis: Friends in Co-inherence (Oxford UP, 2021)

2023 MYTHOPOEIC SCHOLARSHIP AWARD IN MYTH AND FANTASY STUDIES

  • Brian Attebery, Fantasy: How It Works (Oxford UP, 2022)

The Mythopoeic Fantasy Award for Adult Literature is given to the fantasy novel, multi-volume, or single-author story collection for adults published during 2023 that best exemplifies the spirit of the Inklings. Books are eligible for two years after publication if not selected as a finalist during the first year of eligibility. Books from a series are eligible if they stand on their own; otherwise, the series becomes eligible the year its final volume appears.

The Mythopoeic Fantasy Award for Children’s Literature honors books for beginning readers to age thirteen, in the tradition of The Hobbit or The Chronicles of Narnia. Rules for eligibility are otherwise the same as for the Adult literature award. The question of which award a borderline book is best suited for will be decided by consensus of the committees.

The Mythopoeic Scholarship Award in Inklings Studies is given to books on Tolkien, Lewis, and/or Williams that make significant contributions to Inklings scholarship. For this award, books first published during the last three years (20 00–2023) are eligible, including finalists for previous years.

The Mythopoeic Scholarship Award in Myth and Fantasy Studies is given to scholarly books on other specific authors in the Inklings tradition, or to more general works on the genres of myth and fantasy. The period of eligibility is three years, as for the Inklings Studies award.

A complete list of Mythopoeic Award winners is available on the Society website. The finalists for the literature awards, text of recent acceptance speeches, and selected book reviews are also listed in this on-line section.

ALEXEI KONDRATIEV AWARD: Also, Anna Caterino won the 2023 Alexei Kondratiev Award for “Hell on His Mind: Dean Winchester’s Journey to Hell and Back”. The award is given for the best paper presented at Mythcon by an undergraduate or graduate student. The winner receives a certificate, a one-year subscription to Mythlore, and half-off registration for the next Mythcon they attend.

[Based on a press release.]

Pixel Scroll 12/20/22 The Filezentian Gate

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(1) PRESIDENT’S DAY WEEKEND.  Get ready for Boskone 60, coming February 17-19, 2023 in Boston – and via the internet. The convention’s guests are Nalo Hopkinson – Guest of Honor; Victo Ngai – Official Artist; Tui T. Sutherland – Special Guest; and Dave Clement – Musical Guest. Full information at the link.

Boskone 60 will be held in person at The Westin Boston Seaport District hotel, 425 Summer Street, Boston, MA. You can also attend in person at our incredible 3-day convention, starting in the afternoon on Friday, February 17, 2023, at 2:00 pm (U.S. Eastern Standard Time) and running through Sunday, February 19. We are also planning to make a portion of our programming available for virtual members and virtual program participants.

You can experience Boskone virtually for only $24.60!

(2) MEDICAL STRUGGLE. [Item by Danny Sichel.] Kelly Barnhill, winner of the 2016 World Fantasy Award for Best Novella, is marking one year since she missed a step, hit her head, fell down a flight of stairs, and was unconscious for 15 minutes.Recovery from concussion is slow; as a result, she says, writing fiction is not currently possible. Thread starts here. Some excerpts:

https://twitter.com/kellybarnhill/status/1605025107591806981
https://twitter.com/kellybarnhill/status/1605036182739501056

(3) AI YI YI. Alyssa Shotwell brings readers up to date about why “Tor Faces Major Backlash for AI Art for Upcoming Novel From Bestselling Author” in The Mary Sue.

…The comments accusing Tor of using AI art in Christopher Paolini‘s follow-up to To Sleep in a Sea of Stars, Fractal Noise, came as early as November (when the cover was revealed), but it wasn’t until December when more people realized what happened. Around December 9, pressure had built up, and those concerned demanded an answer from Tor and Paolini. On December 15, Tor released this statement on their social media:

“Tor Books designed the cover for Fractal Noise by Christopher Paolini. During the process of creating this cover, we licensed an image from a reputable stock house. We were not aware that the image may have been created by AI. Our in-house designer used the licensed image to create the cover, which was presented to Christopher for approval. Due to production constraints, we have decided to move ahead with our current cover. Tor Publishing Group has championed creators in the SFF community since our founding and will continue to do so.”

At first glance, it’s easy to take at least the first part of this as truth. As far back as September, stock websites and individuals began to host AI art for licensing purposes. Since then, it’s only grown, with Adobe Stock and the portfolio site Artstation catering to AI art. Shutterstock even inked a deal with AI generators in October. Between the sites hosting the images and the companies (like Tor) using them, there are no guidelines for even labeling AI art. It’s being mixed in with human-made art. The AI image created (from stolen images) for the base of Fractal Noise is not even labeled as AI created on Shutterstock.

… Tor knew they would continue to get backlash because, in that tweet, they turned off replies. Most of the people talking about it are retweets, and the conversation continues in those replies….

… Paolini has given mixed responses to the whole situation and has been tweeting (and replying) a lot. He spoke about the value of an artist in the book illustration process and how he’s always shared fan art of his works. Paolini commissioned work from artists and illustrated many elements of his Inheritance Saga (Eragon, etc.), including the map of Alagaësia. He also stated that this AI art situation is not ideal. Most other comments from the author remain neutral.

This is disappointing, as a reader of his books and as an artist, not to see him take a stronger stance on this, at least in a professional setting….

(4) CRICHTON, POURNELLE, AND BENFORD IN 2005. Camestros Felapton resumes following strands of right-wing and reactionary thought within science fiction in a new series “Contrarian Cli-Fi” about sff writers who took a contrarian view of climate change. The latest chapter, “Contrarian Cli-Fi 0.07: Aftermath 2005”, makes a real effort at fairness, it seemed to me, at a time when the internet gives no cookies for such efforts.  

…A great deal about science communication had changed over the intervening time between Fallen Angels and State of Fear. Whereas in past decades science magazines and hybrid sci-fi/science magazines like Analog or OMNI were a key part of science communication to a broader audience of people interested but not experts in science, in the 2000s science blogging was a growing channel between actual scientists and the public.

Michael Crichton’s novel State of Fear also helped spur actual climate scientists to counter Crichton’s views (and doubts about global warming more generally) directly on the web. One of the most interesting exchanges in the wake of State of Fear was, unsurprisingly, on Pournelle’s own blog in 2005.

I’ve cast Pournelle as a right-wing ideologue pushing the contrarian view on climate change but he also manifestly had a genuine interest in climate science. He absolutely wanted to understand the scientific debate if only to refute it on its own terms. In the wake of the State of Fear discussion about global warming and global cooling would be a major topic on his blog. In part that debate was fuelled by reactions to Crichton’s novel in science and science fiction communities.

One obvious overlap between State of Fear, scientists and science fiction writers was author and physicist Gregory Benford. In a 2003 speech by Crichton that presaged the sceptical position of his novel, Crichton had quoted a paper by a panel that included Benford published in Science[1]: …

…Benford responded in a column in the San Diego Tribune published in 2005 taking apart many of Crichton’s claims and misleading statements. Benford unequivocally stated that Crichton was getting his science wrong, relying on secondary sources and misunderstanding those sources….

(5) TRYING TO PREDICT THE PRESENT. “Bezos appears to lose interest in the Washington Post as its tech ambitions wither” reports Semafor.

THE SCOOP

Earlier this month, Washington Post publisher Fred Ryan and a handful of executives traveled to Seattle for a budget meeting with owner Jeff Bezos. The paper’s executive editor Sally Buzbee was not in attendance, according to two people with knowledge of the meeting.

Turmoil back in Washington, DC has followed. Ryan abruptly announced a round of layoffs. Buzbee appeared to distance herself from her publisher. The Post and Buzbee did not respond to requests for comment.

And employees and observers of the Post alike were left wondering what Bezos is doing with the publication….

(6) AMAZON CURBED IN EU ACTION. A European Union press release announced the final “commitments” made by Amazon to avoid further enforcement action, including fines. “Antitrust: Commission accepts commitments by Amazon barring it from using marketplace seller data, and ensuring equal access to Buy Box and Prime”.

…To address the Commission’s competition concerns in relation to both investigations, Amazon initially offered the following commitments:

– To address the data use concern, Amazon proposed to commit:

      • not to use non-public data relating to, or derived from, the independent sellers’ activities on its marketplace, for its retail business. This applies to both Amazon’s automated tools and employees that could cross-use the data from Amazon Marketplace, for retail decisions;
      • not to use such data for the purposes of selling branded goods as well as its private label products.

– To address the Buy Box concern, Amazon proposed to commit to:

      • treat all sellers equally when ranking the offers for the purposes of the selection of the Buy Box winner;
      • display a second competing offer to the Buy Box winner if there is a second offer from a different seller that is sufficiently differentiated from the first one on price and/or delivery. Both offers will display the same descriptive information and provide the same purchasing experience.

– To address the Prime concerns Amazon proposed to commit to:

      • set non-discriminatory conditions and criteria for the qualification of marketplace sellers and offers to Prime;
      • allow Prime sellers to freely choose any carrier for their logistics and delivery services and negotiate terms directly with the carrier of their choice;
      • not use any information obtained through Prime about the terms and performance of third-party carriers, for its own logistics services.

Between 14 July 2022 and 9 September 2022, the Commission market tested Amazon’s commitments and consulted all interested third parties to verify whether they would remove its competition concerns. In light of the outcome of this market test, Amazon amended the initial proposal and committed to:

      • Improve the presentation of the second competing Buy Box offer by making it more prominent and to include a review mechanism in case the presentation is not attracting adequate consumer attention;
      • Increase the transparency and early information flows to sellers and carriers about the commitments and their newly acquired rights, enabling, amongst others, early switching of sellers to independent carriers;
      • Lay out the means for independent carriers to directly contact their Amazon customers, in line with data-protection rules, enabling them to provide equivalent delivery services to those offered by Amazon;
      • Improve carrier data protection from use by Amazon’s competing logistics services, in particular concerning cargo profile information;
      • Increase the powers of the monitoring trustee by introducing further notification obligations;
      • Introduce a centralised complaint mechanism, open to all sellers and carriers in case of suspected non-compliance with the commitments.
      • Increase to seven years, instead of the initially proposed five years, the duration of the commitments relating to Prime and the second competing Buy Box offer.

The Commission found that Amazon’s final commitments will ensure that Amazon does not use marketplace seller data for its own retail operations and that it grants non-discriminatory access to Buy Box and Prime. 

(7) HENRY MORRISON OBIT. Literary agent Henry Morrison died November 2 at the age of 86. The Publishers Weekly noted his sff connections.

…Morrison struck out on his own before he turned 30.

For the next 55 years, characters and storylines in the books and films whose rights Morrison sold became household American names, Robert Ludlum’s Jason Bourne and David Morrell’s Rambo among them. A particularly prolific agent in the crime and thriller genres, other authors in the space Morrison represented included Brian Garfield, Dean Koontz, Eric van Lustbader, Matt Scudder, and Donald E. Westlake. He also represented the science fiction writers Samuel R. Delany (one of his earliest clients) and Roger Zelazny. His well-rewarded midlist writers won multiple Edgars and served as Mystery Writers of America presidents, Grandmasters, and International ThrillerMasters….

(8) MEMORY LANE.

2014 — [By Cat Eldridge.] Frankenstein in Geneva 

Tonight’s creature is one that y’all will now very well, that of  Frankenstein’s monster, though almost everyone now calls it Frankenstein. Philistines. 

While the writer was English, the story was written and takes place in Geneva, Switzerland where this statue is placed in the spot where it goes on a rampage and kills his creator’s brother. 

KLAT, a Geneva artist collective, so there was no individual sculptor listed for this work, created this nearly eight-foot-tall cast bronze sculpture. “Franc” as they call him,  is dressed in ragged clothes, which represents not the character from the novel, but “the figure of the vagrant or the marginal”. With his hunchback, his scars including those of face and hooded sweatshirt and old jeans cut at the knees, it is not at all in keeping with Shelley’s original description of the monster in her novel, but more in line with the modern interpretation of a zombie-like creature. 

The statue was unveiled in May 2014, and is part of the collection of the Contemporary Art Fund of the City of Geneva. That unveiling was — shall we say? — quite electrifying?

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 20, 1838 – Edwin Abbott Abbott. Author of the Flatland: A Romance of Many Dimensions, an 1884 novella that has come to be adopted as SF even though it’s really mathematical fiction. Go ahead, argue with me. (Died 1926.)
  • Born December 20, 1925 — Nicole Maurey. She appeared in The Day of the Triffids as Christine Durrant, and was Elena Antonescu in Secret of the Incas, a film its Wiki page claims was the inspiration for Raiders of the Lost Ark. I can’t find proof anywhere else that it is… (Died 2016.)
  • Born December 20, 1943 — Jacqueline Pearce. She’s best known as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger Man, The Avengers, The Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.)
  • Born December 20, 1951 — Kate Atkinson, 71. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. The Life After Life duology is definitely SF and pretty good reading. She’s well stocked on usual suspects.
  • Born December 20, 1952 — Jenny Agutter, 70. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price In An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all time fave films which is Darkman and finally she was Councilwoman Hawley in The Avengers and The Winter Soldier. 
  • Born December 20, 1960 — Nalo Hopkinson, 62. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out the Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out is her edited Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction. 
  • Born December 20, 1970 — Nicole de Boer, 52. Best remembered for playing the trill Ezri Dax on the final season of Deep Space Nine, and as Sarah Bannerman on The Dead Zone. Well maybe not the latter I’ll admit. She’s done a number of genre films including Deepwater Black, Cube, Iron Invader, and Metal Tornado, and has one-offs in Beyond Reality, Forever Knight, TekWar, Outer Limits, Poltergeist: The Legacy, Psi Factor and Stargate Atlantis. Did I mention she’s Canadian?
  • Born December 20, 1984 — Ilean Almaguer, 38. Here for her role as Illa on the most excellent Counterpart series. If you’ve not seen it, I highly recommend it. To my knowledge, none of many the Spanish-language Mexican telenovelas she appeared in had the slightest genre element. 

(10) COMICS SECTION.

(11) TUNE IN. The BBC World Service is airing a production of Susan Cooper’s “The Dark Is Rising”.

A young boy’s time-travelling fight against ancient evil. When the Dark comes rising, who will hold it back? This dramatisation of Susan Cooper’s cult novel is a magical journey into the supernatural.

There currently are three episodes available with 26 to come.

(12) IRON MAN BACK TO THE PRESS. Gene Wolfe said in his 1985 Worldcon guest of honor speech that the difference between a professional publisher and a fanzine publisher is that if a fanzine sells out, the editor will print more. So what are we to make of Marvel’s enthusiastic announcement that Iron Man #1 is getting a second printing?

This past Wednesday, fans witnessed the beginning of an all-new era for Tony Stark in Invincible Iron Man #1! Writer Gerry Duggan and artist Juan Frigeri have taken over the armored Avenger’s adventures and didn’t pull any punches in their explosive first issue, which sold out and will return in February with a second printing!

 Invincible Iron #1 will receive two new second printing covers, both of which celebrate the character’s iconic legacy by showcasing the many armors Tony has suited up in over the years: A brand-new piece by superstar artist Mark Bagley and definitive Iron Man artist Bob Layton’s showstopping connecting piece in all its glory.

 Invincible Iron Man #1 ended with Tony Stark hitting rock bottom, having lost it all: his wealth…his fame…his friends. But don’t count Stark out just yet. In upcoming issues, Stark will navigate his new status in the Marvel Universe in surprising ways. Readers will see Iron Man court new allies, embrace bold solutions, and make startling moves that will affect his relationships with the Avengers and mutantkind. Is he building towards a brighter future or will he be the architect of further destruction? 

 (13) OH SNAP! SNAP! [Item by Daniel Dern.] If (movie version) Thanos sang or hummed along to the Addams Family theme song, would that quantumize 2x 50% or 50% of 50%?

(14) SOMETHING TO READ. Ted Gioia posted his picks for “The Best Online Essays & Articles of 2022”.

…Most of these are longform essays on music, arts, and culture—because those are matters I think about (and worry about) every day. But I don’t impose any arbitrary limits here. If the article is good enough, I include it, no matter what the subject….

First on the list – “A few things to know before stealing my 914” by Norman Garrett,

Dear Thief,

Welcome to my Porsche 914. I imagine that at this point (having found the door unlocked) your intention is to steal my car. Don’t be encouraged by this; the tumblers sheared off in 1978. I would have locked it up if I could, so don’t think you’re too clever or that I’m too lazy. However, now that you’re in the car, there are a few things you’re going to need to know. First, the battery is disconnected, so slide-hammering my ignition switch is not your first step. I leave the battery disconnected, not to foil hoodlums such as yourself, but because there is a mysterious current drain from the 40-year-old German wiring harness that I can’t locate and/or fix….

(15) VIDEO OF THE DAY. “Honest Game Trailers: The Game Awards” sends up an awards show which finds it impossible to live up to its pretentions, saying it’s “an award show that wants to be taken as seriously as the Oscars except that every single year something absolutely ridiculous happens.” Mistakes were made, birds were flipped.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Danny Sichel, Todd Mason, Daniel Dern, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]